Video game character
Mit seinem Projekt "Luigi muss nach Hause" erfüllt sich Martin Buschmann einen Herzenswunsch. Im alten Fiat 500 seiner Eltern fährt er einmal quer durch sein Geburtsland Italien bis nach Sizilien. Begleitet wird er dabei von seinem Freund Gereon Roemer. In diesem Interview berichtet Martin, was die beiden auf ihren Etappen bisher alles erlebt haben. Und er verrät, wie der Charme von Luigi auf die Italinier wirkt. Einige Bilder und weiterführende Links findest du in den Shownotes unter: https://gatesieben.de/luigi Wenn dich das Thema Storytelling und Reportage interessiert und du selbst zu einem visuellen Geschichtenerzähler werden möchtest, dann schau doch mal bei „Abenteuer Reportagefotografie“ vorbei. Das ist das Projekt mit einer eigenen Community, das ich gemeinsam mit Thomas Jones von den Photologen mache. In Webinaren, einem exklusiven Podcasts sowie Video-Kursen zeigen wir dir, wie du Geschichten mit Bildern erzählst und geben dir Einblicke in unsere Projekte. Außerdem kannst du bei Aufnahmen für den GATE7-Podcast live via Zoom mit dabei sein und den Gästen anschließend deine Fragen stellen. Im nächsten Webinar beschäftigen wir uns am 26. Januar 2022 mit der Street Photography.
Last year, Capitalisn't featured two episodes on the pluses and minuses of meritocracy. Supporters of meritocracy, such as Adrian Wooldrige, emphasize its ethical dimension. Critics, such as Michael Sandel, emphasize the luck component. At the end of the day, it is an empirical question, albeit a difficult one: How much of “success” is driven by effort versus luck? Luigi and Bethany sit down with Kathryn Paige Harden, behavioral geneticist, professor of psychology, and author of the book "The Genetic Lottery: Why DNA Matters for Social Equality".
Change is constant in both business and in life, yet it's commonly associated with powerlessness and fear. But what if, like COVID and the QR code, change holds a powerful opportunity to thrive that we should be anticipating and embracing? In this episode of the Sales IQ Podcast, Luigi speaks with Meredith Elliot Powell, author of Thrive: Strategies to Turn Uncertainty to Competitive Advantage. An idea that struck her pre-COVID, Meridith has researched and considered approaches for businesses and sellers to use change to pivot them towards success. ✏️ The SCEPTIC tool (used to evaluate potential change) Society Competition Economics Politics Technology Industry Customers.
Whether or not you play Super Smash Bros. Ultimate, you may know that Nintendo's latest entry in its fighter series features more than a few characters from RPGs: 31 of its 82 characters are from our beloved genre, and that number grows if you want to bend the rules and include Mario characters because of games like Super Mario RPG and Mario & Luigi.For our purposes here on Rhythm Encounter, it's also important that the Smash Bros. games contain an epic amount of music and arrangements of these RPG songs, specifically created for Smash. There's so many songs — Ultimate contains 1,068 tracks — we asked our panelists to pick arrangements from any Smash Bros. game that comes from a game we cover. The result is sure to be, well, a smashing good time.Featuring: Mike Salbato, Hilary Andreff, Alana Hagues, Peter Triezenberg; Edited by Jono LoganTracklist0:10:51 - Hyrule Temple (Akito Nakatsuka, arr. Shogo Sakai) - Super Smash Bros. Melee & Zelda II: The Adventure of Link0:13:45 - Snowman (Keiichi Suzuki and Hirokazu Tanaka, arr. Shogo Sakai) - Super Smash Bros. Brawl & Mother Series0:33:55 - Unfounded Revenge/Smashing Song of Praise (comp. and arr. Shogo Sakai) - Super Smash Bros. Brawl & Mother 30:37:47 - Route 10 - Pokémon Black / Pokémon White (GAME FREAK, arr. Yoko Shimomura) - Super Smash Bros. 3DS / Wii U & Pokémon Black & White0:54:18 - Lament of Innocence (Michiru Yamane, arr. ACE) - Super Smash Bros. Ultimate & Castlevania: Lament of Innocence0:57:03 - Lost in Thoughts All Alone (Hiroki Morishita, arr. by Masato Coda) - Super Smash Bros. Ultimate & Fire Emblem Fates1:13:43 - Cosmo Canyon (Nobuo Uematsu, arr. Yoko Shimomura) - Super Smash Bros. Ultimate & Final Fantasy VII1:16:00 - Aerith's Theme (Nobuo Uematsu, arr. Keiichi Okabe) - Super Smash Bros. Ultimate & Final Fantasy VII1:40:14 - Mike's Bonus Track!Album links for places to buy, stream, and more are available in our post on RPGFan.Get in Touch:RPGFan.comEmail us: firstname.lastname@example.orgTwitter: @rpgfancomInstagram: @rpgfancomFacebook: rpgfancomTwitch: rpgfancom
"When you run into a wall don't stop and give up. Figure out how to climb it." - Michael Jordan. Elite athletes can seem like a superhumans. A seperate race with innate abilities that propel them to achieve at levels the rest of us can only dream of. But a study by the University of Portsmouth and the University of Bath examining common traits of super-elite athletes found seven commonalities that are surprisingly accessible to all humans. From goal setting to confidence, in this episode Luigi breaks down how you can apply these seven superhuman traits in be the best you can be both in your sales career, and your life in general.
Imagine clawing your way back from a career rock-bottom to being #1 Enterprise AE at SalesForce in on year, closing $6 million solo. Or tripling your income in five years but still being in the kitchen with your young family by 6pm every night? Not possible, right? This episode's guest Ian Koniak has done both of these things, and he shares his best anti-hustle hacks with Luigi. Follow the path he took to transform both his sales performance, and his life. LINKS
If you've got back-to-the-grind blues, this energy-packed episode of the Sales IQ podcast could be the most important 35 minutes you invest all year. Join Larry Long Jr and Luigi as they put you on the right path for making 2022 your best year yet. Even if you've already let your resolutions slip. They dip into: What sets elite performers apart How to drive our likelihood of success using our environment What sales and soccer have in common Where you should focus first, starting today. LINKS
New Years Phone Call
For our final show of 2021 we share our top 5 lists! Alex & Ben guess each other's top 5 favorite games that we covered on the show this season. Here are the games in no particular order:Alex: A way out, Ghost of Tsushima DLC, Astros Playroom, Operation Tango, Dead by DaylightBen: Super Mario 3D World + Bowser's Fury, A way out, Dead by daylight, Metroid Dread, Luigi's Mansion 3Play along and try to guess the order!Send us an email to email@example.com. Tell us your game suggestions or ask us a question.We want to hear from you. Join our Discord! Copy and paste the invite link to join our server and ask us a question. We will read it on the show! https://discord.gg/aVXDaCSuS3 If you are listening on Apple Podcasts please leave us a review and 5 star rating, only 5 minutes of your time will help us greatly. Thank you!Find us on Facebook. Search @thtpod and follow our page!Subscribe on your favorite podcast player. New episodes release every Friday at 7am EST.
"I once cried because I had no shoes to play football with my friends, but one day I saw a man with no feet and I realized how rich I am." -Zinedane Zidane. The turn of the year is the world's favourite opportunity to look at things with a fresh perspective. We take a moment to pause and reflect on what's working, what isn't, where we want to be this time next year, how we're going to get there, and why we're doing it all in the first place. In the last episode for 2021, let Luigi help you supercharge your mindset, so you can be the best you can be in 2022.
Joe and Ethan head to "Mushroom World" on Mario's biggest main console adventure yet in Super Mario Bros. 3. It's a game that is many peoples' favorite Mario game and it's hard to argue against: the platforming is welcoming, the secrets are aplenty, and the gameplay is expressive. We spend a breezy couple hours loving on this gem; join us!
No último episódio do ano Luigi, Tiago, Leonardo e Pablo comentam sobre os hypes de games que eles vivenciaram e tiveram ao longo de sua vida gamer!! Arte da Capa: Luigi Edição: Audio Heroes Vinheta: Audio Heroes AJUDE NOSSO PODCAST A CRESCER!! Apoia.se Picpay NOSSAS REDES SOCIAIS E FEED E-mail: firstname.lastname@example.org Apoia.se Deezer Facebook Feed Google Podcasts Instagram iTunes Podcast Spotify Telegram Twitter Twitch Youtube
Donation for Gym Equipment
Super Mario Galaxy Cosy up and snuggle down for tonight your adventure will take you out of this world as you explore Super Mario Galaxy. You wake to find yourself suspended, weightless, near the surface of a vibrant green and grey planet. You observe that it consists of grey rocks festooned with lush grass and fragrant flowers whose yellow petals glow in the warmth and light of a blue sky. The air is filled with the sound of running water and a curious buzzing. You are amongst rocks and waterfalls. Around you there are wooden structures and you notice planks attached like the rungs of a ladder leading up a rockface in front of you. Your way is blocked by a very angry looking, brown mushroom - known as a Goomba. You would rather not deal with it right now so you jump over it and land on the ladder. You ascend the ladder with ease through a passageway carved into the rocks. At the top you encounter a vine dangling within your reach. You grab a hold and swing high into the air. As you descend, you collect two gold coins. These reward you with what seem to be bits of coloured stars and you land safely on the grass. Once again, your way forward is blocked by a large, fierce looking Goomba. This one you cannot avoid. You run forward and spin into it. It disappears in a puff of smoke and rewards you with three more coloured star fragments. You suddenly remember that these are Star Bits, and will be important for you to navigate the rest of the galaxy and the planets within. With renewed vigour and excitement, you climb the ladder. At the top you encounter a strange looking item. It is a power-up that looks like a mushroom wearing a large, furry hat covered in brown and yellow stripes. You find the pattern vaguely familiar but before you can work out what it reminds you of, you run into it and find yourself transformed into… a bee! For a moment you hover in the air, marvelling at your transformation. You beat your wings rapidly and are amazed at their ability to propel you through the air. Their high-pitched buzzing delights you as you flit about testing your newfound manoeuvrability. Hovering above the ground you spy an outcrop of green, translucent crystals on the earth below. Flying into them, you discover you can still spin only now you leave a golden trail of honey in your wake. The crystals shatter into Star Bits and you quickly collect them all. You are pleased with your ability to fly and that you will no longer need to climb ladders. Moving swiftly on you come across a flight of waterfalls that rise like steps ahead of you. In front of them is a golden lever with a flag attached. The flag has an image of Bowser on it, and you wonder if this is one of his traps. Cautiously, you grab hold of the lever and, beating your wings furiously, pull it towards you. Suddenly, with a flash of golden light, the flag turns to red with an image of Mario on it! You know what to do, and quickly race up the waterfall. You know every mushroom and leaf you encounter will burst into Star Bits. Having collecting them all, you find you are amongst the clouds. You are thrilled to discover that you can stand on the clouds and they renew your energy. After more exploration and as you become more fluent with your bee wings, you approach another golden lever. This time you do not worry about the black Bowser flag and grab the lever without hesitating. However, the flag doesn't change colour. Instead, the image of Bowser begins to smile. But there is no time to think about that now. You are already fast approaching a series of bright orange poles which you will need to climb. You do not have the energy to fly all the way to the top of them and there is nowhere to rest. To make things worse, some of the poles are being guarded by black soot monsters moving up and down. Utilising all your skills, you alternate between climbing the poles and flying around the soot monsters. You arrive at the top of the level feeling a little curious. Why didn't the soot monsters put up more of a fight? Before you have time to figure it out you are distracted with your next challenge. Your way forward is blocked by plants that don't at first appear harmful. Instead of flowers with petals, their coiled stems end in a green ball covered in small red cones. As you fly forward, they suddenly straighten their stem, closing the distance between you and them, and the red cones turn into vicious spikes. It takes lightning reactions and all your skill at flying to avoid them. After passing the last of the plants, you see a beautiful flower hovering in front of you. Above it is a gold coin. You bounce on the centre of the flower and are sprung into the air. With each bounce you gain more height until the coin is yours. There are many more flowers ahead and you bounce from one to another, until the last one sends you soaring up into the sky. High above you is a trail of leaves leading to a cloud. You are delighted to discover a Power Star just above your head. Transforming back into your own body, you launch yourself from the cloud and grab it. To your surprise the Power Star doesn't take you back to Rosalina in the Comet Observatory. Instead, you find yourself hurtling through space towards a much darker part of the galaxy. The light begins to fade, and the blue skies begin to turn black and empty. You know now that the Star Bits you've collected have helped propel you from this world to the next. You can just make out a few small stars, but they are a long way away. In the gloom you begin to see the outline of a strange, new planet. You recognise now that Bowser tricked you into collecting the Power Star, but you're not worried as you've defeated him before. You are standing in the ruins of a garden, surrounded by dead trees and broken walls, patrolled by Goomba guards. Beyond the garden is a large, grey mansion. The windows are all dark, but the front doors are open, and you can see a dimly lit hall inside. As you enter, a large white ghost appears at the top of the stairs and makes its way towards you. You are not afraid. Looking around you see a large blue lever to the right of the stairs. You pull it and the ceiling light switches on, sending a shaft of bright white light downwards, trapping the ghost. Suddenly, the ghost vanishes