Podcasts about Goldblum

'Mango dragon fruit' es el sexto disco con su nombre de Sérgio Britto, fundador en 1982 del grupo Titãs , y contiene canciones como 'Para a vida inteira', 'Eu sou do tempo', 'Bastava querer', 'Mango dragon fruit' -a dúo con Bebel Gilberto-, 'Viver de ilusão' -con Tamara Salles-, 'Problemática com estilo' -dúo con Ed Motta-, 'E não se fala mais nisso' -con Fernanda Takai- o 'Teca'. El actor y pianista Jeff Goldblum publica 'Still blooming', su cuarto disco con The Mildred Snitzer Orchestra, con temas instrumentales como 'Bouncing with Bud' de Bud Powell o 'Blue minor' de Sonny Clark y canciones como 'The best is yet to come' -con la voz de Scarlett Johansson- y 'Ev´ry time we say good bye' -cantada por el propio Goldblum-. Del nuevo disco de Francis Hime, 'Não navego pra chegar', las canciones 'Chuva' y 'Não navego pra chegar' -con la voz de Mônica Salmaso-. Con 'Duas contas' de Garoto, en grabación del trío de guitarras de Paulo Bellinati con Swami Jr y Daniel Murray, nos despediimos.Escuchar audio

El actor Jeff Goldblum es un consumado pianista de jazz y acaba de publicar 'Still blooming', su cuarto disco con The Mildred Snitzer Orchestra, que contiene temas instrumentales como 'Bouncing with Bud' de Bud Powell, 'Blue minor' de Sonny Clark o 'Bye-ya' de Thelonius Monk y canciones como 'The best is yet to come' -con la voz de Scarlett Johansson-, 'We´ll meet again' -con la voz de Cynthia Erivo- o 'Ev´ry time we say good bye' -cantada por el propio Goldblum-. Seguimos recordando a la cantante Nana Caymmi, que nos dejó el 1º de mayo, con canciones de su disco 'Voz e suor', grabado en 1983 a dúo con el pianista César Camargo Mariano: 'Voz e suor', 'Velho piano', 'Doce presença', 'Clara paixão', 'Não diga não', 'Por toda minha vida' y 'Sede'. Despiden los Caymmi -Nana, Dori, Danilo y Dorival- con 'Saudade da Bahia' en concierto en el Festival de Montreux a principios de los años noventa. Escuchar audio

durée : 00:31:03 - Les Midis de Culture - par : Marie Labory - De Wes Anderson à David Cronenberg, de "Mister Frost" aux "Jurassic Park", Jeff Goldblum est de ces acteurs au visage familier, et pourtant, le cinéma n'est pas la seule corde à son arc ; musicien et pianiste, il fait paraître son quatrième album avec son groupe, "Still blooming". - réalisation : Laurence Malonda, Margot Page - invités : Jeff Goldblum Acteur

Frank Caliendo-Goldblum Does TV Themes (4/25/25) by 96.5 WKLH

In this episode of the Aviation Insurance Podcast, host Tim Bonnell welcomes Bennett Goldblum, President of Beacon Aviation Insurance, to explore the complex and often misunderstood world of aviation workers' compensation insurance. From navigating 50 different state regulations to understanding employer liability and subcontractor risks, this episode is a must-watch for aviation business owners, operators, and insurance professionals. Learn how to protect your aviation team—from pilots and mechanics to ground crew and office staff—while staying compliant and prepared for the future. Don't forget to like, subscribe, and hit the bell so you don't miss the next episode!

Podcast for a deep examination into the career and life choices of Eddie Murphy & Jim Carrey. Joe criticizes Patrick for befriending a buoy that spams his phone with memes. Lev thinks Joe is jealous because he's not getting memes himself. But when Lev starts sending him some, Joe's sanity quickly spirals out of control. What eldritch-esque memes were sent? Find out on this week's episode of 'What the Hell Happened to Them?' Email the cast at whathappenedtothem@gmail.com Disclaimer: This episode was recorded in February 2025. References may feel confusing and/or dated unusually quickly. 'Holy Man' is available on Blu-ray, DVD, & VHS (multi-format if you're feeling kinky): https://www.amazon.com/Holy-Man-Blu-ray-Eddie-Murphy/dp/B007NYZA10/ Music from "Ultraviolet" by The B-52s   Artwork from BJ West   quixotic, united, skeyhill, vekeman, murphy, carrey, versus, vs, holy, man, goldblum, preston, shopping, stewart, football, carey, plex, ebert, tubi

Today we have a conversation with Ian Malcolm's Daughter, Kelly, herself, Ms. Vanessa Chester. Despite being plagued by tech issues, this deep-dive interview about Vanessa's experience working with Spielberg, Goldblum, Vaughn, and Moore while making The Lost World: Jurassic Park is funny, illuminating, and is guaranteed to brighten your day. Chester most recently appeared in a cameo for the currently out Spielberg parody film THE INVISIBLE RAPTOR. We talk about that, and just about everything you could want to hear about from the making of The Lost World. Happy Holidays from us here at The Spiel! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Legends of Halloween checks in with the inventor of pod casting, Seth Brundle. Brundle, played by Jeff, uh, Goldblum, is a reclusive scientist on the cutting edge of baboon-killing technology. While trying to crack the code of instantaneous teleportation, he recklessly experiments on himself. But when a common housefly gets caught in the machine, the result is an exercise in body horror that only David Cronenberg could deliver. The film, a remake of the 1958 classic, co-stars Geena Davis, who was at the time Goldblum's real-life girlfriend, as the reporter and love interest Ronnie who delivers the classic line, “Be afraid, be very afraid!” The film won an Academy Award for Best Makeup, inspired a sequel and has even been turned into an opera scored by Howard Shore. Now we're stepping into the pod to beam ourselves directly into your ears - let's hope they stay attached! - as we talk about the 1986 version of The Fly!   For more geeky podcasts visit GonnaGeek.com   You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com   You can write to Rum Daddy directly: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com

