Type of tropical cyclone that develops in the Northern Hemisphere
Overwhelmed by current events, Chaz suddenly realizes that those left behind in Typhoon's Landing are in imminent danger. Kenon Pearce as DM Jordache Richardson as Chaz and Serif Nikki Richardson as Talice ISHNAR/KALCRIN HOMEBREW SETTING by Kenon Pearce Sound editing and by Jordache and Nikki Richardson Kenon Pearce @mr_fugufish Jordache Richardson @jdash24 Nikki Ri @thenikkiri Website: totrpodcast.com Twitter: @totrcast Facebook: @topoftheround Instagram: @topoftheround THANK YOU HONORARY PRODUCERS! Gail Yadon Koebaebeefboo Dawn Prewett Holden Ray Corey Pfautsch Grayson Wanna talk to the cast? Check out our private Discord! https://discord.gg/qshNJJfKRr Go to our website for MERCH! https://www.totrpodcast.com/merch-store.html#/ Find/Review us on Podchaser: https://www.podchaser.com/podcasts/top-of-the-round-808056 Support us on Patreon: https://www.patreon.com/topoftheround Buy us a cup of coffee on Ko-fi: https://ko-fi.com/topoftheround Join our Facebook Group! https://www.facebook.com/groups/476203760792265/ TOTR WIKIPEDIA! https://topoftheround.fandom.com/wiki/Top_of_the_Round_Wiki LIGHT OF THE HOPELESS BY NICK HIGHAM https://www.nickjhigham.co.uk/ Music Courtesy of epidemicsound.com: Dimension Portal 1 by SFX Producer A Journalist's Dream by Out to the World Bone Marrow by Guy Copeland It's All Alright by Alexadra Woodward Through the Hallway by Dream Cave Sector B by Piper Ezz Walking in Circles by Piper Ezz Protocol Violation by Ethan Sloan Talking Drums by Ethan Sloan Unitary Operations by Ethan Sloan Qubit by Ethan Sloan Eternal Moment by Farrell Wooten Direct Observation by Ethan Sloan Eye for Detail by Jay Varton Mystery Evolving by Gabirel Lewis State of Play by Christoffer Moe Ditlevsen The Condor's Flight by Philip Ayers Follow the Falcon by David Celeste Ventifacts by Anthony Earls Future Unknown by Dream Cave Exile Before Dishonor by Dream Cave Path to the Abyss by Christoffer Moe Ditlevsen Blinded by Wendel Scherer Invocation by Deskant Deep Down the Well by Christian ANdersen Future Unknown by Dream Cave Run for It by Robert Ruth Poisonous Rain by ALec Slayne Risk-Takers United by CLaude Signet Dark Omens by Sage Oursler Leaving Base by Anthony Earls Cataclysm by Dream Cave Sworn by Blood by Dream Cave Off Guard by Edgar Hopp Highway Chase by Hampus Naeselius Death and Glory by Dream Cave Adamantine by Jon Bjork Extinction Path by Jon Sumner March of the Brave by Jon Sumner Closing in on Truth by Dream Cave All We Have Is Fear by Christian ANdersen Chasing Success by Stationary Sign This Pale Blue Dot by Christian Andersen Dark Times by Etienne Roussel Behind the Curtains by Skyra Dawn of a New Day by ALan Carlson-Green Dark Tunnels by Ethan Sloan The Stakeout by CHristoffer Moe Ditlevsen Chasing Cars by Skyra A Lesson in Vengeance by Experia Fear of the Dark by Etienne Roussel In Pursuit 3 by Fredrik Ekstrom Bleak Existence by Prozody The Last Disaster by Howard Harper-Barnes Interpretation Correlation by Prozody Rivers Run Red by Christoffer Moe Ditlevsen The Long Way Home by Hampus Naeselius Unfettered and Unchained by Gold Anchor Don't Look under Your Bed by Luella Gren It Is Coming! By Daniel Fridell Whatever Rocks Your BOat by Hampus Naeselius Dust Turns to Gold by Hampus Naeselius Ceres by Lennon Hutton 669X by Lennon Hutton Mystery Evolving by Gabriel Lewis Ventifacts by Anthony Earls Will He Hurt Me by Magnus Ringblom Blue Light by Anthony Earls Tunnels by Farrell Wooten It's Coming by Christoffer Moe Ditlevsen The following music was used for this media project: Music: Threat by Radion Nechaev Free download: https://filmmusic.io/song/9824-threat License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://radion-nechaev.ru The following music was used for this media project: Music: Lost In The Dark by Steven OBrien Free download: https://filmmusic.io/song/10010-lost-in-the-dark License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.steven-obrien.net The following music was used for this media project: Music: Mega Heavy Suspense by Alexander Nakarada Free download: https://filmmusic.io/song/8456-mega-heavy-suspense License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.serpentsoundstudios.com/ The following music was used for this media project: Music: Blockbuster Atmosphere 6 (Horror) by Sascha Ende Free download: https://filmmusic.io/song/137-blockbuster-atmosphere-6-horror License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.sascha-ende.de The following music was used for this media project: Music: Suspense Strings by Tim Kulig Free download: https://filmmusic.io/song/8866-suspense-strings License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://timkulig.com/albums The following music was used for this media project: Music: The Horror Maschine 1 by Sascha Ende Free download: https://filmmusic.io/song/43-the-horror-maschine-1 License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.sascha-ende.de The following music was used for this media project: Music: They Are Here by Rafael Krux Free download: https://filmmusic.io/song/5303-they-are-here License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.orchestralis.net/ The following music was used for this media project: Music: Hidden Truth by Rafael Krux Free download: https://filmmusic.io/song/5296-hidden-truth License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.orchestralis.net/ The following music was used for this media project: Music: The Wandering King by Alexander Nakarada Free download: https://filmmusic.io/song/4918-the-wandering-king License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.serpentsoundstudios.com/ Thank you freesound.org: Cartoon Splat by breviceps Mud Splat by Breviceps
This week the guys are looking at the career of Fred Ottman, a man you know by many names. We look at his WWF debut as Tugboat and his heel turn that had him change his name to Typhoon. After watching the Natural Disasters in tag action, we check out Ottman's most memorable moment: his debut as The Shockmaster. Follow the podcast on Twitter and Instagram at @CrossbodyOfWork and be sure to rate and subscribe wherever you are listening. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Cannabis Industry was taboo as recently as 10 years ago. But now, not only is it a blossoming industry, but its becoming mainstream to the point where attorney and insurance conventions are including presentations specific to cannabis and how to insure that risk. But how does one actually get into the commercial cannabis space, and what is the day-to-day like? Ryan Eakes offers some great insight into those questions through his own journey. With a background in construction and business development -- not in agriculture -- Ryan jumped on an opportunity to get into cannabis on the ground floor. And as COO of Typhoon Farma (https://typhoonfarma.com), Ryan encounters challenges that are truly unique to the cannabis industry, especially given the ever-changing regulatory framework he has to navigate. Think of this interview as "Cannabis for Dummies."
Intro: Sometimes the little guy just doesn't cut it.Let Me Run This By You: Time's a wastin' - giddyup, beggars and choosers.Interview: We talk to star of Parks and Recreation, Easter Sunday, and Barry - Rodney To about Chicago, Marquette University, Lane Tech, getting discovered while pursuing a Chemistry degree, The Blues Brothers, Dürrenmatt's The Physicists, playing children well into adulthood, interning at Milwaukee Rep, Lifeline Theatre, Steppenwolf, doing live industrials for Arthur Anderson, Asian American actors and their representation in the media, IAMA Theatre Company, Kate Burton, and faking a Singaporean accent.FULL TRANSCRIPT (UNEDITED):1 (8s):I'm Jen Bosworth RAMIREZ2 (10s):And I'm Gina Pulice.1 (11s):We went to theater school together. We survived it, but we didn't quite understand2 (15s):It. 20 years later, we're digging deep talking to our guests about their experiences and trying to make sense of it all.1 (21s):We survived theater school and you will too. Are we famous yet?2 (30s):How's your, how's your eighties decor going for your1 (35s):New house? Okay, well we closed yesterday. Well,2 (39s):Congratulations.1 (40s):Thank you. House buying is so weird. Like we close, we funded yesterday, but we can't record till today because my lender like totally dropped the ball. So like, here's the thing. Sometimes when you wanna support like a small, I mean small, I don't know, like a small bank, like I really liked the guy who is the mortgage guy and he has his own bank and all these things. I don't even, how know how this shit works. It's like, but anyway, they were so like, it was a real debacle. It was a real, real Shannon situation about how they, anyway, my money was in the bank in escrow on Friday.1 (1m 20s):Their money that they're lending us, which we're paying in fucking fuck load of interest on is they couldn't get it together. And I was like, Oh no.2 (1m 29s):They're like, We have to look through the couch cushions,1 (1m 31s):Right? That's what it felt like, Gina. It felt like these motherfuckers were like, Oh shit, we didn't actually think this was gonna happen or something. And so I talked to escrow, my friend Fran and escrow, you know, I make friends with the, with the older ladies and, and she was like, I don't wanna talk bad about your lender, but like, whoa. And I was like, Fran, Fran, I had to really lay down the law yesterday and I needed my office mate, Eileen to be witness to when I did because I didn't really wanna get too crazy, but I also needed to get a little crazy. And I was like, Listen, what you're asking for, and it was true, does not exist. They needed one. It was, it was like being in the, in the show severance mixed with the show succession, mixed with, it was like all the shows where you're just like, No, no, what you're asking for doesn't exist and you wanna document to look a certain way.1 (2m 25s):And Chase Bank doesn't do a document that way. And she's like, Well she said, I don't CH bank at Chase, so I don't know. And I said, Listen, I don't care where you bank ma'am, I don't care. But this is Chase Bank. It happens to be a very popular bank. So I'm assuming other people have checking accounts that you deal with at Chase. What I'm telling, she wanted me to get up and go to Chase Bank in person and get a printout of a certain statement period with an http on the bottom. She didn't know what she was talking about. She didn't know what she was talking about. And she was like, 18, 18. And I said, Oh ma'am, if you could get this loan funded in the next, cuz we have to do it by 11, that would be really, really dope.1 (3m 6s):I'm gonna hang up now before I say something very bad. And then I hung up.2 (3m 10s):Right, Right. Yeah. Oh my God, I know. It's the worst kind of help. And regarding like wanting to support smaller businesses, I what, that is such a horrible sadness. There's, there's no sadness. Like the sadness of really investing in the little guy and having it. That was my experience. My big experience with that was going, having a midwife, you know, with my first child. And I really, I was in that whole thing of that, that time was like, oh, birth is too medicalized. And you know, even though my husband was a doctor, like fuck the fuck the medical establishment we're just, but but didn't wanna, like, I didn't wanna go, as my daughter would say, I didn't wanna be one of those people who, what did she say?2 (3m 52s):You know, one of those people who carry rocks to make them feel better.1 (3m 57s):That's amazing. Super.2 (4m 0s):So I didn't wanna go so far as to be one of those rock carrying people to have the birth at my house, but at the same time I really wanted to have this midwife and then there was a problem and she wasn't equipped to deal with it. And it was,1 (4m 11s):I was there,2 (4m 13s):Fyi. Yes, you were1 (4m 15s):The first one, right? For your first one.2 (4m 16s):The first one.1 (4m 18s):Here's the thing you're talking about this, I don't even remember her ass. What I, she, I don't remember nothing about her. If you had told me you didn't have one, I'd be like, Yeah, you didn't have one. I remember the problem and I remember them having to get the big, the big doctor and I remember a lot of blood and I remember thinking, Oh thank God there's this doctor they got from down the hall to come or wherever the hell they were and take care of this problem because this gene is gonna bleed out right here. And none of us know what to do.2 (4m 50s):Yes. I will never forget the look on your face. You and Erin looking at each other trying to do that thing where you're like, It's fine, it's fine. But you're such a bad liar that, that I could, I just took one look at you. I'm like, Oh my God, I'm gonna fucking bleed out right here. And Aaron's going, No, no, no, it's cool, it's cool, it's cool. And then of course he was born on July 25th