in a puff of smoke and is replaced by a large golden key. As you collect the key, a pair of doors at the top of the stairs open, inviting you in. This room is one of the strangest you have ever seen. There seems to be no right way up. Windows containing swirling black holes are on every surface and there are Pumpkinhead Goombas walking on the walls and ceiling. You realise that you can walk anywhere you like and so you chase after them one by one, and spinning into each Goomba you dispose of them and collect the Star Bits they leave behind. You leave the room to explore further and discover an enormous gold coin hovering above a small landing. You leap up and as you touch it you are instantly transformed into a ghost. Now you can pass through walls. It's not long before you come across the dungeons far below the ground and, in one of the cells, you discover Luigi! He immediately recognises you because you are wearing Mario's hat! He explains how he was trapped by Bowser and how he plans to trap you too. But Luigi has a secret. From his pocket he brings out a Power Star he's been hiding. He offers you the star. You transform back to your old self and together you use the star to return to the Comet Observatory and Rosalina. The Comet Observatory is warm and welcoming, and you soon forget Bowser's nasty tricks. Rosalina thanks you for the Power Star and you discuss your adventure as Luigi excitedly describes how you found him. You're tired now, and Rosalina can tell. She offers you a room, but you know your time here is done, and that you need to move on. You ask to explore the gardens, as you want to recall your time as a bee, imagining yourself flitting around the safety of this place. She nods, with a smile and leads you to a door that opens to a wonderful garden, with smells that almost overwhelm your senses. The bright colours of the flowers entice you and call to you. You can't resist. The air is fresh, but fragrant and the ground is soft and inviting. You find a comfortable spot where you lay down and stare up at the sky. The ground envelops you, and you can hear the sound of insects buzzing. Your eyes are heavy and you begin to feel sleepy. You slowly feel yourself drifting away as you await your next adventure. Suitable for all ages.Narrated by Tamer AsfahaniWritten by Chris Winson LongleyMusic by Michael HodgsonProduced by Magdoos Media Limited© 2021 Magdoos Media Limited - All Right Reserved.★ Support this podcast on Patreon ★
SORA IS FINALLY HERE!!!!! My Super Smash Brothers expert, Carl, joins us to talk about the game since the final big update has come and gone. What did this one do right? Why is Sora the best character? Come join us to cover all this and more!Special thanks to every person who worked on this game.Executive Producer Bryan “President of Calendars” Dressel Viceroy of Producing Jonathan Hardesty @movieguyjonKing Koopa of Editing Ryan JamesHost Brok Holliday @damageboostpodTwitch at damageboostpodcastEmail us at email@example.comIntro by https://www.fesliyanstudios.com/policyPatreon: https://www.patreon.com/damageboostGuest: Carl @Carls_YouTubehttps://www.twitch.tv/just_cral/videosShow Less
Bosco is a good name
Luigi Prestinenzi is Sales IQ Group's Co-Founder and Head of Growth. He founded this company in 2014 and has been helping companies unlock the full potential of their sales teams since then. Luigi has been in sales his entire career. He hosts the Sales IQ Podcast where he talks with various leaders from around the globe to discuss the art and science of sales and marketing, personal development, and the mindset required to sell more every day. In this episode, Luigi discusses the importance of creating value in your practice, and why understanding your customers is crucial. Why you have to check out today's podcast: Find out why you must know what your customer values in order to provide them with what they want; Learn why understanding ICPs and KPIs is important for your sales growth; Rather than losing a client because you thought you did what was right, find out how to close deals effectively. “Before even going to a point of price and advocating any solutions, ask yourself a question. Do you know the problem they're trying to solve? Do you know the impact, the problem you'd help them achieve? Do you know the outcome that they're looking to achieve? If you can't answer those three questions, you're pricing too early and it's completely irrelevant.” – Luigi Prestinenzi Topics Covered: 01:49 – Luigi's narrative on how he got into sales 03:09 – Talking about Sales IQ Group and the importance of knowing what your customer values 05:57 – How does Sales IQ Group help people identify their ideal customer profile (ICP)? 07:39 – Why is it important to understand the KPIs in relation to knowing what your customers value? 10:16 – Mark's dark days in the sales industry and how it reflects two things that really matter the most whenever one sells anything 13:23 – Luigi talks about derived value as he reminds us that we're not heroes, just byproducts of what we help people achieve 15:18 – The perspective that effectively works in helping clients find the value piece 19:28 – A CPO client who chose the more expensive option in finding an integrator for areeba; Creating value in seeing unrecognized needs 22:33 – Talking about RFPs; People not going for experts and fixing the problems all by themselves 25:44 – What is Luigi's pricing advice that could have a big impact on people's business? Key Takeaways: “How can you help extract value if you don't understand what the customer's goals and objectives are, and ultimately, what they value? This is where there's a misalignment in the sales profession.” – Luigi Prestinenzi “Companies that are happy with the customer base – they just don't have enough customers – and often what they do is they've got one message for everyone. They've got the same message for an accountant that they might be selling to and a manufacturing business, when fundamentally, those businesses behave very differently. They've got different needs. Their goals and objectives are different. The challenges and their trends are different. They should segment them and then start to think about the message that resonates for the industry sector that they're dealing with.” – Luigi Prestinenzi “They're the two things that really matter when we're selling anything. We're either helping them achieve a better result, or helping them fix a problem that helps them achieve a better result, or it's de-risking something within the business that could have essentially stopped them from achieving a particular result. Anything outside of that, it doesn't become a priority. The biggest competitor a seller or a company selling a product or service he's competing with is not the competitor; it's the status quo.” – Luigi Prestinenzi “We're not the hero. We're just a byproduct of the outcome we're helping the person achieve. We've got to continue to remember that – we are not the heroes in the conversation.” – Luigi Prestinenzi “Your pricing conversation is not what they're buying. They're buying the outcome that your pricing conversation allows them to achieve, and that starts at the very first level of interaction that we have with someone.” – Luigi Prestinenzi People / Resources Mentioned: Sales IQ Group: https://www.salesiqglobal.com/ Connect with Luigi Prestinenzi: LinkedIn: https://www.linkedin.com/in/luigiprestinenzi/?originalSubdomain=au Connect with Mark Stiving: LinkedIn: https://www.linkedin.com/in/stiving/ Email: firstname.lastname@example.org
No episódio dessa semana Luigi e Diego do Books Time Brasil voltam para a sérieInsert Song efazem o podcast tapa buraco mais querido do nosso podcast!! Arte da Capa: LuigiEdição: Audio HeroesVinheta: Audio HeroesAJUDE NOSSO PODCAST A CRESCER!!Apoia.sePicpayNOSSAS REDES SOCIAIS E FEEDE-mail: email@example.comApoia.seDeezerFacebookFeedGoogle PodcastsInstagramiTunes PodcastSpotifyTelegramTwitterTwitchYoutube
In questa seconda parte dell'episodio dedicato a Gregorio Magno, andremo in giro per il mediterraneo e verso gli estremi confini del mondo geografico e culturale di Gregorio. Lo vedremo all'opera nella sua relazione con i vescovi e i Re, fino alla sua decisione – di colossale importanza futura – di coraggiosamente andare lì dove nessun papa era mai giunto prima.---Ti piace il podcast? Sostienilo, accedendo all'episodio premium, al canale su telegram, alla citazione nel podcast, alle première degli episodi e molto altro ancora:https://www.patreon.com/italiastoria o con una donazione su https://it.tipeee.com/storia-ditalia o https://italiastoria.com/---►Informazioni sul mio libro "Per un pugno di barbari":https://italiastoria.com/libro/►Trascrizioni episodi, mappe, recensioni, genealogie:https://italiastoria.com/►FacebookPagina: https://www.facebook.com/italiastoriaGruppo: https://www.facebook.com/groups/italiastoria►Instagramhttps://www.instagram.com/italiastoria/►Twitterhttps://twitter.com/ItaliaStoria►YouTube:https://www.youtube.com/channel/UCzPIENUr6-S0UMJzREn9U5Q►Canale Discord:https://discord.gg/cyjbMJe3Qk►Contattami per commenti, idee e proposte di collaborazione: firstname.lastname@example.org---Musiche di Riccardo Santatohttps://www.youtube.com/user/sanric77---Livello Dante Alighieri: Musu Meci, Massimiliano Pastore, Manuel Marchio, Mauro, Marco il Nero, Massimo CiampiconiLivello Leonardo da Vinci: Paolo, David l'apostata, Massimo, Pablo, Simone, Frazemo, Arianna, Jacopo, Jacopo F., Riccardo, Enrico, Alberto, Davide, Andrea, Federico, Bruno, Settimio, Giovanni, Cesare, Jerome, Diego, Francesco, Alanchik, Flavio Ruggeri Fo, Edoardo Vaquer, Stefano Po, Luca Casali, Nicol Bagnasco, Carlotta lo dico, Mariateresa, John Ellis, Nicol Bagnasco, Lorenzo Fanelli.Livello Galileo Galilei: Davide, Francesco, Jacopo Toso, Riccardo, Stefano, Roger, Anna, Pierangelo, Luigi, Antonio, Giulia, Ezra, Andrea, Paola, Daniele, Mariano, Francesca, Gabriella, Alessio, Giovanni, Alessandro, Valerio, Angelo, Alberto, Viviana, Riccardo, Giorgio, Francesco G., Francesco B., Emanuele, Giacomo, Francesco M, Giacomo, Martina, Yuri, Lorenzo, Jamie, Gianluca, Danilo, Echtelion, Matteo, Valerio P., Guglielmo, Michele, Massimo, Tommaso J, e Francesco C., Stefano, Giulio S., Davide P., Elisabetta C., Don Fabrizio, Massimo S., Luca F, Luca Mottadelli, Dario Pirola, Venus Schiavonia, Annalaura Benincasa, Marcus Walker, Michael Kain. Grazie anche a tutti i miei sostenitori al livello Marco Polo!---Musiche di Riccardo Santato
At The Beach episode 43
Having broken the $1 million commission barrier year-on-year-on-year, Brandon Fluharty knows exactly where your focus needs to be to build a successful sales career. And it's not where you might expect. In this episode of the Sales IQ Podcast, Brandon Fluharty shares the secret to his career with Luigi including: How focusing on the micro (your day) means the macro (your goal) will deliver itself. The key elements of his PREP principle and why it works. His key end-of-day hack that supercharges your rest time. The ways to step out of a vicious cycle. Why a balanced personal operating system is essential to performing at an elite level long term. LINKS
A Roma, da anni ormai, la principale forza politica è un aristocratico monaco che sta ridando energia e autorità ad un papato devastato dalla crisi subita sotto Giustiniano. Papa Gregorio, che presto tutti chiameranno Magno, è una personalità che giganteggia su tutta l'ultima fase di questo sesto secolo, e che per molti versi anticipa diverse evoluzioni della storia italiana e mediterranea del settimo e ottavo secolo, per restando in contemporanea un uomo decisamente del suo tempo.Non potevo non dedicargli un episodio - anche perchè ho letto tutte le quasi mille lettere che ci ha lasciato. Quello che non mi aspettavo è di dovergliene dedicare due!In questo episodio in due parti, cercheremo quindi di comprendere meglio la società, l'economia, la politica e la religione di fine VI secolo attraverso la figura di un uomo fragilmente forte, umilmente orgoglioso, inafferrabile e importante in mille piccoli modi. ---Ti piace il podcast? Sostienilo, accedendo all'episodio premium, al canale su telegram, alla citazione nel podcast, alle première degli episodi e molto altro ancora:https://www.patreon.com/italiastoria o con una donazione su https://it.tipeee.com/storia-ditalia o https://italiastoria.com/---►Informazioni sul mio libro "Per un pugno di barbari":https://italiastoria.com/libro/►Trascrizioni episodi, mappe, recensioni, genealogie:https://italiastoria.com/►FacebookPagina: https://www.facebook.com/italiastoriaGruppo: https://www.facebook.com/groups/italiastoria►Instagramhttps://www.instagram.com/italiastoria/►Twitterhttps://twitter.com/ItaliaStoria►YouTube:https://www.youtube.com/channel/UCzPIENUr6-S0UMJzREn9U5Q►Canale Discord:https://discord.gg/cyjbMJe3Qk►Contattami per commenti, idee e proposte di collaborazione: email@example.com---Musiche di Riccardo Santatohttps://www.youtube.com/user/sanric77---Livello Dante Alighieri: Musu Meci, Massimiliano Pastore, Manuel Marchio, Mauro, Marco il Nero, Massimo CiampiconiLivello Leonardo da Vinci: Paolo, David l'apostata, Massimo, Pablo, Simone, Frazemo, Arianna, Jacopo, Jacopo F., Riccardo, Enrico, Alberto, Davide, Andrea, Federico, Bruno, Settimio, Giovanni, Cesare, Jerome, Diego, Francesco, Alanchik, Flavio Ruggeri Fo, Edoardo Vaquer, Stefano Po, Luca Casali, Nicol Bagnasco, Carlotta lo dico, Mariateresa, John Ellis, Nicol Bagnasco.Livello Galileo Galilei: Davide, Francesco, Jacopo Toso, Riccardo, Stefano, Roger, Anna, Pierangelo, Luigi, Antonio, Giulia, Ezra, Andrea, Paola, Daniele, Mariano, Francesca, Gabriella, Alessio, Giovanni, Alessandro, Valerio, Angelo, Alberto, Viviana, Riccardo, Giorgio, Francesco G., Francesco B., Emanuele, Giacomo, Francesco M, Giacomo, Martina, Yuri, Lorenzo, Jamie, Gianluca, Danilo, Echtelion, Matteo, Valerio P., Guglielmo, Michele, Massimo, Tommaso J, e Francesco C., Stefano, Giulio S., Davide P., Elisabetta C., Don Fabrizio, Massimo S., Luca F, Luca Mottadelli, Dario Pirola, Venus Schiavonia, Annalaura Benincasa, Marcus Walker. Grazie anche a tutti i miei sostenitori al livello Marco Polo!---Musiche di Riccardo Santato
"Nothing is impossible, the word itself says I'm possible" -Audrey Hepburn. Motivation wanes. You might be full of fire one day, but a week later back in the same old slump. The responsibility for keeping motivated isn't something we can outsource, and sales is a game where mental resilience is critical. So how do you keep that fire kindled? This week, Luigi talks through the power of filling your physical environment with triggers keep your mindset and motivation up all year long.
