Podcast appearances and mentions of Stephen Sondheim

Connor and Dylan are joined by Kyle Selig (Stephen Sondheim's Old Friends, Mean Girls). Summer is upon us, and the twins are excited to welcome the dreamy and delightful Kyle Selig for his long-awaited episode of DRAMA. He brings his sunny personality and sense of humor to the pod for an amazing chat, almost like we're… old friends. Speaking of “Old Friends,” we chat about the beautiful Broadway production that Kyle is part of alongside Bernadette Peters, Lea Salonga, and friend of the pod Beth Leavel, as he sings the “Sondheim Tenor Sampler Platter.” Naturally, this trio gushes over Kyle's wife, Erika Henningsen (now starring in Just in Time), and recounts moments in their love story from Mean Girls to their wedding day. The conversation includes stories about Water for Elephants, Los Angeles living, and superstar Grey Henson. We reflect on The Goofy Movie, Welcome to Flatch, and Aaron Tveit and Gavin Creel's impact on a young Kyle. Stick around for Thunderbolts* and Miss Flo (yes gawd!), plus many doses of DRAMA. and the birth of a beautiful friendship among these millennial men. See Kyle in Stephen Sondheim's Old Friends through June 29th!Follow Kyle on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway!Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

In honor of The New Yorker's centennial this year, the magazine's staff writers are pulling out some classics from the long history of the publication. Louisa Thomas, The New Yorker's sports correspondent, naturally gravitated to a story about baseball with a title only comprehensible to baseball aficionados: “Hub Fans Bid Kid Adieu.” The essay was by no less a writer than the author John Updike, and the “Kid” of the title was Ted Williams, the Hall of Fame hitter who spent nineteen years on the Boston Red Sox. By happenstance, Updike joined the crowd at Fenway Park for Williams's last game before his retirement, in 1960. Thomas, looking at subtle word changes that Updike made as he was working on the piece, reflects on the writer's craft and the ballplayer's. “Marginal differences really matter,” she says. “And it's those marginal differences that are the difference between a pop-up, a long fly, and a home run. Updike really understood that, and so did Williams.”Plus, a visit with one of the great modern practitioners of the earworm, Charles Strouse, who wrote music for “Bye Bye Birdie” and “Annie,” and the theme to “All in the Family.” Strouse died this month at ninety-six. In one of his last interviews he gave, in 2023, he spoke with the Radio Hour's Jeffrey Masters about his rivalry with Stephen Sondheim. “Stephen and I were friendly enemies. He didn't like me much. I didn't like him less.” 

If you thought Sue was unhinged in the last episode, you ain’t seen nothing yet! Jenna and Kevin are back and ready for the craziness of this episode, like Klaine stuck in an elevator thanks to Jigsaw Sue, the character they didn’t realize was back on the show, their thoughts on the performances and the scene Kevin says is one of his “favorite moments of Glee EVER!” No hints, but it’s a scene that still makes them laugh hysterically! Plus, Kevin talks about starring in the revival of Stephen Sondheim’s “The Frogs” in London. For tickets and info: southwarkplayhouse.co.uk For fun, exclusive content, and behind-the-scenes scoops, be sure to follow on Instagram @andthatswhatyoureallymissedpod! See omnystudio.com/listener for privacy information.

This is a 3 part mini Casting Director series, sponsored by Casting Networks.Tara Rubin started her company, Tara Rubin Casting in 2001 after working at Johnson-Liff Casting for fifteen years. During that time she cast for Les Miserables, Phantom of the Opera, Miss Saigon, Guys and Dolls, and the daytime drama Another World.At Tara Rubin Casting she continued those associations and cast other Broadway productions, including Mamma Mia!, The Producers, Bombay Dreams, Spamalot, Jersey Boys, Mary Poppins, Billy Elliot, School of Rock, Aladdin, A Bronx Tale, Dear Evan Hansen, The Band's Visit, Six, Here Lies Love, and The Outsiders. Current Broadway shows include Six, Aladdin, Death Becomes Her, Boop: The Musical, Dead Outlaw, and Stephen Sondheim's Old Friends. She recently cast the film Here Today and the Apple + series Before both starring Billy Crystal.Tara serves on committees for the Entertainment Community Fund and the Noel Coward Foundation. She is an honors graduate of Boston University, a member of the Casting Society and recipient of the Hoyt Bowers Award for excellence in casting and outstanding contribution to the casting profession. She has taught classes at New York University and Sarah Lawrence College. In 2025 Tara Rubin Casting rebranded as the TRC Company.In this episode, we talk about all things ACTORS including:• How she casts a replacement for a show, particularly the balance between the individuality of the actor vs what the original performer did• How long does an actor have to rehearse before replacing another person in the role• The process of casting a Broadway show ensemble, with the makeup of one including understudies and skilled dancers• How many actors get submitted for a role and how many actors she brings in that she knows vs who she doesn't know• Process of casting a show from workshop to regional to Broadway• Booking the room vs the part - and how talent and imagination makes actors stands out to her in an audition• What has she noticed in actors that book a lot • How do you stay in touch or keep on her radar• Advice for new actors about starting on BroadwayGuest:Company Website IMDb PlaybillCasting Networks Sponsor:For a limited time, we're offering listeners $65 off a Premium Annual membership. Use the code “MENTORSMIC”at checkout. Or if you're not ready to commit, take advantage of our 14-day free trial, which unlocks full access to all Casting Networks features so you can start submitting to casting calls right away. Terms and conditions apply. Visit ⁠https://www.castingnetworks.com/promo-codes/⁠ to learn more.Steps on how to redeem: Visit www.castingnetworks.comClick on the ‘Join Now' button Complete the Talent Registration form and follow the steps to verify your email and create your profile Proceed to checkout, leaving the' ‘Pay Yearly' option selectedEnter ‘MENTORSMIC' in the promo code field, click “Apply” to complete checkout.Don't wait! This offer expires soon!Host:Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you like this episode, check out:Close Up with Casting Director Paul Schnee (Barden/Schnee casting: "Pitch Perfect," "Sisters," "Palm Royale," "Winter's Bone")⁠Becoming Casting Director Erica Hart ("THAT DAMN MICHAEL CHE," "GODFATHER OF HARLEM," "THE BOLD TYPE")⁠⁠Becoming... award-winning Casting Director Bernie Telsey ("The Color Purple," "The Idea of You," "Hamilton," "SMASH," "Wicked," "The Gilded Age"

