Podcast appearances and mentions of Stephen Sondheim

Stacy Innerst is a renowned children's book artist and painter. His picture books have received a host of starred reviews and have been honored with the Sydney Taylor Book Award (for The Book Rescuer), the New York Times/New York Public Library Best Illustrated Children's Books Award (Ruth Bader Ginsburg: The Case of RBG Vs. Inequality) and the SCBWI Golden Kite for Picture Book Illustration (The Music in George's Head.). In tour wonderful conversation, we celebrate his new book, Piece by Piece: How Stephen Sondheim Made Musical Puzzles Come Alivewritten by Erin Frankel (Author), artwork by Stacy Innerst which launched with Caulkins Creek in April, 2026. We discuss Stacy's love for drawing, his metamorphosis from magazine illustrator to children's book artist (with an emphasis on artist), and how his deep love for history and music infuses his work. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The actor Adrian Lester has had hearts a flutter from Stratford-upon-Avon to London in his latest role as Cyrano De Bergerac.The Birmingham born Hustle star's first experience of performing was in the choir at St Chad's Cathedral, before going onto win the Laurence-Olivier-Award for 'Best Actor in a Musical', for his performance in Stephen Sondheim's musical 'Company'. So with singing in his blood we decided to ask what his Inheritance Tracks would be...Producers: Ben Mitchell and Anna BaileyInherited: Redemption Song by Bob Marley Passing on: Proud to be a Dread by Des'ree

This week, Phil & David revisit one of their most uplifting and entertaining episodes ever. They welcome Josh Groban -- who David will be interviewing at the Grammy Museum in Los Angeles on July 20th about his latest album "Cinematic" and his upcoming "Stage, Screen & Symphony" tour -- for this funny and fascinating 2025  "Lunch" with the multi-platinum singer, songwriter, actor and arts advocate. Josh joined them at Phil's house in 2025 to tell amazing stories about how he got his first big break singing with Celine Dion at a Grammy rehearsal and about his strong comedic chops that many first discovered when he sang Kanye West's tweets for Jimmy Kimmel. Josh, Phil and David all also discuss their shared love for Stephen Sondheim. To learn more about Josh, his remarkable career and passion for supporting arts education, go to https://www.joshgroban.com. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. And you can watch this whole "Lunch" -- and many more --  on YouTube on the Phil Rosenthal World channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Next week, step into the Fatalistic Carnival as we bring our prolonged sixth season to an explosive close! Scott and Mackenzie are taking on one of Stephen Sondheim's most provocative and timely musicals, Assassins—and making the celebration even bigger is the long-awaited return of former cohost and now amazing guest, the Canadian Bea Arthur, Autumn Smith. Together, the trio wrestles with the show's central moral question: does Assassins ask us to sympathize with history's most infamous figures, or simply understand the forces that drove them to commit unthinkable acts? They also explore the ingenious ways Sondheim's score transforms familiar American musical styles into something deeply unsettling.All this and "there's another national anthem, for those who never win; for the suckers, for the pikers, for the ones who might have been" on next Friday's all-new episode!Don't forget to leave us a review and share your thoughts on this episode on our social media pages. Follow the links below to reach our pages.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

A new production of the musical SWEENEY TODD, written by Stephen Sondheim and Hugh Wheeler, opened earlier this week at the Birmingham Rep in the UK.The revival, which stars Ramin Karimloo and Meow Meow, features a condensed company and orchestra, offering a chamber-style reinterpretation of the usually grand piece, as well as shifting its setting around a century earlier.Find out more about this production, the winning material, and these new performances in this full review...check out Mickey-Jo's free substack newsletter:www.mickeyjotheatre.substack.com•00:00 | introduction02:36 | the material10:25 | this revival21:46 | the performances30:39 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 95,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

From growing up obsessed with Golden Age movie musicals to making her Broadway debut as Cosette in Les Misérables, Alex Finke shares the journey that led her to the stage. We talk all about playing the Baker's Wife in Into the Woods at Cape Playhouse, why Stephen Sondheim's writing continues to resonate with audiences, and what makes this cast and creative team so special. Alex also reflects on performing in Come From Away, Anything Goes, and Joan, the unforgettable phone call that changed her career, dream roles still on her bucket list, and why supporting regional theatre matters now more than ever.

From Fiddler on the Roof to A Little Night Music at The Marriott Lincolnshire and the journey from the West End to Broadway to Lincolnshire. Alexandra Silber talks to Steve Dale about Stephen Sondheim, her current production, and performing for Chicagoans.

