Podcasts about French New Wave

A bucket list guest, director Fritz Kiersch, returns with the second half of our conversation that covers his move from the commercial world to the New World (ahem) of features starting with 1984's CHILDREN OF THE CORN and continuing with 1985's TUFF TURF as Fritz continued to deliver success after success for New World Pictures.  And because the movies Fritz directed were so well received, he was one of the few directors to get a three picture deal, which would eventually end with 1989's UNDER THE BOARDWALK (and, in our eyes, should have included 1987's WINNERS TAKE ALL). We put CHILDREN OF THE CORN and TUFF TURF under the microscope and talk about the production of each, including casting, script changes, building a soundtrack, French New Wave, and what happened to the Cornmobile! As you will recall from the first part of our conversation with Fritz, he is as quick-witted and sharp as ever, so you don't want to miss this look back at two classic New World films. Again, we cannot thank Fritz enough for sitting down with us for such an extended discussion of his career! Don't miss it!   For more about the New World Pictures Podcast, including previous episodes, t-shirts, mugs, sweatshirts, other merch and more, we DARE YOU to head here: https://newworldpicturespodcast.com/For all the shows in Someone's Favorite Productions Podcast Network, head here:  https://www.someonesfavoriteproductions.com/ 

“Martin Scorsese called Agnès Varda one of the ‘gods of cinema.' Why?”**As we celebrate the **birth anniversary and enduring legacy of Agnès Varda**, we are revisiting one of our favourite conversations on *The Artists Podcast* with acclaimed film critic and biographer **Carrie Rickey**, author of *A Complicated Passion: The Life and Work of Agnès Varda*.Beyond the awards and the French New Wave, we explore what made Varda's way of seeing so original—and why her work continues to inspire generations of filmmakers, including Martin Scorsese.This clip is from **EP 151**, and I'm delighted that the **full watch episode is now dropping on YouTube & Spotify**.

Show notes  As always there are spoilers ahead! You can follow the podcast on social media on Threads, Instagram and Bluesky. If you would like to be a patron of the podcast and feel like nobility funding the podcasting arts, I would like to encourage such sentiments! You can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm If you are interested in the plot of the film you can read an overview on the wikipedia page here.  In 1953 writer Ray Bradbury released his magnum opus Fahrenheit 451. It quickly became a widely acclaimed cautionary tale about the dangers of censorship, authoritarianism and the effects of mass media on human ideas and connection.  One of the most prominent science fiction books it is easy to understand why François Truffaut, one of the French New Wave's most prominent directors, became utterly focused on making the story into a film.  The process had its challenges with producers, funding and a casting changes causing delays. The film was finally wrapped up and released in 1966 to both positive and negative reviews. It is an interesting watch if not a gripping one and my two expert guests unravel the ins and outs of how it came to be.  Ian Scott is a Professor of American Film and History at The University of Manchester. He has written extensively about politics and film in Hollywood including the book American Politics in Hollywood Film. Phil Nichols is a visiting lecturer at the University of Wolverhampton and a researcher with a special interest in Ray Bradbury. He is Senior Consultant to the Ray Bradbury Centre at Indiana University and editor of The New Ray Bradbury Review. He is also the man behind the Bradbury 100 podcast and the Science Fiction 101 podcas Chapters 00:00 Introduction 01:32 Fahrenheit 451: a sci-fi heavyweight 04:36 Truffaut and the book 11:03 Suburban scifi in the mid century 13:33 Politics of the story 15:07 Truffaut's perspective 20:01 Julie Christie's double role 26:50 Searching for Montag 34:29 Burning with her books 39:12 Bernard Herrmann's score 40:40 The 2018 remake 49:56 Bradbury's stage play 51:37 Recommendations     Recommendations: Never Let Me Go (2010) The Wild Child (1970)   NEXT EPISODE! Next episode we will be discussing Fantastic Voyage from 1966! The film is annoyingly a little tricky to find online but can be rented easily on mainstream platforms in some countries. You can check the Just Watch website to see where it is available in your region.          

Matt and Jordan see if Netflix’s massive rom-com hit People We Meet on Vacation (starring "generational talent" Emily Bader) lives up to its 50-million-stream hype. Does the film successfully invert the When Harry Met Sally formula, or is it just a beautiful travelogue hampered by a "charisma vacuum"? Later, Jordan recommends an under-seen 2023 indie mafia drama, and Matt invites us to fall in love with a 1963 French New Wave short. Plus, a pair of listener-requested recommendations inspired by 1975's The Taking of Pelham One Two Three. Finally, Producer Sam challenges Jordan’s 3-0 winning streak in a high-stakes game of "Full Service." (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:03:45) People We Meet On Vacation (00:03:46-00:27:02) Rec Seg! (00:27:03-00:47:50) Personalized Recommendations Inspired By 1974's The Taking Of Pelham One Two Three (00:47:51-01:03:14) Game: Full Service (01:03:15-01:20:51) New to Streaming / Credits (01:20:52-01:33:48) Notes: Now Streaming on Bazooga - A Filmspotting: SVU Archive ⁠⁠https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠⁠ Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" comes to bookstores everywhere in October. Pre-Order now! ⁠⁠https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠⁠ Feedback: -Email us at feedback@filmspottingSVU.com⁠⁠ Follow: ⁠⁠https://www.instagram.com/superpulse/⁠⁠ ⁠⁠https://www.facebook.com/FilmspottingSvu⁠⁠ ⁠⁠https://letterboxd.com/superpulse/⁠⁠ ⁠⁠https://letterboxd.com/jhoffman6/⁠⁠ ⁠⁠https://bsky.app/profile/mattsinger.bsky.social⁠⁠See omnystudio.com/listener for privacy information.

Let’s get crazy about ‘90s-era B-movies, exploitation films, and French New Wave director Jean-Luc Godard’s theory that to make a great movie, “all you need is a girl and a gun.” Zeth is looking back at Tamra Davis’ 1992 neo noir ‘Guncrazy’ starring Drew Barrymore and James Le Gros. Plus we make a mixtape inspired by the movie including songs by PJ Harvey, Steely Dan, Sloan, and more. Become an All Access member and get ad-free listening by visiting disgracelandpod.com.See omnystudio.com/listener for privacy information.

