Podcast appearances and mentions of annie atkins

Welcome back to the last Building Your Brand episode of 2024! In this episode, friend of the podcast Hannah Isted interviews me. In a casual chat between Liz and Hannah, we reflect on the highs and lows of 2024. If you want a reminder to reflect on your year, this is the episode for you. Episode Highlights: 00:01:22 - Liz's forgotten word of the year 00:06:02 - A positive year in business with amazing projects and income growth 00:07:38 - The struggle with work-life balance and late nights 00:11:32 - Favorite things accomplished this year, including guesting on Chris Do's podcast and attending Adobe Max in Miami 00:14:26 - Standout podcast guests like Steve Holland and Annie Atkins 00:16:56 - Big goals for next year: an in-person podcast event and a YouTube channel 00:19:44 - Looking forward to more in 2025! Mentioned in the episode: Liz's podcast website Liz's episode on Chris Do's podcast Episodes mentioned: Lois Seco, Annie Atkins, Hannah Bacon Key Takeaways: Reflecting on the past year can help inform future decisions. Support can come in many forms, including hiring help and investing in coaching. Saying "no" to some opportunities can create space for bigger and better ones. Prioritizing self-care and relaxation is crucial for maintaining a healthy work-life balance. Celebrating wins and acknowledging accomplishments is important. This episode was written and recorded by Liz Mosley and produced by Lucy Lucraft (http://lucylucraft.co.uk ) If you enjoyed this episode please leave a 5* rating and review! I would love to hear what you think of this episode, so please do let me know on Instagram where I'm @‌lizmmosley or @‌buildingyourbrandpodcast and I hope you enjoy the episode!

Annie Atkins, Hollywood graphic designer who created the visuals for movies like The Joker, West Side Story, Indiana Jones joins Brendan to tell him about her Christmas book that she's written for children. Letters from the North Pole is out now.

Building worlds in motion pictures through graphic props and typography—Annie Atkins joins to discuss her career designing set pieces for films such as The Grand Budapest Hotel and her new book, “Letters from the North Pole.”

Margo is joined by Annie Atkins, a graphic designer and legendary prop maker for film and television. She is known for her work with Wes Anderson on The Grand Budapest Hotel, which won the Academy Award for Best Production Design at the 87th Academy Awards. Since then, she has worked again with Wes Anderson on Isle of Dogs and The French Dispatch as well as on Steven Speilberg's West Side Story and Bridge of Spies. Annie's first book, Fake Love Letters, Forged Telegrams, and Prison Escape Maps, was published in 2020 by Phaidon. In her first children's book, Letters From The North Pole, five children from all around the world write to Santa Claus with ideas for Christmas gifts and are amazed when he writes back! Through five letters from Santa that children can pull out and read, the hidden world of the North Pole is revealed, from how reindeer can sleep standing up to what snacks Santa would like left out on Christmas Eve, and how he gets round the world so quickly. This is a nostalgic and festive tale, reminiscent of the classic The Jolly Postman and Annie's iconic work on such films as The Grand Budapest Hotel.   Margo and Annie discuss: How Annie's upbringing in a creative household influenced her decision to pursue graphic design and the pivotal moments that led her into the film industry Her impressive portfolio working on films and specific challenges and joys she encountered while working with distinctive styles of directors Hand-lettering vs. digital design Film prop details and some of the various intricate props she crafted Learning through mistakes, how using a 50-star flag instead of a 48-star flag in Bridge of Spies taught her to ensure historical accuracy Personal Projects vs. Commissioned Work What the job of a graphic designer on a film set typically involves and how it contributes to the overall storytelling in a movie Her captivating and interactive new children's book, Letters from the North Pole   Connect with Annie: www.instagra.com/AnnieAtkins www.annieatkins.com   Connect with Margo: www.instagram.com/windowsillchats www.windowsillchats.com www.patreon.com/inthewindowsill  

