Podcasts about soas london

In this episode of MFM Speaks Out, Dawoud Kringle comes out of retirement to present a 2023 retrospective. We will share some of the content we brought to you in 2023, and  enjoy a few other surprises as well.   Our guest for the January episode was Haana.  Haana is a violinist, vocalist, electronic music artist, visual performer, and entirely self-contained as a one-woman orchestra. She played with Kanye West, and Alvin Ailey, as well as festivals such as Joshua Tree Festival and Coachella and others in the US, Canada, UAE, and Australia, Barack Obama's inaugural ball, and at Michael Jordan's wedding. Haana has endorsement deals with Ableton, Native Instruments, Even Headphones (manufactured by Blue Microphones), and Realist Violins. She appeared in ads for Intel, Harvey Nichols, Nike, Ferrari, and Apple Computers. In addition, she has experience as a film composer and does artist mentorship/marketing, branding, and production consultation.  In February, MFM board member and co-producer of this very podcast Adam Reifsteck joined us for a very fascinating discussion. Adam is a New York-based composer, electronic music artist, producer, entrepreneur, and music activist. He writes for small ensembles, produces electronic music, and performs improvised group compositions on Wi-Fi-connected laptops. He has collaborated with string quartets, university choirs, and visual and electronic artists. His approach to composition includes elements of improvisation. He is a recipient of grants from the Lower Manhattan Cultural Council, the Irving S. Gilmore Foundation, and the Kalamazoo (MI) Community Foundation. His music has been performed by the Attacca Quartet, Amernet String Quartet, Cadillac Moon Ensemble, Duquesne University Chamber Singers, Flutronix, Gaudete Brass Quintet, Mana Saxophone Quartet, Western Michigan University Chorale, and many other ensembles. Adam is also an active recording engineer and producer whose studio alias SONIC FEAR has become synonymous with lush, genre-bending sounds—from dance floor-ready tracks to downtempo meditations. He is the founder and CEO of Teknofonic Recordings, an independent record label and artist development platform providing electronic musicians with learning resources, networking opportunities, and career support. Adam holds a master's of music degree in composition from Western Michigan University and a bachelor's of music in music technology from Duquesne University. He is a member of Broadcast Music Inc., the Society of Composers and Lyricists, the Recording Academy, the Audio Engineering Society, and Musicians for Musicians. Our March episode was a landmark. We interviewed Keyna Wilkins, the first MFM member from Australia. Wilkins holds a Master of Music Composition at Sydney Conservatorium, studied composition, classical and jazz piano, and classical flute with several prestigious instructors, and intuitive conceptual improvisation with Tibetan Buddhist musician Tenzin Cheogyal. holds an MA in Flute Performance at Bristol University (UK) in 2008. She is known as a soloist and leader of cutting-edge ensembles and has written over 60 compositions, including 4 major orchestral works. Her works have been commissioned and/or performed by ensembles such as The Metropolitan Orchestra, Syzygy Ensemble, Elysian Fields, The Sydney Bach Society, and many others. She has released 9 albums of original music on all streaming platforms including 4 solo albums. Wilkins is also an Associate Artist with the Australian Music Centre and has five tunes in the Australian Jazz Realbook. She also writes music for films and theatre including the short film "Remote Access" which won Best Short Film at the Imagine This International Film Festival in New York in 2019 and her works are featured on ABC, Triple J, Fine Music FM, Cambridge Radio, SOAS London and many more. Her music is published by Wirripeng and she is a member of Musicians for Musicians. MFM member Sylvian Leroux was our guest in April. Sylvian is a flutist, saxophonist, guitarist, composer, arranger, bandleader, educator, inventor, and prominent member of Musicians for Musicians.  Sylvain Leroux grew up in Montreal where he studied classical flute at Vincent d'Indy; and improvisation and composition in New York at the Creative Music Studio where he attended classes by luminaries Don Cherry, the Art Ensemble of Chicago, Karl Berger, Cecil Taylor, and many others. A pioneer of African/Jazz collaborations, Sylvain is a foremost player of the Fula flute, the traditional flute from Guinea. He was selected as “Rising Flute Star” by the Downbeat Magazine Critics' Poll for many years, achieving the #2 spot in 2019. As a bandleader, he brought traditional West African music to Zankel Hall with his Fula Flute Ensemble and held the fort for more than a decade at New York City's Zinc Bar with his African Jazz group “Source”. His 2002 CD “Fula Flute" achieved cult status, and stimulated a worldwide interest in the instrument. His 2012 album “Quatuor Creole” was hailed as “a perfect contemporary music release.” He curated New York's “Griot Summits” which featured performances by 25 West African griots from five countries. He has performed and recorded with Emeline Michel, Adam Rudolph, Karl Berger, Hassan Hakmoun, Billy Martin, and many West African stars. As a maker and seller of Fula flutes around the world, he invented and patented the Qromatica, a Fula flute capable of chromatic functionality. This led him to initiate "L'ecole Fula Flute", a music literacy project that graduated many excellent young flutists who are now re-energizing an endangered flute tradition. Our May 2023 episode featured Mark Chimples, a.k.a. Mark C. Mark is the guitarist and synthesizer player with Live Skull. Formed in 1982, Live Skull is considered by many aficionados to be the quintessential New York City noise band. Rising concurrently with bands such as Sonic Youth and Swans, Live Skull helped define the post-No Wave underground "noise rock" in the 1980s music scene in New York City. Over the following decades, Live Skull released five albums and three EPs with a rotating cast of 11 members, all of whom added new ideas to the group's evolving sound. Themes of struggle and chaos permeated and inspired their music. Their constant progression inspired New York Times critic Robert Palmer to call them “as challenging, as spiritually corrosive, and ultimately as transcendent as Albert Ayler's mid-'60s free-jazz or the implacable drone-dance of the early Velvet Underground. It's one of the essential sounds of our time." Music on this episode:Haana - Bison RougeAdam Reifsteck / Sonic Fear - AuroraKeyna Wilkins - Floating in SpaceSylvain Leroux - In Walked BudLive Skull - Party ZeroSpaghetti Eastern - Jungle BlueArturo O'Farrill and the Afro Latin Jazz Orchestra - Amidst the Fire and WhirlwindDave Liebman - Journey Around Truth  SoSaLa - Dadada Dadada DaaDawoud Kringle - Keep Trying CreditsProducer and host: Dawoud KringlePublisher: Musicians For Musicians (MFM), Inc. and Sohrab Saadat LadjvardiTechnical support: Adam ReifsteckLinksBe sure to follow and tag MFM on Facebook ([https://www.facebook.com/M4M.org/] and Instagram (https://www.instagram.com/mfm_association/).

