British film director
POPULARITY
3 episodes with Jonathan Glazer
4 episodes with Jonathan Glazer
2 episodes with Jonathan Glazer
3 episodes with Jonathan Glazer
4 episodes with Jonathan Glazer
3 episodes with Jonathan Glazer
3 episodes with Jonathan Glazer
2 episodes with Jonathan Glazer
2 episodes with Jonathan Glazer
Jamiroquai, en 1996, en a marre d'être cantonné au statut de star de l'underground britannique. Jay Kay se rêve en grand, et vise maintenant plus haut, plus loin. Au funk et l'acid jazz des débuts, s'ajoutent des sonorités dance et des refrains plus accrocheurs. Bingo ! L'album enchaîne les hits à une vitesse impressionnante : “Cosmic Girl”, “Alright”, “High times” et bien sûr “Virtual Insanity” dont les paroles, 25 ans plus tard sont plus que jamais d'actualité. Avec 1 Grammy et 11 millions d'exemplaires écoulés dans le monde, « Travelling Without Moving » est considéré comme l'album de funk le plus vendu de l'histoire, et une influence majeure pour des artistes comme J Dilla, Madlib, Justice, Tyler The Creator et encore Dua Lipa. On vous raconte la story de Jason Luís Cheetham, alias Jay Kay avec Olivia, Gregoire nous emmène en studio au Linford Manor en Angleterre, et Fanny revient sur l'origine du Buffalo man et le clip de “Virtual Insanity” de Jonathan Glazer, une des meilleures vidéos des nineties. Crédits :Générique : Dr Alban "Sing Hallelujah"Titres écoutés dans l'émission : "Virtual Insanity", "Cosmic Girl", "Use the Force", "Everyday", "Alright", "High Times", "Drifting Along", "Didjerama", "Didjital Vibrations", "Travelling Without Moving", "You Are My Love", "Spend a Lifetime", "Do You Know Where You're Coming From?", “When You Gonna Learn?”, “Too Young to Die”, “Space Cowboy”. Steve Wonder “Superstition”, Idris Muhammad “Could Heaven Ever Be Like This”, Eddie Harris “It's All Right Now”.Extraits : “Karen Kay Show featuring Ronnie Scott (1983, Youtube)”, “Jamiroquai - Music Planet (1999, Arte)”, “Jamiroquai - Too Young to Die (1993, Top Of The Pops)”, “Jamiroquai : Travelling without moving, version 30 secondes (1996, INA)”, “Jamiroquai - Virtual Insanity (Live in Verona) (2002, Youtube)”, “Jamiroquai Virtual Insanity タネ明かし the trick explanation Jonathan Glazer Interview (2005, jpn TV)”LAISSEZ UN MESSAGE APRÈS LE BIP !Vous pouvez nous appeler au 01 89 16 75 31, pour suggérer un album, donner votre avis ou chanter en karaoké avec nous ! Promis, on diffusera les messages au prochain épisode !Et restez connectés : — Instagram : @radio_k7— Bluesky : @radiok7podcast.bsky.social— Facebook : @Radiok7podcastHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
The boys peel back the layers of Jonathan Glazer's sinister alien invasion film.Outro: Darude - "Sandstorm" Support the Pod Boys on Patreon! Hosted on Acast. See acast.com/privacy for more information.
Victor joins Caitlin to cover Jonathan Glazer's Under the Skin, a 2013 movie about a monstrous femme alien figure. We discuss the movie's gender dynamics, sound design, use of nudity, and overall messaging, landing in a place of "discovering humanity." Tangents include: Galaxy Con, Author Con, D&D, pet peeves, alien space vampires, SPF, FMKs for gym equipment and new releases, and childhood career projections.
Mark and Jonny Numb (https://bsky.app/profile/jonnynumb.bsky.social) discuss the 2023 historical drama The Zone of Interest. Released by A24 and directed by Jonathan Glazer, the Academy Award winning film is perfect for the “Feel Good” series that Jon and Mark started in 2019. In this episode, they also talk about dolly shots, terrible fishing trips, and sound design. Enjoy!
This month BBC Radio 4's Bookclub, presented by James Naughtie, speaks to the writer Michel Faber about his debut novel, Under the Skin. Published in the year 2000 by Canongate it went on to be shortlisted for the Whitbread Award that same year. The book follows the female protagonist of Isserley who roves the A9 in the Scottish Highlands looking to pick up hitchhikers (preferably ones with big muscles). In 2013 the book was made into a film, shot in Glasgow, and directed by Jonathan Glazer. It starred Scarlett Johansson as Isserley.Producer: Dominic Howell Editor: Gillian WheelanThis was a BBC Audio Scotland production.
Support us on Patreon: https://www.patreon.com/CumpostingPodcastRosa joins Joku in her last episode as a host of our show to discuss the 2025 Oscars, hosted by Conan O'Brien and featuring an Anora sweep, Emilia Perez Ls. and a win for No Other Land. We then review 2000's 'Sexy Beast' a 2000 black comedy crime film directed by Jonathan Glazer and written by Louis Mellis and David Scinto. It stars Ray Winstone, Ben Kingsley, and Ian McShane. It follows Gary "Gal" Dove, a retired criminal visited by a sociopathic gangster who demands that he take part in a bank robbery in London. Twitch: http://www.twitch.tv/cmpostingThe Cumposting Power Ranking: https://letterboxd.com/cumposting/list/cumposting-all-movies-watched-ranked/Donate: https://throne.com/cumpostingSend Us a Voice Message: https://www.speakpipe.com/cumpostingReddit (Cringe): https://www.reddit.com/r/cumpostingpod/Follow Rosa: https://www.youtube.com/@ReddestRosaFollow Joku: https://www.youtube.com/channel/UC6MqDAGSrKEVBzHtgBBbT0wIrish Shorts Editor Rosaburgs: https://x.com/marxlsmusFeaturing music from @newjazzunderground Outro guitar solo performed by @djangoklumppguitarImage of the Week: https://imgur.com/a/kQ4CycdChapters:0:00 Intro4:54 2025 Oscars Discussion28:58 Joku's Last Movie30:18 'Sexy Beast' (2000) Review & Analysis48:33 'The Nut Job' Discussion54:20 Scoring & Ranking 'Sexy Beast'55:26 Intellectual Discussion58:01 Joku's Goodbyes
Commes des Garçons Eau de Parfum by Comme des Garçons (1994) + The Directors Label DVDs by Palm Pictures: The Work of Directors Spike Jonze, Chris Cunningham, and Michel Gondry (2003) + The Work of Directors Mark Romanek, Jonathan Glazer, Anton Corbijn, and Stéphane Sednaoui (2005) with Zane 3/16/25 S7E17 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon.
Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es Sexy Beast, es una película de comedia negra y crimen del año 2000 dirigida por Jonathan Glazer (en su debut como director de peliculas) y escrita por Louis Mellis y David Scinto. Plot: El gánster Don Logan recluta a Gal, un ladrón de cajas fuertes "retirado", para un último trabajo, pero las cosas van mal para ambos. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Letterboxd: https://boxd.it/446nl
It's been a while, but it's finally time for an Off Mike Discussions episode! Smith has been watching a ton of new releases like Captain America: Brave New World, Paddington in Peru, Companion, and Heart Eyes, while Mike D talks the new Wolf Man, Alfred Hitchcock's Foreign Correspondent, Jonathan Glazer's Birth, and more! Plus, we've got some TV thoughts, including Station 11, Severance, Mythic Quest, and SNL 50!
A clip from our Patreon Only Episode "Zone of Interest." Zone of Interest and Banality of Evil. We look at the Jonathan Glazer's 2023 film Zone of Interest, compare it to Under the Skin, and discuss Hannah Arendt's concept of the "banality of evil" and why the movie may not fit into that description. https://www.patreon.com/LostFuturesPod Rate us on Apple Podcasts: https://podcasts.apple.com/us/podcast/lost-futures-a-mark-fisher-podcast/id1685663806 Spotify: https://open.spotify.com/show/0EnwNGZijCDZVIl5JtjwGT Follow us on Twitter: @lostfuturespod Theme Song By: EvilJekyll Art/animation by: Gregory Cristiani
Inside Out: Outside In: Margaret Atwood and Jonathan Glazer. We look at the works of Margaret Atwood and Jonathan Glazer to explain alien agency and going back to nature. https://www.patreon.com/LostFuturesPod Rate us on Apple Podcasts: https://podcasts.apple.com/us/podcast/lost-futures-a-mark-fisher-podcast/id1685663806 Spotify: https://open.spotify.com/show/0EnwNGZijCDZVIl5JtjwGT Follow us on Twitter: @lostfuturespod Theme Song By: EvilJekyll Art/animation by: Gregory Cristiani
ADAM PEARSON is an award-winning disability rights campaigner, actor, presenter and speaker. Adam was nominated as UK Documentary Presenter of the Year at the 2016 Grierson Awards. As an actor, Adam appeared in the BAFTA-nominated film, UNDER THE SKIN, directed by Jonathan Glazer and starring Scarlett Johansson. He also played himself in the independent feature, DRIB, which premiered at SXSW in 2017. Adam plays the lead role in CHAINED FOR LIFE which has been released theatrically in the UK and and US as well as being shown at film festivals around the world. Of his performance, The New York Times described him as "an actor of great charm." His latest film, A DIFFERENT MAN, in which he co stars with Sebastian Stan will be distributed by A24 in 2024. Adam has presented the critically-acclaimed documentaries HORIZON: MY AMAZING TWIN (BBC Two), ADAM PEARSON: FREAK SHOW (BBC Three), THE UGLY FACE OF DISABILITY HATE CRIME (BBC Three) and EUGENICS: SCIENCES GREATEST SCANDAL (BBC Four). Adam has spoken at a number of events for companies and organisations such as the World Health Innovation Summit, Public Service & Criminology Conference and British Association for Counselling & Psychotherapy. He has also given a TEDx talk. He is also an ambassador for The Prince's Trust, Changing Faces and Us In A Bus. He also won a RADAR Award and a Diana Award for his campaigning work. Adam was named in The Shaw Trust's Disability Power 100 List of 2020, a list of the UK's most influential disabled people.
I FILM DELLA MEMORIALe pellicole che arrivano in sala o che ci tornano, in occasione della Giornata della Memoria 2025“Il dono più prezioso” diretto da Michel Hazanavicius, con Jean-Louis Trintignant e Grégory Gadebois“Amerikatsi” diretto da Michael A. Goorjian, con Michael A. Goorjian e Hovik Keuchkerian“Simone Veil” diretto da Olivier Dahan, con Elsa Zylberstein e Rebecca Marder“Liliana” diretto da Ruggero Gabbai“La zona d'interesse” diretto da Jonathan Glazer, con Sandra Hüller e Christian Friedel“Il giardino dei Finzi Contini” diretto da Vittorio De Sica, con Dominique Sanda e Lino CapolicchioIN SALA"Luce" diretto da Luca Bellino, Silvia Luzi, con Marianna Fontana e Tommaso Ragno. Franco Dassisti ospita in studio i registi e la protagonista"Il mio giardino persiano" diretto da Maryam Moghaddam, Behtash Sanaeeha, con Lili Farhadpour e Esmaeel Mehrabi"A complete unknown" diretto da James Mangold, con Timothée Chalamet e Edward Norton"10 giorni con i suoi" diretto da Alessandro Genovesi. L’intervista a Fabio De Luigi e Valentina LodoviniI FESTIVAL“Sudestival - Il festival lungo un inverno" dal 24 gennaio al 15 marzo 2025, intervista a Michele Suma, fondatore e direttore artistico.
