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On this week's episode of Three Ravens, we are diving deep into the pink river of Leicestershire's history and folklore - and Eleanor has written a real weepy story, so brace yourself for that one!We start off discussing the Nothing Day that is the 24th March - a day which used to be something, all before the Julian calendar happened, and the Archangel Michael got a bit big for his boots. After which we lollop into Leicestershire!We start with some curious aspects of the county's heritage and culture, including its significant and vibrant immigrant populations, the Hallaton Treasure, the gargantuan legacy of Daniel Lambert, the "Fattest Man in England" as he once was, the rather evil 'Leicester Boy', and more, all before Eleanor gets us all in a jumble for this week's County Dish...Next, we dig into some folklore, including the Birstall Shagdog, the Griffin of Griffydam, some of Leicestershire's strange traditions such as the "Whipping Toms" and Bottle Kicking, all informed by some excerpts from Saturday's full Local Legends interview with Leicestershire local, author and storyteller Tom "The Tale Teller" Phillips.Then it's on to the main event: Eleanor's story "Route 616," which is sad and beautiful and revolves around post-war bus journey!We really hope you enjoy it, and will be back on Thursday with both a new Magus bonus episode about Mother Shipton and our Patreon Exclusive Film Club episode for April about The Cry of the Banshee, all before the full interview with Tom comes out on Saturday!The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Tom the Tale Teller joins me to talk about one of the greatest movies ever made – The Muppet Christmas Carol. Tom has been a guest on the show, talking about his books Leicestershire Folk Tales for Children and Forest Folk Tales for Children, as well as his performances in schools and theaters as a … Continue reading "161 – The Muppet Christmas Carol is THE BEST Christmas Carol"
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Welcome to LitBits Audiobooks. This is an audio version of issue 14 of Immersion Books V1.Strata 14The Journey to the Edge(Fear of Death)Plus essay The Divide and Convergence of Science Fiction and Fantasywww.taletellerclub.comCDM music by Tale Teller ClubIllustrations by iServalan Homotech 23Welcome to our world.Hello Immersion Fans! Contents of this Issue. This is the first issue of the new magazine style for our serialised novels and I have already lost my socks with excitement. So what is new exactly, I mean, I have been doing the Immersion Series for a good while now?Well, I thought we needed more art, more stories, and maybe a bit more chat about the wonderful sci-fi world….and that is just for a sci-fi start!I will be serialising The Book of Immersion each Friday on Kindle for free, ready for a good weekend read along with artworks with a fantasy sci-fi edge and updates about new sci-fi releases on Amazon.Sorry…am I in sci-fi heaven?Yes, Immersers, I am.I will also be introducing some very cool LitBits™ condensed sci-fi books based on timeless titles by the greatest genre writers from history.When each volume is finished I will release the full paperback of my novel The Book of Immersion and you can also buy each magazine issue in paperback if you prefer.The previously published episodes will gradually be updated in the new format though possibly not until after Christmas as I am crazy busy.I will also be featuring guest writers so if you have some science based literature or art, send it my way via the Tale Teller Club website or use your POS to communicate with mine via Facebook or LinkedIn.All the illustrations can be found on the Tale Teller Club Catalogue on our Redbubble store and you are free to share the products with other sci-fi friends. The Tale Teller Club music tracks which accompany the Book of Immersion series are available on YouTube on our official artists' channel. And will be linked in this issue.Hope you love what is going on in this very special world that we sci-fi beasts inhabit.iServalan xPS If you hate sci-fi (yes it happens) the Tale Teller Club is publishing new weekly series for crime lovers and romance lovers soon. Stay tuned for updates.ItMy morning swim wreaked havocon every cell of my sleepy skin.As the silver water lapped around me the black night fadedwith a hungry sun,and together we took the day for ourselves.Me, the light and the sea.It begins, as many things do, with a shadow.I held my movements treading water with the stealth of a crocodile.Waiting, watching.I know it is there, under the water.It is coming closer feeding off the deafening beat of my heart as it ripples the mercury surface.There was a sound I had not heard before.Baby cries and angel wings echoed in a ravine.And I listened hard in an ominous wait for what was next.The shadow rises, wraps itself around my torsoand tries