Podcasts about cc music

Crystal reveals her “other disease” funnymynn's syndrome, rants about dogs, and travels back to 2005 when the closure of AFIP was announced. “Your pets are my peeves.” -CC Music performed by the The Worms. --- Send in a voice message: https://anchor.fm/more-morgellons/message Support this podcast: https://anchor.fm/more-morgellons/support

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Trigger Warning: This episode contains fictional accounts of drug addiction and opioid use. CC Music by Josh Woodward @ www.freemusicarchive.org/Music/Josh_Woodward

Sorry for whispering on this one. Maybe it's good that way though. Who knows. I guess you do. I'm going to delete this snippet and write a new one unless I accidentally hit "post" before I can do it. CC Music by Blue Dot Sessions (song: Fern and Andy)

Poems and conversation with the best person. Guest starring Hannah Bacon. CC Music this week by: Daniel Birch, Aitua, Dazie Mae, and Josh Woodward can be found at freemusicarchive.org/music/artistname If you like the episode leave a review on iTunes or Apple Podcasts! It really helps.

It could be worse. CC Music by Monplaisir at www.freemusicarchive.org/music/monplaisir and Daniel Birch at www.freemusicarchive.org/music/Daniel_Birch

When you're a kid, you know nothing, but you think you know everything—and anyone who disagrees is a fucking idiot. I've been fiddling with the ending of this story and I finally found something that feels right. CC Music is by: Monplaisir at: http://freemusicarchive.org/music/Monplaisir/ and Daniel Birch at: http://freemusicarchive.org/music/Daniel_Birch/

In which Ben Rimes (accompanied by some beats) takes us on a journey that explains why #michED exists.     Download podcast to your device: 009 Origins Connect with Ben Rimes @techsavvyed and view his work at techsavvyed.net   Brad Wilson on Twitter: @dreambition MichEd on Twitter: @MichEdChat   CC Music from DJ Vadim: Game Tight CC Music from ccMixter: […]

MMORPGs may maim and pwn but words will never hurt me. In online gaming environments you may be getting shot at, impaled, or run over by tanks. But the more serious damage may come in the form of the offensive chatter bandied about casually between players connected remotely via headsets. Racist, homophobic, and sexist language proliferates as gamers trash talk. But often such language and name calling is used, not to offend, but to distract and gain attention. Such “Griefing” behavior is meant to be ironic. “I am not racist/sexist/homophobic,” a griefer will think, “therefore, my use of an offensive term is just a joke. If you interpret it any other way then you just don’t get it.” But that doesn’t mean griefing doesn’t have an impact. Lisa Nakamura — Professor in the Institute of Communication Research at the University of Illinois Urbana-Champaign, and author of the book Digitizing Race: Visual Cultures of the Internet — spoke to David Weinberger about the origins of griefing, and how online communities are dealing with it. CC Music this week: Scott Altham: Hear Us Now Learning Music: Ovulation

This week we sit down with Carl Malamud, who with the group Public.Resource.org is pushing to put law in the public domain. We covered the issue of copyright on law a few months ago in Radio Berkman 129, where Steve Schultze introduced us to RECAP – a software that helps legal researchers bypass hefty fees for access to legal documents. There is now a movement afoot, not just to bypass the system that puts law behind a paywall, but to remove it altogether. If you think this is a small issue – note that Americans spend some $10 billion a year just to access legal documents, everything from local building codes to Supreme Court records. The Executive Branch alone pays $50 million to access district court records. Some cash-strapped law schools ration students’ access to per-page charging services for legal records. And journalists, non-profits, and average citizens interested in legal research are feeling just as nickeled-and-dimed by fees. David Weinberger and Carl Malamud sat down to talk about the chances for freeing the written word of the law. CC Music this week: General Fuzz – “Cream” Ghost – “Ice and Chilli”