Love stories just have a different energy...In theatres this coming Friday is a quiet charm of a love story that is just grounded enough to actually feel real.  It's time for 'Erupcja'.In a film that evokes memories of the French New Wave, 'Erupcja' is the story of the combustible chemistry between a Polish florist and a British tourist in this charming postcard of sapphic synchronicity.There's a minimalist yet still joyful vibe to 'Erupcja' as it takes us into one of those moments of emotional eruption that can happen in all of our lives.  It's a gorgeous piece of cinema starring the enigmatic Charlie XCX in perhaps her most genuine performance in a film to date.We had the pleasure of sitting down with co-writer/director Pete Ohs about the origins of the story, developing this story with Charlie, the nature of his filmmaking, shooting on a tight schedule, having collaborators willing to go on a quick creative journey with him (he prides himself in short shooting schedules) and the art of being willing to try something just a little different.Check your local listings this coming Friday Apr 24th for 'Erupcja'

T Lo take a deep dive into director Richard Linklater's slavish love letter to the French New Wave, "Nouvelle Vague," about the making of Jean-Luc Godard's "Breathless" in 1959. After unpacking the homages and references, as well as the importance of Godard's boundary-shattering work, they settle on a single question: Is it even possible to pay homage to an act of reckless artistry by meticulously recreating it? 

In which the Mister and Kid 1 join me in reviewing CLEO FROM 5 TO 7 (1962) from writer/director Agnès Varda.In Agnès Varda's 1962 French New Wave classic, a striking pop singer named Cléo (Corinne Marchand) spends ninety minutes wandering through the sun-drenched streets of Paris while anxiously awaiting a medical diagnosis that could confirm a terminal illness.  As she moves from a state of superstitious dread and superficial vanity to a more profound observation of the world around her, she gradually sheds her "performer" persona in favor of a raw and grounded human experience.  Her journey of self-reflection culminates in a chance encounter with a kind soldier on the eve of his departure for war, offering her a rare moment of genuine connection amidst her existential crisis.  The film clocks in at 1 h and 30 m, is unrated and you can find it on HBO Max and to buy/rent on Prime Video. Please note there are SPOILERS in this review.#CleoFrom5To7 #AgnésVarda #CorinneMarchand #Cléo #AntoineBourseiller #Antoine #DominiqueDavray #Angèle #DorothéeBlanck #Dorothée ##MichelLegrand #Bob #JoséLuisDeVilallonga #José #LoyePayen #Irma #French #Drama #PsychologicalDrama #WomensHistoryMonth  @HBOMax  @PrimeVideo  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

ONE PIECE Staffel 2 ist da! Wie gut die Realverfilmung des beliebten Anime um Ruffy und seine Crew ist, das besprechen wir mit Anime-Experten Antonio. Obwohl er lieber hinter der Kamera sitzt, hat Antonio sich bereit erklärt für den heutigen Podcast die Segel zu hissen und gemeinsam mit Jonas in die Welt von ONE PIECE einzutauchen. Kann die Netflix-Adaption mit dem Original mithalten? Außerdem besprechen Jonas, Xenia und Alper die goßen News um das kommende HERR-DER-RINGE Spin-Off, THE HUNT FOR GOLLUM, und nerden zum Start von NOUVELLE VAGUE über die einflussreiche Filmbewegung der French New Wave ab. Warum der neue Richard-Linklater-Film eben kein Film für versnobbte Filmstudis, sondern vielleicht einer der besten des Jahres, ist, erfahrt ihr in dieser neuen Podcastfolge. Weitere Kinostarts, wie GOOD LUCK, HAVE FUN, DON'T DIE und THE TESTAMENT OF ANN LEE, und wie wir sie fanden, warten ebenfalls auf euch hier im Podcast bei CINEMA STRIKES BACK! Viel Spaß. :)

As always there are spoilers ahead! (And the podcast is much more fun if you've seen the film first.) You can follow the podcast on social media on Threads, Instagram and Bluesky.  If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm  Jean-Luc Godard is potentially the most prominent of the French New Wave directors. In the mid-60s his mind turned to science fiction and the result was a visually striking, choatic film about a dystopian world in which logic rules and love is punished. If you find the film confusing you are not alone and I have two brilliant academic brains to help us out. Roger Luckhurst is a Professor at Birkbeck, University of London. He has written/edited numerous articles and books on cultural history and film. Douglas Morrey is an associate professor of French at the University of Warwick. He has a special interest in the French new Wave on which he has written extensively, including the 2005 book Jean-Luc Godard. CORRECTION: In the podcast I mention Roger citing Alphaville having an image from Chris Marker's La Jetée but the image is actually Marker's photograph which is in the credit sequence but doesn not feature in La Jetée. The book of poetry in the film Capitale de la douleur (Capital of Pain) is written by Paul Elouard. Chapters: 00:00 Intro 01:40 French New Wave in 1965 03:38 Godard's influences for Alphaville 11:31 Eddie Constantine: The illogical Noir hero 16:43 Lemmy Caution and fascism  18:05 Alienation and confusion 25:52 Godard's technique and budgets 30:07 Sound design 32:30 The swimming pool execution scene 39:26 Love, poetry and Godard's divorce 47:00 Godard and women 49:30 Legacy 53:57 Recommendations   Recommendations: • The Trial written by Franz Kafka and made into a film by Orson Wells released in 1962. • Weekend (1967) by Godard.   NEXT EPISODE! Next episode we will be talking about Planet of the Vampires, the low budget 1965 dubbed delight by Mario Bava. The film is campy (and for me quite hilarious) as well as being famed for inspiring Alien (1979). (Perhaps a little overstated in this regard?) You can find the film to rent on Amazon, Apple, Flixfling and may find it on free platforms with ads in your region. You can check the JustWatch website for more details.   

