Podcasts about Topia

James Anderson, CEO of Guanajuato Silver (TSX.V:GSVR – OTCQX:GSVRF), joins me to review the solid Q1 2025 financials and operational metrics, demonstrating that the Company has reached a strong inflection point.  We also discuss the growth plans for the company through operational efficiencies at their 4 producing mines in Mexico, ongoing exploration initiatives, and the potential future development at Pinguico to augment throughput at their El Cubo mill.   Selected Q1 2025 Highlights:   Record mine operating income of $4,845,773 was up 82% over the previous quarter; the Company's mining operations have now successfully generated four consecutive quarters of positive mine operating income. Record revenue for the quarter of $21,330,483 was up 12% over the previous quarter. Guanajuato Silver is a primary precious metals producer with over 90% of the Company's revenue derived from the production and sale of silver and gold. Operating costs continued to improve over the quarter; cash cost of $19.19 per AgEq ounce was 3% lower than the previous quarter; All-In Sustaining Cost ("AISC")* was $23.41 per AgEq ounce - a 6% improvement over Q4, 2024. Production for the quarter was 738,006 silver equivalent ounces ("AgEq"), which was a 1% increase over the previous quarter. Production consisted of 380,406 ounces of silver, 3,347 ounces of gold, 699,294 pounds of lead, and 909,029 pounds of zinc. Adjusted EBITDA was up 135% over the previous quarter to $4,104,669.   James reviewed the out-sized leverage that Guanajuato has to the price of precious metals, and the operations returned record income and the highest quarterly revenue in the last quarter, as working efficiencies continue to show marked improvements at all four of their producing assets in Mexico.     Guanajuato Silver produces silver and gold concentrates from the El Cubo Mine Complex, Valenciana Mines Complex, and the San Ignacio mine; all three mining centers are located within the state of Guanajuato, which has an established 480-year mining history. In addition, the Company produces silver, gold, lead, and zinc concentrates from the Topia mine in northwestern Durango. The operations team is also augmenting material at the Cata processing facility in Guanajuato with ore from both the historic Horcon Mine project, located in the state of Jalisco, and from stockpiles at the Pinguico mine.  James outlines that the company is working to get a permit to be able to extract more ore from the Pinguico underground mine, and is looking to launch a more comprehensive exploration and development work program at the Horcon Mine.     If you have any follow up questions for James on Guanajuato Silver, then please email them into me at Shad@kereport.com.   In full disclosure, Shad is a shareholder of Guanajuato Silver at the time of this recording and may choose to buy or sell shares at any time.   Click here to follow the latest news from Guanajuato Silver

In this electrifying episode of Rug Pull Radio, GMoney is joined by special guest Ashe in America for a deep and fiery dialogue about freedom, governance, and the future of civilization. The pair dig into the core philosophical split between individual sovereignty and bureaucratic control, using bitcoin as a springboard for a larger conversation about decentralization, personal responsibility, and systemic collapse. Ashe shares her journey from globalist corporate strategist to Badlands firebrand, while GMoney lays out his vision for "digital 1776," where the people reclaim their energy, time, and governance through peer-to-peer value systems. From Freedom Cities and taxation as theft to the movement's spiritual awakenings, the episode builds a case for peaceful non-compliance, lawfare, and opting out of centralized systems. The duo debate the risks and tradeoffs of direct democracy, digital currencies, and AI-driven medical care, while acknowledging the inevitable tensions between liberty and security in any future society. Packed with high-level thought, grounded reality checks, and a whole lot of conviction, this episode is a battle of ideas between two allies who agree on the mission, even if they see the map differently.

This week on Get Out There, we help you plan your perfect D.C. day, minute by minute.

Send us a textIn this episode we interview Joseph Lapin, founder of Campbell Learn, and Daniel Liebeskind, co-founder and CEO of Topia.What you'll learn in this episode:Why storytelling isn't just marketing fluff—it's essential for business success, especially in higher education.How narrative can dramatically reduce customer acquisition costs and increase lifetime value.The transformative role of technology—like AI, virtual reality, and spatial computing—in reshaping how stories are told and experienced.Why multiplayer storytelling is the next frontier in both education and enterprise.What businesses can learn from the entertainment industry's lead on immersive experiences.Why failing to evolve your storytelling strategy could leave your brand invisible to future generations.

Timestamps:8:01 - What drew Brynne to entrepreneurship15:10 - Brynne's political debut24:12 - What's a smart society?27:05 - Measuring growth as a VC43:25 - How can you find the right co-founders?This episode was produced in collaboration with startup days, taking place this year on May 14th 2025. Click ⁠here⁠ to purchase your ticket.Click here to check out our free Founders Agreement masterclass, with Melanie Gabriel from Yokoy, Christof Roduner from Scandit, and Viviana Gropengiesser from Talent Kick.About Brynne Kennedy:Brynne Kennedy is the co-founder and managing partner of Smart Society Ventures, a decarbonization and energy tech investment firm striving to accelerate net zero. She holds an MBA from London Business School, and founded and successfully exited Topia, a company providing technology solutions to manage all forms of employee movement and work location flexibility. After stepping down from her CEO role at Topia in 2019, Brynne had a brief stint in American politics, running for US Congress in California's 4th Congressional District. She was not elected, and nowadays she's able to look back with gratitude at that turn of events, considering the current political climate in the US. In 2023 she co-founded Smart Society Ventures, and began her career as a VC in the climate tech space. Smart Society Ventures strives to build a “smart society” (as the name would indicate), which they define as a society enabled by tech and data to achieve better outcomes and do more with less. Brynne is extremely committed to creating the societal impetus necessary to successfully manage the energy transition. She also co-hosts The Smart Society Show with Former MP and UK Energy Minister Chris Skidmore, where they discuss climate news and scaleups.

James Anderson, CEO of Guanajuato Silver (TSX.V:GSVR – OTCQX:GSVRF), joins us for a higher-level discussion on his macro outlook for both gold and silver, and how recent price trends will influence the mining equities. Additionally we also review how political developments within the new administration in Mexico are impacting the mining sector in this jurisdiction. We often talk with James about these topics “off-mic” and thought it would be engaging for listeners here if we recorded a conversation “on-mic” on some of these key areas that are on investors minds with regards to precious metals stocks.     Guanajuato Silver produces silver and gold concentrates from the El Cubo Mine Complex, Valenciana Mines Complex, and the San Ignacio mine; all three mining centers are located within the state of Guanajuato, which has an established 480-year mining history. In addition, the Company produces silver, gold, lead, and zinc concentrates from the Topia mine in northwestern Durango. The operations team is also augmenting material at the Cata processing facility in Guanajuato with ore from both the historic Horcon Mine project, located in the state of Jalisco, and from stockpiles at the Pinguico mine. This effectively means they are seeing production from 6 of their mines, even though only the 4 primary mines have active ongoing underground mining.      If you have any follow up questions for James on Guanajuato Silver, then please email us at either Shad@kereport.com or Fleck@kereport.com and we'll get those addressed by management or covered in future interviews.   Click here to follow the latest news from Guanajuato Silver   Click here to check out the bullion store at Guanajuato Silver

2001年よりインターネットラジオとしてスタートし、2021年にポッドキャスト化。AM・FMレギュラー番組は『本物ラジオ』。こちらは『うそラジオ』とユーミン自らが定義。緩さと鋭さが混在し『うそラジオ』だからこそのディープな話題も多い。インスタとともに毎週金曜日に更新されます。ユーミンへのメールはこちらまでuso@yuming.co.jpSee omnystudio.com/listener for privacy information.

In this enlightening episode, Shannon Jamail sits down with Shelly Swierz, a seasoned yoga instructor and the visionary behind Topia Boutique Retreat Center in Baja California Sur, Mexico. Shelly brings over 15 years of yoga teaching experience and shares invaluable insights into the world of retreat hosting. Topia's Mission and Setting Topia Boutique Retreat Center is dedicated to facilitating profound community connections for leaders. Nestled near the Pacific Ocean and conveniently close to Cabo San Lucas airport, the center is designed to support retreat leaders fully, from planning stages to execution, ensuring a seamless experience. Common Mistakes by Retreat Hosts Shelly discusses the pitfalls many retreat hosts encounter, such as overlooking the importance of building personal relationships and engaging deeply with their community. Other common mistakes include poor timing for retreats, inadequate guest preparation, and relying too heavily on social media for promotion rather than fostering real-life interactions. Best Practices for Hosting Retreats The conversation shifts to best practices that can dramatically improve the success of a retreat. Key strategies include: Over-communicating with guests to prepare them fully for what to expect, Choosing the right dates avoiding major holidays or adverse weather conditions, Engaging in one-on-one conversations to build trust and ensure alignment of expectations.   This episode is a must-listen for anyone interested in the nuances of retreat hosting and how to elevate their offerings to create unforgettable experiences for participants.       Connect with Topia topiaretreat.com  Instagram: @topiaretreat    Our In Person Mastermind is coming in 2025! Get on the list now: https://mindbodycomplete.com/wait-or-interest-list-rlp/   The Retreat Leaders Podcast Resources and Links: Learn to Host Retreats Join our private Facebook Group Top 5 Marketing Tools Free Guide Free Top 11 Tips for Building an Email List    Thanks for tuning into the Retreat Leaders Podcast. Remember to subscribe for more insightful episodes, and visit our website for additional resources. Let's create a vibrant retreat community together!   Subscribe:  Apple Podcast | Google Podcast | Spotify   

James Anderson, CEO of Guanajuato Silver (TSX.V:GSVR – OTCQX:GSVRF), joins us to outline the key takeaways from the updated resource estimate at the El Cubo Mine released on December 19th,  and he provides an exploration update from multiple other mines in Guanajuato, with recent or ongoing drill programs.   Highlights of the El Cubo Mineral Resource Estimate   Inferred mineral resources increase 85% over previous resource estimate to 35.6 million silver-equivalent ounces ("AgEq"). See table below for assumptions regarding the calculation of AgEq. Inferred mineral resource tonnes of 3,711 kt represents a 179% increase over the previous resource estimate. Indicated mineral resources of 3.9M AgEq; after three years of substantial mining activity at El Cubo, the resources within the Indicated Resource category have declined by just 23% from the previous estimate. Exploration expansion potential remains high; drilling to convert Inferred resources to Indicated Resources planned for January, 2025.   Next we get an exploration update from the recent drill results released to the market in November from the Valenciana Mines Complex nearby the Cata mine and mill, and the results from around the Pinguico Mine.  James notes that a drill is currently also turning at the Topia Mine, along with one at Valenciana, and the company would like to get more drilling into the San Ignacio Mine later in 2025.   The Company produces silver and gold concentrates from the El Cubo Mine Complex, Valenciana Mines Complex, and the San Ignacio mine; all three mines are located within the state of Guanajuato, which has an established 480-year mining history. In addition, the Company produces silver, gold, lead, and zinc concentrates from the Topia mine in northwestern Durango. The operations team is also augmenting material at the Cata processing facility in Guanajuato with ore from both the historic Horcon Mine project, located in the state of Jalisco, and from stockpiles at the Pinguico mine. This effectively means they are seeing production from 6 of their mines, even though only the 4 primary mines have active ongoing underground mining.      If you have any follow up questions for James on Guanajuato Silver, then please email me at Shad@kereport.com and we'll get those addressed by management or in future interviews.   * In full disclosure, Shad has a position in Guanajuato Silver at the time of this recording.   Click here to follow the latest news from Guanajuato Silver  

