Podcast appearances and mentions of Joshua Oppenheimer

Esta semana el programa se pone las botas de combate, se embadurna en barro existencial y nos lanza a un viaje por cuatro películas que van del caos urbano al apocalipsis musical, pasando por Canadá en modo performance. Abrimos con Warfare, lo nuevo de Alex Garland, que se ha metido de lleno en la guerra real. Irak, 2006, un pelotón en apuros y tensión en tiempo real. Una cinta que respira autenticidad porque parte de su guion está basado en recuerdos reales de un Navy SEAL. Seguimos con Havoc, o como la hemos rebautizado cariñosamente: Estragos. Gareth Evans, el de The Raid, trae una película que es básicamente Tom Hardy dándose contra todo lo que se le pone delante. Corrupción, drogas, mafias y más mamporros que diálogos. Desde ahí viajamos al norte y al surrealismo con Universal Language, una rareza canadiense donde cada personaje habla un idioma distinto y la narrativa se ríe de sí misma, del país y de todos nosotros. ¿Quieres cine raro pero encantador? Aquí lo tienes De ahí nos vamos al teatro donde conoceremos a Lillian Hall, gran estrella de Broadway que luchará por seguir brillando en Movistar+ Y cerramos por todo lo alto, o por todo lo bajo según se mire, con The End, una distopía musical donde Joshua Oppenheimer (sí, el de The Act of Killing) dirige una ópera postapocalíptica sobre el fin del mundo. Búnkers, sal, familias que cantan y una estética que mezcla Tarkovski con Glee. Una locura, de programa. Todo ello como siempre sin spoilers Minutado 00:00 – Introducción y Tertulia con los oyentes con reseñas breves de Black Bag y La Cita 16:40 – Warfare 34:15 – Estragos (Havoc [Netflix] 40:30 – Universal Language (Idioma Universal) [Filmin] 52:00 – The End 1:04:40 – La Gran Lillian Hall [Movistar+] Únete a nuestro grupo de Telegram: https://t.me/PodcastEnSerio Y estamos en Twitter: https://twitter.com/PodcastEnSerio ⌨️Correo: ivodelgadorivero@gmail.com Instagram: https://www.instagram.com/criticoenserio/?hl=en-gb

Phil Cox discusses the importance and challenges of navigating the film ecosystem and festival landscape, and the innovative storytelling techniques used in his documentary “Khartoum”, which just screened at the Berlin Film Festival following its Sundance premiere. Past filmmakers discussed include the films of Frederick Wiseman and Joshua Oppenheimer.Phil shares insights on collaboration and community among filmmakers, the challenges of activist filmmaking, which aims to resist traditional narratives, and the significance of self-care in the industry. He also addresses cultural sensitivity in storytelling and the intricacies of structuring non-linear narratives, all while reflecting on his journey as a filmmaker and the future of independent filmmaking.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Costa-Gavras es uno de esos veteranos directores europeos que siempre ha defendido la dimensión social del cine y su compromiso político. Lo vuelve a demostrar con más de 90 años en 'El último suspiro', una reflexión entre la filosofía y la medicina sobre la muerte. Además comentamos el musical de Joshua Oppenheimer, analizamos los estrenos españoles con 'La isla de los faisanes' y 'Todo lo que no sé', os contamos cómo ha abierto el Barcelona Film Fest y os recomendamos un par de series. Os ponemos al día en 30 minutos. 

Min 5: EL CONTABLE 2 El Contable 2 (The Accountant 2) es la secuela del thriller de acción de 2016 protagonizado por Ben Affleck. Dirigida nuevamente por Gavin O'Connor, retoma la historia del contable forense autista Christian Wolff, quien combina sus habilidades matemáticas con una vida secreta como vigilante. La secuela adopta un enfoque diferente al de su predecesora, transformándose en una especie de "buddy movie" de los años 90, con la incorporación de Jon Bernthal, encarnando al hermano trasgresor del protagonista. Una apuesta que ha entretenido a nuestros críticos, pero que peca de restar protagonismo a las escenas de acción que habrían mejorado la sensación final. De ahí el aprobado justo que se lleva en nuestro Filtro Luchini. NOTA EDC: 2,5 estrellas Min 14: UNTIL DAWN ?Until Dawn (2025) es una adaptación cinematográfica del aclamado videojuego de terror de Supermassive Games. Dirigida por David F. Sandberg (¡Shazam!) y escrita por Blair Butler y Gary Dauberman. La historia sigue a Clover (Odessa A'zion) y sus amigas, quienes, un año después de la desaparición de la hermana de Clover, Melanie, viajan al remoto valle donde ocurrió la tragedia. Allí, en un centro de visitantes abandonado, son perseguidas por un asesino enmascarado que las mata una a una, solo para despertarse al inicio de la misma noche. Atrapadas en un ciclo mortal, enfrentan amenazas cada vez más aterradoras. Nuestra experta en Hobby Consolas reconoce que es un buen ejemplo de adaptación de videojuego y Luchini, pese a sus miedos iniciales, reconoce que hasta se ha reído en algunas de las secuencias más sangrientas. Con todo, Until Dawn, tampoco pasa del aprobado. NOTA EDC: 2,5 estrellas Min 21: EL ÚLTIMO SUSPIRO El último suspiro ( Le Dernier Souffle) supone el regreso del veterano director franco-griego Costa-Gavras. A sus 92 años, el cineasta ofrece una obra que aborda con sensibilidad y profundidad el tema de la muerte digna y los cuidados paliativos, inspirada en el ensayo homónimo de Régis Debray y Claude Grange. Luchini da fe de su calidad y del aprendizaje vital que ofrece, pero avisa que no es para sentarse a verla con el ánimo bajo. NOTA EDC: 3,5 estrellas Min 27; THE END The End es el primer largometraje de ficción del director Joshua Oppenheimer, conocido por sus documentales The Act of Killing y La mirada del silencio. Ambientada dos décadas después de un apocalipsis global, la historia sigue a una familia compuesta por Padre (Michael Shannon), Madre (Tilda Swinton) e Hijo (George MacKay), que vive en un lujoso búnker construido en una mina de sal. El hijo, de 20 años, nunca ha visto el mundo exterior. La llegada de una joven (Moses Ingram) a la entrada del búnker altera la aparente armonía familiar, desencadenando tensiones y cuestionamientos sobre su existencia aislada. Vista y analizada por Raquel Hernández, es de esas propuestas en las que, o entras y quedas fascinado, o no entras y sales de la sala con sabor agridulce. La crítico de Hobby Consolas se queda en el segundo grupo y la aprueba por los pelos. NOTA EDC: 2,5 Min 32: LA ISLA DE LOS FAISANES La isla de los faisanes (Faisaien Irla) es el primer largometraje de ficción del director vasco Asier Urbieta. Ambientada en la Isla de los Faisanes, un pequeño islote en el río Bidasoa cuya soberanía comparten España y Francia, la película aborda la crisis migratoria en esta frontera natural, inspirándose en hechos reales ocurridos en 2021. Debú meritorio de Urbieta que, para Luchini, no pasa sin embargo de las 2,5 estrellas. Min 34: TODO LO QUE NO SÉ También llega a las salas la ópera prima directora Ana Lambarri. La película ofrece una mirada íntima y honesta sobre las tensiones emocionales y sociales que enfrentan muchas mujeres contemporáneas, especialmente aquellas que rondan los 35 años y se sienten atrapadas entre expectativas incumplidas y responsabilidades familiares. NOTA EDC: 2,5 estrellas Min 35: LA PELÍCULA DE TU VIDA: ARTURO MENOR En este capítulo de Estamos de Cine contamos con el toledano Arturo Menor. Biólogo, naturalista, guionista, director de fotografía y director de cine de naturaleza, nominado al Goya hace dos años por "Iberia Naturaleza Infinita" nos explica porqué el largometraje documental francés "Nómadas del viento" es el título que ha marcado su vida y sobre todo su trayectoria profesional. Min 38: ESPECIAL BSO "LOS PECADORES": UN GORANSSON DE OSCAR La banda sonora de Los pecadores (Sinners), compuesta por Ludwig Göransson, ha sido aclamada por la crítica como una de las obras más ambiciosas y emocionalmente resonantes del cine reciente. Esta colaboración entre Göransson y el director Ryan Coogler, quienes ya habían trabajado juntos en Creed y Black Panther, se sumerge en las raíces de la música afroamericana del sur de Estados Unidos para crear una experiencia sonora única. Recogiendo el pañuelo que nos lanzó hace una semana Raquel Hernández en su crítica, Ángel Luque y Roberto Lancha ofrecen una degustación de alto nivel de una de las composiciones clave del año. NOTA EDC. 4,5 estrellas