"I think Live Music Will Always be Very Exciting and There Will Always Be a Market For It."Our guest for this episode of MFM Speaks Out is Keyna Wilkins. Wilkins holds a Master of Music Composition at Sydney Conservatorium, studied composition, classical and jazz piano, and classical flute with several prestigious instructors, and intuitive conceptual improvisation with Tibetan Buddhist musician Tenzin Cheogyal. holds an MA in Flute Performance at Bristol University (UK) in 2008.She is known as a soloist and leader of cutting edge ensembles, and has written over 60 compositions, including 4 major orchestral works. Her works have been commissioned and/or performed by ensembles such as The Metropolitan Orchestra, Syzygy Ensemble, Elysian Fields, The Sydney Bach Society, and many others. She has released 9 albums of original music on all streaming platforms including 4 solo albums. Wilkins is also an Associate Artist with the Australian Music Centre and has five tunes in the Australian Jazz Realbook. She also writes music for films and theatre including short film Remote Access which won Best Short Film at the Imagine This International Film Festival in New York 2019 and her works are featured on ABC, Triple J, Fine Music FM, Cambridge Radio, SOAS London and many more. Her music is published by Wirripeng and she is a member of Musicians for Musicians. Topics discussed:Wilkin's beginnings with the European classical tradition and her interest in the piano and flute, her interest in jazz, the influence indigenous Australian culture has on her music, details from her albums, including her modal jazz improvisations on the music of J. S. Bach on So What Bach, her use of natural sounds in several of her recordings, her collaboration and other projects, her work as a music educator, the effects the pandemic had on the Australian music scene, her methods of music distribution, funding for the arts in Australia, her upcoming US tour, her decision to join MFM and her association with music activism in Australia, and her views on the future of the music scene in Australia. Music featured in this episode:1) Air in Motion 6, Floating in Space2) Bach Reflections 2, Little Prelude in D Minor3) Set Me Free (music collaboration album with Ahwaz Arab (Iran) refugee poet  Jalal Mahamede, made via zoom)(All music by Keyna Wilkins. Used with permission)keynawilkins.com

Guest: Cara Stacey, a South African musician, composer and musicologist that has been chosen as the Standard Bank Young Artist for Music 2021.  She is a pianist and plays southern African musical bows (umrhubhe, uhadi, makhoyane). She holds a doctorate in African music, specifically looking at the makhoyane musical bow from eSwatini (University of Cape Town/SOAS). During her PhD, she was an NRF Freestanding Doctoral scholar, a Commonwealth Split-Site scholar, and the recipient of funding from the Oppenheimer Memorial Trust and the University of Cape Town. Cara holds a Masters in Musicology (Edinburgh), and a MMus in Performance from SOAS (London). Cara studied various African instruments (makhoyane, mbira, uhadi, umrhubhe and budongo) with Dizu Plaatjies, Khokhiwe Mphila, Bhemani Magagula, Tinashe Chidanyika, Modou Diouf, and Andrew Cooke.  See omnystudio.com/listener for privacy information.