Today, I'm thrilled to announce my episode with Tony nominee Craig Bierko. Tune in to hear some of the stories of her legendary career, including what he learned from Meredith Willson's notes in the script of THE MUSIC MAN, dancing with Rebecca Luker, the “stop-start” feeling of THOU SHALT NOT, how James Lapine approached directing MODERN ORTHODOX, the Jewishness that is needed in GUYS AND DOLLS, why he didn't connect to the character of Miss Trunchbull in MATILDA, what it was like performing GIRL FROM THE NORTH COUNTRY just after the pandemic, why STANDING ON CEREMONY didn't work in New York, his efforts to revive LITTLE MARY SUNSHINE, talking to Patti LuPone backstage during COMPANY, a meaningful moment with Stephen Sondheim, playing opposite Len Cariou in HARRY TOWNSEND'S LAST STAND, and so much more. Don't miss this honest conversation with one of Broadway's greatest stars.

David Benedict and Viv Groskop review Stephen Sondheim's final musical, Here We Are, a surreal story of brunch and existential dread; French film about about grassroots music, The Marching Band and Daniel Kehlmann's new novel, The Director, about a real life German filmmaker navigating the Third Reich.Presenter: Tom Sutcliffe Producer: Simon Richardson

In this episode, we dive into one of the most groundbreaking musicals in Broadway history: Company. More than half a century ago, in 1970, Company burst onto the scene and forever changed the landscape of musical theatre. With both music and lyrics by Stephen Sondheim, already renowned for his work on West Side Story and Gypsy, this show marked his first collaboration with legendary director Hal Prince. Company introduced audiences to Robert, a perpetually single man navigating love, commitment, and connection through a series of vignettes rather than a traditional linear plot. This “concept musical” broke new ground, blending sharp social commentary with an unforgettable score that includes songs like “Being Alive,” “Getting Married Today,” and “The Ladies Who Lunch.” It earned 14 Tony nominations and won six, including Best Musical and Best Original Score, cementing Sondheim's place as a musical theatre titan. From its original 705-performance run to its acclaimed revivals in 1995, 2006, 2018, and 2021, Company remains as vital, funny, and thought-provoking as ever. Check out our Company playlist on our YouTube channel, and join us over on our Facebook and Instagram pages to tell us what you think!                 

HERE WE ARE, the final ever musical to feature a score from the legendary composer lyricist Stephen Sondheim, is currently receiving its European premiere with a run at the National Theatre in London. The musical, which features a book by the playwright David Ives, was originally seen Off-Broadway at The Shed in 2023, and is based on two films by Luis Buñuel, The Exterminating Angel (1962) and The Discreet Charm of the Bourgeoisie (1972).The London production features a star-studded cast including Jane Krakowski, Jesse Tyler Ferguson, Rory Kinnear, Martha Plimpton, Harry Hadden-Paton, Paulo Szot, Richard Fleeshman, Chumisa Dornford-May, Tracie Bennett, Cameron Johnson, and Denis O'Hare.Having felt strongly about the production when Mickey-Jo first saw it in New York, check out this full review to find out why he's changed his mind about this musical...•00:00 | introduction 03:11 | overview / adaptation11:07 | the score17:42 | successes25:10 | shortcomings30:12 | performances•get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Julia Lester brings heart, humor, and honesty to this deep-dive into her journey from a theatre-loving kid in LA to a Tony-nominated Broadway star. She talks about growing up surrounded by performers, how Into the Woods became a defining chapter in her career, and the surreal moment when Stephen Sondheim personally approved her audition tape. Julia also shares the backstage magic of working with legends like Phillipa Soo and Gavin Creel, and how those experiences shaped her as both an artist and collaborator. Currently starring in the Off-Broadway play All Nighter, Julia reflects on the thrill of originating a role, her love of well-crafted comedy, and why staying true to the text is so important to her process. She also opens up about her identity as a queer woman, her hopes for future creative opportunities, and what it's been like stepping into the world of television again — this time as Steve Carell's daughter in Netflix's upcoming The Four Seasons. Julia Lester is a Tony-nominated actress best known for her breakout Broadway role as Little Red in Into the Woods. She starred as Ashlyn Caswell in all four seasons of High School Musical: The Musical: The Series on Disney+, appeared in Hulu's Prom Dates, and recently performed in I Can Get It for You Wholesale at Classic Stage Company. She's now starring Off-Broadway in All Nighter and appears in Netflix's The Four Seasons alongside Steve Carell and Tina Fey. Connect with Julia: Instagram: @julialester TikTok: @jujthefirst Connect with The Theatre Podcast: Support us on Patreon: ⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we discuss the Broadway production of Stephen Sondheim's Old Friends at the Samuel J. Friedman Theatre. We break down the show's production design, direction, and standout performances from Bernadette Peters and Lea Salonga. We also talk about Sondheim's legacy, the orchestra's role, and the emotional impact of the music. Tune in for our full thoughts on the show and what Old Friends means for the future of musical theater.  Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on Old Friends with us in the comments, and leave us a review if you enjoyed the episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's mini-sode, we are shining the spotlight on the Stephen Sondheim television special: Evening Primrose! This 45-minute ABC special is a weird delight, and it's a must see for any Sondheim fan!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

All Giorgio wanted to do was sit underneath a tree and read about how Clara is getting grey hairs. Instead he's being watch by Fosca and he must release all his pent up anger. Tyler Joseph Ellis returns to discuss this pivotal scene from the show. You can follow Tyler on Instagram: https://www.instagram.com/tylerjosephellis/?hl=enOr on TikTok: https://www.tiktok.com/@tylerjosephellisSend feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★