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them. Join the Crate Coalition: https://discord.gg/sAaG6a7bv4 Latashá is a defiant visionary music artist, founder and world builder. She creates music and experiences that evokes feelings of aliveness and lightness, crossing genres to express the full spectrum of her human ingenious. Known for her transcendent performances, Latashá utilizes her voice, curation, theatrical talent, and dream-like storytelling to convey her perspectives on identity. She is also a leading pioneer in Web3 and innovative creative integrating cutting-edge technology into her artistic practice and independent innovation. Latashá is actively building TASH55 and her company TOPIA, a unique multi faceted world of music, art and next level experiences that ties tech, culture and music to human emotion. She continues to tour the world to reach and impact the present and future of both the music, experience and tech industries. MUSIC MENTIONS DMX Ruff Ryders Celia Cruz Buju Banton Mad Decent Fool's Gold Records Ninjasonik M.I.A. Santigold Sleigh Bells Kid Cudi Kanye West MTV Jadakiss The Writer's Block (NYC) Bowery Poetry Club (NYC) Nuyorican Poets Cafe (NYC) The Notorious B.I.G. Opening for Kanye early on (16:13): Kendrick Lamar ScHoolboy Q Jay-Z Ghostface Killah SoundCloud Big Sean Q&A Bandcamp Santo Gafacci Nervous Records Boiler Room Doechii Tyler, the Creator “Call Me If You Get Lost” by Tyler, the Creator “good kid, m.A.A.d city” by Kendrick Lamar Discovering music today (35:56): Homies Shazam Spotify Vinyl shops First album ever purchased (38:39): “CrazySexyCool” by TLC Most recent album purchased (39:21): “Brat” by Charli XCX Artists discovered in the past year (41:22): Dizzy Fae Valé Ayesha Erotica Kito Desert island discs (43:25): “Kala” by M.I.A. “My Beautiful Dark Twisted Fantasy” by Kanye West “Because the Internet” by Childish Gambino Guest recs for future episodes (47:48): Douda Leonard

James Anderson, CEO of Guanajuato Silver (TSX.V:GSVR – OTCQX:GSVRF), joins me to outline the key takeaways from Q3 financials, the ongoing optimization at their operations from their 5 silver-gold mines and 3 processing facilities in central Mexico.  We get an exploration update from the Pinguico Mine and the Valenciana Mines Complex along with processes underway at the Cata mine and mill, review the 2 new filter presses at the Topia Mine and mill, look ahead to an updated resource estimate at El Cubo Mine and potential options for filling more capacity at the El Cubo mill, and we discuss the commissioning of the ore sorter machine at the San Ignacio Mine.   Selected Q3 2024 (Three Month Period) Highlights:   Positive mine operating income of $515,576; Q3 represents the second consecutive quarter of positive income from mining operations. All-in Sustaining Cost ("AISC")* of $23.88 per silver-equivalent ("AgEq") ounce; this represents a 7% improvement over the previous quarter. Cash cost per AgEq ounce was $18.78; this was a 6% improvement over the previous quarter.  Production for the quarter of 779,797 AgEq derived from 413,607 ounces of silver, 3,617 ounces of gold, 806,945 pounds of lead and 926,056 pounds of zinc. Silver production of 413,607 ounces was an increase of 4% over the previous quarter.  During the quarter the Company confirmed an important production milestone - over 3,000,000 AgEq ounces had been produced at El Cubo since the restart of operations in late 2021. In the quarter, the Company announced the complete repayment of its US$7,500,000 silver and gold pre-payment facility to Swiss-based precious metals trading firm, OCIM Metals & Mining S.A.; this followed the Q2 repayment in full of the US$5,000,000 concentrate pre-payment facility owed to Ocean Partners UK Limited. Revenue for the quarter of $18.3M represented a 17% increase over Q3 2023, and a decrease of 11% over the previous quarter. Positive adjusted EBITDA* of $892,277; the second consecutive quarter of positive adjusted EBITDA confirms that cash flow from mining operations is improving.   The Company produces silver and gold concentrates from the El Cubo Mine Complex, Valenciana Mines Complex, and the San Ignacio mine; all three mines are located within the state of Guanajuato, which has an established 480-year mining history. In addition, the Company produces silver, gold, lead, and zinc concentrates from the Topia mine in northwestern Durango. The operations team is also augmenting material at the Cata processing facility in Guanajuato with ore from both the historic Horcon Mine project, located in the state of Jalisco, and from stockpiles at the Pinguico mine. This effectively means they are seeing production from 6 of their mines, even though only the 4 primary mines have active ongoing underground mining.      If you have any follow up questions for James on Guanajuato Silver, then please email me at Shad@kereport.com and we'll get those addressed by management or in future interviews.   * In full disclosure, Shad has a position in Guanajuato Silver at the time of this recording.   Click here to follow the latest news from Guanajuato Silver

James Anderson, CEO of Guanajuato Silver (TSX.V:GSVR – OTCQX:GSVRF), joins us to review the move higher in gold to new all-time highs again this week, along with silver breaking back above the $32 level; and what this means for the expanding margins of precious metals producers.  We also get a brief operational update on their 4 producing silver-gold mines and 3 processing facilities in central Mexico. The Company saw record revenues in Q2, and while they are on track for another solid Q3, they are looking forward for the new equipment and personnel changes that the company has invested in to really start showing up in the Q4 metrics this year.   The Company produces silver and gold concentrates from the El Cubo Mine Complex, Valenciana Mines Complex, and the San Ignacio mine; all three mines are located within the state of Guanajuato, which has an established 480-year mining history. In addition, the Company produces silver, gold, lead, and zinc concentrates from the Topia mine in northwestern Durango. The operations team is also augmenting material at the Cata processing facility in Guanajuato with ore from both the historic Horcon Mine project, located in the state of Jalisco, and from stockpiles at the Pinguico mine. This effectively means they are seeing production from 6 of their mines, even though only the 4 primary mines have active ongoing underground mining.     We have James discuss the balance between investing in future growth while also making significant strides in paying down outstanding debt. He highlighting the news from September 19th, which announced the complete repayment of its US$7,500,000 silver and gold pre-payment facility to Swiss-based precious metals trading firm, OCIM Metals & Mining S.A.   On the growth side of the equation, we reviewed the potential for continued optimization of their existing mines, exploration upside across their property, and the possibility of more acquisitions regionally to further consolidate their assets in Guanajuato.   If you have any follow up questions for James on Guanajuato Silver, then please email me at Shad@kereport.com and we'll get those addressed by management or in future interviews.   * In full disclosure, Shad has a position in Guanajuato Silver at the time of this recording. >> To see the article featuring James Anderson, that appeared in Mining Discovery on October 18th, 2023, outlining the fundamental and technical factors setting up for the precious metals sector, then click on the link below. https://miningdiscovery.com/wp-content/uploads/2024/07/Black-Yellow-Geometric-Modern-Business-Magazine-Cover-4.pdf   Click here to follow the latest news from Guanajuato Silver  

As Germany enforces tougher checks on all its borders, Andrew Mueller questions what this will mean for the Schengen Area. See omnystudio.com/listener for privacy information.

Can we engineer our way out of dystopia? A.I. technologist Deep Dhillon and I had a heated exchange about technology after meeting by chance in Granada after a flamenco performance. The conversation was fascinating, and I invited him onto the show to discuss what's really going on in Silicon Valley around A.I., what developments are being made and why, and how this technology is going to impact us all. As a cofounder of cofounder of Xyonix and host of the podcast, Your A.I. Injection, Deep has decades of experience working on A.I. models in the Valley. He explains his vision for a brighter future facilitated by technology, but equally explains the negative impacts of technology not just on society but on the industry itself which is racing to keep up with its own developments. This is a wide-ranging conversations about systems, tech, the economy and collective responsibility for engineering a better future for us all.Planet: Critical is 100% independent and community-powered. If you value it, and have the means, become a paid subscriber today! Get full access to Planet: Critical at www.planetcritical.com/subscribe