Birth grew up to be Babygirl. Birth (2004) dir. Jonathan Glazer, written by Glazer, Jean-Claude Carrière, and Milo Addica. Starring Nicole Kidman, Danny Huston, Cameron Bright, Peter Stormare, Anne Heche, and Lauren Bacall. Off-topic chat: Amanda - Powerwash Simulator on Windows, PlayStation 5 and Nintendo Switch. Chance - Carry-On on Netflix. That's So Gothic tries to release episodes on the first and third Thursday every month. Email sogothicpod@gmail.com. Follow Chance and Amanda on Letterboxd @mrchancelee and @mcavoy_amanda. Instagram @sogothicpod Closing music "Gothic Guitar" by Javolenus 2014- Licensed under Creative Commons Attribution Noncommercial (3.0)
This week we venture deep into the abyss for Jonathan Glazer's unnerving science fiction masterpiece, the only movie on earth that is somehow equal parts NATHAN FOR YOU and 2001: A SPACE ODYSSEY. How does this film even exist? What happens in that dark room? Is it all as real as it looks? Listeners, we tried our best to find some answers for you.Next week, it's the most-requested film in Eye of the Duck history, Denis Villeneuve's ARRIVAL. Join the conversation on Eye of the Discord https://discord.com/invite/RssDc3brsx.References:Special FeaturesFeaturettes - CameraFeaturettes - CastingFeaturettes - EditingFeaturettes - LocationsFeaturettes - Production DesignFeaturettes - VFXThe Guardian Glazer InterviewUproxx Production HistoryIndieWire Production HistoryThe Irish Times Glazer InterviewBBC Scarlett Johannson InterviewIndieWire Daniel Landin InterviewBFI Mica Levi InterviewOpen Letters Monthly Glazer InterviewIndieWire Mica Levi InterviewDazed Digital Chris Oddy InterviewCredits:Credits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.This miniseries was programmed with the help of Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the DiscordLearn more at eyeoftheduckpod.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The final episode in our great political films series explores Jonathan Glazer's The Zone of Interest (2023), his haunting take on the home life of the man who ran Auschwitz. This is a film like nothing else. It is not about the banality of evil or the proximity of innocence to horror. Instead it takes us inside a nightmare world from which there is no escape: the grimmest fairy story of them all. Out now: a new bonus episodes on PPF+ exploring the joys of Armando Iannucci's In The Loop, not just one of the smartest films about contemporary politics but also the funniest. Sign up now for £5 per month or £50 for a whole year to get this and all our bonus episodes plus ad-free listening https://www.ppfideas.com/join-ppf-plus Coming next: we begin our new series on The History of Revolutionary Ideas Past Present Future is part of the Airwave Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices
Si el año pasado Jonathan Glazer cambió la mirada sobre el Holocausto con el fuera de campo y la rutina de los verdugos, este año, o más bien este mes, vamos a ver en cines varias obras relacionadas con la experiencia judía. A la espera de 'The Brutalist' con Adrien Brody, ya está en cines una historia mucho más modesta, ambientada en nuestros días. Se titula 'A real pain', una comedia amarga y melancólica con Jesse Eisenberg y Kieran Culkin como turistas de la barbarie nazi. Además, en este episodio repasamos otros estrenos como 'Las vidas de Sing Sing', el debut de Marta Nieto con 'La mitad de Ana' y un drama familiar sobre los efectos del alcoholismo con Emma Suárez y Natalia de Molina. Y, por supuesto, también traemos nueva ración de series.
We are officially one flavor away from completing the Cornetto trilogy! It's Edgar Wright's thrilling and deliciously stupid body snatcher comedy this week, the third in our series to feature Mr. Nick Frost.Coming along for our apocalyptic hometown pub crawl is returning guest, Ethan Warren. Is this the perfect ending to the only film trilogy based on ice cream? Listen to find out.Next week, it's perhaps the strangest film in our UFO series, Jonathan Glazer's UNDER THE SKIN. Join the conversation on Eye of the Discord https://discord.com/invite/RssDc3brsx.References:Special FeaturesCompleting The Golden Mile - The Making of The World's EndThree Flavors Cornetto TrilogyFilling in the Blanks: The Stunts and FX of The World's EndEdgar & Simon's Flip ChartThe Young Folks Wright & Cast InterviewIt Came From Wright InterviewEmpire Production HistoryArt of VFX VFX BreakdownThe Call Sheet Frazer Churchill InterviewIndieWire Wright InterviewDen of Geek Wright InterviewThe Guardian Simon Pegg InterviewWe Are Movie Geeks Steven Price InterviewSteven Price on The World's End ScoreCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.This miniseries was programmed with the help of Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the DiscordLearn more at eyeoftheduckpod.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Hoy recuperamos a Paul Naschy, una figura fundamental del cine fantástico, gracias a la película Call me Paul, dirigida por Víctor Matellano. Hablamos con él, con el actor Jack Taylor y su hijo, el productor Sergio Molina. Antes, el Top cinco de disrupciones fílmicas de 2024 que nos trae Elisa McCausland: La bestia de Bertrand Bonello, tThe Sweet East de Sean Price Williams o La zona de interés de Jonathan Glazer, entre otras.Escuchar audio
This week, Josh and Drusilla are divided on Jonathan Glazer's 2013 film, Under the Skin. From wiki: “Under the Skin is a 2013 science fiction film directed by Jonathan Glazer and written by Glazer and Walter Campbell, based on the 2000 novel by Michel Faber. It stars Scarlett Johansson as an otherworldly woman who preys on men in Scotland. The film premiered at Telluride Film Festival on 29 August 2013. It was released in the United Kingdom on 14 March 2014, and in other territories later in the year.”Also discussed: muppets, Exotica and the careers of Atom Egoyana nd Mia Kirshner, Black Christmas (1974) Silent Night, Deadly Night, Sicko, Luigi Mangione, Christmas Evil, The Man Who Fell to Earth, and more. NEXT WEEK: Return of the Cat PeopleFollow them across the internet:Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/https://bsky.app/profile/joshuaconkel.bsky.social
The crew is joined by recurring guest Mallory Blair to talk Jonathan Glazer's THE ZONE OF INTEREST! Starting off with the worst take of all time on this film, this conversation ranges from the filmmaking techniques within, similar Holocaust films, materialism and other philosophy lessons, the very obvious comparisons to the events unfolding in Gaza, and the evil of the banality. ...enjoy? Join the SHOW ME THE MEANING! LIVESTREAM every Tuesday at 5 PM PST on the Wisecrack 2 channel! https://youtube.com/@wisecrack_2 Follow us on Twitter! @austin_hayden (Austin) @creamatoria (Raymond) and on Letterboxd! @SMTMPod @creamatoria @izbel (Henry) © 2024 Wisecrack / Enthusiast Gaming Learn more about your ad choices. Visit podcastchoices.com/adchoices
This is episode 22 in the second season of The Directors Take Podcast. In this week's episode your hosts Marcus Anthony Thomas and Oz Arshad are joined by Adam Pearson who is an actor and star of the new A24 feature film, A Different Man alongside Sebastian Stan (Captain America: The Winter Soldier), Renate Reinsve (The Worst Person in the World) and is written & directed by Aaron Schimberg. Adam got his first acting break in Jonathan Glazer's Under the Skin starring Scarlett Johansson and he has used his platform to become an award-winning disability rights campaigner, public figure and presenter. This chat covers: -What is acting? -How he ended up working on Under the Skin. -What was his first experience like on a film set? -How did he end up being cast in A Different Man? -What did he learn from his A-List Co-Stars? -How he felt seen by this film's narrative. -How confidence plays a part in acting. -Learning to manage a disability and access in the industry. Our wonderful sponsor for this episode is THE NATIONAL FILM and TELEVISION SCHOOL. We've also partnered with SCRIPTATION to offer our listeners an EXCLUSIVE DISCOUNT on their software, which you can find on the link below… http://scriptation.com/thedirectorstake Nugget of the Week Adam: Four Favourites with Sebastian Stan, Adam Pearson, and Aaron Schimberg (A Different Man) Oz: Nobody wants to buy this Abadoned $10.5million Mansion - Luxury Cars inside!!! Marcus: In Proximity | Jordan Peele and Ryan Coogler on Genre, Fear and Filmmaking Credits Music by Oliver Wegmüller Socials Adam Pearson: Twitter (X) & Instagram The Directors' Take: Twitter (X) & Instagram Marcus: Twitter (X) & Instagram Oz: Twitter (X) & Instagram If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com
It's a 'Joe pick' for the second week of our Gay Icons & Anniversaries theme as the boys discuss Jonathan Glazer's modern classic Birth (2004). Starring Nicole Kidman as a woman grieving her dead husband, Birth was a lightning rod for controversy, but it's so much more than its bathtub scene and reincarnation plot. Plus: why Bright's casting prompted a complete script rewrite, ties to Rosemary's Baby, a superb Anne Heche, and the two minute long take that should have earned Kidman an Oscar nom. This is a gay masterpiece, people! References: > "Revisiting Jonathan Glazer's Birth, 20 years on." Dazed > Stephen Gillespie. Revenants of Memory: An Analysis of Glazer's Birth. The Twin Geeks. > Glenn Whipp. "Nicole Kidman on making ‘Birth' and why she chooses films that aren't a ‘soothing bath.'" LA Times Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote Be sure to support the boys on Patreon! Theme Music: Alexander Nakarada Learn more about your ad choices. Visit megaphone.fm/adchoices
Scarlett Johansson playing a cold, indifferent alien probably wasn't something her fans expected from her. She was an A-lister who was a key figure in all those Marvel movies, but here she was in Under The Skin, the only actor of note in a detached art film. The movie star even gets nude a lot in her role as a succubus who learns how to feel empathy. Jonathan Glazer's strangest film to date is Kubrickian (and Lynchian) in its style and also its themes of gender roles, sexual assault...and even meat-eating. So Under The Skin isn't perfect, but there are shots that really stay with you. Plus, it's interesting...and we mean that in a good way. This 612th podcast on the Have You Ever Seen channel tries to figure out what's going on in Glazer's 3rd motion picture (perhaps unsuccessfully), so tell us if you think we're onto something...or if ou think we're way off. Well, Actually: Gemma Arterton's first name is in fact pronounced with a hard "J" sound, not a soft "G" sound. Assuming YOU are able to eat cake at a diner, why not add some Sparkplug Coffee to your dessert? They give our listeners a 20% discount when our "HYES" promo code is plugged into the right box. The website is "sparkplug.coffee/hyes". Share your own theories about this unique film. Email us (haveyoueverseenpodcast@gmail.com), hit us with some tweets on Twi-X (@moviefiend51 and @bevellisellis...same @ for Bev on Threads) and give us a rating on your podcast app. Review our show too. Oh, and go to @hyesellis in your browser to find our show on YouTube. You can comment all you like, plus you can hit us with a thumbs up. And don't forget to subscribe there and on your app.
