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It's been nearly two months since election night, when we learned Donald Trump will be the next President of the United States. And since then, we've brought you coverage on how different sections of our society are preparing for this new administration. Today, we're checking in with former US Poet Laureate and recent Genius Grant recipient Juan Felipe Herrera. He's written extensively about the migrant experience in California. Guest: Juan Felipe Herrera, former US Poet Laureate Learn more about your ad choices. Visit megaphone.fm/adchoices
Listen in to 2024 MacArthur Foundation Fellow and former U.S. Poet Laureate Juan Felipe Herrera, interviewed by then Notre Dame MFA candidate in poetry and graduate student Luis Lopez-Maldonado. As a poet, educator, and writer, the John D. and Catherine T. MacArthur Foundation recognizes Herrera for “uplifting Chicanx culture and amplifying shared experiences of solidarity and empowerment.” In this oral history conversation Herrera and Lopez-Maldonado uncover the insight to be gained from playing with language, the value of nurturing one's art accompanied by close friends, and why both individuals and communities should answer the call to write.Thanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career. Learn more about ThinkND and register for upcoming live events at think.nd.edu. Join our LinkedIn community for updates, episode clips, and more.
Today, we're bringing Hispanic Heritage month to a resounding close and celebrating Juan Felipe Herrera's recent MacArthur Fellowship by revisiting my 2015 interview with the former U.S. Poet Laureate and two-time NEA Literature Fellow. In this podcast, Herrera reflects on his upbringing, his love for language, and how his mother's storytelling shaped his own creative voice. He also shares how his poetry addresses displacement and global issues, using his book Senegal Taxi as an example of his willingness to explore stories from other parts of the world. Herrera talks about taking risks as a writer, and the importance of crossing borders, whether they be cultural, linguistic, or emotional.Herrera also speaks about the universality of poetry and its ability to unite people through shared experiences. He describes his time as California's Poet Laureate, where he launched community projects focused on inclusivity and uplifting diverse voices. Throughout the episode, Herrera offers insights into his creative process, including his playful use of language, his bilingual writing, and his commitment to making poetry accessible. This episode is a celebration of a poet who is always pushing the boundaries of form and subject while staying deeply connected to his cultural roots.
Today, we're bringing Hispanic Heritage month to a resounding close and celebrating Juan Felipe Herrera's recent MacArthur Fellowship by revisiting my 2015 interview with the former U.S. Poet Laureate and two-time NEA Literature Fellow. In this podcast, Herrera reflects on his upbringing, his love for language, and how his mother's storytelling shaped his own creative voice. He also shares how his poetry addresses displacement and global issues, using his book Senegal Taxi as an example of his willingness to explore stories from other parts of the world. Herrera talks about taking risks as a writer, and the importance of crossing borders, whether they be cultural, linguistic, or emotional.Herrera also speaks about the universality of poetry and its ability to unite people through shared experiences. He describes his time as California's Poet Laureate, where he launched community projects focused on inclusivity and uplifting diverse voices. Throughout the episode, Herrera offers insights into his creative process, including his playful use of language, his bilingual writing, and his commitment to making poetry accessible. This episode is a celebration of a poet who is always pushing the boundaries of form and subject while staying deeply connected to his cultural roots.
The American Poet Laureate: A History of U.S. Poetry and the State (Columbia University Press, 2023) by Dr. Amy Paeth shows how the state has been the silent centre of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation's Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War. Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Dr. Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organisations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost's “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s. The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The American Poet Laureate: A History of U.S. Poetry and the State (Columbia University Press, 2023) by Dr. Amy Paeth shows how the state has been the silent centre of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation's Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War. Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Dr. Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organisations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost's “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s. The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
The American Poet Laureate: A History of U.S. Poetry and the State (Columbia University Press, 2023) by Dr. Amy Paeth shows how the state has been the silent centre of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation's Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War. Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Dr. Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organisations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost's “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s. The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
The American Poet Laureate: A History of U.S. Poetry and the State (Columbia University Press, 2023) by Dr. Amy Paeth shows how the state has been the silent centre of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation's Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War. Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Dr. Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organisations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost's “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s. The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
The American Poet Laureate: A History of U.S. Poetry and the State (Columbia University Press, 2023) by Dr. Amy Paeth shows how the state has been the silent centre of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation's Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War. Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Dr. Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organisations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost's “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s. The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
The American Poet Laureate: A History of U.S. Poetry and the State (Columbia University Press, 2023) by Dr. Amy Paeth shows how the state has been the silent centre of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation's Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War. Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Dr. Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organisations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost's “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s. The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
The American Poet Laureate: A History of U.S. Poetry and the State (Columbia University Press, 2023) by Dr. Amy Paeth shows how the state has been the silent centre of poetic production in the United States since World War II. It is the first history of the national poetry office, the U.S. poet laureate, highlighting the careers of Elizabeth Bishop, Robert Frost, Gwendolyn Brooks, Robert Pinsky, Tracy K. Smith, Juan Felipe Herrera, and Joy Harjo at the nation's Capitol. It is also a history of how these state poets participated in national arts programming during the Cold War. Drawing on previously unexplored archival materials at the Library of Congress and materials at the John F. Kennedy Presidential Library, Dr. Paeth describes the interactions of federal bodies, including the Central Intelligence Agency, the State Department, and the National Endowment for the Arts, with literary organisations and with private patrons, including “Prozac heiress” Ruth Lilly. The consolidation of public and private interests is crucial to the development of state verse culture, recognizable at the first National Poetry Festival in 1962, which followed Robert Frost's “Mission to Moscow,” and which became dominant in the late 1990s and early 2000s. The American Poet Laureate contributes to a growing body of institutional and sociological approaches to U.S. literary production in the postwar era and demonstrates how poetry has played a uniquely important, and largely underacknowledged, role in the cultural front of the Cold War. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Acción Latina's very own Rebeca Abidaíl Flores sits down with legendary poeta, Juan Felipe Herrera. Juan Felipe served as the U.S. Poet Laureate; they had a conversation in the Laurate Lab Wordist Studio.
