Podcast appearances and mentions of Robert Palmer

607 w/ Randy Makes Candy - Robert Palmer - Sneakin' Sally Through the Alley: Chris, Nick, and Andy are joined by YouTube confectioner Randy from Randy Makes Candy to break down the title track from the 1974 album Sneakin' Sally Through the Alley by Robert Palmer. 

David Skarica discusses his book "Mega Returns: Profit from Maximum Pessimism," highlighting key themes such as the end of asset price inflation driven by excessive debt and government spending. The conversation begins with an exploration of how COVID-19 and the 2008 financial crisis fueled a period of unprecedented debt, leading to inflated asset prices across sectors. Skarica emphasized the dangers of governments overspending during COVID, particularly in the U.S., where interest payments now surpass defense budgets. A concerning sign of fiscal strain. He warned that rising debt levels globally, especially in Japan and emerging markets like Canada and Australia, could trigger a debt crisis, potentially leading to hyperinflation. Investment strategies were a focal point, with Skarica advocating for precious metals such as gold, silver, platinum, and palladium as hedges against inflation. He also suggests specific ETFs for corporate bonds and options trading as actionable strategies. Additionally, he highlighs opportunities in emerging markets, particularly India's growth potential and Argentina as a turnaround play. Green energy and technology are discussed with cautious optimism. While skeptical of some trends, Skarica identifies opportunities in green energy companies and rare earth metals. He remains cautious about cryptocurrencies like Bitcoin, noting their volatility but acknowledging their role as a hedge against dollar devaluation. Finally, Skarica underscores the importance of monitoring bond markets for signs of economic stress, particularly rising yields, which could indicate broader financial instability. His insights provide a comprehensive view of current market dynamics and actionable strategies for investors navigating a complex financial landscape. Timestamp References:0:00 - Introduction0:40 - Profit From Pessimism4:28 - Timing the Debt Mkts.8:52 - Canada & Australia11:40 - Global Bail Outs?14:44 - Revaluing Gold Res.19:23 - Corporate Debt Concerns25:01 - Trade Ideas & Theories27:28 - Opportunity Still in PMs32:52 - Platinum Metals?35:54 - Commodity Prices40:37 - Energy & Agriculture43:52 - Oil Company Risks47:32 - Emerging Markets?49:55 - Argentina?52:01 - New Technology55:05 - Bitcoin & Ethereum57:24 - G. Energy & Rare Earths1:01:08 - New Book Details1:02:16 - Wrap Up Guest Links:Twitter: https://x.com/DavidSkaricaYouTube: https://youtube.com/@profitpessWebsite: https://profitfrompessimism.com David Skarica had an interest in financial markets at an early age. At the age of 16, he read the small booklet “The Plague of the Black Debt”, by James Dale Davidson, which was given to him by his uncle. David was always a sports stat nut, loving football, hockey and baseball stats, which lead to David becoming intrigued with economics and markets. David is such an avid Football and Las Vegas Raiders fan — his principal in grammar school was Bernie Custis, who was the late Raiders owner Al Davis' roommate at Syracuse University, and the first ever African American quarterback in college and pro football history — that he also runs his own football vlog, Raiders Greats, which discusses great Raiders player of the past. He also is a soccer fan who supports Leeds Utd., as his father was born in Leeds, England. In 1996, at the age of 18, David became the youngest person on record (that he knows of anyhow) to obtain the Canadian Securities Course (CSC) license to trade investment securities. In the late 1990s, David felt that the market was becoming another epic bubble similar to the bubble of the 1920s, so he decided at the tender age of 20 to write his first book, Stock Market Panic!, which was published in 1998. Over the next decade, gold soared from $250 an ounce to nearly $1900, while the S&P 500 lost value. In the same year that this book was published, he decided to start his newsletter, Addicted to Profits. The newsletter's name was a spin on Robert Palmer's famed song Addicted ...

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Jimmy Jam & Terry Lewis. ABOUT JIMMY JAM & TERRY LEWISWith 26 Billboard #1 R&B hits and 16 Billboard #1 pop hits to their credit, Jimmy Jam and Terry Lewis are perhaps the most influential and successful songwriting and production duo in modern music history. With a total of 41 Top 10 hits in the US, Jimmy and Terry were named ASCAP Songwriters of the Year a record-breaking nine times. They are perhaps best known for their work with Janet Jackson, beginning with the Control album, which earned the duo a Grammy for Producer of the Year. Between 1986 and 1994 they scored thirteen #1 songs with Janet on either the R&B or pop chart, including “What Have You Done For Me Lately,” “Nasty,” “When I Think of You,” “Control,” “Let's Wait Awhile,” “Miss You Much,” “Rhythm Nation,” “Escapade” “Love Will Never Do (Without You),” “The Best Things in Life Are Free,” “That's the Way Love Goes,” “Any Time, Any Place,” and “Again,” which earned Jimmy, Terry, and Janet an Academy Award nomination for Best Original Song. Jimmy and Terry got their start as musicians with Morris Day and the Time, the Prince-produced band whose biggest hit was the Jam and Lewis-penned “Jerk Out.” They made the transition to a successful songwriting and production team working with the S.O.S. band, which landed a #2 R&B hit with “Just Be Good to Me.” From there, they made their mark on pop and R&B hits for decades to come. In addition to their work with Jackson, the duo wrote and produced the #1 pop singles “Human” by Human League, “Romantic” by Karyn White, “Thank God I Found You” by Mariah Carey, and the Boyz II Men singles “On Bended Knee” and “4 Seasons of Loneliness.” Additional R&B chart toppers include “Encore” by Cheryl Lynn, “Fake” by Alexander O'Neal, “Everything I Miss at Home” by Cherelle, “Sensitivity” by Ralph Tresvant, and the Johnny Gill singles “Rub You the Right Way” and “Wrap My Body Tight.” Other highlights from their catalog include New Edition's “If It Isn't Love” and “I'm Still in Love With You,” “No More Drama” by Mary J. Blige, Robert Palmer's hit pop cover of their Cherelle single “I Didn't Mean to Turn You On,” and recordings by Gladys Knight & The Pips, Barry White, Michael Jackson, Lionel Richie, Usher, Spice Girls, Aretha Franklin, Charlie Wilson, Ledisi, Sting, Elton John, Beyonce, Rihanna, Rod Stewart, Drake, Kendrick Lamar, Gwen Stefani, Willie Nelson, and many others.Always versatile, the duo has earned Grammy awards for Best R&B Album for Chaka Kahn's Funk This, Best Gospel Song for Yolanda Adams' “Be Blessed,” and Best Dance Recording for Janet Jackson's #1 pop and R&B hit “All For You.” Additional Jackson hits that were written and produced with Jam and Lewis include the Janet and Michael Jackson hit “Scream” and the #1 singles “Together Again,” “I Get Lonely,” “Doesn't Really Matter,” and the Nelly duet “Call On Me.”In total the team has earned over 100 gold, platinum, multi-platinum and diamond album certifications from the RIAA, have received more Producer of the Year Grammy nominations than anyone in history, earned the NAACP Lifetime Achievement Award, and were inducted into the Songwriters Hall of Fame. 

Today on Power House, Tracey Velt sits down in person with Robert Palmer, founder and CEO of LPT Realty, at LPT's studio in Orlando. Robert and Tracey talk about LPT's remarkable journey from a simple marketing tool to a top brokerage in just three years. He discusses the importance of self-funding, agent empowerment through dual brokerage models, and how to maintain an agent-first philosophy.  Robert also discusses upcoming initiatives like ASCEND University, the Aperture luxury brand, and Leads Connect, along with future growth plans including a public IPO and expansion into new markets. Here's what you'll learn: LPT's transition from a marketing tool to a brokerage was driven by a desire to support agents. Self-funding allows for greater control and prioritization of agents' needs. The brokerage model should empower local agents to make decisions about mortgage and title services. Navigating industry challenges requires a commitment to agent choice and autonomy. Understanding and balancing both business logic and technology for successful software development. LPT's growth strategies include expanding training programs and launching a luxury brand. Related to this episode: LPT Realty | RealTrends Verified LPT Realty's Robert Palmer is building a 'brokerage for life' | HousingWire lpt realty HousingWire | YouTube Enjoy the episode! The Power House podcast brings the biggest names in housing to answer hard-hitting questions about industry trends, operational and growth strategy, and leadership. Join HousingWire president Diego Sanchez every Thursday morning for candid conversations with industry leaders to learn how they're differentiating themselves from the competition. Hosted and produced by the HousingWire Content Studio Learn more about your ad choices. Visit megaphone.fm/adchoices

**DJ Ricky K Show Replay on www.traxfm.org. Ricky Featured 70's, 80's, 90's, 2000's & Dance Classics tracks From Avril Lavigne, Boyzone, Robert Palmer, Jason Mraz, Mr President, Inxs, KT Tunstall, Climie Fisher, Britney Spears, Deacon Blue, UB40, Blu Cantrell, The Corrs, Dead Or Alive, Steve Angello X Robin S. - Show Me Love (feat. Laidback Luke), Underworld & More. #originalpirates #80music #90smusic #danceclassics #popmusic Catch Ricky K Live Every Sunday From 11AM UK Time/9PM Australia Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

In this celebratory and multifaceted episode of Friends Talking Nerdy, Professor Aubrey and Tim the Nerd dive into an eclectic mix of topics that blend music nostalgia, behind-the-scenes celebrity moments, and the heated debates of wrestling culture.1. Revisiting 1985: The Ultimate Musical ThrowbackThe duo kicks off the episode by reminiscing about the golden year of 1985, as they each reveal their top five favorite songs from that era. The conversation is filled with personal anecdotes and insights as they dissect tracks that defined the decade. Their selections span a broad spectrum of styles—from the pop sensibilities of Phil Collins' "Sussudio" and Wham's "Careless Whisper", to the rock edge of Dire Straits' "Money For Nothing" and The Smiths' evocative "The Boy With The Thorn In His Side". They also shine a light on the artful, quirky stylings of Talking Heads with "And She Was", while nodding to collaborative anthems like Mick Jagger and David Bowie's "Dancing In The Streets". Other memorable tracks discussed include Cheap Trick's "Tonight It's You", Tom Petty and the Heartbreakers' rebellious "Don't Come Around Here No More", Robert Palmer's slick "Addicted To Love", and the ever-enduring Simple Minds' "Don't You (Forget About Me)". Listeners get an intimate glimpse into why these songs resonate so powerfully with the hosts, reflecting both the cultural impact of 1985 and their own personal histories with the music. Check out their YouTube playlist with all these song choices.2. A Cameo Moment of HonorSwitching gears, Tim the Nerd recounts an exciting behind-the-scenes moment that highlights the podcast's growing influence. With creative savvy and a touch of fandom, Tim explains how he secured a heartfelt Cameo from Aubrey Edwards, the renowned referee from All Elite Wrestling. Celebrating the milestone of reaching 400 episodes, Aubrey Edwards shared some kind words about Friends Talking Nerdy. Tim dives into the process—using the Cameo platform—to connect with a wrestling personality who is not only a fan but also a respected figure in the industry. This segment offers a fun peek into the strategic networking and passion that fuels the podcast's community spirit.3. Wrestling, Ethics, and the Netflix Docuseries “Mr. McMahon”The episode then turns its focus to the world of professional wrestling with an in-depth discussion on the Netflix documentary “Mr. McMahon.” Professor Aubrey and Tim the Nerd dissect the film's portrayal of Vince McMahon's tumultuous career and the various controversies that have shadowed his legacy. The hosts debate the ethical dilemmas wrestling fans face as they reconcile their admiration for the spectacle with the problematic aspects of McMahon's history. Their discussion is both analytical and impassioned, weighing the documentary's revelations against the cultural mythos of wrestling. Listeners are invited to reflect on the complexities of fandom—how one can celebrate the art of wrestling while critically engaging with its darker undercurrents.As always, we wish to thank Christopher Lazarek for his wonderful theme song. Head to his ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for information on how to purchase his EP, Here's To You, which is available on all digital platforms.Head to Friends Talking Nerdy's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠for more information on where to find us online.