In this Encore Episode from 2021, author Rick Pender takes us inside the creation of The Stephen Sondheim Encyclopedia.  Rick Pender is a longtime member and former chair of the American Theater Critics Association. He first began reviewing theater in 1985 for a public radio station he managed at Northern Kentucky University. He later became the theater critic for CityBeat – Cincinnati's alternative weekly newspaper -- and eventually became its arts and culture editor. He also often contributed articles to The Sondheim Review, a quarterly magazine that I know many of you remember fondly, and for 12 years, from 2004 to 2016, he served as its managing editor.  His latest venture, The Stephen Sondheim Encyclopedia, is a 638 page overview of anything and everything related to Sondheim's work, life and career.  Learn more about your ad choices. Visit megaphone.fm/adchoices

From making his Broadway debut in Chicago after seeing it as his very first Broadway show to starring in productions like Priscilla Queen of the Desert, Wicked, Falsettos, and Drag: The Musical, Nick reflects on the career moments that shaped him as a performer. We also dive into Into the Woods at Cape Playhouse, where he shares his approach to playing Cinderella's Prince and the Wolf, the magic of Stephen Sondheim's storytelling, and why this production and this cast have been such a special experience. Plus, we discuss dream roles, audition stories, and the advice he'd give the next generation of theatre artists.

Hace diez años que la francesa Pauline Croze publicó 'Bossa nova' con canciones como 'La rua Madureira', 'Tu verras', 'Você abusou' o 'Jardin d´hiver', canción que también escuchamos cantada por Simone en el disco 'Henri Salvador do Brasil' junto a 'Chambre avec vue', en las voces de Moreno Veloso y Flore Benguigui, y 'Uma canção doce' en la de Bebel Gilberto. La Metropole Orkest celebra 80 años de existencia, dirigida por Miho Hazama en el disco 'Arakatak', con obras de Mark Guiliana ('The most important question') o Donny McCaslin ('Luminosity'). Y la Metropole, bajo la dirección de Jules Buckley y arreglos de Darcy James Argue, acompaña a la cantante Cécile McLorin en el disco 'With every breath I take': 'Lush life', de Billy Strayhorn, 'Being alive' de Stephen Sondheim y 'Les parapluies de Cherbourg' de Michel Legrand y Jaques Demy.Escuchar audio

We're diving into Into the Woods at Cape Playhouse, where Joe shares what it's been like revisiting Jack a decade after first playing the role, how his perspective on the beloved Stephen Sondheim musical has evolved, and why this production has been such a meaningful experience. We also talk about growing up in Pittsburgh, finding his love for performing, his journey from the University of Michigan to High School Musical: The Musical: The Series, the impact Seb had on fans, and his advice for young performers learning to embrace what makes them unique.

Con 'Arakatak', la holandesa Metropole Orkest celebra 80 años de existencia: dirigida por Miho Hazama para obras encargadas a Morris Kliphuis ('Arakatak'), Vince Mendoza ('Bright lights and jubilation') o Donny McCaslin ('Luminosity'). También con la Metropole, en este caso bajo la dirección de Jules Buckley y con arreglos de Darcy James Argue, la cantante Cécile McLorin publica 'With every breath I take' que contiene clásicos como 'Sophisticated lady' de Duke Ellington, 'Send in the clowns' de Stephen Sondheim, 'Les parapluies de Cherbourg' de Michel Legrand y Jaques Demy, 'I´ll see you again' de Noël Coward o el que da título al disco. Y con otra orquesta, la NDR Big Band alemana, el brasileño João Bosco ha grabado 'Horda' con canciones suyas como 'Abricó-de-macaco' o 'Incompatibilidade de gênios'. Escuchar audio

Primer disco de la cantante estadounidense Cécile McLorin Salvant con una orquesta, la Metropole dirigida por Jules Buckley con arreglos de Darcy James Argue, 'With every breath I take' contiene clásicos como 'Send in the clowns' de Stephen Sondheim, 'Barbara song' de Kurt Weill y Bertolt Brecht, 'Les parapluies de Cherbourg' de Michel Legrand y Jaques Demy o 'Lush life' de Billy Strayhorn. Del brasileño residente en Londres Muca y del casi nonagenario Roberto Menescal, el disco 'Beleza' con doce composiciones de Muca en voces femeninas: Sophie Grant canta 'Blue rain', Alice SK 'Dance with you', Heidi Vogel 'Feeling when it comes', Liana Flores 'Midnight lullaby', Anaiis 'Playing on the loose fields', Ilessi 'A beleza de ser'. Despide Edson Natale con 'Viajante' de su disco 'Mana' para guitarra acústica y orquesta.Escuchar audio

