Podcast appearances and mentions of cy feuer

This Friday's "Friday Night Noir" on Vintage Classic Radio takes you back to the golden age of radio with two thrilling episodes. We begin the evening with the "Suspense" radio show, presenting the gripping episode "The After Dinner Story," which originally aired on October 26th, 1943. In this chilling narrative, listeners find themselves ensnared in a tale of mystery and revenge, as a wealthy man recounts a harrowing experience that leads to an unexpected and sinister conclusion. The episode showcases the talents of Orson Welles in the lead role, supported by a stellar cast including William Johnstone, Hans Conried, and Agnes Moorehead, under the skilled direction of William Spier. The suspenseful atmosphere is further enhanced by the music of Bernard Herrmann, making "The After Dinner Story" a classic example of radio drama at its finest. Following that, we dive into the dark and deceptive world of "Crime Club" with the episode "The Sun is a Witness," which first aired on April 3rd, 1947. This episode unfolds a complex mystery where murder casts a long shadow over a seemingly peaceful community. The plot thickens as the detective untangles a web of alibis and motives to reveal the truth hidden beneath the surface. The episode features a compelling cast, including Raymond Edward Johnson in the role of the detective, with support from Berry Kroeger, Helen Shields, and Ted Osborne. Directed by Roger Bower and with music by Cy Feuer, "The Sun is a Witness" offers a riveting journey into the heart of crime and investigation, embodying the essence of the Crime Club series. Join us for an unforgettable evening of intrigue and suspense on "Friday Night Noir," only on Vintage Classic Radio. Experience the magic of the past as these timeless stories unfold, featuring the incredible talents that defined an era of entertainment.

Escape is an American radio drama. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by William Conrad and later Paul Frees: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" Following the opening theme, a second announcer (usually Roy Rowan) would add: "Escape! Designed to free you from the four walls of today for a half-hour of high adventure!" Adaptations: Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Daphne du Maurier's "The Birds", Carl Stephenson's "Leiningen Versus the Ants", Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven", George R. Stewart's Earth Abides (the program's only two-parter), Richard Connell's "The Most Dangerous Game" and F. Scott Fitzgerald's "The Diamond as Big as the Ritz". John Collier's "Evening Primrose", about people who live inside a department store, was later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. William Conrad, Harry Bartell and Elliott Reid were heard in the chilling "Three Skeleton Key" (broadcast on 15 November 1949), the tale of three men trapped in an isolated lighthouse by thousands of rats; the half-hour was adapted from an Esquire short story by the French writer George Toudouze and later remade for the March 17, 1950 broadcast starring Vincent Price, Harry Bartell and Jeff Corey and again for the August 9, 1953 broadcast starring Paul Frees, Ben Wright and Jay Novello. Actors on the series included Elvia Allman, Eleanor Audley, Parley Baer, Michael Ann Barrett, Tony Barrett, Harry Bartell, Ted Bliss, Lillian Buyeff, Ken Christy, William Conrad, Ted deCorsia, John Dehner, Don Diamond, Paul Dubov, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jess Kirkpatrick, B.J. Thompson, Shep Menken, Frank Gerstle, George Neece, Jeanette Nolan, Dan O'Herlihy, Barney Phillips, Forrest Lewis, Robert Griffin, Alan Reed, Bill Johnstone, Sandra Gould, Junius Matthews, Carleton G. Young, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Eleanore Tanin, Herb Vigran, Jack Webb, Peggy Webber and Will Wright. Music was supplied by Del Castillo, organist Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The announcers were Paul Frees and Roy Rowan. A television counterpart aired on CBS TV for a few months during 1950. The program's opening announcement—"Tired of the everyday grind?"—was employed as a slogan for the counterculture magazine, New Escapologist.

