Podcasts about Sweet Charity

"EDITH HEAD: OLD HOLLYWOOD'S QUEEN OF FASHION" (093) EPISODE 93 -  6/23/25 With eight Academy Awards to her name — more than any other woman in history — EDITH HEAD wasn't just a costume designer; she was a storyteller in fabric, silhouette, and sparkle. From BETTE DAVIS to GRACE KELLY to AUDREY HEPBURN, she dressed the biggest stars of the silver screen, leaving an indelible mark on both fashion and film. In this episode, we explore how a shy schoolteacher became the most powerful woman in Hollywood wardrobes, her collaborations with iconic directors like Alfred Hitchcock, and how her designs helped shape characters, define eras, and influence fashion far beyond the studio lot. So, slip into something fabulous, and let's step behind the curtain into the life and legacy of the great Edith Head. SHOW NOTES:  Sources: Dressing Up The Stars: The Story of Movie Costume Designer Edith Head (12022), by Jeanne Walker Harvey;  Edith Head: The 50 Year Career of Hollywood's Greatest Costume Designer (2010), by Jay Jorgensen; Edith Head: The Life and Times of Hollywood's Celebrated Costume Designer (2003), by David Chierichetti; Edith Head's Hollywood (1983), by Edith Head; The Dress Doctor (1959), by Edith Head; “How To Dress For the Oscars,” February 11, 2015, ⁠www.oscars.com⁠; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned:  Wings (1927); The Saturday Night Kid (1929); Love Me Tonight (1932); She Done Him Wrong (1933); Little Miss Marker (1934); Rhythm on the Range (1936); College Holiday (1936); The Jungle Princess (1936); Internes Can't Take Money (1937); The Big Broadcast of 1938 (1938); Thanks for the Memories (1938); Mad about Music (1938); Dangerous To Know (1938);  Beau Geste (1939); Remember the Night (1939); The Cat and the Canary (1939);  The Lady Eve (1941); Sullivan's Travels (1941); The Glass Key (1942); I Married a Witch (1942); Star Spangled Rhythm (1942); Hold That Blonde (1945); The Blue Dahlia (1946); Holiday Inn (1942); The Uninvited (1944); Double Indemnity (1944); Incendiary Blonde (1945); To Each His Own (1946); The Strange Love of Martha Ivers (1946); A Connecticut Yankee in King Arthur's Court (1949); The Great Gatsby (1949);  Notorious (1946); The Emperor's Waltz (1948); The Heiress (1949); All About Eve (1950); Sunset Boulevard (1950); Samson & Delilah (1949); A Place in the Sun (1951); Roman Holiday (1953); Sabrina (1954);  Funny Face (1957); Rear Window (1954); To Catch a Thief (1955); The Trouble With Harry (1955); The Man Who Knew Too Much (1956); Vertigo (1958); Ace In the Hole (1951); The Greatest Show on Earth (1952); Shane (1953); White Christmas (1954);  The Rose Tattoo (1955); The Rainmaker (1956); The Ten Commandments (1957); Loving You (1958); The Pink Panther (1963); A Shot In the Dark (1964); The Man Who Shot Liberty Valance (1963); Love With the Proper Stranger (1963); Sex and the Single Girl (1964); Inside Daisy Clover (1965); The Great Race (1965);  Penelope (1966); This Property is Condemned (1966); G.I. Blues (1960);  Blue Hawaii (1961);  Girls! Girls! Girls! (1962);  Fun In Acapulco (1963);  Roustabout (1964); Paradise Hawaiian Style (1966); What a Way to Go! (1964); Sweet Charity (1969); Summer and Smoke (1961);  Hud (1963); The Birds (1963); Harlow (1965); Barefoot in the Park (1967); Butch Cassidy & the Sundance Kid (1969); Topaz (1969); Airport (1970); Airport ‘75 (1974); Airport ‘77 (1977); Myra Breckenridge (1970); Lady Sings The Blues (1972); The Sting (1974); The Great Waldo Pepper (1975);,  The Man Who Would Be King (1976);  Family Plot (1976); Gable and Lombard (1976); W.C. Fields and Me (1976); Rooster Cogburn (1975); Sextette (1978); Dead Men Don't Wear Plaid (1982); --------------------------------- ⁠http://www.airwavemedia.com⁠ Please contact ⁠sales@advertisecast.com⁠ if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ryan Reid is In The Frame!Most recently Ryan completed a three-year run playing Fiyero in the West End production of Wicked (Apollo Victoria), making history as the first black actor to play the role in the UK. Ryan's theatre credits also include Blues in the Night (Hackney Empire), cover Donkey in Shrek (UK & Ireland Tour), cover Benny in In The Heights (Kings Cross Theatre), Marvin in Sweet Charity (Donmar Warehouse) and Angel City 4 in City Of Angels (Garrick).Ryan was part of the original West End cast of Dreamgirls and went on to take over the role of Curtis full-time. He played Ricky in the feature film Land Of Dreams. In this episode Ryan discusses making impact in Wicked, his path into theatre and the things he has learnt along the way. Follow Ryan on Instagram: @ryanreidukThis podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

We're bringing you a BROADWAY special!Tom Self (Tina / Adrian Mole) joins West End Frame Editor, Andrew Tomlins, to discuss some of the hottest shows on Broadway. In this episode they cover Death Becomes Her, Maybe Happy Ending, Oh Mary, Smash, Boop, Just In Time, Pirates: The Penzance Musical, The Last Five Years and The Great Gatsby.Come back next week for a second Broadway episode with chat about more Broadway shows!Tom is an actor, composer and musical director. He is currently a swing and understudy in the first ever UK & Ireland tour of Tina: The Tina Turner Musical.Some of his other stage credits include Brief Encounter, The Secret Diary Of Adrian Mole Aged 13 3/4, Ordinary People, Camelot, The Hired Man, Sweet Charity, Priscilla Queen Of The Desert and more.Tom's show Me, Tom Self & I has a sold-out run at Crazy Coqs and he has been a finalist at the Pantomime Awards for Best Contribution to Music. He regularly teaches singing lessons, coaching and delivers masterclasses.Visit Tom's website www.tomself.co.ukThis podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Strap in kids, this week's guest, A&R Executive, playwright and composer Dan Waldkirch, brings us the third studio album by Eureka, CA experimental band Mr. Bungle, 'California'. This weirdly dark, schizophrenically eclectic 1999 release may not be for everyone, but if you're of the musically adventurous ilk, might be just what the doctor (of Psychiatry) ordered. Songs discussed in this episode: Won't You Be My Neighbor (Live, 2020) - Mr Bungle; Schism - Tool; Bleed - Meshuggah; Page 11 - Fantomas; Vajra - Secret Chiefs 3; Epic - Faith No More; 04 04 05-Monday - Fantomas; Bleak - Opeth; Sweet Charity, None Of Them Knew They Were Robots, Retrovertigo, The Air-Conditioned Nightmare - Mr Bungle; Radio/Video - System Of A Down; The Donkey-Headed Adversary Of Humanity Opens The Discussion - Sleepytime Gorilla Museum; Ars Moriendi - Mr Bungle; Bith Aneth - John Zorn; Pink Cigarette, Golem II The Bionic Vapour Boy - Mr Bungle; Easy (Commodores cover) - Faith No More; The Holy Filament, Vanity Fair - Mr Bungle; Californiacation - Red Hot Chili Peppers; Goodbye Sober Day - Mr Bungle; Retrovertigo (Mr Bungle Cover) - The Binghamton Crosbys