Melissa Errico is a Star! She's an exquisite singer, actress and Tony Award nominated Broadway Star. Her Broadway successes include “My Fair Lady” (Eliza Doolittle) and “Les Miserables” (Cosette). She's done solo concerts and cabarets around the world. She's an acclaimed interpreter of Stephen Sondheim and Michel Legrand. She's also a New York Times columnist writing about the twists and turns in her life as a performer. And she's a mother to three teens and the wife of tennis star Patrick McEnroe. Her newest project is “The Story Of Rose” about an Italian immigrant living through WWI.My featured song is “The Gift (Juliet's Song)”. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Melissa:www.melissaerrico.com—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Today, I'm thrilled to announce my episode with 4-time Tony nominee Raul Esparza. Tune in to hear some of the stories of his legendary career, including how he got into character for TICK, TICK…BOOM!, finding his take on the Emcee in CABARET, how Stephen Sondheim rewrote “Being Alive” for him, his experience of being outed while starring in COMPANY, the joys of starring in OLIVER, how his wife convinced him to audition for THE ROCKY HORROR PICTURE SHOW, the difficulty of working with Jeremy Piven on SPEED-THE-PLOW, leaning into film tropes for ROAD SHOW, why he struggled with his role in CHITTY CHITTY BANG BANG, John Doyle's repetition technique, partying with Boy George to prepare for TABOO, why LEAP OF FAITH didn't have more success on Broadway, his recent role in GALILEO, the lasting power of THE NORMAL HEART, the specificity of Tom Stoppard, his favorite audience reactions during THE HOMECOMING, how LAW AND ORDER gave him a reprieve from stage work, the surprising similarities between ARCADIA and SUNDAY IN THE PARK WITH GEORGE, and so much more. Don't miss this in-depth conversation with a true Broadway legend.

In this episode, theater Reviewer, composer, lyricist and librettist Donald H. Sandborn III discusses Stephen Sondheim and Hugh Wheeler's 1973 musical A Little Night Music. We also talk about the song "Send in the Clowns" from A Little Night Music. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the Patreon. The theme music is by Julia Meinwald. Music played in this episode: "Now / Later / Soon" from A Little Night Music "The Glamorous Life" from A Little Night Music "The Glamorous Life" from A Little Night Music film "Every Day a Little Death" from A Little Night Music "A Weekend in the Country" from A Little Night Music "Send in the Clowns" from A Little Night Music "Finale: Send in the Clowns" from A Little Night Music Glynis Johns singing "Send in the Clowns" on television.

Diane and Sean discuss the Steven Spielberg adaptation of Jerome Robbins', West Side Story. Episode music is, "I Feel Pretty", by Stephen Sondheim and Leonard Bernstein, performed by Rachel Zegler from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

It's time to get some backstory! Shannon Migliore returns to pick apart the lengthly Flashback sequence from Passion which explains Fosca, and very well may explain Giorgio's choice at the end.Follow Shannon on Instagram: https://www.instagram.com/my_pretty_sleeperSend feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★

Listen: Lauren Class Schneider talks to Joanna Riding, performing in “Stephen Sondheim's Old Friends” at the Samuel J. Friedman Theater. “Class Notes” actively covers New York's current theater season on, off, and off-offBroadway. Joanna Riding and Company in Stephen Sondheim’s Old Friends ©Matthew Murphy For a transcript of this episode, read more The post Class Notes: Joanna Riding “Old Friends” appeared first on BroadwayRadio.

