Podcasts about Alfred Stieglitz

Topics: discussing our upcoming film on Don Moss in Savannah, Georgia & Tybee Island; "Camera Work" photos curated by Alfred Stieglitz; adopting new cinematic techniques; Donald Trump, Elon Musk, & America's depression; Trump meme coins & the crypto grift; crypto removes the layers of fraudulent abstraction in Traditional Finance; how Trump could have avoided scamming his crypto followers; the DOGE dilemma; is Trump trying to provoke a constitutional crisis; will conservative culture be ascendant; how an economics cottage industry covered for Joe Biden's administration; is Left-Pessimism dead; on the oligarchy; the tech freaks; academia sucks, but the death of academic humanities will still have negative effects; coming troubles for the Trump admin; bird flu & coronavirus; RFK might not even pass a bird flu vaccine; Elon Musk's abandoned children; why voters gravitate towards authoritarians; what China & Russia is thinking observing America's oligarchic takeover; Chinese protest against local government; Alex's coming video essay on Liberia Get the full show here: https://www.patreon.com/posts/video-artifact-122779569 Watch our latest video essay, "The Murder & Resurrection of Paul Klebnikov": https://www.youtube.com/watch?v=Av6WBg0ii3U Subscribe to the ArtiFact podcast on Spotify: https://spoti.fi/3xw2M4D Apple Podcasts: https://apple.co/3wLpqEV Amazon Music: https://amzn.to/2SVJIxB Podbean: https://bit.ly/3yzLuUo iHeartRadio: https://ihr.fm/3AK942L Read more from the automachination universe: https://automachination.com Read Alex Sheremet's (archived) essays: https://alexsheremet.com Follow us on Twitter: https://twitter.com/automachination

Aimer c'est transformer La relation d'Alfred Stieglitz et Georgia O'Keeffe fût complexe, mêlant l'art et l'affect, l'inspiration et l'asphyxie. Pour eux, aimer c'est transformer. Transformer leur désir en photographie, transformer leur l'amour comme leurs déceptions en source d'inspiration. Une histoire de photographie, de peinture et de grands espaces, une histoire d'amour. Une production Bababam Originals. Première diffusion : 24 mai 2019. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tous les week-end, découvrez de courtes histoires d'amours, tendres ou percutantes, pour engager de vraies réflexions sur l'amour. La relation d'Alfred Stieglitz et Georgia O'Keeffe fût complexe, mêlant l'art et l'affect, l'inspiration et l'asphyxie. Pour eux, aimer c'est transformer. Transformer leur désir en photographie, transformer leur l'amour comme leurs déceptions en source d'inspiration. Une histoire de photographie, de peinture et de grands espaces, une histoire d'amour. Une production Bababam Originals. Première diffusion : 24 mai 2019. Learn more about your ad choices. Visit megaphone.fm/adchoices

Georgia O’Keeffe è stata una delle più importanti artiste del XX secolo. Nata nella profonda provincia americana a fine Ottocento, a soli 12 anni decide che avrebbe fatto la pittrice. Nonostante le umili origini e le grandissime difficoltà in quanto donna, insegue il suo sogno e lo realizza. La puntata racconta del suo carattere duro e complesso, del rapporto difficile con il fotografo Alfred Stieglitz, prima compagno e poi marito, della fuga da New York in New Mexico, dell’incontro con i grandi spazi che le hanno riempito l’anima, con i cieli, i teschi e i fiori che hanno invaso le sue tele. Donna indipendente, controcorrente, ha avuto la costanza di essere sempre e solo fedele all’arte, l’unica a non averla mai tradita. Gli ospiti della puntata sono la storica e critica dell’arte FRANCESCA ALFANO MIGLIETTI, il musicista compositore MAX CASACCI e LAURA ANTONINI, che le ha prestato la voce.See omnystudio.com/listener for privacy information.

  The Art of the Artist Statement Join Brie and Len as they delve into the intricate world of artist statements in this enlightening episode of our podcast. Whether you're a seasoned artist or just starting out, understanding how to articulate the essence of your work is crucial.  In this episode, you'll discover: The Purpose of an Artist Statement: Why it's more than just a formal necessity; it's a gateway to understanding your own art on a deeper level. Insights from the Masters: From Georgia O'Keeffe's notorious struggles with words to Alfred Stieglitz's philosophical shifts, learn how legendary artists grappled with their artistic identities. Personal Anecdotes: Brie shares her journey to crafting her own statement, reflecting personal growth and artistic identity. Practical Tips: Len offers actionable advice on how to start writing your statement, stressing the importance of being true to your artistic voice. The Introspective Journey: Discover how writing an artist statement can serve as a reflective practice that enhances your connection to your art. Join us to find the essence of your artistic voice and learn how to share it with the world through a compelling artist statement. Whether for an exhibition, a portfolio, or personal clarification, this episode is a treasure trove of insights.   Find out more: Len: For info about The Artist's Club, Drawing Class Len's Masterclass, Free online presentations visit https://www.lensschool.com/. Brie: Want more forward momentum? Schedule a free Creative Success Strategy Session or visit https://creativemindscoach.com/. Visit https://www.wildwomanphotography.com/ to find out more about her photography escapes/retreats and to check out her online portfolio.   Access searchable transcripts of these episodes: https://creativemindscoach.com/a-creative-affair-podcast/     Please don't hesitate to engage us in conversation by connecting with us on Instagram or send us an email at create@acreativeaffairpodcast.com.    Episode image by Brie Stockwell. Cover art by Ami Plasse of GonzoViz.

