Podcast appearances and mentions of Stephen Sondheim

“It's the witch from next door!” We take a trip to the theater to discuss the iconic filmed production of Stephen Sondheim's Into the Woods, which was recorded for PBS American Playhouse in 1989. In one of our first opportunities to discuss Sondheim and Broadway on the podcast, we are joined by Andrew Rimby from the Ivory Tower Boiler Room. Many people hold the music from Into the Woods dear, and we are fortunate that its original cast was recorded in the spring of 1989. This Fractured Fairy Tales narrative revolves around a childless baker and his wife, who embark on a quest to start a family after a witch places a curse on them. Little Red Riding Hood, Cinderella, Jack and the Beanstalk, and a Rapunzel origin story are interwoven throughout the story. Bernadette Peters embodies the Witch with unparalleled talent, delivering a captivating performance in every moment. Joanna Gleason, in her Tony Award-winning role portrays the Baker's Wife with incredible grace and depth. Topics discussed include the 1988 Tony Awards, Rob Marshell's 2014 adaptation, and what Bravo Housewife would make the perfect witch.  Thank you for listening, and don't forget to subscribe, rate, and review us on Apple Podcasts! www.patreon.com/moviesthatmadeusgay Facebook/Instagram: @moviesthatmadeusgay Bluesky: @MTMUGPod.bsky.social Scott Youngbauer: Twitter @oscarscott / Instagram @scottyoungballer Peter Lozano: Twitter/Instagram @peterlasagna

How do people like Stephen Sondheim, Sofia Coppola or David Simon create something from nothing? And what are the threads that tie their work together with making a cookbook or a cartoon? Former New York Magazine and New York Times Magazine editor Adam Moss talked to dozens of creative people to find out how they do it. In his new book, The Work of Art, artists from a wide range of mediums break down the process behind a single piece, sharing sketches, outlines and rejected attempts they worked through along the way.  This episode was originally published May 15, 2024

While Mickey-Jo was in New York, he stopped by the Samuel J Friedman Theatre to meet Jasmine Forsberg, one of Broadway's most exciting rising stars.Jasmine, who caught international attention with her showstopping rendition of 'Heart of Stone' as Jane Seymour in Six, was previously seen in Here Lies Love and is now part of the stellar company of Stephen Sondheim's Old Friends.Check out what Jasmine and Mickey-Jo discussed ahead of his visit to the show...•get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Inspired by one of Stephen Sondheim's core beliefs, Jen and Pete noodle on the idea that less is more, and how that might move them closer to clarity.Specifically, in this episode Jen and Pete talk about:Why might it be better to give two options to someone, as opposed to seven?Why is clarity so important?What is a "to don't" list?To hear all episodes and read full transcripts, visit The Long and The Short Of It website: https://thelongandtheshortpodcast.com/.You can subscribe to our Box O' Goodies here (https://thelongandtheshortpodcast.com/) and receive a weekly email full of book and podcast recommendations, quotes, videos, and other interesting things that Jen and Pete are noodling on. To get in touch, send an email to: hello@thelongandtheshortpodcast.com.Learn more about Pete's work here (https://humanperiscope.com/) and Jen's work here (https://jenwaldman.com/).

“Everything changed for the gay choral movement because they had twins: music and mission. They weren't just there for the music, and they weren't just there for the mission. I've been feeding my twins every day, and I feed them equally. Audiences that are interested in just music for music making are dying out. There are a lot more reasons to get them in: many concerts can reach into the community and be of service.”Tim Seelig is a conductor, speaker, author and educator. He is the Conductor Laureate of the San Francisco Gay Men's Chorus and Conductor Emeritus of the Turtle Creek Chorale in Dallas, Texas. He serves as founding conductor of the Portland Sage Singers.Dr. Seelig holds four degrees, including a Diploma from the Mozarteum in Salzburg, Austria and Doctor of Musical Arts from the University of North Texas. He has eight books and DVDs on choral technique published by Hal Leonard Music, several of which are best-sellers. His memoir, Tale of Two Tims, was published in 2020. He made his operatic debut in St. Gallen, Switzerland and solo debut at Carnegie Hall. He has been conducting at Carnegie Hall and Lincoln Center for 30 years, including an upcoming appearance at Lincoln Center in November 2025.He has conducted over 60 recordings which have been on Billboard Top Ten and iTunes Top Ten classical charts. His choruses have been the topic of three documentaries. The first PBS documentary was awarded the national Emmy for best documentary. The most recent had its world premiere at the Tribeca Film Festival, won the Audience Favorite and is streaming on Paramount +.He has commissioned major choral works for 35 years. Some of these include the first AIDS Requiem, When We No Longer Touch; Sing for the Cure for the Komen Breast Cancer Foundation featuring Dr. Maya Angelou; “Testimony,” by Stephen Schwartz and the 2022 “Songs of the Phoenix” by Andrew Lippa, Stephen Schwartz and Stephen Sondheim.Aside from guest-conducting, he is often seen trading in his podium for the speaking stage. He won the Moth Grand Slam and his recent TEDx Talk has passed 100K views.Fun facts: he conducted the Guinness Book of World Records Longest Choral Concert and carried the Olympic torch as a community Hero.  He has not run since.He is the proud grandfather of the amazing Clara Skye, Eden Mae, Cora Rose, and Ivy Hope.To get in touch with Tim, you can find him on Facebook (@tim.seelig) or email him at tgseelig@gmail.com.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Stephen Sondheim is the composer and lyricist of some of the most well-regarded musical theatre ever made. We delve into his life, work and impact on the form.We hear archival interviews with Sondheim himself and are joined by performer Philip Quast, author Joanne Gordon (Art Isn't Easy: The Theatre of Stephen Sondheim), director of several Sondheim productions, Dean Bryant, and Sonya Suares, founding artistic director of the Sondheim repertory company Watch This.