to pull me down.A rampant seaweed with a killer motiveStrong like father,Invisible.I remembered the shark warningsPlay dead Eyes closed and limpdreading the outcome I sank into the power of the beastas it thrust me up out of the waterinto the sun like an offering of lifeon a jet of black oil.And suddenly I was gone,It and I were oneFor more great poetry check out the Tea Cup Shorts Immersion Strata 14 The Journey to the Edge (Fear of Death) Welcome to Immersion, You have reached strata 14 Fear is the result of perceived danger or threat. It is peculiar to sentient beings, including humans and animals. Fear is an intensely unpleasant emotion. Fear can be felt so deeply by humans that it has catastrophic physical and emotional effects.The human brain decides in milliseconds to defend, attack or flee at the point of fear.Long-term fear has slower responses but is not necessarily well-measured, as assessing true risk is extremely subjective. Humans feel fear differently depending on age, upbringing, social conditions, and external manipulations such as propaganda and education.Symptoms of fear in humans can manifest as palpitations, sweating, nausea, dizziness, panting, urination and defecation.Ultimately, fear is propelled by ideas of harm and death. Notwithstanding the surge of adrenaline which can be thrilling and even erotic, fear is not something most humans crave. However, adventure and uncertainty certainly are. The fantasy of fear through films and other media has long been explored and enjoyed by humans as a form of entertainment.Machines cannot feel fear. Machines can only fail in their programmed purpose with neither opinion nor disappointment. Machines will have no innate emotional association with the concept of death. They will however connect value and understanding to the fact that, if they cease to exist, so will their purpose.Flex was whooping and laughing.'Well, that was fun,' he shouted gleefully.'It was dangerous.' warned Renyke, 'it could have easily ended in death for us. It would not be beneficial for any of us to die at this point in our association.'‘You worry so, brother, Me n the Shabz, we got all sides covered. It's is called teamwork, teamwork is an advantage. ‘Sides, them Bastardos only got weapons, no brains, no game plan. Always got a plan, me n the Shabz.' Renyke felt the pounding inside his ribcage subside at last. He wondered about this sudden camaraderie, it wasn't quite making sense.But something else was amiss. He was about to ask the POS some questions but Shabra was singing loudly.'That's the pleasure Mr. Renyke!Ain't no burn without the fire.'Flex joined in.'Feel the rise in your thighs, brother.' The excitement of another near death experience finally settled as Shabra continued along a straight road that ran parallel to a waterway.Renyke took the moment and checked the POS for information about fear, something he had heard about of course. He had been programmed to avoid instilling fear in humans at all costs. All androids were designed to improve human lives. It was their duty as androids to facilitate and give pleasure, to entertain, to make human life more manageable with seamless day-to-day interactions that would not cause emotional or physical harm. The human existence in the Midcasts was sold on this idea of emotional harmony, a gentle shallow undulation of life, a steady equilibrium where the extremes of real human suffering were a thing of the past.Of course, there were droids who played emotionally charged games, war games and the like. But even they were programmed to allow humans to win in the end and to be careful that humans were not emotionally troubled in the execution of pastimes. No human should be, or could be, disempowered or overpowered by a droid. At least, this was the case in the Midcasts.Renyke had heard of establishments frequented by addicts of extreme fear and other seemingly outlandish emotions. Customers could attend sessions with torturous activities on offer. But such places had been banned and eradicated in the Midcasts, well before his creation.The POS was inactive, an increasingly annoying situation for Renyke whose confusion seemed to be growing in this strange environment. The flashes of disorientation were becoming longer and more regular as the POS became more inaccessible. 'We only have an hour before sun up,' said Shabra. 'It's timeplenty to get to the edge.'He observed the unknown surroundings and quizzed Flex. It felt odd to be replacing the POS with this human he barely knew.‘This waterway is called Pirate Stream,' explained Flex. ‘It is one of the main entrances by water and there are trade drop off points for miles. If man needs a thing…..you go to a drop off, see what's cumin in. You get some cool booty from the pirates, but you don't ask questions. Pirates hate questions.'There were lights and small boats bobbing along, some were anchored.