Les années 1980 sont devenues magiques pour beaucoup de gens qui donneraient cher aujourd'hui pour y revenir. Et en y repensant, je dois vous avouer me souvenir qu'on avait l'impression de vivre un grand moment. Tout nous semblait nouveau et moderne en 1980 : on jouait aux Space Invaders, on écoutait des radios libres pour la première fois et on utilisait un enregistreur VHS. Et si, question musique, en 1980, il y avait encore des Chantal Goya pour chanter Bécassine et Julio Iglesias Je n'ai pas changé, le reste, mis bout à bout, était sacrément moderne : The Buggles, Orchestral Manoeuvres, Funkytown, le Manureva d'Alain Chamfort, le Banana Split de Lio ou John and Mary de Robert Palmer, c'est quand même une musique futuriste avec tous ces synthés.Et puis il y a le ska. Je revois encore toute la piste de danse sautant d'un bloc sur One step beyond quinze fois sur la soirée d'un samedi. C'était quelque chose de radicalement nouveau qui correspondait tellement à la jeunesse du début des années 80. Si le genre n'a pas fait long feu, en Angleterre, il a été un véritable phénomène social avec des groupes comme Madness, bien sûr, mais surtout les Specials, Selecter, Bad Manners et The Beat. Complètement méconnu chez nous, The Beat enchaîne trois albums, tous disques d'or, avant de se séparer. Alors qu'est-ce qu'on fait ? se demandent Andy Cox et David Steele, respectivement bassiste et guitariste de The Beat, les auteurs de cette intro que tous les Britanniques connaissent … Moi je vous dis : une paire pareille de musiciens ne devrait pas se séparer, et justement, ils décident de continuer ensemble. Mais que jouer comme musique ? Ils sont plutôt punk, ont connu le succès avec le ska, deux musiques bien passées de mode en 1984, alors ils suivent un peu le mouvement du milieu de cette décennie, avec les Wham!, Madness ou Culture Club qui ont injecté de la soul américaine dans leur musique. Andy et David jouent chacun de plusieurs instruments, ils sont un band à eux seuls mais voilà, il leur faut un chanteur, un frontman. Alors ils passent une annonce dans un magazine musical. Pour vous dire à quel point la scène musicale était intense et lisait les magazines, ils reçoivent 500 cassettes de gars qui veulent être leur chanteur. Quand va-t-on écouter tout ça ?Ben on s'arrête au premier qui nous plaît.Et si le suivant est dix fois meilleur ?Ils vont mettre huit mois à trouver le temps de tout écouter et à choisir le bon. Il se nomme Roland Gift, et a aussi fait du ska, mais comme saxophoniste, dans un groupe de Hull sur la côte est du nord de l'Angleterre, bien connue de ceux qui prennent le ferry pour la Hollande. Ainsi naissent les Fine Young Cannibals, un groupe qui incarne tellement la seconde partie des années 80, une carrière fulgurante, seulement deux albums mais quels albums, synthèse de la pop d'une époque où on vivait pour la musique.

Legendary session bassist Guy Pratt returns to VRP Rocks to share his five favourite albums that he's played on and the stories behind them. With a career spanning decades, Guy has worked with some of the biggest names in music, including Pink Floyd, Madonna, Bryan Ferry, Michael Jackson and Robert Palmer. In this episode, he takes us behind the scenes of the studio and on the road, revealing what it was like to be part of some of the most iconic records in history. Expect fascinating insights, hilarious anecdotes and an inside look at the world of a musician who has truly done it all. Whether you're a fan of classic rock, bass-driven grooves or just love hearing behind-the-scenes stories from music's elite, this episode is one you won't want to miss!

A two-time Grammy Award winning American Roots musician and an 8th generation Louisiana Creole performer who leads the Zydeco Experience Band with accordion and vocals as they take their audiences on a multi-cultural tour of the world. The band creates a hypnotic mix of zydeco-roots-reggae-folk-soul-gospel and New Orleans jazz that is carefully crafted to lift spirits and force bodies onto the dance floor. Their zydeco music has been featured in the historic Disney film, The Princess and the Frog in collaboration with legendary songwriter Randy Newman and has been written up in Rolling Stone and Billboard Magazine. Terrance has recorded with Paul Simon, Art Neville, Dennis Quaid, the Meters, Marcia Ball and Dr. John. He toured with Los Lobos, the late Robert Palmer, Dave Matthews Band and even shared the stage with Steve Wonder. Simien has deep Creole roots and continues to redefine his genre and elevate his cultures visibility by touring to more than 40+ countries and performed over 9000 concerts. He created an outreach educational program called Creole for Kidz about the History of Zydeco for K-12 and college students that has helped raise the cultural IQ of 250,000 students, parents, teachers and administrators around the globe. 

This week on The Metro, Rev Jeff Ivins brings you the following for your weekly time trip to the 1980s: Alarm, Robert Palmer, Oxo, Men At Work, Kate Pierson, George Michael, Ramones, Ultravox, Deborah Harry, Human Sexual Response, General Public, Dalbello, Marilyn Martin, and finishing off with Joy Division.

In this groundbreaking episode of Founders Club, Oliver Graf breaks down his bold move of transitioning his company Big Block along with over 1,000+ agents to LPT Realty.   Connect with Founders Club Host Oliver Graf on Instagram: @OliverGraf360   Discover the strategy, vision, and innovation behind Big Block Realty's monumental decision to partner with LPT Realty, and how it's reshaping the real estate landscape. Whether you're a real estate agent, team leader, or broker, this mini episode is packed with valuable insights on leadership, streamlining your business, and the future of the industry. Don't miss Oliver's expert perspective on creating opportunities and staying ahead in a competitive market.   Do me a solid and…   Leave a 5 star review!   Find me on Instagram: @OliverGraf360   Founders Club TikTok: @FoundersClubPodcast   Subscribe to my YouTube channel: http://www.youtube.com/c/OliverGrafTV   Get on my VIP email list and get new episodes of Founders Club straight to you inbox: http://eepurl.com/g_L2Ev    Book me to speak: https://olivergraf.tv/speaking   Book a 1-on1 coaching session: https://calendly.com/olivergraf360/vip  

In this episode of Curing with Sound, Robert Palmer shares his transformative experience with focused ultrasound for prostate cancer. Robert details his procedure, which, unlike traditional treatments, allowed him to avoid overnight hospitalization and return to normal activities within ten days. Now cancer-free, Robert is a passionate advocate for focused ultrasound technology and has spoken to U.S. policymakers about his experience. Key points from the conversation: The TULSA-PRO procedure is an incision-free, outpatient treatment that uses MRI-guided focused ultrasound technology. Compared to traditional treatments, it requires only a brief recovery period and has minimal side effects. The American Medical Association has issued three Category I CPT® codes for the TULSA-PRO device. The codes, which take effect on January 1, 2025, are used by insurance companies to reimburse medical procedures. This milestone marks a significant step toward making this treatment more accessible to patients. Palmer's experience has led him to become a champion for focused ultrasound technology, participating in Capitol Hill advocacy work and helping to educate other men about this minimally invasive treatment option. EPISODE TRANSCRIPT ---------------------------- QUESTIONS? Email podcast@fusfoundation.org if you have a question or comment about the show, or if you would you like to connect about future guest appearances.  Email info@fusfoundation.org if you have questions about focused ultrasound or the Foundation.  FUSF SOCIAL MEDIA LinkedIn X Facebook Instagram TikTok YouTube FUSF WEBSITE https://www.fusfoundation.org SIGN UP FOR OUR FREE NEWSLETTER https://www.fusfoundation.org/newsletter-signup/ READ THE LATEST NEWSLETTER https://www.fusfoundation.org/the-foundation/news-media/newsletter/ DOWNLOAD "THE TUMOR" BY JOHN GRISHAM (FREE E-BOOK) https://www.fusfoundation.org/read-the-tumor-by-john-grisham/

Join hosts Patrick Evans and Randy Florence in the cozy corner booth at Skip Paige's Little Bar in Palm Desert, for an engaging episode of Big Conversations, Little Bar. This episode, they're joined by Kevin Henry, the talented co-owner and performer at The Nest in Indian Wells. With a career spanning over 40 years, Kevin shares candid stories about his musical journey from Detroit to California, his entrepreneurial spirit, and how he helped transform The Nest into a must-visit hotspot. Tune in to discover Kevin's experiences mentoring young musicians, working with icons like Robert Palmer, and the unique blend of history and innovation that makes The Nest a standout experience. Whether you're a music aficionado or just looking for an insider's perspective on Coachella Valley's vibrant nightlife, this podcast offers a mix of insights, humor, and heartfelt moments.Takeaways:• Kevin Henry's early musical influences come from his family and Detroit's rich Motown legacy.• The Nest has become a diverse social hub, welcoming a wide range of guests.• Growing up near music legends influenced Kevin's versatile performances.• Challenges in balancing entertainment with maintaining a classy atmosphere at The Nest.• Kevin combines his entrepreneurial spirit with his love for music in business.• Celebrities frequently visit The Nest, drawn by its unique blend of ambiance and entertainment.• The importance of teaching young artists about the business side of music.• The logistics and experiences associated with running a restaurant and nightclub.#BigConversationsLittleBarPodcast #RandyFlorence #PatrickEvans #CoachellaValley #KevinHenry #MutualBroadcastingSystem #SkipsLittleBar #McCallumTheatre #TheNestIndianWells #MusicIndustry #PalmDesert #IndianWells #Nightlife #Entrepreneur #Motown #Jazz #CelebritySpotting #LiveMusic #RestaurantBusiness #DesertSecrets

National popcorn day. Entertainment from 2021. Jockey underwear 1st went on sale, worlds fastest chicken plucker, WW1 1st air raid on Englan. Todays birthdays - Jean Stapleton, Nicholas Colasanto, Tippi Hedren, Phil Everly, Janis Joplin, Shelly Fabres, Dolly Parton, Robert Palmer, Martha Davis, Katey Segal, Paul Rodriguez, Drea de Matteo. Wilson Pickett died.Intro - Pour some sugar on me - Def Leppard     http://defleppard.com/The popcorn song - BarneyMood - 24k Goldn   Iann DiorChampagne night - Lady ABirthdays - In da club - 50 Cent       http://50cent.com/All in the family TV themeCheers theme spoofWake up little susie - The Everly BrothersMercedes Benz - Janis JoplinJohnny angel - Shelly FabresPuppy love - Dolly PartonAddicted to love - Robert PalmerOnly the lonely - The MotelsMidnight hour - Wilson PickettExit - In my dreams - Dokken   https://www.dokken.net/  

In this program you will the hear the African music roots of famed American blues and rock 'n' roll artists such as Jimi Hendrix, Bo Diddley, Buddy Holly, Fats Domino, the Isley Brothers, Robert Johnson, The Kingsmen and many more! Not everyone in this program is as well-known as the above mentioned juggernauts of music. Also included is Celia Cruz, Sexteto Habanero, Arsenio Rodriguez, and Baby Face Leroy. Co-produced by Ned Sublette and Robert Palmer, author of “Deep Blues”, regarded by many as the best book on the blues. APWW #91

0:00 SEG 1 Robert Palmer Watkins talks about the film “Trapped Inn”, making a movie around COVID lockdowns, working with Matt Rife, being an Executive Producer and an actor, getting distribution for a film, working on General Hospital, most memorable acting advice, and making music https://www.instagram.com/robertpalmerwatkins  21:22 SEG 2 Chef Liz of Tenacious Eats joins us in-studio to chat about planning the menu for the New Year's Eve pajama event https://www.instagram.com/tenacious_eats/  https://workandleisurestl.com/event-cale  33:17 SEG 3 Chef Liz of Tenacious Eats talks about planning the menu for her “Clue” event 43:00 SEG 4 Chef Liz talks about planning the menu for her “The Office” event Check out the ‘Justice League Revisited Podcast' with Susan Eisenberg and James Enstall at https://anchor.fm/justiceleague  Thanks to our sponsors Historic St. Charles, Missouri (https://www.discoverstcharles.com/), Bug's Comics and Games (https://www.facebook.com/profile.php?id=100070575531223) Buy tickets to 2 Rivers Comic Con coming to St. Charles in May 2025 https://2riverscomiccon.com/  Buy Me a Coffee - https://www.buymeacoffee.com/3Y0D2iaZl  Patreon -   https://www.patreon.com/GeekToMeRadio  Website -   http://geektomeradio.com/    Podcast -   https://anchor.fm/jamesenstall  Facebook -   https://www.facebook.com/GeekToMeRadio/   Twitter -   https://twitter.com/geektomeradio   Instagram -   https://www.instagram.com/geektomeradio/  Producer - Joseph Vosevich https://twitter.com/Joey_Vee 