Welcome to this soul-stirring episode of The Happy Mama Movement Podcast. Today, I'm joined by Jayde Kirchert — mother, writer, director, and Artistic Director of Citizen Theatre. Jayde's latest work Ripening explores the complex terrain of motherhood and birth through a bold, theatrical lens — and in this deeply honest conversation, she shares her own story of labour, loss, transformation, and creative awakening.We discuss:The Birth They Don't Tell You AboutWhy honest preparation matters more than fear — and how education, mindset, and advocacy shaped Jayde's birth experience.Labour as Initiation: Summoning the AncestorsJayde shares the powerful moment she reached beyond herself — into something sacred and ancestral — to bring her son into the world.Creative Rebirth: Turning Story into StageHow her personal journey became the foundation for Ripening, and how theatre can reframe motherhood's truths for a wider audience.Breaking the Medical SpellThe intergenerational ripple of over-medicalised birth, and what happens when women begin to trust their bodies again.From Girl to Guardian: The Making of a Mother ArchetypeHow birth shaped Jayde's spiritual evolution — and how it helped her locate the deep, unwavering strength she brings to both mothering and making art.This episode is a love letter to informed birth, artistic courage, and the sacred role of mothers as culture-shapers. May it inspire you to remember your own power and share your story — because in the sharing, we begin to shift the collective. If this conversation moved you, please pass it on. Every mother deserves to feel seen.ABOUT JAYDE KIRCHERT:Writer. Director. Artistic Visionary. Mother.Jayde is a mother to a toddler, wife, writer, director, dramaturge, lecturer and Artistic Director of Melbourne-based theatre company, Citizen Theatre. She has directed and written multiple critically acclaimed productions through Citizen Theatre.Recent projects include The Lyrebird's Voice for Victorian Opera (librettist and lyricist), Mara KORPER for Citizen Theatre (writer and director), When The Light Leaves for Citizen Theatre (director and dramaturge), and Sweet Charity for VCA Music Theatre. She is also completing her PhD, which includes the creation of a new feminist musical, Dangerous.RESOURCES:

In this powerhouse episode, Bobby and Steffan sit down with the sensational Michelle Andrews, currently lighting up the West End as Worker #2 and 1st Cover Persephone in the smash-hit Hadestown at the Lyric Theatre. With a career full of standout performances, fierce choreography, and show-stealing covers, Michelle brings the kind of energy that makes theatre magic happen.

hey big spendah"SHOWGAYS: A Cinemusical Podcast" is a podcast in The Ampliverse at theampliverse.com Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com Don't forget to check out the Ampliverse Bookshop for further reading!

"Let me give you the lowdown, we're K-razy for 'Lew!'" This week we're covering a game changing musical based on a game changing musical (get ready for Jeff's "Expired Ketchup" metaphor) featuring the Broadway debut of a performer who's now enjoying her Broadway debut as a choreographer! It's CRAZY FOR YOU with Shannon Lewis! Shannon (JUST IN TIME, FOSSE, CURTAINS, SWEET CHARITY, and so many more...) never forgets a count of choreo, so there's nobody better to talk about this "dance-tastic" musical that not only left audiences floating out of the theater but rolled out the red carpet for legendary director/choreographer Susan Stroman. For more Shannon, get your tickets now to see her choreographic work in the brand-new musical JUST IN TIME starring Jonathan Groff, and follow her on Instagram at @realshanlew If you enjoyed this conversation, listen to another incredible artist discuss the legacy of Broadway dance in our SWEET CHARITY episode with Dylis Croman! Join our ever-growing community on PATREON! Starting at only $1 a month, you can gain access to membership tiers, trivia competitions, bonus episodes and voting polls! Don't forget to like and share our episodes on Instagram and TikTok. We have fun playlists on Spotify to keep you company in between episodes. And be sure to check out our TeePublic Store where our profits from the designs are donated to Broadway Cares/Equity Fights AIDS. Most importantly, thank you for being part of this wonderful podcasting community! Learn more about your ad choices. Visit megaphone.fm/adchoices

U Guys, after a brief hiatus, Oh My Pod is back with a bang! This week's BroadwayWorld Recap is overflowing with Bway news. Then I am joined by ten-time Broadway veteran, J.Elaine Marcos! From Priscilla, Queen of the Desert to Drag The Musical, J.Elaine has performed in every facet of the New York theater scene and beyond. In this hilarious episode, we talk all about the highs and lows of a lifelong career in Musical Theater, and how to navigate the inevitable ebbs and flows. We touch on J.Elaine's experience as a Filipino actress, and how her heritage has influenced her career in the theater. J.Elaine's resume includes some of the most iconic Broadway shows, from A Chorus Line to Annie, to Sweet Charity to Miss Saigon. With ten Broadway credits and regional/off-broadway credits to boot, I can confidently say J.Elaine knows what she's talking about. She is such a delight, U don't wanna miss this episode! Follow J.Elaine on Instagram: @jelainemarcos Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

We go back to the 80s-restaurant-of-debatable-quality of "It's A Living" with Max Ludwig. This time around we explore a few episodes with Andy Griffith ties, including one where a group of grown adult women dress as children's fairy-tale characters in a way that's not at all creepy! Also Marty absorbs so much content it breaks him.It's "It's a Living" Season 3, Episode 14 "The Doctor Danny Show" and Season 5 Episode 4 "Sweet Charity"

On the two hundred and sixty-first episode of THE THIRD ACT PODCAST, the crew are confined to a claustrophobic setting.Christian and Jericho are onto 2025 with a review of the Norwegian chamber drama ARMAND (without Armando!), which is directed by the grandson of Ingmar Bergman and Liv Ullmann. With that prestigious heritage in mind, they decide to pair it with Bergman's soul-crushing 1972 classic CRIES AND WHISPERS. But first, THE MIRROR HAS TWO FACES (1996), SWEET CHARITY (1969), and A DIFFERENT MAN (2024) gets bandied about in the Recently Watched segment. They also react to The Oscars broadcast, mourn the dissolution of the Brody bump, and get deep with thoughts on metaphoric horror and failed symbolism.Subscribe to Jericho's Substack: symbioticreviews.substack.comKeep in touch with us on Instagram and email us anytime at: TheThirdActPodcast@gmail.com   

Bobby Fox is best known for originating the role of Frankie Valli in the Australian production of Jersey Boys. He has appeared in many other musical theatre productions, including Hairspray, Mamma Mia, Spamalot, Oklahoma and Sweet Charity, amongst others, and he received a Helpmann nomination for his role in Stephen Sondheim's Assassins which played at both the Hayes and the Sydney Opera House. He also has a shuffle in his shoes, having been a part of Riverdance as well as a four time World Irish Dance Champion. He has released the album The Fantastic Mr Fox.Bobby takes us through his childhood in regional Ireland, learning to dance as soon as he could walk, and being part of Riverdance from just 15 years of age. His journey ultimately takes him to Australia where he has lived for over 20 years as a successful musical theatre performer.Bobby Fox appears in Guys and Dolls, this year's Handa Opera on Sydney Harbour thanks to Opera Australia, from 21 March to 20 April.

In this week's episode, Patrick and Tommie celebrate service dogs, wish a Happy Birthday to the Father of the American Revolution, learn a little about the Sunflower State, Tommie explains his novel idea for educating children, they indulge in some Sweet Charity, lather up at Rose Royce's Car Wash, get Frito-Layed on National Corn Chip Day, learn about the ADHD increase in the U.S., watch the CDC go AWL from the WHO, watch Trump persecute trans people and indoctrinate school children against indoctrination, get ready for a spring cleaning at Guantanamo Bay, throw out their maps of the Gulf of whatever Google calls it, enjoy the taste of freedom with a Proud Boy Burger, lament Martina Navratilova's ignorance of queer history, name their favorite end-of-the-world films, and gripe about the lack of political opposition in general, and the lack of queer activism in particular.

