Podcasts about west african

After Musk's rise to power in the US government, the State Department has repeatedly lobbied a West African country into giving business to Musk's satellite company.

Send us a textIn the 3rd installment of our Intro to Casing series, we tackle a profitability case from Kearney focused on boosting tourism revenue for a West African country's Ministry of Tourism.This case will sharpen your ability to break down profitability problems - a core skill in consulting. Follow along as Ed applies structured thinking, analyzes data, and explores strategies to increase revenue.Key Takeaways:How to structure a profitability case from start to finishTechniques to identify and prioritize high-impact leversTips for communicating clearly under time pressureAdditional ResourcesBlack Belt case prep programFree consulting application deadlines trackerDownload a step-by-step Case Prep Plan (free)Case interview master guideReal Talk About MarketingAn Acxiom podcast where we discuss marketing made better, bringing you real...Listen on: Apple Podcasts SpotifyConnect With Management Consulted Schedule free 15min consultation with the MC Team. Watch the video version of the podcast on YouTube! Follow us on LinkedIn, Instagram, and TikTok for the latest updates and industry insights! Join an upcoming live event - case interviews demos, expert panels, and more. Email us (team@managementconsulted.com) with questions or feedback.

For many Black women, the hair salon is a cultural safe space, where stories and secrets help build an intimate community. In SpeakEasy Stage's production of the Tony-winning play, “Jaja's African Hair Braiding,” the West African immigrants who do the braiding and the customers seeking their services come together in a funny play that also explores serious current-day immigration policies. Three members of the cast and crew join Callie to talk more about the production.

#1 New York Times bestselling author, Tomi Adeyemi, spoke to me about the film adaptation of Children of Blood and Bone, her evolution as a writer, and the final book in her Orisha trilogy, Children of Anguish and Anarchy. Tomi Adeyemi is the #1 New York Times bestselling, Hugo and Nebula award-winning novelist and screenwriter who was named one of TIME magazine's 100 Most Influential People, Forbes's 30 Under 30 in Media, and whose website was named one of the 101 Best Websites for writers by Writer's Digest. Her Children of Blood and Bone series continues to be a publishing phenomenon, acquired in a heated bidding war with the first two books becoming instant #1 NY Times bestsellers – spending over 150 weeks on the list – and over 1.5 million copies in print to date including recent paperback re-releases. The Nigerian/American writer graduated from Harvard University with an honors degree in English literature and studied West African mythology, religion, and culture in Salvador, Brazil [Discover ⁠The Writer Files Extra⁠: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at ⁠writerfiles.fm⁠] [If you're a fan of The Writer Files, please ⁠click FOLLOW to automatically see new interviews⁠. And drop us a rating or a review wherever you listen] In this file Tomi Adeyemi and I discussed: Her newly found balance and definition of success as a writer  Facing rejection early on in her career How she persevered through meticulous planning Why her acknowledgments are so lengthy in her long-awaited capstone to her trilogy What's next for the superstar And a lot more! Show Notes: ⁠tomiadeyemi.com⁠ ⁠thewritersroadmap.net⁠ ⁠Children of Anguish and Anarchy (Legacy of Orisha, 3)⁠ – June 25, 2024 by Tomi Adeyemi (Amazon) ⁠Tomi Adeyemi Amazon Author Page⁠ ⁠Tomi Adeyemi on Instagram⁠ ⁠Tomi Adeyemi on Twitter⁠ ⁠Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

My Everyday Lagos is a critically acclaimed cookbook that brings West African cuisine to western audiences. Specialty ingredients, spice mixes and unusual techniques set this book apart for us. Recipes and resources mentioned in this episode:Bon Appetit article featuring Yewande KomolafeMom's Sunday chickenOmo Tunde's spice blendJacobsen salt tinsCitrus tonicFermented grain bowlsStewed sardinesCoconut milk caramelsJoin our Cookbook Club!Our Instagram, @cookbookclubshowE-mail us: cookbookclubshow@gmail.comFind Renee and Sara on Instagram: @hipchickdigs and @realtor_saragrayOur Amazon storefrontOur sponsors: Dropcloth SamplersCook along with us! Our next cookbook episode (airing 6/11/2025): The Book on Pie, by Erin Jeanne McDowell

Join MSG and special guest Jaria Moss.Jaria Moss was founded by two friends with Caribbean and West African roots, united by a passion to rediscover ancestral wellness. Their journey led them to the healing power of wildcrafted sea moss a nutrient rich superfood that supported their personal health journeys.Sourced sustainably from the pristine waters of Tanzania, Jaria Moss blends sea moss with natural superfoods for enhanced flavor and benefits. More than just a supplement, it's a symbol of integrity, healing, and holistic living.Jaria Moss is on a mission to make natural wellness accessible, rooted in tradition, and guided by purpose.Tune into @MusicWithMeaningAndHealing Saturday 1 - 3pm on www.dejavufm.com @DejavuFM @JariaMoss#music #meaning #healing #new #podcast #episode #seamoss #superfood #supplement #health #wellbeing #family #tunein #radio #dejavufm 

Derrell Sekou Walker teaches West African dance to elementary and middle schoolers at two Portland public schools. He loves his job, but as the founder and artistic director of Sebé Kan Youth African Dance Company, he is bringing his love of this art form — along with the feelings of joy and freedom it inspires — to the larger community. He first formed Sebé Kan more than 20 years ago, but since 2018, he’s been focused on teaching the dance traditions from Mali, Guinea, Ivory Coast and other West African nations to children and youth. On May 16, the company will present a one night only, multigenerational dance performance and concert called “Mobaya: A Coming of Age” at Portland’s Newmark Theatre.   Walker joins us, along with his wife Karida Walker, who is a dancer in the troupe; and high school senior Nylah Jae Holt, who has been dancing with Sebé Kan since she was 8 years old. 

First, we talk to The Indian Express' Diplomatic Affairs Editor Shubhajit Roy about the situation between India and Pakistan. He talks about the 'ceasefire' that was agreed upon on Saturday, its violation and all the developments that have happened since.Next, we talk to The Indian Express' Shubham Tigga about the abduction of five Indian migrant workers from Jharkhand who had been working in the West African country of Niger. He shares the details of the case, the people abducted and the response of the Jharkhand government. (12:43)Lastly, we speak about Russian President Vladimir Putin rejecting a ceasefire ultimatum from key European leaders and proposing negotiations with Ukraine in Istanbul instead. (24:20)Hosted by Niharika NandaProduced and written by Niharika Nanda and Shashank BhargavaEdited and mixed by Suresh Pawar

会談を前に握手する石破茂首相とギニアビサウのエンバロ大統領、１２日午後、首相官邸石破茂首相は１２日、西アフリカ・ギニアビサウのエンバロ大統領と首相官邸で約４０分間会談し、経済分野を中心に関係を強化する方針で一致した。 Japanese Prime Minister Shigeru Ishiba met with Guinea-Bissau President Umaro Sissoco Embalo on Monday, showing an eagerness to contribute to the stability of the increasingly turbulent West African region.

Japanese Prime Minister Shigeru Ishiba met with Guinea-Bissau President Umaro Sissoco Embalo on Monday, showing an eagerness to contribute to the stability of the increasingly turbulent West African region.

Interview with Ian Cockerill, CEO of Endeavour Mining PLCOur previous interview: https://www.cruxinvestor.com/posts/endeavour-mining-tsxedv-expanding-margins-and-quality-growth-4531Recording date: 7th May 2025Endeavour Mining, one of West Africa's premier gold producers, is reporting exceptional performance under CEO Ian Cockerill, who took the helm in January 2024. The company generated $411 million in free cash flow in Q1 2025, marking its fifth consecutive quarter of improved results.Cockerill has implemented a streamlined "4E" strategy—Employees, Excellence, Exploration, and Expansion—focusing on operational efficiency and disciplined cost management. Despite industry-wide inflation, Endeavour has maintained stable costs over six quarters through initiatives like centralized procurement.The company offers investors a rare combination of high yield and substantial growth potential. With a dividend yield of approximately 6% and planned production growth of 30-35% by 2030, Endeavour appeals to both income-focused and growth-oriented investors. In 2024, the company returned $277 million to shareholders and has already guaranteed a $225 million dividend for 2025, with additional share buybacks expected.Driving Endeavour's growth strategy is the Assafou project in Côte d'Ivoire, described as "the best discovery in West Africa over the last decade." This tier-one asset holds 4.3 million ounces in reserves with a 15-year mine life and is expected to produce over 350,000 ounces annually at an all-in sustaining cost below $1,000 per ounce.Exploration remains central to the company's approach, having discovered nearly 20 million ounces in the past eight years at under $25 per ounce. Current production stands at approximately 1.2 million ounces annually from five mines across three West African jurisdictions, with plans to reach 1.5 million ounces per year by 2030.While acknowledging perceived risks in West Africa, Cockerill emphasizes Endeavour's long-standing local relationships and operational stability. The company's valuation gap has been narrowing since Q4 2024 as market confidence grows in both its current performance and future prospects.View Endeavour Mining's company profile: https://www.cruxinvestor.com/companies/endeavour-miningSign up for Crux Investor: https://cruxinvestor.com