Sergio Pérez entrevista en el Festival de San Sebastián al director y protagonista e esta historia postapocalíptica de una familia en un búnker.

How dangerous is the romanticisation of modern life?Following last week's critique of romanticising the "simple" life, this week's episode takes a full 180 by contemplating the fallibilities of modern romantics in Joshua Oppenheimer's narrative debut, The End.We also briefly discuss:Terminator 2: Judgment Day (1991) d. James CameronJoker: Folie à Deux (2024) d. Todd PhillipsContact UsEmail: contact@jimmybernasconi.comInstagram: https://www.instagram.com/filmsfortoday/

Tilda Swinton talks about her role in Joshua Oppenheimer's post-apocalyptic musical film The End, and about her intention to take a break from acting, Actor and artistic director of the new Welsh National Theatre Michael Sheen, and screenwriter Russell T Davies reveal plans for the company's first season. Plus we discuss the influence of schoolmaster Philip Burton on the legendary actor Richard Burton, as a new book, and a film starring Toby Jones, explore the impact of the teacher on Burton's life. Presenter: Kirsty Wark Producer: Mark Crossan

This episode features a conversation with film director, Joshua Oppenheimer. It was recorded in March 2025.Joshua gained notoriety through his documentaries The Act of Killing and The Look of Silence, which, amongst their many accolades, gained him Academy Award and BAFTA nominations. In fact, back in 2012, it was his extraordinarily beautiful and bizarre film, The Act of Killing, which follows former Indonesian death-squad leaders in reenacting their mass-killings through cinematic set pieces and lavish musical numbers, that put Joshua on my radar. The Guardian called it “The most compelling thing you'll ever see.” I tend to agree. His latest film, entitled The End, hit cinemas in the UK and Germany last week.The End stars Tilda Swinton, Michael Shannon, and George MacKay, as a wealthy family living isolated lives in a luxurious bunker, two decades after an environmental catastrophe renders Earth's surface uninhabitable. But this isn't your run-of-the-mill, seen-it-before disaster take, The End is a genre-bending tale that urges us to reconsider the illusions we hold about the fate of our planet and, perhaps crucially, our role in shaping that fate. Amongst other things, Joshua and I discussed The End, why we often find living in lies a more comforting situation than facing reality, and the need to challenge the silence and the self-deception that is all around us when it comes to climate.Additional links: The End is out now in Germany and the UK. Get tickets to cinemas near you here. Find out where to stream The End in your location by going here. Watch the trailer for The End.Get a sense of Joshua's inspiration from The Umbrellas of Cherbourg.Check out the trailers for The Act of Killing and The Look of Silence.Here's the panel discussion I mentioned, discussing silence around fossil fuels in Norway.Creatives for Climate is the largest and most diverse network of change-agents using creativity to drive climate action.Read George Lakoff's book, Don't Think of An Elephant.

This week, I sit down with Reginald Hudlin and Shola Lynch to talk about their two-part documentary NUMBER ONE ON THE CALL SHEET (13:16) plus we review Joshua Oppenheimer's post-apocalyptic musical THE END (32:32) and the Neurocultures Collective's experimental film THE STIMMING POOL (46:19). Plus, in our HOT TAKE (01:00:01), in the wake of a Variety hit piece that lays the blame for Snow White's box office flopping on Rachel Zegler, we ask: Why does the internet hate the young star?If you would like to donate directly towards humanitarian aid in Gaza please visithttps://www.map.org.uk/https://www.safebowgazanaid.com/take-action-nowJoin the conversation or suggest a Hot Take for the gang to discuss tweet us at @FadeToBlackPodFollow us: @amonwarmann, @clarisselou, @hannainesflintMusic by ⁠The Last Skeptik⁠If you like the show do subscribe, leave a review and rate us too!

We start on a director's chair. We pull back to reveal its back. On it is emblazoned a name. That name? George MacKay, the wonderful star of this week's thought-provoking original movie musical, Joshua Oppenheimer's The End, who pops into the podbooth to have a good old natter [from 30:49 - 48:20 approx] with... We pull back. It's another director's chair. On it, another name: Chris Hewitt. Everyone shrugs their shoulders. But wait! There's another chair, and another name! That name is Irwin Winkler, the legendary producer of Rocky, Raging Bull, Goodfellas, The Irishman, Creed, and now The Alto Knights, as he talks to Chris about going double De Niro on that movie. [1:00:37 - 1:17:11 approx] And then there are three more chairs, with three more names, as Helen O'Hara, James Dyer, and John Nugent join Chris in the podbooth for a topsy-turvy episode that flips the format of the show upside down. Our intrepid quartet answer a listener question about Double De Niro, review A Working Man, The Woman In The Yard, and Novocaine, and discuss the week's movie news, including the glacially-paced reveal of the cast of Avengers Doomsday, which was unfolding as we recorded this very show. But they don't necessarily do all of those things in that order. If you're not an MCU stan (or Stan), that discussion comes right at the end of the episode, so here's a rough time stamp should you wish to skip. [1:32:24 approx] For MCU fans, though, dive in. Enjoy.

Hope Hopkinson speaks to director Joshua Oppenheimer and actor George McKay about their new film, The End. A Golden Age-style musical about the last human family. Twenty-five years after the Earth's environmental collapse, Mother, Father and Son cling to a sense of normalcy while confined to a palatial bunker. But when a Girl turns up at their doorstep, with her own past and perspective, the family's blind optimism begins to unravel. If you'd like to send us a voice memo for use in a future episode, please email podcast@picturehouses.co.uk. Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Produced by Stripped Media. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.

Plodroch, Ina www.deutschlandfunk.de, Corso

Joshua Oppenheimer ist zu Besuch bei Koelncampus. Der oscarnominierte Dokumentarfilmer hat sich mit seinem neuen Film "The End" zum ersten Mal an einen Spielfilm gewagt. "The End" ist ein ziemlich ungewöhnliches Endzeitmusical über eine reiche Familie, die nach der Apokalypse mit ihrem Personal in einem luxuriösen Bunker lebt – und das schon seit 25 Jahren. Wie Joshua Oppenheimer auf diese Idee gekommen ist – und was ihn daran besonders gereizt hat – darüber hat Filmspur-Reporterin Rey mit ihm gesprochen.