U Guys, Fosse legend Dylis Croman is on the pod! This week's BroadwayWorld Recap has all the latest Bway updates, including my official review of the Wicked film. Then I am joined by a true Broadway veteran with an incredible career, Dylis Croman. Fresh off of performing the role of Roxie Hart in Chicago on Broadway, we chat in her dressing room between shows about her history with the show, and the world of Fosse. Having met Anne Reinking at 14 years old and coming up through the ranks as a dancer, Dylis has always been a force in the world of dance. She made her Broadway debut in FOSSE, taking on one of the most iconic pieces of choreography, Bob Fosse's Trumpet Solo. She worked closely alongside Anne Reinking helping set the first national tour of the show, before going into the Broadway company. Dylis shares about her experience in shows like Sweet Charity, A Chorus Line, Oklahoma!, and the most recent revival of Dancin'. We talk about what it takes to maintain the longevity of a career on the stage, and she opens up about how the most impactful thing she has come to know as a performer is the ability to watch and learn from your peers. Dylis is a true gem, U don't wanna miss this episode! Follow Dylis on Instagram: @dycro33 Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

U Guys, a true triple threat, and Seussical's original Gertrude McFuzz, Janine LaManna is here! This week's BroadwayWorld Recap is a short and sweet little roundup of Bway news. Then I am joined by a true Bway legend, Janine LaManna! From standing by for Chita Rivera in Kiss of the Spider Woman, to originating the role of Gertrude McFuzz in Broadway's Seussical, Janine has truly done it all. She made her Broadway debut as Evelyn Nesbit in Ragtime alongside the original company, and eventually went on to work with such legends as Anne Reinking and Harold Prince. She shares about her experience of being the wife of a military officer and traveling the country with her family living in new places, simultaneously being a mother and continuing to work as a performer. We talk about her time playing Nickie in the Broadway revival of Sweet Charity with Christina Applegate, as well as replacing Bway star Sutton Foster as Janet Van De Graaff in the original Broadway production of The Drowsy Chaperone. Her other Bway credits include Swing!, Kiss Me, Kate, and The Look of Love. A true triple threat, Janine's talent is only matched by her grace, humility, and humor. U don't wanna miss this episode! Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

The finale of our season on the awesome movie year of 1969 features our audience choice poll winner, Bob Fosse's Sweet Charity. Directed by Bob Fosse (based on the Broadway production) and starring Shirley MacLaine, John McMartin, Chita Rivera, Ricardo Montalban and Paula Kelly, Sweet Charity defeated two other major Hollywood musicals in our audience choice poll.The contemporary reviews quoted in this episode come from Vincent Canby in The New York Times (https://www.nytimes.com/1969/04/02/archives/screen-a-blowup-of-sweet-charity.html), Penelope Houston in The Spectator (https://archive.spectator.co.uk/article/28th-february-1969/20/cinema), and Variety (https://variety.com/1968/film/reviews/sweet-charity-2-1200421841/).Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this...

The thirteenth episode of our season on the awesome movie year of 1969 features our producer David Rosen's pick, David Lowell Rich's Eye of the Cat. Directed by David Lowell Rich and starring Michael Sarrazin, Gayle Hunnicutt, Eleanor Parker and Tim Henry, Eye of the Cat is the return to filmmaking for Psycho screenwriter Joseph Stefano.The contemporary reviews quoted in this episode come from Howard Thompson in The New York Times (https://www.nytimes.com/1969/06/19/archives/horror-melodrama.html), Variety (https://variety.com/1968/film/reviews/eye-of-the-cat-1200421928/), and Kevin Thomas in the Los Angeles Times.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also check out David Rosen's pet project The Pup Pups and their new album A Boy and His Dog and Three Cats and A Bear at https://thepuppups.bandcamp.comYou can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next 1969 installment, featuring our audience choice winner, Bob Fosse's Sweet Charity.

Today, I'm thrilled to present my episode with triple threat Stephanie Pope. Tune in to hear some of the stories of her fantastic career, including her long collaboration with Bob Fosse, from her first audition for SWEET CHARITY to her conversations with him on the day that he died, why she was hounded by press during THE WILL ROGERS FOLLIES, what made her decide to recreate her role in JELLY'S LAST JAM, doing research for her role in A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, going on at the last minute for Patina Miller in PIPPIN, how the pandemic led her to start directing, premiering SMOKEY JOE'S CAFE in London, going on the road with her daughter in THOROUGHLY MODERN MILLIE, announcing Gwen Verdon's death from the stage during FOSSE, studying dance while attending high school, standing by for Chita Rivera in KISS OF THE SPIDERWOMAN, how she aimed to leave the door open for fellow Black performers, and so much more. You won't want to miss this interview with one of Broadway's most talented stars. 

Remember When - Philip Brady and Simon Owens ep 1019 - Sun 06 Oct, 2024  Remember When is broadcast live every Sunday evening from 9pm until midnight on 3AW in Melbourne - You can listen or watch live through www.3aw.com.au or on the old fashioned wireless on 693 AM : Kevin Trask takes us to 1999 in Trask's Time Tunnel : Music montage of the hits of 2004 : Lynn Alexander, Di Crouch, Madeleine Magetti and Julian Campobasso from the Mountain District Musical Society drop in to promote their upcoming production of Sweet Charity. : Tony McManus previews Australia Overnight : Produced by Ben Davidson with Brian Wilson in the newsbooth.See omnystudio.com/listener for privacy information.

We're back and we're just a big brass band for daddy! Join Matt and David as we finish up Sweet Charity! Will Charity find love? Will she admit her job to Oscar? Will they ever not be trapped somewhere?

In this era of Brat Summer, we're gonna talk about the ultimate musical theater queen of Brat Summer, Charity Hope Valentine! Who is she? What's a taxi dancer? What is my motivation during Hey Big Spender? All of these questions and more!

It's a new season and new beginnings abound: rousing numbers for the fall from Sweet Charity, The Wiz, 13, Mame, Seesaw, and more.

Sorry it's late! Latin, afro, boogie, bubblegum, jazz, soul, sunshine vibes Next dates: Aug 16 - Field Maneuvers, UK | Sept 21 - Preduliu @ Grand Hotel, Bucharest Follow me on Instagram Turned On is supported by my Patreon followers. If you want to show your love for my podcast and what I do, you can subscribe to my Patreon for less than 50p per episode to support me and in return you can enjoy perks like guestlist benefits for my gigs, free downloads of my edits before anyone else, full tracklists for live recordings, exclusive previews of my tracks and feedback on your tracks if you're a producer. All the money raised here goes back into buying music for the show. If you want to support me in another way, please give this podcast a 5-star review, repost it on Mixcloud or SoundCloud or buy/stream my music. Follow me on Songkick to receive alerts when I'm playing near you  Bookings: info@bengomori.com Discover more new music + exclusive premieres on our SoundCloud  Follow the Turned On Spotify playlist, with 1000s of tracks played on this show and in my sets. Turned On is powered by Inflyte – the world's fastest growing music promo platform.  

