Podcast appearances and mentions of Jonathan Richman

For the 45th anniversary of The Feelies' classic debut album, Crazy Rhythms, we take a detailed look at how it was made. After the band formed as The Outkids in Haledon, New Jersey in 1976, Glenn Mercer, Bill Million and Dave Weckerman started playing with brothers Keith Clayton and Vinnie DeNunzio. They changed their name to The Feelies as they started playing gigs around New York City. At an audition night at CBGBs, they connected with sound engineer Mark Abel, who introduced them to manager Terry Ork. They began to get booked regularly and receive some press just as DeNunzio decided to leave the band. After placing an ad for a new drummer, they brought in Anton Fier, who had just relocated to New York from Clevenland. Weckerman also left around this time so the band lineup was solidified as a four piece. Rough Trade offered to release their debut single, which came out in 1979. For their debut album, they wanted to find a label that would allow them to produce. After signing with Stiff Records, they began recording at Vanguard Studios with Mark Abel co-producing. Crazy Rhythms was eventually released in 1980. In this episode, Glenn Mercer and Bill Million recall connecting as teenagers in suburban New Jersey over a shared love of the Stooges. Mercer describes arranging their songs around the drums and percussion parts, while bringing a nervous energy and quirkiness to his vocals and lyrics. Million talks about how their early experiences with recording helped them realize the necessity of producing themselves and how they waited for the right record deal that would give them a proper recording budget. They describe their joy of discovery in the studio and their process for coming up with spontaneous parts as they were eager to treat the studio as an instrument. From finding the right clean guitar sound to standing out in the New York punk scene to embracing the suburbs to the 1950s-inspired look of the band to taking inspiration from contemporaries like Jonathan Richman, Brian Eno, Mo Tucker, and Steve Reich to percussion played with random objects to making music on their own terms for nearly 50 years, we'll hear the stories of how the record came together.

Desde sus inicios, el boxeo se ha nutrido principalmente de jóvenes procedentes de guetos, barrios y suburbios en los que escaseaban las oportunidades de conseguir un progreso sin salirse de la ley. Por eso ha sido históricamente el deporte más sensible a cualquier cambio social o demográfico. Eso explica la extraordinaria eclosión de boxeadores judíos, especialmente a partir de los años veinte. Un período en el que los emigrantes judíos en Estados Unidos acabarían convirtiéndose en el grupo étnico con mayor número de boxeadores profesionales, aportando a la historia grandísimos campeones mundiales. Del gran Benny Leonard a Jackie Fields, de Abe Attell al inimitable Barney Ross. Un fenómeno muy llamativo, aunque también por razones sociológicas, relativamente corto en el tiempo. De la misma manera que fácilmente identificamos a irlandeses e italianos con el boxeo profesional de principios del siglo XX, el importante predominio de boxeadores judíos es un fenómeno muy poco destacado y que a menudo causa extrañeza.Y sobre todo muy poco conocido, incluso dentro de la propia historiografía judía. Hoy nos centraremos en los orígenes sociológicos de este curioso fenómeno y nos centraremos en las primeras grandes figuras del boxeo estadounidense de principios de siglo XX. Corte 1: “Jerusalem, New York, Berlin” Vampire Weekend Corte 2: “Better”, Regina Spektore Corte 3: “Government Centre”, Jonathan Richman and the Modern Lovers

This is a free preview of a paid episode. To hear more, visit www.wethefifth.com* The Bill Bixby of East Egg* Figure it out, people * Solitude: City vs. Country (not a reference to the Jonathan Richman song, btw)* Allemansrätten and who makes the most money in your postal code* Jawohl CHEF!* Banning internships will help the poor* “Worse than Watergate” and the Ballad of G. Gordon Liddy* How does one start restoring a car * The brilliance of our mod…

Back on the airwaves of Vinyl Community Podcasts, Alex (Beer & Vinyl) shares a recent interview with musician/songwriter M Ross Perkins. M Ross Perkins is currently a featured artist on the Colemine Records label, and has a new album that dropped on May 2nd (interview recorded prior) entitled "What's The Matter, M Ross?" Composed, performed, and recorded completely by Perkins in his Dayton, OH studio, What's the Matter… is both the most stripped down and expansive within his tryptic of albums ("Wrong, Wrong, Wrong", "E Pluribus M Ross", and Now "What's The Matter..."). The headphone symphonies move with a deliberate, composed sophistication while the lyrics explore fresh territory, turning the camera away from the “butterscotch revue” and pointing it into a mirror. "The touchstones of psych pop remain: flourishes of Nilsson are still here, but so are Gram Parsons and Jonathan Richman. If you want to assign geography to What's the Matter, M Ross?, the album is equal parts Laurel Canyon and Big Pink, more Woodstock the town than the festival. Perkins is a self-contained (late-period) Teenage Fanclub with George Harrison's spiritual sense of inner wanderlust. Want a free copy? Available to anyone in lower 48 states head over to the Beer & Vinyl YouTube channel (specific video link below) and comment with some kind of musical connection to the state of Ohio. Deadline to enter is May 16th, 2025. And don't forget to check out thew new album "What's the Matter, M Ross" at your local independent record store or direct from Colemine Records (link also below). Bottoms up!

Cuti Vericad indaga en cómo la música ha retratado la Gran Manzana, de Frank Sinatra a Ryan Adams, pasando por Billy Joel, Ella Fitzgerald, Los Rebeldes o Jonathan Richman.

Guitarist Mike Baggetta calls his band MSSV a post-genre power trio—and this band does pack a punch. Baggetta is joined in the band by Mike Watt of the Minutemen and Firehose, and Stephen Hodges who played with Tom Waits on several albums, as well as with Mavis Staples, Wanda Jackson, and Jonathan Richman.Baggetta spoke with WRFI's Felix Teitelbaum from the road about their new album "On and On," the meaninglessness of genre, and more!

Extrait : « … My pal foot foot jamais n'aurait dû arriver jusqu'ici, et rester dans le carton des bizarreries sans nom ou des horreurs, au choix, mais il se trouve que l'album, probablement le pire jamais enregistré dans l'histoire du rock'n'roll, est peu à peu revenu à la vie après 10 ans de poussière. Depuis, un certain nombre de musiciens lui vouent ou vouaient un culte éternel, Kurt Cobain, Bonnie Raitt, Jonathan Richman, bien que son plus ardent défenseur reste Franck Zappa, qui a dit de lui : c'est meilleur que les Beatles. J'aime bien Zappa … »Pour commenter les épisodes, tu peux le faire sur l'appli en question, ça aide énormément à faire croître l'audience. Mais aussi sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde. Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Zack Keim, joven músico de Pittsburgh al que conocimos al frente de los garageros Nox Boys, lanza en solitario “Battery Lane” (Action Weekend), una estupenda colección de canciones de pop luminoso y positivo.Playlist;JONATHAN RICHMAN “It’s you” (1986)Disco destacado ZACK KEIM “Battery lane”ZACK KEIM “Canyon”ZACK KEIM “Washington D.C.”P.M. WARSON “Closing time”NICK WATERHOUSE “Plan for leaving”THE LOVED ONES “What is love”BRAD MARINO “Somebody like me”MARKY RAMONE’S BLITZKRIEG “Keep on dancing”MARKY RAMONE’S BLITZKRIEG “New York, New York”Versión y Original; LIZA MINELLI “New York, New York” (1977)THROWING MUSES “Drugstore dragstic”EARLS OF BABYLON “My little Frankenstein”KIM SALMON “Hey Hey Narcissus”Escuchar audio