INVITÉ: Il est fils, petit fils et petit frère de restaurateur. Passionné de sport depuis petit dès qu'il savait courir et marcher il a commencé le sport et ne s'est jamais arrêté depuis. Aujourd'hui il se lance un nouveau challenge qui combine ces deux aspects de sa vie. SPONSOR(S): Merci de soutenir le podcast avec notre sponsor: ► Moxy Monitor: https://www.moxymonitor.com/shop/ (5% de rabais avbvec le code: “UPSIDE”) LIENS: ► Site: www.bokafood.ch ► IG: https://www.instagram.com/bokafood.ch/ ► IG: https://www.instagram.com/lu_kienze/ ► Interview Vidéo: https://youtu.be/L-_efn0_sO0 SUJETS: 0:00 - Intro 3:00 - Start 3:20 - Background 5:30 - Competition et Entraînements Strongman 27:30 - Récupération 33:00 - Preparation Mentale 46:55 - Bocka Foods Episode disponible le 9 Décembre 2021 INFO PODCAST: ► Site Web Podcast: https://upsidestrength.podbean.com/ ► Apple Podcasts: http://apple.co/3mroiB4 ► Spotify: http://spoti.fi/34jJtyX ► Episodes Complets (Playlist Youtube): http://bit.ly/3oSCkxe CONNECT: ► Abonne-toi pour voir plus de vidéos: http://bit.ly/1Xgr5y5 ► Réserve ta Consultation: https://bit.ly/UpsideConsult ► Podcast: https://upsidestrength.podbean.com/ ► WhatsApp: https://wa.me/41763949673 ► Twitter: https://twitter.com/seanseale ► LinkedIn: https://www.linkedin.com/in/seanseale/ ► Facebook: https://www.facebook.com/upsidestrength ► Instagram: https://www.instagram.com/upside_strength ► Tik Tok: https://vm.tiktok.com/ZSgNAPQF/ EQUIPMENT & AFFILIATIONS: ▶︎ Moxy Monitor (hors CH, AUS, ITA, GER): https://www.moxymonitor.com/shop/ (code promo 5%: “UPSIDE”) ▶︎ Moxy Monitor (CH, AU, ITA, GER seulement): (email moi sur firstname.lastname@example.org pour un bon de rabais) ▶︎ VO2 Master: https://vo2master.com/ (email moi sur email@example.com pour un code promo) ▶︎ Spirometer: https://www.spirometry.com/prodotti/spirobank-smart/ ▶︎ Idiag P-100 (hors FRA): https://www.idiag.ch/en/idiag-p100-en/ (email moi sur firstname.lastname@example.org pour un code promo de 20%) ▶︎ Idiag P-100 (FRANCE seulement): www.spirotiger.net ("UPSIDE10" pour un rabais de 10%) ▶︎ The Breather: https://www.luftforlife.com/breather-fit/?ref=seanseale2 ▶︎ Strength Coach Network: https://strengthcoachnetwork.com/upside/?orid=15781 (50% de rabais sur ton premier mois) ▶︎ Sports Conditioning Coaching Club: https://coaching-club.mn.co/ DISCLAIMER: Ces descriptions contiennent généralement des liens d'affiliation. Si vous décidez d'acheter un produit via l'un d'entre eux, je reçois une petite commission sans frais pour vous. Je n'approuve jamais des produits que je n'ai pas personnellement utilisés
Every month, our supporters on Patreon get to vote for a game that want to hear us cover on the podcast. The poll is made up of games listeners have been asking for, that I've never played. Sometimes this results in an episode where I just get pissed off at how bad a game is. And sometimes it results in me finally playing a game that I should have played a long-ass time ago. Fortunately for all you Luigi's Mansion fans, this time around, its scenario #2. This game is a must-play for any Nintendo GameCube fan. I'm still confused as to why they launched a console with a vacuuming simulator starring the character that was previously relegated to younger siblings, but at the end of the day, I guess it doesn't matter. From the graphics, to the sound, to the mansion itself, Luigi's Mansion oozes charm. I had a fucking blast playing this game. My buddy Darren returns to the show this week, and we spent a good hour chatting about the many things we loved about this game, as well as the minor nitpicks that we didn't. We tried to figure out why Nintendo decided to come out of the gate with this game instead of a Mario title, too. If you're a GameCube fan, you're gonna dig this episode. And before we bust (or suck?) ghosts, I sneak in another edition of the 'Remember The Game Infamous Intro'! This week, we talk about the increasing number of video games being made into TV shows. Sony doesn't really have one "front and centre" mascot, and maybe they don't really need one. And what does Adam think of the Angry Video Game Nerd? PLUS, we have another round of 'Play One, Remake One, Erase One', featuring three of the GameCube's best - Paper Mario: The Thousand Year Door, Metroid Prime, and Animal Crossing. Are you on social media? Of course you are. So follow us! Twitter: @MemberTheGame Instagram: @MemberTheGame Facebook.com/MemberTheGame Twitch.tv/MemberTheGame And if you're interested in supporting my 24 hour Extra Life charity stream on December 18 and 19, you can find more information at RememberTheGamePodcast.com!
durée : 00:25:18 - Luigi Rossi, invité de la cour de France - par : Anne-Charlotte Rémond - Dans cet épisode de Musicopolis, Anne-Charlotte Rémond revient sur la vie et l'arrivée de Luigi Rossi à la cour de France. - réalisé par : Philippe Petit
Luigi's first sales job at 17 was selling $7,000 high-end suits. And he fell in love with sales while working in a call center. His journey is unique and now he's partnering with Tony J. Hughes helping other organizations grow their revenue. Realtime feedback = Growth Mindset How to coach rapport building How my mom and Mary Kay affected my sales career The tactics of retail clothing sales you can use today.The challenges of sales training and enablement in 2022 What's broken in the current sales models
This week, we torture your ears right at the beginning, Scooby-Doo and the gang go metal, we squeeze the Grapes until relationship advice comes out, and hang on because we are about to spin off!Come join the Backyard Bonanza in our Discord!https://discord.gg/QND8pNasHAWe have merch now?! Come get some!https://best-friends-tiny-inc.creator-spring.com/Malcolm's Cream (Guest Podcast Promo):Malcolm was on vacation this week, but he sure does love Homicide Worldwide, Pick Me!, Haunt Her? I Barely Know Her!, NightmareTown, and Anime Talk!Theme Music:Jeremy Blake - Powerup!Technical Difficulty Music: Kevin MacLeod - Local Forecast - SlowerNerd stuff and farts from this episode:Cotton Eye Joe Beyonce Guantanamo Island Boy Hungry Backstreet Boys Puppies are Forever Metal Green Lantern Black Lantern Heroes DC Comics Supergirl Scooby-Doo Death Metal Zombies Viking Bardcore Hurdy Gurdy Bagpipes Medieval Dune Throat Singing Dungeons and Dragons D&D Jimmy Buffett The Rock Tech N9ne Face Off Dating Advice Luigi Mario Donkey Kong King of the Hill King of the Hell Star Trek Red Shirts Gary Busey Rookie of the Year Baseball Varsity Blues Bacon Remember the TitansSupport the show (https://www.patreon.com/bestfriendstinyinc)
Hey guys Jeff here. This episode means a lot to me since this podcast has been going on weekly for 100 weeks straight since it came out. To those that listen or have been guests on the show, you're freaking awesome. Lowkey at a loss of words writing this right now. Its a pretty special feeling when people support your passion and even want to be a part of it. I personally hope you have had a laugh or two listening to this podcast as well as learned something new. As of right now I plan to take a little hiatus / break. I dont know how long it will be but I believe it was time to take one regarding my personal mental health grinding these episodes out weekly. Don't regret it one bit though!For now there is a lot of content on this podcast to catch up to with wonderful individulas on it. This ain't goodbye, this is see you later guys ! :)Podcast Socials and Links:Apple Podcasts: https://podcasts.apple.com/us/podcast...Spotify: https://open.spotify.com/show/47PZZkq...Patreon : https://www.patreon.com/ChillCactusInstagram: https://www.instagram.com/jeffrey_ric...Podcast Social : https://www.instagram.com/chill_cactuss/Twitter: https://twitter.com/JeffreyRicklinPodcast Socials and Links:Apple Podcasts: https://podcasts.apple.com/us/podcast...Spotify: https://open.spotify.com/show/47PZZkq...Patreon : https://www.patreon.com/ChillCactusInstagram: https://www.instagram.com/jeffrey_ric...Podcast Social : https://www.instagram.com/chill_cactuss/Twitter: https://twitter.com/JeffreyRicklin
This morning, Matt Dyson brings us the most enthusiastic Tipping Point contestant in the Social Ammo, The Dave Berry Bedtime Story gets it's sidekick thanks to listener Sarah and Emma Jones ponders her future as a pantomime horse.
