Podcasts about robbert jan

De jaren '90, via kantoorruimtes zonder vaste werkplekken, naar het hybride werken anno nu. Een combinatie van thuis én op kantoor werken. Een concept dat verrassend goed blijkt te werken. Medewerkers waarderen de flexibiliteit en organisaties zien de productiviteit en de tevredenheid van hun werknemers toenemen.Waar staan we nu als het gaat om tijds- en plaatsonafhankelijk werken? En wat zijn de komende ontwikkelingen nog in hybride werken? Dat bespreekt tafelheer Robbert-Jan van IJzendoorn in deze aflevering met tafelgasten Linda van Bakkum en Joost Merkx!

Van telewerken in de jaren '90, via kantoorruimtes zonder vaste werkplekken, naar het hybride werken anno nu. Een combinatie van thuis én op kantoor werken. Een concept dat verrassend goed blijkt te werken. Medewerkers waarderen de flexibiliteit en organisaties zien de productiviteit en de tevredenheid van hun werknemers toenemen.Waar staan we nu als het gaat om tijds- en plaatsonafhankelijk werken? En wat zijn de komende ontwikkelingen nog in hybride werken? Dat bespreekt tafelheer Robbert-Jan van IJzendoorn in deze aflevering met tafelgasten Linda van Bakkum en Joost Merkx!

Annemieke Bosman in gesprek met Robbert-Jan Henkes, publicist en vertaler. Henkes vertaalde onlangs het in 1897 gepubliceerde boek 'Irene Iddesleigh' van Amanda McKittrick Ros. McKittrick Ros brak destijds meteen door tot de rangen der grote Ierse schrijvers. De Engelse criticus Barry Pain riep het uit tot het Boek van de Eeuw. Niet omdat het zo goed was, maar omdat het zo onwaarschijnlijk slecht was. Met haar alomtegenwoordige alliteratiedrift, haar maniakale voorkeur voor het verkeerde woord op de verkeerde plaats, haar anakoloeten, haar soms onbegrijpelijk kronkelige syntax, maar vooral vanwege de dodelijke ernst waarmee ze schreef, de rotsvaste overtuiging dat het mooi was en allerminst grappig, is ze in kleine kring bekend komen te staan als Slechtste Schrijver Aller Tijden.  Robbert-Jan Henkes (1962) is publicist en vertaler. Samen met Erik Bindervoet vertaalde hij werk van onder meer James Joyce, Shakespeare, The Beatles en Bob Dylan. Zijn vertaling van Russische kindergedichten, Bij mij op de maan werd bekroond met de Filter Vertaalprijs 2017 en de Aleida Schotprijs 2018.

In deze podcast hebben we het over Robbert-Jan uit Den Haag die niet aangenomen werd als uitvaartverzorger vanwege zijn accent, heeft 3FM-collega Rámon de tweelingbroer van Caroline van der Plas gevonden en vertelt brakke Timur over de afterparty van de 3FM Awards bij DI-RECT. Ook legt Rob uit hoe showbizz werkt en vindt Lideke het allemaal niet meer leuk. Dat allemaal in een nieuwe aflevering van Rob & Wijnand en het beste van 3FM. Wil je iets sturen naar Rob & Wijnand? Kijk dan op 3fm.nl/brievenbusje

In this episode I speak to Robbert-Jan 't Hoen of Robeco.Robbert-Jan is a Quantitative Researcher in the Fixed Income space for Robeco, and in our conversation we discussed the implications of how alternative data can be used to trade corporate bonds. Hosted on Acast. See acast.com/privacy for more information.

Robbert-Jan van Duijn is met zijn 34 jaar de jongste burgemeester van Nederland. De CDA-politicus vertelt in gesprek met Jan van den Bosch gepassioneerd over zijn gemeente Nieuwkoop. Hij wil er zijn voor de mensen. ‘Op zaterdag ben ik aanwezig op de sportvereniging of op de markt bij een toneeluitvoering, maar ook in de kerk. Dat zijn de plekken die gemeenschappen maken.'

