Podcast appearances and mentions of Gwen Verdon

Iconic triple-threat, choreographer, and film star, Ann Reinking, speaks with Michael Riedel about choreographing and starring in the 1996 smash hit Chicago revival. That year, Ann Reinking won the Tony Award for Best Choreography, and the show has since gone on to become the longest running revival on Broadway. Ann shares her stories about her relationship with Bob Fosse during the original 1975 production and how she eventually replaced Gwen Verdon in the show. Years later, Ann was approached to choreograph Chicago for Encores and ended up starring as Roxie herself!  This episode features never-before-heard excerpts from the interviews Michael Riedel recorded while writing his 2020 best-selling book Singular Sensation: The Triumph of Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we're hanging out at the retirement center for our Golden Years Block with a review of 1985's Cocoon.A group of seniors discover a pool with rejuvenating properties due to hibernating alien pods being stored there. Directed by: Ron HowardWritten by: Tom Benedek and David SapersteinStarring: Don Ameche, Wilford Brimley, Hume Cronyn, Jessica Tandy, Maureen Stapleton, Gwen Verdon, Brian Dennehy, and Steve GuttenbergCome on in and have a listen! What do you think of this movie? What are others like it you enjoyed? We'd love to hear from you! Please like, follow, subscribe, share.

Bob Fosse and Gwen Verdon are the co-creators of the dance performance “Sweet Gwen Suite,” which will be performed at Hubbard Street Dance Company Nov. 15-24. The return of Fosse's work to Chicago isn't just noteworthy because Fosse is legendary and a Chicago native. Hubbard Street Dance Company is the only company in the world authorized to add Fosse's works to its repertory. Reset sits down with Cassie Walker Burke, WBEZ senior editor for arts and culture, to talk about who Fosse was, and what makes his work and this particular dance special. For a full archive of Reset interviews, head over to wbez.org/reset.

Guests - Dana Moore and MaryAnn LambHosted By - Courtney Ortiz and Lesley MealorIn Episode 201 of Making The Impact - A Dance Competition Podcast, we are introducing a new Spotlight Feature Episode series featuring different genres of dance. Kicking off this series is a subgenre of jazz dance - you know it when you see it - Fosse! With us today are two giants in the industry, MaryAnn Lamb and Dana Moore, to share their invaluable insights into this highly specialized style.Topics Include: What characterizes the Fosse genre aside from the recognizable body positions Intimate details of what it was like to work with Bob Fosse and Gwen VerdonHow the Verdon Fosse Legacy organization is sharing the style to a new generationHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4, 5 & 6. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceDana Moore - @officialdanamooreMary Ann Lamb - @_maryannlamb_Check out our guest's current projects! For more information about Bob Fosse and Gwen Verdon, visit Verdon Fosse Legacy.This episode is sponsored by:Francisco Gella Dance Works Educational and developmental programs, intensives, and seminars designed to empower students, parents, educators, and artists.Register now for an upcoming intensive, workshop or seminar! CapezioGet a free “Everyday Dance Duffle” bag with any purchase. To redeem, add the Everyday Dance Duffle style #B246 to your cart and use code IMPACT at checkout, while supplies last.Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show

Two years ago for Halloween, I presented the first of my “Haunted Opera House” episodes. At the time, I had such a plethora of creepy musical material that I produced a bonus episode of material that otherwise would have ended up in the dung heap (like the body of Faust at the end of Schnittke's Faust Cantata, which closes the episode). We also hear music from Damn Yankees featuring the red-hot Gwen Verdon; Dvořák's Rusalka (a stunning duet with Teresa Stratas and Gwendolyn Killebrew); Respighi's comic opera Belfagor (in which a devil [Lajos Miller] encounters his superior in a cunning young woman [Sylvia Sass]; Ernest Bloch's Macbeth (in which Inge Borkh gives a luminous performance of Lady Macbeth's Sleepwalking Scene); Willem Pijper's strange musical drama based on the medieval legend of Halewijn, a Bluebeard of the Lowlands; La Chute de la Maison Usher, (the climax of Claude Debussy's incomplete opera based on Edgar Allan Poe's Fall of the House of Usher); and Antikrist, Rued Langgaard's unique, indescribable, and nearly unstageable mystery play. But it is Iva Bittová's gleefully deranged performance of Alfred Schnittke's gruesome Faust tango which will, I predict, find its way into your nightmares! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

Today, I'm thrilled to present my episode with triple threat Stephanie Pope. Tune in to hear some of the stories of her fantastic career, including her long collaboration with Bob Fosse, from her first audition for SWEET CHARITY to her conversations with him on the day that he died, why she was hounded by press during THE WILL ROGERS FOLLIES, what made her decide to recreate her role in JELLY'S LAST JAM, doing research for her role in A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, going on at the last minute for Patina Miller in PIPPIN, how the pandemic led her to start directing, premiering SMOKEY JOE'S CAFE in London, going on the road with her daughter in THOROUGHLY MODERN MILLIE, announcing Gwen Verdon's death from the stage during FOSSE, studying dance while attending high school, standing by for Chita Rivera in KISS OF THE SPIDERWOMAN, how she aimed to leave the door open for fellow Black performers, and so much more. You won't want to miss this interview with one of Broadway's most talented stars. 

To celebrate Tread Perilously's 477th podcast, Erik and Justin finally watch an episode of M*A*S*H -- "That's Show Biz." When a performer on a USO tour comes down with appendicitis, she is airlifted to the 4077th and immediately falls for Hawkeye. Once the rest of her colleagues make it to the M*A*S*H unit, they decided to put on an impromptu show. But they soon learn the road to their next stop was bombed and they must spend a few extra days at the camp. Will personalities clash? Will Hawkeye wave off the advances of the young singer? And will Klinger have a future in comedy? Erik explains why he chose the second lowest rated episode of M*A*S*H on IMDb for its introduction into the rotation. Justin appreciates the presence of guest star Gwen Verdon while Erik finally admits he always had a thing for Gail Edwards. Alan Alda also proves to be swoon-worthy. David Ogden Stiers' proto-Fraser is examined. Harry Morgan might turn out to be the series regular MVP. The obsession with Columbo continues. The Raygun situation makes its way into the discussion. Erik has a spooky moment with cable television. Justin reveals a preference for the accordion and Erik pitches a show for Patrick McGoohan and Peter Falk.

As we begin our second hundred episodes, it's only fitting that we turn our attention to second-act openers. These songs often have to return the audience to the world of the show quickly and recast the spell the first act had woven. So, how do you do that? One answer is to give them a song and dance for the ages: this week we talk about "Who's Got the Pain?" from Damn Yankees, written by Adler and Ross, but made famous by Fosse and Verdon. All clips are from the 1958 film version of Damn Yankees featuring Bob Fosse and Gwen Verdon and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Buy/listen to the performance on Amazon! Watch the performance on YouTube! Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com  

This week I chat with Patrick Pacheco who helped the late Chita Rivera write her autobiography - Chita: A Memoir. Dolores Conchita Figueroa del Rivero – Chita – created some of Broadway's most iconic roles, including Anita in West Side Story‚ Rosie in Bye Bye Birdie, Velma in Chicago, Aurora in Kiss of the Spider Woman, and Claire in The Visit. Patrick and I talk about these shows and such luminaries as John Kander, Fred Ebb, Bob Fosse, Jerome Robbins, Hal Prince, Judy Garland, Liza Minnelli, Sammy Davis Jr., Gwen Verdon, and more.

Today, I'm thrilled to announce my interview with Sara Gettelfinger, who is currently returning to Broadway after a 10-year hiatus to star as Barbara in Water for Elephants. Tune in today to hear some of the stories of her legendary career, including how her persistence got her into CCM, why Michele Pawk was an early hero of hers, rehearsing with Gwen Verdon, a special audition for Jack O'Brien, working with Jerry Zaks on The Addams Family, the shows she'd like to see done at Encores!, the importance of Rick Elice's work in her return to acting, the thrills and challenges of working with George C. Wolfe, how she created the character of Little Edie Beale, the process of being let go from Grey Gardens, and so much more. She also shares the moving and inspiring details of her hard-won journey back to Broadway. You won't want to miss this intimate conversation with one of Broadway's best.

