Podcast appearances and mentions of Hal Hartley

Legendary American scholar and critic Tom Gunning has changed the way we think about film history and the future of the medium, profoundly influencing generations of academics, artists, and cinephiles. On Sunday, April 27, Devika Girish and Clinton Krute hosted a live conversation with Gunning and curator David Schwartz at the Museum of the Moving Image, following a screening of Hal Hartley's Flirt (1995), an experimental narrative of love and loss set in three cities—New York, Berlin, and Tokyo. The event was part of a multiday series of screenings and discussions organized by Schwartz, taking place at venues including MoMI, Anthology Film Archives, and Light Industry. This special weekend marked the publication of a new collection of Gunning's writing, entitled The Attractions of the Moving Image: Essays on History, Theory, and the Avant-Garde. The conversation covered a wide range of topics, from Gunning's seminal essay “The Cinema of Attractions” (1986) to his teacher-student relationship with Hartley to some contemporary films that he's (perhaps surprisingly) enjoyed.

Send us a textFrom accidentally stealing the spotlight on David Letterman's show as a teenager to voicing beloved animated characters for two decades, James Urbaniak's acting journey reads like a masterclass in versatility and perseverance. In this wide-ranging conversation, Urbaniak reveals the unexpected path that took him from New Jersey community theater to New York's experimental off-off-Broadway scene in the late 1980s. With remarkable candor, he shares how challenging theatrical experiences—like performing a 75-minute solo monologue in "Tom Paine"—helped develop his craft before independent filmmaker Hal Hartley introduced him to the different demands of screen acting.Fans of Adult Swim's cult classic "The Venture Bros." will delight in Urbaniak's behind-the-scenes stories from his 20-year tenure voicing Dr. Rusty Venture and other characters. He recounts the surreal experience of having a makeup artist on the set of an HBO film tell him she was more excited to meet the voice of Dr. Venture than Al Pacino himself—a testament to the profound connection voice actors can forge with audiences.Urbaniak's philosophy of acting—describing himself as "a skeptic who likes to be surprised"—offers valuable insight into navigating the entertainment industry's inherent uncertainty. Whether discussing his brief but memorable appearance in Christopher Nolan's "Oppenheimer," his experience playing Robert Crumb in "American Splendor," or his current work on Apple TV+'s "Palm Royale," Urbaniak demonstrates why character actors are often the secret ingredient that elevates productions across all media.For aspiring actors, film buffs, animation fans, or anyone fascinated by the creative process, this conversation provides a rare glimpse into the life of a working actor who has successfully built a diverse career by embracing opportunities across multiple entertainment platforms.Support the show

Boomer & Brandon discuss Gregg Araki's Los Angeles teen brain-rot comedy Nowhere (1997) https://swampflix.com/ 00:00 Welcome 03:30 Urban Legend (1998) 15:00 Juliet of the Spirits (1965) 19:23 Contempt (1963) 22:45 The Black Cat (1989) 27:35 Video Violence (1987) 30:51 Fade to Black (1980) 34:34 Possible Films - Short Works by Hal Hartley (1994-2004) 42:13 Mickey 17 (2025) 50:04 Goodfellas (1990) 59:52 Nowhere (1997)

Hal Hartley is one of the kings of indie cinema with films like Henry Fool and The Girl From Monday. I taped this about 20 years ago at Dalva in […]

And. . .we're back. After almost a year of radio silence, the Secret Movie Club podcast returns with SMC Pod #162! Secret Movie Club founder.programmer Craig Hammill gives thanks (Thanksgiving 2024 weekend) for the Bravo Channel in the early 1990's. Way back then (Craig was 12-15 years old), the Bravo Channel was devoted to idiosynchratic world cinema and American indie movies. Sneaking to the tv room late at night, to watch these movies when his family was asleep, Craig saw Jane Campion's An Angel at My Table (1990),  Ildikó Enyedi's Hungarian My Twentieth Century (1989), Aki Kaurismaki's Leningrad Cowboys Go America (1989), Hal Hartley's Trust (1990), and (possibly) Jean Claude Luzhon's French Canadian Leolo (1992). Plus, some hints and reveals about the full reopening of the Secret Movie Club theater and programming...

This week, we discuss two films from American Indie director Hal Hartley. The first is The Unbelievable Truth (1989), starring Adrienne Shelly and Robert Burke. It tells the story of Audry, a girl who dumps her high-school boyfriend and becomes a successful fashion model, and her relationship with a mysterious man called Josh, recently released from prison after serving time for manslaughter. The second is Trust (1990), starring Adrienne Shelly and Martin Donovan. Two young misfits, both in emotional shock, meet in a Long Island town and through trials develop a platonic relationship based on mutual admiration, respect and trust.   Timestamps What we've been watching (00:01:03) – Mr Inbetween all seasons, Slow Horses season four, Armageddon, Sex and the City 2, The Substance The Unbelievable Truth & Trust (00:34:15) Coin toss (01:15:50)   Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Letterboxd – @andycifpod @fat-tits mcmahon   Justwatch.com – streaming and rental links - https://www.justwatch.com

ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program produce the SLC Performance Lab. During the year, visiting artists to the MFA Theatre Program's Performance Lab are interviewed after leading a workshop with the students. Performance Lab is one of the program's core components, where graduate students work with guest artists and develop performance experiments. Juliana Francis Kelly is interviewed by K Stanger (SLC'24) and produced by Julia Duffy (SLC'25) Juliana Francis Kelly is an OBIE award-winning actor who has performed in the U.S., Europe, and Asia. She has worked for both emerging and legendary theater artists, including the late Reza Abdoh, Richard Foreman, Young Jean Lee, Karin Coonrod, Anne Bogart, Kelly Copper and Pavol Liska, Normandy Sherwood, Charlotte Brathwaite, Bryan Doerries (for The Theater of War) and many others. She has appeared in films by Hal Hartley, Bertrand Mandico, Tatyana Yassukovich, and Marie Losier in collaboration with Guy Maddin. www.julianafranciskelly.net

One of the greatest compilations of its time (the greatest time for compilations), No Alternative was the third in the Red Hot series benefiting AIDS relief. The line up is studded with iconic artists, many on the precipice of their biggest records, from Soundgarden to Sarah McLachlan, and also features influential alternative greats like Buffalo Tom, The Verlaines, and Soul Asylum. It even spawned an MTV special with live performances from Smashing Pumpkins and Goo Goo Dolls, plus short films by the likes of Tamra Davis, Hal Hartley, and Derek Jarman. Plus, the biggest rock band in the world at the time contributed an uncredited song that even without proper listing became a huge part of the comp's hype. We used to be a proper country indeed. The Ringer's own Chris Ryan joins us to break down this important cultural artifact. Follow Chris Ryan on Twitter @ChrisRyan77 Listen to songs we detail in the episode HERE Host: Yasi Salek Guest: Chris Ryan Producer: Jesse Miller-Gordon Audio Editor: Adrian Bridges Additional Production Supervision: Justin Sayles Theme Song: Bethany Cosentino Learn more about your ad choices. Visit podcastchoices.com/adchoices

