Podcasts about Gestapo

Durante la Segunda Guerra Mundial, Nancy Wake operó dentro de la Resistencia francesa y se convirtió en uno de los objetivos prioritarios de la Gestapo. Su capacidad para moverse en territorio ocupado y coordinar acciones clave la consolidó como una de las agentes más eficaces del bando aliado. Su historia refleja el papel decisivo del espionaje en contextos de guerra. Y descubre más secretos del mundo que no imaginabas en National Geographic y Disney+. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Montevideo, 13 de julio de 1930. Caen algunos copos de nieve sobre el campo. Es el primer partido de la historia de los mundiales y nadie en la grada sospecha lo que está a punto de empezar. Cuatro selecciones europeas han cruzado el Atlántico en barco. Una llega casi a rastras, secuestrada por la vanidad del presidente de la FIFA. Otra trae a sus jugadores arrancados de la cadena de montaje de Peugeot. Bienvenidos al Mundial que casi no se juega. En este episodio, junto a Maxi Guerra -autor del imperdible podcast Gastropolítica-, desenterramos las historias de aquel torneo pionero. Un rey que se inventa la convocatoria de todo un país. Una final disputada con dos balones, porque nadie se fiaba del rival. Revólveres y cachiporras requisados en la aduana antes del Uruguay-Argentina. Un árbitro que pide escolta para huir en el primer barco. Y un futbolista al que dieron por muerto y que reapareció justo a tiempo para interrumpir su propio funeral. Todo eso ocurrió en apenas dos kilómetros a la redonda, en un país que celebraba su centenario y se inventaba a sí mismo a golpe de gol. Hay nieve donde no debería nevar, ligas obreras con equipos de nombre soviético, un capitán francés que acabaría fusilado por colaborar con la Gestapo y un delantero manco marcando en la final. El fútbol como espejo de un siglo que apenas empezaba a torcerse. Súbete al barco. La travesía no defrauda. Si este capítulo te interesa, en nuestra newsletter encontrarás contenido adicional: www.brazaletenegro.com Youtube: https://www.youtube.com/@brazaletenegro Twitter: https://twitter.com/brazaletenegro Instagram: https://instagram.com/brazaletenegropodcast Brazalete Negro, el true crime del fútbol. Y, recuerda, Bill Shankly no tenía razón.

Être archéologue, c'est étudier les diverses traces laissées par d'anciennes communautés humaines afin de mieux comprendre leur histoire et leur organisation, leur environnement et leur mode de vie. À l'archéologie, discipline populaire, sont souvent associés les termes de “passion”, de “fascination”, d'“énigme” ou d'“exotisme”. Mais ce témoignage vise surtout à illustrer ce que cette discipline dit de nous, de notre société contemporaine et des défis que nous devons relever dans les domaines environnementaux, économiques, technologiques, sociaux et politiques.Pour contribuer à analyser le présent et tenter d'appréhender l'avenir, je vais donc retourner sur mes pas, fréquenter différents terrains de fouille et rouvrir des dossiers scientifiques : pointer les “jours j” et les moments déterminants, et ainsi faire face au passé pour tenter de lire dans d'anciennes traces une histoire en devenir. Du littoral méditerranéen aux sources de la Seine, cette itinérance nous entraînera dans des grottes occupées par les premiers humains, au-dessus d'une épave antique, auprès d'un prince celte, dans les rues d'une ville gauloise et même dans les sous-sol de Notre-Dame de Paris, explorés à la suite du tragique incendie. L'Auteur, Dominique Garcia est notre invité en studio Emission disponible en vidéo sur https://www.youtube.com/@TimelineStory2026 Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

O tym, że przed drugą wojną światową Harry Jelínek jednemu amerykańskiemu milionerowi sprzedał ikoniczny zamek Karlštejn a drugiemu praską linię tramwajową nr 1, wiedzą w Czechach pewnie wszyscy. Wiedza o tym, czym zajmował się podczas niemieckiej okupacji już tak powszechna nie jest.Tymczasem Josef "Harry"Jelínek to nie uroczy łobuz, potrafiący naciągnąć pazernych biznesmenów zza oceanu. To przede wszystkim donosiciel Gestapo, wydawca gadzinowej, antysemickiej literatury i sprawny trybik w propagandowej machinie III Rzeszy. Do tego szantażysta. Wieczny oportunista bez kręgosłupa i cienia moralności.Jest też w życiorysie oszusta, tym okupacyjnym i powojennym kilka wątków polskich. Np. uciec z Czech przed wyzwoleniem niemieckiemu konfidentowi pomogli zapewne współpracujący z nazistami żołnierze Brygady Świętokrzyskiej NSZ.Co ciekawe - okupacyjna część życia Harrego - chociaż znacznie mniej znana, jest nieźle udokumentowana przez historyków. O tej głośniejszej - przedwojennej tak naprawdę to wiadomo całkiem niewiele - nie da się wykluczyć, że chociażby opowieś o naciągnięciu na 30 tysięcy dolarów Wrigleya - barona gum do życia, Jelinek sobie wymyślił.Generalnie "Harry" nie był specjalnie sympatyczną postacią, ale niewątpliwie był postacią ciekawą. A jej losy wpisują się w kawał historii Czech. W odcinku przywołuję profesora Piotra M. Majewskiego, historyka z Uniwersytetu Warszawskiego, autora szeregu badań i książek o Czechosłowacji przed wojną i w czasie okupacji, poświęconych również postaci Jelinka. Tutaj znajdziecie kilka rozmów z profesorem:O Powstaniu praskimO zamachu na protektora RzeszyO Układzie monachijskimO czechosłowackiej II republice***Jeśli podcast Wam się podoba i chcecie pomóc go rozwijać, możecie zostać Patronami lub Patronkami Czechostacji w serwisie Patronite. W tym tygodniu zdecydował się na to:WojtekBardzo Ci dziękuję

Send us Fan MailMy guest today is Elisabeth Storrs, author of Fables and Lies, listed in the Visual Arts category on Art In Fiction.Watch on YouTube: https://youtu.be/lCJfOypSQr4The genesis of Fables and Lies: how a 30-year obsession with Priam's Gold and its mysterious disappearance after the Russians took it from Berlin led Elisabeth to create Freya, a young German woman working at the Museum of Pre- and Early History in Berlin as the war closes in.Himmler's SS Ahnenerbe, the pseudo-academic research institute that weaponized archaeology to justify Nazi ideology, and how the curator of Freya's museum being a member of it transformed what began as a novel about two women into something far more complex and sinister.The real inspiration behind Indiana Jones: Himmler's belief in the occult, Atlantis, and the Holy Grail, and the expeditions he sent to Tibet and Bolivia that Spielberg later drew on.Writing from inside the Nazi regime: Elisabeth's personal hesitation about telling the story from a German point of view given her father's experience as an Australian soldier in World War II, and why she decided the story needed to be told anyway.The Brenner family as microcosm: how Freya, her morally anchored father Konrad, her MAGA-adjacent mother Elsa, and her fully indoctrinated sister Volla each represent a different response to life under the Reich.Why Freya had to start as a true believer: the challenge of creating a protagonist who is indoctrinated, the small cracks in her worldview from the opening pages, and how Darien, the Cambridge-educated outsider archaeologist, opens her eyes.Berlin as a character in the novel: Elisabeth's research trip to the city, the walking tour with a Humboldt University history student, and the discovery that the Museum of Pre- and Early History sat next door to Gestapo headquarters on what is now the Topography of Terror site.The parallels to today: how Elisabeth finished the novel before the current global rise of fascism made it feel even more relevant, and what the preconditions for Hitler's rise in Weimar Germany have in common with what we are seeing now.The carpet bombing of Berlin, the Soviet artillery siege, and the absurdity of dropping leaflets telling civilians to overthrow the regime while destroying their city around them.A reading from the opening pages of Fables and Lies: Freya cycling home through Berlin on 24 August 1939, and her first encounter with Dieter, the jazz-loving teenager whose punishment plants the first seed of doubt.What Elisabeth is working on next: a four-timeline novel tracing Priam's Gold from a Bronze Age goldsmith in Troy through Schliemann's 1873 discovery, the Russian Trophy Brigade, and Freya's granddaughter piecing it all together in the 1990s.Read more about Elisabeth Storrs on her website: https://elisabethstorrs.com/Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists.  Click this link to donate: https://ko-fi.com/artinfiction.Also, check out Art In Fiction at https://www.artinfiction.com and explore 2500+ novels inspired by the arts in 11 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Photography, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany, A Woman of Note, The Muse of Fire, and The Choir. Check out her website...