Escape is an American radio drama. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by William Conrad and later Paul Frees: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" Following the opening theme, a second announcer (usually Roy Rowan) would add: "Escape! Designed to free you from the four walls of today for a half-hour of high adventure!" Adaptations: Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Daphne du Maurier's "The Birds", Carl Stephenson's "Leiningen Versus the Ants", Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven", George R. Stewart's Earth Abides (the program's only two-parter), Richard Connell's "The Most Dangerous Game" and F. Scott Fitzgerald's "The Diamond as Big as the Ritz". John Collier's "Evening Primrose", about people who live inside a department store, was later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. William Conrad, Harry Bartell and Elliott Reid were heard in the chilling "Three Skeleton Key" (broadcast on 15 November 1949), the tale of three men trapped in an isolated lighthouse by thousands of rats; the half-hour was adapted from an Esquire short story by the French writer George Toudouze and later remade for the March 17, 1950 broadcast starring Vincent Price, Harry Bartell and Jeff Corey and again for the August 9, 1953 broadcast starring Paul Frees, Ben Wright and Jay Novello. Actors on the series included Elvia Allman, Eleanor Audley, Parley Baer, Michael Ann Barrett, Tony Barrett, Harry Bartell, Ted Bliss, Lillian Buyeff, Ken Christy, William Conrad, Ted deCorsia, John Dehner, Don Diamond, Paul Dubov, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jess Kirkpatrick, B.J. Thompson, Shep Menken, Frank Gerstle, George Neece, Jeanette Nolan, Dan O'Herlihy, Barney Phillips, Forrest Lewis, Robert Griffin, Alan Reed, Bill Johnstone, Sandra Gould, Junius Matthews, Carleton G. Young, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Eleanore Tanin, Herb Vigran, Jack Webb, Peggy Webber and Will Wright. Music was supplied by Del Castillo, organist Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The announcers were Paul Frees and Roy Rowan. A television counterpart aired on CBS TV for a few months during 1950. The program's opening announcement—"Tired of the everyday grind?"—was employed as a slogan for the counterculture magazine, New Escapologist.

Escape is an American radio drama. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by William Conrad and later Paul Frees: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" Following the opening theme, a second announcer (usually Roy Rowan) would add: "Escape! Designed to free you from the four walls of today for a half-hour of high adventure!" Adaptations: Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Daphne du Maurier's "The Birds", Carl Stephenson's "Leiningen Versus the Ants", Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven", George R. Stewart's Earth Abides (the program's only two-parter), Richard Connell's "The Most Dangerous Game" and F. Scott Fitzgerald's "The Diamond as Big as the Ritz". John Collier's "Evening Primrose", about people who live inside a department store, was later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. William Conrad, Harry Bartell and Elliott Reid were heard in the chilling "Three Skeleton Key" (broadcast on 15 November 1949), the tale of three men trapped in an isolated lighthouse by thousands of rats; the half-hour was adapted from an Esquire short story by the French writer George Toudouze and later remade for the March 17, 1950 broadcast starring Vincent Price, Harry Bartell and Jeff Corey and again for the August 9, 1953 broadcast starring Paul Frees, Ben Wright and Jay Novello. Actors on the series included Elvia Allman, Eleanor Audley, Parley Baer, Michael Ann Barrett, Tony Barrett, Harry Bartell, Ted Bliss, Lillian Buyeff, Ken Christy, William Conrad, Ted deCorsia, John Dehner, Don Diamond, Paul Dubov, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jess Kirkpatrick, B.J. Thompson, Shep Menken, Frank Gerstle, George Neece, Jeanette Nolan, Dan O'Herlihy, Barney Phillips, Forrest Lewis, Robert Griffin, Alan Reed, Bill Johnstone, Sandra Gould, Junius Matthews, Carleton G. Young, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Eleanore Tanin, Herb Vigran, Jack Webb, Peggy Webber and Will Wright. Music was supplied by Del Castillo, organist Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The announcers were Paul Frees and Roy Rowan. A television counterpart aired on CBS TV for a few months during 1950. The program's opening announcement—"Tired of the everyday grind?"—was employed as a slogan for the counterculture magazine, New Escapologist.