Text Matt & Adam!On the latest Two for the Road: Movies with Matt and Adam, we take a look at two from independent film maker Hal Hartley. "Trust" (1990) is about a pregnant 17-year-old who gets together with a so-called dangerous man after they're both kicked out of their respective homes. "Simple Men" (1992) storyline has two brothers searching for their anarchist father after he escapes from jail. Next show:  B movies with  "The Little Shop of Horrors" (1960) and "Repo Man" (1984).Have your own recommendations? Contact the show:24theroadshow@gmail.com

All episodes are made available to Patreon subscribers, the most determined and unsparing of all audiences, one week before their general release. {www.patreon.com/thepinksmoke} The Cannes Film Festival, May 1994. Two independent American crime films featuring guns, gangsters, torture, redemption, stylized artificial dialogue, quirky comedy, a cool soundtrack, a main character who dies and is resurrected and a criminal's kept woman with an Anna Karina haircut made their debut at the southern tip of France. One of them went on to conquer the world and become one of the most beloved and imitated films of the ensuing 30 years. The other faded into obscurity and is barely brought up three decades later. The films are Quentin Tarantino's Pulp Fiction and Hal Hartley's Amateur, and their divergent paths clearly shifted the cultural space of American independent cinema moving forward. We welcome back Pinnland Empire guru Marcus Pinn (like us, a teenage budding cinephile in the mid-90's) to talk about these two films, how they were shaped by the climate of late 80's/early 90's indie cinema, their impact and their legacy. Despite Hartley's deep meaningful contemplations proving no match for Tarantino's sheer exuberance, these are two films that were meaningful to all three of us, so we also get pretty heavily into some formative personal history and lament the slow death of a truly specific kind of American movie. Who's the real amateur here? Support our Patreon: www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Marcus Pinn on Twitter: twitter.com/PINNLAND_EMPIRE The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

Going coastal, a newbie in New York City, killer cabbies, the amazing Kim's Video, a Blonde Redhead redhead, drunken sledding, neighborhoods and abbreviations, meet me on Stacy Keach Street, a short Christopher Nolan movie, check out Jim Knipfel, porno theaters make no sense, Jeffrey Epstein is dead and rotting in hell, a double Spader, Mark Valley is a stand up guy (did I ever tell you that Vincent D'Onofrio liked me in an acting class?), planning trips, some Broadway movies, some Broadway plays, the dearly departed Philip Seymour Hoffman, Hal Hartley rules, welcome to my candy store, a great Gatz, I've got the golden brick-et, the ghosts of the Hotel Chelsea, and a summation from Werner Herzog. Stuff mentioned: Green Acres (1965-1971), Pace Picante Sauce commercial (1988 https://www.youtube.com/watch?v=1S828Y7Eais), The Freshman (1990), Kim's Video (2023), Balthazar (80 Spring St, New York, NY 10012), Following (1998), Thurston Moore Sonic Life: A Memoir (2023), Sunshine Hotel (2001), New Museum (235 Bowery, New York, NY 10002), New Museum The Last Newspaper: Contemporary Art, Curating Histories, Alternative Models (October 6 2010–January 9 2011), Jim Knipfel Slackjaw (1999), Escape From New York (1981), Alphabet City (1984), Police Academy (1984), The Cruise (1998), Taxi Driver (1976), I, The Jury (1982), Manhattan (1979), The Blacklist (2013-2023), Boston Legal (2004-2008), Game of Thrones (2011-2019), Neue Galerie New York (1048 5th Ave, New York, NY 10028), Neue Galerie Richard Gerstl (June 2017-September 2017), Richard Gerstl Self-Portrait, Laughing (1907 https://www.neuegalerie.org/content/self-portrait-laughing), Café Sabarsky (1048 5th Ave, New York, NY 10028), Birdman or (The Unexpected Virtue of Ignorance) [2014], Rope (1948), Game 6 (2005), After Hours (1995), Late Night with Conan O'Brien "A Visit with Hunter S. Thompson" (June 11, 1997 https://www.youtube.com/watch?v=5zwLuFy-TrY), All About Eve (1950), Sam Shepard True West (Circle in the Square Theatre 2000), Before the Devil Knows You're Dead (2007), Eugene O'Neill Long Day's Journey Into Night (Plymouth Theatre 2003), Will Eno Thom Pain (based on nothing) [DR2 Theatre 2005], Fay Grim (2006), Henry Fool (1997), Heathers: The Musical (New World Stages 2014), Heathers (1989), Heathers: The Musical "Candy Store" (2014), Elevator Repair Service Gatz (REDCAT 2012), F. Scott Fitzgerald The Great Gatsby (1925), Samuel Beckett Waiting for Godot (1953), Maidstone (1970), Dear Evan Hansen (2017 Music Box Theatre), Pitch Perfect (2012), In & of Itself (2017 Daryl Roth Theatre), Little Shop of Horrors (1986), Hotel Chelsea (222 W 23rd St, New York, NY 10011), Arthur C. Clarke 2001: A Space Odyssey (1968), William S. Burroughs Naked Lunch (1959), Chelsea GIrls (1966), Andy Warhol grave webcam (https://www.earthcam.com/usa/pennsylvania/pittsburgh/warhol/), Sid and Nancy (1986), Sid Vicious "My Way" (1979), Chelsea Hotel (BBC Arena 1981 https://vimeo.com/84587129), Nico "Chelsea Girls" (1967), and Nico Chelsea Girl (1967).