Se as perdêssemos de vista por umas horas, não saberíamos reencontrar as nossas vidas pelo cheiro, nem pelo gemido que fazem, nem daríamos com esses corpos tão abatidos que só de um certo ângulo, a poucos palmos do espelho, nos parece que sim, serão os nossos, porque repetem vagamente os mesmos gestos ou expressões. Mas mesmo nisso parece instalar-se um certo desfasamento, algum atraso, e são poucos aqueles que nalgum dos seus rastros se mostram firmemente fiéis à sua juventude. Reserva-se esse elogio hoje a tão poucos: “Pouco antes de morrer, o que ele escrevia, o modo como continuava a viver, conservavam a virulência, a agressividade e a independência dos seus 25 anos.” Em certa medida a poesia era uma resistência da juventude pela vida fora, o doloroso alarme mantido na relação com o mundo, a impossibilidade de se saciar com aquele pão com que os demais empurram seja o que for. Chega uma altura em que o abandono parece a nossa melhor arma. Quem ama não faz contas, mas hoje tudo se guia por esses sinais: soma: multiplicação… “O mundo moderno”, escrevia Péguy, “não é universalmente prostituível por luxúria. É totalmente incapaz disso. Ele é universalmente prostituível porque é universalmente intercambiável”. Queremos dizer-nos alguma coisa, mas até as nossas palavras parece que tilintam mais do que soam, estão cheias da frieza do cálculo, não passam de fracções. Ora, o dinheiro não exprime outra coisa senão a desolação do infinitamente reconvertível. Assim, cada palavra vale tanto ou tão pouco como outra qualquer. “Quando o dinheiro vale alguma coisa, a palavra não vale nada. Quando a palavra vale, o dinheiro não vale nada” (comité invisível). Por estes dias, olhando à volta, até isso a que chamam luta já pouco se distingue do conformismo, da resignação. “Quando a História for escrita como deve ser, os homens ficarão admirados do comedimento e da grande paciência das massas e não da sua ferocidade”, assevera o autor de Os Jacobinos Negros. Chega-se a uma altura em que se percebe que o tempo está decididamente contra nós, mas em vez de isso reverter a favor dessa doença mortal, dessa razão desesperada, todos ainda aguardam que a sua situação se resolva. E vamos sair mais algumas vezes e reivindicar esses salários de fome, gratos pela nossa miséria, dando por nós tão longe de qualquer ambição existencial, a qual teria de passar por “repelir para o mais longe possível as relações hostis urdidas na esfera do dinheiro, da contabilidade, da medida, da avaliação”. Os do comité invisível adiantam que, por esta altura, a economia já não é somente aquilo de que devemos sair para deixarmos de ser esfomeados, mas é aquilo de que é necessário sair para viver, para simplesmente estar presente no mundo. O mais grave, assim, é que a cada dia que passa se colhem cada vez mais provas da impossibilidade de dois ou mais se encontrarem num lugar e num tempo, pois mesmo os nossos ímpetos aventurosos estão distribuídos por frequências de onda que só por um acaso milagroso se combinam e enredam. “Após uma ausência de que ninguém teve a culpa/ ficamos acanhados um ao pé do outro/ e as nossas palavras parecem mais recentes do que nós,/ como se tivéssemos de voltar ao momento em que nos conhecemos/ e recuperar-nos até ao presente”, lê-se nuns versos de Linda Pastan, num poema em que ela reconhece como o maior perigo que enfrentam os amantes é “toda essa ressaca/ da vida quotidiana, oculta mas perigosa,/ que tão depressa nos puxa a ambos para o fundo”. De resto, quem ainda se sujeita aos destratos de andar sem rumo, aprender com dificuldade os idiomas do acaso pela hipótese de provar o néctar da beira da estrada, dos fins de mundo, dessas zonas limite? “A economia, é este o seu princípio, faz-nos correr como ratos, para que não estejamos nunca lá, a descobrir o segredo da sua usurpação: a presença./ Sair da economia é fazer emergir o plano da realidade que ela esconde. A troca mercantil e tudo o que ela comporta de dura negociação, de desconfiança, de engano”… Aquele brilhante judeu que se matou por receio de ser entregue à Gestapo, quando tentava escapar pelos Pirenéus, notou que articular o passado historicamente não significa conhecê-lo “como ele de facto foi”, mas apoderar-se de uma recordação, tal como ela relampeja no instante de perigo. O pior do nosso tempo é que os perigos se multiplicam, e se tantos fazem questão de os registar, diagnosticar, se passamos boa parte do nosso tempo comovidos com a nossa infindável capacidade de sofrermos com as dores mais distantes, depois ninguém faz nada em relação àquilo que está mais próximo. Falta aquela capacidade própria dos poetas que, no entender de Cortázar, se reconheciam menos pelo que os trancava em si mesmos e mais naquilo que lhes era próximo, que os fazia sentir implicados no que tinham ao seu redor. “Falo da responsabilidade do poeta, esse irresponsável por direito próprio, esse anarquista enamorado de uma ordem solar e nunca da nova ordem ou do slogan que faz marchar ao mesmo passo cinco ou setecentos milhões de homens numa paródia de ordem. Falo de algo que desagradará profundamente aos comissários, aos jovens turcos ou aos guardas vermelhos; falo de uma condição que ninguém descreveu melhor do que John Keats numa carta a que, há muitos anos, chamei a carta do camaleão e que mereceria ser tão célebre como a ‘Lettre du voyant'. O seu prelúdio deixa-se perceber numa frase escrita um ano antes e quase de passagem. Keats diz ao seu amigo Bayley que nunca esperou outra felicidade além da do puro presente e acrescenta, como quem não quer a coisa: ‘Se um pardal pousa junto da minha janela, tomo parte na sua existência e debico no chão…'” Por estas bandas, ninguém merece um reflexo na carne dos outros, um eco seu que floresça a tempo de lhe dar algum sinal, e tudo o que de mais verdadeiro e sensível acontece, perde-se como se não tivesse acontecido. Vamos fazendo a crónica de “uma pequena nação de pequenos assassinos caseiros” (Luiz Pacheco), por incapacidade de nos sujeitarmos às exigências da admiração, que implicam desde logo deixar de lado o cálculo. É a típica condenação a que nos sujeita um tempo medíocre. Envelheces tão cedo, por essa impossibilidade de escolher, por nos sairmos sempre pior num registo impetuoso, quando toda a eloquência é sentida como uma ofensa. Alheios ao seu próprio sonho, decalca o Pacheco no António Sérgio, para falar de nós, seres caídos nesta espiral vagabunda, num país aos bocados, que se reconhece por este cheiro a despegado, que se mantém colado apenas para favorecer algum esquema. E o Pacheco foi vendo, com o acumular dos anos, este desamparo de “tantos de nós ludibriando os próprios sonhos da sua juventude, anquilosando ambições mais do que legítimas, minguando-se, limitando-se (…) sem horizontes já para inventar algo melhor. Pendurados na fezada de um futuro, que já não vai ser para eles, isto é, que já os apanha disformes: gordos, apatetados, com cirroses… envelhecidos prematuramente por dentro, e muito sono nas almas, leia-se consciências.” E talvez porque não há luta em comum que nos arranque desse casulo, dessa clausura, desse castigo de se ver a definhar para fazer carreira como “eu”, e nos devolva uns aos outros. “Há qualquer coisa de prostituível em todo o lado em que domina o nosso ‘valor social', em todo o lado onde se troca uma parte de nós pela mínima retribuição, seja ela, financeira, simbólica, política, afectiva ou sexual” (comité invisível). E, neste ponto, vale a pena retomar a correspondência de Keats, que, numa carta a Richard Woodhouse, trocou o pardal pelo camaleão: “Quanto ao carácter poético em si... não tem um eu; é tudo e é nada: não tem carácter; deleita-se tanto com a luz como com a sombra; vive naquilo de que gosta, seja horrível ou belo, excelso ou humilde, rico ou pobre, mesquinho ou elevado. Sente tanto prazer em conceber um Iago como uma Imogena. Aquilo que choca o filósofo virtuoso deleita o poeta-camaleão... Um poeta é a coisa menos poética que existe; como não tem identidade, tende continuamente a encarnar-se noutros corpos... O poeta não possui nenhum atributo invariável; é, certamente, a menos poética de todas as criaturas de Deus.” Neste episódio, o David voltou para nos dar uma hipótese de tirarmos a barriga de misérias e saltarmos da greve geral para umas luxuriantes patuscadas, conseguidas na base de todo um arsenal de poções e fórmulas científicas aplicadas à exploração gastronómica, sem abdicar, no entanto, daquela elementar dose de porrada e humilhações sem as quais nunca se faz nada, além dos gerais iscos que convencem os lorpas de que têm muita sorte em ter um chulo a ocupar-se deles. Vamos também dar um passeio pela feira do livro de Lisboa pela mão do Pacheco e ouvir as últimas quanto a editores a quem, por maior que seja a crise, nunca há-de faltar um tremendo jeito para o negócio.

Nel sesto episodio di Sul Mare Luccica: Riflessi d'Italia nella letteratura neozelandese contemporanea, Carla Rotondo e Antonella Sarti Evans analizzano alcuni aspetti salienti del bestseller di Greg McGee, The Antipodeans (Upstart Press, 2015), con particolare attenzione alla rappresentazione della Resistenza in Italia. * Il romanzo si apre con il ritorno a Venezia di un anziano neozelandese e attraversa tre generazioni, snodandosi tra Italia e Nuova Zelanda su più piani temporali: il presente, gli anni 1943–1945 con l'immediato dopoguerra e gli anni Settanta. Dal Veneto e dal Friuli fino all'Isola del Sud, la trama spazia dall'assassinio di un comandante della Gestapo al tour in Italia di una squadra di rugby, dagli “anni di piombo” alle lotte per i diritti dei lavoratori in Nuova Zelanda ed oltre.The Antipodeans testimonia un profondo dialogo con la cultura e la lingua italiana (incluso il friulano), fondato su amicizia e amore per il nostro Paese, valori che hanno spinto prigionieri di guerra neozelandesi a combattere per la libertà al fianco degli italiani. Ondazzurra ringrazia l'Ambasciata d'Italia Wellington per il supporto alla realizzazione di questo programma, a promozione della lingua e cultura italiana in Nuova Zelanda  https://ambwellington.esteri.it/en/

El 8 de mayo de 2025 se cumple el 80 aniversario del fin de la II Guerra Mundial en Europa. Los aliados vencieron a la Alemania regida por los nazis durante más de 12 años. Diarios de fervientes nazis y de opositores ilustran esa época. Ocho personas y sus familias centran la serie documental de cuatro partes. En sus diarios registraron lo que vivían cada día durante el régimen nazi, cómo se sentían, qué pensaban. Escenas animadas al estilo de la novela gráfica guían al espectador a través de las anotaciones en el diario. Los autores y autoras de los diarios provenían de diferentes clases sociales, bandos políticos y credos religiosos, vivían repartidos en toda Alemania. Son partidarios del nazismo, enemigos, marginados o víctimas de las devastadoras políticas nazis en nombre de la “comunidad nacional”. Algunos diarios abarcan los doce años de dictadura, otras voces solo narran durante un corto tiempo y luego callan. “La sociedad de Hitler - Crónicas alemanas” es una narración subjetiva de la época y se abstiene de todo comentario por parte de expertos. Las entradas del diario relatan momentos trágicos e instantes de felicidad. Nos hablan en primera persona sobre la perspectiva vital de la juventud, anhelos, experiencias de exclusión o la amenaza de deportación. Sobre el primer saludo hitleriano, aún tímido, sobre «certificados de pureza racial» y clases de baile, sobre delatores de la Gestapo, sobre el hambre y el amor. Pero también de mirar hacia otra parte, de falta de empatía, de silencio y de culpa. Describen cómo la guerra llega “a casa”, hablan de las noches en el búnker, del deseo de “simplemente sobrevivir”. Todos viven en el presente; el mañana es incierto. Sus biografías reflejan los acontecimientos históricos, el ascenso, la crueldad y la caída del régimen nazi.

Ethnologue brillante et résistante engagée, elle rejoint très tôt les réseaux de la Résistance française pendant la Seconde Guerre mondiale. Arrêtée en 1942, elle est déportée dans le camp de Ravensbrück, où elle survit à l'impensable tout en observant, analysant et documentant l'univers concentrationnaire. Mais Germaine Tillion ne se contente pas de survivre. À son retour, elle devient l'une des premières à enquêter rigoureusement sur le système des camps nazis, brisant le silence et l'oubli. Plus tard, elle s'engage aussi contre la torture pendant la guerre d'Algérie, refusant toute forme d'injustice, quel qu'en soit le camp. L'enfer de Ravensbrück Trahie par un agent double infiltré dans la Résistance, Germaine Tillion est arrêtée par la Gestapo en 1942. Pendant plus d'un an de détention, elle refuse de céder, documente clandestinement ce qu'elle observe et organise la solidarité entre prisonnières. Déportée à Ravensbrück sous le statut « Nuit et Brouillard », elle découvre l'univers concentrationnaire dans toute son horreur. Entre maladie, travail forcé et mort omniprésente, elle s'accroche à ce qui l'a toujours guidée : résister, comprendre et témoigner. Crédits : Production : Bababam  Textes : Pierre Serisier Voix : Anne Cosmao, Aurélien Gouas Learn more about your ad choices. Visit megaphone.fm/adchoices

El 8 de mayo de 2025 se cumple el 80 aniversario del fin de la II Guerra Mundial en Europa. Los aliados vencieron a la Alemania regida por los nazis durante más de 12 años. Diarios de fervientes nazis y de opositores ilustran esa época. Ocho personas y sus familias centran la serie documental de cuatro partes. En sus diarios registraron lo que vivían cada día durante el régimen nazi, cómo se sentían, qué pensaban. Escenas animadas al estilo de la novela gráfica guían al espectador a través de las anotaciones en el diario. Los autores y autoras de los diarios provenían de diferentes clases sociales, bandos políticos y credos religiosos, vivían repartidos en toda Alemania. Son partidarios del nazismo, enemigos, marginados o víctimas de las devastadoras políticas nazis en nombre de la “comunidad nacional”. Algunos diarios abarcan los doce años de dictadura, otras voces solo narran durante un corto tiempo y luego callan. “La sociedad de Hitler - Crónicas alemanas” es una narración subjetiva de la época y se abstiene de todo comentario por parte de expertos. Las entradas del diario relatan momentos trágicos e instantes de felicidad. Nos hablan en primera persona sobre la perspectiva vital de la juventud, anhelos, experiencias de exclusión o la amenaza de deportación. Sobre el primer saludo hitleriano, aún tímido, sobre «certificados de pureza racial» y clases de baile, sobre delatores de la Gestapo, sobre el hambre y el amor. Pero también de mirar hacia otra parte, de falta de empatía, de silencio y de culpa. Describen cómo la guerra llega “a casa”, hablan de las noches en el búnker, del deseo de “simplemente sobrevivir”. Todos viven en el presente; el mañana es incierto. Sus biografías reflejan los acontecimientos históricos, el ascenso, la crueldad y la caída del régimen nazi.