Bienvenidos a un nuevo directo desde Twitter para luego emitirlo en Ivoox junto a los casi 950 audios que tenemos allí publicados. Una gran audioteca que junto con el blog tecnicopreocupado punto com y los videos publicados en Youtube, Odysee, Bitchute y Ugetube forman una enorme hemeroteca que de momento sigue a disposición de todos de forma totalmente altruista. Recuerden que tengo un crowfunding para recaudar dinero para mi defensa judicial, la cual, creanme que la necesito y ojala no fuera así. Pero ese tema me produce demasiada quemazón y estamos en verano, a punto de entrar en Agosto. Se han dado cuenta de que si observan las puestas de Sol o las salidas de este durante todo el año van a descubrir el movimiento hacia atrás y hacia adelante que recrea a un ocho. Aunque no podamos ver esta figura cuando esta bajo el horizonte o el mar pero nos aparecerá si tomamos una fotografía del Sol en el cielo desde el mismo punto y a la misma hora todos los días. Tiene dos extremos, uno en el solsticio de verano en junio y otro en el solsticio de invierno en diciembre. Se llama técnicamente Analema. En astronomía, el analema, del griego «pedestal de un reloj de sol» es la curva que describe el Sol en el cielo si todos los días del año se lo observa a la misma hora del día (huso horario) y desde el mismo lugar de observación. Por eso los relojes de arena se empezaron a representar con la forma de un 8. Es una de tantas cosas sabias del pasado que hemos ido desaprendiendo. En la descripción del podcast os dejaremos un precioso video tomado en Canarias donde vemos las puestas de Sol mirando hacia el Teide. Poco a poco vamos perdiendo el conocimiento ancestral y nos cargamos de morralla inservible. Porque aunque el tramposo de Darwin le haya vendido a la ciencia que estamos evolucionando, la verdad, es que si miramos a nuestro alrededor todo es mas chabacano, triste, feo, desamparado y poco creativo. El arte ha involucionado hacia una copia barata, cutre e incluso sucia de lo que acostumbraba ser. Solo es necesario ponerle el marchamo de arte a cualquier cosa y de repente se convierte en arte. Tal y como podemos leer en la biografía de Marcel Duchamp, un ajedrecista y artista que pululó por las vanguardias de principios del siglo XX que trajeron el dadaísmo: “Duchamp es uno de los principales valedores de la creación artística como resultado de un puro ejercicio de la voluntad, sin necesidad estricta de formación, preparación o talento.” Y es que talento, lo que se dice talento no es necesario para comprar un urinario en 1917, ponerle la firma de un tal R. Mutt en el borde inferior y pretender exponerlo en una exposición de la Sociedad de artistas independientes en Nueva York donde mas de 20.000 personas hubieran visto “su meada”. Al final, no le dejaron exponerlo, pero esto mas que ser una contrariedad fue el detonante para que Alfred Stieglitz la fotografiase para la posteridad. Desde luego estamos hablando del urinario más famoso del mundo. Lo que vino después ya lo conocemos, cualquier gilipollas puede declararse artista y pintar, modelar o construir cosas con cualquier parte de su cuerpo. Desde globos de pintura arrojados desde los anos o las vaginas del artista, pinceles fálicos, o insertados en cualquier agujero corporal, pintura a través de la estampación del cuerpo desnudo del artista o, en fin, cualquier cosa que se le ocurra al o la gilipollas de turno sin necesidad estricta de formación, preparación o talento. En el periódico The Independent escribe Frances Stonor Saunders: “Durante décadas, en los círculos artísticos, esto fue un rumor o una broma, pero ahora se ha confirmado como un hecho. La CIA utilizó el arte moderno estadounidense, incluidas las obras de artistas como Jackson Pollock, Robert Motherwell, Willem de Kooning y Mark Rothko, como arma en la Guerra Fría. A la manera de un príncipe renacentista, pero actuando en secreto, la CIA promovió y promovió la pintura expresionista abstracta estadounidense en todo el mundo durante más de 20 años.” Esto lo vimos por ejemplo al leer el informe Iron Mountain de 1967 donde se nos dice que las elites ya están desarrollando un tipo de arte determinado: “Resulta interesante observar que el trabajo correspondiente a una estética libre de valores de esta naturaleza ya se está realizando hoy en los crecientes experimentos artísticos que carecen de contenido, posiblemente anticipando así la venida de un mundo sin conflictos. Se ha desarrollado un culto alrededor de un nuevo determinismo cultural que propone que la forma tecnológica de la expresión cultural determina sus valores en lugar de hacerlo a través de un contenido con un significado ostensible.” Traduzco. “Estética libre de valores”, “experimentos artísticos que carecen de contenido” y “contenido que no tenga significado ostensible” significa “crear cualquier mierda” y hacerla pasar por arte para seguir entreteniendo a los dormidos. Creanme que hay magníficos creadores en todos los campos artísticos y por supuesto son relegados al ostracismo mientras suben al estrellato a desgraciados abrazafarolas dedostorcidos y uñas largas. Ni que decir que las películas son copias de otras películas que a la vez fueron obras maestras incluso del cine mudo. Todo es una copia de una copia y al final en ese trajín de copias y pegas se pierde la verdadera esencia que nos trasmitían aquellos filmes, aquellas viejas obras de arte que la mayoría de las veces se basaban en buenas novelas o en obras inmortales de la mitología. En el mundo de la música ocurre lo mismo, todo se degrada a una velocidad que hace imposible conectar con lo que escuchan las nuevas generaciones. El reguetón no ceja en parir lechones. Supuestos cantantes mas cantamañanas que la anterior camada. Nos están obligando a involucionar de tanto tragar mierda. Y ese, desde luego, es uno de los objetivos que tienen las elites para con el pueblo llano. Con todos nosotros a los que nos denominan masa sucia, a veces incluso los muertos porque realmente no reaccionamos. Aunque cada vez más se aprecia una reacción contraria a lo que pretenden las elites. Esto lo hemos visto en la inauguración de los juegos olímpicos de Paris, o más bien deberíamos llamarles los primeros juegos Woke olímpicos de la historia. Finalmente han tenido que retirar de las plataformas para terminar pidiendo perdón. Curiosamente la portavoz de los juegos olímpicos que pidió perdón se llama Anne Descamps, sí, un apellido muy parecido a aquel del urinario. Vivimos en un mundo woke, aunque los muy sibilinos de los que mandan le han dado una definición muy chula a esa palabreja. Woke significa «despierto» en inglés y es un término que, originado en los Estados Unidos, inicialmente se usaba para referirse a quienes se enfrentan o se mantienen alerta frente al racismo. “Tócate los cojones” que diría mi abuela. Los wokes son los despiertos y los que los criticamos somos los dormidos…ja, ja, ja, el mundo al revés. Puro satanismo que coloca a la mierda en el altar y degrada a lo puro y a la vida al cubo de la basura. Mierda, sí. Eso ha sido esta enorme mierda de inauguración olímpica en un río Sena lleno de mierda hasta los topes. Hubo incluso una quedada para inundar de heces el río antes de la celebración de estos juegos. No sé si se llevaría a cabo, pero da igual, no se puede limpiar en 5 minutos lo que se ha ensuciado durante años. Hemos podido ver sobretodo unas claras referencias a la masonería y burlas hacia la religión católica y más concretamente contra el cristianismo. Casualmente en las 33 olimpiadas, numero muy importante dentro de la masonería. No nos debería de sorprender si el coreógrafo principal, Thomas Jolly, es de la religión de los recaudadores de impuestos. Bueno, él e imagino que gran parte del elenco de trans, bailarines con un huevo colgando y demás purria que intentaba imitar la última cena de Da Vinci en vez de bajo la luz divina de Cristo bajo tres filas de 6 fluorescentes. Sí, el 666 estuvo bien presente en todo esto, cada tramo de ese puente tenia sus 6 fluorescentes. La figura femenina elegida para representar a Cristo fue la obesa mórbida y DJ B. B. (diremos las iniciales ya que ha terminado por denunciar a troche y moche a todos los que la han criticado). Por supuesto, también es de la religión de los recaudadores de impuestos. Las 12 escenas guionizadas por Jolly, el jovial recaudador, describirían un pais rico en diversidad, inclusivo, no una Francia, sino varias Francias, así como un mundo entero reunido. En clara alusión a los doce apóstoles que se convierten así en las doce Francias, en los 12 despojos de un pais soberano lobotomizado y sometido a la involución. Vimos artistas con la cabeza cortada fingiendo ser Maria Antonieta en horario infantil, bailarines negros bailando, bueno, estrujando a niñas de ocho años, trans de todos los colores y modelos, fuegos artificiales simulando ser sangre palaciega y todo tipo de luces realizando figuras que nos recuerdan a la escuadra y el compás masónico o al sigilo de Lucifer. También los vimos bailando sincopadamente en el ajedrezado masónico y colapsando en el piso iluminado de rojo como si de una repentinitis se tratase. Y es que lo que comenzaba con el izado de la bandera olímpica del revés no podia augurar nada bueno. Ya saben que dentro del satanismo hacer las cosas del revés está bien visto, por eso muchas camisetas satánicas se cosen con las costuras por fuera. Como guinda del pastel debemos hablar del caballo pálido que trotó por encima de las aguas del Sena simulando a Cristo pero trayendo un mensaje claro que podemos leer en Apocalipsis 6:8 “Miré, y he aquí un caballo amarillo, y el que lo montaba tenía por nombre Muerte, y el Hades le seguía; y le fue dada potestad sobre la cuarta parte de la tierra, para matar con espada, con hambre, con mortandad, y con las fieras de la tierra.” Sí, amigos, las élites psicopatocraticas no solo nos quieren pervertir y degradar haciendo que involucionemos sino que nos quieren directamente asesinar. Sus mentes eugenistas ven demasiadas almas poblando “su” Tierra. Esta gentuza ha probado la sangre y conoce su sabor dulzón. Y quiere más y más rápido. A ellos les importa una mierda que el camino al infierno sea muy corto y la vuelta sin embargo dure toda la eternidad. ………………………………………………………………………………………. Invitados: Ira @Genes72 …. Dra Yane #JusticiaParaUTP @ayec98_2 Médico y Buscadora de la verdad. Con Dios siempre! No permito q me dividan c/izq -derecha, raza, religión ni nada de la Creación. https://youtu.be/TXEEZUYd4c0 …. UTP Ramón Valero @tecn_preocupado Un técnico Preocupado un FP2 IVOOX UTP http://cutt.ly/dzhhGrf BLOG http://cutt.ly/dzhh2LX Ayúdame desde mi Crowfunding aquí https://cutt.ly/W0DsPVq ………………………………………………………………………………………. Enlaces citados en el podcast: Un año, 365 puestas de sol https://www.youtube.com/watch?v=kRENfTomQIo La fuente' de Duchamp, el urinario que cambió la historia del arte https://www.elconfidencial.com/cultura/2017-04-15/arte-vanguardias-duchamp-fuente-urinario_1366043/ El arte moderno era un “arma” de la CIA https://litwinbooks.com/modern-art-was-cia-weapon/ Hilo inauguración Paris https://x.com/tecn_preocupado/status/1817085972607041692 La organización de los JJ.OO. pide perdón a los ofendidos por la representación de 'La última cena’ https://www.youtube.com/watch?v=-CYaWi_bOjA Ceremonia inaugural Juegos Olímpicos París 2024 (según el Español, pero mira, mira, no hay nada) https://www.youtube.com/watch?v=Ag7xCxFsLe0 Paris 2024 Historic Olympic Opening Ceremony: Lady Gaga, Celine Dion, Gojira & MORE https://www.youtube.com/watch?v=myAHrXIwqXs Masones célebres (Jacques y Etienne Montgolfier https://issuu.com/retalesdemasoneria/docs/retales_masoneria_numero_124_-_octubre_2021/s/13696938 ¿REALMENTE SABES QUIÉN FUE KARL MARX? I https://tecnicopreocupado.com/2015/05/07/realmente-sabes-quien-fue-karl-marx/ ¿REALMENTE SABES QUIÉN FUE KARL MARX? II https://tecnicopreocupado.com/2015/05/08/realmente-sabes-quien-fue-karl-marx-ii/ PIRÁMIDE TRUNCADA ILLUMINATI EN GOBIERNO FRANCES MACRON https://tecnicopreocupado.com/2017/05/11/el-octagono-satanico-y-las-masonicas-elecciones-francesas/piramide-truncada-illuminati-en-gobierno-frances-macron/ EL OCTÁGONO SATÁNICO Y LAS MASÓNICAS ELECCIONES FRANCESAS https://tecnicopreocupado.com/2017/05/11/el-octagono-satanico-y-las-masonicas-elecciones-francesas/ SATANISMO Y ANTISATANISMO https://tecnicopreocupado.com/2014/05/12/satanismo-y-antisatanismo/comment-page-1/ OVNIS, BASURA RADIACTIVA Y SEUDOCIENTÍFICOS I https://tecnicopreocupado.com/2014/05/22/ovnis-basura-radiactiva-sectas-y-pseudocientificos/ OVNIS, BASURA RADIACTIVA Y SEUDOCIENTÍFICOS II https://tecnicopreocupado.com/2014/05/23/ovnis-basura-radiactiva-y-pseudocientificos-ii/ Atentado a Trump que lo catapulta como presidente https://foroconspiracion.com/threads/atentado-a-trump-que-lo-catapulta-como-presidente.345/ PÓNGAME UN QUARTO DE MASONERÍA EN UN POBLET I https://tecnicopreocupado.com/2019/08/31/pongame-un-quarto-de-masoneria-en-un-poblet-i/ PÓNGAME UN QUARTO DE MASONERÍA EN UN POBLET II https://tecnicopreocupado.com/2019/09/01/pongame-un-quarto-de-masoneria-en-un-poblet-ii/ Sealand, el país más pequeño del mundo que está en una plataforma marina https://www.idealista.com/news/inmobiliario/internacional/2018/11/14/769523-sealand-la-plataforma-marina-que-es-el-pais-mas-pequeno-del-mundo Con los trevifans hemos topado https://www.elmundo.es/blogs/elmundo/elblogdesantiagogonzalez/2016/08/14/con-los-trevifans-hemos-topado.html Sealand o de como montarse una patria con un poco de morro https://x.com/juliodelarrosa/status/960822921991254016 Decapitan a otro hombre en Valencia, el segundo en menos de 30 horas https://x.com/CarlosMontas13/status/1818946314303934789 Videos Es Clave https://tecnicopreocupado.com/videos/videos-es-clave/ LA SATÁNICA DERIVA DEL FEMINISMO QUE SACRIFICA LA FERTILIDAD FEMENINA https://tecnicopreocupado.com/2019/07/28/la-satanica-deriva-del-feminismo-que-sacrifica-la-fertilidad-femenina/ LIBRO DE MICRORRELATOS https://tecnicopreocupado.com/libro-de-microrrelatos/ ………………………………………………………………………………………. Música utilizada en este podcast: Tema inicial Heros ………………………………………………………………………………………. Epílogo Los Aldeanos - Censurados https://youtu.be/k8pGYFN1a_4?feature=shared