Robbie Rozelle wraps up his episodes with the moment we've all been waiting for: Stephen Sondheim stories!! Robbie talks about extensively working so closely with the legend he calls a "deity" and why you always, always (always!) sing what Sondheim wrote on the page.  Robbie also takes us through creating his cabaret shows and explains why it's all about storytelling. Celebrities? Boring. What do YOU have to say? Let's find out what that is and then find ways to lift people up and make good art with and for the ones we love. Oh and we are all over the place so buckle up! We're talking Housewives, Taylor Swift, Scandoval (Team Ariana!), The Traitors (Gabby Windey 4eva we heart you Gaggy), the invisible string theory, and our TikTok FYPs. Robbie Rozelle @DivaRobbie  Robbie Rozelle - Songs from Inside My Locker (Live at Feinstein's/54 Below) Gabby Windey on TikTok - Gaggy to u Fairuza Balk Taylor Swift - tolerate it   /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

On se penche aujourd'hui sur un classique de Broadway : Gypsy, créée en 1959 par des grands noms de la comédie msuciake : Arthur Laurents, Jule Styne, Stephen Sondheim, Jerome Robbins. On analyse les thématiques de l'œuvre, entre maternité toxique et chronique d'une époque révolue du divertissement étasunien. Et on passe en revue les stars qui ont incarné successivement le fascinant personnage de Rose, d'Ethel Merman à... Natalie Dessay. Plus d'info : https://allthatjazzpodcast.wordpress.com/2025/06/06/gros-plan-gypsy/

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the original submission.Americana in the Historic AuditoriumJean Shore of Balsam Lake, Wis., recommends crossing into Wisconsin for an evening of American roots music. Minnesota singer-songwriters Emmy Woods, Sarah Morris and Laura Hugo will perform at The Historic Auditorium in St. Croix Falls this Saturday, June 7 at 7 p.m.Jean says: Each performer brings a unique voice and style to the stage, blending folk and country and heartfelt storytelling. But what makes this even more exciting is the venue itself. The Historic Auditorium was built in 1916 and was recently renovated in 2023, and it's quickly becoming a cultural hub for this area.— Jean ShoreA Sondheim musical at the Ritz TheaterTwin Cities theater maker Kurt Engh recommends seeing Stephen Sondheim's musical “Passion,” staged by Theater Latté Da at the Ritz Theater. Written by the same team that created “Into the Woods,” the show runs through July 13.Kurt says: “Passion” is one of Stephen Sondheim's lesser-known musicals, but one of his most complex and most honest and emotional.It is a melodramatic story set in 1860s Italy during the unification of Italy. It is an uneven love triangle between a beautiful married woman, a very handsome army captain and a in the terms of the musical, a “troubled, ugly woman.” And it is about how love and desire are reflected through beauty and beauty standards.It is a very fascinating musical in that it is directed as almost a chamber opera at a breakneck speed. There are no applause breaks. It does not let you go. It just keeps moving.— Kurt EnghImprov Festival Moves to Phoenix TheaterMichael Krefting of Minneapolis loves the improv scene in the Twin Cities, and he recommends the Twin Cities Improv Festival, happening Thursday through Sunday, June 8. This is the annual festival's first year at the Phoenix Theater in Minneapolis, following the closing of HUGE Improv Theater last year.Michael says: They have artists coming in from all over the world, a couple artists coming in from Japan. There are a lot of local names. When they select the artists for the festival, they're always trying to get the local groups that are doing either the most interesting things or doing something new and creative that's picking up steam. The whole improv community is very welcoming. And I would, I would come ready to not just laugh but also feel. I would say to expect the unexpected!— Michael Krefting(Want more improv? Krefting also recommends Improv A Go-Go at Strike Theater in Minneapolis. Every first, second, and fourth Sunday, four or five improv groups are chosen by lottery to perform, offering an affordable evening of “yes, and” energy.)

For the third and final installment of the series, Matthew talks with the catches up with various members of the cast and throws in a story or two from the tales themselves. With one of the main themes of the show being ‘time' Matthew asks the various company members what they would change about their past or indeed what they might repeat in order to relive an experience in their life and much more besides. Come join us as we go deeper into the woods. Host Matthew WestripFeaturingEmily Rushton                         (Rapunzel).Nigel Broome                          (The Mysterious Man).Lisa Daniels                             (Red Riding Hood).Sarah Hills                                (Props).Emma Townrow                      (Props).Emma Brack                            (Granny and the Puppeteer),Shelia Arden                            (Assistant Director),Oliver Bahrami-Jankins          (Jack).Ellie Wallis                                (Cinderella),Jo Begley                                 (The Narrator).If you wish to contact us, please send us a text message by clicking on this text.Ever wondered what goes into putting on a show? Find out as we have a discussion with the cast and production team about Artform's theatre productions. To see all our podcasts go to Link: https://feeds.buzzsprout.com/1436248.rss Artform website link: https://www.artform.org.uk/

durée : 01:28:43 - Cabaret 42e rue : Sweeney Todd / Rebecca / Stephen Sondheim. À l'ombre de Broadway /Tout le monde il est...Jean Yanne - par : Laurent Valière - En direct du Carreau du Temple, avec les troupes de "Sweeney Todd" à l'Opéra National du Rhin, "Rebecca" au festival Bruxellons !, "Stephen Sondheim. À l'ombre de Broadway" par Sarah Lazerge  et Vincent Vittoz et "Tout le monde il est ... Jean Yanne" programmés à Avignon cet été. - réalisé par : Olivier Guérin