Manuel Iris talks with poet and academic Rossy Evelin Lima-Padilla. In this episode, Rossy shares how she crossed the border as an undocumented minor. Her struggle with the English language, and how her love for writing, literature, and community, gave her the strength to become a poet and professor in the United States. Rossy Evelin Lima-Padilla is a United States-based Mexican writer, scholar, translator and activist. She has published her work in numerous journals, magazines and anthologies in Europe, North America and South America. Lima was recognized by the 2014 International Latino Book Awards for her work on Ecos de barro (2013). In 2015, she was recognized in Venice for her poem, Citlalicue with an International poetry award (Premio Internazionale di Poesia Altino). She was awarded the Orgullo Fronterizo Mexicano award given by the Institute for Mexicans Abroad in 2016. In 2017, she was awarded first place in the Concorso Internazionale di Poesia La Finestra Eterea in Milan in 2017. Poet Laureate of the United States, Juan Felipe Herrera, wrote that Migrare, mutare (2017) is "A magnificent set of poems, in a most appropriate time."
Episode 193 Notes and Links to Ethan Chatagnier's Work On Episode 193 of The Chills at Will Podcast, Pete welcomes Ethan Chatagnier, and the two discuss, among other things, Ethan's early reading and writing-John Saul!-his transformative and formative moments and educators at Fresno State, and salient issues in Singer Distance like emotional distance, entropy, father-child relationships, optimism and pessimism, and successful plot structures and schematics. Ethan Chatagnier is the author of Singer Distance, a novel published by Tin House Books in October 2022, and of Warnings from the Future, a story collection from Acre Books in 2018. His short fiction has appeared in a variety of literary journals including the Kenyon Review Online, Georgia Review, New England Review, Story, Five Points, Michigan Quarterly Review, and the Cincinnati Review. His stories have won a Pushcart Prize and been listed as notable in the Best American Short Stories and the Million Writers Award. He is a graduate of Fresno State, where he won the Larry Levis Prize in Poetry, and of Emerson College, where he earned an MA in Publishing and Writing. He lives in Fresno, California with his family. Buy Singer Distance Ethan's Website Review of Singer Distance from Kirkus Review At about 3:00, Ethan discusses his early relationship with reading and writing-John Saul shout out! At about 6:30, Ethan discusses his wrestling career and how writing and reading became more of interest At about 9:30, Ethan discusses mentors and great professors at Fresno State, including Juan Felipe Herrera and Steve Yarbrough At about 11:40, Ethan responds to Pete's questions about whether or not he wants to write widely or more focused on single subjects At about 14:10, Ken Kalfus' Equilateral is cited as inspiration for Singer Distance At about 15:15, Erika Swyler, Kazuo Ishiguro, and R.F. Kuang are shouted out as contemporary writers who thrill and challenge Ethan At about 17:20, Pete compliments Ethan for plot twists and asks him about how he balances science and plot At about 18:15, Ethan summarizes the book and gives necessary background information and backstory At about 23:15, Ethan responds to Pete's wondering about the speculative nature of women, especially Crystal Singer, in a pre-ERA world At about 24:40, Pete reads a profound line from the book and asks Ethan about young and fervent love's role in the book At about 26:50, Ethan connects an analogy about garbage in the book to Crystal and Rick's relationship At about 28:30, Ethan and Pete share some of the early plot and discuss ideas of fame and ethereal happiness At about 31:50, Ethan sums up Crystal's actions after her great feat in the Arizona desert, and what motivations she might have had due to her family situation At about 34:30, Crystal and Rick are discussed in their shared love for Holliday, a famous scientist in the media At about 36:35, Pete wonders about Rick's fractured relationship with his dad, Ethan talks about it being “a rift that was waiting to happen” At about 37:55, Ethan shares a telling anecdote about fathers and sons from Steve Yarbrough's class at Fresno State At about 39:30, Pete notes the ways in which “distance” is used in the book and spotlights a beautifully-drawn scene At about 40:25, Pete lays out the book's structure and its parts and charts the beginning of Part II At about 42:00, Ethan follows up on Pete noting that Rick's colleague Angie can't quite break through his emotional armor and why Rick sort of “get[s] by” in life and in his career At about 44:25, The two discuss entropy and its usage in the book At about 45:00, “Loneliness on the top” and obsession with regards to Crystal is discussed; he also juxtaposes with an author's situation in writing a second book after a successful first one At about 48:55, Pete reads some heaping praise for the book, including from NPR, and Ethan talks about connections made and renewed after publicity for the book At about 50:40, Pete asks Ethan about optimism and pessimism in the book, specifically in its ending; Ethan calls it “surprisingly hopeful” and gives an example of a vastly-depressing short story of his At about 55:15, Ethan talks about his work and any interest in screenwriting At about 57:45, Ethan talks about choosing upcoming projects, and gives out social media and contact information You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 194 with Ruth Madievsky, whose debut novel, All-Night Pharmacy, came out on July 11 with Catapult, and has been named a Best/Most Anticipated 2023 Book by The Los Angeles Times, Vogue, and Buzzfeed. Ruth's debut poetry collection, Emergency Brake, was winner of the Wrolstad Contemporary Poetry Series. The episode will air on July 25.
Herrera, the first Latino U.S. poet laureate, is in town for a summer institute hosted by O, Miami and the Poetry Foundation. He's helping teachers from around the country build lesson plans for their classrooms.