Send us comments, suggestions and ideas here! In this week's episode we go so far down the rabbit hole that we encounter the mutated denizens of a lost race descended from Atlantean giants because this week we're exploring the science-fiction world of Richard Sharp Shaver who, of all things, claimed these stories were none other than historical fact! Published in Amazing Stories Magazine in the 1940s with the help of editor Robert Palmer the Shaver Mystery took the world by storm and laid the foundation for UFOlogy and conspiracy culture that endures today. In the first half of the show we discuss Richard Shaver's theophany of the lusty swamp witch, Nydia and how he came to know firsthand the denizens of the underworld. We also take a look at the ancient space language, a galactic commons of sorts that Shaver introduced to us and begin exploring the colorful details as they are described in his first published story “I Remember Lemuria.” In the extended episode we go further down the Shaver Rabbit Hole (that sounds pornographic somehow) and get into the vast menagerie of human alien animal hybrids that our ancient alien overlords created in their laboratories and populate the many worlds in space. We discuss the radioactive influence of the sun, megalithic monuments that still exist today and the origin of the devilish Dero who control the human elite from their high-tech machines far below the Earth's surface. Thank you and enjoy the show! In this week's episode we explore:The Shaver MysteryAmazing Stories MagazineRaymond PalmerThe Montong LanguageTheosophy, Ariosophy and New-Age Channeling Controversy!The Night Witch, NydiaHearing Voices and the Welding GunAlien RacesGiant Nordic WomenAnimal Magnetism In the extended episode available at www.patreon.com/TheWholeRabbit we go way further down the Shaver rabbit hole and discuss:The Elder RacesAlien Human Mutants Species (Furries)Rhodite ConspiracyAbandaneroAncient WeaponryThe DevilDero, Tero and ZeroShaver's medical historyLetters Between Shaver and FansConspiracy CultureOne PieceEach host is responsible for writing and creating the content they present. Heka wrote and prepared purple sections, Luke was red and Mari presented blue sections. Where to find The Whole Rabbit:Spotify: https://open.spotify.com/show/0AnJZhmPzaby04afmEWOAVInstagram: https://www.instagram.com/the_whole_rabbitTwitter: https://twitter.com/1WholeRabbitOrder Stickers: https://www.stickermule.com/thewholerabbitOther Merchandise: https://thewholerabbit.myspreadshop.com/Music By Spirit Travel Plaza:https://open.spotify.com/artist/30dW3WB1sYofnow7y3V0YoSources:“Reality -- it is a Horror?” by Gabriel McKee https://archive.nyu.edu/bitstream/2451/63884/2/Mckee-%20Shaver.pdfFlying Ships, Humanoids, and Creatures of the Subterranean Worldhttps://a.co/d/1arr0lICompendiumSupport the show

Dave Hondel sits down with Robert Palmer Watkins. Robert, a long time staple of the hit soap, General Hospital as the character, Dillon Quartermaine, has kept extremely busy in Hollywood. He has been seen in roles in The Walking Dead: World Beyond, S.W.A.T. and many more in both TV and film. The film, "Trapped Inn" was just released to streaming platforms, where Robert played the character of Greg in that thriller, alongside rising star, Matt Rife. Along with his roles on the big screen, Robert has a thriving music career under the name "Palmer". Catch all of his work at RobertPalmerWatkins.com.

606. Part 1 of Rain Prud'homme-Cranford (Rain C. Goméz) & her friends D. G. Barthe and Andrew Jolivette's visit to our porch this week. Louisiana Creole Peoplehood is the book they collaborated on. “Over the course of more than three centuries, the diverse communities of Louisiana have engaged in creative living practices to forge a vibrant, multifaceted, and fully developed Creole culture. Against the backdrop of ongoing anti-Blackness and Indigenous erasure that has sought to undermine this rich culture, Louisiana Creoles have found transformative ways to uphold solidarity, kinship, and continuity, retaking Louisiana Creole agency as a post-contact Afro-Indigenous culture. Engaging themes as varied as foodways, queer identity, health, historical trauma, language revitalization, and diaspora, Louisiana Creole Peoplehood explores vital ways a specific Afro-Indigenous community asserts agency while promoting cultural sustainability, communal dialogue, and community reciprocity.” Rain works within Indigenous and Afro-Indigenous Studies — literature; ecology; gender, two-spirit, and sexuality; Métis; Louisiana Creole; Red/Black Rhetorics; and critical mixed race. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 220 years. Order your copy today! This week in Louisiana history. December 29, 1898. Monument to Public School benefactor John McDonogh dedicated in New Orleans. This week in New Orleans history. 28 December, 1948. Joseph "Ziggy" Modeliste (born December, 28 1948 also known as Zigaboo) is an American drummer best known as a founding member of the funk group The Meters. He also cofounded The Wild Tchoupitoulas and has worked extensively with other musicians, notably Keith Richards, Robert Palmer, and Dr. John. This week in Louisiana. Dick Clark Rockin' New Year's Eve Jackson Square New Orleans, LA Website Every year, Dick Clark Rockin' New Year's Eve production hosts its official Central Time Zone party in New Orleans near the historic JAX Brewery starting at 9 p.m. The show will be coordinated with parties in New York and Los Angeles, and will feature a musical lineup and special guests. The fleur-de-lis drop-off at JAX Brewery will be live-cast. Postcards from Louisiana. Phillip Manuel and the Michael Pellera Trio perform at Snug Harbor. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

By the late 70s, drummer Dony Wynn thought his music career might be over. Nothing was really happening and he wasn't holding down gigs. Then the great Robert Palmer heard him and everything changed. Dony joined the fray around the Secrets album in 1979 and stuck around for the next 15 years or so. Dony joins us this week to tell us what it's like working for Robert during his peak (and post peak) period, why they had that magic and his times working with Robert Plant, Steve Winwood, Wang Chung, Dr. John, Josie Cotton and more. These days, Dony is more focused on writing and photography, but he can sure tell a good story! Enjoy! www.donywynn.com www.patreon.com/c/thehustlepod

Duran Duran are one of the biggest and best bands of the 80's, and we thought they would be perfect subjects for continuing our second anniversary celebration. We invited our friend Russ to help and add insight, as we delved into Duran and their offshoot bands The Power Station, Arcadia, and Robert Palmer as well. Super interesting and fun story. We did experience some unfortunate technical issues with Russ's vocal track, but we're sure you'll love him and see past all that. Really fun having him join us. Connect with us at tapeheadspod.com RELATED LINKS: Our Please Please Tell Me Now playlist, on Spotify Duran Duran, on Spotify The Power Station, on Spotify Arcadia, on Spotify Robert Palmer, on Spotify

Jimmy Vivino Live on Game Changers With Vicki Abelson It had been six long, 4 1/2 COVID years since last I sat down with my old friend, multi-instrumentalist, producer, composer, and long-time musical director for Conan O'Brien, Jimmy Vivino. It was like coming home. Almost the same age, we have many shared (unbeknownst to us at the time) memories of concerts at The Filmore East, Watkins Glen, the glory daze of the NY club scene, and a bounty of mutual friends. Talk about being in one's comfort zone. Jimmy talked growing up in New Jersey, his carpenter trumpet-playing father, his talented brothers, Jerry and Floyd, and how they began and evolved - he talked Conan, Laura Nyro, Phoebe Snow, Donald Fagen, John Sebastian, Al Kooper, Levon Helm, The Allman Brothers, Albert King, Tom Petty, Prince, Bruno Mars, Michael McDonald, Johnny Johnson, Hubert Sumlin, Stevie Wonder, Muddy Waters, Pinetop Perkins, John Sebastian, The Dead, The Band, Harry Shearer, Paul Shaffer, whom he credits as his mentor, Leader of the Pack, Broadway, Ronnie Spector, Felix Cavaliere, The Rascals, Frankie Valli, Slash, Sly Stone, The J. Geils Band, Elvis Costello, and the James Brown and Friends Set Fire To The Soul with Aretha, Robert Palmer, and Joe Cocker, that he orchestrated. Incredible stories all around, and this special is available on YouTube… wow - Snuff and I just watched it. Spectacular. We talked about COVID and Jimmy joining Canned Heat, currently touring with them, and Bill Murray, as well as still doing shows with Will Lee and The Fab Faux. His first all-original album, Gonna Be 2 of Those Days, is due to drop in February, signed copies are available for pre-sale at jimmyvmusic.com He treated us to a track to close the show. Life is busy, busy. busy… just the way Jimmy likes it. And so do we who follow and adore him. I so enjoyed every second of this. Jimmy needs to write a book and get all these stories down. He knows and has played with everyone. Such fun! Jimmy Vivino Live on Game Changers With Vicki Abelson Wednesday, 12/11/24, 5 PM PT, 8 PM ET Streamed Live on my Facebook Replay here: https://bit.ly/49vuRwT

May Pang : John Lennon's Lost WeekendMonday Nov 9th 730 PM , May Pang is being honored with the Ambassador of Rock AwardLe Poisson Rouge 158 Bleeker St. NYhttp://rockersonbroadwayMay Pang, world-renowned confidant and companion of John Lennon, has been in the public eye for over three decades. Her career in the music industry spans over 40 years, beginning with Allen Klein's company, ABKCO Industries, the firm which managed the Beatles, Apple Corps. Ltd. and the Rolling Stones besides having an extensive music publishing catalogue which included songs by Sam Cooke.In 1970, Lennon and Yoko Ono hired Pang as their personal assistant. She would eventually become their production coordinator -- playing a key role in records by Lennon, Ono and Harry Nilsson. In 1974, Pang was awarded an RIAA Gold Album Award for her work on Lennon's Walls and Bridges, the #1 hit album which included his first and only #1 single in his lifetime, "Whatever Gets You Thru The Night." She can also be heard singing on "#9 Dream," the second single from the album.In the late 1970s working for Island Records, Pang coordinated all activities related to the release of albums by Robert Palmer, Third World, and Bob Marley and the Wailers. By the early 1980s, she was one of the leading professional managers in the music publishing industry, working with several unknown songwriters and successfully obtaining coverage by such artists as Diana Ross, Judas Priest, The Four Tops, Ullanda McCullough and Air Supply.During this period, Pang decided to set the record straight about her relationship with Lennon. Warner Books published her memoir, Loving John, in 1983. The book detailed her liaison and working association with the late Beatle and shed light on his relationships with his first son, Julian, as well as Paul McCartney, Ringo Starr and George Harrison.During the last two decades, Pang has appeared in every major news and magazine publication worldwide (NY Times, LA Times, Washington Post, The Daily News, UK's Mail On Sunday, Vogue online, Germany's Die Seite Drei, Marie Claire, People, etc.) and has been a guest on such national TV shows as Good Morning America, Howard Stern, Good Morning LA, CBS Sunday Morning, Court TV and Entertainment Tonight.Pang has also designed a unique collection of stainless steel Feng Shui jewelry and accent furniture. She has a weekly internet radio show with co-host Cynthia Neilson called Dinner Specials on BlogTalkRadio. Com. Pang continues her consulting work on music for films and is still an advisory board member of Women In Music. She also serves as an advisory board member, along with Julian Lennon, Jeff Bridges to name a few at the Amazon Conservation Team (ACT) organization. ACT deals with saving the rainforest and its indigenous people. This was started by world known ethnobotanist Dr. Mark J. Plotkin and conservationist Liliana Madrigal.In 2008, St. Martin's Press released Instamatic Karma, a collection of Pang's personal photographs of John Lennon. Fine art prints of these portraits have been exhibited in major galleries across the country.Also in the Fall of 2014, she released a book only for the German market called John Lennon & May Pang, Another Love. She had received numerous press coverage in some of Germany's largest newspaper publications.Pang has lectured and given talks at various events across the country including public libraries and most recently at Berklee College of Music in Boston sponsored in part by theLiberal Arts Dept. While there, she also lectured the John Lennon Songwriting class. She also gave a talk at The Rock & Roll Fantasy Camp in Las Vegas as a Special Guest Speaker.She has also been asked to be a guest speaker along with guests Donovan, Peter Asher, Pattie Boyd and others at The International Beatles Week 2015 in Liverpool this coming August.In this age of “social awareness”, Pang was asked to participate as an artist on a CD called: ALL ABOUT BULLIES…BIG AND SMALL. The CD won a Grammy for The Best Children's CD category in 2012.John Lennon: The Lost Weekend- Living, Loving and Making Rock & RollShe shared his life, his music and his love. She was his intimate companion during the time known as- THE LOST WEEKEND.May Pang was twenty-two. She was John and Yoko's personal assistant, a trusted member of their inner circle of carefully chosen friends and associates. She budgeted and contracted for their albums and became an invaluable part of their creative and personal lives.When John and Yoko separated, May was enlisted to care for John as he embarked on a period known as "The Lost Weekend" – an intense period of enormous creativity and violent self-destructiveness. She lived, worked, and fell deeply in love with Lennon.Together they shared a rocky romance, with Yoko waiting in the wings for John's return. This is her record of that time, a time when John was recording, seeing friends, exploring the world and confronting his own inner demons. It is a personal account written of life with Lennon by a woman who loved and was loved by one of the most fascinating creative men of our time. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