Escape is an American radio drama. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by William Conrad and later Paul Frees: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" Following the opening theme, a second announcer (usually Roy Rowan) would add: "Escape! Designed to free you from the four walls of today for a half-hour of high adventure!" Adaptations: Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Daphne du Maurier's "The Birds", Carl Stephenson's "Leiningen Versus the Ants", Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven", George R. Stewart's Earth Abides (the program's only two-parter), Richard Connell's "The Most Dangerous Game" and F. Scott Fitzgerald's "The Diamond as Big as the Ritz". John Collier's "Evening Primrose", about people who live inside a department store, was later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. William Conrad, Harry Bartell and Elliott Reid were heard in the chilling "Three Skeleton Key" (broadcast on 15 November 1949), the tale of three men trapped in an isolated lighthouse by thousands of rats; the half-hour was adapted from an Esquire short story by the French writer George Toudouze and later remade for the March 17, 1950 broadcast starring Vincent Price, Harry Bartell and Jeff Corey and again for the August 9, 1953 broadcast starring Paul Frees, Ben Wright and Jay Novello. Actors on the series included Elvia Allman, Eleanor Audley, Parley Baer, Michael Ann Barrett, Tony Barrett, Harry Bartell, Ted Bliss, Lillian Buyeff, Ken Christy, William Conrad, Ted deCorsia, John Dehner, Don Diamond, Paul Dubov, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jess Kirkpatrick, B.J. Thompson, Shep Menken, Frank Gerstle, George Neece, Jeanette Nolan, Dan O'Herlihy, Barney Phillips, Forrest Lewis, Robert Griffin, Alan Reed, Bill Johnstone, Sandra Gould, Junius Matthews, Carleton G. Young, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Eleanore Tanin, Herb Vigran, Jack Webb, Peggy Webber and Will Wright. Music was supplied by Del Castillo, organist Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The announcers were Paul Frees and Roy Rowan. A television counterpart aired on CBS TV for a few months during 1950. The program's opening announcement—"Tired of the everyday grind?"—was employed as a slogan for the counterculture magazine, New Escapologist.

Escape is an American radio drama. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by William Conrad and later Paul Frees: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" Following the opening theme, a second announcer (usually Roy Rowan) would add: "Escape! Designed to free you from the four walls of today for a half-hour of high adventure!" Adaptations: Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Daphne du Maurier's "The Birds", Carl Stephenson's "Leiningen Versus the Ants", Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven", George R. Stewart's Earth Abides (the program's only two-parter), Richard Connell's "The Most Dangerous Game" and F. Scott Fitzgerald's "The Diamond as Big as the Ritz". John Collier's "Evening Primrose", about people who live inside a department store, was later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. William Conrad, Harry Bartell and Elliott Reid were heard in the chilling "Three Skeleton Key" (broadcast on 15 November 1949), the tale of three men trapped in an isolated lighthouse by thousands of rats; the half-hour was adapted from an Esquire short story by the French writer George Toudouze and later remade for the March 17, 1950 broadcast starring Vincent Price, Harry Bartell and Jeff Corey and again for the August 9, 1953 broadcast starring Paul Frees, Ben Wright and Jay Novello. Actors on the series included Elvia Allman, Eleanor Audley, Parley Baer, Michael Ann Barrett, Tony Barrett, Harry Bartell, Ted Bliss, Lillian Buyeff, Ken Christy, William Conrad, Ted deCorsia, John Dehner, Don Diamond, Paul Dubov, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jess Kirkpatrick, B.J. Thompson, Shep Menken, Frank Gerstle, George Neece, Jeanette Nolan, Dan O'Herlihy, Barney Phillips, Forrest Lewis, Robert Griffin, Alan Reed, Bill Johnstone, Sandra Gould, Junius Matthews, Carleton G. Young, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Eleanore Tanin, Herb Vigran, Jack Webb, Peggy Webber and Will Wright. Music was supplied by Del Castillo, organist Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The announcers were Paul Frees and Roy Rowan. A television counterpart aired on CBS TV for a few months during 1950. The program's opening announcement—"Tired of the everyday grind?"—was employed as a slogan for the counterculture magazine, New Escapologist.