and all residents start their residency on July 1st. So you know, you really don't wanna have a baby or have surgery in July cuz you're getting at a teaching hospital cuz you're getting a lot of residents. And this woman comes in as I'm bleeding and everything is going crazy and I haven't even had a chance to hold my baby yet. And she comes up to me and she says, Oh cuz the, the midwife ran out of lidocaine. There was no lidocaine.2 (5m 30s):That's right. They were trying to sew me up without lidocaine. And so this nurse comes in, she puts her hand on my shoulder, she says, Hi, I'm Dr. Woo and I'm, and I said, Dr. W do you have any lidocaine? I need some lidocaine stat right up in there. Gimme some lidocaine baby. And she had to call her boss. You know who I could tell when he came in, of course he was a man and I could tell when he came in, he looks at my midwife and is like, Oh, this is what you did here. I see we have to come in and clean up. But sometimes that's the case. Sometimes it's really just true that, you know, it's that the, that the bigger kind of like more corporate option is better cuz it just works better.1 (6m 8s):Well, and they've done this before, like there is, they've done the job before in a way, and they've seen the problems. They know how to troubleshoot in a way because they just have the fucking experience. Now you could say that getting that experience is like super fucked up and patriarchal and, and all the isms, it's, and you'd be right, but when you are bleeding to death or when you know you are in a big financial negotiation that could go south at any moment and lead to not having a ho like a all feeling lost. You want someone who knows how to fucking troubleshoot, dude. Like, come on. And I, you know, and it is sad, it's heartbreaking when you like, fuck man.1 (6m 50s):I really wanted this, like Dr. Altman always said, and I have an update on Dr. Altman, my favorite psychiatrist mentor of mine. But he always said like, well when I was going through med titration, when they put this dingling at Highland Park Hospital, who tried her best but put me on lithium thinking I was bipolar and then I was and all the meds, right? All the meds. And he's like, well they could've worked2 (7m 15s):It could've worked it1 (7m 17s):All's. And I was like, you are right. So like, it could've worked, it could've gone differently, but it just didn't. So it's like, yeah, it's better to look at it like that because, or else it's just infuriating that it didn't work in the first place, Right? Like, you're like, well fucker, Well they tried.2 (7m 35s):Yeah. I use that all the time that it could have worked. Things that I got through you from Dr. Altman, you know, my husband is having like some major, you know, growth moments. Like come like those moments where all the puzzle pieces become clear and you go, Okay, my childhood isn't what I thought it was and this person has got this and this person has got that. Yes. You know? And, and whenever he's doing the thing that we all do, which is like lamenting the life, the family he wish he had had, I always say like, well, as Dr. Almond says, it could have worked. Yes, these parents could have been just fine for you if you were a different person, but you're you.2 (8m 16s):And so, and they're them and it wasn't a good match. And like that happens sometimes.1 (8m 21s):And I think it's really good with kids maybe too. Cause it's like, listen, like, like I say to my niece, like it could, this could have been whatever it is the thing or my nephew too that worked and like that you loved volleyball or that you loved this. Like you are just looking, and I think it's all about titration, right? Like it's all about figuring out where we fit in, where we belong, where we don't. And it's a fucking process, which is what he was saying and like, and that you don't, we don't get it right the first time. Even in medicine, even in it's maybe especially in medicine, maybe in especially in relationships, like, so it, it also opens the door for like, possibility, right? That like, it's an experiment and like, we don't know, even doctors don't know, Hey, run this by you, Miles did of course.1 (9m 14s):And done. What about you? What about you?2 (9m 17s):I'm gonna do it after this, after we're done recording today, I'm gonna go over and I always like to take one of my kids so they, you know, see that this is the process and you have to do it and it's everybody's responsibilities to do it. That doesn't mean that I didn't get all angry at my own party this week. You know, my mom has a great expression. I think it's her expression. She says it. In any case, all politics is local, right? Like where it really, where the really meets the road is what's happening in your backyard. And like, I have a lot of problems with my town,1 (9m 52s):So Right.2 (9m 53s):They don't wanna have, you know, they voted down this measure to put a a, like a sober living place, wanted to take up residence here. Couldn't think of a greater idea. Nobody wanted it. You know, it's a lot of nis not in my backyarders over here. And it really drives me crazy. And in the, in the paper this week, there was a big scandal because there's this particular like committee in our town, Okay. That was in charge of, there was gonna be this, what is it, like a prize maybe or an honor or not a scholarship Okay. But something where they were gonna have to name it.2 (10m 33s):Okay. And they were, you know, really looking around for names. They were trying to think up what names would be appropriate. And somebody put forward the name of this person who is already kind of a named figure in our town. Like, we had this beautiful fountain, it's named after him. He was, he was a somewhat of a big guy, you know, he was an architect, whatever. Sure. So this name gets put forward in this woman who's on this committee says, I don't think this is a great time to name something after an old white man. Now, to me couldn't be a more reasonable thing in the world to say everybody's calling for her resignation. And these, you know, the thing that I hate the most about, not just conservatives, but it seems like it's especially conservatives.2 (11m 20s):I hate this saying. And I remember, I think I've said this before on the podcast, I remember hearing some black activists saying a lot of white, you know, a lot of racism perpetrated by white people is like founded on pretending. Pretending like you don't see color pretending like, you know, saying things like, Oh, well why would you have had that experience, you know, walking down our street at night? Like, or why would you have had that difficulty getting that job? I don't understand. And pretending like they don't know that this person just got1 (11m 51s):That job because of2 (11m 52s):The color biscuit and that kind kind of a thing. So of course the way that people are coming down on this woman is to say, Well, I don't know about you, but I was taught that we have to look beyond race and we have to recognize the person before the color of their skin. And if you can't be, you know, representing the needs of white men, then I just don't really think that you, there's a place on this council. And of course, you know, somebody who I know and have in the past really respected was quoted in this article as saying, Oh, somebody who considers himself like a staunch liberal. Yeah. I mean, I just really can't think of any people of note from our town who weren't white men.2 (12m 34s):Sure. And this motherfucker let himself be quoted in our newspaper as saying this. Now maybe he feels fine about it. Maybe he doesn't think there's anything wrong with it. But I I I think it's completely, completely disgusting. Of course. So then I went and I just did this research of like all the people who have lived in our town historically, they're not just white men. We, there's other people to choose from. Needless1 (12m 58s):To say. Yeah. Well also, like, it's so interesting. I mean, it's just that that quote just is so problematic on so many levels. It like goes so deep. But like the other thing is like, maybe they miss, the only thing I can think of is that dude, did they miss the second half of your quote? Which was, and that's a problem. Like, like if, if you can't, if you can't finish that quote with, you know, I can't really think of like anyone of note in our being or anyone being recognized in our town in this way that wasn't a white dude and that's really crazy. We should really reevaluate how we're doing things here.1 (13m 39s):Period. You're so2 (13m 41s):To offer, you're so, you're so sweet to offer him this benefit of the doubt. Of course I don't offer that to him because this is a person who, you know, there's been a few people in my life who I've had the opportunity to, you know, know what they say privately and then know what they say publicly. Right? And I, and I know this, you know, I know this person personally. And no, it doesn't surprise me at all that, that that would've been the entirety of the quote. It would've been taken out of context. Now it might have been, and I don't know, and I'm not, I'm not gonna call him up to ask him, but you know, at a minimum you go on the local Facebook page and say, I was misquoting.1 (14m 20s):No, no, yeah. Chances are that this, this person just said this. And actually the true crime is not realizing if, if, if that's the case, that they, that that statement is problematic. So that's really fucked up. And also, like, think of all the native people that were on that land, on our land. Like, you're gonna tell me that just because you haven't done, they haven't done the research. They don't think that a native person from the northeast did something of greatness. Shut up, man. Excellent. Before it was rich.2 (14m 56s):Excellent point, Excellent point. Maybe when I write to my letter to the editor, maybe I'll quote you on that because Yeah, yeah. It's like, it's so, it's just, and I'm, by the way, I'm, I have been, I'm sure I'm still am guilty of the same thing too, of just being the laziness of like, well, I don't know, we'd love to, you know, hire a person of color, but none have applied. I mean, I have definitely said things like that and I just understand differently now I understand. No, no, no, they're not gonna be at the top of the pile of resumes that you're gonna get because historically these people haven't felt like there's a place for them at your table. So what you have to do is go above and beyond and say, we are specifically recruiting people of color for this position. I understand.1 (15m 35s):And how about even like, do some research online and find out who those people are and try to like, hire them away from wherever they are to and make them a great offer. You know what I mean? Like all those things. Well,2 (15m 48s):This experience did cause me to go on my little Wikipedia and look up, you know, people who have lived here and I was really like, surprised to learn how many people have known. Now it's true to say that, you know, when, when you're just looking up a list of famous people, it is gonna mostly be white men because that's who mostly, you know, sort of, she made, made history, made the news, whatever. But yeah, one of the very first things that come up, comes up when you look it up my town on Wikipedia, is that the fact that this was the Ramapo tribe that lived here. You know, this is who we took the land away from. I was also surprised to that.1 (16m 29s):I've never,2 (16m 30s):Yeah, Yeah. It was also interesting to learn, supposedly according to this, how many people of live here currently, including people like Harvey Firestein, who I have, I've never seen around town, but God I would really love to. And like some other, you know, sort of famous people. But anyway, That's1 (16m 50s):So cool.2 (16m 51s):Yeah. So, so I will be voting after this and I really, I don't have a great feeling about the election, but I'm, you know, I'm just like, what can you do? You can just sort of go forward and, you know, stick to your values. Yeah. I mean,1 (17m 7s):The thing is, stick to your values, move forward. And like my aunt, happy birthday, Tia, it's her birthday today, and she is like super depressed that, you know, she, she said, what she says is like, fascism is really, today is the day that we really something about fascism, it's like really dire and like really, Okay. So my, it's so interesting that I think boomers feel really bad because they had it so good, even though it wasn't really good, there was an illusion of goodness. Right? So I, I am depressed. But here's the thing, and I was, I was gonna bring this up to you.1 (17m 47s):It's like I, I had an experience last night where I went to this theater and saw the small theater, which I really wanna do my solo show in which is this famous theater called The Hayworth, which is, they show silent movies and all, but there's now it's like an improv sort of venue and, and it's