May Pang : John Lennon's Lost WeekendMonday Nov 9th 730 PM , May Pang is being honored with the Ambassador of Rock AwardLe Poisson Rouge 158 Bleeker St. NYhttp://rockersonbroadwayMay Pang, world-renowned confidant and companion of John Lennon, has been in the public eye for over three decades. Her career in the music industry spans over 40 years, beginning with Allen Klein's company, ABKCO Industries, the firm which managed the Beatles, Apple Corps. Ltd. and the Rolling Stones besides having an extensive music publishing catalogue which included songs by Sam Cooke.In 1970, Lennon and Yoko Ono hired Pang as their personal assistant. She would eventually become their production coordinator -- playing a key role in records by Lennon, Ono and Harry Nilsson. In 1974, Pang was awarded an RIAA Gold Album Award for her work on Lennon's Walls and Bridges, the #1 hit album which included his first and only #1 single in his lifetime, "Whatever Gets You Thru The Night." She can also be heard singing on "#9 Dream," the second single from the album.In the late 1970s working for Island Records, Pang coordinated all activities related to the release of albums by Robert Palmer, Third World, and Bob Marley and the Wailers. By the early 1980s, she was one of the leading professional managers in the music publishing industry, working with several unknown songwriters and successfully obtaining coverage by such artists as Diana Ross, Judas Priest, The Four Tops, Ullanda McCullough and Air Supply.During this period, Pang decided to set the record straight about her relationship with Lennon. Warner Books published her memoir, Loving John, in 1983. The book detailed her liaison and working association with the late Beatle and shed light on his relationships with his first son, Julian, as well as Paul McCartney, Ringo Starr and George Harrison.During the last two decades, Pang has appeared in every major news and magazine publication worldwide (NY Times, LA Times, Washington Post, The Daily News, UK's Mail On Sunday, Vogue online, Germany's Die Seite Drei, Marie Claire, People, etc.) and has been a guest on such national TV shows as Good Morning America, Howard Stern, Good Morning LA, CBS Sunday Morning, Court TV and Entertainment Tonight.Pang has also designed a unique collection of stainless steel Feng Shui jewelry and accent furniture. She has a weekly internet radio show with co-host Cynthia Neilson called Dinner Specials on BlogTalkRadio. Com. Pang continues her consulting work on music for films and is still an advisory board member of Women In Music. She also serves as an advisory board member, along with Julian Lennon, Jeff Bridges to name a few at the Amazon Conservation Team (ACT) organization. ACT deals with saving the rainforest and its indigenous people. This was started by world known ethnobotanist Dr. Mark J. Plotkin and conservationist Liliana Madrigal.In 2008, St. Martin's Press released Instamatic Karma, a collection of Pang's personal photographs of John Lennon. Fine art prints of these portraits have been exhibited in major galleries across the country.Also in the Fall of 2014, she released a book only for the German market called John Lennon & May Pang, Another Love. She had received numerous press coverage in some of Germany's largest newspaper publications.Pang has lectured and given talks at various events across the country including public libraries and most recently at Berklee College of Music in Boston sponsored in part by theLiberal Arts Dept. While there, she also lectured the John Lennon Songwriting class. She also gave a talk at The Rock & Roll Fantasy Camp in Las Vegas as a Special Guest Speaker.She has also been asked to be a guest speaker along with guests Donovan, Peter Asher, Pattie Boyd and others at The International Beatles Week 2015 in Liverpool this coming August.In this age of “social awareness”, Pang was asked to participate as an artist on a CD called: ALL ABOUT BULLIES…BIG AND SMALL. The CD won a Grammy for The Best Children's CD category in 2012.John Lennon: The Lost Weekend- Living, Loving and Making Rock & RollShe shared his life, his music and his love. She was his intimate companion during the time known as- THE LOST WEEKEND.May Pang was twenty-two. She was John and Yoko's personal assistant, a trusted member of their inner circle of carefully chosen friends and associates. She budgeted and contracted for their albums and became an invaluable part of their creative and personal lives.When John and Yoko separated, May was enlisted to care for John as he embarked on a period known as "The Lost Weekend" – an intense period of enormous creativity and violent self-destructiveness. She lived, worked, and fell deeply in love with Lennon.Together they shared a rocky romance, with Yoko waiting in the wings for John's return. This is her record of that time, a time when John was recording, seeing friends, exploring the world and confronting his own inner demons. It is a personal account written of life with Lennon by a woman who loved and was loved by one of the most fascinating creative men of our time. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

May Pang : John Lennon's Lost WeekendMonday Nov 9th 730 PM , May Pang is being honored with the Ambassador of Rock AwardLe Poisson Rouge 158 Bleeker St. NYhttp://rockersonbroadwayMay Pang, world-renowned confidant and companion of John Lennon, has been in the public eye for over three decades. Her career in the music industry spans over 40 years, beginning with Allen Klein's company, ABKCO Industries, the firm which managed the Beatles, Apple Corps. Ltd. and the Rolling Stones besides having an extensive music publishing catalogue which included songs by Sam Cooke.In 1970, Lennon and Yoko Ono hired Pang as their personal assistant. She would eventually become their production coordinator -- playing a key role in records by Lennon, Ono and Harry Nilsson. In 1974, Pang was awarded an RIAA Gold Album Award for her work on Lennon's Walls and Bridges, the #1 hit album which included his first and only #1 single in his lifetime, "Whatever Gets You Thru The Night." She can also be heard singing on "#9 Dream," the second single from the album.In the late 1970s working for Island Records, Pang coordinated all activities related to the release of albums by Robert Palmer, Third World, and Bob Marley and the Wailers. By the early 1980s, she was one of the leading professional managers in the music publishing industry, working with several unknown songwriters and successfully obtaining coverage by such artists as Diana Ross, Judas Priest, The Four Tops, Ullanda McCullough and Air Supply.During this period, Pang decided to set the record straight about her relationship with Lennon. Warner Books published her memoir, Loving John, in 1983. The book detailed her liaison and working association with the late Beatle and shed light on his relationships with his first son, Julian, as well as Paul McCartney, Ringo Starr and George Harrison.During the last two decades, Pang has appeared in every major news and magazine publication worldwide (NY Times, LA Times, Washington Post, The Daily News, UK's Mail On Sunday, Vogue online, Germany's Die Seite Drei, Marie Claire, People, etc.) and has been a guest on such national TV shows as Good Morning America, Howard Stern, Good Morning LA, CBS Sunday Morning, Court TV and Entertainment Tonight.Pang has also designed a unique collection of stainless steel Feng Shui jewelry and accent furniture. She has a weekly internet radio show with co-host Cynthia Neilson called Dinner Specials on BlogTalkRadio. Com. Pang continues her consulting work on music for films and is still an advisory board member of Women In Music. She also serves as an advisory board member, along with Julian Lennon, Jeff Bridges to name a few at the Amazon Conservation Team (ACT) organization. ACT deals with saving the rainforest and its indigenous people. This was started by world known ethnobotanist Dr. Mark J. Plotkin and conservationist Liliana Madrigal.In 2008, St. Martin's Press released Instamatic Karma, a collection of Pang's personal photographs of John Lennon. Fine art prints of these portraits have been exhibited in major galleries across the country.Also in the Fall of 2014, she released a book only for the German market called John Lennon & May Pang, Another Love. She had received numerous press coverage in some of Germany's largest newspaper publications.Pang has lectured and given talks at various events across the country including public libraries and most recently at Berklee College of Music in Boston sponsored in part by theLiberal Arts Dept. While there, she also lectured the John Lennon Songwriting class. She also gave a talk at The Rock & Roll Fantasy Camp in Las Vegas as a Special Guest Speaker.She has also been asked to be a guest speaker along with guests Donovan, Peter Asher, Pattie Boyd and others at The International Beatles Week 2015 in Liverpool this coming August.In this age of “social awareness”, Pang was asked to participate as an artist on a CD called: ALL ABOUT BULLIES…BIG AND SMALL. The CD won a Grammy for The Best Children's CD category in 2012.John Lennon: The Lost Weekend- Living, Loving and Making Rock & RollShe shared his life, his music and his love. She was his intimate companion during the time known as- THE LOST WEEKEND.May Pang was twenty-two. She was John and Yoko's personal assistant, a trusted member of their inner circle of carefully chosen friends and associates. She budgeted and contracted for their albums and became an invaluable part of their creative and personal lives.When John and Yoko separated, May was enlisted to care for John as he embarked on a period known as "The Lost Weekend" – an intense period of enormous creativity and violent self-destructiveness. She lived, worked, and fell deeply in love with Lennon.Together they shared a rocky romance, with Yoko waiting in the wings for John's return. This is her record of that time, a time when John was recording, seeing friends, exploring the world and confronting his own inner demons. It is a personal account written of life with Lennon by a woman who loved and was loved by one of the most fascinating creative men of our time. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

In the late 1980s, few movies encapsulated the aspirational vibe of the era quite like Cocktail. Released in 1988, this romantic drama, directed by Roger Donaldson and starring a magnetic Tom Cruise, is a cocktail of ambition, love, and the search for identity. For this week's episode of Born to Watch, we're deep-diving into this cult classic. In this Cocktail (1988) Movie Review, we'll explore the film's signature style, performances, and its lasting impact on pop culture.The Story of Brian FlanaganCocktail follows Brian Flanagan (Tom Cruise), a charming and ambitious young man fresh out of the military who dreams of making it big in the corporate world. After facing rejection from high-powered job opportunities in New York City, Brian turns to bartending as a temporary gig, only to discover a talent for mixing drinks and working a crowd. Under the tutelage of seasoned bartender Doug Coughlin (played by Bryan Brown), Brian learns the art of flair bartending—transforming cocktail-making into a theatrical performance.But as Brian rises through the ranks of nightlife stardom, his ambitions clash with reality, leading to heartbreak, betrayal, and, ultimately, self-discovery. From the high-energy Manhattan bar scene to the tranquil beaches of Jamaica, the movie's settings are as diverse as its themes.Tom Cruise: A Star Shining BrightBy 1988, Tom Cruise was already a household name, thanks to hits like Top Gun and Risky Business. In Cocktail, Cruise once again exudes the charm and energy that made him a box-office darling. His portrayal of Brian Flanagan is a perfect mix of confidence, vulnerability, and ambition, capturing the complexities of a man torn between his lofty dreams and the harsh realities of life.Cruise's ability to sell even the most over-the-top scenes—like flipping bottles mid-air to a raucous crowd—speaks to his charisma and star power. It's no surprise that the role cemented him as one of Hollywood's most bankable leading men.The Mentor and the LessonsBryan Brown delivers a standout performance as Doug Coughlin, Brian's cynical mentor. Doug's “Coughlin's Laws”—a mix of humorous and hard-earned wisdom—serve as Brian's guiding (and sometimes misleading) principles. The dynamic between Cruise and Brown is electric, capturing the highs and lows of their mentor-protégé relationship. Doug's character adds depth to the story, offering a sobering contrast to Brian's youthful exuberance.Romance in ParadiseThe film takes a romantic turn when Brian leaves the city for Jamaica, where he meets Jordan Mooney (played by Elisabeth Shue). Their chemistry is palpable, and Jordan's grounded nature counterbalances Brian's high-flying ambitions. Shue's performance brings warmth and sincerity to the film, anchoring the story in moments of genuine emotion amidst the glitz and drama.The romance between Brian and Jordan is central to the film's emotional arc. It's a tale of love tested by ambition, betrayal, and the quest for redemption—classic ingredients for a memorable romantic drama.The Flair and Theatrics of BartendingOne of Cocktail's most iconic elements is its portrayal of flair bartending. The film transformed the act of making cocktails into a spectacle, with Brian and Doug dazzling crowds by flipping bottles, juggling shakers, and turning bartending into an art form. These high-energy sequences, set to a soundtrack of 80s hits, are among the most memorable in the movie.Songs like “Kokomo” by The Beach Boys and “Addicted to Love” by Robert Palmer add to the film's vibrant atmosphere, making the nightlife scenes come alive with infectious energy. The combination of music, choreography, and Cruise's showmanship turned bartending into an aspirational profession for a generation.Themes of Ambition and IdentityAt its core, Cocktail is a story about ambition—both its allure and its pitfalls. Brian's journey reflects the challenges of chasing big dreams while staying true to oneself. The film explores themes of friendship, betrayal, and the search for meaning in a world driven by material success.Doug's cynicism and Brian's youthful optimism create a compelling tension, forcing Brian to confront his own values and priorities. As the story unfolds, the film raises questions about the cost of ambition and the importance of staying grounded.Cultural Impact and ReceptionCocktail was a box-office success upon its release, earning over $170 million worldwide. However, its reception among critics was mixed, with some dismissing it as shallow and formulaic. Despite this, the film has since gained a cult following thanks to its energetic style, charismatic performances, and memorable soundtrack.Cocktail captured the spirit of the late 80s—a time of excess, ambition, and dreams of making it big. Its influence extended beyond the screen, inspiring a wave of interest in flair bartending and nightlife culture.Flaws and LegacyWhile Cocktail shines in many areas, it's not without its flaws. The screenplay occasionally leans on clichés, and some of the character arcs feel underdeveloped. Critics at the time noted the film's uneven tone, which shifts between lighthearted romance and heavier themes of betrayal and loss.That said, the film's imperfections don't overshadow its strengths. Cocktail remains a time capsule of 80s culture, blending style, romance, and drama into an entertaining package. Its enduring popularity speaks to its ability to resonate with audiences despite its shortcomings.Why It Still MattersDecades after its release, Cocktail continues to captivate audiences with its unique blend of charm and drama. It's a film that invites viewers to reflect on their own ambitions and relationships while enjoying the spectacle of Cruise at his most charismatic.For fans of Tom Cruise or romantic dramas with a twist, Cocktail offers a nostalgic trip back to an era of big dreams, bigger hair, and unforgettable flair. Its themes of ambition, love, and self-discovery are as relevant today as they were in 1988, making it a timeless addition to any movie lover's collection.Final PourCocktail is a cinematic concoction that mixes high-energy performances, memorable music, and a heartfelt story into a crowd-pleasing package. Whether you're drawn to Tom Cruise's star power, the dazzling bartending sequences, or the emotional journey of its characters, this film has something for everyone.For our Born to Watch listeners, we'll be diving deeper into the legacy and behind-the-scenes stories of this 80s gem in this week's episode. So grab your favourite drink, hit play, and join us as we toast to Cocktail—a movie that's equal parts style and substance. Cheers!Please follow the Podcast and join our community at https://linktr.ee/borntowatchpodcasthttps://www.borntowatch.com.au/

