Podcasts about chicano literature

Today we discuss Bless Me, Ultima by Rudolfo Anaya. This is one of the first books of Chicano/a Literature, with Rudolfo Anaya considered one of the founders of the literary movement. It's a coming-of-age story that weaves Catholicism with traditional and indigenous beliefs, and the duality of identity that Antonio, the main character, experiences. Content warning: violence, bodily fluids Sources: Introduction to Chicano Literature, Chicano Literature Next time we'll be reading Corinne's choice: I, Tituba, Black Witch of Salem by Maryse Conde. Find it at your local bookstore or library and read along with us! We have also chosen our books for April's prompt (Environmental Fiction) Latitudes of Longing by Shubhangi Swarup and The Extinction of Irena Rey by Jennifer Croft. ______ If you want to read along with The Bookstore Challenge 2024, you can join us on The StoryGraph to see what others are reading for each month and get ideas for your TBR: The Bookstore Challenge 2024. Get two audiobook credits for the price of one at Libro.fm when you sign up using the code BOOKSTOREPOD. Website | Patreon

Today - we're diving into a profound shift in the landscape of migration at the U.S.-Mexico border.Support the show: https://www.myheraldreview.com/site/forms/subscription_services/See omnystudio.com/listener for privacy information.

This week we welcome English Faculty & Chicano Literature studies Professor Jaime Herrera, as we talk about "The House on Mango Street" by author Sandra Cisneros. Hosted by Dr. Eddie Webb.

Topics no one else can handle: Is Ted Cruz Even Hispanic? Gun Control. Chicana, Chicano Literature. Professors Speak. Writer Daniel Peña reads from his new novel BANG and lends his insights into out intense topics. Writer and educator Nelda Billescas reads from her book THE RIGHT SIDE OF HEAVEN and also sheds light on a teacher's perspective with co-hosts Tony Diaz-El Librotraficante, & Lupe Mendez-Librotraficante Lips Mendez, Jack Regan-Board Operator, Marlen Treviño, Producer. Catch Tony Diaz Sundays, Mondays, and Wednesdays Sundays TV 7am - "What's Your Point" on Fox 26 Houston. Mondays Prose Noon - New column on "The Cultural Accelerator" at www.TonyDiaz.net Tuesdays Radio 6p - NP Lit Radio 90.1 FM KPFT, Houston, Texas. Livestream at www.KPFT.org. Podcast at www.NuestraPalabra.org

In Ends of Assimilation: The Formation of Chicano Literature (Oxford University Press, 2015), John Alba Cutler provides a literary history of Chicano/a literature that tracks the fields formation and evolution from the 1960s forward. The central focus of the book examines the tension between the theories posited by scholars of assimilation sociology and Chicano/a writers whose literary works, focusing on the Mexican American experience, have advanced rival interpretations of the process of assimilation and immigrant incorporation into American society. Whereas the founders of assimilation sociology (Robert Park and Ernest Burgess among others) characterized American culture as homogenously Anglo-Saxon and presumed assimilation was a desirable and natural social process, Cutler shows how Chicano/a literary works have depicted culture as dynamic, multi-faceted, and uncircumscribed by static notions of authenticity or national unity. More than mere anti-assimilationist, Cutler argues that Chicano/a literary works elucidate the productive disjuncture between Chicano/a literature and the sociology of assimilation. Thus, Chicano/a literature is not merely an attempt at cultural resistance or preservation, it is a mode of cultural production as well as cultural representation rooted in the lived experience of racialization. Cutler is also adept at critiquing the evolution of assimilation sociology by illuminating the literary devices (metaphor and allusion) and cultural assumptions/blind spots (race, gender, and sexuality) that undergird attempts to define and describe a scientific process. Indeed, this lends a mystical or spectral quality to if/how assimilation occurs, who desires it, and if/how it can be measured. By illuminating how the two genres of assimilation sociology and Chicano/a literature have intersected and evolved over the latter half of the twentieth-century, Ends of Assimilation makes a significant contribution to both disciplines, while highlighting the interdisciplinary nature of the field of Latino/a studies. David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965.