Have you ever wondered who does the design work for the fictional worlds that we see in films or TV programs? You know, the old fashioned letters, or a historical telegram, or maybe a brand for a business, or packaging for products. Today on the podcast it is such a treat for me to chat to Annie Atkins. Annie is a designer and prop maker for film and television, and she is particularly known for her work on various Wes Anderson films, including the Grand Budapest Hotel. We chat about how Annie struggled creating brands when she worked for an advertising agency, but how she got good at it when designing fictional brands for film. We talk about how she has diversified her income, the things that went wrong in her work, and the Reddit threads dedicated to that, and also how Annie Annie had planned to give up her career in graphic design, but then almost accidentally stumbled across this area of design that she loves. I had so much fun chatting to Annie, and I think you're really going to enjoy this episode, but I would love to hear what you think, so come and find me on Instagram, I'm always there. at @LizMMosley, or I recently have started an Instagram for the podcast, which is @buildingyourbrandpodcast. So come and let me know on either of those, what you thought of the episode, and I hope you enjoy it. Episode highlights: 02:50 Annie's Journey into Film Design 07:54 Challenges and Learning in Design 10:11 The Impact of AI on Design 19:17 Creating Fictional Brands for Film 23:56 Embracing Familiarity Over Originality in Film 25:13 Dealing with Criticism and Mistakes Thanks to Studio Cotton for sponsoring this episode. Don't forget to check out Annie online and follow her on Instagram! If you'd like to have a chat come find me on Instagram. Can't wait to connect with you. This episode was written and produced by me and edited by Lucy Lucraft. If you enjoyed this episode please leave a 5* rating and review!

In this episode of Open Studio, join me in welcoming Annie Atkins, a visionary graphic designer renowned for her work in the film industry. With credits on iconic films such as Wes Anderson's The Grand Budapest Hotel and Steven Spielberg's Bridge of Spies, Annie brings us behind the scenes into the captivating world of creating graphic props and set pieces for the big screen. Her recently published book, "Fake Love Letters, Forged Telegrams, and Prison Escape Maps: Designing Graphic Props for Filmmaking," offers a fascinating glimpse into her creative process. From Dublin, Ireland, Annie shares her journey, insights, and invaluable advice on navigating the unique challenges and rewards of her craft. Whether you're an aspiring designer or a movie buff, this episode promises to inspire and enlighten. Don't miss out on this captivating exploration of film graphic design! Follow Anie Instagram: https://www.instagram.com/annieatkins/ See full show notes https://www.martinaflor.com/podcast

Kaleena Sales and Omari Souza discuss past episodes featuring Perrin Drumm, and Annie Atkins. To hear more from our archive, find The Design of Business | The Business of Design on Apple podcasts, or your favorite podcast app!

Today we're welcoming Annie Atkins, a creative in the film industry. She's known for her graphic props and set pieces for Wes Anderson's Grand Budapest Hotel and Isle of Dogs. She's also done design work for The Tudors, The Boxtrolls, and Spielberg's thriller, Bridge of Spies. Tune-in to learn about the magic of film.

Annie Atkins is a graphic props designer for film and television.To hear more from our archive, find The Design of Business | The Business of Design on Apple podcasts, or your favorite podcast app!

Flora Fricker is a graphic designer working in film, TV and animation. In this episode, Flora talks about her role on the upcoming Netflix re-make of Scrooge: A Christmas Carol, and the as yet untitled Bridgerton spin-off, making graphic props such as shop signage, medicine labels and love letters.Flora tells us how she balances her time between film work and her own clients, creating brand identities and product packaging for small businesses, as well as her own studio where she designs and makes art prints and greetings cards.Flora explains how she found her dream job without even knowing it existed, being inspired by and eventually working with graphic designer Annie Atkins, and how her love of nostalgia and vintage typography have influenced her designs for both the film world and the business world. www.florafricker.com

In this show, we hear the inside scoop from artists, designers, illustrators and photographers about the highs and lows of being a creative. Bursting with insider career tips, honest business advice and incredible stories, each episode offers warmth, wisdom and inspiration for anyone working in the creative industry today. Hosted by Creative Boom's founding editor Katy Cowan, guests so far have included Debbie Millman, Timothy Goodman, Gail Anderson, Dapo Adeola, and Annie Atkins. For our latest season, expect candid conversations with Pentagram Partner Marina Willer, motion and graphic designer Mat Voyce, and type expert Sarah Hyndman. For our latest season