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 159 Sam is joined by filmmaker Richard Linklater, director of Before Sunrise, Before Sunset, School of Rock, and Blue Moon. His new movie, Nouvelle Vague, follows the shooting of Godard's Breathless [À Bout De Souffle].  Richard has chosen Breathless [À Bout De Souffle] (90 mins). Directed by Jean-Luc Godard and released in 1960, the classic French New Wave drama stars Jean-Paul Belmondo and Jean Seberg.  Sam and Richard discuss shooting his new film Nouvelle Vague on the same locations as Breathless, why the runtime of Breathless was revolutionary, and how Richard rarely makes films over two hours long.  Thank you for downloading. We'll be back in a couple of weeks! If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  Rate and review on Apple Podcasts and Spotify.  Show your support for the podcast and help us stay truly independent by leaving us a tip at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Blue Sky:  @90minfilmfest.bsky.social Instagram: @90MinFilmFest Hosted and produced by Sam Clements. Edited and produced by Louise Owen. Guest star Richard Linklater. Additional editing and sound mixing by @lukemakestweets. Music by Martin Austwick. Artwork by Sam Gilbey.  We are a proud member of the Stripped Media Network.

As usual there are spoilers ahead!  You can follow the podcast on social media on Threads, Instagram and Bluesky.  If you would like to be a patron of the podcast you can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm This episode we track the birth of one of the longest running franchises. Dr Who was first broadcast in 1963 and with the help of some exterminating aliens a film was produced just a couple of years later. I speak to my wonderful Whovian guests about the origins, the hallmarks and the 1960s context of the infamous Doctor including the colourful and shiny 1960s feature films.  Paul Booth is a professor of Media and Pop Culture with a special interest in fandoms on which he has written extensively. He is co-editor of the book Adventures Across Space and Time: A Doctor Who Reader.  Lee Arnott is the co-host if the Problematic Gaze podcast. He is a social historian who is currently researching the the social history of Britain since the 1960s through the lens of Doctor Who. Although Australian composer Ron Gainer wrote the music for Dr Who it was Delia Derbyshire at the BBC Radiophonic Workshop who produced the theme.  You can see the Delia Derbyshire clip I mention on YouTube here: https://www.youtube.com/watch?v=qsRuhCflRyg Chapters: 00:00 Introduction 01:41The BBC origins of the series 04:45 The first episode, changes and differences on the big screen 09:40 The Daleks and Dalekmania 13:20 WW2, Nazis and nuclear fears 19:37 More Daleks 23:33 The Doctor 27:33 What is canon 29:21 The Companions 35:13 The Tardis 38:05 Design 42:02 (The best ever) theme tune 45:46 Legacy 49:22 Success and favourite doctors 53:04 Recommendations Recommendations:  Lee recommended The War Game (1965) and Paul recommended the book Dr. Who & The Daleks: The Official Story of the Films by John Walsh.     NEXT EPISODE! Next episode we will be discussing the 1965 French New Wave science fiction film Alphaville by Jean-Luc Godard. It is easy to rent on main streaming platforms as well as other places in the US including Mubi and Kanopy. To find the film in your region you can visit the Just Watch website.

On today's episode, Bryan Cebulski joins Josiah to discuss François Truffaut's Antoine Dionel saga--a series of five semi-autobiographical films following Truffaut's life from troubled child, to horny young man, to horny married man, and finally to horny divorced man. Are these films self-critiques or self-justifications? Does Truffaut know what a real job is? Is Truffaut the more talented Kevin Smith? All this and more on today's episode.Follow Bryan on Letterboxd @bryanonion and Bluesky @bryanonion.bsky.socialBuy Bryan's novel, It Helps With the Blues, here: https://traumbooks.com/ithelpswiththeblues/Check out Bryan's blog here: https://bryancebulski.wordpress.com/Become a Fruitless Patron here: https://www.patreon.com/user?u=11922141Check out Fruitless on YouTubeFind more of Josiah's work: https://linktr.ee/josiahwsuttonFollow Josiah on Twitter @josiahwsuttonReferenceThe 400 Blows (1959, dir. François Truffaut)Antoine and Colette (1962, dir. François Truffaut)Stolen Kisses (1968, dir. François Truffaut)Bed and Board (1970, dir. François Truffaut)Love on the Run (1979, dir. François Truffaut)Music & Audio creditsGénérique/Les Quatre Cents Coups - Jean ConstantinYesterday – bloom.L'amour En Fuite - Alain Souchon ★ Support this podcast on Patreon ★

Nouvelle Vague is a 2025 comedy drama film directed by Richard Linklater. Starring Guillaume Marbeck as Jean-Luc Godard, Zoey Deutch as Jean Seberg, and Aubry Dullin as Jean-Paul Belmondo, it follows the shooting of Breathless (1960), one of the first feature films of the French New Wave of cinema.Nouvelle Vague had its premiere at the 2025 Cannes Film Festival on 17 May 2025. It was theatrically released in France by ARP Sélection on 8 October and received a limited theatrical release in the United States on 31 October, before streaming on Netflix on 14 November.Among its accolades, the film received ten nominations at the 51st César Awards, including Best Film and Best Director, alongside a nomination for Best Motion Picture – Musical or Comedy at the 83rd Golden Globe Awards, while Deutch was nominated for Best Supporting Performance at the 41st Independent Spirit Awards. Hosted on Acast. See acast.com/privacy for more information.

This week's episode of the Empire Podcast sees Chris Hewitt sit down with Bradley Cooper and Will Arnett, director, co-writers, and stars of the new dramedy, Is This Thing On?, which takes inspiration from the real-life story of British comedian, John Bishop. It's an in-depth chat that we bring to you in full (although we did cut out a bit where someone poured a glass of water. Sorry to all you water completists out there), and it's well worth your time. It starts at 55:50 approx and runs until 1:20:14 approx. Either side of that, Chris is joined in the podbooth by Helen O'Hara, James Dyer, and Alex Godfrey for a fun episode in which they discuss the movie moments guaranteed to make them cry no matter how many times they've seen them; run their eyes over what passes for movie news (it was quite a slow week); review Is This Thing On?, action-comedy The Wrecking Crew, Jason Statham's Shelter, mad monkey movie Primate; and Richard Linklater's love letter to the French New Wave, Nouvelle Vague. Oh, and we make good on last week's promise, and bring you James, Helen, and Chris tackling their specialist subjects in a round that pays homage to classic BBC quiz show, Mastermind. It's pure chaos. Thanks to Magneto Magnetosson, for stepping in at short notice to host. Enjoy.

