Podcasts about Metrograph

Special agent Payton McCarthy-Simas joins Candy to discuss David Cronenberg's new movie THE SHROUDS.   Payton McCarty-Simas is a an author, programmer, and film critic based in New York City. They hold a Masters in film and media studies from Columbia University, where she focused her research on horror film, psychedelia, and the occult in particular. Payton's writing has been featured in The Brooklyn Rail, Metrograph's Journal, Rue Morgue, Film Daze, and others, and she is the author of two books, One Step Short of Crazy: National Treasure and the Landscape of American Conspiracy Culture, and the forthcoming All of Them Witches: Fear, Feminism, and the American Witch Film (July 2025). Payton is also a member of the Online Association of Female Film Critics and GALECA, the Society for LGBTQ Film Critics. She lives with her partner and their cat, Shirley Jackson.      In the wonderfully complicated new Cronenberg movie there is a motif of dogs. This motif occurs between three characters and possibly one AI avatar/assistant. We talk about several dog scenes within the movie. Something extra to consider is gods and dogs.    The protagonist's wife is wearing a collar for cancer treatment that helps monitor her procedures and needs and presumably the progress or slowing of cancer. Her twin sister is a dog groomer. A future date is blind and has a seeing eye dog. Some scenes occur in a. dog park. There are a few goddesses associated with dogs, Hecate, a goddess of magic, and witchcraft portrayed with dogs and sometimes as being part dog herself.(the wife?) Kali is a Hindu goddess whose portrayal with a dog symbolizes her loyalty. (The sister-in law?) And there is Artemis a goddess of the hunt portrayed with dogs hunting. (The new lover?) Iamma, goddess associated with fertility, love, war also associated with a dog. Gula was a deity associated with dogs and healing. So was Ianna.So...it seems like there could be further exploration in The Shrouds about the dogs.

When it comes to love and desire, the movies have always had a powerful sway: as a mirror, as a site of fantasy, and as a perfect backdrop for date night. For Valentine's Day this year, Film Comment Editors Clinton Krute and Devika Girish invited author Haley Mlotek and filmmaker Matthew Rankin, two highly trained experts in the parallel worlds of cinema and romance, onto the Podcast for a love-centric edition of You're Projecting, our advice column for cinephiles.  We call them experts for good reason: Haley's new book No Fault: A Memoir of Romance and Divorce brilliantly captures the highs and lows of falling in and out of love, and she's just programmed the upcoming series The Divorced Women's Film Festival at Metrograph. Matthew's surreal new movie, Universal Language, is all about yearning, connection, and the many forms that love can take. The group weighs in on queries, pleas, and confessions submitted by our readers and listeners, lovelorn and lovestruck alike.

Hello classmates!The gang is back in class, Emilia Perez is a Hitler supporter, and Paul Schrader crosses over to the even darker sideVisit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/@middleclassfilmclassThis Episode:https://youtu.be/EBc7O-VsyP8http://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclassEmail: MCFCpodcast@gmail.comLeave us a voicemail at (209) 283-1716Merch store - https://middle-class-film-class.creator-spring.com/Join the Patreon:www.patreon.con/middleclassfilmclassPatrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerBinge Daddy DanAngry Otter (Michael)The Maple Syrup Don: StephenTrip AffleckJoseph Navarro     Pete Abeytaand Tyler NoeStreaming Picks:Voices in the Wind - https://youtu.be/gptcrYzqkNY?si=n6DL7xsLOaSYKUoSGreenland - MaxThe Unbearable Weight of Massive Talent - NetflixFata Morgana - Roku, Kanopy, Fandor, Shout, Plex, Metrograph, TubiAmerican Movie - Prime Video, Roku, Pluto, FreeveeKneecap - NetflixBlink Twice - Prime Video, Fubo, MGMThe Remarkable Life of Ibelan - NetflixMidnight Mass (series) - NetflixBorderlands - Starz, $6 rental on all VODWolf Man - $20 rental all VODAddicted to Fresno - Prime Video, Fubo, Peacock, Roku, Hoopla, Vudu, Pluto, Revry, FreeveeYou're Cordially Invited - Prime Video Miss Congeniality - Netflix

Hello media consumers, Bryan and David kick off the show with a recap of WWE's debut on Netflix. Bryan, who was in attendance, takes you ringside and shares his observations (0:37). Then they discuss the Washington Post losing its mojo, with more staff members leaving (14:30). Later, they discuss the life and legacy of the late Aaron Brown (30:11), whether Aaron Rodgers could have a future in television (33:44), the new magazine called ‘Metrograph' (40:11), the Fox Sports lawsuit (42:48), and more. Plus, the Overworked Twitter Joke of the Week and David Shoemaker Guesses the Strained-Pun Headline. Hosts: Bryan Curtis and David Shoemaker Producer: Brian H. Waters Learn more about your ad choices. Visit podcastchoices.com/adchoices

Metrograph recently unveiled a new biannual print publication for cinephiles and cultural connoisseurs which features contributions from novelist Yiyun Li, cartoonist Daniel Clowes, filmmaker Ari Aster, and actors Steve Martin and Simon Rex alongside others. Editors Annabel Brady-Brown and Kelli Weston discuss the publication, and take calls from listeners about their own moviegoing experiences.

Monocle Radio highlights this week include interviews with Japanese artist Takashi Murakami, Austrian singer Sofie Royer and the team behind ‘The Metrograph’ magazine.See omnystudio.com/listener for privacy information.

This week we look at ‘The Metrograph', a new print title from celebrated New York cinema Metrograph. Plus photographer Tyler Mitchell on his award-winning work and Jeremy Leslie from Magculture reviews the year in magazines.  See omnystudio.com/listener for privacy information.

My guest this week is New York-via-Chicago producer and DJ, DJ Rude One. We spoke about Megalopolis, the works of David Cronenberg and Willem Dafoe, our love for Metrograph and the movie theater experience, his extensive history as a DJ and producer, embracing a slow production process, working a day job and making music for the passion, and the creative process behind his latest album Upper Space. Come fuck with us.Upper Space is available wherever music is sold, streamed, or stolen. Consider copping the digital download or a vinyl directly from Rude One's Bandcamp page. Follow Rude One on Instagram (@djrudeone), Twitter (@djrude1), and Bluesky (@djrudeone.bsky.social).Join the Reel Notes Patreon today starting at $5/month to get early access to episodes, our Discord server, exclusive bonus interviews and reviews, and more!My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4 PM Publishing. Order a digital copy on Amazon.Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Palestine Children's Relief Fund,  The Palestinian Youth Movement, The Zakat Foundation, HealAfrica, FreeTigray, and/or Hope For Haiti.  For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday!Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), Bluesky (@cinemasai.bsky.social), TikTok (@cinemasai), Letterboxd (@CineMasai), and subscribe to my weekly Nu Musique Friday newsletter to stay tapped into all things Dylan Green. Support the show