James Anderson, CEO of Guanajuato Silver (TSX.V:GSVR – OTCQX:GSVRF), joins us to provide a comprehensive Q2 financial and operational update from their 4 producing silver-gold mines and 3 processing facilities in central Mexico, where the company saw record revenues.  We expand on some of the equipment and personnel changes the company has invested in to continue optimizing future production.  We also get into the dual focus of both production growth initiatives as well as lowering costs to generate larger revenues.   The Company produces silver and gold concentrates from the El Cubo Mine Complex, Valenciana Mines Complex, and the San Ignacio mine; all three mines are located within the state of Guanajuato, which has an established 480-year mining history. In addition, the Company produces silver, gold, lead, and zinc concentrates from the Topia mine in northwestern Durango. The operations team is also augmenting material at the Cata processing facility in Guanajuato with ore from both the historic Horcon Mine project, located in the state of Jalisco, and from stockpiles at the Pinguico mine. This effectively means they are seeing production from 6 of their mines, even though only the 4 primary mines have active ongoing underground mining.      Q2 2024 (Three Month Period) Highlights:   Record revenue for the quarter of $20.5M representing a 16% increase over the previous quarter, and a 22% increaseover Q2 2023. Consolidated revenue for the quarter was generated by a realized average price of $28.78 per silver ounce, $2,334 per gold ounce, $0.98 per pound of lead, and $1.29 per pound of zinc. Positive mine operating income of $947,433. During the quarter, the Company posted its first ever positive income from mining operations. Positive EBITDA* of $2,007,907 represents the first positive EBITDA* reported by the Company and demonstrates improving cash flow from mining operations. EBITDA showed a notable $6.5M improvement from the previous quarter. Adjusted EBITDA* was also positive at $1,916,933 for the quarter. Production for the quarter of 823,679 silver-equivalent ounces ("AgEq") derived from 398,685 ounces of silver, 4,255 ounces of gold, 806,295 pounds of lead and 1,067,538 pounds of zinc. (See note to table below for details regarding the Company's AgEq calculations). Guanajuato Silver remains a primary silver and gold producer with over 90% of revenues being derived from the sale of precious metals. All lead and zinc production comes exclusively from the Company's Topia mine located in northwest Durango.   At the Topia Mine, the commissioning of a new filter system for silver-gold-lead concentrates has been successfully completed. This new filter system is one of two that will be installed at the mine site; the second concentrator will be for silver-zinc concentrate production. At the San Ignacio Mine, located approximately 20km from the Company's Cata Processing facility, a new ore sorter, which arrived on site in July, is rapidly approaching the commissioning phase. The NUCTECH MC2000NF Intelligent Mineral Sorting System provides high-tech sorting accuracy, large processing capacity, environmental friendliness, and high reliability through a system that utilizes X-ray and structured light imaging technology to intelligently identify and then separate high-grade silver and gold material. The ore sorter is expected to improve overall efficiencies at San Ignacio, raising the grade of transported material to the Cata mill. The San Ignacio mine accounted for approximately 15% of total silver-equivalent production during Q2, 2024.   We reviewed that in Q1 that there was a fair bit of material processed at their El Cubo mill from 3rd party sources, and while there was a pause on those contracts in Q2 and Q3, that they are encouraged about adding in more contracted 3rd-party material into the mill later in the year and moving forward, but don't have a definitive start date at this time.   Wrapping up, James discusses how important to the growth initiatives that the addition of Carlos Silva, as the new Chief Operating Officer in 2024 has been, and mentions that the company is still considering other bolt on operations or stockpiles in the greater Guanajuato area of Mexico to process at their facilities.  He also points out that in addition to investing in growth that the Company is making significant strides in paying down outstanding debt, and that they will continue to do so in the quarters to come.   If you have any follow up questions for James on Guanajuato Silver, then please email me at Shad@kereport.com and we'll get those addressed by management or in future interviews.   * In full disclosure, Shad has a position in Guanajuato Silver at the time of this recording.   Click here to visit the Guanajuato Silver website to read over the recent news releases we discussed.

James Anderson, CEO of Guanajuato Silver (TSX.V:GSVR – OTCQX:GSVRF), joins me to provide a review a comprehensive operational update from their 4 producing silver-gold mines and 3 processing facilities in central Mexico, and some of the equipment the company has invested in and is installing to optimize future production.  We also get into the political landscape in relation to mining in Mexico, and how James sees that evolving over time.   The Company produces silver and gold concentrates from the El Cubo Mine Complex, Valenciana Mines Complex, and the San Ignacio mine; all three mines are located within the state of Guanajuato, which has an established 480-year mining history. In addition, the Company produces silver, gold, lead, and zinc concentrates from the Topia mine in northwestern Durango.   At the Topia Mine, the commissioning of a new filter system for silver-gold-lead concentrates has been successfully completed. This new filter system is one of two that will be installed at the mine site; the second concentrator will be for silver-zinc concentrate production. Topia produces concentrates containing silver, gold, lead and zinc through a processing facility that comprises a 260-tonnes-per-day flotation plant; the new concentrate filters will contribute to helping the plant achieve, and potentially exceed, full production capacity, as well as potentially producing higher grade concentrates.   At the San Ignacio Mine, located approximately 20km from the Company's Cata Processing facility, a new ore sorter, which arrived on site in July, is rapidly approaching the commissioning phase. The NUCTECH MC2000NF Intelligent Mineral Sorting System provides high-tech sorting accuracy, large processing capacity, environmental friendliness, and high reliability through a system that utilizes X-ray and structured light imaging technology to intelligently identify and then separate high-grade silver and gold material. The ore sorter is expected to improve overall efficiencies at San Ignacio, raising the grade of transported material to the Cata mill. The San Ignacio mine accounted for approximately 15% of total silver-equivalent production during Q2, 2024.   Next we review the augmenting material at the Company's Cata processing facility in Guanajuato with ore from both the historic Horcon Mine project, located in the state of Jalisco, and from stockpiles at the Pinguico mine. This effectively means they are seeing production from 6 of their mines, even though only the 4 primary mines have active underground mining going on.  We also discuss that in Q1 that there was a fair bit of material processed at their El Cubo mill from 3rd party sources, and while there was a pause on those contracts in Q2 and Q3, that they anticipate adding in more contracted 3rd-party material into the mill later in the year and moving forward.   Wrapping up, James discusses some of the nuances in Mexico, his outlook for it as a mining jurisdiction, the changes that may be coming to the global mining industry as it relates to open-pit mining, and why he believes they have an advantage in Guanajuato Silver with all underground mines, extra mill capacity, and communities that have embedded understanding and appreciation for mining as a key industry.   If you have any follow up questions for James or want more information on any of the assets please email me at Shad@kereport.com and we'll get those addressed by management or in future interviews.   * In full disclosure, Shad has a position in Guanajuato Silver at the time of this recording.   Click here to visit the Guanajuato Silver website to read over the recent news releases we discussed.

Join us for a special live episode from Bitcoin Nashville as we sit down with Emmanuel Quezada, CEO and co-founder of U-topia. Discover U-topia's mission to create a safe, engaging space for kids in the crypto and Web3 world. Don't miss their upcoming launch and innovative projects, including Polyglot and the U-Trader platform, sharing insights into their vision for mass adoption and the future of U-topia.Connect with Emmanuel Quezada and U-topiaX - https://x.com/u_topiastudio Discord - https://t.me/+UjByY2WS2OtmY2I0 Linkedin - https://www.linkedin.com/in/emmanuel-quezada/ and https://www.linkedin.com/company/u-topia/ Telegram - https://t.me/+UjByY2WS2OtmY2I0 Support us through our Sponsors! ☕

James Anderson, CEO of Guanajuato Silver (TSX.V:GSVR – OTCQX:GSVRF), joins me to provide a review of the key metrics from their Q1 financials and a comprehensive operational and exploration update from their 4 producing silver-gold mines and 3 processing facilities in central Mexico.   The Company produces silver and gold concentrates from the El Cubo Mine Complex, Valenciana Mines Complex, and the San Ignacio mine; all three mines are located within the state of Guanajuato, which has an established 480-year mining history. In addition, the Company produces silver, gold, lead, and zinc concentrates from the Topia mine in northwestern Durango.    Q1 2024 Highlights   Record metals production during the quarter of 987,312 AgEq (silver equivalent) was up 16% over the previous quarter; AgEq ounces derived from 428,279 ounces of silver; 5,384 ounces of gold; 879,242 pounds of lead; and 922,297 pounds of zinc. Tonnes milled increased 20% over the previous quarter; a total of 165,079 tonnes were processed among GSilver's three production facilities. Both all-in sustaining cost ("AISC") of $20.19 per AgEq ounce, and cash costs of $16.55 per AgEq ounce were 6% lower than the previous quarter  Record revenue of $17.8M was 7% higher than the previous quarter; net loss decreased by 3% in Q1 to $7.3M compared to $7.6M in Q4, 2024. Realized average metal prices for the quarter of $23.37 per silver ounce, and $2,068 per gold ounce sold.   James highlighted the consistent quarter over quarter growth in the Company since beginning operations in 2021, discussed how they calculate their AISC more inclusively than many companies, and the different initiatives the company has at each mine to keep bringing costs down in the quarters to come.  We also discuss the capex investment into new flash flotation cells, ore sorting equipment, and a new filter press to continue to optimize their mining operations and improve efficiencies and costs.   Next we review the augmenting of material at the El Cubo mill from 3rd party sources, as well as surface stockpiles from their El Horcon mine, with the potential of looking at starting to develop their Pinguico Project to ship more mineralized material to El Cubo down the road.  We wrap up with the exploration upside still present across their properties and a quick review of the key strategic shareholders.   If you have any follow up questions for James or want more information on any of the assets please email me at Shad@kereport.com and we'll get those addressed by management or in future interviews.   * In full disclosure, Shad has a position in Guanajuato Silver at the time of this recording.   Click here to visit the Guanajuato Silver website to read over the recent news releases we discussed.

Daniel Liebeskind is the founder and CEO of Topia, a platform-as-a-service technology for real time social interaction and spatial video chat inside customizable virtual worlds. From Wall Street to Silicon Valley, Daniel's mission is to foster human connection through technology. Check out his work with Topia!

Matt is in LA for a Magic Castle week and it is pissing some people off. Paul is into the Camo-Crocs offered at Scheel's. Jacob quizzes the boys about their AI feelings. Jock Vs Nerd Scoopardy Trivia.

In this episode of the HiTech Podcast, we sit down with Daniel Liebeskind, the CEO of @Topiaio to explore how his passion for gaming and vision for a more human internet led to the creation of Topia. Discover how Topia is revolutionizing online education by helping schools build unique, customizable worlds that foster real connections through spatial video and interactive content. Daniel shares insights on how Topia's innovative approach supports human connection and their exciting plans to integrate Unreal Engine for deeper world-building and learning experiences. This amazing tool is accessible for all ages, making it a game-changer in the realm of online education. For more on our conversation, check out the episode page ⁠⁠here⁠⁠. Want to build your business like we have? Join us over at Notion by ⁠signing up with our affiliate link⁠ to start organizing EVERYTHING you do. Head over to our website at ⁠⁠⁠hitechpod.us⁠⁠⁠ for all of our episode pages, send some support at ⁠⁠Buy Me a Coffee⁠⁠, our ⁠⁠⁠Twitter⁠⁠⁠, our ⁠⁠⁠YouTube⁠⁠⁠, our connection to ⁠⁠⁠Education Podcast Network⁠⁠⁠, and to see our faces (maybe skip the last one). Need a journal that's secure and reflective? Sign-up for the ⁠Reflection App⁠ today! We promise that the free version is enough, but if you want the extra features, paying up is even better with our affiliate discount. --- Send in a voice message: https://podcasters.spotify.com/pod/show/hitechpod/message

LATASHÁ is the founder of Topia. The evolution will not be televised. It will be onchain.She's an artist, musician, producer, world builder. An original from the onchain music scene who was minting works on Zora back in 2021 kinda time. She had one of the earliest websites with onchain music videos and tracks.In this period she became Community Lead at Zora and produced ZORATOPIA. An events series and community which helped to educate and onboard artists into new internet ways of releasing music and working together.Music prize winner in the We Love The Art contest from Optimism for WAVE, a track and music video produced from her home studio and environment.We talk about her origins in music and production, making beats and writing, coming up in the scene in New York City. Experiences working at ZORA in these earlier formative stages of the onchain arts community. Reflections on the space in this moment in 2024, and hints at what she's building now at Topia. ufo.fmnews.ufo.fmtour.ufo.fm SPONSORSZerion combines every corner of web3 in a simple and intuitive app for self-custodial humans. Discover the hottest NFT collections, track your DeFi rewards, and vote in DAOs across 10+ chains. Get started at zerion.ioParagraph is where you can create, distribute & monetize - on your own terms. This publishing platform enables creators to mint posts as collectible content and send token-gated newsletters directly to wallet addresses. To get started with these radically powerful tools, visit paragraph.xyzLore is a group wallet experience for co-ownership. Own expensive NFTs, move memecoins markets and win crypto games together. Check out how you could use Lore with your friends to earn more than you could alone at lore.xyz.