In Ends of Assimilation: The Formation of Chicano Literature (Oxford University Press, 2015), John Alba Cutler provides a literary history of Chicano/a literature that tracks the fields formation and evolution from the 1960s forward. The central focus of the book examines the tension between the theories posited by scholars of assimilation sociology and Chicano/a writers whose literary works, focusing on the Mexican American experience, have advanced rival interpretations of the process of assimilation and immigrant incorporation into American society. Whereas the founders of assimilation sociology (Robert Park and Ernest Burgess among others) characterized American culture as homogenously Anglo-Saxon and presumed assimilation was a desirable and natural social process, Cutler shows how Chicano/a literary works have depicted culture as dynamic, multi-faceted, and uncircumscribed by static notions of authenticity or national unity. More than mere anti-assimilationist, Cutler argues that Chicano/a literary works elucidate the productive disjuncture between Chicano/a literature and the sociology of assimilation. Thus, Chicano/a literature is not merely an attempt at cultural resistance or preservation, it is a mode of cultural production as well as cultural representation rooted in the lived experience of racialization. Cutler is also adept at critiquing the evolution of assimilation sociology by illuminating the literary devices (metaphor and allusion) and cultural assumptions/blind spots (race, gender, and sexuality) that undergird attempts to define and describe a scientific process. Indeed, this lends a mystical or spectral quality to if/how assimilation occurs, who desires it, and if/how it can be measured. By illuminating how the two genres of assimilation sociology and Chicano/a literature have intersected and evolved over the latter half of the twentieth-century, Ends of Assimilation makes a significant contribution to both disciplines, while highlighting the interdisciplinary nature of the field of Latino/a studies. David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Ends of Assimilation: The Formation of Chicano Literature (Oxford University Press, 2015), John Alba Cutler provides a literary history of Chicano/a literature that tracks the fields formation and evolution from the 1960s forward. The central focus of the book examines the tension between the theories posited by scholars of assimilation sociology and Chicano/a writers whose literary works, focusing on the Mexican American experience, have advanced rival interpretations of the process of assimilation and immigrant incorporation into American society. Whereas the founders of assimilation sociology (Robert Park and Ernest Burgess among others) characterized American culture as homogenously Anglo-Saxon and presumed assimilation was a desirable and natural social process, Cutler shows how Chicano/a literary works have depicted culture as dynamic, multi-faceted, and uncircumscribed by static notions of authenticity or national unity. More than mere anti-assimilationist, Cutler argues that Chicano/a literary works elucidate the productive disjuncture between Chicano/a literature and the sociology of assimilation. Thus, Chicano/a literature is not merely an attempt at cultural resistance or preservation, it is a mode of cultural production as well as cultural representation rooted in the lived experience of racialization. Cutler is also adept at critiquing the evolution of assimilation sociology by illuminating the literary devices (metaphor and allusion) and cultural assumptions/blind spots (race, gender, and sexuality) that undergird attempts to define and describe a scientific process. Indeed, this lends a mystical or spectral quality to if/how assimilation occurs, who desires it, and if/how it can be measured. By illuminating how the two genres of assimilation sociology and Chicano/a literature have intersected and evolved over the latter half of the twentieth-century, Ends of Assimilation makes a significant contribution to both disciplines, while highlighting the interdisciplinary nature of the field of Latino/a studies. David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Ends of Assimilation: The Formation of Chicano Literature (Oxford University Press, 2015), John Alba Cutler provides a literary history of Chicano/a literature that tracks the fields formation and evolution from the 1960s forward. The central focus of the book examines the tension between the theories posited by scholars of assimilation sociology and Chicano/a writers whose literary works, focusing on the Mexican American experience, have advanced rival interpretations of the process of assimilation and immigrant incorporation into American society. Whereas the founders of assimilation sociology (Robert Park and Ernest Burgess among others) characterized American culture as homogenously Anglo-Saxon and presumed assimilation was a desirable and natural social process, Cutler shows how Chicano/a literary works have depicted culture as dynamic, multi-faceted, and uncircumscribed by static notions of authenticity or national unity. More than mere anti-assimilationist, Cutler argues that Chicano/a literary works elucidate the productive disjuncture between Chicano/a literature and the sociology of assimilation. Thus, Chicano/a literature is not merely an attempt at cultural resistance or preservation, it is a mode of cultural production as well as cultural representation rooted in the lived experience of racialization. Cutler is also adept at critiquing the evolution of assimilation sociology by illuminating the literary devices (metaphor and allusion) and cultural assumptions/blind spots (race, gender, and sexuality) that undergird attempts to define and describe a scientific process. Indeed, this lends a mystical or spectral quality to if/how assimilation occurs, who desires it, and if/how it can be measured. By illuminating how the two genres of assimilation sociology and Chicano/a literature have intersected and evolved over the latter half of the twentieth-century, Ends of Assimilation makes a significant contribution to both disciplines, while highlighting the interdisciplinary nature of the field of Latino/a studies. David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Ends of Assimilation: The Formation of Chicano Literature (Oxford University Press, 2015), John Alba Cutler provides a literary history of Chicano/a literature that tracks the fields formation and evolution from the 1960s forward. The central focus of the book examines the tension between the theories posited by scholars of assimilation sociology and Chicano/a writers whose literary works, focusing on the Mexican American experience, have advanced rival interpretations of the process of assimilation