Robbert Jan De Veen is the owner of the De Daltons restaurant in the Netherlands. He is also the owner of the world record for the most expensive burger ever made and sold! From gold leaf to white truffles, we learn all about the history of the Golden Boy Burger and how every restaurateur can deliver a fantastic experience on this episode. On this edition, Robbert and host Zack Oates discuss: How COVID led to the creation of the Golden BoyWhat ingredients make up a $6000 dollar burgerHow Robbert used the Golden Boy to benefit his communityRobbert's thoughts on delivering a memorable guest experienceMoreThanks Robbert!

Robbert-Jan vd Plas is a Dutch dj from Katwijk aan zee born in 1980. At the age of 9 he received his first 2 vinyls. Turn Up The Bass 1 and 2. It was the year 1989. First track he listened to was Pump Up The Jam, after the first beats he was hooked. Since then he was always listening to fresh new beats. In 1993 he decided to save the little money that he could get to buy the records that he liked and try to mix them. Starting with 1 turntable (Without pitch) and 1 cd player. 1 year later he visited his first houseparty (Nightmare in Rotterdam) and then he knew it, he wanted to be an dj. So from then on he bought more and more vinyl and at 14 got his first residency at a local youghtcentre. For 3 years he was the hardest dj there and from all over the village the young boys and girls came to dance on his Hardcore beats After that 3 years he stopped his residency and got his first gig at the HOUSE in SCUM party's in Katwijk and when he was around 20 years old he they asked him to be a resident at the party's once a month. He continued that untill 2011 when he was 31 years old. In between he played at a lot of small clubs and small party's in the whole of the Netherlands and a few in Begium and Germany also. Still only as an Amateur. In this period he also spinned at some local radioshows and even got an invite to play at the Old School Generation on Radio Fresh FM hosted by dj Norman where spinned some an vinyl Old School set. Also been a resident at D.O.T.F. radio. An internet old school radiostation where the rules are "Fuck Hokjes" so there will be mostly spinned underground old school records. Other residents of the show are dj Sneaky-d (founder of the staion), Jeff London, dj Vince an dj Stylo. Unfortunaly the show stopped after 10 years. Since 2011 things where running a bit slower due of the birth of his daughter Yara in november 2011, his son Finley in September 2013 and daughter Jaxy in februari 2015. Hey stopped with Scum in 2011 after an 11 year recidency. Bookings went down and he didn't preformed a lot after that. Few small party's like the Early Ravers United party's. Biggest gigs since then where Fucking Basterds in Culemburg in 2012 and Vinyl Syndrome V · Limita'd Edition Moscou Russia in 2016. Nowdays due of Facebook Groups and Facebook Live more and more sets are being braodcasted around the web. He has done 4 shows on Hard Shock radio Italy, mostly Early Hardcore. And multiple shows on Toxic Sickness since 2018. This was all as HAMdj and in the styles Hardcore, Early Hardcore, Hardstyle and Old School. 2018 he started a Podcast serie with a friend (dj Exomni) called The Dark Chronicles in courtesy of Annihilation. The Dark Chronicles offers mixes in the Harder Mainstream, Millenium, Crossbreed, Industrial and Doomcore. (No Uptemo or Terror!!) Brought by a variety of fine artists. But after discovering the Dark Techno at the end of 2018 he created this alter ego Viktor Gambon. And started a sideshow podcast called the Dark Techno Sessions. So pretty new to the Techno scene he is mixing this with his own vision. Not excluding anything. So influences from the Rave, Acid or Classic scene. Expect no limits or boundaries in his sets. They will go up and down but you never know when and where it will end! In curtesy of Toxic Sickness he, togheter with his good friend Denny Spek aka Spek FM, will create a new show called Classics, Techno, Rave & Bits. Where they will combine multiple styles and try to create an Dark Atmosfear in each set. Not refusing any style. But mostly it will be Slow and Dark. Social info. Facebook: www.facebook.com/Viktor-Gambon Facebook: www.facebook.com/HAMdj Facebook: www.facebook.com/Dark-Techno-Sessions Facebook: www.facebook.com/Annihilation.TheDarkChronicles Soundcloud: https://soundcloud.com/hamdj Soundcloud: https://soundcloud.com/user-541779419 Soundcloud: https://soundcloud.com/theannihilationproject

De Beethovenweek van Robbert Jan de Neeve. d   1. Symfonie nr. 4, in Bes, opus 60 Wyneke Jordans, Leo van Doeselaar, piano à 4-mains 2. Pianosonate no. 32 in c op. 111 Friedrich Gulda, piano.    