Send us a textEver wondered how an electric scooter heist could lead to a laugh-out-loud radio moment? That's just the beginning of our Monday Fun Day madness with DJ Paulie and his brother Lou. We're kicking off the week with wild tales of quirky criminals and sensational throwbacks to 80s supergroups. From the outrageous courtroom antics of a suspended driver in Michigan to the pulsating beats of bands like The Power Station and The Firm, this episode is packed with stories that promise to brighten your day.Join us as we unravel the fascinating tapestry of iconic bands, beginning with The Power Station's explosive debut featuring legends like Robert Palmer and the Taylors from Duran Duran. We pay homage to their catchy hits and explore their spirited collaborations. Then, we journey through intriguing tidbits, from male mice's melodic courtship songs to the surprising history of WWII-era Oscars made of plaster. There's something for every music lover and trivia aficionado in this engaging mix of banter and nostalgia.As we roll through the rhythm of the episode, brace yourself for a stirring exploration of David Bowie's Tin Machine. The Sales Brothers' steadfast beats met Bowie's bold vision, crafting a sound that challenged norms and resonated with deeper societal themes. We dissect standout tracks like "Under the God" and "Baby Universal," delving into their powerful messages and unforgettable melodies. Whether you're a classic rock lover or a curious listener eager to learn more, this episode is your ticket to a fun-filled, insightful audio adventure.Support the showThanks for listening. Join us each Monday at 1pm Central at www.urlradio.net and follow us on Facebook!

Robert Palmer v. Union Pacific Railroad Co.

It is a little surprising that we have gotten this far into the podcast without featuring an album by Mötley Crüe.  This is a group that practically defined the hair metal genre of the mid to late-80's.  The band formed in 1981 in Hollywood, and featured both a party-oriented lifestyle and an androgynous look.  The core and classic members of the band were Nikki Sixx on bass and keyboards, Mick Mars on lead guitar and backing vocals, Tommy Lee on drums and backing vocals, and Vince Neil as front man.  Many other musicians would be brought in for sessions, and the group itself would change personnel over the years.  However, the classic lineup was still in place for their fifth studio album, Dr. Feelgood.  At the time, the group was facing conflicts that caused Producer Bob Rock to have each member record their parts separately.  This was also the first album recorded after the group started a quest to get sober and go through rehab.  Additionally, recording took place in Vancouver, getting the band out of the familiar (and seductive) L.A. scene.The result of these sessions was impressive.  Dr. Feelgood was the groups most successful album to date, and went to the top of the Billboard 200 album chart, the only Crüe album to do so.  It was also reviewed positively by critics, receiving the award for "Best Hard Rock/Heavy Metal Album of the Year" at the American Music Awards in 1991.Friend of the show Greg Lyon sits in for Bruce and brings us this excellent glam metal album of the late 80's for this week's podcast.Dr. FeelgoodThis title track peaked at number 6 on the Billboard Hot 100, making it Mötley Crüe's most successful single to date.  The song about a drug dealer chronicles the connection between LA Rock and drug use.  It has an infectious funky riff and a more sophisticated production which departs from earlier Mötley Crüe efforts.Don't Go Away Mad (Just Go Away)The softer approach of this power ballad song are betrayed by its adolescent lyrics.  Bassist Nikki Sixx was inspired by a movie line to make this sarcastic song. It's tongue in cheek lyrics and reference to earlier Crüe songs make it a favorite at their live shows.  like fire, don't you ever take my name in vain."Same Ol' Situation (S.O.S.)This fifth single released from the album tells a comedic story of a boy meeting two girls, and by the end of the song the boy has been passed over while the two girls end up together.  Many of  Mötley Crüe's songs had lighter, humorous lyrics, which contributed to their appeal.Kickstart My HeartDo not play this song when driving through a speed trap!  The song is not about a relationship, but about Nikki Sixx's heroin overdose.  Sixx was clinically dead, requiring the paramedic to inject adrenaline into his heart to get it beating again.  This single reached number 27 on the Billboard Hot 100.    ENTERTAINMENT TRACK:Welcome Home by Willie Nelson (from the motion picture “Welcome Home”)This film starred Kris Kristofferson as a Vietnam War vet returning to his family after a 20-year absence. STAFF PICKS:New Orleans Is Sinking by the Tragically HipWayne turns to the college rock genre to start off our staff picks.  The Tragically Hip is better known in their native Canada than in the US, but their music is well worth a listen.  This song was recorded in Memphis, and has a delta blues feel, almost rockabilly.  The song was temporarily removed from radio playlists after hurricane Katrina broke the levies and flooded New Orleans.  Wait for You by BonhamIf you think that this song sounds like Led Zeppelin, you aren't the only one.  Rob features Jason Bonham's band.  Jason Bonham was the son of the late Led Zeppelin drummer John Bonham.  Jason Bonham has a playing style very similar to his father, and recruited Daniel McMaster to the band on vocals - a singer with a sound very similar to Zeppelin front man Robert Palmer.  This is the main single from the debut album, "The Disregard of Timekeeping." Poison by Alice CooperLynch brings us a song from Cooper's eighteenth album, "Trash."  This song was a major comeback single for Cooper, his first top 10 single in the US in 12 years.  The song tells the story of a guy entrapped by a girl that he knows is wrong for him, but also someone he can't let go.Down Boys by Warrant Greg finishes the staff picks with another hair metal band.  This is the debut single from Warrant's debut album, "Dirty Rotten Filthy Stinking Rich."  It reached number 27 on the Billboard Hot 100 charts.   INSTRUMENTAL TRACK:Stand On It by Jeff Beck with Terry Bozzio and Tony HymasWe close out with a guitar instrumental from guitar virtuoso Jeff Beck, accompanied by drummer Terry Bozzio and keyboardist Tony Hymas. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

A number of bands seem to turn a corner with their third album, and Master of Puppets is no exception.  Metallica's third album would achieve both critical and commercial success, crossing out of the new thrash metal sub-genre of hard rock to achieve multi-platinum recognition.  Lead singer and rhythm guitarist James Hetfield collaborated with drummer Lars Ulrich as the principal songwriters, creating riffs that were assembled and reassembled over time until they formed a song.  The band would then be called in to create a tile and topic for the song, at which point Hetfield would create the lyrics.Master of Puppets peaked at number 29 on the Billboard 200 albums chart.  Although glam metal was on the rise, the band avoided the over-produced, synth-laden sound popular in the era, and stuck to their signature thrash metal sound with political lyrics.  The resulting album would consolidate the thrash metal scene, and bring the sound into a more mainstream audience.Unfortunately, the album would also be the last one for which bassist Cliff Burton would be featured.  Burton died in September 1986 while the band was on tour in Sweden, and their bus was involved in an accident.Metallica would become a huge group from the late 80's onward, and this album shows the strength of the group in those years when they were just coming into the consciousness of the commercial world.Lynch brings us this highly influential thrash metal album.  Fans of the Show Julie Doran and son Zack join us in Wayne's absence for today's podcast. Welcome Home (Sanitarium)The song that concludes side 1 of the album was inspired by Ken Kesey's novel "One Flew Over the Cuckoo's Nest."  The lyrics portray the thoughts of a mental patient incorrectly institutionalized in an asylum.  The track starts slow and picks up steam as it goes.  BatteryThis title could be a reflection of the charge of assault and battery, or it could be inspired by the military hardware of an artillery battery.  There is also a connection to the original San Francisco thrash scene, centered on the Old Waldorf club on Battery Street.  Control of violent urges is a connection that runs through the piece regardless of the original inspiration.Master of PuppetsCocaine addiction is the master of puppets referenced in this title track.  Hetfield had friends experiencing drug addiction, and wrote this track from the perspective of the drug itself, taking over the lives of people.  This will be a familiar song to fans of "Stranger Things." ENTERTAINMENT TRACK:Loved By the Sun by Jon Anderson and Tangerine Dream (from the motion picture “Legend”)This fantasy film starring Tom Cruise and Mia Sara was in the theaters at this time. STAFF PICKS:Your Wildest Dreams by the Moody BluesRob starts off the staff picks with a song that singer and guitarist Justin Heyward wrote while thinking back on his first love.  It hit number 9 on the Billboard Hot 100, making this song the biggest commercial success for the Moody Blues since "Knights in White Satin."Mothers Talk by Tears for FearsBruce's staff pick was inspired by a mom telling her kids that when they make faces, they will freeze that way.  It is also inspired by an anti-nuclear cartoon called "When the Wind Blows" by Raymond Briggs.  The song was written by Roland Orzabal and Ian Stanley, and first performed in 1983.  It went to number 27 on the Billboard Hot 100. Kiss by Prince & the RevolutionJulie features a chart topping hit and lead single from Prince's eighth studio album, "Parade."  The song is more acoustic and stripped down than prior Prince hits, and Warner Bros. didn't want to release it as a single.  However, Prince insisted on both its inclusion on the album and its release as a single.Addicted to Love by Robert PalmerLynch closes out the staff picks with a song that may be more famous for its video featuring models pretending to play the instruments.  Palmer originally wanted to sing this song as a duet with Chaka Kahn, but was prevented from doing so by legal issues.   INSTRUMENTAL TRACK:Songbird by Kenny G.You just can't go wrong with a sax as we close out today's podcast.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. On today's episode, Andy Atherton is watching “Addicted To Love” by Robert Palmer from 1985. The YouTube link for the video is below so you can watch along! Robert Palmer - Addicted To Love (Official Music Video) 

Why has a drug that can extend life for advanced breast cancer patients not been made available on the NHS? NICE have made the decision that Enhertu, a drug that can give around an extra six months to live on average, is too expensive. BBC Health Correspondent Cath Burns joined Anita Rani alongside Kate Wills, who has stage 4 cancer and has been campaigning for the drug to be made available.The actor Lesley Manville is currently starring alongside Mark Strong in Robert Icke's adaptation of Oedipus. She plays Jocasta, Oedipus' wife. Lesley joined Nuala McGovern to tell us more about the play, what it's like being back on stage for the first time since 2020, and why she thinks women's stories are being featured more.New podcast The Kill List follows a group of journalists who discovered a page on the dark web detailing requests to have people killed, with women most likely to be the ones targeted. The investigation led to a major international police operation over four years and, at the heart of it are the real people whose lives were seemingly at huge risk. Nuala was joined by the programme's producer Caroline Thornham and Jennifer whose former husband posted a 'hit' for her on this website.Blessing scams are targeting Chinese communities in the UK. They're usually carried out by women in groups of three, approaching people asking for help in Cantonese. Tuyet van Huynh's mother was one of these victims. After she was targeted, Tuyet set out to expose this practice on social media and has since heard from other victims. She speaks to Anita about the impact the crime has had on their family.Death is a subject many people still shy away from, but one woman is determined to change that. Funeral director Inez Capps is on a mission to challenge the taboos around death and demystify an industry often shrouded in mystery. Inez talks to Nuala about how, since the age of 19, she's been working with the deceased, and she's using social media to give people a glimpse behind the scenes — from the care a loved one receives, to tours of the hearse and the embalming suite.Elkie Brooks is the renowned British rock, jazz and blues singer. In a career spanning six decades, she was the biggest selling female British artist and still holds the accolade of the most Top 75 albums among female artists. She began singing professionally aged 15, shared a bill with The Beatles and went on to front the group Vinegar Joe with Robert Palmer, before going solo. She's currently on her Long Farewell Tour and joined Anita in the studio to talk about her career and turning 80 next year.Presenter: Anita Rani Producer: Annette Wells Editor: Rebecca Myatt