James Anderson, CEO of Guanajuato Silver (TSX.V:GSVR – OTCQX:GSVRF), joins us to provide a comprehensive operational and financial update from their 4 producing silver-gold mines and 3 processing facilities in central Mexico.   The Company produces silver and gold concentrates from the El Cubo Mine Complex, Valenciana Mines Complex, and the San Ignacio mine; all three mines are located within the state of Guanajuato, which has an established 480-year mining history. In addition, the Company produces silver, gold, lead, and zinc concentrates from the Topia mine in northwestern Durango.   James highlighted the consistent quarter over quarter growth in the Company since beginning operations in 2021, with the exception of the tough 3rd quarter of 2023, and their strategy to get production ramped back up since then in Q4 of last year and Q1 of this year, in addition to bringing down costs in a meaningful way.   2023 saw record production of 3.5 million silver-equivalent ounces ("AgEq") representing a 64% increase over 2022; where total AgEq ounces are derived from 1,756,911 ounces of silver, 16,987 ounces of gold, 3,555,466 pounds of lead and 3,868,262 pounds of zinc. There were also record revenues for 2023 of $66.1M representing a 79% increase over 2022.   We discussed the investment back into the 4 operating mines, which took cash costs to $18.22 per AgEq ounce, and all-in sustaining costs (AISC) to $22.91 per AgEq ounce.  These costs reflected higher capital expenditures during the year as the Company made significant investments designed to improve efficiencies across all operations.   James also outlined the further mill enhancements that they'd like to add at 2 mines, and the focused company strategy the last couple quarters that has paid off at raising the grades at their El Cubo Mine. These improvements in efficiencies, paired with a higher silver price, help set the company up for even more growth in 2024.   If you have any follow up questions for James or want more information on any of the assets please email us at Fleck@kereport.com and Shad@kereport.com.   * In full disclosure, Shad has a position in Guanajuato Silver at the time of this recording.   Click here to visit the Guanajuato Silver website to read over the recent news releases we discussed.  

Emmanuel Quezada is the CEO & Co-Founder of U-topia, a Web3 entertainment company innovating with IP Licensing in GameFi, AI Music, and Video Entertainment, backed by NFT provenance.    Why you should listen U-topia is a Web3 entertainment company that brings the convergence of innovative IP Licensing in GameFi, AI Music, and Video Entertainment, backed by NFT provenance. They recently received an investment from GDA Capital. U-topia powers a gamified multiverse that leverages IP from Web2 and content from top sports teams. The U-topia ecosystem is powered by U-coin a crypto asset designed to incentivize and reward user participation.  Supporting links Bitget Bitget VIP Link with BONUS 1000 USDT Bitget Academy Bitget Research Bitget Wallet U-topia Andy on Twitter  Brave New Coin on Twitter Brave New Coin If you enjoyed the show please subscribe to the Crypto Conversation and give us a 5-star rating and a positive review in whatever podcast app you are using.  

In this episode we are joined by two beautiful twin sisters, Dej Mercedoz & Lexie Jade. We prank call NLE CHOPPA, Dej discusses her issues with NICKI MINAJ, Lexie lets a girl know why she took her man, and much more.  GET YOUR POPCORN READY, ITS FRIDAY BABY!This show is powered by @BlankitMedia and is available on all streaming platforms. FOR EXCLUSIVE EPISODES, BEHIND THE SCENES, AND BONUS MATERIAL JOIN OUR PATREON!https://linktr.ee/everydayisfridayshowConnect with Everyday is Friday ShowFollow Us On All Socials: http://patreon.com/everydayisfridayshow  http://instagram.com/everydayisfridayshow    http://facebook.com/everydayisfridayshow  http://tiktok.com/@everydayisfridayshowhttp://twitter.com/edifshow  Follow Your Favorite Hosts:Robiiiworld http://instagram.com/robiiiworldTeddy2Stupid http://instagram.com/teddy2stupidFollow Our Special Guests:Dej Mercedoz  http://instagram.com/dej.mercedozzLexie Jade  http://instagram.com/iamlexiejade

What do you want your audience to understand about your brand? Ask this question with every piece of content you create. Because you want to drive home a specific message. If it's not doing the job, you need to synthesize the information for your audience. Distill your message to show the value and benefits of your product. It's how you cut through the noise and capture the attention of your audience. That's what we're talking about today with the help of Sproutloud's Director of Demand Generation, Aaron Morrissey. Together, we watch Parts Unknown and chat about lessons we can take from Anthony Bourdain, including being yourself in your content and synthesizing your message. About our guest, Aaron MorrisseyAaron Morrissey is the Director of Demand Generation at Sproutloud Media Networks, where he works with enterprise clients to help them launch, manage, and optimize digital campaigns across their distributed network. He joined the company in November of 2022. Prior to his current role, he served as Director of Demand Gen at Topia. He is also a content creator for HockeyStack and other B2B SaaS brands.What B2B Companies Can Learn From Parts Unknown:Be the same person in your content as you are in real life. Show that there's a real person behind the content you're creating, not some corporate bot. So breathe personality and soul into your content. Aaron says, “When the cameras turned on from when the cameras turned off, [Anthony Bourdain] was the same person. If I'm the same person all around, people will start to either  gravitate toward that or realize that I'm not their cup of tea. People talk so much about authenticity. The real authenticity is truly not being afraid of the consequences of being yourself.” Synthesize your message to drive home the point you're making. Supplement the visuals with a carefully crafted narrative in your voice that explains what you want your audience to understand. Ian says, “[Anthony Bourdain] brings you into a world that you don't know anything about. And he's giving you these visuals and these conversations. But then he's also synthesizing the information for you in an extremely tight narrative so that he's hammering home the point of what you're seeing with a very clear lesson in every episode. It's what makes it so brilliant.”Time Stamps[0:55] Meet Aaron Morrissey, Director of Demand Generation at Sproutloud[1:47] Exploring the Uncompromising Creativity of Parts Unknown[5:36] Aaron Morrissey's Journey: From Content Creation to Demand Generation[7:47] The Essence and Impact of Anthony Bourdain's Parts Unknown[15:22] Crafting a Personal Brand: Insights from Anthony Bourdain's Legacy[19:24] The Art of Content Creation: Learning from Bourdain's Approach[21:09] Synthesizing Information: The Key to Engaging Content[24:45] Exploring Culinary Delights and Conversational Skills[25:35] The Art of Storytelling in Parts Unknown[27:12] Anthony Bourdain's Legacy and the Power of Serialized Content[28:18] The Impact of Following Bourdain's Footsteps[30:35] Creative Evolution and the Importance of Authenticity[36:49] Marketing Strategies and the Future of Content Creation[47:06] Predictions on the Future of the Creator World and B2B ContentLinksWatch Parts UnknownConnect with Aaron on LinkedInLearn more about SproutloudAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both non-fiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Senior Producer). Remarkable was produced this week by Jess Avellino, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise.

In this episode of the Wise Decision Maker Show, Dr. Gleb Tsipursky speaks to Jacky Turnbull, Chief People Officer at Topia, who discusses managing to output in order to make remote work successful.You can learn about Topia at https://www.topia.com/

Mariners GM Justin Hollander joins to talk about the Jorge Polanco trade, how he fits into the team, the rest of the off-season moves, and much more. Coach-topia: Mike Macdonald is having a second interview in person with the Seahawks. Cougs are in position to make a run to the NCAA tourney! Can they get it done in the last year of the PAC 12?

Absolútne peklo! Nespíš, málo ješ, nesmieš ani chodiť, ale všade a vždy len bežať! Si nonstop mokrý, je ti taká zima, že nevieš zastaviť triašku. Moč využívaš na to, aby si si aspoň trochu zohrial premrznuté telo. Topia ťa, kričia na teba, snažia sa ťa mentálne dostať na úplné dno a ešte hlbšie. Popri tom plníš bojové úlohy, strategicky a tímovo premýšľaš a neustále sa spytuješ sám seba, či ti to vlastne stojí za to. Netrvá to týždeň, ani dva, ale celé mesiace absolútneho pekla! To je výcvik amerických NAVY SEALS. Jeden z najtvrdších vojenských výcvikov na svete. Je určený primárne pre americkú armádu a je len málo cudzincov, ktorí mali možnosť výcvik absolvovať. Slovák je taký iba jeden - Michal Ščepko.