Text Matt & Adam!We're back with the theme "the movie process". Many people consider "8 1/2" (1963) to be  Fellini's masterpiece. A movie director tries to figure out  his next project. What's a dream? What's real? Sometimes were not sure. "Black Bear" (2020)  stars Aubrey Plaza as woman film maker trying break her creative roadblock. The first thirty minutes of the film is a little slow, but the last hour is so good, that it makes the first part so much better. Definitely worth checking out.Next up, Matt introduces Adam to indie director Hal Hartley with "Trust" (1990) & "Simple Men" (1992).Have your own recommendations? Contact the show:24theroadshow@gmail.com

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Political reporter David Weigel joins to discuss the work of director Hal Hartley and his 1997 feature, 'Henry Fool'. The film, written and directed by one of the great undersung auteurs of American indie cinema during its heyday, blends a sense of sweeping literary scope with the understatedness of an indie comedy to tell a story about creativity, imperfect people, and the commercial forces that antagonize true outsider artistry. Henry Fool would become the first in a trilogy of films by Hartley, continuing with the 2006 riff on espionage thrillers, 'Fay Grim' and concluding in 2014 with the final installment 'Ned Rifle'.We begin with an examination of Hal Hartley, the unique alchemy of his work, and his debt to the films and filmmakers of the French New Wave. Then, we discuss 'Henry Fool' as a singular work of daring, frequently flying in the face of good taste, probing its audience's sense of morality, and asking us to find connection with a host of broken individuals who don't act in accordance with our own judgements. Finally, we look into the future and discuss Hartley's most recent (successful) attempts to get a new film off the ground and how a 2020's audience might receive a filmmaker who has always bucked commercial trends and swings for populist appeal.Follow David Weigel on Twitter.Subscribe to Semafor Newsletters....Our theme song is "Mirror" by Chris Fish

This one's a doozy. Two new-ish films: 'The Iron Claw,' and 'The Book of Clarence.' Plus we wrap up our look at the films of Hal Hartley with three of his shorter films and the Sarah Polley vehicle 'No Such Thing.' Lots of side tangents in this one, screamers.      Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_    

It's a very special episode, screamers! Recently, the Fort Worth Film Club screened Melvin Van Peebles' scathing look at white privilege, 1970s Watermelon Man. At our post-screening discussion we were lucky enough to be joined by Mr. Marcellis Perkins, and Dr. Frederick Gooding Jr. It was a candid, lively, enriching conversation, and we are pleased to present that live recording here.    Next episode we'll be back to wrap up discussion on Hal Hartley and discuss the new(ish) films 'The Book of Clarence,' and 'The Iron Claw.' Until then, enjoy the live conversation with Marcellis and Dr.G.     Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_

We're going a little bit out of order in our dive into the films of Hal Hartley. On this episode, we look at The Henry Fool Trilogy: Henry Fool, Fay Grim, and Ned Rifle. The first two films, especially, constitute Hartley's apotheosis. We also discuss Jonathan Glazer's new film 'The Zone of Interest,' a haunting, important film (despite what Manohla Dargis might say).     Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_

Production designer Inbal Weinberg (THE LOST DAUGHTER; SUSPIRIA; THREE BILLBOARDS OUTSIDE EBBING, MISSOURI) joins us on this episode of the Team Deakins Podcast. Despite her early love for European social realist films, Inbal embarked on the immigrant dream of making it in New York City and studied film at NYU before being asked by director Hal Hartley (her favourite filmmaker at the time) to design THE GIRL FROM MONDAY. Inbal reflects on working in America as a foreigner and how that perspective influences her design choices, and we discuss handling the Mediterranean personality infrequently encountered in American productions. She later speaks of the art department as the hub through which the vision of the film is communicated to other departments and the importance of maintaining open lines of communication throughout production. Inbal also shares how she and other production designers are fighting to stay involved in the evolving design process in the face of the proliferation of VFX across all departments. Topics also include: using time in prep to learn how to work with a director, the revolving door of information we accrue and abandon when transitioning between projects, and Inbal's favourite episode of the podcast. - This episode is sponsored by Aputure Instagram: @aputure.lighting

Edie Falco is a television, film and stage actor whose roles on HBO's Oz, Showtime's Nurse Jackie and the iconic HBO series The Sopranos have earned her multiple Emmy, Golden Globe, and SAG Awards. She currently stars in the hit Peacock series Bupkis as Pete Davidson's mother. Her Broadway credits include the Tony Award-winning play Sideman, Frankie and Johnny in the Clair De Lune, ‘Night Mother, and The House of Blue Leaves, for which she received a Tony Award Nomination. Off-Broadway she's appeared in The Madrid, This Wide Night, The True, and Morning Sun. Her work in feature film includes Cost of Living (American Film Institute's Best Actress Award), Laws of Gravity (Independent Spirit Award nomination), Sunshine State, Landline, Hurricane, The Funeral, The Addiction, Freedomland, The Land of Steady Habits, Judy Berlin, and the Avatar sequels. …as well as indie film pioneer Hal Hartley's classics The Unbelievable Truth and Trust, which also starred my late wife Adrienne Shelly. Edie and I intimately chat for an hour about childhood, life, family, addiction, her illustrious career, The Sopranos, a possible Nurse Jackie re-boot, Trump and politics, the Knicks, her animal-welfare work and more. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

It's a jam-packed episode, Screamers. We're talking three new films of the conversation starter persuasion: 'Saltburn,' 'Leave the World Behind,' and 'Poor Things.' Plus we dig into more Hal Hartley with the films 'Flirt,' and 'Amateur.' We also include plenty of other side tangents.      Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_

Welcome back, Screamers to part two of our look at the films of Hal Hartley. Today we're digging into the made-for-PBS film 'Surviving Desire,' and the finale of the Long Island Trilogy (Long Island is a terminal moraine), 'Simple Men.' We also discuss Hirokazu Kore-eda's latest film--and his first Japanese-language film since 2018--'Monster.' As a bonus, Jason imagines a world where James Van Der Beek was nominated for an Oscar for his star turn in 'Varsity Blues.'      Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_

This week on Remainders, we watched the 2001 Icelandic fantasy-drama No Such Thing. Directed by Hal Hartley, with a stealthily great cast and aspirations to surreal stories like Beauty and the Beast and Beowulf, No Such Thing tries to have its cake and eat it too. A throwback pick to the era of endless DVDs, revisiting this drama leads to some surreal and honest opinions on the movies and how they age.Other topics include TLB in Chicago, Godzilla Minus One, Ti West and Mia Goth's X-trilogy, favorite movie experiences of 2023, Star Wars commentaries and Tony Gilroy, physical media corner, and how black metal can save a movie.Songs of the WeekBad Case of Loving You (Doctor, Doctor) by Robert PalmerLove is a Long Road by Tom PettyRemainders Podcast Jukebox WebsiteFacebookInstagramYouTubeTwitter

En este episodio de Reinas del grito, la cineasta Isabel Coixet conversa con Desirée de Fez sobre el miedo, desde el miedo a no poder llegar a hacer todas las cosas que quiere hacer a la importancia de perderle el miedo a la cámara. La directora de “Un amor” también recuerda cómo se gestó “Cosas que nunca te dije” (1996), habla de la importancia de apoyar y potenciar las intuiciones de los nuevos cineastas, explica cómo vio que había una película en Un amor, la novela de Sara Mesa, y comparte su fascinación por Hal Hartley, Jim Jarmusch, Elina Löwensohn o Asia Argento.

