Podcasts about phrenologists

Eastern Market Murder takes you back in time to the scene of a horrific crime, all while walking through the streets of Melbourne using augmented reality to meet the characters involved. Can you bring the killer to justice? Emma Ramsay and Andy Yong join us to talk about how they researched the history of this true crime, and worked with the descendants of the real world people involved to create this interactive game. Pixel Sift is produced by Viv Thum, Fiona Bartholomaeus, Daniel Ang & Adam Christou. Mitch Loh is Senior Producer and Gianni Di Giovanni is our Executive Producer. Thanks to Salty Dog Sounds for some of our promo music. See omnystudio.com/listener for privacy information.

Did you ever think the shape of your head has something to do with your personality? No? Good because it doesn't, but Phrenologists thought exactly that. Author and historian Dr. John van Wyhe joins Matt and Helen to talk about this odd school of pseudoscience that was at the dawn of understanding the brain.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Snuffing out "the way we do things around here" obsolete ideas.

Part three of a three part series dedicated to the naturalist and explorer, John Kirk Townsend. In 1839, Townsend published his journal as a book entitled "A Narrative of a Journey Across the Rocky Mountains to the Columbia River". The journal recounts the then 24 year old's trip from Missouri to the mouth of the Columbia River in 1834, with fellow naturalist and professor Thomas Nuttall.  This narration is slightly abridged by the narrator and is based on an old printing where some excerpts of the original journal were omitted. For a complete version of Townsend's book, go to this link: http://osupress.oregonstate.edu/book/narrative-of-journey-across-rocky-mountains-to-columbia-river For free e-book versions go to www.gutenberg.org here: https://www.gutenberg.org/ebooks/45238 W. Lindquist's paper :Stealing from the Dead:Scientists, Settlers, and Indian Burial Sites in Early-Nineteenth-Century Oregon  link: https://www.ohs.org/research-and-library/oregon-historical-quarterly/upload/04_Lindquist_Stealing-from-the-Dead_OHQ-115_revised.pdf An ethnohistorical review relating to Fort Vancouver https://www.nps.gov/fova/learn/historyculture/upload/Ethnohistorical-Overview-by-Deur-Accessible-PDF.pdf To learn more about early 19th century Phrenologists, their role in racist policies, and Samuel Morton's  Crania Americana: https://www.youtube.com/watch?v=mMVzPCOut1w  

We commonly think of Walt Whitman as the great American poet, the gray-bearded bard who captures the democratic music of our country with, as he called it, his “barbaric yawp.” And, sure enough, Whitman thought of himself this way. “I hear America singing” he famously wrote in the fourth edition of Leaves of Grass. What’s less commonly know is that Whitman had a very clear idea as to how a poet should create this song. In his preface to the very first edition of Leaves of Grass, that book he would add to and enhance throughout his life, he describes his vision of the poetic process: “The sailor and traveler . . . . the anatomist chemist astronomer geologist phrenologist spiritualist mathematician historian and lexicographer are not poets, but they are the lawgivers of poets and their construction underlies the structure of every perfect poem.” For Whitman, it’s the craftsmen and scientists who lay down the laws, and the poets must follow them. Now, if your ear got caught in that list on a few odd inclusions–astronomer and geologist make sense, but spiritualist and phrenologist?you’re not alone. In her new book, Intended American Dictionary (Miel Press, 2016), Kate Partridge not only notices, but also explores some of the more unusual and surprising elements of Whitman’s poetry and life, such as the fact that he was fascinated by phrenology, a 19th century pseudoscience that was very popular in his moment. Phrenologists claimed to be able to describe a person’s nature from the bumps on the skull. In fact, that first edition of Leaves of Grass, that book Whitman would rewrite all his life, it was published by two famous phrenologists named Fowler and Wells. It’s this Whitman that Partridge sings and celebrates in her engaging, intimate, and keenly humorous new book. Learn more about your ad choices. Visit megaphone.fm/adchoices

We commonly think of Walt Whitman as the great American poet, the gray-bearded bard who captures the democratic music of our country with, as he called it, his “barbaric yawp.” And, sure enough, Whitman thought of himself this way. “I hear America singing” he famously wrote in the fourth edition of Leaves of Grass. What’s less commonly know is that Whitman had a very clear idea as to how a poet should create this song. In his preface to the very first edition of Leaves of Grass, that book he would add to and enhance throughout his life, he describes his vision of the poetic process: “The sailor and traveler . . . . the anatomist chemist astronomer geologist phrenologist spiritualist mathematician historian and lexicographer are not poets, but they are the lawgivers of poets and their construction underlies the structure of every perfect poem.” For Whitman, it’s the craftsmen and scientists who lay down the laws, and the poets must follow them. Now, if your ear got caught in that list on a few odd inclusions–astronomer and geologist make sense, but spiritualist and phrenologist?you’re not alone. In her new book, Intended American Dictionary (Miel Press, 2016), Kate Partridge not only notices, but also explores some of the more unusual and surprising elements of Whitman’s poetry and life, such as the fact that he was fascinated by phrenology, a 19th century pseudoscience that was very popular in his moment. Phrenologists claimed to be able to describe a person’s nature from the bumps on the skull. In fact, that first edition of Leaves of Grass, that book Whitman would rewrite all his life, it was published by two famous phrenologists named Fowler and Wells. It’s this Whitman that Partridge sings and celebrates in her engaging, intimate, and keenly humorous new book. Learn more about your ad choices. Visit megaphone.fm/adchoices