Today, I'm thrilled to announce my episode with two-time Tony winner Judith Ivey. Tune in to hear some of the stories of her legendary career, including singing A LITTLE NIGHT MUSIC for Stephen Sondheim, how Carol Woods gave her dinner eight times a week during FOLLIES, how her performance in STEAMING led to three feature film roles, finding the comedy in THE HEIRESS, meeting Neil Simon at the Tony Awards, performing BLITHE SPIRIT after Geraldine Page passed away, a memorable night out with Mike Nichols while working on HURLYBURLY, being directed by Zoe Caldwell in PARK YOUR CAR IN HARVARD YARD, acting opposite Jason Robards, acting with the audience in THE LADY WITH ALL THE ANSWERS, listening to Margaret Thatcher while performing in THE AUDIENCE, being directed by Edward Albee in THE AMERICAN DREAM, making the audience gasp during VOICES IN THE DARK, the difficulty of performing in GREATER CLEMENTS, developing a one-woman musical with George Furth, how Peter Hall chose her for BEDROOM FARCE, laughing with Eileen Heckart during THE FIVE MRS. BUCHANANS, bringing VANITIES off-Broadway, finding her own take on the leading role in PIAF, and so much more. Don't miss this honest conversation with one of Broadway's greatest stars.

This week, one of Mickey-Jo's most anticipated shows had its opening night: a brand new production of THE FROGS at Southwark Playhouse.The Frogs is among the most infrequently produced musicals with a score by Stephen Sondheim, and is based on the ancient Greek play by Aristophanes.This London production stars Dan Buckley (The Book of Mormon) alongside Kevin McHale (Glee), Victoria Scone (Rupaul's Drag Race), Joaquin Pedro Valdes (Death Note) and more.Check out the full review to find out what Mickey-Jo thought about this utterly unique show...•00:00 | introduction 02:17 | history / synopsis10:42 | material16:59 | creative choices26:28 | performances•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Connor and Dylan are joined by Kyle Selig (Stephen Sondheim's Old Friends, Mean Girls). Summer is upon us, and the twins are excited to welcome the dreamy and delightful Kyle Selig for his long-awaited episode of DRAMA. He brings his sunny personality and sense of humor to the pod for an amazing chat, almost like we're… old friends. Speaking of “Old Friends,” we chat about the beautiful Broadway production that Kyle is part of alongside Bernadette Peters, Lea Salonga, and friend of the pod Beth Leavel, as he sings the “Sondheim Tenor Sampler Platter.” Naturally, this trio gushes over Kyle's wife, Erika Henningsen (now starring in Just in Time), and recounts moments in their love story from Mean Girls to their wedding day. The conversation includes stories about Water for Elephants, Los Angeles living, and superstar Grey Henson. We reflect on The Goofy Movie, Welcome to Flatch, and Aaron Tveit and Gavin Creel's impact on a young Kyle. Stick around for Thunderbolts* and Miss Flo (yes gawd!), plus many doses of DRAMA. and the birth of a beautiful friendship among these millennial men. See Kyle in Stephen Sondheim's Old Friends through June 29th!Follow Kyle on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway!Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

Teatrerxs! Tomé decisiones y a partir de ahora, cada que haga un Baby Review en Instagram y TikTok, les voy a estar subiendo los audios también por acá, a su canal de podcast, a manera de episodios extra. Entonces empecemos con Dentro Del Bosque, el musical ya estrenado en Teatro Milán, dirigido por Miguel Septién, primera traducción en México de Into The Woods de Stephen Sondheim.

In honor of The New Yorker's centennial this year, the magazine's staff writers are pulling out some classics from the long history of the publication. Louisa Thomas, The New Yorker's sports correspondent, naturally gravitated to a story about baseball with a title only comprehensible to baseball aficionados: “Hub Fans Bid Kid Adieu.” The essay was by no less a writer than the author John Updike, and the “Kid” of the title was Ted Williams, the Hall of Fame hitter who spent nineteen years on the Boston Red Sox. By happenstance, Updike joined the crowd at Fenway Park for Williams's last game before his retirement, in 1960. Thomas, looking at subtle word changes that Updike made as he was working on the piece, reflects on the writer's craft and the ballplayer's. “Marginal differences really matter,” she says. “And it's those marginal differences that are the difference between a pop-up, a long fly, and a home run. Updike really understood that, and so did Williams.”Plus, a visit with one of the great modern practitioners of the earworm, Charles Strouse, who wrote music for “Bye Bye Birdie” and “Annie,” and the theme to “All in the Family.” Strouse died this month at ninety-six. In one of his last interviews he gave, in 2023, he spoke with the Radio Hour's Jeffrey Masters about his rivalry with Stephen Sondheim. “Stephen and I were friendly enemies. He didn't like me much. I didn't like him less.” 

If you thought Sue was unhinged in the last episode, you ain’t seen nothing yet! Jenna and Kevin are back and ready for the craziness of this episode, like Klaine stuck in an elevator thanks to Jigsaw Sue, the character they didn’t realize was back on the show, their thoughts on the performances and the scene Kevin says is one of his “favorite moments of Glee EVER!” No hints, but it’s a scene that still makes them laugh hysterically! Plus, Kevin talks about starring in the revival of Stephen Sondheim’s “The Frogs” in London. For tickets and info: southwarkplayhouse.co.uk For fun, exclusive content, and behind-the-scenes scoops, be sure to follow on Instagram @andthatswhatyoureallymissedpod! See omnystudio.com/listener for privacy information.