really cute and throwbacky. But anyway, I went there and I just was thinking like, as I was watching these performers, like, oh, it is not even that, Like, it's literally that I spent 45 years thinking that I was worse than everybody else, right? And so now that I don't really think that, I actually don't have that much time left to accomplish what I would like to accomplish. So I, I spent all this time feeling like I couldn't do what she's doing.1 (18m 29s):I can't do what he's doing, can't do what theirs doing. They're, they are doing because I'm not good enough. Like literally. And now I'm like, Oh my God, I'm good enough. I have things to say. I really wanna leave a legacy. And literally the clock is ticking. Now, I'm not saying I'm running around like a nut, but what I'm saying is like, I, I, I do feel that I literally don't have the time left to participate in half-assed measures of art or whatever we're gonna do. We gotta make it purposeful because I w i, I spent all this time getting ready 45 years to not hate myself. And now the clock is ticking, I donate myself and there are things to do.1 (19m 13s):That's literally how I feel. So then when I see art or something where I'm like, Why are you using your platform this way? What are you talking about? What are you saying? Oh no, I can't, I even now I know why people leave movies early, plays early if it is, and some, for me anyway, like some people probably just assholes and like the, the person on stage doesn't look cute and they're out or whatever, but, or they're having panic attacks like I used to and I have to leave. But like, mostly I understand where it's like this is wasting my, my time, time I could be using to sort of plant seeds that may do something to be of service.1 (19m 53s):So I'm gonna jet and good luck to you. But yeah, it's the first, I just really feel like time is of the essence. And I always thought that was such a stupid thing that old people said, which was, you know, time is our most precious commodity. And I was always like, that is the dumbest thing I've ever heard. And now I'm like, oh shit. Yeah, it's really true Dude.2 (20m 15s):Yeah. Yeah. I actually had an experience some that I relate to with that, which is that, you know, I, I volunteered to be part of this festival of one act and you know, the thing we were supposed to do is read all of the submissions and then pick our top three. And then they were gonna do this rank order thing where they're attempting to put each director with one of their top three choices. Well, I read, it was like 10 plays I read them and I, I didn't have three, three ch choices. There was only one play that I felt frankly was worth my time.2 (20m 56s):And I felt really uncomfortable about having that feeling. And I was doing all of the like, who do you think you are? And you know, it's, you haven't directed something in three years and beggars can't be choosers in the whole thing. And I just thought, you know, I know what I'm gonna do if I don't stand up for whatever it is I think I can do here is I'm gonna resent the thing that I get, you know, pitted with and then I'm gonna do something self-destructive or I'm gonna kind of like blow up the relationship and I don't wanna do that. So I spend a lot of time thinking about how I was gonna write this email back saying basically like, I don't have three choices. I only have one choice. And I understand if you don't want to give that to me that this, I might not be a good fit for you.2 (21m 37s):You know? But I really, I really kind of sweated over it because when you don't, you know, when you're a very, if I was an extremely established theater director, you know, I wouldn't have thought twice about it. But I'm not, I'm trying to be established here and I, you know, so my, my, my go-to has always been well having opinions and choices and stuff like that is for people who, you know, have more than you do or have more to offer than you do. And it doesn't always work out that when you kind of say, This is me and take me or leave me. It doesn't always work out. But in this case it doesn't. They gave me my first choice. And so I'm, I'm happy about that, but there's a lot.2 (22m 18s):Thank you. Thank you. Yeah, there's a lot that just goes into the, it's all just work I have to do on myself. Like, I have this, a way of thinking about things is like, I have to do this work with this other person or I have to convince them why it has nothing to do with that. It's just that I have to do this.1 (22m 34s):Well that's what I'm realizing, like Gina, Absolutely. And good for you for like, coming at it from a place of like, okay, like this might not work, but I have to do it to see and put it out there and it may not work and they may say, go fuck yourself. But the alternative one is resentment, but also is like, hmm, not doing anybody else any favors either. If you aren't saying like, I actually don't have three choices here, I'm not gonna do justice. And I also, it brings me to my other thing, which I thought was so full of shit, which is so true. It's like most things are just not, it's about not being a right fit. It's not about you're bad and I'm good, I'm good and you're bad.1 (23m 15s):It's like, this is not a good match. And I, I think it just takes what it takes to learn that it is a not, it's about a matching situation. So like you knew that like those other two wouldn't be good matches and you wouldn't do a service to them or yourself. And it's not, And also like this thing about beggars can't be choosers. I fucking think it's so dumb because like most of us are beggars all the time and, and we, we settle for garbage. And it doesn't, like, I feel like we can, like beggars should be more choosy. And I also feel like, I'm not saying not be humble, but like, fuck you if you take away our choices, like we have to have choices.1 (23m 57s):That's the thing. It's like beggars have choices, whatever you call a beggar, we still have choices. Like how we're gonna interact and how and how we're gonna send emails and shit. I'm just like,2 (24m 9s):Yeah. Plus that whole phrase is so like, in a way rooted in this kind of like terrible supremacy structure that we're trying to fight against, which is like, we wanna tell, of course we wanna tell beggars that they can't be choosers cuz we just, we don't wanna think about them as people who have the same agency in life as we do.1 (24m 25s):Sure. And now I've started saying to people when I have this conversation about like, about unhoused, people like having tent encampments and I get it, like, you're going to school, you're walking your kid to Montessori and there's a fucking tent encampment in your front yard. You did not pay for that. You did not sign up for that. You are, I get it. And also my question is, what are we gonna do when the tents outnumber the people in homes? Because then it's a real fucking problem. So like, how are we gonna do that? You think it's uncomfortable? I think it's uncomfortable to walk by a tent encampment as I'm on my way to a coffee date with someone or whatever.1 (25m 8s):That's uncomfortable. But what are we gonna do when, like in India, the, the quote slums or whatever people, you know, whatever people choose to call it, outnumber the goddamn people in the towers. Then we, then it's gonna be a different problem.2 (25m 35s):Today on the podcast, we were talking to Rodney Toe. Rodney is an actor, you know him from Parks and Recreation, Barry good girls Rosewood. He was in a film this summer called Easter Sunday. Anyway, he's a delight. He's also a professor of theater at USC and he's charming and wonderful and we know you are going to love listening to him as much as we loved talking to him. So please enjoy our conversation with Rodney Toe.3 (26m 8s):Can you hear me? Can you hear me okay?2 (26m 11s):Yes, you sound great. You sound1 (26m 13s):Happy. No echo. You have beautiful art behind you. We can't ask for a2 (26m 17s):Better Easter Sunday. We were just talking about Easter Sunday, so we're gonna have to ask you Oh sure about it, Beth. But first I have to say congratulations, Rodney tell you survive theater school.3 (26m 28s):Oh, thank you. Yes, I did. I sure did. Was2 (26m 31s):It usc? Did you go to3 (26m 32s):Usc? No, I, I'm a professor. I'm currently a professor at usc. So1 (26m 36s):We just assumed you went there, but where did you go3 (26m 38s):To No, no, no, no, no. I, that, that came about like in a roundabout way, but no, I, I totally, I went, went to Marquette University. Oh, in Milwaukee?1 (26m 46s):In Milwaukee. Oh my gosh. Yeah. So3 (26m 48s):Everybody's reaction, everybody's reactions like, well1 (26m 53s):I actually love Mil, I'm from Chicago and Evanston you do and then you are,3 (26m 58s):Yeah, born and raised north side. My family's still there. What1 (27m 1s):The hell? How did I not know this? Yeah, I'm from Evanston, but lived in Rogers Park and went to, we went to DePaul.3 (27m 7s):Well I hear the park. Yes, yes. Born and raised. My family's still there. I am a Chicago, I'm an undying Chicago and through and through. Yeah.1 (27m 15s):Wait a minute. So, so, okay, okay, okay. So you grew up on the north, you grew up in, on the north side.3 (27m 20s):Yeah, I grew up in, I, I grew up and I went to Lane Tech. Oh1 (27m 24s):My gosh, that's where my niece goes right this very minute. She goes, Yeah,3 (27m 28s):It's1 (27m 28s):Quite the school. I dunno how it was when you went, but it went through a hard time and now it's like one of these3 (27m 34s):Go, I mean when I went it was, it was still considered a magnet school. And I I, you know, I think like in like it went maybe through a period of like, sort of like shifting, but then it's like now it's an incredible school. I'm September 17th is apparently Rodney to day at Lane 10. No, Yeah, it just happened. I mean it's, it's silly. It's Easter significance. No, cause of Easter Sunday they did like a bunch of, you know, I do a lot of advocacy for the Asian American for Asian-American representation. So sort like all together1 (28m 4s):That movie had broke so many, broke so many barriers and was, I mean it was a phenomenal, and also I just feel like it's so obviously so needed. Duh. When people say like, more representation is needed, I'm like, okay, no shit Sherlock. But it's true. It bears repeat again. Cause it still is true that we need more representation. But I am fascinated. Ok, so you went to Lane Tech and were you like, I'm gonna be a famous actor, comedian? No, what,3 (28m 34s):What anything about it? Didn't I, you know, it's called Lane Tech for a reason, right? It's a technical school. Correct. So like we didn't, you know, it didn't, I mean there were arts, but I, it never really, you know, it was one of those things that were like, you know, I guess like when you were a kid, it's all like, hey, you wanna learn how to like macrame. But there were theater arts in my, in my high school, but it wasn't like,1 (28m 54s):In fact, my mother did macrame. And let me tell you something, it has come back in style. And the shit she made, we could be selling for $199 at Urban Outfitters right now. I'm just,3 (29m 4s):Oh yeah, it's trendy now. Yeah. It's like, yeah, it's in style.1 (29m 7s):Anyway, side note, side note. Okay, so you were like, I'm not doing, there was no performing at Lane Tech. There was no like out there, there,3 (29m 13s):There was, and there was, but it wasn't, again, you know, in terms of representation, there was nothing that like, I mean there was nothing that that showed me any kind of like longevity in, in, you know, it didn't even really occur to me that this was a business that people sort of like, you know, pursued for themselves. So it wasn't until I went to Marquette that I discovered theater. And so it was one of those things that like, I was like, oh, there's something here. So it wasn't like, it wasn't fostered since I was a kid.1 (29m 43s):This,2 (29m 44s):And this is my favorite type of origin story because it means, you know, like there are people who grow up in LA or their, their parents are in the industry. And then, so it's always a question like, am I gonna go into this industry? But, but people like you and like me and like Boz, who, there's no artist in our family, you know,3 (30m 4s):You2 (30m 4s):Just have to come to it on your own. So I would love to hear this story about finding it at Marquette.3 (30m 10s):So like the, this, I, I've told this story several times, but the short version of it is, so I went to college for chemistry. And so again, because I came from, you know, that that was just sort of the path that, that particularly, you know, an Asian American follows. It's a very sort of stem, regimented sort of culture. And when I went to Marquette, my first, my sort of my first like quarter there, it was overwhelming, you know, I mean, college was, was a big transition for me. I was away from home and I, I was overwhelmed with all of the STEM courses that I was taking, the