Olá, artistas do Brasil! Você gosta de arte digital mas já ficou na dúvida de qual área seguir? Já sentiu medo de vender sua arte? Como se organizar na vida sendo freela? Só da pra ser artista se você estiver nas redes sociais? Hoje a gente vai trazer um tema novo no canal! Bora mergulhar no universo do #lettering? Pra falar desse assunto, a nossa convidada de hoje é a Rebeca Cyrineu ♥ LINKS COMENTADOS ☆ Bianca Nazari: https://www.instagram.com/biancanazari/ ☆ Livro da Annie Atkins, artista gráfica: https://amzn.to/3uYq8Q4 Participam deste episódio: REBECA CYRINEU Instagram: https://www.instagram.com/tipodarebeca/ Youtube: https://www.youtube.com/channel/UCe-L... Behance: https://www.behance.net/tipodarebeca GABRIELA ANTONIA ROSA Instagram: https://www.instagram.com/gabrielanto... Twittter: https://twitter.com/galantoniarosa * * * * Tem sugestão de um conteúdo? Escreve pra gente no telegram @revospace ou no email oi@revospace.com.br ♥ Conheça o Topia! topia.com.br/ Conheça os cursos a distância e presenciais da Revolution! ead.escolarevolution.com.br/ escolarevolution.com.br/cursos/ Siga a Revo nas redes sociais: SITE: revospace.com.br FACEBOOK: www.facebook.com/EscolaRevolution INSTAGRAM: www.instagram.com/escolarevolution/ DISCORD: discord.gg/KeqmqdX PINTEREST: br.pinterest.com/revolutionartes/

For this episode, I caught up with Annie Atkins. You might not have heard of her name but you will certainly have seen her work. She's the mastermind behind some of the most iconic graphics props and set pieces for multi-award-winning films. Notably and probably one that stands out the most is her work for Wes Anderson’s Grand Budapest Hotel, Isle of Dogs and most recently the French dispatch. And yes the famous iconic pink patisserie box from the grand Budapest hotel is made by her! She’s also worked on the animated feature The Boxtrolls, Spielberg’s Bridge of Spies, and most recently his West Side Story adaptation. And that’s just to name a few! To say I was excited to record this interview is an understatement. Annie is, as expected, fascinating! As usual, I followed her career path, from starting her design course at Ravensbourne to her challenging time as a designer in the world of advertising to her first job on the set of The Tudors and finally her time working as a fully fledge graphic designer for the film industry. We go deep into the work that makes up her extensive career to date and Annie is full of great stories – from designing the carpet in the grand Budapest hotel to making a spelling mistake on that famous French patisserie box, to constructing maps, Maps, newspapers and dog tags for Anderson’s Isle of Dogs. She is also open about the type of mindset that is required to make it in this highly stressful job. And as a woman, we talk about how things seem to be finally changing in the film industry, where the importance of flexibility at work is starting to be recognised. I could go on about how much I enjoyed this conversation but instead, I will let you hear it for yourself. Hope you enjoy this conversation as much as I did recording it!

Annie Atkins is the much-loved graphic props designer who has the dream job we all want and is most famous for her work on Wes Anderson's The Grand Budapest Hotel and Isle of Dogs. Here, we talk about Annie's journey so far, about death warrants, her love of typography and the curiosity of Jeff Goldblum. We discover what it was like to work with Wes Anderson and Steven Spielberg – and why it's perfectly ok to sometimes make mistakes.

Annie Atkins is a master forger, creating "fake" pieces of graphic design for movie productions all over the world. Annie has designed the graphics for four Oscar-nominated films: the animated feature The Boxtrolls, Spielberg's Cold War thriller Bridge of Spies, and Wes Anderson's Isle of Dogs and The Grand Budapest Hotel. We talk with Annie about designing graphic props for filmmaking and how she is getting through these times in good spirits. Annie's Website Annie Atkins | The secret world of graphic design for filmmaking Skillshare Offer --- Send in a voice message: https://anchor.fm/deeplygraphic/message

Ever wondered where archive footage is collected for documentaries about designers? Or who designs film sets and props? Hear the answers as we explore the life of furniture-maker George Nakashima, visit backlots in Hungary and talk to graphic designer Annie Atkins.