Episode 167 Notes and Links to Mai Der Vang's Work On Episode 167 of The Chills at Will Podcast, Pete welcomes Mai Der Vang, and the two discuss, among other things, her childhood as bilingual and a voracious reader, formative writers and writing in her life, catalysts to write about Hmong culture, and specifically the towering achievement that is Yellow Rain, with its depiction of an often-dehumanized and preyed upon people and other pertinent issues of empire and colonization. Mai Der Vang is the author of Yellow Rain (Graywolf Press, 2021), winner of the Lenore Marshall Poetry Prize from the Academy of American Poets, an American Book Award, and a finalist for the 2022 Pulitzer Prize in Poetry, along with Afterland (Graywolf Press, 2017), winner of the First Book Award from the Academy of American Poets. The recipient of a Lannan Literary Fellowship, her poetry has appeared in Tin House, the American Poetry Review, and Poetry, among other journals and anthologies. She teaches in the MFA Program in Creative Writing at Fresno State. Buy Yellow Rain Mai Der Vang's Website “Review: YELLOW RAIN – Mai Der Vang (Graywolf Press),” by Ronnie K. Stephens, The Poetry Question, November 18, 2021 Interviews/Press for Mai At about 6:40, Pete and Mai Der shout Fresno stars like Lee Herrick, Juan Felipe Herrera, At about 8:00, Mai gives background on her reading and language relationships, starting from childhood, and leading to an overview of her multigenerational family background and Hmong as her first language At about 12:00, Mai responds to Pete's question about representation for Hmong people in the literary world, including the awkward links to Fadiman's The Spirit Catches You and You Fall Down At about 16:15, Mai discusses writers and writing that have been “game-changers” for her, including the work of Juan Felipe Herrera, Cathy Park Hong, Solmaz Sharif, and Douglas Kearney At about 19:00, Pete asks Mai about any “ ‘Eureka' moments” that have guided her into writing as a profession; she cites the Hmong Community Writers' Collective as a guiding force At about 21:35, Mai answers Pete's questions about ideas of dialogue and silence in Hmong communities regarding the “Secret War” and its aftermath At about 24:15, Pete outlines Yellow Rain's opening and asks Mai about “following the rains”-she details her research (10 years!) At about 25:05, Pete refers to a review of the book from The Poetry Question saying the book “defies genre”-Pete asks about goals in mind for the book, regarding its unique and diverse styles At about 27:40-34:05, Pete cites the Wikipedia article regarding “Yellow Rain” and asks Mai for a background on it in connection to the Hmong and their lives post-”Secret War” At about 34:05, Pete quotes from and asks about some of the collection's early poems and refers to ideas of the Hmong as disregarded; Mai discusses an oft-quoted line about “gardening” At about 36:20, Pete and Mai make comparisons between Roberto Lovato's incredible work with Unforgetting and Mai's work At about 37:10, Pete and Mai discuss a disastrous and racist Radiolab interview regarding the Hmong and yellow rain At about 39:00, Pete and Mai discuss the theme of dehumanization that runs throughout her collection At about 40:40, Mai talks about the ineptitude and missteps that led to an inability to make definitive proclamations about yellow rain's provenance At about 44:05, The two discuss the double meanings of “specimen” and the ways in which a possible chemical weapon used against the Hmong was incredibly destructive and hard to trace At about 45:30, The bees are investigated and discussed-ideas that bee feces may have been the reason for the yellow mist were put forth At about 49:00, Ideas of colonization and American empire are investigated via the book's poems At about 52:35, Pete reads a line that sums up so profoundly ideas of “what if's” and At about 53:50, Mai talks about ideas of resistance and about any possible political and cultural actions-i.e., the future and any advocacy At about 59:00, Mai reads the last poem of the collection, “And Yet Still More” and discusses some key lines At about 1:02:55, Mai gives contact and social media info You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 168 with Dur e Aziz Amna. She is from Rawalpindi, Pakistán, now living in Newark, NJ, her work has appeared in the New York Times and Al Jazeera, among others; was selected as Forbes 30 Under 30 in 2022; her standout debut novel is American Fever. The episode will air on February 21.
by Juan Felipe Herrera
by Juan Felipe Herrera
Nacida en La Habana, Cuba, pero viviendo en Venezuela por más de 20 años y ahora en los Estados Unidos, Kelly Martínez Grandal es una escultora de la palabra, una constructora de imágenes que revelan su gran preocupación por los problemas del mundo. Ella dice que vive "asomada al mundo", preocupada por el tránsito, por lo que sucede. Vengan a conocer su obra, tanto en prosa como en poesía y a disfrutar de una conversación que será una provocación a que pensar qué es la escritura y cuál es el lugar del escritor. Dos de sus libros son: Zugunruhe que ganó medalla de plata en la categoría de libro bilingüe, Premio de Poesía Juan Felipe Herrera del International Latino Book Awards y Muerte con campanas (Suburbano Ediciones, 2021).
In this episode of Words on a Wire we're here to bring you a very special show, a tribute to American poet and writer Benjamin Alire Saenz. This show is a compilation of the most memorable moments of the event, back in April of the present year at the El Paso Community Foundation. Featuring writers Daniel Chacón, Alessandra Narvaez Varela, Tim Z. Hernández, Lee Merrill Byrd and Bobby Byrd, Alfredo Corchado and Former US Poet Laureate, Juan Felipe Herrera as the principal guest speakers of the event.A big thank you to our team of producers Claudia Flores, Ana Llurba and Iliana Pichardo Urrutia and to the entire team that made this episode posible. Our Sound Editor: Facundo Torrieri. Script writer: Iliana Pichardo and our KTEP Producer Paul Castro and his team for helping us recording this wonderful event. We would also like to thank the El Paso Community Foundation, former, Dean of the college of Liberal arts at UTEP Denis A. O'Hearn and his team for making this event possible. And lastly to the Creative Writing Team from the Creative Writing Department at UTEP, for helping with the organization and marketing of the event.Benjamin Alire Sáenz is an author of poetry and prose for adults and teens. He was the first Hispanic winner of the PEN/Faulkner Award and a recipient of the American Book Award for his books for adults. He is the author of Aristotle and Dante Discover the Secrets of the Universe, which was a Printz Honor Book, the Stonewall Award winner, the Pura Belpré Award winner, the Lambda Literary Award winner, and a finalist for the Amelia Elizabeth Walden Award, and its sequel, Aristotle and Dante Dive into the Waters of the World. His first novel for teens, Sammy and Juliana in Hollywood, was an ALA Top Ten Book for Young Adults and a finalist for the Los Angeles Times Book Prize. His second book for teens, He Forgot to Say Goodbye, won the Tomás Rivera Mexican American Children's Book Award, the Southwest Book Award, and was named a New York Public Library Book for the Teen Age. He lives in El Paso, Texas.