This is a 3 part mini Casting Director series, sponsored by Casting Networks.Tara Rubin started her company, Tara Rubin Casting in 2001 after working at Johnson-Liff Casting for fifteen years. During that time she cast for Les Miserables, Phantom of the Opera, Miss Saigon, Guys and Dolls, and the daytime drama Another World.At Tara Rubin Casting she continued those associations and cast other Broadway productions, including Mamma Mia!, The Producers, Bombay Dreams, Spamalot, Jersey Boys, Mary Poppins, Billy Elliot, School of Rock, Aladdin, A Bronx Tale, Dear Evan Hansen, The Band's Visit, Six, Here Lies Love, and The Outsiders. Current Broadway shows include Six, Aladdin, Death Becomes Her, Boop: The Musical, Dead Outlaw, and Stephen Sondheim's Old Friends. She recently cast the film Here Today and the Apple + series Before both starring Billy Crystal.Tara serves on committees for the Entertainment Community Fund and the Noel Coward Foundation. She is an honors graduate of Boston University, a member of the Casting Society and recipient of the Hoyt Bowers Award for excellence in casting and outstanding contribution to the casting profession. She has taught classes at New York University and Sarah Lawrence College. In 2025 Tara Rubin Casting rebranded as the TRC Company.In this episode, we talk about all things ACTORS including:• How she casts a replacement for a show, particularly the balance between the individuality of the actor vs what the original performer did• How long does an actor have to rehearse before replacing another person in the role• The process of casting a Broadway show ensemble, with the makeup of one including understudies and skilled dancers• How many actors get submitted for a role and how many actors she brings in that she knows vs who she doesn't know• Process of casting a show from workshop to regional to Broadway• Booking the room vs the part - and how talent and imagination makes actors stands out to her in an audition• What has she noticed in actors that book a lot • How do you stay in touch or keep on her radar• Advice for new actors about starting on BroadwayGuest:Company Website IMDb PlaybillCasting Networks Sponsor:For a limited time, we're offering listeners $65 off a Premium Annual membership. Use the code “MENTORSMIC”at checkout. Or if you're not ready to commit, take advantage of our 14-day free trial, which unlocks full access to all Casting Networks features so you can start submitting to casting calls right away. Terms and conditions apply. Visit ⁠https://www.castingnetworks.com/promo-codes/⁠ to learn more.Steps on how to redeem: Visit www.castingnetworks.comClick on the ‘Join Now' button Complete the Talent Registration form and follow the steps to verify your email and create your profile Proceed to checkout, leaving the' ‘Pay Yearly' option selectedEnter ‘MENTORSMIC' in the promo code field, click “Apply” to complete checkout.Don't wait! This offer expires soon!Host:Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneMiller⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MentorsontheMic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@MichelleSimoneM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook page:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/mentorsonthemic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.michellesimonemiller.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ www.mentorsonthemic.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/user/24mmichelle⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you like this episode, check out:Close Up with Casting Director Paul Schnee (Barden/Schnee casting: "Pitch Perfect," "Sisters," "Palm Royale," "Winter's Bone")⁠Becoming Casting Director Erica Hart ("THAT DAMN MICHAEL CHE," "GODFATHER OF HARLEM," "THE BOLD TYPE")⁠⁠Becoming... award-winning Casting Director Bernie Telsey ("The Color Purple," "The Idea of You," "Hamilton," "SMASH," "Wicked," "The Gilded Age"

Today, I'm thrilled to announce my episode with Tony nominee Craig Bierko. Tune in to hear some of the stories of her legendary career, including what he learned from Meredith Willson's notes in the script of THE MUSIC MAN, dancing with Rebecca Luker, the “stop-start” feeling of THOU SHALT NOT, how James Lapine approached directing MODERN ORTHODOX, the Jewishness that is needed in GUYS AND DOLLS, why he didn't connect to the character of Miss Trunchbull in MATILDA, what it was like performing GIRL FROM THE NORTH COUNTRY just after the pandemic, why STANDING ON CEREMONY didn't work in New York, his efforts to revive LITTLE MARY SUNSHINE, talking to Patti LuPone backstage during COMPANY, a meaningful moment with Stephen Sondheim, playing opposite Len Cariou in HARRY TOWNSEND'S LAST STAND, and so much more. Don't miss this honest conversation with one of Broadway's greatest stars.

Sarah Crompton and Alex Wood dive headfirst into Stephen Sondheim and David Ives' Here We Are, wading through the history and themes of the show as it makes its European premiere at the National Theatre. After that, they swim through a wellspring of topics including the Young Vic's exciting new season (with four of Sarah's favourite directors involved) and Cynthia Erivo's fang-tastic West End return in Dracula. Hosted on Acast. See acast.com/privacy for more information.

David Benedict and Viv Groskop review Stephen Sondheim's final musical, Here We Are, a surreal story of brunch and existential dread; French film about about grassroots music, The Marching Band and Daniel Kehlmann's new novel, The Director, about a real life German filmmaker navigating the Third Reich.Presenter: Tom Sutcliffe Producer: Simon Richardson

In this episode, we dive into one of the most groundbreaking musicals in Broadway history: Company. More than half a century ago, in 1970, Company burst onto the scene and forever changed the landscape of musical theatre. With both music and lyrics by Stephen Sondheim, already renowned for his work on West Side Story and Gypsy, this show marked his first collaboration with legendary director Hal Prince. Company introduced audiences to Robert, a perpetually single man navigating love, commitment, and connection through a series of vignettes rather than a traditional linear plot. This “concept musical” broke new ground, blending sharp social commentary with an unforgettable score that includes songs like “Being Alive,” “Getting Married Today,” and “The Ladies Who Lunch.” It earned 14 Tony nominations and won six, including Best Musical and Best Original Score, cementing Sondheim's place as a musical theatre titan. From its original 705-performance run to its acclaimed revivals in 1995, 2006, 2018, and 2021, Company remains as vital, funny, and thought-provoking as ever. Check out our Company playlist on our YouTube channel, and join us over on our Facebook and Instagram pages to tell us what you think!                 