On this episode we start our discussion on the under-seen, under-recognized, under-sung, under-appreciated independent filmmaker, Hal Hartley. We're looking at Hartley's first two films “The Unbelievable Truth,” and “Trust.” We also talk about David Fincher's new Netflix job “The Killer.” Hang around for some recommendations and brief chat about Whilt Stedman, or Wyatt Steelman…     Keep in touch and read more at whydoesthewilhelmscream.com on instagram @whydoesthewilhelmpod and twitter @whywilhelm Find out more about upcoming Fort Worth Film Club screenings and events at fortworthfilmclub.com and @fortworthfilm Support the next generation of film lovers at reelhousefoundation.org and on facebook reelhousefoundation Artwork by @_mosla_

This special episode features a conversation with three leaders in this space exploring the future of the greenlight process in film: Anjali Midha is the Former Head of Entertainment at Twitter and the Founder and CEO of the entertainment analytics platform Diesel Labs. Irina Albita, co-founder and co-CEO of FilmChain, the blockchain based platform revolutionising the collection of revenues in film and TV. Ted Hope is the producer of over 70 feature films, the former Head of Production at Amazon Studios and author of the book Hope for Film and blog of the same name. In an increasingly competitive and congested distribution marketplace, better and more informed decision making upstream is increasingly essential. Is there a better way? How can we support intuitive creativity with robust data analytics, audience insights and distribution intelligence? What are the tools, resources and information that can underpin more effective commissioning or investment decisions? Where are the information blindspots and how can filmmakers formulate a more robust investment opportunity? How can we create more inclusiveness in the greenlight process? More about our speakers Ted Hope has been a producer on over 70 films, studio executive on over 60, CEO of a start-up streamer, co-head of 3 production companies, executive director of a film society & festival, a Professor Of Practice at 2 universities, and founder of a post-production facility, 2 websites, 2 think tanks, & an app. Ted launched Amazon's foray into feature film production, leading them to 19 Oscar nominations and 5 wins. As a producer, his films have received 25 Oscar nominations, with 6 wins. Ted's memoir and newsletter Hope For Film, are both must reads. Ted helped launch the feature film careers of Ang Lee, Nicole Holofcener, Hal Hartley, Michel Gondry and many others. His most recent films include the first narrative from Oscar-winning documentary director, Roger Ross Williams, Cassandro, as well as the documentary Invisible Nation on Taiwan, directed and produced by Vanessa Hope. Anjali Midha, an entrepreneur with a passion for driving innovation in media and marketing analytics. She is the co-founder & CEO of Diesel Labs, a content analytics company that addresses the toughest questions facing media companies today. Before starting Diesel Labs, she was the Global Director of Media Research at Twitter where she developed the ‘playbook' for television - illuminating the synergies and opportunities across traditional and new media. She joined Twitter via their acquisition of Bluefin Labs (the pioneer of Social TV Analytics), prior to which she was the VP of Strategy & Analytics at Digitas. Anjali holds a BA in Economics from Tufts University and an MBA from MIT Sloan Irina Albita is a technologist with over 12 years experience in the London/NYC tech scene, with a mathematics-economics background. Her passion is exploring how emerging tech radically transforms creative industries, and she is a prominent figure at film & tech events worldwide. She co-founded FilmChain alongside Maria Tanjala. The platform is transforming how producers, financiers, and sales agents get paid. With a digital collection account management (CAM) for indie films and a royalties management solution for content distributors, FilmChain brings transparency to payments and modernises royalties. Former EFM Startups 2018, they have won awards such as ‘Startup of the Year' London Business Awards 2020, Startup Challenge at San Sebastian Film Festival 2020, Makers and Shakers 2020, and Unchain Fintech Festival 2022, to name a few. This episode is presented in partnership with Screenovators, the online community dedicated to innovation in the screen industries. For more information and to join: www.screenoavtors.com

In an increasingly competitive and congested distribution marketplace, better and more informed decision making upstream is increasingly essential. However, formulaic and algorithmically influenced content continues to enter the system, often leaving audiences cold. Is there a better way? How can we support intuitive creativity with robust data analytics, audience insights and distribution intelligence? What are the tools, resources and information that can underpin more effective commissioning or investment decisions? Where are the information blindspots and how can filmmakers formulate a more robust investment opportunity? How can we create more inclusiveness in the greenlight process? These are some of the questions explored with 3 leaders in their field across film, data and technology featuring legendary producer Ted Hope, Co Founder and Co-CEO of Film Chain, Irina Albita and Anjali Midha, Founder and CEO of Diesel Labs.  Ted Hope has been a producer on over 70 films, studio executive on over 60, CEO of a start-up streamer, co-head of 3 production companies, executive director of a film society & festival, a Professor Of Practice at 2 universities, and founder of a post-production facility, 2 websites, 2 think tanks, & an app. Ted launched Amazon's foray into feature film production, leading them to 19 Oscar nominations and 5 wins. As a producer, his films have received 25 Oscar nominations, with 6 wins. Ted's memoir and newsletter Hope For Film, are both must reads. Ted helped launch the feature film careers of Ang Lee, Nicole Holofcener, Hal Hartley, Michel Gondry and many others. His most recent films include the first narrative from Oscar-winning documentary director, Roger Ross Williams, Cassandro, as well as the documentary Invisible Nation on Taiwan, directed and produced by Vanessa Hope. Irina Albita is a technologist with over 12 years experience in the London/NYC tech scene, with a mathematics-economics background. Her passion is exploring how emerging tech radically transforms creative industries, and she is a prominent figure at film & tech events worldwide. She co-founded FilmChain alongside Maria Tanjala. The platform is transforming how producers, financiers, and sales agents get paid. With a digital collection account management (CAM) for indie films and a royalties management solution for content distributors, FilmChain brings transparency to payments and modernises royalties. Former EFM Startups 2018, they have won awards such as ‘Startup of the Year' London Business Awards 2020, Startup Challenge at San Sebastian Film Festival 2020, Makers and Shakers 2020, and Unchain Fintech Festival 2022, to name a few. Anjali Midha is an entrepreneur with a passion for driving innovation in media and marketing analytics. She is the co-founder & CEO of Diesel Labs, a content analytics company that addresses the toughest questions facing media companies today. Before starting Diesel Labs, she was the Global Director of Media Research at Twitter where she developed the ‘playbook' for television - illuminating the synergies and opportunities across traditional and new media. She joined Twitter via their acquisition of Bluefin Labs (the pioneer of Social TV Analytics), prior to which she was the VP of Strategy & Analytics at Digitas. Anjali holds a BA in Economics from Tufts University and an MBA from MIT Sloan This session is part of the Reimagining the Ecosystem Series presented by usheru and Screenovators: a series of talks featuring industry pioneers, trailblazers and thought leaders exploring whether it is time to reimagine the film ecosystem?