For episode 172, Elia Ayoub and Daniel Voskoboynik talk about a very difficult topic: the Holocaust and the Nakba. The ongoing Israeli genocide in Gaza brings up urgent questions about how memory is weaponized. Elia also talks about Jonathan Glazer,'s The Zone of Interest and the haunting parallels between the everyday life of the Nazi family portrayed in that movie, and the normalization of genocidal rhetoric in Israeli politics today. The Fire These Times is a proud member of From The Periphery (FTP) Media Collective. How to Support: on Patreon or on Apple Podcasts. You'll get early access to all podcasts, exclusive audio and video episodes, an invitation to join our monthly hangouts, and more. If you are already subscribed, thank you! Please leave us a review wherever you listen to podcasts, share our episodes, and tell your friends about them. Episode Links: Elia's piece: The Ghosts of Israel's Future, Part 1 Multidirectionary Memory by Michael Rothberg Rachel Auerbuch, Yad Vashem and Israeli Holocaust Memory Unzere Kinder, a film (1946, 1948) Ancestral Future, by Ailton Krenak Trailer of The Zone of Interest Jonathan Glazer calls out Israel's weaponisation of the holocaust Mir Kumen On, a film (1936) The Holocaust and the Nakba: a new Grammar of Trauma and History Raez Zreik: The Palestinian Question as a Jewish Question Check out First video essay on YouTube by Ayman Makarem: Zionism from the Standpoint of Its Victims and subscribe to our channel Transcriptions: Transcriptions will be by Antidotezine and published on The Fire These Times. Pluggables: The Fire These Times has a website From The Periphery has a website and is on Patreon, YouTube, Instagram and Twitter Elia Ayoub is on Mastodon, Instagram, and Bluesky, and he has a newsletter: Hauntologies.net Daniel Voskoboynik is on Instagram, and he has a newsletter: The Ecology of Us Credits: Host(s): Elia Ayoub and Daniel Voskoboynik | Producers: Aydın Yıldız, Elia Ayoub, israa' abdel fattah, Ayman Makarem and/or Leila Al-Shami | Music: Rap and Revenge | TFTT theme design: Wenyi Geng | FTP theme design: Hisham Rifai | Sound editor: Elliott Miskovicz | Team profile pics: Molly Crabapple | Episode design: Elia Ayoub From The Periphery is built by Elia Ayoub, Leila Al-Shami, Ayman Makarem, Dana El Kurd, Karena Avedissian, Daniel Voskoboynik, Anna M, Aydın Yıldız, Ed S, Alice Bonfatti, israa' abdel fattah, with more joining soon! The Fire These Times by Elia Ayoub is licensed under Attribution-NonCommercial-ShareAlike 4.0 International
Mes chers camarades, bien le bonjour !Aujourd'hui on se retrouve pour un nouvel épisode de notre chronique ciné ! Je voulais vous parler cette fois d'un film qui s'appelle La Zone d'intérêt, qui est sorti en 2023, et qui a été réalisé par un certain Jonathan Glazer. On a dedans on a une actrice qui s'appelle Sandra Hüller, qui est connue pour son rôle dans Anatomie d'une chute qui avait fait pas mal de bruit. Mais La Zone d'intérêt, ça parle de quoi ? Eh bien ce film nous parle d'un sujet difficile, puisqu'il nous parle de la Seconde Guerre mondiale, de la Shoah, des camps de la mort, et plus particulièrement du camp de la mort d'Auschwitz. Alors vaut-il le coup d'être vu ? Eh bien pour moi oui, et je vous dis pourquoi !Bonne écoute ! Become a member at https://plus.acast.com/s/notabenemovies. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
“It's quite clear to me that he was trying to recreate the hillside of Haifa with the gardens... It comes from somebody being ripped out from their home.” Syrian Jewish Playwright Oren Safdie, son of world-renowned architect Moshe Safdie, who designed Habitat 67 along with much of modern Jerusalem, knows loss, regret, and longing. Oren and his father explore their Syrian heritage and their connection to the Jewish state that has developed since Moshe's father left Aleppo, Syria and moved, in the mid-20th century, to what is modern-day Israel. Oren also knows that being Jewish is about stepping up. Describing his frustrations with modern anti-Israel sentiments and protests that harken back to 1943, Oren is passionately combating anti-Israel propaganda in theater and academia. Abraham Marcus, Associate Professor Emeritus at University of Texas at Austin, joins the conversation with historical insights into Jewish life in Syria dating back to Roman times. —- Show notes: Sign up to receive podcast updates here. Learn more about the series here. Song credits: Al Fadimem, Bir Demet Yasemen, Fidayda; all by Turku, Nomads of the Silk Road Aleppo Bakkashah Pond5: “Desert Caravans”: Publisher: Pond5 Publishing Beta (BMI), Composer: Tiemur Zarobov (BMI), IPI#1098108837 “Oud Nation”: Publisher: Pond5 Publishing Beta (BMI); Composer: Haygaz Yossoulkanian (BMI), IPI#1001905418 “Arabic (Middle Eastern Music)”: Publisher: Pond5 Publishing Beta (BMI), Composer: Andrei Skliarov, Item ID #152407112 “Fields Of Elysium”; Publisher: Mysterylab Music; Composer: Mott Jordan; ID#79549862 “Middle Eastern Dawn”: Publisher: Victor Romanov, Composer: Victor Romanov; Item ID #202256497 “Ney Flute Melody 01”: Publisher: Ramazan Yuksel; Composer: Ramazan Yuksel; P.R.O. Track: BMI 00712367557 “Uruk”: Publisher: Pond5 Publishing Beta (BMI); Composer: Marcus Bressler; Item ID: 45886699 “Suspense Middle East” Publisher: Victor Romanov, Composer: Victor Romanov; Item ID: 196056047 ___ Episode Transcript: OREN SAFDIE: I've sort of wanted to shine a light on North American Jews being hypercritical of Israel. Because I've spent a lot of time in Israel. And I know what it is. It's not a simple thing. And I think it's very easy for Americans in the comfort of their little brownstones in Brooklyn, and houses in Cambridge to criticize, but these people that live in Israel are really standing the line for them. MANYA BRACHEAR PASHMAN: The world has overlooked an important episode in modern history: the 800,000 Jews who left or were driven from their homes in the Middle East and North Africa in the mid-20th century. Welcome to the second season of The Forgotten Exodus, brought to you by American Jewish Committee. This series explores that pivotal moment in history and the little-known Jewish heritage of Iran and Arab nations. As Jews around the world confront violent antisemitism and Israelis face daily attacks by terrorists on multiple fronts, our second season explores how Jews have lived throughout the region for generations despite hardship, hostility, and hatred, then sought safety and new possibilities in their ancestral homeland. I'm your host, Manya Brachear Pashman. Join us as we explore untold family histories and personal stories of courage, perseverance, and resilience from this transformative and tumultuous period of history for the Jewish people and the Middle East. The world has ignored these voices. We will not. This is The Forgotten Exodus. Today's episode: leaving Aleppo. MANYA: Playwright and screenwriter Oren Safdie has had just about enough of the anti-Israel sentiments on stage and screen. And what irks him the most is when it comes from Jewish artists and celebrities who have never spent time in the Middle East's one and only democracy. Remember film director Jonathan Glazer's speech at the 2024 Academy Awards? JONATHAN GLAZER: Right now, we stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation which has led to conflict for so many innocent people. Whether the victims of October the … [APPLAUSE] MANYA: Yeah, Oren didn't much appreciate his own Jewishness being hijacked in that moment. Drawing a moral equivalence between the Nazi regime and Israel never really sits well with him. OREN: I do feel like they're very selective in their criticism of Israel. You know, it's very easy to say, ‘Oh, well, they didn't do that. They don't do this.' But it's a complicated situation. And to simplify it, is just to me beyond, especially if you're not somebody who has spent a lot of time in Israel. MANYA: Oren Safdie has penned more than two dozen scripts for stages and screens around the world. His latest film, Lunch Hour, starring Alan Cumming, is filming in Minnesota. Meanwhile, The Man Who Saved the Internet with A Sunflower, another script he co-wrote, is on the festival circuit. And his latest play Survival of the Unfit, made its North American debut in the Berkshires this summer, is headed to Broadway. And by the way, since an early age, Oren Safdie has spent quite a bit of time in Israel. His father Moshe Safdie is the legendary architect behind much of modern Jerusalem, Ben-Gurion International Airport, and the Yad Vashem Holocaust History Museum. Oren's grandfather, Leon, emigrated from Syria. OREN: I'm sort of a synthesis of the two main parts that established Israel because my mother came from Poland, escaped the Holocaust. And my father's family came from Syria. So, I'm a half breed. I've never been asked about my Sephardic side, even though that was really the dominant side that I grew up with. Because my mother's family was quite small. I grew up in Montreal, it was much more in the Syrian tradition for holidays, food, everything like that. My grandfather was from Aleppo, Syria, and my grandmother was from Manchester, England, but originally from Aleppo. Her family came to Manchester, but two generations before, had been from Aleppo. So, they're both Halabi Jews. MANYA: Halabi refers to a diverse group of Jews from Aleppo, one of the oldest continuously inhabited cities in the world that has gone by several names. The oldest? Haleb. Halabi Jews include Mizrahi Jews -- the name for Jews who call the Middle East or North Africa home; and Sephardi Jews, who fled to the region after being expelled from Spain in the 15th Century. Jews are believed to have been in what is now Syria since the time of King David and certainly since early Roman times. ABRAHAM MARCUS: It's a community that starts, as far as we can record, in the Greco-Roman period. And we see the arrival of Islam. So the Jews were really the indigenous people when Arabs arrived. MANYA: Abraham Marcus, born to parents from Aleppo, is an internationally renowned authority on the city. He served as director of the Center for Middle Eastern Studies at the University of Texas at Austin. For the past 16 years, he has been working on a book about the history of Aleppo's Jews that goes well beyond what has been previously published. As part of his research, he examined thousands of documents from the Syrian national archive and the Ottoman archive in Istanbul. He also did extensive fieldwork on the ground in Aleppo, documenting the synagogues, cemeteries, residential districts, and workplaces. MARCUS: One of the synagogues, the famous ancient synagogue of Aleppo, which dates to the 5th Century, meaning it predates the arrival of Arabs. It is a remarkable structure. Unfortunately, what is left of it now is really a skeleton. MANYA: Abraham is referring to the Great Synagogue or Central Synagogue of Aleppo, which functioned as the main house of worship for the Syrian Jewish community for more than 1,600 years. For 600 of those years, its catacombs safeguarded a medieval manuscript believed to be the oldest, most complete, most accurate text of the Hebrew Bible, known as the Aleppo Codex. The codex was used by Maimonides as a reference for his magnum opus, the Mishneh Torah, or Jewish religious legal code. In the 7th Century, Aleppo was conquered by Arab Muslims and a Great Mosque was built. For the next four centuries, the Byzantine Empire, Crusaders, and various Muslim rulers fought to gain control of Aleppo and the surrounding region. A savage Mongol invasion, a bout of the Black Death and another invasion took its toll on the city, and its Jews. For most of this time, Muslim rulers treated them as dhimmis, or second-class citizens. MARCUS: There were restrictions on dress, which were renewed time and again. They could not carry arms. They could not ride horses. MANYA: After half of Spain's Jews converted to Christianity following the pogroms of 1391, the Catholic monarchs issued the Alhambra Decree of 1492 – an edict that expelled any remaining Jews from the Iberian Peninsula to ensure their descendants didn't revert back to Judaism. As Jews fled, many made their way to parts of the Ottoman Empire. In 1516, Aleppo became part of that empire and emerged as a strategic trading post at the end of the Silk Road, between the Mediterranean Sea and Mesopotamia, or modern-day Iraq. As was the case in other parts of the Ottoman Empire, Jews lived relatively comfortably, serving as merchants and tax collectors. MARCUS: The policy of the Ottoman Empire was to essentially welcome the Sephardic Jews. The Sultan at the time is reputed to have said, ‘I don't understand the King of Spain. But if he's thinking at all, giving up all this human capital, essentially, we can take it.' Many of the successful Jews in Aleppo and Damascus–in business, as leaders, as rabbis–were Sephardic Jews. They revived these communities, they brought new blood and new energy to them, a new wealth. MANYA: This was not always the case throughout Ottoman Syria as persecution and pogroms erupted at times. By the mid-19th Century, Aleppo's Jewish population was slightly smaller than that of Baghdad, by about 2,000. In 1869, the opening of the Suez Canal shifted trade away from the route through Syria. Aleppo lost much of its commercial edge, motivating many Jews to seek opportunity elsewhere. MARCUS: The story of Aleppo is one of a society gradually hemorrhaging, losing people. They went to Beirut, which was a rising star. And Egypt became very attractive. So they went to Alexandria and Cairo. And many of the rabbis from the 1880s began to move to Jerusalem where there were yeshivot that were being set up. And in effect, over the next several decades, essentially the spiritual center of Aleppo's Jews was Jerusalem and no longer Aleppo. MANYA: Another turning point for Aleppo came in World War I when the Ottoman Empire abandoned its neutral position and sided with the Central Powers–including Bulgaria, Austria-Hungary and Germany. Many wealthy Jews had acquired foreign nationalities from countries that were not allies. Now considered enemy citizens, they were deported and never came back. In addition, Jews and Christians up to that point could pay a special tax to avoid serving in the army. That privilege ended in 1909. MARCUS: Because of the Balkan Wars, there was a sense that the empire is going to collapse if they don't essentially raise a large force to defend it. And there was a kind of flight that really decimated the community by 1918, when the war ended. MANYA: Besides those two wartime exceptions, Abraham says the departure of Jews from Syria was almost always motivated by the promise of better opportunities. In fact, opportunity might have been what drew the Safdie family to and from Aleppo. MANYA: Originally from Safed, as their name suggests, the Safdie family arrived in Aleppo sometime during the 16th or 17th centuries. By that time, the Jewish community in Safed, one of the Four Holy Cities in Judaism located in modern-day Israel, had transformed it into a lucrative textile center. So lucrative that the sultan of the ruling Ottoman Empire ordered the forced deportation of 1,000 Jewish families to Cyprus to boost that island's economy. It's not clear if those deportations or the decline that followed pushed the Safdie family north to Aleppo. Most of them stayed for roughly three centuries–through World War One and France's brief rule during the Interwar period. But in 1936, amid the Great Depression, which affected Syria as well, Leon Safdie, the ninth of ten children born to textile merchants, moved to Haifa and set up his own trading business. Importing textiles, woolens, and cottons from England and fabrics from Japan and India. A year later, he met his wife Rachel who had sailed from Manchester to visit her sister in Jerusalem. She spoke English and a little French. He spoke Arabic and French. They married a month later. OREN: My grandfather lived in Haifa, he was a merchant like many Syrian Jews were. He imported textiles. He freely went between the different countries, you know, there weren't really so many borders. A lot of his people he worked with were Arab, Druze, Christian, Muslim. Before independence, even though there was obviously some tension, being somebody who is a Syrian Jew, who spoke Arabic, who spoke French, he was sort of just one of the region. MANYA: Moshe Safdie was born in 1938. He says the onset of the Second World War created his earliest memories – hosting Australian soldiers in their home for Shabbat and making nightly trips into air raid shelters. Every summer, the family vacationed in the mountain resorts of Lebanon to visit aunts and uncles that had moved from Aleppo to Beirut. Their last visit to Lebanon in the summer of 1947 culminated with all of the aunts, uncles, and cousins piling