Richard Coles and Viv Groskop are joined by aesthetician and skin expert Caroline Hirons. She went from counter girl to being dubbed the most powerful woman in the beauty industry, her blog has clocked up over a hundred thousand views and her book has just become the second ever on beauty to go to number one in the charts. And furniture restorer Jay Blades, known for TV's The Repair Shop on why he cares so much about old things and the stories behind them. Annie Atkins is a graphic designer who inhabits a secret world - if you notice her work – it usually means she hasn’t done her job properly. She joins us to discuss her journey to Grand Budapest hotels and Boxtrolls. We also have Antony Barlow, a listener who contacted us about a secret he kept from his family until they opened a letter meant for him. and Martha Wainwright choose Me Myself I by Joan Armatrading and Going to a Town by Rufus Wainwright. plus your "thank you". Producer: Corinna Jones Editor: Eleanor Garland

Welcome to our big 50th episode party! We took over the Vintage Room in The Workman's Club and filled it with sound people. We did a little quiz and gave away some extremely desirable prizes. Then we talked to Oscar-winning graphic designer Annie Atkins whose work you've seen in The Grand Budapest Hotel, Isle Of Dogs, Bridge Of Spies, The Tudors, and loads more. Annie talked to us about the classic and only mildly disturbing family comedy BIG. It was a really interesting conversation and also it's one of the very special times where Alan, Ellen, and Sarah are all in the same room so that was fun. Thank you so much to Alan and Brian at HeadStuff for making this episode happen and to everybody at The Workman's who gave us the space and set us up and made sure we didn't set fire to anything. We donated all of our ticket sales for the night to Together For Yes and we're delighted to say that we raised €300 so thank you to everybody that bought a ticket. Note: We are shamble people and away from the safe confines of the HeadStuff studio we have a tendency to make microphones malfunction. It happens a couple of times during this but it shouldn't affect your listening experience too much unless you have "platinum ears". Juvenalia original artwork by Dee McDonnell This episode was produced and edited by Brian + Alan

Kate McEvoy, video producer, twitter citizen, and former voice of Phantom FM, joins Alan and Sarah to talk about Roald Dahl's Matilda, memory, Danny DeVito's film adaptation, Roald Dahl's real life, and digressions into lots of other Roald Dahl books. Note: We had a couple of recording snafus in the second half of the episode which we had to edit out so there are a couple of abrupt changes of topic but hopefully it's not too noticeable. You can follow Kate on Twitter @ImKateMc and you should. Sarah's twitter is @griffski and her book Spare And Found Parts is both out now and excellent. Alan's twitter is @alan_maguire. He mostly does Juvenalia but he does standup sometimes too. We're doing a live show for our fiftieth episode on April 25th in the Vintage Room in the Workman's. Our guest is going to be the amazing graphic designer Annie Atkins. You should come. You can follow Juvenalia on twitter @Juvenalia_Pod or like Juvenalia on Facebook at JuvenaliaPodcast and also we're @juvenaliapod on Instagram. We're everywhere now. If you like Juvenalia and would like us to succeed in life then consider rating and/or reviewing us on your local podcast app. And tell your friends, that’s the best thing. Juvenalia original artwork by Dee McDonnell This episode was produced and edited by Brian + Alan

When a new movie comes out, most of the praise goes to the director and the lead actors, but there are so many other people involved in a film, and a lot of them are designers. There are costume designers and set designers, but also graphic designers working behind the scenes on every single graphic object that you might need in a film. It's Annie Atkins's job to design them. Hero Props

When a new movie comes out, most of the praise goes to the director and the lead actors, but there are so many other people involved in a film, and a lot of them are designers. There are costume designers and set designers, but also graphic designers working behind the scenes on every single graphic object that you might need in a film. It’s Annie Atkins’s job to design them. Hero Props