William Finn, Richard Wolinsky and James Lapine Composer/lyricist William Finn, who died on April 7th, 2025 at the age of 73 and director/librettist James Lapine, in conversation with Richard Wolinsky, recorded March 20, 2019 at the Golden Gate Theater in San Francisco. William Finn is best known for writing the music and lyrics for two Broadway shows, Falsettos, which was the first gay-themed Broadway musical, and The 25th Annual Putnam County Spelling Bee, which has become a staple of community theatre companies around the world. He also wrote A New Brain, which dealt with his near death experience following brain surgery.  Falsettos was originally three one-act musicals which opened off-Broadway, In Trousers, March of the Falsettos and Falsettoland and the latter two became Falsettos, which opened on Broadway in 1992, co-authored and directed by James Lapine, who'd also co-authored Falsettoland. James Lapine is best known for his work with Stephen Sondheim on Sunday in the Park with George and Into the Woods. Falsettos was revived on Broadway in 2016 and came to San Francisco in spring of 2019. Richard Wolinsnky had a chance to sit down with both William Finn and James Lapine on March 20, 2019 in the lobby of the Golden Gate Theatre to discuss Falsettos, as well as take a brief look at each man's career. The post William Finn (1952-2025) and James Lapine, Masters of the Musical appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   William Finn (1951-2025) and James Lapine William Finn, Richard Wolinsky and James Lapine Composer/lyricist William Finn, who died on April 7th, 2025 at the age of 73 and director/librettist James Lapine, in conversation with Richard Wolinsky, recorded March 20, 2019 at the Golden Gate Theater in San Francisco. William Finn is best known for writing the music and lyrics for two Broadway shows, Falsettos, which was the first gay-themed Broadway musical, and The 25th Annual Putnam County Spelling Bee, which has become a staple of community theatre companies around the world. He also wrote A New Brain, which dealt with his near death experience following brain surgery.  Falsettos was originally three one-act musicals which opened off-Broadway, In Trousers, March of the Falsettos and Falsettoland and the latter two became Falsettos, which opened on Broadway in 1992, co-authored and directed by James Lapine, who'd also co-authored Falsettoland. James Lapine is best known for his work with Stephen Sondheim on Sunday in the Park with George and Into the Woods. Falsettos was revived on Broadway in 2016 and came to San Francisco in spring of 2019. Richard Wolinsnky had a chance to sit down with both William Finn and James Lapine on March 20, 2019 in the lobby of the Golden Gate Theatre to discuss Falsettos, as well as take a brief look at each man's career.   Martin Amis (1949-2023): The Zone of Interest Martin Amis (1949-2023), in conversation with Richard Wolinsky, recorded in the KPFA studio on a book tour for “The Zone of Interest,” October 29, 2014. The Zone of Interest focuses on the lives of people who ran the concentration camps, as they chose to avoid thinking about their crimes against humanity. A film adaptation received Oscar nominations a couple of years ago. Novelist and essayist Martin Amis died of cancer on May 19, 2023 at the age of 73, leaving behind such novels as The Rachel Papers, London Fields, The Information, and his last memoir-cum-novel, Inside Story. On October 29th, 2014, Richard Wolinsky conducted the last of five interviews with Martin Amis, about Amis's then most recent novel, The Zone of Interest.   Review of “Here There Are Blueberries” at Berkeley Rep Roda Theatre through May 11, 2025.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. BookShop West Portal. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actors Ensemble of Berkeley.  Summers at John Hinkel Park: Cymbeline opens July 4; The Taming of the Shrew opens August 16. See website for readings and events. Actor's Reading Collective (ARC).   See website for upcoming productions. African American Art & Culture Complex. See website for calendar. Afro-Solo Theatre Company.See website for calendar. American Conservatory Theatre Eddie Izzard Hamlet, April 1-20 Strand. Two Trains Running by August Wilson, April 15 -May 4, and The Comedy of Errors, April 22 – May 3 with The Acting Company, in repertory, Toni Rembe Theater. Aurora Theatre  Crumbs from the Table of Joy by Lynn Nottage, April 26-May 25, 2025 Awesome Theatre Company. See website for information. Berkeley Rep. Here There Are Blueberries by Moises Kaufman and Amanda Gronich, April 5 – May 11, Roda Theatre. Berkeley Shakespeare Company Julius Caesar, June 13-21, Live Oak Theater, Berkeley. y. See website for upcoming events and productions. Boxcar Theatre. The Illusionist with Kevin Blake, live at the Palace Theatre, through April 27. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Six, April 8-20, Curran; Mamma Mia! April 30 – May 11, Orpheum. See website for complete listings for the Orpheum, Golden Gate and Curran Theaters. Broadway San Jose:  Six. April 22-27. See website for other events. Center Rep: The Roommate by Jen Silverman, March 30 – April 20. Lesher Center. Central Stage. See website for upcoming productions, 5221 Central Avenue, Richmond Central Works  The Last Goat by Gary Graves, June 28 – July 27. Cinnabar Theatre. Bright Star, June 13-29, Sonoma State. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre Fiddler on the Roof June 7 – 22. See website for other events. 42nd Street Moon. See website for upcoming productions. Golden Thread  AZAD (The Rabbit and the Wolf) by Sona Tatoyan in collaboration with Jared Mezzocchi, April 11 – May 3. See website for other events. Hillbarn Theatre: Writing Fragments Home by Jeffrey Lo, April 17 – May 4. Lorraine Hansberry Theatre. Come Thru: A Celebration of Black Artistry, Story Telling and Community, May 5-18, Magic Theatre, Fort Mason. See website for specific workshops and events. Los Altos Stage Company. Cyrano by Edmund Rostand, April 10 – May 4. Lower Bottom Playaz  See website for upcoming productions. Magic Theatre. the boiling by Sunui Chang  April 3 -20, 2025. See website for additional events. Marin Shakespeare Company: See website for calendar. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) Simple Mexican Pleasures by Eric Reyes Loo, April 18 – May 11. New Performance Traditions.  See website for upcoming schedule Oakland Theater Project.  I Am My Own Wife by Doug Wright, March 21 – April 13, Odd Salon: Upcoming events in San Francisco & New York, and streaming. Palace of Fine Arts Theater.  See website for event listings. Pear Theater. Henry V by William Shakespeare, April 18 – May 11. See website for staged readings and other events. Playful People Productions. Disney's Frozen Jr., May 16-25, Hoover Theater, San Jose. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Next to Normal. May 30 – June 21. Ross Valley Players: The Book of Will  by Lauren Gunderson, May 9 – June 8. See website for New Works Sunday night readings and other events. San Francisco Playhouse. Fat Ham by James Ijames, March 20 – April 19. SFBATCO.  See website for upcoming streaming and in- theater shows.  The Day The Sky Turned Orange by Julius Ernesto, Sept 5 – Oct. 5, Z Space. San Jose Stage Company: The Underpants by Steve Martin, April 3 -27. Shotgun Players.  Yellowface by David Henry Hwang, May 10 – June 8. South Bay Musical Theatre:  Brigadoon, May 17-June 7, Stagebridge: See website for events and productions. Storytime every 4th Saturday. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Lunatico  Romeo and Juliet by William Shakespeare, April 26 – May 18. LaVal's Subterranean Theatre. Theatre Rhino  Gumiho by Nina Ki, April 17 – May 11. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. The Heart-Sellers by Lloyd Suh, April 2-27. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for Berkeley Art Museum/Pacific Film Archive. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2025 Season. Dance Mission Theatre. On stage events calendar. Fort Mason Center. Events calendar. Crushing, live monologue show, Feb. 27-28. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Gay Men's Chorus. See schedule for upcoming SFGMC performances. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                   .   . The post April 17, 2025: William Finn & James Lapine: Masters of the Musical appeared first on KPFA.

There is bouncing back after adversity, and then there is: Vanessa Williams. The talented multi-hyphenate was only 21 years old when she became the first Black woman to be crowned Miss America. Yet a controversy surrounding the release of unauthorized nude photos led to her ultimately relinquishing her title 10 months into her reign. When doors were closed to her following the scandal, she fought her way back to an impressive and decorated career: Williams built decades of success as an actor and recording artist, selling 25 million records worldwide, starring in over 100 roles in television, film, and on Broadway - and being nominated for a Tony and multiple Emmy and Grammy Awards. Vanessa Williams speaks with host Alec Baldwin about the death threats she received after she won Miss America, how the work of Stephen Sondheim inspires the type of art she wishes to make, and what it’s like working with Elton John on her next big project. Originally aired April 16, 2024See omnystudio.com/listener for privacy information.

PIPPIN Music & Lyrics by Stephen Schwartz | Book by Roger O. Hirson | Originally Produced on Broadway by Stuart Ostrow | Directed on the Broadway Stage by Bob Fosse Works Consulted & Reference :Pippin (Original Libretto) by Roger O. Hirson & Stephen SchwartzMagic to Do: Pippin's Fantastic, Fraught Journey to Broadway by Elyssa Gardner Music Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Corner of the Sky" from  Pippin (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Schwartz | Performed by John Rubinstein"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

SNAP Productions! / Ghost Light Theatre in Bellevue opens "Sweeney Todd:  The Demon Barber of Fleet Street, A Thriller Musical" on April 25th - but there's more!  An added performance to the schedule, sing-along performance, an Industry night that is pay-what-you-can and an ASL performance!  Hear it from the Barber, Jonas Fogg and Judge Turpin, or ahem... John Celesky, Nick Andersen, and Xavier Carr respectively!    "Sweeney Todd:  The Demon Barber of Fleet Street, A Thriller Musical" opened on Broadway in 1979, and on the West End in 1980. Music and lyrics were written by Stephen Sondheim, and it is based on the 1970 play ("Sweeney Todd") by Christopher Bond.  Book was written by Hugh Wheeler.  It has won numerous Tony Awards, Laurence Olivier awards, and has had numerous Broadway and London revivals.   SNAP! PRODUCTIONS CONACT INFO: Tickets and Website:  https://www.snapproductions.com/ Facebook:  https://www.facebook.com/snapproductionsomaha Instagram: https://www.instagram.com/snapproductions/?hl=en    HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!   ©Platte River Bard Podcast by Chris and Sheri Berger.