into three Chrysler limousines and caravanning from Beirut to Aleppo to visit their grandmother and matriarch, Symbol. MOSHE: I remember sort of the fabric of the city. I have vague memories of the Citadel of Aleppo, because it was an imposing structure. I remember her – a very fragile woman, just vaguely. MANYA: While most of Moshe's memories of Aleppo are vague, one memory in particular is quite vivid. At that time, the United Nations General Assembly was debating the partition plan that would divide what was then the British Mandate of Palestine between Jews and Arabs. Tensions ran high throughout the region. When Moshe's uncles noticed Moshe wearing his school uniform on the streets of Aleppo, they panicked. MOSHE: They were terrified. We were walking in the street, and we had khaki shirts and khaki pants. And it had stitched on it, as required in our school, the school badge, and it said, ‘Thou shalt be humble' in Hebrew. And they saw that, or at least they noticed we had that, and they said: ‘No, this is very dangerous!' and they ripped it off.' MANYA: It would be the first and last time Moshe Safdie visited Aleppo. On the 29th of November, the UN voted on a resolution to divide Palestine into two states, one Arab and one Jewish. The news arrived in Aleppo the following morning. MARCUS: This was New York time, in the evening, when the decision was made. So already, people started planning demonstrations for the next day, in support of the Palestinians. And that next day began with what was a peaceful demonstration of students, and then all kinds of people joined in and before long it became an attack on Jewish property. The synagogues were set ablaze. Many Jewish homes were burned, businesses were looted. And so the day ended with the Jews really in a state of fright. MANYA: The mob looted the Jewish quarter and burned the Great Synagogue, scattering and desecrating the pages of the Aleppo Codex. The caretaker of the synagogue and his son later returned to the ashes to salvage as much as they could. But most of the community's leadership took a train to Beirut and never looked back. Of course, as previously mentioned, Aleppo had already witnessed a steep decline in its Jewish population. The numbers vary widely, depending on the source, but by 1947, on the eve of the Jewish exodus from Syria, Iraq, and other Arab countries, Aleppo had anywhere between 6,000 and 15,000 Jews, whereas Baghdad had between 75 and 90,000. MARCUS: More than half the population left within a month. The community after that, in the next two, three weeks, was in a situation in which some people decided that was the end. They took possessions that they could, got on buses and left for Beirut. That was the safe destination to go to. And there was traffic between the two areas. Some people decided to stay. I mean, they had business, they had interest, they had property that they didn't want to leave. You can imagine the kind of dilemmas face people suddenly, the world has changed, and what do I do? Which part of the fork do I go? MANYA: Those who left effectively forfeited their property to the Syrian government. To this day, the only way to reclaim that property and be allowed to sell it is to return and become Syrian citizens. Those who stayed were trapped. Decimated and demoralized, Aleppo's Jews came under severe travel restrictions, unable to travel more than four kilometers from their homes without permission from the government, which tracked their comings and goings. MARCUS: The view was that if they leave, they'll end up in what's called the Zionist entity and provide the soldiers and aid to the enemy. So the idea was to keep them in. So there's a reality there of a community that is now stuck in place. Unable to emigrate. That remained in place until 1970, when things began to relax. It was made possible for you to leave temporarily for a visit. But you have to leave a very large sum as a deposit. The other option was essentially to hire some smugglers to take you to the Turkish or the Lebanese border, and basically deliver you to another country where Jews had already networked. The Mossad had people who helped basically transfer them to Israel. But that was very risky. If you were caught, it's prison time and torture. Over the next 45 years, many of the young left gradually, and many of them left without the parents even knowing. They will say ‘I'm going to the cinema and I'll come back'. MANYA: On May 14, 1948, Israel declared independence. But the socialist politics of the new Jewish state did not sit well with Leon Safdie who much preferred private enterprise. He also felt singled out, as did many Sephardi and Mizrahi Jews in Israel at the time. OREN: In some ways, it almost created some tension for him on several fronts, right? First of all, between him and his clients, who he had been doing business with in the Arab world, for many years. All of a sudden, those relationships are called into question. And as my grandfather was an importer of textiles, it was considered a luxury good. And when you're in wartime, there were rations. The high tariffs really killed my grandfather's business. So, he wanted to stay in Israel. He helped with the war effort. He really loved the country and he knew the people, but really for three years, he sat idle and just did not have work. He was a man that really needed to work, had a lot of pride. MANYA: In 1953, Leon and Rachel sought opportunity once again – this time in Montreal – a move Moshe Safdie would forever resent. When in 1959 he married Oren's mother Nina, an Israeli expat who was trying to return to Israel herself, they both resolved to return to the Jewish state. Life and phenomenal success intervened. While studying architecture at McGill University, Moshe designed a modern urban apartment building [Habitat 67] that incorporated garden terraces and multiple stories. It was built and unveiled during the 1967 World's Fair in Montreal, and Moshe's career took off. OREN: It's quite clear to me that he was trying to recreate the hillside of Haifa with the gardens. And it's something that has sort of preoccupied him for his whole career. It comes from somebody being ripped out from their home. Those kinds of things I think stay with you. MANYA: Eventually, in 1970, Moshe opened a branch of his architecture firm in Jerusalem and established a second home there. Oren recalls visiting every summer – often with his grandfather Leon. OREN: And I remember going with him when he'd come to Israel when I was there, because we used to go pretty much every summer. He would love to go down to Jericho. And we'd sit at the restaurants. I mean, there was a period of time, you know, when it was sort of accepted that Jews could travel to the West Bank, to Ramallah and everything. And he loved to just speak with the merchants and everything, he loved that. He felt so at home in that setting. It was not dangerous, as it is today, obviously. I think everyone back then thought it was a temporary situation. And obviously, the longer it goes, and the more things happen, it feels more permanent. And of course, that's where we are today. But that time, in my head, sort of just is a confirmation that Jews and Arabs have a lot more in common and can get along … if the situation was different. MANYA: As the son of an Israeli citizen, Oren is considered an Israeli citizen too. But he concedes that he is not fully Israeli. That requires more sacrifice. In 1982, at the age of 17, he signed up for Chetz V'Keshet, at that time a 10-week program run in conjunction with the Israel Defense Forces for American and Canadian teens and designed to foster a connection to Israel. The program took place during the First Lebanon War, Israel's operation to remove terrorists from southern Lebanon, where they had been launching attacks against Israeli civilians. OREN: So this was a mix of basic training, where we trained with artillery and things and did a lot of war games. And from there, you know, their hope was that you would join the military for three years. And I did not continue. I guess there's a part of me that regrets that. Even though I'm an Israeli citizen, I can't say I'm Israeli in the way that Israelis are. If the older me would look back, then I would say, ‘If you really want to be connected to Israel, the military is really the only way. I'd say at that young age, I didn't understand that the larger picture of what being Jewish, what being Israeli is, and it's about stepping up. MANYA: Now in his early 50s, Oren tries to step up by confronting the anti-Israel propaganda that's become commonplace in both of his professional worlds: theater and academia. In addition to writing his own scripts and screenplays, he has taught college level playwriting and screenwriting. He knows all too often students fall prey to misinformation and consider anything they see on social media or hear from their friends as an authoritative source. A few years ago, Oren assigned his students the task of writing a script based on real-life experience and research. One of the students drafted a script about bloodthirsty Israelis killing Palestinian children. When Oren asked why he chose that topic and where he got his facts, the student cited his roommate. Oren didn't discourage him from pitching the script to his classmates, but warned him to come prepared to defend it with facts. The student turned in a script on an entirely different topic. OREN: You know, there were a lot of plays that came up in the past 10 years that were anti-Israel. You'd be very hard-pressed to find me one that's positive about Israel. No one's doing them. MANYA: Two of his scripts have come close. In 2017, he staged a play at the St. James Theatre in Old Montreal titled Mr. Goldberg Goes to Tel Aviv– a farce about a gay Jewish author who arrives in Tel Aviv to deliver a blistering attack on the Israeli government to the country's left-leaning literati. But before he even leaves his hotel room, he is kidnapped by a terrorist. Investors lined up to bring it to the silver screen and Alan Cumming signed on to play Mr. Goldberg. But in May 2021, Hamas terrorists launched rockets at Israeli civilians, igniting an 11-day war. The conflict led to a major spike in antisemitism globally. OREN: The money people panicked and said, ‘We can't put up a comedy about the Middle East within this environment. Somebody is going to protest and shut us down,' and they cut out. MANYA: Two years later, an Israeli investor expressed interest in giving the movie a second chance. Then on October 7 [2023], Hamas launched a surprise attack on 20 Israeli communities -- the deadliest attack on the Jewish people since the Holocaust. More than 1,200 Israelis have been killed, thousands of rockets have been fired on Israel, and more than 100 hostages are still in captivity. OREN: Mr. Goldberg Goes to Tel Aviv collapsed after October 7th. I don't think anybody would have the appetite for a comedy about a Hamas assassin taking a left-wing Jew hostage in a hotel room. MANYA: Another play titled “Boycott This” was inspired by Oren's visit to a coffee shop in Oaxaca, Mexico in 2011. The walls of the cafe were plastered with posters urging boycotts of Israel and accusing it of blood libel. Oren and his daughter created their own posters and stood outside the coffee shop calling on customers to boycott the cafe instead. But the father and daughter's impromptu protest is just one of three storylines in the play, including one about the 1943 boycott of Jews in Poland–where his mother spent part of her childhood in hiding during the Holocaust. The third storyline takes place in a post-apocalyptic world where Iran has succeeded in wiping Israel off the map. A Jewish woman has been forced to become one of the enemy's wives – a threat some hostages taken on October 7 have reported hearing from their captors. OREN: It was really my attempt to try and show how the boycotts of Israel today, in light of, you know, 1943, were really not different. MANYA: Even now, Oren has not been able to convince a college or theater to stage “Boycott This,” including the Jewish museum in Los Angeles that hosted his daughter's bat mitzvah on October 7, 2023. OREN: I've sort of wanted to shine a light on North American Jews being hypercritical of Israel, which I guess ties into BDS. Because I've spent a lot of time in Israel. And I know what it is. It's not a simple thing. And I think it's very easy for Americans in the comfort of their little brownstones in Brooklyn, and houses in Cambridge to criticize, but these people that live in Israel are really standing the line for them. MANYA: When Presidents George Bush and Bill Clinton finally secured a legal way for Syrian Jews to leave between 1992 and 1994, most did. The last Jews of Aleppo were evacuated from the city in October 2016. MARCUS: They took all the siddurim and everything, put them in boxes. It was just essentially closing shop for good. They knew they're not coming back. MANYA: The food, liturgy, music, the traditions of hospitality and social welfare endure, but far from the world of which it was part. Walk into any synagogue in the Aleppo tradition after sundown on Shabbat and be treated to a concert until dawn – a custom called baqashot. MANYA: Before Oren's grandmother Rachel passed away, his cousin Rebecca did a piece for Canadian Broadcast News featuring their 95-year-old grandmother in the kitchen. RACHEL SAFDIE: When we were children, we used to love all these dishes. My mother used to make them all the time and it's very, very tasty. Anything made, Middle East food, is very tasty. OREN: It's 10 minutes for me to see my grandmother again, in video, cooking the mehshi kusa, which is sort of the stuffed eggplant with the apricots and the meat. And there's really a great moment in it, because they're doing it together and they put it in the oven, and at the end of this 10-minute movie, they all come out of the oven, and like they're looking at it and they're tasting, and my grandmother points … RACHEL: I know which ones you did. You did this one. CBN INTERVIEWER: How do you know? RACHEL: I know. And this recipe has been handed down from generation to generation. OREN: It's so much like my grandmother because she's sort of a perfectionist, but she did everything without measuring. It was all by feel. The kibbeh, beans and lamb and potatoes and chicken but done in a different way than the Ashkenaz. I don't know how to sort of describe it. The ka'ake, which were like these little pretzels that are, I'd say they have a taste of cumin in them. MARCUS: Stuffed aubergine, stuffed zucchini, tomatoes, with rice, pine nuts and ground beef and so forth. Meatballs with sour cherries during the cherry season. MANYA: Oren would one day like to see where his ancestors lived. But according to Abraham, few Aleppo Jews share that desire. After the Civil War and Siege of Aleppo in 2012 there's little left to see. And even when there was, Aleppo's Jews tended to make a clean break. MARCUS: People did not go back to visit, the second and third generations did not go back. So you see, for example, here Irish people of Irish origin in the United States, they still have families there. And they go, and they take the kids to see what Ireland is like. Italians, they do the same, because they have a kind of sense, this is our origin. And with Aleppo, there wasn't. This is a really unusual situation in terms of migrations of people not going back to the place. And I think that probably will continue that way. MANYA: Syrian Jews are just one of the many Jewish communities who, in the last century, left Arab countries to forge new lives for themselves and future generations. Join us next week as we share another untold story of The Forgotten Exodus. Many thanks to Oren and Moshe for sharing their story. You can read more in Moshe's memoir If Walls Could Speak: My Life in Architecture. Too many times during my reporting, I encountered children and grandchildren who didn't have the answers to my questions because they'd never asked. That's why one of the goals of this project is to encourage you to ask those questions. Find your stories. Atara Lakritz is our producer. T.K. Broderick is our sound engineer. Special thanks to Jon Schweitzer, Nicole Mazur, Sean Savage, and Madeleine Stern, and so many of our colleagues, too many to name really, for making this series possible. You can subscribe to The Forgotten Exodus on Apple Podcasts, Spotify, or wherever you listen to podcasts, and you can learn more at AJC.org/theforgottenexodus. The views and opinions of our guests don't necessarily reflect the positions of AJC. You can reach us at theforgottenexodus@ajc.org. If you've enjoyed this episode, please be sure to spread the word, and hop onto Apple Podcasts or Spotify to rate us and write a review to help more listeners find us.