Welcome... TO BRING YOUR OWN BLOCKBUSTER *T REX ROARS*. But seriously, welcome to the pod... it's Jurassic Park week!There are so many reasons to love this film and we get into all of them. For starters... what a cast. Unbelievable talent on show here. A shirtless Goldblum, Richard 'Santa' Attenborough, Sam Neill, Laura Dern, Sammy L Jackson and Wayne Knight. Once again us practical effects neeks get the joy of seeing how Spielberg made the dinosaurs alongside his masterful direction.We get some of the most iconic scenes of all time: In the kitchen, the T Rex enclosure, the hacking scene by Dennis Nedry, 'Clever Girl', the Brachiosaurus encounter amongst many others.But above all... John Williams' score. What a piece of genuine genius and artistry. It's almost god like.Enjoy it! More to come this week... Hosted on Acast. See acast.com/privacy for more information.

This week brings us the first half of our two-parter on David Cronenberg's remake THE FLY. Mike, Brian, and Devaughn are joined by Scored to Death author J Blake Fischera to talk about one of the true masterpieces of 80s horror.  Featuring star making turns from Jeff Goldblum and Geena Davis, THE FLY remains David Cronenberg's most successful commercial work of his storied career, and his ultimate statement on body horror, the mutation of the flesh, and how pushing past the limits of our minds and bodies can lead to tragedy. This episode we look at how this movie came to be, explore the trajectory of Cronenberg's career, discuss what made Goldblum and Davis so perfect for these roles, marvel at the groundbreaking, Oscar winning special effects from Chris Walas and more.  If you like what you're listening to make sure to subscribe wherever you get your podcast feeds.  Please take a moment to rate and review us on the Apple Podcast app, or rate us on the Spotify app. Reviews and five star ratings help new listeners find us every day, and we greatly appreciate the feedback and support.  Check out our website for easy access to our full catalog of shows, with hundreds of hours of free content. You can search the catalog, leave a review and even leave us feedback all from the site. Go to www.podandthependulum.com to check it out.  If you have the means, consider becoming a patron today and support the show. Patreon members get exclusive full length episodes, audio fan commentaries, exclusive mini-sodes and more. Join today at patreon.com/podandthependulum.

We are once again returning to the world according to Jeff Goldblum - and this time, Goldblum really is in charge of the world. He stars as Zeus, the leader of the gods, in Netflix's new spin on Greek mythology, KAOS! We've got our thoughts on the first two episodes (and sort of the state of streaming TV as a whole) right here!

This week, with Les still in Scotland, we bring you another pre-recorded episode! It's time travel y'all!! So it's fitting that we discuss the newest entry into the Terminator franchise, Netflix anime series TERMINATOR: ZERO! Will this new storyline work? Will they stop, or start, or not invent, or whatever Skynet? Let's find out!! Plus, we chat about Netflix other new series KAOS! Greek Gods, Goldblum, and Magic, oh my!! 1:20-28:50 TV Diaries 7:43-28:50 KAOS 30:10- Terminator Zero #KAOSNetflix #TerminatorZero #Netflix #TVDudes

Batman (Bruce Wayne) and Nightwing (Dick Grayson) discover that Poison Ivy (Pamela Isley) and Floronic Man (Jason Woodrue) have teamed up and stolen information from S.T.A.R. Labs about "Bio-Restorative Project" and Swamp Thing (Alec Holland). Much to their reluctance, they decide to look for Harley Quinn (Harleen Quinzel; Poison Ivy's best friend and the Joker's usual sidekick and girlfriend) to find out where the duo is hiding; however, Harley has gone off the grid since getting paroled. Batman leaves finding Harley to Nightwing while he figures out what the criminal duo are up to. At A.R.G.U.S. HQ, Batman asks Sarge Steel about the kidnapping of a scientist named Dr. Harold Goldblum, who has a background in chemistry, botany, and biological warfare. However, Sarge says they do not have any viable leads. Nightwing finds Harley working as a waitress at the Superbabes restaurant, where waitresses are dressed as superheroes and supervillains. Tailing her, Nightwing asks where he can find Ivy, and Harley says she is done with superheroes and supervillains and wants to live a normal life. Nightwing asks her why she is in skimpy outfits for minimum wage instead of using her psychiatric training. He angers her saying she has not reported to her parole officer in months, and that he could drag her to jail. They fight, until she knocks him out with a weak dose of Joker Gas. Meanwhile, Sarge shows Batman the home of Goldblum (where he was kidnapped), and Batman finds evidence that Floronic Man had been there. Nightwing wakes up and finds he has been tied to a bed. Harley shows him a pile of rejection letters, and that her criminal past prevents her from getting rehired as a psychiatrist. Eventually, the two sleep together. Ivy is kissing Goldblum every six hours to control him with her pheromones. The criminal duo complain about humanity's negative environmental impact, and Floronic Man says once their virus is activated every person on the planet "will have a vested interest in going green". Nightwing and Harley are tickling each other – until Batman walks in on them – with the result being that Harley decides to help. Batman has concluded the criminal duo are using Goldblum to replicate the process that turned Holland into Swamp Thing, but a virus version that will turn everyone into plant hybrids. Harley leads them to a popular hangout for henchmen, where she gets the location of Ivy from one of her old minions, Shrubby. The trio head to Blüdhaven, where Ivy is saddened to see her friend helping Batman. Woodrue fatally wounds Goldblum to keep him quiet before he and Ivy escape as their lab catches fire. However, the dying Goldblum reveals that the duo is heading to Wainwright Swamp in Louisiana, where the correct chemicals are. Contacting A.R.G.U.S., Batman, Nightwing and Harley head after them to convince Ivy to stop her mad plans, since they have the potential to kill all life on Earth. Harley resorts to crying to convince Ivy, who is finally swayed by their relationship. Swamp Thing appears, informing Woodrue that he would threaten the Green with his concoction. However, he will not interfere. Batman and Nightwing wonder how to stop Woodrue until Harley points out he is a plant and asks if they have a match. Grateful, they both kiss her on the cheek and Batman sets Woodrue on fire. In a post-credits scene, Harleen Quinzel now has a reality television game show, "Ask Dr. Quinzel", where contestants run an elaborate obstacle course to win a year of professional therapy. Voice cast

First Eps is back and we've got Goldblum! We watched the First Ep of the new Netflix series Kaos starring Jeff Goldblum as the Greek God Zeus. We give our thoughts on the first episode and then attempt to cast the perfect Greek Gods movie with an unlimited budget! We've definitely got what it takes to be casting directors.