88MWhce9wToCCENbRgfZ6X54Dx8HF4bYY79YkYN9nXeqCDmykzXuq48HWe6k9eZDkA4iYpLbTsvpXPnAGCALHTTMLUp8cWi OR DONATE HERE: https://www.monerotalk.live/donate COFFEE: https://gratuitas.org/ GUEST LINKS: https://twitter.com/wilderko https://twitter.com/liberatravel TIMESTAMPS: (00:00:00) Monerotopia Introduction! (00:02:56) Monerotopia Guest Segment w/ Pavol Luptak. (01:27:43) Monerotopia News Segment w/ Tony. (01:29:07) CakeWallet adds over 500+ new prepaid cards. (01:31:59) GTA 6 hackers demands Monero for payment. (01:36:47) The first CBDC gold purchase. (01:38:17) Palau goes onto the second stage. (01:39:28) Nigeria's top banks collaborate with the cNGN. (01:40:52) Ghostbox. (01:41:28) Passport device and Monero? (01:43:35) Monero transaction numbers are surging. (01:49:14) Sen. Warren's letter. (01:54:46) Monerotopia Viewers on Stage Segment. (02:46:38) Monerotopia Finalization. NEWS SEGMENT LINKS: CakeWallet adds over 500+ new prepaid cards: https://www.reddit.com/r/Monero/s/UDkXvHpRLo GTA 6 hackers demands Monero for payment: https://www.bbc.com/news/technology-67663128 The first CBDC gold purchase: https://cointelegraph.com/news/first-14-million-cross-border-e-cny-gold-purchase-completed-shanghai Palau goes onto the second stage: https://cointelegraph.com/news/palau-advances-cbdc-with-ripple-in-phase-2-of-psc-program-launch Nigeria's top banks collaborate with the cNGN: https://cointelegraph.com/news/nigerias-top-banks-collaborate-on-new-cngn-stablecoin Ghostbox: https://x.com/monericaproject/status/1738564658145968328?s=46&t=mVZ0A2C1bwwnAvgawJjlw Passport device and Monero?: https://x.com/foundationdvcs/status/1737911829987311853?s=46&t=mVZ0A2C1bwwnAvgawJjlw Pacting contracts in anything.. in Argentina: https://x.com/gonbat03/status/1737885353145409819?s=46&t=mVZ0A2C1bwwnAvgawJjlw Monero transaction numbers are surging: https://x.com/moneromax/status/1737854401208053844?s=46&t=mVZ0A2C1bwwnAvgawJjlw Sen. Warren's letter: https://x.com/kmsmithdc/status/1736934241643135110?s=46&t=mVZ0A2C1bwwnAvgawJjlw Two DEXs got hacked: https://www.justice.gov/usao-sdny/pr/former-security-engineer-international-technology-company-pleads-guilty-hacking-two SPONSORS: GUEST SEGMENT: Cakewallet.com & Monero.com PRICE REPORT: https://localmonero.co/ Don't forget to SUBSCRIBE! The more subscribers, the more we can help Monero grow! XMRtopia TELEGRAM: https://t.me/monerotopia XMRtopia MATRIX: https://matrix.to/#/%23monerotopia%3A... ODYSEE: https://bit.ly/3bMaFtE WEBSITE: monerotopia.com CONTACT: monerotopia@protonmail.com MASTADON: @Monerotopia@mastodon.social MONERO.TOWN https://monero.town/u/monerotopia Get Social with us: X: https://twitter.com/monerotopia INSTAGRAM: https://www.instagram.com/monerotopia/ DOUGLAS: https://twitter.com/douglastuman SUNITA: https://twitter.com/sunchakr TUX: https://twitter.com/tuxpizza

James Anderson, CEO of Guanajuato Silver (TSX.V:GSVR – OTCQX:GSVRF), joins us to provide a comprehensive update on the strategy to optimize operations at all 4 producing silver-gold mines and 3 processing facilities in central Mexico.   The Company produces silver and gold concentrates from the El Cubo Mine Complex, Valenciana Mines Complex, and the San Ignacio mine; all three mines are located within the state of Guanajuato, which has an established 480-year mining history. In addition, the Company produces silver, gold, lead, and zinc concentrates from the Topia mine in northwestern Durango.   James highlights the corporate incentives with personnel to focus on grade and economics at each mine, and points to the addition of Carlos A. Silva as Chief Operating Officer, who will starting working in January, as another key step in optimizing each of the mining operations on a move forward basis.   We wrapped up touching on the financial health of the company with the news announced today, December 5th,  that it has closed a US$7.5 million Gold Loan Credit Facility financing with Ocean Partners UK Ltd. The unsecured loan facility is for a term of 36 months, is repayable in equal fixed monthly installments of gold totaling approximately 191 troy ounces per month for a period of 30 months, following a six-month grace period.  In addition to paying back a prior loan with Ocean Partners, James breaks down some of the key areas of development that will see this capital utilized, and shares the key catalysts for investors to watch out for in the next few quarters.   If you have any follow up questions for James or want more information on any of the assets please email us at Fleck@kereport.com and Shad@kereport.com.   * In full disclosure, Shad has a position in Guanajuato Silver at the time of this recording.   Click here to visit the Guanajuato Silver website to read over the recent news releases we discussed. James also had an article recently featured over at Mining Discovery, where he laid out the case that on Wednesday October, 11th that we had “entered into a new bull market for precious metals.” That looks to have been a very prescient call. To read that article and the rationale behind it from James, then please click on the link below: https://miningdiscovery.com/wp-content/uploads/2023/11/Black-Yellow-Geometric-Modern-Business-Magazine-Cover-4.pdf

Welcome to See How We Run! An original Below the Radar mini-series featuring conversations with arts and cultural workers in Vancouver. In this first episode, co-hosts Julia Aoki, Kathy Feng, and Samantha Walters introduce the series and what's to come. In each episode, they'll speak to artists, consultants, administrators, and advocates about how art and culture is made and sustained in Vancouver. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/series/see-how-we-run/227-see-how-we-run.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/227-see-how-we-run.html Resources: Gallery Gachet: https://gachet.org/ Hives for Humanity: https://www.hivesforhumanity.com/ Progress Lab 1422: https://c-space.ca/ Backstage Spaces Report: https://c-space.ca/backstage-spaces/ Contemporary Art Gallery: https://cagvancouver.org/ Powell Street Festival: https://powellstreetfestival.com/ Bios: Julia Aoki is an administrator, writer, researcher, and advocate. She is the Program Manager at SFU's Vancity Office of Community Engagement. She has served as the Executive Director of Megaphone magazine, General Manager of VIVO Media Arts Centre, and General Manager and Programming Director of the Powell Street Festival, where she prioritized developing community centred programs. Julia currently sits on the board of 221A Artist Run Centre Society, and has volunteered with advocacy organizations such as the Pacific Association of Artist Run Centres and DTES SRO Collaborative. Her writing on cultural expressions and community formations that are overlooked and underserved by commercial and political mechanisms and practices can be found in TOPIA, Space and Culture and a collection by Lexington Books. Kathy Feng is an interdisciplinary artist, born in Guangzhou, China, and is a guest living and working on the unceded territories of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations. As an immigrant and child of immigrants, she grew up between cultures in a constant process of learning, unlearning, and relearning. This framework informs the central themes to her work: in which memory and nostalgia are expressed through images, text, and the aesthetics of the temporal. Kathy holds a BFA in Visual Art with a minor in Art and Performance Studies from SFU's School for the Contemporary Arts. She began working at SFU's Vancity Office of Community Engagement January 2020 as a Research Assistant for the Below the Radar podcast. Samantha Walters is an emerging interdisciplinary performer, writer, and creator. She has been the Program Assistant at SFU's Vancity Office of Community Engagement since 2022. They are based on xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) lands. As an artist, she mostly works between contemporary theatre, directing, and video making. Their most recent works examine ecological relationships and post-human spiritualities, with a heavy favour towards the weird, the dark, and the camp. Collaboration within communities and alongside the non-human lies at the heart of her process. She grew up in England and Hong Kong and holds a BFA honours in Theatre Performance with a minor in English and a certificate in Performance Studies from SFUs School for the Contemporary Arts Cite this episode: Chicago Style Aoki, Julia, Feng, Kathy, and Walters, Samantha. “See How We Run! Conversations with Arts and Cultural Workers.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, November 21, 2023. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/227-see-how-we-run.html

Helicóptero de la Secretaría de la Defensa Nacional se desplomó en el municipio de Topia, Durango En San Luis Potosi emiten ficha de búsqueda para 5 adolescentes migrantes del El SalvadorProfesor muere apuñalado y dos personas son heridas en instituto de FranciaMás información en nuestro podcast

Protección Civil de Sinaloa analiza los efectos provocados en aguas del río Tamazula el derrame de la presa de jale de la mina de Topia en DurangoCae avión de instrucción de la Fuerza Aeroespacial en el centro de Cali Más información en nuestro podcast

Handball-topia Extra-Time Drama Is Arsenal an average team getting results? Is United a good team not getting results? Music is 'We Back Baby' by DJ DENZ The Rooster Episode 146 --- Support this podcast: https://podcasters.spotify.com/pod/show/soccer-neophytes/support