Welcome To Horror Presents: “The Memoirs of We Have Been Watching”. It's been a little while - but here's one of our regular instalments of “We Have Been Watching”, in which we discuss all our extracurricular viewing. This ep covers “Ghostbusters: Frozen Empire”; Jonathan Glazer's “Under the Skin”; Gareth Tunley's “The Ghoul” (2016); a “Nightmare on Elm Street” double bill of Part 2 “Freddy's Revenge” and Part 3 “Dream Warriors”; an Alfred Hitchcock triple bill of “Rope”; “The Birds” and “Rear Window”; “Nandor Fodor and the Talking Mongoose”; The TV series of “Interview with the Vampire”; 2011 French horror “Livid” (aka “Livide”); and Tigon classic “The Sorcerers”. No need to prep for this ep, but listeners beware, as here be (possible) spoilers and (definite) swearing. Join us!
Nuevo capítulo de Par-Impar dedicado a la película Sexy Beast. Juanma y Dani conversan sobre esta joya de Jonathan Glazer.
SEASON 2 - EPISODE 102 - LUKASZ ZAL - CINEMATOGRAPHER On this episode of the Team Deakins Podcast, we're speaking with cinematographer Lukasz Zal (THE ZONE OF INTEREST, COLD WAR, IDA). Born and raised in Poland, Lukasz yearned to express himself creatively in his youth, but it wasn't until he filmed a communion that he found his creativity was best practiced through cinematography. We also learn how Lukasz took over the role of cinematographer on IDA and how he and director (and fellow Pole) Pawel Pawlikowski worked together. He later reveals the humorous reason the camera finally moves at the end of the film, and we discuss how shooting the film in colour and then converting the footage into black and white affected the final images. Later, Lukasz shares his experiences working on DOVLATOV in St. Petersburg, and we take a moment to appreciate the rich cinematic and artistic traditions of the Russian people. Towards the end, we also discuss the practical challenges of shooting THE ZONE OF INTEREST and how director Jonathan Glazer's idea of “Big Brother in Nazi Germany” informed the ultimate tone of the film. - This episode is sponsored by Aputure
VOICES IN THE EVENING by Natalia Ginzburg (trans. DM Low), chosen by Tessa Hadley THE ZONE OF INTEREST by Martin Amis (trans. Jessica Moore), chosen by Sebastian Faulks EASTBOUND by Maylis de Kerangal, chosen by Harriett GilbertTwo authors pick books they love with Harriett Gilbert.Tessa Hadley (Late In The Day, Free Love, After The Funeral) takes us to post-war Italy with Voices In The Evening by Natalia Ginzburg. The drama, suffering and fascism are in the past, but traumas surface in the day-to-day, with first loves and lost chances.Sebastian Faulks (Birdsong, Human Traces, The Seventh Son) chooses The Zone of Interest by Martin Amis, after watching the hit film by Jonathan Glazer and wanting to read the book it was inspired by. The haunting novel follows a Nazi officer who has become enamoured with the Auschwitz camp commandant's wife, and goes inside the minds of the commandant, who lives with his family right next to the concentration camp.Harriett Gilbert brings Eastbound by Maylis de Kerangal, a gripping novella set on the Trans-Siberian Railway, with a chance encounter between a desperate Russian conscript and a French woman.Produced by Eliza Lomas for BBC Audio Bristol Join the conversation on Instagram @bbcagoodread
On Zone of Interest and Holocaust film. [Patreon Exclusive] We discuss the winner of the Oscar for Best International Feature Film – one that split opinion, among critics and on the pod too! How does the film fit in the pantheon of Holocaust films? Is it a Holocaust film? How well does it deal with its obvious subject matter: the banality of evil? Is the film neutral and detached or preachy, condescending, moralising? What to make of the commentary around the film, including director Jonathan Glazer's statements? How does it relate to Israel/Palestine? What to make of present-day Auschwitz? Should it be preserved? Link: The Zone of Interest is an extreme form of 'Holokitsch', Richard Brody, New Yorker Is The Zone of Interest simply uninteresting? Toby Marshall, Substack The Zone of Interest is about the danger of ignoring atrocities – including in Gaza, Naomi Klein, The Guardian The Zone of Interest Reminds Us How Easy It Is to Ignore a Genocide on Your Doorstep, Juliet Jacques, Novara The Banality of Evil is No Longer Banal, Maren Thom, Café americain One-star review of Zone of Interest
For this month's first Britainology, we examine an unambiguously good (and strange) British crime film: Jonathan Glazer's 2000 debut SEXY BEAST. Why is the film so atmospheric and detached? Why is Ben Kingsley so good at being an ultra-geezer? Is the plot saying definitively that Ian McShane had to let James Fox top him in order to learn about a bank vault? All this, and more. Get the whole episode on Patreon here: https://www.patreon.com/posts/britainology-83-104846435 EDINBURGH LIVE SHOW ALERT: We're going to be live at Monkey Barrel comedy at the Edinburgh Fringe on August 14, and you can get tickets here: https://www.wegottickets.com/event/621432 *STREAM ALERT* Check out our Twitch stream, which airs 9-11 pm UK time every Monday and Thursday, at the following link: https://www.twitch.tv/trashfuturepodcast *WEB DESIGN ALERT* Tom Allen is a friend of the show (and the designer behind our website). If you need web design help, reach out to him here: https://www.tomallen.media/ Trashfuture are: Riley (@raaleh), Milo (@Milo_Edwards), Hussein (@HKesvani), Nate (@inthesedeserts), and November (@postoctobrist)
Ralph welcomes Columbia University Professor Jeffrey Sachs to discuss what's motivating anti-Palestinian extremism in Israel, how the U.S. has been complicit in Israel's theft of Palestinian territory and genocide against the Palestinian people, and what the United Nations can do to help achieve a lasting peace. Plus, we share Ralph's recent column: "Israeli Leaders' Objective All Along Has Been the Expulsion of Occupied Palestinians and Seizure of Their Remaining Land."Jeffrrey Sachs is the Director of the Center for Sustainable Development at Columbia University, where he holds the rank of University Professor (the university's highest academic rank) and he served as Director of the Earth Institute at Columbia University from 2002 to 2016. Mr. Sachs has also served in numerous positions at the United Nations, including as President of the UN Sustainable Development Solutions Network.The reason that diplomacy is not happening is perfectly obvious. Which is that the core of this government does not want diplomacy, even if it were to deliver security. Their aim is not security through diplomacy. Their aim is “Greater Israel.”Jeffrey SachsI have lived through…watching the U.S. government abandon so many projects, from Southeast Asia through the Americas—these have been terrible projects often—but the U.S. loses interest, it moves on. And Israel needs to actually live in its neighborhood if it's going to survive. And counting on military might to do that is a profound mistake. It's eating away at its own fundamental capacity to act as a society—the idea that you can stand alone in the world community and have no one support you. This is a huge mistake. So I've tried to say to my counterparts in Israel…that this path is not only wrong and immoral, but doomed to fail as well.Jeffrey SachsThe Palestinians have one of the highest literacy rates—97 % — in the world. Under dire conditions, they have accomplished farmers, physicians, scientists, engineers, poets, musicians, novelists, artists, and a deep entrepreneurial tradition carried on by the Palestinian diaspora around the world. It is no accident that Israeli bombers directly target Palestinian cultural and educational institutions in their recurrent assaults on Gaza. Israeli militarists have to degrade all Palestinians… to expel them from their ancestral lands.Ralph NaderIn Case You Haven't Heard with Francesco DeSantisNews 4/10/241. An unsettling story in Business Insider recounts how the Israeli military uses an AI system – chillingly called “Where's Daddy?” – to track Hamas militants to their homes. As one IDF officer put it, “We[‘re] not interested in killing [Hamas] operatives only when they…[are] engaged in a military activity…On the contrary, the IDF bomb[s] them in homes without hesitation, as a first option. It's much easier to bomb a family's home.” This policy of bombing family homes “as a first option” is a major factor in why so many Palestinian families have lost unimaginable numbers of relatives in Israeli strikes. IDF officers added “human input in the target identification process…[is] essentially [to] ‘rubber stamp' the machine's picks after little more than ‘20 seconds' of consideration — which was largely to double-check the target is male.”2. As we know from the recent polling on the issue, only 22.5% of Democrats now support military aid to Israel, while 83% want a permanent ceasefire. More surprising is that only 41% of Republicans want the U.S. to send military aid to Israel, and 58% want a permanent ceasefire. This poll is now joined by a similar poll from the United Kingdom, showing 56% of the British public – including 74% of Labour Party voters – support their government refusing to sell more weapons to Israel, with only 17% in support of continuing such sales. Pressing on this issue, progressive members of Congress Mark Pocan and Jan Schakowsky have penned a letter to President Biden and Secretary of State Blinken “strongly urg[ing them]…to reconsider [their] recent decision to authorize the transfer of a new arms package to Israel and to withhold this and any future offensive arms transfers until a full investigation into the [World Central Kitchen] airstrike is completed…to continue withholding these transfers until those responsible are held accountable [under U.S. or international law and]…to withhold these transfers if Israel fails to sufficiently mitigate harm to innocent civilians in Gaza, including aid workers, and if it fails to facilitate – or arbitrarily denies or restricts – the transport and delivery of humanitarian aid into Gaza.” This letter was signed by 37 additional Democratic members of Congress – mostly the typical progressives, though with one extremely notable addition: Nancy Pelosi, signifying how mainstream this position has become.3. In yet another sign of the shifting political winds, Delaware Senator Chris Coons – a consummate moderate and perhaps President Biden's closest ally in the Senate – has come out in favor of conditioning military aid to Israel, Axios reports. Coons added “I've never said that before, I've never been here before.”4. Yet even as the Democratic Party shifts., Biden has continued his blind support for Israel – resulting in continued success for the “Uncommitted” electoral protest movement. In Wisconsin, the “uninstructed delegation” option won nearly 50,000 votes statewide – over 8% of the vote – and over 30% of votes in the precincts representing the University of Wisconsin-Madison. And it hasn't stopped with Wisconsin. In Connecticut, “uncommitted” won over 11%; in New York, blank ballots accounted for 12%; and in Rhode Island, “uncommitted” won a whopping 14.5% of primary voters statewide. John Nichols at the Nation tabulates that as of now, over half a million Democratic primary voters have given Biden a clear message: “Save Gaza!”5. The controversy surrounding Oscar-winning Zone of Interest Director Jonathan Glazer's acceptance speech continues to drag on. This week, over 150 major Jewish creatives signed an open letter supporting Glazer, per Variety. These signatories include many household names, such as Joaquin Phoenix, Elliott Gould, Joel Coen, David Cross, Amy Berg, Boots Reilly, Hari Nef, Ilana Glzazer, Wallace Shawn, and many, many more. This letter states “We are Jewish artists, filmmakers, writers and creative professionals who support Jonathan Glazer's statement from the 2024 Oscars. We were alarmed to see some of our colleagues in the industry mischaracterize and denounce his remarks…Their attacks on Glazer are a dangerous distraction from Israel's escalating military campaign which has already killed over 32,000 Palestinians in Gaza and brought hundreds of thousands to the brink of starvation. We grieve for all those who have been killed in Palestine and Israel over too many decades...We honor the Holocaust by saying: Never again for anyone.”6. In some positive news, the National Labor Relations Board reports union election petitions are up 35% in the first half of Fiscal Year 2024, with unfair labor practice charges up 7%. The NLRB is quick to note that this increased caseload coincides with a long-term funding crunch that has seen their offices shrink by 50% over the past 20 years. NLRB General Counsel Jennifer Abruzzo writes “Congress needs to fully fund the NLRB to effectively and efficiently comply with our Congressional mandate when providing quality service to the public in conducting hearings and elections, investigating charges, settling and litigating meritorious cases, and obtaining full and prompt remedies for workers whose rights are violated.”7. In Ecuador, a diplomatic crisis is unfolding with Mexico after Ecuadorian forces stormed the Mexican embassy to arrest former Ecuadorian Vice President Jorge Glas, who had sought – and been granted – asylum at the Mexican embassy. Mexican President Andres Manuel Lopez Obrador, or AMLO, decried this as a “flagrant violation of international law and the sovereignty of Mexico.” CNN reports this provocation prompted AMLO to suspend diplomatic relations with Ecuador and pursue a case against Ecuador at the International Court of Justice. For its part, the U.S. State Department issued a statement saying “The United States condemns any violation of the Vienna Convention on Diplomatic Relations, and takes very seriously the obligation of host countries under international law to respect the inviolability of diplomatic missions.”8. NBC4 Washington is out with a blockbuster report on gun running within the D.C. Metro police department. Put simply, “For at least seven months in 2020 and 2021, the D.C. area's largest police department was…the only place D.C. residents could legally get a handgun.” Incredible as that may seem, that much was already public knowledge. Now, federal documents have been uncovered showing that a remarkable number of these guns ended up at crime scenes. In fact, “So many guns [were] recovered at crime scenes, in such a brief period, that the Bureau of Alcohol, Tobacco, Firearms and Explosives placed D.C. police into a program designed to give extra scrutiny to dealers with higher levels of so-called crime guns.” In other words, D.C. cops, far from getting guns off the street, were in fact releasing so many guns on to the street that federal firearms regulators had to step in. So much for police improving safety.9. According to CNBC, “Brazilian Supreme Court Justice Alexandre de Moraes initiated an investigation into tech magnate Elon Musk on Sunday…concern[ing] possible obstruction of justice by Musk, who said over the weekend that he would defy the court's orders to restrict or suspend some popular accounts on its platform.” This comes as part of a larger investigation into “so-called digital militias, a term applied to people accused of spreading misinformation online to attack democratic institutions in Brazil.” While the list of accounts flagged by the Brazilian government is not public, Wired reports this list includes “the fugitive far-right influencer Allan dos Santos, a supporter of president Jair Bolsonaro. (Dos Santos fled the country in 2020 to avoid investigation for disseminating disinformation.)