Phil Smith began in the awesome Vancouver punk band Wasted Lives, whose few recordings were recently released by Supreme Echo. This conversation was recorded on December 18 2024. He went on to musical projects like Snow Geese, Blanche Whitman, Bud Luxford and the long-running band Corsage. Venues Visited: Starvin' Marvin's was a nightclub on Burrard and Broadway which closed in the late 1970s. Quintessence Records (later Zulu) opened at 1869 west 4th avenue and often had in-store performances. It moved to 1972 w 4th where it still exists today. The Indian Center was built as a church (initially the Kitsilano Presbyterian Church) in 1911, and eventually became the Vancouver Indian Centre (now the Vancouver Aboriginal Friendship Society) at this location (1855 Vine) from 1970 to 1979. Now called Devon Court, the building contains luxury condos.  The Subhumans played there in June and July 1978, and the hall had at least 2 additional shows. The Russian Community Hall on 4th and Arbutus has had events over the decades, but most famously was The Afterthought, where psych and hippie shows happened in the '60s before the Retinal Circus opened.  Rohan's opened at a record store at 2865 West 4th Ave (it was an old house!), and then relocated to 2723 west 4th as the venue, Rohan's Rockpile, in 1972 or 1973. According to BC Business Online The Who came to play after an arena show. The Legion Hall at 2611 west 4th avenue was known at Lion's Gate Hall, and was legion #79. There is an ad from 1963 listing it for rent for events. Bands mentioned: Alan Horowitz Band, Heart, Dishrags, Subhumans, Jonathan Richman, DOA, Modernettes, Iggy Pop, Ramones, Talking Heads, Helium, Actionauts, Pointed Sticks, U-J3RK5, Steely Dan. Other venues discussed: Luv-a-fair, Sub Ballroom, the Plaza (punk house), the Snake Pit, Viking Hall, Nat Bailey Stadium. This episode features the following music: Wasted Lives: Wirehead from s/t EP 1979 (reissued by Supreme Echo). Corsage: Royal Couple from CORSAGE (originally released on cassette 1988)  Corsage: September Song from Ancient Songs (2023)

All aboard the ... bus! This week we feature several songs about the poor man's chariot, the loser cruiser, etc - and the songs are comin' like London busses. Our first stop is "Midnight Bus" by Betty McQuade. From 1961, this one is an atmospheric tale of tragic young love, but more importantly, it sets up a crucial discussion of the "buzzer cord" ... where did the buzz go? Second on our route is "Bus Stop" by The Hollies. This one is also about young love but it has a happier ending, though the baroque arrangement carries an undercurrent of melancholy. While you wait at the stop, listen to "Red Box" by I Jog & the Tracksuits. Very suppressed rage and shy vocals meet the riff from "Love Rollercoaster"! Nobody walks in LA, except for the people Weird Al is stuck with on "Another One Rides The Bus." Legendary! The terminus is reached after we listen to "You're Crazy for Taking the Bus" by our favourite, Jonathan Richman. What a positive view of a long coach ride ... just like this episode!

Brain Drain Episode 48 with Toby Batchelor & Forde Brookfield

This week, we are joined by Paisley Underground legend MATT PIUCCI (Rain Parade, Crazy Horse) to discuss the TODD HAYNES' documentary, THE VELVET UNDERGROUND. We also talk about Haynes' body of work including Velvet Goldmine & Safe, the perfect run of Velvet Underground records, Chris' emotional breakdown after seeing the film in the theater, Roky Music & The Doors, does a biopic need to be truthful, how being on stage is similar to Matt's forensic courtroom work (and would any member of The Velvets been good forensic scientists), the multiple screen and sound work within the film, how so much of art is because of chance encounters, how Andy Warhol's prescence allowed the Velvets to get through the gatekeepers of a label, honoring Warhol's visual identiy in the the film, the NYC underground filmmaking scene, how they edited this film, Lou Reed scrambling the narrative of his life, drones in music, Miles Davis, the mid 60s L.A. rock scene vs the NYC rock scene, seeing John Cale live, Chris hearing the first Velvet's record as a 7 year old & Matt seeing The Byrds live as a child, Mick Ronson & Transformer, Jeff Beck playing with Ziggy Stardust, how without Mo Tucker the Velvets were never the same, the Grateful Dead comparisons that confuses us, Can, Jonathan Richman's presence in the film, The Velvet's love of Neil Young, Matt talks about recording with Billy Talbot of Crazy Horse and smoking bowls with Neil Young, how Haynes' struggled making the film because of lack of archival footage of the band, John Cale's departure from the band and the pain of band lineup changes, Songs For Drella and the vilification of Doug Yule.So let's have The Velvet Underground hypnotize us once again on this episode of Revolutions Per Movie!!!MATT PIUCCI:@mattpiuccihttps://rainparade.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Alan Buckley in conversation with David Eastaugh https://www.youtube.com/watch?v=HyCcKAa35PE https://www.youtube.com/watch?v=Ayh-vWqDzBU https://www.youtube.com/watch?v=e2ioIhmzGEI https://www.youtube.com/watch?v=tVfK1tbeGwk&list=PLcDwkXhr5uEwekhN-p-OKHqcY_cLxvWjR Mid 80s proto-janglers Here Comes Everybody inspired Andy Bell (Ride/Oasis) to buy his first guitar, then, mission accomplished, broke up in 1986. Singer/ guitarist Richard and drummer Pete were introduced to bassist Alan by some HCE fans at St Paul's Arts Centre later that year, and The Anyways' core trio was born. Their goal was to wear black and sound like The Velvet Underground, but luckily they got it slightly wrong and ended up sounding like themselves (while still wearing black). Jennie used to read the newspaper onstage and on one occasion shorted out the keyboard by pouring fizzy pop into it. Trudy, a volunteer mental health worker, brought a big following from the Mill Drop-In Centre, to liven up the usual anoraked indie audience. Sounds reviewed the band's second gig, The Television Personalities offered support slots at the 100 Club in Oxford St, and Notown Records put out the first single, Confession, in 1987. Overcome by the excitement of being played on John Peel (once), Jennie left, and Ali took her place. The Anyways became regular performers at the Camden Falcon, where Bobby Gillespie told them they needed more guitar solos. Two tracks (no solos) were featured on The Jericho Collection in 1988 alongside Notown label-mates Shake Appeal (lots of solos). A video of rousing revolutionary anthem Levitate the Pentagon was shown on satellite TV at 2.00am. The Anyways played in Oxford, London, and Bristol with Talulah Gosh, Razorcuts, The Mission and Ride... and on their own at a Hindu wedding in Hendon (kicking off the evening with that cheery toe-tapper, Love Gone Bad). Band mantra Welcome to Psychedelic Country became even more appropriate when Hamish and Karen joined in 1990. An album (Love Lies) was recorded by Rich Haines at Dungeon Studios, but sadly not released. A swirling cover of George Harrison's If I needed someone graced a charity album called Revolution No. 9. Despite their sterling work on the swirling, Hamish and Karen decided to go more Country than Psychedelic, and left to form Lucky and The Losers in 1991. The final incarnation of The Anyways was completed by guitar maestro Mark, who had previously acted as friend and multi-tasking facilitator to the band for some time - in celebration, chilled Frascati was served to the new line-up onstage at the Zodiac in front of hundreds of delighted Heavenly fans. The Sunshine Down EP came out on Marineville Records in 1993, by which time Richard had received stage-fright counselling from Jonathan Richman and the band had supported Bad Manners at a college ball. Wider (not inspired by Buster Bloodvessel) was featured on the Days Spent Dreaming compilation. By now people wanted to spread their musical wings, so The Anyways' Grand Finale gig was held in 1994 at the Jericho Tavern (the band's spiritual home for many years). 

It's been a minute since I've put out a new show, and so I thought maybe I'd let you in on what has been keeping me so busy. A couple years ago, I started working on an oral history project funded by the city- appropriately titled The Olympia Music History Project. We (myself, Mariella Luz and Kelsey Smith) have since broken off from the city into our own nonprofit organization, and I'm excited to announce that we are launching olympiamusichistory.org on New Year's Day, 2025! So let me tell you about what this is: I was a part of a team that interviewed 30 people who were doing significant things in Olympia's legendary indie music scene between 1980-2002. We spoke with folks from globally revered bands like Bikini Kill, Sleater-Kinney and The Gossip, as well as hometown heroes including Young Pioneers, The Noses, Fitz of Depression, even Olympia's only known ska band of that era, Engine 54. I've learned so much working on this project- and I've heard all the interviews several times, because I'm the guy who edited them. Have you ever seen that T-Shirt that says “Reading is Sexy?” That was designed by Sarah Utter, the singer and guitarist from The Bangs. Allegedly Patrick Swayze lived here at some point, but I don't know if he ever got out to any punk shows. And yeah, Nirvana was a part of our scene for a while too, I forget what happened after they moved to Seattle.  And there were all these festivals- International Pop Underground Convention in 1991, The YoYo A Go Go festivals after that, Ladyfest- which became an international series- and a groundbreaking, grassroots rock opera called The Transfused. All these things happened in that 22-year window.  My interview with a guy named John Foster focuses on a couple of crucial things happening, that the scene- at least in part- owes its existence.  The first one is the enactment of the Green Line Policy at KAOS- that's KAOS, 89.3 FM, Olympia- a game-changing move making it against the rules to play any less than 80% independently released music. That had a huge impact on a lot of creative people that tuned in. The second is the publication of OP Magazine, a dense zine focused on independent music of every kind, and featured contributing writers like Matt Groening, Eugene Chadbourne, Jonathan Richman, on and on. This magazine was globally distributed from right here in Olympia, and served as a regularly updated encyclopedia of indie music- and where to get it. Basically, it was like a precursor to something in-between Pitchfork and Bandcamp, in the pre-internet dark ages. John Foster was at the helm for both of these endeavors, and he was one of the people I interviewed for the Olympia Music History Project, and here is our conversation, recorded in the historic Rockway-Leland building downtown.

Extrait : « … À cette même époque, Jerry Harrison en a ras le pompon de la musique, il vient de claquer la porte de The modern lovers, le groupe qu'il a cofondé en 72 avec Jonathan Richman, en raison de désaccords profonds sur le son du groupe. Aussi de dépit est-il retourné à Harvard pour passer un master en architecture, après en être déjà sorti 4 ans auparavant diplômé Magna Cum Laude en études visuelles et environnementales, ça late, la tête bien faite le Jerry. Il se trouve qu'il a vu les Talking Heads en concert quelque temps auparavant, il a été impressionné par leur musique … »Pour commenter les épisodes, tu peux le faire sur ton appli de podcasts habituelle, c'est toujours bon pour l'audience. Mais également sur le site web dédié, il y a une section Le Bar, ouverte 24/24, pour causer du podcast ou de musique en général, je t'y attends avec impatience. Enfin, si tu souhaites me soumettre une chanson, c'est aussi sur le site web que ça se passe. Pour soutenir Good Morning Music et Gros Naze :1. Abonne-toi2. Laisse-moi un avis et 5 étoiles sur Apple Podcasts, ou Spotify et Podcast Addict3. Partage ton épisode préféré à 3 personnes autour de toi. Ou 3.000 si tu connais plein de monde.Good Morning Music Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

We're winding out 2024 with a beautiful Take 5. Jamie xx is one of my favourite producers, so it's really special to cap off what's been a big year, with the man himself. Looking back the last couple of years, the final Take 5 has been really reflective. Caroline Polachek was poetic at the end of a huge 2023, and he year before Jon Hopkins gifted us a transcendent set of songs. All three artists came to that conversation at the top of their game, but with a wisdom and calm that comes with age, with experience, and freedom.For Jamie, I asked him to choose songs of surrender. He embraced the theme and then some, and his songs confirmed why music is such a beautiful language for him. From vintage surf movies, to legendary Brazilian music, deep house cuts and Jonathan Richman, this is a beautiful meditation on life, and a life in sound.G. Wayne Thomas – Morning of the Earth Phillip Glass – The Grid Milton Nascimento – Um Gosto De Sol Marshall Jefferson vs. Noosa Heads – Mushrooms (Justin Martin remix) Jonathan Richman & the Modern Lovers – The Morning Of Our Lives 

【节目简介】惩罚关税下中国车企来巴黎参展有的强势突击，势如破竹有的创新合作，以少胜多还有的只为刷存在感，赚点流量本期《孤岛车谈》我就来聊聊在2024年巴黎车展对参展的中国车企的观察，聊聊到底大家在这个时间点进欧洲都是什么心态。零跑发布会上的三位大佬：零跑国际CEO忻天枢，Stellantis CEO 唐唯实Carlos Tavares，零跑CEO朱江明《孤岛车谈》主持人罗新雨和零跑CEO朱江明正在接受法国记者采访的比亚迪股份有限公司执行副总裁，比亚迪北美分公司总裁李柯 Stella Li全程中文的何小鹏公布了P7+的中国预售价小鹏展台，注意头顶的eVTOL电动垂直起降飞机红旗官方网站经销商搜索页面中的Tahiti岛是唯一一个和欧洲沾边的地点，属于法属波里尼西亚无法使用高德地图的广汽ES9 PHEV没有仪表也没有HUD的沃尔沃EX30【话题成员】罗新雨 底盘电子系统工程师冯金钊 合资车企产品规划罗新雨个人微博@大众风Volkswind剪辑 ATTC埃科公司，罗新雨片尾曲 Give Paris One More Chance by Jonathan Richman (2001)【时刻文稿】1:30 前情提要5:30 2022年巴黎车展的中国车7:00 2023年德国慕尼黑车展13:31 2024巴黎车展的中国车18:04 2024年巴黎车展上的比亚迪23:46 2024年巴黎车展上的零跑37:05 2024年巴黎车展上的小鹏45:02 2024年巴黎车展上的广汽和红旗56:24 2024年巴黎车展上的问界1:01:25 2024年巴黎车展上没来的车企【参考链接】1.2022年10月巴黎车展（中文，2022）：https://auto.cyol.com/gb/articles/2022-10/21/content_Rpdp5smMg.html2.2023年9月慕尼黑车展（中文，2023）：https://www.21jingji.com/article/20230911/herald/cfcf1dae028caf72debf2b69e1694de7.html3.2022年巴黎车展，Carlos Tavares要求欧盟对中国电动车加征关税（英文，2022）：https://www.carexpert.com.au/car-news/stellantis-boss-wants-higher-tariffs-on-chinese-cars-in-europe4.开创“反向合资”模式，零跑走出中国车企“出海”新道路（中文，2024）：http://auto.ce.cn/auto/gundong/202410/22/t20241022_39176881.shtml5.Carlos Tavares在2024年巴黎车展上接受彭博社采访（英文，2024）：https://www.bloomberg.com/news/videos/2024-10-15/bloomberg-brief-10-15-20246.Carlos Tavares在2024年巴黎车展上接受Franceinfo采访（法文，2024）：https://www.francetvinfo.fr/replay-radio/l-interview-eco/automobile-il-faut-redoubler-d-efforts-pour-vendre-des-vehicules-electriques-au-prix-du-thermique-affirme-carlos-tavares-directeur-general-de-stellantis_6809032.html7.程里采访红旗（中文，2024）：https://www.bilibili.com/video/BV1XFyqYCEys/?spm_id_from=333.337.search-card.all.click&vd_source=d7fdf67463c20c33399320ab5301ac538.广汽打算在欧洲卖车（中文，2024）：https://www.bilibili.com/video/BV14P2oY8E11/?spm_id_from=333.337.search-card.all.click&vd_source=d7fdf67463c20c33399320ab5301ac539.欧洲市场，迎来中国汽车的“统治”时代？（中文，2024）：https://nev.ofweek.com/2024-10/ART-71008-8420-30648621.html10.2024欧洲国家的电动车补贴（英文，2024）：https://www.fleeteurope.com/en/new-energies/europe/features/ev-incentives-2024-europes-major-fleet-markets?a=FJA05&t%5B0%5D=Taxation&t%5B1%5D=EVs&curl=111.比亚迪Atto 3在欧洲NCAP ADAS评分拿到零分（英文，2024）：https://www.autoexpress.co.uk/byd/364791/byd-assistance-systems-slammed-euro-ncap12.广汽参加2013年底特律车展（英文，2013）：https://www.ibtimes.com/2013-detroit-auto-show-chinese-auto-giant-gac-showing-its-own-cars-albeit-fringes-photos-102018213.广汽参加2018年底特律车展（英文，2018）：https://www.motorauthority.com/news/1114438_chinas-gac-returns-to-detroit-auto-show-with-ga4-sedan-enverge-concept14.程里对话柳长庆：从巴黎车展红旗“双7”首秀，看中国品牌的国际化风范（中文，2024）：https://www.bilibili.com/video/BV1XFyqYCEys/?spm_id_from=333.337.search-card.all.click

This week, we talked to documentary filmmaker Katherine Linton about her Sundance Channel documentary Follow My Voice: The Music of Hedwig, which follows the students of the Harvey Milk School in NYC and John Cameron Mitchell & Stephen Trask of Hedwig & The Angry Inch (and Revolutions Per Movie host Chris Slusarenko) putting the charity album together. We discuss the stress of not letting Kim Deal of The Breeders know that Frank Black was also appearing on the record, the unknown magic and chance in picking subjects for documentaries, the experience of having Jonathan Richman singing only to you, and Yoko Ono being asked to be slapped on the back while recording her tracks.So come put on some makeup and turn on the 8-track on this week's episode of Revolutions Per Movie.REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Join Steven Hastings and Davey Hal as we dip spoons into our theme of Mr Whippy & A Flake inspired by Davey's summertime travels plus diversions that take in UK's official Anne Boleyn, jousting, Prince's inspiration, Popeye origins and that Davey is the rightful heir to the ice pop fortune and – at last! - an update on the progress of Fruit: The Musical. Plus a Glorious 60s pop moment with a cover of Compared To What and tracks from show favorites Slimy Bench, Jonathan Richman, the good Captain Beefheart, Prince, The Banana Splits, Fantastic Negrito and even Harry Belafonte gets a look in. We have a hoot and hope you enjoy. PLAYLIST I Want Candy – the Strangeloves Ice Cream Man – Jonathan Richman & The Modern Lovers Banana Split For My Baby (Glass Of Plain Water For Me) – Louis Prima Tutti Frutti – Little Richard Cream – Prince Venomous Dogma – Fantastic Negrito Ice Cream For Crow – Captain Beefheart & The Magic Band Never Swat A Fly – Billy ‘Ute' Carpenter Compared To What – Mr Flood's Party Feel It Now – Slimy Bench Will His Love Be Like His Rum? – Harry Belafonte The Tra La La Song (One Banana, Two Banana) – The Banana Splits Coconut – Harry Nilsson Little Cream Soda – The White Stripes Chocolate Jesus – Tom Waits Sunday Morning – The Velvet Underground Spellbound – Siouxie & The Banshees  LINKS Slimy Bench music at www.slimybench.bandcamp.com/album/fruit If you would like to support Ship Full Of Bombs and have the means to do so then please visit www.patreon.com/sfob  

Send us a Text Message.Welcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Sheep Go to Heaven by Cake (1998)Song 1: Whirlpool by Meat Puppets (1991)Song 2: High Ticket Attractions by The New Pornographers (2017)Song 3: Concrete and Clay by Unit Four Plus Two (1965)Song 4: Didn't I (Blow Your Mind) by New Kids on the Block (1986)Song 5: New York City by cub (1994)Song 6: Kansas City by The New Basement Tapes (2014)Song 7: I'm a Little Airplane by Jonathan Richman & the Modern Lovers (1977)Song 8: Looking for a Kiss by New York Dolls (1973)Song 9: Maybe I Know by Leslie Gore (1964)Song 10: Dressed to Kill by New Found Glory (2000)

Our newest member of the 'Three Timer Club,' renowned music journalist / author / photographer Michael Goldberg, joins us this week to discuss some of the most iconic images of the classic alternative era. What are some of the photos, logos, and icons that come to YOUR mind? The first-ever collection of Addicted To Noise founder and former Rolling Stone senior writer Michael Goldberg's photographs, Jukebox: Photographs 1967-2023 (Hozac Books), features an impressive array of underground figures and outcast luminaries captured in their natural habitat, most seen here for the first time anywhere. Bridging the gaps between the late ‘60s psychedelic era, primitive first-wave ‘70s punk and soul & reggae, as well as never-before seen images of country & folk iconoclasts and rule-breakers across the spectrum of all that is captivating, and even including some modern artists still making waves, Jukebox is a riveting photography collection that truly feels as good as it looks. The photos in JUKEBOX are drawn from the thousands he's taken over the years. Included are photos of the Sex Pistols, Crime, the Ramones, the Avengers, Devo, the Nuns, the Clash, Tom Verlaine, Lou Reed, John Cale and the Dils as well as Tom Waits, Courtney Barnett and Kurt Vile, Janis Joplin, Ben Gibbard, Ramblin' Jack Elliott, Muddy Waters, Toots and the Maytals, Patti Smith, Bettye LaVette, the Who, Neil Young, Jonathan Richman, Townes Van Zandt, the Flamin' Groovies, and many many more. Photos from JUKEBOX will be on display from July 25 through September 22, 2024 at the Haight Street Art Center in San Francisco, where the exhibition, We Are the One: San Francisco Punk 1970s & 1980s, curated by Goldberg, will also be featured during those two months. Oh, and bonus! We play the latest in a series of world famous O3L games, "Record Rack of the Mind." Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices

Our newest member of the 'Three Timer Club,' renowned music journalist / author / photographer Michael Goldberg, joins us this week to discuss some of the most iconic images of the classic alternative era. What are some of the photos, logos, and icons that come to YOUR mind? The first-ever collection of Addicted To Noise founder and former Rolling Stone senior writer Michael Goldberg's photographs, Jukebox: Photographs 1967-2023 (Hozac Books), features an impressive array of underground figures and outcast luminaries captured in their natural habitat, most seen here for the first time anywhere. Bridging the gaps between the late ‘60s psychedelic era, primitive first-wave ‘70s punk and soul & reggae, as well as never-before seen images of country & folk iconoclasts and rule-breakers across the spectrum of all that is captivating, and even including some modern artists still making waves, Jukebox is a riveting photography collection that truly feels as good as it looks. The photos in JUKEBOX are drawn from the thousands he's taken over the years. Included are photos of the Sex Pistols, Crime, the Ramones, the Avengers, Devo, the Nuns, the Clash, Tom Verlaine, Lou Reed, John Cale and the Dils as well as Tom Waits, Courtney Barnett and Kurt Vile, Janis Joplin, Ben Gibbard, Ramblin' Jack Elliott, Muddy Waters, Toots and the Maytals, Patti Smith, Bettye LaVette, the Who, Neil Young, Jonathan Richman, Townes Van Zandt, the Flamin' Groovies, and many many more. Photos from JUKEBOX will be on display from July 25 through September 22, 2024 at the Haight Street Art Center in San Francisco, where the exhibition, We Are the One: San Francisco Punk 1970s & 1980s, curated by Goldberg, will also be featured during those two months. Oh, and bonus! We play the latest in a series of world famous O3L games, "Record Rack of the Mind." Proud members of the Pantheon Podcasts family. Learn more about your ad choices. Visit megaphone.fm/adchoices

'What does 'knowing' mean?'Sugata Mitra, Jonathan Richman, Brian Eno, Zadie Smith, Rich Hall, Amor Towles 

Canciones de sonido refrescante o temática refrigerante para ayudar a combatir el bochorno del verano.(Foto del podcast; Carrito de helados en Madrid en 1959)Playlist;(sintonía) THE VENTURES “Summer in the City”CONCHITA VELASCO “Qué calor”SUGAR DADDY and THE CEREAL KILLERS “The ice cream man”THE SWINGIN’ NECKBREAKERS “Ice wáter”RAMONES “Touring”RANGONES “Quero tomar sorvete”THE MUTANT MONSTER BEACH PARTY “Go Lil’ Camaro Go”BARRACUDAS “Summer fun”SURFIN’ LUNGS “Beach bound”MELOPEA “Siempre haciendo surf”THE RUBINOOS “1 2 3 forever”DOLLY MIXTURE “Everything and more”CARLOS BISSO y SU CONEXIÓN Nº5 “En el verano”BRUNO LOMAS y SUS ROCKEROS “Una noche de verano”THE JORDANS “Summertime”THE SILVER THUNDERS “Summer in the city”AIRBAG “Jonathan Richman”JONATHAN RICHMAN and THE MODERN LOVERS “Ice cream man (live)”Escuchar audio

In this episode, Scott interviews Jerry Harrison about his storied musical journey. They discuss his musical beginnings and explore stories about how Jerry met Jonathan Richman, formed the Modern Lovers, then went on to join Talking Heads. Jerry also discusses the music scene of New York in the ‘70s, and the development of punk rock. Along the way, the pair talk about the remastering process of Talking Heads' legendary concert film, Stop Making Sense, and how it feels to be reunited with the band after many years. Jerry also gives a glimpse into his work as a music producer. Finally, he shares some of his top 5's, including his top 5 punk bands, and top 5 things he misses about NYC in the ‘70s. Tune in for an entertaining conversation with Jerry Harrison, and if you enjoy this episode, be sure to subscribe and share with your friends! Get up to 48% off your first subscription or 20% off one time purchases with code LIPPS at checkoutwww.magicmind.com/lipps#sponsored #Ad

Sonido acústico e inmediato con melodías soleadas. Buenas vibraciones, descaro y sencillez arrebatadora. El trío valenciano presenta su debut, ‘Somos’.Como decía la canción de Paul Weller: si parpadeas, te lo pierdes. La chispa del buen pop es tan fugaz que más vale aprehenderla en plena combustión. Porque todo en Yo Somos es espontaneidad, frescura, instinto. Los valencianos Quique Gallo, Xema Fuertes y Cayo Bellveser son ahora mismo el power trio más arrebatador del panorama musical estatal. Lo suyo es la inmediatez, la economía de medios, la radiante luminosidad de esas canciones que no necesitan más que una guitarra acústica, un bajo, una caja con escobillas y dos o tres minutos para seducir. Y a correr. Las suyas son melodías brillantes como soles, alentadas por el ejemplo de ilustres maestros de la distancia corta como Jonathan Richman y sus Modern Lovers, Violent Femmes, The Jam, The Wave Pictures, The Moldy Peaches o Stanley Brinks. Y saben muy bien que juegan a la contra, en esta era de producciones hinchadas artificialmente, coros subrayados con aspiraciones épicas e intensidades impostadas, diseñadas con el gran festival entre ceja y ceja. Nada de eso va con ellos. Son outsiders convencidos. Las doce canciones del homónimo 'Somos' revelan el triunfo de lo sencillo, que no siempre tiene por qué ser lo más fácil.Escuchar audio

In the early 1970s, Jonathan Richman assembled a band that recorded a groundbreaking set of songs fusing garage-rock sensibilities with his own entirely unique worldview. Unfortunately, before The Modern Lovers managed to complete a proper album, Richman's musical interests drifted into an entirely different direction, ultimately leading to the dissolution of this version of the band. The collection of recordings that finally saw release as 1976's The Modern Lovers stands as a snapshot of a band at a specific moment in time and has served as an endless source of inspiration for punk and indie artists ever since. Take a spin past the Stop and Shop and join us with the radio on for a chat about this groundbreaking classic.Cohosts: Dan Watkins, Rich Bunnell, Phil MaddoxComplete show notes: https://discordpod.com/listen/143-the-modern-lovers-the-modern-lovers-1976Discord & Rhyme's merch store: http://tee.pub/lic/discordpodSupport the podcast! https://www.patreon.com/discordpod

Tuned into some nice Monday evening rhythms to officially get your summertime rolling.Playlist: Françoise Hardy - C'est À L'amour Auquel Je PenseSam Blasucci - Tenera MagiaRogê - Pra VidaDaryl Hall & John Oates - When The Morning ComesJonathan Richman & The Modern Lovers - Egyptian ReggaePAINT - Land ManJoe Ghatt - Hold On YouSkinny Dyck - EasygoingBig Rig - BacheloretteThe Rifle County Players - Cryin' Like A Cowboy ShouldWillie Thrasher - BeautifulJames Bay - Lloyd CheechooWillie Dunn - I Pity the CountryWITCH - The Only Way

No sooner do we have a "reunion" episode last week than travel schedules blow it all up again. With John Yoo away on another junket (supposedly teaching a summer law seminar somewhere, but really in search of more elusive McRibs), Lucretia and Steve decided to do a live episode where they pondered what might be called the "meta-narrative" (that would be "McNarrative" to John Yoo) behind the sharply differing constitutional views of left and right. Steve argues that behind the left's primal drive for power that can explain the outcome-oriented constitutionalism of the left on display since the Progressive Era lies a more sinister but less recognized aspect of leftist politics: American leftists are basically socialist revolutionaries, but rather than conduct direct revolution (with certain isolated exceptions), they prefer to use the rule of law to subvert the rule of law.  Steve thinks an important clue to understanding this dynamic (about which too many conservatives and Republicans are clueless) can be found in a reconsideration of . . . the Spanish Civil War. (See Nathan Pinkoski's fine essay reviewing the revisionist literature that essentially says everything you think you know about teh Spanish Civil War is wrong, and just imagine what Franco could have done if only he'd had some helicopters.)Lucretia as always is less convinced by Steve's historical analogies and, having had three espressos after lunch and before taping, offers her own special sauce to understanding the problem, yet somehow omitted the usual snark about Steve's whisky of the week, Laphroaig Quarter-Cask.Finally, in honor of Pride Month, some topical exit music this week from the great Jonathan Richman.And thanks to the many Power Line readers who tuned in for the live taping.  Sorry we didn't get to more of your questions and comments.

Saxophonist, composer and bandleader Emma Rawicz, and composer Gavin Higgins, join Anna Phoebe and Jeffrey Boakye as they add the next five tracks.From a Muddy Waters masterpiece, they take us to Aldeburgh for Benjamin Britten's tragic tale, before jumping on their bicycles and heading to Copenhagen for an audacious saxophone composition.The five tracks in this week's playlist:Mannish Boy by Muddy Waters The Passacaglia from Peter Grimes by Benjamin Britten Bicycle Town, Pt 1 by Marius Neset Egyptian Reggae by Jonathan Richman and The Modern Lovers Bad Reputation by Joan Jett and the BlackheartsOther music in this episode:Eejit by Blazin' Fiddles Concerto Grosso written by Gavin Higgins Tusk by Fleetwood Mac I'm a Man by Bo Diddley None Shall Escape the Judgement by Earl Zero I Love Rock 'n Roll by Joan Jett and the BlackheartsGavin's BBC Radio 3 Sunday Feature - Everything Stops:https://www.bbc.co.uk/sounds/play/m001zgft

BLAKE O'CONNOR is an absolutely brilliant songwriter and award winning artist from Australia. His popularity and fan base brought him to America on the heels of his #1 album.  WILLIAM MATHENY is a multi-instrumentalist from Morgantown, West Virginia. His musical style has been compared to the likes of Elvis Costello, Nick Lowe, Marshall Crenshaw, and The Modern Lovers' Jonathan Richman. He comes to WoodSongs with a brand new album, "That Grand, Old Feeling."

This week we talked to the legendary musician Bob Bert of Sonic Youth, Pussy Galore, Chrome Cranks, Lydia Lunch Retrovirus & Bewitched, who picked the equally legendary Danny Fields documentary, Danny Says, to discuss. We talk about Danny's trials with the bands he loved and discovered (including The Stooges, MC5, Jonathan Richman & The Ramones); the notion of chance meetings in art; Danny breaking the news of John Lennon saying ‘The Beatles are bigger than Jesus Christ' and the aftermath he created for them; changing a guitar string without stopping playing a song; 16 Magazine; Bob's early shows seeing Suicide, Wayne County, Patti Smith, New York Dolls & Television; the greatness of Dead Moon & The Scientists; WFMU; shoplifting MC5 records; the Super 8mm punk document Blank Generation; how he joined both Sonic Youth & Pussy Galore; Rock Scene magazine, the genesis of the Pussy Galore drum set he built and how it hurts to play it, his process with publishing BB Gun Magazine, doing drugs and seeing Pink Floyd, unsung NYC band heroes, planning out your whole week around rock shows, Max's Kansas City and why we haven't gotten a Jonathan Richman documentary yet!So, let's roll our eyes along with the singular force that changed music forever on this week's Revolutions Per Movie.BOB BERT:https://goner-records.com/products/im-just-drummer-bob-bert-book-hozacInstagram: @therealbobbertLIMITED EDITION REVOLUTIONS PER MOVIE SHIRT:revolutionspermovie.bandcamp.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Dan talks with Bret Tobias, formerly of The Bigger Lovers and Moped, now helming The Bret Tobias Set. From seeing the Replacements on MTV, discovering House of Love and Philly's own The Wishniaks, it was inevitable that Bret make his life about music. Bret talks about his aversion to being classified in any scene or community, the independent music feeding frenzy of the mid 90s that had Moped being wined and dined by A&R and execs, and the sudden, overnight disappearance of said attention. He takes us through the saga of The Bigger Lovers and the many records and tours alongside some of their heroes (Superchunk, Minus 5, Jonathan Richman, Alex Chilton, etc), and how he's always kept something going musically, no matter what. The Bret Tobias Set put out an absolutely stellar EP last year called 'Pleaser Vol. 1', and the band is a who's-who of Philadelphia indie rock, featuring members of A.M. Mills, Photon Band, and The War On Drugs. A new record is on the way this fall, and we're honored to offer a special sneak peak at their upcoming single, "Fait Accompli", due out on June 20th. 

Spinning Out (another music podcast) We talk to artists about their favorite albums and go on wild tangents. This is a podcast where we talk to guests about their favorite albums. This week on the pod we're joined by Ben Lee. We're talking about Jonathan Richman's 1979 album, "Back in Your Life." We also chat about living in your own personal village, music as art vs career, children's songs, the There's Something About Mary soundtrack and just the overall mystic of Jonathan Richman. Ben Lee just released a new single called "Lovers," so check that out wherever you stream music or go to... www.ben-lee.com Ben also has a new podcast with his wife, Ione Skye, called Weirder Together. And also check out the cool stuff Ben and Ione release through their company, podcasts by Lou Barlow and Jello Biafra, music by DeepFaith, Georgia Maq and Azalia Snail and lots of other great stuff. Subscribe to our Patreon here: www.patreon.com/spinningoutpod Follow us on social media -- twitter and instagram (@Spinningoutpod)

Welcome back to LaunchLeft! Today we are celebrating our 150th episode! This episode is a unique one, where Rain left voicemail questions for singer, songwriter and guitarist, Jonathan Richman. We then hear Jonathan’s responses in the form of voice memos, answering Rain’s inquisitive questions from how music found Jonathan, to learning his purest form of eroticism, and everything in between. Then Jonathan launches singer-songwriter, Jesse DeNatale. In this conversation, we learn how music found Jesse and about his musical career. We have the honor of hearing a snippet of Jesse’s song The Hands of Time from his latest album. Join the celebration in this great episode! -----------------  LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com  LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft  TWITTER https://twitter.com/LaunchLeft  INSTAGRAM https://www.instagram.com/launchleft/  FACEBOOK https://www.facebook.com/LaunchLeft  --------------------- LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism where famed creatives launch new artists. LaunchLeft is an alliance of left-of-center artists, a curated ecosystem that includes a podcast, label and NFT gallery. --------------------- IN THIS EPISODE:  [2:45] How did music find Jonathan Richman? [4:31] What advice does Jonathan have for young musicians/young artists? [5:32] Jonathan describes something he could draw to be animated. [6:07] What are the enduring preoccupations that arise again and again, and what has stuck with Jonathan even from childhood? [8:03] Jonathan explains his love of the song, The Wind, by Nolan Strong and Diablo. [10:44] What is the purest form of eroticism for Jonathan? [22:28] Jonathan introduces the artist that he wants to launch, Jesse De Natale. [23:26] The episode switches over to a conversation between Rain and Jesse DeNatale.  [26:30] How did music first find Jesse DeNatale? [31:18] Tune in to hear The Hands of Time by Jesse DeNatale.   KEY TAKEAWAYS:  [4:39] Advice for young artists: Do what you like for you, don’t worry about what the audience is going to like.  [28:44] Music finds you, it finds you in songwriting and song creation. The first inspirations are given from the gods, that first idea, and then it's up to you to continue to create it.    RESOURCE LINKS:  LaunchLeft Podcast Smart Link Links for Jonathan Richman:  Jonathan Richman's Instagram  Jonathan Richman's Bandcamp Link  Jonathan Richman - Wikipedia  Links for Jesse DeNatale Jesse DeNatale's Website  Jesse DeNatale's Instagram  Jesse DeNatale's Bandcamp Link  Jesse DeNatale's Facebook    BIO for Jonathan Richman: Jonathan Richman (born May 16, 1951) is an American singer, songwriter and guitarist. In 1970, he founded the Modern Lovers, an influential proto-punk band. Since the mid-1970s, Richman has worked either solo or with low-key acoustic and electric backing. He is known for his wide-eyed, unaffected, and childlike outlook, and music that, while rooted in rock and roll, is influenced by music from around the world.   BIO for Jesse DeNatale Jesse DeNatale is a singer-songwriter in Northern California. He was born in San Francisco. He has released three critically acclaimed records: Shangri-La West (2000) Soul Parade (2006) and The Wilderness (2021). His next release, The Hands of Time, will be available July 14th 2023. We are excited to announce that it will also be on Blue Arrow Records. His music has been described as evocative and hopeful, a combination of poetry and storytelling. Over the years his love of various musical genres has inspired him to expand his ideas of songwriting as he continues to find a way to reflect back the realities of being alive.Rich with imagery, intelligence and passion, his music remains timeless. Its soulful accessibility is what has garnered him praise from other artists and has kept his devoted fans listening.

Matt Farley joins us on today's podcast, with Will Sloan also sitting in on co-hosting duties. The mind behind the Motern Media empire, 25,000 songs, and movies like Don't Let The Riverbeast Get You!, Local Legends, and Heard She Got Murdered talks about his filmmaking process, Jonathan Richman, not saying bad words, and more. join the patreon for $5/mo, and get an extra episode every week https://www.patreon.com/Extended_Clip

⁠⁠Join our PATREON for bonus episodes.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ This week we have singer/songwriter and overall sweetheart Ron Gallo on to talk about the Jonathan Richman album I, Jonathan. We also discuss: the intersection video, the Nashville bombing, musician small talk, getting Italian citizenship, the European mind and the Wild West, Nashville tourist traps, the run into the ground Darien gap express, Toy Soldiers, garage rock radicalization, the search for authenticity, the Mill Creek Tavern, Philly houses,  Kill Rock Stars, Corin Tucker, Joan of Arc (revisited), Matt Caws, Medport Diner, you have to be cosigned, the super narcissist in the room, Levitation Fest, you have to see him live, the Jonathan Richman confidence, tangents and hyper focus, don't pass Richman the aux, Gallo builds a record, and so much more.  ________ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Order our Gatekeep Harder shirt here!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ // Follow us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@danbassini⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@mysprocalledlife⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, @rongallo⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@runintotheground⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Ja, es ist tatsächlich fast acht Jahre her, seit uns MoreEats, Liechtensteins very own Jonathan Richman, zum letzten Mal mit einem Album beglückt hat. Die lange Pause hat aber rein gar nichts mit Moritz Schädlers aufsteigender Karriere als Comedy-Star zu tun, beteuert er im Sounds!-Interview. Viel eher war es schlicht und einfach eine Zangengeburt – aus verschiedensten Gründen – bis dieses verflixte dritte Album nun endlich fertig wurde. Immerhin kommt sie mit einer sorgfältig kuratierten Playlist , welche die Beach- und Sommerferien-Heartbreak-Vibes seiner eigenen Songs ergänzen sollen. Und natürlich wird heute auch die Track-Selektion dieses Mixtapes – von The Cure bis Züri West – mit MoreEats gründlich besprochen...

Andy tells a story about his dog, talks about Jonathan Richman, eye doctors, and finding stuff on the street. Also, we listen to a clip of comedian Alex Edelman. On Rachel's Chart Chat, Rachel from Des Moines reads you another chapter from a '70s music book, this time about Cheap Trick. You can find a playlist for Rachel's Chart Chat here. Follow Rachel on Last.fm here.

Topics: Neighborhood report, Harold Ickes Playground, running, subway adventures, Mardi Gras gig at Mama Tried, DJEAD Night at Broken Land, trip to Cincinnati, World Peace Bell in Newport, KY, trip to Austin, Diana Ross at ACL Moody Theater, Vikingur Olafsson at Carnegie Hall, Jonathan Richman at the Bell House, Brooklyn Crime Novel by Jonathan Lethem, My Effin' Life by Geddy Lee, Sonic Life by Thurston Moore, The Vanderbeekers of 141st Street by Karina Yan Glaser.

This week on The Pod Charles Cinecast, it's Week 2 of the new miniseries – BROTHERLY LOVE – where we'll once a month be pitting some films from filmmaking brothers the Coen Brothers vs. the Farrelly Brothers. This month, we'll be looking at two of the biggest films from each brother duo, with Joel and Ethan Coen's Academy Award-winning film from 1996, FARGO, vs Peter and Bobby Farrelly's smash hit from 1998, THERE'S SOMETHING ABOUT MARY (we decided to jump ahead to 1998 for Farrelly's so we could pit 1996's Kingpin vs 1998's The Big Lebowski – you know... bowling, dude!)In Fargo, Frances McDormand shines as a pregnant police officer attempting to solve three murders in her jurisdiction, that all lead back to William H. Macy – a car salesman who hires two criminals (Steve Buscemi and Peter Stormare) to kidnap his wife for ransom money. It stands as the Coen Brothers' signature film, that inspired a television, and introduced the world to the endearing Minnesota accent. With a stellar cast, incredible performances, top-notch writing and direction, and brilliant cinematography, it'd be hard for most films to beat it.So, how did There's Something About Mary compare? Ben Stiller plays a guy who's looking for the girl that got away – the simply perfect, Mary, played by Cameron Diaz in her breakthrough role. When he hires a private investigator (Matt Dillion) to track her down, the investigator also falls for Mary, leading to a silly love triangle. We've got balls being zipped up in trousers, dogs being drugged, NFL Superstars getting tackled by normal men playing intellectually challenged men, and old lady boobs. It's a Farrelly Brothers film... At least there is the wonderful Jonathan Richman to sing us through the film.Which brother will win Brotherly Love, and be crowned the best brother filmmaking duo of the 90s? Tune in to find out...If you enjoy the podcast, leave a Rating and Review! It really helps us out!As always, you can follow the Podcast on http://twitter.com/ThePCCPodcast and http://instagram.com/ThePCCPodcastIf you'd like to Support the Podcast and get Bonus Content, visit: http://patreon.com/ThePCCPodcast

Ein ganzes Jahrzehnt alternative Musik in weniger als 120 Minuten zusammenfassen? Unmöglich! Anstatt des vollumfänglichen Querschnitts gibt's im heutigen SRF 3 Musikabend darum einfach... 90ies-Vibes pur. Komplett ohne Moderation, dafür mit haufenweise Sounds!-Herzensmusik aus den 90er-Jahren – von Beck über Massive Attack bis zu Jonathan Richman. Playlist DJ-Set: * Boards of Canada «One Very Important Thought» (1998) * Eels «Novocaine for the Soul» (1996) * The Cardigans «Erase/Rewind» (1998) * Sneaker Pimps «6 Underground» (Nellee Hooper's edit) (1996) * Garbage «Stupid Girl» (1995) * Deee-Lite «Groove Is in the Heart» (1990) * Bran Van 3000 «Drinking in L.A.» (1997) * The Verve «Bitter Sweet Symphony» (James Lavelle Mix) (1997) * The Chemical Brothers «One Too Many Mornings» (1995) * Massive Attack «Exchange» (1998) * Moby «Find My Baby» (1999) * Beck «Where It's At» (1996) * Primal Scream «Loaded» (1991) * Dodgy «Good Enough» (1996) * Blur «Girls & Boys» (1994) * Supergrass «Alright» (1995) * Elastica «Connection» (1995) * Weezer «Buddy Holly» (1994) * Sonic Youth «Sugar Kane» (1992) * Placebo «You Don't Care About Us» (1998) * Jovanotti feat. Soleluna NY Lab «Piove» (1994) * Len «Steal My Sunshine» (1999) * Crowded House «Weather With You» (1991) * The Cranberries «Dreams» (1993) * Annie Lennox «No More "I Love You's"» (1995) * Mazzy Star «Fade Into You» (1993) * Jonathan Richman «That Summer Feeling» (1992) * Mojave 3 «Some Kinda Angel» (1998) * Echt «Du trägst keine Liebe in Dir» (1999)

It's an unintentional "self-titled theme" bonus episode as Jon and Josh discuss 3 albums and rank 10 singles. The show starts at (1:31). The Five Singles segment starts at (5:09). This episode covers the following albums: Blind Melon - Blind Melon (1:03:52), Jonathan Richman - I, Jonathan (1:16:35), and No Doubt - No Doubt (1:28:23). --- Send in a voice message: https://podcasters.spotify.com/pod/show/combingthestacks/message

Single File is back and we're talking about a real rager: Shelby, Ohio's Shepherd's Heard and their only record "I Know" b/w "But That's Life." The first sounds like a demented version of The Rascals' "Good Lovin'." The drums and vocals are CRAZY and they're both performed by the same guy, Kim Shepherd, who rightfully named the band after himself since he does most of the work! Kim takes a breather on the flip, "But That's Life", an organ-driven sorta ballad. Man, Jonathan Richman should cover this, since it's his style a few years before he even appears!! A great guitar solo and that familiar 1966 wild mercury sound of the organ. Now BURN IT!!

Some guy put a coffee roaster in his gym. Van Gogh got tweaked on coffee. Where did Van Gogh get all the paint? ALSO: William Friedkin vs Al Pacino. Mortgage companies are where 48 Hours episodes are born. PLUS: A new Advice King!! A new Can Do Cold Brew ad!! Song(s) of the week from Jonathan Richman, Hayden and Flyte!!!Jonathan Richman - "Vincent Van Gogh": https://www.youtube.com/watch?v=_gkicmH4zaoHayden - "On a Beach": https://www.youtube.com/watch?v=8WsIHymYwM4Flyte - "Tough Love": https://youtu.be/ZQmuGz4y7ZI?si=y8pCyA51fUaX6SN2Patreon: Patreon.com/chriscroftonChannel Nonfiction: Channelnonfiction.comCan Do Cold Brew: Candocoldbrew.com