Bienvenidos a un nuevo directo desde Twitter para luego emitirlo en Ivoox junto a los casi 950 audios que tenemos allí publicados. Una gran audioteca que junto con el blog tecnicopreocupado punto com y los videos publicados en Youtube, Odysee, Bitchute y Ugetube forman una enorme hemeroteca que de momento sigue a disposición de todos de forma totalmente altruista. Recuerden que tengo un crowfunding para recaudar dinero para mi defensa judicial, la cual, creanme que la necesito y ojala no fuera así. Pero ese tema me produce demasiada quemazón y estamos en verano, a punto de entrar en Agosto. Se han dado cuenta de que si observan las puestas de Sol o las salidas de este durante todo el año van a descubrir el movimiento hacia atrás y hacia adelante que recrea a un ocho. Aunque no podamos ver esta figura cuando esta bajo el horizonte o el mar pero nos aparecerá si tomamos una fotografía del Sol en el cielo desde el mismo punto y a la misma hora todos los días. Tiene dos extremos, uno en el solsticio de verano en junio y otro en el solsticio de invierno en diciembre. Se llama técnicamente Analema. En astronomía, el analema, del griego «pedestal de un reloj de sol» es la curva que describe el Sol en el cielo si todos los días del año se lo observa a la misma hora del día (huso horario) y desde el mismo lugar de observación. Por eso los relojes de arena se empezaron a representar con la forma de un 8. Es una de tantas cosas sabias del pasado que hemos ido desaprendiendo. En la descripción del podcast os dejaremos un precioso video tomado en Canarias donde vemos las puestas de Sol mirando hacia el Teide. Poco a poco vamos perdiendo el conocimiento ancestral y nos cargamos de morralla inservible. Porque aunque el tramposo de Darwin le haya vendido a la ciencia que estamos evolucionando, la verdad, es que si miramos a nuestro alrededor todo es mas chabacano, triste, feo, desamparado y poco creativo. El arte ha involucionado hacia una copia barata, cutre e incluso sucia de lo que acostumbraba ser. Solo es necesario ponerle el marchamo de arte a cualquier cosa y de repente se convierte en arte. Tal y como podemos leer en la biografía de Marcel Duchamp, un ajedrecista y artista que pululó por las vanguardias de principios del siglo XX que trajeron el dadaísmo: “Duchamp es uno de los principales valedores de la creación artística como resultado de un puro ejercicio de la voluntad, sin necesidad estricta de formación, preparación o talento.” Y es que talento, lo que se dice talento no es necesario para comprar un urinario en 1917, ponerle la firma de un tal R. Mutt en el borde inferior y pretender exponerlo en una exposición de la Sociedad de artistas independientes en Nueva York donde mas de 20.000 personas hubieran visto “su meada”. Al final, no le dejaron exponerlo, pero esto mas que ser una contrariedad fue el detonante para que Alfred Stieglitz la fotografiase para la posteridad. Desde luego estamos hablando del urinario más famoso del mundo. Lo que vino después ya lo conocemos, cualquier gilipollas puede declararse artista y pintar, modelar o construir cosas con cualquier parte de su cuerpo. Desde globos de pintura arrojados desde los anos o las vaginas del artista, pinceles fálicos, o insertados en cualquier agujero corporal, pintura a través de la estampación del cuerpo desnudo del artista o, en fin, cualquier cosa que se le ocurra al o la gilipollas de turno sin necesidad estricta de formación, preparación o talento. En el periódico The Independent escribe Frances Stonor Saunders: “Durante décadas, en los círculos artísticos, esto fue un rumor o una broma, pero ahora se ha confirmado como un hecho. La CIA utilizó el arte moderno estadounidense, incluidas las obras de artistas como Jackson Pollock, Robert Motherwell, Willem de Kooning y Mark Rothko, como arma en la Guerra Fría. A la manera de un príncipe renacentista, pero actuando en secreto, la CIA promovió y promovió la pintura expresionista abstracta estadounidense en todo el mundo durante más de 20 años.” Esto lo vimos por ejemplo al leer el informe Iron Mountain de 1967 donde se nos dice que las elites ya están desarrollando un tipo de arte determinado: “Resulta interesante observar que el trabajo correspondiente a una estética libre de valores de esta naturaleza ya se está realizando hoy en los crecientes experimentos artísticos que carecen de contenido, posiblemente anticipando así la venida de un mundo sin conflictos. Se ha desarrollado un culto alrededor de un nuevo determinismo cultural que propone que la forma tecnológica de la expresión cultural determina sus valores en lugar de hacerlo a través de un contenido con un significado ostensible.” Traduzco. “Estética libre de valores”, “experimentos artísticos que carecen de contenido” y “contenido que no tenga significado ostensible” significa “crear cualquier mierda” y hacerla pasar por arte para seguir entreteniendo a los dormidos. Creanme que hay magníficos creadores en todos los campos artísticos y por supuesto son relegados al ostracismo mientras suben al estrellato a desgraciados abrazafarolas dedostorcidos y uñas largas. Ni que decir que las películas son copias de otras películas que a la vez fueron obras maestras incluso del cine mudo. Todo es una copia de una copia y al final en ese trajín de copias y pegas se pierde la verdadera esencia que nos trasmitían aquellos filmes, aquellas viejas obras de arte que la mayoría de las veces se basaban en buenas novelas o en obras inmortales de la mitología. En el mundo de la música ocurre lo mismo, todo se degrada a una velocidad que hace imposible conectar con lo que escuchan las nuevas generaciones. El reguetón no ceja en parir lechones. Supuestos cantantes mas cantamañanas que la anterior camada. Nos están obligando a involucionar de tanto tragar mierda. Y ese, desde luego, es uno de los objetivos que tienen las elites para con el pueblo llano. Con todos nosotros a los que nos denominan masa sucia, a veces incluso los muertos porque realmente no reaccionamos. Aunque cada vez más se aprecia una reacción contraria a lo que pretenden las elites. Esto lo hemos visto en la inauguración de los juegos olímpicos de Paris, o más bien deberíamos llamarles los primeros juegos Woke olímpicos de la historia. Finalmente han tenido que retirar de las plataformas para terminar pidiendo perdón. Curiosamente la portavoz de los juegos olímpicos que pidió perdón se llama Anne Descamps, sí, un apellido muy parecido a aquel del urinario. Vivimos en un mundo woke, aunque los muy sibilinos de los que mandan le han dado una definición muy chula a esa palabreja. Woke significa «despierto» en inglés y es un término que, originado en los Estados Unidos, inicialmente se usaba para referirse a quienes se enfrentan o se mantienen alerta frente al racismo. “Tócate los cojones” que diría mi abuela. Los wokes son los despiertos y los que los criticamos somos los dormidos…ja, ja, ja, el mundo al revés. Puro satanismo que coloca a la mierda en el altar y degrada a lo puro y a la vida al cubo de la basura. Mierda, sí. Eso ha sido esta enorme mierda de inauguración olímpica en un río Sena lleno de mierda hasta los topes. Hubo incluso una quedada para inundar de heces el río antes de la celebración de estos juegos. No sé si se llevaría a cabo, pero da igual, no se puede limpiar en 5 minutos lo que se ha ensuciado durante años. Hemos podido ver sobretodo unas claras referencias a la masonería y burlas hacia la religión católica y más concretamente contra el cristianismo. Casualmente en las 33 olimpiadas, numero muy importante dentro de la masonería. No nos debería de sorprender si el coreógrafo principal, Thomas Jolly, es de la religión de los recaudadores de impuestos. Bueno, él e imagino que gran parte del elenco de trans, bailarines con un huevo colgando y demás purria que intentaba imitar la última cena de Da Vinci en vez de bajo la luz divina de Cristo bajo tres filas de 6 fluorescentes. Sí, el 666 estuvo bien presente en todo esto, cada tramo de ese puente tenia sus 6 fluorescentes. La figura femenina elegida para representar a Cristo fue la obesa mórbida y DJ B. B. (diremos las iniciales ya que ha terminado por denunciar a troche y moche a todos los que la han criticado). Por supuesto, también es de la religión de los recaudadores de impuestos. Las 12 escenas guionizadas por Jolly, el jovial recaudador, describirían un pais rico en diversidad, inclusivo, no una Francia, sino varias Francias, así como un mundo entero reunido. En clara alusión a los doce apóstoles que se convierten así en las doce Francias, en los 12 despojos de un pais soberano lobotomizado y sometido a la involución. Vimos artistas con la cabeza cortada fingiendo ser Maria Antonieta en horario infantil, bailarines negros bailando, bueno, estrujando a niñas de ocho años, trans de todos los colores y modelos, fuegos artificiales simulando ser sangre palaciega y todo tipo de luces realizando figuras que nos recuerdan a la escuadra y el compás masónico o al sigilo de Lucifer. También los vimos bailando sincopadamente en el ajedrezado masónico y colapsando en el piso iluminado de rojo como si de una repentinitis se tratase. Y es que lo que comenzaba con el izado de la bandera olímpica del revés no podia augurar nada bueno. Ya saben que dentro del satanismo hacer las cosas del revés está bien visto, por eso muchas camisetas satánicas se cosen con las costuras por fuera. Como guinda del pastel debemos hablar del caballo pálido que trotó por encima de las aguas del Sena simulando a Cristo pero trayendo un mensaje claro que podemos leer en Apocalipsis 6:8 “Miré, y he aquí un caballo amarillo, y el que lo montaba tenía por nombre Muerte, y el Hades le seguía; y le fue dada potestad sobre la cuarta parte de la tierra, para matar con espada, con hambre, con mortandad, y con las fieras de la tierra.” Sí, amigos, las élites psicopatocraticas no solo nos quieren pervertir y degradar haciendo que involucionemos sino que nos quieren directamente asesinar. Sus mentes eugenistas ven demasiadas almas poblando “su” Tierra. Esta gentuza ha probado la sangre y conoce su sabor dulzón. Y quiere más y más rápido. A ellos les importa una mierda que el camino al infierno sea muy corto y la vuelta sin embargo dure toda la eternidad. ………………………………………………………………………………………. Invitados: Ira @Genes72 …. Dra Yane #JusticiaParaUTP @ayec98_2 Médico y Buscadora de la verdad. Con Dios siempre! No permito q me dividan c/izq -derecha, raza, religión ni nada de la Creación. https://youtu.be/TXEEZUYd4c0 …. UTP Ramón Valero @tecn_preocupado Un técnico Preocupado un FP2 IVOOX UTP http://cutt.ly/dzhhGrf BLOG http://cutt.ly/dzhh2LX Ayúdame desde mi Crowfunding aquí https://cutt.ly/W0DsPVq ………………………………………………………………………………………. Enlaces citados en el podcast: Un año, 365 puestas de sol https://www.youtube.com/watch?v=kRENfTomQIo La fuente' de Duchamp, el urinario que cambió la historia del arte https://www.elconfidencial.com/cultura/2017-04-15/arte-vanguardias-duchamp-fuente-urinario_1366043/ El arte moderno era un “arma” de la CIA https://litwinbooks.com/modern-art-was-cia-weapon/ Hilo inauguración Paris https://x.com/tecn_preocupado/status/1817085972607041692 La organización de los JJ.OO. pide perdón a los ofendidos por la representación de 'La última cena’ https://www.youtube.com/watch?v=-CYaWi_bOjA Ceremonia inaugural Juegos Olímpicos París 2024 (según el Español, pero mira, mira, no hay nada) https://www.youtube.com/watch?v=Ag7xCxFsLe0 Paris 2024 Historic Olympic Opening Ceremony: Lady Gaga, Celine Dion, Gojira & MORE https://www.youtube.com/watch?v=myAHrXIwqXs Masones célebres (Jacques y Etienne Montgolfier https://issuu.com/retalesdemasoneria/docs/retales_masoneria_numero_124_-_octubre_2021/s/13696938 ¿REALMENTE SABES QUIÉN FUE KARL MARX? I https://tecnicopreocupado.com/2015/05/07/realmente-sabes-quien-fue-karl-marx/ ¿REALMENTE SABES QUIÉN FUE KARL MARX? II https://tecnicopreocupado.com/2015/05/08/realmente-sabes-quien-fue-karl-marx-ii/ PIRÁMIDE TRUNCADA ILLUMINATI EN GOBIERNO FRANCES MACRON https://tecnicopreocupado.com/2017/05/11/el-octagono-satanico-y-las-masonicas-elecciones-francesas/piramide-truncada-illuminati-en-gobierno-frances-macron/ EL OCTÁGONO SATÁNICO Y LAS MASÓNICAS ELECCIONES FRANCESAS https://tecnicopreocupado.com/2017/05/11/el-octagono-satanico-y-las-masonicas-elecciones-francesas/ SATANISMO Y ANTISATANISMO https://tecnicopreocupado.com/2014/05/12/satanismo-y-antisatanismo/comment-page-1/ OVNIS, BASURA RADIACTIVA Y SEUDOCIENTÍFICOS I https://tecnicopreocupado.com/2014/05/22/ovnis-basura-radiactiva-sectas-y-pseudocientificos/ OVNIS, BASURA RADIACTIVA Y SEUDOCIENTÍFICOS II https://tecnicopreocupado.com/2014/05/23/ovnis-basura-radiactiva-y-pseudocientificos-ii/ Atentado a Trump que lo catapulta como presidente https://foroconspiracion.com/threads/atentado-a-trump-que-lo-catapulta-como-presidente.345/ PÓNGAME UN QUARTO DE MASONERÍA EN UN POBLET I https://tecnicopreocupado.com/2019/08/31/pongame-un-quarto-de-masoneria-en-un-poblet-i/ PÓNGAME UN QUARTO DE MASONERÍA EN UN POBLET II https://tecnicopreocupado.com/2019/09/01/pongame-un-quarto-de-masoneria-en-un-poblet-ii/ Sealand, el país más pequeño del mundo que está en una plataforma marina https://www.idealista.com/news/inmobiliario/internacional/2018/11/14/769523-sealand-la-plataforma-marina-que-es-el-pais-mas-pequeno-del-mundo Con los trevifans hemos topado https://www.elmundo.es/blogs/elmundo/elblogdesantiagogonzalez/2016/08/14/con-los-trevifans-hemos-topado.html Sealand o de como montarse una patria con un poco de morro https://x.com/juliodelarrosa/status/960822921991254016 Decapitan a otro hombre en Valencia, el segundo en menos de 30 horas https://x.com/CarlosMontas13/status/1818946314303934789 Videos Es Clave https://tecnicopreocupado.com/videos/videos-es-clave/ LA SATÁNICA DERIVA DEL FEMINISMO QUE SACRIFICA LA FERTILIDAD FEMENINA https://tecnicopreocupado.com/2019/07/28/la-satanica-deriva-del-feminismo-que-sacrifica-la-fertilidad-femenina/ LIBRO DE MICRORRELATOS https://tecnicopreocupado.com/libro-de-microrrelatos/ ………………………………………………………………………………………. Música utilizada en este podcast: Tema inicial Heros DANZIG - LONG WAY BACK FROM HELL [TRADUCIDA] https://www.youtube.com/watch?v=2xlncV0Qo-0 Gente Inteligente - Falsos Heroes! https://www.youtube.com/watch?v=fu6wtYqo-5Y Heroes del Silencio - Despertar https://www.youtube.com/watch?v=B51j9B09rJk Auxiliadora Cárdenas y Luis Enrique Mejía Godoy - MIS DERECHOS DE MUJER https://www.youtube.com/watch?v=JDd1DHgnnw4 ………………………………………………………………………………………. Epílogo Los Aldeanos - Censurados https://youtu.be/k8pGYFN1a_4?feature=shared