… [and] right-wing YouTuber Bruno Aiub, known as Monark, who has over 1 million followers on X and has argued that Brazil should recognize the Nazi party, and Brazilian billionaire and Bolsonaro-supporter Luciano Hang.”10. Finally, you might have heard that Amazon is shutting down the “Just Walk Out” technology at its grocery stores. This technology supposedly relied on an entirely automated system of cameras and sensors to track what people picked up at the stores and charge that to their Amazon accounts. Yet, Gizmodo reports “Though it seemed completely automated, Just Walk Out relied on more than 1,000 people in India watching and labeling videos to ensure accurate checkouts. The cashiers were simply moved off-site, and they watched you as you shopped.” This genre of story has become all too common – companies trumpeting ‘automation' when in fact all they're doing is outsourcing with extra steps. Just another reminder to remain skeptical of claims by big corporations. Often flashy new tech is just a smokescreen for regular old labor exploitation.This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe
Not a lot of lawyers can say that they helped create a whole new legal field, but William Shernoff can. On this week's episode, Ralph welcomes trailblazing attorney William Shernoff to discuss predatory insurance practices, and how consumers can protect themselves. This special episode was co-presented by The American Museum of Tort Law, and was recorded in front of a live virtual audience.William Shernoff is the founding partner of Shernoff Bidart Echeverria, a law firm specializing in insurance bad faith litigation. A longtime consumer advocate, he has made a career of representing insurance consumers in their cases against insurance companies. Often called the “father” of bad faith insurance law, in 1979, Mr. Shernoff persuaded the California Supreme Court to establish new case law that permits plaintiffs to sue insurance companies for bad faith seeking both compensatory and punitive damages when they unreasonably handle a policyholder's claim (Egan v. Mutual of Omaha).A frequent lecturer and writer, Mr. Shernoff co-authored the legal textbook, Insurance Bad Faith Litigation, which has become the field's definitive treatise, as well as How to Make Insurance Companies Pay Your Claims . . . . And What To Do If They Don't, Fight Back and Win – And How To Make Your HMO Pay Up, and Payment Refused. Under bad faith law in California and in most states, you not only could get the benefits you deserve under the insurance policy—whether it be life insurance or disability insurance or health insurance. But you can also get damages over and above the policy limits, which are emotional distress damages…Not only can you get the emotional distress damages, but any aggravation of your medical condition. And then punitive damages are on top of that. And attorney's fees are on top of that. So all of these damages are coming from insurance bad faith if the insurance bad faith law applies. And punitive damages are designed to punish the insurance company so that they correct their wrongful conduct in the future, and deter them from unfair claims practices. William ShernoffMost people, if they get a letter from an insurance company—which they consider to be an authoritative source— and the insurance company says, “Your claim is denied because…” and then they cite all kinds of fine print in the insurance policy, most people accept that and don't do anything. They don't see a lawyer. They just accept what their insurance company told them because it sounded quite official to them.William ShernoffInsurance regulation is state-controlled. The federal government has been blocked for decades and the Congress has imposed itself on the federal Federal Trade Commission and said that they can't even investigate the insurance companies without being allowed to by a committee in the House or the Senate that has jurisdiction over such matters. So the privileges of the insurance lobby are quite extraordinary even by comparison with other corporate lobbies.Ralph Nader More people should know about bad-faith cases rights—and use them. And not take whatever is dealt to them by insurance companies—denials, rescission of insurance policies, refusing to renew, other delays, or other crazy obstructions. Learn about your rights.Ralph Nader In Case You Haven't Heard with Francesco DeSantisNews 3/27/241. CNN reports the United Nations Security Council has passed a Gaza ceasefire resolution. The resolution itself is imperfect, calling only for a ceasefire during the month of Ramadan, but this watered down language paved the way for the United States to allow the resolution to pass. The U.S. has vetoed every previous ceasefire resolution before the Security Council and disputes the extent to which this resolution is legally binding. For its part, Israel's Foreign Minister stated unequivocally that Israel “will not cease fire,” per CNN.2. Following the passage of the Security Council resolution, Prime Minister Netanyahu canceled a planned high-level Israeli delegation visit to Washington, per CNBC. The planned visit, which would have included an address to Congress, was staring down scathing criticism from Congressional Progressives. Axios reports Representative Rashida Tlaib, the only Palestinian member of Congress and the most outspoken on the Israeli campaign of terror, said “[Netanyahu] shouldn't come to Congress, he should be sent to the Hague.”3. In another sign of the rift between the Biden Administration and Netanyahu, Haaretz reports that Congressional Democrats are sending formal warnings to the administration stating that Israel is not in compliance with U.S. laws governing the dispensation of military aid. Joaquin Castro, a Democrat from Texas, said “Congress and [the] White House need to make clear to Israel that we will enforce US law to protect Palestinian children from starvation in Gaza.”4. Professor Jana Silverman, co-chair of the Democratic Socialists of America International Committee, reports “After a totally last-minute, ad-hoc, no-budget campaign, 13.2% of voters in the Democrats Abroad primary said no to genocide in Gaza and voted Uncommitted!” This impressive performance signals that the Uncommitted electoral protest movement isn't going anywhere. The next major test for the movement will be Pennsylvania, where Uncommitted PA is aiming for at least 40,000 votes in the state's April primary, per Lancaster Online.5. In an open letter, over 100 prominent American Jews condemned AIPAC. The letter reads “We are Jewish Americans who have…come together to highlight and oppose the unprecedented and damaging role of AIPAC…in U.S. elections, especially within Democratic Party primaries. We recognize the purpose of AIPAC's interventions in electoral politics is to defeat any critics of Israeli Government policy and to support candidates who vow unwavering loyalty to Israel, thereby ensuring the United States' continuing support for all that Israel does, regardless of its violence and illegality.” Signatories include the Ralph Nader Radio Hour's own Alan Minsky, celebrated academic Judith Butler, Postal Workers Union president Mark Dimondstein, Ben Cohen of Ben & Jerry's, and the actor Wallace Shawn among many others. The full letter is available at USJewsOpposingAipac.org.6. Oscar winning director Jonathan Glazer continues to be the target of phony outrage by pro-Israel groups like the Anti-Defamation League. Coming to the defense of the filmmaker however are other prominent Jewish organizations, like Jewish Voice for Peace and the Auschwitz Memorial, whose director said “In his Oscar acceptance speech, Jonathan Glazer issued a universal moral warning against dehumanization,” per the Guardian. Decorated Jewish playwright Tony Kushner, a signatory on the anti-AIPAC letter, told Haaretz “There's been a concerted attempt by right wing American Jews to sort of sell the idea that American college campuses are awash with virulent antisemites – professors and students and so on. And the Jewish students are walking these campuses in terror for their lives. I think this is nonsense. I see no evidence of it.”7. Both the Gannett and McClatchy newspaper companies have announced they will no longer use AP journalism in their publications, AP reports. This is yet another indication of the dire financial straits the news business finds itself in. The AP notes “Gannett's workforce shrank 47% between 2020 and 2023 because of layoffs and attrition…The company also hasn't earned a full-year profit since 2018… Since then, it has lost $1.03 billion.”8. In Honduras, the Intercept reports “an almost-impossible-to-believe scenario: A group of libertarian investors teamed up with a former Honduran government — which was tied at the hip with narco-traffickers and came to power after a U.S.-backed military coup — in order to implement the world's most radical libertarian policy, which turned over significant portions of the country to those investors through so-called special economic zones. The Honduran public, in a backlash, ousted the narco-backed regime, and the new government repealed the libertarian legislation. The crypto investors are now using the World Bank to force Honduras to honor the narco-government's policies.” While this story has certain unique angles – crypto and narco-trafficking chief among them – the key element is actually quite familiar: international ‘free trade' regimes superseding sovereign governments. We offer Honduras solidarity against these contemporary crypto-filibusters.9. On March 11th, Congressmen Jimmy Gomez and Joaquin Castro sent a letter to the heads of the CIA and FBI demanding disclosures of surveillance efforts on Latino civil rights leaders during the 1960s and ‘70s, citing the well-documented pattern of surveillance on Black civil rights leaders during that period and the wealth of circumstantial evidence indicating that these organs of national security did the same toward prominent Latino figures such as Cesar Chavez. The following day, in a hearing before the House Permanent Select Committee on Intelligence, Rep. Castro pressed CIA Director Bill Burns on the matter, and Burns committed to working with his office to bring these activities to light. We hope that further transparency will beget further transparency and that some day the complete account of the CIA and FBI's domestic surveillance programs will be a matter of public record.10. Finally, in Mississippi, CBS reports that authorities have successfully convicted all six members of a police gang calling themselves the “Goon Squad.” These six white officers plead guilty to “breaking into a home without a warrant and torturing two Black men…The assault involved beatings, the repeated use of stun guns and assaults with a sex toy before one of the victims was shot in the mouth in a mock execution.” Lawyers representing the criminal cops allege that “their clients became ensnared in a culture of corruption that was not only permitted, but encouraged by leaders within the sheriff's office.” If true, then a federal investigation – and likely more than a few exonerations of individuals victimized by this “Goon Squad” – are in order. Justice demands it.This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe
Hi. On today's episode, Katy, Cody, and Jonathan talk about Elon Musk's interview with Don Lemon, the continuing freakout over Jonathan Glazer's Oscar speech, and the specifics of Trump's comments where he referenced a "bloodbath" if he doesn't win in November. 0:00 - Intro and Holidays07:40 - Lady Ballers14:19 - Don Lemon interviews Elon Musk41:58 - More Jonathan Glazer Backlash53:06 - Trump's "Bloodbath" Comments Fuel up fast with Factor's restaurant-quality meals that are ready to heat and eat whenever you are. Head to https://factormeals.com/morenews50 and use code MORENEWS50 to get 50% off. Check out our MERCH STORE: https://shop.somemorenews.com SUBSCRIBE to SOME MORE NEWS: https://tinyurl.com/ybfx89rh Subscribe to the Even More News and SMN audio podcasts here: Apple Podcasts: https://podcasts.apple.com/us/podcast/some-more-news/id1364825229 Spotify: https://open.spotify.com/show/6ebqegozpFt9hY2WJ7TDiA
Jared Kushner says Gaza's ""waterfront property could be very valuable."" Over 450 Jewish creatives and professionals denounce Jonathan Glazer's ""The Zone of Interest"" Oscars speech in an open letter. Kathy Hochul defends flawed bail reform that has led to the same small group of people terrorizing New Yorkers on subways, and her decision to deploy the National Guard to frisk subway riders." HOST: Ana Kasparian (@anakasparian), Cenk Uygur (@cenkuygur) SUBSCRIBE on YOUTUBE: ☞ https://www.youtube.com/user/theyoungturks FACEBOOK: ☞ https://www.facebook.com/theyoungturks TWITTER: ☞ https://www.twitter.com/theyoungturks INSTAGRAM: ☞ https://www.instagram.com/theyoungturks TIKTOK: ☞ https://www.tiktok.com/@theyoungturks
Wednesday briefing: Texas immigration law; Ohio Senate primary results; government shutdown talks; Jonathan Glazer letter; and moreRead today's briefing.
