Podcast appearances and mentions of todd meyers

What's the episode about? In this episode, hear Todd Meyers on grief, anthropology, entanglements, addiction, language, overdose death, opioid crisis, life's incoherence and knowing your limits Who is Todd? Todd began his career as a painter, earning a BFA in studio from The School of the Art Institute of Chicago.  His interests slowly moved to the history of medicine, public health, and anthropology, earning a PhD in anthropology from the Johns Hopkins University.    Todd began teaching in the Department of Social Studies of Medicine at McGill University in 2020, after previous appointments at New York University–Shanghai (2015-2020) and Wayne State University in Detroit (2009-2015).  He is currently Professor and Marjorie Bronfman Chair in Social Studies of Medicine at McGill. In addition to his current book, Gone Gone (2025), Todd is the author and co-author of several other books, including All That Was Not Her (2022), which follows the life and death of a woman in Baltimore spanning twenty years, and The Human Body in the Age Catastrophe (2018, written with Stefanos Geroulanos), on the history of integration and disintegration in the study of human physiology at the beginning of the twentieth century.  Todd's current work is an ethnography of hate related violence and legal psychiatry told through the murder of a gay man over thirty years ago.   How do I cite the episode in my research and reading lists? To cite this episode, you can use the following citation: Meyers, T. (2025) Interview on The Death Studies Podcast hosted by Michael-Fox, B. and Visser, R. Published 1 February 2025. Available at: www.thedeathstudiespodcast.com, DOI: 10.6084/m9.figshare.28327976 What next? Check out more episodes or find out more about the hosts! Got a question? Get in touch.

3pm - Seattle City Council lays groundwork for plan allowing SFD to demolish abandoned derelict buildings // Rantz: Drama! Governor Jay Inslee slams Bob Ferguson’s ‘brain dead’ ferry plan // GUEST - TODD MEYERS ON WASHINGTON’S NEW EV REBATE PROGRAM // The reason why men with facial hair are hotter

This is an abbreviated version of The Michael Medved Show. To get the full program, plus premium content, become a subscriber at MichaelMedved.com

Introduction: Caleb O. BrownRound table: Benefactor's Summit discussion with Alex Nowrasteh and Vanessa Calder on family policy.Anthony Sanders on unenumerated rights.Todd Meyers on environmental technologies. Exclusive: Patrick Eddington on Cato's Surveillance Week Conference. Hosted on Acast. See acast.com/privacy for more information.

While studying caregiving and chronic illness in families living in situations of economic and social insecurity in Baltimore, anthropologist Todd Meyers met a woman named Beverly. In All That Was Not Her (Duke UP, 2022) Meyers presents an intimate ethnographic portrait of Beverly, stitching together small moments they shared scattered over months and years and, following her death, into the present. He meditates on the possibilities of writing about someone who is gone—what should be represented, what experiences resist rendering, what ethical challenges exist when studying the lives of others. Meyers considers how chronic illness is bound up in the racialized and socioeconomic conditions of Beverly's life and explores the stakes of the anthropologist's engagement with one subject. Even as Meyers struggles to give Beverly the final word, he finds himself unmade alongside her. All That Was Not Her captures the complexity of personal relationships in the field and the difficulty of their ending. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky's College of Medicine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

While studying caregiving and chronic illness in families living in situations of economic and social insecurity in Baltimore, anthropologist Todd Meyers met a woman named Beverly. In All That Was Not Her (Duke UP, 2022) Meyers presents an intimate ethnographic portrait of Beverly, stitching together small moments they shared scattered over months and years and, following her death, into the present. He meditates on the possibilities of writing about someone who is gone—what should be represented, what experiences resist rendering, what ethical challenges exist when studying the lives of others. Meyers considers how chronic illness is bound up in the racialized and socioeconomic conditions of Beverly's life and explores the stakes of the anthropologist's engagement with one subject. Even as Meyers struggles to give Beverly the final word, he finds himself unmade alongside her. All That Was Not Her captures the complexity of personal relationships in the field and the difficulty of their ending. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky's College of Medicine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

While studying caregiving and chronic illness in families living in situations of economic and social insecurity in Baltimore, anthropologist Todd Meyers met a woman named Beverly. In All That Was Not Her (Duke UP, 2022) Meyers presents an intimate ethnographic portrait of Beverly, stitching together small moments they shared scattered over months and years and, following her death, into the present. He meditates on the possibilities of writing about someone who is gone—what should be represented, what experiences resist rendering, what ethical challenges exist when studying the lives of others. Meyers considers how chronic illness is bound up in the racialized and socioeconomic conditions of Beverly's life and explores the stakes of the anthropologist's engagement with one subject. Even as Meyers struggles to give Beverly the final word, he finds himself unmade alongside her. All That Was Not Her captures the complexity of personal relationships in the field and the difficulty of their ending. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky's College of Medicine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