La vidéo polémique de la police en Ontario La rencontre Mulroney-Dutrizac avec Ben Mulroney, animateur du Ben Mulroney show. Regardez aussi cette discussion en vidéo via https://www.qub.ca/videos ou en vous abonnant à QUB télé : https://www.tvaplus.ca/qub ou sur la chaîne YouTube QUB https://www.youtube.com/@qub_radioPour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Une exceptionnelle histoire de droites révolutionnaire dans le monde, de la Révolution française au nazismeS'exprimant dans les années 1930, Raymond Aron constate un tournant au cœur de l'histoire européenne : « Une révolution se définit comme une libération.Or, les révolutions du XXe siècle semblent, sinon des révolutions d'asservissement, du moins des révolutions d'autorité. »Les nouvelles révolutions de droite, fascisme et nazisme en tête, se veulent en effet une revanche sur le siècle des Lumières, la Révolution française et la démocratie libérale.Si elles partagent avec les révolutions de gauche le projet de création d'un « homme nouveau » et l'inauguration d'une « ère nouvelle », elles se singularisent par de nombreux traits : croyance dans les mythes qu'elles forgent pourtant de toutes pièces, perception de l'histoire comme une conspiration à conjurer, primauté du biologique sur le social, idéal d'un corps national-racial organique, culte de la puissance, élévation d'un Guide en source et horizon de toute légitimité.C'est ce que démontre Hamit Bozarslan dans cet essai novateur retraçant une histoire dont les échos avec le monde contemporain sont troublants.Car si nous ne sommes pas dans les années 1920-1930 surdéterminées par les conséquences d'une guerre mondiale, force est de constater qu'en Europe comme au-delà du Vieux Continent, le monde fait à l'évidence face à une crise des aspirations égalitaires et libérales de la démocratie.L'Auteur, Hamit Bozarslan est notre invité en studioHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dear Paul Krugman,You used to be the kind of journalist I thought was telling the truth. I looked up to you, as I did so many writers at the New York Times. I was a different person then. That was before everything changed. The year was 2020, a summer of riots and a breakthrough moment when many of us realized for the first time that the Gray Lady was not telling us the truth.I have been on the internet for 30 years. I watched the collapse of traditional media and the rise of opinion-based journalism, the kind you do, Paul. Do you mind if I call you Paul? Mr. Krugman sounds so formal, and really, I'd like for you to see me as a human being, someone worthy of your attention and respect.Now that I have confirmation of what I've assumed all along, that people like you, Kara Swisher, Peter Baker, and Susan Glasser would like people like me thrown into re-education camps or gulags, I feel it's worth the extra effort to get you to see real people again.To the horror of many, you went viral last week for your comments on what all of you will do with Trump supporters and the system that elected him. It was ugly, Paul. As ugly as anything I've seen written by a high-minded journalist and certainly closer to what the Nazis believed about the Jews than anything I've seen in my lifetime:“Purging of the United States, we need a de-MAGAfication. I'm not going over the top by using a word that's very similar to the de-Nazification that we pursued successfully after World War Two in Germany. It's not just the MAGA ideology, but the whole structure of hugely unequal power, hugely unequal wealth that made this horrific moment possible. It's not going to be easy, but, and maybe it's not going to be doable, but we have to try, because this is an absolute, this is a nightmare, this is the nightmare beyond, I think, even the worst fantasies of progressives, beyond the worst fantasies of conservatives, who still have a conscience, there still are plenty of those, but they're no longer MAGA. This has to be turned around, and we should not, above all, whitewash or forget this moment. This is where a lot of forces in America have been leading, and if we don't do something beyond just getting rid of Trump, it's going to happen again.”It can't have been easy, watching Trump win a second time and this time the popular vote, or to admit you are no longer relevant and that the only value you have is in giving the base of the Democratic Party their daily dose of hate and fear. Why didn't Americans listen to your constant bleating about the end of the world? That's an important question to ask, Paul.After all, they're your most popular videos.Your Substack, with over 500K subscribers, is no less alarmist:It looks like your Substack is paying you more than you made at the Times, that's for sure. So why not keep pumping it out, day after day, like a broken record — fear, hysteria, hatred, more fear, more hatred. What could possibly go wrong? You all seem certain you're about to take back power and put things back where they belong. The only question you seem to have on your lips is not how we can better address the needs of the people, but what you will do with all of those MAGAts.You don't even pretend there is a whole country or even half of a country that voted all of you out, not once but twice. You have no shame in admitting you see yourselves as better than the working-class half of America. You fully admit it. You bask in it. You know your power, Paul, and that's maybe the only true thing you know about yourself.So let me set you straight on a few things. You are not the Allied Forces after World War II, and Trump is not now, nor has he ever been, Hitler. The closest thing to Fascism this country has ever seen is with all of you in power. It became “all sticks of wood bound together as one,” a “fasci,” with all elements of our society mandating conformity or else. Your side ruled through fear and violence, and still does. You violently beat Trump supporters and feel emboldened to do so, just like Hitler's Brown Shirts. You probably never even knew that in 2015, Trump supporters were beaten and harassed and called Nazis. On the Left, there is no such thing as free thought and speech, which is why cancel culture collapsed the empire and why Tyler Robinson had to silence Charlie Kirk. So who are the real fascists, Paul? On your side, thought and speech are heavily policed throughout our culture. Everyone is tracked, monitored, and under constant surveillance lest they like the wrong tweet, follow the wrong person on social media, or read the wrong news outlet. Just because people like you cosplay that ICE is the Gestapo doesn't make it so. It took 80 years for the world to forget about the Holocaust. But no one should ever forget what that looked like, and it wasn't mass deportations or even detaining a five-year-old or shooting Alex Pretti and Renee Good. Shame on you. Shame on all of you for even suggesting that what we've just lived through is on any level the same as what happened during World War II. 70-80 million people were killed. 600,000 in America alone. Even the war in Gaza can't compare, and shame on anyone who suggests it's the same. None of this should have to be said to a man who enjoys high status inside utopia, a well-educated elite who lives on the Upper West Side and enjoys a decent retirement while he's discarding half of America like human garbage. You tell me who the real Nazis are.You don't have to tell me. I already know. I escaped the suffocating dystopia that you live in. I escaped the world that no longer knows the meaning of important words like fascist, Nazi, dictator, king, and pedophile, never mind man or woman. I escaped that world because the truth always mattered to me more than being liked, making money, or having status.I can't say the same for you, Paul, or any one of your former colleagues at the Times. We're watching the destruction of legacy media in real time, just one of the pillars of your now collapsing empire. Trump won because ordinary Americans can't stand living under the oppressive thumb of the high and mighty, like yourself.I didn't see what kind of power we all had until 2020. We had built a Shining Woketopia on the Internet that gave us complete control of all institutions of power - educational, cultural, corporations, and institutions. We thought we could shape the America we dreamed of. The problem was that there was a whole other America outside our bubble, and it took Donald Trump to ignite a populist revolt. The idea that this was about racism and bigotry was a lie. It was never Hitler invading. You were never the resistance. You've been living in a dream world of your own making. You destroyed yourselves trying to destroy Trump. The real story of the last ten years will never be told by any of you, much less seen or understood.I still see signs of the MAGA I know. I just saw one near the memorial site for the deadly battle of Antietam. From the middle of America, on the side of a store just living out their ordinary days near the ghosts of profound history, this:I am no longer welcome in your world, Paul. Some days, that hurts more than others. But when I see what you have become, calling for a “purge” and “de-MAGAfication, I know you don't know this country anymore. You've been isolated for too long, and you've been participating in a decade-long deception.I also know I have the truth on my side, and that makes me the lucky one.// This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

El 8 de mayo de 2025 se cumple el 80 aniversario del fin de la II Guerra Mundial en Europa. Los aliados vencieron a la Alemania regida por los nazis durante más de 12 años. Diarios de fervientes nazis y de opositores ilustran esa época. Ocho personas y sus familias centran la serie documental de cuatro partes. En sus diarios registraron lo que vivían cada día durante el régimen nazi, cómo se sentían, qué pensaban. Escenas animadas al estilo de la novela gráfica guían al espectador a través de las anotaciones en el diario. Los autores y autoras de los diarios provenían de diferentes clases sociales, bandos políticos y credos religiosos, vivían repartidos en toda Alemania. Son partidarios del nazismo, enemigos, marginados o víctimas de las devastadoras políticas nazis en nombre de la “comunidad nacional”. Algunos diarios abarcan los doce años de dictadura, otras voces solo narran durante un corto tiempo y luego callan. “La sociedad de Hitler - Crónicas alemanas” es una narración subjetiva de la época y se abstiene de todo comentario por parte de expertos. Las entradas del diario relatan momentos trágicos e instantes de felicidad. Nos hablan en primera persona sobre la perspectiva vital de la juventud, anhelos, experiencias de exclusión o la amenaza de deportación. Sobre el primer saludo hitleriano, aún tímido, sobre «certificados de pureza racial» y clases de baile, sobre delatores de la Gestapo, sobre el hambre y el amor. Pero también de mirar hacia otra parte, de falta de empatía, de silencio y de culpa. Describen cómo la guerra llega “a casa”, hablan de las noches en el búnker, del deseo de “simplemente sobrevivir”. Todos viven en el presente; el mañana es incierto. Sus biografías reflejan los acontecimientos históricos, el ascenso, la crueldad y la caída del régimen nazi.

El 8 de mayo de 2025 se cumple el 80 aniversario del fin de la II Guerra Mundial en Europa. Los aliados vencieron a la Alemania regida por los nazis durante más de 12 años. Diarios de fervientes nazis y de opositores ilustran esa época. Ocho personas y sus familias centran la serie documental de cuatro partes. En sus diarios registraron lo que vivían cada día durante el régimen nazi, cómo se sentían, qué pensaban. Escenas animadas al estilo de la novela gráfica guían al espectador a través de las anotaciones en el diario. Los autores y autoras de los diarios provenían de diferentes clases sociales, bandos políticos y credos religiosos, vivían repartidos en toda Alemania. Son partidarios del nazismo, enemigos, marginados o víctimas de las devastadoras políticas nazis en nombre de la “comunidad nacional”. Algunos diarios abarcan los doce años de dictadura, otras voces solo narran durante un corto tiempo y luego callan. “La sociedad de Hitler - Crónicas alemanas” es una narración subjetiva de la época y se abstiene de todo comentario por parte de expertos. Las entradas del diario relatan momentos trágicos e instantes de felicidad. Nos hablan en primera persona sobre la perspectiva vital de la juventud, anhelos, experiencias de exclusión o la amenaza de deportación. Sobre el primer saludo hitleriano, aún tímido, sobre «certificados de pureza racial» y clases de baile, sobre delatores de la Gestapo, sobre el hambre y el amor. Pero también de mirar hacia otra parte, de falta de empatía, de silencio y de culpa. Describen cómo la guerra llega “a casa”, hablan de las noches en el búnker, del deseo de “simplemente sobrevivir”. Todos viven en el presente; el mañana es incierto. Sus biografías reflejan los acontecimientos históricos, el ascenso, la crueldad y la caída del régimen nazi.

Paris, 1945. Alors que la guerre vient tout juste de se terminer, un cadavre est découvert dans un hôtel borgne de Pigalle. L'assassin, arrêté sur les lieux, est un vagabond, dont la dernière adresse était le camp d'Auschwitz.L'homme qu'il a tué d'une balle dans la tête était un antiquaire véreux, un petit escroc sans envergure qui aurait été membre de « la Carlingue », la Gestapo française. C'est en tout cas ce que son assassin affirme. Mais rien ne le prouve, si ce n'est sa parole…L'affaire est confiée à Max Weber, un flic désabusé que sa hiérarchie pousse à classer l'affaire. Personne n'a envie que ce fait-divers ravive les blessures de la guerre. Personne sauf Weber, que cette cause perdue sort de sa torpeur. Il va creuser. Et ce qu'il va découvrir est au-delà de l'imaginable…L'Auteur, Gabriel Katz est notre invité par téléphoneHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Send us Fan MailRomeine 5:3-5 Dit is egter nie al nie. Ons verheug ons ook in die swaarkry, want ons weet: swaarkry kweek volharding, en volharding kweek egtheid van geloof, en egtheid van geloof kweek hoop; en dié hoop beskaam nie, want God het sy liefde in ons harte uitgestort deur die Heilige Gees wat Hy aan ons gegee het. Die lewe kan nogal onverwagte kinkels in die pad hê, nè? Net wanneer jy dit die minste verwag, slaat die teëspoed jou plat! Jy bevind jouself in 'n gat; 'n plek waar jy nooit verwag het om te wees nie. Maar weet jy, dit kan net mooi die grootste geleentheid vir God wees om vir jou ‘n besondere geskenk te gee!In 1931, op sewejarige ouderdom, het Jacques Lusseyran in 'n ongeluk sy sig verloor. Sy wêreld het oornag verander. Maar hy het vinnig by sy blindheid aangepas en eerder as om wanhopig te word, het hy buitengewone insig en deursettingsvermoë ontwikkel. As ‘n jong seun het hy besorgd geraak oor Hitler se mag. Hy het besluit om Duits te leer sodat hy radio uitsendings kon volg. Tydens die Tweede Wêreldoorlog het hy 'n leier van ‘n Franse Weerstandsbeweging geword. Hy is deur die Gestapo gearresteer en na Buchenwald gestuur, waar hy een van die min mense was, om, ten spyte van die wrede toestande, sy gevangeskap te oorleef. Sy blindheid het 'n geestelike lens geword waardeur sy insig, moed en deernis verskerp is. In sy memoir, And There Was Light, skryf hy: Ek het vrede in my hart gehad, want ek het ontdek dat vreugde in duisternis kan bestaan.Romeine 5:3-5 … Dit is egter nie al nie. Ons verheug ons ook in die swaarkry, want ons weet: swaarkry kweek volharding, en volharding kweek egtheid van geloof, en egtheid van geloof kweek hoop; en dié hoop beskaam nie, want God het sy liefde in ons harte uitgestort deur die Heilige Gees wat Hy aan ons gegee het.Wanneer die lewe onverwags verander, gee God jou die geleentheid om te groei. Wanneer jy deur lyding volhard, bou dit ongetwyfeld jou karakter. Jy stap saam met Jesus deur daardie hel. Hy sal jou vul met 'n rotsvaste hoop wanneer Hy deur sy Gees, sy liefde in jou hart uitstort.Moenie blind wees vir die grootste geleentheid wat Hy jou ooit sal gee nie.Dis God se Woord. Vars … vir jou … vandag.Support the showEnjoying The Content?For the price of a cup of coffee each month, you can enable Christianityworks to reach 10,000+ people with a message about the love of Jesus!DONATE R50 MONTHLY