Olivier nominee Josefina Gabrielle is playing Denise in the London revival of The Baker's Wife.Featuring the iconic song 'Meadowlark', The Baker's Wife is written by Stephen Schwartz and Joseph Stein. The show first ran in the West End in 1989 and is being revived at the Menier Chocolate Factory directed by Gordon Greenberg.Josefina received her first Olivier Award nomination for her performance as Laurey in Oklahoma! at the National Theatre, a role she later reprised on Broadway. Josefina has been nominated for two further Olivier Awards for her performances in Sweet Charity and Merrily We Roll Along, both at the Menier Chocolate Factory. Josefina recently played Madame Thénardier in the West End production of Les Misérables (Sondheim Theatre). Just a few of her further theatre credits include Chicago (Garrick, Cambridge, Adelphi & Pheonix), The Witches of Eastwick (Prince of Wales), The 39 Steps (Criterion), Hello, Dolly! (Regent's Park Open Air), The King and I (UK Tour), Two Into One (Menier Chocolate Factory & Harold Pinter) and A Chorus Line (Sheffield Crucible).Recorded on the set of The Baker's Wife at the Menier Chocolate Factory, in this episode Josefina discusses what drew her to this production of The Baker's Wife and what happened when Stephen Schwartz visited rehearsals. She also reminisces about special moments of her career - such as Oklahoma!, Merrily We Roll Along and Les Misérables.The Baker's Wife runs at the Menier Chocolate Factory until 14th September. Visit www.menierchocolatefactory.com for info and tickets. Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

This episode of The Other Side of the Bell, featuring commercial trumpeter and vocalist, Ravi Best, is brought to you by Bob Reeves Brass. You can also watch this interview on Youtube.   About Ravi:   Ravi Best is a New York City based jazz and commercial trumpet player who has performed domestically and internationally for two decades. Most recently, he has been performing, recording, and touring with Kool & The Gang, Blood, Sweat and Tears, The Duke Ellington Orchestra, and Little Steven and The Disciples of Soul, where he had the chance to perform with Sir Paul McCartney, and Bruce Springsteen. He has performed with several Jazz, Rock, and R&B artists such as Stevie Wonder, Aretha Franklin, Whitney Houston, Beyonce, Jay-Z, Lenny Kravitz, Queen Latifah, Annie Lennox, Robert Cray, ani difranco, Michael Buble, Clark Terry, Tony Bennett, and Herbie Hancock.  He has played in several Broadway shows such as The Heart of Rock and Roll, Merrily We Roll Along, Hell's Kitchen, Diana, The Color Purple, Chicago, 42nd St., Sweet Charity, Annie, and several others.  He has made several TV appearances playing in the house band on SNL, Jesus Christ Superstar Live, Jimmy Kimmel Live( Kool and The Gang), Good Morning America(Boyz II Men), The Today Show(Little Big Town), The Late Show(Rufus Wainwright), and The Sherri Show. Ravi was also featured in the Chris Colombus film The Christmas Chronicles.  He can also be heard on many recordings such as, Kenny Garrett's Pushing The World Away, Little  Steven and The Disciples of Soul's Soulfire Live, and Summer of Sorcery, David Byrne & St. Vincent's Love This Giant, David Murray Octet's Octet Plays Trane, Lester Bowie's Brass Fantasy's The Odyssey of Funk & Popular Music, Sam River's Rivbea Orchestra's Culmination, Ani DiFranco's Evlolve, So Much Shouting, So Much Laughter, and Mya's Moodring, The Broadway cast recordings of Jesus Christ Superstar Live In Concert, Heart of Rock and Roll, Diana, Ain't Too Proud, 42nd Street, and Baby It's You.

U Guys, this week's BroadwayWorld Recap is short and sweet, bringing you the hottest Bway tea. Then I am joined by actor and writer Joel Perez to talk about their amazing career! Joel's performance career spans genres and stages, from being part of the original Broadway cast of Fun Home, to playing opposite Sutton Foster in the off-broadway run of Sweet Charity, for which they received a Lucille Lortel Award. But what I love most about Joel is that their artistry runs so much deeper than just performing, as they are a writer and creator as well, while also being a seasoned voice actor. Joel shares about their experience growing up in a religious household, and finding their way to the world of the arts. We touch on their work in the first National Tour of In The Heights, as well as the new musical we are currently working on together at Arena Stage in Washington D.C. Joel is an absolute joy to speak to, U don't wanna miss this episode! Follow Joel on Instagram: @misterjoelperez Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

Commentator David Bouchier is suffering from charity overload.

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In today's episode of Broadway Drumming 101, we chat with the highly accomplished drummer and percussionist Charles Descarfino. With a portfolio of over twenty Broadway shows, Charles shares his extensive experience and unique insights into the world of Broadway music. Here are the key highlights from the episode:- Charles' experiences performing in over twenty Broadway shows, including "Charlie and the Chocolate Factory," "On the Town," "Elf," "The Gershwins' Porgy and Bess," "Follies," "Ragtime," "Young Frankenstein," "Les Misérables," "The Threepenny Opera," "Sweet Charity," "Thoroughly Modern Millie," "Seussical," "Titanic," "The Who's Tommy," and "City of Angels." and many more.- Charles discusses his early influences, including his father, a saxophonist who played in nightclubs and introduced him to music. He shares how his father's passion for jazz and his late-night jam sessions at home sparked his interest in music and laid the foundation for his career in percussion.- Charles bravely shares his first Broadway experience with "Sweet Charity," a journey that was not without its challenges. He credits Joe Passaro and John Miller for their pivotal role in launching his career, and shares stories about the opportunities and obstacles he encountered as he transitioned into the Broadway scene.- He discusses his time at William Paterson University and how it was a transformative period. There, he studied under notable instructors and expanded his musical knowledge. He underscores the importance of formal training and continuous learning, which has been instrumental in maintaining and honing his musical skills.- Charles shares his experiences conducting shows like "Thoroughly Modern Millie" and working with various conductors and musicians.- Charles emphasizes the importance of perseverance, respect, and readiness for those looking to break into the Broadway scene. He provides practical advice, such as the need to constantly practice and improve, the importance of networking and building relationships in the industry, and the necessity of being prepared for auditions and performances.- Charles talks about his international travels, including memorable trips to Italy, France, and Hawaii. He reflects on the cultural enrichment of traveling and experiencing diverse musical traditions, sharing how his visit to Italy inspired him to incorporate classical elements into his Broadway performances, and his time in Hawaii introduced him to the beauty of Polynesian rhythms.- Charles discusses the evolving Broadway scene, the impact of technology and social media, and contemporary musicians' challenges. He also shares his thoughts on the future of Broadway and the importance of adaptability in a rapidly changing industry, highlighting how social media has revolutionized the way musicians promote their work and how technology has enhanced the audience's theater experience.- He reflects on the importance of maintaining a positive attitude, building solid relationships, and continuously striving for excellence.Tune in for Charles Descarfino's remarkable journey, insights, and valuable advice for aspiring musicians. This episode offers a wealth of knowledge and inspiration for anyone interested in working on Broadway.Clayton Craddock is the founder of Broadway Drumming 101, a comprehensive online platform dedicated to providing specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include: tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Time to dish up some Pavlova- the Queen of desserts, for the one and only Mr. Tony Sheldon! (Say what?! *faints) In this week's jam-packed, mini-reunion episode, we take Tony for a coast-to-coast trip from Mr. Bungle's 'California', across to the funky NYC of 'Seesaw' with the original Broadway cast!Plus, we chat Priscilla Queen of the Desert, The Laramie Project, Mother's Day- or lack thereof, Dee Snider, Tony's Pioneering Family, Aussie Musicals, Living in NYC, Retirement, Social Failures, and heaps more!The Laramie Project Tickets: https://www.cityrecitalhall.com/whats-on/events/the-laramie-project/-SOCIALS- Tony: https://www.instagram.com/aldonzamudd/ Matt: https://www.instagram.com/mattyoungactor/*****Juxtaposing Metal with Musicals - joined by iconic guests from the worlds of Music, Broadway, Hollywood, and more! https://www.thetonastontales.com/listen -- https://www.patreon.com/bloomingtheatricals - https://twitter.com/thrashntreasurehttps://linktr.ee/thrashntreasure*****Help support Thrash 'n Treasure and keep us on-air, PLUS go on a fantastical adventure at the same time!Grab your copy of The Tonaston Tales by AW, and use the code TNT20 when you check out for 20% off eBooks and Paperbacks!https://www.thetonastontales.com/bookstore - TNT20 ***** ★ Support this podcast on Patreon ★