Con l'avvicinarsi della stagione delle feste e del Natale, la vostra voglia di imparare l'italiano potrebbe calare un po', tra tutti i preparativi e gli addobbi e i regali e le luci e i dolcetti... ma noi non dobbiamo permettere che questo succeda, anzi, dobbiamo cercare nuovi stimoli, in modo tale da continuare a praticare l'italiano… tra una fetta di panettone e un frontino con la scritta Buon Natale! E non c'è scusa (o stimolo) migliore di un buon cinepanettone. Questa parola è un'invenzione tutta italiana, e indica un film comico di produzione italiana in cui le vicende principali sono generalmente basate su una serie di equivoci e doppi sensi, a sfondo natalizio, destinato a un pubblico popolare e realizzato appositamente per le festività. Scopriamo insieme quali sono i 5 cinepanettoni assolutamente imperdibili! I MIGLIORI 5 CINEPANETTONI DA VEDERE QUESTO NATALE Qui sotto troverete un lista dei migliori 5 cinepanettoni, elencati dal meno recente al più recente. Tra questi, potrete trovare anche i famosi attori De Sica e Boldi, considerati tra i padri del genere, oltre ad attori come Diego Abatantuono, Fabio de Luigi e Biagio Izzo, che recitano spesso in film comici. NATALE IN CROCIERA (2007) Questo film è un classico, pieno zeppo di quei fraintendimenti di cui parlavo prima, oltre a intrecci d'amore e… sì… anche alcuni momenti di volgarità. In questo film troviamo Christian De Sica, attore italiano molto famoso soprattutto per cinepanettoni e simili, che interpreta Paolo, un uomo che ha progettato di spedire la moglie e il figlio in vacanza sulla neve per Natale, così da potersi dedicare indisturbato alla sua amante. Per Paolo si presenta l'occasione perfetta: quando il cognato tenta di suicidarsi, l'uomo si offre di andare con lui in vacanza per tenergli compagnia. In realtà il suo piano è di abbandonarlo e rimanere con l'amante, a cui ha promesso una crociera ai Caraibi. Inoltre, come spesso accade in questi film, la storia principale, ovvero quella di Paolo in questo caso, si intreccia con quella di altri personaggi, Michela (Michelle Hunziker) e Luigi (Fabio De Luigi), che dopo una serie di tira e molla si ritroveranno a loro insaputa a essere i testimoni della sposa e dello sposo a un matrimonio che ha luogo… indovinate un po'… su una nave da crociera con destinazione Caraibi. Cosa succederà? Fidatevi… Ne vedrete delle belle! LA BANDA DEI BABBI NATALE (2010) In questo film i protagonisti sono i membri del trio comico “Aldo, Giovanni e Giacomo”, dai nomi dei tre attori. Per i tre, non è un bel Natale, perché finiscono...in questura! Infatti, dopo essere stati sorpresi in casa della compagna di Aldo vestiti da Babbo Natale, vengono accusati di far parte della banda di ladri che si introduce nelle case altrui con gli abiti come il grande protagonista di questa festa. A questo punto si dovranno giustificare e spiegare che non sono affatto dei ladri… bensì un trio di giocatori di bocce. IL PEGGIOR NATALE DELLA MIA VITA (2012) Questo film racconta dei tre giorni che precedono Natale, che è il peggior Natale della vita del protagonista Paolo. Quest'ultimo deve andare in un castello per celebrare le festività con la famiglia della moglie, ma come sempre ci saranno mille imprevisti e lui finirà, tra le altre cose, per rovinare il tacchino per la cena di Natale e annunciare la morte di un uomo in realtà vivo. In questo film pieno di sorprese troverete grandi attori italiani come Diego Abatantuono, Cristiana Capotondi e Fabio De Luigi. UN NATALE AL SUD (2016) Ecco un altro cinepanettone che si rispetti! In questo caso particolare la trama è basata su un tema molto popolare tra i film italiani: le differenze tra nord e sud Italia. Viene considerato anche l'argomento della tecnologia in aiuto dell'amore, infatti i protagonisti di questo film sono un carabiniere del nord (Massimo Boldi) e un ex impiegato del sud (Biagio Izzo),
Intro: buzzsaws and clean slates, rage, Where the Wild Things AreLet Me Run This By You: MoneyInterview: We talk to Carole Schweid about Juilliard, Phoebe Brand, John Lehne, Michael Brand, Midnight Cowboy, musical comedy performance, open dance calls, starring in the original cast of A Chorus Line, Bob Fosse, Pat Birch, Martha Graham, Minnie's Boys, Mervyn Nelson, playing Fastrada in the first national tour of Pippin, being a lone wolf in theatre, Lewis J. Stadlen, doing West Side Story at Bucks County Playhouse, Shelly Winters, Mary Hinkson, Nellie Forbush in South Pacific, playing Tzeitel in Fiddler on the Roof, Peppermint Lounge, Nick Dante, Michael Bennett, Marvin Hamlisch, Public Theater, Gerry Schoenfeld, The Shubert, the wish for a job vs. the real experience of working, Theda Bara & The Frontier Rabbi, Agnes de Mille, Play With Your Food, Staged Reading Magic, Albert Hague.FULL TRANSCRIPT (unedited):2 (10s):And I'm Gina Pulice.1 (11s):We went to theater school together. We survived it, but we didn't quite understand it. 20 years later,2 (16s):We're digging deep talking to our guests about their experiences and trying to make sense1 (20s):If at all we survived theater school and you will too. Are we famous yet? As more space is actually a huge thing.2 (36s):Yeah. I have to apologize for the sound of buzz saws. What is going to be going the whole time I'm talking, doing well, you1 (50s):Took some trees down, right.2 (53s):You know, that's how it started. Yeah. It started with actually, you know, it all was a surprise to me, basically one we've been talking about taking down all the trees in the front of our house. And one day Aaron said, they're coming tomorrow to take down the trees. And I'm like, how much did that cost? Because you know, taking down trees is usually really expensive. And so he says, well, he's going to do everything in the front for whatever. It was $5,000.1 (1m 22s):Yeah. She was pretty good for more than one tree. Cause one tree we had removed was $5,000 at my mom's.2 (1m 28s):Well, and it's not like they have to extract the whole tree. It's just, you know, just chopping it down. Like it's not, I don't know if it's different when they have to take out the, yeah,1 (1m 38s):I think it is when they have to take the stump out the roots and all that.2 (1m 43s):So that was fine. Although I did think to myself, Hmm. We have $5,000 to spend and this is what we're spending it on.1 (1m 54s):I've been there. Oh, I've been there2 (1m 56s):So the morning, but I'm letting it go. And so the morning comes and he tells me to go outside so we can talk about the trees and, and, and I, anyway, we, we designate some trees and they're all in the lower part of the front of our house.1 (2m 10s):Yes. You, and by the way, for people that don't know, like you have a lot of land for, for, for, for not being in the super super country, you have a lot of courage. I mean, you got a lot of trees.2 (2m 21s):Well, yeah, we have an acre and it's a lot of trees and it's a lot of junk trees. What they call junk trees. Because the idea here is once upon a time, when everybody got their heat from wood, you had to have fast growing trees. So it's these skinny trees. Yeah. Anyway, so I thought we were sort of on the same page about what we were going down. This is where I'm getting with this. And I had a couple of meetings yesterday and I was hearing the sound pretty close, but it wasn't until I looked outside that I saw, they took everything out.2 (3m 1s):The, every living thing out in the, in the front, in front of our house, including the only tree I was really attached to was I have a beautiful lilac tree.1 (3m 14s):Okay. Oh shit. And everything out.2 (3m 21s):What's that? Why they1 (3m 22s):Take everything out? Is that the plant? I think,2 (3m 25s):I think what happened was for the first couple of days, the boss was here. And then I think yesterday, the boss was like, you guys just go and finish up. And I don't know that anyway, you know what, I'm just choosing it to be, I'm choosing to look at it like, okay, well we're getting to start over and it can be exactly how we want it to be. So yeah,1 (3m 45s):That is a great attitude because there's nothing you can do you really do about it? Absolutely. Zero. You can do about threes coming out.2 (3m 53s):The only bummer is that it sounds like buzz saws all day at my house and at my neighbor's house, I'm sure they're annoyed with us too. Well,1 (4m 2s):What are you going to put? It is. Okay. So, so, okay. The good, that's the sort of wonky news, but what the good news is, what are you going to put in? Like, is there going to be a whole new,2 (4m 12s):I think it's just going to GRA, I mean, I think it's just going to be grass, which is fine. I mean, my thing was actually, it does a little bit of a metaphor because when we first moved here, we loved how quiet and private and everything is. And part of why everything feels very private at our house is there's trees and bushes blocking our view of anything. I mean, all we can see is trees and bushes when we're laying on the front, which for a while seemed cozy. And then it started to seem like annoying that we could never see. And actually there's kind of a really beautiful view of the mountains behind us. So our mountains Hills.1 (4m 51s):Yeah. But I mean, small mountains, like small2 (4m 53s):Mountains. Yeah. So I realized that it does coincide with our psychological spelunking and trying to just be like more open about everything. Like totally. You know what I mean? Like this is just be open to people seeing our house. This is open to seeing out and let's have, and actually my kids were kind of like, oh, but it's just also open and we don't have any privacy. And I'm like, yeah, well you have your room and bathroom. I mean, there's, there's places to go if you don't want people to, to see you, but let's just be open.1 (5m 31s):There's like a whole, yeah. It's a great metaphor for being visible. Like I am all about lately. I have found a lot of comfort and refuge in the truth of the matter, even if it's not pretty, even if I don't actually like it. So like getting the facts of the matter and also sharing the, of the matter without a judgment. So I appreciate this, like wanting to be seen and then letting go of what people make of that, whether your house is this way or that way, or the neighbors think this or that, I'm also the, I I'm all about it.1 (6m 15s):I'm like, you know, this is, there's something about transparency. That's very comforting for me. It's also scary because people don't like it when they can see, or they can say whatever they want, but the hiding, I think I'm pretty convinced hiding from myself and from others leads to trouble.2 (6m 37s):It leads to trouble. And any time you're having to kind of keep track of what you're, you know, being open about and what you're not, and what you've said, you know, it just it's like it's T it's listen. If I only have a certain amount of real estate in my mind, I really don't want to allocate any of it too. Right. Hiding something and trying to remember. Right.1 (7m 1s):And it's interesting, the more that we do this podcast, the more I see that, like, you know what I thought gene, I thought when we're dead, this podcast is going to remain. And then our children's children's children. I mean, I don't have kids, but my nieces and nephew and your children's children's children will have a record of this. And, and I'd rather it be a record of the truth, the truth and transparency, then some show about pretending. So I think it's going to be good for them to be able to look back and be like, for me, it's like the, my crazy aunt, like, what was she doing? And what did she think? And, and, oh my God, it's a record of the times too.1 (7m 43s):Yeah.2 (7m 43s):I think about that kind of a lot. And I think about, of course I say all this and my kids are probably like going to be, have no interests unless the, until they get to a certain age, I mean, I'll put it to you this way. If I could listen to a podcast of my mother in her, you know, in the time that I don't really the time of life, certainly before I was born, but in my life where I still didn't see her as a person until, you know, I'd love to just things like what her voice sounded like then, and that kind of thing. I mean, it's interesting.1 (8m 16s):I have nothing of my mom, like we have a very few, it was interesting because we didn't, you know, we, there was not a lot of video of my mother and today's actually the 10th anniversary of her passing.2 (8m 28s):Oh, wow. Wow. That's hard.1 (8m 31s):It is hard. You know, it is hard. And I'm working through, I started therapy with a new therapist, like a regular LCSW lady. Who's not because my last guy was an Orthodox Jewish man who wanted me to have children. Like it was a whole new, I just got involved in all the Shannon Diego's of like weirdness. I attracted that weirdest and whatever. So this lady is like a legit, you know, therapist. And they only bummer is, and I totally understand she's on zoom, but like, I I'm so sick of like, I would love to be in a room with a therapist, but I get it. She's in, she's an older lady, which is also great. I was so sick of having like 28 year old therapists.1 (9m 13s):Yeah,2 (9m 13s):Yeah, yeah. For sure.1 (9m 16s):I don't even seem right. Unless clients are like, you know, fit seven to 17. So anyway, so, but all this to say about my mom, I was thinking about it and I think what's harder than right. My mom's death right now is that there's I just, you know, and this is something I wanted to bring up with you is just like, I have a lot of rage that's coming up lately about my childhood and we weren't allowed to feel rage. And my mom was the only one allowed to feel rage. And so this rage mixed with perimenopause slash menopause. I mean, like I still get a period, but like, it's, it's a matter of time before that's over.1 (9m 58s):So, but the rage, so I guess, right. I get, you know, people like to talk about rage as some or anger as something we need to process and we need to do this and that, but the truth of the matter is since we're being transparent, like rage can be really scary. Like sometimes the rage, I feel, it's not like I'm going to do anything. Why wonky? I hope, but it's more like a, I don't know what to do with it. That is my, and I was talking in therapy about that. Like, I'm not actually sure. Practically when the feelings come up, what to do with rage. And I feel like it speaks to in our culture of like, we're all about now, this sort of like, we talk about this fake positivity and shit like that.1 (10m 41s):And also like embracing all your feelings, but there's not really practical things that we learn what to do when you feel like you're going to take your laptop and literally take it and throw it across the room and then go to jail. Like you, you. So I have to like look up things on the internet with literally like what to do with my rage.2 (11m 1s):I think that's why that's part of my attraction to reality. Television shows is a, is a performance of rage. That's that I wouldn't do just because I don't think I could tolerate the consequences. I mean, an upwards interpretation is, oh, it's not my value, but it's really just like, I don't think I can manage the content of the consequences. I'm totally at having all these blown up1 (11m 30s):And people mad at me and legal consequences. I can't,2 (11m 35s):It's something very gratifying about watching people just give in to all of their rage impulses and it's yeah. I, it it's, it may be particularly true for women, but I think it's really just true for everybody that there's very few rage outlets, although I guess actually maybe sports. Well, when it turns, when it turns sideways, then that's also not acceptable.1 (12m 3s):Yeah. I mean, and maybe that's why I love all this true crime is like, these people act out their rage, but like lately to be honest, the true crime hasn't been doing it for me. It's interesting. That is interesting. Yeah. It's sort of