I have a poor eye for specific sociological detail but a good brain for psychology and the things that drive people to block and hurt others. —Matthew GasdaMy guest on this episode of the podcast is poet, novelist, essayist and playwright Matthew Gasda, with playwright being the most salient of those descriptors. His play Denmark just finished up a short run at the Brooklyn Center for Theatre Research, which Gasda founded and runs, and he is best known for his play Dimes Square, which helped fix the notorious New York downtown microneighborhood in the public imagination.In 2022, The New York Times published a very substantive profile of Gasda, tracking his emergence into hipster prominence during Covid:In the spring of 2021, he fell into a downtown social scene that was forming on the eastern edge of Chinatown, by the juncture of Canal and Division Streets. What he witnessed inspired his next work, “Dimes Square.”“Dimes Square became the anti-Covid hot spot, and so I went there because that's where things were happening,” Mr. Gasda said.Named after Dimes, a restaurant on Canal Street, the micro scene was filled with skaters, artists, models, writers and telegenic 20-somethings who didn't appear to have jobs at all. A hyperlocal print newspaper called The Drunken Canal gave voice to what was going on.Mr. Gasda, who had grown up in Bethlehem, Pa., with the dream of making it in New York, threw himself into the moment, assuming his role as the scene's turtlenecked playwright. And as he worked as a tutor to support himself by day, and immersed himself in Dimes Square at night, he began envisioning a play.Set in a Chinatown loft, “Dimes Square” chronicles the petty backstabbing among a group of egotistic artists and media industry types. It's filled with references to local haunts like the bar Clandestino and the Metrograph theater, and its characters include an arrogant writer who drinks Fernet — Mr. Gasda's spirit of choice — and a washed up novelist who snorts cocaine with people half his age.Matt and I talk about a great number of things over the course of this quite long and I think quite rich conversation, which we recorded in two separate sessions. He helps me come asymptotically closer to understanding what the Dimes Square scene is or was (I'm pretty sure it's was at this point).We talk about his very middle-class youth in Bethlehem, Pennsylvania, and the difficulties of making the transition from that world, and the world of his middle-class degrees from Syracuse and Lehigh, to the very specialized set of manners and expectations that structure life and society in New York City.We talk about the general challenges of making it in as playwright (and by extension as screenwriter or tv writer), as well as the specific challenges of making it when you've been classified as politically suspect, as Matt has.We end, more or less, with my expressing my hope that Matt can continue to protect and nurture his talent and his desire to connect even as, of necessity, he has to live and work in various scences in New York that can be quite toxic.   AI-generated show notes. They seem mostly accurate.00:00 Introduction to Eminent Americans00:32 Meet Matthew Gazda: Playwright Extraordinaire01:10 The Dime Square Phenomenon02:29 Exploring Denmark and Other Plays03:37 Defining Dime Square05:26 The Scene and Its Key Figures08:07 The Evolution of Dime Square21:03 The Genesis of the Play27:43 Matthew Gazda's Background39:36 Navigating Social Classes and Upbringings40:58 The Art of Performativity and Banter42:55 Algorithmic Conversations and AI's Impact44:04 Flirting and Social Dynamics46:14 Authenticity vs. Performativity in Plays48:26 Cynicism and Artistic Integrity57:13 Challenges of a Playwright's Career01:00:40 Exploring Dimes Square and Its Impact01:19:22 The HBO Deal and Dimes Square01:19:49 Canceled Party and Industry Politics01:21:24 Theater World Challenges01:25:08 Class and Credentials in the Arts01:28:52 Navigating Bitterness and Cynicism01:33:28 The Reality of Artistic Success01:44:00 Final Thoughts and Future PlansSome of the questions I prepared in advance, many but not all of which I ended up asking:In the most concrete, least abstract terms possible: What was Dimes Square and who were the major players within it? And should I be talking about it in the past tense?  Tell me about Bethlehem? You seem like a hustler from the provinces, much much more driven than the people around you. True? One of the tensions in your plays, at least in the ones I've read, is between what I guess I'd just call earnestness, or authenticity, and the alternatives to that—on the one hand a kind of ironic performativity, which is what constitutes much of Dimes Square, and then on the other hand just a zoned out deflection of emotion, which is what you get so much of in your play Zoomers. Does that sound right to you? You just wrote this piece, "Credentialist Cretins," that is just immensely cynical about the people around you. But then you seem like a fairly earnest person, interested in connecting. And you've been pretty protective of your friends in the scene, people who a lot of others would like to see as ironic performative too cool for school types. Square that circle for me. My brother always says that theater will be the last refuge of wokeness, that it will be land acknowledgements until we all sink into the sea. Is that right? How do you fit into the scene? Are you endangering your career prospects either through the plays, and their use of certain language and expression of certain ideas, or through your political writing? Are you cutting yourself off from the money flows? What the hell is going on with Zoomers? I found it an interesting read, but I wasn't sure what you were doing? Am I too old? Would it have been more apparent if I saw the play in person?Excerpts from Matt's essay “Downtown Demons,” about the development and meaning of the Dimes Square scene:The creation of scenes was aided and accelerated by temporarily cheaper rents and inflated tech wages (and crypto fortunes). Large apartments and lofts were secured, sometimes in two-year leases. A new, politically ambiguous patron class appeared at the same time that subscriber-supported writers and podcasters were challenging mainstream news and opinion. You could listen to a podcast or read a Substack, and meet the podcaster or writer the same night at a party or a bar (though these shuttered in the early evening, for those who remember, on the totally scientific theory that the virus hunts at night); shifts in perspective were happening in real time.Old political boundaries were temporarily porous and fluid and ideological lines could be crossed and retraced again. At a given party, you might meet—to name a few examples at random—a liberal New York Times columnist, a Big Five novelist with a forthcoming debut (typically less daring than her conversation), a dirtbag podcaster, a powerful editor, an out-of-work actor, a fashion model, a filmmaker, an influencer, a Thiel Fellowship winner, a grad student on a stipend, a union organizer, a Bitcoin multimillionaire; the melange was the message.In effect, the pandemic downtown moment was, from the very beginning, infected with spirit of the very-online, which, while latent for a long time, never went away; there was a tension between those who really truly wanted to leave the internet behind, and those who instinctively wanted to integrate the online into the fabric of nightlife—and the latter won out.The mimetic violence of downtown discourse—the denunciations, the trollings, the doxxings, the terroristic threats—that is manifest in the way people talk to, and more often, about one another, presages real political conflict in the future. Get full access to Eminent Americans at danieloppenheimer.substack.com/subscribe