While studying caregiving and chronic illness in families living in situations of economic and social insecurity in Baltimore, anthropologist Todd Meyers met a woman named Beverly. In All That Was Not Her (Duke UP, 2022) Meyers presents an intimate ethnographic portrait of Beverly, stitching together small moments they shared scattered over months and years and, following her death, into the present. He meditates on the possibilities of writing about someone who is gone—what should be represented, what experiences resist rendering, what ethical challenges exist when studying the lives of others. Meyers considers how chronic illness is bound up in the racialized and socioeconomic conditions of Beverly's life and explores the stakes of the anthropologist's engagement with one subject. Even as Meyers struggles to give Beverly the final word, he finds himself unmade alongside her. All That Was Not Her captures the complexity of personal relationships in the field and the difficulty of their ending. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky's College of Medicine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

While studying caregiving and chronic illness in families living in situations of economic and social insecurity in Baltimore, anthropologist Todd Meyers met a woman named Beverly. In All That Was Not Her (Duke UP, 2022) Meyers presents an intimate ethnographic portrait of Beverly, stitching together small moments they shared scattered over months and years and, following her death, into the present. He meditates on the possibilities of writing about someone who is gone—what should be represented, what experiences resist rendering, what ethical challenges exist when studying the lives of others. Meyers considers how chronic illness is bound up in the racialized and socioeconomic conditions of Beverly's life and explores the stakes of the anthropologist's engagement with one subject. Even as Meyers struggles to give Beverly the final word, he finds himself unmade alongside her. All That Was Not Her captures the complexity of personal relationships in the field and the difficulty of their ending. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky's College of Medicine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

While studying caregiving and chronic illness in families living in situations of economic and social insecurity in Baltimore, anthropologist Todd Meyers met a woman named Beverly. In All That Was Not Her (Duke UP, 2022) Meyers presents an intimate ethnographic portrait of Beverly, stitching together small moments they shared scattered over months and years and, following her death, into the present. He meditates on the possibilities of writing about someone who is gone—what should be represented, what experiences resist rendering, what ethical challenges exist when studying the lives of others. Meyers considers how chronic illness is bound up in the racialized and socioeconomic conditions of Beverly's life and explores the stakes of the anthropologist's engagement with one subject. Even as Meyers struggles to give Beverly the final word, he finds himself unmade alongside her. All That Was Not Her captures the complexity of personal relationships in the field and the difficulty of their ending. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky's College of Medicine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

While studying caregiving and chronic illness in families living in situations of economic and social insecurity in Baltimore, anthropologist Todd Meyers met a woman named Beverly. In All That Was Not Her (Duke UP, 2022) Meyers presents an intimate ethnographic portrait of Beverly, stitching together small moments they shared scattered over months and years and, following her death, into the present. He meditates on the possibilities of writing about someone who is gone—what should be represented, what experiences resist rendering, what ethical challenges exist when studying the lives of others. Meyers considers how chronic illness is bound up in the racialized and socioeconomic conditions of Beverly's life and explores the stakes of the anthropologist's engagement with one subject. Even as Meyers struggles to give Beverly the final word, he finds himself unmade alongside her. All That Was Not Her captures the complexity of personal relationships in the field and the difficulty of their ending. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky's College of Medicine. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today I talk with medical anthropologist Todd Meyers about COVID, vulnerability, and the ways we process the aftermath of a disaster. Todd Meyers is a medical anthropologist whose work moves between ethnography, visual culture, and the history of medicine. He joined McGill University's Department of Social Studies of Medicine as the Marjorie Bronfman Chair in Social Studies of Medicine last year.  Before that he was at New York University's Shanghai campus, where he directed the Center for Society, Health, and Medicine.  He is the author and editor of several books, most recently "A Cultural History of Medicine in the Modern Age," which came out from Bloomsbury earlier this year, and "The Human Body in the Age of Catastrophe," which he wrote with the historian Stefanos Geroulanos, published by University of Chicago Press in 2018.  His new ethnography, which deals with issues of loss and aftermath, "All That Was Not Her," will be published by Ducke University Press this coming February.

We are joined by our special guest Todd Meyers in today's episode.

2PM - The Big Lead // Ma'Khai Bryant shooting in Columbus // GUEST: Washington Policy Center's Todd Meyers on Earth Day See omnystudio.com/listener for privacy information.

2021 - 04 - 22 Todd Meyers Earth Day by KGMI News/Talk 790

2021 - 02 - 12 Todd Meyers On 350 Seattle by KGMI News/Talk 790

Todd weighs in on high utility bills and why it is important to help donate to the Warmathon. See omnystudio.com/listener for privacy information.