The Nigerian military signed a deal with Chinese state-owned weapons manufacturer Norinco to set up a factory as part of an effort to develop a domestic arms production capacity in the West African country. The deal is the latest in a series of announcements about increased Chinese weapons sales to African militaries, which are rapidly changing battlefield dynamics across the continent.  This week, Eric, Cobus & Géraud discuss how Chinese drones, surface-to-air missile systems, and other advanced arms technologies are now commonplace, often available at a much lower cost than comparable weapons from the U.S. and Europe. JOIN THE DISCUSSION: X: @ChinaGSProject | @eric_olander | @christiangeraud | @stadenesque Facebook: www.facebook.com/ChinaAfricaProject YouTube: www.youtube.com/@ChinaGlobalSouth Now on Bluesky! Follow CGSP at @chinagsproject.bsky.social FOLLOW CGSP IN FRENCH AND ARABIC: Français: www.projetafriquechine.com | @AfrikChine Arabic: عربي: www.alsin-alsharqalawsat.com | @SinSharqAwsat JOIN US ON PATREON! Become a CGSP Patreon member and get all sorts of cool stuff, including our Week in Review report, an invitation to join monthly Zoom calls with Eric & Cobus, and even an awesome new CGSP Podcast mug! www.patreon.com/chinaglobalsouth  