HERE WE ARE, the final ever musical to feature a score from the legendary composer lyricist Stephen Sondheim, is currently receiving its European premiere with a run at the National Theatre in London. The musical, which features a book by the playwright David Ives, was originally seen Off-Broadway at The Shed in 2023, and is based on two films by Luis Buñuel, The Exterminating Angel (1962) and The Discreet Charm of the Bourgeoisie (1972).The London production features a star-studded cast including Jane Krakowski, Jesse Tyler Ferguson, Rory Kinnear, Martha Plimpton, Harry Hadden-Paton, Paulo Szot, Richard Fleeshman, Chumisa Dornford-May, Tracie Bennett, Cameron Johnson, and Denis O'Hare.Having felt strongly about the production when Mickey-Jo first saw it in New York, check out this full review to find out why he's changed his mind about this musical...•00:00 | introduction 03:11 | overview / adaptation11:07 | the score17:42 | successes25:10 | shortcomings30:12 | performances•get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Julia Lester brings heart, humor, and honesty to this deep-dive into her journey from a theatre-loving kid in LA to a Tony-nominated Broadway star. She talks about growing up surrounded by performers, how Into the Woods became a defining chapter in her career, and the surreal moment when Stephen Sondheim personally approved her audition tape. Julia also shares the backstage magic of working with legends like Phillipa Soo and Gavin Creel, and how those experiences shaped her as both an artist and collaborator. Currently starring in the Off-Broadway play All Nighter, Julia reflects on the thrill of originating a role, her love of well-crafted comedy, and why staying true to the text is so important to her process. She also opens up about her identity as a queer woman, her hopes for future creative opportunities, and what it's been like stepping into the world of television again — this time as Steve Carell's daughter in Netflix's upcoming The Four Seasons. Julia Lester is a Tony-nominated actress best known for her breakout Broadway role as Little Red in Into the Woods. She starred as Ashlyn Caswell in all four seasons of High School Musical: The Musical: The Series on Disney+, appeared in Hulu's Prom Dates, and recently performed in I Can Get It for You Wholesale at Classic Stage Company. She's now starring Off-Broadway in All Nighter and appears in Netflix's The Four Seasons alongside Steve Carell and Tina Fey. Connect with Julia: Instagram: @julialester TikTok: @jujthefirst Connect with The Theatre Podcast: Support us on Patreon: ⁠⁠⁠⁠⁠Patreon.com/TheTheatrePodcast⁠⁠⁠⁠⁠ Twitter & Instagram: ⁠⁠⁠⁠⁠@theatre_podcast⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Facebook.com/OfficialTheatrePodcast⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠TheTheatrePodcast.com⁠⁠⁠⁠⁠ Alan's personal Instagram: ⁠⁠⁠⁠⁠@alanseales⁠⁠⁠⁠⁠ Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we discuss the Broadway production of Stephen Sondheim's Old Friends at the Samuel J. Friedman Theatre. We break down the show's production design, direction, and standout performances from Bernadette Peters and Lea Salonga. We also talk about Sondheim's legacy, the orchestra's role, and the emotional impact of the music. Tune in for our full thoughts on the show and what Old Friends means for the future of musical theater.  Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts on Old Friends with us in the comments, and leave us a review if you enjoyed the episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's mini-sode, we are shining the spotlight on the Stephen Sondheim television special: Evening Primrose! This 45-minute ABC special is a weird delight, and it's a must see for any Sondheim fan!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

All Giorgio wanted to do was sit underneath a tree and read about how Clara is getting grey hairs. Instead he's being watch by Fosca and he must release all his pent up anger. Tyler Joseph Ellis returns to discuss this pivotal scene from the show. You can follow Tyler on Instagram: https://www.instagram.com/tylerjosephellis/?hl=enOr on TikTok: https://www.tiktok.com/@tylerjosephellisSend feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★

Melissa Errico is a Star! She's an exquisite singer, actress and Tony Award nominated Broadway Star. Her Broadway successes include “My Fair Lady” (Eliza Doolittle) and “Les Miserables” (Cosette). She's done solo concerts and cabarets around the world. She's an acclaimed interpreter of Stephen Sondheim and Michel Legrand. She's also a New York Times columnist writing about the twists and turns in her life as a performer. And she's a mother to three teens and the wife of tennis star Patrick McEnroe. Her newest project is “The Story Of Rose” about an Italian immigrant living through WWI.My featured song is “The Gift (Juliet's Song)”. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Melissa:www.melissaerrico.com—----------------------------------------ROBERT'S RECENT SINGLES:“MOON SHOT” is Robert's latest single, reflecting his Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Today, I'm thrilled to announce my episode with 4-time Tony nominee Raul Esparza. Tune in to hear some of the stories of his legendary career, including how he got into character for TICK, TICK…BOOM!, finding his take on the Emcee in CABARET, how Stephen Sondheim rewrote “Being Alive” for him, his experience of being outed while starring in COMPANY, the joys of starring in OLIVER, how his wife convinced him to audition for THE ROCKY HORROR PICTURE SHOW, the difficulty of working with Jeremy Piven on SPEED-THE-PLOW, leaning into film tropes for ROAD SHOW, why he struggled with his role in CHITTY CHITTY BANG BANG, John Doyle's repetition technique, partying with Boy George to prepare for TABOO, why LEAP OF FAITH didn't have more success on Broadway, his recent role in GALILEO, the lasting power of THE NORMAL HEART, the specificity of Tom Stoppard, his favorite audience reactions during THE HOMECOMING, how LAW AND ORDER gave him a reprieve from stage work, the surprising similarities between ARCADIA and SUNDAY IN THE PARK WITH GEORGE, and so much more. Don't miss this in-depth conversation with a true Broadway legend.