The Tenth Edition introduces diverse, compelling, relevant texts-from Civil War songs and stories to The Turn of the Screw to The Great Gatsby to poems by Juan Felipe Herrera and Claudia Rankine to a science fiction cluster featuring Octavia Butler and N. K. Jemisin. And continuing its course of innovative and market-responsive changes, the anthology now offers resources to help instructors meet today's teaching challenges. Chief among these resources is InQuizitive, Norton's award-winning learning tool, which includes interactive questions on the period introductions and often-taught works in the anthology. In addition, the Tenth Edition maintains the anthology's exceptional editorial apparatus and generous and diverse slate of texts overall. Available in print and as an annotatable ebook, the anthology is ideal for online, hybrid, or in-person teaching. William Domnarski is a longtime lawyer who before and during has been a literary guy, with a Ph.D. in English. He's written five books on judges, lawyers, and courts, two with Oxford, one with Illinois, one with Michigan, and one with the American Bar Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Tenth Edition introduces diverse, compelling, relevant texts-from Civil War songs and stories to The Turn of the Screw to The Great Gatsby to poems by Juan Felipe Herrera and Claudia Rankine to a science fiction cluster featuring Octavia Butler and N. K. Jemisin. And continuing its course of innovative and market-responsive changes, the anthology now offers resources to help instructors meet today's teaching challenges. Chief among these resources is InQuizitive, Norton's award-winning learning tool, which includes interactive questions on the period introductions and often-taught works in the anthology. In addition, the Tenth Edition maintains the anthology's exceptional editorial apparatus and generous and diverse slate of texts overall. Available in print and as an annotatable ebook, the anthology is ideal for online, hybrid, or in-person teaching. William Domnarski is a longtime lawyer who before and during has been a literary guy, with a Ph.D. in English. He's written five books on judges, lawyers, and courts, two with Oxford, one with Illinois, one with Michigan, and one with the American Bar Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
The Tenth Edition introduces diverse, compelling, relevant texts-from Civil War songs and stories to The Turn of the Screw to The Great Gatsby to poems by Juan Felipe Herrera and Claudia Rankine to a science fiction cluster featuring Octavia Butler and N. K. Jemisin. And continuing its course of innovative and market-responsive changes, the anthology now offers resources to help instructors meet today's teaching challenges. Chief among these resources is InQuizitive, Norton's award-winning learning tool, which includes interactive questions on the period introductions and often-taught works in the anthology. In addition, the Tenth Edition maintains the anthology's exceptional editorial apparatus and generous and diverse slate of texts overall. Available in print and as an annotatable ebook, the anthology is ideal for online, hybrid, or in-person teaching. William Domnarski is a longtime lawyer who before and during has been a literary guy, with a Ph.D. in English. He's written five books on judges, lawyers, and courts, two with Oxford, one with Illinois, one with Michigan, and one with the American Bar Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
Former U.S. Poet Laureate Juan Felipe Herrera shares poems that consider the questions, what exactly is poetry? What does it do? Herrera crafts an expansive answer to these questions through Marvin Bell's reflection on poetry as philosophy (“The Poem”), Denise Levertov's engagement with truth in sacred spaces (“The Day the Audience Walked Out on Me, and Why”), and Lorna Dee Cervantes's assertion that poetry is the force and form of resistance (“From the Bus to E.L. at Atascadero State Hospital”). To close, Herrera shares his poem “For George Floyd, Who Was a Great Man,” a work that encapsulates humanity, compassion, action, and protest. You can listen to the full recordings of Bell, Levertov, and Cervantes reading for the Poetry Center on Voca:Marvin Bell (1977)Denise Levertov (1973) Lorna Dee Cervantes (1991)You can also enjoy two recordings of Juan Felipe Herrera on Voca, from 1993 and 2009.Have you checked out the new Voca interface? It's easier than ever to browse readings, and individual tracks can be shared. Many readings now include captions and transcripts, and we're working hard to make sure every reading will have these soon.
En este episodio de Poesía para el Corazón y para el alma, la poetisa Colombo Americana, Davina Ferreira nos regala una nueva serie de poemas en Español, los cuales serán parte de una de sus nuevas colecciones de poesía. El año pasado, Ferreira recibió el premio Juan Felipe Herrera al mejor libro de poesía en Inglés como parte del Festival Internacional de Libros Latinos en Los Estados Unidos por su libro de poesía en Inglés: If Love Had A Name. In this new episode of Poesía para el Corazón Award Winning poet, Davina Ferreira gifts us a series of new poems in Spanish from one of her upcoming poetry books Last year, Ferreira received The Juan Felipe Herrera Best Poetry Book Award by the Latino International Book Festival for her poetry collection in English: If Love Had A Name.
Ken Weisner chats with Julie Murphy about odes, owls and homages. Ken has published three volumes of poetry with Santa Cruz's own Hummingbird Press, including Anything on Earth in 2010 and Cricket to Star in 2019. Ken edits Red Wheelbarrow through De Anza College, where he also teaches. Ken coordinates, with Poetry Center San José, the annual Red Wheelbarrow Poetry Prize—this year's final judge, Juan Felipe Herrera. In an earlier stage of life, Ken earned a doctorate in comparative literature from UC Santa Cruz and an MFA from the Iowa Writers Workshop. He also teaches poetry writing at Salinas Valley State Prison, currently using remote lesson plans. Please join us to hear poems from Ken's new manuscript and a lively conversation.
