Podcasts about u chicago press

Money is everywhere in our daily lives. It lurks in the swipe of a card at the grocery store, in looming student-loan debts, in the prices of things we want, and in our subconscious navigation of the modern world. In this revelatory book, economists Mason and Jayadev explain how and why money is so deeply misunderstood by the world it dominates—as well as the dangerous social implications of this misunderstanding. Against Money (University of Chicago Press, 2026) tackles the most dearly held “truths” of economics, arguing that the world of money has never been an impartial representation of the world of things. Instead, its existence in different forms—debt, capital, liquidity, and interest—increasingly shapes events in the real world rather than just reflecting them. Sometimes money enables new forms of cooperation; more often it facilitates domination. Human existence is not just facilitated by money but also governed by it. J.W. Mason is an Associate Professor of Economics at John Jay College, City University of New York and a Senior Fellow at the Groundworks Collective. He was formerly the Policy Director for the New York State Working Families Party. Arjun teaches Economics at the University. Arjun Jayadev is Professor of Economics at Azim Premji University in India. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Money is everywhere in our daily lives. It lurks in the swipe of a card at the grocery store, in looming student-loan debts, in the prices of things we want, and in our subconscious navigation of the modern world. In this revelatory book, economists Mason and Jayadev explain how and why money is so deeply misunderstood by the world it dominates—as well as the dangerous social implications of this misunderstanding. Against Money (University of Chicago Press, 2026) tackles the most dearly held “truths” of economics, arguing that the world of money has never been an impartial representation of the world of things. Instead, its existence in different forms—debt, capital, liquidity, and interest—increasingly shapes events in the real world rather than just reflecting them. Sometimes money enables new forms of cooperation; more often it facilitates domination. Human existence is not just facilitated by money but also governed by it. J.W. Mason is an Associate Professor of Economics at John Jay College, City University of New York and a Senior Fellow at the Groundworks Collective. He was formerly the Policy Director for the New York State Working Families Party. Arjun teaches Economics at the University. Arjun Jayadev is Professor of Economics at Azim Premji University in India. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Money is everywhere in our daily lives. It lurks in the swipe of a card at the grocery store, in looming student-loan debts, in the prices of things we want, and in our subconscious navigation of the modern world. In this revelatory book, economists Mason and Jayadev explain how and why money is so deeply misunderstood by the world it dominates—as well as the dangerous social implications of this misunderstanding. Against Money (University of Chicago Press, 2026) tackles the most dearly held “truths” of economics, arguing that the world of money has never been an impartial representation of the world of things. Instead, its existence in different forms—debt, capital, liquidity, and interest—increasingly shapes events in the real world rather than just reflecting them. Sometimes money enables new forms of cooperation; more often it facilitates domination. Human existence is not just facilitated by money but also governed by it. J.W. Mason is an Associate Professor of Economics at John Jay College, City University of New York and a Senior Fellow at the Groundworks Collective. He was formerly the Policy Director for the New York State Working Families Party. Arjun teaches Economics at the University. Arjun Jayadev is Professor of Economics at Azim Premji University in India. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/finance

Money is everywhere in our daily lives. It lurks in the swipe of a card at the grocery store, in looming student-loan debts, in the prices of things we want, and in our subconscious navigation of the modern world. In this revelatory book, economists Mason and Jayadev explain how and why money is so deeply misunderstood by the world it dominates—as well as the dangerous social implications of this misunderstanding. Against Money (University of Chicago Press, 2026) tackles the most dearly held “truths” of economics, arguing that the world of money has never been an impartial representation of the world of things. Instead, its existence in different forms—debt, capital, liquidity, and interest—increasingly shapes events in the real world rather than just reflecting them. Sometimes money enables new forms of cooperation; more often it facilitates domination. Human existence is not just facilitated by money but also governed by it. J.W. Mason is an Associate Professor of Economics at John Jay College, City University of New York and a Senior Fellow at the Groundworks Collective. He was formerly the Policy Director for the New York State Working Families Party. Arjun teaches Economics at the University. Arjun Jayadev is Professor of Economics at Azim Premji University in India. Learn more about your ad choices. Visit megaphone.fm/adchoices

Deserts, the Arctic, outer space—these extreme environments are often seen as inhospitable places at the edges of our maps. But from the 1940s through the 1960s, spurred by the diverse and unfamiliar regions the US military had navigated during World War II, the United States defense establishment took a keen interest in these places, dispatching troops to the Aleutian Islands, North Africa, the South Pacific, and beyond. To preserve the country's status as a superpower after the war, to pave runways and build bridges, engineers had to understand and then conquer dunes, permafrost, and even the surface of the moon. Sand, Snow, and Stardust: How US Military Engineers Conquered Extreme Environments (University of Chicago Press, 2025) by Dr. Gretchen Heefner explores how the US military generated a new understanding of these environments and attempted to master them, intending to cement America's planetary power. Operating in these regions depended as much on scientific and cultural knowledge as on military expertise and technology. From General George S. Patton learning the hard way that the desert is not always hot, to the challenges of constructing a scientific research base under the Arctic ice, to the sheer implausibility of modeling Martian environments on Earth, Dr. Heefner takes us on a wry expedition into the extremes and introduces us to the people who have shaped our insight into these extraordinary environments. Even decades after the first manned space flight, plans for human space exploration and extraplanetary colonization are still based on what we know about stark habitats on Earth. An entertaining survey of the relationship between environmental history and military might, Sand, Snow, and Stardust also serves as a warning about the further transformation of the planet—whether through desertification, melting ice caps, or attempts to escape it entirely. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Deserts, the Arctic, outer space—these extreme environments are often seen as inhospitable places at the edges of our maps. But from the 1940s through the 1960s, spurred by the diverse and unfamiliar regions the US military had navigated during World War II, the United States defense establishment took a keen interest in these places, dispatching troops to the Aleutian Islands, North Africa, the South Pacific, and beyond. To preserve the country's status as a superpower after the war, to pave runways and build bridges, engineers had to understand and then conquer dunes, permafrost, and even the surface of the moon. Sand, Snow, and Stardust: How US Military Engineers Conquered Extreme Environments (University of Chicago Press, 2025) by Dr. Gretchen Heefner explores how the US military generated a new understanding of these environments and attempted to master them, intending to cement America's planetary power. Operating in these regions depended as much on scientific and cultural knowledge as on military expertise and technology. From General George S. Patton learning the hard way that the desert is not always hot, to the challenges of constructing a scientific research base under the Arctic ice, to the sheer implausibility of modeling Martian environments on Earth, Dr. Heefner takes us on a wry expedition into the extremes and introduces us to the people who have shaped our insight into these extraordinary environments. Even decades after the first manned space flight, plans for human space exploration and extraplanetary colonization are still based on what we know about stark habitats on Earth. An entertaining survey of the relationship between environmental history and military might, Sand, Snow, and Stardust also serves as a warning about the further transformation of the planet—whether through desertification, melting ice caps, or attempts to escape it entirely. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Deserts, the Arctic, outer space—these extreme environments are often seen as inhospitable places at the edges of our maps. But from the 1940s through the 1960s, spurred by the diverse and unfamiliar regions the US military had navigated during World War II, the United States defense establishment took a keen interest in these places, dispatching troops to the Aleutian Islands, North Africa, the South Pacific, and beyond. To preserve the country's status as a superpower after the war, to pave runways and build bridges, engineers had to understand and then conquer dunes, permafrost, and even the surface of the moon. Sand, Snow, and Stardust: How US Military Engineers Conquered Extreme Environments (University of Chicago Press, 2025) by Dr. Gretchen Heefner explores how the US military generated a new understanding of these environments and attempted to master them, intending to cement America's planetary power. Operating in these regions depended as much on scientific and cultural knowledge as on military expertise and technology. From General George S. Patton learning the hard way that the desert is not always hot, to the challenges of constructing a scientific research base under the Arctic ice, to the sheer implausibility of modeling Martian environments on Earth, Dr. Heefner takes us on a wry expedition into the extremes and introduces us to the people who have shaped our insight into these extraordinary environments. Even decades after the first manned space flight, plans for human space exploration and extraplanetary colonization are still based on what we know about stark habitats on Earth. An entertaining survey of the relationship between environmental history and military might, Sand, Snow, and Stardust also serves as a warning about the further transformation of the planet—whether through desertification, melting ice caps, or attempts to escape it entirely. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Deserts, the Arctic, outer space—these extreme environments are often seen as inhospitable places at the edges of our maps. But from the 1940s through the 1960s, spurred by the diverse and unfamiliar regions the US military had navigated during World War II, the United States defense establishment took a keen interest in these places, dispatching troops to the Aleutian Islands, North Africa, the South Pacific, and beyond. To preserve the country's status as a superpower after the war, to pave runways and build bridges, engineers had to understand and then conquer dunes, permafrost, and even the surface of the moon. Sand, Snow, and Stardust: How US Military Engineers Conquered Extreme Environments (University of Chicago Press, 2025) by Dr. Gretchen Heefner explores how the US military generated a new understanding of these environments and attempted to master them, intending to cement America's planetary power. Operating in these regions depended as much on scientific and cultural knowledge as on military expertise and technology. From General George S. Patton learning the hard way that the desert is not always hot, to the challenges of constructing a scientific research base under the Arctic ice, to the sheer implausibility of modeling Martian environments on Earth, Dr. Heefner takes us on a wry expedition into the extremes and introduces us to the people who have shaped our insight into these extraordinary environments. Even decades after the first manned space flight, plans for human space exploration and extraplanetary colonization are still based on what we know about stark habitats on Earth. An entertaining survey of the relationship between environmental history and military might, Sand, Snow, and Stardust also serves as a warning about the further transformation of the planet—whether through desertification, melting ice caps, or attempts to escape it entirely. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Deserts, the Arctic, outer space—these extreme environments are often seen as inhospitable places at the edges of our maps. But from the 1940s through the 1960s, spurred by the diverse and unfamiliar regions the US military had navigated during World War II, the United States defense establishment took a keen interest in these places, dispatching troops to the Aleutian Islands, North Africa, the South Pacific, and beyond. To preserve the country's status as a superpower after the war, to pave runways and build bridges, engineers had to understand and then conquer dunes, permafrost, and even the surface of the moon. Sand, Snow, and Stardust: How US Military Engineers Conquered Extreme Environments (University of Chicago Press, 2025) by Dr. Gretchen Heefner explores how the US military generated a new understanding of these environments and attempted to master them, intending to cement America's planetary power. Operating in these regions depended as much on scientific and cultural knowledge as on military expertise and technology. From General George S. Patton learning the hard way that the desert is not always hot, to the challenges of constructing a scientific research base under the Arctic ice, to the sheer implausibility of modeling Martian environments on Earth, Dr. Heefner takes us on a wry expedition into the extremes and introduces us to the people who have shaped our insight into these extraordinary environments. Even decades after the first manned space flight, plans for human space exploration and extraplanetary colonization are still based on what we know about stark habitats on Earth. An entertaining survey of the relationship between environmental history and military might, Sand, Snow, and Stardust also serves as a warning about the further transformation of the planet—whether through desertification, melting ice caps, or attempts to escape it entirely. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Ella Jenkins (1924–2024) was one of the most influential musicians of the twentieth century, although many people have never heard of her. A pioneer in children's music and an innovative educator, Jenkins recorded forty albums and influenced countless children and adults over a sixty-year career. Gayle Wald places Jenkins's life and work within the larger contexts of the civil rights movement, the folk revival, and the changing worlds of children's education and entertainment in This is Rhythm: Ella Jenkins, Children's Music, and the Long Civil Rights Movement (University of Chicago Press, 2025). Committed to civil rights, Jenkins infused her beliefs in social justice and our shared humanity into her work with children and her compositions. She viewed music as a way for children to come together and establish connections with each other rather than as a gateway to musical achievement or literacy. Based on dozens of interviews including with Jenkins and her life partner Bernadelle Richter, Wald traces Jenkins's life from her childhood in segregated Chicago, her involvement with the integrated folk music scene, and her successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Ella Jenkins (1924–2024) was one of the most influential musicians of the twentieth century, although many people have never heard of her. A pioneer in children's music and an innovative educator, Jenkins recorded forty albums and influenced countless children and adults over a sixty-year career. Gayle Wald places Jenkins's life and work within the larger contexts of the civil rights movement, the folk revival, and the changing worlds of children's education and entertainment in This is Rhythm: Ella Jenkins, Children's Music, and the Long Civil Rights Movement (University of Chicago Press, 2025). Committed to civil rights, Jenkins infused her beliefs in social justice and our shared humanity into her work with children and her compositions. She viewed music as a way for children to come together and establish connections with each other rather than as a gateway to musical achievement or literacy. Based on dozens of interviews including with Jenkins and her life partner Bernadelle Richter, Wald traces Jenkins's life from her childhood in segregated Chicago, her involvement with the integrated folk music scene, and her successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ella Jenkins (1924–2024) was one of the most influential musicians of the twentieth century, although many people have never heard of her. A pioneer in children's music and an innovative educator, Jenkins recorded forty albums and influenced countless children and adults over a sixty-year career. Gayle Wald places Jenkins's life and work within the larger contexts of the civil rights movement, the folk revival, and the changing worlds of children's education and entertainment in This is Rhythm: Ella Jenkins, Children's Music, and the Long Civil Rights Movement (University of Chicago Press, 2025). Committed to civil rights, Jenkins infused her beliefs in social justice and our shared humanity into her work with children and her compositions. She viewed music as a way for children to come together and establish connections with each other rather than as a gateway to musical achievement or literacy. Based on dozens of interviews including with Jenkins and her life partner Bernadelle Richter, Wald traces Jenkins's life from her childhood in segregated Chicago, her involvement with the integrated folk music scene, and her successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Ella Jenkins (1924–2024) was one of the most influential musicians of the twentieth century, although many people have never heard of her. A pioneer in children's music and an innovative educator, Jenkins recorded forty albums and influenced countless children and adults over a sixty-year career. Gayle Wald places Jenkins's life and work within the larger contexts of the civil rights movement, the folk revival, and the changing worlds of children's education and entertainment in This is Rhythm: Ella Jenkins, Children's Music, and the Long Civil Rights Movement (University of Chicago Press, 2025). Committed to civil rights, Jenkins infused her beliefs in social justice and our shared humanity into her work with children and her compositions. She viewed music as a way for children to come together and establish connections with each other rather than as a gateway to musical