Podcast appearances and mentions of Elsa Dorfman

In this episode Jenny talks to friend, colleague and professional women's beauty and fitness photographer Paul Buceta. We get to hear the inside scoop of how Jenny ended up becoming the President of Strong Fitness Magazine, and Paul's journey leading up to the point he handed it over to Jenny. Paul takes us through how and why he moved away from the glamour side of photography and into shooting for fitness - as well as inspiration of the style and approach he takes for his subjects. We listen in on how liberating and empowering the experience can be for women, and get some tips on how to get published. Follow Paul on Social Media:Paul on IGAndivero Magazine on IGPaul on FbPaul Buceta websiteAndivero Magazine websiteIf you enjoyed this episode, make sure and give us a five star rating  and leave us a review on iTunes, Podcast Addict, Podchaser and Castbox.STRONG Fitness Magazine Subscription Use discount code STRONGGIRLResourcesSTRONG Fitness MagazineSTRONG Fitness Magazine on IGTeam Strong GirlsCoach JVBFollow Jenny on social mediaInstagramFacebookYouTube

https://bsidefilm.com/ Comments? Send them to me at info@kennethwajdaphotographer.com and find me on the web at KennethWajdaPhotographer.com, on IG at www.instagram.com/kennethwajda/ and on YouTube at HeresToGoodLight.com - We can post our photo assignment photos and connect on the Daily Photography Blog FB Group at www.facebook.com/groups/2151928021601330/ --- Send in a voice message: https://anchor.fm/kenneth-wajda/message Support this podcast: https://anchor.fm/kenneth-wajda/support

On this episode Wayne Setser and Andrew Bartram join me for a round table discussion of various darkroom topics such as: Right to Left or Left to Right, which way to do you process Split Grade printing Lith Printing Caffenol This podcast was a lot of fun to record. Wayne and Andrew have a wealth of knowledge to offer and it was an honor to participate in this event. Look for more Round Table podcast in the near future. Social Media Links Andrew: Instagram - WarboysSnapper - https://www.instagram.com/warboyssnapper/ Flickr - WarboysSnapper - https://www.flickr.com/photos/warboyssnapper FaceBook - https://www.facebook.com/andrew.bartram.35 Wayne: Instagram - wayne_setser - https://www.instagram.com/wayne_setser/ Flickr - wsetser - https://www.flickr.com/photos/wsetser FaceBook - https://www.facebook.com/wsetserBook - John: Instagram - jwgregphoto- https://www.instagram.com/jwgreg60/ Flickr - jwgreg - https://www.flickr.com/photos/jwgreg/ FaceBook - https://www.facebook.com/jwgregphoto email - lightdark@mediagg.com Links referenced in podcast: Moersch Lith Chemicals - https://www.freestylephoto.biz/category/14-Chemicals/Alternative-Process-Chemicals?mfg%5B%5D=245 FomaTone Paper - https://www.freestylephoto.biz/search?q=FomaTone Tim Rudman - http://timrudman.com/ Elsa Dorfman - https://bsidefilm.com/ Photographers Formulary - https://www.bhphotovideo.com/c/buy/Shop-by-Brand-Photographers%27-Formulary/ci/4/phd/4291277664/N/4294255798

Today on Boston Public Radio: Boston Public Schools Superintendent Dr. Brenda Cassellius talked about what her administration is doing to support students during the COVID-19 pandemic, and responded to questions from listeners. We opened lines to hear your thoughts on President Trump’s condemnation of Black Lives Matter protesters. Carol Rose from the Mass. ACLU talked about President Trump’s vow to enact the 213-year-old Insurrection Act, and her thoughts on reforms Massachusetts can and should enact to better protecting resident liberties. Civil Rights Attorney Harvey Silvergate remembered the life of his wife, photographer Elsa Dorfman, who passed away on Saturday. CNN’s John King discussed Trump’s photo-op Monday in front of St. John’s Episcopal Church, and other national headlines. We reopened our lines to continue the conversation about Black Lives Matter protests.