In this podcast episode, Andrew and Austin talk about pretty much everything but movies. Austin shares his experiences teaching literature and mythology to high school students, expressing frustration with students' lack of interest in reading. They also discuss their thoughts on young adult fiction and their struggle to find engaging films for their class. The conversation then shifts to their personal interests, including Bob Dylan, live music, and the works of filmmakers Hal Hartley and Wes Anderson. They also discuss their use of social media, their views on horror movies, and recent events in the film industry, including strikes by the Writers Guild of America and the Screen Actors Guild.

Ted Hope has been a producer on over 70 films, CEO of a start-up streamer, co-head of 3 production companies, executive director of a film society and festival, and the former co-head of movies at Amazon Studios, leading the company to 19 Oscar nominations and 5 wins. As a producer, his films have received 25 Oscar nominations, with 6 wins. He is the author of the memoir Hope For Film and writes a Substack newsletter of the same name. Ted helped launch the feature film careers of Ang Lee, Nicole Holofcener, Hal Hartley, and many others. His most recent films include CASSANDRO, the first narrative from Oscar-winning documentary director Roger Ross Williams, as well as the documentaries FREEDOM ON FIRE, directed by Evgeny Afineevsky; Marina Zenovich's JERRY BROWN: THE DISRUPTER; and Vanessa Hope's INVISIBLE NATION. When it comes to producing films, Ted's the real deal...with a stellar career spanning over 35 years. We're thrilled to have him in The Back Room sharing his inimitable wit and wisdom on streamers, the studios and the ever-changing movie ecosystem; the WGA and SAG-AFTRA strikes and the key issues behind them; the impact of AI on content creators; his exciting upcoming film projects; and his love of cheese! He also shares his memories of the early days of indie film, and in particular, working with my late wife Adrienne Shelly and auteur Hal Hartley on THE UNBELIEVABLE TRUTH and TRUST. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Music by Andrew Hollander Design by Cricket Lengyel

What do our past in/experiences say about us? Is there any escape from them, any starting over? Are there innocent men? Are there whores and virgins? We're all beginners at something. Welcome to Hal Hartley's Amateur View Master commercial Huell Howser meets a dog that eats avocados +++++ Intro: by Professor Ping available on Bandcamp Outro: Whores performing I'm an Amateur at Everything --- Support this podcast: https://podcasters.spotify.com/pod/show/zandkmoviepod/support

This week Ken welcomes writer, director and co-creator of The Adventures of Pete & Pete, among other things, Will McRobb to the show. Ken and Will discuss growing up in Ithaca NY, suburbia, Nickelodeon's "kids point of view" era, doing corporate videos for Goldman Sachs, working in the promo department at Nick at Nite, MTV Networks, Rin Tin Tin, Mr. Ed, Donna Reed, The magic four ingredients: Funny, Sad, Strange and Beautiful, Green Acres, Patty Duke's double, MTV's Remote Control, Lassie, My Three Sons, Bub vs. Uncle Charlie, The Monkees, live action cartoons, the reason you'd go live action instead of a cartoon, Snow Day, added farts, working for the man, the shift on TV Land and Nick at Nite to newer "quality" shows, punk rock, Savage Steve Holland, The War Next Door, Hal Hartley, Damian Young, Michael Stipe, Iggy Pop, The Police, Joe Jackson, the unlocking of coolness with Elvis Costello's This Year's Model, The Embarrassment, the origin of Wellsville, Season 3 of Pete and Pete, Saturday, the rush to be an adult, saying goodbye to Artie, Adam West, the original 60 second Pete and Pete promos, Katherine Dieckmann, wasted years of cute Little Pete, Inside Out Boy, voice over, why perspective matters, John Hughes, "when you grow old, your heart dies", Inspector 34, Johnny Earwax, getting away with stuff, the controversy of The Orange Lazarus, Endless Mike, Frank Gifford cameos, Arnold Palmer golf clubs, how nobody likes Chevy Chase, SNL, Weekend Update, NY theater actors, William Hickey, One Crazy Summer, J.K. Simmons, and how Batman will always need The Joker. 

Hello and welcome to Long Island! We kick off a month of Hal Hartley films, appropriately enough, with his first feature length - The Unbelievable Truth (1989). Starring Robert John Burke, the incomparable Adrienne Shelly, plus a whole host of soon-to-become regulars, this movie really tickles us in the Trust bone. A must watch for Hartley fans and well, probably everyone. +++++ Intro: by Professor Ping available on Bandcamp Outro: Opening Credits by Jim Coleman --- Support this podcast: https://podcasters.spotify.com/pod/show/zandkmoviepod/support

Will, Adam, and Ryan watched Hal Hartley's Simple Men. It's the story of two brothers who go to Long Island looking for their father. IMDb: https://www.imdb.com/title/tt0105411/ Trailer: https://www.youtube.com/watch?v=s7kbD_RaGag

Character actor, cartoon doctor, and general bon vivant James Urbaniak joins us to walk through the cinema de 1957 - a year of foreign triumphs and domestic groundbreakers, of media satires and existential examinations. You won't be surprised that a Hal Hartley regular is a knowledgeable and eloquent cinephile, but you WILL be delighted!  Become a member for Bonus Episodes, personal stories of working in the industry, and yes - EVEN MORE MOVIES. https://plus.acast.com/s/a-very-good-year. Hosted on Acast. See acast.com/privacy for more information.