Der Regisseur Joshua Oppenheimer ist zu Besuch bei kölncampus. Der oscarnominierte Dokumentarfilmer hat sich mit seinem neuen Film "The End" zum ersten Mal an einen Spielfilm gewagt. "The End" ist ein ziemlich ungewöhnliches Endzeit-Musical über eine reiche Familie, die nach der Apokalypse mit ihrem Personal in einem luxuriösen Bunker lebt – und das schon seit 25 Jahren. Wie Joshua Oppenheimer auf diese Idee gekommen ist – und was ihn daran besonders gereizt hat – darüber hat Filmspur-Reporterin Rey mit ihm gesprochen.

In this conversation, Nathaniel Lezra discusses his journey as a documentary filmmaker, focusing on his latest project, “Roads of Fire”, which just won Best Documentary at the Santa Barbara International Film Festival. Nathaneil's past inspirations include Joshua Oppenheimer's “The Act of Killing” and “The Look of Silence”.He reflects on the challenges and triumphs of cinematically capturing the humanitarian crisis and the political climate's impact on filmmaking. He also shares insights into the smuggling industry and the importance of capturing authentic experiences in documentary storytelling. Nathaniel discusses the complex, harrowing realities faced by migrants, the need for empathy when addressing these issues, and how filmmakers can play a crucial role in pushing for change.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

10 years after changing the world of documentary cinema with "The Act of Killing" and "The Look of Silence", director Joshua Oppenheimer returns to our screens with a post-apocalyptic musical. "The End" is a film about the lies we tell ourselves, the destruction these cause, and the love and hope that such lies deny us. If you think Projector Pod is the kind of thing you'd like to support, you can find our Patreon here. 

From his home in Copenhagen, a city he's called home for more than a decade, Texas-born Oscar-nominated American-Danish filmmaker JOSHUA OPPENHEIMER talks about his new narrative film The End (2024), an apocalyptic musical. Joshua discusses The End alongside his Oscar-nominated documentary films The Act of Killing (2012) and The Look of Silence (2014), and how the three provocative and divisive projects are mirrors to challenge us to look at ourselves.Joshua selects a work by Pieter Bruegel the Elder from the SMK collection.https://open.smk.dk/en/artwork/image/KMS1639(Photographer: Pascal Bünning)----------We invite you to subscribe to Danish Originals for weekly episodes. You can also find us at:website: https://danishoriginals.com/email: info@danishoriginals.com----------And we invite you to donate to the American Friends of Statens Museum for Kunst and become a patron: https://donorbox.org/american-friends-of-statens-museum-for-kunst

I sportens verden er begreber som sportspsykologi og mental trivsel ting, der år efter år bliver taget mere alvorligt. I musikkens verden er det dog helt anderledes, her hører man ofte om musikere, der bukker under for det mentale pres. Kan musikindustrien måske lære noget af sportens verden? Det og meget mere har musikselskabet The Bank undersøgt i en ny rapport. Vi taler med den administrerende direktør hos The Bank, Jakob Sørensen, om hvad de har fundet frem til. Den oscar-nominerede instruktør, Joshua Oppenheimer, har i morgen dansk premiere på sin nyeste film "The End". Filmen skildrer verden 25 år efter et miljø-kollaps gjorde Jorden ubeboelig, og en verden hvor de superrige er rykket ned i deres private bunkere. Filmanmelder Bjarke Friis Kristensen anmelder først filmen og dernæst taler vi med professor i arkitektur, Ole B Jensen, om superriges tendens til at bygge luksusbunkere. Vært: Tony Scott.

TIFF 2025: I denne siste episoden av årets Filmprat fra Tromsø møter vi regissør Joshua Oppenheimer (mest kjent for dokumentarene The Act of Killing og The Look of Silence), til samtale om hans første spillefilm, musikalen The End.   Montages leder Filmprat, et daglig arrangement på TIFF, hvor vi fører samtaler med besøkende filmskapere og andre relevante festivalgjester. Filmprat finner sted på Tromsø bibliotek, og blir fra og med i år publisert som podkastepisoder på Filmfrelst-kanalen til Montages. Joshua Oppenheimer hentet hjem fortjent heder og ære – blant annet i form av to Oscar-nominasjoner – for sin enestående dokumentar-diptyk The Act of Killing (2013) og The Look of Silence (2015), om folkemordet i Indonesia, og i årene som fulgte har det hersket stor interesse for Oppenheimers neste prosjekt. Hvis man tippet for ti år siden at det skulle bli en musikal satt til verdens undergang, ville det gitt høyde odds, men The End er likevel tettere på regissørens to foregående filmer enn hva en overfladisk beskrivelse indikerer. I samtalen nedenfor forteller Oppenheimer i detalj om ideene og visjonene som har ledet ham fra to bejublede, innflytelsesrike dokumentarer over i en ambisiøs musikalproduksjon, og på hvilken måte han opplever at The End viderefører den tematiske utforskningen som allerede har opptatt størsteparten av hans foreløpige kunstnerskap. Regissøren responderer også på enkelte kritikeres skeptiske holdning til The End, og diskuterer hvilken offentlighet prosjektet hans går inn i – og hvordan vi som mennesker stiller oss til kunstopplevelser, som igjen knytter an til filmens egen mise-en-scène. Joshua Oppenheimer og Montages-redaktør Karsten Meinich møttes til Filmprat fra TIFF-scenen på Tromsø bibliotek lørdag 18. januar, og samtalen presenteres nedenfor i sin originale form. Arrangementet er gjennomført av TIFF og Montages i samarbeid, og podkasten er produsert av Montages. God lytting!

Eric, Robert, The Minister, and Jericho from the Third Act Podcast gather to discuss the Bob Dylan biopic A COMPLETE UNKNOWN, and Joshua Oppenheimer's first narrative feature, THE END. Bask in the bloat!   A COMPLETE UNKNOWN.......7:48 THE END.......1:14:36   Email:  FlicksationPodcast@gmail.com Follow us on Facebook, Instagram, or Bluesky Call or text the voicemail line:  (608) 535-9302   2025 Flicksation Podcast Network

SONIC BABY GIRL NOSFERATU, that's what's up folks. Please enjoy our episode for December 2024! DECEMBER Y2K- dir. Kyle Mooney; Jaeden Martell, Rachel Zegler, Julian Dennison, Daniel Zolghardi, Lachlan Watson, Fred Durst Queer- dir. Luca Guadagnino; Daniel Craig, Drew Starkey, Jason Schwartzman, Lesley Manville Red One- dir. Jake Kasdan; Dwayne Johnson, Chris Evans, Lucy Liu, J.K. Simmons, Bonnie Hunt Kraven the Hunter- dir. J.C. Chandor; Aaron Taylor-Johnson, Ariana DeBose, Fred Hechinger, Alessandro Nivola, Christopher Abbott, Russell Crowe The End- dir. Joshua Oppenheimer; Michael Shannon, Tilda Swinton, George MacKay, Moses Ingram Sonic the Hedgehog 3- dir. Jeff Fowler; Ben Schwartz, Jim Carrey, Keanu Reeves, Colleen O'Shaughnessey, Idris Elba, Krysten Ritter, James Marsden, Tika Sumpter Nightbitch-dir. Marielle Heller; Amy Adams, Scoot McNairy, Jessica Harper Babygirl- dir. Halina Reijn; Nicole Kidman, Harris Dickinson, Antonio Banderas, Sophie Wilde Nosferatu- dir. Robert Eggers; Bill Skarsgård, Willem Dafoe, Lily Rose-Depp, Nicholas Hoult, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson JANUARY Better Man Den of Theives: Pantera Presence Wolf Man Flight Risk Star Trek: Section 31 Screamboat Dogman Love Me Companion --------------------------------------------------- iTunes: https://podcasts.apple.com/us/podcast/movies-are-reel/id1082173626 Spotify: https://open.spotify.com/show/2VE15E5fS0ZWtESo9bUWhn?si=e983275eb550499c&nd=1 Jurge - twitter: twitter.com/jcruzalvarez26 Letterboxed: letterboxd.com/jcruzalvarez26/​ Ryan- twitter: twitter.com/MrPibbOfficial Letterboxed: letterboxd.com/filmpiece/​ Karrie - twitter: twitter.com/kar_elyles Letterboxed: letterboxd.com/karrie/