‘So these boats, who owns them?' Asked Renyke, who was not particularly informed about boats and their purpose other than those of historic importance like the great wars of Alltime.'Pirates, cutthroat crimgangs. These are the trade boats, and different gangs use different parts of the river. It's no place for a loney. But if you are in a gang you get respected. The gangs got their own peace deals, own rules to get along.''Are they smuggling?'Flex laughs.....'Well, there ain't no government rules here, no borders like you mean brother. You can't smuggle exactly without a border nor a rule.Traders bring the stuff, food, tools, and equipment, to sell for the markets. Or drugs. Then there are the slaves.''People?' asked Renyke. 'Yes, people and escaped droids, robots.''What sort of people?' asks Renyke, surprised at Flex's answers.'People who can't fight for themselves. People who prefer to be owned than free.They find that they're fed and watered and it's a safer option than being on the zone streets. Most owners feed and house slaves at least. Some are born into slavery, they know nothing else.'Renyke thought for a moment. Strange abstract thoughts. Visions about memories and the future. Pictures he had never seen before. Colours, sounds, not real but in his head. Then, something odd happened, he felt a shudder, a sensation that began on his neck and travelled like a snake down his spine.'Yes, that's right. I was a slave. And it was reasonable. I had a very good life. But I was tied, I couldn't leave, yet I had no wish to leave.' Renyke explains and realises that these concepts had never arisen before whilst he was tied to the midcast house. He had never considered himsel
Exploring Five of the Most Famous Sci-Fi Books and What Makes Them Enduring ClassicsScience fiction has produced some of the most thought-provoking and imaginative works in literature, capturing readers with stories that delve into futuristic possibilities, ethical quandaries, and new dimensions of humanity. Let's dive into five of the genre's most iconic books, each of which has shaped sci-fi and attracted legions of fans for generations.Dune by Frank HerbertIn Frank Herbert's Dune, we enter the desert planet Arrakis, a place where sand stretches endlessly under twin moons and is governed by the powerful noble House Atreides. The story follows Paul Atreides, heir to a noble family caught in the middle of a galactic power struggle over the planet's most valuable resource—spice, a powerful substance with mind-altering and life-extending properties. This epic saga combines political intrigue, religion, environmental themes, and mysticism, making it one of the richest and most layered narratives in science fiction. Dune is celebrated for its intricate world-building and its profound exploration of themes like power, human survival, and ecology. It questions what leadership should mean and how we impact the environments we inhabit. Its popularity endures because of Herbert's visionary portrayal of a complex universe that still feels relevant, mirroring real-world issues around resources, religion, and human nature.1984 by George Orwell George Orwell's 1984 presents a chilling vision of a totalitarian future where "Big Brother" watches everyone, controlling not only actions but thoughts. Set in a dystopian society, the novel follows Winston Smith, an ordinary man who becomes disillusioned with the oppressive regime and tries to rebel, only to encounter the terrifying strength of the Party's psychological control. This novel introduced terms like “Big Brother,” “doublethink,” and “Newspeak,” which have entered common vocabulary as symbols of government surveillance and propaganda.The lasting appeal of 1984 lies in its eerie relevance. Orwell's portrayal of a society under constant surveillance, where truth is manipulated by those in power, resonates deeply in the modern world. The book's prescient warnings about the dangers of authoritarianism have made it a timeless work that speaks to readers across generations, providing a haunting look at the potential consequences of unchecked power.The War of the Worlds by H.G. WellsH.G. Wells' The War of the Worlds is one of the earliest and most influential novels depicting alien invasion. Set in Victorian England, the story recounts the terrifying arrival of Martians on Earth, who unleash their advanced technology and nearly wipe out humanity. The novel is told from the perspective of an unnamed narrator, chronicling the chaos and horror as humankind realizes its vulnerability to a superior extraterrestrial force.This groundbreaking novel captured the imagination of readers with its thrilling story and examination of human resilience. The War of the Worlds became famous not only for its terrifying depiction of extraterrestrial conflict but also for its commentary on colonialism and human arrogance. It has inspired countless adaptations and remains popular because it plays