Nick and Graham talk about the basics of making your own film, or other types of alternative photographic media. This can be done by coating a variety of surfaces, such as glass, paper, acetate, or regular film stock with ready-made emulsions, or with home-brew alternative light-sensitive solutions. They talk a bit in a vague way about ways to make specialized film holders for plates. Making your own media means just about any format is possible, opening up the possibility of building cameras for novel, never-before-seen aspect ratios. Speaking of alternative formats, they also discuss Ilford’s Ultra Large-Format special-order period, which is on now and runs through May 27, allowing people to put in requests for a large number of different odd and large format film sizes, available in 2 or 3 Ilford emulsions. Graham recommends a movie on Netflix about Elsa Dorfman, who ran one of the giant polaroids for many years. http://bsidefilm.com/ Nick recommends looking at some of the many books on Alternative Processes that have been listed on past episodes, and points to the use of traditional photo re-touching oil glazes as a way to fine-tune colors on color prints, as well as to hand-color black and white photos. The boys also mention J Lane and his dry plate side hustle that he sells through Pictographica (https://www.pictoriographica.com/about.html)

This week, we're talking about context and meaning in the work we create using Sally Mann's new show at the National Gallery as background. Within the discussion, we address changing creative directions, the relationship between process and outcome and, despite repetition how sometimes taking a dramatic creative leap comes down to timing. Also, advice on creativity, courtesy of famed portrait and landscape photographer Nadav Kander. Elsa Dorfman is our Photographer of the Week.

This week, we’re talking about context and meaning in the work we create using Sally Mann’s new show at the National Gallery as background. Within the discussion, we address changing creative directions, the relationship between process and outcome and, despite repetition how sometimes taking a dramatic creative leap comes down to timing. Also, advice on creativity, courtesy of famed portrait and landscape photographer Nadav Kander. Elsa Dorfman is our Photographer of the Week.

On Twitter: @errolmorris @brettmorgen @catsinistanbul @thompowers @purenonfiction @docnycfestPure Nonfiction is distributed by the TIFF podcast network.For more, listen to:PN 51 with Errol Morris and Elsa Dorfman on “The B-Side”PN 58 with Brett Morgen on his careerTry our other podcast:Documentary of the Week, produced by WNYC.If you're in New York City, join us for Stranger Than Fiction's winter season (Feb-March) on Tuesday nights at the IFC Center.

John Reuter - artist, photographer, and director of the Polaroid 20x24 Project, returns to the Artful Camera. John has worked closely with a number of well known artists including Chuck Close, Robert Rauschenberg, William Wegman, Elsa Dorfman, Joyce Tenneson, and many others to help them bring their creative visions to life using the Polaroid 20x24 camera. However, John Reuter is an accomplished artist in his own right. This episode focuses on John and his work as an artist. The exhibit John Reuter: Second Impressions, Polaroid Process to Singapore Infrared opened at the Palm Beach Photographic Centre on June 21, 2017, and runs through August 5th. It features 35 20x24 Polacolor Image Transfers created by John. Eight of these images are 4 panel assemblies measuring 42x52 inches and mounted on canvas. While many of the images featured in the exhibit date back as as early as 1988, the show features two new 4 panel pieces created by John in 2017 just for this exhibit. In this episode John talks about the early history of using Polaroid images in mixed media art, and his own pioneering techniques in creating beautiful, evocative images that now line the walls of the Palm Beach Photographic Centre. Mentioned in this episode: John Reuter's website: http://johnreuter.com/blog/ 20x24 Studio: http://www.20x24studio.com Jim Dine https://en.wikipedia.org/wiki/Jim_Dine Giotto https://en.wikipedia.org/wiki/Giotto Rosamond Purcell http://www.anartthatnaturemakes.com JoAnn Verburg http://joannverburg.com Robert Rauschenberg https://en.wikipedia.org/wiki/Robert_Rauschenberg http://www.20x24studio.com/?page_id=2329 Chuck Close http://chuckclose.com https://en.wikipedia.org/wiki/Chuck_Close http://www.20x24studio.com/?p=2282 William Wegman http://williamwegman.com/home.html Joyce Tenneson http://www.tenneson.com https://en.wikipedia.org/wiki/Joyce_Tenneson David Levinthal http://www.davidlevinthal.com Tim Burton https://en.wikipedia.org/wiki/Tim_Burton Art Kane https://www.artkane.com https://en.wikipedia.org/wiki/Art_Kane Elsa Dorfman http://www.elsadorfman.com https://en.wikipedia.org/wiki/Elsa_Dorfman Jack Perno http://www.jackperno.com http://www.jackperno.com/polaroid-emulsion-1 Beatrice Pediconi http://www.beatricepediconi.com http://www.beatricepediconi.com/works/polaroids/ Palm Beach Photographic Centre https://www.workshop.org/museum/exhibits/ Video tour of John Reuter’s Second Impressions exhibit: https://www.facebook.com/events/1342858102433943/permalink/1353500241369729/ Amon Carter Museum of American Art http://www.cartermuseum.org http://www.cartermuseum.org/calendar/member-programs/camera-ready-the-polaroid-20x24-project This episode is sponsored by: CrumplePop - Premiere Pro and Final Cut Pro X Plugins: http://crumplepop.com About the Artful Camera: Website: https://carlolson.tv Instagram: @Artful.Camera https://www.instagram.com/artful.camera/ Send an email or voicemail to Artful Camera: https://carlolson.tv/contact/ Disclaimer: some links referenced in the show notes are affiliate links. The use of affiliate links do not affect the price you pay. Artful Camera earns a small commission from each sale which help offset some of the costs involved in producing this podcast. Thank you for your support.