durée : 00:58:14 - Les Matins de France Culture - Trahi, Jean Moulin est arrêté le 21 juin 1943 à Caluire. Assassiné par la Gestapo de Lyon et son chef Klaus Barbie, le résistant est tombé, sa mission achevée. Récit d'une poignée de jours qui empoisonnent l'histoire de la Résistance et qui ont fait de Moulin un martyr de l'armée des ombres. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:58:14 - Les Grandes Traversées - par : Romain Weber - Trahi, Jean Moulin est arrêté le 21 juin 1943 à Caluire. Assassiné par la Gestapo de Lyon et son chef Klaus Barbie, le résistant est tombé, sa mission achevée. Récit d'une poignée de jours qui empoisonnent l'histoire de la Résistance et qui ont fait de Moulin un martyr de l'armée des ombres. - réalisation : Yvon Croizier - invités : Dan Franck Écrivain et scénariste; Laurent Douzou Professeur émérite d'histoire contemporaine à Sciences Po Lyon et à l'université Lumière Lyon 2; Christine Levisse-Touzé Historienne, présidente du conseil scientifique du musée de l'ordre de la Libération; Thomas Rabino Historien et journaliste français; Olivier Wieviorka Historien, professeur à l'École normale supérieure de Cachan; Robert Badinter Avocat et homme politique français; Isabelle Doré-Rivé Directrice du Centre d'Histoire de la Résistance et de la Déportation (CHRD) à Lyon; Marie-Liesse Zambeaux Médiatrice culturelle du Centre d'Histoire de la Résistance et de la Déportation; François Berriot Vice-président de l'Association Nationale des Amis de Jean Moulin; Séverine Koprivnik Médiatrice culturelle du Mémorial National de la prison de Montluc

Doug and Justin dig into one of Reddit's greatest questions: what's the stupidest thing you've ever heard someone say that still lives rent free in your head? The answers (from the internet and from their own lives) do not disappoint. Stories include: the college roommate who saw cubed chicken and asked if it was pancakes, the hotel coworker who was convinced a rocket launch in Florida made it hotter outside, the customer service caller who had never heard of a browser and genuinely believed she didn't use one, the hotel guest who compared being asked for ID to being interrogated by the Gestapo, the anatomy student who used Coca-Cola as contraception, the woman who signed her name differently every time so no one could forge it, the person who applied for a job and chose the word "ominous" to describe herself, and the woman who planned to bring her TV from home when she moved to Italy so she could still watch her shows. Plus a collection of "Bobisms," hard-earned one-liners from a former baseball ump and retail manager that absolutely hold up, and Doug's dad's legendary if somewhat exhausting burn about brains and trains. Then Doug takes Natalie to an all-you-can-eat Korean BBQ and hot pot restaurant for the first time and comes away a changed man. Justin butchers a 125-pound half hog with his two best friends as a birthday surprise and walks away with 40+ pounds of pork and zero regrets. And the movie audio clip guessing game returns with quotes from Kung Fu Panda, Heat, and Minority Report. This week's recommendations: Justin: Marty: Life is Short on Netflix. Martin Short operates at the speed of joy. Watch it. Doug: Potion Seller's debut album Buzzard is out now. Ten songs, zero filler. Grab it on Bandcamp for $7. Also, Parade of Horribles (Dungeon Crawler Carl Book 8) by Matt Dinniman. Jeff Hayes narrates the audiobook. The series is incredible. Potion Seller Album Release Show — July 25th, 2026 at The Pyramid Scheme, Grand Rapids, MI. Get there. pyramidscheme.com Subscribe: youtube.com/mindgappodcast  Join the Discord: https://discord.gg/T3HwyEw5v7  Listen everywhere you get podcasts  Support us on Patreon: https://www.patreon.com/mindgappodcast Merch on Redbubble: https://www.redbubble.com/shop/ap/67768184  

La Segunda Guerra Mundial revela la maldad con rostros de mujer. María Mandell, la "bestia de Auschwitz", es guardiana y responsable del campo de mujeres, decide sobre la vida y muerte de las prisioneras y organiza la Orquesta Femenina. No muestra arrepentimiento, justificando sus actos. Gertha Oberheiser, médica en Ravensbrück, realiza experimentos inhumanos con prisioneras, buscando la eugenesia y administrando inyecciones letales. Condenada en Núremberg, sale antes e intenta volver a ejercer sin arrepentimiento. Estela Goldslag, judía berlinesa, colabora con la Gestapo tras ser torturada, delatando a cientos de judíos para salvar a sus padres, quienes mueren. Juzgada y condenada, vive marginada, sin arrepentimiento y con antisemitismo interiorizado. Magda Gebelz, esposa de Goebbels y figura nazi, asesina a sus seis hijos en el búnker de Hitler, convencida de que la vida sin el Tercer Reich carece de sentido, mostrando un fanatismo extremo. Estas cuatro mujeres demuestran que el ...

[A crosspost with Hollywood Woketopia, my other Substack]Every so often, a moment in culture arrives, a Sydney Sweeney ad, or Project Hail Mary. Every time, we hear that the Woke fever has finally broken. Hollywood cares about the people again. Right?The same reason Kamala Harris is likely to be the nominee in 2028, the same reason the Democrats are still selling the lie that any kind of attempt by Republicans to even out the redistricting is “Jim Crow 2.0,” is proof enough that on the Left, Woke is not going anywhere. It is who they are now. Not all of them, but the most powerful among them.Early on, when Mark Halperin and others were insisting Gavin Newsom would be the nominee in 2028, I said there was no way the Democrats would get behind a white guy, no matter how passionately he genuflects to the Woke (“Anti-woke is anti-black!”). I know the Democrats. I was one. I helped build the modern-day party of the Great Feminization and the Great Awokening. I know what fires them up every day, and it isn't just taking back power; it's foisting their religion upon the rest of us.They think it's the opposite, that it's the Right that is foisting their “Christian Nationalism” upon them. While it's true that a faction of the Right has unmasked to become the very thing Rob Reiner warned about in his movie, God and Country, they aren't the majority. Perhaps that's true on the Left. But look around. Their religion is the dominant culture in America.When news got out that Christopher Nolan had cast Lupita Nyong'o as Helen of Troy, the “most beautiful woman in the world,” whose face launched a thousand ships, it ignited yet another culture war. How you reacted was like whether or not you wore a mask outside in 2020. It was a test. You're on one side, or you're on the other. Notice it, comment on it, object to it, criticize it, and you're one of the bad people to be purged. And if that weren't enough, Nolan brought back Ellen Page from Inception, now recast as Elliot Page, the male, as an act of affirmation and yet another test. These are Orwellian 2+2=5 and force people to choose between ignoring it and going to see a big-effects movie in IMAX, or not buying a ticket and boycotting the film. Elon Musk took the bait, becoming the villain Hollywood needed to turn seeing The Odyssey into a righteous and political act. You can see them now: the bearded male feminists buying tickets ten times in a row. “Take that, Elon Musk!” The ladies of Blue Sky will go in groups, then fawn over how beautiful Lupita Nyong'o is and overuse the male pronoun for Ellen/Elliot Page. “Wasn't he great?”The game is becoming exhausting by now, as Hollywood demands the hard-working American public be impressed by them, lectured by them, and corrected by them. All audiences really want is the one thing Hollywood seems unable to accomplish: entertain them.It isn't that Nyong'o isn't pretty. She is. It's that Helen of Troy was white, famously so, even if Greek. Nyong'o is a unique beauty, not a universal one, a reality the Left wants to force, because Hollywood doesn't care about its audience. They want to look good.Probably the worst thing about the game Hollywood plays with the movie fans they helped raise is that Lupita Nyong'o is held out as a sacrificial lamb. She isn't pushing any ideology, unlike Ellen/Elliot Page. They are putting her out there and expecting her to absorb criticism about herself, including whether she is pretty enough. I met her once, back in 2013 in Telluride, before her career took off. She was too young to know how to act like a celebrity. She was so nice, I was won over. She would win an Oscar that year and become a big star in Hollywood. Is it fair to put her in this position just so they can feel good about themselves? No. Does it change anything? No. There is still such a thing as truth and reality, even if that is the thing that is unfair. The Woke Code and the Hays CodeThe Hays Code (1930-1968) represented an era wherein decency and morality were mandated in all Hollywood films. The Christian conservatism/morality mandated by the Hays Code reflected less a separation between art and governance and more a united effort toward a utopian society of goodness, especially as we moved through the last Fourth Turning, the Great Depression, and World War II, a time where the world saw true evil in Hitler and Stalin, not to mention the nuclear bomb.That isn't all that different from what the Woke Code is now. It's roughly the same kind of thing: rigid rules to depict an ideal society. The difference is that Christian advocates have been replaced by progressive activists, and the villain is the white male patriarchy. What is different now, amid our current Fourth Turning, is that the Woke Code includes only half of America. To the Left, they would rewrite this narrative to say that Hollywood depicted mostly White America, and that is what has changed. But really, if you respond to the box office, as Hollywood doesn't anymore, you will always default to the majority. It isn't rocket science — beautiful, sexy women and masculine men and a great story.The end of the Hays Code was entirely due to economics. Television became so popular in the 1950s that there wasn't much of a need to go to the movies if all you saw was the same kind of buttoned-up themes you could see on TV. That's true now, too. Movies, then, had to break out of the Hays Code and become much more subversive, leading into the 1970s, which saw some of the best films ever made. While it's true that The Odyssey will be eligible to win Oscars under the new rules, it's also true that the criteria could have been met in a way that didn't make audiences play this same exhausting game that has alienated them from everything Hollywood puts out. The casting of Nyong'o and Page is less about Oscars and more about status. Perhaps Nolan was under pressure to cast a non-white woman as Helen, or maybe he wants to be seen as a good person using his wealth and fame to make change, as the most famous white male directors reach for things money can't buy, like Martin Scorsese making Killers of the Flower Moon, Steven Spielberg making West Side Story with a real Latina, and Paul Thomas Anderson's Peak Woke Best Picture winner, One Battle After Another.No film has better exemplified Hollywood in the Trump era than this one. It says it all. ICE as the Gestapo, check. America is run by a cabal of wealthy white Nazis, check. A woman of color must save herself, check. All of it is held together by a hapless white man, Leonardo DiCaprio, who represents the film's beating heart. He's the only good white guy, which is how those in Hollywood who make these kinds of choices would like to be seen. One Battle is actually a movie about them.Had Nolan cast a blue-eyed blonde woman as Helen of Troy, all hell would have broken loose. When you go against the rules of the Woketopia, you aren't just getting hit on X with lots of angry tweets by loyal fans who continually feel betrayed; they bring out the big guns - agonizing op-eds in the New Yorker, for instance. If you obey the rules, then you are praised. The problem is that it all feels so artificial, so pre-planned, so inorganic.I used to write the Oscars report for Jane Fonda's Women's Media Center (who fired me after they found out I voted for Trump), counting the number of female nominees and winners. The statistics were always grim. Every year, it was bad news. As things began to change for women after the Academy announced its DEI mandate in 2020, that change was forced. If before merit had made too many white men winners, now we were seeing something a little closer to gender parity. So then the line moved back, and it became not just about women but women of color and trans women. Now, it's all about Marxism disguised as art. If life isn't fair, movies will make it fair. It isn't just because the Oscars have it written into their new rules, and it isn't just because activist groups like GLAAD breathe down the neck of every Hollywood studio, counting heads and making reports. It's that this is a deeply felt belief system that isn't going anywhere anytime soon. I have no doubt The Odyssey will make money. It's a Christopher Nolan film, after all. Who doesn't want to go see a giant visual effects epic filmed entirely on IMAX? If you can ignore the elephant in the room, the performative casting, you might have a great time. But if you were hoping that Woke is over, well, I think that was its own Hollywood fairy tale. It's why Kamala Harris was the nominee in 2024 and why she will once again be the nominee in 2028. This is how the ruling class in America wants to be represented. They want to force change, and they do that by elevating minority groups to high-status positions as symbols for the mostly white people who run things.Culture, like the Democratic Party, will have to be built anew. That, more than anything, explains why AI is about to completely consume the business, becoming the subversive counterculture revolution Hollywood never saw coming. They can do it all and more without the millions of dollars necessary to mount a production. AI artists don't have to be held to the same rigid standards. They can be purely about bringing in eyeballs by showing what people most want to see, rather than what Hollywood wants them to want to see. In other words, they can make the women as beautiful as they want, and no one can cancel them for it. I spent my life in movie theaters gazing up at the big screen and watching some of the best films ever made. The only way that makes sense is if you are escaping real life and finding your way into a fantasy world, and maybe for the Woke, seeing Lupita Nyong'o cast as the most beautiful woman in the world is its own kind of fantasy fulfillment. After the movie comes out, we'll have to see whether it works or not. At the moment, it feels like just another test to decide who gets to stay and who has to go. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Matt Whitaker has been writing and directing for film and television for over 30 years. A specialist in the WWII genre, his produced screenplays include the critically acclaimed war films Saints and Soldiers and Instrument of War. In 2002, Whitaker and a film crew travelled to Germany with the last surviving member of a teenage resistance group, a powerful experience that led to the PBS documentary Truth & Conviction: The Helmuth Hübener Story. Now, his dramatic feature film, Truth & Treason, brings this incredible history to audiences across the UK.I wanted to speak with Matt to dive into the compelling history of Helmuth Hübener, the youngest person executed by the Nazi regime for opposing Adolf Hitler. As a fellow Latter-day Saint, Matt shares his 25-year journey of bringing this profound piece of history to life, the complex realities of local church leaders navigating a totalitarian state, and how recent research on Gestapo files has been changing how scholars view the Church's relationship with the Third Reich.Some highlights from this episode include:Loyalty to a Lie: Matt breaks down the incredible true story of 16-year-old Helmuth Hübener, who chose to risk everything by listening to banned BBC shortwave broadcasts to uncover the truth and launch a clandestine leaflet resistance campaign.The Words of the Leaflets: Matt reveals a crucial detail about the creative authenticity of Truth & Treason: every single sentence of anti-Nazi text typed or spoken from the resistance leaflets in the film is a direct, accurate English translation taken straight from the historical Gestapo archives.The Secret Gestapo Files: A fascinating look into additional historical research by scholar Steven Smoot and the BH Roberts Foundation, detailing a massive, Gestapo dossier that proves the Nazi regime was actively spying on and deeply suspicious of the Latter-day Saint community in Germany.The Complexity of Wartime Leadership: A nuanced discussion regarding the immense pressure faced by Hamburg Branch President Arthur Zander, exploring the difficult dual-realities of a man who was a devoted church leader but also an ardent supporter of the regime.A 25 Year Project: Matt opens up about a deeply personal spiritual experience that gave him the definitive mandate to direct this film, and how his wife's unwavering support kept the project alive through two decades of immense funding and development challenges.Truth & Treason is available on Amazon Prime Video and major UK digital platforms starting May 18 2026.Follow For All The Saints on social media for updates and inspiring content:www.instagram.com/forallthesaintspodhttps://www.facebook.com/forallthesaintspod/For All The Saints episodes are released every Monday on YouTube, Spotify, Apple Podcasts and more:https://www.youtube.com/watch?v=TVDUQg_qZIU&list=UULFFf7vzrJ2LNWmp1Kl-c6K9Qhttps://open.spotify.com/show/3j64txm9qbGVVZOM48P4HS?si=bb31d048e05141f2https://podcasts.apple.com/gb/podcast/for-all-the-saints/id1703815271If you have feedback or any suggestions for topics or guests, connect with Ben & Sean via hello@forallthesaints.org or DM on InstagramConversations to Refresh Your Faith.For All The Saints podcast was established in 2023 by Ben Hancock to express his passion and desire for more dialogue around faith, religious belief, and believers' perspectives on the topics of our day. Tune into For All The Saints every Monday on YouTube, Spotify, Apple Podcasts, and more.Follow For All The Saints on social media for daily inspiration.