SEATTLE SPIRIT: The potential disasters looming once police are defunded and jails are closed. More murders, rapes, robberies to ensue. Social workers don’t have a traffic record for success to give merit to the idea of replacing police with them. // GUEST: Todd Meyers of Washington Policy Center talks about his latest blog: On climate and energy policy. In a state who’s governor wants to just follow the science. Inslee failed to meet the CO2 emission reduction goals. //  A continued conversation with Todd Meyers

 In this second episode of Talking Culture's mini-series on the topic of COVID-19, host Alejandra Melian-Morse talks with Dr. Todd Meyers, who will be joining the Department of Social Studies of Medicine at McGill as the Marjorie Bronfman Chair in Social Studies in Medicine this coming Fall. Their conversation ranges from war metaphors in relation to COVID to the intimacy of care in clinics and hospitals while also tackling issues surrounding the future of anthropology and what it will mean to address the issues that have been made clear due to the Pandemic.Produced by Alejandra Melian-MorseArtwork design by Alejandra Melian-Morse, Artwork attribution: Boca Vectors by VecteezyMusic by Justin CoberProduced with support from McGill University's Department of Anthropology

The prologue to The Human Body in the Age of Catastrophe: Brittleness, Integration, Science, and the Great War (University of Chicago Press, 2018) begins by provocatively invoking a question American physiologist Walter Cannon first asked in 1926: “Why don't we die daily?” In the erudite chapters that follow, Stefanos Geroulanos and Todd Meyers explore how practitioners and theorists working during and after World War I tried to answer that very thorny problem in light of the challenges of wound shock. This functional disorder demanded that doctors, surgeons, and physiologists account for two medical realities: first, that wound shock was a whole-body, multi-systemic response to trauma; and second, that a fairly homogenous group—namely the young, male soldier-patient—responded to wound shock in highly variable and individuals ways. Whereas the historiography of World War I and trauma has largely focused on psychopathological models, Geroulanos and Meyers illuminate how the work of Henry Head, Réné Leriche, Kurt Goldstein and others enacted a wholesale transformation of the concept of the individual, one that would define medico-physiological individuality as an integrated and indivisible body, but one constantly on “the verge of collapse.” Learn more about your ad choices. Visit megaphone.fm/adchoices

The prologue to The Human Body in the Age of Catastrophe: Brittleness, Integration, Science, and the Great War (University of Chicago Press, 2018) begins by provocatively invoking a question American physiologist Walter Cannon first asked in 1926: “Why don't we die daily?” In the erudite chapters that follow, Stefanos Geroulanos and Todd Meyers explore how practitioners and theorists working during and after World War I tried to answer that very thorny problem in light of the challenges of wound shock. This functional disorder demanded that doctors, surgeons, and physiologists account for two medical realities: first, that wound shock was a whole-body, multi-systemic response to trauma; and second, that a fairly homogenous group—namely the young, male soldier-patient—responded to wound shock in highly variable and individuals ways. Whereas the historiography of World War I and trauma has largely focused on psychopathological models, Geroulanos and Meyers illuminate how the work of Henry Head, Réné Leriche, Kurt Goldstein and others enacted a wholesale transformation of the concept of the individual, one that would define medico-physiological individuality as an integrated and indivisible body, but one constantly on “the verge of collapse.” Learn more about your ad choices. Visit megaphone.fm/adchoices

The prologue to The Human Body in the Age of Catastrophe: Brittleness, Integration, Science, and the Great War (University of Chicago Press, 2018) begins by provocatively invoking a question American physiologist Walter Cannon first asked in 1926: “Why don't we die daily?” In the erudite chapters that follow, Stefanos Geroulanos and Todd Meyers explore how practitioners and theorists working during and after World War I tried to answer that very thorny problem in light of the challenges of wound shock. This functional disorder demanded that doctors, surgeons, and physiologists account for two medical realities: first, that wound shock was a whole-body, multi-systemic response to trauma; and second, that a fairly homogenous group—namely the young, male soldier-patient—responded to wound shock in highly variable and individuals ways. Whereas the historiography of World War I and trauma has largely focused on psychopathological models, Geroulanos and Meyers illuminate how the work of Henry Head, Réné Leriche, Kurt Goldstein and others enacted a wholesale transformation of the concept of the individual, one that would define medico-physiological individuality as an integrated and indivisible body, but one constantly on “the verge of collapse.” Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

The prologue to The Human Body in the Age of Catastrophe: Brittleness, Integration, Science, and the Great War (University of Chicago Press, 2018) begins by provocatively invoking a question American physiologist Walter Cannon first asked in 1926: “Why don’t we die daily?” In the erudite chapters that follow, Stefanos Geroulanos and Todd Meyers explore how practitioners and theorists working during and after World War I tried to answer that very thorny problem in light of the challenges of wound shock. This functional disorder demanded that doctors, surgeons, and physiologists account for two medical realities: first, that wound shock was a whole-body, multi-systemic response to trauma; and second, that a fairly homogenous group—namely the young, male soldier-patient—responded to wound shock in highly variable and individuals ways. Whereas the historiography of World War I and trauma has largely focused on psychopathological models, Geroulanos and Meyers illuminate how the work of Henry Head, Réné Leriche, Kurt Goldstein and others enacted a wholesale transformation of the concept of the individual, one that would define medico-physiological individuality as an integrated and indivisible body, but one constantly on “the verge of collapse.” Learn more about your ad choices. Visit megaphone.fm/adchoices