You are listening to Burnt Toast! Today, my guest is Elizabeth Ayiku. Elizabeth is a food justice organizer and founder of the Me Little Me Foundation, a nonprofit committed to advancing food equity and providing free, culturally competent support services for marginalized communities. Based in Los Angeles, Elizabeth works to dismantle the systemic barriers that affect mental health and wellbeing, emphasizing the importance of meeting basic needs first. Elizabeth's foundation draws its name from her debut feature film Me Little Me. The Me Little Me Foundation offers a free virtual food pantry for folks in need—with a focus on helping people with multiple marginalized identities, folks of color and folks in eating disorder recovery.And Burnt Toast, we have a challenge for you! We want to raise $6,000 to support the Me Little Me Foundation.If we hit that goal by June 1, Burnt Toast will match it with another $6,000 grant. You're going to hear more from Elizabeth in this episode about why this work is so important. Please share this episode widely, and donate if you can! Today's episode is free but if you value this conversation, please consider supporting our work with a paid subscription. Burnt Toast is 100% reader- and listener-supported. We literally can't do this without you.Episode 192 TranscriptElizabethSo I was born in the prairies of Canada to a Caribbean mother and West African father. I'm currently Los Angeles based. And I'm a filmmaker, a food justice organizer and a nonprofit founder.VirginiaThat is a lot of very hard jobs that you have! You sound extremely busy.ElizabethI am. It's a lot.VirginiaWell, we'll start with the film, because that's how we first got connected, when you were looking for sponsors for your really incredible film called Me Little Me. It came out in 2022, and it is available to stream on Amazon Prime and Apple TV. You were working on this for quite a long time. It was a the labor of love project for sure.ElizabethOh my goodness, 100 percent. It's based on my own lived experience. So, in 2009 I went to treatment for eating disorder recovery. I went to IOP—an intensive outpatient program—and I was also working full time while I did it.Being in eating disorder treatment became this kind of double life, and this big secret I had to hide. Because life couldn't stop, you know? And I guess that's something that I just never saw portrayed in any mainstream media, film, TV. It was always the person checked into inpatient. They had unlimited resources.VirginiaThousands and thousands of dollars per day for treatment.ElizabethAnd no mention of where this money was coming from. It was just this really nicely packaged perception of what recovery is. And I was just waiting and waiting to see something that had any semblance of what I'd gone through. And I just couldn't wait anymore! One day, I was like, “Okay, they're not doing it. I'm going to have to be the one to make it.” And that's what I did.Like you said, it was a labor of love. This is an indie film, 100 percent. We didn't have a studio backing us or anything like that. I just literally went to as many organizations as I could, and was like, “Look, I'm trying to make this. Can we have some money?” And it took a long time. We started shooting maybe the end of 2018 and 2019, before the pandemic. We started shooting principal photography, just getting the shots in. We ran out of money multiple times. There were so many challenges. So when I reached out to you, I was looking for finishing funds.I took a shot and submitted to South by Southwest as my work in progress. That means the sound wasn't done, the color wasn't finalized. It was 2021, by this time. And I was like, “You know what? I'm just going to shoot my shot and say I did it.” I was 100 percent sure nothing was going to come of it. But just to say that I did it. So end of 2021 I submitted and January 2022 is when they told me we were accepted. Still, I have to remind myself—I'm like, Oh my gosh, that happened.VirginiaYeah, you did it! You did the thing.ElizabethI did the thing! And then there were a whole bunch of other expenses that came with that. They needed a digital cinema package as a way to show the movie professionally, which was like a minimum $1500+. Plus, it still wasn't finished. So I just needed someone to do a quick color and sound pass. Because, my God, I couldn't just show the the work in progress. So we just did a quick, rough color and sound pass. And I had to hire someone to do that.I was grasping at straws. So when I reached out to you, I was just like, “This is what's happening. This is what the my need is. Any help would be so so appreciated,” and you were like, absolutely, let's do this.VirginiaThe story really resonated with me. As a journalist who's written about eating disorder recovery for two decades now, I'm very aware of that mainstream narrative that you were talking about and just how many people it doesn't represent. There is this whole eating disorder industrial complex that's built to sell a certain kind of recovery and center a certain thin, white girl narrative. And it just perpetually frustrates me, because everybody I know, whether personally in my own life, or people I've interviewed for work who has gone through recovery, is like, “Yeah, it doesn't look anything like that.”ElizabethNope. Not even a little bit.VirginiaAnd we're doing such a disservice to people! So the fact that you were going to tell this much more complex story, centering a Black woman—I was like, yes, thank you so much. ElizabethWhat you described is what I was up against, just this, all of those things. Trying to sell that story to the public, and if that's all people are offered, that's that's what they think the reality is.VirginiaAnd then that just pushes recovery so much further out of reach for people who wouldn't have access to that kind of treatment. Meaning the expensive inpatient treatment options, which also aren't even necessarily the best treatment! It doesn't work for everybody! Okay. We could have a whole other show about that.ElizabethWe really could. VirginiaThe point is, the film's incredible. It's out. I want everyone to go stream it now that they can. And what we really want to talk about today is how working on that film then led you to launch the Me Little Me Foundation.ElizabethWhile I was working on finishing the film, it was the middle of the pandemic. It was a hard time. The racial uprisings were happening all around us, and almost everyone I knew was traumatized by the world they were witnessing. And that combination — There was so much need, and people in my community and people I didn't know, people online were like. “I need resources, I need assistance, but I don't know where to turn.” It was too much to just ignore, you know? So that the subject matter of the film, plus the world that was happening at the time—I just knew there needed to be something in place that was different than the current resources out there.So I came up with the idea for a virtual food pantry where folks are approved up to a certain amount. They make a list of what they need. I shop for them online from a local grocery store that offers delivery, and the groceries are shipped to them for free. So you don't need to have a vehicle, you don't need to live in the correct zip code to get to the food pantry—because that's a thing. And you also get to choose how you want to nourish yourself, because that was important to me, too. Because there's dignity in being able to choose.VirginiaYes, and not just being handed a bag of food like, “This is what you get.”ElizabethYeah. “Be grateful, now move along.”So I wanted to help with the trauma, and the lack of resources. Cultural needs aren't taken into account at any food pantry I've ever used. I've been to so many pantries in my life, and it's a lot of white foods. Like, I don't know how else to describe them. And when you're having mental health issues because of trauma, because of the world around us, for whatever reason, just because you're struggling to make it, your cultural foods can be so comforting. They can just be so so comforting, and just what you need. And I just wanted to take that into consideration. So that's why I set it up the way I did, where folks tell me what they need, and that's what they get.VirginiaThere's such dignity in that, and empowerment for people. I think about the power of choice all the time, even just at the level of feeding my own kids. The idea that I would know what someone else needs to eat on any given day seems wild? I don't know what you're hungry for! I don't know what what you need right now. You know what you need right now. The fact that so many of our aid systems are not set up to honor that is a huge problem. So I love that you built that into into how you're doing this.You're focusing on folks of color who need assistance, and you're also focusing on folks in eating disorder recovery.ElizabethYeah, so basically folks who hold multiple marginalized identities are really who we serve the most. That's just how it honestly just started happening because of the people I'm connected with onlin,e and the places I was advertising this pantry. So many folks in recovery struggle with food security. Because the recovery models we were talking about earlier really emphasize “You need to always have food available.” You need to have snacks. So Recovery has been hard for them because that. Recovery has been hard for me because of that. I don't always have a cupboard full of snacks and multiple choices even though that's something in recovery that we're told to do. I'm laughing because they say, “Just make sure you fill your pantry.” Like everyone has a pantry! They're like, “fill your pantry with all the food you can.”VirginiaFirst, we need to get a pantry.ElizabethNumber one.VirginiaWhen does that get delivered?ElizabethExactly! So there are so many people in the recovery community telling us, “Oh my goodness, this is what I needed. Like, thank you so much. It's impossible to keep myself nourished without this assistance, this has been amazing.”Coming from that world, I couldn't have asked for a better outcome. It's beyond hard to recover in this world we're living in without assistance. So maybe 65 percent of who we serve are actively in recovery or currently have an eating disorder.And there is also a large population of folks with disabilities. People who are mobility impaired, or even young people and youth who don't have a car to get somewhere. There are so many folks with multiple marginalized identities who rely on us. It's beyond what I even thought.VirginiaAre you focusing on a particular geographic area?ElizabethGood question. It's nationwide. Because it's virtual—that's another thing I wanted to not be a barrier. If you can apply online, if you have access to computer at work—I'm trying for accessibility purposes to have another way to apply as well, but as of now, you apply online, and you can be anywhere. As long as you live somewhere that has a local grocery store that delivers, then you can use our services.VirginiaThat's really, really great. So as you're working in this food justice space… what you're doing is meeting an immediate critical need. People need to eat today. People are working on their recovery, they need access to food. And the reason this need is so dire is because of many larger structural failings in our systems. So how do you think about like, “Okay, I'm trying to put out this immediate fire. But we need so much larger change as well.” How do you kind of hold that together?ElizabethSometimes it does make me sad, because I'm like, “Oh, is this just a band aid for something systemic.” But I believe that what we're doing can eventually be just the way folks are given the resources they need. It doesn't need to be what we've always had. Why can't you just pick? Why does it have to be food that might not be good anymore? Expiring, not fresh, food that's offered? Why is that the only thing that we're saying is acceptable? So I'm really trying to get the word out that, hey, we're doing something that's working. And yes, it's for folks who are facing food insecurity now but you know, all these organizations that have these elaborate setups where they're pre-boxing things, you can do it a different way.VirginiaSo you're creating a new model that hopefully other organizations will replicate.ElizabethAbsolutely.VirginiaAs your organization continues to grow, this is something you can scale up, because of the way you've designed it. You're helping connect people to their local grocery store. This isn't you needing to build some whole infrastructure of warehouses, right?ElizabethExactly. That's eliminated. We don't have to pay rents to store a bunch of boxed items. I don't think people are looking at things like that with the current systems that are in place.VirginiaAnd obviously, it would be amazing if programs like SNAP and welfare were providing more resources for folks. But given the current political climate, we're going to be lucky to hold onto any social safety net we have left. ElizabethLike, any. And that's the same how I was saying earlier. Like, middle of pandemic, people were just so traumatized. People were just kind of numb. And like, “I don't know what to do, I need food to eat, though.” I'm seeing it now again, like this year the same. I'm like, whoa. This is history repeating.VirginiaI think people are feeling a lot of the same panic, embarrassment, and uncertainty about what's happening next. Everything is feeling extremely unstable.ElizabethAbsolutely.VirginiaSo making sure people have a way to feed themselves today—it's something we can do. There is all this bigger change that needs to happen, and we can contribute to that however we can. But this kind of direct aid to people getting fed today is something that we can do, and really is crucial right now. We can't do the rest if people aren't eating. This is the starting point.I mean, I've worked on pieces about childhood hunger over the years, and I know you're focusing more on adults, but it blows my mind how often organizations that work on hunger have to show research to convince people that kids can't learn if they're hungry. And it's just like, why did we need to have to do a study? Why did you need data?ElizabethYes, they need to see the numbers. It's fascinating to me. When I tell folks stuff based on my lived experience of going to pantries, not having enough, or not having access in the area. They're like, “Oh, okay, we just need you to type that all up, and we need to see where you got that data.” And I'm just like…where I got that data? From my life! And so many people I know! That blows my mind, the amount of data folks are requesting when it comes to food insecurity.VirginiaWe shouldn't have to explain it or justify it. It should just be obvious that people need enough food to eat. That's the baseline.So Burnt Toast, we have a mission!Our goal is to raise $6,000 by June 1 for the Me Little Me Foundation to support the virtual free food pantry project. When we reach that $6,000 goal, Burnt Toast (the newsletter and podcast) will match that with another $6,000. So we have a chance to raise $12,000 for Me Little Me to help them make a big push on this work.Elizabeth, tell us a little bit about what those funds will mean for your organization. What are we going to help you do? And then, of course, what do folks need to do to donate?ElizabethOh, my goodness. It would just help us so immensely. Just to break it down: $100 worth of groceries means folks can make a minimum of 20 home cooked meals. So if we raise $6,000 that's literally 1200 home cooked meals that we could provide.VirginiaThat's awesome.ElizabethIt would help us so much, because we always have more applications than the resources. It's crushing. Applications will be open for 24 hours and we have to shut them down because we're just so overwhelmed. And say, “I'm so sorry. Please try back next quarter.” I'm trying to raise more money. I'm not going to let you all down. So it would help us immensely. I'm trying to play it cool. This is my cool and collected voice, but I'm sort of squealing inside.VirginiaWell, I think what you're doing is so important. And we have over 65,000 people on the Burnt Toast list! This is not a big ask for anyone. A few bucks will cover one of these meals that we're trying to raise money for. If you have 100 bucks, great! That's 20 meals you've covered. This is the kind of community effort that is giving me hope right now, that's making me feel like the entire world's not falling off a cliff. We can get this done. And I think actually, we can exceed this goal.The second piece of our challenge is: If you're able, please become a monthly donor! Whether that's $5 a month or $100 a month—which would buy 20 meals a month! Do it! We are setting a goal to add 25 new recurring donors to the Me Little Me rosters. Burnt Toast is already a recurring donor, but we want 25 of you to sign up to be a recurring donors, too. So take whatever gift you were going to give and divide it by 12; break it up monthly and donate that. Because recurring donations are really critical to organizations like this. Elizabeth, you can speak a little bit to why that matters so much.ElizabethBecause the need is ongoing. We're inundated every time we open the pantry, and the recurring donations will help us reach our ultimate goal of being able to see real systemic change and have this just be something that's in place. So of course, yes, please if you're able to just give a few dollars we would love that. But if you can support us on a monthly basis in any capacity, it'll just be such a big weight off of the shoulders of so many folks who rely on these services.VirginiaRecurring donations help nonprofits plan. It's money they can rely on and actually look ahead and not just be scrambling. ElizabethScramble—that's the perfect word. I get a little stressed every time we open the pantry.VirginiaWell, I am really excited. I really appreciate you reaching out and giving us this opportunity to support what you're doing. I think it's so meaningful and so important. And, Burnt Toast, let's get it done. This section contains affiliate links. Thanks for supporting Burnt Toast when you shop our links! ButterElizabethSomething I discovered, I think by accident, is painting on burlap—like the material that they make sacks out of. It's so random. They sell it at craft stores. And there was just some on sale. So I have just regular paints at home from ages ago that I just didn't want to throw away. And, yeah, I just started. I stuck some burlap on a piece of wood, and just started painting it. And it just was so soothing. Just the surface of it, the texture, just painting over the burlap. And I was like, oh my gosh. Do people know about this?VirginiaI did not! This is amazing.ElizabethSo not painting on canvas, but on burlap material. Even if you make a mistake, it still looks nice. VirginiaWhat kind of paint are you using?ElizabethIt was literally paint that you would get at a hardware store, like if you were painting a wall in your house. They have specific fabric paint—because I'm going down a rabbit hole with it now—but that works just fine. Like, if you go to a hardware store and get a sample size, that's what I had. I had a bunch of little samples. so I just started painting words on the burlap and making little gift things. And it was just so soothing. So that's just a really random activity.VirginiaThat's a great Butter. Thank you. I've been noticing a little trend with guests lately, where a lot of the Butters are people are really drawn to something that gets them off their phone, off the computer, kind of like an absorbing project. Absorbing projects have been a trend in butters, and I am a big fan. I'm a big jigsaw puzzle person and gardener. Like these tactile things that get us out of our heads a little bit are just great.ElizabethOh, wonderful. Oh, I'm so glad to hear that.VirginiaMy Butter is going to be somewhat related, and it's a repeat Butter. I've recommended it before, but we have this great bird feeder. It's called the Bird Buddy, and it has a camera in it, so it takes pictures of the birds for you and sends them to your phone. It's not cheap, but they do go on sale from time to time. I will link to it. But anyway, we moved the feeders to a new part of the garden, and we hung up our hummingbird feeder and another type of feeder—and just all of the birds that are coming now are making me so happy.ElizabethI can imagine!VirginiaI'm That Mom now. I'm like, “Guys, there are more goldfinches! Have you seen the goldfinches??” And one of my kids loves birds, and one of them doesn't care. So I'm being a little excessive, and they're like, okay, yes, we see. But I think it's the same thing of — I'm needing beauty that's not in the Internet. That's taking me away. And they're so soothing to watch. So bird feeders, specifically, the camera one is really fun, but bird feeders in general, is my Butter today.ElizabethOh, now I want to see the photos of the birds.VirginiaOh, I'll send you some. It's pretty exciting. Elizabeth, thank you so much. Let's just remind everyone again, how to support you, how to donate to Me Little Me. ElizabethYou can go to MeLittleMeFoundation.org and there's a donate page where you can make a one time donation or become a recurring donor. You can get updates on our Instagram. You can also get updates about my film at Me Little Me Film on Instagram.The Burnt Toast Podcast is produced and hosted by Virginia Sole-Smith (follow me on Instagram) and Corinne Fay, who runs @SellTradePlus, and Big Undies.The Burnt Toast logo is by Deanna Lowe.Our theme music is by Farideh.Tommy Harron is our audio engineer.Thanks for listening and for supporting anti-diet, body liberation journalism! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit virginiasolesmith.substack.com/subscribe