Witnesses to the brutal murder of their families and neighbors and the violent destruction of their communities, a cadre of Jewish women in Poland—some still in their teens—helped transform the Jewish youth groups into resistance cells to fight the Nazis. These “ghetto girls” paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They bombed German train lines and blew up a town's water supply. They also nursed the sick and taught children. Judy Batalion's new book, The Light of Days: The Untold Story of Women Resistance Fighters in Hitler's Ghettos (William Morrow, 2021) —already optioned by Steven Spielberg for a major motion picture—brings these largely unknown stories to light. Join us for a conversation with Batalion about this new book led by Andrew Silow-Carroll (New York Jewish Week). This book talk originally took place on April 20, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Witnesses to the brutal murder of their families and neighbors and the violent destruction of their communities, a cadre of Jewish women in Poland—some still in their teens—helped transform the Jewish youth groups into resistance cells to fight the Nazis. These “ghetto girls” paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They bombed German train lines and blew up a town's water supply. They also nursed the sick and taught children. Judy Batalion's new book, The Light of Days: The Untold Story of Women Resistance Fighters in Hitler's Ghettos (William Morrow, 2021) —already optioned by Steven Spielberg for a major motion picture—brings these largely unknown stories to light. Join us for a conversation with Batalion about this new book led by Andrew Silow-Carroll (New York Jewish Week). This book talk originally took place on April 20, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Witnesses to the brutal murder of their families and neighbors and the violent destruction of their communities, a cadre of Jewish women in Poland—some still in their teens—helped transform the Jewish youth groups into resistance cells to fight the Nazis. These “ghetto girls” paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They bombed German train lines and blew up a town's water supply. They also nursed the sick and taught children. Judy Batalion's new book, The Light of Days: The Untold Story of Women Resistance Fighters in Hitler's Ghettos (William Morrow, 2021) —already optioned by Steven Spielberg for a major motion picture—brings these largely unknown stories to light. Join us for a conversation with Batalion about this new book led by Andrew Silow-Carroll (New York Jewish Week). This book talk originally took place on April 20, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Witnesses to the brutal murder of their families and neighbors and the violent destruction of their communities, a cadre of Jewish women in Poland—some still in their teens—helped transform the Jewish youth groups into resistance cells to fight the Nazis. These “ghetto girls” paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They bombed German train lines and blew up a town's water supply. They also nursed the sick and taught children. Judy Batalion's new book, The Light of Days: The Untold Story of Women Resistance Fighters in Hitler's Ghettos (William Morrow, 2021) —already optioned by Steven Spielberg for a major motion picture—brings these largely unknown stories to light. Join us for a conversation with Batalion about this new book led by Andrew Silow-Carroll (New York Jewish Week). This book talk originally took place on April 20, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Witnesses to the brutal murder of their families and neighbors and the violent destruction of their communities, a cadre of Jewish women in Poland—some still in their teens—helped transform the Jewish youth groups into resistance cells to fight the Nazis. These “ghetto girls” paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They bombed German train lines and blew up a town's water supply. They also nursed the sick and taught children. Judy Batalion's new book, The Light of Days: The Untold Story of Women Resistance Fighters in Hitler's Ghettos (William Morrow, 2021) —already optioned by Steven Spielberg for a major motion picture—brings these largely unknown stories to light. Join us for a conversation with Batalion about this new book led by Andrew Silow-Carroll (New York Jewish Week). This book talk originally took place on April 20, 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices

Francesca Parri"Il ricordo è l'unica difesa"Il manoscritto ritrovato di una donna antifascistaEster ParriSolferino Libriwww.solferinolibri.it«Accovacciata sotto cinque coperte fredde, cercavo un conforto nel ricordo di quel mondo che c'era oltre le mura. Non tentavo di dormire, mi sarebbe sembrata una vigliaccheria.» Non ha mai smesso di lottare Ester Parri. Nemmeno quando il regime fascista ha recluso e poi confinato il marito Ferruccio, leader della Resistenza e primo presidente del Consiglio dopo la Liberazione. Nemmeno quando a essere catturata e incarcerata dalla Gestapo a San Vittore è stata anche lei. E nemmeno quando si è trovata a fare i conti con le angosce di madre temendo per il figlio Giorgio, giovane partigiano. In queste memorie inedite, scritte sul retro di fascicoli del Consiglio d'Europa e ritrovate dalla nipote, l'autrice racconta i due mesi più drammatici della sua vita, tra gennaio e marzo 1945, e fa rivivere, attraverso potenti flashback, quasi vent'anni della storia d'Italia, dall'organizzazione dell'espatrio clandestino del leader socialista Turati nel dicembre 1926 fino all'aprile 1945, quando Ester ritrova il marito a Locarno. Uno spaccato della dittatura e della Resistenza ma anche della vita quotidiana e dei suoi personaggi grandi e piccoli, con una particolare attenzione per le donne che incontra: le signore «dalle unghie laccate e dalle bocche dipinte», fiancheggiatrici del regime, le prigioniere politiche, ma anche parrucchiere, portinaie, impiegate, che con le loro vicende contribuiscono all'affresco più ampio di un'epoca. La passione civile è inalterata in ogni pagina, così come la sua fedeltà agli ideali di libertà e giustizia. La sua voce parla direttamente al cuore, emoziona e rende vivo quel nostro passato che rischia di diventare remoto per sempre.Ester Verrua in Parri, nasce a Scurzolengo (Asti) il 4 agosto 1891 da una famiglia della borghesia agraria. Frequenta il liceo classico Cesare Balbo di Casale Monferrato (Alessandria) dove conosce Ferruccio Parri, che sposa il 2 gennaio 1922. Si trasferisce a Milano con il marito e inizia a insegnare. Il 30 giugno 1926 nasceil figlio Giorgio, col quale segue il marito al confino politico nel 1928 a Lipari e nel 1932 a Vallo della Lucania. Nel 1933 la famiglia ritorna a Milano ma, nell'ottobre 1943, sfolla a Voghera per i bombardamenti.Il 2 gennaio 1945, a Milano, Ester viene arrestata con Ferruccio dalla Gestapo e rilasciata a fine mese. Nel giugno 1945, dopo la nascita del Governo Parri, Ester si trasferisce con la famiglia a Roma, dove rimane fino alla scomparsa, avvenuta il 26 gennaio 1980. Osservatrice privilegiata e attenta di stagioni centrali della storia italiana, ha testimoniato con passione e rigore il suo impegno civile in articoli, recensioni e interviste.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

PREVIEW for Later Today: Ian Buruma details the harrowing survival of Jews in wartime Berlin. He recounts a tragic moral dilemma involving a Jewish woman who became a Gestapo informer to save her parents from almost certain death.1938 BERLIN

Durante doce años, la Gestapo fue el instrumento más temido del régimen nazi. Nacida en 1933 bajo el mando de Hermann Göring y más tarde controlada por Heinrich Himmler, la policía secreta del Estado se convirtió en la columna vertebral del terror. Su objetivo era claro: eliminar cualquier forma de oposición al Tercer Reich. No había leyes, ni juicios, ni derechos. Bastaba una sospecha o una denuncia anónima para desaparecer en la oscuridad de un interrogatorio o un campo de concentración. El poder de la Gestapo no se basaba solo en su brutalidad, sino en su capacidad para infiltrarse en cada rincón de la vida alemana. Funcionarios, vecinos e incluso familiares se convertían en informantes, creando una atmósfera de desconfianza total. El miedo era su mayor arma. La gente aprendió a callar, a no mirar demasiado, a no preguntar nunca. Así se mantuvo el control de millones de personas sin necesidad de ejércitos en las calles: bastaba la sensación constante de ser observado. Con el paso de los años, la Gestapo extendió su influencia más allá de las fronteras de Alemania. En los territorios ocupados, organizó deportaciones masivas, persiguió a la resistencia y coordinó con las SS la identificación de judíos y opositores. Su burocracia del horror funcionaba con precisión alemana: fichas, listas, informes y trenes. Todo un sistema diseñado para borrar vidas en nombre de la obediencia y la eficiencia. Cuando el Reich se derrumbó en 1945, muchos agentes de la Gestapo intentaron desaparecer entre la población. Algunos fueron juzgados, otros escaparon. Pero su legado no se desvaneció. La Gestapo no solo dominó Alemania durante doce años; moldeó la mente de toda una nación, demostrando que el miedo, cuando se institucionaliza, puede ser más poderoso que cualquier ejército.