On Truth & Movies this week, we discuss Bradley Cooper's stand-up comedy drama Is This Thing On. We then take a look at Richard Linklater's French New Wave homage Nouvelle Vague, and finally, for film club, we revisit Éric Rohmer's My Night at Maud's.Joining host Leila Latif are David Jenkins and Laura Venning.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comBlueSky and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

This is our NEW RELEASE review podcast, ONE HOT TAKE.What makes Nouvelle Vague special is Linklater's confidence in the hang. He understands that revolutions don't look revolutionary while they're happening. They look like people standing around, arguing about ideas, borrowing gear, shooting on streets they don't own, and trusting that something will cohere later.Synopsis:The behind the scenes of the filming of Jean-Luc Godard's Breathless (1960), a landmark of the French New Wave film movement.Stu Coote:The co-host of the (retired) Sinner Files movie podcast is the chief instigator behind our cinematic deep-dive brand.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues    Laura Truffaut: The Films of her father, Francois Truffaut (1932-1984) Laura Truffaut, daughter of the great French New Wave film-maker Francois Truffaut (1932-1984) in conversation with host Richard Wolinsky, discussing her father's films and her memories of his film shoots. Berkeley Art Museum & Pacifc Film Archive is presenting a retrospective of nine films of Francois Truffaut, beginning with his first film, “The 400 Blows” and continuing to his final film, “Confidentially Yours,” from January 17 to February 28th, all introduced by Laura Truffaut. Francois Truffaut began his career as a critic for the influential French film magazine, “Cahiers du Cinema”, but within four years, following his article in the publication discussing his auteur theory of film criticism, he moved on to his first film, “The 400 Blows,” which blew everyone away at the Cannes Film Festival. Twenty-one films followed, until his untimely death from a brain tumor at the age of 52. Along the way he made several masterpieces, including Jules et Jim, Day for Night, Small Change, The Wild Child, and The Soft Skin, to name a handful which will be at BAMPFA.   The post Bookwaves/Artwaves – January 15, 2026: Laura Truffaut: The Films of Francois Truffaut appeared first on KPFA.

Laura Truffaut, daughter of the great French New Wave film-maker Francois Truffaut (1932-1984) in conversation with host Richard Wolinsky, discussing her father's films and her memories of his film shoots. Berkeley Art Museum & Pacifc Film Archive is presenting a retrospective of nine films of Francois Truffaut, beginning with his first film, “The 400 Blows” and continuing to his final film, “Confidentially Yours,” from January 17 to February 28th, all introduced by Laura Truffaut. Francois Truffaut began his career as a critic for the influential French film magazine, “Cahiers du Cinema”, but within four years, following his article in the publication discussing his auteur theory of film criticism, he moved on to his first film, “The 400 Blows,” which blew everyone away at the Cannes Film Festival. Twenty-one films followed, until his untimely death from a brain tumor at the age of 52. Along the way he made several masterpieces, including Jules et Jim, Day for Night, Small Change, The Wild Child, and The Soft Skin, to name a handful which will be at BAMPFA.   The post Laura Truffaut: The Films of Francois Truffaut (1932-1984) appeared first on KPFA.

On this episode of Remainders we begin our French New Wave double feature with Richard Linklater's film Nouvelle Vague. A love letter to the new wave movement, Linklater shows us the importance of the film era while also expressing how it influenced his own art and his unique style of realism and hangout vibes. Featuring both an endless supply of cigarettes and quotes on the importance of art in life, Nouvelle lets you live the French New Wave.  Other topics include a James Bond Marathon, AI and art, visiting Chicago and the Music Box, and remembering Scissors bassist and friend Jason Lollar.Songs of the WeekBack to School by The ScissorsDenise by Fountains of WayneWebsiteFacebookInstagramYouTubeTwitter

Josh is joined by Richard Linklater Correspondent Josh Brown for a double feature of the writer/director's 2025 releases. First, they talk about "Nouvelle Vague" (Beginning-36:11) and how it captured early 1960s Paris, its depiction of various stalwarts of the French New Wave including Jean-Luc Godard, if it was insightful enough as to the behind-the-scenes making of "Breathless" to make the entire enterprise worth it and much more! Then, they discuss "Blue Moon" and how it did in capturing the complicated feelings lyricist Lorenz Hart was feeling on the night his old partner Richard Rogers's musical "Oklahoma!" premiered, whether the film was successful in convincing the audience that Ethan Hawke was actually diminutive and bald in having him portray Hart, the supporting performances from the likes of Andrew Scott, Bobby Cannavale and Margaret Qualley and much more!

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 154 Sam is joined by musician Roddy Woomble. Lead vocalist in indie rock band Idlewild, their self-titled tenth studio album is out now.  Roddy has chosen Harold and Maude (90 mins). Directed by Hal Ashby, the 1971 film stars Ruth Gordon and Bud Cort, with a soundtrack by Cat Stevens.  Sam and Roddy discuss discovering Harold and Maude at a pivotal time in his life, the influence of French New Wave films on his song writing, and the importance of re-watching movies.  Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  You can also show your support for the podcast by leaving us a tip at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Blue Sky:  @90minfilmfest.bsky.social Instagram: @90MinFilmFest We are a proud member of the Stripped Media Network. Hosted and produced by Sam Clements. Edited and produced by Louise Owen. Guest star Roddy Woomble. Additional editing and sound mixing by @lukemakestweets. Music by Martin Austwick. Artwork by Sam Gilbey. 

French New Wave... again.