GE courses. And I, I went to my advisor and at the time, you know, this is pre-internet, like he, we sat down, I sat down with him and he pulled out the catalog.3 (30m 52s):Oh yeah, the catalog, right? I1 (30m 54s):Remember the catalog. Oh yeah.3 (30m 56s):And so he was like, let's take a class that has nothing to do with your major. Oh,1 (30m 60s):I love this. I love this advisor. I love this advisor. Do you know, can he you say his name3 (31m 7s):At the, was it Daniel? Dr. Daniel t Hayworth. I mean, it's been a while I went to college with Dahmer was arrested. So that's been a1 (31m 15s):While. Okay. Yeah's, same with us. Same with me. Yeah.3 (31m 18s):Yeah. So like, I think it was Daniel Daniel Hayworth. Yeah. Cuz he was a, he was a chemistry professor as well. So he opened up, he opened up the, the thing in the, the catalog and it said acting for non-majors. And I remember thinking, that sounds easy, let's do that. And then I went to the class, I got in and he, he, he was able to squeeze me in because already it was already in the earl middle of the semester. And so I, the, the, the, the teacher for that class was a Jesuit priest. His name is Father Gerald Walling. And you know, God rest his soul. And he, his claim to fame was he had like two or three lines on Blues Brothers, the movie.1 (31m 59s):Amazing. I mean like great to fame to have Yes. Get shot in Chicago. Yeah. And if you're a Jesuit priest that's not an actor by trade, like that is like huge. Like most people would like die to have two to three lines on Blues Brothers that are working anyway. So, Okay, so you're, so he, so how was that class?3 (32m 19s):So I took the class and he, after like the first week he asked me, Hey is, and it was at 8:00 AM like typical, like one of those like classes that I was like, Oh my gosh, I'm gonna go in here miserable. Yeah. But he said to me early on, he said, Do you have any interest in doing this professionally? And I said, no. And he's like, and he, he said, and he said, I was like, You're hilarious. You know,1 (32m 43s):You're a hilarious Jesuit.3 (32m 45s):Yeah. I'm like, Good luck with God. He, he then he was directing, he was directing the university production of, and he asked me to audition for it. And I was, I don't even know what an audition was. That's amazing. So like, it was one of those things that I didn't really know how to do it. I didn't know much about it. And so he's like, Can you come in and audition for it? And I did and I got it and it was, it was Monts the physicist,1 (33m 12s):What the fuck is that?3 (33m 14s):Oh man, I love that play. It's Amont, it's the same, you know, it's the same. He's, you know, Exactly. It's really, it's one of those like sort of rarely done plays and it's about fictitious Albert Einstein, the real, lemme see if I, it's been so long since I recall this play. The real, So Isaac Newton and what was the other Mobius? A fictitious, So the real, I'm sorry, The real Albert Einstein, The real, the real Albert Einstein, the real Isaac Isaac New and a fake, a fictitious play scientist named Mobius.3 (33m 55s):And they were, they were all in, in a mental institution. And I1 (33m 60s):Think that I have this play and my shelves and I just have never read it before. Okay, so3 (34m 4s):Who did you play? It's extraordinary. Extraordinary. And so I played, I played a child like I did up until my mid thirties. I played a child who had like one line, and I remember it took, it took place in Germany, I believe. And I remember he's like, Do you have a German accent? I was like, No. You're1 (34m 20s):Like, I I literally am doing chemistry 90.3 (34m 23s):Yeah. I was all like, you're hilarious. Yeah. Only children do accents, You know what I mean? Like, it was totally, I was like, whatever's happening, I don't even know what's happening. And, and then I made up a European accent. I mean, I, I, I pulled it on my ass. I was like, sure, don't even remember it. But I was like, one of,1 (34m 39s):I love when people, like, recently Gina showed me a video of her in college with an accent. Let me tell you something, anytime anyone does an accent, I'm like, go for it. I think that it's so3 (34m 51s):Great. Yeah. I've got stories about, about, I mean, I'm Asian, right? So like, I mean it's been one of those things that all my life I've had to sort of navigate people being like, Hey, try this on for Verizon. I was like, Oh gosh. And you know, anyway, I can go on forever. But I did that, I had a line and then somebody saw me in the production with one line and said, Hey, this is at the Milwaukee Repertory Theater, somebody from the Milwaukee Repertory Theater. It's huge1 (35m 18s):Theater. Fyi. Right,3 (35m 20s):Right. Again, it's, it's to this day. And so they asked if I would intern, if I would be considered interning while I was in school. And I said, I didn't even know what that was. So I met with them. And when I walked into that theater, it was one of those, it's one of the biggest, most extraordinary music theaters in the wor in the country. Right. Won the regional, Tony and I, again, I had no frame of reverence for it. So walking in, it was like this magical place. And so I started, I started interning right, right off the bat. And it was one of those like life changing experiences. I, I mean, to this day, the best acting I think I've ever seen, you know, face to face has been on that stage. It's, you know, many of those actors are still, I'm still in touch with to this day.3 (36m 3s):Some of them have passed away. However, it was the best training, right? I mean, I got thrown into the deep end. It was like working with some of the greats who never, no one ever knew. Right. So it really, it was really a wonderful experience. And that's when I sort of, you know, that's when I was like, Oh, I actually can do this for a living. So it was,1 (36m 21s):Oh yeah, Milwaukee rep. I've seen some amazing stuff there. And also what would've been great is, yeah, we like, I mean there's so many things that would've been great at DePaul at the theater school, but one of them would've been, Hey, there's all these regional theaters, like if you wanna make some dough, it was either like, you are gonna be doing storefront and Die of Hunger, or you're gonna be a star. Hilarious was no like, what about Milwaukee Rep? What about the Guthrie? Like all the things3 (36m 50s):Gut, Yeah. Never1 (36m 51s):Told at least. Or I didn't listen or I was like in a blackout drunk state. But like, I just feel like hilarious. I just feel like that is so amazing that you got to do that. So then, Wait, did you change3 (37m 2s):Your It wasn't, I did. I eventually did. Yes. So I have both. And so now it was one of those, like, it was, it was harrowing, but eventually, I mean, I did nothing with my chemistry degree. Nothing. Like literally nothing. That's,2 (37m 16s):Most people do nothing with their theater degree. So, so it all evens out. Wait, I have a question. Now. This is a question that would be difficult for me to answer. So I wouldn't fault to you if it's difficult for you. What do you think it was in you that this person saw and said, have you ever considered doing this professionally? I mean, just trying to be really objective about the, the asce the essence of you that you bring to the table. Always. How, what did that person identify, do you think, if you3 (37m 44s):Had to guess? You know, I'd like to say it was talent. I'd love to be that person and be like, you know, they recognized in me in one line that ordinary artist was going to emerge into the universe and play children into his thirties. I, I wish I could. It was that, I mean, honestly, I looked different than everybody else on that's a white school and Milwaukee rep, you know, God, forgive me for saying this, but it was a sensibly all white institution.1 (38m 12s):Super white. Super white. Yeah.3 (38m 14s):So in comes this little Asian guy who like they thought might have had potential and also is Asian. And I checked off a lot of boxes for them. And you know what I could easily say, like I, I could easily sort of, when, if you asked me like 20 years ago, I was like, Oh, I was talented, but now I'm like, no, I made my way in because of, because I, I checked boxes for people and, and1 (38m 37s):Talented,3 (38m 38s):You couldn't,1 (38m 39s):You3 (38m 39s):Couldn't have done it if you didn't have talent to thank you. And I can, I can, you know, whatever, I can own that now. But the, but the reality is like, I made it in and that's how I got in. And I'm okay with that. And I'm not saying that it's not taking anything away from talent, but the reality is it's like you gotta get in on the inside to work your way out. And if I didn't have that exposure early on, I certainly wouldn't have had the regional career that I did for a little while. You know? So like that credit, like you, like you said Jen, it's like, it's a, it's a huge credit. So like I would not have made it in any other way. Right. And I certainly,1 (39m 12s):Yeah, I just am like noticing also like my reaction to, Yeah, it's interesting too as other humans in this industry or any industry, it's like, it's like we have had to, especially those of us that are, you know, I'm 47 and like those of us who have made it in or sort of in for, in my, I'm just speaking for myself. Like I, I sort of, right, It could have been fucked up reasons or weird reasons that we got in the door or even filling someone's need or fantasy. But then it's like what we do with it once we're in the room, that really, really matters. And I think that yeah, regardless of how you ended up in Milwaukee rep, like I think it's smart and like I really like the idea of saying okay, like that's probably why I was there.1 (39m 58s):I checked, I've checked boxes, but Okay. But that's why a lot of people are a lot of places. And so like, let's, let's, let's, you could stop there and be like, that is some fucked up shit. Fuck them. Or you could say, Wait a second, I'm gonna still have a fucking career and be a dope actor. Okay, so you're there, you're, you're still, you graduate from Marquette with a double major, I'm assuming, right? Chemistry and, and was it theater, straight up theater or what was your degree?3 (40m 23s):It's, well, no, no, it's called, it's, it's, it's the, at the time it's called, they didn't have a theater degree. Right. It was called the, you graduated with a degree in Communications. Communications,1 (40m 32s):Right? Yes. Okay, okay. Yeah. My, my niece likes to say Tia, all the people in communications at UCLA are the dumbest people. I'm like, No, no, no, no, no. That would've been me. And she's like, Well, anyway, so okay, so, so you graduate and what happens? What happens to you?3 (40m 54s):So, you know, I, I went from there. I went to, I got my equity card pretty ear pretty early cuz I went for my, I think it was my final between my, the summer, my junior year and my senior year I went to, because of the Milwaukee rep, I got asked to do summer stock at, at ppa, which is the Pacific Conservatory, the performing Arts, which is kind of like an Urda contract out in the West Co on the west coast. And so I was able to get credits there, which got me my equity card very quickly after, during that time I didn't get it at the institution, but I got like enough, you know, whatever credit that I was able to get my equity card. And again, at the time I was like, eh, what are the equity? I didn't even know know what that was really.3 (41m 34s):I don't know if anybody truly knows it when they're, when they're younger. So I had it and I went, right, I had my card and I went right to Chicago because family's there. So I was in Chicago. I did a couple of shows, I did one at at Lifeline at the time. I did one at North. Yeah. So it was nice to sort of go back and, and, and, and then I, you know, right then I, it's my favorite story, one of my favorite stories. I, I got my, my my SAG card and my after card in Chicago that summer, because at the time the union was separate. That's how old I am. And I got my SAG card doing a Tenax commercial, and I got my after card doing, I'm not sure if they're still there.3 (42m 18s):I think they are actually. It is a company called Break Breakthrough Services and they did it live industrial. Oh yeah.1 (42m 24s):They, I think they still wait live. How does that work? Yeah,3 (42m 29s):Exactly. So it's a lot of like those training, you know, you see it a lot, like the people do it, like corporate training stuff. Right. So they used, at the time it was really new. So like they used a lot of actors and they paid well.1 (42m 42s):Well, I did an Arthur Anderson one that like paid my rent3 (42m 45s):Long time. Yeah, yeah, yeah. So exactly when Arthur Anderson was still a, I think I did one too. So like, they,1 (42m 53s):Rodney,3 (42m 55s):Were you in St. Charles, Illinois?1 (42m 57s):I don't know. I had to take the Amtrak. It could have been,3 (42m 59s):Yeah. In St. Charles. Right? That's