Brytyjski serial "KAOS" , który obecnie podbija Netflix, z Jeffem Godlblumem w roli głównej zadebiutował na Netfliksie 29 sierpnia. Serial nawiązuje do mitologii. Życie Zeusa (w tej roli Goldblum) legnie w gruzach, gdy zauważa u siebie zmarszczkę na czole. Jest przekonany, że oznacza ona spełnianie się niekorzystnej dla niego przepowiedni.

It's our 100th episode! And in honor of that, we are going big with 1993's Jurassic Park! We'll talk fond memories of toys, goon over daddy Goldblum, and discuss how old the Earth actually is!Also, we've got all the inside jokes and callbacks to the prior 99 episodes. We truly appreciate all the support you've given over the past 100 episodes and look forward to 100 more!Support us on Patreon! https://www.patreon.com/TheyreComingtoGetYou

On this episode, we relive the greatest cinematic experience in our lifetime and induct it onto our 5 Bucket List – Welcome…to Jurassic Park!  Keep your arms and legs inside the vehicle at all times, and hold on to your butts.  Have a magical day! #jurassicpark #stevenspielberg #trex #samneill #jeffgolblum #lauradern

This time in our look at the films of Paul Schrader, Blaize and Jason get obscure and controversial. First they look at Schrader's decidedly different Adam Interrupted, which stars Jeff Goldblum as a former popular German entertainer who is sent to a Nazi concentration camp - and the trauma that camp visits upon him. It's a very Goldblum type of performance, as the guys discuss. Then they get to the notorious The Canyons, a kickstarter-funded LA noir starring rehabbing Lindsay Lohan and abusive porn star James Deen. It's an odd film for all those reasons, and many more which the guys argue and debate about in detail - this is one of the episodes in which the guys disagree the most. We think this is a very interesting 100 minute (!) chat and well worth your time! --- Send in a voice message: https://podcasters.spotify.com/pod/show/jason-sacks/message

Episode 696: May 27, 2024 playlist: Softcult, "Haunt You Still" (Heaven) 2023 Easy Life Jim Rafferty, "I See Red" (I See Red) 2024 Drag City karen vogt, "cloud forty-six" (diary#5) 2024 Sonic-dialogue Ex-Easter Island Head, "Norther" (Norther) 2024 Rocket Jon Collin, "The Honour and Glory of Whaling" (The Other Dead Sea) 2024 Laboratorio Palestro James Devane, "No More No Less" (Searching) 2024 Umeboshi Goldblum, "Fake Ears" (Tears In Limbo) 2020 Bergpolder Garth Erasmus, "Ambient Khoi" (Threnody for the KhoiSan) 2024 TAL Gary Wilson, "I Want To Be With You Tonight" (A Beautiful Bliss) 2024 Cleopatra K. Freund, "How, On Earth" (Trash Can Lamb) 2024 Soda Gong Rachel Goswell, "Coastline (Ulrich Schnauss Vocal Mix)" (Coastline / Plucked Remixes) 2005 4AD Roy Montgomery, "The Soul Quietens" (Temple IV) 1995 Kranky Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

DFW airport raises prices, again… Harvey will be retried… Talc settlement?... Schneider sues for defamation… chewingthefat@theblaze.com Celebrity plastic surgery searches… Who Died Today: Richard Tandy 76 / Paul Auster 77 / Joshua Dean 45… Goldblum says row your own boat… No need to bring the snake… Brian Cox – theater is the one true church… Joke of the Day… Learn more about your ad choices. Visit megaphone.fm/adchoices

It's difficult to imagine Jeff Goldblum anywhere but center stage—and no one is more aware of this than the actor himself, who has always had a clear sense of artistic purpose. With almost no plan of action, a teenage Goldblum took to New York City, and through the 1970s appeared in films directed by the likes of Robert Altman and Philip Kaufman. Later hits in what has become a five decade career came in The Big Chill, The Fly, and Jurassic Park—not to mention his four collaborations with Wes Anderson. On this week's episode of Table for Two, Goldblum joins host and AIR MAIL contributor Bruce Bozzi to further discuss his early years as an up-and-coming performer, as well as his longtime love of jazz piano and the joys of raising his two children, Charlie and River, alongside his wife Emilie Livingston.See omnystudio.com/listener for privacy information.

It's been a while, but we're back to cover another Jeff Goldblum movie! Goldblum takes the center role in the experimental animated documentary THEY SHOT THE PIANO PLAYER, about an American journalist investigating the mysterious disappearance of a legendary Brazilian musician. Stay tuned for info about our Roy Scheider season, which kicks off next week!