In this episode, theater Reviewer, composer, lyricist and librettist Donald H. Sandborn III discusses Stephen Sondheim and Hugh Wheeler's 1973 musical A Little Night Music. We also talk about the song "Send in the Clowns" from A Little Night Music. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the Patreon. The theme music is by Julia Meinwald. Music played in this episode: "Now / Later / Soon" from A Little Night Music "The Glamorous Life" from A Little Night Music "The Glamorous Life" from A Little Night Music film "Every Day a Little Death" from A Little Night Music "A Weekend in the Country" from A Little Night Music "Send in the Clowns" from A Little Night Music "Finale: Send in the Clowns" from A Little Night Music Glynis Johns singing "Send in the Clowns" on television.

Diane and Sean discuss the Steven Spielberg adaptation of Jerome Robbins', West Side Story. Episode music is, "I Feel Pretty", by Stephen Sondheim and Leonard Bernstein, performed by Rachel Zegler from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

It's time to get some backstory! Shannon Migliore returns to pick apart the lengthly Flashback sequence from Passion which explains Fosca, and very well may explain Giorgio's choice at the end.Follow Shannon on Instagram: https://www.instagram.com/my_pretty_sleeperSend feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★

Listen: Lauren Class Schneider talks to Joanna Riding, performing in “Stephen Sondheim's Old Friends” at the Samuel J. Friedman Theater. “Class Notes” actively covers New York's current theater season on, off, and off-offBroadway. Joanna Riding and Company in Stephen Sondheim’s Old Friends ©Matthew Murphy For a transcript of this episode, read more The post Class Notes: Joanna Riding “Old Friends” appeared first on BroadwayRadio.

There is bouncing back after adversity, and then there is: Vanessa Williams. The talented multi-hyphenate was only 21 years old when she became the first Black woman to be crowned Miss America. Yet a controversy surrounding the release of unauthorized nude photos led to her ultimately relinquishing her title 10 months into her reign. When doors were closed to her following the scandal, she fought her way back to an impressive and decorated career: Williams built decades of success as an actor and recording artist, selling 25 million records worldwide, starring in over 100 roles in television, film, and on Broadway - and being nominated for a Tony and multiple Emmy and Grammy Awards. Vanessa Williams speaks with host Alec Baldwin about the death threats she received after she won Miss America, how the work of Stephen Sondheim inspires the type of art she wishes to make, and what it’s like working with Elton John on her next big project. Originally aired April 16, 2024See omnystudio.com/listener for privacy information.

PIPPIN Music & Lyrics by Stephen Schwartz | Book by Roger O. Hirson | Originally Produced on Broadway by Stuart Ostrow | Directed on the Broadway Stage by Bob Fosse Works Consulted & Reference :Pippin (Original Libretto) by Roger O. Hirson & Stephen SchwartzMagic to Do: Pippin's Fantastic, Fraught Journey to Broadway by Elyssa Gardner Music Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Corner of the Sky" from  Pippin (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Schwartz | Performed by John Rubinstein"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

SNAP Productions! / Ghost Light Theatre in Bellevue opens "Sweeney Todd:  The Demon Barber of Fleet Street, A Thriller Musical" on April 25th - but there's more!  An added performance to the schedule, sing-along performance, an Industry night that is pay-what-you-can and an ASL performance!  Hear it from the Barber, Jonas Fogg and Judge Turpin, or ahem... John Celesky, Nick Andersen, and Xavier Carr respectively!    "Sweeney Todd:  The Demon Barber of Fleet Street, A Thriller Musical" opened on Broadway in 1979, and on the West End in 1980. Music and lyrics were written by Stephen Sondheim, and it is based on the 1970 play ("Sweeney Todd") by Christopher Bond.  Book was written by Hugh Wheeler.  It has won numerous Tony Awards, Laurence Olivier awards, and has had numerous Broadway and London revivals.   SNAP! PRODUCTIONS CONACT INFO: Tickets and Website:  https://www.snapproductions.com/ Facebook:  https://www.facebook.com/snapproductionsomaha Instagram: https://www.instagram.com/snapproductions/?hl=en    HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!   ©Platte River Bard Podcast by Chris and Sheri Berger.

Jerome Davis talks with Byron Jennings II, Natalie Reder, and Daniel Ryder, about what inspired their performance careers, musical theatre, Stephen Sondheim, and Merrily We Roll Along. Don't miss experiencing these talented artists in our current production of Merrily We Roll Along!

Peter Filichia, James Marino, and Michael Portantiere talk about Stephen Sondheim’s Old Friends, BOOP! The Musical, The Last Five Years, NYTW’s production of Becoming Eve, and Marilyn Maye @ 54 Below “This Week on Broadway” has been coming to you every week since 2009. It is the longest-running running Broadway read more The post This Week on Broadway for April 13, 2025: BOOP! appeared first on BroadwayRadio.