like, well, I've watched so much of it that like now I'm watching stuff in different languages, true crime. And I'll start again. No, no, just stories. I haven't all been the only stories that I haven't heard really, really are the ones from other countries now. So I'm watching like, like true crime in new, in Delhi.2 (12m 42s):Do you need your fix? I actually was listening to some podcasts that I listened to. There's always an ad and it's exactly about this. It's like, we love true crime, but we've heard every story we know about every grisly murder, you know, detail. And it was touting itself as a podcast of, for next time I listened to it. I'll note the name of it so I can share it with you. You know, about this crimes. You haven't heard about1 (13m 9s):T the thing is a lot of them now, because I'm becoming more of a kind of sewer. Like a lot of it is just shittily made. So like the, the they're subtitled and dubbed in India, like India. So you've got like the, the they're speaking another language and then they're and if they don't match, so then I'm like, well, who's right. Like, is it the dubbing that's right. Or the subtitles that are right. And, and actually the words matter because I'm a writer. So it was like one anyway, it's poorly done is what I'm saying in my mind. And so it sort of scraped scraping the bottom of the barrel. It's like deli 9 1 1. I swear to God. That's what it, and, and it's, and also it's, it's horrifying because the, you know, the legal systems everywhere fucked, but India has quite a system.2 (13m 57s):I think that to the rage, like, tell me more about what comes up for you with rage and where you,1 (14m 6s):Yeah. Okay. So some of it is physiological, like where I feel literally like, and I think this is what my doctor's talking about. The menopause symptoms. I literally feel like a gnashing, my teeth. Like, I feel a tenseness in my jaw. Like, that's literally that. And she's like, that could also be your heart medication. So talk to your heart doctor. I mean, we're checking out all the things, but like, but it's tension. That's what it really feels like in my body is like tight tension where I feel earth like that. If I had to put a sound effect to it, it's like, ah, so I, I feel that is the first symptom of my rage. And then I feel like, and, and I say out loud, sometimes I hate my life.1 (14m 54s):That's what I say. And that is something I have never allowed myself to say before. Like I, I think unconsciously, I always told myself, like, you just, you have to be grateful and you know, those are the messages we receive, but sometimes life just fucking sucks. And sometimes my life, I just, I just can't stand. And, and in moments, you know, I never loved myself. So it's mostly a physical symptom followed by this is intolerable, what someone is doing. Sometimes my dog or my husband, but even, even if the coworking space, you know, like the lady was talking too loud and I was like, oh my God, this is intolerable.1 (15m 34s):She has to shut up. So agitation, that's what it is. And, and then it passes when I, if I, if I can say, oh my gosh, I am so fricking in Rouge right now. Then it passes.2 (15m 52s):Yeah. Well, it, it kind of sounds like from, from you and probably for most people, the only real option is to turn it in on yourself, you know, like you're not going to put it elsewhere. So you've, you know, you have, which is, so I guess maybe it's okay if you turn it on yourself, if you're doing, if you're working, if you're doing it with acceptance, which is the thing I'm gathering from you, as opposed to stewing and festering. And1 (16m 21s):I mean, it becomes, it's interesting. Yes, it is. So it's like, so red, hot, and so sudden, almost that the only thing I can do is say, okay, this is actually happening. Like, I can't pretend this isn't happening. I, it I'm like physically clenching my fists. And then I, yeah, there is a level of acceptance. I don't get panicked anymore. Now that I, that something is wrong. I just say, oh, this is rage. I name it. I'm like, I feel enraged and white, hot rage, and then it, and then it, and then I say, that's what this is.1 (17m 3s):I don't know why. I don't know where it's coming from. Right. In this moment. It's not proportionate to the lady, like literally talking on the phone at my coworking space that she's not shouting. So it's not that. And I don't want to miss that. I'm not like I can't fool myself to think that it's really, that lady's problem. That I feel like throwing my laptop at her head. And then, and then it passes. But, but, but it is, it is more and more. And, and I think a lot of it, not a lot of it, but you know, my doctor really does think that it's, it's hormonal. A lot of it just doesn't help the matter. I mean, it's not like, oh, great. It's hormonal. Everything's fine. But it, it does help to make me feel a little less bonkers.2 (17m 45s):Maybe you should have like a, a whole rage. Like what, like a rate. Well, first I was thinking you should have a range outfit. Like, oh, for me, if I, I noticed I pee in the winter anyway, I pick like my meanest boots and my leather jacket. When I'm feeling, you know, maybe say maybe kind of a rage outfit, when did Pierce?1 (18m 9s):No, I, I scratched myself in my sleep. Oh no, it's okay. It happens all the time. I do it in my sleep. It's a thing that it's like a little skin tag that I need to get removed. It's2 (18m 23s):So you could have a rage outfit and then you could have a rage playlist, And then you might even have like rage props. I'm just trying to think about a way that your ma you, you could write because if, if how you process something is artistically creatively, then maybe you needed a creative outlet that's specifically for, for race.1 (18m 48s):Yeah. And you know, the, I, I love that. And now I'm thinking about like, as a kid, we, because we, anger was so off limits to us. I used to violently chew gum. Like I would chew on the gum. That was a way, and my mom did the same thing, even though she also got her rage out, but it was like, you know, when people violently chew on their gum, like that was a way I could get my aggression out. That's so sad that that's like the only way.2 (19m 16s):Well, I mean, you find it wherever you can find me. It's like water looking for whatever that expression is, right? Yeah. Huh. Well, I have to get more in touch with my rage because I I'm told that I seem angry a lot.1 (19m 33s):You do.2 (19m 35s):I, I do get told that, but, but that sucks for me because I feel like I'm not expressing my anger and I'm, but I'm not. So I'm not, and I'm being seen as angry at certain times. So that means I didn't even get the benefit of like letting out the anger that somebody is.1 (19m 56s):Right. You didn't even get to act out the anger. It's like, yeah. So for me, miles tells me that all the time, like, he's like, you seem really in couples therapy. Also, I have to admit yesterday was a big day. We had couples therapy on zoom. Then I had individual therapy. And in between I had all kinds of like, just stuff happening. So, but yeah, I'm told I a miles is like, you seem so angry and he's not wrong. And, and we take it out on the people that we live in a two by four apartment with. So I also feel like this office space is helping with that, but yeah, I dunno, I'm going to have to keep exploring my, my rage and that's what it is.1 (20m 37s):And also it is like, I am the character in where the wild things are that kid, that is what I feel like. And it feels it's like the perfect cause he wants to gnash his teeth and, and he does, and a thrash, thrash, thrashing mash, or the words 2 (21m 6s):Let me run this by you that I wanted to do when we're going to talk to Molly that we didn't get to do. And it was based on made, you know, and just about money and, and wondering like what your relationship is right now with money. And also, but when were you at your lowest with money? What do you remember as being your lowest moment? Sure, sure. With money with money.1 (21m 40s):Okay. I have moments of what first comes to mind was when right. I was at DePaul. So it's an apropos in college and there was obviously a sense. I had a sense of lack, always, even though based on whatever, but it was phone. Somehow my accounts were always negative, right? Like, and I would call the number, the banking number, incessantly to check, and it would always be negative. So I have this panic thoughts about that. Like being a time of like, and that's not the only time that happened like that.1 (22m 23s):Where, what is the feeling? The feeling was that, and this was in college where it started to happen, where I felt like there's never enough. No, one's going to help me. I'm irresponsible with money. Was the message I told myself and I probably was, I was in college, but I can't handle money. And literally that, that panic was also, I mean, it was true. I had no money, but my parents would have backed me, probably helped me out, but I was too scared to ask for help. So that's like, that's when, when you asked that question, that's where I go.1 (23m 4s):But, but that's also a college kind of me. So like in terms of an adult, me, that's a really great, great question. My lowest, I don't know. What about you?2 (23m 22s):Well, I've got a lot of Loma Loehmann's moments with money when I was in high school. The thing was, I lost my wallet all the time.1 (23m 35s):Oh, I remember this. I remember you talking about,2 (23m 38s):Yeah, that'd be still lose stuff all the time. That actually started at a young age with, you know, my mom would, she, my mom was really into jewelry and she would buy me destroyed. And there's nothing wrong with the fact that she brought me jewelry, but I lost it. You know, she buy me nice gold jewelry1 (23m 59s):Because she likes nice things. That's right. Yeah.2 (24m 4s):In college it was pretty bad. And the first time it was pretty bad. I had to move back in with my mom because I couldn't afford rent. And then the second time I just, I re I really, if I had more bravery, I probably would have signed up to be one of those girls in the back of the Chicago reader. Like, I, I, I just figured what ha how literally, how else? Because I had a job, but I only worked however much I could work given the fact that we were in rehearsals and like busy all day, so I never could make enough money. And then I just, I think I always have had a dysfunctional relationship with money.1 (24m 51s):Wait a minute, but I have to interrupt. Why, why didn't our parents fucking help us? Okay. Look, I know I sound like a spoiled asshole brat, but like, when I think of the anxiety that we were going through and I know your mom did, so I'm not going to talk shit about your mom or anything, but I'm just saying like, why did we feel so alone in this when we were so young, this is not right.2 (25m 11s):Yeah. Well, my mom did help me out as much as she possibly could, but I think part of it too, my dad certainly didn't think it was that. I mean, when my mom was 18 and my dad was 19, they bought a house and had a baby. So I think part of it is, has been like, what's the matter with you? Cause I didn't go to college, you know, that's the other thing. So, so then when I, then I had a period for like 10 years where I always had three jobs, me two, what1 (25m 46s):Did you have enough then? I mean like, could you make rapid enough?2 (25m 49s):I had enough then yeah, I had enough then. But then when Aaron decided he wants to go to medical school, it was really on me to, to bring in the income. I mean, his parents always gave him money. They helped, it was a lot more. I mean, and actually it's why he became a therapist because I thought, well, we're going to be living with no income because he's going to be a student. Right. So I better giddy up and get a job. So the whole time I was in social work school, I was bartending. I remember that. And then I went quickly into private practice so that I could make money.2 (26m 29s):And it turned out to be, it turned out to backfire on me. Tell1 (26m 35s):Me, tell me, tell me more.2 (26m 37s):It backfired in two ways. Number one, I was, I shouldn't have been operating a private practice without my LCSW. I had my MSW and I was working at the time in a psych hospital. And all of the psychiatrist said, you should start your private practice. You should start your private practice. And I remember saying at the beginning, I don't know if I'm allowed to oh yes, yes. You definitely can. I know tons of MSWs into plenty of people and it's true. I don't know if it's still true now in New York, but at that time you could walk around and see plenty of nameplates for offices where somebody in private practice and that just have an MSW.2 (27m 18s):They just had to have a supervisor1 (27m 19s):Or something.2 (27m 22s):I don't know. Okay. I dunno. Right. So that ended up coming to haunt me when a disgruntled patient. And they're all disgruntled in some way, a family who actually had been swindled by a con artist, like they, they were a blue blood, rich ass family and they got swindled by a con artist. And so they were talking about rage. They had a lot of rage about that. When this guy who was paying for his daughter's treatment, didn't think it was going where, you know, he wanted it to right.2 (28m 4s):He started pushing back about the fee and then he was submitting to his insurance company and they were not reimbursing because I didn't have the LCSW. So then he reported me to the New York state office of professional discipline or1 (28m 21s):Whatever yeah.2 (28m 21s):Regulation or whatever. Yeah. And I ha I had to go through a whole thing. I had to have a lawyer and I had to go, yeah, yeah. It was a nightmare. It was a complete and total nightmare. And I, and I said nothing, but like, yeah, I did that. I did do that. And I did it because I needed to make the money. I mean, in some ways I don't regret it because I did it worked for the time that it worked. And then by the time it stopped working, I was ready to leave private practice anyway. Oh my God. Yeah. But then it also backfired because we were taking in this money, which we desperately needed living in New York city with two kids.2 (29m 3s):And, and we were, we were spending it all and not hold withholding any for taxes. So then that started, that started, that started almost 10 year saga of just, I mean, I, it's embarrassing to even say how much money we've paid in just in fees, compounded fees. Nope. I'm sure. In the last 10 years we've given the government a million dollars.1 (29m 29s):That sounds, that sounds about right. And you know, I think the thing with money too, is the amount of forgiveness I've need to muster up for the financial decisions that I have made. So one of them that I'm super embarrassed about is that, and I, and I hear you when it's like, yeah, I, it, it's embarrassing. I, I, when I did my solo show, I inherited the year that my mom died. My great aunt also died, who I very barely knew. And I inherited like, like a lot of money. Well, to me, a lot, like 50 grand from her, and I spent 15,000 on a publicist for my solo show that did nothing.1 (30m 14s):So I was swindled. Oh,2 (30m 17s):I'm so sorry to hear that. That really did nothing.1 (30m 22s):I could have done it all on my own. I could have done it all on my own, on drugs, in a coma. Do you know what I'm saying? Like, like, come on. So I have done made some questionable decisions. I did the best we did the best we could with, with the information that we all had at the time. I would never make that decision. I wouldn't, I will never make that mistake again. So yeah. Money is very, very, obviously this is so like kind of obvious to say, but it is, it is. So it is a way in which we really, really use it to either prize or shame ourselves. Right. And, and, and w I do it either way, like I do it.1 (31m 2s):Oh, I'm so fancy. I inherited this dough. And