Why has a drug that can extend life for advanced breast cancer patients not been made available on the NHS? NICE have made the decision that Enhertu, a drug that can give around an extra six months to live on average, is too expensive. BBC Health Correspondent Cath Burns joins Anita Rani alongside Kate Wills, who has stage 4 cancer and has been campaigning for the drug to be made available.Do you have an 'emotional vampire' in your life? It's that person who can make you feel drained with their negativity, who isn't taking your own emotions into account. It can make for tricky relationships – so how do you identify an emotional vampire, and how do you handle that person? Chartered psychologist and author Suzy Reading joins Anita to discuss, alongside journalist and author Radhika Sanghani.Elkie Brooks is the renowned British rock, jazz and blues singer. In a career spanning six decades, she was the biggest selling female British artist and still holds the accolade of the most Top 75 albums among female artists. She began singing professionally aged 15, shared a bill with The Beatles and went on to front the group Vinegar Joe with Robert Palmer, before going solo. She's currently on her Long Farewell Tour and joins Anita in the studio to talk about her career and turning 80 next year. In the latest in our series on special educational needs and disabilities we speak to the comedian Josephine Lacey. Today, we are looking at a very personal issue which will resonate for some mothers of boys with SEND. Josephine joins Anita in the studio. Presenter: Anita Rani Producer: Emma Pearce

Unlock the secrets to building a thriving real estate career by mastering the art of authentic networking and strategic recruiting. Our latest episode promises to transform your approach to relationships and time management, ensuring you align with partners who truly understand your vision. With insights from industry experts like Scott Maloof and Dayton, we explore the mindset shifts necessary for roles like transitioning from a lender to a realtor or recruiter, and how these changes can complement broader industry strategies. Gain a fresh perspective on the evolving landscape of real estate, where personal growth and professional success go hand in hand.Step into the future of real estate, where we ponder the industry's evolution, drawing on intriguing concepts like alternate universes and divine intervention. Discover how keeping busy can sometimes obscure the bigger picture, and why advising clients beyond the basics is key to establishing trust and credibility. We reflect on an inspiring mastermind event in San Antonio, featuring local legends who shared their wisdom and set the stage for future discussions on transformative topics. By embracing proactive communication and structured approaches, you'll learn how to navigate the complexities of the real estate market with confidence.Explore the fascinating world of revolutionary real estate models, as we take a closer look at LPT Realty's hybrid brokerage approach. With a focus on agent empowerment through innovative marketing and compensation strategies, this episode reveals how founders like Robert Palmer are redefining the industry. From leveraging video marketing to building high-quality relationships, we emphasize the importance of persistence and proactive engagement in overcoming challenges. Join us in this engaging conversation that promises not just strategies and insights, but a new way of thinking about success in real estate.Key Factors Podcast is Powered by ReviewMyMortgage.com Host: Mark Jones | Sr. Loan Officer | NMLS# 513437 If you would like to work with Mark on your next home purchase or as a partner visit iThink Mortgage.

"It's Only Rock and Roll" There's a lot to tell about Michael Des Barres, but let's start with the music. In the early '70s, the Sussex-born singer/songwriter fronted the glam rock band Silverhead, who were signed to Deep Purple's label. He decided to try his luck on the West Coast, moving to L.A. and fronting the rock/soul outfit, who were signed to Led Zeppelin's Swan Song Records. In '82, Des Barres formed the hard rock band Chequered Past with Steve Jones of The Sex Pistols and Clem Burke of Blondie. That band opened for folks like INXS and Duran Duran and that Duran Duran association proved auspicious as Des Barres was invited by Andy Taylor to replace Robert Palmer as the singer of The Power Station. I know I said Des Barres was a rock and roll chameleon, but at this point he sounds more like a rock and roll shark, doesn't he? He never stops moving. Des Barres fronted The Power Station at Live Aid and along the way he co-wrote "Obsession" with Holly Knight, which became a global hit for Animotion, he put out fabulous solo records, fronted another band called The Mistakes and in 2013 he joined the Los Angeles Philharmonic for the world premiere of 200 Motels: The Suites, by Frank Zappa in which he appeared as Rance, the narrator. We'll get to his new album in a second, but let's talk about his acting first. Des Barres has so many IMDB credits, it's dizzying. Getting his start at age eight, he's appeared in over 100 television shows and close to fifty movies. Let me run through a few because it's nuts: All you '80s kids might remember him in The Ghoulies, but he was in To Sir With Love, Under Siege, and David Lynch's Mulholland Drive and on television he was on Roseanne, Just Shoot Me, Frasier, Seinfeld, St. Elsewhere and MacGyver. Des Barres is a true rock and roll chameleon, because, like a chameleon, he's able to effortlessly change from situation to situation. That subtle shapeshifting quality makes folks like Des Barres able to basically do whatever he wants because he has massive range and can move through the cultural space with otherworldly ease. Des Barres' new album It's Only Rock and Roll is an affectionate tipping of the hat to the songs of the '70s that he loves. From Roxy Music's Love Is The Drug to Sweet's Fox On The Run to the Faces' Stay With Me, this is a scorcher of a record that features Des Barres sounding better than ever--his delivery still has the same muscular pounce and raw elegance and the 12 songs here are delivered with equal parts affection, admiration and grace. And this interview? An absolute blast. www.michaeldebarres.com (http://www.michaeldebarres.com) www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com Twitter: @emberseditor IG: @emberspodcast Email: editor@stereoembersmagazine.com (mailto:editor@stereoembersmagazine.com)

Director of The Blues Society, Dr. Augusta Palmer, and Memphis radio DJ legend, Henry Nelson join Ryan to talk about the 2023 documentary, The Blues Society. The film has recently become available for rental and purchase on digital platforms. We Discuss:The origin of the film and when Dr. Palmer learned that her father was involved with organizing the Memphis Country Blues FestivalHenry Nelson's memories about the festival and The Overton Shell, where the festival took placeHow artists such as The Rolling Stones ripped off blues artists associated with the filmThe thin line between paying respect and exploiting artistsThe legacy of the Memphis Country Blues Festival and its recent revival Eric Roberts giving the late Robert Palmer a voice in the filmFor More Information about The Blues Society:Website: https://www.thebluessocietyfilm.com/IG: https://www.instagram.com/thebluessocietyfilmWatch The Blues Society: https://www.freestyledigitalmedia.tv/film/the-blues-society/If you'd like to support Soundtrack Your Life, we have a Patreon, where you'll get bonus episodes and more!This podcast uses the following third-party services for analysis: Podscribe - https://podscribe.com/privacySpotify Ad Analytics - https://www.spotify.com/us/legal/ad-analytics-privacy-policy/Chartable - https://chartable.com/privacy

This week on The Metro, Rev. Jeff Ivins brings you the following bands for you weekly time warp back to the 1980s: Tears For Fears, Maria McKee, INXS, Fischer-Z, Til Tuesday, Wham!, Fiction Factory, Mr. Mister, Kim Carnes, Ultravox, Bronski Beat, Robert Palmer, Big Audio Dynamite, and finishing off with the Pet Shop Boys.

This week, Steve picked a 4-song set of cover songs along with a bunch of great tunes.  You'll hear: ABC, The Dead 60s, The Marias, Nouvelle Vague, Meaghan Smith, Damone, Gladhands, Dreamers, Chicano Batman, Catfish & The Bottlemen, The Church, The Lemonheads, Kaiser Chiefs, Robert Palmer, The Katies, Wire Train.   On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Twitter: @SUBedford1051  ***    Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

Send us a textMeg looks into the violent backstory of Norman Mailer's protégé Jack Henry Abbott. Jessica tries on Sandra Garratt's modular system of new wave fashion: Units.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