The beers are back with big movie energy in this episode. Dylan is still sober, indulging in a can of Moment: Sparkling Adaptogens & Botanicals while Rog introduces a can of Lagunitas: Beast of Both Worlds IPA as his drink of choice (2:47).In the spirit of the recent release of Mad Max: Furiosa, the beers divulge their attempt to watch the entire Mad Max Saga, starting with the original 'Mad Max', featuring the one Mel Gibson (7:04). The beers then pay homage to 'Mad Max 2: Road Warrior' (17:32), followed by a thorough review of arguably the best action movie of the last decade in 'Mad Max: Fury Road' (21:58). To round out the franchise, the beers give their review of 'Mad Max: Furiosa' (41:25).The beers also share their experience of going to see 'Pulp Fiction' in 35mm at The Metrograph in Manhattan (59:01). As they wrap it up, the beers call on their listening and viewing audience to share their recommendations for Favorite Plane Movies. So sip back, enjoy the show, and send your top plane movies to thewrapbeers@gmail.com for a review of our favorite recommendations!CATCH THE BEERS ON YOUTUBE!https://www.youtube.com/@thewrapbeers Created by upStreamhttps://www.upstreampix.com/the-wrap-beers-podcastFollow The Wrap Beers Podcast!https://www.instagram.com/thewrapbeers/https://twitter.com/TheWrapBeersDylan - https://www.instagram.com/dylan_john_murphy/Roger - https://www.instagram.com/rogerzworld/Letterboxdhttps://letterboxd.com/wrapitupb/Music by: Matt Kuartzhttps://www.instagram.com/mattkuartz?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw%3D%3D

Ep. 241: Kelly Reichardt on Alain Delon, David Lean's Passionate Friends, Recreating Rear Window, and more Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. With a retrospective of Kelly Reichardt's work starting at Metrograph, I had the honor and pleasure of sitting down with Reichardt in one of the Metrograph theaters to talk about... the last things she saw! The director of (most recently) Showing Up discussed a run of Alain Delon movies she saw in the theater—starting with Purple Noon—and also films she uses in her teaching at Bard College, in coursework that involves students re-creating the filmmaking of certain scenes. “American Landscapes: The Cinema of Kelly Reichardt” begins May 11 at Metrograph, screening her first feature, River of Grass, to Old Joy, Wendy and Lucy, Meek's Cutoff, Night Moves, Certain Women, First Cow, and her most recent, Showing Up, plus two shorts streaming on Metrograph at Home. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

It's Mother's Day Weekend! We talk about some of the things happening around the city such as the African Film Festival, the Tony-nominated musical Stereophonic, and the Kelly Reichardt career retrospective at the Metrograph. Listeners also share their recommendations for activities and events to participate in over the weekend.

Filmmaker Kelly Reichardt has spent 30 years making films about everyday people set in the Pacific Northwest. A new retrospective at the Metrograph celebrates all eight of her films in the series American Landscapes: The Cinema of Kelly Reichardt. She joins us to discuss the retrospective and her career thus far. 

Ep. 238: Time director Garrett Bradley on instincts, Devotion, America, and Satyajit Ray's Devi Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Garrett Bradley is the director of Time, the Oscar-nominated 2020 documentary about Sibil Fox Richardson and her efforts to get her husband released from prison. Bradley has directed several incredible short films, including Alone (2017, about a friend planning to marry her imprisoned boyfriend) and America (2019, an amazing visual historical pageant that includes shots from the 1914 film Lime Kiln Club Field Day starring Bert Williams). Bradley has described her work as being about Black life, and also as a series of love stories, and she's just published a new book of dialogues, essays, and images, called Devotion. The book will be celebrated with a program at Metrograph screening some of her shorts, Time, and a film of her choosing: Satyajit Ray's 1960 film Devi, about a young woman believed to be a goddess. We spoke about the instincts that guide her filmmaking, the importance of editing and immediacy in her practice, her thoughts on her film America, and what she's working on now (which may include an adaptation of Octavia Butler's The Parable of the Sower...). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Ep. 233: Christine Smallwood on Chantal Akerman and La Captive Welcome to The Last Thing I Saw with your host, Nicolas Rapold. This week a new book on Chantal Akerman by Christine Smallwood enters the world, a volume about Akerman's wholly original Proust adaptation La Captive that's the latest in the Fireflies Press series of Decadent Editions focused on films of the 2000s. So I was delighted to speak with Smallwood about Akerman and her film's hypnotic exploration of the strange relationship between a wealthy odd young man Simon (Stanislas Mehrar) and his lover, Ariane (Sylvie Testud), reworking the fifth volume of Proust's In Search of Lost Time. Note: The episode opens with a passage about La Captive from Smallwood's book. Smallwood is the author of the novel The Life of the Mind and a regular contributor to publications such as The New York Review of Books, Harper's, Bookforum and The New York Times Magazine. La Captive will screen March 30 at Metrograph followed by Vertigo, with Smallwood in person. On March 19 at Light Industry, she'll present an illustrated lecture adapted from her book. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Isabel Münter runs a Chess Club in New York City called Pawn Chess Club with Simone Robert, where they've had chess clubs at your favorite haunts like Casetta, Casino, and Metrograph. Isabel also runs Homes + Studios with Rachael Yaeger, which is an archive of artists' homes and studios and architectural gems around the world, most of which you can visit. Past studio visits include Chen Chen & Kai Williams, Daniel Arnold, Landon Metz, and more. Can't forget to mention that Isabel Münter does the Business Development and Operations over at garden3D part of Sanctuary Computer. All levels welcome. Please welcome Isabel Münter to Wear Many Hats. ⁠⁠⁠instagram.com/ismuisamu instagram.com/pawnchessclub instagram.com/homesandstudios ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/wearmanyhatswmh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/rashadrastam⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠rashadrastam.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠wearmanyhats.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

We're seeing dead people this week as we discuss M. Night Shymalan's breakout film THE SIXTH SENSE! Other topics include our quick thoughts on Across the Spiderverse (listen to RANK KINGS for more!), our shared love of the icon Toni Collette, and maybe our wildest wheel spin in the history of the show... Episode Chapters: (00:00:00) Intro (00:04:34) Whatcha Been Watching? (00:07:21) Austin News (00:09:27) THE SIXTH SENSE Main Discussion (00:58:04) I Love Goooooold (01:01:16) “The Allen Parsons Project” (01:02:04) There You Are, You're Over There! (01:04:38) The Wheel + Outro Listen to our Spider-Variants episode of THE RANK KINGS! Check out Mike Myers' latest conversation with the team over at The Metrograph. Connect with us on Twitter, Instagram, or our Letterboxd HQ at @austindangerpod. Send us a letter or voicemail at austindangerpodcast@gmail.com and we'll share them on our episodes. If you tag your reviews with "austindangerpod" on Letterboxd, we'll find them and also share them on the show! Listen to Kev's other podcast, Ammonite Movie Nite! Listen to McKenzie's other podcasts The Criterion Connection & ON LYNCH. NEXT WEEK: We got souls but we're not soldiers — SOUTHLAND TALES (2006) on ADP.