then I also do it. It's that thing that they talk about in program, which is like, you're the worm, but you're the best worm for the festival, special worms. And like, you're not a worker among workers. I'm just like the best idiot out there. It's like,2 (31m 18s):Dude. Yeah. And you're making me realize that money might be the only very quantifiable way of understanding your psychology list. The money is like, understanding your psychology through math. It's going okay. If you're a person like me who gets offered a credit card at age 20 totally signs up and, and immediately maxes it out at whatever, to get 27% interest rate. So whatever little thousand dollars of clothes I got, I probably paid $10 for it. And for the longest time. So, so that's me being afraid of the truth of my financial situation, being unwilling to sacrifice, having, you know, whatever, cute clothes being about the immediate gratification of it all and not thinking longterm.2 (32m 15s):Yeah.1 (32m 16s):Okay. Well, not asking for help either. Like, like, I don't know who I'd asked, but someone had to know more than me. I didn't ask my parents. They didn't really know what was happening at, or that just was their generation of like, not teaching us about money. It was sort of like, good luck. Get it together. We got it together. You get it together. Okay. Fine. But like unwillingness and fear to ask, to be taught something about money. Like, I didn't know, Jack shit about credit or interest Jack shit.2 (32m 46s):Yeah. And I recently realized that I'm basically redoing that with my kids, because we supposedly have this allowance. Only one of my kids ever remembers to ask for it because you know, only one of my kids is very, you know, very interested in money, but like, in a way I can understand why the others don't because it's like, well, anytime they want something, I pay for it. I never say sometimes I'll say recently, I've gotten better about saying, if we're going to go back to school shopping I'll especially if the oldest one, I'll say, this is your budget. If you, if you spend it all on one pair of sneakers, then I hope you're okay with your sweat pants that don't fit and wear them everyday for the rest of the school year.2 (33m 31s):Right. But it's, we've, we've just been extremely inconsistent in tying, like, for example, chores to your allowance,1 (33m 42s):It's fucking miserable and hard. And I have trouble doing that for myself. I wouldn't be able to do that for my children. If I had children, I can't not give the dog people food. What are you talking about? How am I going to bring it? Doesn't shock me. We didn't learn the skills and I'm not blaming. I mean, I'm blaming, of course my parents, but I'm also just saying, it's just the facts. If we're going to be that in the truth, like, I didn't learn, I didn't educate myself and nobody educated me. So I'm really learning through trial and error. Mostly error, how to be okay with money. And it is you're right. Like finances, romance, and finance teach us the most about our psychology.2 (34m 24s):Yeah. Yeah. Romance finance. I love that. 1 (34m 28s):I think that my boss at Lutheran social services to say all the time, finance and romance, romance, and finance, that's what all these addictions are about is that's how you see them. I'm like, she's right. I mean, she was, I liked her. She was bonkers, but I liked her. She said some good. She, she also is famous for saying, and she didn't say it, but she would always quote, the, no one gets out of here alive. You know, none of us getting out of here life, we might as well start2 (34m 54s):. Well, today on the podcast, we were talking to Carol Schweid and original cast member of the original production of a chorus line on Broadway. She's got great stories to tell she's a fascinating person. And I think you're going to really enjoy this conversation with Carol Schweid. Exactly. Carol shrine. Congratulations. You survived theater school. I did. You did.2 (35m 34s):And where did you go to theater school. Okay. First of all,3 (35m 38s):Let me just take my coffee, my extra coffee off of the stove and put it on my table. Cause it's gonna burn because we don't want that.4 (35m 51s):Okay. You're I am looking for a cop. If you have one, you know, this is ridiculous.3 (36m 2s):Hi there. Hi. This is a riot that you talk about surviving theater school. I think it's great. Okay. So this is working, right? You can hear me. Yeah, no, totally. A hundred percent. So this is my, I started college at Boston university. I was an acting major, which I loved. I really did, but I, what I loved more than anything was I loved the history of the theater. We had a great professor who told the tales of the gladiators and the, you know, the gladiators on the island and the fighting, and then the island, the survivors, and then the island would slowly sink into the water.3 (36m 45s):What is this? What did I miss? It was the early history of the theater. It was starting on the church steps. It was, you know, the second, whatever all of that history was, I found it really interesting. I also loved the station shop crew stuff. I liked learning about lighting. I was terrible at it. I, you know, I would fall off ladder, but I, I, I enjoyed the backstage stuff as much as I enjoy. I just, I liked it. I, we did the rose tattoo and my, and my first job was to take care of the goat. I was on the prop crew.3 (37m 28s):I took care of the goat. Was it a stuffed goat? No, it was a real goat. Wow. What can I tell you? The rose tattoo. There's a goat in the play. I didn't realize you could have livestock and colleges, college, whatever it was. I look like I have jaundice with is that something's wrong with the light jump I sent you stop your, where is the microphone part of your, do you want me to hold it up better? Because when you move, it hits your shirt and it makes like a scratching, right? That's right. I'll do it this way. I won't move around. When you look tan, you look, you don't like jaundice at all. Okay. Well then that's all right. Good. Thanks. Were the goat handlers.3 (38m 8s):Good to talk to you. I mean, that was, and I didn't mind, I didn't mind being an usher. All of those things, you know, I remember somebody sitting us down and saying, you're you are the first person. The audience we'll meet tonight as an usher. I took all of the stuff I did, but the acting business was very confusing to me. I didn't quite know. I had done a lot of theater and dancing and been in the shows and stuff, but I really, I was a little more of a dancer than an actor. I'd taken class in the city. I'd followed some cute guy from summer camp to his acting class. But half the time, I honestly didn't understand a word.3 (38m 48s):Anybody said, I just, nobody does. I really didn't get it so much at the time I loved it, but I didn't always get it. And for some reason, and I have no idea where this, why this happened. I had a boyfriend in summer stock whose mother worked at Barnard and her best friend was a woman named Martha Hill. Martha Hill ran the dance department at a school called Julliard. Nope. I had no idea. Cool. Just a little, nothing school. This is back in the day. It's a long time ago. It was just a plain old school. It wasn't like a school, you know, where you bow down. And I really was a very good dancer and always loved dancing.3 (39m 33s):You know, I've been dancing since I'm like a kid, a little five or six or whatever. So I was a little disenchanted with my successes at Boston U even though I had friends, I was having a great time. I mean, Boston in the late sixties was amazingly fun, but I felt like I wasn't getting it. I mean, it wasn't a school that was cutting people. Thank God, because that would have been torture. I don't know how anybody survives that, but I audition for this dance department in this school called Juilliard and got in and then told my parents that I was going to change colleges. I remember making up a dance in the basement of my dorm in Boston.3 (40m 17s):Cause you had a sort of take class and then you had to show something that you should have made up. And somebody else from college was leaving school to come to New York to be a singer. So we decided we were going to be roommates. And then we had a summer stock. Somebody at BU started some summer theaters. So I had a job or two, I think I had some friends from there. So I ended up moving, changing colleges and going to Juilliard. And I spent three years there. I was a modern dancer major. So we had the Limone company, including Jose Lamone wow teachers and the Graham company.3 (40m 59s):I mean, Martha, Martha Graham did not teach, but her company did as a winter and Helen, I was Helen McGee. One of the, they were maniacs. I mean, they're, they're like gods and goddesses and their whole life is about dance. And I was one of those demonstrators for her eight o'clock beginning class, my third year of school. I mean, I, it was all about technique. We had amazing ballet teachers. We had Fiorella Keane who, I mean, Anthony tutor taught class there and he was Anthony. I mean, so I got a out of being at that school that I have never lost. I mean, I can, I'm making up the answers for high school kids now really.3 (41m 42s):I'm just finishing up a production of grease, which is really kind of boring, but whatever I liked Greece, tell me more. Yeah. It's okay. If you hear it enough, you really get sick of it. Well, that's true. Yeah. I mean high school kids doing high school kids is like, Jesus, God, you just want to slit your throat. The moodiness when it comes to the girls. I mean, I love them. I really love them. I love the guys because puppies, they fall all over each other and they're fabulous, but that's a lie anyway. So I did something that I don't know why I did it and how it worked out. That way I left. I had a very best friend in college that was, you know, and I came to New York and made, made and shared an apartment with this slightly crazy woman.3 (42m 32s):And a year later I got myself a studio apartment on west end avenue and 71st street. And my mom co-signed the lease. And I spent three years dancing, honestly dancing almost every day. I wanted to take sights singing, but they wouldn't let me because I was in the dance department. And I didn't know, you could advocate for that. Sure. I didn't know. You could take classes at Columbia. I mean, who had time anyway, but was it a three-year program? It was a four year program, but I had taken a music class at BU that was like music appreciation one. Yeah. And for whatever reason, they gave me credit for that.3 (43m 14s):So I had a full year credit. Yep. Three years of Juilliard where I really worked my tail off. What's weird about it is that I am, you know, just a plain old Jewish girl from New Jersey, you know, a middle-class Jewish girlfriend. And to, to think that I could have a profession where people don't talk and don't eat, which is what the answers do is a riot to me. Yeah. Yeah. It's an absolute riot because you know, I mean, that should be basically the manual for dancers. Don't talk, don't eat, but I always knew that I was heading to Broadway. I really have always wanted to do that.3 (43m 55s):And I, and, and w was not really ever in question that I would, I somehow assumed if I worked hard and figured it out enough, I would find my way to working on Broadway. And I, and I made the right choice in the sense of switching colleges. Because in the seventies, if you look at your list of Broadway shows, all the directors were choreographers. They were all dancers, all of them Fauci, Michael Bennett champion, all of them. So I started working when I got out of school, you know, it was, and I had already done a couple of summers of summer stock and I did a summer Bushkill pencil, you know, these ridiculous, stupid theaters all over, but it was a blast.3 (44m 36s):It was fun. Where, what was your first job out of school? I was still, I was in school and it was the Mount Suttington Playhouse, which was like a tin shell in Connecticut. And I think it was still in college. Cause two guys from school had opened this theater at the skiing place, but it wasn't skiing. Then it was a sh it was like a tin shell. So couldn't really do a show when it was raining very well. And I believe it was stopped the world. I want to get off and I can still remember the Alto harmony to some of the songs. So you okay. Wait, so you don't consider, you didn't consider yourself a, an actor or did you?3 (45m 20s):Well, I did, but I think what happened was I had to audition for something. It'd be you like, they had grad programs and it wasn't that I was unsuccessful there, but somebody came and I didn't get cast. I didn't get hired. And I didn't understand, you know, like they give you all these acting exercises. We do sense memory. Well, I didn't know they were exercises. I didn't, they were they're like plea aids. Right. They're like learning things. I took this all very seriously. I would stand in a room and try to feel it was like that song from chorus line, you know, try to feel the emotion, feel the, yeah, yeah, yeah, yeah.3 (46m 5s):I did all of that. I didn't really understand the simple, what am I want here? And what's in my way of trying to get it. Yeah. It took me so long to find teachers that I really could understand and make me a better actor. So when did you find them? When did you start to find them? Oh, that's interesting. Well, I found a couple of good teachers in New York. I mean, honestly there was a woman named Mary Tarsa who had been in the group theater and an older lady. I mean, it's a long time ago anyway, you know, but I remember sitting in her class and she would talk about using imagery and th and I started to sort of understand a little bit, which is amazing to me because after I moved to Westport and I met, do you know the name Phoebe brand?3 (46m 58s):Yeah. Phoebe brand was in our theater workshop. Oh, taught a class. She was already up in her eighties and she taught a class, a Shakespeare class on Sunday mornings. And all of a sudden these things that I didn't understand from decades before. Hmm. It sort of pulled it all together. But for me, I went, I was in California after I got married and moved to LA for a couple of years, found a teacher named John LAN and Lee H N E and two years in his class. I started to really understand how to do it. And then when I came back to New York, he sent me to Michael Howard and Michael Howard, Michael Howard was a great teacher for me.3 (47m 44s):He's still a great, I don't know if he's still around if he's teaching or not, but he was a wonderful teacher. And I started to understand how to do it. Was Len the, did he teach the method or what was yes, he was, he was an actor studio teacher. And I started to understand about being present on the stage and being able to deal with people. All of it, it just changed dramatically. I mean, I started to understand what this was about and seeing other good actors and chipping away at it and finding people to rehearse with. And1 (48m 22s):You, you, from what I know, and what I'm gathering is that once you graduated Juilliard, you were cast in New York.3 (48m 30s):Well, you know, I did get my very, my V I I've. I mean, I, I remember going to see midnight cowboy, which was about the same time as I got out of college. And I remember going into a terrible panic of, oh my God. I mean, really scared about all of it. And I, I went, I joined a class that a friend of mine, somebody told me about this class, you know, I always follow somebody to a class. I'm always, I have good friends. And I, somebody says, oh, I love this guy come to class and I'd show up.3 (49m 12s):And this was a musical comedy singing class, kind of where there were writers in the class and actors in the class. And the writers in the class would work on a musical that they didn't have permission for. It wasn't