In this conversation, we dive into the extraordinary creative partnership between two of the most celebrated figures in contemporary opera—librettist Gene Scheer and composer Jake Heggie. Together, Gene and Jake have brought to life some of the most powerful operatic works of our time, including Moby-Dick, Three Decembers, and It's a Wonderful Life. Their collaboration is not only rooted in artistic brilliance but also in a deep, long-standing friendship.Individually, their accomplishments are equally impressive. Gene Scheer has worked with a range of renowned composers, including Jennifer Higdon on Cold Mountain and Tobias Picker on An American Tragedy. He's also an accomplished composer in his own right—his song American Anthem was featured in Ken Burns' Emmy Award-winning documentary on World War II.Jake Heggie's groundbreaking first opera, Dead Man Walking, with a libretto by Terrence McNally, launched him into the spotlight. Since then, his work in art song and opera has made a lasting impact, earning him the title of Musical America's 2025 Composer of the Year. So who better to explore the dynamic between a librettist and a composer? In this two-part conversation, we unpack what makes a successful collaboration and how words and music come together to create something truly unforgettable.Part One's conversation took place during a particularly exciting time—Moby-Dick was being performed at the Metropolitan Opera. Throughout our discussion, the opera serves as a touchstone for understanding the creative process. We begin with a fundamental question: how do they do it? Specifically, how do hard work and patience shape their creative journey?We get into the nuts and bolts of collaboration—how they challenge and inspire each other to reach new heights. Gene shares insights into the stages of researching and writing a libretto, including the story of how saving $100 unexpectedly launched his career. And in his own words, Gene describes his role simply and powerfully: “My job is to write a libretto that inspires music.”[Subscriber Content]: In Part Two, we step back and learn more about Gene's early experiences—his time studying and singing in Vienna (including the month he saw 27 operas!). Jake opens up about the legendary Stephen Sondheim, a mentor and inspiration, and how Sweeney Todd changed his life. In fact, Jake dedicated Moby-Dick to Sondheim.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

It's our 150th episode, and Amanda is a theater kid now! What better time to talk about the Broadway Legend, Stephen Sondheim? Let's learn about Stephen's life and his greatest works. Bear with us while we geek out about some of our favorite musicals.

Join artistic director, Jerome Davis, in a conversation with the talented director, actor, and writer, Lonny Price who was the original Charley in Merrily We Roll Along. Tune in as Lonny talks about his life, career, and working with giants in the theatre world, such as Stephen Sondheim and Athol Fugard. 

It is our annual tribuite to the God of Musical Theater, Stephen Sondheim, and for this year's festival we are exploring some songs of his from the shows that people rarely place among their favorites. The unloved, the ignored, the obscure, and the forgotten. Or, in this case, a show that many know, but doesn't tend to get thought of as a "Sondheim" show. It's time for a song from his first produced show writing both music and lyrics: "Comedy Tonight" from A Funny Thing Happened on the Way to the Forum. All clips are from the 1996 revival cast recording of A Funny Thing Happened on the Way to the Forum featuring Nathan Lane and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com

They hear drums, we hear music. Anne Slovin joins Kyle to discuss the meaning of that quote as well as the complicated nature of the entire Garden Sequence.Follow Anne on InstagramSend feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★

On this special episode of BroadwayRadio, Matt Tamanini is in conversation with a returning guest on a very special day. Just hours after he spoke with Jasmine Forsberg, she took to the Samuel J. Friedman Theatre in the first Broadway preview of “Stephen Sondheim’s Old Friends.” The pair discusses working read more The post Special Episode: Jasmine Forsberg on the ‘bonkers’ journey that brought her to ‘Old Friends’ appeared first on BroadwayRadio.

The luminous Kate Baldwin joins The Art of Kindness with Robert Peterpaul this Women's History Month to discuss acts of kindness throughout her career on Broadway, Maestra Music and more. Kate Baldwin is a two-time Tony Award and four-time Drama Desk Award nominee who has delighted audiences across the country with performances on Broadway, in concert and on television. Kate starred as Irene Molloy opposite Bette Midler, David Hyde Pierce and Gavin Creel in the hit Broadway revival of Hello, Dolly!, for which she was nominated for the Tony, Drama Desk and Outer Critics Circle awards. She originated the role of Sandra Bloom in Big Fish on Broadway and earned accolades and a Drama Desk Award nomination for her work as Leslie Lynnton Benedict in Michael John LaChiusa's Giant at The Public Theatre. She received a Drama Desk Award nomination for her role as Jen in Keen Company's 20th Anniversary revival of Andrew Lippa and Tom Greenwald's John & Jen. She garnered critical acclaim and a Lucille Lortel Award nomination for Tom Kitt and John Logan's Superhero at Second Stage. But it was her starring role in the 2009 Broadway revival of Finian's Rainbow, which drew Tony, Drama Desk and Outer Critics Circle Award nominations and put her on the map as “a real musical theatre star.” (New York Post) Kate has appeared in the Broadway casts of The Full Monty, Thoroughly Modern Millie and Wonderful Town. Other New York theatre productions include Songbird at 59e59 and in The Dead, 1904 for Irish Rep, Fiorello! and Love Life for City Center Encores! She starred in The King and I at the Lyric Opera of Chicago, Irving Berlin's White Christmas (San Francisco, Detroit, Toronto), The Women at The Old Globe, Henry V at the Shakespeare Theatre of New Jersey, She Loves Me at the Willliamstown Theatre Festival, and The Music Man and South Pacific at Arena Stage, earning a Helen Hayes Award nomination. She drew raves for her portrayal of Francesca Johnson in The Bridges of Madison County directed by original cast member Hunter Foster and for her turn as Dorothy Brock in 42nd Street at Goodspeed Opera House directed by original creator Randy Skinner. She has performed in concert with the American Pops Orchestra, New York Pops, Boston Pops, National Symphony, Detroit Symphony, Portland Symphony, Phoenix Symphony, Chicago Symphony, American Songbook series at Lincoln Center, the Kennedy Center and at the legendary New York nightclubs Feinstein's, Birdland and 54 Below. Her concert work also includes several appearances with Stephen Sondheim as a featured performer in his critically acclaimed evening, “A Conversation with Stephen Sondheim.”  On television, her work includes appearances on “The Gilded Age” (HBO),  “Law &Order: SVU” (NBC) “Just Beyond” (Disney Plus) “Live from Lincoln Center: Stephen Sondheim's Passion” (PBS) and “First You Dream: the Songs of Kander and Ebb” (PBS) Kate is a 2023 Chicago/Midwest Emmy nominee, alongside partners at HMS Media for creating and producing “Broadway Comes Home,” a love letter to her hometown of Milwaukee. She is a proud advisory board member for Maestra Music, which provides support, visibility and community for the women and non-binary people who make the music in musical theatre. Kate's debut album on PS Classics, “Let's See What Happens” features Lane and Harburg songs from both stage and film. Her second album celebrates the work of lyricist Sheldon Harnick and is titled, “She Loves Him.”   She is a graduate of Shorewood High School in Shorewood, WI and Northwestern University. She lives with her husband and son in Maplewood, NJ. Visit: maestramusic.org Follow Kate: @realkatebaldwin Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Liaisons Project, conceived by Anthony de Mare, is a landmark commissioning and concert project based on the songs of Stephen Sondheim. The original project brought together 36 of the world's leading composers of classical, jazz, film, indie, pop and musical theater to re-imagine one of Sondheim's songs as a solo piano piece. Now the sequel has been released adding 14 songs to the series. Purchase the albumListen on SpotifyListen on Apple MusicSend feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★