Jerome Davis talks with Byron Jennings II, Natalie Reder, and Daniel Ryder, about what inspired their performance careers, musical theatre, Stephen Sondheim, and Merrily We Roll Along. Don't miss experiencing these talented artists in our current production of Merrily We Roll Along!

Peter Filichia, James Marino, and Michael Portantiere talk about Stephen Sondheim’s Old Friends, BOOP! The Musical, The Last Five Years, NYTW’s production of Becoming Eve, and Marilyn Maye @ 54 Below “This Week on Broadway” has been coming to you every week since 2009. It is the longest-running running Broadway read more The post This Week on Broadway for April 13, 2025: BOOP! appeared first on BroadwayRadio.

In this conversation, we dive into the extraordinary creative partnership between two of the most celebrated figures in contemporary opera—librettist Gene Scheer and composer Jake Heggie. Together, Gene and Jake have brought to life some of the most powerful operatic works of our time, including Moby-Dick, Three Decembers, and It's a Wonderful Life. Their collaboration is not only rooted in artistic brilliance but also in a deep, long-standing friendship.Individually, their accomplishments are equally impressive. Gene Scheer has worked with a range of renowned composers, including Jennifer Higdon on Cold Mountain and Tobias Picker on An American Tragedy. He's also an accomplished composer in his own right—his song American Anthem was featured in Ken Burns' Emmy Award-winning documentary on World War II.Jake Heggie's groundbreaking first opera, Dead Man Walking, with a libretto by Terrence McNally, launched him into the spotlight. Since then, his work in art song and opera has made a lasting impact, earning him the title of Musical America's 2025 Composer of the Year. So who better to explore the dynamic between a librettist and a composer? In this two-part conversation, we unpack what makes a successful collaboration and how words and music come together to create something truly unforgettable.Part One's conversation took place during a particularly exciting time—Moby-Dick was being performed at the Metropolitan Opera. Throughout our discussion, the opera serves as a touchstone for understanding the creative process. We begin with a fundamental question: how do they do it? Specifically, how do hard work and patience shape their creative journey?We get into the nuts and bolts of collaboration—how they challenge and inspire each other to reach new heights. Gene shares insights into the stages of researching and writing a libretto, including the story of how saving $100 unexpectedly launched his career. And in his own words, Gene describes his role simply and powerfully: “My job is to write a libretto that inspires music.”[Subscriber Content]: In Part Two, we step back and learn more about Gene's early experiences—his time studying and singing in Vienna (including the month he saw 27 operas!). Jake opens up about the legendary Stephen Sondheim, a mentor and inspiration, and how Sweeney Todd changed his life. In fact, Jake dedicated Moby-Dick to Sondheim.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Elien De Vos is kinesist, podcasthost van Wellnesswijven en een Disney Klassiekers resident-in-wording. Ze koos zelf voor de film ‘Into the Woods', een verfilming van een Stephen Sondheim musical waarin de verhaallijnen en personages van verschillende sprookjes door elkaar lopen. We hebben het over de straffe prestaties van onder meer Meryl Streep, Anna Kendrick, Emily Blunt en James Corden. Maar ook over thee drinken uit Chip, plannen voor Tokyo Disneyland en haar vrijgezellen in Disneyland Paris. Over emoties in 'The Office', over DM's sturen naar Rachel Zegler en het concert van Disney-teenage-idol Sabrina Carpenter. En Elien stelt me een Disneyvraag waar ik het antwoord op schuldig moet blijven. Jawel, dat kan!

It's our 150th episode, and Amanda is a theater kid now! What better time to talk about the Broadway Legend, Stephen Sondheim? Let's learn about Stephen's life and his greatest works. Bear with us while we geek out about some of our favorite musicals.

Join artistic director, Jerome Davis, in a conversation with the talented director, actor, and writer, Lonny Price who was the original Charley in Merrily We Roll Along. Tune in as Lonny talks about his life, career, and working with giants in the theatre world, such as Stephen Sondheim and Athol Fugard. 

It is our annual tribuite to the God of Musical Theater, Stephen Sondheim, and for this year's festival we are exploring some songs of his from the shows that people rarely place among their favorites. The unloved, the ignored, the obscure, and the forgotten. Or, in this case, a show that many know, but doesn't tend to get thought of as a "Sondheim" show. It's time for a song from his first produced show writing both music and lyrics: "Comedy Tonight" from A Funny Thing Happened on the Way to the Forum. All clips are from the 1996 revival cast recording of A Funny Thing Happened on the Way to the Forum featuring Nathan Lane and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com

Artistic director, Jerome Davis, talks with the esteemed theatre critic, Frank Rich! A fascinating discussion about his life, Stephen Sondheim, and Merrily We Roll Along.  

They hear drums, we hear music. Anne Slovin joins Kyle to discuss the meaning of that quote as well as the complicated nature of the entire Garden Sequence.Follow Anne on InstagramSend feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★

On this special episode of BroadwayRadio, Matt Tamanini is in conversation with a returning guest on a very special day. Just hours after he spoke with Jasmine Forsberg, she took to the Samuel J. Friedman Theatre in the first Broadway preview of “Stephen Sondheim’s Old Friends.” The pair discusses working read more The post Special Episode: Jasmine Forsberg on the ‘bonkers’ journey that brought her to ‘Old Friends’ appeared first on BroadwayRadio.