In this precursor to the French New Wave, an old Gambler in 50s France gets mixed up in a scheme to heist 800 Million Francs from a casino. ----- Friend of the show Bella, a refugee evacuated from Afghanistan in 2021, is raising money for her gender confirmation surgery! Anything you can give would be hugely appreciated! https://www.justgiving.com/crowdfunding/team-bella ----- Check out friend of the show Mattie's new book Simplicity here, or wherever fine graphic novels are sold! ----- FREE PALESTINE Hey, Devon here. In our home, we talk a lot about how insane everything feels, and agonise constantly over what can be done to best help the Palestinians trapped in Gaza facing the full brunt of genocidal violence. My partner Rebecca has put together a list of four fundraisers you can contribute to- all of them are at work on the ground doing what they can. -Palestinian Communist Youth Union, which is doing a food and water effort, and is part of the official communist party of Palestine https://www.gofundme.com/f/to-preserve-whats-left-of-humanity-global-solidarity -Water is Life, a water distribution project in North Gaza affiliated with an Indigenous American organization and the Freedom Flotilla https://www.waterislifegaza.org/ -Vegetable Distribution Fund, which secured and delivers fresh veg, affiliated with Freedom Flotilla also https://www.instagram.com/linking/fundraiser?fundraiser_id=1102739514947848 -Thamra, which distributes herb and veg seedlings, repairs and maintains water infrastructure, and distributes food made with replanted veg patches https://www.gofundme.com/f/support-thamra-cultivating-resilience-in-gaza ----- WEB DESIGN ALERT Tom Allen is a friend of the show (and the designer behind our website). If you need web design help, reach out to him here:  https://www.tomallen.media/ Kill James Bond is hosted by November Kelly, Abigail Thorn, and Devon. You can find us at https://killjamesbond.com , as well as on our Bluesky and X.com the every app account

In this review roundup, hosts Laura Gommans and producer Elliot Bloom find themselves divided on Lynne Ramsay's Die My Love, a fierce, unflinching portrait of postpartum collapse starring Jennifer Lawrence and Robert Pattinson. Laura and Elliot are also split on Splitsville, a buoyant physical comedy about the messiness of opening up a marriage. But both are fully won over by Richard Linklater's Nouvelle Vague, a playful reframing of the making of À Bout de Souffle told in the grammar of the French New Wave itself.Laura also speaks with Maxi Meissner, curator of Schmutz Cinema, about what audiences can expect from Schmutz XL: The Birthday Edition on December 6th , a special LAB111 collaboration celebrating queer intimacy and pleasure on screen.Get tickets to Schmutz XL: The Birthday Edition @ LAB111Get tickets to Die My Love @ LAB111Get tickets to Splitsville @ LAB111Get tickets to Nouvelle Vague @ LAB111Get tickets to La Nouvelle Vague de Jean-Luc Godard @ LAB111

"It's a hard world for little things." For Episode 385, Brandon and David finish their series of Horror Noir with one of the greatest films of all time, THE NIGHT OF THE HUNTER. Listen as they discuss why led Charles Laughton to direct the Southern Gothic film, how Laughton's sexuality played a factor in the film's themes, why Robert Mitchum wanted to take on the lead role, how they captured some of the film's iconic shots, the immediate aftermath of the film's release, and so much more! Get your tickets for CineNation's upcoming screening of THE NIGHT OF THE HUNTER: https://bit.ly/3K60vIZ Use the code cinenation10 on thecinevault.com to get a 10% discount on your online purchase! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation The Night of The Hunter Screening (00:00:00 Opening - Nouvelle Vague and French New Wave - (00:29:07v) Recap of Horror Noir (00:07:44) Intro to The Night of the Hunter (00:12:11) How The Night of the Hunter Got to Production (00:20:02) Favorite Scenes (00:43:30) On Set Life - (01:15:57) Aftermath: Release and Legacy (01:27:10) What Worked and What Didn't (01:35:39) Awards (01:42:41) Final Questions on the Movie (01:47:03) Final Genre Questions (01:53:58) Wrapping Up the Episode (02:00:26) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Today we're joined by cartoonist Nathan Gelgud to tackle the most polarizing and some might say Unwatchable period of a legendary filmmaker's career. Jean-Luc Godard was one of the leading figures of the French New Wave, at least until he abandoned narrative filmmaking for experimental political films that alienated much of his audience. We'll be looking at two films from this most controversial of eras: 1967's political docu-fiction LA CHINOISE, and 1969's avant-garde documentary BRITISH SOUNDS.You can find more from Nathan at https://nathangelgud.com/Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus. Unwatchables Patreon: ⁠⁠⁠⁠⁠⁠https://www.patreon.com/unwatchables⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠https://www.instagram.com/unwatchablespod/⁠⁠⁠⁠⁠⁠Twitter: ⁠⁠⁠⁠⁠⁠https://twitter.com/UnwatchablesPod⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠https://www.unwatchablespod.com⁠⁠⁠⁠⁠⁠ Email: unwatchablespodcast@gmail.com

An ode to a classic of French New Wave cinema – Jean-Luc Godard's Breathless (A Bout de Souffle) – Nouvelle Vague is more than a heady film nerd love fest. It's a Linklater movie, which means it's a hangout film; it's just that the gang we're hanging with happens to be reinventing modern cinema, whether they know it or not. We've got writer, actor, and teacher Tarik R. Davis (The Amber Ruffin Show) with us to talk about the petite charms of this Cannes premiere. Then we pitch our own making-of hangout movies!What's GoodAlonso - “Trans Images on Film” on TCM (w/Caden Mark Gardner and Willow Catelyn Maclay)Drea - Library Tool CheckoutTarik - a really good rehearsalKevin - Conduct Your Own Orchestra (Golden Records)ITIDICFilmmakers Meet the Pope (text of the pope's full address is here)D&D: Honor Among Thieves Team Working on new Star Trek MovieStaff PicksAlonso - Faces PlacesDrea - Rental FamilyTarik - Brother JohnKevin - For Your Consideration Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

On today's episode, we talked about François Truffaut's third feature, one of the great love triangles and stylistic peaks of the French New Wave, Jules and Jim. We got into the romanticism, tonal shift, Truffaut's contemporary stature, and more. Get an extra episode every week for $5/mo at patreon.com/extended_clip Send us your questions at extendedclippodcast@gmail.com