Joshua Oppenheimer, the director of the recent apocalypse musical The End, starring Tilda Swinton and Michael Shannon, joins us to discuss musicals and his past work crafting brilliant documentaries. Plus, we'll hear a direct dispatch from our friend Meghan Daum, whose house was destroyed in the Southern California fires. And I think we can safely say that Donald Trump won't be waging war on Greenland, even if he won't say it clearly. Listen to Meghan's full story from The Unspeakable Podcast at her substack, and consider becoming a paid subscriber. She's a friend of The Gist, a fantastic writer, and a person who could use your support. Voices and Votes: The State of Free Speech After the Election Harry's: harrys.com/gist for a $13 trial set for just $3 Prolon Life: prolonlife.com/gist for 15% off Produced by Joel Patterson and Corey Wara Email us at thegist@mikepesca.com To advertise on the show, visit: https://advertisecast.com/TheGist Subscribe to The Gist: https://subscribe.mikepesca.com/ Subscribe to The Gist Youtube Page: https://www.youtube.com/channel/UC4_bh0wHgk2YfpKf4rg40_g Follow Mikes Substack at: Pesca Profundities | Mike Pesca | Substack  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jason Fraley catches up with filmmaker Joshua Oppenheimer about his new apocalyptic musical “The End" starring Tilda Swinton and Michael Shannon. He describes his first foray into feature-length narrative filmmaking after his Oscar-nominated documentaries “The Act of Killing” and “The Look of Silence.” (Theme Music: Scott Buckley's "Clarion")

"The End" had its world premiere at the 2024 Telluride Film Festival, where it received a polarizing reception from audiences, but those who loved it really, really loved it. It's the first narrative feature film from Director Joshua Oppenheimer after his two Oscar-nominated documentary films, "The Act Of Killing" and "The Look Of Silence." Oppenheimer and star Michael Shannon were both kind enough to spend some time talking about their work on the musical film, its themes, and resonance to an audience in today's political climate, which can be listened to below. Please be sure to check out the film, which is now playing in theaters from NEON and is up for your consideration for the 97th Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

It's an extreme Arthouse Tuesday here at Breakfast All Day. First, we have a super-early review of "Nosferatu," Robert Eggers' exceptionally crafted retelling of the classic vampire story. Lily-Rose Depp, Nicholas Hoult, Willem Dafoe and Bill Skarsgard co-star. It comes out Christmas Day, but we couldn't wait to talk about it, so we're reviewing it now. Next is "The End," Joshua Oppenheimer's ambitious drama about a family living in an elaborate underground bunker after an environmental disaster. Did we mention it's a musical? Tilda Swinton, Michael Shannon, George MacKay and Moses Ingram co-star. In limited release this weekend. Finally, a palate cleanser: Our review of "Yacht Rock: A Dockumentary." The film takes an appreciative, nostalgic look at soft rock stars of the '70s like Michael McDonald, Kenny Loggins and Christopher Cross, and how they've shaped pop culture decades later. This is the music of our childhood, so we loved this. Streaming now on Max. We'll back back on Friday with "Nightbitch," "Y2K" and Movie News LIVE!, so come on back then. Thanks for being here! Subscribe to Christy's Saturday Matinee Newsletter: https://christylemire.beehiiv.com/

Michael Shannon is known for his intense and versatile performances across film, television, and theater—“Take Shelter,” “99 Homes,” “Nocturnal Animals,” “Boardwalk Empire,” “Long Days Journey Into Night,” “George and Tammy,” to name just a few. On this episode, he talks about his “simplistic” approach to preparation, the test he gives directors to see if he can trust them, the importance of “disappearing,” why he no longer likes to do endless takes, and much more. Plus he discusses his love for George Mackay, who plays “Son” to Shannon's “Father” in “The End,” Joshua Oppenheimer's post-apocalyptic musical which opens in select theaters December 6th. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Film reviews - Joshua Oppenheimer - Colm Mac Con Iomaire

Em Flee - Nenhum Lugar Para Chamar de Lar, Jonas Poher Rasmussen conta a história de seu amigo Amin, e nós temos sorte de ouvi-la. Bem-vindos à Locadora do Nicolas, a investigação ordenada e sazonal sobre o audiovisual internacional! Com PJ Brandão, Rudy e Jotapê. COLABORE COM NOSSO APOIA.SE! Indicações do episódio: Atriz Milenar (Satoshi Kon, 2002) Monster (Hirokazu Kore-eda, 2023) Cabra Marcado Para Morrer (Eduardo Coutinho, 1981) O Ato de Matar (Joshua Oppenheimer, 2012) O Peso do Silêncio (Joshua Oppenheimer, 2014) Tower (Keith Maitland, 2016) Valsa com Bashir (Ari Folman, 2008) Persépolis (Vincent Paronnaud, Marjane Satrapi, 2007) E no próximo episódio... Ong-Bak - Guerreiro Sagrado, 2003. Nos encontre por aí: Grupo de ouvintes do Nicolas no Telegram Bluesky: @hqsemroteiro / @rudylonia / @jumbopaulo / @podcastnicolas Instagram: @hqsemroteiro / @ahistoriadacamisa / @roberto_rudiney / @jumbopaulo / @podcastnicolas Letterboxd: @rudylonia / @jp_martins TikTok: @hqsemroteiro / @rudyloniaa / @rudyball Créditos: Edição: Roberto Rudiney e JP Martins Arte: JP Martins Voz de veludo do início: Bruna Soares

**Are you interested in discovering extraordinary under-the-radar movies and discussing them with a community of film lovers?** **Sign up for the Reel Ruminators (Free Trial), by visiting https://email.seventh-row.com/trial. The discussion will happen on October 13 at 12 p.m. EST. ** Toronto-based film critic Angelo Muredda joins Alex Heeney to discuss one of the biggest directorial swings at TIFF: Joshua Oppenheimer's The End. Starring Tilda Swinton, George MacKay, and Michael Shannon, the film is a musical about a rich family surviving in isolation in a salt mine bunker after the climate apocalypse. We discuss how the film works as a post-apocalyptic story and a musical, and how what we found interesting about the film may not be what Oppenheimer felt was most central. The End will be released in North America on December 6, 2024. The episode avoids major spoilers. About the TIFF 2024 season: The TIFF 2024 season previews under-the-radar gems and buzzy titles at the 2024 Toronto International Film Festival. This is for you if: You're attending TIFF and looking for recommendations; You're looking ahead to your local film festival for must-see titles; and/or You're interested in how filmmakers from around the world explore similar topics/genres, even if you're not sure if you'll ever see the films. The season will be spoiler-free and designed to be listened to even if you haven't seen the films (or are worried you won't ever be able to).  Check out all of our TIFF 2024 coverage here: https://seventh-row.com/tiff24