Escape is an American radio drama. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by William Conrad and later Paul Frees: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" Following the opening theme, a second announcer (usually Roy Rowan) would add: "Escape! Designed to free you from the four walls of today for a half-hour of high adventure!" Adaptations: Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Daphne du Maurier's "The Birds", Carl Stephenson's "Leiningen Versus the Ants", Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven", George R. Stewart's Earth Abides (the program's only two-parter), Richard Connell's "The Most Dangerous Game" and F. Scott Fitzgerald's "The Diamond as Big as the Ritz". John Collier's "Evening Primrose", about people who live inside a department store, was later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. William Conrad, Harry Bartell and Elliott Reid were heard in the chilling "Three Skeleton Key" (broadcast on 15 November 1949), the tale of three men trapped in an isolated lighthouse by thousands of rats; the half-hour was adapted from an Esquire short story by the French writer George Toudouze and later remade for the March 17, 1950 broadcast starring Vincent Price, Harry Bartell and Jeff Corey and again for the August 9, 1953 broadcast starring Paul Frees, Ben Wright and Jay Novello. Actors on the series included Elvia Allman, Eleanor Audley, Parley Baer, Michael Ann Barrett, Tony Barrett, Harry Bartell, Ted Bliss, Lillian Buyeff, Ken Christy, William Conrad, Ted deCorsia, John Dehner, Don Diamond, Paul Dubov, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jess Kirkpatrick, B.J. Thompson, Shep Menken, Frank Gerstle, George Neece, Jeanette Nolan, Dan O'Herlihy, Barney Phillips, Forrest Lewis, Robert Griffin, Alan Reed, Bill Johnstone, Sandra Gould, Junius Matthews, Carleton G. Young, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Eleanore Tanin, Herb Vigran, Jack Webb, Peggy Webber and Will Wright. Music was supplied by Del Castillo, organist Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The announcers were Paul Frees and Roy Rowan. A television counterpart aired on CBS TV for a few months during 1950. The program's opening announcement—"Tired of the everyday grind?"—was employed as a slogan for the counterculture magazine, New Escapologist.

"Conqueror's Isle" Author: Nelson Bond, adapted by John Meston Star: Harry Bartell Escape is an American radio drama. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by William Conrad and later Paul Frees: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" Following the opening theme, a second announcer (usually Roy Rowan) would add: "Escape! Designed to free you from the four walls of today for a half-hour of high adventure!" Adaptations: Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Daphne du Maurier's "The Birds", Carl Stephenson's "Leiningen Versus the Ants", Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven", George R. Stewart's Earth Abides (the program's only two-parter), Richard Connell's "The Most Dangerous Game" and F. Scott Fitzgerald's "The Diamond as Big as the Ritz". John Collier's "Evening Primrose", about people who live inside a department store, was later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. William Conrad, Harry Bartell and Elliott Reid were heard in the chilling "Three Skeleton Key" (broadcast on 15 November 1949), the tale of three men trapped in an isolated lighthouse by thousands of rats; the half-hour was adapted from an Esquire short story by the French writer George Toudouze and later remade for the March 17, 1950 broadcast starring Vincent Price, Harry Bartell and Jeff Corey and again for the August 9, 1953 broadcast starring Paul Frees, Ben Wright and Jay Novello. Actors on the series included Elvia Allman, Eleanor Audley, Parley Baer, Michael Ann Barrett, Tony Barrett, Harry Bartell, Ted Bliss, Lillian Buyeff, Ken Christy, William Conrad, Ted deCorsia, John Dehner, Don Diamond, Paul Dubov, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jess Kirkpatrick, B.J. Thompson, Shep Menken, Frank Gerstle, George Neece, Jeanette Nolan, Dan O'Herlihy, Barney Phillips, Forrest Lewis, Robert Griffin, Alan Reed, Bill Johnstone, Sandra Gould, Junius Matthews, Carleton G. Young, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Eleanore Tanin, Herb Vigran, Jack Webb, Peggy Webber and Will Wright. Music was supplied by Del Castillo, organist Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The announcers were Paul Frees and Roy Rowan. A television counterpart aired on CBS TV for a few months during 1950. The program's opening announcement—"Tired of the everyday grind?"—was employed as a slogan for the counterculture magazine, New Escapologist.