Today's episode could be titled, “Hello Newman” because the internationally loved actor, Wayne Knight visits Really, no Really to talk about his iconic roles... including Seinfeld's scheming Postman Newman, and Jurassic Park's techno-wiz Dennis Nedry. In this episode, Jason and Peter get Wayne to discuss what it's like to get cast in projects based on his weight, being held hostage on the set of Oliver Stone's JFK, and his bizarre audition with the director of Basic Instinct - Really, no Really! In addition to the credits listed above, Wayne has appeared on Broadway in the plays Gemini, Mastergate, Art and Sweet Charity plus the movies… Dirty Dancing, Born on the 4th of July, Dead Again, JFK, Space Jam, For Richer or Poorer, Rat Race – and the list goes on! He also voiced the villainous toy collector Al McWhiggin in Toy Story 2, plus characters in Tarzan, Kung Fu Panda, Harley Quinn and many other animated projects. IN THIS EPISODE: Wayne Knight the biochemist? Wayne Knight, private Investigator, and his real-life case: “The Husband, The Wife & The Pregnant Au Pair! Why he wore a fat suit…Really, no really! Meeting Steven Spielberg at the entrance to Jurassic Park. The disgusting reality of being spit on by a dinosaur. Jason & Wayne compare notes on losing weight. Warm? Cold? Unwelcoming? Guest star's views on the Seinfeld set. Googleheim: Who wore it worse? Fat suits in Hollywood. *** FOLLOW WAYNE: X: @iWayneKnight Wayne's upcoming shows: Amazon Prime's season 2 of Them and Max's Bookie. *** FOLLOW REALLY NO REALLY: www.reallynoreally.com Instagram YouTube TikTok Facebook Threads XSee omnystudio.com/listener for privacy information.

To celebrate Women's History Month he is the first of two episodes recorded during the pandemic about the history of Broadway Costume design with special guest Ann Hould-Ward. Irene Sharraff is the legendary Broadway costume designer whose incredible 56-year career spanned from 1933 to 1989. She designed the costumes for more than 52 Broadway musicals including As Thousands Cheer, Jubilee, On Your Toes, The Boys From Syracuse, Lady In The Dark, The King And I, West Side Story, Flower Drum Song, Funny Girl, Sweet Charity, and Jerome Robbins Broadway. She was nominated for six Tony Awards and won the Tony for The King And I, and she received five Academy Awards for her designs for the now classic films An American In Paris, The King And I, West Side Story, Cleopatra, and Who's Afraid Of Virginia Woolf. One of the main threads of this podcast is how the arts and crafts of the Broadway Musical have been handed down directly from one practitioner to the next, generation to generation. Irene Sharaff is at the center of a succession of dynamic women that goes back more than 100 years to the earliest days of the Broadway Musical and continues right up to today. All of these women were mentored by one or more of the great female designers that came before them, all of them became Tony Award-winning star designers in their own right, and all of them have passed on the art and craft of theatrical costume design to the next generation. In this episode, I trace the legacy chain of Broadway costume design that was handed down from Aileen Bernstein to Irene Sharaff to Patricia Zipprott to Ann Hould-Ward. I recently had the pleasure of discussing all this with Ann Hould-Ward herself. Ann Hould-Ward is the Tony Award-winning costume designer whose work includes the original Broadway productions of Beauty And The Beast, Into The Woods, Sunday In The Park With George, Falsettos, and the revival of The Color Purple. Learn more about your ad choices. Visit megaphone.fm/adchoices

Who doesn't want a taste of the sweet life?  Most folks are looking for a chance to indulge. Even when times are tough. Maybe especially when times are tough. When the economy goes down, ice cream sales go up: in the two years after the 2008 mortgage crisis, ice cream sales went up 25%.  even when times aren't bad, there's never really a bad time for dessert. You can eat cake or frozen yogurt year-round in Acadiana. And that's not just because it's always hot. The local dessert market is on the move. Food trucks are flying around Johnston Street. That's because a food truck is a great vehicle for a home grown dessert business. You can keep mixing and baking at home, without the trouble of operating a commercial kitchen and front of house.  Nina Marie Charles has taken her craft as a cake artist from her house in Carencro all the way to Netflix. She was a contestant on Is It Cake in 2022. Locally, she's known for her elaborately designed wedding cakes and for her food truck — Nina Creole where rolls are the name of the game: she makes them sweet and savory, with Louisiana spins on a fried egg roll. Nina grew up in Carencro and worked in insurance and disaster response for several years before launching her cake business in 2016. Nina Creole was launched in 2021.  Of course, if you're going to indulge, why not go big and get all the toppings. Sweet Magnolias Creamery can bring the whole frozen yogurt experience to your backyard. And my guest Charity Lewis is the one driving the truck. Sweet Magnolias is named for a mini pig on Charity's mini farm. The mobile fro yo truck isn't the only venture named for Maggie the pig. Charity also operates a nonprofit — Magnolia Kids Club — and a farmers market — Maggie's Organic Market.  Out to Lunch Acadiana was recorded live over lunch at Tsunami Sushi in downtown Lafayette. You can find photos from this show by Astor Morgan at itsacadiana.com. Charity is originally from Detroit but moved to Louisiana after a 10-year stint in Arizona.    She got the idea for the frozen yogurt shop from taking her kids to shops in Phoenix. And each summer, Sweet Magnolia's serves a little homage to her time in Arizona: the prickly pear lemonade.   See omnystudio.com/listener for privacy information.