In this episode of the Exploring Art Podcast, host Lauren, along with guests Janelle and Abraham, engage into a interesting discussion on the portrayal of Socrates through art. They explore the intriguing question of whether a portrait by Rembrandt or a photograph by Alfred Stieglitz would better capture the essence of the ancient philosopher. Through a rich conversation about the lives and techniques of Rembrandt and Stieglitz, the episode examines the impact of cultural and historical contexts on their works. The dialogue also considers the psychological and emotional insights offered by portraits and photographs, ultimately contemplating how our connection to Socrates might influence our preference for one medium over the other. Tune in to this thought-provoking episode to uncover how art and photography shape our understanding of historical figures.

Which vision of Socrates would captivate you more: the emotive brushstrokes of Rembrandt or the stark realism of Alfred Stieglitz's photography? In this episode, we embark on a fascinating exploration of how these two iconic artists might depict the legendary philosopher. Through a lively discussion, we uncover the unique ways that a painted portrait and a photograph can reveal different dimensions of Socrates' character. Join us as we blend history, philosophy, and art to illuminate the timeless question of how we connect with the past. Perfect for art lovers and philosophy ethusiasts alike, this episode promises a thought-provoking and engaging conversation that will leave you pondering: Which Socrates would you prefer to see?  

Once upon a time, in the magical land of Luxembourgerica, there lived a wizard named Édouard (Edward) Jean Steichen. But hold on, he wasn't your typical robe-clad, wand-waving wizard – oh no, he was a photographer, painter, and curator extraordinaire! This guy, Steichen, was basically the OG of turning pictures into highbrow masterpieces. He practically sprinkled fairy dust on snapshots and turned them into art. Alfred Stieglitz, the godfather of photography, practically had Steichen's photos on his bedroom walls. LeBron of photography, no less

In this podcast, Antonio and Derrian go into detail on the question “Would you rather have a painting of Socrates by Rembrandt or a photograph of Socrates by Alfred Stieglitz?” Along with that, the background on Socrates, Rembrandt, and Alfred Stieglitz themselves

In this episode of Exploring Art Podcast, the host Zena, along with Sky and Daisha, discuss the Greek philosopher Socrates. They express whether they would rather have a photograph of him from Alfred Stieglitz or a portrait of him done by Rembrandt. 

Alfred Stieglitz is considered by many to be the father of modern photography. He looked at the camera as not simply a tool to document the world, but an artistic medium. His photograph The Steerage from 1907 is possibly his most famous work. As he set out on a European vacation, Alfred and his family were in first class, but he did not feel comfortable. He went out onto the deck and looked down at the people on the lower deck, the steerage. He said he wished he could mingle with them and he was struck by the lines and shapes on the ship as well as on the people's clothing. Everything about the scene laid out before him felt like a modern artwork and he sought to create a photograph using those lines and shapes to express his feeling in the moment. He ran back to his room and got his camera but only had one glass plate, one shot to capture the scene. Check out my other podcasts  Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1912, at age 24, Georgia O'Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas. In Georgia O'Keeffe's Wartime Texas Letters (Texas A&M UP, 2020), Amy Von Lintel brings to readers the collected O'Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist's life she characterizes as “some of the least appreciated in the vast O'Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.” Although selected paintings by O'Keeffe that support the narrative are featured, this work focuses on O'Keeffe's words. By doing so, Von Lintel aims to allow the artist's voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity. Amy Von Lintel is the Doris Alexander Endowed Professor of Fine Arts at West Texas A&M University. She is the author of Georgia O'Keeffe: Watercolors and coauthor of Robert Smithson in Texas. She resides in Amarillo, Texas. Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1912, at age 24, Georgia O'Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas. In Georgia O'Keeffe's Wartime Texas Letters (Texas A&M UP, 2020), Amy Von Lintel brings to readers the collected O'Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist's life she characterizes as “some of the least appreciated in the vast O'Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.” Although selected paintings by O'Keeffe that support the narrative are featured, this work focuses on O'Keeffe's words. By doing so, Von Lintel aims to allow the artist's voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity. Amy Von Lintel is the Doris Alexander Endowed Professor of Fine Arts at West Texas A&M University. She is the author of Georgia O'Keeffe: Watercolors and coauthor of Robert Smithson in Texas. She resides in Amarillo, Texas. Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In 1912, at age 24, Georgia O'Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas. In Georgia O'Keeffe's Wartime Texas Letters (Texas A&M UP, 2020), Amy Von Lintel brings to readers the collected O'Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist's life she characterizes as “some of the least appreciated in the vast O'Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.” Although selected paintings by O'Keeffe that support the narrative are featured, this work focuses on O'Keeffe's words. By doing so, Von Lintel aims to allow the artist's voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity. Amy Von Lintel is the Doris Alexander Endowed Professor of Fine Arts at West Texas A&M University. She is the author of Georgia O'Keeffe: Watercolors and coauthor of Robert Smithson in Texas. She resides in Amarillo, Texas. Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In 1912, at age 24, Georgia O'Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas. In Georgia O'Keeffe's Wartime Texas Letters (Texas A&M UP, 2020), Amy Von Lintel brings to readers the collected O'Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist's life she characterizes as “some of the least appreciated in the vast O'Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.” Although selected paintings by O'Keeffe that support the narrative are featured, this work focuses on O'Keeffe's words. By doing so, Von Lintel aims to allow the artist's voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity. Amy Von Lintel is the Doris Alexander Endowed Professor of Fine Arts at West Texas A&M University. She is the author of Georgia O'Keeffe: Watercolors and coauthor of Robert Smithson in Texas. She resides in Amarillo, Texas. Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In 1912, at age 24, Georgia O'Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas. In Georgia O'Keeffe's Wartime Texas Letters (Texas A&M UP, 2020), Amy Von Lintel brings to readers the collected O'Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist's life she characterizes as “some of the least appreciated in the vast O'Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.” Although selected paintings by O'Keeffe that support the narrative are featured, this work focuses on O'Keeffe's words. By doing so, Von Lintel aims to allow the artist's voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity. Amy Von Lintel is the Doris Alexander Endowed Professor of Fine Arts at West Texas A&M University. She is the author of Georgia O'Keeffe: Watercolors and coauthor of Robert Smithson in Texas. She resides in Amarillo, Texas. Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1912, at age 24, Georgia O'Keeffe boarded a train in Virginia and headed west, to the prairies of the Texas Panhandle, to take a position as art teacher for the newly organized Amarillo Public Schools. Subsequently she would join the faculty at what was then West Texas State Normal College (now West Texas A&M University). Already a thoroughly independent-minded woman, she maintained an active correspondence with her future husband, photographer Alfred Stieglitz, and other friends back east during the years she lived in Texas. In Georgia O'Keeffe's Wartime Texas Letters (Texas A&M UP, 2020), Amy Von Lintel brings to readers the collected O'Keeffe correspondence and added commentary and analysis, shining fresh light on a period of the artist's life she characterizes as “some of the least appreciated in the vast O'Keeffe scholarship,” but also as “a time when she discovered her own voice as a young, successful, and independent woman . . . a dedicated faculty member at a brand-new college . . . a vibrant social butterfly . . . a progressive woman who spoke her mind and fought for her beliefs to be heard.” Although selected paintings by O'Keeffe that support the narrative are featured, this work focuses on O'Keeffe's words. By doing so, Von Lintel aims to allow the artist's voice to “emerge as a powerful witness of her own life, but also of western America in a pivotal moment of its development.” The result is an important new examination of one of our most beloved artists during a time when she was in the process of discovering her future identity. Amy Von Lintel is the Doris Alexander Endowed Professor of Fine Arts at West Texas A&M University. She is the author of Georgia O'Keeffe: Watercolors and coauthor of Robert Smithson in Texas. She resides in Amarillo, Texas. Kirstin L. Ellsworth is an Associate Professor of Art History at California State University Dominguez Hills. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Would a portrait by Rembrandt or a photograph preserve the memory of Socrates better? Find out what Jillian, Daniela, and Reynaldo think in this Podcast episode!We dive into the world of Rembrandt and Alfred Stieglitz and their artistic similarities and differences. We also discuss the multitude of ways that each of their contributions could be a great memoir of Socrates. Listen in to see what we believe is the most honoring and accurate representation of the historical figure we all know, Socrates.

In our podcast episode we dive into the philosopher Socrates and explore the question, would Socrates be portrayed better in a photograph or a portrait? We discuss how Rembrandt and Alfred Stieglitz could capture Socrates. Is it better to have accuracy or is it better to depict emotion? Get ready to listen up and dive into the history of Socrates.

Join our journey as we compare possible perspectives comparing and contrasting the differences provided. We will break down portraits and photographs while applying the mediums of Rembrandt and Alfred Stieglitz. We will discuss the differences these great artists could have shown when the person they are capturing in their images is philosopher Socrates. Would we rather see a portrait of Socrates by Rembrandt over a photograph? Does that answer change when the photographer is Stieglitz himself? Will the unknown of Socrates influence our beliefs? Tune in to learn and listen along.

Step into the captivating world of our thought-provoking podcast as we unravel the timeless conundrum: Rembrandt's captivating portrait or a photograph capturing the essence of Socrates? Prepare to embark on a journey of aesthetic exploration and philosophical inquiry. Delve into the rich details Rembrandt's masterpiece may disclose, offering a glimpse into the revered philosopher's soul. Contrast this with the evocative power of an Alfred Stieglitz photograph, an image frozen in time that may enthrall us in different ways. Join us as we contemplate whether our yearning to truly know Socrates plays a pivotal role in determining which artistic treasure we'd choose. Tune in for an immersive discussion that will challenge your perceptions and ignite your curiosity.

Come along with us on this journey through the different generations of art. Amir, Adele, and Valeria will discuss the influence of Rembrandt and Alfred Stieglitz. We will also discuss how we interpreted photography and portraiture and how Socrates and Stieglitz felt about art and expression. Music Used: Chill Instrumental [Non-Copyrighted Music] "Embrace" by Sappherios 

Today, in this podcast episode we will be debating on who can create a better portrait of Socrates: Alfred Stieglitz, a photographer, or Rembrandt, a painter. Both of these people have proven to be masterful artists as they have used amazing techniques and even created some! Who will win? Rembrandt with his chiaroscuro, or Alfred Stieglitz with Pictorialism. Let the battle begin!