Kelly Schilling's feature debut film With or Without You is the powerful and impactful story of a mother, Sharon (Marta Dusseldorp) and a daughter, Chloe (Melina Vidler), who are forced to navigate the complicated reality of alcohol addiction, an affliction that Sharon uses to manage her anxiety alongside Valium and men. For Chloe, the man in her life, an ex-boyfriend, turns violent and aggressive, inflicting abuse on her by burning down her caravan, destroying her life savings and home in the process. In a bid to get to some kind of safety and sanctuary, Sharon and Chloe head on the road, meeting Dalu (Albert Mwangi) on the way, a West African man who is looking for work in the Australian countryside.With or Without You had its world premiere at the 2024 Adelaide Film Festival, the end result of a decades long journey for Kelly Schilling, who has written the script and directed the film from a lived-in perspective. It's that script, which has changed over the years into the text that it is today, that gives Marta, Melina, Albert, and the chorus of characters, the chance to bring light to a truth that exists within Australia, namely, the impact of alcohol addiction and the trauma left from partner abuse.Yet, lest I paint this film as being a dark, dramatic affair, Kelly knows to imbue these moments of difficulty and darkness with aspects of lightness and laughter. The bond that Sharon and Chloe have with one another feels lived in and real, with Marta and Melina bringing the mother-daughter relationship to life with a charm and level of cheekiness that means the film, at times, feels like a mirror. Schilling's script and direction understands the shades of life and the way that moments of joy can break through hours of pain and darkness, giving way to hope and the possibility of a better life along the way.In the following interview, Kelly talks about that balance of storytelling on a script level, what it was like working with Marta to build the character of Sharon, and what it means to tell a story from a lower socio-economic perspective, one that is so often written by people who live comfortably outside the societal place of being from a lower socio-economic background.With or Without You is out in Australian cinemas from 8 May, just in time for Mother's Day. It is a powerful, impressive film about mother-daughter bonds, one that's left a mark on me and that I have thought about long after that initial screening in Adelaide in 2024.Cinematographer Michael Tessari recently won an Award of Distinction from the Australian Cinematographer's Society.For those who are interested in the film, I also recommend checking out my interview with Albert Mwangi, which was released earlier in 2025, where he talks about working on With or Without You, as well as his work on another film which screened at Adelaide, Make it Look Real.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your film loving friends. Hosted on Acast. See acast.com/privacy for more information.

How do small businesses and entrepreneurs thrive when global policies and economic shifts threaten stability? This episode of The Angel Next Door Podcast explores that question with Congressman Gabe Amo of Rhode Island, whose life story as the son of West African immigrants and career in both state and federal government uniquely position him to address these challenges.Congressman Amo shares his journey from growing up in Rhode Island's vibrant immigrant and entrepreneurial community to his current work in Congress advocating for small business interests. He discusses the realities faced by local businesses, the impacts of tariffs and policy uncertainty, and the ongoing debates around tax reform and innovation incentives.Tune in for thoughtful insights on the intersection of government, entrepreneurship, and economic growth. Congressman Amo's perspective and actionable advice make this episode a must-listen for anyone passionate about supporting small businesses and driving innovation in ever-changing times. To get the latest from Congressman Amo, you can follow him below!https://amo.house.gov/https://www.linkedin.com/in/gabeamo/ Sign up for Marcia's newsletter to receive tips and the latest on Angel Investing!Website: www.marciadawood.comLearn more about the documentary Show Her the Money: www.showherthemoneymovie.comAnd don't forget to follow us wherever you are!Apple Podcasts: https://pod.link/1586445642.appleSpotify: https://pod.link/1586445642.spotifyLinkedIn: https://www.linkedin.com/company/angel-next-door-podcast/Instagram: https://www.instagram.com/theangelnextdoorpodcast/TikTok: https://www.tiktok.com/@marciadawood

Kelly Schilling's feature debut film With or Without You is the powerful and impactful story of a mother, Sharon (Marta Dusseldorp) and a daughter, Chloe (Melina Vidler), who are forced to navigate the complicated reality of alcohol addiction, an affliction that Sharon uses to manage her anxiety alongside Valium and men. For Chloe, the man in her life, an ex-boyfriend, turns violent and aggressive, inflicting abuse on her by burning down her caravan, destroying her life savings and home in the process. In a bid to get to some kind of safety and sanctuary, Sharon and Chloe head on the road, meeting Dalu (Albert Mwangi) on the way, a West African man who is looking for work in the Australian countryside.With or Without You had its world premiere at the 2024 Adelaide Film Festival, the end result of a decades long journey for Kelly Schilling, who has written the script and directed the film from a lived-in perspective. It's that script, which has changed over the years into the text that it is today, that gives Marta, Melina, Albert, and the chorus of characters, the chance to bring light to a truth that exists within Australia, namely, the impact of alcohol addiction and the trauma left from partner abuse.Yet, lest I paint this film as being a dark, dramatic affair, Kelly knows to imbue these moments of difficulty and darkness with aspects of lightness and laughter. The bond that Sharon and Chloe have with one another feels lived in and real, with Marta and Melina bringing the mother-daughter relationship to life with a charm and level of cheekiness that means the film, at times, feels like a mirror. Schilling's script and direction understands the shades of life and the way that moments of joy can break through hours of pain and darkness, giving way to hope and the possibility of a better life along the way.In the following interview, Kelly talks about that balance of storytelling on a script level, what it was like working with Marta to build the character of Sharon, and what it means to tell a story from a lower socio-economic perspective, one that is so often written by people who live comfortably outside the societal place of being from a lower socio-economic background.With or Without You is out in Australian cinemas from 8 May, just in time for Mother's Day. It is a powerful, impressive film about mother-daughter bonds, one that's left a mark on me and that I have thought about long after that initial screening in Adelaide in 2024.Cinematographer Michael Tessari recently won an Award of Distinction from the Australian Cinematographer's Society.For those who are interested in the film, I also recommend checking out my interview with Albert Mwangi, which was released earlier in 2025, where he talks about working on With or Without You, as well as his work on another film which screened at Adelaide, Make it Look Real.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your film loving friends. Hosted on Acast. See acast.com/privacy for more information.

TALK TO ME, TEXT ITHalfway through the workweek, we're diving into several thought-provoking stories that highlight how technology and fear are reshaping our society in unexpected ways.The episode begins with an unsettling examination of artificial intelligence's growing role in our justice system. A shooting victim in Arizona was digitally "resurrected" through AI to deliver a forgiveness message to his killer in court—a technological first that raises profound ethical questions. Should we be putting words in the mouths of the deceased, even with good intentions? The judge's emotional response resulted in a longer sentence, but does that justify crossing this technological boundary?Next, we explore a disturbing case where a New York town official shot a DoorDash driver who simply knocked on his door seeking directions. The worker, a West African immigrant making late-night deliveries, was shot in the back while attempting to leave the property. This incident perfectly encapsulates how fear-driven reactions and heightened rhetoric about immigration may be creating dangerous situations in everyday interactions. When did asking for directions become a potentially deadly request?The conversation shifts to Sean "Diddy" Combs' ongoing legal troubles, where a lawyer associated with his defense team faced judicial criticism for referring to prosecutors as "a six-pack of white women" on his podcast. Though factually accurate, the comment raised questions about professional conduct and appropriate commentary during high-profile cases.Between news stories, there's gratitude for dedicated listeners who bring humor to the community by sharing quotes, and we wrap with today's burning question: What's your favorite way to prepare pot roast? Mississippi-style is on today's menu!Listen now and join the conversation about where we draw ethical lines in technology, how fear influences our actions, and of course, your best pot roast recipes. Your perspective matters—share your thoughts with us!Buzzsprout - Let's get your podcast launched!Start for FREE Thanks for listening! Liberty Line each week on Sunday, look for topics on my X file @americanistblog and submit your 1-3 audio opinions to anamericanistblog@gmail.com and you'll be featured on the podcast. Buzzsprout - Let's get your podcast launched!Start for FREESupport the showTip Jar for coffee $ - Thanks Music by Alehandro Vodnik from Pixabay Blog - AnAmericanist.comX - @americanistblog

Send us a textThis one if for all my West African! Support the show The Boulevard... Tune in to the Foolishness and Shenanigans

In this explosive episode, we break down the rise of Ibrahim Traoré, the 34 year old revolutionary who became the world's youngest head of state after seizing power in Burkina Faso. From surviving multiple assassination attempts to cutting ties with France and building new alliances with Russia, Traoré is shaking the foundations of West African politics. We also uncover the details behind a suspected French spy operation aimed at infiltrating Burkina Faso. Who sent them? What were they after? And how did Traoré's government expose the plot? This episode dives deep into neo-colonial influence, African sovereignty, and the rising wave of bold young leaders refusing to bow down. If you're into global politics, African history, or international espionage, this one's for you.