Stephen Sondheim was the Pulitzer Prize-winning composer and lyricist who wrote Into the Woods, West Side Story, Sunday in the Park with George, Company, Assassins, and more. This hour, a look at the life and music of Sondheim. And, on the occasion of the new Hartford Stage/TheaterWorks Hartford co-production, we dig into the story and music of Sweeney Todd: The Demon Barber of Fleet Street. GUESTS: Daniel Okrent: Author of Stephen Sondheim: Art Isn’t Easy Wiley DeWeese: Music director, arranger, orchestrator, and conductor. He is currently Music Director for The Hartford Stage and TheaterWorks Hartford’s co-production of Sweeney Todd: The Demon Barber of Fleet Street Music featured (in order): Prologue: Into the Woods – 2022 OBC and Disney Theatrical Instrumental Anyone Can Whistle – Bernadette Peters Our Time – 2023 Merrily We Roll Along New OBC I Know Things Now – Danielle Ferland, Into the Woods OBC Someone in a Tree – Pacific Overtures OBC CUT FOR TIME Attend the Tale of Sweeney Todd – Sweeney Todd OBC Pretty Women – Sweeney Todd OBC Prelude: Attend the Tale of Sweeney Todd – Sweeney Todd OBC Concerto Macabro (Excerpt) – Bernard Herrmann Johanna (Mea Culpa) – Sweeney Todd OBC Corn Puddin’ – Schmigadoon! The Worst Pies in London – Sweeney Todd OBC A Little Priest – Sweeney Todd OBC Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Steven Sater makes a triumphant return to the podcast to catch up on a whirlwind few years that have taken him all over the world. In a wonderfully candid conversation, he opens up about the upcoming, highly anticipated Off-Broadway revival of Spring Awakening with Sea View, helmed by director Danya Taylor and choreographer Celia Robson Hall. Steven shares his deep passion for writing for young performers, discovering new talent through open calls and TikTok, and why he believes it is vital to take the emotional lives of teenagers seriously in musical theatre. He also reflects on how the show continues to deeply impact new generations of fans who were not even born when it first premiered on Broadway. The heart of the chat dives into Steven's newest passion project, the black comic murder mystery musical Murder at the Gates, written alongside collaborator James Bourne. He gives us a thrilling, exclusive sneak peek at the tracks "Fuckin' Scream" and "A Fine Rigor Mortis" from the upcoming concept album, featuring an all star cast including Gaten Matarazzo, Milo Manheim, Mason Alexander Park, Ramin Karimloo, and a whole bunch more. From hilarious memories of a playful debate with Stephen Sondheim over whether a murder mystery musical could actually work, to navigating the heartbreaking collapse of a previous workshop, Steven pulls back the curtain on the grueling, beautiful ten year journey of bringing an entirely original musical score to life. Steven Sater is a Tony, Grammy, and Olivier Award winning playwright, lyricist, and screenwriter. He is best known for his landmark collaboration with composer Duncan Sheik on Spring Awakening, as well as his acclaimed work on Alice by Heart and Nero. His upcoming projects include the new musical Murder at the Gates and a major new revival of Spring Awakening. This episode is powered by WelcomeToTimesSquare.com, the billboard where you can be a star for the day. Connect with Steven: Listen to the entire Fuckin' Scream track Follow @murderatthegates (check the link in bio for the way to get the entire album) Steven on IG: @stevensater Steven on TikTok: @steven_sater Connect with The Theatre Podcast: Support the podcast on Patreon and watch video versions of the episodes: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

Maury Yeston, the celebrated composer and lyricist of the Tony Award–winning musicals , and , has not, until now, been the subject of a full-length study of his career and work. Now, through this comprehensive text, readers can appreciate the full scope of Yeston's output and his place in musical theater history. is a career chronicle combined with close examinations of some of Yeston's most noteworthy compositions, including songs from his famous musicals as well as his lesser-known works. Joshua Rosenblum gives behind-the-scenes accounts of Yeston's Broadway shows and appraises his songs with revelatory analyses that can be appreciated by musicians and lay readers alike. In addition to having full access to the composer's archive, the author conducted over a dozen interviews with Yeston, an unusually articulate, charming, and enlightening subject who offers priceless insights into his work and his process. The book also highlights the numerous well-known artistic figures and collaborators who have featured prominently in Yeston's life, including Stephen Sondheim, Placido Domingo, Federico Fellini, Jane Krakowski, Alan Jay Lerner, Yo-Yo Ma, Alan Menken, Mike Nichols, Barbra Streisand, Tommy Tune, and Jonathan Tunick. As a bonus, "Advice to Young Composers," Yeston's legendary discourse, is included in full as an appendix.

Saskia Falken speaks to director Fred Abrahmse and costume designer Marcel Meyer who are working on the new production by Cape Town Opera of Stephen Sondheim’s A Little Night Music which opens at the Theatre on the Bay on 30 June and runs until 12 July. Lunch with Pippa Hudson is your respite from hard news, a space to explore, taste, read, and reflect. Hosted by former journalist Pippa Hudson, the show embraces lifestyle in all its forms, guided by her adventurous spirit. Each week also covers consumer issues, plus conversations on health, wealth and the environment. Thank you for listening. Catch the show live on Primedia+ weekdays from 1 pm to 3 pm (South African time) https://buff.ly/NnFM3Nk Find more from the show, and all catch‑up podcasts on Primedia+ https://buff.ly/xGkqLbT Subscribe to the CapeTalk newsletters to stay up to date https://buff.ly/sbvVZD5 Let’s keep the conversation going online: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