The prologue to The Human Body in the Age of Catastrophe: Brittleness, Integration, Science, and the Great War (University of Chicago Press, 2018) begins by provocatively invoking a question American physiologist Walter Cannon first asked in 1926: “Why don’t we die daily?” In the erudite chapters that follow, Stefanos Geroulanos and Todd Meyers explore how practitioners and theorists working during and after World War I tried to answer that very thorny problem in light of the challenges of wound shock. This functional disorder demanded that doctors, surgeons, and physiologists account for two medical realities: first, that wound shock was a whole-body, multi-systemic response to trauma; and second, that a fairly homogenous group—namely the young, male soldier-patient—responded to wound shock in highly variable and individuals ways. Whereas the historiography of World War I and trauma has largely focused on psychopathological models, Geroulanos and Meyers illuminate how the work of Henry Head, Réné Leriche, Kurt Goldstein and others enacted a wholesale transformation of the concept of the individual, one that would define medico-physiological individuality as an integrated and indivisible body, but one constantly on “the verge of collapse.” Learn more about your ad choices. Visit megaphone.fm/adchoices

The prologue to The Human Body in the Age of Catastrophe: Brittleness, Integration, Science, and the Great War (University of Chicago Press, 2018) begins by provocatively invoking a question American physiologist Walter Cannon first asked in 1926: “Why don’t we die daily?” In the erudite chapters that follow, Stefanos Geroulanos and Todd Meyers explore how practitioners and theorists working during and after World War I tried to answer that very thorny problem in light of the challenges of wound shock. This functional disorder demanded that doctors, surgeons, and physiologists account for two medical realities: first, that wound shock was a whole-body, multi-systemic response to trauma; and second, that a fairly homogenous group—namely the young, male soldier-patient—responded to wound shock in highly variable and individuals ways. Whereas the historiography of World War I and trauma has largely focused on psychopathological models, Geroulanos and Meyers illuminate how the work of Henry Head, Réné Leriche, Kurt Goldstein and others enacted a wholesale transformation of the concept of the individual, one that would define medico-physiological individuality as an integrated and indivisible body, but one constantly on “the verge of collapse.” Learn more about your ad choices. Visit megaphone.fm/adchoices

The prologue to The Human Body in the Age of Catastrophe: Brittleness, Integration, Science, and the Great War (University of Chicago Press, 2018) begins by provocatively invoking a question American physiologist Walter Cannon first asked in 1926: “Why don’t we die daily?” In the erudite chapters that follow, Stefanos Geroulanos and Todd Meyers explore how practitioners and theorists working during and after World War I tried to answer that very thorny problem in light of the challenges of wound shock. This functional disorder demanded that doctors, surgeons, and physiologists account for two medical realities: first, that wound shock was a whole-body, multi-systemic response to trauma; and second, that a fairly homogenous group—namely the young, male soldier-patient—responded to wound shock in highly variable and individuals ways. Whereas the historiography of World War I and trauma has largely focused on psychopathological models, Geroulanos and Meyers illuminate how the work of Henry Head, Réné Leriche, Kurt Goldstein and others enacted a wholesale transformation of the concept of the individual, one that would define medico-physiological individuality as an integrated and indivisible body, but one constantly on “the verge of collapse.” Learn more about your ad choices. Visit megaphone.fm/adchoices

The prologue to The Human Body in the Age of Catastrophe: Brittleness, Integration, Science, and the Great War (University of Chicago Press, 2018) begins by provocatively invoking a question American physiologist Walter Cannon first asked in 1926: “Why don’t we die daily?” In the erudite chapters that follow, Stefanos Geroulanos and Todd Meyers explore how practitioners and theorists working during and after World War I tried to answer that very thorny problem in light of the challenges of wound shock. This functional disorder demanded that doctors, surgeons, and physiologists account for two medical realities: first, that wound shock was a whole-body, multi-systemic response to trauma; and second, that a fairly homogenous group—namely the young, male soldier-patient—responded to wound shock in highly variable and individuals ways. Whereas the historiography of World War I and trauma has largely focused on psychopathological models, Geroulanos and Meyers illuminate how the work of Henry Head, Réné Leriche, Kurt Goldstein and others enacted a wholesale transformation of the concept of the individual, one that would define medico-physiological individuality as an integrated and indivisible body, but one constantly on “the verge of collapse.” Learn more about your ad choices. Visit megaphone.fm/adchoices

Alex and Jordan sit down with Todd Myers, the Director of the Center for the Environment at the Washington Policy Center, to discuss the Washington State ballot initiative to impose a carbon tax on the state. Links: • A Citizens' Guide to Initiative 1631: to impose a state carbon tax on energy use in Washington state, written by Todd Meyers https://www.washingtonpolicy.org/publications/detail/citizens-guide-to-initiative-1631-to-impose-a-state-carbon-tax-on-energy-use-in-washington-state • More from the Washington Policy Center https://www.washingtonpolicy.org/

Richard Baxstrom and Todd Meyers are anthropologists who have an interest in studying film for its value in a way to view the world. In Violence’s Fabled Experiment (August Verlag, 2018), they examine three filmmakers: Werner Herzog, Joshua Oppenheimer, and Lucien Castaing-Taylor. Each artist is known for interesting, but controversial films that feature violence in different ways. In the book, Richard and Todd both critique and praise the importance of each and their methods and subjects. Richard and Todd are co-authors of the book, Realizing the Witch: Science, Cinema, and the Mastery of the Invisible. I interviewed them previously for this book in 2017.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Richard Baxstrom and Todd Meyers are anthropologists who have an interest in studying film for its value in a way to view the world. In Violence’s Fabled Experiment (August Verlag, 2018), they examine three filmmakers: Werner Herzog, Joshua Oppenheimer, and Lucien Castaing-Taylor. Each artist is known for interesting, but controversial films that feature violence in different ways. In the book, Richard and Todd both critique and praise the importance of each and their methods and subjects. Richard and Todd are co-authors of the book, Realizing the Witch: Science, Cinema, and the Mastery of the Invisible. I interviewed them previously for this book in 2017.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Richard Baxstrom and Todd Meyers are anthropologists who have an interest in studying film for its value in a way to view the world. In Violence’s Fabled Experiment (August Verlag, 2018), they examine three filmmakers: Werner Herzog, Joshua Oppenheimer, and Lucien Castaing-Taylor. Each artist is known for interesting, but controversial films that feature violence in different ways. In the book, Richard and Todd both critique and praise the importance of each and their methods and subjects. Richard and Todd are co-authors of the book, Realizing the Witch: Science, Cinema, and the Mastery of the Invisible. I interviewed them previously for this book in 2017.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Richard Baxstrom and Todd Meyers are anthropologists who have an interest in studying film for its value in a way to view the world. In Violence’s Fabled Experiment (August Verlag, 2018), they examine three filmmakers: Werner Herzog, Joshua Oppenheimer, and Lucien Castaing-Taylor. Each artist is known for interesting, but controversial... Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the most interesting, but largely overlooked silent films, is Haxan, written and directed by Benjamin Christensen. Using documentary methods as well as reenactments, he presented a study of witchcraft hysteria, particularly as it compared to post-World War I scientific and psychological studies. In their book, Realizing the Witch: Science, Cinema, and the Mastery of the Invisible (Fordham University Press, 2015), anthropologists Richard Baxstrom and Todd Meyers examine the film and its importance to the understanding of the concept of the witch. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the most interesting, but largely overlooked silent films, is Haxan, written and directed by Benjamin Christensen. Using documentary methods as well as reenactments, he presented a study of witchcraft hysteria, particularly as it compared to post-World War I scientific and psychological studies. In their book, Realizing the Witch: Science, Cinema, and the Mastery of the Invisible (Fordham University Press, 2015), anthropologists Richard Baxstrom and Todd Meyers examine the film and its importance to the understanding of the concept of the witch. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the most interesting, but largely overlooked silent films, is Haxan, written and directed by Benjamin Christensen. Using documentary methods as well as reenactments, he presented a study of witchcraft hysteria, particularly as it compared to post-World War I scientific and psychological studies. In their book, Realizing the Witch: Science, Cinema, and the Mastery of the Invisible (Fordham University Press, 2015), anthropologists Richard Baxstrom and Todd Meyers examine the film and its importance to the understanding of the concept of the witch. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the most interesting, but largely overlooked silent films, is Haxan, written and directed by Benjamin Christensen. Using documentary methods as well as reenactments, he presented a study of witchcraft hysteria, particularly as it compared to post-World War I scientific and psychological studies. In their book, Realizing the Witch: Science, Cinema, and the Mastery of the Invisible (Fordham University Press, 2015), anthropologists Richard Baxstrom and Todd Meyers examine the film and its importance to the understanding of the concept of the witch. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the most interesting, but largely overlooked silent films, is Haxan, written and directed by Benjamin Christensen. Using documentary methods as well as reenactments, he presented a study of witchcraft hysteria, particularly as it compared to post-World War I scientific and psychological studies. In their book, Realizing the Witch:... Learn more about your ad choices. Visit megaphone.fm/adchoices