In this episode, fashion-insider, host Kristen Cole (in NYC) sits with the incredibly sharp "fellow fashion veteran" Valery Demure (in London), a jewelry expert and founder of Valery Demure Consultancy, and Objet d'Emotion, to talk all things industry and fine jewelry right now. The women discuss: Greenwashing and other systemic industry issues, Sale Cadence, Fine Jewelry, the mood and trends she's seeing in her Paris showroom, the Buyers who are getting it right, Discovery shifts, Breaking through the overcrowded market as an Emerging Designer, Travel "It opens your mind."-V.D., Motherhood, Work/Life balance, Why Consignment is a Killer, what Valery dreads in a client, the highs and lows of Retail, her Objet d'Emotion extended London pop-up, Resale platforms, her favorite Fine Jewelry brands, and what's in her closet (hint: well-made, European and Japanese avant-garde). Kristen also touches on creative director shifts as seen in Gucci, Bottega Veneta and Bally, Pinkwashing in Pride Month, news on Edward Enniful at British Vogue, Rosie Assoulin's Resort '24 presentation in Brooklyn, The Row's private sale, Jonathan Cohen's pop-up, Angelina Jolie's new venture, Gabriela Hearst's big news, Metrograph tennis doc The French, tennis style at the French Open, and the perfect white canvas sneakers for summer by Keds and Vans.

Alright, let's cut to the chase.  I don't think we're going to learn Spanish but I can guarantee we're going to make a mess.  Michael gets into his flow state and that means we're talking tears.  Riding bikes and earning likes, the most uphill battle.  New money, old problems, big bellies.  We're going for money now.  Dirty, hairy, sweaty money.  Let's buy a sports team.  If you're tuning in for discussions on aeronautics, you've come to the right place.  Welcome to the doctor zone, we're smart now and we're explaining air travel on a cellular level.  Malcom in the Middle?  More like Frankie in the driver's seat (he's a racecar driver now).  Art is dead, money is king, deplete the ozone.   See Rock City, waste your day."We're giving too much credence to what I think is just a stress response"Patreon: https://www.patreon.com/intheminivanFollow us on instagram: @intheminivanpodFollow us on twitter: @intheminivanFollow us on TikTok: @intheminivanpodcastWe're on YouTube: https://www.youtube.com/channel/UCTxCtwpkBssIljyG6tdJbWQGet in the Discord: https://discord.gg/YWgaD6xFN3Episode Playlist: https://open.spotify.com/playlist/6vrgTBmFWC8B6hp3PioZtD?si=4e2ac52b1bf141ecTHE MASTER PLAYLIST: https://open.spotify.com/playlist/2saxemA3MOXcjIWdwHGwCZ?si=ee3444c085714c46Support the show

Joey and Mark open the show discussing the legendary film composer and one of the godfathers of electronic music, Ryuichi Sakamoto who recently passed away a few weeks ago. One of Sakamoto's most impressive feats was acting opposite David Bowie in the film, Merry Christmas, Mr. Lawrence, a film about a British Prisoner of War navigating the challenges of imprisonment in a Japanese prison camp during WWII. Sakamoto also wrote the music to the film, his first score of many. RIP Ryuichi Sakamoto If you're interested in seeing Merry Christmas, Mr. Lawrence and are located in the NYC area, check out a 35mm showing on May 12th & 13th at Metrograph: https://metrograph.com/film/?vista_film_id=9999003237 Listen LIVE every Wednesday at 8:30am on 91.3 WVUD, or online at: ⁠http://www.wvud.org/

When kicking ass on screen, the old ways are the best....On this episode we dive into the glorious glorious past of some kick ass cinema as the 10th Old School Kung Fest is in full swing down at the Metrograph in downtown New York presented by our friends at Subway Cinema.Focusing on Taiwanese wuxia (swordfighting heroes) movies, this festival which is continuing this weekend is a deep dive into a deep and often misunderstood genre of cinema.We had the unique pleasure of sitting down and talking with programmer Goran Topalovic about the origins of the festival, how even he is still learning about wuxia cinema and so very much more....

Zoe Lister Jones returns to the podcast to discuss the Roku Original Series she has written, directed and stars in: "Slip". And I'm joined by a editor Michael Taylor, ACE, editor/author Bobbie O'Steen, Molly O'Steen, and programmer Inge de Leeuw to discuss a screening of "The Graduate" to take place at the Metrograph on Saturday, April 22nd. It's part of the series of screenings at the art house cinema on editing.

This Find Your Film episode features two timely events that are taking place this weekend.Filmmaker Tom Ryan's Return to the Theature of Terror hits Smodcastle Cinemas on April 22 at 1:30 pm pt. You can keep up to date with Tom's movies via his Facebook page (TheatreTerror) and/or his website. Programmer/writer Goran Topalovic talks about the Old School Kung Fu Film Fest which runs April 21-30 at NYC's Metrograph. For the full film schedule, go to subwaycinema.com. 1. Follow Find Your Film on Twitter,  Facebook, and Instagram.2. Subscribe to our YouTube Channel Deepest Dream3. For more movie coverage go to deepestdream.com4. Find Your Film and CinemAddicts merch is available: https://www.findyourfilmpodcast.com/5. Join our CinemAddicts Facebook Group for daily movie talk and recommendations. Say hi Eric Holmes, Bruce Purkey and I in the group: https://www.facebook.com/groups/cinemaddictspodcast/Support the show

On this special episode Mike speaks with Goran Topalovic. He currently serves as a Board Director and programmer at Subway Cinema and he's one of the folks who programmed the 10th Old School Kung Fu Fest: Swordfighting Heroes Edition which plays the Metrograph theater in New York April 21st to 30th 2023. See the line-up and buy tickets at https://metrograph.com/category/oldschool-kungfufest/Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

On this special episode Mike speaks with Goran Topalovic. He currently serves as a Board Director and programmer at Subway Cinema and he's one of the folks who programmed the 10th Old School Kung Fu Fest: Swordfighting Heroes Edition which plays the Metrograph theater in New York April 21st to 30th 2023. See the line-up and buy tickets at https://metrograph.com/category/oldschool-kungfufest/

EPISODE 84: Raised in North Dakota's cattle country, Neal Barnard grew up studying piano and cello. Barnard started composing and recording songs in the 80s. With a penchant for the avant-garde, Neal constantly writes songs that defy any genre categorization. He chooses unconventional time meters as well, in order to “tilt the song ever so slightly and give you that little jolt between the ears,” as he puts it. Barnard launched CarbonWorks at a 2016 event at New York's Metrograph, hosted by Alec Baldwin and Maggie Q. Its line-up included singers from Italy, France, and the U.S., with rock and classical instrumentalists. While this is Barnard's fourth album, following Pop Maru, Verdun, and CarbonWorks' 2016 release, he is better known as a medical pioneer who formed the Physicians Committee in 1985 to rally for prevention, nutrition, and higher ethical standards in research. In 2006, funded by the National Institutes of Health, Barnard used a low-fat vegan diet to revolutionize the treatment of type 2 diabetes and has used similar approaches to skewer weight problems, women's health issues, and other medical challenges. “In music or medicine, we have to look out of the box,” he says. Michael Friedman wrote in Psychology Today, “Neal Barnard has never been one to accept the status quo.” twitter.com/DrNealBarnard Contact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Twitter: @JannKloseBandJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