De Beethovenweek van Robbert Jan de Neeve. c   1. Symfonie no. 2 in D op. 36 Beethovens eigen bewerking voor pianotrio Van Swieten Society: Igor Rukhadze; Job ter Haar; Bart van Oort. 2. Fantasie in c, opus 80 voor piano koor en orkest Alfred Brendel, piano. London Philharmonic Choir & Orchestra olv. Bernard Haitink. […]

De Beethovenweek van Robbert Jan de Neeve. b   1. Pianoconcert no. 1, opus 15. Arthur Schoonderwoerd, pianoforte. Cristofori olv. Luigi de Filippi. 2. Fantasie sonate in D. nummer 45 uit een lijst zonder nadere catalogisering. Voltooiing Cees Nieuwenhuizen Martin Oei, fortepiano.  

De Beethovenweek van Robbert Jan de Neeve. a   1. Bagatelle in a klein, WoO 59, “Für Elise” (versie 1822, editie Barry Cooper) Sergio Gallo, piano 2. Symfonie no. 7, in A, opus 92. Orkest van de 18e eeuw olv. Frans Brüggen. 3. Pianotrio (no. 20) in f (een deel, het eerste, bewaard: Poco sostenuto […]

Het duurde even, maar ja, een van de grootste crises sinds de 2de wereldoorlog! En daarom om 20:00 klappen voor Will Smith. Vergeet niet tot het eind te luisteren, want je krijgt nog een verrassing! --- Send in a voice message: https://anchor.fm/lekkergespotgast/message

Het ondernemerschap is iets heel moois waardoor we dagelijks veel inspirerende mensen ontmoeten. In deze podcast praat Nico van der Zaan dan ook met een persoonlijke inspiratiebron, Robbert Jan Sabel. Robbert Jan vertelt hoe belangrijk het eigenlijk is dat je mensen echt raakt met de content die je plaatst.

Deze week te gast: Robbert-Jan van Oeveren, een van de oprichters van KOOS Service Design. De inmiddels 34 werknemers van dit bureau houden zich bezig met innovatie op het gebied van diensten. Denk hierbij aan het verbeteren van de gebruikerservaring voor grote dienstverleners zoals banken, verzekeraars en providers, maar ook zorg- en overheidsinstellingen. Naast service design praten we ook over ondernemen, een boeiend gesprek! Columnist Sanne Roemen verstuurde afgelopen weekend haar 200e 'Door Mijn Filters' nieuwsbrief. Een mooie mijlpaal. We praten over navigatiesystemen die snelle routes kiezen ten koste van locals en over te laat komen... De Blikopeners van deze week gaan over een onderzoek naar het consumentenvertrouwen in Amerikaanse tech-giganten, en hoe dat over de jaren verschoof. En welke dienst zou je het meest missen als deze nu zou stoppen? Ook een blik terug in de tijd, wat waren de meest bezochte sites in 2000 en 2010? Columnist Dimitry Vleugel praat ons bij over een nieuw type batterij die werkt via bacteriën en vocht in de lucht, waarmee je kleine devices zou kunnen voeden. En hij verzucht zich over fabels over elektrische auto's en de 'haat' die hij als nieuwe elektrische rijder over zich heen krijgt. Tijdschema: 00:01:59 Robbert-Jan van Oeveren van Koos Service Design 00:12:26 Wat was het lastigste bij het opbouwen van het bedrijf? 00:14:59 Heeft Robbert-Jan een limiet, een doel met KOOS? 00:29:24 Sanne Roemen heeft al 200 nieuwsbrieven verstuurd 00:40:46 Wilg las onderzoek over vertrouwen in Amerikaanse giganten 00:49:45 Dim over een bacterie waarmee je energie kunt opwekken 00:54:41 Dim vraagt zich af: veroorzaken elektronische auto's brand?

Today’s guests are breakdancer and video game designer Robbert-Jan Brems and North American First Nations advocate and dancer Leslie Kachina McCue. Robbert works at Unity Technologies in Solutions Engineering and is also a tech advisor at Danse Bloom. Leslie is a traditional dancer, indigenous resource knowledge teacher, and coordinator for the Royal Ontario Museum Youth Cabinet. We hear from Robbert how breakdancing taught him about passion and creativity, and how these lessons went a long way in showing him he could learn anything he wanted. He went from being bad at gaming to a game developer because of it. Leslie’s life ambition is to use the land as a dramaturgical device and leverage theatre, education, and dance to preserve her culture and bring justice to her people by telling their story. Our guests come from very different backgrounds but we cover some exciting overlaps today. We talk about how humility and togetherness are both major factors in their work.