This week on the RuPaul's Drag Race Recap Show, Joe and Taylor break down All Stars 11 Episode 8, "Wrap & Roast Redux!" The queens trade shade in a hilarious mini challenge before taking on a rap-themed roast that leaves the judges divided and the fans debating. The hosts discuss the evolving points strategy, Sam Star's growing workroom tensions, Joey Jay's standout performance, and whether the judges got the Top 2 right. Plus, a deep dive into the controversial lip sync to Stephen Sondheim's "The Ladies Who Lunch" and why it sparked such strong reactions. Follow us on social media and join the conversation! Learn more about your ad choices. Visit podcastchoices.com/adchoices

The award winning musical by Stephen Sondheim, A LITTLE NIGHT MUSIC opens on 30 June at Theatre on The Bay. It involves a world of seduction, wit and aching romance and the all start cast includes Kate Normington as Countess Charlotte Malcolm. Rodney Trudgeon invited Kate into the People of Note studio to talk about this fascinating play. People of Note, Sunday at 6pm and again on Thursday at midday, brought to you by PTP and Killer Queen continues its run at Theatre on the Bay.

Today, I'm thrilled to announce my interview with two-time Tony winner Stephen Spinella, who is currently starring in Jerome at Playwrights Horizons. Tune in to hear some of the stories of his legendary career, including a transcendent experience onstage in ANGELS IN AMERICA, how he first met Tony Kushner, finding the gay subtext in OUR TOWN, his seven-year run in HARRY POTTER AND THE CURSED CHILD, co-starring with Estelle Parsons in THE VELOCITY OF AUTUMN, why he felt he was wrong for A VIEW FROM THE BRIDGE and ELECTRA, what Meryl Streep did for him during THE SEAGULL, a funny comment from Mike Nichols, the long development of IHO, auditioning for Stephen Sondheim, the joys of SPRING AWAKENING, and so much more. Don't miss this candid conversation with one of Broadway's best actors.

The tale of Sweeney Todd has had many incarnations, most famously the stage and movie musical by Stephen Sondheim. But it all started in 1846 with a serialized telling of the story titled “The String of Pearls” in the weekly magazine “The People's Periodical and Family Library”. Called by some a romance, by others a horror story, it is one of the earliest murder mysteries. In “The String of Pearls”, Sweeney Todd is less sympathetic than in some of his later incarnations – a perfect villain, totally self-seeking with no redeeming qualities. How the deeds of Todd are uncovered and how he is brought to justice make a most intriguing tale, but one probably not suited for the very young and certainly not for the squeamish. This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The tale of Sweeney Todd has had many incarnations, most famously the stage and movie musical by Stephen Sondheim. But it all started in 1846 with a serialized telling of the story titled “The String of Pearls” in the weekly magazine “The People's Periodical and Family Library”. Called by some a romance, by others a horror story, it is one of the earliest murder mysteries. In “The String of Pearls”, Sweeney Todd is less sympathetic than in some of his later incarnations – a perfect villain, totally self-seeking with no redeeming qualities. How the deeds of Todd are uncovered and how he is brought to justice make a most intriguing tale, but one probably not suited for the very young and certainly not for the squeamish. This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The tale of Sweeney Todd has had many incarnations, most famously the stage and movie musical by Stephen Sondheim. But it all started in 1846 with a serialized telling of the story titled “The String of Pearls” in the weekly magazine “The People's Periodical and Family Library”. Called by some a romance, by others a horror story, it is one of the earliest murder mysteries. In “The String of Pearls”, Sweeney Todd is less sympathetic than in some of his later incarnations – a perfect villain, totally self-seeking with no redeeming qualities. How the deeds of Todd are uncovered and how he is brought to justice make a most intriguing tale, but one probably not suited for the very young and certainly not for the squeamish. This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The tale of Sweeney Todd has had many incarnations, most famously the stage and movie musical by Stephen Sondheim. But it all started in 1846 with a serialized telling of the story titled “The String of Pearls” in the weekly magazine “The People's Periodical and Family Library”. Called by some a romance, by others a horror story, it is one of the earliest murder mysteries. In “The String of Pearls”, Sweeney Todd is less sympathetic than in some of his later incarnations – a perfect villain, totally self-seeking with no redeeming qualities. How the deeds of Todd are uncovered and how he is brought to justice make a most intriguing tale, but one probably not suited for the very young and certainly not for the squeamish. This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The tale of Sweeney Todd has had many incarnations, most famously the stage and movie musical by Stephen Sondheim. But it all started in 1846 with a serialized telling of the story titled “The String of Pearls” in the weekly magazine “The People's Periodical and Family Library”. Called by some a romance, by others a horror story, it is one of the earliest murder mysteries. In “The String of Pearls”, Sweeney Todd is less sympathetic than in some of his later incarnations – a perfect villain, totally self-seeking with no redeeming qualities. How the deeds of Todd are uncovered and how he is brought to justice make a most intriguing tale, but one probably not suited for the very young and certainly not for the squeamish. This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The tale of Sweeney Todd has had many incarnations, most famously the stage and movie musical by Stephen Sondheim. But it all started in 1846 with a serialized telling of the story titled “The String of Pearls” in the weekly magazine “The People's Periodical and Family Library”. Called by some a romance, by others a horror story, it is one of the earliest murder mysteries. In “The String of Pearls”, Sweeney Todd is less sympathetic than in some of his later incarnations – a perfect villain, totally self-seeking with no redeeming qualities. How the deeds of Todd are uncovered and how he is brought to justice make a most intriguing tale, but one probably not suited for the very young and certainly not for the squeamish. This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The tale of Sweeney Todd has had many incarnations, most famously the stage and movie musical by Stephen Sondheim. But it all started in 1846 with a serialized telling of the story titled “The String of Pearls” in the weekly magazine “The People's Periodical and Family Library”. Called by some a romance, by others a horror story, it is one of the earliest murder mysteries. In “The String of Pearls”, Sweeney Todd is less sympathetic than in some of his later incarnations – a perfect villain, totally self-seeking with no redeeming qualities. How the deeds of Todd are uncovered and how he is brought to justice make a most intriguing tale, but one probably not suited for the very young and certainly not for the squeamish. This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The tale of Sweeney Todd has had many incarnations, most famously the stage and movie musical by Stephen Sondheim. But it all started in 1846 with a serialized telling of the story titled “The String of Pearls” in the weekly magazine “The People's Periodical and Family Library”. Called by some a romance, by others a horror story, it is one of the earliest murder mysteries. In “The String of Pearls”, Sweeney Todd is less sympathetic than in some of his later incarnations – a perfect villain, totally self-seeking with no redeeming qualities. How the deeds of Todd are uncovered and how he is brought to justice make a most intriguing tale, but one probably not suited for the very young and certainly not for the squeamish. This is a collaborative reading.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