On this episode, JD and Brendan discuss Richard Linklater's new film about the French New Wave in NOUVELLE VAUGE!   Visit https://insessionfilm.com for merch and more!   Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content!   Follow us on X/Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

Zoey Deutch returns to Skip Intro to talk about her latest transformation in Nouvelle Vague as American actress Jean Seberg. Directed by acclaimed filmmaker Richard Linklater — and a love letter to the French New Wave classic Breathless — Nouvelle Vague wasn't the first time that Linklater and Deutch shared a film set. Deutch shares how Linklater compares rehearsals to athletics, starting exciting new chapters in her personal life, hilarious irrational fears, and the deep love she has for her sister, Maddie. Video episodes are also available on the Still Watching Netflix YouTube Channel. Listen to more from Netflix Podcasts.

The Megan-Dave dynamic duo returns with two new movies, Edgar Wright's THE RUNNING MAN (2:15) and Richard Linklater's NOUVELLE VAGUE (25:41). Dave didn't see THE RUNNING MAN but he was able to fill Megan in on the difference between Stephen King's novel and the 1987 Arnold Schwarzenegger film. But how did Megan like Wright's version? Eh...she didn't love it. (But she did love Colman Domingo, so there's that.) As for NOUVELLE VAGUE, Megan and Dave return to the age-old question: Who is this movie for? Aside from a Linklater fan or someone steeped in French New Wave cinema, does anyone really want to see a cutesy black and white take on the making of Jean-Luc Godard's BREATHLESS? Over on Patreon, we discuss the 1991 romantic drama MISSISSIPPI MASALA, which was directed by New York City mayor-elect Zohran Mamdani's mother, Mira Nair.

Richard Linklater returns to the Filmmaker Toolkit to discuss his loving recreation of the French New Wave. Linklater shares why the movies of that period meant so much to his filmmaking journey, and reflects on how much easier they had it making 'Breathless' than 'Nouvelle Vague' today. Listen to the Screen Talk Podcast. Every Friday IndieWire editors Anne Thompson & Ryan Lattanzio break down insider news from Hollywood and debate the latest films and series. https://podcasts.apple.com/us/podcast/indiewire-screen-talk/id893977298 Learn more about your ad choices. Visit megaphone.fm/adchoices

For this week's third podcast review, Sara Clements, Dan Bayer, and Aaron Isenstein join me to review and discuss the latest film from Richard Linklater (and his second this year), "Nouvelle Vague," starring Guillaume Marbeck, Zoey Deutch, and Aubry Dullin. Marbeck plays Jean-Luc Godard as he shoots his feature debut film, "Breathless," one of the first feature films of the French New Wave in 1959, alongside American actress Jean Seberg (Deutch) and French star Jean-Paul Belmondo (Dullin). The film had its world premiere at the 2025 Cannes Film Festival, where it received positive reviews for its witty screenplay, Linklater's direction, and uncanny performances from its principals (and many, many recognizable supporting characters). What did we think of it? Please tune in as we discuss those elements, its place in Linklater's filmography, the craftsmanship, its awards season chances, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Zoey Deutch joins Backstage's In the Envelope: The Actor's Podcast to offer intimate, candid insights into the highs and lows of a working actor's life. She also goes deep on playing French New Wave icon Jean Seberg in Richard Linklater's "Breathless" behind-the-scenes biopic, "Nouvelle Vague," getting cut from "The Amazing Spider-Man," and learning to be kinder to herself on set. ... Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage's podcast, features intimate, in-depth conversations with today's most noteworthy film, television, and theater actors and creators. Full of both know-how and inspiration, In the Envelope airs bi-weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made and personal stories of success and failure alike. Join host Vinnie Mancuso, senior editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ ... Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Special thanks to... - Host: Vinnie Mancuso - Producer: Jamie Muffett - Social media: Karen Jenkins, Sky Silverman - Design: Andy Turnbull - Additional support: Kasey Howe, Suzy Woltmann, Jenn Zilioli

⭐Kiss Me Deadly (1955) - The MacGuffin That Changed Film Noir ⭐

Filmmaker Richard Linklater doesn't speak French, but that didn't stop him from directing a movie that's almost entirely in French. ‘Nouvelle Vague' focuses on the beginning of the New Wave of cinema, specifically Jean-Luc Godard and his landmark 1960 movie ‘Breathless.' "I know that sounds insane," Linklater says, "but me not having the language wasn't even in my top 10 concerns about if I could pull off the movie." Linklater spoke with Terry Gross about the impact of the French New Wave, and his other new film, ‘Blue Moon.' It's about Broadway lyricist Lorenz Hart, the former creative partner of Richard Rodgers.Also, Maureen Corrigan reviews the novel Heart the Lover by Lily King. Follow Fresh Air on instagram @nprfreshair, and subscribe to our weekly newsletter for gems from the Fresh Air archive, staff recommendations, and a peek behind the scenes. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

All treats and no tricks for you in this packed Halloween edition of Breakfast All Day. Here's what we've got: NOUVELLE VAGUE: Richard Linklater recreates the making of the French New Wave classic "Breathless" with a movie that looks like it could have come out in 1960, as well. You don't need to know anything about Jean-Luc Godard, or Jean Seberg, or Jean-Paul Belmondo to enjoy this affectionate and humorous homage, but there are Easter eggs galore if you do. In theaters before streaming on Netflix Nov 14. SHELBY OAKS (With William Bibbiani): Our good friend Bibbs joins in on a review of this horror debut from longtime YouTube film critic Chris Stuckmann. It follows a woman investigating the disappearance of her sister, who was a paranormal investigator, in a small Ohio town. In theaters. HEDDA: Tessa Thompson is impossibly charismatic in this bold reimagining of the classic Henrik Ibsen play "Hedda Gabler." Nia DaCosta's adaptation is queer and multiracial in ways that are reminiscent of "Bridgerton." The cinematography and production design are gorgeous, but see it for the clothes alone. Streaming on Prime Video. IT WAS JUST AN ACCIDENT: This will end up being a major contender in the awards conversation. Iranian master Jafar Panahi tells the story of several disparate people who come together to abduct and confront the man they believe was their torturer in prison. It's tense and beautifully acted, with an unexpected streak of absurd humor. In theaters. MOVIE NEWS LIVE!: Our travels have kept us from doing our movie news livestream for the past couple weeks, so it was nice to be together again. Among the topics we discussed were the upcoming "Stranger Things" finale, "Sinners" and "K-Pop Demon Hunters" back in theaters, Osgood Perkins Day, and Francis Ford Coppola auctioning off his watch collection. We're gone next week but back Nov. 14. Thanks for being here! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/  