In deze aflevering van de We Live Here podcast krijg je een klein kijkje in het veelzijdige leven van Robbert Jan Proos, onder andere cabaretier, presentator en schrijver.

In deze oorstrelende melange van genialiteit oppert Steven dat het wel eens klaar is met het uitnodigen van 'sterke vrouwen', wil Robbert-Jan vegetariërs aan de frikandel en hekelt Kris de achterlijke bierprijzen in de kroeg. Genoeg dus om je heel even gematigd druk over te maken! Nou dat dus. --- Send in a voice message: https://anchor.fm/lekkergespotgast/message

The German youth movement of the late Kaiserreich and ill-fated Weimar Republic has been a subject of controversy since its inception. The longing for community that drove the movement, and a sense of shared experience that members found on long hikes to historic sites, has been linked to everything from a revolution in conservative thought to the rise of Nazism. But how did the youth movement see history? Why did hiking become a bridge between the past and the present? What possibilities did members feel in the drumbeat of German history? Find out in our discussion with Robbert-Jan Adriaansen about his new book The Rhythm of Eternity: The German Youth Movement and the Experience of the Past, 1900-1933 (Berghahn Books, 2015). By examining the hiking reports of the youth movement, Robbert-Jan traces the development of historical thought among its members and how their experience of heritage became a vehicle to express hopes for the future. Robbert-Jan Adriaansen is an assistant professor of history at the Erasmus University Rotterdam where he teaches historiography and the philosophy of history. His current research on historical reenactment is part of their interdisciplinary Research Excellence Initiative Project “War! Popular Culture and European Heritage of Major Armed Conflicts.” Ryan Stackhouse is a historian of Europe specializing in modern Germany and political policing under dictatorship. His research exploring Gestapo enforcement practices toward different social groups is nearing completion under the working title “Policing Hitler’s Critics.” He also cohosts the Third Reich History Podcast and can be reached at john.ryan.stackhouse@gmail.com or @Staxomatix   Learn more about your ad choices. Visit megaphone.fm/adchoices

The German youth movement of the late Kaiserreich and ill-fated Weimar Republic has been a subject of controversy since its inception. The longing for community that drove the movement, and a sense of shared experience that members found on long hikes to historic sites, has been linked to everything from a revolution in conservative thought to the rise of Nazism. But how did the youth movement see history? Why did hiking become a bridge between the past and the present? What possibilities did members feel in the drumbeat of German history? Find out in our discussion with Robbert-Jan Adriaansen about his new book The Rhythm of Eternity: The German Youth Movement and the Experience of the Past, 1900-1933 (Berghahn Books, 2015). By examining the hiking reports of the youth movement, Robbert-Jan traces the development of historical thought among its members and how their experience of heritage became a vehicle to express hopes for the future. Robbert-Jan Adriaansen is an assistant professor of history at the Erasmus University Rotterdam where he teaches historiography and the philosophy of history. His current research on historical reenactment is part of their interdisciplinary Research Excellence Initiative Project “War! Popular Culture and European Heritage of Major Armed Conflicts.” Ryan Stackhouse is a historian of Europe specializing in modern Germany and political policing under dictatorship. His research exploring Gestapo enforcement practices toward different social groups is nearing completion under the working title “Policing Hitler’s Critics.” He also cohosts the Third Reich History Podcast and can be reached at john.ryan.stackhouse@gmail.com or @Staxomatix   Learn more about your ad choices. Visit megaphone.fm/adchoices