Haldane Drama to perform saucy musical New York has done well by Chicago. The musical, which has been performed more than 10,000 times over the past 28 years on Broadway, will have its Haldane Drama debut from March 22 to 24 on the gritty stage of the school auditorium. It has long been on director Martha Mechalakos' punch list. Based on a satirical mid-1920s play written by a Chicago Tribune reporter, it focuses on the trials and tribulations of a gaggle of newly emboldened women accused of murdering their husbands. They work the legal system to draw attention to themselves - stories you might hear today on a true-crime podcast. The source material proved fruitful to John Kander, who wrote the music, and Fred Ebb, who wrote the lyrics and co-wrote the book with choreographer Bob Fosse. Presented in a vaudevillian courtroom setting, with many direct addresses to the audience, the show serves up two killers and assorted raucous denizens who plead their case through dance and songs such as "All That Jazz" and "Razzle Dazzle." The Haldane production has benefited, Mechalakos says, from the guidance of Christine Bokhour, a veteran Broadway actor who choreographed. "The story, music and lyrics are all so dang good," says Bokhour, who performed in the musical on Broadway and national tours. "It has revenge and redemption and is chock full of catchy tunes and phrases, then the vaudeville timing - Fosse was born to a Chicago vaudevillian and was a child prodigy tapper - and pace keep you riveted. The dancing sends it to another level. "The precision Fosse demanded is the most challenging aspect for untrained dancers," she says. "Aside from the athleticism in much of his work, there is a seeming simplicity when you watch Fosse dancers. But the amount of control it takes to execute those moves and isolations is underestimated - maybe not so much now by the Haldane kids in this production; I haven't been easy on them. "Fosse can be hard even for trained dancers. It's a style all its own created from his particular set of physical idiosyncrasies. I haven't replicated the Broadway show here - I can't even do that choreography now - but there are some places I've used original or close to original choreography where possible." Christine's husband, Ray, who spent the better part of 22 years playing Amos Hart in Chicago, mostly on Broadway, has also provided guidance to the actors. (The couple met in 1999 on a national tour.) Mechalakos says the Bokhours "bring the insider knowledge of all the bits that aren't written in the script, which is so much fun for the Haldane actors. And Christine donated several pairs of her Broadway performance shoes. Everyone wanted to wear the shoes that touched a Broadway stage." "I love watching light bulbs go on for kids when they grasp a move or a joke or a moment," Bokhour says. Amelia Alayon as Roxie Hart Elaine Llewellyn as Velma Kelly Merrick Williams as Billy Flynn Oliver Petkus as Amos Hart Lucia Petty as Mama Morton Molly Bernstein as Little Mary Sunshine With all the razzle-dazzle, Mechalakos feels that many productions of Chicago don't focus on what the show is actually about, which is "our national obsession with celebrity and scandal and the media obsession with such. It's about inequity and corruption in our criminal justice system, and the cynical idea that crime pays and it's a circus act, all show business." The students will perform the "teen edition" of the musical, which does not include the songs "Little Bit of Good" and "Class" and has other trims and substitutions. Chicago opened on Broadway in 1975 and ran for two years with Chita Rivera (who died Jan. 30) as Velma Kelly and Gwen Verdon as Roxie Hart. Jerry Orbach represented law and disorder as attorney Billy Flynn. The show was revived in 1996. Haldane Drama will perform Chicago at 7 p.m. on March 22 and 23 and at 2 p.m. on March 24 in the school auditorium at 15 Craigside Drive in Cold Spring. Tickets are $15, or $8 for seniors an...

Gwen Verdon was Charity. Raul Julia was Guido. Angela Lansbury was Juliet......then was not. Federico Fellini was Italy's most iconic film director of the 1960s so its no surprise that many of his films have been turned into musicals. But, there is a Fellini movie that screams to be a musical, even more so than any of the others and it almost was…with Angela Lansbury in the title role….grab a pizza, open some chianti, and get ready to hear all about the greatest musical that never was: Enter Juliet! BROADWAY BOUND PLAYERS Aaron Gooden as Lucien Ray Hebel as Ely Jacques Kahn Brian Michael Henry as George Laura Mason as Carolyn Leigh CJ Schneider as Morton DaCosta Daniel Schwartzberg as Larry Adler Nicole Weitzman as Juliet Cole Winston as Stage Directions If you like what we are doing DONATE HERE Fair use is a legal doctrine that promotes freedom of expression by permitting the unlicensed use of copyright-protected works in certain circumstances. Section 107 of the Copyright Act of 1976 provides the statutory framework for determining whether something is a fair use and identifies certain types of uses—such as criticism, comment, news reporting, teaching, scholarship, and research—as examples of activities that qualify as fair use.

Today, I'm honored to announce the release of my interview with Broadway star Wanda Richert, who played Peggy Sawyer in the original production of 42nd Street. Tune in to hear some of the stories of her legendary career, including her love story with Gower Champion, understudying Gwen Verdon, working with Michael Bennett on A Chorus Line, the challenges of playing Carla in Nine, the show that almost got her to return to New York, the experience of being a prodigy, her last Broadway performance, and so much more. You won't want to miss this exclusive conversation!

"Whatever Lola Wants, Lola gets." Grab your baseball bat and contracts with the Devil because this week we're diving into the classic musical that brought Bob Fosse and Gwen Verdon together: "Damn Yankees!" IT'S NOT EVEN ABOUT THE YANKEES! Credits: Hosts: Jesse McAnally & Andrew DeWolf Podcast Edited By: Andrew DeWolf Theme Songs: Robyn Nash of IOU Music UK Keeper of the Cheese: Juliet Antonio This show is a part of the Broadway Podcast Network Check out this Etsy Shop Social Media: Our WEBSITE Musicals with Cheese on Twitter Musicals W/ Cheese on Instagram Email us at musicaltheatrelives@gmail.com Merch!! Jess Socials Jesse McAnally on Twitter Jess McAnally on Instagram Andrew Socials Andrew DeWolf on Instagram Andrew DeWolf on Twitter Use our Affiliate Link Learn more about your ad choices. Visit megaphone.fm/adchoices

“I remember an agent saying to me: ‘You're not pretty, you're not fat – I don't know what to do with you.'… They still don't know what to do with me.” – Nana VisitorAll-New 8TL Pop-Up Series - "Star Trek Ladies". Explore out-of-this-world conversations with and about the women of the Star Trek universe! Sharon and Susan begin with Nana Visitor, who starred as “Kira Nerys” on the classic television series Star Trek: Deep Space Nine.In Part One of a two-part conversation, Nana talks about her early days as a Broadway dancer in the 70's, and starring in 80's TV favorites such as Remington Steele, Scarecrow & Mrs. King, Matlock, Hunter, Knight Rider, MacGyver, Highway to Heaven, and In The Heat Of The Night.THE CONVERSATIONA Dancer's Life: Growing up with Jerome Robbins, Gwen Verdon and Bob Fosse dancing around your parent's apartment!All That Jazz – singing, acting and dancing with Bob Fosse -- and the life-changing advice he gave her about doing drugs.What is it like kissing your best friend's husband for a guest role in 1991's Baby Talk – especially when it's George Clooney?Riding horses for years on Wildfire… even though she's terrified of horses!Vixen, Murderer or Dead Body – Nana has played them all. But which one is almost always blonde?Getting a warm welcome on the Remington Steele set – from Stephanie Zimbalist and especially Pierce Brosnan!So join Susan, Sharon – and Nana – as they talk It's A Living, Angela Lansbury, Ryan's Hope, Kate Jackson – and “dancing through the pain”….AUDIOGRAPHYSharon's favorite: Watch Deep Space Nine on Paramount+.Susan's favorite: Own the OG Star Trek Original Series on Special Edition DVD. Find Nana Visitor on Instagram and Twitter. Keep the Holiday fun going: Susan, Sharon, Melissa and 90s TV Baby Serita Fonanesi recorded a hilarious live watch-thru of Lifetime's Ladies of the 80's: A Diva's Christmas!Try it for FREE ON PATREON!CONNECTRead transcripts and more at 80sTVLadies.com.Sign up for the 80s TV Ladies mailing list.Follow 8TL on Facebook.Check out Instagram/80sTVLadies.Get ad-free episodes and exclusive videos on PATREON.Find more cool podcasts at our host sight, Weirding Way Media.LISTENER FEEDBACKSend us a message on our 8TL website:What Star Trek Lady should we cover next?Who is your favorite Star Trek Lady?And what is your favorite show or movie in the Star Trek universe/franchise?HAPPY NEW YEAR! Let's get more out of 2024.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5585115/advertisement

A longtime pal and castmate of Disney's The Lion King, Kenny and I begin laughing the momentwe are in each other's presence. With a career taking him from the renowned Hubbard StreetDance Company to becoming a fixture in the Chicago theater scene, and eventually to Broadwayand beyond, Kenny is a singular creative voice in the current landscape; hilarious, unapologeticand fiercely protective of those fortunate enough to work with and learn from him. In our chat,Kenny speaks on working with the greats; Hal Prince, Susan Stroman, Mitzi Hamilton, MichaelBennett...the list goes on. I promise you that twenty years from now, young folks will speak withsimilar reverence for having been fortunate enough to work with Kenny Ingram.. Sit back andlisten as Kenny and talk all things Lion King, A Chorus Line, Showboat, potlucks, and workethic...you might even hear a Gwen Verdon imitation or two.

In this episode, host Lauryn Johnson interviews Broadway actress Mary Ann Lamb. Mary Ann shares insights about her collaborations with the Immortal Icon, Ann Reinking, and her experiences working on the long-running show "Chicago." She discusses the importance of honesty and hard work in dance, and reflects on her interactions with renowned performers like Gwen Verdon and Chita Rivera. Overall, it provides a fascinating look into the life and career of a dance icon. Additional Resources: Footage Ann Reinking Shirt Ann Reinking Sweatshirt All That Jazz (1979) Fosse (2002) New York Times Article Disclosure: Some of the links are affiliate links. This means that, at zero cost to you, I will earn an affiliate commission if you click through the link and finalize a purchase.