Annie Atkins, graphic designer for film joins me in Dublin to discuss her on and off screen work. Annie has worked on many productions including The Grand Budapest Hotel, with cult director Wes Anderson, Bridge Of Spies with Steven Spielberg and Penny Dreadful. Her role on film and TV is an incomprehensibly broad one, with fresh challenges on every production. Annie takes me through her industry origins and background in a small village in Snowdonia, Wales. She discusses ego on film sets, working with various directors and why it's crucial to get off Google and under the skin of the project in order to create authentic work for screen. Annie also gives us a little insight into her fantastic weekend workshop in graphic design for film! This is a must listen episode for one revered lady with a growing fan base. Get your feedback over at @arrestallmimics on Twitter http://annieatkins.com https://twitter.com/annieatkins

On location at the inaugural D&AD festival at the Old Truman Brewery, we bring you a series of chats with Grand Budapest Hotel designer Annie Atkins, iconic fashion and housing designer Wayne Hemingway, Little White Lies Creative Director Timba Smits and Lucienne Roberts. We also chat to guests, D&AD CEO Tim Lindsay and Bruce Duckworth of heavyweight advertising agency Turner and Duckworth and D&AD president elect for 2016/17. Lastly, legendary fashion designer Paul Smith passes his opinion on my rascal shirt... Whether you were there or not, this show is frantic and a product of a man quickly becoming the ultimate opportunist! For show notes, see part 1/Ep 19.

D&AD represents global creative, design and advertising communities and celebrates brilliance in commercial creativity. I recall D&AD being a big deal when I was finishing up my degree in illustration. Just this rabid buzz about the place, students stressed, excited, dejected and elated in equal measure throughout the whole awards process, like the rest of their lives depended on it. Maybe it did. Now in 2016, D&AD have launched an inaugural 3-day festival in conjunction with the awards judging process and subsequent decisions. I head down to the Old Truman Brewery in Shoreditch, East London, armed with a press pass and a microphone to make some sense of it all. Part one of the resultant two-part special is an exclusive interview with the 2015-16 and current president of D&AD, Andy Sandoz. He is also Executive Creative Director of Havas Work Club. In an engaging and fascinating chat, Andy tells us why technology is not going to shoot us, why we must embrace it and use it as fuel to shape the creative ideas we put out into the world and why it's important and more interesting to fuck up. He tells us what it means to be president of D&AD and discusses the current state of the advertising industry. A must listen no matter what you do, Andy Sandoz left a real positive impression on me and validated my own love of the mistake and artistic imperfection. In part two, I’m chatting to D&AD CEO Tim Lindsay, Grand Budapest Hotel designer, Annie Atkins, Wayne Hemingway, Lucienne Roberts and Little White Lies creative director, Timba Smits. You’ll also find out what iconic fashion designer Paul Smith thinks of my shirt. https://twitter.com/sandoz - Andy Sandoz on Twitter https://www.instagram.com/sandoz/ - Andy Sandoz on Instagram http://dandad.org - D&AD official site http://twitter.com/dandad D&AD on Twitter https://www.instagram.com/d_and_ad/ - D&AD on Instagram http://www.thebeautifulmeme.com/ The Beautiful Meme official site https://twitter.com/beautifulmemes The beautiful Meme on Twitter

The Grand Budapest Hotel's lead graphic designer Annie Atkins joins post-secondary students and faculty for a behind-the-scenes look at some of Grand Budapest's unique graphic design elements. See more at http://tiff.net/higherlearning

This week on The HeadStuff Podcast, Matt and I were absolutely thrilled to talk to Annie Atkins who had just won an Oscar as lead graphic designer on Wes Anderson's ‘The Grand Budapest Hotel‘. Annie Atkins has also worked on The Tudors, Penny Dreadful, The Boxtrolls and on the latest Stephen Spielberg movie. At the […] La entrada HeadStuff Podcast #3 – Annie Atkins se publicó primero en Headstuff.