Emma Swider @ispysvvi is a filmmaker and editor I met through Beth B (recently on the show and retrospective'd at Metrograph) at our Lydia Lunch screening a few years ago. She's sent me a few of her shorts, including the much more robust The Marinn Company, but it was really this short montage she made that got me. We're going to screen All for You on March 20th at Alamo Drafthouse Lower Manhattan @Reunion. We talk about the kind of tactics she uses to get these really important points across, and how without them, men in particular can often speak of the concepts without really understanding the impact of their words. I'm excited for the reaction from the audience next week. This is one of those times where it's fun to film the audience. https://reunion3202023.splashthat.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/teawithsg/message Support this podcast: https://podcasters.spotify.com/pod/show/teawithsg/support

Beth B is an NYC arts legend returning Friday for a retrospective at Metrograph. I was at her previous retrospective at MoMa, and we showed her Lydia Lunch documentary at my place last year. That hang was amazing, the crowd kept Beth and Lydia talking for longer than the film runtime and nobody left. She's got incredible stories from my favorite era of NYC arts and a beautiful personal arc to show for it. It's nice to be able to receive her perspective on something that a lot of other people can't figure out their way to reconcile or get past or get over or move on from. Downtown NYC arts scenes of today should take notes! Special shouts to Kino Lorber. See her this weekend at Metrograph: https://metrograph.com/category/bethb/ --- Send in a voice message: https://anchor.fm/teawithsg/message Support this podcast: https://anchor.fm/teawithsg/support

On this special episode, Mike spoke with underground filmmaker and No Wave founder Beth B about her career including her retrospective at the Metrograph as well as the upcoming Kino release of her films.Find out more at http://www.bethbproductions.com/Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

On this special episode, Mike spoke with underground filmmaker and No Wave founder Beth B about her career including her retrospective at the Metrograph as well as the upcoming Kino release of her films.Find out more at http://www.bethbproductions.com/

Indonesia villages have been evacuated following the volcanic eruption of Mount Semeru in East Java over the weekend, while three British men have been arrested in Britain over their alleged robbery of over 100 million yen worth of jewelry from central Tokyo in 2015. Shifting tectonic plates and stolen gems aside, two lost gems of Japanese cinema are brought back to cinemas this month, with “2/Duo” (1997), directed by Nobuhiro Suwa celebrating its 25th anniversary at Metrograph in New York this coming Friday, December 9th, and “Neko-mimi” (1994) directed by experimental filmmaker Jun Kurosawa being screened at Center, an Alternative Space and Hostel in Kanuma city near Nikko on December 17th. Learn more about your ad choices. Visit megaphone.fm/adchoices

HI!The films that we talked about this season that are on Metrograph's at home app are leaving September 28, 2022! Though they are available on Archive.org, Metrograph's versions are beautiful! Go watch and listen before we start our second season! Hosted on Acast. See acast.com/privacy for more information.

Welcome to RohmerCast, the podcast about Rohmer: his films, his working methods, and anything else we want to talk about related to Éric Rohmer. In finale of season one, we ask ourselves, “What is Rohmerian?” and explore the “Rohmer Cinematic Universe” through The Aviator's Wife (1981), Four Adventures of Reinette and Mirabelle (1987), and Boyfriends and Girlfriends (1987) -- the three films programmed by Metrograph in their Summer of Rohmer series. This leads to the following tangents: what makes someone an auteur, the qualities of a Rohmerian performance, “reasonable” characters, testing one's own philosophies and principles, the use of dramatic irony and planting and payoff in his narratives, location setting, his direct visual style, and the role of coincidence in our lives.All the films discussed in this season are available as part of the Metrograph's Summer of Rohmer series and can be streamed via Metrograph at Home (membership required). The films are also available on Archive.org.Music note: the music in this week's episode comes from the Summer of Rohmer trailer on Metrograph's site. You can find Liam Billingham on Twitter @liamgbillingham and Shaun Seneviratne on Instagram and Twitter @thebrownshaun.Primary Sources:Eric Rohmer: Interviews edited by Fiona HandysideEric Rohmer: A Biography by Noël Herpe and Antoine De Baecque#ericrohmer #frenchnewwave #cinema #nouvellevague #filminstagram #filmtwitter #frenchcinema #cinephile #criterioncollection @criterioncollection @metrograph @mubi #podcast #filmpodcast Hosted on Acast. See acast.com/privacy for more information.