We are excited to bring you this new episode in our podcast series, The Art of Collaboration. This series focuses on directors and choreographers in conversation with some of their collaborators on a specific production. This series explores the ins and outs of these processes, both the finer details as well as overarching ideas about what goes into a productive collaboration on a show. In the second episode of this two episode arc, Director Alex Timbers, Sound Designer Peter Hylenski, and Scenic Designer Derek McLane are interviewed by Foundation Director Dani Barlow to discuss their experience working together on Moulin Rouge! The Musical. Learn more about this episode's guests below.    Bios: ALEX TIMBERS (Director) is the recipient of Tony, Drama Desk, Outer Critics Circle, and London Evening Standard Awards, as well as two Obie and Lortel Awards. Broadway credits include Gutenberg the Musical; Here Lies Love; Moulin Rouge!; Just For Us; Beetlejuice; David Byrne's American Utopia; Oh Hello with Nick Kroll and John Mulaney; The Pee-wee Herman Show; Peter and the Starcatcher; and Bloody Bloody Andrew Jackson (also bookwriter). For television, he co-created Amazon's “Mozart in the Jungle” (Golden Globe Award) and has helmed the Netflix specials “John Mulaney: Kid Gorgeous,” “Ben Platt: Live at Radio City,” and most recently “John Mulaney: Baby J” (2023 Emmy Award nomination). His debut picture book, Broadway Bird, set in an all-animal version of Broadway, is published by Macmillan. @alextimbers PETER HYLENSKI (Sound Designer). Peter received a Tony Award, Drama Desk Award, and an Outer Critics Circle Award Honor for his work on Moulin Rouge! The Musical. A Grammy, Olivier, and eight time Tony nominee, his selected Broadway designs include: Moulin Rouge!, Frozen, Anastasia, Beetlejuice, Once On This Island, Something Rotten, King Kong, Rock of Ages, After Midnight, Motown, The Scottsboro Boys, Side Show, Rocky, Bullets Over Broadway, Shrek the Musical, On A Clear Day, Lend Me A Tenor, Elf.  Other designs: Awakening, Le Rêve and Lake of Dreams at Wynn Las Vegas.  He's designed for Carnegie Hall, Radio City Music Hall, Madison Square Garden, London's O2 Arena, and The Kennedy Center.  Peter holds a BFA from Carnegie Mellon University. DEREK MCLANE (Scenic Designer) SELECTED CREDITS: BROADWAY: MJ the Musical, Moulin Rouge!, Purlie Victorious, A Soldier's Play, American Son, The Parisian Woman, Children of a Lesser God, The Price, Noises Off, Fully Committed, Beautiful, Gigi, China Doll, Anything Goes, The Heiress, Nice Work If You Can Get It, The Best Man, Follies, How to Succeed In Business Without Even Trying, Bengal Tiger at the Baghdad Zoo, Million Dollar Quartet, Ragtime, 33 Variations The Pajama Game, I Am My Own Wife. OFF-BROADWAY: Black No More, Merrily We Roll Along, The True, Jerry Spring the Opera, If I Forget, The Whirligig, Into The Woods, Love, Love, Love, Sweet Charity, Evening at the Talk House, Two Gentlemen of Verona, Buried Child, The Spoils, Sticks and Bones, The Last Five Years, A Lie of the Mind, Ruined, Hurlyburly. TELEVISION: He designed the 2013, 2014, 2015, 2016 & 2017 Academy Awards as well as the NBC LIVE! Musicals The Sound of Music, Peter Pan, The WIZ & HAIRSPRAY. AWARDS: Winner of 1997 + 2004 OBIE Awards, 2004, 2005, 2007 Lortel Awards; 2009 + 2021 Tony Award, 2011 Drama Desk Award, 2015, 2016 Art Directors Guild Award, 2014 + 2017 Emmy Award.  

It's Episode 60 of the Friday Night Karaoke Podcast, and the theme of the week was #FNKBroadway Once upon a time, in a vibrant Facebook group not so far away, the FNK community embarked on a melodious quest to "Bring Out Your Broadway."  This week, our enchanting podcast shines a spotlight on the stars who've taken the stage, bringing Broadway and Off-Broadway into our hearts and homes.  Gather round, dear members of this magical karaoke kingdom, for a night of storytelling through song, where dreams are sung, and songs are lived.  Tune in, cheer on, and maybe even find your next Broadway number to conquer.  And remember, in the world of FNK, everyone's a star, and every song tells a story. So, what's yours? FEATURED IN THIS EPISODE ALONGSIDE HOSTS MIKE WISTON AND JOE RUBIN: Nancy Van Eindhoven kicks off the show with a razzle-dazzle, bringing "All That Jazz" from Chicago, reminding us that life's just a grand cabaret.  Darin Heninger reaches for the "Stars" of Les Misérables, proving that amidst the barricades of life, we can find our light.  Grace M ByteKween takes us on a lavish spree with "Big Spender" from Sweet Charity, where every note counts in the currency of song.  Paul Bright ascends beyond the fire escapes of West Side Story with "Somewhere," finding a place for us in his vocal embrace.  Heather Gurnari reveals the "Heart of Stone" from SIX, but fear not, for her voice is anything but cold, thawing the iciest of hearts.  Simone Tellier makes a bold "Leap of Faith" with The Lion King, reminding us that the circle of life is filled with melodies untold.  Niki Brown confesses "I'm Not That Girl" from Wicked, weaving a tapestry of longing and unspoken dreams with every note.  And Jeff Matusicky, with a twinkle in his eye, declares "You'll Be Back" from Hamilton, ensuring his royal decree is heard across the FNK realms.  Love what you hear? Join the official Friday Night Karaoke FB group, a completely negativity free karaoke destination, and be part of the action! www.facebook.com/groups/fridaynightkaraoke. Hope to see you there!See omnystudio.com/listener for privacy information.

It's time to walk in the joint to see what those big spenders, Tom and Thos, have to say about the evergreen musical, Sweet Charity, and in particular the 1969 big screen version directed and choreographed by Bob Fosse - all part of their in-depth delve into his amazing career. Is the Rich Man's Frug the most Fosse-esque dance sequence ever committed to celluloid?  What is the Rhythm of Life scene all about, really? And wasn't the late Chita Rivera an astoundingly good actor? And then Tom and Thos finally crack how to give the Sweet Charity story a suitable ending - so you can live optimistically ever after!

Join Tom and Thos as they take an in-depth look at the career of the legendary movie musical director and choreographer, Bob Fosse, through the lens of his three musical films - Sweet Charity, Cabaret and All That Jazz.  How far did he take the ideas behind his choreography and then use them to inform his directorial decisions - and does it work?  In this week's episode, it's all about the stunning but oh-so-dark 1979 musical film, All That Jazz.  It's show time!

Matty and Kikau talk with Erin Farrell Speer, the Head of the Musical Theatre Program at The University of Utah. She just completed her first semester in this new position after leading the MT program at the University of North Carolina Greensboro. She was the Director of Undergraduate Studies for the School of Theatre at the UNCG, where she developed a new BFA musical theatre program with music director and arranger Dominick Amendum. Her recommendations include the series Jury Duty on Amazon Freevee, Brenee Brown's podcast "Unlocking Us", Justin Su'a's podcast "Increase Your Impact", Liz Gilbert's Big Magic, and The Alchemist by Paulo Coelho! --------------------- Before joining the Department of Theatre, Erin was an Assistant Professor specializing in Musical Theatre and Director of Undergraduate Studies for the School of Theatre at the University of North Carolina Greensboro, where she developed a new BFA musical theatre program with music director and arranger Dominick Amendum (Wicked, Prince of Egypt). While at UNCG Erin was also recognized as the College of Visual and Performing Arts Outstanding Teacher in 2021. In 2022 she was the recipient of the UNCG-wide James Y. Joyner Award for excellence in teaching.  A Los Angeles native, Erin made her Broadway debut serving as the Directing Assistant to Tony Award winner Christopher Ashley on Escape to Margaritaville, the Jimmy Buffett musical. She also served in that capacity for the show's pre-Broadway tour. Erin's career has taken her from coast to coast, giving her the opportunity to work off-Broadway at the York Theatre and regionally with companies like Center Theatre Group/the Mark Taper Forum, the Orlando Philharmonic Orchestra and the Sarasota Opera House. In addition to her directing career, Erin has worked professionally as a performer in theatre, film, and commercials, even spending a year as an agent assistant in LA. She couples her directing and performing knowledge with nearly two decades of teaching experience, covering a wide range of abilities from true beginners to Broadway performers and television stars. Erin was previously an adjunct faculty member in musical theatre and dance at Florida Southern College and instructed/lectured in musical theatre, directing and theatre history at Penn State. She earned her MFA in Directing for the Musical Theatre Stage from Penn State University where she studied in their nationally recognized musical theatre program under the mentorship of veteran Broadway director and former SDC President Susan H. Schulman. Erin is also a proud graduate of The University of Michigan, where she earned her BFA in Acting from another nationally recognized program and studied alongside many future Broadway and film/TV stars.   Some of her favorite university direction/choreography credits include American Idiot, Rock of Ages, The SongeBob Musical, The Bridges of Madison County, Sweet Charity, Hot n' Cole, ‘S Wonderful!, Dreamgirls, The Wild Party, Stones in his Pockets, Romeo and Juliet, and many others. Professional direction/choreography credits include All Shook Up, Little Shop of Horrors, Oklahoma!, Bye Bye Birdie, Seussical, Footloose, Cinderella, Annie Get Your Gun, and Guys and Dolls among many others. Film direction: Hear Our Voices, Radio. Film producing: One Week at Woolworths, Flatbush Avenue. Erin is a proud Associate of the Society of Directors and Choreographers (SDC), and an alumna of the Director's Lab West.