where they were centered. Yes. Yeah.1 (43m 2s):Okay, go ahead. Go ahead. So you, okay, so you got your, I know our world. Do you live, Where do you live?3 (43m 8s):I'm in, I'm in LA right now. This is my home. Yeah.1 (43m 11s):Okay. Well I'm coming to your home. Okay, great. I'm in Pasadena right now. Okay. Anyway, go ahead. Oh yeah.3 (43m 17s):Okay. So we, yeah, I went to Chicago, got my cards, and then was there for, you know, a hot minute and then I moved to New York. Okay.1 (43m 25s):Wait, wait, wait. Moved. Did you have, what years were you working in Chicago? Like were we still, were Gina and I in school? What, what, what years were that were you were like, Tampa, a man Chicago.3 (43m 35s):I did God bless that commercial. Yeah, it was so good. I did, let's see here, I grad, I was there in 90, let's see, 97,1 (43m 47s):We were there. Well, Gina was graduating and I, I was, yeah. Anyway, we were there.3 (43m 52s):And then I moved to New York in 98 and then I moved to New in 98. So1 (43m 55s):You were only in Chicago a hot minute? Yeah, yeah, yeah.3 (43m 57s):Okay. Yeah. But then I came back, I came back in 2004 five to do a show at Victory Gardens. Oh. And then I did a show at Victory Gardens, and then I did a workshop at Stepin Wolf. So it was nice. Look at1 (44m 12s):Victory Gardens. Victory Gardens. That was a whole,3 (44m 15s):I'm sorry, what was that?1 (44m 16s):R i p, Victory Gardens.3 (44m 17s):Oh, yeah. I mean, well I was there pre-K. Yeah. And so, but it was, yeah, r i p I mean, r i it was truly one of the most magnificent, magnificent shows that I've been part, but I mean,1 (44m 30s):Okay, so wait, wait, wait. Okay, so why New York? Why weren't you like, I'm gonna bust out and go to LA and be a superstar on,3 (44m 38s):It's all about representation. I mean, I didn't see at the time, and you know, if you think about it, like there were people on television, but, you know, in terms of like the, the, the, it wasn't pervasive. It was like sort of every once in a while I'll turn on my TV and I'll see like Dante Bosco or I'll see like, you know what I mean? But it wasn't like I saw like, you know, I wasn't flooded with the image of an Asian American making it. However, at the time, you know, it was already Asian Americans were starting to sort of like flood the theater world, right? So I started, you know, through James c and, and Lisa Taro in Chicago, and like, people who are like, who are still friends of mine to this day, Asian American actors, they were doing theater. And so I was like, you know what, I'm gonna do theater. And so I, it was just one of those, like, I went to, and I already had these credits.3 (45m 19s):I had my equity card, I had some credits. My natural proclivity was then to go to, to, to first theater in New York. So it wasn't, I didn't even think about LA it wasn't like, oh, let me, let me like think about doing television and film. So I went1 (45m 32s):To York. I just feel like in LA it's so interesting. As an actor, writing is a little different, but as an actor, it, most of us, if we plan to go to LA as actors, we're gonna fail. I just feel like you have to end up here as an actor by accident because you do something else that you love and that people like, and then they're like, I just, it's not the most welcoming. Right. Medium film and tv. So like, it's so hard. So I think by accident is really sort of the only way, or if you're just already famous for something else, but like, anyway, So you're in New York. Did you, did you love it? Wait, can I,2 (46m 9s):Can I hang on Buzz, Can I do a timeout? Because I've been wanting to ask this just a little bit back to, you know, your undergrad experience. Did you wanna be, did you love chemistry or did you just do that because Oh, you did, Okay. So it wasn't, it wasn't like, oh, finally I found something that I, like you liked chemistry.3 (46m 29s):Yeah. To this day, to this day, I still like, it's still very much like, you know, the, the, the values of a stem field is still very much in how I teach, unfortunately. Right? Like, I'm very empirical. I, I, I need to know an, I need to have answers. Like, you know, it tends to, sometimes it tends to be a lot of it, like, you know, you know, sort of heady and I'm like, and now I need, I need, I'm pragmatic that way. I need to understand like why, Right? That2 (46m 53s):Doesn't seem unfortunate to me. That seems actually really fortunate because A, you're not the only artist who likes to think. I mean, you know, what about DaVinci? Like, a lot of people like to think about art in a, in a, I mean it's really, they're, they're, they're really kind of married art and science.3 (47m 8s):Yeah. They really are people. I, I think people would, It's so funny. Like people don't see it as such, but you're absolutely right. I agree. It's so more, Yeah. There's so much more in common.1 (47m 18s):The other thing that I'm glad Gina brought that up is cuz I'm questioning like, okay, so like, I don't know about at Marquette, but like at DePaul we had like, we had, like, we had these systems of, you got warnings if you, you weren't doing great and I bet like you probably didn't have the cut system cause that just is okay, good. But okay.3 (47m 36s):Well we were, we remember we were, we weren't a conservatory, right? So we were very much a, a liberal programming.1 (47m 42s):Yeah, I love it. Oh God, how I longed for that later, right? But anyway, so what would've helped is if someone with an empirical, like someone with more a stem mind sat down with me and said, okay, like, here are the things that aren't working in a practical way for you, and here are the things that you can do to fix it. Instead, it was literally this nebulous thing where my warning said, You're not living up to your star power now that's not actually a note. So that, that, that Rick Murphy gave me, and I don't, to this day, I'm like, that is actually, so I would love if I had someone like you, not that you'd be in that system, but like this to say like, okay, like here's the reasons why.1 (48m 25s):Like there was no why we were doing anything. It was like, you just do this in order to make it. And I said, Okay, I'll do it. But I was like, what the hell? Why are we doing this? That's,3 (48m 35s):That's like going to a doctor and a doctor being like, you're sick. You know what I mean? And you're like, but can, that's why I'm here is for you to help me get to the root of it and figure it out. Right. Being like, you're,1 (48m 46s):I think they didn't know, Here's the thing, I don't think it, it3 (48m 50s):Was because they're in.1 (48m 51s):Yeah. I I don't think it was because they were, I mean, they could have been rude in all the things. I literally, now that I'm 47, looking back on that experience, I'm like, Oh, these teachers didn't fucking know what they were, how to talk. And3 (49m 3s):This is how I came. Yeah, yeah. Which is how I came back to usc. So like that's,1 (49m 7s):Anyway, continue your New York adventure. I just wanted to know.3 (49m 11s):No, no, no. New York is was great. New York is New York was wonderful. I love it. I still love it. I I literally just got back with it. That's why, remember I was texting you, emailing you guys. I I just got back, Yes. The night before. Some amazing things. My husband would move back in a heartbeat if I, if I like texted him right now. And I was like, Hey, like let's move back. The house would be packed and we'd, he'd be ready to go. He loves, we both love it. You know, Am I in love with New York? I, that, that remains to be seen. I mean, you know, as I get older that life is, it's a hard life and I, I love it when there's no responsibilities when you can like, skip around and have tea and you know, walk around Central Park and like see shows.3 (49m 53s):But you know, that's obviously not the real, the reality of the day to day in New York. So I miss it. I love it. I've been back for work many times, but I, I I don't know that the life is there for me anymore. Right. I mean, you know, six fuller walkups. Oh no. Oh no. I just, yeah, I1 (50m 11s):Just like constantly sweating in Manhattan. Like I can't navigate, It's like a lot of rock walking really fast and3 (50m 20s):Yeah. And no one's wearing masks right now. I just, I just came back and I saw six shows when I was there. No one's wearing masks. It's like unnerving. And again, like, you know, you know, not throwing politics in it. I was like, you guys, like, how are you okay with it? I'm just like, how are you not unnerved by the fact that we're cramped in worse than an airplane? And everyone's like coughing around you and we're sitting here for three hours watching Death of a Salesman. I mean, like, how was that1 (50m 43s):Of an2 (50m 45s):Yeah know?3 (50m 46s):I mean,2 (50m 47s):So what about the, so at some point you, you pretty much, I mean, you don't do theater anymore, right? You transition to doing3 (50m 55s):Oh, I know, I do. Very much so, very much. I'm also the associate, Yeah. I'm the associate artistic director of, I am a theater company, so like I'm, I'm very much theater's. I will never let go. It's, it's just one of those things I will never as, as wonderful as television and film has been. It's, it's also like theater's, you know? It's the, it's my own, it's my first child. Yeah.2 (51m 19s):Yeah.1 (51m 20s):We have guests like Tina Parker was like that, right? Wasn't,2 (51m 23s):Yeah. Well a lot of, a lot of people. It's also Tina Wong said the same thing.3 (51m 26s):He and I are different. She's part, we're in the same theater company. So Yeah. Tina's.2 (51m 30s):That's right. That's right. That's right. Okay, now I'm remembering what that connection was. So I have a question too about like, when I love it, like I said, when people have no idea anything related to performing arts, and then they get kind of thrust into it. So was there any moment in sort of discovering all this where you were able to make sense of, or flesh out like the person that you were before you came to this? Like a lot of people have the experience of, of doing a first drama class in high school and saying, Oh my God, these are my people. And never knowing that their people existed. Right. Did you have anything like that where you felt like coming into this performing sphere validated or brought some to fullness?2 (52m 14s):Something about you that previously you hadn't been able to explore?3 (52m 18s):Yeah. I mean, coming out, you know what I mean? Like, it was the first time that people talk, you know? Of course, you know, you know, I was born to, you know, like was God, I said I was born this way. But that being said, like again, in the world in which I grew up in, in Chicago and Lane Tech, it's, and, and the, you know, the technical high school and, and just the, the, the, I grew up in a community of immigrants. It's not like it was laid out on the table for one to talk about all the time. Right. It wasn't, and even though I may have thought that in my head again, it wasn't like, it was like something that was in the universe and in the, in the air that I breathed. So I would say that like when I got to the theater, it was the first time, you know, the theater, you guys we're, we're theater kids, right?3 (53m 2s):We know like every, everything's dramatic. Everything's laid, you know, out to, you know, for everyone. Everyone's dramas laid out for everyone. A the, and you know, part of it was like sexuality and talking about it and being like, and having just like, just being like talking about somebody's like ethnic background. And so it was the first time that I learned how to talk about it. Even to even just like how you even des you know, you know how you even describe somebody, right? And how somebody like, cuz that again, it's not, it wasn't like, it wasn't language that I had for myself. So I developed the language and how to speak about people. So that's my first thing about theater that I was like, oh, thank God.3 (53m 43s):You know? And then, you know, even talking about, you know, like queer, like queer was such a crazy insult back when I was a kid. And then now all of a sudden queer is now this embraced sort of like, badge of honor, Right? And so like, it was just like that and understanding like Asian and Asian American breaking that down, right? And being Filipino very specifically breaking that down, that all came about from me being in theater. And so like, I, I'm, I owe my, my life to it if you, and, and because I've, yeah, I didn't, you know, it's so funny how the title of this is I Survived Theater School for me. It's, Yes, Yes.3 (54m 23s):And I also, it also allowed theater also gave, allowed me to survive. Yes.2 (54m 31s):Theater helped you survive. Yes. That's beautiful. So in this, in the, in this spectrum or the arc, whatever you wanna call it, of representation and adequate representation and you know, in all of our lifetimes, we're probably never gonna achieve what we think is sort of like a perfect