Chuck Todd is terrified for his life. He announced he won't attend any events with Donald Trump anymore. He doesn't feel safe. It's too dangerous. Trump, he insists, will throw everyone else under the bus to protect himself. That's awfully convenient, considering the media is largely responsible for the collective mental health crisis in this country regarding Donald Trump. How do I know? I used to exist inside that insulated Doomsday Cult, and most of the people I know in real life still do. I can see what it's done to them. Ten years of worry, fear, hysteria, and hatred have consumed them.When I talk to my mother, I know she exists in that world defined by hate, as she spends the last few years of what's left of her life as part of this “all of society” effort to bring down the enemy of the Democrats, of Barack Obama. That's all it is. But she has no idea because she takes them at their word, and her perception of reality is limited to the confines of the Doomsday cult. My mother is like I used to be, a committed soldier to believing everything that was pumped into my nervous system from my social media feed, to the headlines at the New York Times, to the opening monologues on Morning Joe, The Daily Show, and MS-Now. Like her, I trusted them. Like her, I couldn't believe they would lie about something so serious. It had to be true, all of it.It's just that it wasn't true, and it was easy to figure it out. All it took was watching Trump's rallies, listening to him talk, getting to know his supporters, seeing things from their point of view, and humanizing them. And yet, even suggesting such a thing, and you watch them flip out. I've always known all it would take is a little bit of courage from the legacy press to help people like my mom, and millions of Americans who believe the lies they pump out every day on behalf of the Democrats. Just a little bit of sanity would go a long way. But instead, they are playing with fire. They are assuming guys like Cole Allen can tell the difference between extreme hyperbole and the truth. Any column about the Left's violence begins and ends with Trump, and all that means is they don't get the message. At best, they “both sides” it, they can't see what they've done to whole generations who actually believe they're growing up in a dictatorship, a regime that disappears people off the streets, wants to turn every woman into a birthing slave, and is shooting protesters just for exercising their First Amendment rights. Who wouldn't want to pick up a gun?At best, the Democrats came out of the potential massacre screaming about gun control, as though they've done anything to protect the students or the schools in 20 years, but all that does is change the channel away from common sense and empathy back to where they want it, right on target.Cole Allen took the press at their word, which is why he couldn't understand how they could have dinner with a “rapist, traitor, and pedophile.” He has a point. After all, why would they if they really meant everything they've been telling us for ten years?Had he been better at breaching security — if he'd had a better weapon that could fire multiple rounds, there is a good chance members of the press could have been mowed down too, along with the very pregnant Karoline Leavitt, who thankfully just welcomed her baby into this world. It feels like a miracle for anyone paying attention. The press didn't seem to get it. None of them even took a pause, except to blame Trump, to say he was nice for a second there, but then turned hostile again at Norah O'Donnell on 60 Minutes. The media focuses intensely on acts of violence by the Right and has for ten years, while ignoring violence from the Left. They do this without even thinking about it, which is why Americans conclude the Right is more violent. The media told them. So why wouldn't it be true?Alex Pretti and Renee Good shouldn't have been shot, but they were attacking federal officers. They aren't the violent ones to the media. It's ICE, the Gestapo. If you aren't aware that there are two sides to every story in America now, what in the world would you think? You wouldn't just be terrified. You would be radicalized. You would think violence is the only answer because everything else has failed.The press, however, should have better discernment. If they could just tell the truth for once, or at least try to correct the record, maybe we wouldn't be here now, where yet another assassin felt he had no other choice but to do the world a favor by killing Hitler. It was the job of the media to push back on the hyperbole and hysteria, but instead they became the delivery device, injecting irrational fear and rage into the veins of this country every second of every day - in airports, gyms, gas stations, and in the living rooms of people who still watch the news, like my mom. Why don't they think of us? Why doesn't just once Joy Behar or Whoopi Goldberg say, “Oh, we don't really mean he's a fascist. We just say that because we want to win elections, but it isn't really true.” They always think of the next round of elections - keep the people afraid, keep them engaged, then we can win. But what has this done to the soul of our nation, and no, they can't keep blaming Donald Trump because look at where that has gotten us. Semi fascists, ultra MAGA, racists, rapists, Nazis. Here is Ben Shapiro. Cole Allen's entire adult life has been shaped by Trump Derangement Syndrome, due almost entirely to the legacy media's partnership with the Democratic Party and their efforts to run a “hearts and minds” campaign on the American people since 2016. They took a side, along with all of our once-shared culture, institutions, corporations, and universities, with no consideration to what that level of sustained hysteria and rage might do to impressionable minds who know no other kind of America, one before the Democrats and the media turned their world into a Doomsday Cult. I also know that all it would take is a little bit of courage from the media to start calling the Democrats out for what they've done to all of us all of these years. Have they ever even thought about what comes next after Trump? There will be nothing left of them. Their entire existence revolves around ridding the world of this evil force, and they wonder why people are picking up guns. Cole Allen, Tyler Robinson, Luigi Mangeone, and Thomas Matthew Crooks are playing out a mainstream, in-the-light-of-day version of the CIA's MK Ultra. They didn't need a secret lab. They didn't even need drugs. They just needed the internet, social media algorithms, and our inability to maintain our sanity while doomscrolling. They knew all this long ago. But it was too useful in growing their “resistance.” Shaping public opinion with influencers who mirror the Democrats' messaging, and before long, for many of them, there was and is no way out.There used to be cultural touchstones that would offer us some kind of relief - like comedy, like movies, like commentary. Instead, we have a monoculture on the Left all pushing the exact same message: we're helpless, we're occupied, please someone just do it. Even now, when we look to them for the truth, we get cherry-picked information stripped of context. Most people only read the headlines now; they don't even bother to dive into the story or check how true it is. It is just Two Minutes of Hate, Orwell style.Like this headline at USA Today. It was obviously a joke; even the reporter laughed. The first paragraph of the story once again does not say it was a joke:Amid renewed scrutiny of his personal security, President Donald Trump said he has resisted the idea of wearing a bulletproof vest, not for safety reasons, but because of how it might make him look.Here are the first two comments under the tweet.Does the distortion of reality even bother the press now? Did they think about that as they entered the Correspondents' Dinner? Did they realize that their messaging had almost caught up with them? Cole Allen was an incompetent assassin, as it would turn out. But it should serve as a warning, one that they should not ignore. This is not a “both sides” issue. Only one side is growing political assassins who echo the exact same messaging of the legacy media and the Democrats. They can deny it all they want, but on that night, it almost caught up with them.Sooner or later, though, they will have to reckon with having lied for so many years, especially if they plan on toasting a glass of champagne, let alone sitting in the same room, with an “existential threat” like Donald Trump. Who knows who else might be out there who takes them at their word?// This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Nieves Concostrina explica que la oposición civil al nazismo fue tardía y duramente reprimida por la Gestapo, como ocurrió con los jóvenes de "La Rosa Blanca", ejecutados por repartir panfletos contra Hitler.

I left the Democratic Party in 2020 because I couldn't take it anymore. I am not sure what triggered my disgust, but all I know is that I could not go along with what the party had become and what I could see playing out every day on social media. I watched everyone I knew, every prominent person of power, justify their dehumanizing rhetoric, all aimed at one man and his supporters.I recoiled in horror then. It felt like ice in my veins, or worse, dark sludge, something like evil. Why are we doing this, I wondered. Why have we abandoned all of our principles of decency and kindness? What of the lawn signs that say “everyone is welcome”?I knew it was wrong. I also knew speaking out about it would be the end of my status online, many of my friendships, and eventually, by 2024, all of my income, as my business was destroyed and my reputation collapsed for the sin of voting for and supporting Donald Trump.Now, we're at the point on the Left where all the words — the extreme hyperbole—have been used up, and nothing has changed. There was ever only one place left to go, and that was to take up arms and start shooting people.Cole Allen, who is Trump's third would-be assassin, like Luigi Mangione and Tyler Robinson, is not a madman, not like the shooter who murdered Melissa Hortman. He wasn't hearing voices. He wasn't suffering from PTSD. He made a sober and calculating decision to do what so many have been begging “someone” to do ever since Trump won.Here are some TikToks.From Cole Allen's manifesto:Allen is a gamer, and he talks about his potential assassination as if he's walking us through one of the first-person shooter games he might livestream. He sees himself as a vigilante out for justice against the world's greatest evil. How does he come to these conclusions about Trump? Oh, I don't know, maybe ask the legacy media and the Democrats who have been pushing these lies about Trump for ten years. Cole Allen, like so many other would-be assassins, took them at their word. He doesn't know it's all just politics. Allen said, “I am no longer willing to permit a pedophile, rapist, and traitor to coat my hands with his crimes,” which is not that different from what your average Democrat broadcasts on social media every day.After ten years of dehumanizing language, they can't see the reality of who Trump is anymore, much less see his supporters as their fellow Americans. They can only see the delusion - the mirage - the supervillain they invented. If he isn't even a human anymore, then killing him is as easy as taking out the garbage.They speak in mantras. They mirror each other. Their hysteria spreads from person to person and ultimately unites them. They are as aligned and of one mind as a cult. They must believe they are still the “resistance” going to war on an insurmountable evil force that can't be defeated in any ordinary way. It requires something extraordinary, someone, to “just do it.”When they are confronted with the reality of real-world violence, and they must reckon with who and what they have become, they go on autopilot, make their canned statements about generic political violence, but never atone for anything they've done to bring us to this point - all of them are culpable - the Democrats, the Never Trumpers, and the legacy media. Cole Allen is a victim of the Doomsday Cult and its dehumanizing propaganda machine. He is consumed by the delusion that keeps them locked away and terrified of the monsters outside. But by now, shouldn't they be asking themselves who the monsters really are? Maybe they should take a good, long look in the mirror.As Nietzsche once warned:If I thought I could save the Left, I would start by telling them to stop calling Trump and his supporters Nazis. I would tell them that dehumanizing language almost always leads to violence. It has nowhere else to go.I would tell them it's long past time to accept that Donald Trump won in 2016 and in 2024, and they lost. It's time they reckoned with that too. Their lies, their rage, their manufactured helplessness have taken them nowhere good. Three assassination attempts on Trump and the death of Charlie Kirk should be enough.I would tell them that we still have to share this country, even with —especially with—people we don't agree with. I would tell them that they aren't better than half the country. I would tell them they had no right to claim democracy for themselves. It doesn't belong to them. I would tell them that they've destroyed themselves trying to destroy Trump. They have wrecked families, relationships, marriages, friendships, communities, culture - and all for what? To cling to the democracy that was never theirs to begin with? I have so much to tell them, if only they would listen. The violence against Trump supporters began in 2015 and continued throughout his first four years. Is it really that surprising that nine years later, someone would try to assassinate him?How was it that we as a nation were not brought to our knees after that? How is it that the Left could simply soldier on, with the same dehumanizing Nazi rhetoric as though none of this had happened? It should have been the day that changed everything. But somehow, it wasn't. To them, they always had the fallback of blaming guns. They're all reading from the same script, and this is their only way out.To humanize someone is to have the courage to see them as the complicated, flawed, imperfect people they are. To dehumanize them is to convict them of high crimes and misdemeanors in the Court of Public Opinion. We have built a panopticon that decides guilt, and it's taken us all the way to this moment, where political violence is just more fodder for the churn.So let's get this straight once and for all. Trump is someone who is not afraid to say offensive things in a time when an entire movement believes words are violence, but violence is a way to stop the words. Trump's efforts to build a ballroom, transform the Kennedy Center, clean up the streets, end wars, protect women in sports, use the tariffs to bring back jobs, and protect children from the cult are all MAGA — Make America Great Again. People say he's doing it for himself, but maybe he's doing it because he loves this country. We give him the benefit of the doubt because it's the right thing to do. And if you can't get all the way there, at least get halfway there. Get to the part where he's the guy from The Apprentice, who built all of those gold buildings in Vegas. To see him for who and what he is will heal the pathology that has consumed the Left. But we know if three assassination attempts won't do it, nothing will. A part of me really did think that if Trump won again in 2024, the mass delusion would be punctured at long last. Maybe it would be like that moment in Salem in 1692, when the accusations became so ridiculous that the whole fantasy collapsed. But that never happened.Instead, everything got worse. The hyperbole got worse. Detainment centers were concentration camps. ICE officers were the Gestapo. Trump wasn't just a rapist, racist, fascist, dictator, felon, demagogue, criminal, but now, he was also a pedophile and, before long, a war criminal. They had nowhere left to go except to wish for his death, to manifest it, and make posts about it on TikTok.There is no saving the Left. There is only saving America from them. I can only hope in those dark nights of the soul when I worry about the future - the future for this country, the future for my daughter — that the scrappy coalition known as MAGA can hold the line. /// This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Nieves Concostrina explica que la oposición civil al nazismo fue tardía y duramente reprimida por la Gestapo, como ocurrió con los jóvenes de "La Rosa Blanca", ejecutados por repartir panfletos contra Hitler.

Nieves Concostrina explica que la oposición civil al nazismo fue tardía y duramente reprimida por la Gestapo, como ocurrió con los jóvenes de "La Rosa Blanca", ejecutados por repartir panfletos contra Hitler.