Sara Borjas introduces poems that focus on the connections between a particular, collective ‘us'—people connected by lineage or language, by place, or by the acts of writing and reading. She shares Layli Long Soldier's exploration of wholeness and mother-daughter relationships (“WHEREAS her birth signaled…”), Juan Felipe Herrera's centering of people and complexity (“Let Us Gather in a Flourishing Way”), and Richard Siken's breaking of the fourth wall to implicate the reader (“Planet of Love”). To close, Borjas reads her poem “Narcissus Complicates an Old Plot,” a celebration of mothers and daughters, language, and community rooted in place.Watch the full recordings of Long Soldier, Herrera, and Siken reading for the Poetry Center on Voca:Layli Long Soldier (2017)Juan Felipe Herrera (2009)Richard Siken (2002)Transcripts for each episode are available here. Click on the episode title, then click on the transcript tab at the bottom of the player. Poems are transcribed as read and do not represent the published work.
Anthony Cody selects poems that ask hard questions about war, borders, gender, power, US history, and ourselves—questions asked in order to remind us of the discomfort necessary for change on individual and collective levels. Cody shares Pat Mora's inversion of relationships between speaker and audience, pursuer and pursued (“La Migra”), Michael S. Harper's use of staccato repetition to sear atrocity into memory (“A White Friend Flies in from the Coast”), and Diana García's revelation of truths that span generations (Excerpts from “Serpentine Voices”). Cody closes with his translation of Juan Felipe Herrera's “Dudo las Luces / I Question the Lights,” which draws attention to the forgotten in our political landscape.You can find the full recordings of Mora, Harper, and García reading for the Poetry Center on Voca:Pat Mora (1996)Michael S. Harper (1973)Diana García (2002)
The last five years highlighted the racism, xenophobia, and islamophobia which exists in American society—but it didn't start then. In his new book Go Back to Where You Came From And Other Helpful Recommendations on How to Become American, my guest Wajahat Ali takes a clear-eyed and very funny look at this dark part of our American identity. "Wajahat Ali's deeply personal and keenly perceptive memoir is a clear-eyed account of his American immigrant experience.… We are all fortunate to be on the receiving end of not only his intellect, but his humanity and heart." ― Katie Couric, Emmy Award-winning journalist "This is the book I've been hoping Wajahat Ali would write for ten years―hilarious, stylistically fearless, deeply humane." ― Dave Eggers, author of The Every "Wajahat Ali has already proven that he is the fastest mind on TV. Now his fans can sample his brilliance on the page." ― Ishmael Reed, author of The Terrible Fours "This book is a tour de force―equal parts tragedy and laugh-out-loud comedy. With brazen wit, rigorous analysis, and searing insight, Wajahat Ali speaks to the first-generation American's dilemma of being both ‘us' and ‘them.'" ― Suleika Jaouad, author of Between Two Kingdoms "A hilarious and heartwarming treatise on what it truly means to be American in the twenty-first century. You'll be laughing so hard you won't even notice the inevitable Islamic takeover of America! Oops, I've said too much." ― Reza Aslan, author of God: A Human History "Wajahat Ali brilliantly and lovingly unpacks the complicated history and urgent lived experience of being otherized in America.… [A] rich feast for all the senses―a must-read." ― S. E. Cupp, author of Losing Our Religion "This powerful and moving book is, at its heart, a love story. The beloved, flawed and tragic -- so flawed, so tragic -- is America. The lover's hope is always undermined. And yet his hope somehow endures." ― Mohsin Hamid, author of Exit West "Find a place on your bookshelf between Mark Twain and James Baldwin. Read this book before putting it there." ― Timothy Snyder, author of On Tyranny "With wit and charm, Ali has delivered a masterful meditation on growing up brown in America...An intoxicating rejection of cynicism in the face of existential threats to multiracial democracy, and a clear-eyed call to arms against the forces seeking to stop the expansion of American democracy. An affirmation of the country America could be." ― Mara Gay, editorial board, New York Times "In prose at times hilarious and at other times deeply moving, Wajahat Ali chronicles a uniquely American experience. All will benefit from reading his story." ― Representative Ilhan Omar "Full of wisdom and compassion, not to mention Ali's signature humor. As educational as it is entertaining. I wish my nine-year-old immigrant self had this book when the playground kids were telling me to go back where I came from.”" ― Gary Shteyngart, author of Our Country Friends "A tender knife-sharp analysis of racism . . . personal, painful, familial, and global" ― Juan Felipe Herrera, United States Poet Laureate Emeritus --This text refers to the hardcover edition. --- Send in a voice message: https://anchor.fm/alyssa-milano-sorry-not-sorry/message
This Hispanic Heritage Month we recognize Juan Felipe Herrera. He is the 21st US Poet Laureate and the first Mexican American to hold that honor. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today, as a continuation of my focus on immigration, and in celebration of Cinco de Mayo, I read poems by Chicano poets Gloria Evangelina Anzaldúa, Lorna Dee Cervantes, Sandra Cisneros, Juan Felipe Herrera, Tino Villanueva, and Daniel A. Olivas, and by Mexican poets Octavio Paz and Carmen Boullosa.