achievement or literacy. Based on dozens of interviews including with Jenkins and her life partner Bernadelle Richter, Wald traces Jenkins's life from her childhood in segregated Chicago, her involvement with the integrated folk music scene, and her successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Ella Jenkins (1924–2024) was one of the most influential musicians of the twentieth century, although many people have never heard of her. A pioneer in children's music and an innovative educator, Jenkins recorded forty albums and influenced countless children and adults over a sixty-year career. Gayle Wald places Jenkins's life and work within the larger contexts of the civil rights movement, the folk revival, and the changing worlds of children's education and entertainment in This is Rhythm: Ella Jenkins, Children's Music, and the Long Civil Rights Movement (University of Chicago Press, 2025). Committed to civil rights, Jenkins infused her beliefs in social justice and our shared humanity into her work with children and her compositions. She viewed music as a way for children to come together and establish connections with each other rather than as a gateway to musical achievement or literacy. Based on dozens of interviews including with Jenkins and her life partner Bernadelle Richter, Wald traces Jenkins's life from her childhood in segregated Chicago, her involvement with the integrated folk music scene, and her successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Ella Jenkins (1924–2024) was one of the most influential musicians of the twentieth century, although many people have never heard of her. A pioneer in children's music and an innovative educator, Jenkins recorded forty albums and influenced countless children and adults over a sixty-year career. Gayle Wald places Jenkins's life and work within the larger contexts of the civil rights movement, the folk revival, and the changing worlds of children's education and entertainment in This is Rhythm: Ella Jenkins, Children's Music, and the Long Civil Rights Movement (University of Chicago Press, 2025). Committed to civil rights, Jenkins infused her beliefs in social justice and our shared humanity into her work with children and her compositions. She viewed music as a way for children to come together and establish connections with each other rather than as a gateway to musical achievement or literacy. Based on dozens of interviews including with Jenkins and her life partner Bernadelle Richter, Wald traces Jenkins's life from her childhood in segregated Chicago, her involvement with the integrated folk music scene, and her successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ella Jenkins (1924–2024) was one of the most influential musicians of the twentieth century, although many people have never heard of her. A pioneer in children's music and an innovative educator, Jenkins recorded forty albums and influenced countless children and adults over a sixty-year career. Gayle Wald places Jenkins's life and work within the larger contexts of the civil rights movement, the folk revival, and the changing worlds of children's education and entertainment in This is Rhythm: Ella Jenkins, Children's Music, and the Long Civil Rights Movement (University of Chicago Press, 2025). Committed to civil rights, Jenkins infused her beliefs in social justice and our shared humanity into her work with children and her compositions. She viewed music as a way for children to come together and establish connections with each other rather than as a gateway to musical achievement or literacy. Based on dozens of interviews including with Jenkins and her life partner Bernadelle Richter, Wald traces Jenkins's life from her childhood in segregated Chicago, her involvement with the integrated folk music scene, and her successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Most people only know one of the Ryukyu Islands: the island of Okinawa, home to sandy beaches and one of the U.S.'s most important bases in Asia. There are lots of myths about this island chain, which stretch from southern Japan down to the island of Taiwan: That it owed loyalty to China, given its place in the imperial tribute trade; that it was a pacifist kingdom; that it was quasi-sovereign even within Japan. Gregory Smits tackles a lot of these myths in his expansive history of the islands, titled The Ryukyu Islands: A New History from the Stone Age to the Present (University of Chicago Press: 2025). His book, and today's conversation, dives into all the ways that the Ryukyu Islands will frustrate anyone trying to fit this place into an easy historical or political narrative.  Gregory Smits is professor of history and Asian Studies at Penn State University. He is the author of several books, including Early Ryukyuan History: A New Mode (University of Hawaii Press: 2024), Maritime Ryukyu, 1050-1650 (University of Hawaii Press: 2019) and Visions of Ryukyu: Identity and Ideology in Early-Modern Thought and Politics (University of Hawaii Press: 1999) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Ryukyu Islands. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Most people only know one of the Ryukyu Islands: the island of Okinawa, home to sandy beaches and one of the U.S.'s most important bases in Asia. There are lots of myths about this island chain, which stretch from southern Japan down to the island of Taiwan: That it owed loyalty to China, given its place in the imperial tribute trade; that it was a pacifist kingdom; that it was quasi-sovereign even within Japan. Gregory Smits tackles a lot of these myths in his expansive history of the islands, titled The Ryukyu Islands: A New History from the Stone Age to the Present (University of Chicago Press: 2025). His book, and today's conversation, dives into all the ways that the Ryukyu Islands will frustrate anyone trying to fit this place into an easy historical or political narrative.  Gregory Smits is professor of history and Asian Studies at Penn State University. He is the author of several books, including Early Ryukyuan History: A New Mode (University of Hawaii Press: 2024), Maritime Ryukyu, 1050-1650 (University of Hawaii Press: 2019) and Visions of Ryukyu: Identity and Ideology in Early-Modern Thought and Politics (University of Hawaii Press: 1999) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Ryukyu Islands. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Most people only know one of the Ryukyu Islands: the island of Okinawa, home to sandy beaches and one of the U.S.'s most important bases in Asia. There are lots of myths about this island chain, which stretch from southern Japan down to the island of Taiwan: That it owed loyalty to China, given its place in the imperial tribute trade; that it was a pacifist kingdom; that it was quasi-sovereign even within Japan. Gregory Smits tackles a lot of these myths in his expansive history of the islands, titled The Ryukyu Islands: A New History from the Stone Age to the Present (University of Chicago Press: 2025). His book, and today's conversation, dives into all the ways that the Ryukyu Islands will frustrate anyone trying to fit this place into an easy historical or political narrative.  Gregory Smits is professor of history and Asian Studies at Penn State University. He is the author of several books, including Early Ryukyuan History: A New Mode (University of Hawaii Press: 2024), Maritime Ryukyu, 1050-1650 (University of Hawaii Press: 2019) and Visions of Ryukyu: Identity and Ideology in Early-Modern Thought and Politics (University of Hawaii Press: 1999) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Ryukyu Islands. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Most people only know one of the Ryukyu Islands: the island of Okinawa, home to sandy beaches and one of the U.S.'s most important bases in Asia. There are lots of myths about this island chain, which stretch from southern Japan down to the island of Taiwan: That it owed loyalty to China, given its place in the imperial tribute trade; that it was a pacifist kingdom; that it was quasi-sovereign even within Japan. Gregory Smits tackles a lot of these myths in his expansive history of the islands, titled The Ryukyu Islands: A New History from the Stone Age to the Present (University of Chicago Press: 2025). His book, and today's conversation, dives into all the ways that the Ryukyu Islands will frustrate anyone trying to fit this place into an easy historical or political narrative.  Gregory Smits is professor of history and Asian Studies at Penn State University. He is the author of several books, including Early Ryukyuan History: A New Mode (University of Hawaii Press: 2024), Maritime Ryukyu, 1050-1650 (University of Hawaii Press: 2019) and Visions of Ryukyu: Identity and Ideology in Early-Modern Thought and Politics (University of Hawaii Press: 1999) You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The Ryukyu Islands. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-review

With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”  Considering Tristan Tzara's performances of Dadaist identity, Sonia Delaunay's simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making. Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”  Considering Tristan Tzara's performances of Dadaist identity, Sonia Delaunay's simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making. Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”  Considering Tristan Tzara's performances of Dadaist identity, Sonia Delaunay's simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making. Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”  Considering Tristan Tzara's performances of Dadaist identity, Sonia Delaunay's simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making. Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