JOSH PACHTER was the 2020 recipient of the Short Mystery Fiction Society's Golden Derringer for Lifetime Achievement. His stories appear in Ellery Queen's Mystery Magazine, Alfred Hitchcock's Mystery Magazine, Black Cat Mystery Magazine, and elsewhere, and he is the author of the traditional whodunit Dutch Threat and the mystery for younger readers First Week Free at the Roomy Toilet. He edits anthologies (including Anthony finalists The Beat of Black Wings: Crime Fiction Inspired by the Songs of Joni Mitchell, Paranoia Blues: Crime Fiction Inspired by the Songs of Paul Simon, and Happiness Is a Warm Gun: Crime Fiction Inspired by the Songs of the Beatles) and the brand-new Every Day a Little Death: Crime Fiction Inspired by the Songs of Stephen Sondheim and translates fiction and nonfiction from Dutch to English.Facebook Page: https://www.facebook.com/josh.pachter/Blue Sky Handle: https://joshpachter.bsky.socialWebsite: www.joshpachter.com*****************About SinCSisters in Crime (SinC) was founded in 1986 to promote the ongoing advancement, recognition and professional development of women crime writers. Through advocacy, programming and leadership, SinC empowers and supports all crime writers regardless of genre or place on their career trajectory.www.SistersinCrime.orgInstagram: https://www.instagram.com/sincnational/Bluesky: https://bsky.app/profile/sincnational.bsky.socialThreads: https://www.threads.net/@sincnationalFacebook: https://www.facebook.com/sistersincrimeTikTok:: https://www.tiktok.com/@sincnationalThe SinC Writers' Podcast is produced by Julian Crocamo https://www.juliancrocamo.com/

The luminous Kate Baldwin joins The Art of Kindness with Robert Peterpaul this Women's History Month to discuss acts of kindness throughout her career on Broadway, Maestra Music and more. Kate Baldwin is a two-time Tony Award and four-time Drama Desk Award nominee who has delighted audiences across the country with performances on Broadway, in concert and on television. Kate starred as Irene Molloy opposite Bette Midler, David Hyde Pierce and Gavin Creel in the hit Broadway revival of Hello, Dolly!, for which she was nominated for the Tony, Drama Desk and Outer Critics Circle awards. She originated the role of Sandra Bloom in Big Fish on Broadway and earned accolades and a Drama Desk Award nomination for her work as Leslie Lynnton Benedict in Michael John LaChiusa's Giant at The Public Theatre. She received a Drama Desk Award nomination for her role as Jen in Keen Company's 20th Anniversary revival of Andrew Lippa and Tom Greenwald's John & Jen. She garnered critical acclaim and a Lucille Lortel Award nomination for Tom Kitt and John Logan's Superhero at Second Stage. But it was her starring role in the 2009 Broadway revival of Finian's Rainbow, which drew Tony, Drama Desk and Outer Critics Circle Award nominations and put her on the map as “a real musical theatre star.” (New York Post) Kate has appeared in the Broadway casts of The Full Monty, Thoroughly Modern Millie and Wonderful Town. Other New York theatre productions include Songbird at 59e59 and in The Dead, 1904 for Irish Rep, Fiorello! and Love Life for City Center Encores! She starred in The King and I at the Lyric Opera of Chicago, Irving Berlin's White Christmas (San Francisco, Detroit, Toronto), The Women at The Old Globe, Henry V at the Shakespeare Theatre of New Jersey, She Loves Me at the Willliamstown Theatre Festival, and The Music Man and South Pacific at Arena Stage, earning a Helen Hayes Award nomination. She drew raves for her portrayal of Francesca Johnson in The Bridges of Madison County directed by original cast member Hunter Foster and for her turn as Dorothy Brock in 42nd Street at Goodspeed Opera House directed by original creator Randy Skinner. She has performed in concert with the American Pops Orchestra, New York Pops, Boston Pops, National Symphony, Detroit Symphony, Portland Symphony, Phoenix Symphony, Chicago Symphony, American Songbook series at Lincoln Center, the Kennedy Center and at the legendary New York nightclubs Feinstein's, Birdland and 54 Below. Her concert work also includes several appearances with Stephen Sondheim as a featured performer in his critically acclaimed evening, “A Conversation with Stephen Sondheim.”  On television, her work includes appearances on “The Gilded Age” (HBO),  “Law &Order: SVU” (NBC) “Just Beyond” (Disney Plus) “Live from Lincoln Center: Stephen Sondheim's Passion” (PBS) and “First You Dream: the Songs of Kander and Ebb” (PBS) Kate is a 2023 Chicago/Midwest Emmy nominee, alongside partners at HMS Media for creating and producing “Broadway Comes Home,” a love letter to her hometown of Milwaukee. She is a proud advisory board member for Maestra Music, which provides support, visibility and community for the women and non-binary people who make the music in musical theatre. Kate's debut album on PS Classics, “Let's See What Happens” features Lane and Harburg songs from both stage and film. Her second album celebrates the work of lyricist Sheldon Harnick and is titled, “She Loves Him.”   She is a graduate of Shorewood High School in Shorewood, WI and Northwestern University. She lives with her husband and son in Maplewood, NJ. Visit: maestramusic.org Follow Kate: @realkatebaldwin Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Liaisons Project, conceived by Anthony de Mare, is a landmark commissioning and concert project based on the songs of Stephen Sondheim. The original project brought together 36 of the world's leading composers of classical, jazz, film, indie, pop and musical theater to re-imagine one of Sondheim's songs as a solo piano piece. Now the sequel has been released adding 14 songs to the series. Purchase the albumListen on SpotifyListen on Apple MusicSend feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★

My guest today is Joshua Rosenblum, author of Closer than Ever — The Unique Six-Decade Songwriting Partnership of Richard Maltby, Jr. and David Shire. This terrific new book chronicles the sixty-six-year (and counting) partnership of two of the most gifted songwriters of our time, giving full behind-the-scenes accounts of their musicals interspersed with deep-dive analyses of standout individual numbers. Among the well-known Broadway figures who feature prominently in the Maltby/Shire story are Stephen Sondheim, Hal Prince, Michael Stewart, Francis Ford Coppola, Susan Stroman, John Weidman, Charles Strouse, Garth Drabinsky, Jason Robert Brown, and Jonathan Tunick. Using his experiences as a Broadway conductor, music journalist, and professor of musical theater composition, as well as his long-term personal and professional acquaintance with both Maltby and Shire, Joshua Rosenblum is uniquely suited to chronicle their lives, careers, and creative output. The songwriters, both of whom are engaging and articulate in describing what they do, are quoted liberally throughout the book in exclusive interviews, creating the impression that one is spending time with two inspiring creative artists who happen to be great company.   Joshua Rosenblum teaches Composing for Musical Theater at Yale University and Conducting at New York University. As a composer/lyricist, he wrote the scores to the off-Broadway musicals Fermat's Last Tango, Bush is Bad, and Einstein's Dreams (four Drama Desk Nominations). He has conducted fourteen Broadway and off-Broadway shows and has performed as pianist with the New York Pops at Carnegie Hall, the City Center Encores! Orchestra, and the American Symphony. A longtime contributor of reviews and features to Opera News, Rosenblum is a summa cum laude graduate of Yale College and holds a master's degree in Piano from the Yale School of Music. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members such as John Schroeder. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the introduction of Fosca into the narrative. Eric Henwood-Greer joins Kyle to discuss how this song sets up a lot of the drama that will unfold throughout the rest of the musical, and how Sondheim used the language of the novel to craft his lyrics. Send feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★

