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9 episodes with Jonathan Richman
11 episodes with Jonathan Richman
5 episodes with Jonathan Richman
10 episodes with Jonathan Richman
6 episodes with Jonathan Richman
8 episodes with Jonathan Richman
5 episodes with Jonathan Richman
5 episodes with Jonathan Richman
4 episodes with Jonathan Richman
A whole new age of psychedelia kicked off in the mid-‘80s, of dream-weavers and glorious underachievers, a complete rejection of the standard rock approach to stagecraft, sound and self-promotion. Simon Reynolds was at the heart of it, writing for Melody Maker and piping aboard the pioneering noise-mongers aiming to entrance and disorientate, as recalled in his new book ‘Still In A Dream: Shoegaze, Slackers and the Reinvention of Rock 1984-1994'. He looks back with us here from his home in Los Angeles at its key bands, events and spiritual godfathers, these among them … … the return to childhood via Syd Barrett and Jonathan Richman to Sarah Records … is ‘feeble little horse' the most Shoegaze band name ever? ... what it was about Morrissey that made Smiths singles sink after Top Of The Pops … the reason Bowie formed a band … charming/infuriating interviews with the Cocteau Twins: “words only have any meaning when they're sung” … how Britpop brought down the curtain of the wall of sound … Shoegaze, Dreampop, Lovelynoise, Wide-Brimmed Hat Music and the rock press attempt to impose order: “if a band was on the cover they could double their fee” ... the divine arrogance of Lawrence of Felt who “didn't want ordinary people buying my records” … the ever-extending “noise chasms” of My Bloody Valentine … “shattering quartz”: reviewing music that's about sound not words … Shoegaze DNA in the 21st Century ... and the greatest album of that decade, “each track like a session beer”. Order copies of ‘Still In a Dream' here: https://www.waterstones.com/book/still-in-a-dream/simon-reynolds/9781399618373Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
A whole new age of psychedelia kicked off in the mid-‘80s, of dream-weavers and glorious underachievers, a complete rejection of the standard rock approach to stagecraft, sound and self-promotion. Simon Reynolds was at the heart of it, writing for Melody Maker and piping aboard the pioneering noise-mongers aiming to entrance and disorientate, as recalled in his new book ‘Still In A Dream: Shoegaze, Slackers and the Reinvention of Rock 1984-1994'. He looks back with us here from his home in Los Angeles at its key bands, events and spiritual godfathers, these among them … … the return to childhood via Syd Barrett and Jonathan Richman to Sarah Records … is ‘feeble little horse' the most Shoegaze band name ever? ... what it was about Morrissey that made Smiths singles sink after Top Of The Pops … the reason Bowie formed a band … charming/infuriating interviews with the Cocteau Twins: “words only have any meaning when they're sung” … how Britpop brought down the curtain of the wall of sound … Shoegaze, Dreampop, Lovelynoise, Wide-Brimmed Hat Music and the rock press attempt to impose order: “if a band was on the cover they could double their fee” ... the divine arrogance of Lawrence of Felt who “didn't want ordinary people buying my records” … the ever-extending “noise chasms” of My Bloody Valentine … “shattering quartz”: reviewing music that's about sound not words … Shoegaze DNA in the 21st Century ... and the greatest album of that decade, “each track like a session beer”. Order copies of ‘Still In a Dream' here: https://www.waterstones.com/book/still-in-a-dream/simon-reynolds/9781399618373Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
A whole new age of psychedelia kicked off in the mid-‘80s, of dream-weavers and glorious underachievers, a complete rejection of the standard rock approach to stagecraft, sound and self-promotion. Simon Reynolds was at the heart of it, writing for Melody Maker and piping aboard the pioneering noise-mongers aiming to entrance and disorientate, as recalled in his new book ‘Still In A Dream: Shoegaze, Slackers and the Reinvention of Rock 1984-1994'. He looks back with us here from his home in Los Angeles at its key bands, events and spiritual godfathers, these among them … … the return to childhood via Syd Barrett and Jonathan Richman to Sarah Records … is ‘feeble little horse' the most Shoegaze band name ever? ... what it was about Morrissey that made Smiths singles sink after Top Of The Pops … the reason Bowie formed a band … charming/infuriating interviews with the Cocteau Twins: “words only have any meaning when they're sung” … how Britpop brought down the curtain of the wall of sound … Shoegaze, Dreampop, Lovelynoise, Wide-Brimmed Hat Music and the rock press attempt to impose order: “if a band was on the cover they could double their fee” ... the divine arrogance of Lawrence of Felt who “didn't want ordinary people buying my records” … the ever-extending “noise chasms” of My Bloody Valentine … “shattering quartz”: reviewing music that's about sound not words … Shoegaze DNA in the 21st Century ... and the greatest album of that decade, “each track like a session beer”. Order copies of ‘Still In a Dream' here: https://www.waterstones.com/book/still-in-a-dream/simon-reynolds/9781399618373Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Scott and Jon join Nick to discuss the career and legacy of Jonathan Richman. We talk about both his time with the proto-punk pioneers The Modern Lovers and his ever-eclectic solo career. We talk about a variety of topics, but have a lengthy conversation weighing the merits for a potential induction into the Rock & Roll Hall of Fame. Support the show
Chris explains punk rock. Chris calls Nicole Kidman "part of the problem." ALSO: Fugazi's crowd work, and Jonathan Richman's easygoing enlightenment. PLUS: The new Advice King!! A song of the week from "Sluice"!!Sluice - "Zillow": https://www.youtube.com/watch?v=koUY3pNDo0A&list=RDkoUY3pNDo0A&start_radio=1Cold Brew Patreon: Patreon.com/ChrisCroftonChannel Nonfiction: ChannelNonfiction.com
Un viaje de new wave, post punk, rock alternativo, pop experimental,... una receta de discos de aquellos años en los que cualquier cosa podía pasar.(Foto del podcast; The Clean)Playlist;(sintonía) IGGY POP “Play it safe” (Soldier, 1980)WIRE “Heartbeat” (Chairs missing, 1978)DEVO “Shrivel up” (Q: Are We Not Men? A: We Are Devo!, 1978)JULIAN COPE “Sunspots” (Fried, 1984)GUN CLUB “Mother of Earth” (Miami, 1982)THE CLEAN “Anything could happen” (1981)THE SOUND “I can’t escape myself” (Jeopardy, 1980)THE CURE “Fire in Cairo” (Three imaginary boys, 1979)TELEVISION PERSONALITIES “This angry silence” (And don’t the kids just love it, 1981)THE MEKONS “Hard to be human again” (Fear and whiskey, 1985)CHRIS SPEDDING “Video life” (Guitar graffiti, 1978)ALEX CHILTON “I’ve had it” (Little flies in Sherbert, 1979)THE VASELINES “Son of a gun” (1987)THE CHEFS “24 hours” (1981)MOE TUCKER and JONATHAN RICHMAN “I’m sticking with you”SPACEMEN 3 “Lord can you hear me” (Playing with fire, 1989)Escuchar audio
Send us a message, so we know what you're thinking!Sometimes, bands release only one album – no follow-up, no nothing! Some are great. Some, not so much. This episode, we look at a bunch of what we're calling “One-Album-Wonders". In 1975, Aerosmith released their breakthrough album, “Toys in the Attic”. Did we like it then? Do we like it now? In “Albums You Must Hear Before You Die”, we examine these and other mysteries. All this and the usual mix of stuff. We know you'll love it. References: Mark Kennedy, Fred Smith, Television, Rod Stewart, Donald Trump, 1001 Albums You Must Hear Before You Die, Robert Dimery, drug use, The Toxic Twins, No more No more, Walk this Way, Run-DMC, REM, Sweet Emotion, Mother Love Bone, Apple, Seattle, Grunge, Andy Wood, Eric Clapton, Blind Faith, Derek And the Dominos, Layla and Other Assorted Love Songs, Jeff Buckley, Grace, Leonard Cohen, Hallelujah, The La's, Lee Mavers, Sex Pistols, Never Mind the Bollocks, GTOs, Permanent Damage, Cynthia Plaster Caster, Pamela Des Barres, Coverdale Page, David Coverdale, Jimmy Page, The Modern Lovers, Jonathan Richman, John Cale, Mainstream, Quiet Sun, Phil Manzanera, Roxy Music, Diamond Head, 801 Live, Them Crooked Vultures Playlist Rock Star sandwiches Molly Meldrum news
It's 1977 and punk has just hit Liverpool. The legendary Eric's club is home to the city's rebels and posers - many became pop stars.Penny Kiley became a music journalist.Atypical Girl - Punk rock, Liverpool and trying to be normal' is Penny's homage to the city's re-emergence as a musical force which had lain dormant since the Beatles upped sticks and left in the 60's.The book is also the highly personalised tale of an autistic woman in the male-dominated world of music journalism - working for Melody Maker, Smash Hits and the Liverpool Echo, reviewing gigs by Echo and the Bunnymen and Dead or Alive, and interviewing Jonathan Richman and the rest."If anyone can paint a true picture of those glorious days, Penny can." - says Will Seargent.
“Beyond the Duplex Planet” is a feature documentary about artist David Greenberger and his unconventional work with senior citizens. In 1979, fresh out of art school, Greenberger took a job as activities director at the Duplex Nursing Home in Jamaica Plain, Massachusetts. He began conducting quirky interviews with the home's senior citizens, rejecting a pat oral history approach in favor of questions that would spark engagement: “Which do you prefer – coffee or meat?” “Why do people spit?” “What do you think George Washington's voice sounded like?” and “What is embarrassment?” The result of this was The Duplex Planet, an early ‘zine, complete with excerpts from the interviews, as well as offbeat music reviews and poems, unorthodox illustrations and graphics, all by the residents themselves. Over time this material has become the basis for spoken word shows, podcasts, graphic novels and numerous albums, many of these projects featuring well-known artists. Champions and/or collaborators of Greenberger and his senior colleagues include people like magicians Penn & Teller, cartoonists Daniel Clowes and Lynda Barry, musicians Dave Alvin, Bill Frisell, Peter Buck (REM), David Hidalgo and Louie Perez (Los Lobos), artist Ed Ruscha, actors Lili Taylor and Martin Mull, and legions of other fans. Greenberger's work interviewing seniors continues to this day. Beyond the Duplex Planet explores notions of aging and its intersection with art and community. It's also a revealing look at the life of an artist devoted to documenting the elderly who is himself moving into his senior years. The film will have its world premiere at SxSW this month with a number of screenings. And it’s being distributed by Filmwax friend Jim Browne’s Argot Pictures. Beth Harrington is an Emmy-award winning independent producer, director and writer, whose fervor for American history, music and culture has led to a series of critically acclaimed films. Her independent production Welcome to the Club – The Women of Rockabilly, a music documentary about the pioneering women of rock ‘n' roll, was honored with a 2003 Grammy nomination and has been seen on public television and at film festivals in the U.S. and abroad. Beth's most recent work, The Winding Stream – The Carters, The Cashes and The Course of Country Music appeared at over 30 festivals worldwide including a SXSW premiere and has won many top festival awards. Earlier work with WGBH-Boston for the NOVA science series was honored with two national Emmy nominations while her local work with Oregon Public Broadcasting has resulted in six other regional Emmy nominations for historical and public affairs program producing and writing. A rock ‘n' roll singer and guitarist, she is most noted for her years as a member of Jonathan Richman & The Modern Lovers on Sire Records. https://youtu.be/nzgbOeFOFYk
Romance, masks and the pain that keeps us vital. Tim Rogers AKA Jack Ladder (of “Jack Ladder & The Dreamlanders”) was kind enough to join, fresh on the heels of his eighth studio album, Separation Rock. Enjoy, D+RSUBSCRIBE TO THE WELCOME TO MEET YOU PATREON FOR FULL ACCESS TO EXCLUSIVE EPISODES ALL OUR LINKS CAN BE FOUND HERE
Send a textBack in 2022, I talked with Ben Vaughn, whose music and radio show I've been a fan of for years. Ben has enjoyed a great career as a performer, songwriter, composer for film and TV, and record producer. He's produced records by Ween, Arthur Alexander, and Charlie Feathers, and also collaborated with Alan Vega, Alex Chilton and Los Straitjackets. His songs have also been recorded by artists including Marshall Crenshaw, The Morells, and Deer Tick. Needless to say, Ben Vaughn has encountered some colorful characters in his musical journey. His friend Laura Pochodylo, who works for Sun Records in Nashville, wrote the names of those colorful characters down and placed them in a hat. Names like Jonathan Richman, Arthur Alexander, Willie Nelson, Nancy Sinatra and more. So, what do they do with those names? Laura selects a few at random and Ben relives the stories—no pre-planning, no filter —just telling it like it was, straight from the hat. The new podcast is called, of course, Straight from the Hat and on today's episode of Frets, I happily welcome…the return of Ben Vaughn.Songs featured in this episode:“Quote Unquote” by Ben Vaughn“Asking for a Friend” by Ben Vaughn“My Reservation's Been Confirmed” – a Herman's Hermits song (one of my favorites) covered by Ben and written by Charles Silverman, Derek Leckenby and Keith HopwoodListen to Straight From the Hat here.Find music by Ben Vaughn here.Save on Certified Pre-Owned ElectronicsPlug has great prices on refurbished electronics. Up to 70% off with a 30-day money back guarantee!Euclid Records – Buy and sell records.A gigantic selection of vinyl & CDs. We're in St. Louis & New Orleans, but are loved worldwide!Find or Sell Guitars and Gear at ReverbFind great deals on guitars, amps, audio and recording gear. Or sell yours! Check out Reverb.comDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Thanks for listening to Frets with DJ Fey. You can follow or subscribe for FREE at most podcast platforms.And now, Frets is available on YouTube. There are a lot of fun extras like videos and shorts and audio of all episodes. Subscribing for FREE at YouTube helps support the show tremendously, so hit that subscribe button! https://www.youtube.com/@DJFey39 You can also find information about guitarists, bands and more at the Frets with DJ Fey Facebook page. Give it a like! And – stay tuned… Contact Dave Fey at davefey@me.com or call 314-229-8033
Fosforo 1951: I brani della striscia numero 3 della settimana: Tandem Playlist; Plosivs - Metacine; Placebo - Chemtrails; Arthur Russell - I Couldn`t Say It to Your Face; Placebo - Fix Yourself; Jonathan Richman and the Modern Lovers - Jonathan Sings the Neighbors; Jenny On Holiday - Good Intentions; Don Cherry - Surrender Rose; Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo
Tercera entrega de la serie dedicada a repasar 2025 a través de 100 canciones favoritas del año. Sin ningún orden en particular y sin pretender que sean las mejores. Tan solo canciones que se han quedado grabadas en las paredes de este Sótano.Playlist; BUDOS BAND “Overlander” TY SEGALL “Skirts of heaven” GEESE “Cobra” BLOODSHOT BILL and LAMPING “Never never” THE SHIFT “All is going well” WEIRD OMEN “Middle class” EZEZEZ “Noraezean” RADIOACTIVITY “Time won’t bring me down” BEE BEE SEA “Holy money” GLYDERS “Thousand miles” HOLLY GOLIGHTLY “It’s all” THE LIMIÑANAS feat PENNY “Faded” DEAN WAREHAM “Yesterday’s hero” GRINGO STAR “Shallow waves” TAV FALCO “Crying for more” J’AIME “(Strictly not) thinking of you” JONATHAN RICHMAN “That older girl”Escuchar audio
This week, I talk to Beth Harrington, Emmy-winning/Grammy-nominated director of The Winding Stream: The Carters, The Cashes and the Course of Country Music, the upcoming Duplex Planet documentary, and a recording/touring member of Jonathan Richman & The Modern Lovers, about her amazing documentary, Welcome To The Club: The Women Of Rockabilly.We also discuss Beth's incredible origin story working with Jonathan Richman and her time in The Modern Lovers during which she suddenly quit her job for a life in music, touring with Jonathan, the story of Chris working with Jonathan Richman for a charity album/documentary, what her upcoming Duplex Planet documentary will be like, the blessing and curse of doing a hour-long doc for PBS, rockabilly influences in the punk underground, how Beth puts her films together, Beth working with Wanda Jackson, The Collins Kids, Brenda Lee & Janice Martin (The Female Elvis), the stage mom factor within the Rockabilly music scene, how Beth gets her candid interviews, Jack White, Robert Oermann & Mary Bufwack's excitable interviews about Rockabilly in the doc, The Sing Along With Mitch albums, how Brenda Lee tried to get Columbia Records to sign The Beatles, the incredible stories of Big Al Dowling (piano player with Wanda Jackson who had one of the first integrated bands in the U.S.), the gender fluidity of many of the rockabilly artists, how documentary filmmaking has changed for Beth over the years and so much more.So come shake a chicken in the middle of the room on this week's Revolutions Per Movie!WELCOME TO THE CLUB--THE WOMEN OF ROCKABILLY: https://www.youtube.com/watch?v=nihZl9Ni-Fw&t=856sBETH HARRINGTON: https://www.bethharrington.com/DUPLEX PLANET DOC: https://www.beyondduplexplanet.com/BETH W/ JONATHAN RICHMAN: https://www.youtube.com/watch?v=gf4NSNw_U4I&list=PLE9wKImo1JY6wdkL_W_aZmqutEs-ZSSr4&index=7REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.
“Apple of life” es el nuevo trabajo en solitario de ese genio australiano llamado Dom Mariani. Con más de 40 años de trayectoria el eterno líder de The Stems o los DM3 vuelve a demostrar su buen hacer compositivo y su talento para la melodía en este disco que lo traerá de vuelta a España en el mes de abril.Playlist;(sintonía) DATURA 4 “Phoenix”DOM MARIANI “Appel of life”DOM MARIANI “World on its head”DOM MARIANI “Day after day”GNOMES “Won’t quit you”THE CHEVELLES “C’mon everybody”THE MOLOTOVS “Today’s gonna be our day”THE BOO RADLEYS “Wake up Boo”NICK WATERHOUSE “L.A. Turnaround”SHARP PINS “Talking in your sleep”TREVOR BLENDOR “I can’t get over you”THE BEVIS FROND “Horrorful heights”HONEYBEAR, THE BAND “Unbroken”JONATHAN RICHMAN “The dog star”Escuchar audio
I have been a huge fan of Steven H. Gardiner’s Another Tuneless Racket series of books documenting the punk and new wave scenes of the 70s. Just a few weeks ago I finished the most recent volume which documents the eastern half of our country. I was especially taken by the marathon length chapter detailing everything that happened in Boston during this time, and I spent hours devouring a ton of bands I’d never heard before. Tonight’s show compiles over two hours of bands covered in this section (with the exception of The Modern Lovers and The Real Kids, who were discussed in volume one). There are bands barely remembered from this time next to groups that are revered to this day. We start with the monumental recording Jonathan Richman made at the beginning of the decade with his band The Modern Lovers, and we conclude with Mission of Burma, a revolutionary band that carried on into the 80s. What’s your favorite Boston band from this time period? For more info, including setlists, head to http://scotthudson.blogspot.com
Recogemos algunos de los lanzamientos favoritos presentados a lo largo del mes de octubre.Playlist;(sintonía) I. JEZIAK and THE SURFERS “Under the wave”THE FALKEN’S MAZE “Here we come”LISA BEAT and THE LIARS “Gimme another try”GYASI “Bang bang (Runaway)”BILLY TIBBALS “Rock’n’Roll kids”HOLLY GOLIGHTLY “Miss Fortune”THE MYSTERY LIGHTS “Kids of today”THE SHIFT “All is going well”THE SPITFIRES “The great divide”VIBEKE “2nd Avenue”THE RUBINOOS “Mediterraneo (party mix)”MONTEFURADO “Game of mirrors"THE RIPPLES “Time to burn”J’AIME “(Strictly not) thinking of you”JOSÉ LANOT “Después de quemarlo todo”JONATHAN RICHMAN “Oh guitar”Escuchar audio
The Graduate, Trainspotting, Jaws, Star Wars, Citizen Kane – films you can't picture without thinking of the music. Mark Kermode has been gripped by the marriage of movie and soundtrack since Dougal and the Blue Cat (aged 6) and, with Jenny Nelson, has just published ‘Surround Sound: the Stories of Movie Music'. We talk to him here about… … Scorsese, Cameron Crowe, Sofia Coppola, Edgar Wright: the new generation “who grew up with a headful of not just music, but records” … how John Williams is “the last Whistle Test composer”: two bars of ET, Jaws or Star Wars and you instantly know the film … how “silent cinema was never silent” and his band the Dodge Brothers playing live soundtracks … Butch Cassidy, Easy Rider, Blackboard Jungle … pioneers of the music video … the genius of American Graffiti: “Lucas wanted it so marinated in music the town would sound like a pickle jar” … how scores are recorded and edited and what happens when a director tells an orchestra he's changed his mind … “by the time each Lord of the Rings soundtrack reached New Zealand, Peter Jackson had re-cut the film” … Forbidden Planet in 1956, the days when electronic scores weren't real music … Martha Reeves, Jonathan Richman and the Jon Spencer Blues Explosion in Edgar Wright's Baby Driver … Tarantino's kitsch use of “his own scratchy vinyl” and why Jonny Greenwood‘s There Will Be Blood is unique and exceptional … plus the “atonal squonking” of the Exorcist and the greatest soundtrack of all time. Order ‘Surround Sound: the Stories of Movie Music' here: https://www.waterstones.com/book/mark-kermodes-surround-sound/mark-kermode/9781447230564Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
The Graduate, Trainspotting, Jaws, Star Wars, Citizen Kane – films you can't picture without thinking of the music. Mark Kermode has been gripped by the marriage of movie and soundtrack since Dougal and the Blue Cat (aged 6) and, with Jenny Nelson, has just published ‘Surround Sound: the Stories of Movie Music'. We talk to him here about… … Scorsese, Cameron Crowe, Sofia Coppola, Edgar Wright: the new generation “who grew up with a headful of not just music, but records” … how John Williams is “the last Whistle Test composer”: two bars of ET, Jaws or Star Wars and you instantly know the film … how “silent cinema was never silent” and his band the Dodge Brothers playing live soundtracks … Butch Cassidy, Easy Rider, Blackboard Jungle … pioneers of the music video … the genius of American Graffiti: “Lucas wanted it so marinated in music the town would sound like a pickle jar” … how scores are recorded and edited and what happens when a director tells an orchestra he's changed his mind … “by the time each Lord of the Rings soundtrack reached New Zealand, Peter Jackson had re-cut the film” … Forbidden Planet in 1956, the days when electronic scores weren't real music … Martha Reeves, Jonathan Richman and the Jon Spencer Blues Explosion in Edgar Wright's Baby Driver … Tarantino's kitsch use of “his own scratchy vinyl” and why Jonny Greenwood‘s There Will Be Blood is unique and exceptional … plus the “atonal squonking” of the Exorcist and the greatest soundtrack of all time. Order ‘Surround Sound: the Stories of Movie Music' here: https://www.waterstones.com/book/mark-kermodes-surround-sound/mark-kermode/9781447230564Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
The Graduate, Trainspotting, Jaws, Star Wars, Citizen Kane – films you can't picture without thinking of the music. Mark Kermode has been gripped by the marriage of movie and soundtrack since Dougal and the Blue Cat (aged 6) and, with Jenny Nelson, has just published ‘Surround Sound: the Stories of Movie Music'. We talk to him here about… … Scorsese, Cameron Crowe, Sofia Coppola, Edgar Wright: the new generation “who grew up with a headful of not just music, but records” … how John Williams is “the last Whistle Test composer”: two bars of ET, Jaws or Star Wars and you instantly know the film … how “silent cinema was never silent” and his band the Dodge Brothers playing live soundtracks … Butch Cassidy, Easy Rider, Blackboard Jungle … pioneers of the music video … the genius of American Graffiti: “Lucas wanted it so marinated in music the town would sound like a pickle jar” … how scores are recorded and edited and what happens when a director tells an orchestra he's changed his mind … “by the time each Lord of the Rings soundtrack reached New Zealand, Peter Jackson had re-cut the film” … Forbidden Planet in 1956, the days when electronic scores weren't real music … Martha Reeves, Jonathan Richman and the Jon Spencer Blues Explosion in Edgar Wright's Baby Driver … Tarantino's kitsch use of “his own scratchy vinyl” and why Jonny Greenwood‘s There Will Be Blood is unique and exceptional … plus the “atonal squonking” of the Exorcist and the greatest soundtrack of all time. Order ‘Surround Sound: the Stories of Movie Music' here: https://www.waterstones.com/book/mark-kermodes-surround-sound/mark-kermode/9781447230564Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
“Only frozen sky anyway” es el último trabajo de Jonathan Richman. A sus 74 años y con más de medio siglo de trayectoria a sus espaldas el fundador de los Modern Lovers sigue cautivando con esa forma tan magnética, sincera y personal de abordar sus canciones. Perfecta apertura para un episodio donde nos adentramos más allá de nuestras fronteras habituales. Suena Peter Perrett remezclado por David Holmes, lo último de ese proyecto de Phoebe Killdeer y Ole Wulfers llamado The Shift o Iggy Pop poniendo su voz más grave al servicio de la reina del arpa eléctrica Kety Fusco.Playlist;JONATHAN RICHMAN “Night fever”JONATHAN RICHMAN “Oh guitar”JONATHAN RICHMAN “That older girl”JONATHAN RICHMAN “David and Goliath”JONATHAN RICHMAN “The wavelet”KETY FUSCO and IGGY POP “She”PETER PERRETT “Women gone bad" (DAVID HOLMES remix)THE SHIFT “All is going well”BLOODSHOT BILL and LAMMPING “One and own”THE LIMIÑANAS “Prisoner of beuty”THE SAINTS “Break away”ELLIOTT MURPHY “The miracle zone”BILLY TIBBALS “Playtime”Escuchar audio
This week, I am joined by LARRY CRANE (producer, engineer, owner of Jackpot! Recording Studio & founder/editor of Tape Op Magazine & Pink Floyd superfan), who chose the classic music film PINK FLOYD: LIVE AT POMPEII to discuss!!!We discuss the genesis of the film and all the different versions of this film (including the super frustrating screensaver version of Live At Pompeii), Chris's recent accidental hallucinatory viewing of the film and its many jump scares, Larry building Jackpot! Recording Studios & his early studio Laundry Rules, why artists often can't stop reworking their older bodies of work, Larry's gateway into Pink Floyd, The Benson Echorec piece of equipment used throughout this performance, Joe Boyd and the UFO Club, Larry building fuzz boxes without a switch on it, why the film is both wonderful and frustrating for Larry, the secret weapon of band member Richard Wright in this film, bands that spend over a year making an album, the accidental two-bass recording of 'One Of These Days', Syd Barrett's body of work, democracies within rock bands, monster drummer Nick Mason, is the film made for future scholars of the band or stoners, artists who don't suffer foolish questions, rock bands with zero body fat, Jonathan Richman doing an opening set before movies, and Larry getting an email for our episode from Alan Parson (the engineer of Dark Side Of The Moon) that solves a lingering question we've always had about the film!Overhead the albatross, hangs motionless upon the air (right?!?) on this week's episode of Revolutions Per Movie!AND OF COURSE THEY RELEASED YET ANOTHER VERSION OF PINK FLOYD LIVE AT POMPEII AFTER WE RECORDED THIS...HA! GET IT HERE:https://shop.pinkfloyd.com/collections/live-at-pompeiiLARRY CRANE: https://tapeop.comhttps://jackpotrecording.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Tanita Tikaram's second gig had an audience of three – one paying customer and two concert promoters. When one of them wanted to talk to her afterwards she said, “sorry, I've got to get the train home.” She was 17. In this podcast she tells us the story of the one of the fastest career ascents on record which stops off at … … an open-mic night with a girl who cut up newspaper – “what happened to her?” … Basingstoke alumni –Tanita Tikaram, Jane Austen, Liz Hurley … … ignoring Wham! in favour of Suzanne Vega and Tom Waits. … the lure of school theatre groups – “a skive, you could basically be arty and smoke”. … “Ringo Starr gave me an award!” … supporting Warren Zevon and Jonathan Richman - and John Martyn (with Tracy Chapman). … the faint absurdity of promoting Twist In My Sobriety on Kids TV. … “when you're young, you're adaptable”. … mourning the loss of mainstream music. … a summer spent miming on European pop TV shows. … the thrill of hearing Ancient Heart was Top Ten when playing the Cambridge Folk Festival – “they all thought, that's one of us in the charts!” … and today's imbalance between new music and nostalgia. Order Tanita Tikaram tickets here: https://www.tanita-tikaram.com/live/ Order Liar: Love Isn't A Right here: https://www.tanita-tikaram.com/music/Find out how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Tanita Tikaram's second gig had an audience of three – one paying customer and two concert promoters. When one of them wanted to talk to her afterwards she said, “sorry, I've got to get the train home.” She was 17. In this podcast she tells us the story of the one of the fastest career ascents on record which stops off at … … an open-mic night with a girl who cut up newspaper – “what happened to her?” … Basingstoke alumni –Tanita Tikaram, Jane Austen, Liz Hurley … … ignoring Wham! in favour of Suzanne Vega and Tom Waits. … the lure of school theatre groups – “a skive, you could basically be arty and smoke”. … “Ringo Starr gave me an award!” … supporting Warren Zevon and Jonathan Richman - and John Martyn (with Tracy Chapman). … the faint absurdity of promoting Twist In My Sobriety on Kids TV. … “when you're young, you're adaptable”. … mourning the loss of mainstream music. … a summer spent miming on European pop TV shows. … the thrill of hearing Ancient Heart was Top Ten when playing the Cambridge Folk Festival – “they all thought, that's one of us in the charts!” … and today's imbalance between new music and nostalgia. Order Tanita Tikaram tickets here: https://www.tanita-tikaram.com/live/ Order Liar: Love Isn't A Right here: https://www.tanita-tikaram.com/music/Find out how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Tanita Tikaram's second gig had an audience of three – one paying customer and two concert promoters. When one of them wanted to talk to her afterwards she said, “sorry, I've got to get the train home.” She was 17. In this podcast she tells us the story of the one of the fastest career ascents on record which stops off at … … an open-mic night with a girl who cut up newspaper – “what happened to her?” … Basingstoke alumni –Tanita Tikaram, Jane Austen, Liz Hurley … … ignoring Wham! in favour of Suzanne Vega and Tom Waits. … the lure of school theatre groups – “a skive, you could basically be arty and smoke”. … “Ringo Starr gave me an award!” … supporting Warren Zevon and Jonathan Richman - and John Martyn (with Tracy Chapman). … the faint absurdity of promoting Twist In My Sobriety on Kids TV. … “when you're young, you're adaptable”. … mourning the loss of mainstream music. … a summer spent miming on European pop TV shows. … the thrill of hearing Ancient Heart was Top Ten when playing the Cambridge Folk Festival – “they all thought, that's one of us in the charts!” … and today's imbalance between new music and nostalgia. Order Tanita Tikaram tickets here: https://www.tanita-tikaram.com/live/ Order Liar: Love Isn't A Right here: https://www.tanita-tikaram.com/music/Find out how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Podcast #749 continues the tradition with cuts from Splitsville, The Aislers Set, Panic Shack, Gino and the Goons, Chinese Junk, Blanky, Ryan Davis & the Roadhouse Band, & Jonathan Richman and The Modern Lovers.
This week, Todd Brashear joins me to discuss his experiences being in the band Slint, Lance Bangs' Slint documentary Breadcrumb Trail, and our shared history of being video store owners!!!We also talked about how Jesus Urge Superstar is an overlooked masterpiece, Todd's early days in the hardcore punk scene in Louisville, the pre-Slint band Maurice, the first time Todd saw Slint perform, the Tweez EP, the amazing archival footage of the band rehearsing in Britt's parents' basement, how Slint were goofy even though their music was considered serious, opening Slint shows with Jonathan Richman or Black Flag covers, being bratty and transgressive in the underground movement, recording Spiderland, the end of Slint, Mission of Burma, working with Will Oldham, trying to open a video store in the late 90s, how much a VHS tape cost in 1997, whether to have a porn section or not, being the sole employee of a store, calling customers on The Late List, the holy grail tapes for the store, Ray Dennis Steckler, the RE/Search Incredibly Strange Films book, when both of our stores began to decline due to Netflix, The Wicker Man's musical sequences, not taking the store inventory home with us when we closed, Robert Pollard getting kicked out a Squirrel Bait show and more.TODD BRASHEAR'S VIDEO STORE:https://www.youtube.com/@wildandwoollyvideohttps://www.instagram.com/wildandwoollyvideo/CHRIS' VIDEO STORE:https://www.instagram.com/clintonstreetvideoSLINT:https://touchandgorecords.com/bands/band.php?id=70REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.
Baxie talks to guitarist/singer/songwriter Mike Baggetta. Mike, who is originally from Agawam, has just released his third album called “On and On” with the band MSSV. This an amazing trio that not only includes drummer Stephen Hodges (Tom Waits, Mavis Staples, Jonathan Richman, Dave Alvin, Bruce Cockburn, and the Fabulous Thunderbirds) it also includes bass phenomenon Mike Watt of The Minutemen and fIREHOSE! Just an incredible interview with a truly unique and gifted talent! Listen on Apple Podcasts, YouTube, Spotify, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee!
EP: 451 Special guest curated Prairie Surfin' from Jay's neighbour JamesPlaylist: Fela Ransome-Kuti and The Africa '70 with Ginger Baker - Let's StartRos Sereysothea - Wooly BullyJackie Shane - Any Other WayJessica Pratt - Better HateVetiver - I Must Be In A Good Place NowWillie Dunn - CharlieJohnny Cash - Crystal Chandeliers and BurgundyIan & Sylvia - You Were On My MindTownie - Born to LoseRodney Crowell - Bluebird WineLittle Feat - WillinCourtney Barnett - Lotta LoveJonathan Richman and The Modern Lovers - I Love Hot NightsImprovement Movement - Will You Be WellRyan Bourne - End of Story
Podcast #747 takes off with Jonathan Richman, Monnone Alone, Flathead, Superdrag, Tommy, Wet Denim, Red Bricks, & The Black Heart Procession.
X- "4th Of July JONATHAN RICHMAN - “O Guitar” WINTER, HORSE JUMPER OF LOVE - “Misery” U.S. GIRLS - “Like James Says” FRANZ FERDINAND, JOHNNY MARR - “Build It Up” JEANINES - “Coaxed A Storm” HOTLINE TNT - “Dance The Night Away” YOUNG FATHERS - “Lowly” ANIMAL COLLECTIVE - “Love On The Big Screen” THE LEMONHEADS - “In The Margines” DAFFO - “Absence Makes The Grow” TORTOISE - "Organessen" TUNE-YARDS - “Heartbreak” YA YA BEY, FATHER TILLIS - “Merlot And Grigio” MARK RONSON, RAYE - “Suzanne” THE BETHS - “No Joy” THE VALERY TRAILS - “Everything Is Temporary” LUKE HAINES, PETER BUCK - “The Pink Floyd Research Experiment” SUPERCHUNK - “No Hope” MARSHALL CRENSHAW - “Move Now” SLOAN - “Live Forever” fanclubwallet - “Cotton Mouth” OBERBAUM - “Solitude” KEN POMEROY - “Wolf In Sheep's Clothing” PAUL WELLER - “I Started A Joke”
For the 45th anniversary of The Feelies' classic debut album, Crazy Rhythms, we take a detailed look at how it was made. After the band formed as The Outkids in Haledon, New Jersey in 1976, Glenn Mercer, Bill Million and Dave Weckerman started playing with brothers Keith Clayton and Vinnie DeNunzio. They changed their name to The Feelies as they started playing gigs around New York City. At an audition night at CBGBs, they connected with sound engineer Mark Abel, who introduced them to manager Terry Ork. They began to get booked regularly and receive some press just as DeNunzio decided to leave the band. After placing an ad for a new drummer, they brought in Anton Fier, who had just relocated to New York from Clevenland. Weckerman also left around this time so the band lineup was solidified as a four piece. Rough Trade offered to release their debut single, which came out in 1979. For their debut album, they wanted to find a label that would allow them to produce. After signing with Stiff Records, they began recording at Vanguard Studios with Mark Abel co-producing. Crazy Rhythms was eventually released in 1980. In this episode, Glenn Mercer and Bill Million recall connecting as teenagers in suburban New Jersey over a shared love of the Stooges. Mercer describes arranging their songs around the drums and percussion parts, while bringing a nervous energy and quirkiness to his vocals and lyrics. Million talks about how their early experiences with recording helped them realize the necessity of producing themselves and how they waited for the right record deal that would give them a proper recording budget. They describe their joy of discovery in the studio and their process for coming up with spontaneous parts as they were eager to treat the studio as an instrument. From finding the right clean guitar sound to standing out in the New York punk scene to embracing the suburbs to the 1950s-inspired look of the band to taking inspiration from contemporaries like Jonathan Richman, Brian Eno, Mo Tucker, and Steve Reich to percussion played with random objects to making music on their own terms for nearly 50 years, we'll hear the stories of how the record came together.
This is a free preview of a paid episode. To hear more, visit www.wethefifth.com* The Bill Bixby of East Egg* Figure it out, people * Solitude: City vs. Country (not a reference to the Jonathan Richman song, btw)* Allemansrätten and who makes the most money in your postal code* Jawohl CHEF!* Banning internships will help the poor* “Worse than Watergate” and the Ballad of G. Gordon Liddy* How does one start restoring a car * The brilliance of our mod…
Back on the airwaves of Vinyl Community Podcasts, Alex (Beer & Vinyl) shares a recent interview with musician/songwriter M Ross Perkins. M Ross Perkins is currently a featured artist on the Colemine Records label, and has a new album that dropped on May 2nd (interview recorded prior) entitled "What's The Matter, M Ross?" Composed, performed, and recorded completely by Perkins in his Dayton, OH studio, What's the Matter… is both the most stripped down and expansive within his tryptic of albums ("Wrong, Wrong, Wrong", "E Pluribus M Ross", and Now "What's The Matter..."). The headphone symphonies move with a deliberate, composed sophistication while the lyrics explore fresh territory, turning the camera away from the “butterscotch revue” and pointing it into a mirror. "The touchstones of psych pop remain: flourishes of Nilsson are still here, but so are Gram Parsons and Jonathan Richman. If you want to assign geography to What's the Matter, M Ross?, the album is equal parts Laurel Canyon and Big Pink, more Woodstock the town than the festival. Perkins is a self-contained (late-period) Teenage Fanclub with George Harrison's spiritual sense of inner wanderlust. Want a free copy? Available to anyone in lower 48 states head over to the Beer & Vinyl YouTube channel (specific video link below) and comment with some kind of musical connection to the state of Ohio. Deadline to enter is May 16th, 2025. And don't forget to check out thew new album "What's the Matter, M Ross" at your local independent record store or direct from Colemine Records (link also below). Bottoms up!
Cuti Vericad indaga en cómo la música ha retratado la Gran Manzana, de Frank Sinatra a Ryan Adams, pasando por Billy Joel, Ella Fitzgerald, Los Rebeldes o Jonathan Richman.
Guitarist Mike Baggetta calls his band MSSV a post-genre power trio—and this band does pack a punch. Baggetta is joined in the band by Mike Watt of the Minutemen and Firehose, and Stephen Hodges who played with Tom Waits on several albums, as well as with Mavis Staples, Wanda Jackson, and Jonathan Richman.Baggetta spoke with WRFI's Felix Teitelbaum from the road about their new album "On and On," the meaninglessness of genre, and more!
Zack Keim, joven músico de Pittsburgh al que conocimos al frente de los garageros Nox Boys, lanza en solitario “Battery Lane” (Action Weekend), una estupenda colección de canciones de pop luminoso y positivo.Playlist;JONATHAN RICHMAN “It’s you” (1986)Disco destacado ZACK KEIM “Battery lane”ZACK KEIM “Canyon”ZACK KEIM “Washington D.C.”P.M. WARSON “Closing time”NICK WATERHOUSE “Plan for leaving”THE LOVED ONES “What is love”BRAD MARINO “Somebody like me”MARKY RAMONE’S BLITZKRIEG “Keep on dancing”MARKY RAMONE’S BLITZKRIEG “New York, New York”Versión y Original; LIZA MINELLI “New York, New York” (1977)THROWING MUSES “Drugstore dragstic”EARLS OF BABYLON “My little Frankenstein”KIM SALMON “Hey Hey Narcissus”Escuchar audio
All aboard the ... bus! This week we feature several songs about the poor man's chariot, the loser cruiser, etc - and the songs are comin' like London busses. Our first stop is "Midnight Bus" by Betty McQuade. From 1961, this one is an atmospheric tale of tragic young love, but more importantly, it sets up a crucial discussion of the "buzzer cord" ... where did the buzz go? Second on our route is "Bus Stop" by The Hollies. This one is also about young love but it has a happier ending, though the baroque arrangement carries an undercurrent of melancholy. While you wait at the stop, listen to "Red Box" by I Jog & the Tracksuits. Very suppressed rage and shy vocals meet the riff from "Love Rollercoaster"! Nobody walks in LA, except for the people Weird Al is stuck with on "Another One Rides The Bus." Legendary! The terminus is reached after we listen to "You're Crazy for Taking the Bus" by our favourite, Jonathan Richman. What a positive view of a long coach ride ... just like this episode!
This week, we are joined by Paisley Underground legend MATT PIUCCI (Rain Parade, Crazy Horse) to discuss the TODD HAYNES' documentary, THE VELVET UNDERGROUND. We also talk about Haynes' body of work including Velvet Goldmine & Safe, the perfect run of Velvet Underground records, Chris' emotional breakdown after seeing the film in the theater, Roky Music & The Doors, does a biopic need to be truthful, how being on stage is similar to Matt's forensic courtroom work (and would any member of The Velvets been good forensic scientists), the multiple screen and sound work within the film, how so much of art is because of chance encounters, how Andy Warhol's prescence allowed the Velvets to get through the gatekeepers of a label, honoring Warhol's visual identiy in the the film, the NYC underground filmmaking scene, how they edited this film, Lou Reed scrambling the narrative of his life, drones in music, Miles Davis, the mid 60s L.A. rock scene vs the NYC rock scene, seeing John Cale live, Chris hearing the first Velvet's record as a 7 year old & Matt seeing The Byrds live as a child, Mick Ronson & Transformer, Jeff Beck playing with Ziggy Stardust, how without Mo Tucker the Velvets were never the same, the Grateful Dead comparisons that confuses us, Can, Jonathan Richman's presence in the film, The Velvet's love of Neil Young, Matt talks about recording with Billy Talbot of Crazy Horse and smoking bowls with Neil Young, how Haynes' struggled making the film because of lack of archival footage of the band, John Cale's departure from the band and the pain of band lineup changes, Songs For Drella and the vilification of Doug Yule.So let's have The Velvet Underground hypnotize us once again on this episode of Revolutions Per Movie!!!MATT PIUCCI:@mattpiuccihttps://rainparade.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.
Alan Buckley in conversation with David Eastaugh https://www.youtube.com/watch?v=HyCcKAa35PE https://www.youtube.com/watch?v=Ayh-vWqDzBU https://www.youtube.com/watch?v=e2ioIhmzGEI https://www.youtube.com/watch?v=tVfK1tbeGwk&list=PLcDwkXhr5uEwekhN-p-OKHqcY_cLxvWjR Mid 80s proto-janglers Here Comes Everybody inspired Andy Bell (Ride/Oasis) to buy his first guitar, then, mission accomplished, broke up in 1986. Singer/ guitarist Richard and drummer Pete were introduced to bassist Alan by some HCE fans at St Paul's Arts Centre later that year, and The Anyways' core trio was born. Their goal was to wear black and sound like The Velvet Underground, but luckily they got it slightly wrong and ended up sounding like themselves (while still wearing black). Jennie used to read the newspaper onstage and on one occasion shorted out the keyboard by pouring fizzy pop into it. Trudy, a volunteer mental health worker, brought a big following from the Mill Drop-In Centre, to liven up the usual anoraked indie audience. Sounds reviewed the band's second gig, The Television Personalities offered support slots at the 100 Club in Oxford St, and Notown Records put out the first single, Confession, in 1987. Overcome by the excitement of being played on John Peel (once), Jennie left, and Ali took her place. The Anyways became regular performers at the Camden Falcon, where Bobby Gillespie told them they needed more guitar solos. Two tracks (no solos) were featured on The Jericho Collection in 1988 alongside Notown label-mates Shake Appeal (lots of solos). A video of rousing revolutionary anthem Levitate the Pentagon was shown on satellite TV at 2.00am. The Anyways played in Oxford, London, and Bristol with Talulah Gosh, Razorcuts, The Mission and Ride... and on their own at a Hindu wedding in Hendon (kicking off the evening with that cheery toe-tapper, Love Gone Bad). Band mantra Welcome to Psychedelic Country became even more appropriate when Hamish and Karen joined in 1990. An album (Love Lies) was recorded by Rich Haines at Dungeon Studios, but sadly not released. A swirling cover of George Harrison's If I needed someone graced a charity album called Revolution No. 9. Despite their sterling work on the swirling, Hamish and Karen decided to go more Country than Psychedelic, and left to form Lucky and The Losers in 1991. The final incarnation of The Anyways was completed by guitar maestro Mark, who had previously acted as friend and multi-tasking facilitator to the band for some time - in celebration, chilled Frascati was served to the new line-up onstage at the Zodiac in front of hundreds of delighted Heavenly fans. The Sunshine Down EP came out on Marineville Records in 1993, by which time Richard had received stage-fright counselling from Jonathan Richman and the band had supported Bad Manners at a college ball. Wider (not inspired by Buster Bloodvessel) was featured on the Days Spent Dreaming compilation. By now people wanted to spread their musical wings, so The Anyways' Grand Finale gig was held in 1994 at the Jericho Tavern (the band's spiritual home for many years).
It's been a minute since I've put out a new show, and so I thought maybe I'd let you in on what has been keeping me so busy. A couple years ago, I started working on an oral history project funded by the city- appropriately titled The Olympia Music History Project. We (myself, Mariella Luz and Kelsey Smith) have since broken off from the city into our own nonprofit organization, and I'm excited to announce that we are launching olympiamusichistory.org on New Year's Day, 2025! So let me tell you about what this is: I was a part of a team that interviewed 30 people who were doing significant things in Olympia's legendary indie music scene between 1980-2002. We spoke with folks from globally revered bands like Bikini Kill, Sleater-Kinney and The Gossip, as well as hometown heroes including Young Pioneers, The Noses, Fitz of Depression, even Olympia's only known ska band of that era, Engine 54. I've learned so much working on this project- and I've heard all the interviews several times, because I'm the guy who edited them. Have you ever seen that T-Shirt that says “Reading is Sexy?” That was designed by Sarah Utter, the singer and guitarist from The Bangs. Allegedly Patrick Swayze lived here at some point, but I don't know if he ever got out to any punk shows. And yeah, Nirvana was a part of our scene for a while too, I forget what happened after they moved to Seattle. And there were all these festivals- International Pop Underground Convention in 1991, The YoYo A Go Go festivals after that, Ladyfest- which became an international series- and a groundbreaking, grassroots rock opera called The Transfused. All these things happened in that 22-year window. My interview with a guy named John Foster focuses on a couple of crucial things happening, that the scene- at least in part- owes its existence. The first one is the enactment of the Green Line Policy at KAOS- that's KAOS, 89.3 FM, Olympia- a game-changing move making it against the rules to play any less than 80% independently released music. That had a huge impact on a lot of creative people that tuned in. The second is the publication of OP Magazine, a dense zine focused on independent music of every kind, and featured contributing writers like Matt Groening, Eugene Chadbourne, Jonathan Richman, on and on. This magazine was globally distributed from right here in Olympia, and served as a regularly updated encyclopedia of indie music- and where to get it. Basically, it was like a precursor to something in-between Pitchfork and Bandcamp, in the pre-internet dark ages. John Foster was at the helm for both of these endeavors, and he was one of the people I interviewed for the Olympia Music History Project, and here is our conversation, recorded in the historic Rockway-Leland building downtown.
We're winding out 2024 with a beautiful Take 5. Jamie xx is one of my favourite producers, so it's really special to cap off what's been a big year, with the man himself. Looking back the last couple of years, the final Take 5 has been really reflective. Caroline Polachek was poetic at the end of a huge 2023, and he year before Jon Hopkins gifted us a transcendent set of songs. All three artists came to that conversation at the top of their game, but with a wisdom and calm that comes with age, with experience, and freedom.For Jamie, I asked him to choose songs of surrender. He embraced the theme and then some, and his songs confirmed why music is such a beautiful language for him. From vintage surf movies, to legendary Brazilian music, deep house cuts and Jonathan Richman, this is a beautiful meditation on life, and a life in sound.G. Wayne Thomas – Morning of the Earth Phillip Glass – The Grid Milton Nascimento – Um Gosto De Sol Marshall Jefferson vs. Noosa Heads – Mushrooms (Justin Martin remix) Jonathan Richman & the Modern Lovers – The Morning Of Our Lives
This week, we talked to documentary filmmaker Katherine Linton about her Sundance Channel documentary Follow My Voice: The Music of Hedwig, which follows the students of the Harvey Milk School in NYC and John Cameron Mitchell & Stephen Trask of Hedwig & The Angry Inch (and Revolutions Per Movie host Chris Slusarenko) putting the charity album together. We discuss the stress of not letting Kim Deal of The Breeders know that Frank Black was also appearing on the record, the unknown magic and chance in picking subjects for documentaries, the experience of having Jonathan Richman singing only to you, and Yoko Ono being asked to be slapped on the back while recording her tracks.So come put on some makeup and turn on the 8-track on this week's episode of Revolutions Per Movie.REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.
Send us a Text Message.Welcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Sheep Go to Heaven by Cake (1998)Song 1: Whirlpool by Meat Puppets (1991)Song 2: High Ticket Attractions by The New Pornographers (2017)Song 3: Concrete and Clay by Unit Four Plus Two (1965)Song 4: Didn't I (Blow Your Mind) by New Kids on the Block (1986)Song 5: New York City by cub (1994)Song 6: Kansas City by The New Basement Tapes (2014)Song 7: I'm a Little Airplane by Jonathan Richman & the Modern Lovers (1977)Song 8: Looking for a Kiss by New York Dolls (1973)Song 9: Maybe I Know by Leslie Gore (1964)Song 10: Dressed to Kill by New Found Glory (2000)
Our newest member of the 'Three Timer Club,' renowned music journalist / author / photographer Michael Goldberg, joins us this week to discuss some of the most iconic images of the classic alternative era. What are some of the photos, logos, and icons that come to YOUR mind? The first-ever collection of Addicted To Noise founder and former Rolling Stone senior writer Michael Goldberg's photographs, Jukebox: Photographs 1967-2023 (Hozac Books), features an impressive array of underground figures and outcast luminaries captured in their natural habitat, most seen here for the first time anywhere. Bridging the gaps between the late ‘60s psychedelic era, primitive first-wave ‘70s punk and soul & reggae, as well as never-before seen images of country & folk iconoclasts and rule-breakers across the spectrum of all that is captivating, and even including some modern artists still making waves, Jukebox is a riveting photography collection that truly feels as good as it looks. The photos in JUKEBOX are drawn from the thousands he's taken over the years. Included are photos of the Sex Pistols, Crime, the Ramones, the Avengers, Devo, the Nuns, the Clash, Tom Verlaine, Lou Reed, John Cale and the Dils as well as Tom Waits, Courtney Barnett and Kurt Vile, Janis Joplin, Ben Gibbard, Ramblin' Jack Elliott, Muddy Waters, Toots and the Maytals, Patti Smith, Bettye LaVette, the Who, Neil Young, Jonathan Richman, Townes Van Zandt, the Flamin' Groovies, and many many more. Photos from JUKEBOX will be on display from July 25 through September 22, 2024 at the Haight Street Art Center in San Francisco, where the exhibition, We Are the One: San Francisco Punk 1970s & 1980s, curated by Goldberg, will also be featured during those two months. Oh, and bonus! We play the latest in a series of world famous O3L games, "Record Rack of the Mind." Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices
Our newest member of the 'Three Timer Club,' renowned music journalist / author / photographer Michael Goldberg, joins us this week to discuss some of the most iconic images of the classic alternative era. What are some of the photos, logos, and icons that come to YOUR mind? The first-ever collection of Addicted To Noise founder and former Rolling Stone senior writer Michael Goldberg's photographs, Jukebox: Photographs 1967-2023 (Hozac Books), features an impressive array of underground figures and outcast luminaries captured in their natural habitat, most seen here for the first time anywhere. Bridging the gaps between the late ‘60s psychedelic era, primitive first-wave ‘70s punk and soul & reggae, as well as never-before seen images of country & folk iconoclasts and rule-breakers across the spectrum of all that is captivating, and even including some modern artists still making waves, Jukebox is a riveting photography collection that truly feels as good as it looks. The photos in JUKEBOX are drawn from the thousands he's taken over the years. Included are photos of the Sex Pistols, Crime, the Ramones, the Avengers, Devo, the Nuns, the Clash, Tom Verlaine, Lou Reed, John Cale and the Dils as well as Tom Waits, Courtney Barnett and Kurt Vile, Janis Joplin, Ben Gibbard, Ramblin' Jack Elliott, Muddy Waters, Toots and the Maytals, Patti Smith, Bettye LaVette, the Who, Neil Young, Jonathan Richman, Townes Van Zandt, the Flamin' Groovies, and many many more. Photos from JUKEBOX will be on display from July 25 through September 22, 2024 at the Haight Street Art Center in San Francisco, where the exhibition, We Are the One: San Francisco Punk 1970s & 1980s, curated by Goldberg, will also be featured during those two months. Oh, and bonus! We play the latest in a series of world famous O3L games, "Record Rack of the Mind." Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, Scott interviews Jerry Harrison about his storied musical journey. They discuss his musical beginnings and explore stories about how Jerry met Jonathan Richman, formed the Modern Lovers, then went on to join Talking Heads. Jerry also discusses the music scene of New York in the ‘70s, and the development of punk rock. Along the way, the pair talk about the remastering process of Talking Heads' legendary concert film, Stop Making Sense, and how it feels to be reunited with the band after many years. Jerry also gives a glimpse into his work as a music producer. Finally, he shares some of his top 5's, including his top 5 punk bands, and top 5 things he misses about NYC in the ‘70s. Tune in for an entertaining conversation with Jerry Harrison, and if you enjoy this episode, be sure to subscribe and share with your friends! Get up to 48% off your first subscription or 20% off one time purchases with code LIPPS at checkoutwww.magicmind.com/lipps#sponsored #Ad
No sooner do we have a "reunion" episode last week than travel schedules blow it all up again. With John Yoo away on another junket (supposedly teaching a summer law seminar somewhere, but really in search of more elusive McRibs), Lucretia and Steve decided to do a live episode where they pondered what might be called the "meta-narrative" (that would be "McNarrative" to John Yoo) behind the sharply differing constitutional views of left and right. Steve argues that behind the left's primal drive for power that can explain the outcome-oriented constitutionalism of the left on display since the Progressive Era lies a more sinister but less recognized aspect of leftist politics: American leftists are basically socialist revolutionaries, but rather than conduct direct revolution (with certain isolated exceptions), they prefer to use the rule of law to subvert the rule of law. Steve thinks an important clue to understanding this dynamic (about which too many conservatives and Republicans are clueless) can be found in a reconsideration of . . . the Spanish Civil War. (See Nathan Pinkoski's fine essay reviewing the revisionist literature that essentially says everything you think you know about teh Spanish Civil War is wrong, and just imagine what Franco could have done if only he'd had some helicopters.)Lucretia as always is less convinced by Steve's historical analogies and, having had three espressos after lunch and before taping, offers her own special sauce to understanding the problem, yet somehow omitted the usual snark about Steve's whisky of the week, Laphroaig Quarter-Cask.Finally, in honor of Pride Month, some topical exit music this week from the great Jonathan Richman.And thanks to the many Power Line readers who tuned in for the live taping. Sorry we didn't get to more of your questions and comments.
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