With The Art of Living in Avant-Garde Paris: Ethics and Self-Making in Dada, Simultanism, and Surrealism (University of Chicago Press, 2026), Rachel Silveri takes a fresh look at the desire to unify art and life, an ambition long regarded as foundational to the European historical avant-gardes. She reveals how many early twentieth-century artists saw their own everyday lives—their bodies, identities, and relationships—as a type of creative material and a central component to their avant-garde practice. These artists abandoned traditional forms of artmaking and venues of art viewing, instead aspiring to integrate art with everyday life, creating an “art of living.”  Considering Tristan Tzara's performances of Dadaist identity, Sonia Delaunay's simultaneous fashions and self-branding, and the collective endeavor to open and operate the Surrealist Research Bureau, Silveri offers a new narrative about how the artists of interwar Paris developed experiential life practices that resisted dominant forms of “lifestyle” and normative discourses surrounding gender, ethnicity, and office work. This book argues that ethical questions of “How should I live?” and “How should I relate to others?” were as important to the avant-garde as politics, and that aspirations to change the world played out in daily practices of self-making. Hannah Freed-Thall is Professor of French Literature, Thought and Culture at NYU. She is the author, most recently, of Modernism at the Beach: Queer Ecologies and the Coastal Commons. Learn more about your ad choices. Visit megaphone.fm/adchoices

A respected voice on technology shows how seemingly simple ads help dismantle democracy and public discourse. Whether you're intentionally shopping or casually browsing social media, something is following you: ads. Their creators seem to know your income bracket, politics, age, location, medical conditions, and tastes in clothing, food, and romantic partners. As advertising firms use predictive AI to discover your hot buttons and generative AI to push them, your online world becomes an increasingly bespoke—and isolated—place. The fervid competition around personalization in digital marketing has given rise to an ecosystem of advertisers, media outlets, tech companies, and retailers who monetize your data while threatening the health of our media, discourse, and sense of community. In this urgent book, award-winning author Joseph Turow shows how we got here, and how to change direction.The Problem with Personalization: How Advertisers Learned to Make and Break Us from Ancient Times to the AI Age (University of Chicago Press, 2026) shatters common beliefs about advertising history by showing that individualized ads are not new. Today's AI-enabled advertisers draw on past aspirations and assumptions about personalization while weaponizing data in unprecedented ways that drive social fragmentation and the disappearance of shared social reality. Informed by interviews with marketing insiders and covering the latest technology advances, Turow accessibly explains how artificial intelligence sifts through our data to tag and target us wherever we go with personalized videos, pictorial billboards, audio messages, and more. A logical next step for advertiser support is tailored entertainment and news, a shift that further destroys the common ground necessary for a functioning democracy. A must-read for all who care about the future of public discourse, The Problem with Personalization reveals how targeted advertising has altered how we're seen and what we see in return. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A respected voice on technology shows how seemingly simple ads help dismantle democracy and public discourse. Whether you're intentionally shopping or casually browsing social media, something is following you: ads. Their creators seem to know your income bracket, politics, age, location, medical conditions, and tastes in clothing, food, and romantic partners. As advertising firms use predictive AI to discover your hot buttons and generative AI to push them, your online world becomes an increasingly bespoke—and isolated—place. The fervid competition around personalization in digital marketing has given rise to an ecosystem of advertisers, media outlets, tech companies, and retailers who monetize your data while threatening the health of our media, discourse, and sense of community. In this urgent book, award-winning author Joseph Turow shows how we got here, and how to change direction.The Problem with Personalization: How Advertisers Learned to Make and Break Us from Ancient Times to the AI Age (University of Chicago Press, 2026) shatters common beliefs about advertising history by showing that individualized ads are not new. Today's AI-enabled advertisers draw on past aspirations and assumptions about personalization while weaponizing data in unprecedented ways that drive social fragmentation and the disappearance of shared social reality. Informed by interviews with marketing insiders and covering the latest technology advances, Turow accessibly explains how artificial intelligence sifts through our data to tag and target us wherever we go with personalized videos, pictorial billboards, audio messages, and more. A logical next step for advertiser support is tailored entertainment and news, a shift that further destroys the common ground necessary for a functioning democracy. A must-read for all who care about the future of public discourse, The Problem with Personalization reveals how targeted advertising has altered how we're seen and what we see in return. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

A respected voice on technology shows how seemingly simple ads help dismantle democracy and public discourse. Whether you're intentionally shopping or casually browsing social media, something is following you: ads. Their creators seem to know your income bracket, politics, age, location, medical conditions, and tastes in clothing, food, and romantic partners. As advertising firms use predictive AI to discover your hot buttons and generative AI to push them, your online world becomes an increasingly bespoke—and isolated—place. The fervid competition around personalization in digital marketing has given rise to an ecosystem of advertisers, media outlets, tech companies, and retailers who monetize your data while threatening the health of our media, discourse, and sense of community. In this urgent book, award-winning author Joseph Turow shows how we got here, and how to change direction.The Problem with Personalization: How Advertisers Learned to Make and Break Us from Ancient Times to the AI Age (University of Chicago Press, 2026) shatters common beliefs about advertising history by showing that individualized ads are not new. Today's AI-enabled advertisers draw on past aspirations and assumptions about personalization while weaponizing data in unprecedented ways that drive social fragmentation and the disappearance of shared social reality. Informed by interviews with marketing insiders and covering the latest technology advances, Turow accessibly explains how artificial intelligence sifts through our data to tag and target us wherever we go with personalized videos, pictorial billboards, audio messages, and more. A logical next step for advertiser support is tailored entertainment and news, a shift that further destroys the common ground necessary for a functioning democracy. A must-read for all who care about the future of public discourse, The Problem with Personalization reveals how targeted advertising has altered how we're seen and what we see in return. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

A respected voice on technology shows how seemingly simple ads help dismantle democracy and public discourse. Whether you're intentionally shopping or casually browsing social media, something is following you: ads. Their creators seem to know your income bracket, politics, age, location, medical conditions, and tastes in clothing, food, and romantic partners. As advertising firms use predictive AI to discover your hot buttons and generative AI to push them, your online world becomes an increasingly bespoke—and isolated—place. The fervid competition around personalization in digital marketing has given rise to an ecosystem of advertisers, media outlets, tech companies, and retailers who monetize your data while threatening the health of our media, discourse, and sense of community. In this urgent book, award-winning author Joseph Turow shows how we got here, and how to change direction.The Problem with Personalization: How Advertisers Learned to Make and Break Us from Ancient Times to the AI Age (University of Chicago Press, 2026) shatters common beliefs about advertising history by showing that individualized ads are not new. Today's AI-enabled advertisers draw on past aspirations and assumptions about personalization while weaponizing data in unprecedented ways that drive social fragmentation and the disappearance of shared social reality. Informed by interviews with marketing insiders and covering the latest technology advances, Turow accessibly explains how artificial intelligence sifts through our data to tag and target us wherever we go with personalized videos, pictorial billboards, audio messages, and more. A logical next step for advertiser support is tailored entertainment and news, a shift that further destroys the common ground necessary for a functioning democracy. A must-read for all who care about the future of public discourse, The Problem with Personalization reveals how targeted advertising has altered how we're seen and what we see in return. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