What makes a great tech demo? Besides killer tech, do you need theatricality? Stage presence? The risk of everything exploding at the seams at any moment? This week we look back on a ton of notable tech demos big and small, from the largest Apple and Microsoft stages to people in their living rooms, to reminisce about some of the most exciting reveals and try to locate the exact intersection where earnestness and carnival barking meet to create a truly memorable presentation.Show notes and YouTube links for this ep: https://tinyurl.com/techpod-225-famous-tech-demosOur Xbox 360 deep dive episode: https://techpod.content.town/episodes/183-hiroprotagonist-loves-an-inhale  Support the Pod! Contribute to the Tech Pod Patreon and get access to our booming Discord, a monthly bonus episode, your name in the credits, and other great benefits! You can support the show at: https://patreon.com/techpod

Love is in the air! Jenna, Kevin, and special guest Vanessa Lengies are back from Blue Wire Studios at Wynn Las Vegas to spill the tea on season three's big Valentine's Day episode! The trio talks about the return of Tina, Jeff Goldblum's Glee-ful debut, and so much behind-the-scenes scoop, including Jenna's big teary fight before she had to shoot a happy scene, their thoughts on Artie serenading Sugar, and the performance they rated A plus, plus! Plus, Kevin reveals what Goldblum called him off-camera. Hint: it was a bit 'fowl.'See omnystudio.com/listener for privacy information.

This week on the podcast, the Zealots discuss the Avengers of the ‘80s and a Goldblum puddle.

Succession Stories host Laurie Barkman, The Business Transition Sherpa(™), welcomes Chuck Goldblum, Founder and Financial Strategist of Hurley Capital. Today's episode is critical if you're planning to sell your business. Laurie and Chuck discuss a topic many owners want to know more about – maximizing net proceeds after a sale.  Listen in as they explore tax strategies when you're planning to sell your business, navigating life after the sale, and pivotal success factors for a regret-free exit.  Being proactive can pay off because you need time to implement these strategies. Plan the work, and work the plan. Enjoy this Succession Stories episode about post-transaction tax strategies to navigate life after the sale with Chuck Goldblum. Find Chuck Here: https:/hurleycapital.com/ ❤️ Show us the love:  Submit a review for "Succession Stories" on Apple Podcasts or Spotify _______________________________________ My Links: ⏰️ Meet With Laurie: https://thebusinesstransitionsherpa.com/connect/

This week, we celebrate the 30th anniversary of one of the most celebrated adventure films of all time, 1993's JURASSIC PARK. Dinosaurs, cloning, Goldblum's glistening chest, and plenty of 90s computer hacking. In other words, the perfect film. If you'd like to support FILMGAZM PRODUCTIONS with a monthly donation, follow this link: ⁠⁠https://podcasters.spotify.com/pod/show/the-filmgazm-podcast/support⁠⁠ Hosted by Connor Eyzaguirre and Caleb Leger Music by Cooley Cal New episodes weekly! Special thanks to Austin Johnson, Josh Allred, Caleb Leger, Colton Jenkins, Isabel Gonzalez, Jeremy Johnson, Adam Johnson, and Mysia Pierce-Lewis. E-mail us at filmgazm@gmail.com, subscribe on Apple Podcasts, Spotify, Google Podcasts, Breaker, Overcast, Pocket Casts, RadioPublic, or Amazon Music. Follow us on Twitter, Facebook, Instagram, YouTube. Reach out if there's a movie you want us to review! Visit ⁠⁠https://www.filmgazm.com⁠⁠ for movie reviews, articles, podcasts, and trailers of upcoming movies. Follow us on ⁠⁠Letterboxd⁠⁠ for daily reviews! DISCLAIMER - We do not own nor do we pretend to own any posters or artwork. We mean only to review and discuss movies. All trademarks are the property of the respective trademark owners. --- Support this podcast: https://podcasters.spotify.com/pod/show/the-filmgazm-podcast/support

In this episode, Joe and Tom are abandoned by Jen, but that's okay, because they're joined by their friend Omar, from WoTSeries! Together they try and catch up on all the news that was missed in the past few weeks!  Showrunner Q&As! Villain audition scripts! Possible Two Rivers Trolloc Hunters! It's all here! Plus! Joe goes full Goldblum! Tom goes full anger! Omar goes full Debbie Downer! As always, spoilers abound, as do Perrin dances!Follow wotseries on X and visit their website for the latest Wheel of Time TV show news: https://www.wotseries.com/https://twitter.com/WotTVSeriesNews: https://x.com/rafejudkins/status/1706945931961122872?s=20https://www.wotseries.com/2023/10/17/wheeloftime-eason-3-audition-tape-aiel-couladin/https://www.wotseries.com/2023/11/06/speculation-iman-marson-and-ian-antwiine-joining-the-wheel-of-time-for-season-3/Support the showhttps://www.talkaranrhiod.com/Rate/review us: https://tinyurl.com/udspfm5eX: @arantalkInstagram: talk_aran_rhiodDiscord: https://dsc.gg/talkaranrhiodYouTube: https://www.youtube.com/c/TalkaranrhiodEmail: podcast@talkaranrhiod.comMerch: https://www.newcreationsbyjen.com/collections/talkaranrhiod

The Janiteers make their way through the land of Shadow of the Demonlord on an urgent quest to reclaim a piece of silverware.

"They're all pods, all of them!" For Episode 291, Brandon and Thomas cover Philip Kaufman's remake of INVASION OF THE BODY SNATCHERS. Listen as they discuss Kaufman's early career, the film's casting process, and how they mastered some of the film's memorable special effects. Opening Banter (00:00:10) Recap to Social Horror (00:09:54) Intro to Invasion of the Body Snatchers (00:11:45) How Invasion of the Body Snatchers Got to Production (00:20:16) Favorite Scenes (00:37:25) On Set Life - (01:01:28) Aftermath: Release and Legacy (01:10:26) What Worked and What Didn't (01:15:53) Film Facts (01:20:01) Awards (01:21:08) Final Questions (01:28:28) Final Questions for the Social Horror Genre (01:39:19) Preview for Next Week (01:50:15) Get your tickets for our upcoming screening of CHILDREN OF MEN at the Nuart Theatre on November 10th: https://bit.ly/3Q2j9QL Join our Patreon for More Content: https://www.patreon.com/cinenation Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast E-mail: cinenationpodcast@gmail.com