Enjoy two free mystery episodes of Escape w/ William Conrad A) 7/11/48 She B) 9/12/48 Evening Primrose Escape was radio's leading anthology series of high-adventure, airing on CBS from July 7, 1947 until September 25, 1954. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by Paul Frees or William Conrad: Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape! Following the opening theme, a second announcer (usually Roy Rowan) would add … Escape! Designed to free you from the four walls of today for a half-hour of high adventure! Like its first cousin Suspense, many of the Escape stories, both originals and adaptations, involved the protagonists in dire, life-or-death straits. For most of its seven-year run Escape did not have a sponsor, so CBS only sprung for name stars on rare occasions. Instead, Escape relied on radio's row for lead and supporting roles, including Eleanor Audley, Parley Baer, Harry Bartell, William Conrad, Ted de Corsia, John Dehner, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jeanette Nolan, Alan Reed, Bill Johnstone, Berry Kroeger, Vic Perrin, Elliott Lewis, Peggy Webber and Will Wright. Music was supplied by Del Castillo, Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The announcers were Paul Frees and Roy Rowan.

Escape is an American radio drama. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by William Conrad and later Paul Frees: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!" Following the opening theme, a second announcer (usually Roy Rowan) would add: "Escape! Designed to free you from the four walls of today for a half-hour of high adventure!" Adaptations: Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Daphne du Maurier's "The Birds", Carl Stephenson's "Leiningen Versus the Ants", Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven", George R. Stewart's Earth Abides (the program's only two-parter), Richard Connell's "The Most Dangerous Game" and F. Scott Fitzgerald's "The Diamond as Big as the Ritz". John Collier's "Evening Primrose", about people who live inside a department store, was later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. William Conrad, Harry Bartell and Elliott Reid were heard in the chilling "Three Skeleton Key" (broadcast on 15 November 1949), the tale of three men trapped in an isolated lighthouse by thousands of rats; the half-hour was adapted from an Esquire short story by the French writer George Toudouze and later remade for the March 17, 1950 broadcast starring Vincent Price, Harry Bartell and Jeff Corey and again for the August 9, 1953 broadcast starring Paul Frees, Ben Wright and Jay Novello. Actors on the series included Elvia Allman, Eleanor Audley, Parley Baer, Michael Ann Barrett, Tony Barrett, Harry Bartell, Ted Bliss, Lillian Buyeff, Ken Christy, William Conrad, Ted deCorsia, John Dehner, Don Diamond, Paul Dubov, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jess Kirkpatrick, B.J. Thompson, Shep Menken, Frank Gerstle, George Neece, Jeanette Nolan, Dan O'Herlihy, Barney Phillips, Forrest Lewis, Robert Griffin, Alan Reed, Bill Johnstone, Sandra Gould, Junius Matthews, Carleton G. Young, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Eleanore Tanin, Herb Vigran, Jack Webb, Peggy Webber and Will Wright. Music was supplied by Del Castillo, organist Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The announcers were Paul Frees and Roy Rowan. A television counterpart aired on CBS TV for a few months during 1950. The program's opening announcement—"Tired of the everyday grind?"—was employed as a slogan for the counterculture magazine, New Escapologist.