-Rob chooses the First Amendment over Ketanji Brown Jackson. -Democrats and Google work together to choose your candidate Joe Biden. -More on Leticia James and Alvin Bragg lawfare attempts. -Today on the Newsmax hotline: President of Convention of States Mark Meckler joins Rob to discuss the latest headlines and the Convention of States movement. -Jonathan Glazer's Oscars speech denounced by hundreds of Jewish stars and creators. The Rob Carson Show on Newsmax Radio is sponsored by The Wellness Company. Rest assured knowing that you have emergency antibiotics, antivirals and anti-parasitics on hand to help keep you and your family safe! Go to http://twc.health/Carson and use promo code CARSON to save 10% on your emergency medical kit! Today's podcast is sponsored by: CSN Mint silver coins. Go to http://csnmint.com/Newsmax and use promo code NEWSMAX for a free silver eagle coin with your order. To call in and speak with Rob Carson live on the show, dial 1-800-922-6680 between the hours of 12 Noon and 3:00 pm Eastern Time Monday through Friday…E-mail Rob Carson at : RobCarsonShow@gmail.com Musical parodies provided by Jim Gossett (www.patreon.com/JimGossettComedy) Listen to Newsmax LIVE and see our entire podcast lineup at http://Newsmax.com/Listen Make the switch to NEWSMAX today! Get your 15 day free trial of NEWSMAX+ at http://NewsmaxPlus.com Looking for NEWSMAX caps, tees, mugs & more? Check out the Newsmax merchandise shop at : http://nws.mx/shop Follow NEWSMAX on Social Media: • Facebook: http://nws.mx/FB • Twitter: http://nws.mx/twitter • Instagram: http://nws.mx/IG • YouTube: https://youtube.com/NewsmaxTV • Threads: http://threads.net/@NEWSMAX • Telegram: http://t.me/newsmax • TRUTH Social: https://truthsocial.com/@NEWSMAX • GETTR: https://gettr.com/user/newsmax Learn more about your ad choices. Visit megaphone.fm/adchoices
Ralph is joined by Tim Judson from the Nuclear Information and Resource Service (N.I.R.S.) to discuss the growing support for nuclear power in Congress, and the persistent myths that fuel nuclear advocates' false hopes for a nuclear future. Then, Ralph pays tribute to Boeing whistleblower John Barnett, who died unexpectedly this week in the middle of giving his deposition for a whistleblower retaliation lawsuit against Boeing. Plus, Ralph answers some of your audience feedback from last week's interview with Barbara McQuade. Tim Judson is Executive Director of the Nuclear Information and Resource Service (N.I.R.S.). Mr. Judson leads N.I.R.S.' work on nuclear reactor and climate change issues, and has written a series of reports on nuclear bailouts and sustainable energy. He is Chair of the Board of Citizens Awareness Network, one of the lead organizations in the successful campaign to close the Vermont Yankee reactor, and co-founder of Alliance for a Green Economy in New York.Listeners should know that this very complex system called the nuclear fuel cycle—that starts with uranium mines out west piling up radioactive tailings, which have exposed people downwind to radioactive hazards…And then they have to enrich the uranium—and that is often done by burning coal, which pollutes the air and contributes to climate disruption. And then they have to fabricate the fuel rods and build the nuclear plants. And then they have to make sure that these nuclear plants are secure against sabotage. And then you have the problem of transporting—by trucks or rail—radioactive waste to some depositories that don't exist. And they have to go through towns, cities, and villages. And what is all this for? It's to boil water. Ralph NaderIn 2021 and 2022, when the big infrastructure bills— the bipartisan infrastructure bill and the Inflation Reduction Act—were being passed by Congress, the utility industry spent $192 million on federal lobbying in those two years. That's more than the oil industry spent in those two years on lobbying. These are the utility companies that are present in every community around the country. And their business is actually less in selling electricity and natural gas, and more in lobbying state and federal governments to get their rates approved…The utility industry (and the nuclear industry as a subset of that) have been lobbying Congress relentlessly for years to protect what they've got.Tim JudsonFusion is one of these technologies that's always been 30 years away. Whenever there's an announcement about an advancement in fusion research, it's still “going to be 30 years before we get a reactor going.” Now there's a lot more hype, and these tech investors are putting money into fusion with the promise that they're going to have a reactor online in a few years. But there's no track record to suggest that that's going to happen. It keeps the dream of nuclear alive— “We could have infinite amounts of clean energy for the future.” It sounds too good to be true. It's always proven to be too good to be true.Tim JudsonOne of the lines that they're using to promote theAtomic Energy Advancement Act and all of these investments in nuclear… is that we can't let Russia and China be the ones that are expanding nuclear energy worldwide. It's got to be the US that does it.Tim JudsonIn Case You Haven't Heard with Francesco DeSantisNews 3/12/241. The United Nations Relief and Works Agency, or UNRWA, has released a report claiming that “employees released into Gaza from Israeli detention [were] pressured by Israeli authorities into falsely stating that the agency has Hamas links and that staff took part in the October 7 attacks,” per the Times of Israel. These supposed admissions of guilt led to the United States and many European countries cutting off or delaying aid to the agency. The unpublished report alleges that UNRWA staffers were “detained by the Israeli army, and…experienced…severe physical beatings, waterboarding, and threats of harm to family members.” The report goes on to say “In addition to the alleged abuse endured by UNRWA staff members, Palestinian detainees more broadly described allegations of abuse, including beatings, humiliation, threats, dog attacks, sexual violence, and deaths of detainees denied medical treatment.”2. Continuing the genocidal assault on Gaza, Israel has been bombing the densely populated city of Rafah in the South. Domestically, this seems to be too far for even Biden's closest allies, with the AP reporting just before the assault that “[Senator Chris] Coons…of Delaware, called for the U.S. to cut military aid to Israel if Netanyahu goes ahead with a threatened offensive on the southern city of Rafah without significant provisions to protect the more than 1 million civilians sheltering there. [And Senator] Jack Reed, head of the Senate Armed Services Committee, appealed to Biden to deploy the U.S. Navy to get humanitarian aid to Gaza. Biden ally Sen. Tim Kaine challenged the U.S. strikes on the Houthis as unlikely to stop the Red Sea attacks. And the most senior Democrat in the Senate [Patty Murray of Washington] called for Israel to ‘change course.'” Hewing to these voices within his party, President Biden declared that an invasion of Rafah would be a “red line.” Yet POLTICO reports that Israeli PM Netanyahu “says he intends to press ahead with an invasion.” POLTICO now reports that Biden is threatening to condition military aid to Israel in response to Netanyahu's defiance, but it remains to be seen whether the president will follow through on this threat.3. POLITICO also reports that CIA Director Bill Burns is calling for a ceasefire in Gaza, saying “The reality is that there are children who are starving…They're malnourished as a result of the fact that humanitarian assistance can't get to them. It's very difficult to distribute humanitarian assistance effectively unless you have a ceasefire.” This is obviously correct, and illustrates how out of touch the Democratic Party is that they are getting outflanked on peace issues by the literal director of the CIA.4. Whether unwilling – or unable – to change course on Gaza, President Biden is paying the electoral price. In last week's Super Tuesday primaries, the Nation reports “Uncommitted” won 19 percent of the vote and 11 delegates in Minnesota, 29 percent and seven delegates in Hawaii, and 12.7 percent in North Carolina. This week, the New York Times reports Uncommitted took 7.5% – nearly 50,000 votes – in Washington State. Biden also lost the caucus in American Samoa, making him the first incumbent president since Carter to lose a nominating contest, per Newsweek.5. In yet another manifestation of opposition to the genocide in Gaza, Jewish director Jonathan Glazer used his Oscar acceptance speech to “[denounce] the bloodshed in the Middle East and [ask] the audience to consider how it could ‘resist…dehumanization,'” per NBC. Glazer's award winning film “The Zone of Interest” examines how “[a] Nazi commandant…and his family…attempt to build an idyllic life right outside the walls of the Auschwitz concentration camp in Poland during the Holocaust.” Glazer said “All our choices were made to reflect and confront us in the present — not to say, 'Look what we did then,' rather, 'Look what we do now.' Our film shows where dehumanization leads at its worst…Right now, we stand here as men who refute their Jewishness and the Holocaust being hijacked by an occupation, which has led to conflict for so many people." Glazer was the most forthright in his criticism of the Israeli campaign, but NBC notes “Billie Eilish, Mark Ruffalo and Ramy Youssef wore red pins on the Oscars red carpet symbolizing calls for a cease-fire.”6. Aware that they are losing the public relations battle, pro-Israel lobbying groups like the UJA-Federation and the Jewish Community Relations Council have enlisted Right-wing messaging guru Frank Luntz to help with their Hasbara PR, the Grayzone reports. Leaked talking points from his presentation run the gamut from playing up unsubstantiated claims of systematic sexual violence committed by Hamas to acknowledging that “'The most potent' tactic in mobilizing opposition to Israel's assault…‘is the visual destruction of Gaza and the human toll'… [because] ‘It ‘looks like a genocide'.”7. Turning from Palestine to East Palestine, Ohio Cleveland.com reports that during a recent Senate Commerce, Science, and Transportation Committee hearing, National Transportation Safety Board Chair Jennifer L. Homendy told Ohio's junior Senator JD Vance that “The deliberate burn of rail cars carrying hazardous chemicals after last year's crash…wasn't needed to avoid an explosion because the rail cars were cooling off before they were set on fire.” In a statement, Ohio's senior Senator, progressive Democrat Sherrod Brown, called the testimony “outrageous,” and said “This explosion – which devastated so many – was unnecessary…The people of East Palestine are still living with the consequences of this toxic burn. This is more proof that Norfolk Southern put profits over safety & cannot be trusted.”8. In positive labor news, Bloomberg reports that “About 600 video game testers at Microsoft…'s Activision Blizzard studios have unionized, more than doubling the size of labor's foothold at the software giant, according to the Communications Workers of America.” This brings the unionized workforce at Microsoft to approximately 1,000. To the company's credit, Microsoft has been friendly towards unionization, a marked difference from other technology companies – namely Amazon and Tesla – which have gone to extreme lengths to prevent worker organizing.9. In not so positive labor news, Matt Bruenig's NLRB Edge reports “The ACLU Is Trying to Destroy the Biden NLRB.” In a narrow sense, this story is about the ACLU fighting its workers to preserve its internal mandatory arbitration process. More broadly however, Bruenig illustrates how the ACLU is seeking to oust Biden's NLRB General Counsel Jennifer Abruzzo – arguing her appointment was unconstitutional – which “could potentially invalidate everything the Biden Board has done.” This is yet another example of the non-profit industrial complex run amok, doing damage to progressive values and opting to possibly inflict economic harm on workers nationwide rather than treat their own workers fairly.10. Finally, according to the Corporate Crime Reporter, “Boeing whistleblower John Barnett was found dead in his truck at a hotel in Charleston, South Carolina after a break in depositions in a whistleblower retaliation lawsuit.” Barnett's lawyer Brian Knowles told the paper “They found him in his truck dead from an ‘alleged' self-inflicted gunshot.” Barnett had gone on record saying “[Boeing] started pressuring us to not document defects, to work outside the procedures, to allow defective material to be installed without being corrected. They started bypassing procedures and not maintaining configurement control of airplanes, not maintaining control of non conforming parts – they just wanted to get the planes pushed out the door and make the cash register ring.” The timing and circumstances of Barnett's death raise disturbing questions; we hope an exhaustive investigation turns up some answers.This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe
Another shocker of a week for the Conservatives which saw their biggest donor caught up in a race row, and their former Deputy Chairman defect to Reform UK. Beth Rigby, Political Editor at Sky News, tells Nish and Coco that the Tories don't want to give back the £10 million they received from Frank Hester last year, despite the racist language he's alleged to have used about the MP Diane Abbott. Beth also reveals what happened at the surprisingly tetchy press conference held by Reform to unveil Lee Anderson as their party's first ever MP in the Commons.Beth tells Nish and Coco why she's obsessed with THAT Royal Mother's Day picture, they discuss Princess Catherine's questionable photoshop skills, conspiracy theories and what it all means for the Royal Family. Nish's hero of the week is film director Jonathan Glazer, while Coco isn't happy with Times columnist Matthew Parris. Plus hear about Beth's Arsenal bantz with Keir Starmer, Coco's visit to the dentist…and more badger chat!Pod Save the UK is a Reduced Listening production for Crooked Media. Contact us via email: PSUK@reducedlistening.co.ukWhatsApp: 07514 644 572 (UK) or + 44 7514 644 572Insta: https://instagram.com/podsavetheukTwitter: https://twitter.com/podsavetheukTikTok: https://www.tiktok.com/@podsavetheukFacebook: https://facebook.com/podsavetheukYouTube: https://www.youtube.com/podsavetheworld Guest:Beth Rigby, Political Editor, Presenter and Podcaster, Sky News Audio credits:Sky NewsSBS/7 Network/Academy of Motion Picture Arts and Sciences Useful links:https://podcasts.apple.com/gb/podcast/electoral-dysfunction/id1613562765https://www.tortoisemedia.com/listen/who-trolled-amber/
Eli Lake joins today’s podcast to discuss the world’s now-most-prominent “AsAJew,” the writer-director Jonathan Glazer, who “refuted” his “Jewishness” on the Oscar podcast on Sunday night. What did he mean? And what does what he said reveal about the nature of progressive Jewry and the fact they elevate their own self-infatuated politics over the safety […]
This week on The Treatment, Elvis sits down with comedian, actress, and now director Chelsea Peretti to discuss her feature directorial debut — First Time Female Director (available to stream on Roku). Next, Hollywood legend Billy Dee Williams dishes from his new memoir What Have We Here? And for The Treat, Oscar nominated director Jonathan Glazer tells us about a “searing” documentary short.
The Oscar-nominated film The Zone of Interest is one of the most acclaimed and talked about films of 2024. Directed by Jonathan Glazer and loosely based on a novel of the same name by Martin Amis, The Zone of Interest focuses on the life of Rudolf Höss and his family during the Second World War, when he was commandant of the Auschwitz concentration camp. In today's episode, Professor Richard J Evans, one of the world's leading experts on Nazi Germany, speaks to Rob Attar about the real story of Rudolf Höss. He also offers his thoughts on the film and recounts his experience of working with Martin Amis on the original book. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices
On this week's show, Extreme Friends of the Pod and co-authors of The World Only Spins Forward, Isaac Butler and Dan Kois, fill in for Dana Stevens and Julia Turner. The hosts begin by dissecting The Zone of Interest, filmmaker Jonathan Glazer's audacious movie about the Holocaust that's told through the lens of Nazi commandant Rudolf Höss and his wife Hedwig as they live their somewhat ordinary lives in a compound outside of Auschwitz. The film has garnered both praise and severe critique from critics, many of whom are split on Glazer's detached aesthetic and imaginative approach to depicting genocide. The Zone of Interest has racked up five Oscar nominations, including Best Picture and Best Director. Then, the three dive into Nyad, the (maybe?) true story of marathon swimmer Diana Nyad, as she attempts to swim unassisted from Cuba to Florida. Annette Bening stars in the titular role alongside Jodie Foster, both of whom are up for Oscars (Best Actress and Best Supporting Actress, respectively). Finally, what is a good director, anyway? What does it look like, what does it mean, and is there a difference between producing, screenwriting, and directing – or is it some strange amalgamation of all three? These questions come from a listener, Emily, and the panel attempts to answer them. In the exclusive Slate Plus segment, the panel discusses their film preferences while airborne, inspired by David Mack's essay for Slate, “What Makes a Perfect ‘Plane Movie'?” Email us at culturefest@slate.com. Outro music: "Pull Me Out" by Mike Stringer. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this week's episode, Andrea and Terrell Starr from the Black Diplomats Podcast and Substack discuss Jonathan Glazer's chilling Holocaust drama, The Zone of Interest. They break down the gender politics of the "Queen of Auschwitz," past and present. They also fact check Donald Trump's latest fascist campaign video aimed at energizing authoritarian voters, and share actions to take to build a better world. Later this week, watch out for a short episode where Andrea and Terrell discuss the disinformation campaign against Fani Willis. This far-right hit job, orchestrated by Trump and his goon squad, aims to undermine her airtight case in Georgia. For more on the investigations and prosecutions of the Traitor-in-Chief, join Gaslit Nation for a special live taping on Monday, February 12, at 12 pm ET, featuring Tristan Snell—the prosecutor who led New York State's case against Trump and Trump University, and the author of the new book Taking Down Trump: 12 Rules for Prosecuting Donald Trump by Someone Who Did It Successfully. An event link will be sent to our Patreon community at the Truth-teller level or higher on the day of the event. To join us, sign up at Patreon.com/Gaslit! This week's bonus episode for our supporters at the Truth-teller level and higher on Patreon will be Part I of the Gaslit Nation Social Media Workshop, designed for those who hate social media and miss the old Twitter. Organizer Rachel Brody, who works with various campaigns to help get out the vote and leading brands, joins us to share the landscape of social media today and how to leverage the power of your voice in a world that needs you. Our regular Q&As will return in February, so be sure to send in your questions! Thank you to everyone who supports the show – we could not make Gaslit Nation without you! Show Notes: Black Diplomats Substack: https://terrellstarr.substack.com/ Black Diplomats Podcast: https://www.blackdiplomats.net/ Song of the Month: 'I Don't Wanna Be Dismembered' by th'sheridans. You can find more of th'sheridans' music on all streaming platforms and on Bandcamp at thsheridans.bandcamp.com/ Submit Your Song!: https://docs.google.com/forms/d/1-d_DWNnDQFYUMXueYcX5ZVsA5t2RN09N8PYUQQ8koq0/edit?ts=5fee07f6&gxids=7628 Opening Clip: https://twitter.com/VABVOX/status/1750013520333168971 TED Talk: “Your Creative Superpowers Can Help Protect Democracy” by Sofia Ongele https://www.youtube.com/watch?v=LPW5Zx3ntZo Check out Tristan Snell's new book Taking Down Trump: 12 Rules for Prosecuting Donald Trump by Someone Who Did It Successfully https://bookshop.org/p/books/taking-down-trump-12-rules-for-prosecuting-donald-trump-by-someone-who-did-it-successfully-tristan-snell/20845381?ean=9781685891251 Trump ordered to pay additional $83.3 million to E. Jean Carroll in defamation case https://www.pbs.org/newshour/nation/trump-must-pay-additional-83-million-to-e-jean-carroll-in-defamation-case-jury-decides Psychologist of the Nazi mind: As the "Nuremberg psychologist," Gustave Gilbert had unfettered access to Hitler's leading henchmen. https://www.apa.org/monitor/2016/05/nazi-mind Trump's Latest Fascist Campaign Video: https://twitter.com/ZaleskiLuke/status/1750371080357675420?t=xagoPov-ccYKR2gKy2WAjg&s=19 E. Jean Carroll Case: Judge Kaplan, to jurors: "My advice to you is that you never disclose that you were on this jury." https://twitter.com/eorden/status/1750998393910919556?t=T5hJpIv9kVS6_dVLkXjTYQ&s=19 Movie Trailer: Jonathan Glazer's The Zone of Interest https://www.youtube.com/watch?v=r-vfg3KkV54
Sean and Amanda open the mailbag to answer lingering questions about the Oscar nominations, including the growing fervor around Margot Robbie and Greta Gerwig's failure to be nominated for ‘Barbie,' why ‘The Iron Claw' received no nominations, which film could surprise at the awards, and more (1:00). Then, Sean gives a quick recap of what he saw at the Sundance Film Festival (1:13:00) before they finally do a full deep dive into Jonathan Glazer's ‘The Zone of Interest' (1:22:00). Hosts: Sean Fennessey and Amanda Dobbins Senior Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices
In The Zone of Interest, a German couple and their family live a bucolic life, but over the garden wall lies the Auschwitz concentration camp. The father is one of the chief architects of the Holocaust, and over the course of the film, he and his wife attempt to preserve their compartmentalized lives. But the horrors taking place outside refuse to be held at bay. Directed by Jonathan Glazer, the film is favored to pick up a best picture nomination at the Oscars.
Sean and Amanda are joined by Joanna Robinson to react to ‘Wonka'—what works, what doesn't work, musicals in the 2020s, and whether a movie can subvert its early reputation as a meme (1:00). Then, Sean is joined by Jonathan Glazer and Johnnie Burn, the director and sound designer, respectively, of ‘The Zone of Interest' (1:12:00). They discuss recreation in film, interpretive sound design, their other collaborations, and more. Hosts: Sean Fennessey and Amanda Dobbins Guests: Jonathan Glazer, Johnnie Burn, and Joanna Robinson Senior Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices
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