Welcome to “Not Couple Goals” where co-hosts Allie Nelson and Tyler McCarthy do a deep dive into a different ridiculous romantic thriller from the vantage point of their long-term relationship. Allie, a TV writer/producer and actress, has an affinity for romantic thrillers, the more salacious the better. Tyler, an entertainment reporter and critic, often finds himself drawn in despite his better judgment. Join them as they explore all the ways it's possible to love too hard… like WAY too hard. In this episode, Allie and Tyler are joined by PopBreak all-star Amanda Rivas and “Not Couple Goals” newcomer Brandon Vice for our Halloween double date of “The Fly” starring Jeff Goldblum and Gina Davis. Listen as they discuss whether the thirst for Goldblum is justified, whether this movie actually fits the romantic thriller genre and Allie clarifies the story about her encounter with the man himself. Is this movie a winner or a Brundlefly-like abomination? Listen and find out. Special thanks to Mallory Johns for the introduction music. To see more of our hosts, check out Tyler's writing at USA Insider, SYFY and NBC Insider. Find Allie's work at Parade and Business Insider! And don't forget to follow us on social media — Allie: Instagram, Twitter, YouTube and TikTok Tyler: Twitter Not Couple Goals: Instagram and Twitter

Writer Dave Ferguson (The Birthday Boys, I Love You America) braves our October excursion into cinematic scare fare with a discussion of David Cronenberg's 1986 classic THE FLY starring Jeff Goldblum and Geena Davis. The Canadian auteur injects his unmistakable brand of body horror into this sci-fi fable of scientist Seth Brundle (Goldblum) whose experiments with matter transport go awry when he mistakenly teleports himself along with a single house fly. THE FLY was a well-reviewed box office hit upon release, solidifying Goldblum and Davis as a brainy (and very tall) screen couple for the '80s and unleashing Cronenberg as a sicko master for the masses. Join us as we merge with THE FLY, taking a few diversions into Vidiots, The Garbage Pail Kids Movie, Mel Brooks, bug digestion, Little Monsters, stress dreams, kid Halloween costumes, Axe Body Spray, the Grinch and much, much more! THE FLY is currently available to stream with subscription to Max.

This is Arete Coach Podcast Episode 1145, with host Severin Sorensen's exciting episode with executive coach guest Georgeanne Goldblum, "Journey Beyond Boundaries: Adventuring from Branding to Boardrooms." Georgeann Goldbloom stands as a example of transformative leadership, having navigated a dynamic 25-year career in marketing management, from the leadership of Fortune 500 companies to the entrepreneurial trenches. With an additional 21 years under her belt as a CEO and an influential executive coach, she has showcased her prowess by assisting numerous companies in optimizing their business exits, collectively netting over $2 billion in the past nine years. Having earned her MBA from the prestigious New York University Stern School of Business, and advanced coursework at Harvard Business School, Georgeann's accolades don't stop at her academic achievements. She has been honored with the 2023 Red Scott Award, Vistage Florida's highest distinction, and has consistently been recognized as the number one Vistage Florida Chair for an impressive 13 years. Furthermore, her influence in the business realm was solidified when she was named one of the top 25 most influential business women in 2023 by the South Florida Business Journal. One theme that comes out in the interview is Georgeann's effort to listen, to ask questions, and listen as long as it takes to allow the coaches to do the work; it's there work! Other themes in this episode include education and continuous learning, adaptability and openness to new opportunities, passion and core values, and impacting people's lives. Georgeann thrives at helping her clients leverage the value of their enterprises to have greater exits. The Arete Coach Podcast aims to uncover the art and science of executive coaching. Learn more about the podcast at aretecoach.io. This Podcast interview was recorded on August 18, 2023. Copyright © 2023 by Arete Coach™ LLC. All rights reserved.

Welcome to Jurassic Park! After seeing the 30th anniversary theatrical rerelease in 3D, the cousins were so awe-inspired that they had to hop on the mic and gush about Spielberg's magical masterpiece. Then we dig into Steven's filmography with Austin's friend and Spielberg aficionado, Alex Creager!Join the Extended Family on Patreon: https://www.patreon.com/FilmwithFamilyYouTube: https://www.youtube.com/@FilmwithFamilyInstagram: https://www.instagram.com/filmwithfamily/TikTok: https://www.tiktok.com/@film.with.familyTwitter: https://twitter.com/filmwithfamilyFacebook: https://www.facebook.com/profile.php?id=61551928799003Email us at filmwithfamilypodcast@gmail.comLetterboxd: Austin C. Pruett and zacharyzweifler

For our third Slasher Summer episode this season, Viddy Well Film Blog's Aaron Haughton returns to break down our next “Remake That Rocks”: David Cronenberg's mental- and physical-disintegration masterpiece The Fly. Cronenberg's mid-80s remake of 1958's “The Fly” is part gothic horror romance, part ethical sci-fi allegory, and features the body horror that is a trademark of the maestro director. Outdoing the original film by leaps and bounds, Cronenberg dares us to care about the main characters before showing us how vanity to be superhuman turns deadly - and stomach churning. It's time to Pop That on 1986's The Fly.

Listen in and see what all the buzz is about! This week, the boys are joined by dear friend of the pod: Ricky Duarte, of Rick or Treat Horrorcast! Join them as they dive into this Cronenberg and Goldblum classic. They'll discuss toxic masculinity, 180 degree character arcs, and their shared love of Dr. Pimple Popper. Coming Soon: The Exorcist (1973)Give Rick or Treat Horrorcast a listen and follow!!Also follow Ricky directly on Instagram----Don't forget to rate us / leave a review!Follow us!Instagram: @scaredgaypodcastTwitter @scaredgaypodEmail: scaredgaypodcast@gmail.comPablo: @theexercistsfPaul: @paulyoueverwantedMusic by Ronnie Carrierronniecarrier.comArtwork by Patrick AllisonInstagram: @waywardwink