representation in media. But like in the long arc of things, how, how do you feel Hollywood and theater are doing now in terms of representation of, of specifically maybe Filipino, but Asian American people. How, how do you think we're doing?3 (55m 3s):I think we, you know, I think that there's, there's certainly a shift. You know, obviously it, we'd like it to be quicker than faster than, than it has been. But that being said, there's certainly a shift. Look, I'm being, I'll be the first person to say there are many more opportunities that are available that weren't there when I started in this, in this business, people are starting to like diversify casts. And you know, I saw Haiti's Town, it was extraordinary, by the way. I saw six shows in New York in the span of six days out of, and this was not conscious of me. This is not something I was doing consciously. Out of the six shows, I saw every single show had 90% people of color.3 (55m 43s):And it wasn't, and I wasn't conscientious of it. I wasn't like, I'm going to go see the shows that like, it just happened that all I saw Hamilton, I saw K-pop, I saw, you know, a death of a Salesman I saw. And they all were people of color and it was beautiful. So there's definitely a shift. That said, I, for me, it's never, this may sound strange, it's not the people in front of the camera or on stage that I have a problem with. Like, that to me is a bandaid. And this is me speaking like an old person, right? I need, it needs to change from the top down. And for me, that's what where the shift needs to happen for me. Like all the people at top, the, the, the people who run the thing that needs to change. And until that changes, then I can expect to starter from1 (56m 25s):The low. It's so interesting cuz like, I, I, I feel like that is, that is, we're at a point where we'd love to like the bandaid thing. Like really people really think that's gonna work. It never holds. Like that's the thing about a bandaid. The longer the shit is on, it'll fall off eventually. And then you still have the fucking wound. So like, I, I, I, and what I'm also seeing, and I don't know if you guys are seeing it, but what I'm seeing is that like, so people got scared and they fucking started to promote execs within the company of color and othered folks and then didn't train them. And now are like, Oh, well we gave you a shot and you failed, so let's get the white kid back in that live, you know, my uncle's kid back in to, to be the assistant.1 (57m 6s):And I'm3 (57m 7s):Like, no people up for success is a huge thing. Yeah. They need to set people up for success. Yes, yes, for sure.2 (57m 12s):Yeah. So it's, it's performative right now. We're still in the performative phase of1 (57m 16s):Our, you3 (57m 17s):Know, I would say it feels, it, it can feel performative. I I'm, I'm definitely have been. I've experienced people who do get it, you know what I mean? It's just, Sunday's a perfect example of somebody who does get it. But that being said, like again, it needs to, we need more of those people who get it with a capital I like, you know, up at the top. Cause again, otherwise it's just performative, like you said. So it's,1 (57m 38s):Does it make you wanna be an exec and be at the top and making choices? Yeah,3 (57m 42s):You know, I've always, people have asked me, you know, people have asked me what is the next thing for me. I'd love to show run. I've, I just, again, this is the, this is the stem part of me, right? Like, of us, like is I'm great at putting out fires, I just have been that person. I'm good with people, I'm, I'm, you know, and I've, I, you know, it's, it's, it's just one of those things that like I, I see is a, is a natural fit. But until that happens, you know, I'm, I'm, I'm also, you know, a professor is very much a version of show learning. So I've been doing that every day.1 (58m 14s):We talk about how, cause you've mentioned it several times about playing children into your thirties. So a lot, we have never had anyone on the show that I'm aware of that has had that sort of thing or talked about that thing. They may have had it. Mostly it's the opposite of like, those of us who like, I'll speak for myself, like in college, were playing old people at age, you know, 16 because I was a plus size Latina lady. And like that's what what went down. So tell me what, what that's what that journey has been like for you. I'm just really curious mostly, cuz you mentioned it a couple times, so it must be something that is part of your psyche. Like what's that about? Like what the, I mean obviously you look quote young, but there's other stuff that goes into that.1 (58m 57s):So how has that been for you and to not be, It sounds like you're coming out of that.3 (59m 1s):Yeah, I mean, look, all my life I've always been, you know, I mean I'm, I'm 5, 5 6 on a good day and I've always just been, I've always just looked young. Like, I mean, I mean, and I don't mean that like, oh I look young. Like I don't mean that in any sort of self-aggrandizing way. I literally just am one of those and you're built, like me, my one of my dear friends Ko, God rest his soul, he was always like, Rodney, you're like a little man look, looks, you're like a man that looks like a boy. And I was like that, that's hilarious. Like, and look, I for growing up little in, in high school and, and it, it was one of those things that I was always like, you know, like I was always chummy with people, but I was never sort of like, like there's a look, let's face it.3 (59m 45s):Like we're, we're a a a body conscious society and when you're, whatever it is, you can't help. There's implicit bias, right? Implicit bias, right. Supremacy at it's most insidious. And so I am not all my life, I was like always trying to, you know, the Napoleon complex of always trying to sort of be like, prove that I was older than I was.1 (1h 0m 6s):How did you do it? How did you do, how were you, what kind of techniques did you use? For3 (1h 0m 10s):Me, it wasn't even my technique. It was about doing everything and anything I possibly could. I mean, I was like president or vice president, I a gajillion different clubs. So it1 (1h 0m 18s):Was doing, it was doing, it was not like appearance. Okay, okay. So you3 (1h 0m 23s):Was actually yeah, I couldn't do anything about this. Yeah.1 (1h 0m 25s):Right. So yeah, but like people try, you know, like people will do all kinds of things to their body to try to, But for you, it sounds like your way to combat that was to be a doer, like a super3 (1h 0m 36s):Duer. And I certainly, I certainly like worked out by the time I got to college I was like working out hardcore to try and masculinize like, or you know, this. And, and eventually I did a gig that sort of shifted that mentality for me. But that being said, I think the thing that really, that the thing that, that for me was the big sort of change in all of this was just honestly just maturity. At some point I was like, you know what? I can't do anything about my age. I can't do anything about my height, nor do I want to. And when that shifted for me, like it just ironically, that's when like the maturity set in, right? That's when people started to recognize me as an adult.3 (1h 1m 17s):It's when I got got rid of all of that, that this, this notion of what it is I need to do in order for people to give me some sort of authority or gimme some sort of like, to l
Tensions rise in Typhoon's Landing as Chaz tracks down Talice. CONTENT/TRIGGER WARNING: Suicidal ideations, grief Kenon Pearce as DM Jordache Richardson as Chaz and Serif Nikki Richardson as Talice ISHNAR/KALCRIN HOMEBREW SETTING by Kenon Pearce Sound editing and by Jordache and Nikki Richardson Kenon Pearce @mr_fugufish Jordache Richardson @jdash24 Nikki Ri @thenikkiri Website: totrpodcast.com Twitter: @totrcast Facebook: @topoftheround Instagram: @topoftheround THANK YOU HONORARY PRODUCERS! Gail Yadon Koebaebeefboo Dawn Prewett Holden Ray Corey Pfautsch Greyson Wanna talk to the cast? Check out our private Discord! https://discord.gg/qshNJJfKRr Go to our website for MERCH! https://www.totrpodcast.com/merch-store.html#/ Find/Review us on Podchaser: https://www.podchaser.com/podcasts/top-of-the-round-808056 Support us on Patreon: https://www.patreon.com/topoftheround Buy us a cup of coffee on Ko-fi: https://ko-fi.com/topoftheround Join our Facebook Group! https://www.facebook.com/groups/476203760792265/ TOTR WIKIPEDIA! https://topoftheround.fandom.com/wiki/Top_of_the_Round_Wiki LIGHT OF THE HOPELESS BY NICK HIGHAM https://www.nickjhigham.co.uk/ Music Courtesy of epidemicsound.com: Tracker by Christoffer Moe Ditlevsen Ghosting by Christoffer Moe Ditlevsen Where Kings Walk by Jon Sumner Silent as Smoke by Jay Varton There Are No Heroes by Philip Ayers Sense of Betrayal by Experia Village in Ruins by Experia By All Means Necessary by Christian Andersen Blood Samples by Alan Carlson-Green Sanctuary by Bonnie Grace Lights Are Low by Red Dictionary Timebox by Craft Case Violent by Enigmatic Midst of Anger by Golden Anchor 669X by Lennon Hutton 3000 Years Old by Farrell Wooten Night Victim by ALan Carlson-Green Silent Castle by Jay Varton Behind Bars by Wendel Scherer Please Hear Me Out by Philip Ayers Will He Hurts Me by Magnus Ringblom Summon All Gods by Dream Cave Out of Words by Christophe Gorman Nothing to Be Scared Of by Kikoru Residuum by Silver Maple Sinking by Christian Andersen Somber Fight by Jon Bjork True Forgiveness by Jon Bjork Consoling Illusion by Jon Bjork Torn From Your Embrace by Jon bjork Nowhere to Go by Cobby Costa Oh the Humanity by Gabirel Lewis Unspoken by Silver Maple In Hindsight by Silver Maple Morphing Faces by Silver Maple Burned Down by Bonn Fields Fracture by Jakob Ahlbom State of Play by Christoffer Moe Ditlevsen Solemn by Bonnie Grace Follow the Falcon by David Celeste Awaiting Backup by Experia Time Shall Tell by Guy Copeland Lost Senses by Sage Oursler A World Full of Sinners by Christian Andersen We'll Get Through by Jay Varton One Way North by Jon Sumner Forever From Here by Christophe Gorman For Every Child by Miles Avida This Pale Blue Dot by Christian Andersen Growing Doubt by Wendel Scherer Helix Bell by Christophe Gorman Ending (Scaled Down Version) by Peter Sandberg Death Chimes by Jon Bjork Burning the Evidence by Christian Andersen An Obsession by Dayon Across Any Sea by Christophe Gorman Path to the Abyss by Christoffer Moe Ditlevsen Unburned Fuel by Hampus Naeselius Cutting the Line by Hampus Naeselius Rose-Colored Faith by Rand Aldo At The End of NOthing by Silver Maple A Most Dignified Betrayal by Trevor Kowalski Ventifacts by Anthony Earls They Say I'm Mad by Mary Riddle The Antibody by Alec Slayne Stay Whimsical by Arthur Bensen Shadowman's Walz by Franz Gordon Awake by Megan Wofford A Journalist's Dream by Out To The World Soulsearcher by Scott Buckley License: http://creativecommons.org/licenses/by/4.0/ https://www.scottbuckley.com.au/library/
Welcome back! On todays episode we talk about the infamous Bushy Mountain State Penitentiary, where some of the worst inmates were kept! Including the killer of MLK Jr! On the other half we talk about some of the deadliest typhoons ever recorded, and how the death toll was over 200,000 people! Support the show
What's going on everyone! I hope yall are having a great day today and in todays episode we recap all of the action from Week Ten of the 2022 CFB season! We discuss LSU taking down Alabama and what that means for Alabama's playoff chances, TCU remains undefeated after a close one against Texas Tech and Ohio State survives against Northwestern in a Typhoon! Make sure to check out Anchor.fm's Monthly Supporter Program which helps me better the podcast for all of you beautiful people. Anyways I hope yall enjoy and I'll see yall in the next one! Go follow the official Instagram of the "Cover 7 With Mason Pierce Podcast" if you want to keep up to date on everyday Sports news! https://www.instagram.com/cover7withmason Go follow the official TikTok of the "Cover 7 With Mason Pierce Podcast" if you love everyday Sports content! https://www.tiktok.com/@cover7withmasonpierce --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/mason-a-pierce/support
VOTT: Impact of typhoons offers reminders of old problems | Nov. 6, 2022 Subscribe to The Manila Times Channel - https://tmt.ph/YTSubscribe Visit our website at https://www.manilatimes.net Follow us: Facebook - https://tmt.ph/facebook Instagram - https://tmt.ph/instagram Twitter - https://tmt.ph/twitter DailyMotion - https://tmt.ph/dailymotion Subscribe to our Digital Edition - https://tmt.ph/digital Check out our Podcasts: Spotify - https://tmt.ph/spotify Apple Podcasts - https://tmt.ph/applepodcasts Amazon Music - https://tmt.ph/amazonmusic Deezer: https://tmt.ph/deezer Stitcher: https://tmt.ph/stitcherTune In: https://tmt.ph/tuneinSoundcloud: https://tmt.ph/soundcloud #TheManilaTimes#VoiceofTheTimes Hosted on Acast. See acast.com/privacy for more information.