Talking with Dr Paul O Connell of SOAS London who suggests that if we are to rise up and break through the crust of the earth and overthrow this system then we need to embrace the notion of serious, hard, underground, messy, long-term political education.

Show Notes 1:09: Cassiel and Jennifer introduce themselves. 5:22: The two discuss getting feedback from a client. 12:11: Cassiel discusses her first translation work...which was translating a blog post (and the company didn’t properly set her up!). 16:32: Cassiel then discusses her first freelance translation work...which involved fixing two older men’s mess on an otome game. 20:00: Jennifer discusses her first translation job, which involved working for an automotive company that wanted someone to work in their Tokyo office...except they didn’t have a Tokyo office. 25:35: How Cassiel and Jennifer discuss how they first met. 29:00: One misconception they had about translators once they got into translating, and the importance of connecting with people. 38:00: Both discuss how to handle burnout...or at least try to. 41:12: How both handle criticism from peers, fans, and clients. 47:45: Cassiel and Jennifer on how important it is to try and take care of yourself mentally. 54:05: Both discuss imposter syndrome in localization. 56:53: Both share what they’re most proud of since becoming a translator. 1:01:38: Cassiel and Jennifer give advice on getting into translation and joining the industry. Cassiel Merricat is a Japanese-to-English translator and localizer for games and manga. After working for a hobby company she moved into game translation, and has translated a number of different titles -- particularly in the romance/otome space -- for over 11 years while dealing with numerous disabilities (is chronically ill). Loves creating writing, language, games, and bacon. She currently lives in Australia with her platonic life partner, two Cane Corsos and a kitty. Jennifer O'Donnell is a Fukuoka-based Localization Assistant. After she graduated from SOAS (London) in 2015 with an MA in Theory and Practice of Translation she focused her efforts on the translation of Japanese media (manga, anime, and video games), as well as websites, tourism, and advertising. Since then she has studied interpreting at Bellevue College (Washington, USA) and volunteered as an interpreter at a number of Japanese media conventions in the US. Now she works in-house as a localization assistant.

“There is a perception from top to bottom that doing things on paper, doing conceptual thinking, is at the apex of everything, that this is where you want to be,” muses Trevor H J Marchand, Emeritus Professor in the Department of Anthropology and Sociology at SOAS London. “Working with your hands is seen as something for kids who did not quite make it in the classroom." Speaking on this episode, he explains that this needs to change, urgently.  “We need to broaden our understanding of what knowledge and what intelligence is,” argues Marchand. “Until we establish a new values system, we are going to struggle to get the hands on learning into the curriculum and have respect for it.” He and Kester Brewin discuss why this is, taking in everything from building Minarets in Yemen to 2.6m tall people in the classroom.

“There is a perception from top to bottom that doing things on paper, doing conceptual thinking, is at the apex of everything, that this is where you want to be,” muses Trevor H J Marchand, Emeritus Professor in the Department of Anthropology and Sociology at SOAS London. “Working with your hands is seen as something for kids who did not quite make it in the classroom."Speaking on this episode, he explains that this needs to change, urgently. “We need to broaden our understanding of what knowledge and what intelligence is,” argues Marchand. “Until we establish a new values system, we are going to struggle to get the hands on learning into the curriculum and have respect for it.”He and Kester Brewin discuss why this is, taking in everything from building Minarets in Yemen to 2.6m tall people in the classroom. See acast.com/privacy for privacy and opt-out information.

Women’s rights advocate AlAnoud AlSharekh is a leader in the fight to end violence against women and promote women’s political participation in the Middle East. She has worked in Kuwait and throughout the region to promote women’s rights. In this podcast, AlSharekh talks with Hindy about the challenges and opportunities for those pushing for legal reform in the the region. AlSharekh is the founding director of the Abolish 153 campaign to end legislation that effectively gives men regulatory, judicial, and executive power over their female kin—including minimal repercussions for honor killings—in Kuwait and the Arabian Gulf region. She is an outspoken advocate for women’s rights in a region where so-called “disciplinary violence” by men against their female kin remains permissible by law and by social practice. Article 153 of Kuwait’s penal code treats “honor killing”—when a man murders his sister, wife, daughter, or mother after becoming enraged by her adulterous or sexual transgression—as a misdemeanor, punishable with a maximum three-year prison sentence or a $50 fine. Last summer, three Arab countries passed legislation on violence against women following years of advocacy by local and international campaigns. AlSharekh is also a consulting partner at Ibtkar Strategic Consultancy, where she is training a group of Kuwaiti women political leaders to run for office. In 2016 AlSharekh was awarded a knighthood (National Order of Merit) by the French government for her work promoting women’s rights in the region. She holds a PhD from SOAS London in Comparative Literature and Feminism. Participants include: AlAnoud AlSharekh, founding director of the Abolish 153 campaign Lily Hindy, senior associate, The Century Foundation Editor's Note: This podcast was updated as of April 3, 2018.