We commonly think of Walt Whitman as the great American poet, the gray-bearded bard who captures the democratic music of our country with, as he called it, his “barbaric yawp.” And, sure enough, Whitman thought of himself this way. “I hear America singing” he famously wrote in the fourth edition of Leaves of Grass. What’s less commonly know is that Whitman had a very clear idea as to how a poet should create this song. In his preface to the very first edition of Leaves of Grass, that book he would add to and enhance throughout his life, he describes his vision of the poetic process: “The sailor and traveler . . . . the anatomist chemist astronomer geologist phrenologist spiritualist mathematician historian and lexicographer are not poets, but they are the lawgivers of poets and their construction underlies the structure of every perfect poem.” For Whitman, it’s the craftsmen and scientists who lay down the laws, and the poets must follow them. Now, if your ear got caught in that list on a few odd inclusions–astronomer and geologist make sense, but spiritualist and phrenologist?you’re not alone. In her new book, Intended American Dictionary (Miel Press, 2016), Kate Partridge not only notices, but also explores some of the more unusual and surprising elements of Whitman’s poetry and life, such as the fact that he was fascinated by phrenology, a 19th century pseudoscience that was very popular in his moment. Phrenologists claimed to be able to describe a person’s nature from the bumps on the skull. In fact, that first edition of Leaves of Grass, that book Whitman would rewrite all his life, it was published by two famous phrenologists named Fowler and Wells. It’s this Whitman that Partridge sings and celebrates in her engaging, intimate, and keenly humorous new book. Learn more about your ad choices. Visit megaphone.fm/adchoices

We commonly think of Walt Whitman as the great American poet, the gray-bearded bard who captures the democratic music of our country with, as he called it, his “barbaric yawp.” And, sure enough, Whitman thought of himself this way. “I hear America singing” he famously wrote in the fourth edition of Leaves of Grass. What’s less commonly know is that Whitman had a very clear idea as to how a poet should create this song. In his preface to the very first edition of Leaves of Grass, that book he would add to and enhance throughout his life, he describes his vision of the poetic process: “The sailor and traveler . . . . the anatomist chemist astronomer geologist phrenologist spiritualist mathematician historian and lexicographer are not poets, but they are the lawgivers of poets and their construction underlies the structure of every perfect poem.” For Whitman, it’s the craftsmen and scientists who lay down the laws, and the poets must follow them. Now, if your ear got caught in that list on a few odd inclusions–astronomer and geologist make sense, but spiritualist and phrenologist?you’re not alone. In her new book, Intended American Dictionary (Miel Press, 2016), Kate Partridge not only notices, but also explores some of the more unusual and surprising elements of Whitman’s poetry and life, such as the fact that he was fascinated by phrenology, a 19th century pseudoscience that was very popular in his moment. Phrenologists claimed to be able to describe a person’s nature from the bumps on the skull. In fact, that first edition of Leaves of Grass, that book Whitman would rewrite all his life, it was published by two famous phrenologists named Fowler and Wells. It’s this Whitman that Partridge sings and celebrates in her engaging, intimate, and keenly humorous new book. Learn more about your ad choices. Visit megaphone.fm/adchoices