"From Steel Pulse to Wu-Tang: A Festival of Musical Diversity"Larry Mishkin discusses a review of various experiences and performances, starting with a cannabis event called "Miracle in Mundelein," which took place over the past weekend. The main focus of the review is a discussion of a Grateful Dead show from September 9, 1987, at the Providence Civic Center in Rhode Island. The show was notable for being the second night of a three-show run, marking the opening of the Grateful Dead's 1987 East Coast fall tour.Key highlights include:"Hey Pocky Way" Performance: This was the first time the Grateful Dead performed the song "Hey Pocky Way," which is originally by the Meters, a New Orleans funk band. The song became a fan favorite, primarily due to the influence of Brent Mydland, the band's keyboardist. However, the song fell out of rotation after Brent's death in 1990."Jack Straw" Performance: Another song featured was "Jack Straw," a Grateful Dead classic written by Bob Weir and Robert Hunter. It was originally performed in 1971 and became a staple in the band's setlists. The song was performed in the second spot of the setlist during the 1987 show, indicating the band's tendency to feature it early in their concerts.Music News Segment: The transcript also includes a segment on music news, which starts with a brief history of the band Cheap Trick, particularly their song "I Want You to Want Me."Review of the Miracle in Mundelein Festival: The review shifts to discussing the recent "Miracle in Mundelein" festival, where several acts performed:Steel Pulse: A roots reggae band from Birmingham, England, who delivered a lively and energetic performance.The Soul Rebels: A New Orleans brass band known for their energetic live shows and collaborations with major artists. Their set featured Raekwon and GZA from the Wu-Tang Clan, adding a strong hip-hop element to the performance.Wiz Khalifa: The headliner of the event, Wiz Khalifa, is praised for his stage presence and connection with the audience. The review notes his strong advocacy for cannabis and how his music resonated well with the crowd.Overall, the review captures the blend of nostalgia with the Grateful Dead's classic performances and the fresh, dynamic energy of the Miracle in Mundelein festival, highlighting both the music and the culture of cannabis.https://www.cheaptrick.com/ Grateful DeadSeptember 9, 1987 (37 years ago)Providence Civic CenterProvidence, Rhode IslandGrateful Dead Live at Providence Civic Center on 1987-09-09 : Free Borrow & Streaming : Internet Archive Second night of a three show run, the opening shows of 1987 East Cost fall tour.  INTRO:                                 Hey Pocky Way                                                Track #1                                                :35 – 2:03 First time ever played Hey Pocky Way was written by George Porter Jr., Leo Nocentelli, Art Neville & Joseph Modeliste, founding members of The Meters, an American funk band formed in 1965 in New Orleans by Modeliste (drums), Porter Jr. (bass), Nocentelli (guitar) and Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Song was released on Rejuvenation the band's fifth studio album in 1974. In 2003, the album was ranked number 138 on Rolling Stone magazine's list of the 500 greatest albums of all time,[6] and 139 in a 2012 revised list. Beginning with this show, the Dead began to feature Hey Pocky Way, usually as a show opener.  Sung by Brent who really got into it with both his keyboard playing and strong singing, it  became a fan favorite.  But as a Brent influenced tune, it died when he did. Played:  25 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast: July 22, 1990 at World Music Theatre, Tinley Park, IL, USA (Brent's second to last show)  SHOW No. 1:                    Jack Straw                                                Track #2                                                4:00 – 5:50 "Jack Straw"  written by Bob Weir and Robert Hunter. The track first appeared on the album Europe '72. The song was first performed in concert on October 19, 1971, in Minneapolis, Minnesota at new keyboardist Keith Godchaux's first appearance with the band. In the song's earliest performances (c. 1971–72), Weir sang all of the vocals. By the time the 'Europe 72' version was recorded, (at the Olympia Theater in Paris on 5-03-72), Weir and Jerry Garcia were switching up the vocals - as they had on April 26th when 'Hundred Year Hall' was recorded. The song appeared in both the first and second sets until the band's short hiatus in 1974-1975. After re-forming, the song almost exclusively appeared in the first set. After Brent Mydland joined the band in 1979, the song almost exclusively opened the band's first set. The band also often extended the jam after the second verse after Mydland's joining, often extending the song to over six minutes. Dead and Company have also further extended the song, often adding an abstract opening jam prior to the song's first verse.[1] Bob Weir stated in a 2004 interview that the song's lyrics were partly based on John Steinbeck's novel Of Mice and Men.[2] The song's themes include riding the rails, the Great Depression, and hobo (homeless) camps of the era. Jack Straw is also—perhaps coincidentally—the name of the original plantation owner, who lived controversially with his gay lover, Peter Ochello, in Tennessee Williams's play Cat on a Hot Tin Roof.[3] Always a great song to hear in concert, the fans loved it and it was always an omen of good things to come in the show. Played:  477 timesFirst:  October 19, 1971 at Northrop Auditorium, Minneapolis, MN, USALast:  July 8, 1995 at Soldier Field in Chicago MUSIC NEWS Miracle In Mundelein – second year of the festival in Mundelein a suburb northwest of Chicago.  Missed last year with JRAD but made it this year on Saturday with my sons Jonathan and Daniel, Jonathan's fiancé, Bella and Daniel's buddy AJ.  Different theme to this year's music focusing on hip hop and rap, not part of my regular music, but certainly a key genre for Daniel and AJ who filled me on details during the show. Acts:Steel Pulse - Steel Pulse are a roots reggae band from the Handsworth area of Birmingham, England. They originally formed at Handsworth Wood Boys School, and were composed of David Hinds (lead vocals, guitar), Basil Gabbidon (lead guitar, vocals), and Ronald McQueen (bass); along with Basil's brother Colin briefly on drums and Mykaell Riley (vocals, percussion). Steel Pulse were the first non-Jamaican act to win the Grammy Award for Best Reggae Album. They were initially refused live dates in Caribbean venues in Birmingham due to their Rastafarian beliefs. During the popularization of punk rock in the mid-1970's, Steel Pulse began to play punk venues such as the Hope and Anchor in London and The Electric Circus in Manchester in 1976.[1] Aligning themselves closely with the Rock Against Racism organization and featuring in its first music festival in early 1978, they chose to tour with sympathetic elements of the punk movement,[1] including the Stranglers and XTC. Eventually they found a more natural home in support slots for Burning Spear, which brought them to the attention of Island Records. Fun set that was in progress when we arrived, great sound and lots of energy that kept the crowd moving. The Soul Rebels - The Soul Rebels (also Soul Rebels Brass Band, Soul Rebels or The Rebels) are an eight-piece New Orleans based brass ensemble that incorporate elements of soul, jazz, funk, hip-hop, rock and pop music within a contemporary brass band framework.  Starting out as a local New Orleans favorite, The Soul Rebels have evolved into collaborating live with major artists in all worlds of music including:Katy PerryNasMetallicaGreen DayTrombone ShortyProdigyString Cheese IncidentUmphrey's McGeeGalacticSuzanne VegaEurythmicsLettuceGov't Mule                                               And many more The band has built its career around an eclectic live show that harnesses the power of horns and percussion in a funky party-like atmosphere. The band routinely plays over 250 shows a year. They have been described by the Village Voice as "the missing link between Public Enemy and Louis Armstrong.  The Soul Rebels consist of percussionists and founding members Lumar LeBlanc and Derrick Moss, trumpet players Julian Gosin and Marcus Hubbard, trombonists Corey Peyton and Paul Robertson, saxophonist Erion Williams, and sousaphonist Manuel Perkins Jr.                                                 On Saturday, they featured Raekwon and GZA from Wu Tang Clan.                                      RAEKWON - Corey Woods[2] (born January 12, 1970),[3][4] better known by his stage name Raekwon (/reɪˈkwɒn/, ray-KWON), is an American rapper. He rose to prominence as a founding member of the hip-hop group Wu-Tang Clan, which achieved mainstream success following the release of their debut album, Enter the Wu-Tang (36 Chambers), in 1993. Raekwon would subsequently pursue a solo career, releasing his first solo album, entitled Only Built 4 Cuban Linx..., in 1995. The album received critical acclaim, and is regarded by many critics as one of the greatest hip-hop albums of all time, as well as a staple of 1990s rap.                                     Raekwon attributes the name Raekwon to the Five-Percent Nation, an offshoot of the Nation of Islam, when he was a "young kid."[11] He converted to Islam in 2009.                                     Growing up, he witnessed his mother being hit and abused by different men, an experience which he said "affected [him] a lot."[10] As a young man, his mother kicked him out of their Park Hill home when Raekwon got into an argument with her boyfriend and his mother sided with the boyfriend. During this time, he spiraled into a pattern of hopelessness and violent behavior.[8] He became addicted to cocaine and crack cocaine until he became aware of how the crack epidemic was affecting those around him, at which point "it was an automatic stop."[10]Raekwon and rap partner Ghostface Killah attended junior high school together on Staten Island.[14] Raekwon attended New Dorp High School, where he befriended rappers Remedy, Method Man and Inspectah Deck.[15]             Woods first rapped as Sha Raider. In 1992, he joined the Wu-Tang Clan, an originally nine-member rap group drawing mainly from the Staten Island but also from the Brooklyn boroughs of New York City. He rapped as Raekwon The Chef, and also used the aliases Lex Diamonds, Shallah Raekwon, and Louis Rich. After being caught in a crossfire and accidentally shot four times, Raekwon began rapping in earnest. He later described being shot as an "important eye opener." In September 2009, MTV ranked Raekwon tenth among "hottest" rappers. In December, HipHopDx's 2009 awards named Only Built For Cuban Linx... Pt. II album of the year, calling it "the Hip Hop equivalent to The Godfather 2, with Rae as revitalized as Marlon was". Raekwon won Emcee of the Year—the prior year, Nas won—while HipHopDX staff explained, Raekwon brought it back to lyrical, dope rap. He released an album that spoke to teens, twenty-somethings, thirty-somethings, and beyond. Without compromising, the Chef made an edgy Hip Hop record that refused to bastardize the catalog he laid down 15 years ago. On top of that, Rae (along with Ghostface) was a go-to for numerous rappers making albums, ranging from the Playaz Circle to Jadakiss to BK One. That's beyond real, as was a year filled with performing in arenas, clubs and even churches. When it came to mastering the ceremony, Rae had 'em all following the leader.[28]— HipHopDX GZA - Gary Eldridge Grice[2] (born August 22, 1966), better known by his stage names GZA (/ˈdʒɪzə/JIZ-ə) and The Genius,[3] is an American rapper. A founding member of the hip hop group Wu-Tang Clan, GZA is the group's "spiritual head", being both the first member in the group to receive a record deal and being the oldest member.[4] He has appeared on his fellow Wu-Tang members' solo projects, and has maintained a successful solo career starting with his second album Liquid Swords (1995). His lyrical style often dismisses typical rap story lines in favor of science and wide-ranging philosophies and has been characterized as "armed with sharp metaphors and a smooth flow".[5][6][7][8] An analysis of GZA's lyrics found that he has the second largest vocabulary in popular hip hop music.[9][10] He teamed up with an education group to promote science education in New York City through hip hop. In 1992, GZA joined the Wu-Tang Clan, a group of nine, formed by his cousin RZA. GZA had some high-profile appearances on the group's debut album, Enter the Wu-Tang (36 Chambers) (1993), including a solo track, "Clan in da Front".[22] This, combined with appearances on other Clan members' albums such as Return to the 36 Chambers: The Dirty Version (1995) and Only Built 4 Cuban Linx... (1995) brought him much recognition. According to Method Man, "we form like Voltron and GZA happens to be the head".                         The combination of the Soul Rebels beat and Raekwon's and GZA's rapping made for an exceptional set of music that caught me off guard but was worth the price of admission.  With lots of cannabis references scattered throughout their lyrics and stage talk, they were a perfect match for this festival. Wiz Khalifa - Cameron Jibril Thomaz (born September 8, 1987),[2] better known by his stage name Wiz Khalifa, is an American rapper from Pittsburgh, Pennsylvania. He signed with the local independent label Rostrum Records to release his debut studio album, Show and Prove (2006). His contract entered a short-lived joint venture with Warner Bros. Records the following year. His Eurodance-influenced 2008 single, "Say Yeah" received urban radio airplay and entered both the Rhythmic Top 40 and Hot Rap Songs charts, becoming his first minor hit.[3] Outside of music, Thomaz has delved into acting with television roles in Dickinson and The Eric Andre Show, the lead role alongside Snoop Dogg in the 2012 stoner comedy film Mac & Devin Go to High School, and voice roles in the animated series American Dad!, Duncanville, and Big City Greens. Thomaz founded the record label Taylor Gang Entertainment in 2008, through which he has signed artists including Juicy J, Ty Dolla Sign, and Berner. Known for his abundant usage of cannabis, Thomaz launched his own cannabis brand, Khalifa Kush, in 2016, which expanded for release in nationwide dispensaries in 2022. His stage name is derived from Khalifa, an Arabic word meaning "successor", and wisdom, which was shortened to Wiz when Khalifa was a young boy.[10] Khalifa stated to Spinner.com that the name also came from being called "young Wiz 'cause I was good at everything I did, and my granddad is Muslim, so he gave me that name; he felt like that's what I was doing with my music." He got a tattoo of his stage name on his 17th birthday.[11][12] By the age of 15, he was regularly recording his music at a local studio called I.D. Labs.[13] Impressed by the young teen's talent, E. Dan, the owner of the studio offered Khalifa an intern job at the studio in exchange for free recording time. Dan, being a veteran of the Pittsburgh hip-hop scene, would help develop and mentor the young artist early on in his career. He was the headliner and lived up to the billing.  Great tunes, great stage presence, great spokesperson for cannabis.  My first experience with his music and it was very positive. A great musical education for me with my tutors, Daniel and AJ. More in MJ News  Herbie Flowers  RIPJerry Miller  RIPGoose this week at the Salt Shed, Thursday and Friday   SHOW No. 2:                    Greatest Story Ever Told                                                Track #9                                                3:25 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #10                                                0:00 – 1:33 Greatest Story – written by Hunter/Bobby/Mickey, originally called “The Pump Song” on Mickey Hart's 1972 album Rolling Thunder.  As the opening tune of Ace, it is called Greatest Story Ever Told.  But this isn't about that song.  Here, it is the lead-in to a first set couple of “extras” thrown in for some fun. "Devil with a Blue Dress On" (also known as "Devil with the Blue Dress") is a song written by Shorty Long and William "Mickey" Stevenson, first performed by Long and released as a single in 1964. A later version recorded by Mitch Ryder and The Detroit Wheels in 1966 peaked at No. 4 on the U.S. Billboard Hot 100.  "Devil with the Blue Dress" was originally released as Shorty Long's debut single on Motown in 1964, but the single failed to chart. The song describes a femme fatale in a blue dress and not an actual devil.[2] Two years later, Mitch Ryder and The Detroit Wheels recorded the song at Bell Sound Studios in New York City[3] as a medley with an original arrangement of Little Richard's "Good Golly, Miss Molly". Their version, released on their album, “Breakout . . . . !”,  was notably more up-tempo than Long's more blues-influenced rendition.[2] Reaching No. 4 on the Hot 100, their version of the track would end up becoming their most well-known and highest charting hit in the United States. Rolling Stone Magazine ranked it No. 428 on their list of Top 500 Songs of All Time. Basically, another great cover to showcase Brent's singing and keyboard skills.  This was the first of 3 times the Dead covered the song.  Another fun diversion by the band that kept the Deadheads guessing and not wanting to ever miss a show. The transition out of Greatest Story is seamless and makes it so you can't hear the end of Greatest Story without hearing the signature beat of Devil making it a “natural” fit. Played – 3 timesFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  SHOW No. 3:                    Good Golly Miss Molly                                                Track #11                                                0:00 – end                                                 INTO                                                 Devil With a Blue Dress                                                Track #12                                                0:00 – 0:51"Good Golly, Miss Molly" is a rock 'n' roll song first recorded in 1956 by American musician Little Richard and released in January 1958 as single on the Specialty label, and later on the album, Little Richard in July 1958.[1] The song, a jump blues, was written by John Marascalco and producer Robert "Bumps" Blackwell. Although it was first recorded by Little Richard, Blackwell produced another version by the Valiants, who imitated the fast first version recorded by Little Richard, not released at that time. Although the Valiants' version was released first (in 1957), Little Richard had the hit, reaching No. 4.[2] Like all his early hits, it quickly became a rock 'n' roll standard and has subsequently been recorded by hundreds of artists. The song is ranked No. 92 on the Rolling Stone magazine's list of the 500 Greatest Songs of All Time. Little Richard first heard the phrase "Good golly, Miss Molly" from a Southern DJ named Jimmy Pennick.[4] He modified the lyrics into the more suggestive "Good golly, Miss Molly/You sure like to ball." Little Richard himself later claimed that he took Ike Turner's piano intro from his influential 1951 rock and roll song "Rocket 88", and used it for "Good Golly, Miss Molly".[5] "I always liked that record," Richard recalled, "and I used to use the riff in my act, so when we were looking for a lead-in to 'Good Golly, Miss Molly', I did that and it fit." In 1966, Mitch Ryder and the Detroit Wheels incorporated "Good Golly Miss Molly" into their version of "Devil with a Blue Dress On". Their version scored a major hit, not only in Ryder's native Detroit, but nationwide, placing at No. 4 on the Billboard Top 100. As with Devil, a Brent thing.  Unfortunately, it was only around for a month.  Then vanished from the Dead's playlist thereafter.  Played:  3 times, makes senseFirst:  September 9, 1987 at Providence Civic Center, Providence, RI, USALast:  October 4, 1987 at Shoreline Amphitheatre, Mountain View, CA, USA  MJ NEWS:             Miracle in Mudelein – a great event sponsored by Rise Dispensaries and Rhythm cultivators.  Second year, featuring great music, excellent food and drink and too many booths for dabbing from various types of rigs including a Studenglass Gravity Bong – my first time using one and it is not your father's four foot Graffix bong!  Daniel and AJ were all over it and as it turned out, the wait in line was well worth the experience.  Rather than try to explain it to you, just Google Gravity Bong and see for yourself!  Great high.             Miracle is that Lake County, a more conservative leaning county, and Mundelein permitted the event.  Attendees can bring in their own flower or extracts (supposedly only if purchased at an Illinois dispensary), smoking accessories, etc.  Rise also was selling products at the show.             A wonderful thing to attend an event and not have to hide and smuggle in your cannabis.  People lighting up everywhere, offering to share, talking strains, etc.  Police were there to keep order and otherwise let it all go on.  Very professional.             Excellent mellow crowd (what else would you expect?).  Well run.  Shot joints out of a canon.  A wonderful day and experience for those who enjoy cannabis, especially not having to hide it or pretend you don't have any when everyone knows attendees are smuggling it in anyway.             A great way to promote cannabis and help normalize it within the community.  And a fun event to be able to share with my boys, Bella and AJ.  Fun had by all.  SHOW No. 4:                    Not Fade Away                                                Track #24 (NOTE – this song is listed as Track #23 AND #24, be sure to use #24)                                                0:00 – end "Not Fade Away" is a song credited to Buddy Holly (originally under his first and middle names, Charles Hardin) and Norman Petty (although Petty's co-writing credit is likely to have been a formality[3]) and first recorded by Holly and his band, the Crickets. Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded.[1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, "Not Fade Away" was originally released as the B-side of the hit single "Oh, Boy!" on 10.27.1957 and was included on the album The "Chirping" Crickets (1957). The Crickets' recording never charted as a single. In 2004, this song was ranked number 107 on Rolling Stone's list of "The 500 Greatest Songs of All Time". The song is closely associated with the Grateful Dead as one of their signature tunes—one which the band transformed from Holly's 1950s boy/girl romanticism to one reflecting the 1960s' more spiritual universal love. Their 1971 recording of the song is included on their second live album, Skull and Roses, paired with Going Down The Road Feeling Bad, a regular happening in the early ‘70's. Primarily a second set tune that used to show up in the second half of the second set after Drums-Space.  Beginning in 1983, the Dead began to play it as the second set closer, trailing off with “Love is real will not fade away” as they exited the stage.  A few years later, the Deadheads starting chanting the line as the Dead left the stage and in some cases, kept it up until the band reappeared for their encore, when the band would pick back up on the beat and play it for another minute or so before their encore tune, such as with this show.    Great example of the Deadheads making their mark on the show and the band being tuned in enough to play along with it.  Although sometimes if the Dead took too long to come out for the encore, the chanting would start to fade off.  And sometimes even when the chant made it all the way to the band's return on stage, the band would ignore it and just dive straight into their encore.  Fun when it all came together like this show. Played:  561 timesFirst:  February 19, 1969 at Fillmore West, San Francisco, CA, USALast:  July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) OUTRO:                               The Mighty Quinn                                                Track #25                                                2:11 – 3:48 Bob Dylan wrote and first recorded the song in 1967 during the Basement Tapes sessions, but did not release a version for another three years.  The song's first release was in January 1968 as "Mighty Quinn" in a version by the British band Manfred Mann, from their album Mighty Garvey, and became a great success. A demo of 14 of the 1967 Basement Tapes recordings, including the first of two takes of "Quinn the Eskimo (The Mighty Quinn)", was produced in 1968, but was not intended for release. Recordings taken from the demos began appearing on bootlegs, starting with Great White Wonder,[7] a double-album bootleg that came out in July 1969. The first official release of the song was in 1970 on Dylan's Self Portrait album,[14] a live recording from 1969's Isle of Wight Festival. The live version (titled "The Mighty Quinn (Quinn the Eskimo)") was also selected in 1971 for the second compilation of Dylan's career, Bob Dylan's Greatest Hits Vol. II. Covered by:  the Hollies, Leon Russell and Phish, among others. Although they never played the song with Bob Dylan, the Grateful Dead started playing "The Mighty Quinn" in concert in 1985. It became a favorite encore among the Grateful Dead's fans, and remained so to the end of their career. Last verses, end with, “when Quinn the Eskimo gets here, everybody's gonna want to doze” but the Deadheads heard it as “dose” and always gave it a big cheer. Played:  59 timesFirst:  December 30, 1985 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  Shoutouts: Lary Vinocur – birthdayElena Mishkin – birthday .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