(Host: Christine)  In 1901, a man named Leon Czolgosz decided to attend the Pan-American Exposition in Buffalo, New York. While there, he attacked United States President William McKinley. This episode of Footnoting History looks at the lives of Czolgosz and McKinley, their fatal encounter, the aftermath of the assassination, and how it came to be depicted in a Stephen Sondheim musical.   For further reading suggestions and more, please visit: https://www.footnotinghistory.com

Today, I'm thrilled to announce my interview with Tony nominee Elizabeth Stanley, who will be starring in the newly announced production of Disruption. Tune in to hear some of the stories of her legendary career, including John Rando's mantra for ON THE TOWN, the unique vibe of MILLION DOLLAR QUARTET, what Stephen Sondheim changed about “You Could Drive A Person Crazy” in COMPANY, memories of Mark Brokaw and Adam Schlesinger, why CRY-BABY didn't succeed on Broadway, learning to skate for XANADU, performing THE BRIDGES OF MADISON COUNTY across the country, collaborating with Suzan-Lori Parks on THE RED LETTER PLAYS, her journey with JAGGED LITTLE PILL before and after the pandemic, what drew her to ALL THE WORLD'S A STAGE, the genius of Savion Glover and Andy Blankenbuehler, and so much more. Don't miss this wide-ranging conversation with one of Broadway's best leading ladies.

Photo by Mark A. Vieir Hitchcock & Herrmann: The Friendship & Film Scores That Changed Cinema was written by award-winning author Steven C. Smith. He is a four-time Emmy-nominated documentary producer of over 200 documentaries about film and music. Smith has collaborated with filmmakers Steven Spielberg, Martin Scorsese, George Lucas, Stephen Sondheim, John Williams, Julie Andrews, and Sidney Poitier. His biographies of composers Bernard Herrmann and Max Steiner each received the ASCAP Foundation Deems Taylor/Virgil Thomson Award, and he has lectured at the Library of Congress, American Film Institute, Academy of Motion Pictures Museum, and other organizations. He has written for The Wall Street Journal, The Hollywood Reporter, and the Los Angeles Times. Fellow biographer and BIO member Sonja Williams interviewed Steven C. Smith.