The German youth movement of the late Kaiserreich and ill-fated Weimar Republic has been a subject of controversy since its inception. The longing for community that drove the movement, and a sense of shared experience that members found on long hikes to historic sites, has been linked to everything from a revolution in conservative thought to the rise of Nazism. But how did the youth movement see history? Why did hiking become a bridge between the past and the present? What possibilities did members feel in the drumbeat of German history? Find out in our discussion with Robbert-Jan Adriaansen about his new book The Rhythm of Eternity: The German Youth Movement and the Experience of the Past, 1900-1933 (Berghahn Books, 2015). By examining the hiking reports of the youth movement, Robbert-Jan traces the development of historical thought among its members and how their experience of heritage became a vehicle to express hopes for the future. Robbert-Jan Adriaansen is an assistant professor of history at the Erasmus University Rotterdam where he teaches historiography and the philosophy of history. His current research on historical reenactment is part of their interdisciplinary Research Excellence Initiative Project “War! Popular Culture and European Heritage of Major Armed Conflicts.” Ryan Stackhouse is a historian of Europe specializing in modern Germany and political policing under dictatorship. His research exploring Gestapo enforcement practices toward different social groups is nearing completion under the working title “Policing Hitler’s Critics.” He also cohosts the Third Reich History Podcast and can be reached at john.ryan.stackhouse@gmail.com or @Staxomatix   Learn more about your ad choices. Visit megaphone.fm/adchoices

The German youth movement of the late Kaiserreich and ill-fated Weimar Republic has been a subject of controversy since its inception. The longing for community that drove the movement, and a sense of shared experience that members found on long hikes to historic sites, has been linked to everything from a revolution in conservative thought to the rise of Nazism. But how did the youth movement see history? Why did hiking become a bridge between the past and the present? What possibilities did members feel in the drumbeat of German history? Find out in our discussion with Robbert-Jan Adriaansen about his new book The Rhythm of Eternity: The German Youth Movement and the Experience of the Past, 1900-1933 (Berghahn Books, 2015). By examining the hiking reports of the youth movement, Robbert-Jan traces the development of historical thought among its members and how their experience of heritage became a vehicle to express hopes for the future. Robbert-Jan Adriaansen is an assistant professor of history at the Erasmus University Rotterdam where he teaches historiography and the philosophy of history. His current research on historical reenactment is part of their interdisciplinary Research Excellence Initiative Project “War! Popular Culture and European Heritage of Major Armed Conflicts.” Ryan Stackhouse is a historian of Europe specializing in modern Germany and political policing under dictatorship. His research exploring Gestapo enforcement practices toward different social groups is nearing completion under the working title “Policing Hitler’s Critics.” He also cohosts the Third Reich History Podcast and can be reached at john.ryan.stackhouse@gmail.com or @Staxomatix   Learn more about your ad choices. Visit megaphone.fm/adchoices

The German youth movement of the late Kaiserreich and ill-fated Weimar Republic has been a subject of controversy since its inception. The longing for community that drove the movement, and a sense of shared experience that members found on long hikes to historic sites, has been linked to everything from a revolution in conservative thought to the rise of Nazism. But how did the youth movement see history? Why did hiking become a bridge between the past and the present? What possibilities did members feel in the drumbeat of German history? Find out in our discussion with Robbert-Jan Adriaansen about his new book The Rhythm of Eternity: The German Youth Movement and the Experience of the Past, 1900-1933 (Berghahn Books, 2015). By examining the hiking reports of the youth movement, Robbert-Jan traces the development of historical thought among its members and how their experience of heritage became a vehicle to express hopes for the future. Robbert-Jan Adriaansen is an assistant professor of history at the Erasmus University Rotterdam where he teaches historiography and the philosophy of history. His current research on historical reenactment is part of their interdisciplinary Research Excellence Initiative Project “War! Popular Culture and European Heritage of Major Armed Conflicts.” Ryan Stackhouse is a historian of Europe specializing in modern Germany and political policing under dictatorship. His research exploring Gestapo enforcement practices toward different social groups is nearing completion under the working title “Policing Hitler’s Critics.” He also cohosts the Third Reich History Podcast and can be reached at john.ryan.stackhouse@gmail.com or @Staxomatix   Learn more about your ad choices. Visit megaphone.fm/adchoices

In Brands met Boeken een gesprek met schrijvers- en vertalersduo Robbert-Jan Henkes en Erik Bindervoet, die een boek schreven over Hans Vandenburg; de voorman van de band Gruppo Sportivo die eind jaren zeventig een hele generatie muzikaal betoverde. Maar wat is dat toch met Hans Vandenburg? Iedereen kent hem en niemand kent hem. Het wordt [...]