Podcast appearances and mentions of fay grim

Going coastal, a newbie in New York City, killer cabbies, the amazing Kim's Video, a Blonde Redhead redhead, drunken sledding, neighborhoods and abbreviations, meet me on Stacy Keach Street, a short Christopher Nolan movie, check out Jim Knipfel, porno theaters make no sense, Jeffrey Epstein is dead and rotting in hell, a double Spader, Mark Valley is a stand up guy (did I ever tell you that Vincent D'Onofrio liked me in an acting class?), planning trips, some Broadway movies, some Broadway plays, the dearly departed Philip Seymour Hoffman, Hal Hartley rules, welcome to my candy store, a great Gatz, I've got the golden brick-et, the ghosts of the Hotel Chelsea, and a summation from Werner Herzog. Stuff mentioned: Green Acres (1965-1971), Pace Picante Sauce commercial (1988 https://www.youtube.com/watch?v=1S828Y7Eais), The Freshman (1990), Kim's Video (2023), Balthazar (80 Spring St, New York, NY 10012), Following (1998), Thurston Moore Sonic Life: A Memoir (2023), Sunshine Hotel (2001), New Museum (235 Bowery, New York, NY 10002), New Museum The Last Newspaper: Contemporary Art, Curating Histories, Alternative Models (October 6 2010–January 9 2011), Jim Knipfel Slackjaw (1999), Escape From New York (1981), Alphabet City (1984), Police Academy (1984), The Cruise (1998), Taxi Driver (1976), I, The Jury (1982), Manhattan (1979), The Blacklist (2013-2023), Boston Legal (2004-2008), Game of Thrones (2011-2019), Neue Galerie New York (1048 5th Ave, New York, NY 10028), Neue Galerie Richard Gerstl (June 2017-September 2017), Richard Gerstl Self-Portrait, Laughing (1907 https://www.neuegalerie.org/content/self-portrait-laughing), Café Sabarsky (1048 5th Ave, New York, NY 10028), Birdman or (The Unexpected Virtue of Ignorance) [2014], Rope (1948), Game 6 (2005), After Hours (1995), Late Night with Conan O'Brien "A Visit with Hunter S. Thompson" (June 11, 1997 https://www.youtube.com/watch?v=5zwLuFy-TrY), All About Eve (1950), Sam Shepard True West (Circle in the Square Theatre 2000), Before the Devil Knows You're Dead (2007), Eugene O'Neill Long Day's Journey Into Night (Plymouth Theatre 2003), Will Eno Thom Pain (based on nothing) [DR2 Theatre 2005], Fay Grim (2006), Henry Fool (1997), Heathers: The Musical (New World Stages 2014), Heathers (1989), Heathers: The Musical "Candy Store" (2014), Elevator Repair Service Gatz (REDCAT 2012), F. Scott Fitzgerald The Great Gatsby (1925), Samuel Beckett Waiting for Godot (1953), Maidstone (1970), Dear Evan Hansen (2017 Music Box Theatre), Pitch Perfect (2012), In & of Itself (2017 Daryl Roth Theatre), Little Shop of Horrors (1986), Hotel Chelsea (222 W 23rd St, New York, NY 10011), Arthur C. Clarke 2001: A Space Odyssey (1968), William S. Burroughs Naked Lunch (1959), Chelsea GIrls (1966), Andy Warhol grave webcam (https://www.earthcam.com/usa/pennsylvania/pittsburgh/warhol/), Sid and Nancy (1986), Sid Vicious "My Way" (1979), Chelsea Hotel (BBC Arena 1981 https://vimeo.com/84587129), Nico "Chelsea Girls" (1967), and Nico Chelsea Girl (1967).

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Political reporter David Weigel joins to discuss the work of director Hal Hartley and his 1997 feature, 'Henry Fool'. The film, written and directed by one of the great undersung auteurs of American indie cinema during its heyday, blends a sense of sweeping literary scope with the understatedness of an indie comedy to tell a story about creativity, imperfect people, and the commercial forces that antagonize true outsider artistry. Henry Fool would become the first in a trilogy of films by Hartley, continuing with the 2006 riff on espionage thrillers, 'Fay Grim' and concluding in 2014 with the final installment 'Ned Rifle'.We begin with an examination of Hal Hartley, the unique alchemy of his work, and his debt to the films and filmmakers of the French New Wave. Then, we discuss 'Henry Fool' as a singular work of daring, frequently flying in the face of good taste, probing its audience's sense of morality, and asking us to find connection with a host of broken individuals who don't act in accordance with our own judgements. Finally, we look into the future and discuss Hartley's most recent (successful) attempts to get a new film off the ground and how a 2020's audience might receive a filmmaker who has always bucked commercial trends and swings for populist appeal.Follow David Weigel on Twitter.Subscribe to Semafor Newsletters....Our theme song is "Mirror" by Chris Fish

We're going a little bit out of order in our dive into the films of Hal Hartley. On this episode, we look at The Henry Fool Trilogy: Henry Fool, Fay Grim, and Ned Rifle. The first two films, especially, constitute Hartley's apotheosis. We also discuss Jonathan Glazer's new film 'The Zone of Interest,' a haunting, important film (despite what Manohla Dargis might say).     Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_

The "Dirty Sons of Pitches" are examining two less-than-familiar movies for this week's edition of Switch the Pitch, starting with 1995's "Memory Run," where a man has his consciousness transplanted into the body of his dead lover, and then 2006's "Fay Grim" by indie auter Hal Hartley. Available on Spotify and Apple Episode 349 includes: -So who cares about 50 years of legal precedent anyway? Ramifications of the Roe v. Wade decision being overturned by the Supremes. -Nate runs through a littany of okay-to-dull movies like "Spiderhead," "Crimes of the Future," and "Cha Cha Real Smooth." -Ben declares "Elvis" his favorite Baz Luhrman movie. -Switch the Pitch -- "Memory Run" / "Fay Grim" -The guys discuss the 1995 direct-to-video sci-fi action movie from a trans perspective and also Hal Hartley's 2006 "Fay Grim," a sequel to "Henry Fool" and a winky ironic satire of spy movies, and then the guys combine major elements into a new concept better than both.

Now THIS is an interesting one - Back in the '90s, filmmaker Hal Hartley made a movie called HENRY FOOL, a dark comedy-drama about a garbageman who becomes a famous poet. And in 2007, he returned to the characters from that movie... and placed them in a twisty, espionage-filled spy thriller! We're talking FAY GRIM this week, which features Jeff Goldblum as a shifty CIA Agent who may or may not have his own agenda going on here. (Note: HIGHLY recommend watching the original movie first, because this movie will be very difficult to understand if you don't.)

Episode number 199 tries to pin down exactly what Hal was thinking with Fay Grim and then denounces Hollywood for forcing the third in the trilogy to be Kickstartered. Also, Hal Hartley pitches Fay Grim to Marc Cuban in the Shark Tank.

The filmmaker Hal Hartley ("Simple Men", "Ned Rifle") returns for his 6th visit to the podcast. Hal is currently the subject of a retrospective at the Metrograph theater in New York City. The films will be shown in either 35mm or on DCP, through the next week. Hal will be there for his second appearance this Saturday, 2/1, following the 7:30 screening of "Fay Grim".

The impulse to make art is with us from childhood. It’s the desire to play.  To say “hey! Look what I made!” It’s the wild fun of making a big mess that’s nobody else’s but your own—and not having to clean it up. Above all else, art is wild. It’s independent. It’s free. And that’s one reason why the art industry is a very weird thing. In order to make money “at scale” as the Silicon Valley kids like to say, movie studios, fancy galleries, and concert promoters have to quantify, systematize, and package that sense of freedom. If it sounds like a paradox, that’s because it is. I’m just gonna say it: the more money at stake, the less breathing space for everything that draws us to art in the first place. I’m here today with an actor whose name is basically synonymous with creative freedom. Parker Posey has created unforgettable characters in indie films like Richard Linklater’s Dazed and Confused, Hal Hartley’s Fay Grim, and Christopher Guest’s Best in Show, and in big studio productions like You’ve Got Mail and Netflix’s Lost in Space. Wherever she  shows up, Parker fills the screen with an energy teetering between hilarious and deeply uncomfortable. A sense of chaos barely contained. Her new memoir – her first book – captures that same wonderfully unpredictable honesty and humor. It’s called You’re On An Airplane: A Self-Mythologizing Memoir. Surprise conversation-starter clips in this episode: Danny Sjursen on how Americans value the lives of non-Americans Nick Offerman on staying balanced in an insane industry Learn more about your ad choices. Visit megaphone.fm/adchoices

We could tell you that the audio for this episode is a reference to our movie's low budget DIY sensibility, but that would be an outright lie, and we respect you too much to do that to you. Instead, we apologize for this episode's iffy audio and blame our microphone settings. Hopefully, none of it will deter too much from the quirky indie sensibilities of Hal Hartley's 2006 sequel, the spy thriller satire (?!?!) Fay Grim. Never seen the movie that precedes it? Don't worry, it won't matter if you had! Leigh, Brendan, and Chris discuss the futility of criticizing auteur projects, the risks of satirizing something you are unable to actually make, and the saving grace that is Parker Posey. We hope you can choke down all this chatter and the thematically bitter cocktail too. Sorry, that's just the kinda guys we are. Rate our endeavors online, like us at facebook.com/whywatchpodcast, and subscribe on Apple Podcasts and Stitcher. Continue reading →

Jahred is once again joined by his brother and sister Vdog and Ez_elle. The family discusses Elle’s Insane Clown Posse concert, annoying family questions, Cards Against Humanity as a way to figure out people, listener emails including soft bodies knocking people out, ‘Fay Grim’ in the ‘Jeff Goldblum Movie Review’, a coffee tax in ‘Tanzania News’, the problem with dressing for the job you want and Soap shoes.

BANG! @southernvangard #radio presents the LiKWUiD interview session! We were first introduced to this MC, DJ, songwriter & educator when we rocked a show in ATL alongside her crew, The Hunger Division, back in January of 2015. When her new album, “Fay Grim” dropped on Hipnott Records at the top of 2017, we had to have her on the show. We rap about LiKWUIiD’s South Carolina roots, her move to NYC after college and how she made the connection with production team 2 Hungry Bros, who held down production duties for the new album. We also drop down a few different rabbit holes as we chat about the political climate in NYC at the moment, why LikWUiD woke up one day and decided to not go into work and her favorite way to drink bourbon! This isn’t one to miss folks, so push play, listen up and go cop “Fay Grim” without delay! Yes yes ya’ll, it’s ALWAYS that #smithsonian #grade #twiceaweek // @southernvangard on #itunes #podcast #stitcherradio #soundcloud #mixcloud // #hiphop #rap #dj #mix #interview #podcast #ATL #WORLDWIDE Recorded live March 26, 2017 @ Dirty Blanket Studios, Marietta, GA southernvangard.com @southernvangard on #itunes #podcast #stitcherradio #soundcloud #mixcloud twitter/IG: @jondoeatl @southernvangard @cappuccinomeeks

James Urbaniak (@JamesUrbaniak on Twitter) is an actor best known for his role as Dr. Rusty Venture on "The Venture Brothers," his portrayal of R. Crumb in "American Splendor," and the character Simon Grim from Hal Hartley's "Henry Fool" and "Fay Grim." On this episode, Gene and Brodie chat with James about the political blogosphere, fan conventions, James' theatre experiences, and James' alter ego at the Jersey Shore.