In this episode, we chat with Adam Oehlman, CEO of African Gold, an ASX-listed junior explorer who are exploring and developing a multi-million ounce potential at the Didievi Gold project in Côte d’Ivoire. With qualifications in Geology, Mineral and Energy Economics and an MBA, Adam is an experienced mining professional with a strong background in both technical and commercial roles, holding key positions at Northern Star, Hancock Prospecting, and Goldfields. At the helm of African Gold, he gives us an overview of the business, recent activities they have undertaken, and some of the challenges they have faced and overcome. He understands the importance of mentoring, so he will provide some advice to young professionals starting out and the value you should always be looking to give your employees and others you work alongside in the industry. KEY TAKEAWAYS Young professionals should seek guidance from experienced individuals and actively pursue opportunities rather than waiting for them to come. African Gold operates in Cote d'Ivoire, a premier West African mining jurisdiction with strong infrastructure and support from existing mining companies. The company is focused on exploring and developing its Didievi Gold Project, which has a maiden inferred resource of 450,000 ounces. The company is currently executing a 10,000-meter drilling program aimed at expanding its resource base. Adam believes that the current resource is just the beginning, with the potential to exceed one million ounces. Adam highlights the company's commitment to environmental, social, and governance (ESG) initiatives. African Gold actively supports local communities, including educational programs and training for locals, to foster trust and demonstrate the benefits of mining. With gold prices at record highs, African Gold is well-positioned to capitalise on market conditions. The company plans to release a resource update and continue drilling to unlock additional resource zones, maintaining a steady flow of positive news for investors. BEST MOMENTS "I think you'd be crazy not to have a big focus on community and environment these days. It's a massive focus of us." "Every drill program we do, every hole we put in, there's gold in mind. It's not just drilling to test science; it's drilling to find answers and add shareholder value." "Cote d'Ivoire is just an absolutely lovely place. I've just been so surprised how welcoming the people are, how good the infrastructure is." "I always think people, you can probably live in your head a bit too much. So I think you probably need to think less and do more." VALUABLE RESOURCES Mail: rob@mining-international.org LinkedIn: https://www.linkedin.com/in/rob-tyson-3a26a68/ X: https://twitter.com/MiningRobTyson YouTube: https://www.youtube.com/c/DigDeepTheMiningPodcast Web: http://www.mining-international.org This episode is sponsored by Hawcroft, leaders in property risk management since 1992. They offer: Insurance risk surveys recognised as an industry standard Construction risk reviews Asset criticality assessments and more Working across over 600 sites globally, Hawcroft supports mining, processing, smelting, power, refining, ports, and rail operations. For bespoke property risk management services, visit www.hawcroft.com GUEST SOCIALS Website: https://www.african-gold.com/ LinkedIn: https://www.linkedin.com/company/african-gold/ X: https://x.com/AfricanGold_Ltd Email: info@african-gold.com ABOUT THE HOST Rob Tyson is the Founder and Director of Mining International Ltd, a leading global recruitment and headhunting consultancy based in the UK specialising in all areas of mining across the globe from first-world to third-world countries from Africa, Europe, the Middle East, Asia, and Australia. We source, headhunt, and discover new and top talent through a targeted approach and search methodology and have a proven track record in sourcing and positioning exceptional candidates into our clients' organisations in any mining discipline or level. Mining International provides a transparent, informative, and trusted consultancy service to our candidates and clients to help them develop their careers and business goals and objectives in this ever-changing marketplace. CONTACT METHOD rob@mining-international.org https://www.linkedin.com/in/rob-tyson-3a26a68/ Podcast Description Rob Tyson is an established recruiter in the mining and quarrying sector and decided to produce the “Dig Deep” The Mining Podcast to provide valuable and informative content around the mining industry. He has a passion and desire to promote the industry and the podcast aims to offer the mining community an insight into people’s experiences and careers covering any mining discipline, giving the listeners helpful advice and guidance on industry topics.

Colonial cities, hard-boiled detectives, and murder, oh my! Shaun Duke and Trish Matson are joined by Tochi Onyebuchi for an in-depth interview about Harmattan Season! Together, they discuss the book's West African setting, Tochi's influences in and approach to detective fiction, the complex social influences of colonialism, and so much more! Thanks for listening. We hope you enjoy the episode! Show Notes: Don't forget to catch our live format every Friday at 7 PM Central on Twitch at AlphabetStreams! If you have a question you'd like us to answer, feel free to shoot us a message on our contact page. Our new intro and outro music comes from Holy Mole. You can support his work at patreon.com/holymole. See you later, navigator!

In this episode of Skin Anarchy's Fragrance Friday, host Dr. Ekta sits down with Matthew J. Sánchez, the award-winning perfumer and founder of MATTEO PARFUMS®, to explore his bold journey from the world of finance to the art of fragrance. What began as a career in banking took a transformative turn when Matthew discovered the power of scent as a storytelling medium—and a path to reclaiming cultural identity and creative purpose.The episode dives into the inspiration behind his debut fragrance, Celadawn—a deeply personal blend that pays homage to his West African, Mexican, and Mediterranean roots. With a groundbreaking horchata-amber accord and rich notes of vanilla, blood orange, and African resins, Celadawn captures memory, belonging, and warmth in a bottle. Matthew shares how the fragrance became an autobiographical work, earning acclaim and an industry award nomination.His second release, Lover's Dew, continues the theme of cultural reverence—reimagining fine fragrance through the lens of ancient Aztec and Mayan traditions. With ingredients like juniper berry, prickly pear, and marine accords, this aquatic fougère nods to ritual, luxury, and legacy.More than scent, this conversation explores intention, artistry, and identity. Matthew offers insights into the emotional language of fragrance, the importance of representation in perfumery, and the harmony between creativity and structure. Whether you're a fragrance lover or creative thinker, this episode is a reminder that sometimes the most powerful stories are the ones we wear.CHAPTERS:(0:00) – Introduction to Matthew Sanchez and MATTEO PARFUMS®(3:00) – Matthew's Journey to Perfumery: From Banking to Fragrance(5:51) – Combining Art and Science in Fragrance Creation(10:27) – The Inspiration Behind MATTEO PARFUMS® and Celadawn(13:00) – Crafting Celadawn: A Unique Cultural and Artistic Expression(16:30) – The Role of Culture in Fragrance and the Story Behind Celadon(19:18) – The Creation of Lover's Dew: Exploring Ancient Civilizations(23:00) – The Connection Between Packaging and Scent Experience(27:09) – Niche Perfumery: Crafting a Personalized Experience in Fragrance(29:53) – Upcoming Trio Release: Sneak Peek of the New CollectionTo learn more about Matteo Parfum, visit their website and social media.Don't forget to subscribe to Skin Anarchy on Apple Podcasts, Spotify, or your preferred platform. Reach out to us through email with any questions.Sign up for our newsletter!Shop all our episodes and products mentioned through our ShopMy Shelf! Hosted on Acast. See acast.com/privacy for more information.

Early this year there was a catastrophic fire at the world's biggest market for selling and upcycling second-hand clothes. Kantamanto market, in Ghana's capital Accra, was accidently set alight, and most of the small stalls in the retail part of the huge market burnt to the ground. Two people died, many were injured, and the livelihoods of thousands of people were destroyed, driving many of them into debt and desperation. But the impact of the fire spread much further than that.    You may not have heard of Kantamanto market, but it plays a vital role in dealing with our textile excess. This is where many of the clothes we donate to charity shops, goodwill centres, or put in textile bins end up. The West African market takes bales of clothing from all over the world and does its best to recycle them. But what can't be used is dumped at informal waste sites or burned, causing mounting environmental problems in Accra's streets and on Ghana's beautiful beaches.     This episode of Haptic and Hue's Tales of Textiles looks at the tragedy and the ingenuity of Kantamanto and tracks the global cost of fast fashion and textile excess. Will the demand for cheap textiles and clothing stop increasing year on year and can they ever be properly recycled? And what can we as consumers do about it?    For more information about this episode and pictures of the people and places mentioned in this episode please go to https://hapticandhue.com/tales-of-textiles-series-7/.   To join  Friends of Haptic & Hue with an extra podcast every month hosted by Jo Andrews and Bill Taylor – here's the link: https://hapticandhue.com/join/

Take your flashlight and grab a compass - let's go exploring! Peter Berquist lives and breathes boats. He captains the R/V Investigator, a 24 foot Carolina Skiff. Every semester he takes his students out on the boat for adventures and first-hand research experience. Peter has been named an outstanding faculty member by The State Council of Higher Education for Virginia. And: Dave Waldien is a real life explorer. And he has the title to prove it! He's a National Geographic Explorer and travels all over the world protecting endangered bat species. Later in the show: European explorers first made contact with West Africa in the 15th century, and thriving trade relations soon followed. But Neil Norman says the Europeans weren't the ones calling the shots - it was powerful West African kingdoms like Ouida, located in present day Benin.

Bab L'Bluz is a French-Moroccan band playing a distinctive band of rock, one that's built on the sounds of North and West African music, and on the Blues. The band was born from the dream of propelling Guembri (the Gnawa's guitar) on the international music scene of contemporary music, and has expanded to include electric mandole and electric ribab. They've released two albums on Peter Gabriel's Real World record label, the most recent of which is called Swaken – kind of a “Losing yourself to find yourself” trance state, (Bandcamp's Swaken liner notes.) Bab l'BLuz plays their “Hot Psychedelic Gnawa Blues!”, in-studio. Set list: 1."Ila Mata" 2."Imazighen" 3."IWAIWA FUNK"

She's a podcast host, the child of immigrants and a self-described picky eater. Today we're getting to know Malaika Hollist. As brand manager of WUSF's Arts Axis Florida, Malaika creates content to promote local artists and arts organizations. While she doesn't call herself a foodie, Malaika recognizes commonalities between what she does at Arts Axis and what we do here at The Zest.Malaika sat down in the studio with The Zest's Dalia Colón and Alexandria Ebron. In this conversation, Malaika shares her favorite ways to combine food with the arts, discusses what she ate growing up as the child of parents from Sierra Leone and reflects on the importance of sharing her culture with pride.Related episodes:Couples in the Kitchen: Melissa Santell & Bryce BonsackGiuliano Hazan Honors Mother Marcella Hazan's Legacy Through Italian Cooking Classes in Sarasota and ItalyDr. Fred Opie on the “Fascinating” African Roots of Florida Foods

She's a podcast host, the child of immigrants and a self-described picky eater. Today we're getting to know Malaika Hollist. As brand manager of WUSF's Arts Axis Florida, Malaika creates content to promote local artists and arts organizations. While she doesn't call herself a foodie, Malaika recognizes commonalities between what she does at Arts Axis and what we do here at The Zest.Malaika sat down in the studio with The Zest's Dalia Colón and Alexandria Ebron. In this conversation, Malaika shares her favorite ways to combine food with the arts, discusses what she ate growing up as the child of parents from Sierra Leone and reflects on the importance of sharing her culture with pride.Related episodes:Couples in the Kitchen: Melissa Santell & Bryce BonsackGiuliano Hazan Honors Mother Marcella Hazan's Legacy Through Italian Cooking Classes in Sarasota and ItalyDr. Fred Opie on the “Fascinating” African Roots of Florida Foods