On this edition of the Cinema Clash, options for those who don’t go ape over blockbusters: A teenager’s wishes start coming true and people start dying in the horror film WISH UPON; a dead husband (in a white sheet with eye holes) returns home to check on his bereft wife but gets stuck in time in the ethereal, philosophically-heavy A GHOST STORY; a group of citizen journalists risk their lives to shed light on ISIS atrocities in their hometown of Raqqa, Syria in the grim documentary CITY OF GHOSTS; and a photographer with a penchant for Polaroid gets a ton of exposure in Errol Morris's documentary THE B-SIDE: ELSA DORFMAN’S PORTRAIT PHOTOGRAPHY.

On Twitter: @errolmorris @thompowers @purenonfictionPure Nonfiction is distributed by the TIFF podcast network.

Portrait photographer Elsa Dorfman has worked for several decades on Polaroid’s rare 20″ x 24” format camera. She had a loyal clientele in Cambridge, Massachusetts, but was hardly known outside. Now she is the subject of Errol Morris’ new film “The B-Side: Elsa Dorfman’s Portrait Photography.” Morris and his wife Julia are longtime friends of […] The post PN 51: Errol Morris & Elsa Dorfman on “The B-Side” appeared first on Pure Nonfiction.

Errol Morris discusses his new documentary, THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY, along with the film's subject Elsa Dorfman after a screening earlier this week. The film officially opens here at the Film Society this weekend. Also, Chuck Klosterman discusses his book "But What if We're Wrong" after a 35mm screening of Peter Watkins’s 1967 black comedy PRIVILEGE last summer. The conversation was part of our ongoing Print Screen series, which continues this Thursday with a 35mm screening of THE LONG GOODBYE presented by author Yuri Herrera. This podcast is brought to you by the Film Society of Lincoln Center. Film Lives Here. www.filmlinc.org

Should arts organizations accept money from the Koch brothers? Art critic Philip Kennicott weighs in. Plus, Oscar-winning director Errol Morris talks about interviewing Elsa Dorfman and Donald Trump. And Blondie’s Debbie Harry and Chris Stein share music that inspired their new album.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Marcin Wichary visits the Technology Museum of Emporda, Vine, Grand Central Station vistas, deluxe composition notebooks, Errol Morris on Elsa Dorfman, bad ballot design, Grilli Type’s GT America, Transparent, Elaine Lustig Cohen.

Photography is by nature bittersweet: a warm moment with a loved one is captured forever, a reminder of an instant in time that can never be repeated. These conflicting feelings are deftly explored in Errol Morris's latest documentary, The B-Side, which traces the career of Elsa Dorfman. Never seeking fame, Dorman forged lifelong friendships with counter-culture giants like Alan Ginsberg, and shot everyone from Bob Dylan to Jonathan Richman. A perfect expression of the challenges female artists have faced without overstating them, the film is a significant departure from Morris's other work. However, when Film Comment Digital Editor Violet Lucca spoke with him the day after the second presidential debate, many of the themes that have run throughout his work—namely, the nature of truth—naturally arose. The director also talks about his upcoming Netflix series, documentary technique, and a few of his dream collaborations with heads of state.