“This is a beautiful, powerful book… This story is a great tool for educators and will inspire children to share their stories… This book should be in every library, school, and home.” Julie Su, California Secretary of Labor, President Biden’s nominee for U.S.Deputy Secretary of Labor “As an immigrant myself, the book brought tears of joy thinking of the thousands of young Flors who will see themselves in this book and realize they too can make a difference.” Julieta Garibay, Co-founder of United We Dream “Alejandra gives us a gift of courage and endurance… A magnificent book and model for all ages, schools and communities.” – Juan Felipe Herrera, Poet Laureate of the USA, Emeritus Buy your copy: http://hardballpress.com/little-heroes.html Overview of Para Todos For All PFlor and her father leave their beloved country for the promise of a land called For All. Dad works long hours for little pay, while Flor struggles to find her place in school. In time, Flor realizes that not having the proper immigration papers means her father must work in unfair & unsafe conditions, and that doors of opportunity will be closed to her. Flor picks up her green pen and writes from the heart about immigrants excluded from "justice for all." She inspires others to take action in the hope their new country will live up to its ideals. A timely, bilingual story written in musical rhyme, beautifully illustrated, calling children to compassion and courage. About the Author (via Children’s Book Review) - Alejandra Domenzain is the daughter of Mexican immigrants. She was born in the United States, and her family moved back to Mexico and then returned to stay when she was six years old. Alejandra was always passionate about advocating for social justice, and has worked in the field of immigrant labor rights for over 20 years. This has included doing outreach and education, organizing, policy work, and research with organizations ranging from national civil rights organizations to worker centers. Most of her work has focused on expanding labor rights for immigrant workers and giving them the tools they need to improve their working conditions. Alejandra lives in the San Francisco Bay Area in California with her Brazilian husband and two school-aged children. For All/ Para Todos is her first children’s book, but she hopes to publish many more! For more information, visit forall-paratodos.net. About the Illustrator - Katherine Loh is an artist, illustrator, and muralist who believes that art can be not only visually arresting, but also a powerful tool for social dialogue and political change. Guided by the belief that each of us counts and that we deserve to be treated fairly and with dignity, Katherine uses her art to document and celebrate the stories of people and communities. Currently based in Switzerland, Katherine is working to introduce art as a tool for social impact and community empowerment there. Having worked and lived across the United States and many parts of the world, her love for diversity and multiculturalism informs her work every day. Published by Hard Ball Press - Tim Sheard is the Executive Editor of Hard Ball Press Veteran nurse Timothy Sheard is a writer, publisher, mentor to writers and union organizer with the National Writers Union, UAW Local 1981. After writing 7 mystery novels featuring hospital custodian-shop steward Lenny Moss, he launched Hard Ball Press to help working class people write and publish their stories. Timothy believes that when workers write and tell their stories, they build rank and file solidarity and union power, as well strengthening the fight for social justice solidarity. Their stories help to combat the anti-labor and anti-working class assaults by the One Percent. Hard Ball Press is the premier publisher of working class life. You can watch EML’s interview with Tim Sheard here: https://www.empathymedialab.com/post/pandemic-nurse-s-diary-a-tribute-to-healthcare-workers-fighting-covid-19 About Empathy Media Lab - The Harmony of Interest series explores ideas that positively shape our world. Empathy Media Lab is produced by Evan Matthew Papp and we are a proud member of the Labor Radio Podcast Network. Support media, authors, artists, historians, and journalists, who are fighting to improve the prosperity of the working class. All Links - https://wlo.link/@empathymedialab
Allison Adelle Hedge Coke curates poems by writers who have influenced her own writing through their creative leadership, mentoring, or poetics of belonging. She introduces Juan Felipe Herrera’s invitation to a spirit of generosity and care (“Let Us Gather in a Flourishing Way”), Quincy Troupe’s musically attuned tribute to his father (“Poem for My Father”), and Arthur Sze’s transformative vision that unites intelligence with grace (“Adamant”). To close, Hedge Coke reads her poem “Ghost,” acknowledging the role voices from the past can play as educators for the living.Watch the full recordings of Herrera, Troupe, and Sze reading for the Poetry Center on Voca:Juan Felipe Herrera (2008)Quincy Troupe (2001)Arthur Sze (2019)You can also watch a celebration of Sing: Poetry from the Indigenous Americas (2011), an anthology edited by Allison Adelle Hedge Coke, on Voca.
Au cœur du département du Quindio, dans le eje cafetero colombien, Juan Felipe Herrera cultive depuis plusieurs années un café qui ne correspond pas aux standards de la fédération nationale de caféiculteurs. Son café, dit “naturel”, respecte un process ancestral, à savoir qu'il n'est pas lavé après sa récolte. Ceci permet d'économiser d'énormes quantités d'eau, de protéger l'environnement et le paysage magnifique qui entoure sa ferme, mais aussi de sensibiliser les acteurs de ce secteur à de nouveaux modes de production. Son café, appelé “Café Anarkista” est depuis peu importé en France par l'entreprise Un café pour Demain, qui tente de valoriser le travail de ces producteurs de l'autre bout du monde.Rencontre avec Juan Felipe Herrera et Adrien Pommier.
Show Notes and References From Episode 43 On Episode 43, Pete is honored to speak with Luis Alberto Urrea, award-winning writer, educator, humanitarian, and one heck of a humorous and generous guy. The two discuss a myriad of topics, with many revolving around his most recent book, The House of Broken Angels, an emotionally-shattering, frenetic, and gorgeous novel, and his Pulitzer Prize-nominated nonfiction work, The Devil's Highway. -at about 6:40, Luis talks about growing up in Tijuana as an “artsy kid” who was “infected with a desire for art,” writing and drawing -at about 10:10, Luis talks about his incredible encounter with Ursula LeGuin (regarding a piece that he wrote about his father's death) that changed his life -at about 14:05, Luis recounts another life-changing event in his literary life, involving friends and a pivotal question from an early reader of his -at about 16:25-Luis talks about his father's attempts at getting Luis to read more texts en español and the “culture war” inside his house -at about 19:05-Luis talks about writing about his father's tragic death -at about 24:45-Luis talks about those writers and texts who brought him “chills at will,” starting with hearing