East Forest is a multidisciplinary artist, musician, producer, teacher, and sound ceremonialist. He's especially known for his beautiful, longform tracks for journeys and ceremonies with psilocybin, also known as magic mushrooms, and generally for music that invites introspection into the deepest parts of us. East Forest, also known as Krishna, weaves together nature, music, technology, and elements of this wild human experience we're having. He is the co-founder of JourneySpace.com. His catalog includes a full-length album with the spiritual pioneer Ram Dass, psychedelic therapy soundtracks Music For Mushrooms and IN, and collaborations with artists Jon Hopkins, Typhoon, Laraaji, Dead Prez, Trevor Hall, and more. As a trailblazer in the global wellness movement, he has guided students through a brain-body approach aimed towards non-religious spirituality, teaching at Esalen Institute, in addition to working with Field Trip, Wavepaths, Imperial College London, UCSF, Yale Psychedelic Science Group, Google, Johns Hopkins neuroaesthetics project, Consciousness Hacking, TED, and more.In this conversation, we covered:What he was like as a kid, and why he walked out of first gradeThe beginnings of his spiritual journey, and the influence of his yogi grandmotherThe heart-opening of psychedelicsChoosing to see everything (or nothing) as a miracleAccepting our parents as human, and also as great spiritual beingsGiving up the desire to change others, and leading by example insteadThe energy of love and presence -- but also the importance of Action and ServiceDark thoughts and depression, and his collaboration album with Ram Dass; The role of the Guru in the internet ageCurating the information we choose to take in every dayHow iPhones have changed the world, foreverHow music can generate emotional responsesEveryone is an artist -- showing up for our creative work every dayStaying open to the full range of human emotion and experience, and trusting that we won't breakBuilding our daily toolkit and tending to our gardenOvercoming resistance in the creative processAccountability and communityPsychedelics and Legalizationand why you should question everything!To learn more about his work and/or find tickets to his November 2022 tour, go to EastForest.org. Resources:Instagram: @eastforest @itsarynlove @lovespacepodcastTen Laws with East Forest Podcast (listen on apple) (listen on spotify)Dark Thoughts (song by East Forest & Ram Dass)Music for Mushrooms (album by East Forest) Sit Around the Fire (song by East Forest, Jon Hopkins, Ram Dass) The Artist's Way: A Spiritual Path to Higher Creativity (book by Julia Cameron)The War of Art: Break Through the Blocks and Win Your Inner Creative Battles (book by Steven Pressfield)Journey Space online platform for musical guidance and psychedelic resourcesIf you enjoyed the show, please leave us a review and subscribe to the show--thank you for sharing the love. x
Cuando llega a España la democracia, son tiempos de cambio para el país, pero también tiene un paralelismo en el Ejército del Aire. Este va a cambiar su estructura y se va a modernizar para enfrentar la creación de una fuerza aérea moderna, que además se pueda integrar con sus aliados en conflictos conjuntos. Y así lo ha demostrado en los Balcanes o actualmente en las patrullas del Báltico. Pasaremos por los F.1, los EF-18 hasta llegar a los Eurofighter, pero no nos dejaremos aviones de entrenamiento, patrulla marítima, enlace, transporte, reabastecimiento, rescate, cometidos generales, o guerra electrónica. Como siempre, con el Doctor 🛩️ Marcelino Sempere Domenech a los mandos del relato. Le acompañamos ⚓️ Esaú Rodríguez y 👩🚀 Dani CArAn. Libros referenciados: 📚 EL EJÉRCITO DEL AIRE ESPAÑOL 1939-1989: https://publicaciones.defensa.gob.es/el-ej-rcito-del-aire-espa-ol-1939-1989-libros-ebook.html 📚 Cien años de la torre de señales. Base Aérea de Cuatro Vientos: https://publicaciones.defensa.gob.es/ajax/index/popup/product_id/22446/ 📚 Aviación Colonial Española (Próximamente) Producido por 👨🚀 Dani CarAn ¿QUIERES ANUNCIARTE en este Podcast, Esponsorizar un episodio o contratar una mini serie? Hazlo a través de 👉 https://www.advoices.com/casus-belli-podcast-historia Casus Belli Podcast pertenece a 🏭 Factoría Casus Belli. Casus Belli Podcast forma parte de 📀 Ivoox Originals. 📚 Zeppelin Books zeppelinbooks.com es un sello editorial de la 🏭 Factoría Casus Belli. 👉https://podcastcasusbelli.com 👉En Facebook, nuestra página es @casusbellipodcast https://www.facebook.com/CasusBelliPodcast 👉En Instagram estamos como @casusbellipodcast https://www.instagram.com/casusbellipodcast 👉En Twitter estamos como @casusbellipod @CasusBelliPod 👉Telegram, nuestro canal es @casusbellipodcast https://t.me/casusbellipodcast 👨💻Nuestro chat del canal es https://t.me/aviones10 ⚛️ El logotipo de Casus Belli y de la Factoría Casus Belli están diseñados por Publicidad Fabián email@example.com 🎵 La música incluida en el programa es Ready for the war de Marc Corominas Pujadó bajo licencia CC. https://creativecommons.org/licenses/by-nd/3.0/ El resto de música es bajo licencia privada de Epidemic Music, Jamendo Music o SGAE SGAERRDDD/4/1074/1012 de Ivoox. 📧¿Queréis contarnos algo? También puedes escribirnos a firstname.lastname@example.org Si te ha gustado, y crees que nos lo merecemos, nos sirve mucho que nos des un like, ya que nos da mucha visibilidad. Muchas gracias por escucharnos, y hasta la próxima. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Blizzard Beach is re-opening but Typhoon lagoon is closing. What's the deal? Join us on Patreon: https://www.patreon.com/unlockingthemagic This episode is brought to you by Unlocking The Magic Travel. https://www.UnlockingTheMagicTravel.com Join Team Tonga: https://bit.ly/2YVC0nV Join Team Talks: https://www.bit.ly/3dxyUvC Check out our latest design: https://bit.ly/2YVC0nV Our Favorite Books How to be like Walt: https://amzn.to/31qyFxx Walt Disney An American Original: https://amzn.to/31r2XjD One Little Spark : https://amzn.to/3jfVASr Dream It Do It: https://amzn.to/31qs5Hd Gear Used for this: Cannon g7x: https://amzn.to/2TaMJql Cannon Rebel t6ii: https://amzn.to/31r2yhg At2020 microphone: https://amzn.to/3jhh1lM Ring Light: https://amzn.to/34eMPUr Scarlett mixer: https://amzn.to/3m1fNNx Contact Us: P.O. Box 82 Swampscott MA 01907 Website: http://www.unlockingthemagic.com/ Itunes: http://www.unlockingthemagic.com/itunes Facebook: http://www.unlockingthemagic.com/facebook Twitter: http://www.unlockingthemagic.com/twitter Instagram: https://www.instagram.com/unlockingthemagicpodcast --- Support this podcast: https://anchor.fm/utmtv/support
Lynn Louise has helped entrepreneurs all over the world dominate their business, leaving behind the hard work and hustle and replace it with flow and ease.She combines Brian Science, Strategy, and Ancient and Cosmic Wisdom to help you create success in your dream business. Allowing you the FREEDOM to do the things you love with the people you love.This podcast is for you if you are willing to do what most aren't, to get a transformation most will never have.It is her dharma to create a Typhoon of Transformation by raising the abundance frequency of coaches and heals. And in turn raising the frequency of the entire planet. JOIN the FB Community!BOOK A CALL! To see if working with Lynn Louise is your next logical step.Download Free: 6 PILLARS to a MAGNETIC MINDSETToday's Podcast: Trading Time for Money is Scarcity MindsetAdding Ease and Flow to Business BuildingEmployee Mindset is a Core Level BeliefLet Your Income Flow from All Sources Aligning with the 5D starts in the subconscious. To become financially independent through living your higher purpose, you bypass your physical brain.
Als Typhoon uitlegt hoe hij eenzaamheid ziet, dan begrijp je ook meteen waarom de zinnen van het liedje ‘Alleen In De Pauze' alle kanten opgaan. Toch weet hij het heel helder uit te leggen. Martine: “Jij bent echt veel in therapie geweest, hè”. Specifiek met deze song probeert hij licht te brengen in het leven van jongeren, maar eigenlijk doet hij dat voortdurend. In dit gesprek gaat het vergrootglas over meer teksten en zo ontdek je de drijfveer van de rapper die in z'n paspoort Glenn de Randamie heet.