DAMN YANKEES  Book by Douglass Wallop & George Abbott | Music & Lyrics by Jerry Ross & Richard Adler | Based on the novel The Year the Yankees Lost the Pennant by Douglass WallopWorks Consulted & Reference :Damn Yankees (Libretto) by Douglass Wallop & George AbbottDamn Yankees (Revised Libretto) by Joe DiPietroDamn Yankees (1958 Film) Directed by George AbbottFosse by Sam WassonSense of Occasion by Hal PrinceThe Secret Life of the American Musical by Jack ViertelMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Whatever Lola Wants" from Damn Yankees (Original Broadway Cast Recording)  | Music & Lyrics by Jerry Ross & Richard Adler | Performed by Gwen Verdon"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

Katie checks in with Broadway star (Damn Yankees, Song and Dance, Cats, Steel Pier, Annie Get Your Gun, Elf, Tuck Everlasting, Kimberly Akimbo), Valerie Wright.

CHICAGO  Book by Fred Ebb & Bob Fosse | Music by John Kander | Lyrics by Fred Ebb |  Based on the play by Maurine Dallas WatkinsWorks Consulted & Reference :Chicago (Original Libretto) by  Fred Ebb & Bob FosseFosse by Sam WassonColored Lights: Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz by John Kander, Fred Ebb, as told to Greg LawrenceMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Nobody" from Absysinia  | Music by Bert Williams, Lyrics by Alex Rogers | Recorded for the Victor label"Mister Cellophane” from  Chicago (New Broadway Cast Recording 1997) | Music by John Kander | Lyrics by Fred Ebb |  Performed by Joel Grey"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

On this final episode of “DANCIN' Man: A Fabulous Invalid Podcast”, Jamie and Rob chat with cast member Dylis Croman. Hailing from Dallas, Texas, Dylis met Ann Reinking when she was just 14 years old, and became her mentee. Dylis went on to appear on Broadway in “Fosse”, “Sweet Charity”, “Chicago”, and “A Chorus Line”, among other shows. On this episode, she talks about learning the Fosse style directly from Ann Reinking and Gwen Verdon, performing the “Trumpet Solo” in “Fosse”, the experience of returning to the world of Fosse for DANCIN', and reflections on her own career in dance. For more information about the show, go to DancinBway.com.  Find us on Twitter & Instagram: @fabulousinvalid Email us at: info@fabulousinvalid.com Jamie DuMont Twitter: @jamiedumont  Instagram: @troutinnyc Rob Russo Twitter: @StageLeft_NYC Instagram: @RRussoNY Learn more about your ad choices. Visit megaphone.fm/adchoices

Last summer, I produced a miniseries of episodes on Countermelody entitled “Forgotten Broadway,” the third and final segment of which was originally published as a bonus episode for my Patreon supporters. This week, my last one for the moment in New York City, is a busy one, so I have decided to pay tribute to the city by publishing that third Forgotten Broadway episode for all of my listeners. As I was preparing the series last summer, I enlisted the input and expertise of my dear pal John Coughlan. Like the first two episodes in the sequence, this one is once again, a veritable potpourri of delights, vocal, interpretive, and musical. It begins with a tribute to birthday icon Carol Burnett, who, at the beginning of her career, appeared in two different Broadway musicals, the second of which, 1964's Fade Out Fade In, is featured. Additional shows presented include, among many others, Salvation, Raisin, Mack and Mabel, Redhead, I Had a Ball, Breakfast at Tiffany's, Baker Street, performed by such favorites as Lisa Kirk, Melba Moore, Gwen Verdon, Robert Weede, Mary Tyler Moore, Rosemary Clooney, Liz Callaway, and Peggy Lee, alongside such lesser-known lights as Diana Davila, Walter Willison, Salena Jones, and Gilbert Price. In addition, there is the “added plus” [sic] of Bea Arthur delivering a comic monologue from the 1955 Shoestring Revue that will have you in absolute stitches. And just for the gays (and all those with equally good taste), Judy and Liza each stop by, Judy to deliver a Frank Loesser show-stopper, while Liza offers more of “A Quiet Thing,” from her first Broadway show Flora the Red Menace. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Michelle Williams is one of Hollywood's most respected actors. Her latest film SHOWING UP will be released in theaters April 7th and is her fourth collaboration with writer-director Kelly Reichardt. Most recently she starred in Steven Spielberg's THE FABELMANS for which she received her fifth Academy Award nomination as well as a Golden Globe and Critics Choice nomination. Her other films include Marvel's VENOM and the sequel, VENOM: LET THERE BE CARNAGE; MANCHESTER BY THE SEA; MY WEEK WITH MARILYN; BLUE VALENTINE; BROKEBACK MOUNTAIN; WENDY AND LUCY and a many other critically acclaimed, award-winning films. She's won an Emmy for playing Gwen Verdon in FX's “Fosse/Verdon.” And she's also a Tony-nominated actor who made her Broadway debut in CABARET. Please join Michelle and I for this in-depth, honest, emotional conversation about family, life, love, loss, grief and of course her incredible acting journey through film, television and theater. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy and Matty Rosenberg @ Radio Free Rhiniecliff Associate producer Jennifer Hammoud Music by Andrew Hollander Design by Cricket Lengyel

Welcome to the 100th episode of Broadway Nation! To celebrate I invited Albert Evans to join me to discuss, debate, and decide once and for all who is the Greatest Broadway Musical Star Of All Time!  As you will hear, we had a lot of fun with this one, and I have no doubt it will spark a lot of comments, conversation, and controversy! And we look forward to hearing from you. (And if you are wondering what happened to the third part of my conversation with Barry Kester regarding his book Round In Circles? Never fear! Barry and I will be back next week with the final episode in that series.) So who did we choose? All I can tell you is that Bernadette Peters, Ethel Merman, Patti Lupone, Robert Preston, Liza Minelli, Mary Martin, Audra McDonald, Angela Lansbury, Vanessa Williams, Al Jolson, Julie Andrews, Kristin Chenowith, Eddie Cantor, Idina Menzel, Fanny Brice, Sutton Foster, George M. Cohan, Lea Solonga, Rex Harrison, Nathan Lane, Barbara Cook, Mandy Patinkin, Yul Brynner, Brian Stokes Mitchell, Donna Murphy, Gertrude Lawrence, Ben Vereen, Hugh Jackman, Joel Grey, Lin-Manual Miranda, Gwen Verdon, Mathew Broderick, and Chita Rivera all get considered and discussed. And a lot of Broadway history gets explored along the way as well!  Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of Patron Club Members Ruth Oberg, Neil Hoyt, and Judy Hucka.  If you are a fan ofBroadway Nation, I invite you to become a PATRON! For a just $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions.  And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Gwen Verdon (1925-2000) was a true Broadway icon. Her status as a triple threat dancer, actor and singer earned her four Tony awards during her career.  This month, we're talking about movers and shakers: dancers, stuntwomen, martial artists, and other pioneering women who've used their physical prowess to shake things up. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more.  Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures.  Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Ale Tejeda, Sara Schleede, and Abbey Delk. Special thanks to Shira Atkins. Original theme music composed by Miles Moran. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

On this premiere episode of “DANCIN' Man: A Fabulous Invalid Podcast”, Jamie and Rob chat with Nicole Fosse – daughter of Bob Fosse and Gwen Verdon, and Founder and Artistic Director of the Verdon Fosse Legacy – about the creation and return of “Bob Fosse's DANCIN'” on Broadway. For tickets and more information about the show, go to DancinBway.com.  Find us on Twitter & Instagram: @fabulousinvalid Email us at: info@fabulousinvalid.com Jamie DuMont Twitter: @jamiedumont  Instagram: @troutinnyc Rob Russo Twitter: @StageLeft_NYC Instagram: @RRussoNY Learn more about your ad choices. Visit megaphone.fm/adchoices