Pauline Murray kept a diary when she and Penetration were on the punk rock frontline and her vivid and emotional memories appear in a new memoir, Life's A Gamble, beautifully illustrated with personal photos, press cuttings, late ‘70s gig listings and other lovingly archived memorabilia. It teleports you back to a time when pop music made daily headlines and battles were lost and won in fragrant dancehalls and knackered vans on motorways. As does this podcast, recorded with an audience at London's 21Soho club in late November. Aged 14 she was travelling to London from County Durham and sleeping in railway stations to see the Pistols and the Clash. She formed Penetration in ‘76 and for two hectic years they were caught up in the whirlwind. This account of it all includes Alan Freeman, Gilbert O'Sullivan, Jonathan Richman, Tim Curry (as Dr Frank-N-Furter), why the deaths of Sid and Nancy has such symbolic significance, the female punk ‘sisterhood' giving her the cold shoulder, her unwise marriage, and the profit and loss statement of the debt she still owes Virgin (the annual reminders have never stopped). And she talks movingly about the experience every group endures when their first flush of mutual love and enthusiasm turns to bitter inter-personal fall-out. One of her kids was in the audience. As was Gaye Advert! Order ‘Life's A Gamble' here: https://www.amazon.co.uk/Lifes-Gamble-Penetration-Invisible-Stories/dp/191317270821Soho: https://www.21-soho.com/Subscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Watch this episode on YouTube: https://youtu.be/VQozl5YBYzE Episode 245 was recorded over a week in advance, as we knew we'd be busy getting ready for Ireland. This was on the way to our first gig at the Southeast Texas Renaissance Faire in Kirbyville, the morning after our gig at the Pub McDonough in Granbury. Lots of music discussion in this episode, and also some talk about music biopics. This morning (Tuesday Oct 24, 2023), we are on our way to Dublin. This'll be the first time we've visited Ireland since we started doing video on SlapperCast, so next week's episode should be pretty interesting. Bands discussed: Horslips, Jonathan Richman, AFI, Ignite, Moody Blues, Elvis Presley, Genesis and more. 00:00:00 — Tour Updates 00:04:06 — Song kills & shine-a-lights 00:23:09 — Tribute Bands: Yes or No? Show dates Blaggards.com (https://blaggards.com/shows/) Facebook (https://www.facebook.com/pg/blaggards/events/) Bandsintown (https://www.bandsintown.com/a/3808) Follow us on social media YouTube (https://www.youtube.com/blaggards) Facebook (https://www.facebook.com/blaggards/) Twitter (https://twitter.com/blaggards) Instagram (https://www.instagram.com/blaggards/) Become a Patron Join Blaggards on Patreon (https://www.patreon.com/blaggards) for bonus podcast content, live tracks, rough mixes, and other exclusives. Rate us Rate and review SlapperCast on iTunes (https://itunes.apple.com/us/podcast/slappercast-a-weekly-talk-show-with-blaggards/id1452061331) Questions? If you have questions for a future Q&A episode, * leave a comment on Patreon (https://www.patreon.com/blaggards), or * tweet them to us (https://twitter.com/blaggards) with the hashtag #slappercast. Special Guest: Kevin Newton.

SlapperCast Episode 244: "Interc★nty" Recorded on the road en route to Granbury, TX, this episode is mostly about songs we're sick of vs. songs we still love. Chris Isaak, Jonathan Richman, the Vapors, the Goo Goo Dolls, the Venomous Pinks, etc. Also, Patrick and Chad try to articulate why they detest most mainstream rock from the 1990s. 00:00:00 — Intro / Show Updates 00:03:29 — Turbo and Chad's close call 00:04:28 — More Show Updates 00:07:04 — Song kills / shine-a-lights 00:25:36 — Mainstream 90s rock was BORING! 00:28:16 — Springsteen is "the Folk Rammstein" 00:31:16 — Wrap up and THANK YOU Show dates Blaggards.com (https://blaggards.com/shows/) Facebook (https://www.facebook.com/pg/blaggards/events/) Bandsintown (https://www.bandsintown.com/a/3808) Follow us on social media YouTube (https://www.youtube.com/blaggards) Facebook (https://www.facebook.com/blaggards/) Twitter (https://twitter.com/blaggards) Instagram (https://www.instagram.com/blaggards/) Become a Patron Join Blaggards on Patreon (https://www.patreon.com/blaggards) for bonus podcast content, live tracks, rough mixes, and other exclusives. Rate us Rate and review SlapperCast on iTunes (https://itunes.apple.com/us/podcast/slappercast-a-weekly-talk-show-with-blaggards/id1452061331) Questions? If you have questions for a future Q&A episode, * leave a comment on Patreon (https://www.patreon.com/blaggards), or * tweet them to us (https://twitter.com/blaggards) with the hashtag #slappercast. Special Guest: Kevin Newton.

Another great Cherry Red box set! No messing around this week, just nine suitable songs from Manila Hemp, The Swindells, Neon Kittens, MC5, The Ramones, Jonathan Richman, Saturdays Heroes, Dead Brothers and Undertakers.Voice of Jeff, Comedy Suburbs, 1000 shows, death, Tony has your Facebook comments, gender fluid, Bleach Boys, Club 85, "Looking For The Magic", last week, Tony is getting "gig ready", Nottingham Forest, space vampires, Nutty Nottingham, no gig guide, do you want to gig with Tony? Of course you do, schedule or schedule, this week, Paul is off on holiday, Izzatwat, Stiv and a reminder of the ways you can get in touch.Song 1: Manila Hemp – Way OutSong 2: The Swindells - CheatedSong 3: Neon Kittens – People In Glass HousesSong 4: MC5 – Shakin' StreetSong 5: The Ramones – I Wanna be SedatedSong 6: Jonathan Richman – Government CenterSong 7: Saturdays Heroes – Be My SideSong 8: Dead Brothers – Diamond MindSong 9: Undertakers – Jesus Takes The Wheel

Tom and Julie watch clips of Robert Loggia being interviewed about the famous Minute Maid commercial, Eddie Murphy confirming Sammy Davis Jr's Satanism, and steampunk rapper Professor Elemental. Plus Producer Brett pitches Monster Uber and Tom and Julie get the latest updates on Little Lord Watchalong. Also the movie where Brian Cranston hides in the garage and spies on his family, do ducks prefer the bread after it get wet, Abel Ferrara as Rumpelstiltskin, Krispy Kreme donuts, Midnight Train to Georgia, Jonathan Richman in Something About Mary, Frank Sinatra was the biggest snowflake, the Boston Cream Pie Strangler, and much more. CLIPS FROM THIS EPISODE *Robert Loggia Talks abt Minute Maid Commercial https://www.youtube.com/watch?v=b5f6ABDdnIM *Eddie Murphy on Sammy Davis Jr's Satanism https://youtu.be/uMHl7yz93ho?t=94 *Steampunk Rapper Professor Elemental https://www.youtube.com/watch?v=0iRTB-FTMdk SUPPORT DOUBLE THREAT ON PATREON Weekly Bonus Episodes, Monthly Livestreams, Video Episodes, and More! https://www.patreon.com/DoubleThreatPod BUY JULIE'S NEW SONG "SILENCE" ON BANDCAMP https://julieklausner.bandcamp.com/track/silence WATCH THE "SILENCE" MUSIC VIDEO https://www.youtube.com/watch?v=FY9DSQJN_yU WATCH VIDEO CLIPS OF DOUBLE THREAT https://www.youtube.com/@doublethreatpod JOIN THE DOUBLE THREAT FAN GROUPS *Discord https://discord.com/invite/PrcwsbuaJx *Reddit https://www.reddit.com/r/doublethreatfriends *Facebook https://www.facebook.com/groups/doublethreatfriends DOUBLE THREAT MERCH https://www.teepublic.com/stores/double-threat TOTALLY EFFED UP T-SHIRTS https://www.teepublic.com/user/dttfu SEND SUBMISSIONS TO DoubleThreatPod@gmail.com FOLLOW DOUBLE THREAT https://twitter.com/doublethreatpod https://www.instagram.com/doublethreatpod DOUBLE THREAT IS A FOREVER DOG PODCAST https://foreverdogpodcasts.com/podcasts/double-threat Theme song by Mike Krol Artwork by Michael Kupperman Learn more about your ad choices. Visit megaphone.fm/adchoices