Every year parts of the planet are hit by devastating typhoons and hurricanes. They can cause billions of dollars of damage and can take hundreds if not thousands of lives. But why do these storms exist? What causes their distinctive spiral shape with an eye in the middle? And why do they only appear in certain parts of the world at certain times of the year? And while we're at it, what is the difference between a hurricane and a typhoon anyway? Learn more about hurricanes and typhoons and how they can become so deadly on this episode of Everything Everywhere Daily. Subscribe to the podcast! https://link.chtbl.com/EverythingEverywhere?sid=ShowNotes -------------------------------- Executive Producer: Darcy Adams Associate Producers: Peter Bennett & Thor Thomsen Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Update your podcast app at newpodcastapps.com Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Page: https://www.facebook.com/EverythingEverywhere Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/everything-everywhere-daily-podcast/ Everything Everywhere is an Airwave Media podcast. Please contact email@example.com to advertise on Everything Everywhere. Learn more about your ad choices. Visit megaphone.fm/adchoices
Case # 188: Stealth Technology; Making Planes Invisible Classification: [Tech] How exactly do you make a 50,000 lb jet plane look like a bumble bee on the radar? Today, on ovpod, hear Leon guide the rest of the hosts through a tour of the historical and modern stealth technology arms race -Sponsored by- Our Patrons at http://www.patreon.com/ovpod https://www.ovpod.ca/
Hurricane Ian has just come and gone from Central Florida. Being in the middle of it and so many others like it, perhaps it's time to share some of my experiences dealing with hurricanes, their cleanup and most of all, my experience with Disney during those times. But we want to cover more than hurricanes. There are tornados, earthquakes and even typhoons. And no, we're not talking Typhoon Lagoon. From Orlando Florida to Shanghai Disney, I share my own adventures of dealing with Disney and disasters.
While Dota 2 is a game beloved by all ages, you should probably keep the young'uns away from the Southeast Asia server – a cesspool of cuss words from across the region. It got so bad that Japanese gamer and Twitch streamer Xiinya collected all of these into a banging tune. Coconuts Regional Managing Editor Delfina Utomo hops onboard to talk to us exactly which countries were represented with their colorful language, and why this has sparked a bizarre sense of patriotism among the region's players. Tune in! Other stories include: 5 rescuers in Bulacan killed during typhoon ‘Karding' flash flood | Oh Noru! Typhoon about to hit storm-battered Bangkok | Government mascot apologizes for insensitive post about near-escape of transgender woman from police | Sweet tax: Indonesia mulls excise on sugary drinks | Japanese gamer turns Singapore cuss words into a song, now on Spotify | Angry dad in your area: Man allegedly burns daughter's precious K-pop merchandise, gets trashed by Internet | New Canggu eatery Inklusiv Warung, with its Deaf wait staff, is about more than just great food WTF is up in Southeast Asia + Hong Kong delivers impactful, weird, and wonderful reporting by our journalists on the ground in eight cities: Singapore, Bangkok, Hong Kong, Manila, Jakarta, Kuala Lumpur, Yangon, and Bali. Listen to headline news on matters large and small, designed for people located in – or curious about – Southeast Asia and Hong Kong. WTF is up in Southeast Asia + Hong Kong is available on Apple, Spotify, Google, or wherever you listen to podcasts. Subscribe today!
Damage to agriculture caused by Super Typhoon Karding (international name: Noru) was estimated at P141.38 million (AUD 3.7 million), based on initial estimates of the Department of Agriculture in the Philippines. - Kasabay ng pagbuti ng lagay ng panahon, kaagad nagsagawa ng damage assessment ang iba't-ibang sangay ng pamahalaan sa Pilipinas para matukoy ang pinasalang dulot ng super typhoon Karding
Headline/Community News: Hurricane Fiona update, Gov. Ron DeSantis issues state of emergency, Typhoon in Japan & earthquake in Mexico. Sports: Buffalo Bills Bobby Hart, Phoenix Suns owner selling the team, Trina wrestling debut. Tea: NBA coach Ime Udoka & Nia Long, Tiffany Haddish & Aries Spears lawsuit update, Dababy claims he slept with Megan Thee Stallion --- Send in a voice message: https://anchor.fm/soapms/message
Typhoons, reviews that make us ureshii, and the secret ingredient of fuwafuwa scrambled eggs. 今回のエピソードでは海外でも人気な日本の『アイテム』についてお話しします。皆さん何か当てられるかな？
Support us on patreon: https://www.patreon.com/smalltalkjapan Articles from this week's episode https://mainichi.jp/english/articles/20220914/p2a/00m/0na/031000c https://mainichi.jp/english/articles/20220910/p2a/00m/0na/011000c https://mainichi.jp/english/articles/20220910/p2a/00m/0na/007000c https://english.kyodonews.net/news/2022/09/a177e3012ac7-japan-to-remove-entry-cap-in-not-so-distant-future-official-says.html https://www.reuters.com/world/asia-pacific/boj-is-nowhere-near-shifting-monetary-policy-support-yen-2022-09-12/ https://mainichi.jp/english/articles/20220913/p2a/00m/0na/021000c https://mainichi.jp/english/articles/20220914/p2a/00m/0na/005000c https://mainichi.jp/english/articles/20220914/p2a/00m/0li/015000c https://mainichi.jp/english/articles/20220913/p2a/00m/0na/015000c https://mainichi.jp/english/articles/20220916/p2a/00m/0na/021000c https://soranews24.com/2022/09/16/japans-got-talent-is-coming-to-screens-in-2023-with-legendary-japanese-comedian-as-judge/ https://soranews24.com/2022/09/14/giant-ninja-bear-has-been-attacking-dairy-farms-in-hokkaido-for-three-years/ https://soranews24.com/2022/09/13/japanese-government-is-shutting-down-its-covid-contract-tracing-app/ Check out our sponsors! STAPLETON 英会話: https://stapleton.me/ Online classes! DROPS Hair: http://drops-hair.jp/ If you are interested in the equipment we use, check out the links below! mic https://amzn.to/3gtJapQ mixer XLR USB https://amzn.to/2XtQ8SL camera https://amzn.to/2ZwsLuu headphones https://amzn.to/2TAYt64 amp https://amzn.to/3ehnfQM
As I write this on the day after the funeral of Queen Elizabeth II there's little I can bring you in the way of sustainability news from the United Kingdom. The world didn't stop, of course, and we are in the middle of a series of extreme weather events.
Last updated : 2022.09.19 The latest news from home and abroad, with a close eye on Northeast Asia and the Korean Peninsula in particular
A special master who will review classified documents the FBI seized during its search at former President Donald Trump's home has scheduled his first hearing. Plus, President Joe Biden met with the families of two Americans detained in Russia. The British royal family will hold a vigil around the coffin of the late Queen Elizabeth II. Former White House Press Secretary Sarah Huckabee Sanders reveals her cancer diagnosis. Lastly, the strongest storm to hit Alaska in more than a decade is packing a punch.To learn more about how CNN protects listener privacy, visit cnn.com/privacy
This is a great episode for this that want to get in the fight to take America back from the radical socialists that are trying to takeover!Carl sits down with “Typhoon”Lou Marin, head of the Florida Republican Assembly of Orange County. Topics include:1) What it means to be a MAGA republican and a MAGA candidate; 2) Why conservatives must become activists; 3)How to get involved and use your skill set to save America in your local area, and what conservatives considering running for office need to know to get started More: www.Carljacksonshow.comFacebook: https://www.facebook.com/carljacksonradioTwitter:https://twitter.com/carljacksonshowParler: https://parler.com/carljacksonshowhttp://www.TheCarlJacksonPodcast.comSee omnystudio.com/listener for privacy information.
This is a great episode for this that want to get in the fight to take America back from the radical socialists that are trying to takeover!Carl sits down with “Typhoon”Lou Marin, head of the Florida Republican Assembly of Orange County. Topics include:1) What it means to be a MAGA republican and a MAGA candidate; 2) Why conservatives must become activists; 3)How to get involved and use your skill set to save America in your local area, and what conservatives considering running for office need to know to get started More: www.Carljacksonshow.comFacebook: https://www.facebook.com/carljacksonradioTwitter:https://twitter.com/carljacksonshowParler: https://parler.com/carljacksonshowhttp://www.TheCarlJacksonPodcast.comSee omnystudio.com/listener for privacy information.
Hello Travelers! For this week's mid-week bonus episode join Pete for a brief stop at the Typhoon Lagoon waterpark for some summery ambience. As always, use good listening devices as we always record in 4 channel surround sound. We hope you enjoy the episode and thanks so much for following along! Look us up at @WalkaboutWDW on Instagram and drop us a note to say hi! Find our producer Josh also on Instagram at @TheSteele. Say hi to our west coast correspondent Ric at @opticaljedi. Lastly give a shout to our Orlando correspondent Pete at @neverlandlocal. You can now also drop us at line at firstname.lastname@example.org. Say hi, give us some suggestions on things you'd love to hear, or even record your own 'Hello Traveler' show open when you are out and about, and we'll work it into a future show!
1. Fauci Ordered to Produce Records for Lawsuit 2. Trump-backed Candidate Wins Another Primary 3. Special Master Ruling Shows Distrust of DOJ 4. Blame Game Over Low Report Card Scores 5. FDA Recalls 17m CPAP, BiPAP Sleep Apnea Masks 6. Steve Bannon Expects Criminal Charges in Ny 7. ‘Well Timed' Stock Sales Avoid Covid Losses 8. Unexpected Wind Change Hits Fairview Fire 9. Hurricane Kay Warning for Baja Peninsula 10. Los Angeles School District Hit by Cyberattack 11. Warnings of Power Blackouts in Scorching CA 12. State Cannot Force Doctors to Aid Suicide 13. Orange Line Maintenance 60% Complete: MBTA 14. How the Blind Make Aerospace Machine Parts 15. Judge Allows Shareholder Lawsuit Over Mine 16. China Earthquake Death Toll is Rising 17. U.S. Missile Defense System Moves to S. Korean Base 18. U.S. Boosts Maritime Ties With Japan, Philippines 19. Solomon Islands to Lift Ban on Foreign Ships Port Visit 20. Rescuers Dramatically Save Two Victims From Flooded Car Park in Typhoon-hit South Korea 21. US Successfully Tests Icbm on Wednesday 22. U.N. Addresses Shelling Near Nuclear Plant 23. Pentagon: Russia to Buy Weapons From N.Korea 24. Ukraine's Wineries Toil Under Russian Rockets 25. Some Particle Accelerators to Be Shut Down 26. IFA Berlin Features New Consumer Technology 27. Weavers Recycle Shopping Bags to Decorate 28. Bridge Collapses During Ribbon-cutting Ceremony in Congo 29. Wyoming Wind Turbines Threaten Golden Eagles 30. Michael Jordan's 1998 Jersey Up for Auction 31. Sea Lion Dad and Son Reunited at Aquarium 32. Healthy Reasons to Eat More Cinnamon