Mr. Scorsese is “Marty” to his friends and “Legend” to admirers and imitators.  But he's also still that kid, the "minuscule asthmatic”--as lovingly described by his ex-wife, Isabella Rossellini--who fervently loved both the movies he watched in Times Square as well as the characters that populated the Little Italy of his youth.  The results were "Mean Streets", "Taxi Driver", "Raging Bull", and "Goodfellas".     But as Rebecca Miller (“Personal Velocity”, “Maggie's Plan”, “Arthur Miller: Writer”) compellingly shows, Scorsese's triumph was not inevitable, nor is it simply the inevitable result of personal history yoked to directorial will. For while Scorsese has an anthropologist's eye, his films are not documentaries (except for the documentaries, of course!)  Rather, they are the product of his own prodigious preparation combined with a willingness to trust his actors (notably, DiNero and DiCaprio) to improvise–and, in the end, phenomenal editing shaped by deep learning from the French New Wave as well as his decades-long professional relationship with Thelma Schoonmaker.  While his films are often grounded in fully formed literary works, he makes of them what director Ari Aster calls “total cinema”.  And while the visuals putatively reign, the music often seems to take the lead, almost directing the camera's movements.  And in the end, in complicating the work of what may seem to be one of our most personal filmmakers, Miller suggests that Scorsese's wider purpose is to chronicle “the American project.”    You can watch the 5-part series “Mr. Scorcese” on Apple+   Follow: @rebeccamillerstoryteller on Instagram @topdocspod on Instagram and X/twitter     The Presenting Sponsor of "Top Docs" is Netflix.

Katey and Chris check in on the highlights of their time at the Montclair and Middleburg Film Festivals, which for Katey included a live onstage conversation with Zoey Deutch, the star of Richard Linklater's French New Wave tribute Nouvelle Vague Prestige Junkie After Party subscribers can watch the full video version of this podcast. ⁠⁠⁠Subscribe today⁠⁠⁠ for just $5 a month.  ⁠⁠⁠⁠⁠⁠⁠Subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to the Prestige Junkie newsletter.  Follow Katey on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow The Ankler. 

My guest, writer, director, and actor Guillaume Campanacci made a film, THE SILENT SINNER (2025), for $2000 and then released it at his favorite film festival, the Oldenburg Film Festival. That topic alone would make for a great podcast. But then add in his rich sense of humor and ability to critique everything -- including himself -- and you've got an all-time episode.It'll help if you read this Hollywood Reporter article before listening. In this episode, Guillaume and I talk about:What does he mean when he says he wants to “fuck with the audience”;How he got started in filmmaking;If most actors want to direct;How he honored French New Wave in his debut feature, WHENEVER I'M ALONE WITH YOU (2023);Why he thinks Oldenburg is the best film festival in the world and what can other film festivals take away from it;The state of independent filmmaking in France;What's next for him;What to expect when you watch THE SILENT SINNER;He starred in the film with his real-life partner. What is his advice on doing that?;Distributing such a unique film — he loves Filmhub;His advice for filmmakers just starting out. Guillaume's Indie Film Highlights: SUMMER HIT MACHINE (2025) dir. by Jérôme Vandewattyne; HARAKIRI, I MISS YOU (2025) dir. by Alejandro Castro AriasMemorable Quotes:“It was very selfish to make this one because I made it for nothing. So I could do whatever I want.”“I started as a French man.”“I think Sundance used to be like that back in the day, and now it's this big machine like an independent film is a $25 million film with Ben Affleck. No, it's not independent film.”“If you're a festival and the only thing you do is take films from other festivals, are you really a festival?”“I don't think there is really independent filmmaking in France.”“We spoke about French New Wave before and it's gone because these films would not get made today.”“Right now, I'm going to be writing the miniseries, and I love it. It's just me with my notepad and the universe of possibilities that's around me.”Links:Follow Guillaume On InstagramSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

Maxine Chernoff and Paul Hoover talk with Roxi Power in this second part of our interview, revealing their mutual love of film and poetry inspired by it. From Chernoff's surreal meditations on François Truffaut's French New Wave film, Jules et Jim, toHoover's weaving of Wim Wenders' Lisbon Story into his dreamlike language, we look through the lenses of other artforms—including the deep and unsettling Brazilian musical genre, Fado—to experience the strange and gorgeous interior worlds of these prolific and beloved Bay Area poets. Listen to Part 1 of our interview from 8-9-25 here. Maxine Chernoff is professor emeritus of creative writing at San Francisco State University. She is the author of 19 books of poetry and six of fiction, including recent collections from MadHat Press:  Light and Clay: New and Selected Poems (2023)and Under the Music: Collected Prose Poems (2019).  Peter Johnson called her the most important prose poet of her generation. She is a recipient of a 2013 National Endowment for the Arts in Poetry and, along with Paul Hoover, the 2009 PEN Translation Award for their translation of The Selected Poems of Friedrich Hölderlin. In 2016 she was a visiting writer at the American Academy in Rome. A former editor of New American Writing, she lives in Mill Valley. Paul Hoover is the author of over a dozen collections of poetry; his most recent book of poetry is O, and Green: New and Selected Poems (MadHat Press, 2021). He has also published a collection of essays and a novel, and translated or co-translated a few books, including Black Dog, Black Night: Contemporary Vietnamese Poetry.  Founding and current Editor of the literary annual, New American Writing–now published by MadHat Press–and two editions of the indispensable Postmodern American Poetry: A Norton Anthology, Hoover teaches at San Francisco State University.  He's also won an NEA and numerous awards, including the Carl Sandberg Award in poetry which Chernoff has also won.  