My guest today is Joshua Rosenblum, author of Closer than Ever — The Unique Six-Decade Songwriting Partnership of Richard Maltby, Jr. and David Shire. This terrific new book chronicles the sixty-six-year (and counting) partnership of two of the most gifted songwriters of our time, giving full behind-the-scenes accounts of their musicals interspersed with deep-dive analyses of standout individual numbers. Among the well-known Broadway figures who feature prominently in the Maltby/Shire story are Stephen Sondheim, Hal Prince, Michael Stewart, Francis Ford Coppola, Susan Stroman, John Weidman, Charles Strouse, Garth Drabinsky, Jason Robert Brown, and Jonathan Tunick. Using his experiences as a Broadway conductor, music journalist, and professor of musical theater composition, as well as his long-term personal and professional acquaintance with both Maltby and Shire, Joshua Rosenblum is uniquely suited to chronicle their lives, careers, and creative output. The songwriters, both of whom are engaging and articulate in describing what they do, are quoted liberally throughout the book in exclusive interviews, creating the impression that one is spending time with two inspiring creative artists who happen to be great company.   Joshua Rosenblum teaches Composing for Musical Theater at Yale University and Conducting at New York University. As a composer/lyricist, he wrote the scores to the off-Broadway musicals Fermat's Last Tango, Bush is Bad, and Einstein's Dreams (four Drama Desk Nominations). He has conducted fourteen Broadway and off-Broadway shows and has performed as pianist with the New York Pops at Carnegie Hall, the City Center Encores! Orchestra, and the American Symphony. A longtime contributor of reviews and features to Opera News, Rosenblum is a summa cum laude graduate of Yale College and holds a master's degree in Piano from the Yale School of Music. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members such as John Schroeder. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the introduction of Fosca into the narrative. Eric Henwood-Greer joins Kyle to discuss how this song sets up a lot of the drama that will unfold throughout the rest of the musical, and how Sondheim used the language of the novel to craft his lyrics. Send feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★

Matt Doyle has built an impressive career on stage, from originating roles on Broadway to stepping into legendary ones. He reflects on his journey, from his early breakout in Spring Awakening to his Tony-winning turn as Jamie in Company. Along the way, he shares lessons learned from unexpected career pivots, the realities of show business, and how he navigates the highs and lows of performing eight shows a week. His recent role as Frank Sinatra in Sinatra: The Musical marked a thrilling West End debut, and he's now captivating audiences off-Broadway in Conversations with Mother, a deeply personal and heartfelt play. Matt opens up about the moment he realized he needed a perspective shift early in his career, the intense experience of performing "Getting Married Today" the night Stephen Sondheim passed, and how his struggles with anxiety have shaped his performances. He also shares how his upbringing and personal relationships inform his work, especially in roles that explore complex family dynamics. From personal anecdotes to industry insights, this conversation is packed with wisdom, humor, and a candid look at the life of a working actor. Matt Doyle is a Tony, Drama Desk, and Outer Critics Circle Award-winning actor best known for his performance as Jamie in the Broadway revival of Company. His Broadway credits include Spring Awakening, The Book of Mormon, War Horse, and Bye Bye Birdie, while his Off-Broadway work features Little Shop of Horrors, Sweeney Todd, and Brooklynite. He made his West End debut as Frank Sinatra in Sinatra: The Musical and currently stars opposite Caroline Aaron in Conversations with Mother Off-Broadway. A frequent concert performer, he has headlined sold-out solo shows in New York and beyond, and has appeared with symphonies across the country. Connect with Matt:

How do you make letter writing interesting theatrically? Brain Holcomb returns to explain the importance of these notes and how they help inform the rest of the show.Send feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★