Somatosphere is “a collaborative website covering the intersections of medical anthropology, science and technology studies, cultural psychiatry, psychology and bioethics.” Founded in July 2008, Somatosphere has evolved into an innovative platform for collaborative experiments, interdisciplinary exchange, and intellectual community. As such, it reveals how websites–and the communities of discourse that create and read them–have become important sites of intellectual production, authorship, and exchange. In editorial departments such as “In the Journals” and “Web Roundup,” authors distill recent scholarly contributions across disciplines and spaces. More recently, the editors have incubated creative digital endeavors such as Commonplaces, a “collaborative cabinet” that itemizes the technological present, with entries devoted to topics such as the petri dish, the brain, and the waiting room. Book Forum invites commentary from a range of authors, representing not only different scholarly disciplines but offering intriguing, timely, and often original angles on recent important texts. Thanks to its editorial vision and the palpable energy of its contributors, Somatosphere has become informative, creative, and essential reading. Learn more about your ad choices. Visit megaphone.fm/adchoices

Somatosphere is “a collaborative website covering the intersections of medical anthropology, science and technology studies, cultural psychiatry, psychology and bioethics.” Founded in July 2008, Somatosphere has evolved into an innovative platform for collaborative experiments, interdisciplinary exchange, and intellectual community. As such, it reveals how websites–and the communities of discourse that... Learn more about your ad choices. Visit megaphone.fm/adchoices

Somatosphere is “a collaborative website covering the intersections of medical anthropology, science and technology studies, cultural psychiatry, psychology and bioethics.” Founded in July 2008, Somatosphere has evolved into an innovative platform for collaborative experiments, interdisciplinary exchange, and intellectual community. As such, it reveals how websites–and the communities of discourse that create and read them–have become important sites of intellectual production, authorship, and exchange. In editorial departments such as “In the Journals” and “Web Roundup,” authors distill recent scholarly contributions across disciplines and spaces. More recently, the editors have incubated creative digital endeavors such as Commonplaces, a “collaborative cabinet” that itemizes the technological present, with entries devoted to topics such as the petri dish, the brain, and the waiting room. Book Forum invites commentary from a range of authors, representing not only different scholarly disciplines but offering intriguing, timely, and often original angles on recent important texts. Thanks to its editorial vision and the palpable energy of its contributors, Somatosphere has become informative, creative, and essential reading. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Somatosphere is “a collaborative website covering the intersections of medical anthropology, science and technology studies, cultural psychiatry, psychology and bioethics.” Founded in July 2008, Somatosphere has evolved into an innovative platform for collaborative experiments, interdisciplinary exchange, and intellectual community. As such, it reveals how websites–and the communities of discourse that create and read them–have become important sites of intellectual production, authorship, and exchange. In editorial departments such as “In the Journals” and “Web Roundup,” authors distill recent scholarly contributions across disciplines and spaces. More recently, the editors have incubated creative digital endeavors such as Commonplaces, a “collaborative cabinet” that itemizes the technological present, with entries devoted to topics such as the petri dish, the brain, and the waiting room. Book Forum invites commentary from a range of authors, representing not only different scholarly disciplines but offering intriguing, timely, and often original angles on recent important texts. Thanks to its editorial vision and the palpable energy of its contributors, Somatosphere has become informative, creative, and essential reading. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Somatosphere is “a collaborative website covering the intersections of medical anthropology, science and technology studies, cultural psychiatry, psychology and bioethics.” Founded in July 2008, Somatosphere has evolved into an innovative platform for collaborative experiments, interdisciplinary exchange, and intellectual community. As such, it reveals how websites–and the communities of discourse that create and read them–have become important sites of intellectual production, authorship, and exchange. In editorial departments such as “In the Journals” and “Web Roundup,” authors distill recent scholarly contributions across disciplines and spaces. More recently, the editors have incubated creative digital endeavors such as Commonplaces, a “collaborative cabinet” that itemizes the technological present, with entries devoted to topics such as the petri dish, the brain, and the waiting room. Book Forum invites commentary from a range of authors, representing not only different scholarly disciplines but offering intriguing, timely, and often original angles on recent important texts. Thanks to its editorial vision and the palpable energy of its contributors, Somatosphere has become informative, creative, and essential reading. Learn more about your ad choices. Visit megaphone.fm/adchoices