The Tony Awards are this Sunday. To celebrate, we're listening back to two award-winners from our archive: Alan Cumming, who played the emcee in ‘Cabaret' in three different productions, and Angela Lansbury, who starred in Stephen Sondheim's ‘Sweeny Todd,' as Mrs. Lovett who baked Sweeney's victims into pies. Also, Justin Chang reviews two new horror films: ‘Obsession' and ‘Backrooms.' See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

The Tony Awards are this Sunday. To celebrate, we're listening back to two award-winners from our archive: Alan Cumming, who played the emcee in ‘Cabaret' in three different productions, and Angela Lansbury, who starred in Stephen Sondheim's ‘Sweeny Todd,' as Mrs. Lovett who baked Sweeney's victims into pies. Also, Justin Chang reviews two new horror films: ‘Obsession' and ‘Backrooms.' See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Liz Callaway is a force of nature. Just listen to her accomplishments. She's a Tony and Grammy nominee and an Emmy award winning actress, singer and recording artist. She made her Broadway debut in Stephen Sondheim's “Merrily We Roll Along”. She went on to star in “Baby” for which she earned a Tony nomination, “The Three Musketeers”, “Sunday In The Park With George”, “Evita”, “Miss Saigon” and “Cats”. She sang the Academy Award nominated song “Journey To The Past” from the animated film Anastasia. She was in the two “Aladdin” sequels, “The Swan Princess” and “Beauty And The Beast”. She's performed concerts all around the world, and with her sister, Ann Hampton Callaway. And her latest album - her 9th - is “The Wizard And I: Liz Callaway Sings Stephen Schwartz”. My featured song is “My Baby”. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Reflections Click here for Special Collections Click here for Legends Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH LIZ:www.lizcallaway.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Short, sweet and totally different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com      

Bill Murray Meet Jan Vogler: A "Rain-Soaked" New Worlds Review My pal Robert McCready and I went to see America's beloved actor Bill Murray with classical musicians Jan Vogler, Mira Wang and Vanessa Perez. It was an evening of magic in the Lowcountry of South Carolina at Middleton Place, a breathtaking location. Poignant, light-hearted, thought-provoking, funny? It was all of those things. When Bill sang the very last note of "America" by Leonard Bernstein and Stephen Sondheim, the performers all took a bow. In the never next moment buckets of water began pouring down. We scrambled to the car, but still managed to record some thoughts about the show. Watch or listen and hear the highlights and what the boys thoughts.

Tony Award-winning Director Sam Pinkleton brings his extraordinary vision to the Broadway revival of Richard O'Brien's The Rocky Horror Show at Studio 54. He is also known for his work on Cole Escola's Oh, Mary! on Broadway and in London's West End and Josh Sharp's Ta-Da!, and many more. As a choreographer, his work includes Stephen Sondheim's final musical Here We Are, Jeanine Tesori and David Henry Hwang's Soft Power and seven Broadway shows, including Natasha, Pierre & the Great Comet of 1812. In this episode, Sam discusses why being a people pleaser fits into his work as a director and choreographer, how a shared love of 1970s regional theater with Cole Escola led to Oh, Mary!, and embracing the energy of The Rocky Horror Show fandom. Rocky Horror Tickets Good Man Charlie Brown Tickets Annie Lamott Books  

Daniel Okrent is the author of seven books, most recently, “Stephen Sondheim Art Isn't Easy,” of which The Guardian said: “The entire book is sheer delight and Okrent, formerly an editor at The New York Times and a baseball fanatic who effectively invented the modern fantasy baseball league, does a terrific job of telling Sondheim's life story alongside shrewd analysis of his body of work.”Other reviews have been just as positive, and why not?  It's the most comprehensive story yet of Stephen Sondheim the man and Stephen Sondheim the composer.  It's a real pleasure to have him with me on this episode.  

Sam Pinkleton is the Tony Award-winning director of Oh, Mary! and the 9-time Tony Award-nominated revival of Richard O'Brien's The Rocky Horror Show on Broadway at Studio 54. His work as a director also includes Josh Sharp's TA-DA!, Morgan Bassichis' Can I Be Frank?, Noah Diaz' You Will Get Sick, The Wizard of Oz, Elizabeth Swados' Runaways, Head Over Heels (with Jenny Koons), La Cage Aux Folles, and UNTITLED DANCESHOWPARTYTHING (with Ani Taj). Highlights of his work as a choreographer include Stephen Sondheim's final musical Here We Are, Jeanine Tesori and David Henry Hwang's Soft Power, and eight shows on Broadway including Natasha, Pierre, and the Great Comet of 1812 (Tony Nomination), Macbeth, and Machinal. His film/TV work includes Dying for Sex and the musical The End, starring Tilda Swinton. His upcoming projects include the participatory Scottish dance musical Ceilidh and You're a Good Man, Charlie Brown.On this episode, Sam discusses the deliciously Dionysian alchemy of Rocky Horror, his blending of stagecraft and witchcraft, and why theatre is collective magic in action.Pam also talks about excavating both personal and historical roots of theatrical magic, and answers a listener question about conjuring supernatural support for a canine familiar.Check out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are Wheel of Fate, Mithras Candle, BetterHelp, Blessed Be Magick, and Zouz IncenseWe also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave

From an unknown actress to the First Lady of Musical Theatre, Dame Elaine Paige's story is one of the great showbusiness journeys. Eighteen years of auditions, rejection, and near-quitting before one role changed her life overnight. In this chat with Josh, Elaine opens up about the chaos that happened when the world found out she'd been cast in Evita, how she escaped a pack of journalists who chased her down the street, and the moment she burst into tears telling her mum she didn't want the fame that came with it. She tells the extraordinary story of how she came to perform the iconic song Memory in Cats, and taking to the stage in Sunset Boulevard only a few hours after recovering from breast cancer surgery. She also reflects on meeting actress Rachel Zegler who took on Elaine's famous role in Evita, the life-changing wisdom Stephen Sondheim passed on to her, and why she thinks music and arts in state schools should be everybody's urgent priority. Oh, and she has a copy of her 23rd solo album, Miscellaneous Paige on its way to Buckingham Palace for the King. Elaine's album Miscellaneous Paige is out July 17th and her single Only A Lifetime is out now

Melissa Errico is a Tony-nominated actress, singer, recording artist, and writer. She is known for her iconic Broadway musical roles such as Eliza Doolittle in My Fair Lady and the title role in One Touch of Venus. She is also recognized from her roles on TV series such as Billions, The Jim Gaffigan Show, Blue Bloods, The Good Wife, Law & Order, A Gifted Man, Ed, and Miss Match opposite Alicia Silverstone. In addition to her work on stage and screen, Errico is highly regarded for her recordings of musical theater classics, including albums of songs by Stephen Sondheim and Michel Legrand. Her 2018 album “Sondheim Sublime” was described by the Wall Street Journal as “the best all-Sondheim album ever recorded”. In a review for her 2024 album “Sondheim in the City”, the New York Times described Errio as “one of Sondheim's deepest-hearted yet lightest-touch interpreters.” Errico’s interpretation of Legrand’s music is equally highly praised, so much so that she was asked to write his eulogy for the Times and was the only American singer invited to perform at Legrand’s memorial at Le Grand Rex in Paris. In recent years, Errico has become a contributing writer to The New York Times and served on the National Endowment for the Arts. See omnystudio.com/listener for privacy information.

Well, there are worse things than recording a theater/anime podcast on a Sunday? On this glorious Sunday's episode of Anime Was (Not) a Mistake presents Good Movie Podcast?  Jonathan hopes to inspire Dan's artistic sensibilities with Stephen Sondheim and James Lapines' proshot of Sunday in the Park with George (1984). In a fictional, yet powerful examination of Georges Seurat's life in painting life around him on a series of Sundays, laughs, tears, and humanity will be discovered. Relationships and emotions that will hit home harder than the smell of baked goods, fresh from a waffle stove. You will be dazzled by the color and life around you with budding romances, the nature of art, and the progress of the medium over the turn on a century. Yes, its not technically a "movie" and yes we are wheeling out the VHS/TV combo like we are back in art school, but Jonathan is dead set on being a model who can concentrate there's no stopping him. Dan on the other hand struggles to make a hat, but I feel through the the tenants of balance, order, design, composition, and harmony he will let whatever comes from him will be new and teach the world to see...  Rate, Review, Subscribe, and Listen to Us on Podbean/iTunes/Stitcher/Spotify Follow us on Instagram:@animewasnotamistakepodcast Or on Facebook:@animewasnotamistakepod Music Provided by: Cab Calloway, Irving Mills and Clarence Gaskill – “Minnie the Moocher” – RCA Instrumental/Karaoke Version Dave Flesischer – “Let's All Go to the Lobby”- National Film Registry/Library of Congress Kansas Joe McCoy, Herb Morand– “Why Don't You Do Right” – Claudia Santoro Instrumental/Karaoke Version

Today, I'm thrilled to announce my interview with Tony nominee Michael Hayden. Tune in to hear some of the stories of his legendary career, including the real questions asked by CAROUSEL, finding his singing voice for the role, why he decided to leave CABARET, getting advice from Edward Albee during THE LADY FROM DUBUQUE, playing two roles in ALL MY SONS, what Stephen Sondheim told him during MERRILY WE ROLL ALONG, working at Trader Joe's during the pandemic, why he had trouble memorizing his lines for THE LIGHT IN THE PIAZZA, the lessons he learned at Juilliard, acting opposite Maximilian Schell in JUDGMENT AT NUREMBERG, joining HENRY IV during rehearsals, the intensity of performing in FESTEN, playing Roy Cohn in the first production of ANGELS IN AMERICA, and so much more. Don't miss this in-depth conversation with a veteran actor.