The 4K restoration and re-release of the comedy “Party Girl” brings Parker Posey to Back To One. Shortly after the success of that movie in 1995, she went on to star in so many independent films, like “The Daytrippers,” “Clockwatchers,” “The House of Yes” (not to mention a bunch of Hal Hartley and Christopher Guest classics), that she was dubbed “Queen of the Indies.” On this episode, she explains why that moniker was oddly detrimental to her career. She talks about recent experiences on the sets of “Beau Is Afraid” and “The Staircase;” the connection between actors and athletes; why, for her, it all starts with “shoes and hair;” and much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

While we wait for another "Dirty Sons of Pitches" recording, Ben has taken it upon himself to record several solo podcasts of himself playing the familiar game of This Meets That, watching and discussing two movies and then combining them for an original pitch. For the introduction episode of this bonus series, Ben is watching 2014's "Ned Rifle," the third in Hal Hartley's indie trilogy, this time following an adult trying to locate and kill his absent father for ruining his mother. He pairs it with 2011's "Ticking Clock," a time travel thriller with Cuba Gooding Jr. Ben discusses both movies in depth and combines key elements to pitch a movie about a man traveling back in time to interfere with his family history and his own existence.  Available on Apple and Spotify

With Geoff out after a bizarre curling incident (long story), Keith flies solo this week as he welcomes Paul Heck into Thunderlove Studio for a chat. Paul Heck created the AIDS Music Project to raise awareness about HIV/AIDS and normalize discussing safe sex. In this endeavor, Heck pursued the idea of an AIDS-benefit alternative rock compilation. He partnered with fellow Brown alumni Chris Mundy (a Rolling Stone senior writer) and Jessica Kowal (a freelance writer for Newsday) to produce the album No Alternative, the third album in the Red Hot Organization's (RHO) AIDS Benefit Music series. No Alternative, released on Arista Records in October 1993. The album received an A+ review in Entertainment Weekly and was described by Rolling Stone as "a jaw-dropping compilation of musical gems." A No Alternative MTV special featured a mix of live performances by Smashing Pumpkins and Goo Goo Dolls, music videos, short films by directors Hal Hartley, Tamra Davis, Michael Stipe, Jim McKay, and Matt Mahurin. No Alternative raised over $1.5 million, and the proceeds were donated to AIDS relief organizations across the US. Following No Alternative's commercial and critical success, Heck has produced other HIV/AIDS awareness-raising albums and a series of concerts at the Brooklyn Academy of Music. Heck's subsequent productions include: Red Hot + Bothered Offbeat Red Hot + RIO Red Hot + Rhapsody Red Hot + Indigo Red Hot + RIOT Red Hot + RIO2 Red Hot + FELA Master Mix: Red Hot + Arthur Russell In 2004, Heck was honored by Brown University as the recipient of the John Hope Award for Career Public Service. Paul co-produced Dark Was The Night (2009), an AIDS benefit album that raised over $1 million and featured artists like The National, Sharon Jones & the Dap-Kings, My Morning Jacket, and Jose Gonzalez. In 2013 Heck produced a 20th Anniversary reissue of No Alternative on vinyl (Sony Legacy) for Record Store Day. In 2019 Heck produced Love is the Drug, a campaign in N. Carolina featuring live music pop-up events with video storytelling focused on raising awareness around Harm Reduction and Opioid Addiction.  In 2020 Heck invited another Brown alum, fine artist Keith Mayerson, to create a portrait of Dr. Anthony Fauci as a part of a limited art edition fundraiser for Treatment Action Group (TAG). Heck worked as an A&R for Arista Records and Warner Bros. Records in the mid-1990s. Paul has produced the compilation albums: Shuggie Otis Inspiration Information (Luaka Bop, 2002) Fela Kuti The Underground Spiritual Game Mix (with Chief Xcel of Blackalicous - Quannum Projects, 2004) Tim Maia Nobody Can Live Forever: The Existential soul of Tim Maia (Luaka Bop, 2011) In The Name of Love: Africa Celebrates U2 a project featuring African artists reinterpreting the songs of U2 (Shout! Factory Records, 2007) With his company Cobeep, Heck has produced video projects and live events for Steve Martin, Yo-Yo Ma[32] and Joe Walsh's annual VetsAid benefit concerts and livestreams.  LINKS Paul Heck Jujulele - Short Songs About The Universe Paul Heck on Substack No Alternative Red Hot Organization Wild Combination: A Portrait of Arthur Russell - documentary Joe Walsh's Vet Aid Farm Aid Shuggie Otis Tim Maia Nirvana - Sappy Everything But The Girl - Corcovado Go-Go Music

The SLC Performance Lab is produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program. During the course, visiting artists to the MFA Theatre Program's Performance Lab are interviewed after leading a workshop with the students. Performance Lab is one of the core components of the program where graduate students work with guest artists and develop group-generated performance experiments. David Neumann and Marcella Murray are interviewed by Chisom Awachie (SLC 23) Marcella Murray is a New York-based theatre artist from Augusta, Georgia, Murray is a playwright, performer, collaborator, and puppeteer. Her work is heavily inspired by the observed ways in which people tend to segregate and reconnect. Her work tends to focus on themes of identity within a community and (hopefully) forward momentum in the face of trauma.  Performances include The Slow Room, a piece directed by Annie Dorsen at Performance Space New York; a workshop of Ocean Filibuster, which was co-created by the team Pearl D'Amour (Lisa D'Amour and Katie Pearl) with composer Sxip Shirey at Abrons Arts Center; the work-in-progress, I Don't Want to Interrupt You Guys, created in collaboration with Leonie Bell and Hyung Seok Jeon during RAP at Mabou Mines; New Mony, created by Maria Camia at Dixon Place; and Shoot Don't Talk at St. Ann's Warehouse/Puppet Lab, created by Andrew Murdock.  Along with David Neumann, Murray recently co-created Distances Smaller Than This Are Not Confirmed (Obie Special Citation for Creation and Performance), which opened at Abrons Arts Center in January 2020. Murray is part of an artist collective called The Midwives. As artistic director of Advanced Beginner Group, Neumann's original work has been presented in New York at PS 122, New York Live Arts, The Kitchen, Central Park Summerstage (in collaboration with John Giorno), Symphony Space (in collaboration with Laurie Anderson), Abrons Arts Center, The Chocolate Factory, and The Whitney. Advanced Beginner Group has also performed at the Walker Art Center, Jacob's Pillow, MASS MoCA, American Dance Institute, and Carolina Performing Arts, among others. Neumann has been a featured dancer in the works of Adrienne Truscott, Susan Marshall, Jane Comfort, Big Dance Theater, Doug Varone, Doug Elkins Dance Company, and in two duets with Mikhail Baryshnikov. His choreography in the theatre includes The Antipodes at Signature Theatre, Futurity with Soho Rep and Ars Nova, An Octoroon at Soho Rep, Underground Railroad Game at Ars Nova, and directing Geoff Sobelle in The Object Lesson at BAM Fischer and New York Theatre Workshop. Neumann was choreographer on Hagoromo with Wendy Whelan and Jock Soto, Home at BAM Harvey, and Sibyl Kempson's Let Us Now Praise Susan Sontag at Abrons Arts Center. His film work includes collaborations with Hal Hartley, I Am Legend with Will Smith, Marriage Story with Adam Driver and Scarlett Johanssen, and White Noise directed by Noah Baumbach. Neumann is the recipient of three New York Dance and Performance “Bessie” Awards (including Best Production in 2015 for I Understand Everything Better). The third installment of the Distances... trilogy, in collaboration with theatre artists Marcella Murray and Tei Blow, will be presented in New York in 2024. Neumann has also been nominated for Tony, Drama Desk, and Outer Circle Critics awards for his choreography on Hadestown. He is also the recipient of a 2019 Chita Rivera Award for Outstanding Choreography of a Broadway Musical for Hadestown. Most recently, Neumann was choreographer on Swept Away, with music by the Avett Brothers at Berkeley Rep. Photo: Maria Baranova