This podcast covers the Greek Philosopher Socrates and in what art form his image is more favorable. Does the knowledge of the artists, Rembrandt or Alfred Stieglitz, drive the preference toward their respective art forms? Additionally, we discuss how each artist appeals to the public and to the human visual sense. What styles can you extract from these artists and what distinctions can be made?  You'll find that out in this episode of the Exploring Art Podcast.

Come along on a thought-provoking journey as we compare the perspectives offered by a Rembrandt portrait and a photograph, examining the treasures of wisdom each medium holds, and explore the case of Socrates' portrayal. We'll discuss the possible insights provided by the Rembrandt portrait as well as the unique qualities that an Alfred Stieglitz photograph may possess. Do we prefer the image over the Rembrandt picture now that Stieglitz was involved? We'll also look at if wanting to know more about Socrates influences our choice of favorite work of art. Tune in to "Capturing Socrates" for an engaging exploration of art, philosophy, and the nature of representation.

Our beloved guest host and artist, Elisabeth Condon, and her series "Elisabeth Condon Describes a Painting!" are back for a new installment! This time Elisabeth chose to describe Joseph Stella's oil on canvas painting "Tree of My Life" from 1919 that she saw at The Norton Museum in "Joseph Stella: Visionary Nature." The show is traveling next to the High Museum and to the Brandywine Museum. It was an honor to have Elisabeth's wild and wonderful way of looking at painting again on the pod. See "Joseph Stella: Visionary Nature" in person/online: Norton Museum (since closed): https://tinyurl.com/yhv3paaw High Museum (Feb-May 2023): https://tinyurl.com/szewk7f8 Brandywine Museum of Art (June-Sept 2023): https://tinyurl.com/yry6cry4 Barbara Rose's 1997 Essay "Flora" on Joseph Stella: https://www.tfaoi.org/aa/7aa/7aa792.htm Joseph Stella works mentioned: "Tree of My Life," "The Voice of the City of New York Interpreted," "Brooklyn Bridge," "Battle of Lights, Coney Island" More About Elisabeth Condon: Web: https://www.elisabethcondon.com/ | IG: @elisabethcondon Solo at Emerson Dorsch Gallery late 2023: https://emersondorsch.com/artist/elisabeth-condon/ Florida Art in State Buildings/Univ of South Fla, May 2023: https://tinyurl.com/5n8ycr8m Painting at Freight & Volume Gallery: http://www.freightandvolume.com/ Artists Mentioned: Philip Guston, 4 Gentlemen of the Orchid, Bamboo, Chrysanthemum & Plum, Chinese Scroll Painting, Charles Burchfield, Odilon Redon, Paul Gauguin's "Vision and the Sermon," Hieronymus Bosch, Dziga Vertov's "Man with a Movie Camera," Marcel Duchamp's "Fountain," Agnes Pelton, Henri Rousseau's Paris paintings, Umberto Boccioni & the Italian Futurists, Precisionists: Sheeler, Demuth & Schamberg, Patrick Henry Bruce, Diego Velázquez, Rembrandt, William Merritt Chase, Robert Henri, Alfred Stieglitz, Georgia O'Keeffe, Marsden Hartley Writers mentioned: Barbara Rose, Immanuel Kant, Gaston Bachelard's "Poetics of Space," Henri-Louis Bergson, Lewis Mumford, Walter Conrad Arensberg, Gertrude Stein, Maurice Tuchman Eps mentioned: #38 (Elisabeth Condon Describes a Painting #1) and #15 (Review of "Spiritual in Art: Abstract Painting 1890-1985") ---------------------------- Pep Talks on IG: @peptalksforartists Pep Talks on Art Spiel as written essays: https://tinyurl.com/7k82vd8s Amy's Interview on Two Coats of Paint: https://tinyurl.com/2v2ywnb3 Amy's website: https://www.amytalluto.com/ Amy on IG: @talluts Buy Me a Coffee Donations appreciated! --- Send in a voice message: https://anchor.fm/peptalksforartistspod/message Support this podcast: https://anchor.fm/peptalksforartistspod/support

Stephen Shore's work has been widely published and exhibited for the past forty-five years. He was the first living photographer to have a one-man show at the Metropolitan Museum of Art in New York since Alfred Stieglitz, forty years earlier. He has also had one-man shows at George Eastman House, Rochester; Kunsthalle, Dusseldorf; Hammer Museum, Los Angeles; Jeu de Paume, Paris; and Art Institute of Chicago. In 2017, the Museum of Modern Art opened a major retrospective spanning Stephen Shore's entire career. He has received fellowships from the Guggenheim Foundation and the National Endowment for the Arts. His series of exhibitions at Light Gallery in New York in the early 1970s sparked new interest in color photography and in the use of the view camera for documentary work.More than 25 books have been published of Stephen Shore's photographs including Uncommon Places: The Complete Works; American Surfaces; Stephen Shore, a retrospective monograph in Phaidon's Contemporary Artists series; Stephen Shore: Survey and most recently, Transparencies: Small Camera Works 1971-1979 and Stephen Shore: Elements. In 2017, the Museum of Modern Art published Stephen Shore in conjunction with their retrospective of his photographic career.Stephen also wrote The Nature of Photographs, published by Phaidon Press, which addresses how a photograph functions visually. His work is represented by 303 Gallery, New York; and Sprüth Magers, London and Berlin. Since 1982 he has been the director of the Photography Program at Bard College, NY, where he is the Susan Weber Professor in the Arts.His new book, Modern Instances: The Craft of Photography. A Memoir, was published by Mack Books in 2021. On episode 192, Stephen discusses, among other things:How the new book came aboutHow it differs from previous book, The Nature of Photographs.Artist's superstition over discussing the creative processThe importance of experimentationShowing and not explainingPhotography as a ‘generous medium'Creating the book as an ‘experience'Structure vs. compositionInclusion vs. exclusionMastering the discipline - 3 phasesDoes he believe in The Muse?Being attentive in the midst of lifeWorking with a performance coachThe influence of paintings… and Walker EvansThe nature (and importance) of ambitionGetting a solo show at The Met, aged 23Sustaining driveHis interest in drone photography… and InstagramThe day he realised the 8x10 camera was for himReferenced:The Nature of PhotographsLee FriedlanderGarry WinograndBruno BettelheimRichard AvedonJerry GoldsmithGregory CrewdsonGeorge EliotWalker EvansWebsite | Instagram | Interview with David Campany“To look at something completely ordinary, what you see day to day in your life, and pay attention to it, that's what interests me. And just from years of trying it and doing it, I feel like it provides a certain kind of food for people, that it's nourishing.”

How to Deal With Hate Comments About Your Art: How To Tromp a TrollHow to Recover from a Harsh Art CritiqueO'Keeffe the Thief: What Georgia StoleFor O'Keeffe's tips on museum strategies go here.For writing coaching with me head over here.To subscribe to The Charmed Studio go here.  

Alfred Stieglitz (1864–1946) was an enormously influential photographer and champion of other artists.Join us with Phyllis Rose, acclaimed critic, biographer, and author of Alfred Stieglitz: Taking Pictures, Making Painters, as we explore Stieglitz's role as a revolutionary force in the history of American art.

Vendredi signifie le jour de Vénus. Vénus c'est la déesse de l'amour dans la mythologie romaine. Si vous écoutez True Story, c'est que vous aimez que l'on vous raconte des histoires extraordinaires. Alors pour célébrer la déesse de l'amour, découvrez chaque vendredi des histoires d'amour hors du commun de Love Story, le podcast de Bababam qui parle le mieux d'amour. La relation d'Alfred Stieglitz et Georgia O'Keeffe fût complexe, mêlant l'art et l'affect, l'inspiration et l'asphyxie.  Pour eux, aimer c'est transformer. Transformer leur désir en photographie, transformer leur l'amour comme leurs déceptions en source d'inspiration.  Une histoire de photographie, de peinture et de grands espaces, une histoire d'amour. Ecoutez la suite de cette histoire incroyable dans ce podcast. Pour découvrir d'autres récits passionnants, cliquez ci-dessous : Madame Claude, la proxénète qui a régné sur le Tout-Paris Fernand Legros et Elmyr de Hory, le duo d'arnaqueurs qui a dupé le monde de l'art Linda Burfield Hazzard, la docteure qui affamait ses patients jusqu'à la mort Si vous souhaitez écouter les épisodes sans interruption, rendez-vous sur la chaîne Bababam+ d'Apple Podcasts : https://apple.co/3NQHV3I Abonnement True Story : https://apple.co/3auE6D9 Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the final episode of the season, our last episode before our summer break. While we are taking a little break, we will still have lots and lots of content for you. There will be Dev parties, updates from the road, and a few special surprises along the way. But today we will be checking back in with Kate Miller Wilson (@katemillerwilson on IG), what's she been up to for the past year? And will also be talking to you about photographer Anne Brigman, fortunately for everyone Kate will be sticking around to help us! Not only that but the film detectives, Charlie and Sara (@casualscience and @thefutureofwhat on IG), we'll be popping in with another case to solve. There's also the zine reviews, the answering machine, and so much more!   Anne Brigman Photographer Anne Brigman is known almost exclusively for her nudes. Much of her known and available work depicts bodies contorted and twisted among the contorted and twisted pines of the high sierra mountains in California. Her photography was unlike almost anything else in the early 1900s. And yet it fit perfectly into Alfred Stieglitz's photo-secessionist movement. Today, with Kate Miller-Wilson, we're going to talk about Anne Brigman and Alfred Stieglitz.  By the turn of the century, Anne had become nearly obsessed with the High Sierras. It was then that she discovered photography. She probably acquired her first camera from her sister, Elizabeth and was immediately smitten. Her first photos, taken when she was 32, were of her family. These were mostly typical portraits rendered in a somewhat impressionistic style. A year later, her work was exhibited by the San Francisco Photographic Salon and printed in Camera Craft, the magazine of the San Francisco Camera Club. She also began a correspondence with Alfred Stieglitz, founder of the Photo Secession movement, who was currently waging a war with both the photography and art communities, insisting that photography be considered an art rather than a science.  Kate, Vania and Eric each picked a few of Anne's photos and discussed them while talking about her life. Here are the photos they discussed (in order)…     Kate Miller-Wilson We talked to Kate last year at this time, so we're just catching up. This is a great opportunity to discuss things we wouldn't normally tackle. Heavy hitting subjects like: Beach Shooting Underwater 4×5? When to shoot color and why we don't do it anyway. 8×10 is just bigger 4×5 How to avoid Aero Ektar Cliches We discuss a few of Kate's photos, of course. Here are some…   Zine Reviews Where We Were (Vol. 2) by Shania Logan. https://www.etsy.com/listing/1181034648/where-we-were-vol-ii-film-photography With this issue, Shania leads us into town by way of closed up corner stores and school buses decaying in the sun. Mobile homes quickly disintegrate once unoccupied, and tar paper shacks are little more than a foundation. Long cold factories with darkened, smashed windows explain the depressing number of houses vacated, and the lines of empty streets.   Happy Together by Federico Quaglino IG: @fedequaglino   PATREON Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! patreon.com/allthroughalens THE CREDITS OF ENDING Music by Last Regiment of Syncopated Drummers Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kits Sara Murphy: IG Charlie: IG, Web; Themselves Press   All Through a Lens: IG, Website, Patreon, Spotify Playlists

Wanda M. Corn's book Georgia O'Keeffe: Living Modern (Prestel Publishing, 2017) explores how Georgia O'Keeffe lived her life steeped in modernism, bringing the same style she developed in her art to her dress, her homes, and her lifestyle. Richly illustrated with images of her art and views of the two homes she designed and furnished in New Mexico, the book also includes never before published photographs of O'Keeffe's clothes. The author has attributed some of the most exquisite of these garments to O'Keeffe, a skilled seamstress who understood fabric and design, and who has become an icon in today's fashion world as much for her personal style as for her art. As one of her friends stated, O'Keeffe “never allowed her life to be one thing and her painting another.” This fresh and carefully researched study brings O'Keeffe's style to life, illuminating how this beloved American artist purposefully proclaimed her modernity in the way she dressed and posed for photographers, from Alfred Stieglitz to Bruce Weber. This beautiful book accompanied the first museum exhibition to bring together photographs, clothes, and art to explore O'Keeffe's unified modernist aesthetic. WANDA M. CORN is Robert and Ruth Halperin Professor Emerita in Art History at Stanford University in Palo Alto, California. Her publications include Grant Wood: The Regionalist Vision; The Great American Thing: Modern Art and National ldentity, 7975-7935; and Seeing Gertrude Stein: Five Stories. Susan Grelock-Yusem, PhD, is an independent scholar trained in depth psychology, with an emphasis on community, liberation, and eco-psychologies. Her work centers around interconnection and encompasses regenerative food systems, the arts and conservation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Wanda M. Corn's book Georgia O'Keeffe: Living Modern (Prestel Publishing, 2017) explores how Georgia O'Keeffe lived her life steeped in modernism, bringing the same style she developed in her art to her dress, her homes, and her lifestyle. Richly illustrated with images of her art and views of the two homes she designed and furnished in New Mexico, the book also includes never before published photographs of O'Keeffe's clothes. The author has attributed some of the most exquisite of these garments to O'Keeffe, a skilled seamstress who understood fabric and design, and who has become an icon in today's fashion world as much for her personal style as for her art. As one of her friends stated, O'Keeffe “never allowed her life to be one thing and her painting another.” This fresh and carefully researched study brings O'Keeffe's style to life, illuminating how this beloved American artist purposefully proclaimed her modernity in the way she dressed and posed for photographers, from Alfred Stieglitz to Bruce Weber. This beautiful book accompanied the first museum exhibition to bring together photographs, clothes, and art to explore O'Keeffe's unified modernist aesthetic. WANDA M. CORN is Robert and Ruth Halperin Professor Emerita in Art History at Stanford University in Palo Alto, California. Her publications include Grant Wood: The Regionalist Vision; The Great American Thing: Modern Art and National ldentity, 7975-7935; and Seeing Gertrude Stein: Five Stories. Susan Grelock-Yusem, PhD, is an independent scholar trained in depth psychology, with an emphasis on community, liberation, and eco-psychologies. Her work centers around interconnection and encompasses regenerative food systems, the arts and conservation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Wanda M. Corn's book Georgia O'Keeffe: Living Modern (Prestel Publishing, 2017) explores how Georgia O'Keeffe lived her life steeped in modernism, bringing the same style she developed in her art to her dress, her homes, and her lifestyle. Richly illustrated with images of her art and views of the two homes she designed and furnished in New Mexico, the book also includes never before published photographs of O'Keeffe's clothes. The author has attributed some of the most exquisite of these garments to O'Keeffe, a skilled seamstress who understood fabric and design, and who has become an icon in today's fashion world as much for her personal style as for her art. As one of her friends stated, O'Keeffe “never allowed her life to be one thing and her painting another.” This fresh and carefully researched study brings O'Keeffe's style to life, illuminating how this beloved American artist purposefully proclaimed her modernity in the way she dressed and posed for photographers, from Alfred Stieglitz to Bruce Weber. This beautiful book accompanied the first museum exhibition to bring together photographs, clothes, and art to explore O'Keeffe's unified modernist aesthetic. WANDA M. CORN is Robert and Ruth Halperin Professor Emerita in Art History at Stanford University in Palo Alto, California. Her publications include Grant Wood: The Regionalist Vision; The Great American Thing: Modern Art and National ldentity, 7975-7935; and Seeing Gertrude Stein: Five Stories. Susan Grelock-Yusem, PhD, is an independent scholar trained in depth psychology, with an emphasis on community, liberation, and eco-psychologies. Her work centers around interconnection and encompasses regenerative food systems, the arts and conservation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Wanda M. Corn's book Georgia O'Keeffe: Living Modern (Prestel Publishing, 2017) explores how Georgia O'Keeffe lived her life steeped in modernism, bringing the same style she developed in her art to her dress, her homes, and her lifestyle. Richly illustrated with images of her art and views of the two homes she designed and furnished in New Mexico, the book also includes never before published photographs of O'Keeffe's clothes. The author has attributed some of the most exquisite of these garments to O'Keeffe, a skilled seamstress who understood fabric and design, and who has become an icon in today's fashion world as much for her personal style as for her art. As one of her friends stated, O'Keeffe “never allowed her life to be one thing and her painting another.” This fresh and carefully researched study brings O'Keeffe's style to life, illuminating how this beloved American artist purposefully proclaimed her modernity in the way she dressed and posed for photographers, from Alfred Stieglitz to Bruce Weber. This beautiful book accompanied the first museum exhibition to bring together photographs, clothes, and art to explore O'Keeffe's unified modernist aesthetic. WANDA M. CORN is Robert and Ruth Halperin Professor Emerita in Art History at Stanford University in Palo Alto, California. Her publications include Grant Wood: The Regionalist Vision; The Great American Thing: Modern Art and National ldentity, 7975-7935; and Seeing Gertrude Stein: Five Stories. Susan Grelock-Yusem, PhD, is an independent scholar trained in depth psychology, with an emphasis on community, liberation, and eco-psychologies. Her work centers around interconnection and encompasses regenerative food systems, the arts and conservation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Wanda M. Corn's book Georgia O'Keeffe: Living Modern (Prestel Publishing, 2017) explores how Georgia O'Keeffe lived her life steeped in modernism, bringing the same style she developed in her art to her dress, her homes, and her lifestyle. Richly illustrated with images of her art and views of the two homes she designed and furnished in New Mexico, the book also includes never before published photographs of O'Keeffe's clothes. The author has attributed some of the most exquisite of these garments to O'Keeffe, a skilled seamstress who understood fabric and design, and who has become an icon in today's fashion world as much for her personal style as for her art. As one of her friends stated, O'Keeffe “never allowed her life to be one thing and her painting another.” This fresh and carefully researched study brings O'Keeffe's style to life, illuminating how this beloved American artist purposefully proclaimed her modernity in the way she dressed and posed for photographers, from Alfred Stieglitz to Bruce Weber. This beautiful book accompanied the first museum exhibition to bring together photographs, clothes, and art to explore O'Keeffe's unified modernist aesthetic. WANDA M. CORN is Robert and Ruth Halperin Professor Emerita in Art History at Stanford University in Palo Alto, California. Her publications include Grant Wood: The Regionalist Vision; The Great American Thing: Modern Art and National ldentity, 7975-7935; and Seeing Gertrude Stein: Five Stories. Susan Grelock-Yusem, PhD, is an independent scholar trained in depth psychology, with an emphasis on community, liberation, and eco-psychologies. Her work centers around interconnection and encompasses regenerative food systems, the arts and conservation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Shalini Sengupta thinks together ‘the mycological turn' in the humanities and the narrative and aesthetic work that mushrooms do in some modernist literature. She draws from Anna Tsing's The Mushroom at the End of the World and the research of Sam Solomon and Natalia Cecire. Modernist mushrooms, if they are a thing, exist in the writings of Alfred Kreymborg, Djuna Barnes, and Sylvia Plath, and the photography of Alfred Stieglitz. Shalini is a final year PhD student at the University of Sussex, UK. Her thesis explores the concept of modernist difficulty in British and diasporic poetry through the lens of intersectionality. Her academic writing have appeared/are forthcoming in Modernism/modernity Print Plus, Contemporary Women's Writing, and the Journal of British and Irish Innovative Poetry. In 2021, she was selected as a Ledbury Emerging Critic. Image Art by Saronik Bosu Music used in promotional material: ‘How Many' by Windmill Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Shalini Sengupta thinks together ‘the mycological turn' in the humanities and the narrative and aesthetic work that mushrooms do in some modernist literature. She draws from Anna Tsing's The Mushroom at the End of the World and the research of Sam Solomon and Natalia Cecire. Modernist mushrooms, if they are a thing, exist in the writings of Alfred Kreymborg, Djuna Barnes, and Sylvia Plath, and the photography of Alfred Stieglitz. Shalini is a final year PhD student at the University of Sussex, UK. Her thesis explores the concept of modernist difficulty in British and diasporic poetry through the lens of intersectionality. Her academic writing have appeared/are forthcoming in Modernism/modernity Print Plus, Contemporary Women's Writing, and the Journal of British and Irish Innovative Poetry. In 2021, she was selected as a Ledbury Emerging Critic. Image Art by Saronik Bosu Music used in promotional material: ‘How Many' by Windmill Learn more about your ad choices. Visit megaphone.fm/adchoices

Shalini Sengupta thinks together ‘the mycological turn' in the humanities and the narrative and aesthetic work that mushrooms do in some modernist literature. She draws from Anna Tsing's The Mushroom at the End of the World and the research of Sam Solomon and Natalia Cecire. Modernist mushrooms, if they are a thing, exist in the writings of Alfred Kreymborg, Djuna Barnes, and Sylvia Plath, and the photography of Alfred Stieglitz. Shalini is a final year PhD student at the University of Sussex, UK. Her thesis explores the concept of modernist difficulty in British and diasporic poetry through the lens of intersectionality. Her academic writing have appeared/are forthcoming in Modernism/modernity Print Plus, Contemporary Women's Writing, and the Journal of British and Irish Innovative Poetry. In 2021, she was selected as a Ledbury Emerging Critic. Image Art by Saronik Bosu Music used in promotional material: ‘How Many' by Windmill Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Shalini Sengupta thinks together ‘the mycological turn' in the humanities and the narrative and aesthetic work that mushrooms do in some modernist literature. She draws from Anna Tsing's The Mushroom at the End of the World and the research of Sam Solomon and Natalia Cecire. Modernist mushrooms, if they are a thing, exist in the writings of Alfred Kreymborg, Djuna Barnes, and Sylvia Plath, and the photography of Alfred Stieglitz. Shalini is a final year PhD student at the University of Sussex, UK. Her thesis explores the concept of modernist difficulty in British and diasporic poetry through the lens of intersectionality. Her academic writing have appeared/are forthcoming in Modernism/modernity Print Plus, Contemporary Women's Writing, and the Journal of British and Irish Innovative Poetry. In 2021, she was selected as a Ledbury Emerging Critic. Image Art by Saronik Bosu Music used in promotional material: ‘How Many' by Windmill Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

Artists are often the biggest romantics, and the iconic painter Georgia O'Keefe is no different. In today's episode, we peek behind the petals into O'Keefe's romance and creative partnership with Alfred Stieglitz. Plus - are Georgia's paintings actually of flowers or….something else? Teaser: this episode includes a whopping 25,000 pages of love letters!  Get your daily happily ever after on LoveStruck Daily, with new love stories every Monday-Friday. In the meantime, follow @LoveStruckDaily on Instagram and Twitter for extra content. If you have a love story to share, or any questions for the team, email lovestruckdaily@frolic.media.  View episode transcript here: https://otter.ai/u/tdIEVH0rjBrcFKzm8sPT_ao3CEY And for goodness sakes...just kiss already!!! See omnystudio.com/listener for privacy information.

Photos and more here: www.allthroughalens.com   We've cobbled together a fine ass show for you! We'll be talking to Rick Barbosa (IG: @m0untainm0ney), wildland firefighter and photographer. We'll also connect a few of our past stories while telling you about Frances Benjamin Johnston's Hampton Album of black and Native American students in the early 1900s. And then there's Alfred Stiegletz, real life bastard who did some pretty important stuff. And we've got the answering machine, a zine review and… well. Let's see what else we've got.    Rick Barbosa For nearly 20 years, from 2000 to 2018, Rick Barbosa photographed fellow firefighters and wildfires in the American West, all while working the line. We've both been talking to him for years now and are excited to share this conversation with you today. IG: @rick_barbosa_photos IG: @m0untainm0ney Here are some of his photos:   Frances Benjamin Johnston's Hampton Album Frances Benjamin Johnston has been on our radar for awhile now, and when friend of the show, Jaya Bhatt, sent Eric a 1966 edition of her Hampton Album, it sent us on a sleuthy photographic caper with twists and turns and taught us once more that sexual and racial politics in America are incredibly nuanced and complex.  Frances Benjamin Johnston  spent a month and a half at Hampton Institute during December and January of 1899 and 1900. She was accompanied by her mother, who worked as her assistant. Across the six weeks, she exposed 150 8×10 plates and made at least three prints of each, and a set of duplicate negatives.  Here are some of the photos we mention during the episode: The Hampton Album also played with the idea of modernization, and included several “before and after” pages:   The Hampton Album was partially released by MoMA in 1966, and then finally fully released in 2019.   Alfred Fucking Stiegletz We've mentioned Alfred Stieglitz a couple times during the Iomogen Cunningham features, and we'll be mentioning him again later in the episode.  We don't have a huge desire to do a deep dive on the cantankerous fellow, but he probably deserves a bit of a backstory. Zines We reviewed Cautious Emergence by Michael Winston Dales (IG @mdales)   PATREON Thank you to everyone who supports us! Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff! patreon.com/allthroughalens THE CREDITS OF ENDING Music by Last Regiment of Syncopated Drummers Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kits Sara Murphy: IG Charlie: IG, Web; Themselves Press   All Through a Lens: IG, Website, Patreon, Spotify Playlists

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Georgia O'Keeffe, (born Nov. 15, 1887, near Sun Prairie, Wis., U.S.—died March 6, 1986, Santa Fe, N.M.) was a U.S. painter. She studied art in Chicago and New York City, where she met and married the photographer Alfred Stieglitz. By the early 1920s, her highly individualistic painting style had emerged, as typified by such works as Black Iris (1926). Her subjects were often enlarged views of the skulls and other bones of animals, flowers and plant organs, shells, rocks, mountains, and other natural forms. Her mysteriously suggestive images of bones and flowers set against a perspectiveless space have inspired a variety of erotic, psychological, and symbolic interpretations. Her later works celebrate the clear skies and desert landscapes of New Mexico, where she moved after her husband's death in 1946. She is regarded by critics as one of the most original and important American artists, and her works are highly popular among the general public.From https://www.britannica.com/summary/Georgia-OKeeffe. For more information about Georgia O'Keeffe:“Georgia O'Keeffe”: https://okeeffemuseum.libguides.com/guides/okeeffe“Georgia O'Keeffe Collections”: https://collections.okeeffemuseum.org“Georgia O'Keeffe”: https://nmwa.org/art/artists/georgia-okeeffe/

In the 1970s, Georgia O'Keeffe is supposedly the hermit savant of the New Mexico badlands, rarely heard and seldom seen, even as the outside world can't get enough of her enigmatic art. But when curators, journalists, and even the FBI come calling, it seems the head ghost of Ghost Ranch is the host with the most—and hardly ever alone. A fresh look at a myth we can't stop believing. You can see one of O'Keeffe's badlands pictures, "Black Place I," in the collection of the Minneapolis Institute of Arts: https://collections.artsmia.org/art/119128/black-place-i-georgia-okeeffe Also, one of her iconic views from Ghost Ranch, "Pedernal--From the Ranch #1": https://collections.artsmia.org/art/1554/pedernal-from-the-ranch-1-georgia-okeeffe And a photograph of her with husband Alfred Stieglitz: https://collections.artsmia.org/art/1973/stieglitz-and-okeeffe-arnold-newman

Our podcast will be covering Socrates, Rembrandt, and Alfred Stieglitz. Rembrandt and Alfred Stieglitz both created portraits in their chosen mediums, and we will be debating who made the better portrait of the philosopher.

Welcome to today's episode with host Jonathan and guests Olivia and Jania! We are excited to discuss photography vs. portraits, Rembrandt, Socrates, Alfred Stieglitz, and more. Join us for an open, opinionated, and curious episode of Exploring Art.

In this episode, Barbara and Diego discuss if we would prefer a picture of Socrates by Alfred Stieglitz or a painting of Socrates by Rembrandt. We took a look at the history of Socrates and why we should remember him as a strong, wise man and not as an older man.

In today's Love Letters to... we celebrate photographer and artist, husband and wife, unconventional in all things, but inspirations to each other - Alfred and Georgia. Advertise with us! Learn more about your ad choices. Visit megaphone.fm/adchoices