Screenwriter, Playwright, Producer, Performer,  and our first 2 time guest (Huh?) Keiko Green (@keikothegreen) telepods in Goldblum style for "Earth Girls Are Easy" (1988). Starring: Geena Davis (The Fly), Jeff Goldblum (The Fly), Jim Carrey (In Living Color), Damon Wayans (In Living Color), and Julie Brown. How horny can a PG rated movie get REALLY? You might be...pleasantly...surprised. (Brought to you by: Ownlee Fanz)Plot: A Southern California girl befriends three furry aliens after their spaceship lands in her swimming pool.Recorded 7/231hr 46minsExplicit language.Artwork - Ben McFaddenReview Review Intro/Outro Theme - Jamie Henwood"What Are We Watching" Theme - Matthew FosketProduced by - Ben McFadden & Paul RootConcept - Paul Root

It's that time of year again, where the SportsAlcohol.com crew gets together and has a wide-ranging, semi-nostalgic, semi-modern discussion of the biggest summer movies of decades ago. This year, we're kicking off our pair of anniversary episodes with the 30-years-ago version, throwing it all the way back to the summer of 1993, where dinosaurs (of the special-effects variety) and dinosaurs (of the dad-movie variety) ruled the box office! Join Marisa, Sara, Jeremy, Jesse, Nathaniel, and Ben as we talk Ford, Stallone, Arnold, Goldblum, Dave, Hanks, Ryan, and Dennis (the Menace, that is).

Aliens! Bloody hell, didn't expect that again after 20 years of nowt. Well here they bloody are and the only thing standing between you and absolute destruction is Paul Salt and Sean Flierl. Shame that.  Featuring: an Australian Disaster Movie, unceremonious Goldblum, the worst president ever and a war lord.  More Sean! Role to Cast: https://play.acast.com/s/role-to-cast Twitter: https://twitter.com/SeanMeansJohn Wrestle Rampage Australia: https://twitter.com/SeanMeansJohn  More Pauls! https://facebook.com/ogtpod https://twitter.com/ogtpod We have a Patreon! https://www.patreon.com/ogtpod – sign up for exclusive content for as little as $1 a month. Listen to Salt's show Jen and the Film Critic with OGT guest and deep friend Jen Blundell here! Like d&d? Want more Pauls? Into nerd shit AND jokes about bums? Why not check out our d&d actual play podcast, Quest Fantastic?  https://shows.acast.com/quest-fantastic link.chtbl.com/questfantastic RSS: https://feeds.acast.com/public/shows/61d8e6b335501c0012b6c367 Goodman's EP 'Future Music' is out now! Find out where you can stream and purchase here: Future Music by Run//Phase (songwhip.com)

Travel with us through the convoluted confines of time and space for Indiana Jones and the Dial of Destiny, followed by The Adventures of Buckaroo Banzai Across the 8th Dimension! Hat? check. Whip? check. Watermelon? um...  #indianajonesandthedialofdestiny #buckaroobanzai #indianajones #jamesmangold #harrisonford #georgelucas #stevenspielberg #peterweller

“Today we celebrate our Independence Day!” by showing our resident young person Amber Joy Roland Emmerich's classic disaster movie Independence Day (aka ID4) for the very first time! It's been said that Roland Emmerich re-defined the disaster movie genre and we think this is probably the best example of why that's said. Listen now as they discuss what makes this film stand out, from the star studded cast to the script and the amazing effects. Become a Patron today for access to exclusive episodes and videos, including two of our newest sketches currently posted nowhere else: TWAT SLAP and VEGAN APOCALYPSE! https://www.patreon.com/ixfilmproductions Our indie film shout out this week is the local sci-fi film “Under the Sun” by Tady Brothers Productions: https://youtu.be/1rQ8RxxVmME Our upcoming Events and Screenings mentioned in this episode: See our short film “Vegan Apocalypse” at the Free State Film Festival, July 1st at 5pm: https://freestatefestival.org/event/film-flights/ Fountain City Smoketacular at the KC Fringe Festival: https://kcfringe.org/2023-shows/the-fountain-city-smoketacular/ Have a favorite (or least favorite) famous movie that you think we should've seen? Reach out to IX Film Productions on Twitter, Instagram or email and we'll add it to our list!Follow IX Film Productions for podcast updates, original web shorts, behind the scenes sneak peeks and comedy feature films at:Facebook: www.facebook.com/ixfilmproductionsInstagram: @IXProductionsYouTube: www.youtube.com/ixfpSubscribe to our newsletter for monthly updates on our website: www.ixfilmproductions.com"First Timers Movie Club" is brought to you by IX Film Productions."Making the World a Funnier Place one Film at a Time"MusicThe Curtain Rises by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/5007-the-curtain-risesLicense: http://creativecommons.org/licenses/by/4.0/

Pause your work on that archeological dig and play this episode! Mark welcomes Emmy Award-winning casting director Julie Schubert to the show to join him on an adventure 65 million years in the making as they celebrate the 30th anniversary of Spielberg's groundbreaking, thrilling, and über-successful movie Jurassic Park. The two rave about the dinosaurs (another shoutout on the podcast to Stan Winston!), the cast, the deaths, the sound effects, and the jiggling Jell-O! Plus, they discuss the sequels, and wonder what the difference is between a Brontosaurus and a Brachiosaurus?