Welcome to RohmerCast, the podcast about Rohmer: his films, his working methods, and anything else we want to talk about related to Éric Rohmer. In our third episode, hosts Liam Billingham and Shaun Seneviratne discuss Boyfriends & Girlfriends (1987), the final film in his Comedies & Proverbs cycle. This leads to the following tangents: Shakespeare's Twelfth Night, the Screwball Comedy, streamlined production methods, location sound as sound aesthetic, the suburbs as a location, setting up webs of relationships, sympathy for the youth, Blanche as a character, jobs decentered, color blocking, and assessing the most accurate title translation.In this episode, Liam is wearing a ScreenSlate NYC hat and Shaun is drinking absinthe at two in the afternoon. Listen wherever you listen to podcasts! Boyfriends and Girlfriends is screening as part of the Summer of Rohmer series at Metrograph and can be streamed at Metrograph at Home. You can find Liam Billingham on Twitter @liamgbillingham and Shaun Seneviratne on Instagram and Twitter @thebrownshaun. Special thanks to our buddy George Fragopoulos, who you'll hear on the show soon! Primary Sources:Eric Rohmer: Interviews edited by Fiona HandysideEric Rohmer: A Biography by Noël Herpe and Antoine De Baecque#ericrohmer #frenchnewwave #cinema #nouvellevague #filminstagram #filmtwitter #frenchcinema #cinephile #criterioncollection @criterioncollection @metrograph @mubi #podcast #filmpodcast Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Welcome to RohmerCast, the podcast about Rohmer: his films, his working methods, and anything else we want to talk about related to Éric Rohmer.In our second episode, hosts Liam Billingham and Shaun Seneviratne discuss Four Adventures of Reinette and Mirabelle (1987), a semi-improvised film made during a production break on The Green Ray (1986). This leads to following tangents: production crews, the difference between improvisation and scripted moments, episodic construction, naïveté vs popular common sense, how we watch things, compression vs expansion, and what we can learn about our own personal philosophies. Listen wherever you listen to podcasts! Four Adventures of Reinette and Mirabelle is screening as part of the Summer of Rohmer series at Metrograph and can be streamed at Metrograph at Home). You can find Liam Billingham on Twitter @liamgbillingham and Shaun Seneviratne on Instagram and Twitter @thebrownshaun. Special thanks to our buddy George Fragopoulos, who you'll hear on the show soon! Sources:Eric Rohmer: Interviews edited by Fiona HandysideEric Rohmer: A Biography by Noël Herpe and Antoine De Baecque Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Welcome to RohmerCast, a new podcast from one of the guys who brought you Oeuvre Busters and his much smarter friend! In this inaugural episode, hosts Liam Billingham and Shaun Seneviratne discuss The Aviator's Wife, which marked the beginning of Rohmer's Comedies and Proverbs cycle. This leads to some of the following tangents: growing into Rohmer as an adult; the superficial qualities one associates with Rohmer; the film as Verite Romantic Comedy, an Action Movie, and an Existential Detective Story; desire and reason; seeing someone listen; patterns, plotting, and twists; performance, and more. Though you can't see it, we were “styled” in Human Boy Worldwide and their awesome Rohmer merch. The Aviator's Wife is screening as part of the Summer of Rohmer series at Metrograph (and can be streamed at Metrograph At Home). You can find Liam Billingham on Twitter @liamgbillingham and Shaun Seneviratne on Instagram and Twitter @thebrownshaun.Special thanks to our buddy George Fragopoulos, who you'll hear on the show soon!Sources:Eric Rohmer: Interviews edited by Fiona HandysideEric Rohmer: A Biography by Noël Herpe and Antoine De BaecqueInterview with Marie Rivière (via Metrograph)Interview with Mary Stephan (via Metrograph)Q&A with Marie Riviere, Mary Stephan, and Matias Pineiro (via Metrograph)Meet the Rohmer Guy (via GQ) Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Director Antoneta Alamat Kusijanović latest film, MURINA, is set on a remote island along Croatia's Adriatic coast. Seventeen-year-old Julija (Gracija Filipovic) spends her days diving for eel with her domineering father Ante (Leon Lucev) and watching other teens party on a nearby yacht. Julija bristles at Ante's heavy handed cruelty and resents her mother Nela's (Danica Curcic) passivity. She longs for independence but is unsure how to achieve it, until the arrival of the rich and mysterious Javier seems to offer a way out. Once Ante's employer and Nela's lover, Javier (Cliff Curtis) flirts shamelessly with Nela and Julija, setting off a subtle battle of hyper-masculine one-upmanship that pushes Ante to humiliate and control Julija even more. Flattered by Javier's praise and stories of traveling the world, Julija sees him as the solution to all her problems. But does his affection portend freedom, or something more sinister? Winner of the Caméra d'Or at the Cannes Film Festival, lensed by award-winning cinematographer Hélène Louvart (THE LOST DAUGHTER), and Executive Produced by Martin Scorsese, MURINA features a ferocious, star-making central performance by Gracija Filipović and the most sumptuous images of the Mediterranean since THE BIG BLUE. Equal parts fiery feminist outcry and stirring coming-of-age drama, the film announces director Antoneta Alamat Kusijanović as a major new talent in world cinema. For updates and screenings go to: kinolorber.com/film/murina MURINA will open theatrically on Friday, July 8th at Metrograph in New York, and on Friday, July 15th at Laemmle Theatres in Los Angeles with rollout to select cities.

Happy belated May Day!We celebrate international workers’ day by discussing a newly remastered version of the 1979 documentary The Wobblies (directed by Stewart Bird and Deborah Shaffer), now showing in theaters and online. We discuss the continuing relevance of the Industrial Workers of the World for today’s labor movements, its universalist vision (in contrast to that of the AFL), the role of the Pacific Northwest in labor history, and continuities in the organization of labor and business ever since. Plus: a controversy over the screening at Metrograph in New York.Then, we get back to the pod’s roots to talk about what’s next in the pandemic, in a United States that seems increasingly ready to get rid of all of its mandates. What do we make of data suggesting that even the vaccinated are at risk of dying? Are our pandemic responses doomed to be privatized and individualized?Thanks for listening, and get in touch via Substack, timetosaygoodbyepod@gmail.com, https://twitter.com/ttsgpod, and/or https://www.patreon.com/ttsgpod! This is a public episode. If you’d like to discuss this with other subscribers or get access to bonus episodes, visit goodbye.substack.com/subscribe

Anniversaries tend to sneak up on you...especially big ones like this...On this episode we have the unique pleasure of sitting down with writer/director Patricia Rozema as her film 'I've Heard The Mermaids Singing' has just had a brand new 4K restoration as is having a theatrical run at the Metrograph in New York starting on March 11th and the Alamo Drafthouse in LA on March 18th before expanding out across North America during the spring.I've Heard The Mermaids Singing is a charming and whimsical story about a daydreamer with artistic aspirations, Patricia Rozema's fanciful character study follows an amateur photographer Polly (Sheila McCarthy) as she lands a temp job at a Toronto art gallery run by elegant and sophisticated Gabrielle (Paule Baillargeon), who is also a painter. Polly is impressed with Gabrielle's paintings, but as Polly gets to know Gabrielle's lover, Mary (Ann-Marie MacDonald), and becomes entangled in their lives, she realizes that Gabrielle isn't exactly who she appears to be. Winner of the Prix de la Jeunesse at the 1987 Cannes Film Festival, it's hard to believe that this charming Queer character study is celebrating it's 35th anniversary.I had the distinct pleasure of sitting down with Patricia to talk about how a restoration like this gets kicked off, the legacy of the film, the brilliance of Shelia McCarthy, how the film has aged and the evolution of Canadian cinema on the world stage.

This month, Ian and Sujewa look at a very unusual movie about movies: Ming-Liang Tsai's Goodbye, Dragon Inn!The guys return to their Slow Cinema roots with this glacially paced drama centering on the closing of a Taiwanese art theatre. Sujewa says it works as a rare example of Buddhist art-as-cinema. Ian appreciates its commitment to capturing a very specific cultural moment in time.But does it work as a movie?Find out in this lively lesson in patience and world religions--which also features a surprising update on Sujewa's film, The Secret Society for Slow Romance! Timestamps:Intro: 0:00 - 0:10Slow Romance Update: 0:11 - 13:11Goodbye, Dragon Inn Discussion: 13:12 - 45:43Outro: 45:44 - 48:29Show Links:Watch the Goodbye, Dragon Inn trailer.Rent Goodbye, Dragon Inn from Metrograph through 6/22/22.Watch Nick Pinkerton's video essay on Goodbye, Dragon Inn (referenced in our conversation).Rent Sujewa's new movie, The Secret Society for Slow Romance.Find clips, making-of videos, and other cool info about Sujewa's upcoming film, The Secret Society for Slow Romance.Keep up with all of Sujewa's projects.Follow Sujewa on Twitter.Subscribe to, like, and comment on the Kicking the Seat YouTube channel!

We can't all be Harry Styles. What We're Watching: Tequila Sunrise at The Metrograph; Drive My Car; Wheel of Fortune & Fantasy; 5CREAM Show & Tell: Betty Crocker's Parties For Children Hosted by your own personal cinematic Queen Mother and Margaret Thatcher! Sponsored by Revelator Coffee Music by Splash '96

A new film series at The Metrograph celebrates the former East Village staple Kim's Video & Music, which influenced and inspired generations of creators with its eclectic and rare selections. The series was curated by former Kim's Video employees and Mr. Kim himself. Metrograph's programmer-at-large Nellie Killian joins us to discuss the new series.

Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week Genevieve Yue tells us about a film series she programmed at Metrograph called Implicit Movies. It's a fascinating selection of films, exploring a world of backgrounds, bit parts, and fragmented memories that lurk behind every image. Genevieve is an assistant professor of culture and media at the New School, and so we also talk about how she taught Uncut Gems in one of her classes. And as part of my “bring a friend” initiative on the podcast, Genevieve invited Nico Baumbach, an associate professor of film and media at Columbia University. We talk about the children's classic The Red Balloon; Agnes Varda's The Gleaners and I; and the new Adam Curtis series, Can't Get You Out of My Head. Please note that to indulge my whim for spontaneity and mystery, Nico patches into our recording session partway through. You can support this podcast and read show notes with links at: rapold.substack.com Opening music: “Monserrate” by The Minarets Photo by Steve Snodgrass

Crank up that AC and settle in for a brand new episode of the BSV Podcast! This week, Justin does a deep dive on the new The Film Detective release of Phil Goldstone's pre-code classic THE SIN OF NORA MORAN, while both of your hosts sings the praises of Metrograph Pictures on the occasion of their stellar re-release of the David Hockney docu-fiction hybrid A BIGGER SPLASH. Also, Mark has all your reality television streaming tips right here! CULT HOUSE OF WAX (1953) (Warner Archive) SHADOW PLAY (1986) (Scorpion) DOCTOR WHO: SEASON 3 - TOM BAKER (BBC/Warner) WOLF (1994) (Indicator) CLASSIC THE LOST HONOUR OF KATHARINA BLUM (Criterion) TOTO THE HERO (Arrow) HYENAS (1992) (Metrograph/Kino) A BIGGER SPLASH (1973) (Metrograph/Kino) ***BLIND BUY*** THE QUEEN (1968) (Kino) AUDIE MURPHY COLLECTION (includes THE DUEL AT SILVER CREEK, RIDE A CROOKED TRAIL and NO NAME ON THE BULLET) (Kino) POOL OF LONDON (1951) (Kino) THE SIN OF NORA MORAN (Film Detective) NEW HIS DARK MATERIALS: SEASON 1 (HBO/Warner) JACK RYAN: SEASON 2 (Paramount) LAW & ORDER - SVU: SEASON 21 (Universal) SWALLOW (2019) (Shout/IFC) DIRT MUSIC (2019) (Samuel Goldwyn) LOST TRANSMISSIONS (2019) (Gravitas Ventures) HOUSE OF HUMMINGBIRD (2018) (Well Go) RIDE YOUR WAVE (2019) (GKids/Shout) CAPITAL IN THE TWENTY-FIRST CENTURY (Kino) EXIT PLAN (2019) (Screen Media) THE ROAD TO MOTHER (2016) (Kino) THE RESISTANCE FIGHTER (aka KURIER) (2019) (Shout) AN ACT OF DEFIANCE (aka BRAM FISCHER) (2017) (Menemsha) THE MOVER (aka TEVS NAKTS) (2018) (Menemsha) REDEMPTION (aka GEULA) (2018) (Menemsha) THE SOUL COLLECTOR (2019) (Shout)

On the November 14, 2019 episode of /Film Daily, /Film editor-in-chief Peter Sciretta is joined by /Film managing editor Jacob Hall, weekend editor Brad Oman, senior writer Ben Pearson and writers Hoai-Tran Bui and Chris Evangelista to discuss what they've been up to at the Water Cooler.   Opening Banter: This is the last time we'll hear from HT for a while.   At The Water Cooler: What we've been Doing:Peter attended the grand opening of Funko's new Hollywood store. He also celebrated his birthday at El Coyote. Jacob set up his Christmas tree. Brad is mad because we already had a winter storm. Hoai-Tran is not prepared for her trip to Vietnam. What we've been Reading:Jacob read Blockade Billy by Stephen King. What we've been Watching:Peter and Brad watched Parasite. Jacob and Chris and Ben watched episode one of The Mandalorian. Peter attended The Mandalorian world premiere and saw chapter two and three of the series.  Peter watched Pixar in Real Life and Encore on Disney+, he also found Disneyland Around The Seasons on the service. Brad went to see Jojo Rabbit. Watched Let It Snow on Netflix.  Chris watched Hobbs and Shaw, The Kitchen, and The Devil Next Door.  Jacob saw The Irishman and watched The Imagineering Story, Frozen, and Star Wars: The Force Awakens. Ben watched Honey Boy, Waves, The Good Liar, and Ford v Ferrari. Hoai-Tran watched Charlie's Angels, Dark Waters, White Snake, Master Z: The Ip Man Legacy, One Child Nation, saw a special midnight screening of The Host at The Metrograph. What we've been Eating:Peter went to the Festival of Holidays at Disney California Adventure and ate every food item. Brad tried Candy Cane Milano cookies What we've been Playing:Chris got a Nintendo Switch and played Untitled Goose Game. Jacob is hooked on Ring-Fit Adventure on the Nintendo Switch.   Other Articles Mentioned:   All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com.  You can subscribe to /Film Daily on iTunes, Google Podcasts, Overcast, Spotify and all the popular podcast apps (RSS).  Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on iTunes, tell your friends and spread the word!  Thanks to Sam Hume for our logo.

On the September 9, 2019 episode of /Film Daily, /Film editor-in-chief Peter Sciretta is joined by /Film managing editor Jacob Hall, weekend editor Brad Oman, senior writer Ben Pearson and writer Hoai-Tran Bui to discuss what they've been up to at the Water Cooler. Opening Banter: Peter is back, Chris is still gone in Toronto. And Jacob is prepping for Fantastic Fest. At The Water Cooler: What we've been Doing:Peter traveled to Orlando Florida, avoided Hurricane Dorian, but almost died in the humidity. He experienced Halloween Horror Nights in Florida for the first time. Watch the video on Ordinary Adventures. He also visited Hollywood Studios to experience Toy Story Land for the first time, and take a trip to the other version of Galaxy's Edge.  Jacob got a second tattoo and celebrated his fourth wedding anniversary. Brad went to both Chicago shows for How Did This Get Made live. Hoai-Tran forgot to say that she went to The Color Factory. What we've been Reading:Jacob started reading Scream: Chilling Adventures in the Science of Fear by Margee Kerr. What we've been Watching:Ben and Jacob saw It Chapter Two. Ben watched The Treasure of the Sierra Madre   Peter has been watching The Endless Adventure on YouTube.   Jacob watched Bigfoot County, and Pumpkinhead. Brad watched The Adventures of Pinocchio. Hoai-Tran watched Hustlers, Climax, the first two episodes of The Leftovers, and did a double feature of Spirited Away and Millennium Actress at the Metrograph. What we've been Eating:Peter ate at The Toothsome Chocolate Emporium & Savory Feast Kitchen, and Orlando's version of Antojitos in Universal Citywalk. He also continued his Orlando tradition of ubering to Unos for Pizza Skins. Brad tried Creepy Cocoa Crisp M&M's, KFC Mac & Cheese Famous Bowl What we've been Playing:Brad has been messing with the new HyperReal Darth Vader figure from Hasbro All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com.  You can subscribe to /Film Daily on iTunes, Google Podcasts, Overcast, Spotify and all the popular podcast apps (RSS).  Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air.  Please rate and review the podcast on iTunes, tell your friends and spread the word!  Thanks to Sam Hume for our logo.