As we close out #SEXtember 3: Ménage a Trois we were not expecting this kind of surprise. When Erica chose 1967's THE OLDEST PROFESSION based on the New World Video artwork, she had no idea we were about to watch an European-made sex comedy anthology! And when things get weird with New World movies, there's one person we have to call: comedian and writer Ali Davis, who first joined us for such New World odds and ends classics as UP FROM THE DEPTHS and THE FUNNY FARM! We put her patience to the test with this one! Released in the U.S. and Canada by THE BLOC producer Jack H. Harris, this was made by six different directors: Claude Autant-Lara, Mauro Bolognini, Philippe de Broca, Michael Pfleghar, Franco Indovina, and French New Wave auteur Jean-Luc Godard. With all these European directors, do we do accents? Oh, you bet we do! Lots of them! We also try to make sense of the film, which tries to tell stories about prostitution across many different eras, from prehistoric times to the future! It's one sexy ride through time! Well, it is a ride, anyway! The film is aided by a terrific cast, including Jeanne Moreau and Raquel Welch, who got her acting start in her native San Diego, the same place where hosts Marc and Ryan are from! Is there a family connection? Listen and find out! For all the shows in Someone's Favorite Productions Podcast Network, head here: https://www.someonesfavoriteproductions.com/.

The Second Anniversary Show w/ Kate Pierson of The B-52sThis week, I am honored to celebrate the second anniversary of Revolutions Per Movie with one of my top musical heroes: the one and only Kate Pierson of The B-52s!!!We discuss the influence of Fellini on Kate & The B-52s (who were originally going to call themselves 'Fellini's Children'), the early sounds and films that made a young Kate Pierson into who she is, film noir, the protest folk music of her first band 'The Sun Donuts', what drew Kate to Athens, GA; Kate finding her unique singing style, French New Wave films, how The B-52s were not allowed to play bars in Athens and instead opted for house parties, the early jobs of the band members, how Club 57 and The Mudd Club in NYC embraced the band, how much a wig cost back in 1978, how the band worked out the vocal phrasing and melody parts of the three vocalists, Jeremy Ayers being a pied piper of the Athens scene, The Plastics, the original house that The B-52s bought and lived in together, why there were no early B-52s music videos until Whammy, Kate's first music equipment and her amazing guitar parts, how different it is making music videos now vs. in the 80s and so much more.So let's dance this mess around on this week's episode of Revolutions Per Movie!KATE PIERSON:https://www.katepierson.com/https://www.theb52s.com/showsREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Matt and Corbin, recording from the Portland Convention Center, talk about "Celine and Julie go Boating," a movie about two friends who are looking to have a good time and also maybe save a girl from a cycling ghost house deep in the heart of Paris, France. Topics: friendship, theater, improv, The French New Wave, and other stuff.  I liked this essay that discusses the movie. Corbin recc. Matt recc. Next week's episode is about Harvest (2024), which is available on MUBI if you're into that sort of thing. 

Jean Seberg was a French New Wave actress and pixie cut icon. She was also an active supporter of the Black Panthers Party. As her career floundered and rumors hurt her reputation with the public, Jean became convinced the FBI was surveilling and sabotaging her because of her political activity. At the time everyone thought she was paranoid, but the truth is much darker. This episode was first published on 06/29/2019. It has been slightly edited from the original version. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Allez!

This September the New Beverly Cinema proudly showcases a full slate of film in glorious 35mm, from Barbara Stanwyck pre-codes and Robert Mitchum noirs to French New Wave and ‘80s horror sequels. We present a pair of classic sci-fi creature features, spotlight Lon Chaney in two Tod Browning rarities, highlight Sofia Coppola, Stanley Kubrick, David Lynch and much, much more! Plus, our tribute to Michael Madsen continues with a special double feature on his birthday. For this episode, Elric, Brian and Phil are joined by actor extraordinaire Pat Healy! Follow Pat on Instagram here: https://www.instagram.com/thepathealy/?hl=en Check out all things New Beverly here: https://thenewbev.com/ If You Enjoy the show, You can help support us at Pure Cinema by going to: https://www.patreon.com/purecinemapod Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts The show is now on BlueSky: https://bsky.app/profile/purecinemapod.bsky.social As are Brian: https://bsky.app/profile/bobfreelander.bsky.social Elric: https://bsky.app/profile/elrickane.bsky.social and the New Beverly: https://bsky.app/profile/newbeverly.bsky.social

This week we're excited to present a conversation with legendary French New Wave filmmaker and critic Luc Moullet and his creative and life partner Antonietta Pizzorno as they discuss the 1976 feature, Anatomy of a Relationship, with FLC programmer Dan Sullivan. This event took place as part of our recently concluded retrospective Luc Moullet: Anarchy in the Alps. Luc Moullet's follow-up to the far-out excursions of The Smugglers and A Girl Is a Gun grounds itself in the shared everyday life of a couple. Moullet himself plays a filmmaker who struggles to earn a living practicing his vocation; his professional frustrations are matched by his apparent inability to please his intellectual wife (Christine Hébert), sexually or otherwise. Moullet and Pizzorno (Moullet's real-life wife and creative partner) set the proceedings in spare, claustrophobic spaces, chronicling quarrels, cringe-inducing episodes, and fleeting moments of tenderness on the way to a comic meditation on filmmaking's capacity to complicate relationships.

The 400 Blows (1959; Dir.: Francois Truffaut) Canon Fodder Episode 43 Daniel and Corky ride the French New Wave all the way back to boyhood with their review of The 400 Blows. Instantly recognizable to anyone who was ever a child, this debut film from Francois Truffaut helped […] The post The 400 Blows – Episode 43 appeared first on Dare Daniel & Canon Fodder Podcasts.