A mix in two parts due to a power outage.  A selection of soulful music from multiple genres and cultures.  The first mix builds into the second, which includes many of my favorite soulful house tracks and edits.  Part I artists include:  Cinnamon Soulettes, Orchestra O.K. Jazz, Benny Sings, BadBadNotGood, Roge, Jalen Ngonda, Bill Withers, Frank Ocean, Nairobi Sisters, Chronixx, Gil Scott-Heron and Brian Jackson, Gwen McRae, The KBCS, Nohelani Cypriano, Robert Palmer, Evans Pyramid, Sade, Alice Smith.

This week, Steve picked 2 sets of songs by artists that have a U.S. state in their name.  We will hear from Robert Palmer, The Heavy, Blondshell with Bully, Matt Pond PA, Michigander, The Maine, Missouri, Montana, Rilo Kiley, The Reflectors, 86TVs, Ultravox, Menswear, The Nines, The Rifles, The Posies. On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Twitter: @SUBedford1051  ***    Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

Send us a Text Message.Welcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:1 point: get the year correct within 10 years (e.g., you guess 1975 and it is between 1965-1985)4 points: get the year correct within 5 years (e.g., you guess 2004 and it is between 1999-2009)7 points: get the year correct within 2 years (e.g., you guess 1993 and it is between 1991-1995)10 points: get the year dead on!Guesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Toxic by Britney Spears (2003)Song 1: Chan Chan by Buena Vista Social Club (1997)Song 2: The Future Freaks Me Out by Motion City Soundtrack (2003)Song 3: Long Distance Call by Muddy Waters (1951)Song 4: Mama, Look a Boo Boo by Harry Belafonte (1957)Song 5: Crying in the Club by Camila Cabello (2017)Song 6: They All Ask'd For You by The Meters (1975)Song 7: Addicted to Love by Robert Palmer (1985)Song 8: Do You Wanna Taste It? by Wig Wam (2010)Song 9: Now My Feet Won't Touch the Ground by Coldplay (2008)Song 10: Grace Kelly by MIKA (2007)

Robert Palmer built his lawn care business with grit and integrity, and he went from 0 to 1,000 customers in just one year. By year four, he brought in $1M in revenue. And now he's grown it to  bring in well over $10M a year. Rob joins Ryan to discuss how a simple business concept can be scaled this high so quickly. Rob talks about his marketing efforts with Google and Meta ads, training with the best people in the industry, and starting a network of other lawn care companies across the country. He also discusses how franchising his business has opened many doors for Rob and why he risked his home and $50,000 to start this business with one singular marketing tactic. Resources:https://bit.ly/4fsU6lR Get our exclusive deal on a Lawn Squad franchisehttps://www.upflip.com/blog/most-profitable-franchises The most profitable franchises to buy and whyConnect with UpFlip: On Facebook On Instagram On Youtube @UpFlipOfficial on Twitter For more insights to start, build, or grow a business, check out the resources on UpFlip.com or head to the UpFlip YouTube channel to see more interviews with business owners and experts. Thanks for listening!

Send us a Text Message.How far would you go to hide the evidence of a wild night out? Join us for a hilarious and unpredictable ride through the music and movies of 1976 with host Scott McLean and co-hosts Mark Smith and Lou Colicchio from the Music Relish Show. We kick things off by dissecting Robert Palmer's unique career as a solo artist, contrasting his path with other legendary musicians like Joe Cocker and Rod Stewart. Luke's sharp attire adds a fun twist, as we compare his look to Palmer's iconic style, all while peppering the conversation with humor and personal anecdotes that will keep you entertained.Ever played a game of "45 Poker" with vintage records? You'll love our nostalgic and playful competition where we each evaluate the hit potential of randomly selected 45 RPM records, featuring artists like the Bee Gees and Leo Sayer. Alongside this, I recount a side-splitting story about an encounter with an Asian stripper, and the lengths I went to hide "stripper dust" from my wife using KFC biscuits. This chapter is brimming with laughter, lighthearted banter, and friendly rivalry that's sure to make you smile.We wrap things up with a deep dive into iconic music and movies from 1976, including Steely Dan's "The Royal Scam" and Genesis' evolution with Phil Collins. Our discussions range from the brilliance of Aerosmith's "Rocks" to the cinematic gems like "Carrie" and "Logan's Run." As we share personal stories of strange car purchases and tense moments in shady neighborhoods, you'll find yourself on the edge of your seat, laughing at our unpredictable adventures. Don't miss this episode packed with music history, lively debates, and unforgettable anecdotes that will keep you hooked from start to finish.

Spinning Out (another music podcast) We talk to artists about their favorite albums and go on wild tangents. This week on the pod we're joined by Evan Plante of True Optimist. We talked about Robert Palmer's 1980 album, "Clues." We also chat about Island Records, The Power Station and trying to unlearn old habits musically. Evan plays drums in the band Quad, and previously played in the bands Black Market, Pleather, Light the Fuse and Run, Forcefedglass, Bastian and honestly so many others. What brought us here today was his debut solo album under the name True Optimist. The album, "Mental Health," explores post-disco, post-punk and other art-rock rhythms. A few songs are streaming now, but you can preorder it right now from Self Aware Records ahead of the August 2nd release. https://selfawarerecords.bandcamp.com/album/mental-health Subscribe to our Patreon here: www.patreon.com/spinningoutpod Follow us on social media -- twitter and instagram (@Spinningoutpod)

THE BLUES SOCIETY is a re-evaluation of the 1960s seen through the lens of the Memphis Country Blues Festival (1966-1969). It's the story of Blues masters like Furry Lewis and Robert Wilkins, who had attained fame in the 1920s but were living in obscurity by the 1960s. It's also the story of a group of white artists from the North and the South who created a celebration of African American music in a highly segregated city. THE BLUES SOCIETY follows the festival from its start in 1966 as an impromptu happening, through a period of cross-pollinization with New York's East Village scene, and up to the 1969 Festival, which mushroomed into a 3-day event and garnered substantial print and television coverage including an appearance on Steve Allen's national PBS show, Sounds of Summer. Festival co-founder and legendary music Executive Nancy Jeffries says, “Everyone remembers the 60s as a party, but there was a seriousness of purpose to what we were doing.” Furry Lewis worked for decades sweeping the city streets, so the efforts to recognize his musical accomplishments echo the 1968 Sanitation Strike, where each worker's sign proclaimed “I AM A MAN,” underlining theracist refusal to honor African Americans' basic humanity. Reaching into the present, the film ends in a 2017 concert where Rev. John Wilkins returns to the stage he last shared with his father 48 years earlier. What is the legacy of the Memphis Country Blues Festival, and who do the blues belong to in 2020?   On this episode, I will speak to Filmmaker and Scholar Augusta Palmer, daughter of Robert Palmer, one of the founding members of the Memphis Country Blues Society, who, with her team, worked relentlessly to get this film to the public. Joining Augusta in this episode will be The American Songster Don Flemons, who is featured in the film.

Some bass players love to double down on a bad idea. And though we once bristled at the notion that there could ever be such a thing as a wrong musical opinion, we've since come to accept that there is such a thing. We know because we had one! Scott was colossally wrong about the Fender Precision AND slap bass!In this episode, Scott and Ian reveal their newfound love for Robert Palmer, and the big things they've changed their minds about, or wish they'd known sooner.In this episode:Who is Pierre Brock?Scott's new F Bass - love it or hate it?How Ian found the perfect monitor engineer.Is slap bass still cool?Should you put reverb on bass?Where are you on the midwit meme?And much, much more!