like they were, we were doing this for money or for, for future. So my friend who I became friends with wrote her musical version of barefoot in the park and which has never been done, but I remember I was in it and this guy was in it. And we, it was the kind of a class where it was a very warm, funny group, funny group of wacko theater people. And I would go to open calls and I'd usually go to open dance calls because that was a door for me.3 (49m 59s):And also I used to have to sneak out of Jew, not sneak necessarily, but essentially sneak out to take my singing lessons. And I took singing lessons every, you know, every week for years, for three years, I would, you know, and I, and I was not really, I don't think a very good singer, but I became a good singer. I would sneak out of school and go to an acting class. I don't even know when I started that, but I know that I would find the time to do it and then talk about acting and find a teacher so that when I would audition for a musical and I would get through the dancing. Usually if I got through the first cut, I would make it to the end. I wouldn't always get the job, but if I made it through that first horrible, random cut, you know, where there's 200 people in your dancing across the stage and it's yes, no, yes, no.3 (50m 47s):Is it really?1 (50m 48s):Because I'm not a dancer. So I never had this. I, when my agents are like, oh, there's an open dance call. I'm like, ah, that's you sent the wrong person, the email. So it's really like that, like in, in chorus line where they say, you know,3 (51m 1s):Oh yeah. It's like all that jazz. It's really like that.2 (51m 6s):Wait, I have a question. I want to hear the re the rest of that. But I, I just, I've never asked anybody. What's the biggest difference between the people who got cut immediately. I mean, was it training or were there people that, in other words, were there people who were just walking in off the street with no training trying to audition? Yeah,1 (51m 29s):No, truly an open call.3 (51m 31s):No. And sometimes these were equity calls. Cause I, I, I did get my equity card on a summer. That one summer I worked for a non-union, you know, we were in either Bushkill Pennsylvania or Southern Eaton Connecticut, or I did a couple of those summers. And then the next summer, the choreographer from that show had an equity job. And he hired like three of us from our non-unions summer stock, because we were good enough. And1 (52m 4s):So when you went to these open calls, everyone, there was a bad-ass dancer. No one, there was like,3 (52m 10s):That's not true. That's not true. There were all different levels of dancers, but it was also a look await, you know, it was always, I was always like seven pounds overweight. It was like, the torture is thing of weight does enough to put anybody over the edge1 (52m 26s):That they literally3 (52m 27s):Weigh you, Carol. Oh God. No. Oh, but it's so look, and I will tell you there's one. There was one time when I remember auditioning for above Fossey show and there were a lot of people on the stage and we were whatever we were doing. And then at 1.3 Fossey dancers, it was their turn. And these three gals, okay. Their hair was perfect. Their makeup was fabulous. They had a little necklace, they had a black leotards, you know, cut up high, but not out of control. Good tights, no, no runs, nice shoes, nails done.3 (53m 7s):And they were fantastic. They were clean. They were technically, and we all sort of went, oh fuck.1 (53m 16s):Right.3 (53m 18s):Right. And I have friends who became Fossey dancers. I mean, I worked for Bob, but I have friends who did a lot of shows him. And they had that same experience where they saw other people, the way it should be. And then they would go back a month later and get the job because they knew what it took. It was all about knowing what it takes. But the thing about having studied acting and having slowly studied singing is that in the world of musical theater, I was ahead of the game because there's not that much time. So you have to be willing to spend all of your time.3 (54m 0s):Right.1 (54m 1s):There are some people I'm assuming Carol, that could dance wonderfully, but couldn't do the singing and the acting part. And that's where you were like, that's the triple threat newness of it all is like, you could do3 (54m 12s):Well, I could do them better than a lot of people. And I certainly could sing well, and I had, I could sing a short song and I knew that you sing a short song. I knew that you'd probably do an uptempo, you know? And also I tend to be a little angry when I go into an audition. It's like, why do I fuck? Do I have to audition? I better, duh. So I needed to find things that allowed me to be a little angry so I could be myself. And I could also be a little funny if I could figure out how to do that. So all of these things worked in my favor. And then of course, like everybody else in her, a lot of people, pat Birch, who was a choreographer, she had like a gazillion shows running, including Greece on Broadway. And now over here, I don't know if she did grease, but she did over here.3 (54m 55s):She did. She was very prolific choreographer. She had been a Martha Graham dancer and she had taught a couple of classes at Julliard. And when it came to my auditioning for her, she needed girls who could dance like boys. She didn't need tall leggy, chorus girls. We were doing the show she was working on, was a show called Minnie's boys. And it was a show about the Marx brothers and the last number of the show. We were all the whole chorus was dressed up like different Marx brothers. And she needed girls who could be low to the ground, who can, you could turn who and I was the right person.3 (55m 36s):And I remember being in that class, that wonderful musical theater class with a teacher named Mervin Nelson, who was just a great older guy who kind of worked in the business. I remember I had to go to my callback. I went to my class and the callback was at night. And I remember him walking me to the door, putting his arm around me and saying, go get the job. And if you don't get this one, we'll get you. The next one1 (56m 4s):That makes me want to3 (56m 4s):Cry. Well, it made me feel like part of the family, cause we all want to be part of that theater family. And so I tend to do that when I'm with an actor, who's going to go get a job or go get, you know, you want to feel like it's possible. Yeah. You feel like you can, you deserve it.1 (56m 29s):You said, you mentioned briefly that you worked for Bob3 (56m 32s):Fossey. I did.1 (56m 35s):Oh my gosh. Did you turn into one of those ladies that looked like a bossy dancer too? Like, did you then show up to those auditions? Like, oh3 (56m 43s):No, I don't think I, I couldn't, I didn't, I could not get into a chorus of Bob Fossey, but I did get to play for strata in Pippin in the, in the, in the first national tour. And he, Bob was the, he was the director and I, I knew I was the right person for that job. It was also a funny, kind of lovely circumstances that I was in some off-Broadway an off-Broadway show that had started as an awful off, off of a, that, that Bubba, that moved to an off-Broadway theater. I got some excellent reviews. And I think the day the review came out was the day I had my audition for Bob Fossey.3 (57m 24s):So I, and I played it. I had talked to people who knew him. I talked to, you know, I, I knew that I, I don't know, I just, I, I had done some work and I just, I don't know the right person at the right time, somebody, he needed it. That part required a good dancer. Who could, I don't know how I got the part. I just,1 (57m 57s):I'm kind of getting the impression that we're talking about being a strong dancer.3 (58m 0s):Well, let's strong dancer. And also being able to, being able to talk and sing was really the key. I'm not sure that I certainly, as a young person, I, I didn't do nearly as much comedy as I did when I got a little older, but, and also there were a lot of divisions. You sort of either did musicals or you did straight plays and it was hard to get into an audition even for a straight play. And the truth is I think that a lot of us who thought we were better than we were as you get better, you see when you really, wasn't a very strong actor.1 (58m 43s):Right. But there's something about that. What I'm noticing and what you're talking about is like, there's something about the confidence that you had by maybe thinking that you might've been a little better than you were that actually behooves young actors and performers that, you know, cause when Gina and I talked to these people were like, oh my God, they have a healthy ego, which actually helps them to not give up as where I was like, I'm terrible. I'm giving up at the first hour.3 (59m 9s):Exactly. Right. Right. And, and it, and it goes back and forth. It's like a CSO one day, you feel like, oh yeah, I'm good at this. I can walk it. I get, I'm like, I'm okay with this. And the next day you just to hide under the bed, I think that's sort of the way it goes. I didn't know that people who worked on Broadway even then all had coaches and teachers and support systems and you know, being kind of a little more of a lone Wolf, which I was, and still fight against in a way I come against that a lot, for whatever reasons, you know, whatever it doesn't work, what to be a lone Wolf.3 (59m 54s):Yeah. Yeah. You can't do this alone. You can't do it without a support system. It's just too hard because when I actually had the best opportunity I had, which was being part of a chorus line, it was harder than I thought to just be normal, come up with a good performance every night, you know, it was up and down and loaded and that you lost your voice and had nobody to talk to because you couldn't talk anyway. And we didn't have the internet yet. You know, there was so many, it was so much pressure and so much, and I hadn't really figured out how to create that support system up for myself.3 (1h 0m 42s):And it was harder, harder than it needed to be. Did you ultimately find it with the cast? No. Oh, not really where they mean, oh, none of the cast was fine. It wasn't that anybody was mean it's that I didn't take care of myself and I didn't know how I was supposed to take care of my shirt. How old were you when you were cast in a chorus line? 27? Maybe I was, I was young and, but I wasn't that young. I just, but it wasn't that C w it was a strange situation to, I was, I had already had one Broadway show, so I had done, and then I had gone out of town to bucks county Playhouse.3 (1h 1m 25s):And did west side story Romeo was your first Broadway show. I'm sorry. It was called Minnie's boys. Oh, that was it. That was my, I did. And it was a show about the Marx brothers. Right. And I don't know if you know who Louis. We would probably do Louis Stadol and Louis J Staglin who works with, he works with Nathan Lane a lot. Oh yeah. Yeah. He's like second bun and he's incredibly talented. He played Groucho. Okay. We were all 25 years old. We were kids. We were right out of college. And the weirdest part of all was that the mother was played by Shelley winters. And this was a musical. What a weird you've really. Okay. So then you went onto chorus line.3 (1h 2m 6s):Well then, well then in between that, this is like, you know, then, then I went out of town to bucks county. I love being in bucks county for a year. We did west side story. We did Romeo and Juliet during the week. We do them together, one in the morning, one in the afternoon for high school kids. And then on the weekends, we do one of the, and I was the only person in the cast who liked dancing at 10 o'clock in the morning. You know, I didn't mind doing west side at 10 in the morning. I'd been up at eight, being a demonstrator for Mary Hinkson, teaching people how to do a contraction. So I didn't care. I love working in the daytime. That's what I play with your food is such a nice success. My lunchtime theaters here, I get tired at night.3 (1h 2m 47s):I don't know.2 (1h 2m 49s):Most people do wait. So was the, was the audition process for chorus line?3 (1h 2m 56s):I have a great story. I can tell you what my story is. Okay. So I, I was in, I don't know what I was doing. I had done a lot of off-Broadway work. I had been doing, I had been working a lot. And then of course there were the year where I didn't work. And then I went off to south North Carolina and played Nellie Forbush in south Pacific, in the dinner theater for three months. And I loved that. Actually, I think it was one of those times I had a job and a boyfriend and it was like a relief. It was wonderful to have like a life and then do the show at night. You know, I, I enjoyed that a lot and I didn't, you know, it was a big part and I didn't panic about seeing it.3 (1h 3m 37s):And it was just, I learned a lot from doing a part like that. I was doing Fiddler on the roof at a dinner theater in New Jersey, down the street from where my folks lived. And occasionally my mom would stop by her rehearsal and watch the wedding scene. Honest to God. I'm not kidding. She's like, Carol, you ever gonna get married? Are you ever gonna? Okay. So I'm doing Fiddler on the roof, in New Jersey. And there's a guy in the cast, one of the bottle dancers who were dropping off at night on 55th street, because he's working on this little musical about dancers and he would bring in monologues and he'd asked me to read them at rehearsal because he wanted to hear them out loud.3 (1h 4m 25s):And there was some stuff about this place to ever hear the peppermint lounge back in the studio. Right. It was a disco thing, but it was also a place where there was something. I remember one the couch girls, girls who would just lie on the couches and the guys, I mean really crazy stuff that did not make it into the show, but some interesting stuff. And I was playing the eldest daughter sidle, and it's a terrific part for me. So I was good. Yeah. And Nick knew I was a dancer. Anyway, this little show called the chorus line was in its workshop. Second workshop. They had already done the I, cause I was not a Michael Bennett dancer. I didn't, you know, I, I, I had auditioned for my goal once for the tour of two for the Seesaw.3 (1h 5m 10s):And it was the leading part and I didn't get it. I auditioned, I sang and I read and I read and I sang and I didn't get the part. And I came home and I was like in hysterics for like five days. I just, you know, I, I didn't get the part year and a half later, I'm doing Fiddler on the roof with Nick, Dante in New Jersey. And somebody leaves the second workshop and Nick brings up my name because there's a job all of a sudden to cover, to be in the opening and to cover a couple of parts next, bring up my name. And Michael Bennett says, wait a minute. I know her. I know she's an actress and she's a singer. Can she dance?3 (1h 5m 52s):So I showed up the next morning and I danced for 10 minutes and I got the job. I mean, I think, wow. Yeah. That's a great story.2 (1h 6m 1s):No. So that means you didn't have to participate in3 (1h 6m 4s):Callbacks or nothing. Oh, I started that day. I mean, honestly, it was Fiddler on the roof, you know what, I don't remember whether, how it went. Cause we were already in performance tour or something, you know, I, I it's a long time ago, so I don't really remember, but I know that this particular story is the absolute truth. That's fantastic. That2 (1h 6m 27s):Was it a hit right away3 (1h 6m 29s):Chorus line. Well, it wasn't, we were in previews. I'm no, we weren't even previous the second workshop, which means it was still being figured out. And when I came to the first rehearsal and sat and watched what was going on, I could not believe what I was seeing because the truth of what was happening on stage and the way it was being built was astounding. It was absolutely astounding because something