Dickens as a kid, read by his mother, “seeing waves of the ocean formed by words” -at about 27:25-Luis talks about more chill-inducing reading-his love of Poe and Ambrose Bierce and being blown away by Ray Bradbury -at about 29:30-Luis talks about the beauty and surrealism of being accepted into the “Writers' Club” -at about 30:30-Luis talks about the community of writers and his experience in his early days of writing and work in the community, including his connection with Alurista, Father Cesar Gonzalez, Rudolfo Anaya, Juan Felipe Herrera, and more-this time is what he calls his “training period” and “all about service” -at about 34:45, Luis talks about an interesting character, Dave, from The House of Broken Angels, and his connection to real-life Jesuit activist Father Dave Ungerleider -at about 37:25, Luis discusses being in service, as a bicultural and bilingual person who has built “bridges, rather than borders” -at about 39:25, Luis discusses The Devil's Highway and how he came to be the writer of such a book -at about 43:20, Luis talks about his early wariness on both sides with Border Patrol as he researched the book, as well as the work of researching -at about 53:40, Luis talks about looking back at Devil's Highway years later and all that entails -at about 55:00, Pete and Luis talk about Luis' use of second person narration to great effect, and Luis talks about the inspirations/motivations for second person, including his admiration for the way his friend
Caitlyn Shea is the Event and Media Director at the Walt Whitman Birthplace. Facebook: @CaitlynSheaPainter Instagram: @CaitlynArtist "The Nanny Reviews": @thenannyreviews (Instagram and Twitter) Show Notes: Compagnia De' Colombari: https://www.colombari.org/more-or-less-i-am Juan Felipe Herrera: https://www.poetryfoundation.org/poets/juan-felipe-herrera "A Child Went Forth": https://whitmanarchive.org/published/LG/1891/poems/202 (The Whitman Archive) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ivorytowerboilerroom/support
This event is now available to watch on our YouTube page, alongside the rest of our 2020 festival programming. Co-presented by City Lights Booksellers & Publishers "From Basho to Mandela, Every Day We Get More Illegal takes us on an international tour for a lesson in the history of resistance...In ways subtle and sometimes proudly loud, this book makes it clear exactly why Juan Felipe Herrera continues to be recognized and sought after for his work."—Jericho Brown Join Litquake and City Lights in celebrating the publication of Juan Felipe Herrera’s Every Day We Get More Illegal. In this collection of poems, written during and immediately after two years on the road as United States Poet Laureate, Herrera reports back on his travels through contemporary America. Poems written in the heat of witness, and later, in quiet moments of reflection, coalesce into an urgent, trenchant, and yet hope-filled portrait. Every Day We Get More Illegal is a jolt to the conscience—filled with the multiple powers of the many voices and many textures of every day in America. Herrera, the nation’s first Latino Poet Laureate, will share his work, along with Jericho Brown, author of three collected works, of which The Tradition received the 2020 Pulitzer Prize for Poetry. FREE, $5-10 suggested donation Buy books and support the poets: Juan Felipe Herrera -- http://www.citylights.com/book/?GCOI=87286100162250 Jericho Brown -- https://bookshop.org/a/11096/9781556594861 Browse Litquake's bookstore here -- https://bookshop.org/shop/litquake
BILINGUAL: ENGLISH/ESPAÑOL Manuel Frau Ramos, fundador y editor de El Sol Latino, y Natalia Muñoz de Holyoke Media, conversan en español e inglés con el reconocido autor, poeta y artista profesor de inglés en la Universidad of Massachusetts-Amherst, Martín Espada. La obra más reciente de Martín Espada es de editor de una antología, la cual el es el editor, que lleva el provocativo título "What Saves Us: Poems of Empathy and Outrage in the Age of Trump." Publicado a finales del año pasado (October 15, 2019). Además, algo que ha sido muy importante, es que Martín ha sido un consistente aliado de El Sol Latino, como muy pocas personas lo ha sido. Martín Espada nació en Brooklyn, Nueva York en 1957. Ha publicado casi 20 libros como poeta, editor, ensayista y traductor. La antología reúne una extraordinaria diversidad de voces. Entre los 93 poetas incluidos en este proyecto se encuentran, Elizabeth Alexander, Julia Álvarez, Richard Blanco, Carolyn Forché, Aracelis Girmay, Donald Hall, Juan Felipe Herrera, Yusef Komunyakaa, Naomi Shihab Nye, Marge Piercy, Robert Pinsky, Danez Smith, Patricia Smith, Brian Turner, Ocean Vuong, Bruce Weigl, y Eleanor Wilner. Espada reciente publicó el 17 de julio de 2020 una poesía en revista digital 80grados.net dedicada al doctor en medicina y padre del movimiento independentista de Puerto Rico, Ramón Emeterio Betances. La poesía publicada en la "The Five Horses of Doctor Ramón Emeterio Betances" resalta las virtudes humanista. Esta obra esta acompañada con una introducción titulada, "Del Covid al cólera según Espada (y Betances)", escrita por el catedrático auxiliar en el Departamento de Español y Portugués de la Universidad de Texas en Austin, César A. Salgado. Puedes conocer más sobre el prolífico autor Martin Espada y su extensa obra literaria visitando su página hwww.martinespada.net. Y EN ESTOS SITIOS: Twitter: https://twitter.com/mespadapoet/status/1299361822751981569 FB: https://www.facebook.com/martinespadapoet/posts/249376860059783 IG: https://www.instagram.com/p/CEcAwvOhQGN/
This content is for Members only. Come and join us by subscribing here In the meantime, here’s some more details about the show: It’s a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he’ll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 22nd October 2020 Artist - Track - Album - Year Benjamin Boone Truths (feat. Lee Herrick) The Poets Are Gathering 2020 Rina Run and Rise Rina 2020 Jorge Garcia Purple Haze Crossover 2019 Brian Bromberg Purple Haze Bromberg Plays Hendrix (2012) 2020 Jorge Garcia Black Dog Crossover 2019 Jazz Sabbath Hand of Doom Jazz Sabbath 2020 Ben Rosenblum Nebula Project Halfway to Wonderland Kites and String 2020 Uptown Jazz Tentet Pursue What's Next 2020 Juliet Kurtzman & Pete Malinverni Flashes Candlelight: Love in the Time of Cholera 2020 Radam Schwartz Organ Big Band What to Do Message from Groove and GW 2020 Noah Haidu The Tonality of Atonement Doctone 2020 Marshall Gilkes Trio Waiting to Continue Waiting to Continue 2020 John Fedchock NY Sextet Into the Shadows Into the Shadows 2020 The Big Bad Bones feat. Scott Whitfield Eulogy Emergency Vehicle Blues 2020 Conrad Herwig Peace The Latin Side of Horace Silver 2020 Gediminas Karkauskas Not to Sugar Coat What Has Gone on Here Lost Suite 2020 Benjamin Boone The Poets are Gathering (feat. Juan Felipe Herrera) The Poets Are Gathering 2020 Benjamin Boone Song (feat. Edward Hirsch) The Poets Are Gathering 2020 Benjamin Boone Spiral (feat. Marisol Baca) The Poets Are Gathering 2020 The post The Creative Source (#CreativeSource) – 22nd October 2020 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.
This week, AWM Facilities Supervisor, Cristina Carrera, chats with former U.S. Poet Laureate Juan Felipe Herrera about his new collection Every Day We Get More Illegal. We hope you enjoy entering the mind of a writer. Find more podcast episodes here. EPISODE HIGHLIGHTS “Instead of more openness, the doors seem to be bigger and tighter [...]
This week, AWM Facilities Supervisor, Cristina Carrera, chats with former U.S. Poet Laureate Juan Felipe Herrera about his new collection Every Day We Get More Illegal. We hope you enjoy entering the mind of a writer. Find more podcast episodes here. EPISODE HIGHLIGHTS “Instead of more openness, the doors seem to be bigger and tighter [...]
Reflections on Juan Felipe Herrera by Luis Alberto Urrea
Hello folks. Welcome to episode 24 of Poet-Thread w/ckhanson81. In this episode I talk about the former United States poet laureate, Mr. Juan Felipe Herrera. I talk about his poem, "breathe we". found at poets.org on the world wide web. This poem was posted on September 14, 2020 by the academy of american poets via poets.org. Thank you folks. pleasant wishes. Sincerely, Christopher. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ckhanson81/support
Recorded by Juan Felipe Herrera for Poem-a-Day, a series produced by the Academy of American Poets. Published on September 14, 2020. www.poets.org
Live from their new studio, Mary & Wyatt talk about their experiences with therapy. They discuss finding a therapist, making a connection with a therapist, and how to take care of yourself after an appointment. They also talk about what to do if you can't afford therapy. And Wyatt goes pretty deep into some weird stuff about Freud and Jung. Also on the agenda: Wyatt wants to live in a fancy hotel lobby, Mary & Wyatt are going off-grid, and poems by Tiana Clark and Juan Felipe Herrera.
Nicole and Matthew discuss how this time of safe-at-home is giving readers and bookmakers opportunity to reimagine our world through activism, design, kindness, and mindfulness. Joining is special guest Peter H. Reynolds, best-selling children’s book author, illustrator, bookshop owner, founder of FableVision, and an advocate for creativity and children of all ages. This episode is sponsored by: Lit Stitch: 25 Cross-Stitch Patterns for Book Lovers, made by Book Riot and Abrams Stepping Stones by Lucy Knisley, from Random House Graphic The Messy Life of Blue by Shawna Railey, from Little Bee Books To get even more kidlit news and recommendations, sign up for our The Kids Are All Right newsletter! RELEVANT LINKS: Peter H. Reynolds (homepage) BOOKS DISCUSSED ON THE SHOW: PICTURE BOOKS: What If… by Samantha Berger; illustrated by Mike Curato The Breathing Bookby Christopher Willard, PsyD and Olivia Weisser; illustrated by Alison Oliver Woke: A Young Poet’s Call to Justice by Mahogany L. Browne, Elizabeth Acevedo, Olivia Gatwood, and illustrated by Theodore Taylor, III You Matter by Christian Robinson The Bear’s Garden by Marcie Colleen; illustrated by Alison Oliver Imagine by Juan Felipe Herrera; illustrated by Lauren Castillo What Do You Do With an Idea? by Kobi Yamada; illustrated by Mae Besom MIDDLE GRADE: A Good Kind of Trouble by Lisa Moore Ramée Strange Birds by Celia C. Perez What Lane?! by Torrey Maldonado WHERE TO FIND CHILDREN’S BOOKS DURING QUARANTINE Your local library – Even as libraries are closing for the quarantine, they have a ton of e-books, resources, and movies for kids. Epic! – Epic! is the Leading Digital Library for Kids 12 & Under Susan Tan’s Authors Everywhere YouTube channel How Kids’ Lit Is Responding to the Coronavirus Read, Wonder, and Learn – Favorite Authors & Illustrators Share Resources for Learning Anywhere COVID-19 Resources compiled by We Need Diverse Books Resources for Online PreK-12 Teaching During COVID and Beyond Little free libraries – There may be free books in a free library just around the corner from you. Give a book, get a book, and remember to wash those hands! CLOSING NOTE: Let us know what books or topics you’ve been sharing this week, or if you have a suggestion or book recommendation for an upcoming episode. Find us on email (kidlitthesedays@bookriot.com) or Twitter (@MatthewWinner and @ittybittyny).
"And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came." Listen as poet laureate Juan Felipe Herrera reads this famous Lewis Carroll line, explaining it is the yeast that made his book, Jabber-Walking, rise. Jabber-Walking is a way to observe the world, inspiring kids to write poetry. On this episode, Juan shares where his love of poetry came from, how he came up with Jabber-Walking, and how YOU can start Jabber-Walking too. It also features 4th grade student voices from Landmark Elementary School in Glendale, Arizona, who share their Jabber-Writing as they walked through the tulgey wood. Visit Buttons & Figs to find the full interview with Juan Felipe Herrera and a free downloadable coloring sheet, by artist Ann Pickard, inspired by this episode. -- now go write and walk...Jabber-Walk!
The Drunken Odyssey with John King: A Podcast About the Writing Life
Episode 347 of The Drunken Odyssey, your favorite podcast about creative writing and literature is available on iTunes, or right click here to download. This week is a cornucopia of poetry conversation with Aimee Nezhukumatathil, Juan Felipe Herrera, and Billy Collins! Juan Felipe Herrera Billy Collins TEXTS DISCUSSED
Maria talks with U.S. Poet Laureate Juan Felipe Herrera, writer/police officer Chato Villalobos, artist/activist Anthony Marcos Rea, educator/writer Natasha Ria El-Scari, and novelist Wayne Courtois. The son of migrant farm […] The post ARTSPEAK RADIO with U.S. Poet Laureate Juan Felipe Herrera, Chato Villalobos, Anthony Marco Rea, Natasha Ria El-Scari, & Wayne Courtois appeared first on KKFI.
The new poet laureate of the United States and two-time NEA fellow calls for everyone's heart to speak out.