Todd Meyers‘ The Clinic and Elsewhere: Addiction, Adolescents, and the Afterlife of Therapy (University of Washington Press, 2013) is many things, all of them compelling and fully realized. Most directly, the book is an ethnography of drug dependence and treatment among adolescents in Baltimore between 2005-2008. Meyers traces twelve people through their treatment in the clinic and beyond, into what he calls “the afterlife of therapy.” The group of adolescents was diverse–their economic and family circumstances, their demographics, and arc of their narratives from addiction to treatment varied widely. Yet they shared at least one important experience: “each had either been enrolled in a clinical trial or were currently being treated with a relatively new drug for opiate withdrawal and replacement therapy: buprenorphine” (4). In this way, the book is also the story of a pharmaceutical making its way and its mark in the worlds of therapeutics, law, public opinion and, especially, in the lives of its users. Meyers shows how the lives and experiences of these adolescents (as well as others in their lives) were often shaped and constrained by their roles as subjects in pharmaceutical trials evaluating the effectiveness of buprenorphine. Moreover, Meyers looks beyond the questions and answers asked and answered under the constraints of randomized controlled trials. Rather, as he puts it, “my ethnographic gaze is fixed upon the intersection of clinical medicine and social life, at the place where medical and pharmacological subjects are constituted under the sign of therapeutics” (17). As a result, The Clinic as Elsewhere locates palpable places where medicine and the social intersect in the material world and lived experience; as readers, we see the relationship between the medical and the social as much as understand it as a conceptual given. Ultimately, Meyers shows how therapeutics is not only a form of intervention, but a “sign”: under which people are constituted as subjects, and with which people “assign value, meaning, and worth assign value to pharmaceutical intervention” (116). Learn more about your ad choices. Visit megaphone.fm/adchoices

Todd Meyers‘ The Clinic and Elsewhere: Addiction, Adolescents, and the Afterlife of Therapy (University of Washington Press, 2013) is many things, all of them compelling and fully realized. Most directly, the book is an ethnography of drug dependence and treatment among adolescents in Baltimore between 2005-2008. Meyers traces twelve people through their treatment in the clinic and beyond, into what he calls “the afterlife of therapy.” The group of adolescents was diverse–their economic and family circumstances, their demographics, and arc of their narratives from addiction to treatment varied widely. Yet they shared at least one important experience: “each had either been enrolled in a clinical trial or were currently being treated with a relatively new drug for opiate withdrawal and replacement therapy: buprenorphine” (4). In this way, the book is also the story of a pharmaceutical making its way and its mark in the worlds of therapeutics, law, public opinion and, especially, in the lives of its users. Meyers shows how the lives and experiences of these adolescents (as well as others in their lives) were often shaped and constrained by their roles as subjects in pharmaceutical trials evaluating the effectiveness of buprenorphine. Moreover, Meyers looks beyond the questions and answers asked and answered under the constraints of randomized controlled trials. Rather, as he puts it, “my ethnographic gaze is fixed upon the intersection of clinical medicine and social life, at the place where medical and pharmacological subjects are constituted under the sign of therapeutics” (17). As a result, The Clinic as Elsewhere locates palpable places where medicine and the social intersect in the material world and lived experience; as readers, we see the relationship between the medical and the social as much as understand it as a conceptual given. Ultimately, Meyers shows how therapeutics is not only a form of intervention, but a “sign”: under which people are constituted as subjects, and with which people “assign value, meaning, and worth assign value to pharmaceutical intervention” (116). Learn more about your ad choices. Visit megaphone.fm/adchoices

Todd Meyers‘ The Clinic and Elsewhere: Addiction, Adolescents, and the Afterlife of Therapy (University of Washington Press, 2013) is many things, all of them compelling and fully realized. Most directly, the book is an ethnography of drug dependence and treatment among adolescents in Baltimore between 2005-2008. Meyers traces twelve people through their treatment in the clinic and beyond, into what he calls “the afterlife of therapy.” The group of adolescents was diverse–their economic and family circumstances, their demographics, and arc of their narratives from addiction to treatment varied widely. Yet they shared at least one important experience: “each had either been enrolled in a clinical trial or were currently being treated with a relatively new drug for opiate withdrawal and replacement therapy: buprenorphine” (4). In this way, the book is also the story of a pharmaceutical making its way and its mark in the worlds of therapeutics, law, public opinion and, especially, in the lives of its users. Meyers shows how the lives and experiences of these adolescents (as well as others in their lives) were often shaped and constrained by their roles as subjects in pharmaceutical trials evaluating the effectiveness of buprenorphine. Moreover, Meyers looks beyond the questions and answers asked and answered under the constraints of randomized controlled trials. Rather, as he puts it, “my ethnographic gaze is fixed upon the intersection of clinical medicine and social life, at the place where medical and pharmacological subjects are constituted under the sign of therapeutics” (17). As a result, The Clinic as Elsewhere locates palpable places where medicine and the social intersect in the material world and lived experience; as readers, we see the relationship between the medical and the social as much as understand it as a conceptual given. Ultimately, Meyers shows how therapeutics is not only a form of intervention, but a “sign”: under which people are constituted as subjects, and with which people “assign value, meaning, and worth assign value to pharmaceutical intervention” (116). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Todd Meyers‘ The Clinic and Elsewhere: Addiction, Adolescents, and the Afterlife of Therapy (University of Washington Press, 2013) is many things, all of them compelling and fully realized. Most directly, the book is an ethnography of drug dependence and treatment among adolescents in Baltimore between 2005-2008. Meyers traces twelve people through their treatment in the clinic and beyond, into what he calls “the afterlife of therapy.” The group of adolescents was diverse–their economic and family circumstances, their demographics, and arc of their narratives from addiction to treatment varied widely. Yet they shared at least one important experience: “each had either been enrolled in a clinical trial or were currently being treated with a relatively new drug for opiate withdrawal and replacement therapy: buprenorphine” (4). In this way, the book is also the story of a pharmaceutical making its way and its mark in the worlds of therapeutics, law, public opinion and, especially, in the lives of its users. Meyers shows how the lives and experiences of these adolescents (as well as others in their lives) were often shaped and constrained by their roles as subjects in pharmaceutical trials evaluating the effectiveness of buprenorphine. Moreover, Meyers looks beyond the questions and answers asked and answered under the constraints of randomized controlled trials. Rather, as he puts it, “my ethnographic gaze is fixed upon the intersection of clinical medicine and social life, at the place where medical and pharmacological subjects are constituted under the sign of therapeutics” (17). As a result, The Clinic as Elsewhere locates palpable places where medicine and the social intersect in the material world and lived experience; as readers, we see the relationship between the medical and the social as much as understand it as a conceptual given. Ultimately, Meyers shows how therapeutics is not only a form of intervention, but a “sign”: under which people are constituted as subjects, and with which people “assign value, meaning, and worth assign value to pharmaceutical intervention” (116). Learn more about your ad choices. Visit megaphone.fm/adchoices