About Time ran at the Marjorie S. Deane Little Theater through April 5th. For more information, visit www.abouttimemusical.com. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

This time, we take a look at Legacy games, and the ways players modify them in order to be less like a legacy game. But is something lost in the translation? Plus, we have a Tale of Horror, Roses, Thorns, and Hoops, and Tom's still grumpy about Stephen Sondheim. 00:00 - Intro 00:50 - Broadway 01:39 - Maycember 02:30 - Summer Cons: Dice Tower East, Gen Con (Booth #249), Dice Tower Cruise 04:38 - Small Games, Little Joy 05:39 - Legacy Games 30:22 - Tale of Boardgaming Horror 35:54 - Terraria 43:03 - The Queen's Dilemma 49:53 - Sanctuary 55:15 - The Case of the Curiously Quiet Theater 58:20 - Wool Street 1:02:31 - Colosseum: The Grand Spectacle Questions? Tales of Horror? tom@dicetower.com

What do crossword puzzles have to do with "Send in the Clowns"? More than you'd think. This episode, Shoshana is joined by Barry Joseph, author of Matching Minds with Sondheim, to explore Stephen Sondheim's lifelong obsession with puzzles and games, and how that obsession quietly shaped everything from his lyrics to his show structures to his closest relationships. In the "Why Is This So Good?" segment, Shoshana and Barry dig into "Good Enough to Eat" from Schmigadoon! Season 2. Music featured: "Ten Years Old (The Fabulous Fifties, 1960)" from Sondheim Sings Vol. II (1946–1960) "Hesitation (Reprise)" from Here We Are "A Little Priest" from Sweeney Todd "Good Enough to Eat" from Schmigadoon! Season 2 You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong and on Facebook at "Scene to Song with Shoshana Greenberg Podcast." Be sure to sign up for the monthly e-newsletter at http://scenetosong.substack.com , and consider supporting the show on Patreon. The theme music is by Julia Meinwald.

Singer, songwriter, actor, and Dodgers super-fan Josh Groban joins Rob Lowe to discuss recording a song with his father for his new album, what it's really like to perform the National Anthem at a baseball stadium, exchanging letters with musical theater legend Stephen Sondheim, his thoughts on the most recent Coachella music festival, and much more. Make sure to subscribe to the show on YouTube at YouTube.com/@LiterallyWithRobLowe! Got a question for Rob? Call our voicemail at 323-570-4551. Your question could get featured on the show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It is not hyperbole to say that Stephen Sondheim was among the most important creative voices in 20th Century American musical theater. From the 1950s through to the 2020s, he wrote the lyrics, music, or both for some of the most critically and commercially successful shows of our lifetimes. Sondheim's shows are beloved not only for their incredibly catchy songs, but also for their insightful stories exploring the nature of art, history, and most importantly, the fragile and fault-riddled human condition. Though we lost Mr. Sondheim in 2021, the Great Pop Culture Debate wants to look back on his works as we attempt to name the Best Stephen Sondheim Musical of all time.Musicals discussed: Sweeney Todd, Saturday Night, West Side Story, Merrily We Roll Along, Passion, Sunday in the Park with George, A Funny Thing Happened on the Way to the Forum, Assassins, Pacific Overtures, A Little Night Music, Into the Woods, Anyone Can Whistle, Gypsy, FolliesJoin host Eric Rezsnyak and panelists Kevin Dillon, Michael Schwarz, and Trey Radu-Blackburn as they discuss and debate 16 of Sondheim's most enduring works.For the warm-up to this episode, in which we discuss our personal experiences with Sondheim shows, and the Sondheim shows that didn't make the bracket, become a Patreon supporter of the podcast today. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks.EPISODE CREDITSHost: Eric RezsnyakPanelists: Kevin Dillon, Michael Schwarz, Trey Radu-BlackburnProducer: Bob ErlenbackEditor: Jim Czadzeck#sondheim #stephensondheim #musical #broadway #broadwaymusicals #sweeneytodd #company #intothewoods #westsidestory #merrilywerollalong #sundayintheparkwithgeorge #gypsy #follies #assassins #bernadettepetersSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In a long-awaited catch-up, singer, songwriter and actor Josh Groban stops by the Q studio to talk about his upcoming album Cinematic. The record is a tribute to the iconic soundtracks of some of his favourite films, from The Lion King to James Bond. He tells Tom about his touching collaboration with his father on the record, what it was like to play Sweeney Todd on Broadway given his lifelong love of Stephen Sondheim, and his spontaneous cameo at this year's Oscars.

We talk with John Lithgow, veteran of hundreds of performances on stage, screen and television. He's currently starring in the play ‘Giant' on Broadway. He plays renowned children's book author Roald Dahl, caught in a public controversy after he wrote an article laced with antisemitic statements. Also, we'll talk about Stephen Sondheim's life and music with Daniel Okrent, author of a new book ‘Stephen Sondheim: Art Isn't Easy.'  To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Daniel Okrent's new biography, ‘Stephen Sondheim: Art Isn't Easy,' offers new insights into the renowned Broadway composer and lyricist. Okrent talks with Terry Gross about Sondheim's often toxic relationship to his mother, his drinking and substance use, and finding himself through his art. “There are two major arcs to [Stephen Sondheim's] life. One is from absolute alienation to finally, near the end of his life, connection,” he says. “The other is from an ambivalence that could be crippling at times, to resolution, to knowing who he was and what he was capable of doing.”Also, book critic Maureen Corrigan reviews the novel ‘Now I Surrender.'To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy