Podcast appearances and mentions of Sandra Cisneros

Welcome to Academia Unlocked, our literary deep-dive series on Book Talk for BookTok! In this episode, we kick off our three-part series discussing The House on Mango Street by Sandra Cisneros. With over 13 years of combined academic training in literature and creative writing, we walk listeners through the foundational tools of reading beyond the surface. The book community talks about the "decline of literacy" constantly, but almost no one stops to define what literary literacy actually is or how to build it. This series exists to change that. One of the most common ways readers come to The Joy Luck Club is as an immigrant family drama, a moving novel about mothers and daughters caught between two cultures. And it is that. But Amy Tan built something more architecturally daring: sixteen interlocking stories, four mothers and four daughters, arranged around a mahjong table so the structure itself mirrors the divide it describes. This series digs into both. Whether you first read this novel because it was assigned to you, came to it through the 1993 film and never picked up the book, or only know Jing-mei Woo's name from a Google search, this series will give you the critical lens to engage with Amy Tan's Joy Luck Club with more depth, more confidence, and a lot more to say. Sponsor: VIONIC Use code BOOKTALK at checkout for 15% off your entire order at ⁠⁠⁠www.vionicshoes.com⁠⁠⁠ when you log into your account. Share your thoughts for a chance to be featured! Submit them at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠booktalkforbooktok.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for a future mini-episode or exclusive Patreon discussion. Support the Show:  Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/booktalkforbooktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Etsy Store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Us on Social: Instagram: @BookTalkForBookTok TikTok: @BookTalkForBookTok YouTube: @BookTalkForBookTok Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Academia Unlocked, our literary deep-dive series on Book Talk for BookTok! In this episode, we kick off our three-part series discussing The House on Mango Street by Sandra Cisneros. With over 13 years of combined academic training in literature and creative writing, we walk listeners through the foundational tools of reading beyond the surface. The book community talks about the "decline of literacy" constantly, but almost no one stops to define what literary literacy actually is or how to build it. This series exists to change that. Whether you first read this novel in a middle school classroom, came back to it as an adult and found it completely different, or only know Esperanza Cordero's name from a syllabus you never finished, this series will give you the critical lens to engage with Sandra Cisneros's Mango Street with more depth, more confidence, and a lot more to say. Sponsor: VIONIC Use code BOOKTALK at checkout for 15% off your entire order at ⁠www.vionicshoes.com⁠ when you log into your account. Share your thoughts for a chance to be featured! Submit them at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠booktalkforbooktok.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for a future mini-episode or exclusive Patreon discussion. Support the Show:  Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/booktalkforbooktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Etsy Store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Us on Social: Instagram: @BookTalkForBookTok TikTok: @BookTalkForBookTok YouTube: @BookTalkForBookTok Topics covered: fantasy writing process, feminist dystopian fiction, women and motherhood, patriarchy in fiction, trans representation in books, female friendship in fiction, writing complex FMCs, book club discussion, author interview podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Academia Unlocked, our literary deep-dive series on Book Talk for BookTok! In this episode, we kick off our three-part series discussing The House on Mango Street by Sandra Cisneros. With over 13 years of combined academic training in literature and creative writing, we walk listeners through the foundational tools of reading beyond the surface. The book community talks about the "decline of literacy" constantly, but almost no one stops to define what literary literacy actually is or how to build it. This series exists to change that. One of the most common ways readers come to The House on Mango Street is as a coming-of-age story, a slim, lyrical novel about a girl named Esperanza growing up in a Chicago barrio. And it is that. But Sandra Cisneros was doing something far more precise on the page: building a novel out of vignettes, each fragmented story complete on its own and devastating in accumulation, to capture a girlhood caught between the house she wants to escape and the house she can't stop carrying inside her. This series is about making space for both of those readings at once. Whether you first read this novel in a middle school classroom, came back to it as an adult and found it completely different, or only know Esperanza Cordero's name from a syllabus you never finished, this series will give you the critical lens to engage with Sandra Cisneros's Mango Street with more depth, more confidence, and a lot more to say. Share your thoughts for a chance to be featured! Submit them at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠booktalkforbooktok.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for a future mini-episode or exclusive Patreon discussion. Support the Show:  Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/booktalkforbooktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Etsy Store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Us on Social: Instagram: @BookTalkForBookTok TikTok: @BookTalkForBookTok YouTube: @BookTalkForBookTok Learn more about your ad choices. Visit megaphone.fm/adchoices

Depuis son retour à la Maison Blanche en janvier 2025, Donald Trump, et plus généralement l'ensemble de la sphère Maga, s'emploient à imposer leur propre vision de l'Amérique. Illustration en Pennsylvanie, là où la Déclaration d'Indépendance des États-Unis fut signée le 4 juillet 1776. De notre envoyé spécial de retour de Pennsylvanie, Elles sont alignées comme à la parade, le nom de leur propriétaire collé sur le pare-brise, le capot relevé pour mieux apprécier ce qu'elles ont dans le ventre. Il y en a pour tous les goûts : un antique pick-up Chevrolet bleu turquoise, un coupé Buick de 1973, plusieurs Dodge Challenger, et même un corbillard. Des dizaines au total. Penchés au-dessus des moteurs, des visiteurs de tous âges. Beaucoup arborent des tee-shirts aux couleurs des États-Unis ou floqués du mot « liberté ». Le parti républicain du comté de Lackawanna a choisi ce cinéma en plein air pour célébrer les 250 ans de l'Indépendance du pays. Le 4-Juillet n'est que dans trois semaines, mais ici, sur les hauteurs de Dickson City, la fête bat déjà son plein. Tout a été prévu pour la rendre mémorable : un défilé de motos, de quoi se restaurer, des concerts, deux films sur écran géant… Mais le clou de la journée, c'est cette exposition de véhicules d'exception.  Tout un symbole. « C'est une part d'histoire. Ce sont des voitures qui ont marqué notre jeunesse. Ce sont aussi des voitures qui ont été construites ici et exportées partout dans le monde. Cela permet de montrer aux jeunes ce qui a contribué à faire la richesse de notre pays », s'enthousiasme Dan Naylor, le président des Républicains du comté de Lackawanna, avant de s'adresser à la petite foule présente pour convoquer une nouvelle fois l'histoire, plus ancienne celle-là.  « Le plus grand pays au monde » Il y est question de Paul Revere, un orfèvre de Boston devenu célèbre pour avoir averti les patriotes américains de l'arrivée imminente de l'armée britannique à Lexington en 1775. « Et qui répondit à ce cri ? Ce furent des gens ordinaires, qui se mobilisèrent, qui vainquirent les Anglais et qui fondèrent ce pays ! », lance Dan Naylor au micro. « Nous devons donc être reconnaissants envers ces personnes qui ont sacrifié leurs vies pour faire de ce pays ce qu'il est, et nous devons le préserver. Et souvenez-vous : nous sommes le plus grand pays au monde et c'est ce que nous pouvons célébrer aujourd'hui. » Un discours en écho à celui de la Maison Blanche, bien décidée à faire de ce 250è anniversaire celui d'une nation glorieuse, purgée de l'esclavage et du racisme. « Je ne vois pas les couleurs. Ok ? Pour moi, on a tous le sang rouge », balaie ainsi JoAnne Mayer, l'organisatrice de l'événement, lorsqu'on l'interroge sur cette Amérique blanche et chrétienne que cherchent à promouvoir Donald Trump, son administration et le mouvement Maga en général. « Cette administration met l'accent sur les valeurs de l'individu, indépendamment de sa race, de son âge, de son origine ethnique, de son sexe ou de toute autre caractéristique qui fait de lui ce qu'il est », défend Rob Coco, responsable de la branche locale de l'association ultra-conservatrice Turning Point USA. Enveloppé dans un drapeau américain, l'étudiant de 22 ans semble oublier les attaques contre les droits des femmes et des personnes LGBTQIA+, les opérations de la police de l'immigration apparemment guidées par le simple délit de faciès, ou encore le redécoupage électoral favorable aux Afro-Américains remis en cause en Louisiane.  « Je pense qu'il ne faut pas catégoriser les gens. Nous sommes tous des habitants de cette Terre, s'enflamme le jeune homme dans un élan missionnaire. Nous venons tous du même Créateur, et nous avons tous la chance d'être ici aujourd'hui, car la vie est sacrée. Alors, au lieu de juger, au lieu de parler de ce qui nous différencie, nous devrions simplement apprécier le fait d'être ici aujourd'hui et d'avoir la possibilité de l'être. » Une ode à l'unité qui peine à masquer la réalité d'un pays fracturé. À lire aussiTrumpisme au Canada: comment les idées MAGA gagnent du terrain   Progressisme et armes à feu À 200 kilomètres de là, une dizaine de personnes se sont donné rendez-vous dans une armurerie de Lancaster. Elles sont toutes membres du Liberal Gun Club (LGC), un club de tir classé à gauche. « C'est une association de possesseurs d'armes à feu qui partagent les mêmes convictions, qui croient aux droits civils et aux droits constitutionnels. C'est un groupe composé de personnes vraiment, vraiment formidables ! », vante Christopher Caruana, le secrétaire de la branche pennsylvanienne du LGC. Sa longue barbe blanche, son verre de lunette fumé et ses bras tatoués donnent à ce septuagénaire un air de pirate.  L'endroit fait aussi stand de tir. Au bout de la rangée, Molly teste des pistolets de différents calibres avec son père. À 22 ans, elle vient de terminer le college, le premier cycle universitaire, et s'apprête à quitter le domicile familial. Il lui faut donc une arme. Reste à trouver la bonne. « Je fais 1 mètre 50 et je ne me sens pas capable de me défendre toute seule sans une arme », justifie la jeune femme. Un sentiment d'insécurité renforcé, dit-elle, par la façon dont « Trump et son entourage ont encouragé les hommes à considérer les femmes comme inférieures à eux et comme des objets sexuels ». Le Liberal Gun Club compte aujourd'hui quelque 5 000 adhérents à l'échelle nationale. En novembre 2024, juste avant la seconde élection de Donald Trump, ils étaient moins de 3 000. Ceux qui sont là aujourd'hui sont quant à eux des membres de plus longue date. Mais tous font part de leur inquiétude au sujet de ce président que certains qualifient de « fasciste ».  C'est le cas de Sam, longtemps opposé aux armes à feu, jusqu'à ce que la première élection de Donald Trump et l'attaque à la voiture-bélier commise par un sympathisant néo-nazi à Charlottesville en 2017 le fassent changer d'avis. « Je suis juif, ma femme est d'origine portoricaine, témoigne-t-il. J'ai acheté des armes par précaution lors du premier mandat, mais quand il a été réélu, avec ma famille, on a songé à quitter le pays. Aujourd'hui, on essaie d'avoir des amis partout où l'on peut. » À écouter aussiÉtats-Unis: les républicains toujours pour le port d'armes malgré les tentatives d'assassinat contre Donald Trump Des livres interdits Tandis que certains songent à quitter le pays ou à se battre arme au poing, d'autres résistent déjà. Liz et Linda sont de ceux-là. Les deux vénérables retraitées font partie des Freedom Readers, un club de lecture fondé il y a quatre ans. « À la base, c'est juste un petit groupe de dames intéressées par la lecture de livres susceptibles d'être contestés ou qui l'ont déjà été par des personnes cherchant à promouvoir cette idée d'une Amérique blanche et chrétienne », explique Liz, chemisier imprimé léopard et brushing impeccable. Ce jour-là, c'est dans sa maison d'un quartier cossu d'Elizabethtown qu'elles tiennent salon. Deux livres sont posés sur la table basse : Le Château de verre, de Jeannette Walls, et La Petite Fille de la rue Mango, de Sandra Cisneros. En novembre 2025, les deux ouvrages ont été bannis du programme et des bibliothèques scolaires d'Elizabethtown, au même titre que le film Roméo et Juliette et La Haine qu'on donne, un roman d'Angie Thomas sur la question du racisme et des violences policières. Pourquoi ? Mystère. « Le conseil d'établissement ne donne jamais les raisons de ces interdictions. Mais l'un de ses membres a apporté une image déformée du personnage central de ce livre, relate Liz à propos de La Petite Fille de la rue Mango. Il a affirmé qu'elle cherchait à attirer l'attention des hommes pour les manipuler. C'était une description complètement faussée. » L'association Etown Common Sense s'est aussi emparée de la question, l'une des nombreuses sur lesquelles elle ferraille avec ceux qu'elle désigne comme des « nationalistes chrétiens ». « En tant que parents et citoyens, nous voulons que nos écoles publiques restent véritablement publiques, ouvertes, libres et impartiales pour l'ensemble de notre communauté », insiste Kelly Fuddy, présidente de l'association et mère de deux enfants scolarisés au collège du district. À lire aussiCensure de livres aux États-Unis: le rempart conservateur contre le wokisme Le tournant Covid L'interdiction des livres par les conseils d'établissement n'est pas un phénomène nouveau, que ce soit en Pennsylvanie ou ailleurs aux États-Unis. Mais le « Keystone State » est l'un des plus touchés. En 2022, il figurait même à la deuxième place du classement établi par PEN America des États recensant le plus grand nombre de livres interdits. Un comble pour ce territoire fondé par William Penn selon les principes de tolérance et de liberté. « Cela a vraiment pris de l'ampleur en 2020 et 2021 avec le Covid-19, observe Kelly Fuddy. Beaucoup de gens qui n'étaient peut-être pas impliqués politiquement se sont mobilisés et continuent de l'être. Il s'agit pour l'essentiel d'électeurs de Donald Trump. »  La mère de famille pointe aussi la responsabilité d'organisations nationales, telles que Moms for Liberty ou la Heritage Foundation, qui ont trouvé dans ce comté de Lancaster « un terrain fertile » pour cultiver leur projet politique. Les ouvrages jugés contraires aux bonnes mœurs ou faisant l'apologie de « l'idéologie woke » sont les premiers ciblés. « Ils prétendent défendre les enfants, mais ils déforment en réalité la définition de ce qui est sexuellement explicite, de ce qu'est la pornographie, reproche Kelly Fuddy. Et ils nient l'expertise professionnelle de nos éducateurs à qui nous confions nos enfants. » Et gare aux enseignants qui tentent de faire barrage aux censeurs. Kristy Moore l'a appris à ses dépens. Cette professeure d'anglais raconte avoir été victime de menaces de mort et de violences. Elle a aussi été la cible de photomontages publiés sur les réseaux sociaux, l'accusant de vouloir permettre aux collégiens d'accéder à des contenus pornographiques. Mais pas question pour elle d'abdiquer : « Si je les laisse m'intimider, je ne pourrai plus continuer à faire mon travail. » Nous avons contacté l'organisation Moms for Liberty et la présidente du conseil d'établissement d'Elizabethtown. Toutes deux ont répondu qu'elles ne souhaitaient pas participer à ce reportage. Des esclaves invisibilisés Au-delà de ces interdictions menées à l'échelle locale, le pays est aussi le théâtre d'une vague de censure dirigée depuis le sommet de l'État. Ce sont des milliers de photos d'archives de l'armée rendues inaccessibles, des dizaines et des dizaines de mots bannis de la communication gouvernementale. Ou encore ce décret signé par Donald Trump en mars 2025 pour « rétablir la vérité et le bon sens dans l'histoire américaine ». L'ordre est donné de retirer des parcs nationaux et des sites historiques tous contenus qui « dénigre de manière inappropriée les Américains, qu'ils soient vivants ou décédés ». À Philadelphie, cela se traduit par le retrait de l'exposition consacrée aux neuf esclaves de George Washington à la President's House, l'ancienne demeure du premier président des États-Unis et de son successeur John Adams. « Une super exposition, estime Dan, qui en assure la visite. Elle raconte qui étaient ces neuf esclaves et quel était leur rôle. » La ville et différentes organisations contre-attaquent au tribunal. Ordre est donné de la réinstaller, avant qu'une nouvelle décision de justice ne stoppe tout. Dan ne s'en remet pas. « Il y a encore des murs vides, des vidéos qui ne fonctionnent pas… Je trouve ça plutôt horrible au moment où l'on célèbre nos 250 ans. »  Namrta, elle, est parfaitement remontée. Les yeux braqués vers la caméra d'un téléphone portable, la responsable de Get Free Philly dit tout le mal qu'elle pense de cette censure à ses abonnés. « Ce que vous voyez, vitupère la jeune femme, c'est juste un nouvel exemple de la façon dont le mouvement Maga et le gouvernement révisent l'histoire. Aujourd'hui, nous sommes à l'heure du choix : continuer ainsi pendant 250 ans à faire l'autruche ou alors nous ranger du bon côté de l'histoire en assumant et en réparant nos erreurs. »  Le décret de Donald Trump ordonne aussi au ministère de l'Intérieur, qui gère les parcs nationaux et les espaces publics, de remettre en place les statues et monuments démontés ou dégradés lors du mouvement Black Lives Matter. Il cible également les musées de la Smithsonian Institution, notamment le futur Musée national de l'histoire des femmes à Washington, pour l'empêcher de « reconnaître les hommes comme des femmes ». Référence aux femmes transgenres. À lire aussiÉtats-Unis: Charlottesville déboulonne ses statues confédérées après des années de polémique « L'Amérique n'a jamais été un grand pays » Dans la capitale fédérale, malgré les tentatives de l'administration de l'effacer, la mémoire de l'esclavage reste vive dans le quartier d'Anacostia. Et particulièrement en ce 19 juin. Les habitants célèbrent Juneteenth, le jour de l'Émancipation. Le 19 juin 1865, à Gavelston, au Texas, les esclaves afro-américains apprenaient qu'ils étaient libres. « Mais que signifiait être libre pour les personnes noires à cette époque ? », s'interroge Sir Harvey Fitz, l'animateur de la journée. C'est précisément la question à laquelle doivent répondre les quelques centaines de personnes qui font face à la scène. « La liberté, c'est l'amour », affirme quelqu'un. « La liberté, c'est avoir suffisamment d'espace pour être soi-même », estime un autre. À l'ombre d'un arbre, Maleka écoute en souriant.  Lorsqu'on lui demande si elle se sent libre, elle, aujourd'hui, aux États-Unis, la quadra aux grandes boucles d'oreilles colorées pousse d'abord un long soupir. « Je suis libre de plein droit, mais je ne me sens pas toujours libre certains jours, à cause de la nature oppressive de notre régime politique. » Elle dénonce pêle-mêle les atteintes aux libertés civiles et individuelles, la remise en cause de l'héritage du mouvement pour les droits civiques, qu'elle pensait pourtant acquis. « Même si je suis libre, poursuit Maleka, je suis très consciente que c'est une chose fragile et que je dois continuer à me battre pour ça, à m'exprimer et à m'opposer aux injustices. » Elle juge aussi le mouvement Maga – Make America Great Again – totalement absurde. « À quel moment l'Amérique a été grande ? Ça a toujours été un pays en quête de grandeur, mais ça n'a jamais été un grand pays, considère-t-elle. C'est insupportable, en tant que femme noire, de vivre littéralement à moins de sept kilomètres de la Maison Blanche et de celui qui y réside. Alors que ce sont des esclaves qui l'ont construite, la Maison Blanche ne reconnaît pas que le pays a construit son économie sur le dos de l'esclavage. » De l'autre côté du fleuve, le National Mall se prépare à accueillir la grande foire imaginée par Donald Trump pour célébrer le 4-Juillet. Plusieurs États démocrates ont d'ores et déjà annoncé la boycotter. La Pennsylvanie, elle, a finalement choisi d'y participer.

In den USA gehört "The House on Mango Street" längst zu den modernen Klassikern der Jugendliteratur. Jetzt erscheint der Roman der mexikanisch-amerikanischen Autorin Sandra Cisneros, nach der ersten deutschen Übersetzung im Jahr 1992, erneut auf Deutsch. In kurzen, poetischen Episoden erzählt das Buch vom Erwachsenwerden und den Wünschen der jungen Esperanza in einem armen Latino-Viertel von Chicago. Unsere Kinder- und Jugendbuchexpertin Sonja Kessen hat die Neuauflage gelesen.

This week, the hosts dive into The House on Mango Street by Sandra Cisneros and for once, they don't see eye to eye. In a rare twist, one host connected with the book while the other didn't, not because of the story itself, but because of its unique vignette-style format. Even with that divide, the conversation proves why this modern classic continues to resonate, sparking thoughtful discussion around voice, identity, and storytelling. You'll have to tune in to find out who was on which side. Cheers!! *Please be advised this episode is intended for adult audiences and contains adult language and content. We are expressing opinions on the show for entertainment purposes only. Dedication: To our patrons as always!! We love you!Moni: Happy 90th B-day grandma Barbie. Sending love to all my family!Kat: To Victor Glover https://www.nasa.gov/humans-in-space/astronauts/victor-j-glover/To "First Contact Day" in the Star Trek  https://memory-alpha.fandom.com/wiki/First_Contact_Day, and to Dawn Staley https://www.instagram.com/dawnstaleyTitle: The House on Mango StreetAuthor: Sandra Cisneros: https://www.sandracisneros.com/mylifeandworkPublisher: Vintage Books (a division of Penguin Random House)Original Publication Year: 1984Genre: Coming-of-age / Literary fictionFormat: Series of short vignettes (not a traditional novel structure)Page Count: Typically ~110–130 pages (varies by edition)Notes:Source: The Washington Post: Israeli teens face military drafthttps://share.google/JotMjnrWf8HiLKcFqJosh Johnson's take on Manosphere:https://youtu.be/_JoshJohnsonManosphere**Stranger than Fiction:

Every year, the Multnomah County Library chooses one book they hope the whole city will read. Between January and April, the Library, and their partner organizations, host events based around the themes of the book, and they distribute thousands of free copies—thanks to the Library Foundation—to readers of all ages from across the county. At Literary Arts, our role is to bring the author to town for a talk in the Arlene Schnitzer Concert Hall. The 2025 Everybody Reads book was the memoir Solito by Javier Zamora. Written from the perspective of his nine-year-old self, Solito is a gripping and beautiful account of Zamora's three-thousand-mile journey from a small village in El Salvador to his new home in United States. Epic in scope and intimate in detail, it's a book about the family one comes from, the family one longs for, and the family one makes. Zamora conjures all the wonder, fear and imaginative capacity of his young self; clear-eyed in his depictions of cruelty and danger, insistent on recognizing kindness. He also renders his journey with vivid detail with breathtaking lyricism, paying close attention to the power of language – this comes as no surprise, given that Zamora is also an award-winning poet. The writer Sandra Cisneros said, “I have waited decades for a memoir like Solito.” But, Solito isn't simply a story of a migrant's harrowing journey, it's the story of a writer becoming a writer. It is also one of the most important American stories of our time. “Poetry and history were the first tools I had to begin to explain my life so far away from the land that watched me be born and grow up for the first nine years of my life.” Javier Zamora was born in La Herradura, El Salvador in 1990. When he was a year old, his father fled El Salvador due to the US-funded Salvadoran Civil War (1980-1992). His mother followed her husband's footsteps in 1995 when Javier was about to turn five. Zamora was left at the care of his grandparents who helped raise him until he migrated to the US when he was nine. His first poetry collection, Unaccompanied, explores some of these themes. In his debut New York Times bestselling memoir, SOLITO, Javier retells his nine-week odyssey across Guatemala, Mexico, and eventually through the Sonoran Desert. He travelled unaccompanied by boat, bus, and foot. After a coyote abandoned his group in Oaxaca, Javier managed to make it to Arizona with the aid of other migrants. Zamora is the winner of a 2024 Whiting Fellowship and the 2022 LA Times-Christopher Isherwood Prize. He holds fellowships from CantoMundo, Colgate University (Olive B. O’Connor), MacDowell, Macondo, the National Endowment for the Arts, Poetry Foundation (Ruth Lilly), Stanford University (Stegner), and Yaddo. He is the recipient of a 2018-2019 Radcliffe Fellowship at Harvard University, a 2017 Lannan Literary Fellowship, the 2017 Narrative Prize, the 2016 Barnes & Noble Writer for Writers Award for his work in the Undocupoets Campaign.

Texas Standard commentator W.F. Strong examines how one of the state's most celebrated writers found a home in San Antonio. The post Sandra Cisneros, a Texas literary rock star appeared first on KUT & KUTX Studios -- Podcasts.

Geographies of Relation: Diasporas and Borderlands in the Americas (U Michigan Press, 2024) offers a new lens for examining diaspora and borderlands texts and performances that considers the inseparability of race, ethnicity, and gender in imagining and enacting social change. Theresa Delgadillo crosses interdisciplinary and canonical borders to investigate the interrelationships of African-descended Latinx and mestizx peoples through an analysis of Latin American, Latinx, and African American literature, film, and performance. Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century's worth of literary, cinematic, and performative texts to support her argument about the significance of these cultural sites and overlaps. Chapters illuminate the significance of Toña La Negra in the Golden Age of Mexican cinema, reconsider feminist theorist Gloria Anzaldúa's work in revising exclusionary Latin American ideologies of mestizaje, delve into the racial and gender frameworks Sandra Cisneros attempts to rewrite, unpack encounters between African Americans and Black Puerto Ricans in texts by James Baldwin and Marta Moreno Vega, explore the African diaspora in colonial and contemporary Peru through Daniel Alarcón's literature and the documentary Soy Andina, and revisit the centrality of Black power in ending colonialism in Cuban narratives. Geographies of Relation demonstrates the long histories of networks and exchanges across the Americas as well as the interrelationships among Indigenous, Black, African American, mestizx, Chicanx, and Latinx peoples. It offers a compelling argument that geographies of relation are as significant as national frameworks in structuring cultural formation and change in this hemisphere. Theresa Delgadillo is a Vilas Distinguished Professor of English and Chicanx/e and Latinx/e Studies at the University of Wisconsin-Madison, where she is also Director of the Chicanx/e and Latinx/e Studies Program. She is a founder and editor for the online publication Latinx Talk. Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Website here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Geographies of Relation: Diasporas and Borderlands in the Americas (U Michigan Press, 2024) offers a new lens for examining diaspora and borderlands texts and performances that considers the inseparability of race, ethnicity, and gender in imagining and enacting social change. Theresa Delgadillo crosses interdisciplinary and canonical borders to investigate the interrelationships of African-descended Latinx and mestizx peoples through an analysis of Latin American, Latinx, and African American literature, film, and performance. Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century's worth of literary, cinematic, and performative texts to support her argument about the significance of these cultural sites and overlaps. Chapters illuminate the significance of Toña La Negra in the Golden Age of Mexican cinema, reconsider feminist theorist Gloria Anzaldúa's work in revising exclusionary Latin American ideologies of mestizaje, delve into the racial and gender frameworks Sandra Cisneros attempts to rewrite, unpack encounters between African Americans and Black Puerto Ricans in texts by James Baldwin and Marta Moreno Vega, explore the African diaspora in colonial and contemporary Peru through Daniel Alarcón's literature and the documentary Soy Andina, and revisit the centrality of Black power in ending colonialism in Cuban narratives. Geographies of Relation demonstrates the long histories of networks and exchanges across the Americas as well as the interrelationships among Indigenous, Black, African American, mestizx, Chicanx, and Latinx peoples. It offers a compelling argument that geographies of relation are as significant as national frameworks in structuring cultural formation and change in this hemisphere. Theresa Delgadillo is a Vilas Distinguished Professor of English and Chicanx/e and Latinx/e Studies at the University of Wisconsin-Madison, where she is also Director of the Chicanx/e and Latinx/e Studies Program. She is a founder and editor for the online publication Latinx Talk. Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Website here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

Geographies of Relation: Diasporas and Borderlands in the Americas (U Michigan Press, 2024) offers a new lens for examining diaspora and borderlands texts and performances that considers the inseparability of race, ethnicity, and gender in imagining and enacting social change. Theresa Delgadillo crosses interdisciplinary and canonical borders to investigate the interrelationships of African-descended Latinx and mestizx peoples through an analysis of Latin American, Latinx, and African American literature, film, and performance. Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century's worth of literary, cinematic, and performative texts to support her argument about the significance of these cultural sites and overlaps. Chapters illuminate the significance of Toña La Negra in the Golden Age of Mexican cinema, reconsider feminist theorist Gloria Anzaldúa's work in revising exclusionary Latin American ideologies of mestizaje, delve into the racial and gender frameworks Sandra Cisneros attempts to rewrite, unpack encounters between African Americans and Black Puerto Ricans in texts by James Baldwin and Marta Moreno Vega, explore the African diaspora in colonial and contemporary Peru through Daniel Alarcón's literature and the documentary Soy Andina, and revisit the centrality of Black power in ending colonialism in Cuban narratives. Geographies of Relation demonstrates the long histories of networks and exchanges across the Americas as well as the interrelationships among Indigenous, Black, African American, mestizx, Chicanx, and Latinx peoples. It offers a compelling argument that geographies of relation are as significant as national frameworks in structuring cultural formation and change in this hemisphere. Theresa Delgadillo is a Vilas Distinguished Professor of English and Chicanx/e and Latinx/e Studies at the University of Wisconsin-Madison, where she is also Director of the Chicanx/e and Latinx/e Studies Program. She is a founder and editor for the online publication Latinx Talk. Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Website here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Geographies of Relation: Diasporas and Borderlands in the Americas (U Michigan Press, 2024) offers a new lens for examining diaspora and borderlands texts and performances that considers the inseparability of race, ethnicity, and gender in imagining and enacting social change. Theresa Delgadillo crosses interdisciplinary and canonical borders to investigate the interrelationships of African-descended Latinx and mestizx peoples through an analysis of Latin American, Latinx, and African American literature, film, and performance. Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century's worth of literary, cinematic, and performative texts to support her argument about the significance of these cultural sites and overlaps. Chapters illuminate the significance of Toña La Negra in the Golden Age of Mexican cinema, reconsider feminist theorist Gloria Anzaldúa's work in revising exclusionary Latin American ideologies of mestizaje, delve into the racial and gender frameworks Sandra Cisneros attempts to rewrite, unpack encounters between African Americans and Black Puerto Ricans in texts by James Baldwin and Marta Moreno Vega, explore the African diaspora in colonial and contemporary Peru through Daniel Alarcón's literature and the documentary Soy Andina, and revisit the centrality of Black power in ending colonialism in Cuban narratives. Geographies of Relation demonstrates the long histories of networks and exchanges across the Americas as well as the interrelationships among Indigenous, Black, African American, mestizx, Chicanx, and Latinx peoples. It offers a compelling argument that geographies of relation are as significant as national frameworks in structuring cultural formation and change in this hemisphere. Theresa Delgadillo is a Vilas Distinguished Professor of English and Chicanx/e and Latinx/e Studies at the University of Wisconsin-Madison, where she is also Director of the Chicanx/e and Latinx/e Studies Program. She is a founder and editor for the online publication Latinx Talk. Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Website here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Geographies of Relation: Diasporas and Borderlands in the Americas (U Michigan Press, 2024) offers a new lens for examining diaspora and borderlands texts and performances that considers the inseparability of race, ethnicity, and gender in imagining and enacting social change. Theresa Delgadillo crosses interdisciplinary and canonical borders to investigate the interrelationships of African-descended Latinx and mestizx peoples through an analysis of Latin American, Latinx, and African American literature, film, and performance. Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century's worth of literary, cinematic, and performative texts to support her argument about the significance of these cultural sites and overlaps. Chapters illuminate the significance of Toña La Negra in the Golden Age of Mexican cinema, reconsider feminist theorist Gloria Anzaldúa's work in revising exclusionary Latin American ideologies of mestizaje, delve into the racial and gender frameworks Sandra Cisneros attempts to rewrite, unpack encounters between African Americans and Black Puerto Ricans in texts by James Baldwin and Marta Moreno Vega, explore the African diaspora in colonial and contemporary Peru through Daniel Alarcón's literature and the documentary Soy Andina, and revisit the centrality of Black power in ending colonialism in Cuban narratives. Geographies of Relation demonstrates the long histories of networks and exchanges across the Americas as well as the interrelationships among Indigenous, Black, African American, mestizx, Chicanx, and Latinx peoples. It offers a compelling argument that geographies of relation are as significant as national frameworks in structuring cultural formation and change in this hemisphere. Theresa Delgadillo is a Vilas Distinguished Professor of English and Chicanx/e and Latinx/e Studies at the University of Wisconsin-Madison, where she is also Director of the Chicanx/e and Latinx/e Studies Program. She is a founder and editor for the online publication Latinx Talk. Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Website here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

It's episode 222 and time for us to talk about books from the 1980s! Okay, I say "books" but it's really "science fiction and fantasy novels from the 1980s." You probably could have guessed that if you've listened to the podcast before. You can download the podcast directly, find it on Libsyn, or get it through Apple Podcasts or your favourite podcast delivery system. In this episode Anna Ferri | Meghan Whyte | Matthew Murray

Notes and Links to Stephanie Elizondo Griest's Work *Content Warning: Please be aware that the book discusses sexual assault   Stephanie Elizondo Griest is a globetrotting author from the Texas/Mexico borderlands. Her six books include Around the Bloc: My Life in Moscow, Beijing, and Havana; Mexican Enough; All the Agents and Saints; and Art Above Everything: One Woman's Global Exploration of the Joys and Torments of a Creative Life. She has also written for the New York Times, Washington Post, VQR, The Believer, BBC, Orion, Lit Hub, and Oxford American. Her work has been supported by the Lannan Foundation, Henry Luce Foundation, Princeton University, and the Institute for Arts and Humanities, and she has won a Margolis Award, an International Latino Book Award, a PEN Southwest Book Award, and two Lowell Thomas Travel Journalism prizes. Currently Professor of Creative Nonfiction at the University of North Carolina-Chapel Hill, Elizondo Griest has performed in capacities ranging from a Moth storyteller to a literary ambassador for the U.S. State Department. Wanderlust has led her to 50 countries and 49 states. Her hardest journey was to Planet Cancer in 2017, but she's officially in remission now. She recently endowed Testimonios Fronterizos, a research grant for student journalists from the borderlands enrolled at her alma mater, the University of Texas at Austin's School of Journalism. Buy Art Above Everything   Stephanie's Website   Review of Art Above Everything in Southern Review At about 3:40 Stephanie expands on her creative background and family connections to music and language  At about 10:15, Stephanie talks about formative and transformative texts, including work by and her relationship with her “spiritual madrina,” Sandra Cisneros At about 11:30, Stephanie discusses similarities and differences in some Mexican Spanish and Tejano Spanish At about 13:30, Stephanie provides seeds for her book At about 16:50, The two discuss a dearth of publicity and respect for female travel writers, and generally females writing about art At about 18:15, Stephanie talks about the formative artist residency in 2014 in India, at Nrityagram  At about 20:30, Stephanie responds to Pete's question about Sheryl Oring's inspiration for Stephanie's creative life  At about 24:45, the two discuss “Art as Reconciliation” and Stephanie's experiences in Rwanda with therapeutic theater and hard and painful and moving conversations and reconciliations  At about 29:05, Pete and Stephanie discuss post-dictatorship and art done in response to the House of the People in Romania At about 34:20, Stephanie and Pete discuss similarities between female artists around the world, as seen in Stephanie's research and travels, regardless of economic status and country of origin; Stephanie cites “callings” at young ages At about 38:30, Wendy Whelan and her absolute “devotion” to art is discussed, as well as the ways in which domineering males have often abused and defamed artistic women At about 44:00, Bjork and Iceland's masterful director Vilborg Davíðsdóttir and “Art as Revenge” are discussed  At about 48:55, Stephanie talks about the process of writing so personally At about 50:45, “Art as Medicine” and Stephanie's journey with cancer and ideas of humor and sustenance are discussed, along with Stephanie being “revived” by sharing stories on a mini book tour At about 54:20, Havana Habibi and its resonance are discussed  At about 56:40, Sandra Cisneros as a “spiritual madrina” to Stephanie and so many others is discussed  At about 1:00:40, Stephanie expands on the “force” that is Mama Mihirangi and her connection to Maori and female liberation  At about 1:04:10, Ayana Evans and her performance and her subverting expectations of Black women are discussed, including the Loophole of Retreat At about 1:09:00, The two discuss “Art as Immoratality” and ideas of legacy and passing on creativity and art as so meaningful  At about 1:11:20, Stephanie reflects on the book's 10 year span and its meanings       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 311 with Kurt Baumeister, whose writing has appeared in Salon, Electric Literature, The Brooklyn Rail, The Rumpus, and other outlets. An acquisitions editor with 7.13 Books, Baumeister is a member of The National Book Critics Circle and The Authors Guild, and 2025's Twilight of the Gods is his second novel.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Sandra Cisneros' The House on Mango Street is a series of vignettes drawn from the experiences of a Mexican-American girl living in Chicago. Since its publication in 1983, it's become required reading for high school students across the country. In today's Back to School episode, we revisit a 2009 conversation between the author and NPR's Renee Montagne, which recognized the book's 25th anniversary.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Dennis is joined via Zoom by author Stephanie Elizondo Griest to discuss her latest book Art Above Everything: One Woman's Global Exploration of the Joys and Torments of a Creative Life, which is so up Dennis's alley. (Actually, a listener reached out to Dennis and said, "You need to check out this book. It's what you talk about all the time.") Stephanie talks about the through line that many of the women she profiled share, how the big things that happened in world while she was working on the book--COVID, her own cancer diagnosis, the #metoo movement, Trumpism--impacted her work and the question for artists that lies at the heart of the book; Is it worth it? Stephanie also talks about the alternative paths she could have chosen, how even the safe roads in life aren't safe anymore and what she's observed about young people since she started working as a writing professor in North Carolina. Other topics include: the boyfriend she had when she was living in Russia who was given an offer to kill someone for money, her complicated relationship to belly dancing, getting to spend time with one of her heroes. author Sandra Cisneros, the Ugandan playwright she interviewed who saw where Trumpism was heading way back in 2015, how various foreign countries support their artists and how American's Karen-esque sense of entitlement may be what ends up saving us all. https://stephanieelizondogriest.com

Notes and Links to Melissa Lozada-Oliva's Work      Melissa Lozada-Oliva is a Guatemalan-Colombian-American writer. Her chapbook peluda (Button Poetry 2017) explores the intersections of Latina identity and hair removal. In her novel-in-verse Dreaming of You (2021, Astra House), a poet brings Selena back to life through a seance and deals with disastrous consequences. Candelaria (Astra House, 2023) follows a Guatemalan grandmother at the end of the world and her three lost American granddaughters who started it. Candelaria was named one of the best books of 2023 by VOGUE and USA Today. Her collection of short stories BEYOND ALL REASONABLE DOUBT, JESUS IS ALIVE! will be released on September 2 through Astra House. Her newsletter READING SUCKS tracks the books she's read and the distractions she had while reading them, while interviewing authors about their relationship to reading.  She is currently adapting Dreaming of You into a film and working on a new novel. Melissa has done brand work with Facebook, Instagram, Google, Armani, and Topo Chico Hard Seltzer. Melissa's work balances the line between horror and humor. Her work has been featured or is forthcoming in NPR, VOGUE, REMEZCLA, PAPER, The Guardian, BreakBeat Poets, Kenyon Review, Vulture, Bustle, Glamour Magazine, The Huffington Post, Muzzle Magazine, The Adroit Journal, and BBC Mundo. She teaches fiction and poetry at the Center for Fiction and the Red Hook Public Library.   Buy Beyond All Reasonable Doubt, JESUS IS ALIVE   Melissa's Website   Review of Beyond All Reasonable Doubt, JESUS IS ALIVE from Kirkus Reviews At about 0:55, Melissa talks about her mindset in the runup to publication and gives purchasing info and info about book events At about 3:35, Melissa responds to Pete's questions about formative reading and writing from her childhood At about 5:40, Pete and Melissa talk "Usted" and "Tu" and "Vos" and writing in Spanish At about 7:10, Melissa talks about the “real-time satisfaction” of seeing/hearing her work “resonate” with people as a catalyst for her writing career At about 8:20, Melissa expands on what Button Poetry is and how she worked with the organization-here's one of her viral videos At about 9:45, Melissa talks about the difference in performing writing and then writing in a more solitary way At about 10:50, Melissa talks about writers who have inspired and thrilled her, including Sandra Cisneros, Jhumpa Lahiri, Kelly Link, Julia Alvarez, and Octavia Butler At about 12:50, Melissa shouts some Kelly Link writing to start with in exploring her great work At about 13:15, Melissa responds to Pete's questions about throughlines in the story collection and any seeds for the writing At about 14:35, The two discuss the epigraph's importance, with another Kelly Link shoutout, and discussion of “nothingness”  At about 16:40, Pete traces the collection's opening and asks Melissa about her usage of second-person At about 18:20, Pete makes a Soulja Boy/Spanish joke…does it hit? At about 18:45, Melissa replies to Pete's questions about the idolized teacher in the first story At about 20:45, Melissa reflects on ideas of “cancel culture” as seen in the world and in her collection At about 22:00, Pete wonders about the inspiration for the collection's title and the titular story At about 26:05, “Pobrecito” is discussed as a “curdled short king story” and Melissa responds to Pete's questions about the storyteller as trustworthy At about 29:10, “Heads” and the story collection's “absurd humor” and privilege are discussed, especially through ideas of admiration and connection At about 32:15, Pete compliments Melissa flashback work At about 33:00, Melissa talks about inspiration from Joyce Carol Oates' “Where are You Going, Where Have You Been?” for her poolhouse story At about 35:15, The body horror story “Tails” is discussed, with its themes of misogyny and competition among women brought on by this systemic misogyny At about 38:40, Melissa expands on Lucas as a restricted, though incredibly nice, character At about 39:30, Melissa responds to Pete's questions about music's role in “Tails” and in Melissa's writing life At about 40:50, Pete highlights some hilarious lines and scenes from the collection At about 42:00, The two discuss the story “Listening” and Melissa expands on the process that is a family thing and a ritual  At about 45:30, “But I'm Still the King,” a story dealing with a family return to their Guatemalan homeland, and ideas of change and tradition and faith and authenticity  At about 51:00, “Community Hole,” the collection's novella, is discussed, as Pete lays out the exposition, including a vague “cancellation” of the narrator  At about 53:00, Melissa recounts the beginning of narrator, Farah's, music career At about 56:55, Melissa responds to Pete's questions about the novella's all-important “hole” At about 59:30, Melissa reflects on Pete's quoting a writer friend about horror and noir and their shining on light on the world of 2025 At about 1:01:20, Pete references “Shawn of the Dead” At about 1:02:00, Melissa, in response to Pete's questions, casts for “Community Hole”      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 294 with Wright Thompson, a senior writer for ESPN, contributing writer to the Atlantic, and the New York Times bestselling author of Pappyland The Cost of These Dreams. The Barn, a captivating story of the tragedy of Emmett Till's racist murder, is out in paperback on the day the episode airs, September 9.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

As Texas Attorney General Ken Paxton vows to punish the state's Democratic lawmakers for fleeing the state, Congressmen Lloyd Doggett, Jasmine Crockett, and State Rep. Ann Johnson discuss the threats to democracy posed by the Texas gerrymandering push; former Deputy National Security Adviser Ben Rhodes discusses Trump's upcoming in-person meeting with Vladimir Putin and the consequences of the war in Ukraine; and ‘The House on Mango Street' by Sandra Cisneros is the subject of this week's Velshi Banned Book Club.

Esperanza lebt zwischen Chaos, Sehnsüchten und TV-Geräuschen. Doch sie will mehr als leere Versprechen: ein eigenes Zuhause, ein freies Leben. "Das Haus in der Mango Street" von Sandra Cisneros ist ein Buch über Träume, Stärke und Selbstbestimmung.**********Weitere BeiträgeLiteratur: "Der Freund" von Sigrid NunezLiteratur: "Der untersterbliche Zando" von Martin RostLiteratur: "Blaues Wunder" von Anne Freytag**********Den Artikel zum Stück findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: TikTok und Instagram .

Robin dissects procrastination, and discusses poetry and writing with her special guest, the writer Sandra Cisneros.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, Emily features an insightful interview with artist Ester Hernandez. Ester shares her journey from growing up in a farm town in the San Joaquin Valley to becoming a renowned printmaker. She discusses the impact of growing up in a culturally rich Mexican environment and her experiences at UC Berkeley, where she studied various art forms despite facing challenges as a woman of color. A central focus of the episode is Ester's famous piece, 'Sun Mad', which critiques the use of pesticides in farming and has been displayed in prestigious museums worldwide. She also reflects on her early love for drawing, the inspiration from friends Sandra Cisneros and Alice Walker, and her ongoing effort to document her family's history with cotton farming in a new book. About Artist Ester Hernandez:Ester Hernandez was born in California's San Joaquin Valley to a Mexican/Yaqui farm worker family. The UC Berkeley graduate is an internationally acclaimed San Francisco-based visual artist. She is best known for her depiction of Latina/Native women through her pastels, prints and installations. Her work reflects social, political, ecological and spiritual themes.Hernandez has had numerous national and international solo and group shows. Among others, her work is included in the permanent collections of the National Museum of American Art – Smithsonian; Library of Congress; MoMA, New York; Legion of Honor, San Francisco; National Museum of Mexican Art, Chicago; Museo Casa Estudio Diego Rivera y Frida Kahlo, Mexico City; Museum of Contemporary Native Art, Institute of American Indian Arts, Santa Fe, NM; Victoria and Albert Museum, London.  Her artistic and personal archives are housed at Stanford University.Visit Ester's Website:  EsterHernandez.comFollow Ester on Instagram: @EsterHernandezArt--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_PodcastA Better World: A Comic About Ester Hernandez--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

In this episode of Words on a Wire, host Daniel Chacón sits down with acclaimed poet, translator, and world traveler Liliana Valenzuela for a rich and reflective conversation recorded just after her return from a silent meditation retreat. Liliana discusses her journey as a “reverse Chicana”—a Mexican-born writer shaped by both Mexican and Chicano cultural traditions—and the ancestral and creative forces that shape her work. From her fascination with Aztec codices to solo travels through West Africa, Liliana shares the stories and experiences that inform her poetry collections Codex of Love and Codex of Journeys. The conversation also explores her influential career as a translator of major Chicana authors, including Sandra Cisneros and Ana Castillo, and her lifelong commitment to amplifying women's voices in literature.

Sandra Cisneros is a Latina American short-story writer and poet regarded as a key figure in Chicano literature. She is best known for her first novel, "The House on Mango Street," and her subsequent short story collection, "Woman Hollering Creek and Other Stories." Her work experiments with literary forms that investigate emerging subject positions, which Cisneros herself attributes to growing up in a context of cultural hybridity and economic inequality that endowed her with unique stories to tell. She is the recipient of a National Endowment for the Arts Fellowship, a Ford Foundation Art of Change Fellowship, the USA Literary Award, and a MacArthur Foundation Fellowship, As part of the 30th anniversary of the Writer's Symposium by the Sea, Cisneros joins host Dean Nelson for this passionate conversation at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40218]

Sandra Cisneros is a Latina American short-story writer and poet regarded as a key figure in Chicano literature. She is best known for her first novel, "The House on Mango Street," and her subsequent short story collection, "Woman Hollering Creek and Other Stories." Her work experiments with literary forms that investigate emerging subject positions, which Cisneros herself attributes to growing up in a context of cultural hybridity and economic inequality that endowed her with unique stories to tell. She is the recipient of a National Endowment for the Arts Fellowship, a Ford Foundation Art of Change Fellowship, the USA Literary Award, and a MacArthur Foundation Fellowship, As part of the 30th anniversary of the Writer's Symposium by the Sea, Cisneros joins host Dean Nelson for this passionate conversation at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40218]

Sandra Cisneros is a Latina American short-story writer and poet regarded as a key figure in Chicano literature. She is best known for her first novel, "The House on Mango Street," and her subsequent short story collection, "Woman Hollering Creek and Other Stories." Her work experiments with literary forms that investigate emerging subject positions, which Cisneros herself attributes to growing up in a context of cultural hybridity and economic inequality that endowed her with unique stories to tell. She is the recipient of a National Endowment for the Arts Fellowship, a Ford Foundation Art of Change Fellowship, the USA Literary Award, and a MacArthur Foundation Fellowship, As part of the 30th anniversary of the Writer's Symposium by the Sea, Cisneros joins host Dean Nelson for this passionate conversation at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40218]

Sandra Cisneros is a Latina American short-story writer and poet regarded as a key figure in Chicano literature. She is best known for her first novel, "The House on Mango Street," and her subsequent short story collection, "Woman Hollering Creek and Other Stories." Her work experiments with literary forms that investigate emerging subject positions, which Cisneros herself attributes to growing up in a context of cultural hybridity and economic inequality that endowed her with unique stories to tell. She is the recipient of a National Endowment for the Arts Fellowship, a Ford Foundation Art of Change Fellowship, the USA Literary Award, and a MacArthur Foundation Fellowship, As part of the 30th anniversary of the Writer's Symposium by the Sea, Cisneros joins host Dean Nelson for this passionate conversation at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40218]

Sandra Cisneros is a Latina American short-story writer and poet regarded as a key figure in Chicano literature. She is best known for her first novel, "The House on Mango Street," and her subsequent short story collection, "Woman Hollering Creek and Other Stories." Her work experiments with literary forms that investigate emerging subject positions, which Cisneros herself attributes to growing up in a context of cultural hybridity and economic inequality that endowed her with unique stories to tell. She is the recipient of a National Endowment for the Arts Fellowship, a Ford Foundation Art of Change Fellowship, the USA Literary Award, and a MacArthur Foundation Fellowship, As part of the 30th anniversary of the Writer's Symposium by the Sea, Cisneros joins host Dean Nelson for this passionate conversation at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40218]

Sandra Cisneros is a Latina American short-story writer and poet regarded as a key figure in Chicano literature. She is best known for her first novel, "The House on Mango Street," and her subsequent short story collection, "Woman Hollering Creek and Other Stories." Her work experiments with literary forms that investigate emerging subject positions, which Cisneros herself attributes to growing up in a context of cultural hybridity and economic inequality that endowed her with unique stories to tell. She is the recipient of a National Endowment for the Arts Fellowship, a Ford Foundation Art of Change Fellowship, the USA Literary Award, and a MacArthur Foundation Fellowship, As part of the 30th anniversary of the Writer's Symposium by the Sea, Cisneros joins host Dean Nelson for this passionate conversation at Point Loma Nazarene University. Series: "Writer's Symposium By The Sea" [Humanities] [Show ID: 40218]

Daily QuoteThe soul of a journey is liberty, perfect liberty, to think, feel, do just as one pleases. (William Hazlitt)Poem of the Day别顾城Beauty of WordsThe Monkey GardenSandra Cisneros

The Drunk Guys walk down the street and say “hey man, go get me a beer!” this week when they read The House on Mango Street by Sandra Cisneros. Their man goes to get them: Share House by Torch and Crown, Main Squeeze by Talea, and Cool Cousin IPA by

Cisneros will appear at the 30th annual Writer's Symposium by the Sea. Also, we get a behind-the-scenes look at two musicals currently onstage in San Diego — "Wicked" and a new La Jolla Playhouse production, "3 Summers of Lincoln."

Notes and Links to Maggie Sheffer's Work           Marguerite (Maggie) Sheffer is a writer who lives in New Orleans. She is a Professor of Practice at Tulane University, where she teaches courses in design thinking and speculative fiction as tools for social change. Formerly, she taught English at the East Oakland School of the Arts, Castlemont High School, Life Academy, and GW Carver High School.    Her debut short story collection, The Man in the Banana Trees, was selected by judge Jamil Jan Kochai for the Iowa Short Fiction Award, was published in Fall 2024.     Maggie is a founding member of Third Lantern Lit, a local writing collective, and the Nautilus and Wildcat Writing Groups. She received her MFA from Randolph College. She was a 2023 Veasna So Scholar in Fiction at The Adroit Journal, and was selected as a top-twenty-five finalist for Glimmer Train's Short Story Award for New Writers.  Her story “Tiger on My Roof” was a finalist for the 2024 Chautauqua Janus Prize, which awards emerging writers' short fiction with “daring formal and aesthetic innovations that upset and reorder readers' imaginations.”    Her position on semicolons (for) is noted in an Australian grammar textbook (pg. 16). Buy The Man in the Banana Trees     Maggie's Website   From LitHub: "Marguerite Sheffer on Crafting a Collection of Century-Spanning Speculative Fiction"   "Marguerite Sheffer: These Stories Are an Intimate Map of What Scares Me" from Writer's Digest At about 0:45, Maggie shares a fun story about being published with George Bernard Shaw At about 2:15, Maggie talks about her early reading life At about 3:20, The two reflect on the evolving reputation of Star Wars and Star Wars fans At about 4:45, Maggie shares how wine bottles led to writing an early and pivotal short story  At about 5:40, Maggie describes a gap in “actively writing” while teaching and interacting differently with writing At about 6:50, Maggie lists texts and writers that helped her “reorder [her] brain” At about 8:55, Pete and Maggie stan Tillie Olsen's “I Stand Here ironing”   At about 10:45, Pete recounts a story about how he happened upon the great story by Shirley Jackson, “The Lottery” At about 11:30, Maggie responds to Pete asking about what drew and draws her to science and speculative fiction At about 12:30, Maggie highlights past guest Jamil Jan Kochai, Ken Liu, E. Lily Yu, Sofia Samatar, Clare Beams, Maurice Carlos Ruffin, the book The Safekeep, and others as contemporary writers who thrill and inspire At about 13:45, Pete asks Maggie how teaching has inspired her writing At about 15:25, Maggie cites Octavia Butler's and Sandra Cisneros' work and The Things They Carried and other texts that were favorites of her students  At about 16:50, The two discuss the epigraph and seeds for the short story collection  At about 18:30, The two discuss the collection's first story and connection to Tillie Olsen's idea of being “imprisoned in his own difference” and students being “othered” At about 22:40, Maggie reflects on an important truth of fiction At about 23:20, Maggie discusses famous unicorn tapestries that inspire a story of hers At about 24:40, Pete compliments Maggie's “delightfully weird” stories and “soft endings” and she responds to his questions about allegory/plot and “cool stories” At about 26:20, Maggie talks about realizing the throughlines in her collections At about 27:50, Maggie responds to Pete's questions about writing in Covid times At about 28:20, Pete cites examples of misogyny in the collection and asks about Joycleyn Bell and Maggie expands upon the story “The Observer's Cage”-its genesis and connections to Jocelyn Bell Burnell At about 31:00, Pete notes the use of animals as stand-ins for humanity and Maggie expands on deas of resistance as seen in the collection At about 32:00, The two discuss ideas of redress and reclaiming the past through stories in the collection, especially “The Observer's Cage” At about 34:40, the two discuss a story with ghosts and ideas of “unfinished business” and capturing past natural greatness At about 36:40, Maggie talks about sadly learning that an idea that she thought was original was not, as the two discuss a few stories about commercialism, dystopia, and climate change At about 40:20, the two discuss middens, and themes of reclaiming what has been lost  At about 42:30, Pete notes an interesting story that deals with memory and AI, and Maggie talks about writing from a interesting-placed narrator  At about 44:20, Pete draws connections between a title character, Miriam Ackerman, and Truman Capote's wonderful “A Christmas Memory”, while Maggie discusses the relationship between the title character and the narrator  At about 47:10, The two discuss violence and parental lack of control, especially in “Tiger on the Roof” and its memorable ending and creative plot  At about 50:25, Pete highlights the poignant and resonant closing line for the above story and connects the ending to Alice Elliott Dark's classic, “In the Gloaming” At about 52:00, The two discuss the collection's title story and Maggie discuses inspiration from Carmen Maria Machado At about 53:00, The two discuss the way the above story is “gutting” in its portrayal of the “banality of loss” At about 56:10, Maggie reminds that the book is not just a “downer!” At about 56:50, Maggie reads from “En Plein Aire” At about 1:00:30, Maggie gives information on places to buy her book and social media and contact information At about 1:01:20, Maggie shares information on some exciting new projects         You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.       I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features segments from conversations with Jeff Pearlman, Matt Bell, F. Douglas Brown, Jorge Lacera, Jean Guererro, Rachel Yoder, and more, as they reflect on chill-inducing writers who have inspired their own work.    I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 265 with Carvell Wallace. He is a writer and podcaster who has contributed to GQ, New York Times Magazine, Pitchfork, MTV News, and Al Jazeera, among others. His debut memoir, Another Word For Love, is a 2024 Kirkus Finalist in Nonfiction, and one of Pete's all-time favorite memoirs.    The episode airs on December 10.    Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.

Sandra Cisneros is best known for her debut novel, The House on Mango Street, which follows a year in the life of a young Chincana girl. For the 40th anniversary of that book, Sandra joined Rachel for a conversation in front of a live audience at the National Book Festival in Washington, D.C. Sandra shared a story about a teacher who changed her life and talked about why she's excited about death.To listen sponsor-free, access bonus episodes and support the show, sign up for Wild Card+ at plus.npr.org/wildcard Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

We revisit our conversation with writer Sandra Cisneros. Her book "Martita, I Remember You / Martita, te recuerdo" was included in one of our UPR Community Booklists.

Jan Beatty's eighth book, Dragstripping, was published by the University of Pittsburgh Press, September, 2024. Her memoir, American Bastard, won the Red Hen Nonfiction Award. Recent books include The Body Wars and a chapbook, Skydog (Lefty Blondie Press, 2022). Other work includes Jackknife: New and Selected Poems (University of Pittsburgh, 2018 Paterson Prize) named by Sandra Cisneros on LitHub as her favorite book of 2019. Beatty worked as a waitress, abortion counselor, and in maximum security prisons. She is Professor Emerita at Carlow University, where she directed creative writing, the Madwomen in the Attic workshops, and the MFA program.   

Liliana Valenzuela trae a Hablemos, escritoras una valiosa entrevista desde el Macondo Writers Workshop, fundado por Sandra Cisneros, con la maravillosa Cherríe Moraga. Moraga es una poeta, ensayista y dramaturga reconocida internacionalmente, cuya carrera profesional comenzó en 1981 con su coedición del texto feminista fundamental This Bridge Called My Back: Writings by Radical Women of Color escrito con Gloria Anzaldúa. Es autora de varias colecciones de escritos, incluyendo A Xicana Codex of Changing Consciousness: Writings 2000-2010 y, más recientemente, Loving in the War Years & Other Writings 1978-1999, publicado en 2023. También es autora de dos memorias: Waiting in the Wings—Portrait of a Queer Motherhood y Native Country of the Heart, publicado en 2019 por Farrar, Straus & Giroux con gran reconocimiento. La revista es en inglés. Liliana Valenzuela brings to Hablemos, escritoras a precious interview from Macondo Writers Workshop founded by Sandra Cisneros, with the wonderful Cherríe Moraga. Moraga is an internationally recognized poet, essayist and playwright whose professional life began in 1981 with her co-editorship of the seminal feminist text, This Bridge Called My Back:  Writings by Radical Women of Color wrote with Gloria Anzaldúa.  She is the author of several collections of writings, including A Xicana Codex of Changing Consciousness- Writings  2000-2010 and most recently Loving in the War Years & Other Writings 1978-1999. published in 2023. She is the author of two memoirs:  Waiting in the Wings—Portrait of a Queer Motherhood  and Native Country of the Heart, published in 2019 by Farrar, Straus & Giroux to great acclaim. The interview is in English and Spanish.

Mentioned in this episode:SBCC American Ethnic Studies - https://www.sbcc.edu/americanethnicstudies/Chicano Power Movement - https://en.wikipedia.org/wiki/Chicano_MovementBlack Power Movement - https://en.wikipedia.org/wiki/Black_power_movementEl Paso Del Norte - https://www.tshaonline.org/handbook/entries/el-paso-del-norteChicano Secret Service - https://www.facebook.com/ChicanoSecretService/El Teatro Campesino - https://elteatrocampesino.com/Cedric Robinson - https://en.wikipedia.org/wiki/Cedric_RobinsonGeorge Lipsitz - https://en.wikipedia.org/wiki/George_LipsitzChela Sandoval - https://en.wikipedia.org/wiki/Chela_SandovalClyde Woods - https://cbsr.ucsb.edu/news/remembering-clyde-woodsAnything But Mexican: Chicanos in Contemporary Los Angeles by Rodolfo F. Acuña - https://www.versobooks.com/products/1533-anything-but-mexicanRacial Formation in the United States by Michael Omi - https://www.routledge.com/Racial-Formation-in-the-United-States/Omi-Winant/p/book/9780415520317Ramón Favela - https://www.arthistory.ucsb.edu/people/ram%C3%B3n-favelaLiberation Theology - https://en.wikipedia.org/wiki/Liberation_theologyHoliday in Cambodia by the Dead Kennedys - https://en.wikipedia.org/wiki/Holiday_in_CambodiaDomestic Policy of the Ronald Raegan Administration - https://en.wikipedia.org/wiki/Domestic_policy_of_the_Ronald_Reagan_administrationAngela Davis - https://en.wikipedia.org/wiki/Angela_DavisSBCC's Courageous Conversations for Outrageous Times for the Chicana/o Culture Conference - https://www.facebook.com/events/784586975229427/Hidden Figures: The American Dream and the Untold Story of the Black Women Who Helped Win the Space Race by Margot Lee Shetterly - https://www.hiddenfigures.com/Xicana/o/x Time and Space Exhibit at the Atkinson Gallery - https://sbcc.edu/newsandevents/pressreleases/2023-9-5-Atkinson-Gallery-Exhibition-Xicano-a-x-Time-Space.phpDel Pueblo Cafe - https://dpcsb.com/EOPS - https://www.sbcc.edu/eopscare/Rasquachismo - https://en.wikipedia.org/wiki/RasquachismoSB Farmer's Market - https://www.sbfarmersmarket.org/Quesadilla - https://en.wikipedia.org/wiki/QuesadillaMole - https://en.wikipedia.org/wiki/Mole_(sauce)Like Water for Chocolate - https://en.wikipedia.org/wiki/Like_Water_for_Chocolate_(film)Chile Relleno - https://en.wikipedia.org/wiki/Chile_rellenoShort Rib - https://en.wikipedia.org/wiki/Short_ribsRibeye - https://en.wikipedia.org/wiki/Rib_eye_steakEl Taco de Mexico Oxnard - https://www.yelp.com/biz/jesses-el-taco-de-mexico-oxnardRudy's - https://www.rudys-mexican.com/Meun Fan Thai Cafe - https://meunfanthaicafe.com/ Carne Adovada (New Mexico) - https://en.wikipedia.org/wiki/AdobadaCarnitas El Brother - https://www.carnitaselbrother.com/Yolanda's Mexican Cafe - https://www.yolandasmexicancafe.com/Andria's Seafood Restaurant - https://www.andriasseafood.com/Bristol Farms - https://www.bristolfarms.com/stores/la-cumbreBangkok Avenue - https://www.bangkokavenuetoaks.com/Finish the Fight Virtual Play - https://timesevents.nytimes.com/finishthefightLone Star - https://en.wikipedia.org/wiki/Lone_Star_(1996_film)Human Flow - https://en.wikipedia.org/wiki/Human_FlowThe Pearl Button - https://en.wikipedia.org/wiki/The_Pearl_ButtonWashington Bullets by the Clash - https://www.youtube.com/watch?v=slOz1XFCUXEThe Black Power Mixtape - https://en.wikipedia.org/wiki/The_Black_Power_Mixtape_1967%E2%80%931975Race: The Power of an Illusion - https://en.wikipedia.org/wiki/Race:_The_Power_of_an_IllusionThe Wind That Swept Mexico by Anita Brenner - https://utpress.utexas.edu/9780292790247/Occupied America: A History of Chicanos by Rodolfo F. Acuna - https://www.pearson.com/en-us/subject-catalog/p/occupied-america-a-history-of-chicanos/P200000002694/9780137525508The House on Mango Street by Sandra Cisneros - https://www.penguinrandomhouse.com/books/27844/the-house-on-mango-street-by-sandra-cisneros/Federico Fellini - https://en.wikipedia.org/wiki/Federico_FelliniThe Brother from Another Planet - https://en.wikipedia.org/wiki/The_Brother_from_Another_PlanetEight Men Out - https://en.wikipedia.org/wiki/Eight_Men_Out

Notes and Links to Katya Apekina's Work      For Episode 248, Pete welcomes Katya Apekina, and the two discuss, among other topics, her language abilities and her extensive cross-cultural readings; motherhood, the loss of loved ones, and other catalysts for Mother Doll, and salient themes and issues in her collection like intergenerational traumas, women's agency, fatalism, guilt, and redemption.      Katya Apekina is a novelist, screenwriter and translator. Her novel, The Deeper the Water the Uglier the Fish, was named a Best Book of 2018 by Kirkus, Buzzfeed, LitHub and others, was a finalist for the LA Times Book Prize and has been translated into Spanish, Catalan, French, German and Italian. She has published stories in various literary magazines and translated poetry and prose for Night Wraps the Sky: Writings by and about Mayakovsky (FSG, 2008), short-listed for the Best Translated Book Award. She co-wrote the screenplay for the feature film New Orleans, Mon Amour, which premiered at SXSW in 2008. She is the recipient of an Elizabeth George grant, an Olin Fellowship, the Alena Wilson prize and a 3rd Year Fiction Fellowship from Washington University in St. Louis where she did her MFA. She has done residencies at VCCA, Playa, Ucross, Art Omi: Writing and Fondation Jan Michalski in Switzerland. Born in Moscow, she grew up in Boston, and currently lives in Los Angeles with her husband, daughter and dog. Buy Mother Doll   “Katya Apekina's ‘Mother Doll' isn't your ordinary ghost story” in The Los Angeles Times   Katya's Website   At about 2:40, Katya talks about her early experiences in being bilingual and how her early language learning has affected her reading and writing and ways of seeing the world  At about 6:05, Katya talks about ways in which Russian writing manifests itself At about 8:00, Katya catalogs formative and informative writers and writing upon which she draws inspiration  At about 9:45, Katya details a Holden Caulfield-esque action she took in high school At about 10:45, The two discuss cool craft techniques of Chekhov At about 11:25, Katya outlines the beginnings of her formal writing life after pivoting from photography, including the power of Charles Simic and Roberto Bolaño  At about 14:45, Katya highlights contemporary writers who inspire and thrill her, including Sasha Vasilyuk and Ruth Madievsky, and Alexandra Tanner At about 17:35, Pete shares the wonderful reviews for the book, including Lauren Groff's At about 18:20, Katya shares seeds for the book, especially with regards to intergenerational traumas  At about 21:45, Katya recounts some plot summary and real-life inspirations and parallels  At about 22:50, Pete quotes the book's first line-a “banger”-and Katya gives background on the book's sequencing  At about 25:25, Pete sets some of the book's exposition and asks Katya about the “chorus” and her visual idea of this chorus At about 27:20, Irina is introduced and the two discuss her wanting to relieve her burdens, and Katya describes what Zhenia might see in Anton/Ben At about 30:10, Katya responds to Pete's questions about why Zhenia decides to help translate for Paul, the medium, regarding her great-grandmother At about 33:00, Katya expands upon Paul's reasons for getting into the medium space, as well as how some people are many “permeable” to messaging from beyond At about 35:10, Pete traces some early flashbacks from Irina and her early leanings towards revolution At about 36:15, Katya responds to Pete's asking about Hanna and other characters and their motivations and possible naivete At about 39:00, Pete and Katya discuss the changing and convoluted factions and connections that characterized the Russian Revolution, and the differing visions of change At about 41:50, Katya talks about how Zhenia thinks of her grandmother's death and funeral At about 43:30, Pete asks about parallels in the book, both on the micro and macro levels; Katya speaks about “iterations” of history At about 46:30, Pete alludes to “Eleven” by Sandra Cisneros in asking Katya to speak to the significance of the book's title At about 48:40, The two discuss fatalism as a common theme in Russian diasporic literature in general, and this book in particular At about 51:00, Katya talks about exciting upcoming projects At about 52:00, Katya gives contact info and social media information      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features segments from conversations with Deesha Philyaw, Luis Alberto Urrea, Chris Stuck, and more, as they reflect on chill-inducing writing and writers that have inspired their own work.       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 249 with Jesse Katz, whose writing has appeared in The New York Times Magazine, New York Magazine, Rolling Stone, Details, Texas Monthly, Food & Wine, Men's Health, and many other publications. His work has been anthologized in Best American Magazine Writing and Best American Crime Writing; his latest book is the critically-acclaimed The Rent Collectors, about the reverberations of a tragic murder in LA's MacArthur Park area.    The episode airs later today, August 20.    Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.

Notes and Links to Marcela Fuentes' Work      For Episode 240, Pete welcomes Marcela Fuentes, and the two discuss, among other topics, her childhood in borderland Texas, her experiences with bilingualism, formative and transformative reading, the greatness and timelessness of Selena, seeds for Malas in fairy tales and the title's multilayered meanings, working in flashback and flashforward to illuminate racism and Texas/borderland histories, and salient themes in her collection like toxic masculinity, the burdens and triumphs of motherhood, grief, trauma, addiction, and ideas of fractured and reworked families.      Marcela Fuentes is a Pushcart Prize-winning fiction writer and essayist. She is a graduate of the Iowa Writers' Workshop and was the 2016-2017 James C. McCreight Fiction Fellow at the Wisconsin Institute for Creative Writing. Her work has appeared or is forthcoming in the Indiana Review, The Rumpus, Texas Highways Magazine, Kenyon Review, Ploughshares, and other journals. Her work has been anthologized in New Stories from the Southwest, Best of the Web, and Flash Fiction International. Her story, “The Observable World” appeared in the Pushcart Prizes XLVII : Best of the Small Presses 2023 Edition. She was born and raised in Del Rio, Texas.    Her debut novel MALAS is the Good Morning America Book Club pick for June 2024. Coming soon, the story collection MY HEART HAS MORE ROOMS THAN A WHOREHOUSE, from Viking Books. Buy Malas    Marcela's Website   Marcela's Appearance on Good Morning America   At about 2:00, Marcela describes her “surreal” experience being on Good Morning America At about 4:10, Marcela discusses her early relationship with the written word and Spanish and English-speaking  At about 10:10, Sandra Cisneros, Yo Soy Joaquin, and Helena Maria Viramontes, are cited as formative and transformative writing and writers At about 12:00, Pete recounts a surreal interaction with the wonderful Helena Maria Viramontes At about 13:00, Marcla shouts out Vanessa Chan and Rufi Thorpe as contemporaries who thrill and inspire At about 14:05, Marcela responds to Pete's questions about seeds for the book-shout out Edward Carey! At about 18:05, The two reflect on the book's opening and a resonant first line At about 20:55, Marcela gives background on Caimanes and the barrio where Pilar and José Alfredo, the first main characters, live, and why they like and hate it At about 23:00, Uh, oh-the curse is discussed, as well as Pilar's feelings at eight months pregnant   At about 24:35, Marcela talks about what she envisioned for Pilar, especially her backstory At about 28:20, Ideas of suspicions and insecurities involving José Alfredo on Pilar's part are discussed At about 30:10, Pete and Marcela discuss Anglo/Mexican-American relations and the ways in which racism affected the hospital visit where Pilar is to give birth At about 31:25, Marcela describes what it was like to write such a wrenching scene as the one in the hospital At about 33:45, Pilar's “dull anger” and the ways in which José Alfredo doesn't show up for her  At about 34:40, Lulu Munoz is characterized, as she is introduced in a flashforward scene, and Marcela expands upon her character and her relationship with her “boss man” father  At about 38:10, Pete points out page 60's use of “mala,” and Marcela expands on the word's attendant meanings, especially with regard to the book At about 40:00, Julio (Lulu's father) and his bad behavior is discussed At about 40:40, The two discuss some friends in Lulu's friend group and the “messiness” of the night where Lulu's beloved grandma dies and the chaos of the funeral At about 41:55, Pete wonders about Pilar's mindset and the ways in which Marcela envisioned her emotional state, as the book returned to 1951 At about 46:45, While discussing Lulu's band and music likes, Marcela fangirls about Selena and talks about her personal connections to the great one  At about 49:40, The chaotic quinceañera set for Lulu and its attendant drama is discussed  At about 50:50, Pete compliments the 1970s scenes and the ways in which Marcela writes about this “adjacent history” of civil rights fights in Texas; Marcela gives background on real-life parallels and histories At about 54:40, Marcela talks about exciting future projects, including her story collection  At about 56:50, Marcela highlights places to buy her book and gives out contact information and tour information     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review-I'm looking forward to the partnership!     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 241 with Antonio Lopez, who is a poetician working at the intersections of poetry and politics to fight for social change. His 2021 collection, Gentefication, was named one of the "Ten Notable Latino Books of 2021” by NBC. Antonio is a former Marshall Scholar and current Mayor of East Palo Alto. CA.    The episode will go live on July 2.     Lastly, please go to ceasefiretoday.com, which features 10+ actions to help bring about Ceasefire in Gaza.

40 years ago, Sandra Cisneros published what would become a contemporary classic: The House on Mango Street. To mark the occasion, Everyman's Library has released a new edition. The introduction to that edition was written by Professor John Philip Santos, a fellow writer and long-time friend of Cisneros. He joins me on this episode to talk about the origin, meaning, and legacy of this modern masterpiece. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Discussed in this episode: The House on Mango Street (Everyman's Library) by Sandra Cisneros, introduction by John Philip Santos Places Left Unfinished at the Time of Creation by John Philip Santos Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, I'm talking with author Sloane Crosley. Best known for her humorous and existentially probing essays, Sloane's latest book is a departure of sorts. Grief Is For People, a memoir, covers the year in her life following the death of Russell Perreault, a veteran of book publishing who'd been her boss before becoming her closest friend. A month before Russell's death, Sloane's apartment was burglarized by a jewel thief, turning her into an amateur detective as she attempted to retrieve family heirlooms while reckoning with loss across several dimensions. Sloane worked as a book publicist for many years before being an author herself, and in this conversation, she talks about how office culture has changed over the last decade, especially in the wake of #MeToo, and what it was like to work with famous authors like Joan Didion and Sandra Cisneros in the final glory days of publishing. Meghan and Sloane also explore the phenomenon of collective grief over animals that become symbols of something much larger: for instance, the response to the death a few months ago of Flaco, the Eurasian owl that got out of a zoo enclosure and flew around upper Manhattan for more than a year, captivating not just the New Yorkers who saw him in real life but people all over the world following his whereabouts on social media. GUEST BIO Sloane Crosley is the author of two novels and three essay collections, including the bestsellers I Was Told They're Be Cake and How Did You Get This Number? Her new book is the memoir Grief Is For People. She lives in New York City. You can buy her new book here. Want to hear the whole conversation? Upgrade your subscription here. HOUSEKEEPING ✈️ Unspeakeasy Retreats: See where we're going to be in 2024!

Mel B is LIVE in Studio 1A to talk about her new book “Brutally Honest” and the speculation surrounding a Spice Girls reunion. Plus, Amber Kemp-Gerstel shares some easy Easter entertaining ideas. Also, NYU Professor Suzy Welch gives Hoda and Jenna a crash course in crafting the authentic life you want and need. And, Jenna's bookshop: “The Great Divide” and “The House on Mango Street” 

Notes and Links to Andrés Ordorica's Work        For Episode 225, Pete welcomes Andrés Ordorica, and the two discuss, among other topics, his early relationship to the written word, formative and transformative writers and writing, wonderful trips to Borders Books, moments and people that shaped his sensibilities, Shakespeare comparisons, and seeds for and salient themes related to How We Named the Stars, including love and loss, the intensity of young love and first love and college, longing and grief.        Andrés N. Ordorica is a queer Latinx writer based in Edinburgh. Drawing on his family's immigrant history and third culture upbringing, his writing maps the journey of diaspora and unpacks what it means to be from ni de aquí, ni de allá (neither here, nor there). He is the author of the poetry collection At Least This I Know and novel How We Named the Stars. He has been shortlisted for the Morley Lit Prize, the Mo Siewcharran Prize and the Saltire Society's Poetry Book of The Year. In 2024, he was selected as one of The Observer's 10 Best Debut Novelists.   Buy How We Named the Stars   Andres' Website   New York Times Review of How We Named the Stars from Maxwell Gilmer   At about 2:15, Andrés talks about the “surreal” experiences he's had since the book has been out in the world At about 3:20, Andrés shouts out Douglas Stuart and advice on dealing with multiple projects At about 5:40, Andrés calls his new project “part of a similar world” as that of How We Named the Stars At about 8:15, Andrés fill Pete in on his childhood relationship with libraries and the written word, including how his mother's storytelling influenced and inspired him At about 11:00, Andrés shouts out NorCal reading spots and how he “fell in love with the idea of books” At about 13:05, Andrés discusses writers and writing that catapulted him into writing and reading even more seriously-Cristina Garcia, Nathaniel Hawthorne, Susan Lori Parks, Sandra Cisneros, and Marquez  At about 19:30, Andrés shouts out Jackie Kay and Griffin Hansbury and other contemporaries he's reading in 2024 At about 22:45, Andrés discusses the stellar work of Jackie Kay's time as Maker of Scotland At about 24:10, GoodReads discourse! At about 25:20, Andrés discusses seeds for the book and its epigraph At about 28:55, Andrés reflects on love and loss as important themes in general and in his book in particular At about 30:00, Andrés shouts out places to buy his book, and mentions that his book is a Barnes and Noble Pick of the Month At about 32:20, Andrés breaks down his “pragmatic” and “poetic” decisions to write the book in the epistolary form and let the trader know very quickly about a shattering death At about 34:35, Pete and Andrés discuss the Prologue and the cosmos and axolotls being referenced  At about 39:40, Andrés gives history on how Elizabeth DeMeo helped him choose his dynamic title At about 41:00, Pete references ideas of light and darkness and tells a story about a mistaken symbol in Reyna Grande's Across a Hundred Mountains At about 43:55, Andrés talks about how even a novelist “doesn't have all of the answers” regarding the letter/book that constitutes the book At about 45:30, Pete makes a controversial comparison, re: Shakespeare  At about 47:15, Andrés gives background on a deleted scene from the book alluding to As You Like It At about 48:45, Pete references Karim new book on Shakespeare by Farah Karim-Cooper At about 51:30, The two discuss the intensity of college and “the transitory” experience that characterizes the beginning of college At about 54:50, Pete asks Andrés about the first interactions between Sam and Daniel in the book and about an early scene as a balancing act At about 1:00:20, Pete lays out early scenes from the book that deal with ignorant and racist comments and the “generous” Sam-Andrés expands upon the former scene's significance At about 1:06:00, The two discuss Andrés' homesickness and family connections and “family” at college At about 1:07:00, Themes of masculinity and genuine selfhood are discussed, and Andrés talks about how he shaped parts of the book as an “homage” to figures in his life  At about 1:09:50, Pete highlights Andrés incredible touch in rendering the immediate aftermath of a crushing death on the page     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited that starting in February with Episode 220 with Neef Ekpoudom and this episode, I will have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review-I'm looking forward to the partnership!    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 226 with Priscila Gilman, author of the memoir, The Anti-Romantic Child, and former professor of English literature at Yale University and Vassar College; Her writing has appeared in the New York Times, O, the Oprah Magazine, and elsewhere. Her memoir, A Critic's Daughter, was released to critical acclaim in Feb 2023    The episode will air on March 5.       

“I describe this as a love story steeped in loss.”  How We Named the Stars by Andrés N. Ordorica is a heartbreaking yet hopeful debut novel of first love, first loss and how we become ourselves. Ordorica joined us live at B&N Upper West Side to talk about growing into your identity, writing community legacy, his literary influences and more with guest host, Jenna Seery.   This episode of Poured Over was hosted by Jenna Seery and mixed by Harry Liang.                    New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app.          Featured Books (Episode):   How We Named the Stars by Andrés N. Ordorica  Diaries of a Terrorist by Christopher Soto  Small Bodies of Water by Nina Mingya Powles  Waiting for Godot by Samuel Beckett  The House on Mango Street by Sandra Cisneros 

Sandra Cisneros doesn't need an introduction. Her coming-of-age novel, "The House on Mango Street," has sold over six million copies and has turned the Chicago native into a household name. Earlier this year, the Mexican-American author joined Maria Hinojosa for a live conversation at the Museum of Mexican Art in Chicago. The conversation was part of WBEZ's Podcast Passport series, in partnership with Vocalo Radio. In this live and intimate conversation, Sandra Cisneros reflects on her past, present and the legacy she hopes to leave behind. This episode originally aired in June of 2019.

Even in the most uneventful of human lives, uncertainty and doubts will inevitably intrude. When faced with those, what can you do to steady yourself? One suggestion: Turn to the poem “When in Doubt” by Sandra Cisneros, where she generously shares some of the wisdom that she's gleaned over the years. Sandra Cisneros is a poet, short story writer, novelist, essayist, performer, and artist. Cisneros's most recent collection is Woman Without Shame (Knopf Publishing Group 2022). Her numerous awards include NEA fellowships in both poetry and fiction, a MacArthur Fellowship, national and international book awards, including the PEN America Literary Award, and the National Medal of Arts. More recently, she received the Ford Foundation's Art of Change Fellowship, was recognized with the Fuller Award for Lifetime Achievement in Literature, and won the PEN/Nabokov Award for Achievement in International Literature. In 2022, she was awarded the Poetry Foundation's Ruth Lilly Poetry Prize. In addition to her writing, Cisneros has fostered the careers of many aspiring and emerging writers through two nonprofits she founded: the Macondo Foundation and the Alfredo Cisneros del Moral Foundation.Find the transcript for this show at onbeing.org. We're pleased to offer Sandra Cisneros's poem, and invite you to read Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound book, or listen back to all our episodes.

After you have deconstructed, Christmas becomes an interesting season doesn't it? Our view of God has expanded, our faith has expanded.In this beautiful, very special holiday episode, we share three stories - one from Alice Walker, author of The Color Purple; one from Sandra Cisneros; and a unique retelling of the Biblical story for us outliers, the rest of us. I hope these unwrap the way we see and celebrate this Christmas and holiday season.  It is about reconstructing Christmas in the midst of a deconstructing faith. Celebrating for the rest of us. Support the show

Sad news for all of us: producer Rachael Cusick— who brought us soul-stirring stories rethinking grief (https://zpr.io/GZ6xEvpzsbHU) and solitude (https://zpr.io/eT5tAX6JtYra), as well as colorful musings on airplane farts (https://zpr.io/CNpgUijZiuZ4) and belly flops (https://zpr.io/uZrEz27z63CB) and Blueberry Earths (https://zpr.io/EzxgtdTRGVzz)— is leaving the show. So we thought it perfect timing to sit down with her and revisit another brainchild of hers, The Cataclysm Sentence, a collection of advice for The End. To explain: one day in 1961, the famous physicist Richard Feynman stepped in front of a Caltech lecture hall and posed this question to a group of undergraduate students: “If, in some cataclysm, all of scientific knowledge were to be destroyed, and only one sentence was passed on to the next generation of creatures, what statement would contain the most information in the fewest words?” Now, Feynman had an answer to his own question—a good one. But his question got the entire team at Radiolab wondering, what did his sentence leave out? So we posed Feynman's cataclysm question to some of our favorite writers, artists, historians, futurists—all kinds of great thinkers. We asked them “What's the one sentence you would want to pass on to the next generation that would contain the most information in the fewest words?” What came back was an explosive collage of what it means to be alive right here and now, and what we want to say before we go. Featuring: Richard Feynman, physicist - The Pleasure of Finding Things Out (https://zpr.io/5KngTGibPVDw) Caitlin Doughty, mortician - Will My Cat Eat My Eyeballs (https://zpr.io/Wn4bQgHzDRDB) Esperanza Spalding, musician - 12 Little Spells (https://zpr.io/KMjYrkwrz9dy)  Cord Jefferson, writer - Watchmen (https://zpr.io/ruqKDQGy5Rv8)  Merrill Garbus, musician - I Can Feel You Creep Into My Private Life (https://zpr.io/HmrqFX8RKuFq) Jenny Odell, writer - How to do Nothing (https://zpr.io/JrUHu8dviFqc) Maria Popova, writer - Brainpickings (https://zpr.io/vsHXphrqbHiN) Alison Gopnik, developmental psychologist - The Gardener and the Carpenter (https://zpr.io/ewtJpUYxpYqh) Rebecca Sugar, animator - Steven Universe (https://zpr.io/KTtSrdsBtXB7) Nicholson Baker, writer - Substitute (https://zpr.io/QAh2d7J9QJf2) James Gleick, writer - Time Travel (https://zpr.io/9CWX9q3KmZj8) Lady Pink, artist - too many amazing works to pick just one (https://zpr.io/FkJh6edDBgRL) Jenny Hollwell, writer - Everything Lovely, Effortless, Safe (https://zpr.io/MjP5UJb3mMYP) Jaron Lanier, futurist - Ten Arguments for Deleting Your Social Media Accounts Right Now (https://zpr.io/bxWiHLhPyuEK) Missy Mazzoli, composer - Proving Up (https://zpr.io/hTwGcHGk93Ty)   Special Thanks to: Ella Frances Sanders, and her book, "Eating the Sun" (https://zpr.io/KSX6DruwRaYL), for inspiring this whole episode. Caltech for letting us use original audio of The Feynman Lectures on Physics. The entirety of the lectures are available to read for free online at www.feynmanlectures.caltech.edu.All the musicians who helped make the Primordial Chord, including: Siavash Kamkar (https://zpr.io/2ZT46XsMRdhg), from Iran  Koosha Pashangpour (https://zpr.io/etWDXuCctrzE), from Iran Curtis MacDonald (https://zpr.io/HQ8uskA44BUh), from Canada Meade Bernard (https://zpr.io/gbxDPPzHFvme), from US Barnaby Rea (https://zpr.io/9ULsQh5iGUPa), from UK Liav Kerbel (https://zpr.io/BA4DBwMhwZDU), from Belgium Sam Crittenden (https://zpr.io/EtQZmAk2XrCQ), from US Saskia Lankhoorn (https://zpr.io/YiH6QWJreR7p), from Netherlands Bryan Harris (https://zpr.io/HMiyy2TGcuwE), from US Amelia Watkins (https://zpr.io/6pWEw3y754me), from Canada Claire James (https://zpr.io/HFpHTUwkQ2ss), from US Ilario Morciano (https://zpr.io/zXvM7cvnLHW6), from Italy Matthias Kowalczyk, from Germany (https://zpr.io/ANkRQMp6NtHR) Solmaz Badri (https://zpr.io/MQ5VAaKieuyN), from IranAll the wonderful people we interviewed for sentences but weren't able to fit in this episode, including: Daniel Abrahm, Julia Alvarez, Aimee Bender, Sandra Cisneros, Stanley Chen, Lewis Dartnell, Ann Druyan, Rose Eveleth, Ty Frank, Julia Galef, Ross Gay, Gary Green, Cesar Harada, Dolores Huerta, Robin Hunicke, Brittany Kamai, Priya Krishna, Ken Liu, Carmen Maria Machado, James Martin, Judith Matloff, Ryan McMahon, Hasan Minhaj, Lorrie Moore, Priya Natarajan, Larry Owens, Sunni Patterson, Amy Pearl, Alison Roman, Domee Shi, Will Shortz, Sam Stein, Sohaib Sultan, Kara Swisher, Jill Tarter, Olive Watkins, Reggie Watts, Deborah Waxman, Alex Wellerstein, Caveh Zahedi.EPISODE CREDITS Reported by - Rachael Cusick (https://www.rachaelcusick.com/)Our newsletter comes out every Wednesday. It includes short essays, recommendations, and details about other ways to interact with the show. Sign up (https://radiolab.org/newsletter)! Radiolab is supported by listeners like you. Support Radiolab by becoming a member of The Lab (https://members.radiolab.org/) today. Follow our show on Instagram, Twitter and Facebook @radiolab, and share your thoughts with us by emailing radiolab@wnyc.org Leadership support for Radiolab's science programming is provided by the Gordon and Betty Moore Foundation, Science Sandbox, a Simons Foundation Initiative, and the John Templeton Foundation. Foundational support for Radiolab was provided by the Alfred P. Sloan Foundation.

Sandra Cisneros has picked “some real doozies” as lovers. But at 67, she says she'd rather write a new book of poetry than waste her time with men who aren't on her level.Did you know we have a weekly email newsletter for the Death, Sex & Money community? Every Wednesday we send out podcast listening recommendations, fascinating letters from our inbox, and updates from the show. Sign up at deathsexmoney.org/newsletter, and follow the show on Twitter, Facebook, and Instagram.Got a story to share? Email us at deathsexmoney@wnyc.org. Hosted on Acast. See acast.com/privacy for more information.