What if God was one of us? Being Catholic is chic. Peter the Roman for Francis 2.0 Nobody wants to die for Starmer. Greenery, wokery and quackery. Will Trump walk a way from Ukraine deal? All this coming up on the mother of all talk shows.Bishop Dr. Munib Younan joins Moats to discuss Gaza and the death of the Pope.Bursting the fictional bubble. Trump and we're done. Europe can't fill the military vacuum, says Col Dan Davis.Niko House returns to Moats to discuss the latest news emanating from the mess that is the United States and the failed attempt on the life of Burkina Faso on late Monday after  Captain Ibrahim Traore confirmed the attempted assault on the presidency.The West African has been run since September 2022 by military leaders following a coup headed by Captain Ibrahim TraoreCol. Daniel L Davis: Retired United States Army Officer and Analyst of United States Foreign Policy- Twitter:https://x.com/danielldavis1  @DanielDavisDeepDive  Bishop Dr. Munib Younan: Palestinian Bishop Emeritus of the Evangelical Lutheran Church in Jordan and the Holy LandNiko House: Political Commentator and Founder of MCSC Network- Twitter: https://twitter.com/realnikohouse- Instagram: https://instagram.com/realnikohouse- Facebook: https://www.facebook.com/nikoforthepeople- YouTube: https://youtube.com/@MCSCNetworkWNikoHouse- TikTok: https://www.tiktok.com/@realnikohouse- Telegram: https://t.me/nikohousert Become a MOATS Graduate at https://plus.acast.com/s/moatswithgorgegalloway. Hosted on Acast. See acast.com/privacy for more information.

The last few months have seen a massive pile-up of gasoline supply accumulating in Northwest Europe. Listen to our oil market experts, Atishya Nayak (Report) and Benedict George (Editor), as they discuss why this has occurred and what might happen to all this gasoline currently sitting in tanks in the Amsterdam-Rotterdam-Antwerp (ARA) region. Listen now for insights on: Impact the Dangote refinery has had on the European gasoline market's surplus supply Extent to which the loss of the West African market as an offloading destination for gasoline has had Implications of the higher sulphur product discouraging blenders and refiners from reprocessing the product Outlook for transatlantic oil trade due to tariffs uncertainty for Canadian and Mexican oil Other destinations where European gasoline supplies could head to And much more

Last Sunday, Fundamentalist Pastor Philip Anthony Mitchell (PAM) told Black people they need to stop blaming White cops for the killing of Black kids. He used Romans 13 in the Bible as the justification for his stance in the midst of a Christian Nationalist Regime that is abducting people off the street, erasing Black history, destabilizing the economy, etc... In this special edition of Holy Smokes: Cigars and Spirituality, Kristian does a solo episode to unpack the context of Romans 13. He provides another perspective on Romans 13 that is almost always overlooked in fundamentalist Christian spaces. This episode was recorded live for our free and paid tiers in Patreon. You can watch the full length episode by subscribing today! Subscribe to Patreon Here:   / tfcvirtual    Purchase full-length, uncensored episodes of the podcast here:   / tfcvirtual   Join the Wait List for Kristian's upcoming e-book, "How to Deconstruct," here: https://mailchi.mp/thefaithcommunity/... Register for DAI Fest in Atlanta Here: https://www.eventbrite.com/e/dai-fest... Get Merch here: https://thefaithcommunity.org/merch-s... Order Breaking All The Rules here: https://www.kristianasmith.com/breaki...   Video Chapters 00:00 - Intro and Highlights 02:59 - Origin Story for this video 07:36 - Kristian's disdain for PAM's theology 10:53 - How to spot Anti-Blackness in the Black community 12:44 - Who taught theology to Christian Influencers? 17:07 - Kristian agrees with PAM 17:53 - Recap of PAM's story about police brutality 21:53 - Romans 13 breakdown 22:54 - Cultural context of Romans 13 - Emperor Nero 25:10 - The Apostle Paul did not write scripture 27:00 - West Africans were uninvolved in Roman Christianity 35:10 - Romans 13:1-7 doesn't belong there? 38:06 - The Greatest Commandment takes priority 39:22 - Kristian's encounter with the Gen Z Christian Girlies 43:05 - Rebranding Condemnation as Conviction 48:33 - Issa Party!

April 2025 Dante's Old SouthBuffalo Nichols: Texas based, Milwaukee raised, Buffalo Nichols is known as an acoustic blues guitarist and singer but that isn't the whole story. Two albums into his career, Nichols has proven himself to be an innovative songwriter with lyrics address both personal and political themes with biting insight. His influences range from his time playing in Baptist churches to his many years playing guitar in West African music bands. His experimental and hip-hop influences are displayed as well on his 2023 album, The Fatalist'. Nichols' self-titled  debut, released in October 2021, ascended him to the national stage, earning praise and support from NPR Music (‘Tiny Desk (Home) Concert;' All Songs Considered ‘Best of October') to Rolling Stone ('The Fight to Reclaim the Blues' feature; ‘Song You Need To Know'), Bandcamp Daily (‘October Shortlist') to Guitar World, Texas Monthly to Uncut (UK), among many others. www.buffalo-nichols.com/www.instagram.com/buffalonicholsmusic/Odessa Blaine: General oddment and possible cryptid, Odessa haunts the mountains and coffee shops of North Georgia. Her novels and short stories incorporate elements drawn from her Appalachia roots. Odessa has honed her skills as a performance storyteller and loves sharing stories with live audiences. When she's not slinking through the woods or over-caffeinating, Odessa can be found encouraging the creative passions of others by serving multiple writer focused nonprofits based in the Southeast and providing marketing and project management to small businesses.  substack.com/@odessablainebsky.app/profile/odessablaine.bsky.socialJenny Bates enjoys seven poetry books, published in numerous NC and international journals. Jenny was a judge for the Poetry in Plain Sight contest through the NC Poetry Society, 2024. Her book of poems, ESSENTIAL has been nominated for the Pushcart Prize 2024. Her newest collection, From Soil and Soul is available. Jenny's books are also available at Malaprops Bookstore in Asheville, Bookmarks, the Book Ferret and The Book House in Winston-Salem, Scuppernongs in Greensboro, NC.redhawkpublications.com/Poetry-c120141004www.malaprops.comthebookhousews.comwww.bookferret.comCynthia Atkins: (She, Her), is a prizewinning poet originally from Chicago, IL and the author of Psyche's Weathers, In the Event of Full Disclosure, and Still-Life with God, and Duets from Harbor Editions.  Her work has appeared in Alaska Quarterly Review, BOMB, Diode, Cimarron Review, Los Angeles Review North American Review, Permafrost, Plume, and Verse Daily. Atkins has earned fellowships and prizes from Bread Loaf Writers' Conference. SWWIM Residency, Virginia Center for the Creative Arts, and Writers at Work.  Atkins lives on the Maury River of Rockbridge County, Virginia, with artist Phillip Welch and their family. More info at: www.cynthiaatkins.comOur Sponsors:Lucid House Press: www.lucidhousepublishing.comWhispers of the Flight: www.amazon.com/Whispers-Flight-Voyage-Cosmic-Unity-ebook/dp/B0DB3TLY43The Crown: www.thecrownbrasstown.comBright Hill Press: www.brighthillpress.orgInvisible Strings 113 Poets Respond to the Songs of Taylor Swift: www.penguinrandomhouse.com/books/777808/invisible-strings-by-edited-by-kristie-frederick-daughertyWe Deeply Appreciate:UCLA Extension Writing Program: www.uclaextension.eduMercer University Press: www.mupress.orgThe Red Phone Booth: www.redphonebooth.comNPR: https: www.npr.orgWUTC: www.wutc.orgAlain Johannes for the original score in this show: www.alainjohannes.comThe host, Clifford Brooks', The Draw of Broken Eyes & Whirling Metaphysics, Athena Departs, and Old Gods are available everywhere books are sold. Find them all here: www.cliffbrooks.com/how-to-orderCheck out his Teachable courses, The Working Writer and Adulting with Autism, here: brooks-sessions.teachable.com

Send us a textZach Hedstrom moved to Fourmile Canyon around five years ago. Around that time, he and other musicians in the area started hosting gatherings to jam and enjoy each other's company. Eventually, this gathering of people started playing local venues as a group, and thus, Canyon Collective was born.The name Canyon Collective comes from the rotating lineup of the group. While there are core members who consistently play in Canyon Collective, there are also many musicians who jump in and out of the group that live in and around Fourmile Canyon, creating a welcoming environment for local musicians.Hedstrom describes the group as a “high-energy global groove funk band,” as they play music primarily rooted in funk with various global influences such as Latin, West African, and reggae rhythms. In regards to core members, Hedstrom plays drums, Christopher Clauss plays bass, Ryan Benthall plays keyboard, Eshan Escoffery plays trombone, Matthew Wilkolak plays trumpet, Derek Miles plays guitar, and Greg[g] Freeman serves as the percussionist. Thank you for listening to The Mountain-Ear Podcast, featuring news and culture from peak to peak! Additional pages are linked below!If you want to be involved in the podcast or paper, contact our editor at info@themountainear.com or our podcast host at media@themountainear.com! Head to our website for all of the latest news from peak to peak! SUBSCRIBE ONLINE and use the coupon code PODCAST for A 10% DISCOUNT for ALL NEW SUBSCRIBERS! Find us on Facebook @mtnear and on Instagram @mtn.ear! Listen and watch on YouTube today! Share this podcast around! Scroll near the bottom of our website's homepage or visit the podcast's main hub on Buzzsprout!Thank you for listening!