On today's episode, I talk to actress Elina Löwensohn. Originally from Bucharest, Romania, Elina emigrated to the US as a child under somewhat harrowing circumstances. She studied acting and started performing in theater productions in New York and was hired by Hal Hartley after he saw her in play. She starred in a number of his films including Simple Men, Amateur and Flirt, and in the last 30 years, has acted in everything from Schindler's List to Seinfeld to Basquiat to A Very Long Engagement, and this is just a small sampling of her work! Most recently, Elina starred in the excellent experimental sci-fi film After Blue (Dirty Paradise)! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here!  

Back to 1990 for Hal Hartley's Trust.  Warning for themes of suicide. Rick bangs on about patents again, while revealing to Paul how they had both failed to notice some critical film-making techniques in last week's movie, Decision To Leave.

The actor James Urbaniak ("The Fabelmans") makes his first appearance on Filmwax. We discuss his history with Hal Hartley as well as a new movie he is in where he plays Nazi Heinrich Himmler, called "Condor's Nest". The film opens Friday, January 27h in theaters, on digital and on demand.

On a monumental episode of the Movie Vault, "Killer Sofa" director Bernie Rao joins Ben & Zach to discuss Hal Hartley's cult classic film "Henry Fool". The group dives into the complex themes the movie presents, the characters of Henry and Simon, and other subtle elements of the film. Even if you have never heard of this movie, this is not an episode you'll want to skip! Follow us on: Instagram-@themovievaultpod Twitter-@MovieVaultPod Email us- themovievaultpod@gmail.com Now also on You Tube! Check for videos of select episodes on our channel "Last Resort Network" This episode is brought to you by Hedman Anglin Agency. Contact them at 614-486-7300 for your home and auto insurance needs. If you do contact them, make sure to tell them that Ben and Zach sent you! Visit their website for more information at www.HedmanAnglinAgency.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

If you've ever spent any time in New York City, you know that in many ways, it's the people who make the place unique. On this edition of The Weekly Reader, we review two new novels set in the city that feature unforgettable characters, from the spiky-haired squatters of the punk underground to beer brewing nuns in Brooklyn. Marion Winik on "No One Left to Come Looking for You" by Sam Lipsyte and "Our Lady of the Highway" by Hal Hartley. See omnystudio.com/listener for privacy information.

Adria Tennor talks her new movie "One Moment", working on various television shows throughout her career, and the time she auditioned to be a 12 year old boy! About Adria: Adria Tennor earned her BFA in stage directing and acting at New York University and Playwrights Horizons Theater School. She began her career as an actress, and her first professional job was playing a twelve-year old boy looking at porn in Tompkins Square park in Hal Hartley's Amateur, which premiered in the Directors' Fortnight at Cannes. She works regularly in television and film and is most known for her recurring roles on Mad Men and Mad Dogs as well as in the Academy Award winning film, The Artist. She also stars opposite the late, great Danny Aiello in his final, soon-to-be-released feature, One Moment, a heartbreaking comedy about a single mother trying to harness her already hectic life while her aging father slips into dementia.  Dissatisfied with the amount of work available to women in entertainment, Tennor began writing her own material, performing stand up early in her career, then spinning her material into a rave-reviewed one-woman show, StripSearch, about finding love and happiness with the help of a 12-foot pole. Another monologue she wrote and performed, Pie in the Sky, was published in the anthology about lust gone wrong – Worst Laid Plans: When Bad Sex Happens to Good People alongside works by Whitney Cummings, Mary Lynn Rajskub, Allison Brie and Laraine Newman. Tennor made her producing debut on horror spoof, Smothered, shot on location in Baton Rouge. Her directorial debut, a self-penned childhood drama, Cracked, stars Marguerite Moreau, and garnered awards and laurels around the country. Her second film, Pie, starring fellow Mad Men alum Jessica Paré, was a favorite on the festival circuit in 2018, also garnering awards and laurels internationally.  Adria won the CineStory fellowship for her first feature script Never Been Born. While attending the retreat, she met accomplished YA novelist and Emily Dickinson First Book Award recipient Kristen Tracy, and the two co-conspired to conceive, collaborate and produce the short-format series FETISH which will launch in early September 2020. Adria is also in the process of penning a sequel solo show and series to StripSearch called STRIPPED about trudging through the ugly mire of divorce also with the help of a twelve foot pole. Her ambition is to create and tell more stories for and about women and to foster opportunities for a diverse point of view in theater, film and television. Adria's Instagram: https://www.instagram.com/adriatennor/ Adria's Twitter: https://twitter.com/adriatennor Follow the show on social media!          Instagram: https://instagram.com/thanksforcominginpodcast/          Twitter: https://twitter.com/tfci_podcast          Facebook: http://facebook.com/thanksforcominginpodcast/           Theme Music by Andrew Skrabutenas Producers: Jillian Clare & Susan Bernhardt Channel: Realm For more information, go to thanksforcominginpodcast.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

“The trouble with us Americans is that we all want a tragedy with a happy ending.” Sophie won't tell anyone she's sleeping with her professor. He's young, handsome, and passionate - perfect for Sophie, who just wants to write about love. When they hook up, he drops everything and her notebook begins to fill with poetry. But while he's head-over-heels, she's about to write two important words: The End. We're joined by Pink Smoke 3rd mic Marcus Pinn (of Pinnland Empire) to discuss Hal Hartley's brilliant film Surviving Desire! The conversation looks at Hartley's vanishing place in the American film canon, why it's more important to repeatedly read a single paragraph from The Brothers Karamazov than to know Dostoevsky's biographical details, and the disappearance of the independent cinema landscape in which Hartley's work flourished. Support our Patreon: 
www.patreon.com/thepinksmoke The Pink Smoke site: www.thepinksmoke.com Marcus Pinn on Twitter: twitter.com/PINNLAND_EMPIRE The Pink Smoke on Twitter: twitter.com/thepinksmoke John Cribbs on Twitter: twitter.com/TheLastMachine Christopher Funderburg on Twitter: twitter.com/cfunderburg Intro music: Unleash the Bastards / “Tea for Two” Outro music: Marcus Pinn / “Vegas"