A podcast eight days in the making (sorry it's late), an adventure as old as time! Yes, it's Beauty and the...I mean, Jurassic Park! Only it's the worst one of those, even worse than the one where the Spanglish lady keeps yelling.  Featuring: Dernasaurus, Neilioptrex, Prattceratops, Bryce Dallas Allosaur, Sabre-tooth Goldblum and the dreaded Colin Treverraptor.  More Pauls! https://facebook.com/ogtpod https://twitter.com/ogtpod We have a Patreon! https://www.patreon.com/ogtpod – sign up for exclusive content for as little as $1 a month. Listen to Salt's show Jen and the Film Critic with OGT guest and deep friend Jen Blundell here! Like d&d? Want more Pauls? Into nerd shit AND jokes about bums? Why not check out our d&d actual play podcast, Quest Fantastic?  https://shows.acast.com/quest-fantastic link.chtbl.com/questfantastic RSS: https://feeds.acast.com/public/shows/61d8e6b335501c0012b6c367 Goodman's EP 'Future Music' is out now! Find out where you can stream and purchase here: Future Music by Run//Phase (songwhip.com)

Impressionist and Comedian Frank Caliendo is this week's guest on the podcast. Join Michael and Frank as they discuss Frank's career and his advice for emerging comedians.Show NotesFrank Caliendo's Website - https://www.frankcaliendo.com/Frank Caliendo on Twitter - https://twitter.com/FrankCaliendoFrank Caliendo on Instagram - https://www.instagram.com/frankcaliendo/Frank Caliendo on YouTube - https://www.youtube.com/user/frankcaliendoMichael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAutomated TanscriptsFrank Caliendo (00:00:00):So I thought put Seinfeld on drugs and the d the, the bit was why do my fingers look like little people? Who are these people in the door and they're talking to each other? They're probably talking about me when I say it. Talking. I, oh, Jerry, oh, I somebody. Hey Jerry, you look like you've been seeing little people on your fingers. It's, you just let that camera and then the end, it was Newman and Newman's like, hello Jerry. And she, we've lost a sort of Jerry Garcia Grateful Dead commitment of stamps. You would see . So he'd lick the stamps. You know, that was the,Michael Jamin (00:00:33):You're listening to screenwriters. Need to hear this with Michael Jamin.(00:00:41):Hey everyone, it's Michael Jamin. Welcome back to Screenwriters. Need to hear this. And I got another great guest today. I'm really racking up the guests. Everyone. before we begin, make sure everyone to get on my my watch list is my free newsletter, by the way. Goes out every friday at michaeljamin.com/watchlist for tips for screenwriters, actors, and directors and all that. And now let's bring him on. Let's bring on my next, my next guest who I met actually many years ago when I was running a show. He's, the show was called Glen Martin. And we, we, this is how it works. And, and Frank, don't worry, I'll give you a minute to talk. I know you're talking about the bit here.Frank Caliendo (00:01:15):No,Michael Jamin (00:01:16):I love it. This is how, this is how it works in animation. It's actually a fun job for, for actors. So basically the casting director, we don't even audition. Can't we say this is what we need and the cast director just bring somebody in and, and and if they're terrible, you know, we just get somebody else to replace them. And so in this role we needed this is we needed someone who could do an impression. And I don't remember what the character was. There's probably some politician. It might have been Obama, it might have been George Bush, someone like that. And so she had our casting director was Linda Lamont, Montana. And she goes, I have just the guy. And she brings him in. And it was, it was Frank, Frank Callo, thank you so much for being on the, my podcast, Frank.Frank Caliendo (00:01:55):And now I'm back. How about that? Huh?Michael Jamin (00:01:57):Now you're back. And he killed it. Now Frank, is this your, Frank has got Frank, you know, the, and, and, and the Game of Thrones. There was like the the man of, what was it? The god of many faces. Is that what it was? You're, you're the man. You're the god of many voices.Frank Caliendo (00:02:11):I'll take it. Yeah, I'llMichael Jamin (00:02:12):Take, take it.Frank Caliendo (00:02:12):It it's like six and then I just kind of do variations on it.Michael Jamin (00:02:16):I don't think so. Dude, you are amazing. You are amazing at how you do that. I want to get into like how you actually do that.Frank Caliendo (00:02:23):Well, there, there, okay. So let's, let's get into, first of all, I didn't believe you that I did the show that you said I did, cuz I kind of remember Glen Martin. D d s I remember getting the sides for it. I remember getting an email about it, but I don't remember doing it cuz we talked at some point that you were doing a live a live stream. And you're like I think that's where it was. And I was like, you said, oh, Frank, you did a thing with me. Or maybe we just instant message back and forth. I'm like, you're crazy. I don't remember doing that. I just looked it up on I mdb and I did do it. You did do it. It was George Bush and I guess John Madden. Go figure. You probably Madden happy for Georges Bush. So you wrote in the John Madden thing, I'm guessing. Michael Jamin (00:03:09):It's so funny. It's so funny that you chose to forget that you were on Glen Martin. How, howFrank Caliendo (00:03:13):She, I don't remember a lot of stuff and I don't even do any drugs, but it's like, I don't, I don't remember. I remember it was like a declamation kind of thing, right?Michael Jamin (00:03:19):Yeah. Yes. Right. And it was, that was Kevin Neen. He, he the, he the guy. So, yeah. And you, you crushed it and you did. No, it wasn't John. John.Frank Caliendo (00:03:29):I crushed it so much. I've never worked with you again. That's butMichael Jamin (00:03:32):I haven't done not have animation since. No,Frank Caliendo (00:03:34):That's true, jerk.Michael Jamin (00:03:35):I did Barry for 10 minutes though. But youFrank Caliendo (00:03:38):Know, it's funny. Here's a funny thing though. This is a funny thing, is that I haven't done a lot of animation. So you think of me as animation because of the voices. And that's the thing that's always weird. And that's why one of the reasons I didn't do a ton of voice acting. One, I wasn't as good at it as some other people. But two, it was like, because once you do that, it's amazing how people think of you in like, I'm in a couple of different tunnels for pi. It, it's, you know, the pi, the holes of the pigeon. I am a, people think of me as a sports guy and an impressionist. So it's like, oh, we, that's all he can do. So they never, so I, it's so funny because recently people have been like, ah, you wouldn't do this little partner move.