Enjoy two high-adventure episodes of Escape A) 8/18/47 The Fourth Man w/ Paul Frees B) 2/1/47 The Vanishing Lady w/ Joan Banks Escape was radio's leading anthology series of high-adventure, airing on CBS from July 7, 1947 until September 25, 1954. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with this introduction, as intoned by Paul Frees and/or William Conrad: Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape! Following the opening theme, a second announcer (usually Roy Rowan) would add: Escape! Designed to free you from the four walls of today for a half-hour of high adventure! Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits. Actors on the series included: Eleanor Audley, Parley Baer, Harry Bartell, William Conrad, Ted deCorsia, John Dehner, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jeanette Nolan, Alan Reed, Bill Johnstone, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Jack Webb, Peggy Webber and Will Wright. Music was supplied by Del Castillo, organist Ivan Ditmars, Cy Feuer, Wilbur Hatch and Leith Stevens. The announcers were Paul Frees and Roy Rowan.

Peyton Farquhar, a civilian who also happens to be a successful planter and slave owner, is being prepared for execution by hanging from an Alabama railroad bridge during the American Civil WarOriginal Air Date: December 10, 1947Host: Andrew RhynesShow: Western StoriesPhone: (707) 98 OTRDW (6-8739)Stars:• Harry Bartell (Peyton Farquhar)Special Guests:• Luis van RootenNarrators:• William Conrad• Bill JohnstoneProducer/Writer:• William N. RobsonMusic:• Cy Feuer

“Life is a Cabaret” premiered on April 9th, 2019. It was written by Steven Levenson, and directed by Thomas Kail; uniquely for this episode, the show credited Both Mssrs. Levenson and Kail with creating the story, but only one of them for writing the actual teleplay. The two group numbers we saw, “Mein Herr” and “Big Spender,” were both originally choreographed by Bob Fosse, but were reconstructed by Valarie Pettiford and Dana Moore, respectively. Something fun for these modern TV shows: the viewership is now able to be tracked separately between live viewers and viewers who watch on DVR. For this pilot episode, the live viewership was .614 million and the DVR viewership was .729 million, bringing the total viewership to 1.344 million. We heard five featured songs in this premiere. The two songs from Sweet Charity, “Big Spender” and “If My Friends Could See Me Now,” were both written by Cy Coleman and Dorothy Fields. While the latter was an excerpt from the original recording, “Big Spender” was performed and sung by Bianca Marroquin and the Fandango girls. Also included in this episode were songs from Cabaret, all written by John Kander and Fred Ebb: “Wilkommen” which was a recording, as well as “Mein Herr” and the title song “Cabaret,” both performed by Kelli Barrett. The limited series begins in Hollywood, with 19 years left in the illustrious life and career of Bob Fosse. With his wife and muse Gwen Verdon at his side, he is setting up shots for the song “Big Spender” in his directorial debut: a feature film version of his hit Broadway musical Sweet Charity, which had opened on Broadway with Verdon as the lead less than three years early. While Bob is the director, it is clear that Verdon is just as much a creative force as he is, deconstructing the movement for the dancers and even recommending one of them should be cut when the frame needs to be tightened. At a party to celebrate the film’s opening the following year, Verdon and Fosse host a party for friends and colleagues at their New York City apartment. While the energy is positive with the attendees entertained by a performance from their young daughter Nicole, the reviews for the film are notably less enthusiastic. Of particular note in the New York Times review, which says “Sweet Charity is a movie haunted by the presence of an unseen star, Gwen Verdon. Although Mrs. McClaine often looks like Miss Verdon, she never succeeds at recreating the eccentric line that gave cohesion to the original.”  The box office bust of Sweet Charity makes Bob have to work hard to line up his next film directorial job, which he hopes to be a film adaptation of the 1966 Broadway musical Cabaret. While the film’s producer Cy Feuer is skeptical that Bob’s aesthetic is appropriate for the material, Fosse convinces him by leaning on his experience performing in the USO during World War II. Well, that and going behind Feuer’s back by speaking to his boss. Fosse lands the job and flies to Munich, Germany to direct the film two years later. But while he seems in his element visiting a brothel to cast extras and sleeping with his translator, Feuer is concerned that Fosse’s demand for specificity is going to cost the production millions like the financial flop Sweet Charity. Bob asks Gwen to join him in Munich, where she again saves the show by applying dancers make up and even making a 72 hour trip to New York and back to pick up the perfect gorilla costume. Learn more about your ad choices. Visit megaphone.fm/adchoices