Ep. 271: Eric Hynes on Conclave, Friendship, Tata, The Last Republican, Winter in Sokcho (Toronto) Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. So it turns out I had another Toronto International Film Festival episode up my sleeve, with Eric Hynes, Curator of Film at Museum of the Moving Image. We talk about the Ralph Fiennes elect-a-pope movie, Conclave (directed by Edward Berger); the Tim Robinson comedy, Friendship (directed by Andrew DeYoung); an intriguing pair of documentaries, Tata (directed by Lina Vdovîi and Radu Ciorniciuc) and The Last Republican (Steve Pink); and Platform selection Winter in Sokcho (Koya Kamura). Last but not least, we take another look at Joshua Oppenheimer's The End. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Notre critique du film "The End" réalisé par Joshua Oppenheimer avec Tilda Swinton, George MacKay et Michael Shannon.Abonnez-vous au podcast CINECAST sur la plateforme de votre choix : https://smartlink.ausha.co/cinecast  ---  Titre : The EndSortie : TBARéalisé par Joshua OppenheimerAvec : Tilda Swinton, George MacKay et Michael Shannon.Synopsis : Après la mort du Pape, le cardinal Lomeli, réticent, est chargé de superviser le groupe de cardinaux du monde entier chargés de sélectionner un nouveau chef pour l'Église. Mais alors que les machinations politiques au sein du Vatican s'intensifient, il se rend compte que le défunt leur avait caché un secret qu'il doit découvrir avant qu'un nouveau Pape ne soit choisi.#Critique #CINECASTHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Tercer día de festival y hoy nos detenemos en mucho cine español. Han llegado 'La virgen roja', 'Los destellos' o la coproducción con Argentina 'El Jockey'. También hemos visto 'The End', debut en la dirección de Joshua Oppenheimer y Lorena Iglesias se despide de Donosti con 'Necesidades de una viajera', lo último de Hong Sang-soo.

TIFF has ended, the awards have been handed out, and we're still decompressing, with even more to come. This week we discuss the Venice Awards, the TIFF Prizes, and Andy and Jesse go in-depth on the remaining films they both have a take on: Miguel Gomes' GRAND TOUR, Luca Guadagnino's QUEER, Joshua Oppenheimer's THE END, and Steven Soderbergh's PRESENCE. Our twitter is @CannesIKickIt Our instagram is @CIKIPod Our letterboxd is CIKIPod Enjoying the show? Feel free to send a few bucks our way on Ko-fi. Thanks to Tree Related for our theme song Our hosts are @andytgerm @clatchley @imlaughalone @jcathtraverse

On this special edition of On-Screen Live, we were live (thanks to the spotty hotel wi-fi holding out) from the 2024 Toronto International Film Festival! In this episode, Andrew and Chris reviewed films they caught during our first two days at the fest, including David Cronenberg's The Shrouds, Kiyoshi Kurosawa's Cloud, Joshua Oppenheimer's The End, David Gordon Green's Nutcrackers, Mati Diop's Dahomey & more! The second, and final part of our #TIFF24 coverage will broadcast live on our YouTube and Twitch channels this coming Thursday, September 12 at noon/eastern. The audio from that show will be turned around the following week! Be sure to head to our website for all ticketing information on our final shows of the year in Seattle, Portland (Oregon) & Boston! And don't miss our worldwide digital event on October 23 where we're talking Scream 4! Can't make it the night of? The show has a 14-day replay window after the broadcast! And if you're a Patreon subscriber at the $8 level or up, you can bundle in our exclusive After Party Q&A totally free! That's right, you can watch us vibe and imbibe as we answer audience questions, totally gratis!

This week, Film Comment is on the ground at the 2024 Toronto International Film Festival, which began on September 5 and runs through September 15. This year, as ever, the festival's lineup is full of buzzy titles, including premieres of new films from directors like Luca Guadagnino, Pedro Almodóvar, Athina Rachel Tsangari, Brady Corbet, Dea Kulumbegashvili, and more. For our third Podcast from the home of David Cronenberg, Drake, and the great Tim Hortons, Film Comment editor Devika Girish welcomes critics Adam Nayman and Beatrice Loayza to discuss some of the most anticipated films of this year's festival. Kicking things off, Adam, the noted Torontonian, gives a rundown on the Toronto-based movies at this year's edition (2:59) before the three critics move on to discuss Nicolás Pereda's Lázaro at Night (6:05), Jessica Sarah Rinland's Collective Monologue (12:32), Athina Rachel Tsangari's Harvest (22:09), Joshua Oppenheimer's The End (32:09), and Joseph Kahn's Ick (39:33). Catch up with all of our coverage of TIFF 2024 at filmcomment.com

Social media has been full of smiling genocidiers lately, so it's a good time to revisit THE ACT OF KILLING (2012). Joshua Oppenheimer's experimental documentary about the legacy of the Indonesian mass killings asks: What would it take to prick a mass murderer's conscience? And how does violence linger in the human soul? PLUS: So, have you heard about this guy Joe Biden? Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus "The 'Liberal World Order' Was Built In Blood" by Vincent Bevins - https://www.nytimes.com/2020/05/29/opinion/sunday/united-states-cold-war.html