By Jesse SpectorI'm doing some research that doesn't directly involve — at least not yet — Pro Football Hall of Famer Jimmy Conzelman, the last man to coach the Cardinals to an NFL championship, back when they were the Chicago Cardinals, in 1947. and player/coach (he missed the second half of the season as a player after hurting his knee in a win over the New York Yankees) for the 1928 champion Providence Steam Roller.The Steam Roller was Conzelman's last team as a player — he'd also been with the Detroit Panthers, Milwaukee Badgers, Rock Island Independents, and Decatur Staleys… after a college career in which he'd been part of the 1919 Rose Bowl champion Great Lakes Navy Bluejackets, 17-0 winners over the previously undefeated Mare Island Marines.George Halas was the star of that Rose Bowl for Great Lakes, and brought Conzelman with him to Decatur to join the NFL's first team. Conzelman ran for the only touchdown of the Staleys' game against Rock Island that inaugural season, and also threw two touchdown passes to Halas himself in a November game against the Hammond Pros.All of that is fantastically interesting on its own and a reminder of how much football has changed in a century, but it's a diversion from the tangent that I was already on, which is finding out how Conzelman's coaching career ended.Conzelman went 8-22-3 with the Cardinals from 1940-42, and resigned to go to St. Louis — little knowing that the football team would eventually do the same — to work as the public relations director for the St. Louis Browns, the baseball team.Here's how the Chicago Tribune described Conzelman when he headed southwest in 1943:Conzelman attended Washington university, St. Louis, where he later coached, and during World War I, he was a member of the famous Great Lakes eleven. Conzelman is one of the most versatile personalities in the field of sports. In addition to his football activities he has been a boxer, newspaper publisher, writer, salesman, composer, actor, and radio commentator. He is an accomplished orator.Conzelman worked for the Browns for two years, and those two years included their only American League pennant before heading to Baltimore and becoming the Orioles. And then he went back to coach the Cardinals again, won the 1947 NFL title, got to the 1948 NFL championship game… and quit to work in advertising.And also act alongside Gretchen Wyler in a St. Louis production of Damn Yankees, before Wyler had the role on Broadway (she succeeded Gwen Verdon).That picture ran in Sports Illustrated's 1961 football issue, itself a trove worth diving back into another day. Gerald Holland's piece on Conzelman is as interesting as the subject himself, and then there's this succinct preview of University of Idaho football:The Vandals went 2-7, led to an improvement over the previous season's 1-8 by tight end Reggie Carolan, a future all-star with the Chargers and AFL champion with San Diego and Kansas City (on the team that lost Super Bowl I). Reggie's son, Brett Carolan, played at Washington State and won Super Bowl XXIX as a rookie on the 49ers.The aggregate score of those seven Idaho losses (to Oregon, Oregon State, Washington State, Army, Utah State, Pacific, and Arizona) was 319-22. But they got a 27-18 home win over San Jose State, and finished the season in style with a 16-14 win over Montana to take the Little Brown Stein… which, this year, Idaho recaptured for the first time since 1999.This kind of journey down a rabbit hole might seem like hardcore fandom, but I find it to be quite different, and in fact one of the paths that has brought me to easier accept being a casual fan (for the most part, but very much for football) — all of the teams out there have their own stories, with their own people, their own traditions, and their own fanbases. There's always going to be a winner and a loser (or a tie, in our more refined sports), and the sports experience is richer if we take it all in. The casual experience is about not letting it get you so down when your favorite team loses.Is it perfect? Definitely not. We still haven't recorded a mainline Willets Pod episode since Addy and I took in the Emma Stone Game, and while part of that is about adults having a hard time scheduling things, part of it is definitely about us having needed some time to recover as fans. (We'll be back soon, promise.)I'm glad, though, to see what I feel is a healthier approach to sports, starting to come around… or at least to welcome Bomani Jones to the party.For the record, I'm still not off the Knicks “narcotic,” as Bomani terms his former Falcons fandom. I can keep it under control most of the time, but I don't think I'm ever shaking it, not when writing this very sentence sent me looking for Zion Williamson's contract status once again (poison pill on any trades until July 1, 2023 when… sign and trade???) and, well, yeah.I enjoy year-end music lists because it's a great way to come across stuff that isn't in my wheelhouse, but I might enjoy… and thanks to the Internet, I can find out really quickly (unlike when I bought a Pavement CD in 1997 based on a magazine review).So, here's our friend Michele Catalano's year in music, which unlike Pavement and Rolling Stone, I will not hold against anyone for decades to come if any of it isn't my bag……and here's an opportunity to revisit Pavement.Rolling Stone wrote…Take “Stereo,” the first track on Corners and perhaps the most accessible song Pavement have made since their (modest) hit, 1994's “Cut Your Hair.” “Stereo” is a dynamic, almost AOR statement, and it builds to the band's loudest, cleanest crescendo ever.To me, it sounds like a mashup of Talking Heads and Weezer that manages to capture nothing of what I like about either, so I guess some things don't change in 25 years. Although we also have the Knicks for that. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit willetspen.substack.com/subscribe

Longtime friends and Meryl Streep fans Zachary Scot Johnson ( http://www.youtube.com/user/thesongadayproject/about ) and Maryl McNally discuss Meryl Streep's 1996 comedy/ drama "Marvin's Room"."Marvin's Room" co-stars Diane Keaton, Leonardo DiCaprio, Robert De Niro, Hume Croyn, Gwen Verdon, Hal Scardino, Dan Hedaya, Margo Martindale & Cynthia Nixon. It is directed by Jerry Zaks and has a screenplay by Scott McPherson.Email the hosts at MerylStreepPodcast@gmail.com and remember to rate, review and subscribe to the podcast if you enjoy!Zach's ranking of Meryl's performances1. sophie's choice2. silkwood3. postcards from the edge4. the post5. iron lady6. big little lies season 27. julie and julia8. the hours9. devil wears prada10. a cry in the dark11. don't look up12. adaptation13. the bridges of madison county14. kramer vs kramer15. the french lieutenant's woman16. manchurian candidate17. into the woods18. let them all talk19. the laundromat20. the river wild21. doubt22. music of the heart23. it's complicated24. ricki and the flash25. mamma mia 226. florence foster jenkins27. out of africa28. death becomes her29. the prom30. prime31. a prairie home companion32. ironweed33. deer hunter34. mamma mia 35. falling in love36. plenty37. dancing at lughnasa38. little women39. defending your life40. heartburn41. first do no harm42. still of the night43. before and after44. she-devil45. suffragette46. mary poppins returns47. evening48. house of the spirits49. the homesman50. manhattan51. juliaZach's ranking of Meryl's films1. the post2. the hours3. silkwood4. don't look up5. little women6. kramer vs kramer7. adaptation8. sophie's choice9. out of africa10. the deer hunter11. doubt 12. big little lies season 213. into the woods14. the bridges of madison county15. a cry in the dark16. let them all talk17. the laundromat18. postcards from the edge19. the french lieutenant's woman20. iron lady21. julie and julia22. the devil wears prada23. it's complicated24. mary poppins returns25. the prom26. the river wild27. manchurian candidate28. music of the heart29. death becomes her30. suffragette31. a prairie home companion32. prime33. falling in love34. ironweed35. ricki and the flash36. florence foster jenkins37. defending your life38. dancing at lughnasa39. plenty40. manhattan41. mamma mia42. evening43. heartburn44. still of the night45. mamma mia 246. first do no harm47. she-devil48. julia49. the homesman50. house of the spirits51. before and afterMaryl's ranking of Meryl's performances1. sophie's choice2. the post3. julie and julia4. a cry in the dark5. devil wears prada6. bridges of madison county7. the iron lady8. postcards from the edge9. adaptation10. big little lies season 211. out of africa12. kramer vs kramer13. the hours14. doubt15. french lieutenant's woman16. manchurian candidate17. river wild18. mamma mia 219. plenty20. florence foster jenkins21. mamma mia22. silkwood23. let them all talk24. prime25. music of the heart26. into the woods27. it's complicated28. little women29. heartburn30. deer hunter31. death becomes her32. falling in love33. a prairie home companion34. ricki & the flash35. dancing at lughnasa36. suffragette37. first do no harm38. she-devil39. evening 40. the prom41. the laundromat42. ironweed43. house of the spirits44. mary poppins returns45. defending your life46. manhattan47. before and after48. still of the night49. julia50. don't look up51. the homesmanMaryl's ranking of Meryl's films1. the hours2. little women3. sophie's choice4. bridges of madison county5. postcards from the edge6. kramer vs kramer7. the post8. adaptation9. a cry in the dark10. florence foster jenkins11. doubt12. silkwood13. out of africa14. the deer hunter15. big little lies season 216. devil wears prada17. mamma mia 18. french lieutenant's woman19. the iron lady20. mary poppins returns21. into the woods22. julie & julia23. mamma mia 224. river wild25. prime26. evening 27. falling in love28. manchurian candidate29. it's complicated30. death becomes her31. music of the heart32. defending your life33. ironweed34. let them all talk35. dancing at lughanasa36. suffragette37. the laundromat38. house of the spirits39. heartburn40. first do no harm41. ricki & the flash42. prairie home companion43. julia44. she-devil45. the prom46. plenty47. don't look up48. still of the night49. before and after50. the homesman51. manhattan

Legendary Broadway Performer, Verdon Fosse Legacy Teacher and renowned Choreographer, Mary Ann Lamb shares her vastly rich performance background, her advice for how to keep a role fresh and exciting and her process for originated a new character role! Mary Ann has been in 11 Broadway shows including Fosse, Chicago, Jerome Robbins' Broadway and Starlight Express. She has also graced the silver screen dancing alongside Catherine Zeta-Jones in Chicago, as well as performing in Rock of Ages and The In Crowd. As a Musical Theatre veteran, Mary Ann shares her knowledge and passion with students through the art of teaching having taught at some of the most prestigious Universities in the US and furthermore, at the Jacques d'Amboise National Dance Institute. Mary Ann learned from and worked alongside the likes of Ann Reinking, Jerome Robbins and Gwen Verdon to name a few. She was the associate choreographer to Susan Misner and Andy Blankenbuehler for the hit TV show Fosse/Verdon coaching both Sam Rockwell and Michelle Williams and also worked on the preproduction of Nexflix's Halston. Discover from Mary Ann how YOU can keep the Verdon Fosse Legacy alive with specialized Teacher Training opportunities! Instagram: @_maryannlamb_ Mentioned Links The Verdon Fosse Legacy Show some love and be sure to rate, review and subscribe to the A Dancer's Guide Podcast on your favorite podcast app! Visit adancersguide.com for more information on topics discussed in this episode Follow A Dancer's Guide on social media Instagram: @adancersguideofficial Interested in Sponsoring this Podcast? Email adancersguide00@gmail.com & let's chat! What Dance related topics do you want to hear about the most? Tell us by completing the A Dancer's Guide SURVEY! Special thanks to all of our listeners!