We often think of Julie Andrews as the prim nanny from Mary Poppins and The Sound of Music, but her personal path may have the greatest resemblance to one of her Broadway roles: Eliza Doolittle in My Fair Lady. Andrews grew up in a family strapped for cash during the Second World War, and her initial training as an actor was in the less-than-prestigious field of vaudeville. But right before opening night of her breakout role in The Boy Friend, it was producer Cy Feuer’s advice that we have to thank, in large part, for the level of excellence Andrews has brought to musical film and theater for generations. “Forget camp,” he told her. “Get real.”

We often think of Julie Andrews as the prim nanny from Mary Poppins and The Sound of Music, but her personal path may have the greatest resemblance to one of her Broadway roles: Eliza Doolittle in My Fair Lady. Andrews says she grew up “on the wrong side of the tracks” in a family strapped for cash during wartime, and her initial training as an actor was in the less than prestigious field of vaudeville. But right before opening night of her breakout role in The Boy Friend, it was producer Cy Feuer’s advice that we have to thank, in large part, for the level of excellence Andrews has brought to musical film and theater for generations. “Forget camp,” he told her. “Get real.” Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the  introduction, intoned by Paul Frees and William Conrad: “Tired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!”THIS EPISODE:February 15, 1948. CBS network. "Ancient Sorceries". Sustaining. East coast version, the program was also broadcast on the West coast on February 21, 1948. A tale of the supernatural and witchcraft in a small Welsh town. Algernon Blackwood (author), Anne Morrison, Cy Feuer (composer, conductor), Kaye Brinker, Les Crutchfield (adaptor), Paul Frees, William Conrad, William N. Robson (director). 29:43.

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the  introduction, intoned by Paul Frees and William Conrad: “Tired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!”  Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven," George R. Stewart's Earth Abides, Richard Connell's "The Most Dangerous Game," F. Scott Fitzgerald's "The Diamond as Big as the Ritz," John Collier's "Evening Primrose", later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. Vincent Price and Harry Bartell were heard in the chilling "Three Skeleton Key," the tale of three men trapped in an isolated lighthouse by thousands of rats. The half-hour was adapted from an Esquire short story by the French writer George Toudouze. THIS EPISODE:October 1, 1947. CBS network. "The Most Dangerous Game". Sustaining. A big game hunt for the biggest game of all...man! Hans Conried, Irving Ravetch (adaptor), Paul Frees, Richard Connell (writer), William N. Robson (producer), Richard Sanville (director), Cy Feuer (music conceiver, conductor). 1/2 hour.

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the  introduction, intoned by Paul Frees and William Conrad: “Tired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!”  Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven," George R. Stewart's Earth Abides, Richard Connell's "The Most Dangerous Game," F. Scott Fitzgerald's "The Diamond as Big as the Ritz," John Collier's "Evening Primrose", later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. Vincent Price and Harry Bartell were heard in the chilling "Three Skeleton Key," the tale of three men trapped in an isolated lighthouse by thousands of rats. The half-hour was adapted from an Esquire short story by the French writer George Toudouze. THIS EPISODE:Escape. December 17, 1947. CBS network. "Wild Oranges". Sustaining. A good story about a beautiful girl and her father, trapped on an island by a homicidal maniac. The script was previously used on "The Orson Welles Theatre" on November 3, 1941 and subsequently used on the program on September 28,l 1949 and on "Romance" on July 25, 1950 . Cy Feuer (music conceiver, conductor), William N. Robson (producer), Richard Sanville (director), Joseph Hergeshimer (author), William Conrad, Jack Kruschen, John Dunkel (adaptor), Paul Frees, Jeanette Nolan, Sherry Hall. 29:43.