When the Federal Communications Commission announced in April of 2009 that they would be pursuing a National Broadband Plan – picture something as ambitious as the interstate highway initiative but for bytes instead of cars – web surfers with a need for speed began warming up their mouse muscles. It seems like we’ve sat on the side of the road while our friends in Europe and Asia have zoomed past us in the race to faster net speeds at cheaper prices. But how does the US really stack up to the rest of the world? As part of their Broadband Plan the FCC commissioned Yochai Benkler and a team of researchers at the Berkman Center to put together an international review of broadband deployment and policy. The result is an exhaustive 333-page report showing the US roughly in the middle of 30 industrial nations – in terms of speed, penetration, and cost. How did we end up in the middle? And more importantly, how did so many other countries get ahead? Yochai sat down with David Weinberger to talk about how they found these results, and what the US could do to ambitiously pursue a faster web. CC Music this week: Jeremiah Jacobs – Pushing Past BOCrew – SoulCornerBeat Photo courtesy of flickr user paulnich

High speed internet may be scarce in the US, but the dream of having web be fast/cheap/everywhere is snowballing. The FCC’s much anticipated National Broadband Plan was finally released Tuesday. And Google’s Fiber Initiative – a move to finance and deploy an unbelievable gigabit speed connection to some yet-to-be-named lucky town or towns in the United States – has energized dozens of small communities across the nation. Today we talk to the IT Manager of one of these towns – Michael Cross of Kalamazoo, Michigan – to see just what they see in the opportunity of ultra high speed connectivity. CC Music this week: Jeremiah Jacobs – Pushing Past

Transparency challenges the very existence of the Rule of Law. That is the very provocative thesis of today’s guest, who suggests that there is a tragedy behind the web’s powerful lubricative effect on the flow of information. Data about your address, purchases, academic performance, travel itineraries, likes and dislikes are all quite simple to track down these days at little or no cost. We often give up this information voluntarily, in the interests of cultural participation, or obliviously when we simply skip a privacy notice. And where it once took teams of archivists and researchers to dig up and collate dirt on people and institutions, today’s powerful automated online databases wield personal data over their subjects almost tyrannically, voiding the engineered obscurity of the past, and rendering anonymity obsolete. Joel Reidenberg is the academic director of the Center on Law and Information Policy at Fordham University. We sat down with him to ask how we could re-engineer the web to fight transparency’s most dangerous effects. CC Music this week: Stefsax: “I Like it Like That (s.thaens)” State Shirt: “Computer”

With the estimated 250 to 450 million soccer fans now descending upon South Africa for the World Cup, we can expect to see billions of dollars of spent in local communities, benefitting the entire region. Locals and soccer fans alike are also looking out for an increase in crime that comes with such a dramatic increase in population. Vandalism and mugging come with the territory. But NGOs and public agencies are also looking out for an increase in crimes that prey on South Africa’s vulnerable young population. In a country already facing high instances of child abuse, rape, and sexual violence towards women — children can easily stumble upon pornography and pathways to abuse by way of broadcast, internet, and mobile phones. Nadine Naidoo of Visionaries in Africa was concerned about the potential for the World Cup to bring with it a dramatic increase in sexual violence towards children, enabled by the media. So she is running a 30 day multimedia project of her own, coinciding with the World Cup and incorporating video, podcasts, interviews, and a live concert to raise awareness about the dangers facing children. CC Music this week: Arslkhan: “Love Odyssey” Greg Williams: “Teagarden, Blues, and Rain”

In an age when every conversation, email, and tweet could be digitally archived, how honest we are – or how deceptive – is open for scrutiny. But there is still a lot we don’t know about the nature of deception. How can we tell if someone is telling the truth? Are there verbal cues, in addition to the sweaty palms and rapid heartbeat? Is there a difference between lies, or is every lie the same? And how does the medium of conversation – an email, a text message, a phone call – affect the type of lie we might tell? This week on the podcast, Judith Donath interviews Jeff Hancock, of the Social Media Lab at Cornell University, on how we lie, and the role technology plays in the evolution of the lie. CC Music this week: Neurowaxx: Pop Circus Robert Rich: Cowell Piano