A federal court in Denver has found a former member of Gambia's military guilty of torturing five people accused of involvement in a failed coup against the West African country in 2006. This constitutes a rare prosecution in the United States for torture committed abroad. Also, the UK's Supreme Court passed a ruling on the meaning of the word "woman" as used in the country's Equality Act from 2010. In a unanimous decision, the court said that "woman" refers to people assigned the female gender at birth, and does not extend to transgender women. Critics of the decision say it marks a "huge blow" to the rights of trans people across the country. Also, more than 1,000 Israeli spies and soldiers, past and present, have petitioned their government to cease military actions in Gaza. And, Sweden's annual tradition of watching the migration of moose on TV.Listen to today's Music Heard on Air. Learn about your ad choices: dovetail.prx.org/ad-choices

On this episode I'm joined by Julian Knxx as we discuss his newly commissioned work presented for 16 edition of the Sharjah Biennial, elucidated through the curatorial theme, to carry. Asking questions such as, what does it mean to carry a home, a history, a language, a legacy, and a lineage.Julianknxx's work merges his poetic practice with films and performance; he engages in a form of existential inquiry that at once seeks to find ways of expressing the ineffable realities of human experiences while examining the structures through which we live.In casting his own practice as a ‘living archive' or an ‘history from below', Julianknxx draws on West African traditions of oral history to reframe how we construct both local and global perspectives. He does this through a body of work that challenges fixed ideas of identity and unravels linear Western historical and socio-political narratives, attempting to reconcile how it feels to exist primarily in liminal spaces. In the episode, Julian reflects on his transition from poetry to incorporating film and performance in his artistic practice. He shares how influences from his West African heritage and personal experiences led him to explore new mediums that could encapsulate his narratives more holistically. He delves into his project for Sharjah Biennial 16, inspired by a dancer named Dorothée Munyaneza, who performed a ritual dance reflecting on her grandmother.-------------------------------------------------------------------- WHERE YOU CAN FOLLOW ME AND SUBSCRIBE Instagram - Follow me on Instagram https://www.instagram.com/sadeolo/https://www.instagram.com/lightworkcompany/ YouTube - Subscribe to my YouTube Channel www.youtube.com/@lightworkco Website - Sign up for my newsletter https://lightworkco.com/

The Advanced Placement exams represent some of the most challenging subject-specific standardized tests a high schooler might ever take, and the various AP World Language and Culture exams are no exception. Amy and Mike believe that every test warrants smart, serious preparation, so we invited educator Milton Alan Turner to share valuable strategies, insights, and resources for getting ready for AP World Language exams. What are five things you will learn in this episode? What is tested on AP World Language and Culture exams? How do students score points on AP Language exams? What are the highest priority topics on AP Language exams? How should students prepare for AP Language exams? What are the best prep materials for AP Language exams? MEET OUR GUEST Milton Alan Turner has taught French, Spanish, and now AP African American Studies at Saint Ignatius High School since 1987. He earned a Bachelor of Science degree in French and Linguistics from Georgetown University and master's degrees from Cleveland State University in Educational Technology and in Global Interactions.   Alan currently serves on the Board of Directors at ACTFL as its President, on the Shaker Heights Public Library Board of Trustees, on the AATF Commission on Diversity, Equity & Inclusion, is a member of La Maison Française de Cleveland's Board of Directors and is an NAACP Silver Life member. He has participated in two Fulbright-Hays Summer Seminars Abroad in Morocco & Tunisia and Thailand & Vietnam and in three National Endowment for the Humanities (NEH) Summer Seminars and Institutes studying world literature, Arabic language & culture, and US foreign policy.   Alan has served as a Reader, Table Leader, and Question Leader at the AP French Reading and is an AP Workshop consultant. He has been a member of the SAT French Development Committee, the AATF Standards Task Force, the Ohio Seal of Biliteracy Expert Advisory Group, co-chair of the Ohio World Languages Standards Revision Advisory Committee, and president of the Ohio Foreign Language Association.  He was awarded a 2000 MBNA Excellence in Education Grant, named a 2011 Microsoft US Innovative Educator, chosen the 2014 Ohio World Language Teacher of the Year, listed in the 2017 Who's Who in Black Cleveland, and won the Saint Ignatius High School Trailblazer Award in 2020. This summer, he will be one of 14 educators selected to participate in the AATF Fulbright-Hays Group Project Abroad to Côte d'Ivoire to study West African storytelling traditions.  Since 2021, Alan has hosted the podcast Milton Alan Turner: Worldviews. Find Milton at maturner@me.com. LINKS AP French Language and Culture AP German Language and Culture AP Italian Language and Culture AP Spanish Language and Culture RELATED EPISODES Big Changes to AP Tests in 2025 Getting Ready For The AP Literature Exam Getting Ready For The AP Language Exam ABOUT THIS PODCAST Tests and the Rest is THE college admissions industry podcast. Explore all of our episodes on the show page. ABOUT YOUR HOSTS Mike Bergin is the president of Chariot Learning and founder of TestBright. Amy Seeley is the president of Seeley Test Pros and LEAP. If you're interested in working with Mike and/or Amy for test preparation, training, or consulting, feel free to get in touch through our contact page.

THIS WEEK's BIRDS: Algerian cha'abi singer Mohsaïd Oubelaïd;  Moroccan cha';abi from Abdelkader Rachdi Balkan song from Kurbeti. Saban Bajkramoviç; Roma song from Vera Bila & Sendreiovci; Experimental Hungarian song from Kampec Dolores;l vocal jazz from Jeri Brown; David S. Ware as well as  Zoh Aba and Sun Ra Arkestra;  West African vocals from Salon Camara and Lassana Hawk Cissoko; Brazilian vocals from Marina Iris; samba from Bezzera da Silva;  flamenco from David de Arahal & David El Galli; Camarón; and Jimenez Rejano; and (as always) so much, much more. Catch the BIRDS live on Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI, 88.1 FM Ithaca/ 88.5 FM Odessa;. and WORLDWIDE online via our MUSIC PLAYER at WRFI.ORG. 24/7 via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/m/playlist/view/20496412 and via the Conference of the Birds page at www.WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks Find WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR

Ready for some mandolin? How about music played on the balafon, a kind of West African marimba? Those are just two of the instruments taking center stage this month in concerts around Chicago as artists like Sierra Hull and Winard Harper come to town. Reset gets a roundup of shows you don't want to miss this month from Mark Guarino, WBEZ contributor, author of Country & Midwestern: Chicago in the History of Country Music and the Folk Revival. For a full archive of Reset interviews, head over to wbez.org/reset.

Freshly out from under French colonial rule in 1960, the West African nation of Dahomey (now Benin) became home to the largest number of coups d'état in history, earning the reputation of the “sick child of Africa.” Country politics eventually aligned with Marxist and socialist ideologies stimulating French opposition that resulted in mercenary intervention.  Opération Crevette: Benin, Mercenaries, and the Survival of a New State (Lexington Books, 2024) brings together the voices of the involved mercenaries, political rulers, and local witnesses to reveal a struggle for power in the former French colony. Opération Crevette was a mercenary operation which was intended to remove Benin's eleventh president from power in the 1970s. This book analyzes the political, social, and economic factors that led to this operation, as well as the foreign interference from nations like France and America. Les and Monique Sosnowski provide a unique perspective of international politics, exposing French instigated military intervention and the immense influence Western nations have played in shaping the Africa we know today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In December 2011, Leymah Gbowee was awarded the Nobel Peace Prize for her role in helping to end the devastating civil war in Liberia.She had mobilised thousands of women to take part in daily, non-violent public protests calling for peace – which pressurised ruthless President Charles Taylor into meeting them.When he agreed to peace talks, a delegation from The Women of Liberia Mass Action for Peace followed Taylor to Ghana. When talks stalled, they barricaded the room, refusing to let anyone leave until a peace deal was reached. Within weeks, after continued pressure from the US and other West African nations, the former warlord had resigned and gone into exile.Jacqueline Paine speaks to Leymah about her pivotal role in securing peace for Liberia.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Leymah Gbowee with fellow activists. Credit: Issouf Sanogo/AFP via Getty Images)