Escape was radio's leading anthology series of high adventure, airing on CBS from July 7, 1947 to September 25, 1954. Since the program did not have a regular sponsor like Suspense, it was subjected to frequent schedule shifts and lower production budgets, although Richfield Oil signed on as a sponsor for five months in 1950. Despite these problems, Escape enthralled many listeners during its seven-year run. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with the introduction, intoned by Paul Frees and William Conrad: “Tired of the everyday routine? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!” Of the more than 230 Escape episodes, most have survived in good condition. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits, and the series featured more science fiction and supernatural tales than Suspense. Some of the memorable adaptations include Algernon Blackwood's "Confession", Ray Bradbury's oft-reprinted "Mars Is Heaven," George R. Stewart's Earth Abides, Richard Connell's "The Most Dangerous Game," F. Scott Fitzgerald's "The Diamond as Big as the Ritz," John Collier's "Evening Primrose", later adapted to TV as a Stephen Sondheim musical starring Anthony Perkins. Vincent Price and Harry Bartell were heard in the chilling "Three Skeleton Key," the tale of three men trapped in an isolated lighthouse by thousands of rats. The half-hour was adapted from an Esquire short story by the French writer George Toudouze. TODAY'S SHOW: July 28, 1947. CBS network. "Typhoon". Sustaining. A famous sea adventure about the big storm, the dumb sea captain, and two hundred cut-throat Chinese below the decks. Frank Lovejoy, Joseph Conrad (author), Les Crutchfield (adaptor), William N. Robson (director). 1/2 hour. December 31, 1947. CBS network. "Confession". Sustaining. A good story about a shell-shocked soldier walking the fog-filled streets of London...finding murder and terror! Algernon Blackwood (author), William Conrad, Peggy Webber, William N. Robson (producer, director), John Dunkel (adaptor), Cy Feuer (music conceiver, conductor), Ramsay Hill. 29:40.

The FORD THEATER, sponsored by the Ford Motor Company, presented hour long dramas first on NBC for one only season. The series moved to CBS for its second and last season. There were 39 NBC and 39 CBS hour- long shows (not verified). The show initially received an unfavorable review from the New York Times for poor script adaptation but was still highly rated for the actors' performance and overall production. The show was supposed to feature only original scripts but had to forgo that plan due to lack of quality material. The first season on NBC used radio actors under the direction of George Zachary. Martin Gabel announced the first show but was soon replaced by Kenneth Banghart. The second season, on CBS, used Hollywood screen actors in the lead roles, supported by radio actors. Fletcher Markle, who previously produced CBS's STUDIO ONE series, was the producer for the second season. Although a short series, it still has some of radio's best dramas. THIS EPISODE:October 29, 1948. CBS network, KNX, Los Angeles aircheck. "Of Human Bondage". Sponsored by: Ford, Bulova Watch (local). Not auditioned. Ray Milland, Joan Lorring, Somerset Maugham (author), Fletcher Markle (host, director), Hedley Rennie, Susan Douglas, Jack Manning, Elwood Hoffman (adaptor), Cy Feuer (conductor), Rita Vale, Robert Dryden, Miriam Wolfe, Neal Fitzgerald, Gregory Morton. 57:19.

Escape. January 17, 1948. CBS net. "Leinengen Vs. The Ants". Sustaining. West coast version. A determined man battles even more determined insects in the tropical jungles. The script was produced on the program subsequently on May 23, 1948 (see cat. #16723) and on August 4, 1949 (see cat. #3576). The story was also produced on "Suspense" on August 22, 1956 (?), August 25, 1957 (see cat. #61898) and on November 29, 1959. See cat. #65838 for the East Coast version of this program. Carl Stephenson (author), William N. Robson (producer), Robert Ryf (adaptor), William Conrad, Cy Feuer (music conceiver), Lou Merrill, Norman Macdonnell (director), Eddie Dunstedter (organist), Don Diamond, Lou Krugman. 29:29 Go To GoDaddy, use the promo code blu19 and save 10%