Först begår vi grymheter för att vi är lydiga och anpassliga. Sedan rättfärdigar vi dem för att handla i enlighet med vår värderingar. Eva-Lotta Hultén reflekterar över moralens gruppdynamik. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Mellan oktober 1965 och mars 1966 mördades minst en halv miljon indoneser för att de misstänktes vara kommunister. Dödandet orkestrerades av armén under ledning av general Suharto men många av mördarna var helt vanliga bybor eller stadsbor som gick till angrepp mot sina grannar.Dokumentärfilmen ”The act of killing” från 2012 handlade om dessa massakrer och året efter att den hade premiär visades den på en filmklubb i Göteborg. Jag har haft svårt att släppa det jag upplevde då. Inte under visningen utan under mitt föredrag efteråt.I filmen följer regissören Joshua Oppenheimer några av förövarna. De skrattar och pratar om sitt mördande som om det vore helt vanliga ungdomsminnen.Inget av det som visades var mig främmande. Tidigare samma år hade min bok ”Resan från mörkrets hjärta” kommit ut. Den handlade om vad det är som gör att vi ibland begår övergrepp och grymheter mot våra medmänniskor. Jag skrev om folkmordet i Rwanda, tortyr, Förintelsen, övergrepp under krigen i Vietnam och Irak och all möjlig annan mänsklig grymhet. Det var tack vare boken jag stod framför filmpubliken och höll samma föredrag jag hållit flera gånger förut. Tidigare hade jag mest mött nickande instämmanden och vänliga frågor. Denna gång möttes jag av ilska. Några lämnade till och med salen demonstrativt. Vad var det som gjorde dem så upprörda?Jo, jag pratade om förövare som offer för omständigheter och situationer. Jag berättade om den forskning som visar att vi människor är anpassliga varelser som lätt kan förmås att göra saker som går emot vår egen moral om det är vad någon auktoritet kräver eller gruppen förväntar sig. Jag hävdade att vi inte kan lita på att våra handlingar återspeglar våra värderingar. Först begår vi grymheter för att vi är lydiga och anpassliga. Sedan rättfärdigar vi dem för att kunna hålla fast vid att vi är människor med förmåga att handla i enlighet med vår moral.Min publik hade just sett människor skryta om bestialiska illdåd och de var inte välvilligt inställda till mitt budskap. Tvärtom var de i behov av att distansera sig från vad de just upplevt. En man i publiken naglade fast mig med blicken och slog aggressivt fast: ”Det där skulle jag aldrig kunna göra.”Jag har i tanken många gånger återvänt till den där föreläsningen. Vad hade jag kunnat göra annorlunda för att nå fram?Svaret kanske är så enkelt som att jag inte skulle hållit föredraget i direkt anslutning till filmen. Deltagarnas reaktioner var ju i sig ett tydligt exempel på hur vi påverkas av situationen. I sitt agiterade tillstånd efter filmvisningen var de högst troligt mer aggressiva och mindre eftertänksamma än de annars brukade vara. Det gjorde att de föredrog antagonism och avståndstagande framför analys och försök till förståelse.I sin bok ”Moral. Uppfinnandet av gott och ont”, förklarar filosofen Hanno Sauer att vår mänskliga moral uppstod under vissa bestämda betingelser i en miljö vi var evolutionärt anpassade för. Vi levde i små grupper som jagade stora däggdjur tillsammans och som stod i konflikt med andra små grupper i en klimatmässigt föränderlig miljö. Det gjorde oss flexibla, intelligenta och samarbetsvilliga men också tribalistiska och våldsbenägna. När vi började leva i större grupper krävdes bättre förmåga att hålla sams. Under årtusenden har vi därför tämjt oss själva och blivit allt mindre våldsamma.Det har skett genom att vi under hundratals generationer dödat våra mest aggressiva och hänsynslösa individer, skriver Sauer. På så vis har vi avlat oss själva på fridsamhet, fördragsamhet och impulskontroll. Vi är ättlingar till de vänligaste.Vi har alltså blivit alltmer fridsamma genom att vara våldsamma mot dem som inte var fridsamma! Det är för övrigt ofta så människor förmås att begå massakrer: genom att låta sig intalas att den grupp de dödar utgör ett aggressivt hot. Förövarna i Indonesien är inget undantag.Genom att se filmen kan publikens instinktiva önskan att skära av farliga människor från gruppen ha väckts. I avsaknad av en verklig representant för mördarna kanske jag blev ställföreträdare.Vi slits ofta mellan vår mer instinktsstyrda önskan att straffa och utesluta och vår mer förnuftsdrivna vilja att bete oss civiliserat. Vi vet att långa fängelsestraff försvårar återanpassning, att vård eller vänlighet ofta hjälper bättre än straff och att morötter ofta är bättre än piskor men vi har svårt att välja den mjukare vägen om den strider mot våra känslor i stunden. Vår domesticeringsprocess har kommit långt men vår moral är ännu situationsbunden.Delar av publiken kan också, mer eller mindre medvetet, ha ägnat sig åt dygdsignalering där i salen. Det betyder att visa fram sin egen höga moral för att plocka poäng hos gruppen. Under benämningen godhetssignalering tillskrivs detta ofta, som ett nedsättande tillmäle, människor som försöker skydda utsatta grupper eller naturen. I själva verket förekommer det i alla grupper. Vi vill höra till, alltså säger och gör vi det som vi tror att den egna gruppen vill höra eller se; det som den egna gruppen betraktar som dygdigt. Kanske drogs många där på filmklubben med i avståndstagandet från mig av de som framstod som ledare.Det kan tyckas som att vi lever i en osedvanligt våldsam tid men om man ser på de långa tidskurvorna så minskar våldet i samhället, det gäller allt från mord och våldtäkt till barnmisshandel och krogslagsmål. Vår moral bygger på vad vi tror att alla andra tycker är rätt och i de allra flesta grupper står våld lågt i kurs. Vi behöver inte längre domesticera vår egen art genom mord. Brutala sedvänjor som könsstympning kan minska kraftigt med upplysningskampanjer om att andra i den egna gruppen anser att sedvänjan är fel. Det krävs ofta bara att några vågar börja ifrågasätta för att flertalet ska svänga om.Det kan också tyckas som att vi lever i en osedvanligt egoistisk tid men vårt moraliska ursprung finns i samarbete och solidaritet och det är vad som gjort oss framgångsrika som art. Retorikforskaren Maria Wolrath Söderberg menar att det är viktigt att det blir känt när många väljer att klimatanpassa sina liv. För om vi får veta att andra bryr sig och är beredda att ändra sitt beteende så ökar chansen att vi också gör det.I sin bok berättar Hanno Sauer om Parisfördraget från 1928, också kallat Briand-Kellogg-pakten. Där skrev man under på att internationella konflikter hädanefter endast fick drivas med fredliga medel. Sauer beskriver hur fördraget senare dömts ut som löjligt och naivt men menar att det i själva verket representerar ett paradigmskifte i internationell politik. Viljeyttringen att förbjuda krig var något nytt och bara genom att existera som idé kan den ändå påverka. Vi är ju flockdjur som vill göra det gruppen tycker är det rätta.Och domesticeringen av oss själva fortskrider.Eva-Lotta Hulténförfattare och journalistLitteraturHanno Sauer: Moral. Uppfinnandet av gott och ont. Översättning: Joachim Retzlaff. Bokförlaget Daidalos, 2023.

Voting to Replace George Santos Underway in a Snow Storm In a Race That Will Impact the House GOP's Slim Majority | Elections in Indonesia Could Have a General With Blood on His Hands Who Was Banned From the U.S., Become the Nation's Next President | The Military's Role in the 1965-66 Genocide and the How the U.S. Aided and Abetted the Slaughter of 2 Million Indonesians backgroundbriefing.org/donate twitter.com/ianmastersmedia facebook.com/ianmastersmedia

On Indonesia: a country without a Left.   Foremost scholar of Indonesian politics and political economy, Vedi Hadiz of the University of Melbourne, joins us to talk through the country's politics in advance of the elections next week. What was the authoritarian order that followed the 1965 anti-communist massacres? How did the Asian financial crisis lead towards democratisation – and how did the old oligarchy manage to retain much of its power? How has Indonesia become "Islamified", and what is "Islamic populism"? How do class and ethnicity/religion interact in Indonesia? Who speaks for the "downtrodden"? Is the upcoming election a contestation between oligarchic populisms? Links: /121/ Those Murdering Bastards ft. Vincent Bevins, Bungacast Marketing Morality in Indonesia's Democracy, Vedi Hadiz, East Asia Forum The demise of the left and the Islamisation of dissent in Indonesia, Vedi Hadiz, Melbourne Asia Review (video) Indonesia's 2024 Presidential Election Could Be the Last Battle of the Titans, Carnegie Endowment The Act of Killing, dir. Joshua Oppenheimer, 2012