On the February 18, 2019 episode of /Film Daily, /Film editor in chief Peter Sciretta is joined by /Film managing editor Jacob Hall, weekend editor Brad Oman, senior writer Ben Pearson, and writers Hoai-Tran Bui and Chris Evangelista to discuss what they've been up to at the Water Cooler. You can subscribe to /Film Daily on iTunes, Google Podcasts, Overcast, Spotify and all the popular podcast apps (here is the RSS URL if you need it). Opening Banter: Did anyone do anything interesting for Valentine's Day?   At The Water Cooler: What we've been Doing:Jacob is stressing out about SXSW planning. Hoai-Tran has been KonMari-ing her room. Brad is dreading how much money he'll have to spend on stuff announced at the 2019 New York Toy Fair. What we've been Watching:Peter went to the theater to watch Wandering Earth (HT) and Isn't it Romantic, checked out the Hulu tv series Pen15 and the Amazon documentary series Lorena, saw Fighting With My Family, watched a documentary on Amazon Prime called Nintendo Quest, and watched the first few episodes of the Netflix series adaptation of Umbrella Academy. Jacob watched Alita: Battle Angel (brad), Happy Death Day 2U, Don't Knock Twice, and The Ruins. Brad watched Alita: Battle Angel and, Peter Rabbit, and Love, Rosie. Chris watched Leaving Neverland, Ralph Breaks the Internet, and The Little Mermaid. Ben watched Russian Doll, Q: The Winged Serpent, Murder, My Sweet, and White Heat. Hoai-Tran saw The Wandering Earth, Alfred Hitchcock's Rebecca at the Metrograph, watched Wolf Warrior 2 and a few episodes of Code Geass. What we've been Eating:Peter loves ChocZero's Coconut Chocolate Bark. Jacob tried ChocoRite peanut butter cups and made his own low-carb tortilla chips. Brad tried Strawberry Rice Krispies and Fruity Lucky Charms What we've been Playing:Jacob only wants to play XCOM 2 and do nothing else. All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. You can subscribe to /Film Daily on iTunes, Google Podcasts, Overcast, Spotify and all the popular podcast apps (RSS). Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on iTunes, tell your friends and spread the word! Thanks to Sam Hume for our logo.

On the November 21, 2018 episode of /Film Daily, /Film editor-in-chief Peter Sciretta is joined by /Film managing editor Jacob Hall, weekend editor Brad Oman, senior writer Ben Pearson, and writers Hoai-Tran Bui and Chris Evangelista to about what they've been up to at the Water Cooler.   You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (here is the RSS URL if you need it).   Opening Banter:   At The Water Cooler: What we've been Doing: Peter experienced Ralph Breaks VR, spent his weekend at a Magic Convention in Culver City, and then went to Designer Con and Disneyland. Chris went to Washington DC to visit the International Spy Museum, where he interviewed Wolf Blitzer and real spies (and also did an escape the room about finding a nuclear bomb). Brad put on a charity stand-up show in his hometown headlined by Kyle Kinane, is spending two weeks in Utah Hoai-Tran visited the Museum of Moving Image where she saw the Buster Scruggs and Jim Henson exhibits, and had a Friendsgiving Part 2. Jacob flew to Atlanta for work and saw stuff he can't talk about yet. Ben started going through footage for his Iceland video What we've been Watching: Peter saw Fantastic Beasts: The Crimes of Grindelwald, he also saw two superhero movies, Aquaman and Spider-Man: Into the Spider-verse but isn't able to give his reactions just yet. He also started watching the second season of American Vandal. Chris watched Deadwax on Shudder, Creed II, Mile 22, and the Netflix series Dogs. Hoai-Tran watched Mandy at the Metrograph, Memories of Murder on Amazon Prime, and is currently watching Netflix's Chilling Adventures of Sabrina and She-Ra and the Princesses of Power. Brad watched Hotel Artemis and The Lion King Jacob watched most of Channel Zero season 4 in a dark hotel room and it was upsetting. He also mostly caught up on The Venture Bros. and is enjoying the new YouTube app on the Nintendo Switch far too much. Ben watched Widows and Creed II, is rewatching Community, and started season 2 of Ozark What we've been Reading: Peter has re-downloaded Marvel Unlimited and has read the first ten issues of Miles Morales run of Ultimate Spider-Man. Jacob has been reading Blood, Sweat and Pixels by Jason Schrier. He also picked up George R.R. Martin's Fire and Blood. What we've been Eating: Peter tried the Peppermint Bark oreos and loves them. He also experienced Festival of Holidays at Disney California Adventure, and ate at Irv's Burgers for one last time. Brad tried Merry Mash-Up Mountain Dew, discovered you can get white chocolate peppermint mocha at Starbucks Jacob ate at South City Kitchen and Lure in Atlanta. What we've been Playing: Brad has been listening to The Greatest Showman Reimagined Jacob has also been listening to The Great Showman Reimagined and has played way, way, way, way too much Diablo III on the Nintendo Switch. He also played the card game Someone Has Died. Ben finally started playing The Legend of Zelda: Breath of the Wild   Other articles mentioned: ‘Ralph Breaks VR' Has Gamified The Void in a Fun Way, But Is That a Good Thing? The ‘Mission: Impossible – Fallout' Blu-ray Release Sent Us on a Mission to the International Spy Museum Shaq's Macaroni and Cheese   All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (RSS). Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on iTunes, tell your friends and spread the word! Thanks to Sam Hume for our logo.

You can watch an extended version of this interview at TIFF Originals on YouTube. Read more about the St. Clair Bourne retrospective at New York's Metrograph cinema (Feb 16-19)Hear Jon Else discuss Henry Hampton's work on “Eyes on the Prize” on episode 40.Ava DuVernay talked about the influence of Pollard's film “Slavery by Another Name” on episode 26.“Sammy Davis Jr: I Gotta Be Me” had its world premiere at TIFF. It's currently playing film festivals and will come to PBS American Masters in the fall.On Twitter: @PBSAmerMasters @thompowers @PureNonfictionPure Nonfiction is distributed by the TIFF podcast network.

Set on Ludlow Street in the lower east side of Manhattan, The Metrograph is a theater paying homage to the cinemas of the 1920s while also having a fresh, chic newness. Showing 35mm film prints as well as state of the art digital projection, the curatorial experience at the Metrograph will not disappoint. Listen in to hear what Alexander Olch and Jake Perlin had to say about what goes on behind the curtain at The Metrograph. http://metrograph.com/