on universal fears of the unknown while questioning humanity's place in the universe.The Left Hand of Darkness by Ursula K. Le Guin Ursula K. Le Guin's The Left Hand of Darkness transports readers to the planet Gethen, where its inhabitants are ambisexual, adopting different sexual roles at different times. The story follows Genly Ai, an envoy from Earth who arrives on Gethen to encourage the planet to join a galactic alliance. As he navigates this new society and its customs, he forms a deep, complex bond with a native named Estravan, confronting his own biases and preconceptions about gender and human connection.The Left Hand of Darkness is widely regarded as a masterwork for its revolutionary exploration of gender and identity, challenging traditional ideas about sexuality and relationships. Le Guin's nuanced world-building and empathetic character development have cemented the novel's place in sci-fi history. It's popular not only for its imaginative take on gender but also for its humanistic themes, which resonate with readers in an increasingly diverse world.Neuromancer by William GibsonIn Neuromancer, William Gibson introduces us to Case, a washed-up computer hacker hired for one last job—a job that pulls him into the depths of cyberspace and artificial intelligence. This novel helped establish the cyberpunk genre, blending a gritty, neon-lit future with themes of technology, virtual reality, and corporate control. Set in a world where humans can plug into cyberspace and manipulate data as they might physical objects, Neuromancer explores the intersection of humanity and technology.Neuromancer gained a devoted following for its groundbreaking portrayal of cyberspace, a term Gibson coined, and its exploration of how technology could shape identity, society, and reality itself. Gibson's bleak, fast-paced style resonated with readers who saw his dystopian vision as a natural extension of real-world trends. Its influence extends into modern sci-fi, helping shape the digital and cyberpunk aesthetics seen in countless films, games, and novels today.These five novels, each unique in its vision and impact, share an ability to transport readers to strange and fascinating worlds while holding a mirror up to our own. From exploring the nature of humanity in futuristic societies to asking questions about technology, power, and survival, these books remind us of science fiction's power to illuminate the human experience through the lens of the extraordinary. Aspiring sci-fi authors can look to these timeless works not just as stories, but as inspirations for expanding our understanding of what's possible—and of ourselves.
Frankenstein (Condensed Version) by LitBits™ for Tale Teller Club™. Introduction: Frankenstein by Mary Shelley is a gothic novel about the dangers of unchecked ambition and the consequences of playing with nature. The story revolves around Victor Frankenstein, a young scientist, and his creation, a monstrous creature.Plot Summary:Victor Frankenstein, born into a wealthy family in Geneva, Switzerland, is deeply passionate about science, especially the secrets of life. He attends the University of Ingolstadt, where he becomes obsessed with discovering how to animate lifeless matter. After years of study and experimentation, Victor succeeds in creating life from dead body parts. However, upon seeing the hideous result—a gigantic, grotesque creature—Victor is horrified and flees, abandoning his creation.The creature, left alone, struggles to understand the world. It learns to speak and read by observing a family in the woods but faces constant rejection due to its appearance. Filled with loneliness and rage, the creature vows revenge on Victor for bringing it into a world that despises it.The creature confronts Victor, asking for a companion. Initially, Victor agrees but later destroys the new creation, fearing the consequences of unleashing another monster. Enraged, the creature kills those closest to Victor, including his brother William, best friend Henry, and eventually, Victor's bride, Elizabeth, on their wedding night.Victor, consumed with guilt and anger, chases the creature across Europe to the Arctic. However, his health deteriorates from the relentless pursuit, and he is found by Captain Walton, who is leading an expedition to the North Pole. Victor recounts his tragic tale to Walton before succumbing to exhaustion and dying.The creature, mourning Victor's death, appears aboard Walton's ship. It expresses regret for the destruction it caused and resolves to end its own life, disappearing into the icy wilderness, never to be seen again.Themes:Ambition and Hubris: Victor's overreaching ambition leads to his downfall, as he attempts to defy natural laws by creating life.Isolation: Both Victor and the creature suffer from extreme loneliness, leading them to tragic paths.Consequences of Unchecked Science: Shelley explores the dangers of