We commonly think of Walt Whitman as the great American poet, the gray-bearded bard who captures the democratic music of our country with, as he called it, his “barbaric yawp.” And, sure enough, Whitman thought of himself this way. “I hear America singing” he famously wrote in the fourth edition of Leaves of Grass. What’s less commonly know is that Whitman had a very clear idea as to how a poet should create this song. In his preface to the very first edition of Leaves of Grass, that book he would add to and enhance throughout his life, he describes his vision of the poetic process: “The sailor and traveler . . . . the anatomist chemist astronomer geologist phrenologist spiritualist mathematician historian and lexicographer are not poets, but they are the lawgivers of poets and their construction underlies the structure of every perfect poem.” For Whitman, it’s the craftsmen and scientists who lay down the laws, and the poets must follow them. Now, if your ear got caught in that list on a few odd inclusions–astronomer and geologist make sense, but spiritualist and phrenologist?you’re not alone. In her new book, Intended American Dictionary (Miel Press, 2016), Kate Partridge not only notices, but also explores some of the more unusual and surprising elements of Whitman’s poetry and life, such as the fact that he was fascinated by phrenology, a 19th century pseudoscience that was very popular in his moment. Phrenologists claimed to be able to describe a person’s nature from the bumps on the skull. In fact, that first edition of Leaves of Grass, that book Whitman would rewrite all his life, it was published by two famous phrenologists named Fowler and Wells. It’s this Whitman that Partridge sings and celebrates in her engaging, intimate, and keenly humorous new book. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr James Poskett (Faculty of History, University of Cambridge) Remembering Haiti: Phrenology, Slavery and the Material Culture of Race, 1791-1861 Dr Stefan Hanß (Faculty of History, University of Cambridge) Familiar with the Matter: Slavery and the Body in the Early Modern Mediterranean Abstracts: Dr James Poskett. Eustache Belin saw the violence of slavery and revolution first hand. Born a slave on the French colony of Saint-Domingue in 1773, Eustache spent his youth toiling in the sugar mills. But amidst the Haitian Revolution of 1791, he escaped to Paris. Incredibly, in the 1830s, a French phrenologist took a cast of Eustache’s head. Over the next thirty years, Eustache became a focal point for discussion of African character. Phrenologists wanted to understand the relationship between the African mind, slavery and revolution. In this talk, I follow the bust of Eustache as it travelled back and forth across the Atlantic Ocean. In doing so, I show how a single phrenological bust was deployed by both supporters and opponents of abolition. More broadly, this talk suggests that the history of race needs to be understood as part of a history of material exchange. Dr Stefan Hanß. Traditional definitions of slavery strongly connect forced labour to the absence of a slave’s autonomy of decision over his body. Coerced labour, in that sense, is enforced, ensured and perpetuated through an owner’s power over another human’s body. Sociologists and anthropologists, however, have broadened the definition of body techniques and practices that prompt historians to rethink the relationship of labour and the body. My presentation thus discusses slavery in the early modern Mediterranean in the light of recent research on the history of the body. I examine how the bodies of slaves were a targeted yet negotiated scene of constraint and agency. Whilst Mediterranean slave-owners indeed tried to mark slavery through the bodies of enslaved men and women, their strategies in body practices enabled slaves to constantly re-negotiate their servile status. I first examine archival lists in which slave-owners described their slaves’ bodies in detail. These descriptions enabled identification and guaranteed the slaves’ status as commodities on the one hand. On the other, slaves were familiar with the significance of these lists. Consequently, they tried to influence both the processes of commodification and their servile status by making active use of their masters’ records. My presentation’s second focus lies on how former slaves described their own bodies and body practices in servility. When enslaved Germans returned to the German lands, they often wrote in incredible detail about the shaving rites they had to endure whilst living in Ottoman or North African servitude. These sixteenth- and seventeenth-century narratives, again, underline that slaving and body practices posed constraints as much as scopes of actions of which slaves were well aware of and keen to use.

Mon Oct 10, 2011 Mister Ron's Basement No. 2000 (Part Fifteen of Twenty-One) In celebration of reaching 2000 Episodes, we will be presenting Max Adeler's 1879 Book ‘Random Shots' from cover-to-cover over the course of 21 Days! Phrenologists were immensely popular in the 19th Century. They were Doctors who treated and analyzed patients by feeling the bumps on their head. Today's tale concerns a phrenologist who is also a total idiot. You will enjoy meeting ‘Professor Quackenboss.' A. B. Frost Time: approx twenty-five minutes The Mister Ron's Basement Catalog can be found at: http://ronevry.com/Mister_Rons_Full_Catalog.html The Index of Max Adeler stories is located at: http://ronevry.com/maxadeler.html *There is a nifty interview with Mister Ron in issue #59 iProng Magazine (now known as Beatweek Magazine) which can be downloaded at a new URL as a free pdf file here.  *John Kelly of The Washington Post has written a lively piece about the Basement. You can read it here. * Help Keep Mister Ron's Basement alive! Donate One Dollar: http://ronevry.com/Mister_Ron_Donate.html A hint to new listeners - you can use the catalogs to find stories by specific authors, or just type their name in the keyword search field. To find some of the best stories in the Basement, simply click here! -- By the way, if you haven't noticed, you can get the episode by either clicking on the word 'POD' on top of this section, or on the filename on the bottom where it says 'Direct Download' or by clicking on the Victrola picture, or by subscribing in iTunes. When in iTunes, please click on 'Subscribe' button. It's Free! Thank you.       Join us on Facebook! You can join us on Twitter as well — just follow misterron, and we'll follow you back.

Wed, Oct 15 2008 Mister Ron's Basement #1181 A century or so ago, Phrenologists, who would read fortunes and character from the bumps in peoples' heads, were quite popular. Today's George Ade story, from 1899, deals with just that. It's called 'The Fable of the Visitor Who Got A Lot for Three Dollars.' Time: approx five minutes The Mister Ron's Basement Full Catalog can be found at: http://ronevry.com/Mister_Rons_Full_Catalog.html The George Ade Catalog of Stories is at: http://ronevry.com/AdeCatalog.html