about it was so bizarre. Oh. And also, also Marvin Hamlisch was the rehearsal pianist on Minnie's boys.3 (1h 7m 10s):Wow. So I knew him a little bit, not well, you know, but he was the rehearsal pianist that nobody would listen to a show about the Marx brothers, Marvin would say, wait, this is the Marx brothers. You got to have a naked girl running out of the orchestra pit. You gotta, you gotta, and of course, nobody would listen to him. Wait a minute, just turn this off, stop, stop, turn off. Sorry. So I couldn't get over what I was seeing. And I, I knew from the beginning, of course, I think most of us did that. Something very, very unique was going on and it was always changing. Like Donna McKechnie came in late at the audition, all dressed up in like a fur thing.3 (1h 7m 56s):And it was like, I'm sorry, I'm late. I'm sorry. I'm late. And then Zach says, would you put on dance clothes? And she said, no, no, wait a minute. Anyway, you couldn't help. But know sort of, you just kind of put,2 (1h 8m 8s):I mean, I remember seeing it when I was a kid and not, not being able to relate as an actor, but now that I think back, it just must've felt so gratifying to be seen for all of the, you know, because like we w the Joe Montana episode, we3 (1h 8m 28s):Haven't listened to yet, but I'm looking forward to2 (1h 8m 30s):It here today. But he was saying, I love3 (1h 8m 33s):Him2 (1h 8m 34s):For you. You were saying that when he won the Tony and everybody would say, well, it's like to win the Tony, what's it? Like he said, it's like, you won the lottery, but you been buying tickets for 15 years. You know, that's the part of acting that people now, I think it's a pretty common knowledge that it's really difficult to be an actor, but I don't know how Hmm, how known that was then. And it just, must've been so gratifying for all of those people. I mean, who are living in their real life? The story of that musical. Yeah.3 (1h 9m 9s):I think that that's true. And also, I mean, it really did come out of people's experiences. Those stories are so, so to be part of something like that, and down at the public theater, which of course it was a vol place to be, you know, you, you knew that Meryl Streep was walking down the hallway and you knew that. I mean, talk about confidence. I mean, I don't know if you've read her new book, no book about her. No, it's worth the time I listened to it. Actually, I didn't read it. I listened to, it's quite wonderful because you see a very confident person who's working on creating who she is.1 (1h 9m 47s):Do you feel, I feel like you have a really strong sense of confidence about yourself too. Where did that come from? Would you agree? First of all, that you have, it sounds like you had some comps, some real chutzpah as a youngster and maybe now as well. Where'd that come from3 (1h 10m 5s):Beats me. I have it now because I, I, I, I've had a lot of, a lot of experience. And I, I think that, that, I, I think I know a lot about this, but I don't know that I had it. The trick was to have this kind of confidence when it really matters. Yes. And I think I had it, like if I was in an off-Broadway show, I could say, I don't think that's good enough. Could you restage this blah, blah, blah. Or if I'm in North Carolina, I'm not, I think we need to dah, dah, dah, dah, dah. But when it comes down to the real nitty gritty of standing up for yourself, when it really, really matters, boy, that's harder than it looks.3 (1h 10m 51s):You know, even things like, I mean, my character, when I eventually took over the role of Miralis, which I under, you know, I was we've covered all these parts. There were nine of us. We sang in the little booth in the wings. We had microphones and little headsets. And the coolest part of all was Jerry Schoenfeld, who was the chairman of the Schubert organization would bring any visiting dignitary who was visiting the city that he was showing around his theaters. He would bring them into our little booth. And then we would watch the show from stage left in our little booth while we're singing, give me the ball, give him the ball. Cause half the dancers on the stage, cause stop singing because they had a solo coming up.3 (1h 11m 31s):So, you know, singing in a musical is not easy. You know, there's a lot of pressure and you got to hit high notes and you, you know, you just wake up in the middle of the night going torture, torture, and you have to work through that and finally go, fuck it. You know, fuck it. I don't care what I weigh. Fuck it. I don't care if I, if I can't hit the high note, but it, it takes a long time to get there. You know, I see people who do this all the time. I don't know how they live. I don't know how they sleep at night. There's no wonder people like to hire singers who have graduated from programs where they really understand their voice, know how to protect that, which you don't, you know, you have to learn, you have to learn how to really take.3 (1h 12m 24s):That's why, you know, it's wondering about ballet companies now have misuses and we didn't have any of that. You were hanging out there alone. I felt maybe I'm wrong, but that's how I felt. And if I was vulnerable or if I didn't feel well, and I was like, oh, what am I going to do? I can't tell anybo
Is it soup season? Nah, it's stew season as we talk with Matt of A Will Away about their upcoming album of the same name that's due out via Rude Records next year. We talk about the mighty Dreamcast gaming system, hockey, John Hughes inspo & more.Follow & Support Between You & Me:Twitter, Insta, Listen, Pre-Order______NEW EMO SOCIAL MEMBERSHIPAs we continue to grow at the club, the next step is to open up something similar to a paetron, but through Squarespace. This is a new avenue to give exclusive content to our community that you've been asking for, as well as other niche items that don't always make the final cut in the editing room.You can sign up here & you'll get all access to exclusive, downloadable content from us at the Emo Social Club.-----SOOTHSAYER HOT SAUCE X SPICY TAKESCan the guys in Action/Adventure stand the heat? Tune in to our latest episode of Spicy Takes on our YouTube channel to find out!In this episode, we feature their hot sauce "Poser Poison" sauce, which includes hints of Mexican chocolate and scorpion pepper. It's sold out online BUT you can snag a ticket to their upcoming tour this fall, & snag a bottle at their merch table. you can scoop over on their website.Make sure to give Soothsayer a follow on Insta to stay up to date with them + upcoming sauce drops. Also! Subscribe to us on YouTube so you can be the first to see our spiciest takes. EMO SOCIAL MERCH SALEIt's prime layering season, club! So make sure you get some discounted Sun's Out, Stay Inside & Emo Social Nu-Metal tanks in our store!Thanks to our designer Joey Resko for our designs.Join the club!Twitch: https://emosocialclub.tvDiscord: https://emosocial.club/discordTikTok: https://www.tiktok.com/@xemosocialclubxTwitter: https://emosocial.club/twitterInstagram: https://emosocial.club/instagramYoutube: https://emosocial.club/youtubeFacebook: https://emosocial.club/facebook Follow us!Brian: @spookypants1Lizzie: @bordenbathory
Bigger isn't always better. Scott Tailford presents 8 Great Video Games That Take Place In One Building... See acast.com/privacy for privacy and opt-out information.
Join your Host Sarah Stephenson & Co Host Mike Stephenson as they talk horror, science fiction & fantasy movies, TV series & books past, present & future. In this episode we're reviewing the Super Mario Bros (1993). Brooklyn plumbers Mario and Luigi get the shock of their lives when they discover a parallel world populated by the intelligent descendants of dinosaurs. It seems they weren't destroyed by a meteor millions of years ago but hurled into another dimension and, now, they have plans to rule our world. It's up to our unlikely heroes to battle the evil King Koopa and his Goomba guards, free the beautiful Princess Daisy and save mankind in this adventure of a lifetime. WARNING may contain a few spoilers' alerts. So if you haven't seen the film, yet please go watch the movie NOW… BOYS ‘N' GHOULS FILM REVIEW PODCAST comes to you every Monday & Wednesday. Next episode 22th November, 2021 For your daily review go to: Podbean - https://boysnghoulsfilmreviewpodcast.podbean.com/ Anchor - https://anchor.fm/boysnghoulsfilmreview Spotify - https://open.spotify.com/show/3xrXE8Wj6ToYNgK3ahAu0a RadioPublic - https://radiopublic.com/boys-n-ghouls-film-review-podcast-G4gAyD Breaker - https://www.breaker.audio/boys-n-ghouls-film-review-podcast Visit our Merchandise Shop here: https://blackcatfilmprod.storenvy.com/ Thanks for watching. Don't forget to LIKE, COMMENT & SUBSCRIBE! ****CONTACT DETAILS**** Website: https://www.blackcatfilmproductions.com/ Shop: https://blackcatfilmprod.storenvy.com/ Facebook: https://www.facebook.com/boysnghouls/ Facebook: https://www.facebook.com/bcfp14/?ref=bookmarks Twitter: https://twitter.com/blackcatfilmpr2 Business Inquiries: email@example.com
Our bodies can't do it anymore.PATREON: https://www.patreon.com/LFABEMAIL: firstname.lastname@example.orgTWITTER: https://twitter.com/LetsFightABossINSTAGRAM: https://www.instagram.com/letsfightabossQuest Log:Fairfax, Limp Bizkit - Still Sucks, Ranking of Kings, The O.C., Re:ZeroStrategy Talk:Pikmin Bloom, Voice of Cards: The Isle Dragon Roars, Hollow Knight, Mario Party Superstars, Nintendo Switch Online + Expansion Pack, No More Heroes III, Luigi's Mansion 3Quicktime Events: - Overwatch 2 and Diablo 4 delayed until 2023, Activision Blizzard co-leader Jen Oneal steps down after three months- Ubisoft employees open a public petition seeking support for improved working conditions- Nintendo Switch Software Sales Stats - Microsoft's Perfect Dark reboot will be co-developed by Crystal Dynamics- Steam Deck, Playdate and Analogue Pocket launches are all delayedLoot Drop:Gentlemen Broncos - Snake - https://youtu.be/oKACoMSDS1oNiamh:Maintenance Phase Podcast - http://maintenancephase.comJohn:F.D Signifier on YouTube - Dave Chappelle Only Tells Half the Truth - https://youtu.be/S42DJr95DfwEddie Kingston discusses his Mental Health - https://www.theplayerstribune.com/posts/eddie-kingston-aew-wrestlingBryan:Nightcore - Heaven Is a Place on Earth - https://youtu.be/tIchEmJq0CINightcore - Heaven Is a Place on Earth - https://youtu.be/BXtJASmAhyINightcore - Heaven Is a Place on Earth - https://youtu.be/KwkOqTRe9-8Nightcore - Heaven Is a Place on Earth - https://youtu.be/CpqpqJvB_1gNightcore - Heaven Is a Place on Earth - https://youtu.be/vqe02kaRY44Nightcore - Heaven Is a Place on Earth - https://youtu.be/9lU8MidD5UUNightcore - Heaven Is a Place on Earth - https://youtu.be/gW8IWtYueXsNightcore - Heaven Is a Place on Earth - https://youtu.be/o-j4-9TUv-wEditing:Oni Dino - https://twitter.com/Oni_DinoOutro Music:Twinkle Park on SoundCloud - https://soundcloud.com/twinklepark/lets-fight-a-boss-outro-theme
Truly Inconsequential - Not all characters are created equal. Mr. Greer and Brimstone of The Grindhouse Radio debate this week's zeroes in front of a live audience. It'll be determined in real time who will remain inconsequential, and who may be liberated back into the hero's category. This week they argue a four way dance between legendary secondary characters. The combatants are Luigi (Nintendo's Mario Bros) vs. Knuckles (Sonic) vs. Toad (Mario Bros) vs. Tailz (Sonic). This will be one wild ride of game console mayhem pitting Nintendo classics against Sega classics - only one can be victorious. Question is, who will remain truly inconsequential.
Nov. 12-18: Michael Jackson beats up a car, Luigi and Master Chief go head to head, Mr. B Natural stalks children, Dana Carvey has a massive headwound, Billy Bob Thornton isn't there, Bernie Mac's gonna kill them kids, Jeremy Irons gets Kafkaesque, penguins have more happy feet, Minecraft dominates everything, and a special guest tells us why Achtung Baby is the greatest album of all time. All that and more this week on Thirty Twenty Ten, your weekly look back on the week that was 30, 20, and 10 years ago.
Between you and Nikki, it would be nice to get higher ratings on Wiki Feet and to run away from goodbyes. Nikki and Andrew dissect the art of crying and what about it makes us feel uncomfortable. You Heard It Here First, the 1st story is sponsored by the Big Shoe Lobby, fun holes come in all sizes, our brains absorb more than we know and the celeb costumes they care about. In Nikki's Reddit Dump, Andrew is wowed by a ghost almost getting hit by a fence and they have a conversation about superficial break ups. Final Thought, Luigi is a Bestie. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com
Having explored the legacies and games of the rest of the primary Super Mario franchise cast, Jeremy Parish, Bob Mackey, Henry Gilbert, and Stuart Gipp gather together to wrap it up by talking about, uhh, that one guy. The green one. Whatshisname. Edits by Greg Leahy; art by Amanda Pruitt. Retronauts is made possible by listener support through Patreon! Support the show to enjoy ad-free early access, better audio quality, and great exclusive content. Learn more at http://www.patreon.com/retronauts
Let's get this out of the way first: there are a LOT of video games available, including a lot of games that don't require you to kill people and don't involve Mario, Luigi, Wario, or Waluigi. And among those are several games that approach mental health issues in a truthful and sympathetic way. These games, often made by small independent studios, might take place in fantastical worlds but they can involve honest examinations of depression, trauma, and anxiety. And playing the games can bring a lot more insight and relief to the player than you might think.We talk with Maddy Myers of the Max Fun podcast Triple Click for her recommendations on enlightened independent games and Gregory Lobanov, creator of the game Chicory: A Colorful Tale.Listen to Triple Click on the podcatcher of your choice. Visit Greg's website at greg.style. Follow Maddy on Twitter @MIDImyers and Greg @thebanov.Maddy's Game Recommendations:GAMES LITERALLY ABOUT DEPRESSIONChicory: A Colorful Tale (2021)Depression Quest (2013)Actual Sunlight (2014)GAMES FIGURATIVELY ABOUT DEPRESSIONCeleste (2018)Gris (2018)Sea of Solitude (2019)GAMES I'VE PLAYED WHEN DEPRESSED AND I'VE FOUND MEANING IN THEMThe Metroid SeriesDark Souls (2011)Thank you to all our listeners who support the show as monthly members of Maximum Fun. Hey, remember, you're part of Depresh Mode and we want to hear what you want to hear about. What guests and issues would you like to have covered in a future episode? Write us at email@example.com.Help is available right away.The National Suicide Prevention Lifeline: 1-800-273-8255, 1-800-273-TALKCrisis Text Line: Text HOME to 741741.International suicide hotline numbers available here: https://www.opencounseling.com/suicide-hotlinesThe Depresh Mode newsletter is available twice a week. Subscribe for free and stay up to date on the show and mental health issues. https://johnmoe.substack.com/John's acclaimed memoir, The Hilarious World of Depression, is available here.Find the show on Twitter @depreshpod and Instagram @depreshpod.John is on Twitter @johnmoe.
Between you and Nikki pink under eye liner is gonna be the new thing and there's a lot to be gained from speaking to Luigi's vet. Andrew got to witness Nikki "get ready" last night and she was anal about it. She asks 7 pertinent questions that she answers yes to about a western bedroom habit. You Heard It Here First, online dating ice breakers, porn on the news and Island Boys. In Slice of Life, Nikki shares a video she made for Bob Saget's charity the Scleroderma Research Foundation. In the Final Thought, Andrew gives Nikki a nudge to write a song with a double meaning. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com