Background to the Poem and Poet that stage managed Hitler into being“Dietrich Eckart wrote a poem that referred to a "Great One" or "Nameless One," expressing his belief in a coming "German Messiah" who would redeem the nation. ““Dietrich Eckart, a significant figure in the early Nazi movement, wrote a poem that expressed his anticipation of a "German Messiah." This poem, composed months before he met Adolf Hitler, referred to a "Great One" or "Nameless One," indicating Eckart's belief in a savior who would redeem Germany from its post-World War I struggles.”“Eckart's belief in a coming savior led him to view Hitler as the embodiment of this prophesied figure. He recognized Hitler's potential as a leader and demagogue, which significantly influenced Hitler's rise within the German Workers' Party and later the National Socialist German Workers' Party (NSDAP).Eckart's mentorship and support were crucial in shaping Hitler's political identity and oratory skills, ultimately contributing to the establishment of the Nazi regime.”“Dietrich Eckart's poem about the "Great One" reflects themes of nationalism, antisemitism, and the idea of a messianic leader for the German people, aligning with his broader political and ideological views. His adaptation of Henrik Ibsen's "Peer Gynt" also incorporated these themes, portraying the protagonist as a superior Germanic hero battling against implicitly Jewish "trolls."”It takes a group of people desperate for position and proximity to power to create hell … Hitlers Inner Circle (posted from DUCKDUCK)Key Figures in Hitler's Inner CircleAdolf Hitler's inner circle consisted of influential leaders who played significant roles in the Nazi regime. Here are some of the most notable members:1. Hermann Göring Position: Commander-in-Chief of the Luftwaffe and Reichsmarschall. Roles: Founder of the Gestapo, Minister of the Economic Four-Year Plan, and designated successor to Hitler in 1941. 2. Joseph Goebbels Position: Reich Minister for Propaganda. Roles: Controlled all media and public information, known for his powerful speeches that mobilized the German populace. 3. Martin Bormann Position: Head of the Nazi Party Chancellery. Roles: Hitler's personal secretary, controlled access to Hitler and all information flow, had significant influence over domestic policies. 4. Albert Speer Position: Chief Architect and Reich Minister for Armaments. Roles: Responsible for increasing Germany's armaments production, developed a close personal relationship with Hitler. 5. Wilhelm Keitel Position: Field Marshal and Chief of the Supreme High Command. Roles: Chief of Defense for Germany, played a crucial role in military operations. 6. Joachim von Ribbentrop Position: Foreign Minister. Roles: Key diplomat, brokered significant pacts like the Molotov-Ribbentrop Pact. 7. Walther Funk Position: Reich Minister of Economics. Roles: Managed economic policies and was involved in financial institutions.

12 - The Pope speaks on the current state of the world and Dom isn't seeing eye to eye on him. 1210 - This is not a good look for Mayor Cherelle Parker. 1215 - Side - associated with PA outside of Philadelphia 1220 - Why did the Mets cancel Jewish celebration night? Your calls. 1230 - Camden County Commissioner Director Lou Cappelli, Jr. joins the show this afternoon after the Commissioners put out a statement likening ICE to the Gestapo, and Trump to a dictatorial figure. Are these comments really just “metaphors”? Is Trump a “wannabe dictator” or a “traitor”? What about a “cult leader”? Is MAGA a cult? What is his view on the war with Iran? How has Camden had such a great turnaround in crime? 1250 - Your calls after that interview.

12 - The Pope speaks on the current state of the world and Dom isn't seeing eye to eye on him. 1210 - This is not a good look for Mayor Cherelle Parker. 1215 - Side - associated with PA outside of Philadelphia 1220 - Why did the Mets cancel Jewish celebration night? Your calls. 1230 - Camden County Commissioner Director Lou Cappelli, Jr. joins the show this afternoon after the Commissioners put out a statement likening ICE to the Gestapo, and Trump to a dictatorial figure. Are these comments really just “metaphors”? Is Trump a “wannabe dictator” or a “traitor”? What about a “cult leader”? Is MAGA a cult? What is his view on the war with Iran? How has Camden had such a great turnaround in crime? 1250 - Your calls after that interview. 1 - The Friday 5: Fashion faux pas 110 - More calls reacting to Dom's interview with Lou Cappelli. 120 - Should we give 20 billion dollars to Iran in exchange for their uranium? Disney is changing their greeting to patrons. Your calls. 135 - Philadelphia is having quite the week in the media! 140 - Your calls. Should poll watchers be banned from prediction markets? 150 - Dom Giordano Presents: Progressive Women Gone Wild! 2 - Dr. Victoria Coates, former deputy national security advisor to President Donald Trump, Vice President of the Kathryn and Shelby Cullom Davis Institute is here for our weekly segment. Will Iran's economy spiral out of control as a result of this war? Would we pay money to Iran for their enriched uranium? What does she have to say about the ceasefire between Israel and Lebanon? Are we on a roll in instituting new regime change in dictatorial countries, like Cuba? Will she update her latest book after all these events? Why is she back in town? 215 - Dom's Money Melody! 220 - Dom's stepping on everybody right now! More on the future in Iran. Your calls. 230 - To rebut Lou Cappelli Jr.'s testimony on ICE and Donald Trump, Chairman of the Gloucester Twp Republicans, Tom Crone is here today. While acknowledging that Lou has the right to free speech, why does Tom think his comments are stupid and dangerous, and not what you want to hear from someone who decides where our tax dollars go? Why is the murder rate coming down in Camden? Do the Democrats realize why? How radical is Mikie Sherrill and her replacement? 240 - Your calls. 250 - The Lightning Round!

El nazismo no se sostuvo únicamente sobre la Gestapo y los campos de concentración. Lo hizo también sobre una formidable maquinaria de propaganda que convenció a millones de alemanes de que Hitler tenía razón en todo y el tercer Reich era el mejor de los mundos. Los cimientos de esta propaganda los encontramos ya en “Mein Kampf”, donde Hitler, obsesionado con la idea de que Alemania había perdido la Gran Guerra en la retaguardia y no en el frente, esboza un método tan simple como efectivo: dirigirse a las masas y no a las élites, apelar a la emoción y no a la razón, reducir el mundo a amigos y enemigos, y repetir el mensaje hasta la extenuación. Ese método lo pusieron en práctica nada más llegar al poder mediante el ministerio de Ilustración Popular y Propaganda, dirigido por Joseph Goebbels, un filólogo y novelista frustrado que se convirtió en el demiurgo del imaginario del Reich. Tres palabras resumían aquello: emoción, repetición y enemigo. El enemigo por antonomasia era el judío, al que se culpaba de todos los males del país: de la derrota en la guerra, de la inflación, del desempleo, del bolchevismo y del capitalismo financiero. Sobre eso se levantaron mitos como el de la sangre y el suelo, la superioridad aria y el Führerprinzip, que convertía a Hitler en un mesías secular rodeado de una liturgia pagana filmada magistralmente por Leni Riefenstahl en “El triunfo de la voluntad”. La prensa opositora fue absorbida o cerrada y los periodistas obligados a seguir las consignas diarias del ministerio. La radio se convirtió en el mejor arma para llegar a las masas gracias al Volksempfänger, un receptor asequible que sólo retransmitía las emisoras del régimen. Alemania se convirtió, de hecho, en el país del mundo con más receptores de radio por habitante. El cine combinaba entretenimiento de mera evasión con películas puramente ideológicas. La literatura fue purgada de autores y estilos incómodos, lo mismo sucedió con la música, la pintura, la escultura y la arquitectura. El arte era un brazo más del sistema goebbelsiano, uno de los más importantes, La educación fue depurada, se incluyó en el temario la biología racial y se encuadró a los niños y adolescentes en las Juventudes Hitlerianas y la Liga de las Muchachas alemanas. Allí los niños aprendían a marchar, obedecer y, en ocasiones, delatar a sus propios padres. Los grandes rituales colectivos tuvieron su cumbre en los congresos de Núremberg, cuya sede Albert Speer transformó en una catedral de luz de Speer. En 1936, sólo tres años después de la llegada al poder de los nazis y coincidiendo con los Juegos Olímpicos de Berlín, la máquina ya funcionaba a pleno rendimiento. Hacia el exterior también se proyectaba esa imagen dulcificada del régimen. Pero ahí no fue tan efectiva. Allá donde tenía que competir con la prensa libre se atascaba. Dentro de Alemania funcionaba a la perfección y lo siguió haciendo hasta el final de la guerra. Nos queda una lección incómoda. Los alemanes eran seguramente el pueblo más culto de Europa. La propaganda funcionó no porque fuese tosca, sino por todo lo contrario, era muy sofisticada, vestía el odio de deber patriótico y de sentimiento de pertenencia. Para hablar de este tema nos acompaña hoy Juanjo Ortiz, un divulgador histórico bien conocido entre los aficionados por su web, El cajón de Grisom, y autor de un magnífico libro sobre la propaganda nazi que publicó hace sólo unos meses. Bibliografía: “Propaganda nazi” de Juanjo Ortiz - https://amzn.to/4tSaUct “Joseph Goebbels, el genio de la propaganda” de George Todorov - https://amzn.to/4cdRNDM “En la mente nazi” de Laurence Rees - https://amzn.to/4cyw2NT “La revolución cultural nazi” de Johann Chapoutot - https://amzn.to/4svOTit “La cultura en la Alemania nazi” de Michael H. 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Auge, caída y vuelta a empezar de un país en 28 episodios”… https://amzn.to/3kXcZ6i · “Contra la Revolución Francesa”… https://amzn.to/4aF0LpZ · “Lutero, Calvino y Trento, la Reforma que no fue”… https://amzn.to/3shKOlK Apoya La Contra en: · Patreon... https://www.patreon.com/diazvillanueva · iVoox... https://www.ivoox.com/podcast-contracronica_sq_f1267769_1.html · Paypal... https://www.paypal.me/diazvillanueva Sígueme en: · Web... https://diazvillanueva.com · Twitter... https://twitter.com/diazvillanueva · Facebook... https://www.facebook.com/fernandodiazvillanueva1/ · Instagram... https://www.instagram.com/diazvillanueva · Linkedin… https://www.linkedin.com/in/fernando-d%C3%ADaz-villanueva-7303865/ · Flickr... https://www.flickr.com/photos/147276463@N05/?/ · Pinterest... https://www.pinterest.com/fernandodiazvillanueva Encuentra mis libros en: · Amazon... https://www.amazon.es/Fernando-Diaz-Villanueva/e/B00J2ASBXM #FernandoDiazVillanueva #nazismo #hitler Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

durée : 01:26:34 - Les Nuits de France Culture - par : Marc Floriot - En 1997, Kaye Mortley consacrait une émission au "Monument invisible" de Sarrebruck. Sur la place du château, ancien QG de la Gestapo pendant la Seconde Guerre mondiale, l'artiste Jochen Gerz avait retourné 2146 pavés pour les graver des noms de cimetières juifs disparus durant le Troisième Reich. - réalisation : Virginie Mourthé

An I.C.E. officer is shot and killed by a protester who tried to run him over with her car.  This is causing the Left to go nuts.  It is the rhetoric from Tim Walz & Jacob Frey and other Democrats as well, who are inciting the violence for telling people that Trump is a Na*zi and federal officers are Gestapo, and telling people they have a right to attack law-enforcement if they don't agree with what they are doing.  Tim Walz's career is done because of this.  Minnesotan's are sick of the Walz Administration and the state is likely to flip Red this year.  There's the possibility Tim Walz may also be facing criminal charges.Become a supporter of this podcast: https://www.spreaker.com/podcast/brian-wallenberg-show--3256416/support.

Certaines rencontres vous marquent bien avant que les caméras ne s'allument, et encore bien après qu'elles se soient arrêtées. Parce qu'avant même de poser la première question, on mesure ce que représente la personne en face de soi. Ce qu'elle a traversé. Ce qu'elle porte encore. Et ce que sa parole transmet. Ginette Kolinka a 101 ans, une sagesse impressionnante et une force de vie incroyable. À 19 ans, elle était déportée à Auschwitz. Et j'ai eu l'immense honneur de la recevoir dans le podcast PAUSE. Dans cet épisode, elle raconte l'indicible avec une lucidité, une force et parfois même une légèreté qui bouleversent profondément. À quoi ressemblait la vie à l'époque hitlérienne ? Quel était le quotidien dans l'enfer absolu des camps ? Et surtout, comment continuer de croire à la vie après avoir vécu l'horreur ? Un témoignage rare, précieux, et plus nécessaire que jamais..À écouter. À partager. À transmettre.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

James Bond may have Q Branch supplying him with ingenious gadgets, but during the Second World War the agents of the Special Operations Executive had something just as remarkable — the SOE Camouflage Section. This secret unit developed ingenious ways to hide weapons, radios, explosives and documents inside everyday objects, from oil cans and firewood to record players and tubes of toothpaste, helping agents operate behind enemy lines under the watchful eyes of the Gestapo. My guest today is Craig Moore, whose book Exploding Rats and Other Devious Devices of SOE: The Camouflage Section 1941–1945 explores the remarkable work of this little-known wartime unit and the ingenious devices they created to keep agents alive and operational in occupied Europe.   patreon.com/ww2podcast  

Join us to hear the remarkable and inspiring life story of Corrie ten Boom—a groundbreaking, female Dutch watchmaker, whose family unselfishly transformed their house into a hiding place straight out of a spy novel to shelter Jews and refugees from the Nazis during Gestapo raids. Learn how Corrie’s ability to forgive is just one of the myriad lessons that her life story holds for people today.Become a Parshall Partner: http://moodyradio.org/donateto/inthemarket/partnersSee omnystudio.com/listener for privacy information.