This week Joe and Suz discuss the documentary Merely Marvelous: The Dancing Genius of Gwen Verdon. We'd love to hear from you! Write to us at 3FunnyLadies@gmail.com

Episode 86 and Wendi and Dfernando revisit their Episode 20 guest interview with 4-time Emmy Award nominated costume designer Joseph La Corte. Following his passion for costume design, Joseph La Corte has worked on some of the most groundbreaking projects in film and television. From period and fantasy costumes, to contemporary clothing, Joseph brings his fine-tuned attention to detail and unbridled enthusiasm for design to all of his work.Joseph has worked  on some of the most iconic shows in television including the critically acclaimed and multi-award winning FX limited-series FOSSE/VERDON, for which he received his fourth Emmy Award nomination.  His talents can also be seen in many HBO series including THE SOPRANOS, BOARDWALK EMPIRE, VINYL, and DIVORCE.  Other notable television credits include SATURDAY NIGHT LIVE, LAW AND ORDER: SVU, and the Sci-Fi series from Amazon TALES FROM THE LOOP.His feature film dossier is no less impressive. Joseph contributed his expertise to the Academy Award winning film THREE BILLBOARDS OUTSIDE OF  EBBING, MISSOURI.  Other notable film projects include BEL AMI, ALL THE KINGS MEN, SEX AND THE CITY 2, and SCHOOL OF ROCK.  Whether the project calls for a modern sensibility, or an interpretation of the past, Joseph brings a true sense of authenticity to every costume he designs. Joseph's costume design work has taken him to such diverse locations as Japan, Morocco, France, England, and Hungary, as well as much of the United States and Canada.  Joseph is happiest when working and creating and is always looking forward to new costume design adventures that may lie ahead.During the 2020 global COVID 19 pandemic, Joseph discovered the popular social media platform TikTok.  Not being one to stay stagnant during quarantine, as @minettajoe he began to produce and perform in his highly popular solo TikTok video series of recreations from scenes of classic television shows like THE GOLDEN GIRLS to scenes from classic films like GREASE.  Each video clip features Joseph inserted into the themed location and lip-syncing in full costume recreations.  Though his hectic costume designing career has finally resumed post-COVID 19, his now-iconic videos still survive on his TikTok account, so many will continue to discover them.  Joseph's most recent work can be seen on the acclaimed FX series UNDER THE BANNER OF HEAVEN, Paramount Plus' GUILTY PARTY, and Amazon Prime's TALES FROM THE LOOP.  And on Episode 86, Wendi and Dfernando talk about his getting ready for his move from New York City to Long Beach, and Wendi brings more of GORGEOUS LIVING, and QUEEN ENERGY with Emma Thompson and her new Hulu film GOOD LUCK TO YOU, LEO GRANDE and some body positivity.  On the RIPE REPORT, Dfernando has the new Cuban-American remake of FATHER OF THE BRIDE, starring Andy Garcia and multi-Grammy Award winner Gloria Estefan (now streaming on HBO Max), and Wendi proudly boasts a little about her baby birds saving husband Greg Covey.  Watch Wendi and Dfernando and their TEAM GENERATION RIPE: Greg Covey, Shelley McLendon and Ponciana Badia on Season 7 Episode 2 of CELEBRITY FAMILY FEUD - now on ABC OnDemand and Hulu and on the GENERATION RIPE website.  Follow us on our Instagram:Wendi McLendon-CoveyDfernando ZarembaGENERATION RIPE... and our guest Joseph La Corte and his TikTokRemember to subscribe to GENERATION RIPEAnd rate & leave us a review by clicking HERE!Visit Dfernando Zaremba's website: dfernandozaremba.com

Hey, big spender! Spend a little time with Erik & Shannon as they begin a new miniseries, featuring songs of seduction. We begin with one of the most blatant come-ons ever staged for Broadway, "Big Spender" from 1966's Sweet Charity. All clips are from the 1966 original Broadway cast recording of Sweet Charity and are used in accordance with the Fair Use Exemption for criticism and commentary. Listen to and buy the album on Amazon! Listen to the SMSTS playlist on Spotify. Follow the show on Twitter: @somuchstuffpod Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com

Jam Fam, this episode is incredible.  Thank you to our guest, Lainie Sakakura, for lending your knowledge, humor and memories to this episode.  We were honored to have you as our guest.  LAINIE SAKAKURA is a NYC based writer, director, choreographer, educator.Most recently directed the new musical, Corner of Bitter and Sweet adapted from New York Times Best Seller, Hotel on the Corner of Bitter and Sweet by Jamie Ford. Book by Lainie Sakakura, Music and Lyrics by Paul Fujimoto. NYC 29 hour Equity reading co-produced by the 5th Avenue Theatre, Abingdon Theatre Company. Writers, Sakakura and Fujimoto attended the 2020 Goodspeed Musicals Johnny Mercer Writers Grove following the reading. Award winning choreographer - 2015 Joe A. Callaway Award Outstanding Choreography for the Off Broadway show, Red Eye of Love in collaboration with Alex Sanchez. 2002 Joseph Jefferson Award Best Choreography for Damn Yankees, Marriott Theatre in collaboration with David H. Bell. 2003 Joseph Jefferson Nomination Best Choreography for Hot Mikado. Currently a Choreography Advisory Board Member for New York Theatre Barn.Fosse Reconstruction - worked on approximately 70 Bob Fosse numbers from 1994-1999 with Gwen Verdon and Chet Walker. The original onstage Dance Captain starting with the 1996 workshop through Broadway. Dance Reconstruction and onstage Dance Captain for Ann Reinking in the 1999 Tony Award Winning Best Musical. Other Fosse reconstruction work includes Big Spender starring Chita Rivera and Ann Reinking for Cy Coleman's Memorial, Majestic Theatre (ASCAP). Mexican Shuffle, Gwen Verdon memorial tribute at BCEFA Gypsy of the Year, Palace Theatre. Currently, Verdon Fosse Legacy instructor.Broadway - Ms Sakakura was offered original casts of 8 Broadway shows, but ultimately accepted 6 including: Fosse (dance reconstruction and onstage dance captain); Chita Rivera The Dancer's Life; Flower Drum Song (2002 revival); Tommy Tune's The Best Little Whorehouse Goes Public; The King And I (1996 Lou Diamond Phillips, Donna Murphy revival), The King And I  (2015 Ken Watanabe, Kelli O-Hare revival). Recorded on 4 Broadway cast albums including 2015 Grammy Nominated, The King And I.​Diversity and inclusion - Co-founder/Co-chair Rockettes of Color Alumnae. In 1994 Sakakura became the second AAPI RCMH Rockette hired following Setsuko Maruhashi, who was not only the first AAPI Rockette but also the first Rockette of color. Previously 7-year Co-chair of PS 87 Culture & Community Committee, producing and directing almost 30 multicultural performance events for a NYC public school of nearly a thousand students.  Educator - 32 years teaching experience. Guest teacher and/or choreographer in countless programs across the country including: New York University Tisch - New Studio on Broadway (Adjunct Professor), Carnegie Mellon, Chapman Univ, Sam Houston State, American Ballet Theatre, Jacob's Pillow, Joffrey Ballet, LINES Dance Center, Pace University (Adjunct Professor). Private program, Sakachez™Please like and subscribe wherever you stream your podcasts from!  Don't forget to leave us a commentFollow us:Instagram: jam_dance_podcastFacebook: JAM Joe and Michelle's Dance Podcast

It's time to break some legs and keep that "M" word out of your mouths, kids, because Bobby and Kristina are back with Part II of The Curse of the Longacre (dunn, dunn, dunn!!!) to discuss 2013's First Date on Season Two, Episode Two of My Favorite Flop.   ABOUT THE CURSE OF THE LONGACRE In theatrical history, baseball and Broadway have not been very compatible companions. There are two theories about this animosity. The first is that more theatre tickets are bought by women than men and that women are not overly fond of the sport. The second theory centers on the legendary Curse of the Bambino.  In 1916, a Broadway producer and theatre owner named Harry Frazee bought the Boston Red Sox. He was an avid baseball lover, but he made a fatal error. In 1920, he sold Boston pitcher Babe Ruth to the New York Yankees. The Red Sox didn't win another World Series for over 80 years (they won in 2004), leading fans to believe the team was under The Curse of the Bambino. To add insult to injury, when reporters asked Frazee why he sold the immortal Babe Ruth to New York, he replied that he wanted the $125,000 to produce a Broadway musical. The show turned out to be the hit No, No, Nanette, which further enraged Boston. Legend has it that since then, no Broadway show about baseball could succeed. And many haven't. Of course, there have been notable exceptions that have defied the infamous curse: the most famous being the 1955 smash hit Damn Yankees, starring Gwen Verdon. But even this show started with a jinx. The musical's initial artwork featured Verdon garbed in a drab baseball uniform, and tickets were not selling very well. When producers changed the cover photo to Verdon in sexy black lingerie (after all, she did play a tempting seductress in the musical), the box office suddenly responded. The show won seven Tony Awards and ran for 1,019 performances. Harry Frazee also famously built Broadway's Longacre Theatre. At first, the large theater was home to a series of hit shows, but after the infamous Baseball trade, it began to struggle. Many plays and musicals have premiere there over the years and the flops have outnumbered the successes. Sometimes the theater stands empty for long periods of time as Broadway producers are notoriously superstitious and it is considered by some to truly be a cursed house and they would rather not mount their show at all than to risk mounting it there.

Michael James Scott is an actor, singer, and performer who radiates joy, on and off stage. He has starred in Broadway hits like THE BOOK OF MORMON, SOMETHING ROTTEN!, ELF THE MUSICAL, THE PIRATE QUEEN, and is currently granting wishes on Broadway as "Genie" in Disney's ALADDIN. He is also a member of Broadway Inspirational Voices, a choir of Broadway artists united to change lives through the power of music and service.  In this episode, Michael shares wisdom he learned from dance legends like Ann Reinking, Gwen Verdon, and Ben Vereen, his decision to hear the word "no" as "maybe," and how joy and gratitude elevates his life. Michael J Scott Broadway Inspirational Voices Fosse

Book Vs. Movie “Musicals in March” The 1926 Play Chicago Vs the 2000 Filmed AdaptationOur second pick this month for “Musicals in March” is Chicago which has a rich history in two important cities--Chicago and New York City. The original play was based on the true-crime work of Maurine Dallas Watkins--a journalist and playwright who had a flair for juicy dialogue. Born in Louisville, Kentucky sometime around 1896 (the state has no record of her birth) Watkins was ambitious enough to try her hand at playwriting when most women were not taken seriously as writers. On the advice of one of her instructors, Watkins moved to Chicago to work as a newspaper reporter. Her time at the Chicago Tribune only lasted eight months, but her coverage of accused murderers Belva Gaertner and Beulah Sheriff Annan caused a sensation with the “jazz babies” entering the imaginations of millions of readers. (She later felt guilty about making them sound more charming than they deserved.) After joining the Yale School of Drama, she wrote the play “The Brave Little Woman” with characters “Roxie Hart” and “Velma” which later became Chicago. After a respectable run on Broadway (the touring company included a then-unknown Clark Gable), she went on to write 20 more plays and became a Hollywood screenwriter. By saving and investing her money, she made a fortune and retired to Florida when not traveling the world. She was never married or had children and died quietly in 1969. After her death, stars Gwen Verdon and Bob Fosse bought the rights to Chicago and partnered with John Kander and Fred Ebb to work on the music & score after their combined success with Cabaret. The 1975 production was a slow burn due to the illness of Verdon until Liza Minelli subbed for her. The musical would lose most major TONY Awards to A Chorus Line but it went on to become a $2 billion franchise and the second longest-running show on Broadway since the revival in 1996. The basic story of Roxie Hart, Velma Kelly, Billy Flynn, and “Mama Morton” is one of the old adages “if it bleeds, it leads” with the media portraying the boozy dames as 1920s nouveau heroes. The songs are some of the catchiest you will ever hear in one show including “All That Jazz,” When You're Good to Mama,” Roxie,” “I Can't Do it Alone,” and “Nowadays.” Rob Marshall directed the 2002 film that stars Renee Zellweger (Roxie,) Catherine Zeta-Jones (Velma,) Richard Gere (Billy Flynn,) Queen Latifah (“Mama” Morton,) John C. Reilly (Amos Hart,) Christine Baranski (Mary Sunshine,) and Taye Diggs as the Bandleader.So, between the original play and the musical adaptation--which did we prefer? In this ep the Margos discuss:The origin story is based on real-life criminals in the 1920sHow the musical originally came togetherThe differences between the film and stageThe musical is a cash cow for theater. Clips used:TV ad 1977Chicago original trailerJerry Orbach TONY Awards 1976Gwen Verdon & Chita Rivera 1977 Mike Douglas ShowRichard Gere as Billy FlynnQueen Latifah as “Mama” MortonThe Cell Block TangoMusic by John Kander & Lyrics by Fed EbbBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Book Vs. Movie “Musicals in March” The 1926 Play Chicago Vs the 2000 Filmed AdaptationOur second pick this month for “Musicals in March” is Chicago which has a rich history in two important cities--Chicago and New York City. The original play was based on the true-crime work of Maurine Dallas Watkins--a journalist and playwright who had a flair for juicy dialogue. Born in Louisville, Kentucky sometime around 1896 (the state has no record of her birth) Watkins was ambitious enough to try her hand at playwriting when most women were not taken seriously as writers. On the advice of one of her instructors, Watkins moved to Chicago to work as a newspaper reporter. Her time at the Chicago Tribune only lasted eight months, but her coverage of accused murderers Belva Gaertner and Beulah Sheriff Annan caused a sensation with the “jazz babies” entering the imaginations of millions of readers. (She later felt guilty about making them sound more charming than they deserved.) After joining the Yale School of Drama, she wrote the play “The Brave Little Woman” with characters “Roxie Hart” and “Velma” which later became Chicago. After a respectable run on Broadway (the touring company included a then-unknown Clark Gable), she went on to write 20 more plays and became a Hollywood screenwriter. By saving and investing her money, she made a fortune and retired to Florida when not traveling the world. She was never married or had children and died quietly in 1969. After her death, stars Gwen Verdon and Bob Fosse bought the rights to Chicago and partnered with John Kander and Fred Ebb to work on the music & score after their combined success with Cabaret. The 1975 production was a slow burn due to the illness of Verdon until Liza Minelli subbed for her. The musical would lose most major TONY Awards to A Chorus Line but it went on to become a $2 billion franchise and the second longest-running show on Broadway since the revival in 1996. The basic story of Roxie Hart, Velma Kelly, Billy Flynn, and “Mama Morton” is one of the old adages “if it bleeds, it leads” with the media portraying the boozy dames as 1920s nouveau heroes. The songs are some of the catchiest you will ever hear in one show including “All That Jazz,” When You're Good to Mama,” Roxie,” “I Can't Do it Alone,” and “Nowadays.” Rob Marshall directed the 2002 film that stars Renee Zellweger (Roxie,) Catherine Zeta-Jones (Velma,) Richard Gere (Billy Flynn,) Queen Latifah (“Mama” Morton,) John C. Reilly (Amos Hart,) Christine Baranski (Mary Sunshine,) and Taye Diggs as the Bandleader.So, between the original play and the musical adaptation--which did we prefer? In this ep the Margos discuss:The origin story is based on real-life criminals in the 1920sHow the musical originally came togetherThe differences between the film and stageThe musical is a cash cow for theater. Clips used:TV ad 1977Chicago original trailerJerry Orbach TONY Awards 1976Gwen Verdon & Chita Rivera 1977 Mike Douglas ShowRichard Gere as Billy FlynnQueen Latifah as “Mama” MortonThe Cell Block TangoMusic by John Kander & Lyrics by Fed EbbBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comEmail us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

It's time to grab your cleats and jockstraps, kids, because we're back with a brand new season and this time our episodes are themed and paired! To kick things off, Bobby and Kristina will be exploring whether or not baseball and Broadway can actually coexist as they cover The Curse of the Longacre (dunn, dunn, dunn!!!) and then learn more about "the worst job in the world" as they discuss 2021's Diana, The Musical on the Season Two premiere of My Favorite Flop.   ABOUT THE CURSE OF THE LONGACRE In theatrical history, baseball and Broadway have not been very compatible companions. There are two theories about this animosity. The first is that more theatre tickets are bought by women than men and that women are not overly fond of the sport. The second theory centers on the legendary Curse of the Bambino.  In 1916, a Broadway producer and theatre owner named Harry Frazee bought the Boston Red Sox. He was an avid baseball lover, but he made a fatal error. In 1920, he sold Boston pitcher Babe Ruth to the New York Yankees. The Red Sox didn't win another World Series for over 80 years (they won in 2004), leading fans to believe the team was under The Curse of the Bambino. To add insult to injury, when reporters asked Frazee why he sold the immortal Babe Ruth to New York, he replied that he wanted the $125,000 to produce a Broadway musical. The show turned out to be the hit No, No, Nanette, which further enraged Boston. Legend has it that since then, no Broadway show about baseball could succeed. And many haven't. Of course, there have been notable exceptions that have defied the infamous curse: the most famous being the 1955 smash hit Damn Yankees, starring Gwen Verdon. But even this show started with a jinx. The musical's initial artwork featured Verdon garbed in a drab baseball uniform, and tickets were not selling very well. When producers changed the cover photo to Verdon in sexy black lingerie (after all, she did play a tempting seductress in the musical), the box office suddenly responded. The show won seven Tony Awards and ran for 1,019 performances. Harry Frazee also famously built Broadway's Longacre Theatre. At first, the large theater was home to a series of hit shows, but after the infamous Baseball trade, it began to struggle. Many plays and musicals have premiere there over the years and the flops have outnumbered the successes. Sometimes the theater stands empty for long periods of time as Broadway producers are notoriously superstitious and it is considered by some to truly be a cursed house and they would rather not mount their show at all than to risk mounting it there.

This episode is made possible in part by the generous support of Broadway Nation “Backstage Pass Club” Producer Level Members: Steven & Paula Reynolds.  Today my guest is Kevin Winkler, author of the new book: Everything Is Choreography – The Musical Theater of Tommy Tune.  Kevin's much acclaimed and award winning first book, Big Deal: Bob Fosse and Dance in the American Musical, was released in 2018. And you may have seen Kevin as an on-screen commentator in the acclaimed documentary, Merely Marvelous: The Dancing Genius of Gwen Verdon. I was fascinated to read Kevin's terrific new book – especially since I arrived in New York just as Tommy Tune's career as a choreographer and director was kicking off, As a result I had the tremendous privilege of seeing first hand every one of Tommy Tune's Broadway and off-Broadway productions that Kevin covers in the book. I began our recent conversation by asking Kevin about his two previous careers – as a dancer and a librarian – that have made him uniquely and unusually qualified to write books about Broadway's great, groundbreaking director/choreographers. Broadway Nation is written and produced by me – David Armstrong. Special thanks to Pauls Macs for his help with editing this episode, KVSH 101.9, the voice of beautiful Vashon Island, WA, and the entire team at the Broadway Podcast Network.   Learn more about your ad choices. Visit megaphone.fm/adchoices

To celebrate the life of Harvey Evans we are re-airing our interview with Harvey which we conducted in 2018. A dancer's life on Broadway can be limited, but, if you are Harvey Evans, your abilities have no boundaries. Starting with his first Broadway credit in 1957's New Girls In Town, Harvey's incredible resume includes the original Broadway productions of West Side Story, Redhead, Gypsy, Hello Dolly, Anyone Can Whistle, George M, Our Town, The Boyfriend, Follies, Sextet, Barnum, Sunset Boulevard, and The Scarlet Pimpernel! Harvey pulls back the curtain on his career to discuss how he grew up watching Gwen Verdon dance and then became one of her partner, what it was like working for Jerome Robbins, and why his favorite time of day is AfterDark! Also, Harvey shines the spotlight on Hal Prince, Henry Fonda, and Larry Kert! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we're continuing our Trailblazer episodes with Vincent Virga—author of the Gaywyck trilogy, the first m/m gothic romance, and one of the first m/m romances ending with a happily ever after. He talks about writing gay romance and about the way reading about love and happiness change readers lives. He also shares rich, wonderful stories about his vibrant life as a picture editor in publishing, about the literary set in New York City in the 70s and 80s, about writing during the AIDS epidemic in the 1980s, about the times in a writer's life when the words don't come easily, and about the times when they can't be stopped. We are honored and so grateful that Vincent took the time to speak with us, and we hope you enjoy this conversation as much as we did. There's still time to buy the Fated Mates Best of 2021 Book Pack from our friends at Old Town Books in Alexandria, VA, and get eight of the books on the list, a Fated Mates sticker and other swag! Order the book box as soon as you can to avoid supply chain snafus. Thank you, as always, for listening! If you are up for leaving a rating or review for the podcast on your podcasting app, we would be very grateful! Our next read-alongs will be the Tiffany Reisz Men at Work series, which is three holiday themed category romances. Read one or all of them: Her Halloween Treat, Her Naughty Holiday and One Hot December.Show NotesWelcome Vincent Virga, author of Gaywyck, the first gay gothic romance, and one of the earliest gay romances with a happily ever after. It was published by Avon in 1980. He has written several other novels, including Vadriel Vail and A Comfortable Corner. He was also the premier picture editor in the book industry. He has been with his partner, author James McCourt, author of Mawrdew Czgowchwz, for 56 years. Their collected papers are housed at the Beinecke Library at Yale University. Today is the 41st anniversary of The Ramrod Massacre in New York City, where Vernon Kroening and Jorg Wenz were killed. Six other men were shot and injured inside the bar or on the streets near the Ramrod. Author Malinda Lo and Librarian Angie Manfredi sound the warning bell about the fights that we are facing around access to books and libraries and calls for book banning happening all around the country. Here is what you can do to help support your local library. Check out Runforsomething.net for ideas about local races where you live. Want more Vincent in your life? Here is a great interview from 2019 on a blog called The Last Bohemians, and this 2011 interview on Live Journal. Daisy Buchanan cries that she's never seen such beautiful shirts in The Great Gatsby, and We Get Lettersis a song from the Perry Como show.People Vincent mentioned: Susan Sontag, Maria Callas, opera singer Victoria de los Ángeles, editor Elaine Markson, Jane Fonda, Armistead Maupin, poets John Ashbery and James Merrill, Hillary and Bill Clinton, editor Alice Mayhew, Gwen Edelman at Avon Books, Gwen Verdon and Bob Fosse, publisher Bob Wyatt, John Ehrlichman from Watergate, author Colm Tóibín, poet Mark Doty, Truman Capote, poet and translator Richard Howard, Shelley Winters, John Wayne, Lauren Bacall, and Kim Novak. The museum Vincent was a part of in County Mayo, Ireland, is The Jackie Clarke Collection.The twisty turny secret book that made him a lover of Gothics was Wilkie Collins's Woman in White. Vincent is also a lover of Samuel Richardson's Clarissa, and Henry Bellamann's King's Row.A few short pieces abaout the AIDS epidemic: the impact of the epidemic on survivors in the queer community, and how the American government ignored the crisis.

I recently had the delightful opportunity to chat with beloved Broadway actor, singer, dancer, director and choreographer Lee Roy Reams whose nine Broadway musicals span from Sweet Charity in 1966 to The Producers in 1996, and he is still going strong having recently celebrated his 79th birthday with performances at 54 Below and The York Theatre Company! Our conversation ranges from his childhood dancing schools in his hometown of Covington, Kentucky, to college in Cincinnati, to his dancing with the stars in summer stock, nightclubs, and on most of the big TV variety shows, and along the way working with many of the greatest directors and choreographers in Broadway history.  Hang on to your hats – talking with Lee Roy is always a wild and irreverent ride! You can see Lee Roy dance the "Cool Hand Luke" number that is mentioned in this episode (along with several other of his fabulous TV appearances with Gwen Verdon and other stars) on YouTube -- and I have included links to those in the Broadway Nation Facebook Group.  Next week on October 13 and 14 the Fosse-Verdon Legacy will present a piece entitled the “Sweet Gwen Suite” as part of the New York City Center Fall for Dance Festival. This new dance piece is adapted from three dance numbers that were performed by Gwen Verdon on television including “Cool Hand Luke”. On the next episode of Broadway Nation we will follow Lee Roy back to NY where he will indeed break out of the chorus and make history playing one of the first openly gay characters in Broadway musical history. Broadway Nation is written and produced by me – David Armstrong. If you enjoyed this podcast, you can help other like-minded people find Broadway Nation by rating and reviewing the show on Apple Podcasts or wherever you listen. I thank you in advance for helping to spread the word about Broadway Nation. Special thanks to KVSH 101.9 the voice of beautiful Vashon Island, WA and to the entire team at the Broadway Podcast Network. Note: This episode contains some salty language as well as a vintage lyric that includes a nickname for Broadway dancers that many consider to be offensive today.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Premiered Aug 15, 2020 There is no God. Now what? If this is the only life we have, how does that affect how we live our lives, how we treat each other, and cope with our own mortality. Award winning filmmaker and photographer photographer Chris Johnson created the coffee table photography book and documentary A Better Life in response to these questions and more. Chris Johnson is a New York-based photographer and filmmaker. He received his undergraduate degree in film production (along with a minor in religious studies) from Concordia University in Montreal, Quebec. His photography has been seen in various outlets, including The New York Times. He is the author of the coffee table photography book, A Better Life: 100 Atheists Speak Out on Joy & Meaning in a World Without God, as well as the documentary film version, A Better Life: An Exploration of Joy & Meaning in a World Without God. He has traveled the world on a screening/lecture tour about A Better Life, speaking and screening the film in over 120 cities on four continents from Reykjavik to Shanghai. In addition, he is the co-producer, co-director, and co-writer of the award winning documentary film, Merely Marvelous: The Dancing Genius of Gwen Verdon which premiered on the BBC in 2019. Hosted by Amaia Perez, the RfR Online Programming Director, and Eric Wells, the RfR Support Group Director. Resources  - Book: The Big Picture: On the Origins of Life, Meaning, and the Universe Itself by Sean Carroll Learn more about Chris Johnson - http://www.theatheistbook.com - A Better Life podcast: https://www.theatheistbook.com/pages/podcast --- Send in a voice message: https://anchor.fm/recovering-from-religion/message