In a world where there's no jokes

The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT We've seen a noticeable rise in the last couple of years of visual illusions and other trickery on big digital OOH screens and other surfaces presented as real screens, when they're not. There's enough of it that observers have started giving it names, like virtual out of home, Fake DOOH or the one I like - Faux DOOH. Arguably,  the most notable ones involve Dubai landmarks - a giant, empty picture frame in that city turned into an Adidas billboard celebrating Lionel Messi's World Cup win. Or a giant Barbie taking a step in a plaza, with the Burj skyscraper looming in the immediate background. They're fun and noteworthy, but if people got in their cars to go have a look in person, they'd be disappointed, because they're totally computer-based compositions overlaid on surfaces that don't have screens. And it absolutely happens. David Title of the New York creative technology shop Bravo Media goes back and forth with me a lot about this stuff, on social media.  While we both have a problem with CGI creative presented as real when it isn't, we have differing opinions on its validity and value. In this podcast, we get into what's going on, how it is done, the good and the bad, and interesting things like the legal implications of running a Faux DOOH ad overlaid on a real screen that the media owner otherwise sells. It's a fun half-hour. Subscribe from wherever you pick up new podcasts. TRANSCRIPT David, thank you for joining me. We've chatted once before, but that was in your office in New York. Can you give me a rundown of what Bravo Media does, first of all?  David Title: Sure. Bravo is a creative production studio with a very sort of direct focus on real-world, real-time experience, and for us, that sort of splits almost down the middle between working on events across trade shows, conferences, activations, launches and then working on projects within the built environment around corporate environments and retail display and hospitality and immersive attraction and combining the world of visual content animation 2D and 3D modeling video along with interactive development and design. Would you liken yourself more to an agency or like a solutions provider because, I know, a lot of the stuff you do involves some hardware as well, like you've gotta figure that part out? David Title: Yeah, we straddle a lot of those traditional titles. We work with agencies quite often to help them execute projects that they have developed with their clients. We also work directly with clients across a lot of areas, especially in the B2B space, on projects in which we're helping from ideation right through delivery. And on the hardware side, we really partner across the board with folks in the AV and hardware space. From LED providers, integrators, manufacturers, and all those folks have to come together. The thing that's so challenging and exciting about the idea of experiential marketing is that it does require a swath of people with different specialties, and any place that's saying they were doing it alone is either lying or doing it badly.  I know it's always difficult to talk about projects that you've worked on because a lot of your customers don't allow you to say anything. But are there ones that you can provide references that people might be familiar with?  David Title: Sure. I think a couple of things that have been fun for us that are out in the public eye; I know NFL season is starting up again shortly, and we got to work on a pretty exciting project as they were building out the new NFL Broadcast Studios, network Studios next to SoFi Stadium. And we helped create this pretty phenomenal piece of the studio called the Duke, which is half of a giant extruded glass and metal football, but each pane of glass is actually reactive. So it can go from opaque to transparent in a microsecond and then fully projection mapped. So, we're able to go from this clear display that people walking behind it can see through to the show floor and turn it into a full-fledged display for on-air graphics. That was a really fun piece to collaborate with some really excellent folks across the space, and it's fun to see it on TV and see the differences in how it's been used over the last couple of years. You also did that QSR in Times Square. Are you allowed to talk about that one? David Title: The Revlon Spot? I'm thinking of donuts. David Title: Oh, yeah. We did the Krispy Kreme experience for Times Square, sort of flagship for Krispy Kreme. Okay. So you can talk about that. David Title: We can talk about that a little bit. We created the Donut Theater Experience, and part of the fun of that shop is that, as you're waiting in line for your donuts, you're standing watching their fully automated sort of donut production line do its magic tricks. We enhanced that with a whole bunch of projections, including projecting on their glaze waterfall and making tracked projections onto donuts, which required creating a piece of software called 'Is that a donut,' which is fun to use in other projects and the whole integrated system of little shows that happen throughout the day, showcase that space.  Interesting. I'm finally getting back to New York in a couple of months. Go down there and see as much as I try to avoid Times Square, but it's been a while, so I should go.  David Title: I gotta say, in terms of digital out-of-home, there's definitely been a sort of explosion of really gigantic displays now in Times Square. We've got that big TSX board now with the stage doors that SNA put in that I walk past almost every morning on my way to work. I cut very quickly through Times Square to get to the other side. Zigzag around the tourists, although it's probably not the first thing in the morning as much. David Title: It's amazing how early they get out there. Sleep in. Alright, so we're mentioning Times Square. The reason that we wanted to have a chat was to talk about the emergence and somewhat the explosion of, first of all, anamorphic video or visual illusions on these big LED boards. But, more to the point, these visual illusions that don't actually exist are being developed by brands using CGI artists and everything else and being presented as the real deal in some cases or being assumed as the real deal. And I have a problem with those instances which are frequent when stuff gets put up on LinkedIn or Twitter or other social media channels saying, 'Look at this amazing thing in Dubai or wherever, or one of the most recent ones was this giant, I don't know how tall it was. Purported to be like an 80-foot-tall Barbie near the Burj Khalifa. And people are going, oh my God, I have to see that, and I was going on LinkedIn saying it's not actually real. It's just a CGI thing, guys, and I think that's problematic. We've gone back and forth with this, and you said it's actually pretty interesting and opportune. So, what's your perspective on it?  David Title: I think it's interesting you bring up the anamorphic, quote-unquote, 3D displays that have been happening on a lot of billboards around the world. And in some ways, that kind of started this whole discussion because one thing that we both saw in a lot of people on LinkedIn and other places like Instagram and Twitter, that there was a mix of actual footage taken on the street of these displays from that perfect viewing angle. And they looked really cool and really amazing, and then, there were a number of comps that are CGI artists creating content that is superimposed onto video of those same billboards. Sometimes, they do really well, and sometimes, with less viability, as they leave the frame of the billboard and things like that. In some cases, it is being used by manufacturers and resellers claiming to have 3D billboards or 3D LEDs, which is very misrepresentative and super problematic. I think across the industry, for everybody, it creates false expectations and limits your ability to show off what actually is cool and impossible. And I think it just creates a negative connotation across the board, and at the same time, of course, like at Bravo, because we create a lot of original experiences. We create a lot of comps for our clients all the time as a way to help explain and understand how something's gonna look. We use it as part of our design process, part of our creative process, and the next iteration of that, and honestly, the first one of these that I remember being in that space between a fake that many people thought was real. The Soho Zara storefront, which was, again, a really well-crafted fantasy comp, which, if for no other reason than once it was completed, the space seemed to have no doors, which is problematic for retail. I think if you have a really killer window display and nobody can get in it, it's a little self-defeating. There were plenty of other reasons why it was impossible. The artist that created it, I don't think, created it with any intent to make people think it was real. That same artist has done plenty of other pieces similar to this and has a history of these sorts of works. But Zara did post it on their own Instagram without saying it wasn't real, and I know people that went down there to see the store. People that I thought were smarter than that, to be honest. But I get it. You get wrapped up, you get excited, and I think the beauty of these sorts of comps and fantasy installations is that they are super inspirational, and they are exciting, and they're really fun. And then you got to this next level. I think over the last six or seven months, the biggest ones that I think people saw and some people bought into, and some didn't, but all were put out there without a direct statement that they weren't real. There was a big Argentina billboard after the World Cup. There was the French bag company that I won't pronounce properly, that started with a 'J' that made handbag cars that drove around Paris which looked great. Maybelline did a mascara thing on subways and buses that looked like they had giant eyelashes, and then I think the one that really went super viral was that Barbie piece that you were talking about. And the coach had a fun piece for their new coach Topia popup, which also a number of people thought was real, and clearly, they've never tried to get anything past a permitting board in New York City because that wasn't going to happen. One of the people on LinkedIn said, "You should go down and check it out", and I challenged him, I said, where are they gonna check out? That's a comp, it's an AR thing.  David Title: Yeah, and it's super fun. I think what's exciting about it from our perspective is that, first of all, I don't think there's any value or any point in anyone involved in these projects directly and saying, "Hey, This is real when it's not." Is there a responsibility to do something somewhere out there that loudly says, this isn't real? I don't know. They don't say that on The Fast and the Furious. But I don't know, cars in outer space. Oh, I guess that's Tesla's outer space. But anyway. But you know what it allows for one is it allows even small brands, challenger brands, and not-for-profits to create the experience of their dreams and realize it at a fraction of the cost of executing it in the real world. And with out-of-home in general, obviously, you're first buying for those views on the street. But the bonus for out-of-home is if your content is so good that it gets picked up and shared on the internet and across social media and picked up by the news. When that happens, it's a massive boost, and so if you look at these current virtual digital out-of-home campaigns, you're not getting those street views, but you're getting an exponentially higher number of impressions through social media. So, I think in that way, it's such an exciting way to explore what's possible and also to play around with reality. And, if you watch those handbags driving around Paris, and it feels real, and it looks real, then that's a great experience for you to have watching it. And the fact that it was synthesized doesn't make it any less fun or engaging than Fast and the Furious.  Does it matter if it's not technically possible or incredibly expensive to do? If you did wanna make it possible? I'm thinking of some of the anamorphic illusions, where the physics doesn't work; the visual is escaping well beyond the borders of the display. To me, that's more problematic.  David Title: To some degree. Again, I think most of those that I've seen start with somebody claiming it to be a real thing and that they have some special product that does it, and that I have a real problem with.  The other question and this is probably more controversial, but on video, in theory, Brand Z could virtually take over every billboard in Times Square and pay nothing to the owners of those displays as far as I know. I don't know if those laws have been written. Yeah, I think you're right. Ocean Outdoor is a big UK digital at-home media company. Big media owner has the big ass display right in Piccadilly Square or the circus, pardon me, and they put out something recently saying, yeah, we do have a problem with this because you have companies who are appropriating our media space and presenting it as something that they booked and ran on it when they didn't.  David Title: And that's an interesting question. Because, in theory, what they're selling is digital out-of-home, and what I've done is made a video of the surroundings. And then, can I do a video where I put lipstick in a funny hat on the Statue of Liberty? Or can I make it look like the Lincoln Memorial has been dressed up for the circus?  Oh, Lord.  David Title: There's always been a history of advertising stunts. Some of which have been more moral or ethical. Burger King did an AR takeover where it turned their competitors' logos and things on fire. So you'd point your phone in the McDonald's outlet, and it would be flame-broiled or whatever. I can't remember exactly how it operated, but they impacted their competitors. And again, I'm like, I opted into that. Is that Avaya? Probably some interesting court cases are coming, I would guess. Or some, at least starting with some cease and desist letters, maybe.  Yeah, you live in a very litigious country, and I wonder about those graphic artists, particularly if they're commissioned by a, let's say, a fashion chain or whatever to do something. And they create a piece on a building that doesn't even have a display on them. Some commercial property company has, and they see that and are gonna stick their lawyers on them and say, guys, you're using my building as an out-of-home media display.  David Title: I would counter that when a movie shoots in a city, every building in that shot is part of the scenery that I'm using in my movie. They're not getting paid. Let's see what happens. You just gave some lawyer an idea. David Title: I know. I hate that. That was not the point of this conversation, Dave. The point of this conversation was to inspire people to get excited about virtual digital out-of-home and see the possibility. But what I think is fun about it and, again, moving even beyond and creating virtual billboards or virtual content onto real billboards are some of the larger, more imaginative things you can do. The coach piece the Maybelline piece, and even, to some degree, the Barbie piece, which honestly was so clearly CGI that I don't really feel like anybody can be upset that they were trying to be fooled. Come on, it's an 80-foot woman with no nothing behind her. Yeah, I think the Dubai frame one with Leonard Messi was more convincing to a whole bunch of people. David Title: Yeah, it was; I got phone calls asking how they did it, and... You said they didn't. David Title: I said they didn't. They did. That's the fun of it. And also, the whole thing with all these things are the ones that really are successful because they look great, they're a really fun idea, they inspire a level of enjoyment and engagement. It's good advertising, and I think the few people who feel slightly tricked by it don't really cause a negative brand impact. Whoever owns the Dubai frame, whether that's a municipal thing or a private entity or whatever it may be, should they be paid for that usage?  David Title: Yeah, it's a good question, and at what level? And by what metric? and I don't know what the line for that is. People take videos in Times Square all the time and alter things and change things and post them on their feeds, where is it artistic expression? What am I allowed to do? Because it looks cool and fun  When you have something like the ZARA Store or the Adidas Lionel Messy thing in Dubai. Those aren't cheap to produce to do them well, as you were saying. Does it tend to be the brands that are commissioning these things? Or do you have CGI artists like Shane Fu, who did the ZARA thing, just doing this for giggles?  David Title: I think there's a mix. I think we're certainly currently working with a handful of clients on, essentially, virtual, out-of-home campaign concepts. These are clients that would never have the budgets to do these things for real but do have the budgets to create the virtual version in a satisfying manner. And it really allows them to express themselves in ways and to create experiences in ways that are new and exciting and get attention.  Yeah. Does this stuff have a shelf life to it? And I guess what I'm wondering is right now, there's not that many of them increasing numbers certainly, but it's still pretty new. At some point, if you have a whole bunch of brands doing this, does it become an arms race where you somehow there have to be a little bit more outlandish? Otherwise, it's just like wallpaper, like other, more conventional digital signers displays and digital out of home displays. David Title: I think, not unlike the anamorphic content, I think that it's partly a trend. When it's done really well, and if you're going to go with an anamorphic display, it really helps to have a good reason to be doing it beyond; I want it to look 3D, right? And the best anamorphic pieces we've seen are really clever in the way that they take advantage of the illusion, and it's really satisfying, and I think that's gonna be the challenge. It's not so outlandish. I think it's gonna be cleverness and integration and in the same way that it would be true for any kind of real-world activation. I don't think that Maybelline's gonna get the same pop out by putting lipstick on a Volkswagen after doing the mascara on the buses. But I think there's another channel they could explore to find another hit of attention. Yeah. As some of the 3D displays that I've seen are just videos mainly, a watch, the face kind of escapes the screen a little bit, or somebody walks up and peers out over the edge of the screen down into the crowd or whatever, they're clever, but I really wonder how much impact they have. David Title: Yeah. Honestly, I think with any of these anamorphic, you, on the one hand, you've gotta be losing a certain number of impressions because it simply doesn't make the impression, a valuable impression from a lot of angles. But it makes a really big impression from the right angle. Which is a very narrow-angle typically.  David Title: Although there are so many of these right now in New York, and I do think folks are beginning to understand how to make things that have a slightly better and wider viewing angle by just not pushing the 3D illusion quite as deep. You can get away with it a little better, but obviously, a big hope for doing these 3D boards is that somebody is filming them and sharing them, or the client is doing that and getting that extra engagement through social media. I think, again, it loses its amazing value for just being seemingly 3D. And now we're into the second wave of this, where it actually has to be smart, interesting, and relevant, and all the things that good marketing and good advertising have to be successful regardless of the channel that you're using.  Yeah, I was over in Germany at a conference about a month and a half ago, and one of the presentations was from Ocean Outdoor, the UK Media firm. They're in some other countries as well, and they were talking about 3D projects like that, and one of 'em was in a shopping mall in Denmark, and then I asked them, Specifically, did you guys shoot this and socialize it out of your own channels to make sure that you had a really good, perfectly positioned camera angle on this? And you used that to amplify it because I wrote a piece about that one in particular. 'cause some consumers shot it from an off angle, and you could see how crappy it looked.  David Title: Yeah. I remember when they first started popping up before I saw my first one in New York. I was literally on LinkedIn begging people who live nearby to shoot at any of those from an off-angle. Just so people would understand. Not again; this is nothing. I think it's cool as hell. I really love that we make anamorphic content. I think it's really cool. I love optical illusions in general. We have a long history at Bravo of projection mapping, which is all about optical illusion. Because I love triggering the brain without any magical technology. It's just the beauty of how our brains work in perspectives, and it's great. Super cool. But, it really matters for people who are looking to utilize any of these technologies. We're. Obviously, we're almost at the end here, so I'm not gonna mention the H word, 'Holograms.' Oh, go ahead.  David Title: Holograms. There aren't any, but It's important that people understand what the abilities and limitations of each of these platforms are so that you can utilize them to their best effect. They're all cool. Pepper's Ghost is cool, and Amorphic is cool. I think virtual digital out-of-home is cool, but it can all be terrible, really easy if it's not used right. Yeah. Sometimes, the best application is not the one with the most whizz banger about it. It's just right for the environment, and I think of what you were talking about with projection mapping. I love jobs where the projection mapping is very subtle, and it just appears on a wall in an unexpected way, and it's not flashy or anything else. It's just, oh, where'd that come from? It makes you look. David Title: I think the whole notion in the video game world, there's this history of Easter eggs. These sorts of things are hidden within the game that are special if you look or if you stumble upon them, and I really think so. Within the whole world of experiential marketing and out of home, those little moments of discovery can be so powerful and so meaningful, and I totally agree. The relevancy and meaningfulness and relationship to the environment and all those things are really what makes something effective. It's not necessarily the biggest, loudest, flashiest thing.  The stuff that was done for Coachtopia with this giant Rube Goldberg machine spitting out handbags off the side of the building. Is that a more viable way to do augmented reality? 'cause I've always wondered what percentage of the population is going to reliably view the outside world through their six-inch smartphone screen. David Title: Yeah. Again, I think with a lot of the AR stuff in general, one of my favorite clients from back in the day, a woman named Bernadette Castro, used to just always ask me, no matter what we were gonna do for us. She'd say, I don't know, David, is the juice worth the squeeze? And I love that, and I think about it all the time, and I think with AR, you're asking people to go through this extra step, and the juice has to be worth the squeeze, and again, if it reveals something that's interesting and meaningful and relevant and rewards you in some way for that participation, then I think people will do it. But I think a lot of AR projects go largely unviewed. Because they're just not worth the lift.  Yeah, and it's a little bit of eye candy that people look at and go. That was fun. But they'll give it 10 seconds, and that's it.  David Title: Yeah. It's getting more viable. Web AR is getting better, meaning that you're not downloading an app; you're not going through all that rigmarole. The other thing is you're still relying on available bandwidth wherever you're standing, and at least in the US, that can often not be enough. And that's a larger issue with all the AR stuff and all of the digital extensions to outta home, is the cooler that experience wants to be, the more bandwidth it's going to require, and that's not always available.  Last question. I'm curious if all this stuff that's been emerging is leading to new business because people come to you saying, we'd like to do this, and you have to tell 'em what they did at the Zara store isn't really possible because you need a door to get into the store. But does it open up new conversations and new opportunities?  David Title: Oh, absolutely, and honestly, we spend so much of our time just educating, and for us, it's been really important from the beginning. I don't sell any particular hardware, and I don't have stock in any particular platform. So, for us, being able to understand and communicate the opportunities with projection mapping versus LED versus LCD or the conversation I had yesterday with a client about the giant refrigerators. I call them shower stalls. David Title: Yeah. I just always think everyone looks; everyone has to be very cold. But I don't sell those directly. I think there's a place for all these things, but what we really love is to have that opportunity to share all of these cool opportunities that are out there and to really help our clients select the solution that's really gonna move the dials for them, that they need to move. Yeah, figure out the problem as opposed to, how can I use this thing?  David Title: Right. Because nobody cares what the thing is when they're having the experience. All they care about is the experience, and if you can do that experience with a $10 piece of something and it's powerful and meaningful, then you should do that, not do the $10,000 one, if it's not as good a fit.  Yeah, a $200 Pico projector and not the $200,000 video wall.  David Title: Again, there's a time and a place for all of these things, and it really is about understanding what you're trying to do first, like you said, and then finding the solutions that are out there. All right, David, thank you. That was a lot of fun.  David Title: Yeah. I really appreciate it. That was great.