It's time for another visit with Midday theater critic J. Wynn Rousuck, who joins Tom Hall each week with her reviews of the Maryland-DC-Virginia regional stage. Today, Judy tells us about the current revival of the Tony Award-winning 1966 Broadway musical, Sweet Charity, brought to The Motor House stage by the new Bmore Broadway Live drama troupe. With book by Neil Simon, music by Cy Coleman and lyrics by Dorothy Fields, Sweet Charity  follows the romantic misadventures of Charity Hope Valentine, a “taxi dancer” — or dance partner for hire — at the Fandango ballroom. The musical earned nine Tony nominations in its 1966 Broadway season, and won for Best Choreography. It's filled with humor, romance and pathos, and driven by energetic dance numbers. The revival of Sweet Charity by Bmore Broadway Live — the new theatrical offshoot of the local arts group, Dance & Bmore — is directed and choreographed by the new troupe's founder, C. Jay Philip. It continues at The Motor House at 120 W. North Avenue in Baltimore through Sunday, November 19. For ticket info, click here.Email us at midday@wypr.org, tweet us: @MiddayWYPR, or call us at 410-662-8780.

In another crossover podcasting event, Jon welcomes Christian Garcia to the pod, and Jon picked the classic Sweet Charity! The two discuss "The Rhythm of Life," get very New York for a while, and the comedic genius that is Shirley MacLaine.Christian's Instagram: @bookaholic_221That Ol' Gay Classic Cinema's Instagram: @thatolgayclassiccinemaIvory Tower Boiler Room's Link: https://linktr.ee/ivorytowerboilerroomPodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodTikTok: @butasongpodTwitter: @butasongpodNext episode: Grease: Rise of the Pink Ladies (Part I)!

Jon somehow managed to trick Joe and Anthony from the Beards and Sundries podcast without Jay (it really didn't take that much convincing). The three take a deep dive into the world of South Park, discussing the movie, the series, and the franchise as a whole. Things get a little heated when they realize some things about the genius of Matt and Trey, and the trio talk about the songs in length especially Canada's theme song.Beards and Sundries Socials: @beardsandsundriesBeards and Sundries Website: https://beardsandsundries.com/Beards and Sundries Phone Number: (405) 999-2242Music from #Uppbeat (free for Creators!):https://uppbeat.io/t/yeti-music/twee-fmLicense code: TOEWDEXFDCKQ2NRPPodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodTikTok: @butasongpodTwitter: @butasongpodNext episode: Sweet Charity!

In this episode of the show, we assemble as The Fosse Posse to gallop through the cinema of one Bob Fosse. We begin with Sweet Charity, his 1969 musical with Shirley MacLaine, and Lenny, his 1974 new wave biopic of Lenny Bruce and his crusade against censorship. Over the course of our conversation you will hear us talk about Fosse needing to fail in 1969 to become the master that he needed to be, his inability to kill his darlings in 1969 as well as his acute sense of the visual art just a few years later, his take on cinema verité, Dustin Hoffman's funny bone, free speech absolutism and that you should never show up to an interview without a resume. Tune in and enjoy! Hosts: Jakub Flasz & Randy Burrows Featuring: Jak-Luke Sharp Intro: Infraction - Cassette Outro: Infraction - Daydream Head over to ⁠⁠⁠⁠uncutgemspodcast.com⁠⁠⁠⁠ to find all of our archival episodes and more! Follow us on Twitter (⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠), IG (⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠) and Facebook (@UncutGemsPod) ⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠ (ko-fi.com/uncutgemspod) ⁠⁠⁠⁠Subscribe to our Patreon!⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Today in the ArtZany Radio studio Paula Granquist welcomes guests from the Northfield Arts Guild; First from the musical comedy Sweet Charity director Marc Robinson and performer Sharon Lane-Getaz and then from the Cannon Valley Regional Orchestra concert Atmospheres conductor Paul Niemisto and harpist Elinor Niemisto.  Sweet Charity by Peter Stone and Neil Simon. Director: Marc Robinson, Musical Director:  Dan Kallman, Choreographer:  Shari Setchell. […]

IMPORTANT: In the wake of the Maui fires this past month, thank you for your patience as Jeff prioritized his schedule. We hope you enjoy this new episode of "A Musical Theatre Podcast." In the year 1966, many iconic characters arrived on Broadway, among them: Mame Dennis, Don Quixote, and the focus of today's episode, Charity Hope Valentine. Her musical SWEET CHARITY allowed both Bob Fosse to continue his journey as a daring theatre artist as well as countless women to shine in the title role. One of them joins us this week. Dylis Croman (Broadway's CHICAGO, DANCIN', FOSSE) is a true triple threat who learned the Fosse style at the hand of the great Ann Reinking. Tune in as Dylis shares thoughts on her time with the 2000s revival of SWEET CHARITY and tells one of the greatest stories we've ever heard on the podcast. Follow Dylis on Instagram at @dycro33 and look for her as Roxie Hart in CHICAGO this Labor Day Weekend at the Ambassador Theater on Broadway. Want to support "A Musical Theatre Podcast?" Give us a nice rating and review wherever you might be listening! You can also follow us on Instagram, X, and TikTok for more great content. For only $1 a month, you can subscribe to PATREON! to receive bonus episodes (and a new theme song). Don't forget about our TeePublic Store where the profits our designs bring us go to Broadway Cares: Equity Fights AIDS. More than anything, thank you for being part of this wonderful podcasting community. Learn more about your ad choices. Visit megaphone.fm/adchoices