Tracey Scott Wilson, writer of the new Aretha Franklin Biopic, Respect, joins The Diversity Hires to discuss her career.  From novels and plays to television and film, Tracey has conquered it all.  She shares her journey and drops some knowledge for aspiring writers.  Listen now!WebsitePatreonInstagramFacebookTwitterE-mail: diversityhirespodcast@gmail.com

Book Vs Movie: “Cabaret” The Backstory Behind One of the Most Popular Musicals of All Time “Musicals in March” The Margos are adhering to the motto “life is a cabaret!” this week with our deep dive into a musical that is based on a book about Berlin's underground night scene in the 1930s by Christopher Isherwood (Goodbye to Berlin.)  From there it became a Broadway play by John van Druten--I Am a Camera in the early 1950s with a movie starring Julie Harris that gives new meaning to the word dull!  In the mid-1960s Broadway legends, John Kander and Fred Ebb (Chicago) created the book and music for Cabaret with a book by Joe Masteroff which was set in 1929-1930 Berlin when the Nazis were gaining power and the bon vivant lifestyle was being ostracized. (And Jewish people were basically deemed “illegal” and lost their right to own property or their own businesses.)  Sally Bowles is one of the theater's most interesting creations. Based on a friend of Isherwood's, Jean Ross, Sally is a terrible singer who somehow makes a living at the “Kit Kat Club” in Berlin. Perpetually broke, she lives with American writer Cliff Bradshaw.  They have something of a romance (in between them both having affairs with men.) When Sally becomes pregnant and Hitler is rising in power--she realizes that the party is over and she needs to flee.  Throughout the musical, there are several memorable tunes and (depending on the choreographer) sexy “jazz babies” who backup Sally on stage.  The Harold Prince-directed show premiered in November 1966 and swept the Tonys the following year. There have been several revivals on Broadway and on the London stage throughout the years with an array of Sally's including Judi Dench, Michelle Williams, Jane Horrocks, Natasha Richardson, and Emma Stone.  The part of the emcee was originally played by Joel Grey as an asexual character with rouged cheeks. Later, Alan Cumming would create a highly sexual version in a production directed by Sam Mendes and still plays the character to this day! In this episode, we will focus on the 1972 film directed by Bob Fosse (with uncredited assistance by Gwen Verdon) and stars Liza Minelli. It is the basis for all of the sexier versions that have been produced since. It would go on to win several Academy Awards including Best Director and Actress.  So between the original book/play and the film--which did we prefer? Have a listen and find out!  In this ep the Margos discuss: The story of Christopher Isherwood and Jean Ross The Broadway play which won a few Tonys and was the basis of the very tepid film adaptation Bob Fosse & Gwen Verdon--how they changed musicals forever The cast: Liza Minelli (Sally Bowles,) Michel York (Brian Roberts,) Helmut Griem (Maxmillian von Huene,) Joel Grey (Emcee,) Fritz Weppe (Fritz Wendel,) Marissa Berenson (Natalia Landauer,) Elisabeth Neumann-Vietel (Fraulin Schneider,) and Helen Vita (Fraulein Mayr.)  Clips used: Brain and Sally meet for the first time I Am a Camera trailer Cabaret trailer  “Mein Herr” (Sally) Jill Holloway as Sally Bowles 1967 Grammy Awards Liza sings Cabaret in the 1972 film Jane Horrocks as Sally Bowles (Sam Mendes production in 1993) Natasha Richardson (1998 Broadway revival) “Willkommen” (Emcee) Outro Music: “Wilkommen”Alan Cumming Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie  Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/ Twitter @bookversusmovie www.bookversusmovie.com Email us at bookversusmoviepodcast@gmail.com Brought to you by Audible.com You can sign up for a FREE 30-day trial here http://www.audible.com/?source_code=PDTGBPD060314004R Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com Margo P. @ShesNachoMama https://coloniabook.weebly.com/  Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

I'm back with Andy Blankenbuehler for part two of our incredible conversation. This week we are talking about some of Andy's proudest moments in the show, and the sky's the limit. We talk about having no chill whatsoever, we learn what makes a moment feel like morning, Andy talks Fosse and his date night Gwen Verdon!   Mr. Bojangles - Andy Blankenbuehler PORCUPINE RACETRACK The Sopranos: The Knight in White Satin Armor The Cabinet episodes on The Hamilcast

Part two of a special, two-part episode of “The Fabulous Invalid”, Jamie and Rob take an in depth look at the life, work, and legacies of Bob Fosse and Gwen Verdon by talking with actors and dancers who knew and worked with them.  From their first auditions to memorable experiences in the rehearsal room and in performance, Mimi Quillin, Jane Lanier, Chet Walker, and John Rubenstein—along with Betty Buckley and Donna McKechnie—pull back the curtain to reveal the Bob and Gwen they knew. This podcast offers a unique look at one of the most famous, successful, and fascinating show-business duos in history. This Week's Music: “Overture” from “Chicago”, “A Little Brains, A Little Talent”, from “Damn Yankees”, “Who's Got The Pain”, from “Damn Yankees”, “Bye, Bye Love”, from “All That Jazz”, “Steam Heat”, from “Fosse”, “Life's A Bowl Of Cherries” from “Fosse”, “I'm A Brass Band”, from “Sweet Charity”, “Hot Honey Rag” from “ Chicago”, “South Mount Sinai Parade”, from “All That Jazz”. Find us on Twitter & Instagram: @fabulousinvalid Facebook: www.facebook.com/fabulousinvalid Rob's reviews: www.stageleft.nyc Email us at: info@fabulousinvalid.com  Jamie Du Mont Twitter: @jamiedumont  Instagram: @troutinnyc Rob Russo Twitter/Instagram: @StageLeft_NYC Jennifer Simard Twitter: @SimardJennifer  Instagram: @thejennifersimard Learn more about your ad choices. Visit megaphone.fm/adchoices

For a special, two-part episode of “The Fabulous Invalid”, Jamie and Rob take an in depth look at the life, work, and legacies of Bob Fosse and Gwen Verdon by talking with actors and dancers who knew and worked with them.  From their first auditions to memorable experiences in the rehearsal room and in performance, Mimi Quillin, Jane Lanier, Chet Walker, and John Rubenstein—along with Betty Buckley and Donna McKechnie—pull back the curtain to reveal the Bob and Gwen they knew. This podcast offers a unique look at one of the most famous, successful, and fascinating show-business duos in history. This Week's Music: “Main Title” from “All That Jazz”, “Corner Of The Sky”, from “Pippin”, “On Broadway”, from “All That Jazz”, “Rich Man's Frug”, from “Sweet Charity”, “On the Right Track” from “Pippin”, “If They Could See Me Now”, from “Sweet Charity”, “Take Off With Us” from “All That Jazz”, “I Gotcha”, from “Liza With A Z”, “Big Spender”, from “Sweet Charity”.  Find us on Twitter & Instagram: @fabulousinvalid Facebook: www.facebook.com/fabulousinvalid Rob's reviews: www.stageleft.nyc Email us at: info@fabulousinvalid.com  Jamie Du Mont Twitter: @jamiedumont  Instagram: @troutinnyc Rob Russo Twitter/Instagram: @StageLeft_NYC Jennifer Simard Twitter: @SimardJennifer  Instagram: @thejennifersimard Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode the gang holler back to the good ol' days of 1958 to watch the all singing and dancing sensation, Gwen Verdon, in a body swap musical as American as apple pie; Damn Yankees. Also in this episode, Paul trials his new catch phrase, Brendan recommends breaking up and Lucy teaches the boys a thing or two about sports. We'd love to hear from you, get in touch via..Email theswapcastpodcast@gmail.comTwitter twitter.com/The_SwapcastFacebook facebook.com/theswapcastpodcastInstagram instagram.com/theswapcastpodcastWebsite theswapcastpodcast.comTheme song written and performed by Jon Marco of Too Creative - feat. Lucy Thomas and recorded at Brown Town Studios. See acast.com/privacy for privacy and opt-out information.