Matt Doyle has built an impressive career on stage, from originating roles on Broadway to stepping into legendary ones. He reflects on his journey, from his early breakout in Spring Awakening to his Tony-winning turn as Jamie in Company. Along the way, he shares lessons learned from unexpected career pivots, the realities of show business, and how he navigates the highs and lows of performing eight shows a week. His recent role as Frank Sinatra in Sinatra: The Musical marked a thrilling West End debut, and he's now captivating audiences off-Broadway in Conversations with Mother, a deeply personal and heartfelt play. Matt opens up about the moment he realized he needed a perspective shift early in his career, the intense experience of performing "Getting Married Today" the night Stephen Sondheim passed, and how his struggles with anxiety have shaped his performances. He also shares how his upbringing and personal relationships inform his work, especially in roles that explore complex family dynamics. From personal anecdotes to industry insights, this conversation is packed with wisdom, humor, and a candid look at the life of a working actor. Matt Doyle is a Tony, Drama Desk, and Outer Critics Circle Award-winning actor best known for his performance as Jamie in the Broadway revival of Company. His Broadway credits include Spring Awakening, The Book of Mormon, War Horse, and Bye Bye Birdie, while his Off-Broadway work features Little Shop of Horrors, Sweeney Todd, and Brooklynite. He made his West End debut as Frank Sinatra in Sinatra: The Musical and currently stars opposite Caroline Aaron in Conversations with Mother Off-Broadway. A frequent concert performer, he has headlined sold-out solo shows in New York and beyond, and has appeared with symphonies across the country. Connect with Matt:

Join Matt and me as we continue our Movie Musicals era, diving into the world of Stephen Sondheim on film. This week, we're watching another documentary: “Original Cast Album: Company”. This famously was supposed to be the pilot to a tv show, but the guy directing it got another gig, so it turned into a one off. I've never seen so many cigarettes being smoked at the same time. Times sure were different then. Don't miss out, and be sure to watch before we discuss!Support The Conner & Smith Show on Patreon: https://www.patreon.com/ConnerandSmith

Musical Season continues, as the Siblings check out the classic and beloved musical West Side Story and ask the age-old question: “Yo, is this racist?”It is.Discussed:5 godless minutes of nothing!Jason can't pronounce “Stephen Sondheim!”East Side Story!The Jets vs. The T-Birds!Dancing!The “Rent” of its day!The Street Gangs Who Don't Do Anything!Overprotective big brothers!Contact us at adultsiblingsversus@gmail.comTwitter: @AdultVersusInstagram: @adultsiblingsversusThreads: @adultsiblingsversusBluesky: @adultsiblingsvs.bsky.socialTheme Song: “Sellout” by Zombie Apocalypse NOW!https://antizombierock.bandcamp.com/

Matt Fraction really should be writing the new Batman comic, but instead he made the mistake of wondering, "What exactly is this comic strip Jeff and Brooke are talking about?" It's a dangerous question to pose to yourself. Even more so, as Matt discovered, if one makes the mistake of Googling this comic strip. It kind of opens a Pandora's box. Which is what happened, and the next thing Matt knew, he was reading years' worth of Chickweed Lanes. Seriously guys, he took pages of notes! After the deep immersion, he agreed to join us on the podcast to talk about the things he witnessed. That includes: couples going to TGI Fingerbang's, something known as "ffawnky mozm fimps," curious children who lift mommy's skirt, hetero-curious ballet dancers, buttholes that look like clown's mouths, falling in love with Nazis, vaginas (with and without crawfish), "knockout gams," how much Brooke Mc-El-Dee knows about menstruation (not much!), elderly men who produce ink when startled, the hypnotic sexiness of cat's buttholes, and a final strip so surprising, it floors Brooke Dillman, almost literally. And this after two of the earlier strips nearly killed her already! Along the way, we talk about Dilbert, Alan Moore, Gene Simmons, and Kansas City's most famous serial killer. Also Matt makes a really good point about Raiders of the Lost Ark. It's our largest episode ever and for a good reason! Drake! Dillman! Fraction! Let's go! The Chickweed strips we discuss this episode: You can find all of the strips on Instagram by clicking here (https://www.instagram.com/p/DHPuijSRw0C/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==). We've abandoned Twitter, because it's terrible, but you can now find us on Bluesky by clicking here (https://bsky.app/profile/9chickweedrage.bsky.social/post/3lkhq52yxvc2u). This ffawnky mozm fimps episode includes: Malcolm in the Middle Good Brooke vs. Bad Brooke the Death Star trash chute Game of Thrones Dilbert Dutch angles Terminator 2 sexual chicken fight The Shining twins The Brady Bunch Converse All-Stars Hoosiers Alan Moore Swamp Thing The Mona Lisa & the Scream Eva Braun Danny Thomas Bill Oakley tight butts drive Matt nuts KISS and the Kiss Kasket (https://nashvillecasketsales.com/kisskasket.htm) Gene Simmons Cindy Lou Who Raiders of the Lost Ark The Lockhorns Stephen Sondheim Stan Lee Kansas City serial killer Bob Berdella (https://en.wikipedia.org/wiki/Robert_Berdella) Jorge Jimenez Talk to Us! Having trouble understanding what's going on in a 9 Chickweed Lane strip you just read? Send it our way! We'll take a shot at interpreting it for you! Or maybe you just want someone to talk to? We're on Bluesky: @9ChickweedRAGE.bsky.social (https://bsky.app/profile/9chickweedrage.bsky.social). And we're on Instagram: @9ChickweedRage (https://www.instagram.com/9chickweedrage/). Special Guest: Matt Fraction.