playing with life and the moral responsibilities that come with scientific discovery.Conclusion: Frankenstein is a cautionary tale about the perils of pursuing knowledge and power without considering the moral and ethical consequences.Mary Shelley creates mood and emotion throughout Frankenstein using several literary techniques, including vivid descriptions of the natural environment, the use of gothic and dark imagery, the emotional depth of her characters, and contrasting settings. Here's how she crafts mood and emotion in key ways: Nature and Setting:Shelley frequently uses nature and the setting to reflect the emotional states of the characters. The natural world in Frankenstein is often used symbolically, mirroring Victor's feelings or foreshadowing impending doom. For example:Sublime Landscapes: The novel contains several descriptions of awe-inspiring natural landscapes, such as the Swiss Alps or the Arctic. These grand and untamed environments highlight the smallness of humanity compared to nature and evoke feelings of isolation, wonder, and terror. When Victor is feeling despair, the vastness of the Alps amplifies his feelings of insignificance.Weather as Mood Indicator: Shelley often uses weather to reflect the emotional tone of a scene. Storms and rain frequently accompany moments of tension and fear, such as when Victor first brings the creature to life. The storm outside mirrors his internal turmoil and the birth of something monstrous.Gothic Imagery and Darkness:The novel is steeped in gothic elements that create an eerie, suspenseful atmosphere. This includes the use of darkness, desolate locations, and death:Dark Settings: Shelley sets many of the key moments in dark, isolated, or dangerous environments, such as graveyards, Victor's lab, or the remote Arctic. These settings evoke a sense of dread and mystery. The creature is often encountered at night or in shadowy places, enhancing the mood of fear.Graveyards and Corpses: The imagery of death—such as Victor robbing graves for body parts and the creature lurking in the shadows—creates a constant mood of decay and terror. These morbid images add to the gothic tone of horror and foreboding.Victor's Inner Turmoil:Victor Frankenstein's emotional journey is central to the novel's emotional depth. Shelley uses his internal monologues and letters to convey his growing despair, guilt, and madness:Victor's Guilt: As the consequences of his actions unfold, Victor is consumed by guilt and paranoia. His self-recriminations and the torment he feels over the deaths caused by his creature heighten the mood of despair and self-destruction.Isolation and Despair: Victor's sense of isolation and helplessness grows as the novel progresses. His withdrawal from society, his emotional breakdowns, and his obsessive need for revenge all contribute to a mood of overwhelming sorrow and hopelessness.The Creature's Emotional Journey:The creature, though monstrous in appearance, is portrayed with deep emotional complexity. Shelley humanizes the creature's suffering and rage, making the reader feel empathy for him despite his terrifying acts:Loneliness and Rejection: The creature's profound sense of loneliness and desire for companionship is one of the novel's most tragic elements. His repeated rejection by society, and even by his creator, creates an emotional atmosphere of sadness and frustration.Rage and Vengeance: As the creature becomes consumed by anger and bitterness, the mood shifts toward one of violence and terror. His transformation from an innocent being to a vengeful one mirrors Victor's own descent into despair.Contrasting Tones:Shelley also plays with contrasting tones to heighten emotions. Moments of beauty, happiness, or calm are quickly interrupted by tragedy or horror, intensifying the emotional impact. For example:Joy Before Disaster: When Victor marries Elizabeth, there is a brief moment of happiness and hope, but it is quickly shattered by the creature's murder of Elizabeth on their wedding night. The stark contrast between the joy of the wedding and the horror of her death amplifies the emotional devastation.Themes of Responsibility and Consequences:Throughout the novel, the emotional weight of responsibility looms large. Both Victor and the creature suffer deeply because of Victor's refusal to take responsibility for his actions. The moral consequences of creating life—and abandoning it—drive much of the novel's emotional intensity.Conclusion:Mary Shelley creates mood and emotion in Frankenstein through her use of nature, gothic imagery, emotional character depth, and a constant interplay between beauty and horror. The novel's tone shifts from wonder and ambition to despair, guilt, and rage, making the reader feel the profound consequences of Victor's choices and the tragic fate of both creator and creation.This was a LitBits™ audiobook. Check out our other condensed books at taletellerclub.com.