Linktree: https://linktr.ee/AnalyticIn this segment of Notorious Mass Effect, Analytic Dreamz discusses TOPIA TWINS, the 11th track on Travis Scott's album UTOPIA. The song features Rob49 and 21 Savage, and is produced by Travis Scott, Wheezy, Cadenza, Hoops (Producer), and Dez Wright.Analytic Dreamz breaks down the song's production, lyrics, and features, and discusses why it is one of the standout tracks on UTOPIA. He also compares TOPIA TWINS to other Travis Scott songs, and explores how the song fits into the overall sound of the album.This segment is a must-listen for fans of Travis Scott, hip-hop, and electronic music. Analytic Dreamz provides a deep dive into TOPIA TWINS, and his insights will give you a new appreciation for the song.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In today's episode of Category Visionaries, we speak with Daniel Liebeskind, CEO and Co-Founder of Topia, a metaverse platform that's raised $6 Million in funding, about why digital worlds are the future of everything from webinars, branded content and corporate meetings tools, and how Topia is positioning themselves at the center of the next big thing. Built on allowing people to access tools and relevant information whenever they need them, and a slew of customizable application options, Topia increases real retention through real-time connections in digital space. We also speak about Daniel's background as a software engineer and his passion for building things, what a ‘metaverse platform' actually is, the power of customizable metaverse spaces for contemporary businesses, and navigating the hype surrounding the metaverse concept to establish something built to last Topics Discussed: Daniel's background in software engineering and his lifelong passion for building better solutions to intractable challenges Topia's origins at Digital Burning Man back in 2020, and how it expanded through into other events and sourced new partners The concept of a metaverse platform itself, combining the real-time, interactive, and experiential aspects of the internet Topia's approach of giving companies more control over their ecosystems and the ability to customize their metaverse experiences The challenges of finding valuable use cases for metaverse technology, and navigating the hype surrounding the industry's biggest buzzword   Favorite book:  Tomorrow, and Tomorrow, and Tomorrow

Lee and Kate seem to be cursed by a witch and as a consequence, they can only talk about penises in this episode. Ayn Rand also makes it in there so... you're welcome? As always, big thanks to the incredible Sofie Birkin (@sofiebirkinillustration) for the poster design, Dude Idk Studios for making us sound as hot as we look, and Sash Levitov for the photography! --- Support this podcast: https://podcasters.spotify.com/pod/show/dyketopia/support

In today's Tech Talks Daily Podcast, we're coming to you from Latitude 59 in Estonia, hosting an enlightening conversation with the prominent Sten Tamkivi. A stalwart in the tech scene from an early age, Sten established the first digital media agency in Estonia when he was just 18 years old, and played a significant role in Skype's monumental $8.5B sale to Microsoft. Now, Sten is pushing the boundaries of the tech industry with his Plural Platform, where he invests in groundbreaking tech companies at their infancy. Through his multi-family office, Taavet+Sten, he's also making remarkable strides outside of early tech. In our chat today, we'll explore the culture of founders supporting founders, Europe's pivotal role in the global tech scene, and the lessons gleaned from the evolution of Estonia's tech landscape. With Sten, we venture into the world of venture capitalism, challenging the conventional hierarchy and creating a scalable network of peers committed to nurturing the next generation of tech builders. Through his work, he hopes to generate a GDP-level impact on Europe and foster a product-building mindset among the upcoming tech entrepreneurs. I learn how Sten's investment strategy via Plural Platform focuses on the earliest stages of legendary tech companies. His previous work includes founding Teleport (acquired by Topia in 2017), and an 8-year journey with Skype from its startup phase to reaching 300M active users and a $8.5B exit to Microsoft. An active voice for entrepreneurship, tech education, and an open, creative society, Sten continues to shape the future of European tech. Join us as we delve into Sten's inspiring journey and vision, sharing unique insights and exploring innovative strategies. Whether you're a budding entrepreneur, seasoned tech professional, or simply a tech enthusiast, this is a conversation you won't want to miss.