Jaime Albright Henighan shares her family's journey after two of her sons, Joshua and Jorden, were diagnosed with a rare genetic kidney disease called APOL1-mediated FSGS (Focal Segmental Glomerulosclerosis).   Jaime's story highlights the importance of early detection, education, and advocacy for families navigating this challenging condition. She discusses her partnership with Nephcure, a patient advocacy organization, and her mission to raise awareness about FSGS, especially among individuals of West African descent, who are at higher risk due to the APOL1 gene mutation.   Topics Covered: What is FSGS?: Understanding APOL1-mediated FSGS and its impact on kidney health. The Family's Journey: How high blood pressure led to Joshua's diagnosis, and the shock of discovering Jorden had the same condition. The Role of Genetics: Why individuals of West African descent are at greater risk and the importance of genetic awareness. Early Detection: How identifying symptoms early has helped Jaime's sons manage their health. Advocacy and Education: Jaime's work with Nephcure and her efforts to raise awareness globally, including in Ghana. Parenting Through Challenges: Jaime's emotional journey as a mother and her advice for other parents navigating rare diseases.   Key Moments: Jaime explains how her family discovered FSGS and the challenges they faced in obtaining a diagnosis. Insights into the genetic factors behind APOL1-mediated FSGS and its prevalence in specific populations. Advocacy efforts to educate families and healthcare providers about the disease.   Guest Bio: Jaime is a wife and mother of six. Her family resides in Alpharetta, GA. She is also a Forensic Interviewer and Podcast Producer at Tenderfoot TV. In 2021, her seemingly healthy 17 year old son, Joshua, was randomly diagnosed with high blood pressure. This led to additional testing and a diagnosis of Focal Segmental Glomerulosclerosis (FSGS), a rare genetic kidney disease. Later that year, her 25 year old son, Jorden, was also diagnosed with FSGS. This was shocking to the Albright Henighan family. How could they be at high risk of a disease that they had never heard of? They connected with Nephcure, a patient advocacy organization, for support and resources. They learned that 1 in 8 people of West African descent are at risk of APOL1 mediated FSGS due to a genetic mutation. Thanks to early detection, her sons are stable today but this is a rare outcome for FSGS patients due to a lack of education and barriers in the medical community. They decided to share their story across the United States and even in Ghana. Their goal is to educate and empower others. If caught early, there are medical interventions and clinical research trials that can save native kidneys and lives. There is hope for FSGS patients.   Resources Mentioned: Nephcure Kidney International: Advocacy and support for families affected by kidney diseases. Information on APOL1-mediated FSGS and genetic testing. Tips for recognizing early symptoms of kidney disease.   Connect with Us:  Stay tuned for the next new episode of “It Happened To Me”! In the meantime, you can listen to our previous episodes on Apple Podcasts, Spotify, streaming on the website, or any other podcast player by searching, “It Happened To Me”.    “It Happened To Me” is created and hosted by Cathy Gildenhorn and Beth Glassman. DNA Today's Kira Dineen is our executive producer and marketing lead. Amanda Andreoli is our associate producer. Ashlyn Enokian is our graphic designer.   See what else we are up to on Twitter, Instagram, Facebook, YouTube and our website, ItHappenedToMePod.com. Questions/inquiries can be sent to ItHappenedToMePod@gmail.com. 

Catherine Nzuki is joined by Naa Laryea, a software engineer living in Accra. She walks us through what apartment hunting is like in Accra, why some landlords ask for a year or two years' worth of rent up front, and the causes of the housing crisis in Accra. Nelson C.J., West Africa Correspondent at OkayAfrica, joins the Afropolitan and zooms out to discuss the common drivers of the housing crunch in major West African cities. Nelson shares his findings from his recent article with OkayAfrica, examining how the National Tenants Union of Ghana is advocating for affordable housing and rent control. Lastly, as Africa's population grows, Nelson unpacks how investing in small and mid-sized cities can help decongest cities like Accra, Dakar, and Lagos.  You can read Nelson C. J.'s work on OkayAfrica and follow Nelson C.J. on X (@nelsoncj3) and Instagram (@nelsonfromnorman____). 

The tone, tempo, and lilting intonation of all four narrators make this Earphones Award-winning listening experience rewarding. Host Jo Reed and AudioFile's Alan Minskoff discuss how Adichie's first novel in more than a decade—really four connected, finely crafted novellas—simply engages the listener from the start. Three of the major characters are Nigerian women: a travel writer, a successful lawyer, a powerful business woman—and the fourth, also West African, a maid at a posh hotel. A compelling audiobook.  Read our review of the audiobook at our website: Published by Random House Audio Discover thousands of audiobook reviews and more at AudioFile's website    Learn more about your ad choices. Visit megaphone.fm/adchoices

For this week's episode, we're heading over to West Africa and the Caribbean for a legendary folklore monster/god, Anansi! How does this spider hybrid relate to the slave trade? Why is he so relatable as a dad? Find out this week!Send us a textSupport the showYou can find us on: Myth Monsters Website Spotify Apple Podcasts GoodPods Amazon Music Social media: Twitter BlueSky Instagram Facebook TikTok

Dr. Iroro Tanshi and Dr. Benneth Obitte, co-founders and directors of the Small Mammal Conservation Organisation (SMACON), join Marlies Quirino and Lucia Guaita on The Lookfar Podcast: Voices from the Wild. Iroro and Benneth are notable for their contributions to bats conservation and ecological research in Nigeria. Their interdisciplinary approach combines ecological research, conservation efforts, improvement of local livelihoods, and local (and regional) capacity building to promote the long-term sustainability of the Guinean Forests of West Africa. Bats are nature's unsung heroes—pollinators, pest controllers, and ecosystem stabilizers. Yet, they often have a bad reputation. We will learn why that is and why it is unfounded. Join us in this fascinating discussion with Iroro and Benneth.

In 2010, we first fell under the spell of an extraordinary duo: Ballaké Sissoko, master of the West African harp or kora, and Vincent Segal, the French cellist. After a couple of albums together they added another duo, accordion virtuoso Vincent Peirani and sax player Emile Parisien, and that quartet has released an album called Les Egarés – those who stray – an apt name for a band that refuses to color within the lines. There is a unity and fluidity in the way the players listen without competing, return musical answers to questioning phrases, and maintain fluidity and a sense of play. The quartet, “a poetic asylum for the two duos” (Bandcamp) – where chamber music, French chanson, West African folk, and jazz all mix freely -  is performing here in the U.S. on tour for the fist time, and they play in-studio. Set list: 1. Esperanza 2. Orient Express 3. Banja

Nonexistent writers publishing pro-Russian content in West African media is the subject of a recent Al Jazeera Investigative Unit film, Africa’s Ghost Reporters. So how does it all work, and who’s behind it? In this episode: Justin Yarga (@y_jus), Journalist Episode credits: This episode was produced by Chloe K. Li and Ashish Malhotra with Phillip Lanos, Spencer Cline, Hanah Shokeir, Melanie Marich, and guest host, Kevin Hirten. It was edited by Noor Wazwaz. The Take production team is Marcos Bartolomé, Sonia Bhagat, Spencer Cline, Sarí el-Khalili, Tamara Khandaker, Phillip Lanos, Chloe K. Li, Ashish Malhotra, Khaled Soltan, Amy Walters, and Noor Wazwaz. Our editorial interns are Remas Alhawari, Melanie Marich, and Hanah Shokeir. I’m your host Kevin Hirten. Our engagement producers are Adam Abou-Gad and Vienna Maglio. Aya Elmileik is lead of audience engagement. Our sound designer is Alex Roldan. Our video editors are Hisham Abu Salah and Mohannad Al-Melhem. Alexandra Locke is the Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio. Connect with us: @AJEPodcasts on Instagram, X, Facebook, Threads and YouTube

This week, we're all about the diverse and delicious foods of Ghana and Nigeria. First, Food Network Star Eric Adjepong joins us from his childhood home to talk about the connection to food when eating with his hands, the community that happens around the Ghanain table, and his take on traditional dishes like his recipe for Roasted Banana Grits with Seasoned Shrimp. Eric is the chef and owner of Elmina in Washington DC and the author of Ghana to the World: Recipes and Stories That Look Forward While Honoring the Past. Then, geologist turned food blogger Ozoz Sokoh takes us into the world of Nigerian cuisine. From iconic Nigerian breakfasts like sweet fermented rice cakes known as Māsā̀, to corned beef sauce paired with West African Yams. We couldn't leave without getting a recipe for her Classic Nigerian Jollof Rice. Ozoz is the author of Chop Chop: Cooking the Food of Nigeria and the blogger behind Kitchen Butterfly. Broadcast dates for this episode:March 21, 2025 (originally aired)Donate to The Splendid Table today and we will show our appreciation with a special thank-you gift.

Join us for an exciting opportunity to engage with Dr. Crisantos Obama Ondo, the Ambassador of Equatorial Guinea, as he takes over our classroom to share invaluable insights about his vibrant West African nation. Before the Ambassador speaks, Dr. Sebi’s son, Abdul, will share his father's remarkable journey and address any health concerns you might have—don’t miss this chance to gain valuable knowledge. We are also thrilled to have Pan-Africanist Brother Abeid introduce us to the powerful AfriPedia Black Media channel, alongside the inspiring DC activist Dr. Kokoyi Patterson.See omnystudio.com/listener for privacy information.

We meet poet, artist and filmmaker Julianknxx. We explore themes within his work of inheritance, loss and belonging as he crosses the boundaries between written word, music and visual art.Sierra Leonian artist Julianknxx uses his personal history as a prism to deconstruct dominant perspectives on African art, history, and culture. Rich with symbolism, his work conveys the Black experience of defining and redefining the self, rejecting labels to form new collective narratives.Offering song and music as forms of resistance, the exhibition invokes new understandings of what it means to be caught between, and to be of, multiple places. Choirs and musicians from cities across Europe give voice to a single refrain: ‘We are what's left of us', transforming the Curve into a collaborative space of communication. As the philosopher Édouard Glissant has written: ‘you can change with the Other while being yourself, you are not one, you are multiple, and you are yourself.'Julianknxx's work merges his poetic practice with films and performance; he engages in a form of existential inquiry that at once seeks to find ways of expressing the ineffable realities of human experiences while examining the structures through which we live. In casting his own practice as a ‘living archive' or an ‘history from below', Julianknxx draws on West African traditions of oral history to reframe how we construct both local and global perspectives. He does this through a body of work that challenges fixed ideas of identity and unravels linear Western historical and socio-political narratives, attempting to reconcile how it feels to exist primarily in liminal spaces.Follow @JulianKnxx Hosted on Acast. See acast.com/privacy for more information.