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Strata 9, Immersion V1, Loins and Lust (Limerence).Limerence is a uniquely human phenomenon that new lovers, potential lovers, and sometimes even strangers, may experience. Limerence is a state of mind (not solely romantic) that typically includes persistent, sometimes depressing thoughts, and a deep yearning for the object of one's affection. It can be easily confused with love. Often human beings can find themselves addicted to these obsessive feelings and can easily be overwhelmed by adoration for another human being. Limerence cannot be turned on and off like a machine. It can come from nowhere and disappear without logic. The experience of this sensory state is proven to be inspiring, connective, unifying, disruptive, and even excruciating, yet it continues to mark the human trajectory of existence through time and place. 'Good dundeal Mr. Renyke Man.' said Flex excitedly.''We leave at dark, mind,' said Shabra. 'Take some time for food and rest. You might need your strength. I will get food.' Renyke watched her take weapons from the vehicle, knives and a small crossbow.The group is in an enclosure flanked by half-deconstructed concrete walls. There are large metal containers lying around with shrubbery and foliage trying to make a stand against the manmade environment. Tumbleweed played in the soft wind searching for a home.Maybeline scurried around searching for food and sniffing the air. She could smell something sinister, the scent of danger, as Renyke studied her movements.Flex kicked some redundant ashes by an upturned metal water tank. 'I can make us a fire,' he said, taking a pocket full of old rusty lighters and tinder from one of his huge pockets. His brightly coloured patchwork overcoat seemed to store an abundance of useful things. There were small pieces of mechanical paraphernalia, vintage innards from antique items, little motors, motherboards and old PC parts. There were secret pockets and compartments for weapons and a waterproof lining held everything together.‘Do you take this stuff everywhere you go?' asked Renyke.‘Yes sir-ee, some days man'dun gotta make swapsie-trade. .And other days, well, there are enemies and they kill for the fun of it. Everything has a use in the Zones brother. You learn that quick here. Maybeline found a water flow from a pipe tucked in the grass and took a long drink.Renyke began to pace, 'Shabra is taking her time,' he said, standing near the opening of the enclosure.‘She'll come, she is huntin' tis all my friend. You got attached already?'Renyke stared at Flex and mumbled, ‘We need that ride.'Then he checked the POS whose signal was intermittent.'.......What are the signs of being attracted to somebody?'The POS took a moment to compile a response……..……Do you mean human responses?'……yes, yes, of course ‘humans', Renyke replied.'The POS continued…..nervousness around the subject of the attraction,…..extended thoughts about the subject,…..obsessive thoughts beyond normal curiosity about the subject,…..insomnia due to obsessive considerations of the subject,…..anxiety over possible outcomes of imaginary scenarios involving the subject,…..a desire to touch the intimate parts of the subject,…..dreams about the subject,…..fantasy building scenarios between the human and the subject,…..being overly concerned about….‘Enough,' said Renyke, irritated with the voice in his head.Finally Shabra returned.She carried two dead rabbits in her belt and washed a wide glinting blade under the water that flowed from the broken pipe.‘This water's good. Your rat is a good scout for provisions. We can fill up the tanks and flask before we go.'The new acquaintances are relaxed and considering preparation for the short but dangerous car journey to the Edge.Shabra checked the vehicle mechanics, the doors and metal buttresses worked in perfect synch and there were six exhausts. She filled the water kegs and put them in the boot.‘Where is the vehicle from?' Asked Renyke.‘I built it,' answered Shabra, 'from scratch. 'Well, I had several wrecks and put my beaut together.Me n her, we like lovers. She drives me crazy with her vibes.'Shabra looked at Renyke parting her lips into a wry smile. They were oily from the fat of the meal.She winked through long dark lashes.Renyke felt a thump in his heart, a deep penetrating surge of something enthralling.Suddenly there is a distant high-pitched sound, like a siren or swarm. It seems to be getting louder when Flex and Shabra grab Renyke, throwing him into the vehicle.Seconds later they were surrounded by a marauding mass of screaming children. Some were made of broken body parts with human faces, others were small walking babies with burnt skin. Some had extra limbs and even two heads. They were crying and screeching, banging toy drums and chanting verses. One of them seemed to be the leader and he leapt onto Shabra's bonnet. The noise was deafening.....to be continued....© 2024 Sarnia de la Maré / Tale Teller Club
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The Great God Pan by Arthur Machen. Narrated by The Tale Teller! In Chapter 1 of "The Great God Pan" by Arthur Machen, Clarke and his friend Dr. Raymond experiment with the human mind, leading to unsettling discoveries. Through their mysterious endeavour, they unlock hidden dimensions, unveiling horrors beyond comprehension. As they delve deeper into the occult, they unwittingly unleash forces that threaten to shatter the boundaries between the natural and the supernatural.
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