A wonderful chat with a total dynamo of a person, Shea Sullivan.  Her career spans many facets of the dance world and we can't wait to be in the front row of her show.  We hope you our episode today!Shea Sullivan is an award winning director and choreographer who has worked in film, television, and theater. The New York Times describes her choreography as “adds high gloss” and “creating infectious joy”. Recently Shea was nominated for a Chita Rivera Award for her choreography of the Off- Broadway show Neurosis. For 20 years, Shea was the protégé of Tony Award-winning Choreographer Dr. Henry LeTang. She assisted Mr. LeTang on many projects and taught with him until his passing in April 2007. She was the assistant choreographer to Mr. LeTang for the Showtime movie, Bojangles, starring Gregory Hines. Shea credits her understanding of the work of a choreographer to the unique relationship she had with Mr. LeTang. Select credits include: Pre Broadway development: SOPH- The Sophie Tucker Musical. YES! The Musical . Henry & Me. Off-Broadway : R.R.R.E.D, Neurosis (Chita Rivera Award Nomination), Polkadots- The Cool Kids Musical (Off Broadway Alliance Award), Pageant! (Drama Desk Nomination Best Revival) , I'll Say She Is. For Westchester Broadway Theatre : Newsies. For PACE University : Pete (Her) Pan. For Cape Playhouse : Drowsy Chaperone, Sweet Charity, Legally Blonde, Crazy For You; Kiss Me Kate . For Maltz Jupiter Theatre: The Producers, Will Roger Follies, Music Man (Carbonell Award), Crazy For You (Carbonell Award) . For Barrington Stage: Ragtime (Berk Theater Critic Award Nomination), Southern Comfort. For Arts Center of Coastal Carolina: Newsies, White Christmas. Pan Am (ABC),Christmas Carol ( Fords Theater) , Dames at Sea (Bay Street Theatre), DanceBreak '08. Proud member of SDC. Board member of the Ziegfeld Club. Shea's choreography has also been featured at Fire Island Dance Festival, Dancers Responding to Aids , Broadway Bares, Easter Bonnet and The Red Bucket Follies (formally known as Gypsy of the Year). www.SheaSullivan.com @thesheasullivan Thank you for listening Jam Fam! Make sure you follow us across social media and don't forget to like and subscribe anywhere you listen to your favorite podcasts!Facebook: JAM Joe and Michelle's Dance PodcastInstagram: jam_dance_podcastTwitter: @jamdancepodcastEmail: jamdancepodcast@gmail.com

Today, I'm so happy to annoounce my episode with Broadway star Janine LaManna. Janine's solo show Black and Gold plays tomorrow night, June 26 at the Green Room 42, and tickets are available here. Tune in today to hear some of the stories of her incredible career, including her appearances in Seussical, Sweet Charity, and Kiss Me, Kate. You won't want to miss this in-depth conversation.

On this final episode of “DANCIN' Man: A Fabulous Invalid Podcast”, Jamie and Rob chat with cast member Dylis Croman. Hailing from Dallas, Texas, Dylis met Ann Reinking when she was just 14 years old, and became her mentee. Dylis went on to appear on Broadway in “Fosse”, “Sweet Charity”, “Chicago”, and “A Chorus Line”, among other shows. On this episode, she talks about learning the Fosse style directly from Ann Reinking and Gwen Verdon, performing the “Trumpet Solo” in “Fosse”, the experience of returning to the world of Fosse for DANCIN', and reflections on her own career in dance. For more information about the show, go to DancinBway.com.  Find us on Twitter & Instagram: @fabulousinvalid Email us at: info@fabulousinvalid.com Jamie DuMont Twitter: @jamiedumont  Instagram: @troutinnyc Rob Russo Twitter: @StageLeft_NYC Instagram: @RRussoNY Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a special Encore episode of Broadway Nation in celebration of the 63rd Anniversary of the Off-Broadway musical phenomenon, The Fantasticks. That show opened at the Sullivan Street Playhouse in Greenwich Village on May 3, 1960, and went on to play there for an incredible 42 years closing in January of 2002. Then four years later the show reopened at the Snapple Theater Center in Times Square where is ran another 11 years.  As you will hear, even though this show was performed off-Broadway, it had a significant impact and influence on the final decade of the Golden Age of Broadway and well beyond, right up to today.   For example, one thing that has always interested me, is that The Fantasticks ends its first act with a delirious happy ending and the entire cast posed in an iconic tableau. The second act then picks up with that exact same image, but the bloom is now definitely off the rose, or as Tom Jones' lyric puts it, now the “plum is too ripe.” Act two then tells the story of what happens after happily ever after. Sound familiar? Yes, this is remarkably similar to what happens in both Sunday In the Park With George and Into The Woods. So, it seems to me that more than two decades after the premiere of The Fantasticks, Stephen Sondheim and James Lapine were still being strongly influenced by its structure, either consciously or subliminally. This episode was recorded back in September of 2020 so there are a few references that are now out of date.  Original Episode Notes: As the 1950's came to a close, Broadway Musicals were at the very center of American culture. Then in 1960, as if on cue, two immensely popular shows – The Fantasticks, and Bye, Bye Birdie – kick off the decade by foreshadowing several major changes in American culture that will dramatically affect the Broadway Musical, and by the end of the decade, leave its very future in doubt.  The brilliant creators profiled in this episode include Schmidt & Jones, Strouse & Adams, Michael Stewart, Gower Champion, Jerry Herman, and Bock & Harnick. As well as the string of classic musicals that bring the “Golden Age Of Broadway” to its climax — Oliver!; Stop The World I Want To Get Off; The Roar Of The Greasepaint And The Smell Of The Crowd, Man Of La Mancha; Fiddler On The Roof, and what I call the "Big Transgressive Lady" Shows – Hello, Dolly!, Sweet Charity, and Mame. If you enjoy BROADWAY NATION please follow us on Facebook, Twitter and Instagram, and rate and review us on Apple Podcasts! Learn more about your ad choices. Visit megaphone.fm/adchoices

On this special episode of “DANCIN' Man: A Fabulous Invalid Podcast”, Jamie and Rob talk with associate director and musical stager Corinne McFadden Herrera, who also did additional choreographic reconstruction for the show. A veteran dancer with three Broadway shows under her belt, Corinne is a long-time associate and collaborator with director Wayne Cilento, having worked together on “Aida”, “Wicked”, and “Sweet Charity”. On this episode, Corinne talks about the process of reconstructing and reimagining DANCIN' for the 21st century, casting the show, and crafting the show from San Diego to Broadway. For tickets and more information about the show, go to DancinBway.com.   Find us on Twitter & Instagram: @fabulousinvalid Email us at: info@fabulousinvalid.com Jamie DuMont Twitter: @jamiedumont  Instagram: @troutinnyc Rob Russo Twitter: @StageLeft_NYC Instagram: @RRussoNY Learn more about your ad choices. Visit megaphone.fm/adchoices

Wilkommen and Bienvenue to our “Cabaret” episode! Literal Disney Princess and musical theater superstar Rachel Zegler joins us to gush over Fosse's 1972 film - a game-changer for the musical genre, and an Oscar-winning guarantor for Fosse's cinematic “blank check” after the failure of “Sweet Charity.” Topics discussed include: the differences between the screen version and the stage show; Joel Grey's Emcee being nearly cut out of the film; Liza Minnelli crafting her own unique look for Sally Bowles; Whether Michael York's best role was on “Gilmore Girls”; and more! This episode is sponsored by: NetSuite (netsuite.com/check) Brooklinen (CODE: BLANK) MUBI (mubi.com/check) Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram! Buy some real nerdy merch at shopblankcheckpod.myshopify.com

The minute you walked in the joint…I could see you were a man of distinction, A REAL PODCASTER! “Pod That Jazzcast” - our series on the films of Bob Fosse - kicks off with a real humdinger of an episode, as the boys discuss 1969's swinging technicolor musical “Sweet Charity.” For folks unfamiliar with Fosse, we give an overview of his life and career in dance and theater leading up to his film directorial debut, and attempt to decipher his creative obsessions (women, fear of balding, isolated body movements, etc). Plus, Ben realizes he loves musicals, and the boys wonder which brass musical instrument has the most inherent humor. This episode is sponsored by: MUBI (mubi.com/check) NetSuiteI (netsuite.com/check) Join our Patreon at patreon.com/blankcheck Follow us @blankcheckpod on Twitter and Instagram! Buy some real nerdy merch at shopblankcheckpod.myshopify.com