Todd Meyers‘ The Clinic and Elsewhere: Addiction, Adolescents, and the Afterlife of Therapy (University of Washington Press, 2013) is many things, all of them compelling and fully realized. Most directly, the book is an ethnography of drug dependence and treatment among adolescents in Baltimore between 2005-2008. Meyers traces twelve people through their treatment in the clinic and beyond, into what he calls “the afterlife of therapy.” The group of adolescents was diverse–their economic and family circumstances, their demographics, and arc of their narratives from addiction to treatment varied widely. Yet they shared at least one important experience: “each had either been enrolled in a clinical trial or were currently being treated with a relatively new drug for opiate withdrawal and replacement therapy: buprenorphine” (4). In this way, the book is also the story of a pharmaceutical making its way and its mark in the worlds of therapeutics, law, public opinion and, especially, in the lives of its users. Meyers shows how the lives and experiences of these adolescents (as well as others in their lives) were often shaped and constrained by their roles as subjects in pharmaceutical trials evaluating the effectiveness of buprenorphine. Moreover, Meyers looks beyond the questions and answers asked and answered under the constraints of randomized controlled trials. Rather, as he puts it, “my ethnographic gaze is fixed upon the intersection of clinical medicine and social life, at the place where medical and pharmacological subjects are constituted under the sign of therapeutics” (17). As a result, The Clinic as Elsewhere locates palpable places where medicine and the social intersect in the material world and lived experience; as readers, we see the relationship between the medical and the social as much as understand it as a conceptual given. Ultimately, Meyers shows how therapeutics is not only a form of intervention, but a “sign”: under which people are constituted as subjects, and with which people “assign value, meaning, and worth assign value to pharmaceutical intervention” (116). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/drugs-addiction-and-recovery

Todd Meyers‘ The Clinic and Elsewhere: Addiction, Adolescents, and the Afterlife of Therapy (University of Washington Press, 2013) is many things, all of them compelling and fully realized. Most directly, the book is an ethnography of drug dependence and treatment among adolescents in Baltimore between 2005-2008. Meyers traces twelve people through their treatment in the clinic and beyond, into what he calls “the afterlife of therapy.” The group of adolescents was diverse–their economic and family circumstances, their demographics, and arc of their narratives from addiction to treatment varied widely. Yet they shared at least one important experience: “each had either been enrolled in a clinical trial or were currently being treated with a relatively new drug for opiate withdrawal and replacement therapy: buprenorphine” (4). In this way, the book is also the story of a pharmaceutical making its way and its mark in the worlds of therapeutics, law, public opinion and, especially, in the lives of its users. Meyers shows how the lives and experiences of these adolescents (as well as others in their lives) were often shaped and constrained by their roles as subjects in pharmaceutical trials evaluating the effectiveness of buprenorphine. Moreover, Meyers looks beyond the questions and answers asked and answered under the constraints of randomized controlled trials. Rather, as he puts it, “my ethnographic gaze is fixed upon the intersection of clinical medicine and social life, at the place where medical and pharmacological subjects are constituted under the sign of therapeutics” (17). As a result, The Clinic as Elsewhere locates palpable places where medicine and the social intersect in the material world and lived experience; as readers, we see the relationship between the medical and the social as much as understand it as a conceptual given. Ultimately, Meyers shows how therapeutics is not only a form of intervention, but a “sign”: under which people are constituted as subjects, and with which people “assign value, meaning, and worth assign value to pharmaceutical intervention” (116). Learn more about your ad choices. Visit megaphone.fm/adchoices