A respected voice on technology shows how seemingly simple ads help dismantle democracy and public discourse. Whether you're intentionally shopping or casually browsing social media, something is following you: ads. Their creators seem to know your income bracket, politics, age, location, medical conditions, and tastes in clothing, food, and romantic partners. As advertising firms use predictive AI to discover your hot buttons and generative AI to push them, your online world becomes an increasingly bespoke—and isolated—place. The fervid competition around personalization in digital marketing has given rise to an ecosystem of advertisers, media outlets, tech companies, and retailers who monetize your data while threatening the health of our media, discourse, and sense of community. In this urgent book, award-winning author Joseph Turow shows how we got here, and how to change direction.The Problem with Personalization: How Advertisers Learned to Make and Break Us from Ancient Times to the AI Age (University of Chicago Press, 2026) shatters common beliefs about advertising history by showing that individualized ads are not new. Today's AI-enabled advertisers draw on past aspirations and assumptions about personalization while weaponizing data in unprecedented ways that drive social fragmentation and the disappearance of shared social reality. Informed by interviews with marketing insiders and covering the latest technology advances, Turow accessibly explains how artificial intelligence sifts through our data to tag and target us wherever we go with personalized videos, pictorial billboards, audio messages, and more. A logical next step for advertiser support is tailored entertainment and news, a shift that further destroys the common ground necessary for a functioning democracy. A must-read for all who care about the future of public discourse, The Problem with Personalization reveals how targeted advertising has altered how we're seen and what we see in return. Learn more about your ad choices. Visit megaphone.fm/adchoices

A respected voice on technology shows how seemingly simple ads help dismantle democracy and public discourse. Whether you're intentionally shopping or casually browsing social media, something is following you: ads. Their creators seem to know your income bracket, politics, age, location, medical conditions, and tastes in clothing, food, and romantic partners. As advertising firms use predictive AI to discover your hot buttons and generative AI to push them, your online world becomes an increasingly bespoke—and isolated—place. The fervid competition around personalization in digital marketing has given rise to an ecosystem of advertisers, media outlets, tech companies, and retailers who monetize your data while threatening the health of our media, discourse, and sense of community. In this urgent book, award-winning author Joseph Turow shows how we got here, and how to change direction.The Problem with Personalization: How Advertisers Learned to Make and Break Us from Ancient Times to the AI Age (University of Chicago Press, 2026) shatters common beliefs about advertising history by showing that individualized ads are not new. Today's AI-enabled advertisers draw on past aspirations and assumptions about personalization while weaponizing data in unprecedented ways that drive social fragmentation and the disappearance of shared social reality. Informed by interviews with marketing insiders and covering the latest technology advances, Turow accessibly explains how artificial intelligence sifts through our data to tag and target us wherever we go with personalized videos, pictorial billboards, audio messages, and more. A logical next step for advertiser support is tailored entertainment and news, a shift that further destroys the common ground necessary for a functioning democracy. A must-read for all who care about the future of public discourse, The Problem with Personalization reveals how targeted advertising has altered how we're seen and what we see in return. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our ecological system is disturbed, and with it, every other system we've built to inhabit it. We do not face inevitable destruction, yet many of us cannot conceive of climate change as anything but the end of the world, an apocalypse with all its biblical trappings. Why? In A Perturbed System: Religion and Climate Change from the End of a World, anthropologist Susannah Crockford argues that we must understand the climate emergency as a spiritual crisis, a result of Christian colonialism that we (religious or not) still struggle to describe without religious language. Climate discourse in the United States and northern Europe, Crockford shows, is framed by the same theological motifs that drove extraction, including ideas about prophecy, mediation, sacrifice, original sin, cult, messiah, and apocalypse. By listening to people on the edge of the crisis, A Perturbed System reveals a world in transition, what happens when worlds end—ecologically, socially, politically, and personally—and how we might live through these endings together.  Susannah Crockford is a lecturer at the University of Exeter. She is the author of Ripples of the Universe: Spirituality in Sedona, Arizona, also published by the University of Chicago Press. Buy the book: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Our ecological system is disturbed, and with it, every other system we've built to inhabit it. We do not face inevitable destruction, yet many of us cannot conceive of climate change as anything but the end of the world, an apocalypse with all its biblical trappings. Why? In A Perturbed System: Religion and Climate Change from the End of a World, anthropologist Susannah Crockford argues that we must understand the climate emergency as a spiritual crisis, a result of Christian colonialism that we (religious or not) still struggle to describe without religious language. Climate discourse in the United States and northern Europe, Crockford shows, is framed by the same theological motifs that drove extraction, including ideas about prophecy, mediation, sacrifice, original sin, cult, messiah, and apocalypse. By listening to people on the edge of the crisis, A Perturbed System reveals a world in transition, what happens when worlds end—ecologically, socially, politically, and personally—and how we might live through these endings together.  Susannah Crockford is a lecturer at the University of Exeter. She is the author of Ripples of the Universe: Spirituality in Sedona, Arizona, also published by the University of Chicago Press. Buy the book: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Our ecological system is disturbed, and with it, every other system we've built to inhabit it. We do not face inevitable destruction, yet many of us cannot conceive of climate change as anything but the end of the world, an apocalypse with all its biblical trappings. Why? In A Perturbed System: Religion and Climate Change from the End of a World, anthropologist Susannah Crockford argues that we must understand the climate emergency as a spiritual crisis, a result of Christian colonialism that we (religious or not) still struggle to describe without religious language. Climate discourse in the United States and northern Europe, Crockford shows, is framed by the same theological motifs that drove extraction, including ideas about prophecy, mediation, sacrifice, original sin, cult, messiah, and apocalypse. By listening to people on the edge of the crisis, A Perturbed System reveals a world in transition, what happens when worlds end—ecologically, socially, politically, and personally—and how we might live through these endings together.  Susannah Crockford is a lecturer at the University of Exeter. She is the author of Ripples of the Universe: Spirituality in Sedona, Arizona, also published by the University of Chicago Press. Buy the book: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Our ecological system is disturbed, and with it, every other system we've built to inhabit it. We do not face inevitable destruction, yet many of us cannot conceive of climate change as anything but the end of the world, an apocalypse with all its biblical trappings. Why? In A Perturbed System: Religion and Climate Change from the End of a World, anthropologist Susannah Crockford argues that we must understand the climate emergency as a spiritual crisis, a result of Christian colonialism that we (religious or not) still struggle to describe without religious language. Climate discourse in the United States and northern Europe, Crockford shows, is framed by the same theological motifs that drove extraction, including ideas about prophecy, mediation, sacrifice, original sin, cult, messiah, and apocalypse. By listening to people on the edge of the crisis, A Perturbed System reveals a world in transition, what happens when worlds end—ecologically, socially, politically, and personally—and how we might live through these endings together.  Susannah Crockford is a lecturer at the University of Exeter. She is the author of Ripples of the Universe: Spirituality in Sedona, Arizona, also published by the University of Chicago Press. Buy the book: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Disabled Empire: The Colonial Body in First World War Britain (U Chicago Press, 2026) examines how imperial precedents and racial ideologies shaped the medical treatments that the British state offered to several million Black and brown servicemen during World War I. In recovering the voices and experiences of these soldiers, Hilary R. Buxton illustrates how they navigated the institutional culture of the imperial military and how they helped to shape health and welfare systems well beyond the interwar period. The Great War was the first time that troops and volunteers from nearly all reaches of the Empire participated in the war effort side-by-side. Despite official attempts at segregation, colonial troops met in trenches, mobile camps, casualty clearing stations, hospital ships, and convalescent homes. Just as importantly, those organizing treatment encountered men of different ethnicities, religions, and cultures from across and beyond the British Empire. For British officials, this moment offered an opportunity to remake colonial efficiency and medical knowledge. Yet, as Buxton shows, colonial servicemen were not passive subjects in a wartime laboratory: they were vocal participants who demanded a say in the therapies prescribed to them, the rations they required, the psychiatric care they received, and the prosthetics with which they were fitted. Together, these encounters profoundly remade colonial relations, reshaping imperial science, administration, and colonial understandings of subjecthood.Disabled Empire pushes literature on the war and medicine outside its national, Eurocentric focus to confront the colonial logic of global health inequity. Hilary R. Buxton is assistant professor of history at Kenyon College. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Disabled Empire: The Colonial Body in First World War Britain (U Chicago Press, 2026) examines how imperial precedents and racial ideologies shaped the medical treatments that the British state offered to several million Black and brown servicemen during World War I. In recovering the voices and experiences of these soldiers, Hilary R. Buxton illustrates how they navigated the institutional culture of the imperial military and how they helped to shape health and welfare systems well beyond the interwar period. The Great War was the first time that troops and volunteers from nearly all reaches of the Empire participated in the war effort side-by-side. Despite official attempts at segregation, colonial troops met in trenches, mobile camps, casualty clearing stations, hospital ships, and convalescent homes. Just as importantly, those organizing treatment encountered men of different ethnicities, religions, and cultures from across and beyond the British Empire. For British officials, this moment offered an opportunity to remake colonial efficiency and medical knowledge. Yet, as Buxton shows, colonial servicemen were not passive subjects in a wartime laboratory: they were vocal participants who demanded a say in the therapies prescribed to them, the rations they required, the psychiatric care they received, and the prosthetics with which they were fitted. Together, these encounters profoundly remade colonial relations, reshaping imperial science, administration, and colonial understandings of subjecthood.Disabled Empire pushes literature on the war and medicine outside its national, Eurocentric focus to confront the colonial logic of global health inequity. Hilary R. Buxton is assistant professor of history at Kenyon College. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Disabled Empire: The Colonial Body in First World War Britain (U Chicago Press, 2026) examines how imperial precedents and racial ideologies shaped the medical treatments that the British state offered to several million Black and brown servicemen during World War I. In recovering the voices and experiences of these soldiers, Hilary R. Buxton illustrates how they navigated the institutional culture of the imperial military and how they helped to shape health and welfare systems well beyond the interwar period. The Great War was the first time that troops and volunteers from nearly all reaches of the Empire participated in the war effort side-by-side. Despite official attempts at segregation, colonial troops met in trenches, mobile camps, casualty clearing stations, hospital ships, and convalescent homes. Just as importantly, those organizing treatment encountered men of different ethnicities, religions, and cultures from across and beyond the British Empire. For British officials, this moment offered an opportunity to remake colonial efficiency and medical knowledge. Yet, as Buxton shows, colonial servicemen were not passive subjects in a wartime laboratory: they were vocal participants who demanded a say in the therapies prescribed to them, the rations they required, the psychiatric care they received, and the prosthetics with which they were fitted. Together, these encounters profoundly remade colonial relations, reshaping imperial science, administration, and colonial understandings of subjecthood.Disabled Empire pushes literature on the war and medicine outside its national, Eurocentric focus to confront the colonial logic of global health inequity. Hilary R. Buxton is assistant professor of history at Kenyon College. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Disabled Empire: The Colonial Body in First World War Britain (U Chicago Press, 2026) examines how imperial precedents and racial ideologies shaped the medical treatments that the British state offered to several million Black and brown servicemen during World War I. In recovering the voices and experiences of these soldiers, Hilary R. Buxton illustrates how they navigated the institutional culture of the imperial military and how they helped to shape health and welfare systems well beyond the interwar period. The Great War was the first time that troops and volunteers from nearly all reaches of the Empire participated in the war effort side-by-side. Despite official attempts at segregation, colonial troops met in trenches, mobile camps, casualty clearing stations, hospital ships, and convalescent homes. Just as importantly, those organizing treatment encountered men of different ethnicities, religions, and cultures from across and beyond the British Empire. For British officials, this moment offered an opportunity to remake colonial efficiency and medical knowledge. Yet, as Buxton shows, colonial servicemen were not passive subjects in a wartime laboratory: they were vocal participants who demanded a say in the therapies prescribed to them, the rations they required, the psychiatric care they received, and the prosthetics with which they were fitted. Together, these encounters profoundly remade colonial relations, reshaping imperial science, administration, and colonial understandings of subjecthood.Disabled Empire pushes literature on the war and medicine outside its national, Eurocentric focus to confront the colonial logic of global health inequity. Hilary R. Buxton is assistant professor of history at Kenyon College. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Disabled Empire: The Colonial Body in First World War Britain (U Chicago Press, 2026) examines how imperial precedents and racial ideologies shaped the medical treatments that the British state offered to several million Black and brown servicemen during World War I. In recovering the voices and experiences of these soldiers, Hilary R. Buxton illustrates how they navigated the institutional culture of the imperial military and how they helped to shape health and welfare systems well beyond the interwar period. The Great War was the first time that troops and volunteers from nearly all reaches of the Empire participated in the war effort side-by-side. Despite official attempts at segregation, colonial troops met in trenches, mobile camps, casualty clearing stations, hospital ships, and convalescent homes. Just as importantly, those organizing treatment encountered men of different ethnicities, religions, and cultures from across and beyond the British Empire. For British officials, this moment offered an opportunity to remake colonial efficiency and medical knowledge. Yet, as Buxton shows, colonial servicemen were not passive subjects in a wartime laboratory: they were vocal participants who demanded a say in the therapies prescribed to them, the rations they required, the psychiatric care they received, and the prosthetics with which they were fitted. Together, these encounters profoundly remade colonial relations, reshaping imperial science, administration, and colonial understandings of subjecthood.Disabled Empire pushes literature on the war and medicine outside its national, Eurocentric focus to confront the colonial logic of global health inequity. Hilary R. Buxton is assistant professor of history at Kenyon College. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices

Disabled Empire: The Colonial Body in First World War Britain (U Chicago Press, 2026) examines how imperial precedents and racial ideologies shaped the medical treatments that the British state offered to several million Black and brown servicemen during World War I. In recovering the voices and experiences of these soldiers, Hilary R. Buxton illustrates how they navigated the institutional culture of the imperial military and how they helped to shape health and welfare systems well beyond the interwar period. The Great War was the first time that troops and volunteers from nearly all reaches of the Empire participated in the war effort side-by-side. Despite official attempts at segregation, colonial troops met in trenches, mobile camps, casualty clearing stations, hospital ships, and convalescent homes. Just as importantly, those organizing treatment encountered men of different ethnicities, religions, and cultures from across and beyond the British Empire. For British officials, this moment offered an opportunity to remake colonial efficiency and medical knowledge. Yet, as Buxton shows, colonial servicemen were not passive subjects in a wartime laboratory: they were vocal participants who demanded a say in the therapies prescribed to them, the rations they required, the psychiatric care they received, and the prosthetics with which they were fitted. Together, these encounters profoundly remade colonial relations, reshaping imperial science, administration, and colonial understandings of subjecthood.Disabled Empire pushes literature on the war and medicine outside its national, Eurocentric focus to confront the colonial logic of global health inequity. Hilary R. Buxton is assistant professor of history at Kenyon College. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Faith, Family, and Flag: Branson Entertainment and the Idea of America (University of Chicago Press, 2025) examines the history of Branson, Missouri's entertainment industry within the context of America's culture wars. The book explores how Branson became a major center for live performance rooted in patriotism, Christianity, and family centered values, attracting millions of visitors each year. Professor Joanna Dee Das shows how Branson represents more than lighthearted entertainment. Through its music, shows, humor, and tourism industry, the city offers audiences a vision of the American Dream centered on the “three Fs” — faith, family, and flag. While supporters view these values as universal and deeply American, critics often associate them with modern political conservatism. The book explores how Branson became a powerful cultural and political symbol in debates about national identity, religion, class, entertainment, and American values. Key Ideas: The book explores how faith, patriotism, and family centered entertainment shaped Branson's popularity of more than just an entertainment town. Reflects how entertainment can reflect deeper cultural and political beliefs within society. Examines tensions between urban and rural America and how different groups viewed Branson. Critics sometimes viewed Branson as politically conservative, while supporters viewed it as authentic, nostalgic, patriotic, and values driven. The book highlights how entertainment, comedy, and audience experiences create emotional connection and community, much like social media culture today. One of the most interesting ideas from the discussion was that entertainment is never just entertainment. The music, performances, humor, patriotism, and storytelling found in places like Branson can reveal what people value, fear, believe, and hope for as a country. The conversation also highlighted how audiences often seek spaces where they feel emotionally connected, culturally understood, and spiritually grounded. Branson became one of those places for many Americans.  Joanna Dee Das is associate professor of performing arts at Washington University in St. Louis. She is the author of the award-winning book Katherine Dunham: Dance and the African Diaspora. Angela Marie Hutchinson is the author of “Create Your Yes! When You Keep Hearing No,” named a Forbes No. 4 book to advance your career. She is a podcast host for New Books Network, where she leads conversations for the neuroscience and Christianity channels. Hutchinson is also a talent and intellectual property executive, former social media professor and BBC commentator. She resides in Los Angeles with her husband and three children. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Faith, Family, and Flag: Branson Entertainment and the Idea of America (University of Chicago Press, 2025) examines the history of Branson, Missouri's entertainment industry within the context of America's culture wars. The book explores how Branson became a major center for live performance rooted in patriotism, Christianity, and family centered values, attracting millions of visitors each year. Professor Joanna Dee Das shows how Branson represents more than lighthearted entertainment. Through its music, shows, humor, and tourism industry, the city offers audiences a vision of the American Dream centered on the “three Fs” — faith, family, and flag. While supporters view these values as universal and deeply American, critics often associate them with modern political conservatism. The book explores how Branson became a powerful cultural and political symbol in debates about national identity, religion, class, entertainment, and American values. Key Ideas: The book explores how faith, patriotism, and family centered entertainment shaped Branson's popularity of more than just an entertainment town. Reflects how entertainment can reflect deeper cultural and political beliefs within society. Examines tensions between urban and rural America and how different groups viewed Branson. Critics sometimes viewed Branson as politically conservative, while supporters viewed it as authentic, nostalgic, patriotic, and values driven. The book highlights how entertainment, comedy, and audience experiences create emotional connection and community, much like social media culture today. One of the most interesting ideas from the discussion was that entertainment is never just entertainment. The music, performances, humor, patriotism, and storytelling found in places like Branson can reveal what people value, fear, believe, and hope for as a country. The conversation also highlighted how audiences often seek spaces where they feel emotionally connected, culturally understood, and spiritually grounded. Branson became one of those places for many Americans.  Joanna Dee Das is associate professor of performing arts at Washington University in St. Louis. She is the author of the award-winning book Katherine Dunham: Dance and the African Diaspora. Angela Marie Hutchinson is the author of “Create Your Yes! When You Keep Hearing No,” named a Forbes No. 4 book to advance your career. She is a podcast host for New Books Network, where she leads conversations for the neuroscience and Christianity channels. Hutchinson is also a talent and intellectual property executive, former social media professor and BBC commentator. She resides in Los Angeles with her husband and three children. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Faith, Family, and Flag: Branson Entertainment and the Idea of America (University of Chicago Press, 2025) examines the history of Branson, Missouri's entertainment industry within the context of America's culture wars. The book explores how Branson became a major center for live performance rooted in patriotism, Christianity, and family centered values, attracting millions of visitors each year. Professor Joanna Dee Das shows how Branson represents more than lighthearted entertainment. Through its music, shows, humor, and tourism industry, the city offers audiences a vision of the American Dream centered on the “three Fs” — faith, family, and flag. While supporters view these values as universal and deeply American, critics often associate them with modern political conservatism. The book explores how Branson became a powerful cultural and political symbol in debates about national identity, religion, class, entertainment, and American values. Key Ideas: The book explores how faith, patriotism, and family centered entertainment shaped Branson's popularity of more than just an entertainment town. Reflects how entertainment can reflect deeper cultural and political beliefs within society. Examines tensions between urban and rural America and how different groups viewed Branson. Critics sometimes viewed Branson as politically conservative, while supporters viewed it as authentic, nostalgic, patriotic, and values driven. The book highlights how entertainment, comedy, and audience experiences create emotional connection and community, much like social media culture today. One of the most interesting ideas from the discussion was that entertainment is never just entertainment. The music, performances, humor, patriotism, and storytelling found in places like Branson can reveal what people value, fear, believe, and hope for as a country. The conversation also highlighted how audiences often seek spaces where they feel emotionally connected, culturally understood, and spiritually grounded. Branson became one of those places for many Americans.  Joanna Dee Das is associate professor of performing arts at Washington University in St. Louis. She is the author of the award-winning book Katherine Dunham: Dance and the African Diaspora. Angela Marie Hutchinson is the author of “Create Your Yes! When You Keep Hearing No,” named a Forbes No. 4 book to advance your career. She is a podcast host for New Books Network, where she leads conversations for the neuroscience and Christianity channels. Hutchinson is also a talent and intellectual property executive, former social media professor and BBC commentator. She resides in Los Angeles with her husband and three children. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Faith, Family, and Flag: Branson Entertainment and the Idea of America (University of Chicago Press, 2025) examines the history of Branson, Missouri's entertainment industry within the context of America's culture wars. The book explores how Branson became a major center for live performance rooted in patriotism, Christianity, and family centered values, attracting millions of visitors each year. Professor Joanna Dee Das shows how Branson represents more than lighthearted entertainment. Through its music, shows, humor, and tourism industry, the city offers audiences a vision of the American Dream centered on the “three Fs” — faith, family, and flag. While supporters view these values as universal and deeply American, critics often associate them with modern political conservatism. The book explores how Branson became a powerful cultural and political symbol in debates about national identity, religion, class, entertainment, and American values. Key Ideas: The book explores how faith, patriotism, and family centered entertainment shaped Branson's popularity of more than just an entertainment town. Reflects how entertainment can reflect deeper cultural and political beliefs within society. Examines tensions between urban and rural America and how different groups viewed Branson. Critics sometimes viewed Branson as politically conservative, while supporters viewed it as authentic, nostalgic, patriotic, and values driven. The book highlights how entertainment, comedy, and audience experiences create emotional connection and community, much like social media culture today. One of the most interesting ideas from the discussion was that entertainment is never just entertainment. The music, performances, humor, patriotism, and storytelling found in places like Branson can reveal what people value, fear, believe, and hope for as a country. The conversation also highlighted how audiences often seek spaces where they feel emotionally connected, culturally understood, and spiritually grounded. Branson became one of those places for many Americans.  Joanna Dee Das is associate professor of performing arts at Washington University in St. Louis. She is the author of the award-winning book Katherine Dunham: Dance and the African Diaspora. Angela Marie Hutchinson is the author of “Create Your Yes! When You Keep Hearing No,” named a Forbes No. 4 book to advance your career. She is a podcast host for New Books Network, where she leads conversations for the neuroscience and Christianity channels. Hutchinson is also a talent and intellectual property executive, former social media professor and BBC commentator. She resides in Los Angeles with her husband and three children. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Faith, Family, and Flag: Branson Entertainment and the Idea of America (University of Chicago Press, 2025) examines the history of Branson, Missouri's entertainment industry within the context of America's culture wars. The book explores how Branson became a major center for live performance rooted in patriotism, Christianity, and family centered values, attracting millions of visitors each year. Professor Joanna Dee Das shows how Branson represents more than lighthearted entertainment. Through its music, shows, humor, and tourism industry, the city offers audiences a vision of the American Dream centered on the “three Fs” — faith, family, and flag. While supporters view these values as universal and deeply American, critics often associate them with modern political conservatism. The book explores how Branson became a powerful cultural and political symbol in debates about national identity, religion, class, entertainment, and American values. Key Ideas: The book explores how faith, patriotism, and family centered entertainment shaped Branson's popularity of more than just an entertainment town. Reflects how entertainment can reflect deeper cultural and political beliefs within society. Examines tensions between urban and rural America and how different groups viewed Branson. Critics sometimes viewed Branson as politically conservative, while supporters viewed it as authentic, nostalgic, patriotic, and values driven. The book highlights how entertainment, comedy, and audience experiences create emotional connection and community, much like social media culture today. One of the most interesting ideas from the discussion was that entertainment is never just entertainment. The music, performances, humor, patriotism, and storytelling found in places like Branson can reveal what people value, fear, believe, and hope for as a country. The conversation also highlighted how audiences often seek spaces where they feel emotionally connected, culturally understood, and spiritually grounded. Branson became one of those places for many Americans.  Joanna Dee Das is associate professor of performing arts at Washington University in St. Louis. She is the author of the award-winning book Katherine Dunham: Dance and the African Diaspora. Angela Marie Hutchinson is the author of “Create Your Yes! When You Keep Hearing No,” named a Forbes No. 4 book to advance your career. She is a podcast host for New Books Network, where she leads conversations for the neuroscience and Christianity channels. Hutchinson is also a talent and intellectual property executive, former social media professor and BBC commentator. She resides in Los Angeles with her husband and three children. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Alicia Volk's In the Shadow of Empire: Art in Occupied Japan (University of Chicago Press, 2025) uncovers the largely overlooked history of Japanese art during the years of occupation (1945-1952). Volk's diverse case studies trace the intersections of politics and art in this charged period. As it had accommodated, shaped, and resisted empire, Japanese art now accommodated, shaped, and resisted the push and pull of defeat, occupation, and the dawning Cold War. In the Shadow of Empire's chapters present a range of practitioners and practices and their struggles in the new geopolitical order taking shape around them, taking into account not just the domestic context of Japan's relationship with the American-led occupation, but with Japan's erstwhile Asian empire, the socialist bloc, and audiences in “the West.” Spoiler alert! At the conclusion of the podcast, we talk about this image. Alicia Volk is professor of Japanese art at the University of Maryland; she is the author of Made in Japan: The Postwar Creative Print Movement and In Pursuit of Universalism: Yorozu Tetsugorō and Japanese Modern Art, recipient of the Phillips Book Prize. Nathan Hopson is an associate professor of Japanese language and history in the Department of Foreign Languages, University of Bergen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Alicia Volk's In the Shadow of Empire: Art in Occupied Japan (University of Chicago Press, 2025) uncovers the largely overlooked history of Japanese art during the years of occupation (1945-1952). Volk's diverse case studies trace the intersections of politics and art in this charged period. As it had accommodated, shaped, and resisted empire, Japanese art now accommodated, shaped, and resisted the push and pull of defeat, occupation, and the dawning Cold War. In the Shadow of Empire's chapters present a range of practitioners and practices and their struggles in the new geopolitical order taking shape around them, taking into account not just the domestic context of Japan's relationship with the American-led occupation, but with Japan's erstwhile Asian empire, the socialist bloc, and audiences in “the West.” Spoiler alert! At the conclusion of the podcast, we talk about this image. Alicia Volk is professor of Japanese art at the University of Maryland; she is the author of Made in Japan: The Postwar Creative Print Movement and In Pursuit of Universalism: Yorozu Tetsugorō and Japanese Modern Art, recipient of the Phillips Book Prize. Nathan Hopson is an associate professor of Japanese language and history in the Department of Foreign Languages, University of Bergen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Alicia Volk's In the Shadow of Empire: Art in Occupied Japan (University of Chicago Press, 2025) uncovers the largely overlooked history of Japanese art during the years of occupation (1945-1952). Volk's diverse case studies trace the intersections of politics and art in this charged period. As it had accommodated, shaped, and resisted empire, Japanese art now accommodated, shaped, and resisted the push and pull of defeat, occupation, and the dawning Cold War. In the Shadow of Empire's chapters present a range of practitioners and practices and their struggles in the new geopolitical order taking shape around them, taking into account not just the domestic context of Japan's relationship with the American-led occupation, but with Japan's erstwhile Asian empire, the socialist bloc, and audiences in “the West.” Spoiler alert! At the conclusion of the podcast, we talk about this image. Alicia Volk is professor of Japanese art at the University of Maryland; she is the author of Made in Japan: The Postwar Creative Print Movement and In Pursuit of Universalism: Yorozu Tetsugorō and Japanese Modern Art, recipient of the Phillips Book Prize. Nathan Hopson is an associate professor of Japanese language and history in the Department of Foreign Languages, University of Bergen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Alicia Volk's In the Shadow of Empire: Art in Occupied Japan (University of Chicago Press, 2025) uncovers the largely overlooked history of Japanese art during the years of occupation (1945-1952). Volk's diverse case studies trace the intersections of politics and art in this charged period. As it had accommodated, shaped, and resisted empire, Japanese art now accommodated, shaped, and resisted the push and pull of defeat, occupation, and the dawning Cold War. In the Shadow of Empire's chapters present a range of practitioners and practices and their struggles in the new geopolitical order taking shape around them, taking into account not just the domestic context of Japan's relationship with the American-led occupation, but with Japan's erstwhile Asian empire, the socialist bloc, and audiences in “the West.” Spoiler alert! At the conclusion of the podcast, we talk about this image. Alicia Volk is professor of Japanese art at the University of Maryland; she is the author of Made in Japan: The Postwar Creative Print Movement and In Pursuit of Universalism: Yorozu Tetsugorō and Japanese Modern Art, recipient of the Phillips Book Prize. Nathan Hopson is an associate professor of Japanese language and history in the Department of Foreign Languages, University of Bergen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art