An ex con mechanic and a young girl lock eyes and fall in love but how does his home town feel about him returning to the scene of the crime to settle down? 'The Unbelievable Truth' may be too much to handle! Over the next couple of months, Shaun and Brose will be chatting about famous director's and their debut flicks; continuing with Hal Hartley's debut film, and the launching pad for Adrienne Shelly and Edie Falco, The Unbelievable Truth (1989). Pop in your headphones and listen to our NEWEST episode TODAY. Completely for FREE!

The king of Long Island joins us on the podcast to discuss his career in independent cinema, making music videos, retaining control of your work and his new novel.

The "Dirty Sons of Pitches" are examining two less-than-familiar movies for this week's edition of Switch the Pitch, starting with 1995's "Memory Run," where a man has his consciousness transplanted into the body of his dead lover, and then 2006's "Fay Grim" by indie auter Hal Hartley. Available on Spotify and Apple Episode 349 includes: -So who cares about 50 years of legal precedent anyway? Ramifications of the Roe v. Wade decision being overturned by the Supremes. -Nate runs through a littany of okay-to-dull movies like "Spiderhead," "Crimes of the Future," and "Cha Cha Real Smooth." -Ben declares "Elvis" his favorite Baz Luhrman movie. -Switch the Pitch -- "Memory Run" / "Fay Grim" -The guys discuss the 1995 direct-to-video sci-fi action movie from a trans perspective and also Hal Hartley's 2006 "Fay Grim," a sequel to "Henry Fool" and a winky ironic satire of spy movies, and then the guys combine major elements into a new concept better than both.

Shmee is my Bee, SNL, Chris Rock, Chris Farley, Made for TV movies: I Know My Name is Steven, David, emotional scarring, Mr. Boogedy, Ask Max, The B.R.A.T. Patrol, The Wizard, faulty memory, photographic memory, Garlock family confidence, sense memory, 1 900 numbers, nightmare summer vacations, concussions, hiding report cards, teacher secrets, childhood stress/trauma, teenage photos of ourselves, complex ptsd, shame books, clunky crossovers, sitcoms, Drew Carrey, Garlock tangents, Doom, Wolfenstein, Quake, Marathon, Brian Haley, Airheads, flea markets, Mobsters, Mr. Sparkle, The Simpsons, Friday the 13th The Series, John Wilkes Booth is evil?, Timothy McVeigh, Nazis and Hitler are evil, Jersey Mikes, Subway, strips of mayonnaise, diner menus, Brooklyn real estate, Kellogg's diner, Kenny Rogers, Putin, Rick and Morty, Todd Hanson, nihilism, feeling feelings, Venture Bros., Order of the Triad, James Urbaniak, Hal Hartley, Henry Fool, indie cinema, inside jokes, how much space in your mind, VHS, Twin Peaks, Canon Films, Screen Gems, The S From Hell, Hook, Peter Pan, Bob Hoskins, Tom Waits, Bruce Willis.https://www.redbubble.com/people/WTFrom/shop?asc=uBuzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

Ian and Sujewa welcome actor Thomas Jay Ryan for a lively and enlightening look at the movie that began his film career, Henry Fool!Writer/director Hal Hartley's bizarre dramedy centers on the contentious relationship between a Long Island garbage man named Simon (James Urbaniak) and the mysterious, eponymous drifter (Ryan) who awakens his staggering gifts as a writer. Henry Fool premiered at the Toronto International Film Festival in 1997 and went on to win Best Screenplay at Cannes the following year.Here, Thomas opens up about what it was like transitioning from stage to screen with hot indie fixtures like Hartley and co-star Parker Posey; discovering new definitions of success in the world of acting; and reuniting with Kevin Corrigan in Onur Tukel's dynamite 2021 film, Scenes from an Empty Church!Also, learn about the most unintentional and least effective product placement in cinema history!Plus: Sujewa talks about the recent Brooklyn premiere of The Secret Society for Slow Romance and teases a possible future role for our esteemed guest!Show Links:Watch the Henry Fool trailer.Watch the Scenes from an Empty Church trailer (now streaming on Amazon Prime).Follow Thomas Jay Ryan on Instagram.For more info on Hal Hartley's movies, check out HalHartley.com.Watch Ian and Sujewa's interview with Onur Tukel, who directed Thomas in Scenes from an Empty Church.Catch up with all our past IndieSeen episodes.Find clips, making-of videos, and other cool info about Sujewa's upcoming film, The Secret Society for Slow Romance.Keep up with all of Sujewa's projects.Follow Sujewa on Twitter.Get tickets and more info about the Music Box Theatre's David Lynch retrospective, happening April 7-14th in Chicago!Subscribe to, like, and comment on the Kicking the Seat YouTube channel!

This week Caroline pushes Paul to explore Hal Hartley and the original indie queen herself Adrienne Shelly. And they (we) both loved it. Highly recommend the 2 films we discuss as a double feature: The Unbelievable Truth (1989) and Trust (1990) from Hartley's Long Island Triology. We also discuss the documentary Adrienne (2021) about the amazing life and tragic death of Hartley's star.

Maria Coughlin is having a bad day... Or at least she thought she was that is until she met Matthew: Matthew Slaughter. The cherry atop the Hot Donovan Summer sundae, this week we are talking about Trust! Written & directed by Hal Hartley, this indie darling from 1990 has been a long time favorite for us each, but this was the first time watching together. Along the way we bemoan fight scenes in the digital age, ponder what is possible in independent film currently and Keith drones on about some German. +++++ Intro: by Professor Ping available on Spotify and Bandcamp Outro: Hub Moore & The Great Outdoors performing Walk Away This episode includes files from the Freesound.org users listed below. [A complete list of sources can be found here] andybrannan azumarill Bryce835 cognito perceptu Diegolar florianrechelt Globofonia hard_dealer InspectorJ Kenkeknem klankbeeld KrisinR metropolis I Moulaythami natemarler Nimlos priesjensen rambler52 Sheyvan W1ZY xef6 --- Support this podcast: https://anchor.fm/zandkmoviepod/support