How do you make letter writing interesting theatrically? Brain Holcomb returns to explain the importance of these notes and how they help inform the rest of the show.Send feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★

Book Vs. Movie: GypsyThe 1957 Memoir Vs. the 1962 Movie“Musicals in March!”The Margos celebrate another “Musicals in March” episode with Gypsy. Gypsy Rose Lee's 1957 memoir tells her real-life story of growing up in vaudeville and burlesque under the domineering influence of her mother, Rose Hovick. It paints a detailed picture of her childhood alongside her more naturally talented younger sister, June (later June Havoc), and how Gypsy (born Louise Hovick) eventually became the most famous burlesque performer of her time. The book is witty and self-deprecating and offers an unvarnished yet entertaining look at her complex relationship with her mother. The movie Gypsy is based on the successful 1959 Broadway musical by Jule Styne, Stephen Sondheim, and Arthur Laurents, rather than directly on the memoir. It follows the same structure as the stage show, focusing on Rose Hovick's relentless push to make her daughters stars, culminating in Gypsy's rise to fame. However, because it was a Hollywood film, it softened some of the grittier aspects of Gypsy's story. So, which version did we prefer? Have a listen to find out!In this ep, the Margos discuss:A look at the career of Gypsy Rose Lee The different Broadway productions over the yearsThe cast includes Rosalind Russell (Rose Hovick,) Natalie Wood (Louise Hovick/Gypsy Rose Lee,) Karl Malden (Herbie Sommers,) Paul Wallace (Tulsa,) Ann Jillian (Dainty June,) Morgan Brittany (Baby June,) Parley Bear (Mr. Kringelein,) Harry Shannon (Grandpa,) Betty Bruce (Tessie Tura,) Faith Dane (Mazeppa,) Roxanne Arlen (Electra,) and Jean Willes as Betty Cratchitt. Clips Featured:“Natalie Wood as Gypsy”Ethel Merman on the Perry Como show in 1960Gypsy (1962 trailer)“Dainty June & Her Boys”“Everything is Coming Up Roses” (Rosalind Russell)“Little Lamb” “Let Me Entertain You”Music by Jule Styne & Lyrics by Stephen SondheimFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Join Matt and me as we continue our Movie Musicals era, diving into the world of Stephen Sondheim on film. This week, we're changing things up with a documentary: HBO's Six by Sondheim (2013). This captivating deep dive explores the genius of Sondheim through six of his most iconic songs, blending rare archival footage, personal reflections, and stunning performances. If you're a fan of musical theater, this is essential viewing—a rare glimpse into the mind of a master.Don't miss out, and be sure to watch before we discuss!Support The Conner & Smith Show on Patreon: https://www.patreon.com/ConnerandSmith

Book Vs. Movie: GypsyThe 1957 Memoir Vs. the 1962 Movie“Musicals in March!”The Margos celebrate another “Musicals in March” episode with Gypsy. Gypsy Rose Lee's 1957 memoir tells her real-life story of growing up in vaudeville and burlesque under the domineering influence of her mother, Rose Hovick. It paints a detailed picture of her childhood alongside her more naturally talented younger sister, June (later June Havoc), and how Gypsy (born Louise Hovick) eventually became the most famous burlesque performer of her time. The book is witty and self-deprecating and offers an unvarnished yet entertaining look at her complex relationship with her mother. The movie Gypsy is based on the successful 1959 Broadway musical by Jule Styne, Stephen Sondheim, and Arthur Laurents, rather than directly on the memoir. It follows the same structure as the stage show, focusing on Rose Hovick's relentless push to make her daughters stars, culminating in Gypsy's rise to fame. However, because it was a Hollywood film, it softened some of the grittier aspects of Gypsy's story. So, which version did we prefer? Have a listen to find out!In this ep, the Margos discuss:A look at the career of Gypsy Rose Lee The different Broadway productions over the yearsThe cast includes Rosalind Russell (Rose Hovick,) Natalie Wood (Louise Hovick/Gypsy Rose Lee,) Karl Malden (Herbie Sommers,) Paul Wallace (Tulsa,) Ann Jillian (Dainty June,) Morgan Brittany (Baby June,) Parley Bear (Mr. Kringelein,) Harry Shannon (Grandpa,) Betty Bruce (Tessie Tura,) Faith Dane (Mazeppa,) Roxanne Arlen (Electra,) and Jean Willes as Betty Cratchitt. Clips Featured:“Natalie Wood as Gypsy”Ethel Merman on the Perry Como show in 1960Gypsy (1962 trailer)“Dainty June & Her Boys”“Everything is Coming Up Roses” (Rosalind Russell)“Little Lamb” “Let Me Entertain You”Music by Jule Styne & Lyrics by Stephen SondheimFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Join Matt and I as we continue our “Movie Musicals” era, currently examining the movie musicals of Stephen Sondheim, changing up the pace to a documentary this week. “The Best Worst Thing That Ever Could Have Happened” examines the cast of Merrily We Roll Along in Broadway back in rehearsals for its premiere before its resounding flop, and what those actors lives have been since. If you've never seen this, get your tissues out. 
Support The Conner & Smith Show on Patreon here: https://www.patreon.com/ConnerandSmith

The Broadway musical as we know it would not exist without the generations of Jewish songwriters who brought not only their talent but their heritage and perspective to their art. With A Place for Us, Axelrod has gathered a collection of this cherished work through which he finds healing and a sense of home and community, echoing the refuge generations of Jews have sought in the American theater. Follow Ari on Instagram: https://www.instagram.com/ariaxelrodSend feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★

It's 2025. At this point, we all know that time is a flat circle. So why must we keep telling stories chronologically??These two shows say, "We shan't!". Tune in as we discuss these time-bending musicals: Stephen Sondheim's Merrily We Roll Along and Jeanine Tesori's Violet.

Things are getting real on Glee. Kurt gets attacked, Rachel has to choose between school and her dreams, and Mercedes and Sam are over before they even start?! Jenna is officially calling herself a Gleek! Even though she has some issues with the songs chosen for this unofficial Stephen Sondheim tribute episode! Kevin relates to Rachel quitting NYADA and shares a story about failing a semester of classes because of Glee! The duo also share their thoughts on the cringey Samcedes scenes, getting emotional over Kurt's storyline, and Kevin gets the scoop from Amber Riley about the original song "Colorblind." See omnystudio.com/listener for privacy information.