Kyle and Jesse are back! In this episode they talk PEPE hype, Coinbase's costly mistake, Doodles 2, and so much more.  Enjoy! Connect: Twitter: blame_crypto YouTube: https://www.youtube.com/channel/UCB8PEvAL1DACYf1s_ynyu1g Instagram: blamecryptopodcast Facebook: blamecryptopodcast DON'T FORGET TO JOIN OUR DISCORD: https://discord.gg/NtUcny5Ve7

1. How gymnastics, liberal arts and financial analysis coalesced in the early days of Brynne's path to BCP Ventures 2. Brynne's founding of Topia and what it taught her, as well as her time as a 2020 Nominee for US Congress 3. A look at a few of the innovative companies BCP Ventures is currently working with 4. A summary of BCP's thesis and how their vision is leading them into the future

O que você precisa saber antes de começar a cobrar pelo sua arte X coisas para levar em consideração na hora de precificar commissions Seja mais esperto que seu cliente LINKS COMENTADOS NO EPISÓDIO PARTICIPAM DESTE EPISÓDIO: Paula Milanez: Instagram: https://www.instagram.com/iampmilanez/ Twitter: https://twitter.com/iampmilanez Youtube: https://www.youtube.com/@PaulaMilanez GABRIELA ANTONIA ROSA Instagram: https://www.instagram.com/gabrielantoniarosa/ Twitter: https://twitter.com/galantoniarosa * * * * Tem sugestão de um conteúdo? Escreve pra gente no telegram @revospace ou no email oi@revospace.com.br ♥ Conheça o Topia! topia.com.br/ Conheça os cursos a distância e presenciais da Revolution! ead.escolarevolution.com.br/ escolarevolution.com.br/cursos/ Siga a Revo nas redes sociais: SITE: https://revospace.com.br FACEBOOK: https://www.facebook.com/EscolaRevolu... INSTAGRAM: https://www.instagram.com/escolarevol... DISCORD: https://discord.gg/KeqmqdX PINTEREST: https://br.pinterest.com/revolutionar...

Culture, Culture, Culture. Every article on workforce issues deals with the importance of good company culture. On this episode, we sit down with the inventor of Culturetopia, Jason Young. He highlights the crucial role culture plays in staving off any remnants of the Great Resignation and breaks down his definition of culture and what he feels is good company culture based off of his previous stops at Southwest Airlines, Walt Disney, 3M and Cisco Systems.Support the show

Guanajuato Silver recently closed its final tranche of a $8.5M Equity Financing. The net proceeds of the Offering will be used to, among other things, ramp up production at the Company's existing mines in and about Guanajuato, Mexico including El Cubo, San Ignacio and Valenciana, expand and modernize the processing facilities at the Topia mine in Durango, Mexico, increase brownfields' exploration programs, and fund general and administrative expenses. James Anderson, CEO, discusses their assets and the strategy for 2023 with Paul Harris.

In this episode, we talk about what is the Metaverse and what does it look like to build for it with Daniel Liebeskind, co-founder and CEO of Topia. Daniel talks about what goes into building something for the web3 space like Topia, where the line between something being a part of the Metaverse and not being a part of the Metaverse is, and what the future of the Metaverse might looks like. Show Links Compiler (sponsor) Stellar (sponsor) imgix (sponsor) Topia Metaverse QBasic Java JavaScript Hack Reactor C WebRTC Y Combinator Angie Jones The Sims Second Life WebGL Unity React Asana

Balaji S. Srinivasan — The Network State and How to Start a New Country | Brought to you by Eight Sleep's Pod Pro Cover sleeping solution for dynamic cooling and heating, Athletic Greens all-in-one nutritional supplement, and Shopify global commerce platform providing tools to start, grow, market, and manage a retail business. More on all three below.Balaji S. Srinivasan (@balajis) is an angel investor and entrepreneur. Formerly the CTO of Coinbase and general partner at Andreessen Horowitz, he was also the co-founder of Earn.com (acquired by Coinbase), Counsyl (acquired by Myriad), Teleport (acquired by Topia), and Coin Center.He was named to the MIT Technology Review's “Innovators Under 35,” won a Wall Street Journal Innovation Award, and holds a BS/MS/PhD in Electrical Engineering and an MS in Chemical Engineering, all from Stanford University. Balaji also teaches the occasional class at Stanford, including an online MOOC in 2013, which reached 250,000+ students worldwide.His new book is The Network State: How To Start a New Country. You can also read it for free at 1729.com.Please enjoy!This episode is brought to you by Shopify! Shopify is one of my favorite platforms and one of my favorite companies. Shopify is designed for anyone to sell anywhere, giving entrepreneurs the resources once reserved for big business. In no time flat, you can have a great looking online store that brings your ideas to life, and you can have the tools to manage your day-to-day and drive sales. No coding or design experience required.More than a store, Shopify grows with you, and they never stop innovating, providing more and more tools to make your business better and your life easier. Go to Shopify.com/Tim for a FREE 14-day trial and get full access to Shopify's entire suite of features.*This episode is also brought to you by Eight Sleep! Eight Sleep's Pod Pro Cover is the easiest and fastest way to sleep at the perfect temperature. It pairs dynamic cooling and heating with biometric tracking to offer the most advanced (and user-friendly) solution on the market. Simply add the Pod Pro Cover to your current mattress and start sleeping as cool as 55°F or as hot as 110°F. It also splits your bed in half, so your partner can choose a totally different temperature.And now, my dear listeners—that's you—can get $250 off the Pod Pro Cover. Simply go to EightSleep.com/Tim or use code TIM at checkout. *This episode is also brought to you by Athletic Greens. I get asked all the time, “If you could use only one supplement, what would it be?” My answer is usually AG1 by Athletic Greens, my all-in-one nutritional insurance. I recommended it in The 4-Hour Body in 2010 and did not get paid to do so. I do my best with nutrient-dense meals, of course, but AG further covers my bases with vitamins, minerals, and whole-food-sourced micronutrients that support gut health and the immune system. Right now, Athletic Greens is offering you their Vitamin D Liquid Formula free with your first subscription purchase—a vital nutrient for a strong immune system and strong bones. Visit AthleticGreens.com/Tim to claim this special offer today and receive the free Vitamin D Liquid Formula (and five free travel packs) with your first subscription purchase! That's up to a one-year supply of Vitamin D as added value when you try their delicious and comprehensive all-in-one daily greens product.*For show notes and past guests on The Tim Ferriss Show, please visit tim.blog/podcast.For deals from sponsors of The Tim Ferriss Show, please visit tim.blog/podcast-sponsorsSign up for Tim's email newsletter (5-Bullet Friday) at tim.blog/friday.For transcripts of episodes, go to tim.blog/transcripts.Discover Tim's books: tim.blog/books.Follow Tim:Twitter: twitter.com/tferriss Instagram: instagram.com/timferrissYouTube: youtube.com/timferrissFacebook: facebook.com/timferriss LinkedIn: linkedin.com/in/timferrissPast guests on The Tim Ferriss Show include Jerry Seinfeld, Hugh Jackman, Dr. Jane Goodall, LeBron James, Kevin Hart, Doris Kearns Goodwin, Jamie Foxx, Matthew McConaughey, Esther Perel, Elizabeth Gilbert, Terry Crews, Sia, Yuval Noah Harari, Malcolm Gladwell, Madeleine Albright, Cheryl Strayed, Jim Collins, Mary Karr, Maria Popova, Sam Harris, Michael Phelps, Bob Iger, Edward Norton, Arnold Schwarzenegger, Neil Strauss, Ken Burns, Maria Sharapova, Marc Andreessen, Neil Gaiman, Neil de Grasse Tyson, Jocko Willink, Daniel Ek, Kelly Slater, Dr. Peter Attia, Seth Godin, Howard Marks, Dr. Brené Brown, Eric Schmidt, Michael Lewis, Joe Gebbia, Michael Pollan, Dr. Jordan Peterson, Vince Vaughn, Brian Koppelman, Ramit Sethi, Dax Shepard, Tony Robbins, Jim Dethmer, Dan Harris, Ray Dalio, Naval Ravikant, Vitalik Buterin, Elizabeth Lesser, Amanda Palmer, Katie Haun, Sir Richard Branson, Chuck Palahniuk, Arianna Huffington, Reid Hoffman, Bill Burr, Whitney Cummings, Rick Rubin, Dr. Vivek Murthy, Darren Aronofsky, and many more.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Are you searching for that next step in your financial independence journey? With so many books and resources available, it's hard to narrow down exactly what you should be doing -- and when -- to meet your goals. Today's guests created an app to help with that exact problem. Grant Sabatier and Logan Leckie created Topia, an app geared toward helping you reach financial independence. With clear steps and action items, you can crush your goals. They explain how it works and why it's so revolutionary. During our headline segment, we dive into tech stocks, specifically Netflix. Tech stocks have dominated the market for the past few years. What's next for them? We give our thoughts and point to stock buybacks and stock splits in today's market. We'll also answer Ray's question about the top fundamental things to know in personal finance. And Doug will share his Billy Joel themed trivia. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

Slim-fit is out, wedge-cut is in. So Levi's whipped up a new store feature designed to be a Profit Puppy. SoFi dropped 7% on word your student payments got deferred, again — they're frozen for the summer. And Walmart's new HQ design is going big and going home (spoiler: Meditation Park + 3 swimming pools). $LEVI $SOFI $WMT Got a SnackFact? Tweet it @RobinhoodSnacks @JackKramer @NickOfNewYork Want a shoutout on the pod? Fill out this form: https://forms.gle/KhUAo31xmkSdeynD9 Got a SnackFact for the pod? We got a form for that too: https://docs.google.com/forms/d/e/1FAIpQLSe64VKtvMNDPGSncHDRF07W34cPMDO3N8Y4DpmNP_kweC58tw/viewform ID: 2117366 Learn more about your ad choices. Visit podcastchoices.com/adchoices