How could pirates and the content industries learn to get along? In many contexts they are beginning to get along quite well. Some in the film, software, and music industries are finding ways to use pirate markets to their advantage — rather than simply using law enforcement to shut them down. Recent research is showing that pirated versions of films, software, and albums actually are reaching a market that wouldn’t otherwise be purchasing these goods legitimately — whether due to cost or general inaccessibility. Joe Karaganis of the Social Science Research Council gives us the scoop on piracy in developing countries. CC Music this week: Ducket – Another Girl J Lang – Crazy Love

Step into a world where information floats through the open air — around your house, around your town, around the world — just waiting for you to reach up and grab it. Music, movies, phone calls from loved ones, the sound of your baby crying — it all travels in the charged particle space known as Spectrum. Your average consumer might interact with a dozen or more devices on a daily basis, designed specifically to both emit and pluck information to and from the air. But how much do we really understand spectrum? There are fights going on right now between regulators, media and telecommunications companies, and consumers about how spectrum is bought, sold, and used. Today’s guest argues that we need to go back to basics to effectively settle these battles. Christian Sandvig is a Berkman Center Fellow and director of the Project on Public Policy and Advanced Communication Technology at the University of Illinois Urbana-Champaign. On this week’s show David Weinberger and Sandvig elegantly deconstruct Spectrum, and give us some ideas as to how we can use this space more effectively. CC Music this week: Jeremiah Jacobs: Bounce Loops

If a picture is worth a thousand words, and video moves at 30 frames per second, how many words could you get for 24 hours of footage? Today’s guest started a project that may have the answer to that question. The Global Lives Project picked ten subjects from around the world, followed each of them with a camera for 24 hours straight, and is now sharing the footage of their lives with the world, uncut, unaltered, in museum exhibits and online. It’s fascinating enough as an art project. But for David Evan Harris – a trained sociologist and a Research Affiliate at the Institute for the Future – the project also raises interesting questions about the role multimedia can play in the more traditional world of academic research. If you’re near San Francisco you can experience the Global Lives Project for yourself at the Yerba Buena Center for the Arts until June 20, 2010. Listen in here for a sneak preview. CC Music this week: Neurowaxx – Carioca & Pop Circus

Let’s admit it: the advertising world we once knew is long dead. In a couple short decades, the digital revolution has fundamentally undermined all of the old arbiters of image, from Madison Avenue to Hollywood to K Street. Companies have been quick to jump ship and join the social media bandwagon. Even without clear proof that Facebook and smartphone apps will garner them an audience. It’s almost enough to make Don Draper roll over in his scotch glass. But it’s not just Facebook and smartphones that companies have to worry about. Be it the blockbuster movie producer trying to find ticket buyers, the multinational pizza company seeking hungry consumers, or the home-based graphic novelist looking for readers — the ways of reaching an audience are now limitless. And there is a premium for “sticky” experiences that engage consumers, over the old-fashioned billboards and banner ads which consumers are more likely to overlook. And building these experiences can be risky, and costly. Still, companies are taking the gamble, buying up companies with no clear revenue model, and investing in experimental outreach strategies for which “success” has only a few solid metrics. To navigate the muddy waters of digital outreach you need a guide. Sarah Szalavitz is one of the more informed and experienced folks in the social media world. Founder and CEO of 7-Robot — as well as a former Berkman Fellow, Harvard Law Graduate, and media mogul with too many credits to mention (we put some links in the Reference Section below) — Sarah swung by the Berkman Center not long ago for a conversation about what she calls “social design” and the cooperative evolution of brands, people, and social media spaces. CC Music this week: Podington Bear: Jackie and Floyd General Fuzz: Acclimate Jaspertine: Pling Coconut Monkeyrocket: Accidental Beatnik

In 2008, Michael Slaby served as Chief Technology Officer from Obama for America, and helped with technology policy as the Obama campaign transitioned to an administration. One of the most difficult aspects of the transition has come in trying to keep a huge group of grassroots, web-enabled supporters, after the campaigning is over and the policy making has begun. Today David Weinberger speaks with Michael about how government uses the web to stay engaged, and some of the policies regarding freedom and the internet that the administration has pursued since taking office. CC Music this week: Jasptertine: Pling Jeremiah Jacobs