On this week's Mean Age Daydream, Brian welcomes in Tim Sandefur, Vice President of Legal Affairs at the Goldwater Institute. The discussion centers around economic liberty, the most vital and most neglected freedom, and a case coming up before the Arizona Supreme Court next month that could have significant implications for the right to earn a living without government interference. ⁠https://www.goldwaterinstitute.org/⁠ Buy my new card game: WOKE WORD WARS - ⁠⁠⁠⁠⁠https://www.amazon.com/dp/B0FLF8Y16S⁠⁠⁠⁠⁠

In 1945, U.S. Army psychiatrist Dr. Douglas Kelley arrived at Nuremberg with an hypothesis: the 22 top Nazi defendants, including Hermann Göring, the second most powerful man of the Third Reich, must share a unique psychosis. He was looking for a "Nazi mind virus" that could explain the Holocaust. As Jack El-Hai, author of The Nazi and the Psychiatrist, of which the new film, Nuremberg, starring Russell Crowe as Göring, is based, reveals in this week's Gaslit Nation, Dr. Kelley found something far more terrifying. There was no insanity. These men were clinically "normal." They were ambitious, hardworking, Type-A opportunists: the kind you might find in any corporate boardroom today. What made them willing to destroy half the population to rule the other half? Even Hitler, Dr. Kelley concluded, wasn't a "madman" but a paranoid hypochondriac whose fear of early death rushed him into strategic failures like the invasion of the Soviet Union. This finding is a warning for us now. If Nazism isn't a disease but a human choice, it can take root anywhere. El-Hai points to the "sophisticated propaganda" and the evolution of ICE tactics in Minneapolis, where he and his family live, as modern terror of the early Gestapo. How do we bring Donald Trump, Stephen Miller, Kristi Noem, and their lawless killers to justice in our own Nuremberg trials? We stop waiting for a savior. We document the abuses, we protect the vote, and as El-Hai urges, we "get in where we fit in" during this time of self-defense resistance. This essential history is a reminder that the face of evil is often disturbingly ordinary.  Join our community of listeners and get bonus shows, ad free listening, group chats with other listeners, ways to shape the show, invites to exclusive events like our Monday political salons at 4pm ET over Zoom, and more! Discounted annual memberships are available. Become a Democracy Defender at Patreon.com/Gaslit EVENTS AT GASLIT NATION: The Gaslit Nation Outreach Committee discusses how to talk to the MAGA cult: join on Patreon.  Minnesota Signal group for Gaslit Nation listeners in the state to find each other: join on Patreon.  Vermont Signal group for Gaslit Nation listeners in the state to find each other: join on Patreon. Arizona-based listeners launched a Signal group for others in the state to connect: join on Patreon.  Indiana-based listeners launched a Signal group for others in the state to join: join on Patreon.  Florida-based listeners are going strong meeting in person. Be sure to join their Signal group: join on Patreon.   

Air Date: 2-3-26 Today, Jay!, Amanda, Deon, and Erin discuss:  Ch. 1 - Trump's Pillars of Support, and plugging into community building & local support networks Ch. 2 - Case studies in success: Avelo Airlines & Spotify and why they matter Ch. 3 - Pressure campaigns at home and abroad and why they are important Ch. 4 - The new cracks in MAGA, and building up the political opposition party we need SOLVED! BACKSTAGE: Beyond the Algorithm (Members Only!): The second amendment folks' weird moment after ICE murdered Alex Pretti FOLLOW US ON:  YouTube (This full episode premieres on YouTube on Friday - please subscribe and share!) Bluesky Instagram Facebook Mastadon Nostr public key: npub1tjxxp0x5mcgl2svwhm39qf002st2zdrkz6yxmaxr6r2fh0pv49qq2pem0e REFERENCES DISCUSSED Why Nonviolent Resistance Doesn't Require Your Opponent to Have a Conscience - Tim Hjersted, Films for Action  Think There's Nothing You Can Do to Stop ICE? Think Again. - The Nation Here's How We Pressured an Airline to End Its Contract With ICE - TruthOut Want to Stop ICE? Go After Its Corporate Collaborators. - The Nation CEOs of major Minnesota businesses finally speak out, sign meek call for 'deescalation' - Bring Me The News 'Tariff for Oligarchs': Top Economist Urges Europe to Fight Trump by Punishing US Billionaires - Common Dreams Some Conservatives Veer Off Party Line After DHS Agents Kill Another US Citizen - Mother Jones Here's Your Damn Playbook, Democrats - The New Republic This Could Be the Moment MAGA Collapses - The New Republic MORE RESOURCES Here's How to Find Out Which Corporations Are Collaborating With ICE - Little Sis How to Weaken ICE: Cut Off the Corporations That Make Deportations Possible: Unified Strategy to Join, Support, or Build Boycott Campaigns Against ICE Vendors and Suppliers - Herman Legal Group We Must Establish The Run Against Authoritarianism - Bad Faith Times BACKSTAGE Trump is Making an Enemy of the Gun Lobby - The Intercept EXTRAS: Meta lays off employees across multiple teams - Tech Crunch (Oct 16, 2024) People Think Amazon Is an E-Commerce Company, but 74% of Its Profit Comes From This Instead Best of the Left #1769 Politics Beyond the Ballot Box: Elections and the Movements that Power Them Fox News's Peter Doocy Confronts Kristi Noem: 'Is It the Protocol To Use Deadly Force' if Alex Pretti 'Was Disarmed?' ICE confirms new office in College Park - Atlanta News First Ossoff Inquires about Rumored New ICE Detention Facility - Georgia Public Broadcasting (GPB) Prominent MAGA streamer compares ICE to Gestapo after Pretti shooting TAKE ACTION: How to Support Minneapolis Communities In a blue state? Help stop ICE overreach Free DC Project: FOR ALLIES ACROSS THE COUNTRY No Kings Next Steps One Million Rising Trainings 5calls.org Find your Indivisible group - or start one Join our Discord Server Reach us via Signal: Bestoftheleft.01 Leave a message at 202-999-3991 Produced by: Jay! Tomlinson Thanks for listening! Visit us at BestOfTheLeft.com Contact me directly at Jay@BestOfTheLeft.com  Review the show on Apple Podcasts!

Meet my friends, Clay Travis and Buck Sexton! If you love Verdict, the Clay Travis and Buck Sexton Show might also be in your audio wheelhouse. Politics, news analysis, and some pop culture and comedy thrown in too. Here’s a sample episode recapping four takeaways. Give the guys a listen and then follow and subscribe wherever you get your podcasts. You're Fired! Clay and Buck open with breaking news of another ICE-involved shooting after agents were attacked during an arrest operation. The suspects—identified as Venezuelan illegal immigrants with final deportation orders—reportedly assaulted an officer, prompting him to fire in self-defense. This follows a string of violent confrontations and protests targeting federal agents, with ICE vehicles vandalized and weapons stolen from government vehicles. The hosts warn that Minneapolis has become the epicenter of Resistance 2.0, echoing the chaos of the 2020 BLM riots, and argue that President Trump must act decisively to prevent nationwide unrest. The conversation intensifies as Clay and Buck analyze Trump’s Truth Social post threatening to invoke the Insurrection Act if Minnesota officials fail to stop organized attacks on federal law enforcement. They frame this as a defining moment for Trump’s second term, contrasting his current posture with what they call the missed opportunity to crush BLM riots in 2020. Buck emphasizes that Democrats are weaponizing immigration enforcement as a political wedge, portraying ICE as “Gestapo” and encouraging obstruction—language that, they argue, incites violence against officers. Clay underscores the stakes: Trump cannot afford to break faith with voters on border security, making Minneapolis a “crucible decision” for his presidency. The Left Wants to Abolish ICE Clay and Buck open with sharp analysis of Rep. Shri Thanedar’s renewed call to abolish ICE, reviving a radical slogan first championed by AOC during Trump’s first term. They argue that Democrats’ strategy is clear: dismantle enforcement while keeping immigration laws on the books to avoid openly admitting their open borders agenda. This, they contend, is part of a long-term plan to reshape America’s demographics and political landscape. The hosts highlight Trump’s historic success in reversing decades of migration trends, noting that net migration turned negative in 2025 for the first time since the 1920s. Approximately 2.6 million illegal immigrants left the country through deportations and self-removal, a stark contrast to Biden’s border surge that saw monthly inflows soar to 200,000. Clay and Buck frame this as proof that Trump’s enforcement policies are working, even as Democrats and media allies attempt to undermine ICE operations by portraying agents as brutal and lawless. They warn that rhetoric from figures like Hakeem Jeffries—accusing ICE of “brutalizing American families”—is fueling hostility and setting the stage for violence against federal officers, echoing the chaos of 2020’s BLM riots. Gov't Makes Things Expensive The conversation then pivots to Trump’s new “Great Healthcare Plan,” unveiled by White House Press Secretary Karoline Leavitt, which emphasizes affordability and transparency. The plan aims to permanently lower prescription drug prices, redirect subsidies from insurers to consumers, mandate public price disclosures to eliminate surprise bills, and hold insurance companies accountable with clear rate comparisons. Clay and Buck stress that Trump learned from Republicans’ 2018 midterm losses over healthcare and is now positioning affordability—alongside housing and credit card interest reform—as a cornerstone of his economic message. They argue that Trump’s proactive approach on healthcare and cost-of-living issues could resonate deeply with voters, contrasting his market-driven solutions with Democrats’ push for government control. Should We Buy Greenland? Updates on President Trump’s Greenland acquisition push, following high-level meetings between U.S., Danish, and Greenlandic officials at the White House. Clay and Buck explain Trump’s rationale for pursuing Greenland as a long-term national security asset, citing its strategic Arctic location, potential mineral wealth, and historical parallels to Seward’s purchase of Alaska and the Louisiana Purchase. They argue that Greenland could be critical for monitoring nuclear submarine activity and countering Russian and Chinese influence in the Arctic, framing Trump’s vision as a century-long play for American dominance rather than a short-term real estate flip. Make sure you never miss a second of the show by subscribing to the Clay Travis & Buck Sexton show podcast wherever you get your podcasts! ihr.fm/3InlkL8 For the latest updates from Clay and Buck: https://www.clayandbuck.com/ Connect with Clay Travis and Buck Sexton on Social Media: X - https://x.com/clayandbuck FB - https://www.facebook.com/ClayandBuck/ IG - https://www.instagram.com/clayandbuck/ YouTube - https://www.youtube.com/c/clayandbuck Rumble - https://rumble.com/c/ClayandBuck TikTok - https://www.tiktok.com/@clayandbuck YouTube: https://www.youtube.com/@VerdictwithTedCruzSee omnystudio.com/listener for privacy information.

Iran continues to have problems. The trend of hating on your husband on TikTok continues and is contributing to the destruction of marriage rates. Joe Rogan compared ICE to the Gestapo. President Trump has some new rules for visas. Link to today's sources: https://www.louderwithcrowder.com/sources-january-15-2026 Let my sponsor True Gold Republic help you safeguard your retirement with physical gold and silver. Go to http://lwcgold.com/ or call 800-628-4653. Sign up or call them today and see if you qualify for a 'No Fees For Life IRA'. Foundation Daily is made up of premium ingredients to reduce inflammation and stress and promote clean energy and mental clarity. Subscribe now and receive 40% off for life. https://foundationdaily.com/ DOWNLOAD THE RUMBLE APP TODAY: https://rumble.com/our-apps Join Rumble Premium to watch this show every day! http://louderwithcrowder.com/Premium Get your favorite LWC gear: https://crowdershop.com/ Bite-Sized Content: https://rumble.com/c/CrowderBits Subscribe to my podcast: https://rss.com/podcasts/louder-with-crowder/ FOLLOW ME: Website: https://louderwithcrowder.com/ Twitter: https://twitter.com/scrowder Instagram: http://www.instagram.com/louderwithcrowder Facebook: https://www.facebook.com/stevencrowderofficial Music by @Pogo