and immigrant incorporation into American society. Whereas the founders of assimilation sociology (Robert Park and Ernest Burgess among others) characterized American culture as homogenously Anglo-Saxon and presumed assimilation was a desirable and natural social process, Cutler shows how Chicano/a literary works have depicted culture as dynamic, multi-faceted, and uncircumscribed by static notions of authenticity or national unity. More than mere anti-assimilationist, Cutler argues that Chicano/a literary works elucidate the productive disjuncture between Chicano/a literature and the sociology of assimilation. Thus, Chicano/a literature is not merely an attempt at cultural resistance or preservation, it is a mode of cultural production as well as cultural representation rooted in the lived experience of racialization. Cutler is also adept at critiquing the evolution of assimilation sociology by illuminating the literary devices (metaphor and allusion) and cultural assumptions/blind spots (race, gender, and sexuality) that undergird attempts to define and describe a scientific process. Indeed, this lends a mystical or spectral quality to if/how assimilation occurs, who desires it, and if/how it can be measured. By illuminating how the two genres of assimilation sociology and Chicano/a literature have intersected and evolved over the latter half of the twentieth-century, Ends of Assimilation makes a significant contribution to both disciplines, while highlighting the interdisciplinary nature of the field of Latino/a studies. David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Ends of Assimilation: The Formation of Chicano Literature (Oxford University Press, 2015), John Alba Cutler provides a literary history of Chicano/a literature that tracks the fields formation and evolution from the 1960s forward. The central focus of the book examines the tension between the theories posited by scholars of assimilation sociology and Chicano/a writers whose literary works, focusing on the Mexican American experience, have advanced rival interpretations of the process of assimilation and immigrant incorporation into American society. Whereas the founders of assimilation sociology (Robert Park and Ernest Burgess among others) characterized American culture as homogenously Anglo-Saxon and presumed assimilation was a desirable and natural social process, Cutler shows how Chicano/a literary works have depicted culture as dynamic, multi-faceted, and uncircumscribed by static notions of authenticity or national unity. More than mere anti-assimilationist, Cutler argues that Chicano/a literary works elucidate the productive disjuncture between Chicano/a literature and the sociology of assimilation. Thus, Chicano/a literature is not merely an attempt at cultural resistance or preservation, it is a mode of cultural production as well as cultural representation rooted in the lived experience of racialization. Cutler is also adept at critiquing the evolution of assimilation sociology by illuminating the literary devices (metaphor and allusion) and cultural assumptions/blind spots (race, gender, and sexuality) that undergird attempts to define and describe a scientific process. Indeed, this lends a mystical or spectral quality to if/how assimilation occurs, who desires it, and if/how it can be measured. By illuminating how the two genres of assimilation sociology and Chicano/a literature have intersected and evolved over the latter half of the twentieth-century, Ends of Assimilation makes a significant contribution to both disciplines, while highlighting the interdisciplinary nature of the field of Latino/a studies. David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Ends of Assimilation: The Formation of Chicano Literature (Oxford University Press, 2015), John Alba Cutler provides a literary history of Chicano/a literature that tracks the fields formation and evolution from the 1960s forward. The central focus of the book examines the tension between the theories posited by scholars of assimilation sociology and Chicano/a writers whose literary works, focusing on the Mexican American experience, have advanced rival interpretations of the process of assimilation and immigrant incorporation into American society. Whereas the founders of assimilation sociology (Robert Park and Ernest Burgess among others) characterized American culture as homogenously Anglo-Saxon and presumed assimilation was a desirable and natural social process, Cutler shows how Chicano/a literary works have depicted culture as dynamic, multi-faceted, and uncircumscribed by static notions of authenticity or national unity. More than mere anti-assimilationist, Cutler argues that Chicano/a literary works elucidate the productive disjuncture between Chicano/a literature and the sociology of assimilation. Thus, Chicano/a literature is not merely an attempt at cultural resistance or preservation, it is a mode of cultural production as well as cultural representation rooted in the lived experience of racialization. Cutler is also adept at critiquing the evolution of assimilation sociology by illuminating the literary devices (metaphor and allusion) and cultural assumptions/blind spots (race, gender, and sexuality) that undergird attempts to define and describe a scientific process. Indeed, this lends a mystical or spectral quality to if/how assimilation occurs, who desires it, and if/how it can be measured. By illuminating how the two genres of assimilation sociology and Chicano/a literature have intersected and evolved over the latter half of the twentieth-century, Ends of Assimilation makes a significant contribution to both disciplines, while highlighting the interdisciplinary nature of the field of Latino/a studies. David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJs dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Durán-Cerda was born and raised into a bilingual, multicultural family of dedicated educators: she is Chilean (father), Mexican-American (mother) and American by birth. Her number one priority is her students and that they not only learn the Spanish language but also gain an appreciation for individuals of different cultures, races and ethnicities. Besides being bilingual, Dolores speaks fluent French and has studied German and Russian. She has also traveled to Mexico, Spain, France, Germany, Austria, Switzerland and Belgium. Dolores received her B.A. in Spanish, French and Secondary Education from the University of Iowa, her M.A. in Spanish-American Literature from The University of Arizona, and recently completed her dissertation on Chilean poetry for the University of Arizona. Her areas of specialization are 19th and 20th Century Latin American Literature, 19th and 20th Century Peninsular Literature, Mexican and Chicano Literature.