We have our first double header @EchoChamberFP https://www.instagram.com/echochamberfp/ episode of 2024!!! In 'Part ONE' we have two from 20th Century Studios one from 2022 and then another with New Regency from 2023. Signature Entertainment, Lipsync Productions & Sky Cinema bring us an action sequel, while StudioCanal & Amazon MGM Studios have a new romantic adventure. AND, 3B-Produktion, Real Fiction Filmverleih & MetFilm Sales have a documentary about a film maestro in cinemas right now!!! In 'Part One' we have: Avatar: The Way of Water Watch Review: Here. https://youtu.be/I19mcDVG4PQ Theatrical Release Date: 16th December 2022 Digital Release Date: 6th December 2023 Director: James Cameron Cast: Sam Worthington, Zoe Saldaña, Sigourney Weaver, Stephen Lang, Kate Winslet, Cliff Curtis, Joel David Moore, CCH Pounder, Edie Falco, Brendan Cowell, Jemaine Clement, Jamie Flatters, Jeremy Irwin, Britain Dalton, Chloe Coleman, Trinity Jo-Li Bliss, Jack Champion, Bailey Bass, Filip Geljo, Giovanni Ribisi, Running Time: 192 min Cert: 12a Trailer: Here. https://youtu.be/_ciBXV3MGGc?si=09PX_I9ooH3DXi05 Digital Platforms: Apple TV, Prime Video, YouTube, Google, Vudu, Vubiquity, Cox, and Comcast Website: Here. https://www.disney.co.uk/movies/avatar-the-way-of-water ---------------- One More Shot Watch Review: Here. https://youtu.be/a9YIy887RPQ Digital Release Date: 12th January 2024 Director: James Nunn Cast: Scott Adkins, Michael Jai White, Alexis Knapp, Meena Rayann, Waleed Elgadi, Hannah Arterton, Tom Berenger, Jill Winternitz, Cassidy Little, Aaron Toney, Edward Linard, Christos Dante, Tom Leigh Running Time: 103 min Cert: 18 Trailer: Here. https://youtu.be/QaxJFknK1WE?si=NrmX10HXWpL771LA ---------------- Role Play Watch Review: Here. https://youtu.be/r2EeVNhx0Fg Digital Release Date: 12th January 2024 Director: Thomas Vincent Cast: Kaley Cuoco, David Oyelowo, Connie Nielsen, Bill Nighy, Rudi Dharmalingam, Lucia Aliu, Regan Bryan-Gudgeon, Simon Delaney, Stephanie Levi-John, Jade-Eleena Dregorius Running Time: 101 min Cert: 12a Trailer: Here. https://youtu.be/Bv67rkuWoMg?si=Imsx04yEFOlCN5mc Website: Here. https://press.amazonstudios.com/us/en/original-movies/role-play ---------------- The Creator Watch Review: Here. https://youtu.be/cAPkB9Kj-r4 Theatrical Release Date: 29th September 2023 Digital Release Date: 17th January 2024 Director: Gareth Edwards Cast: John David Washington, Gemma Chan, Madeleine Yuna Voyles, Ken Watanabe, Allison Janney, Sturgill Simpson, Veronica Ngo, Amar Chadha-Patel, Marc Menchaca, Robbie Tann, Ralph Ineson, Michael Esper, Mackenzie Lansing Running Time: 133 min Cert: 12a Trailer: Here. https://youtu.be/DYo4QTsBqP8?si=JruS7v_A4VDNnIi7 Digital Platforms: Apple TV, Prime Video, YouTube, Google, Vudu, Vubiquity, Cox, and Comcast Website: Here. https://www.20thcenturystudios.com/movies/the-creator ---------------- Werner Herzog: Radical Dreamer Watch Review: Here. https://youtu.be/t_EKGf_JNbg Theatrical Release Date: 19th January 2024 Buy Tickets via BFI: Here. https://whatson.bfi.org.uk/Online/default.asp?BOparam::WScontent::loadArticle::permalink=werner-herzog-radical-dreamer Blu-ray & DVD Release Date: 19th February 2024 Director: Thomas von Steinaecker Cast: Werner Herzog, Lena Herzog, Tilbert Herzog, Christian Bale, Nicole Kidman, Joshua Oppenheimer, Robert Pattinson, Patti Smith, Carl Weathers, Wim Wenders, Chloe Zhao, Lucki Stipetic, Volker Schlöndorff, Lotte Eisner, Lucia Lalor, Guillermo de Oliveira, Martje Grohmann, Thomas Mauch, Paul Holdengräber, David M. Wilson, Peter Zeitlinger Running Time: 102 min Cert: 15 Trailer: Here. https://youtu.be/MISuaIHtyhU?si=78xPgye-opkRPC00 Pre-Order Blu-ray via BFI: Here. https://shop.bfi.org.uk/werner-herzog-radical-dreamer-blu-ray.html Website: Here. https://www.metfilmsales.com/werner-herzog-radical-dreamer ---------------- *(Music) 'Da Joint' (Instrumental) by EPMD - 2020 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

Today, Secret Movie Club Team Members Edwin Gomez and Craig Hammill discuss Terry Zwigoff's breakout 1990's documentary CRUMB about underground comic book artist R. Crumb and his dysfunctional brothers. Both Edwin and Craig talk about how a second viewing really emphasizes how heavy Crumb's home life was. We nominate some other powerful "dark" documentaries. Edwin name checks the Maysles' 1960's key work SALESMAN and Errol Morris's 1980's THE THIN BLUE LINE. Craig talks about Claude Lanzmann's 1980's masterwork SHOAH and Joshua Oppenheimer's 2012 THE ACT OF KILLING. Edwin talks the re-opening of the Vista and Craig mentions how much he likes David Fincher's new movie THE KILLER. (This Pod acts as a kind of Part II to SMC Pod #94 which looked at AMERICAN MOVIE and the documentary genre). 

In this episode, I talk to Niels Pagh Andersen, one of the most accomplished film editors in the world. We discuss Niels' working relationship with director Joshua Oppenheimer and his work on the Oscar nominated “The Act of Killing” and Oscar winning follow up, “The Look of Silence," as well as his current work on the upcoming film “The End." Niels details his philosophy and approach to editing outlined in his book “Order in Chaos."  “Order in Chaos” book website: www.orderinchaosbook.com  “The Act of Killing” website: www.theactofkilling.com“The Look of Silence” website: www.thelookofsilence.comThank you for listening. Please subscribe to keep up to date with new episodes. If you enjoy this podcast, please leave a review.“On Documentary” podcast page: www.adamjamessmithfilm.com/on-documentaryAdam James Smith's Instagram: www.instagram.com/ajsfilmContact: ajsfilm@alumni.stanford.edu

Brad Garoon and Jake Ziegler are back with another episode of "Never Did It," as they transport you to 2015. Building upon their earlier exploration of the year 2013, Brad and Jake continue their cinematic journey with "The Look of Silence." A powerful documentary and a follow-up to their previous episode's film, "The Act of Killing," "The Look of Silence" is directed by Joshua Oppenheimer. Jake continues Brad's cinematic journey through Indonesia with this poignant documentary, further unraveling the profound impact of the genocide on individuals and society. As they delve into the film's introspective exploration of memory, truth, and reconciliation, the hosts provide insights into its significance within the broader context of Oppenheimer's work and its effect on other documentarians. Shifting gears, Brad introduces Jake to "Legend," a crime thriller written and directed by Brian Helgeland. Set in the criminal underworld of 1960s London, the film delves into the true story of the notorious Kray twins, played by Tom Hardy in a remarkable dual performance. As Jake immerses himself in this gritty tale of organized crime and familial bonds, the hosts discuss the film's execution, Tom Hardy's dual performances, and his career as a whole. "Never Did It" is a podcast that delves into the unwatched films of the past, providing listeners with a window into the untapped wonders of cinema. With their genuine curiosity and infectious enthusiasm, Brad and Jake invite you to join them on a journey of discovery as they unearth cinematic gems from the year 2015 and beyond.

Step into a world of unwatched movies with hosts Brad Garoon and Jake Ziegler as they launch, "Never Did It." In their debut episode, Brad and Jake dive into the year 2013, exploring two outstanding and strikingly different films: "The Act of Killing" and "In a World." "The Act of Killing," directed by Joshua Oppenheimer, takes the center stage as Jake assigns this thought-provoking documentary to Brad. As they embark on a deeply unsettling journey, the hosts confront the chilling nature of power and its effects on society. Through the lens of Indonesian death squad leaders reenacting their crimes, they unravel the complexities of guilt, memory, and the lingering scars of history. Meanwhile, Brad introduces Jake to "In a World," a delightful comedy written and directed by Lake Bell. Exploring the world of voice-over artists, the film delves into themes of gender dynamics, family relationships, and the pursuit of dreams. As Jake discovers the nuances of this charming and witty indie gem, the hosts reflect on its refreshing take on the film industry and the underrepresented voices within it. In their inaugural episode, Brad and Jake set the stage for the podcast's unique concept. Their chemistry and passion for cinema shine through as they explore the artistic choices, social commentary, and critical acclaim surrounding "The Act of Killing" and "In a World." "Never Did It" promises to be a fun diversion of a podcast that unearths hidden cinematic gems, spanning from 1923 to the present. With their infectious enthusiasm and dedication to filling the gaps in their movie-watching journeys, Brad and Jake invite listeners on an exciting ride through the unexplored realms of film history. Whether you're a film aficionado or simply curious about the uncharted territories of cinema, this podcast offers an engaging exploration of forgotten and underappreciated films that deserve their time in the spotlight Please forgive the audio issues. They are resolved beginning with episode 3.