Juan Felipe Herrera traveled as a child with his parents through many small farming towns and cities in California, until finally settling in San Diego. He has taught poetry from kindergarten to the university level and is the author of numerous poetry and children's books, including Calling The Doves, which won the Ezra Jack Keats Award, and Crashboomlove, which was prized with the Americas Award. He also wrote Upside Down Boy, which was adapted into a musical in New York City, and Laughing Out Loud, I Fly, winner of a Pura Belpré honor award. He holds the Tomás Rivera Endowed Chair in Creative Writing at the University of California, Riverside. [Humanities] [Show ID: 11119]

Juan Felipe Herrera traveled as a child with his parents through many small farming towns and cities in California, until finally settling in San Diego. He has taught poetry from kindergarten to the university level and is the author of numerous poetry and children's books, including Calling The Doves, which won the Ezra Jack Keats Award, and Crashboomlove, which was prized with the Americas Award. He also wrote Upside Down Boy, which was adapted into a musical in New York City, and Laughing Out Loud, I Fly, winner of a Pura Belpré honor award. He holds the Tomás Rivera Endowed Chair in Creative Writing at the University of California, Riverside. [Humanities] [Show ID: 11119]

Juan Felipe Herrera traveled as a child with his parents through many small farming towns and cities in California, until finally settling in San Diego. He has taught poetry from kindergarten to the university level and is the author of numerous poetry and children's books, including Calling The Doves, which won the Ezra Jack Keats Award, and Crashboomlove, which was prized with the Americas Award. He also wrote Upside Down Boy, which was adapted into a musical in New York City, and Laughing Out Loud, I Fly, winner of a Pura Belpré honor award. He holds the Tomás Rivera Endowed Chair in Creative Writing at the University of California, Riverside. [Humanities] [Show ID: 11119]

Juan Felipe Herrera traveled as a child with his parents through many small farming towns and cities in California, until finally settling in San Diego. He has taught poetry from kindergarten to the university level and is the author of numerous poetry and children's books, including Calling The Doves, which won the Ezra Jack Keats Award, and Crashboomlove, which was prized with the Americas Award. He also wrote Upside Down Boy, which was adapted into a musical in New York City, and Laughing Out Loud, I Fly, winner of a Pura Belpré honor award. He holds the Tomás Rivera Endowed Chair in Creative Writing at the University of California, Riverside. [Humanities] [Show ID: 11119]