Today's Unwatchables takes our first dive into non-fiction with help from Jon Nix, documentary filmmaker and director of the new film Don't Fall in Love with Yourself. Joshua Oppenheimer's documentaries about the 1960's Indonesian mass killings are a singularly bizarre and uncomfortable spectacle: The Act of Killing allows the killers themselves to gleefully re-enact their atrocities, while The Look of Silence sets up direct confrontations between the perpetrators and a victim's brother. We discuss the ethical considerations of such a project, which film better illuminates its harrowing subject, and why genocidal killers are so into gaudy musical numbers. You can find more from Jon at https://www.jonnixfilm.com/ Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus. You can support us on Patreon at ⁠⁠⁠https://www.patreon.com/unwatchables⁠⁠⁠ to get access to exclusive bonus content and weigh in on what we watch next. Find us online at www.unwatchablespod.com or shoot us an email at unwatchablespodcast@gmail.com. We're on Instagram and Twitter under @unwatchablespod. --- Send in a voice message: https://podcasters.spotify.com/pod/show/unwatchablespod/message

A wonderful cast joins us to support the GoFundMe campaign for Professor Peter Dale Scott after he incurred major unexpected medical and publishing expenses. In this first of two parts, special co-host Ben Howard and I are joined by the following guests at the following timestamps: 7:19—David Talbot 25:20—James Galbraith 48:45—Joshua Oppenheimer, Peter Dale Scott, Daniel Ellsberg, and John Kiriakou 57:10—Liz Franczak, Brace Belden (and Yung Chomsky!) 1:13:00—Noah Kulwin Once again, please do donate to the GoFundMe campaign for Peter if you are able! Special thanks to Seamus McGuinness for producing the episode! Artwork by Casey Moore! Music: “Song in D” and  “The End of the World” by Mock Orange

Angélica Hellish, Marcos Noriega, Samir Saif Tomaz  e Karine Bender conversam sobre o segundo episódio da série The Last of Us, "Infected" onde Joel, Tess e Ellie precisarão atravessar um museu abandonado para deixar Ellie com um grupo de Vaga-lumes e enfrentarão terríveis perigos pois os fungos tem a sua própria forma de se comunicar. PARTICIPE DA NOSSA CAMPANHA PARA COMPRAR UM NOTEBOOK NOVO (estamos precisando urgente!) Acesse os Links aqui https://linktr.ee/masmorracine * Para ajudar o projeto de qual o Samir faz parte!  ABAMEC Morretes – Associação Brasileira de Artes Marciais, Esporte e Cultura – Banco do Brasil – Agência 2327-2 – Conta Corrente 18.666-0 Mencionados: Na introdução: * Sobre o massacre na Indonésia, "O Ato de Matar" de Joshua Oppenheimer (2013) https://www.youtube.com/watch?v=FMzOvxHyBnQ (online completo) * Os "Clickers" se parecem com os homens cogumelo do filme "Matango - A Ilha da Morte" (1963) do diretor japonês Ishirô Honda (online completo) https://ok.ru/video/3048213580373 * Jogo de vídeo game que a Karine Bender recomendou Plage Inc. https://play.google.com/store/apps/details?id=com.miniclip.plagueinc&hl=en_US&gl=US * O Samir recomendou um filme sobre mutações humanas "A Ilha do Doutor Moreau" (1996) dos diretores Richard Stanley, John Frankenheimer https://ok.ru/video/4214504622741 (online completo) e aproveitamos para recordar o clássico "A Ilha das Almas Selvagens" (1932) https://ok.ru/video/88595434069 do diretor Erle C. Kenton, juntamente recomenda um dos segmentos da série nova do Junji Ito: Histórias Macabras do Japão (2023) "Mofo" https://www.netflix.com/title/81295011 * Angélica recomendou um dos episódios da série Hannibal S01E02 "Amuse-Bouche" onde o serial killer "planta" as suas vítimas para aumentar uma rede de comunicação de cogumelos. (online dublado aqui) https://verseriesonline.pro/hannibal-s01e02-1x02-dublado.html Feed|Facebook|Twitter|Instagram|Padrim AJUDE O NOSSO PODCAST A APARECER MAIS NO SPOTIFY DANDO ESTRELAS PARA A GENTE! Procure-nos lá como Cineclube da Masmorra ou como MasmorraCine Nosso canal no OK.RU! Inscreva-se no nosso canal no Youtube: O vídeo vai sair por lá! CLIQUE AQUI

WTOP Entertainment Reporter Jason Fraley chats with Oscar-nominated filmmaker Joshua Oppenheimer as this week marks the 10th anniversary of his masterful documentary "The Act of Killing" (2012). They spoke in 2014 about the film's gutsy interviews with actual perpetrators of Indonesian genocide. They spoke again in 2016 about his companion piece "The Look of Silence," which allowed an optometrist to grill death-squad leaders about his brother's murder. (Theme Music: Scott Buckley's "Clarion")

s features a surprise tribute to the great Peter Dale Scott which also includes the iconic Daniel Ellsberg and acclaimed filmmaker Joshua Oppenheimer! In addition to the segments with Scott, Ellsberg, and Oppenheimer, this episode has an introduction with some historical background--as well as a postscript discussion with Ben Howard. Music by Mock Orange Big thanks to J.G. Michael for audio engineering, Dana Chavarria for remastering, and Casey Moore for the episode art! This features a surprise tribute to the great Peter Dale Scott which also includes the iconic Daniel Ellsberg and acclaimed filmmaker Joshua Oppenheimer! In addition to the segments with Scott, Ellsberg, and Oppenheimer, this episode has an introduction with some historical background--as well as a postscript discussion with Ben Howard. Music by Mock Orange Big thanks to J.G. Michael for audio engineering, Dana Chavarria for remastering, and Casey Moore for the episode art!

One filmmaker got men who committed a genocide to play themselves in a movie about the genocide. In the mid-60s, a fascist regime in Indonesia enlisted several paramilitary militias and two-bit gangsters to murder millions of innocent people labeled as communists. The event was re-written in their history books as heroic, and all the men responsible for the genocide are still in charge and walking free. Nobody knew the truth about what really happened until documentary filmmaker, Joshua Oppenheimer, decided to make a documentary about it. But instead of interviewing victims, he interviewed the actual murderers responsible, and he discovered they were more than willing to share the explicit details of their war crimes. They'd even...dress up in costumes and re-enact the murders in a movie about the genocide where they play themselves. And thus, The Act of Killing and The Look of Silence, twin documentaries, were made and changed the country of Indonesia forever. Additional incidental music credits: The Deadboy Detectives D.Catalano https://wekeepoddhours.bandcamp.com 01001001 01110100 00100111 01110011 00100000 01101101 01101111 01110010 01110011 01100101 00100000 01100011 01101111 01100100 01100101 00101110 Learn more about your ad choices. Visit podcastchoices.com/adchoices --- Send in a voice message: https://podcasters.spotify.com/pod/show/deepcutspod/message