(00:04:19):I'm like, yeah, I would, I do, do I have to do an impression? No. Oh good. Are you gonna rewrite the part? So I do impressions? No. Perfect. Interesting. That's what I wanna do. Now I do this, the impression stuff to keep the lights on. I mean, that's what I do on TikTok and Instagram and stuff like that. It's, there's some fun with it too. But that's the amazing thing is people start to get, I think I saw you do something recently where you said, you know, beat the dead horse. Right? You're like, it can Oh yeah. Do the thing. Do the thing you're known for . Yes. Keep doing it. Keep doing. I did it for 20 years andMichael Jamin (00:04:52):Well, I'm telling, and I'm talking about beginning people, but Yeah. But for you I can understand.Frank Caliendo (00:04:55):Absolutely. It's, it's, it's, and then you, you then you get to that point where you're like, I gotta do some other, some other stuff. And it's so funny because then people don't want you for anything else. Right. And then you go back and do some of the stuff again. But there's like two careers. And I've heard David Spade talking to those other people. Probably talked about it too. But I used to say this until I heard David Spade say it too. And then I'm like, oh, people think I was just taking it from David Spade. But it was, you spend the first career, you have two careers, the first career pigeonholing yourself, getting known, doing something, Uhhuh . And then the second career is being able to do something else, right? Like getting outside of that. So I had the first one. So I'm fighting in that little bit of that second one.Michael Jamin (00:05:33):Well, you know, so I, I wrote for Spade twice on just Shoot Me. And then later on Rules of engagement. So I'm just curious, what does he think is, what is his second career? What was he talking about?Frank Caliendo (00:05:41):Well, I I I just saw it in a, you know, I, I worked with him recently and didn't bring it up because I was scared of him. No. Why would you be scared of David SP's scared of David? Like, I tower over David sp five, six. No I'm trying to think. It was just something I saw him talk about on a talk show. And I, you know, it was one of those things I'm like, ah man, somebody much more famous than me is talking about this. So I don't know whatMichael Jamin (00:06:07):Thing you'd like to do. Well, I mean, you're amazing at pressure. I can see why you might wanna do something up, but what is it acting? I mean, you know,Frank Caliendo (00:06:13):It's just acting in small parts, you know, just small things because one, people think you want to only do big things and carry a show. Right. I don't really even have any interest in that. I don't even, I, I don't even wanna carry a show Uhhuh. Cause that's, I I I don't feel like my acting is at that level where I, anytime I've ever wanted to do something in Hollywood, I've always wanted to surround myself with good people. And they get confused when you try to do that. Yeah. They're like, why would you want somebody else to Well, cause I want it to be as funny as possible. I grew up, I grew up playing sports. When you have a good team, you do your part on the team. When I had Frank tv it was my show that came after Mad tv. It was shortened by the writer strike and it had some struggles and stuff like that. But it was one of those things where and it wasn't that good. And when it was finally put together, I was amazed. Cuz we had great writers and they would do it. They would pieces John Bowman that were Bowman and Matt Wickline.Michael Jamin (00:07:09):Yeah.Frank Caliendo (00:07:09):Great writers. Brenda Hay king and Lance Crowder. All these guys, like people Rachel Ramas, there were really great people Yeah. Involved in the show. But then by the time it was cut and put on tv, all the air was taken out. It was boo boo, boo boo boom. And you know, when that happens, there's no setups. It's all punchlines and you look like you're trying too hard. Yeah. That's, you know, you and I just didn't have, I'm, I'm not enough of a fighter. You need somebody who's gonna fight for you and do somebody who's gonna have the vision and fight for the vision and has been in that spot before to fight. And I just, I mean, I was doing like 15, 20 pages a day cuz I was playing all the parts until I got them to get other people on the show. So it was one of those things where I was just like, I was exhausted. I didn't even get to see edits. I didn't, I didn't like watch myself. Cause I was also too fat at the time. Yeah. I was like, I'm so fat in these things. I, it looks like South Park episodes. Michael Jamin (00:08:08):But how did that come part about, did you have a development deal at a studio orFrank Caliendo (00:08:11):Something being fat?Michael Jamin (00:08:13):No. You a lotFrank Caliendo (00:08:15):Exercise. It was, I had a d I went in, I, I went in and after I was at Med TV for a while there for five years I had the Fox stuff, the n NFL on Fox things, which was actually bigger for me than anything else. Right. being on the Sunday stuff and Super Bowls. So I went inMichael Jamin (00:08:35):And that's cause you do a killer. Madden give, give us, give us the taste of the Madden so people knowFrank Caliendo (00:08:39):What you're trying. I'm mad here for the quick pop popcorn pop. And I turned him into a character too. Like, like I was ta talking. This is, I know I go off on tangents. Just stop me. Go back. But one of the things with the Madden, you know, the, the realistic John Madden voice was this kind of voice where you, you say the things and you do the things. But I found this thing in him that was the excited little kid. Right? The . Yeah, yeah, yeah, yeah, yeah. And then when he would get that, that going, it was like, I was on Letterman and he had me come on as, get me come on as John Madden didn't say it was a some, I was the lead guest over Ben Stiller, I think it was. Wow. Fake John Madden Wow. Was the lead guest. And I came in and I wasn't really the lead guest, but it was, you know, I tell people, but it was a, it was so I pulled a chicken wing out of my pocket.(00:09:29):I had them get me a chicken wig with sauce on it and everything. I gave you hungry. He was like that right now. , how funny, can you believe this? But it was one of those things where it just, stuff would happen and the, you create the character with it. And it becomes, the funny thing is to me, that that stuff doesn't work the same on social media like TikTok or Instagram, but it might work on some YouTube stuff. Cause there's more longer form. It's, it's more of a longer form, you know, the, the platform is Right. I just didn't like that I said more and longer right. Together. I'm, I'm weird with grammar. I'm very, some things I just, like, if you noticed, I texted you, I didn't like that I put different tenses tenses in my texts and you like, you just stopped talking to at that point.(00:10:14): But when you, I dunno what they really like and on TikTok and these you know, shortform ones platforms is exact replication. They want the, what I would call more of an impersonation, right? Like they want the the, they want you to sound exactly like the person. There's no element of caricature it really, or going what I would call Dana Carvey on it, cartooning it Right. And making it bigger. They're like, ah, that's not like it. Well that's the point. That's the comedic element, right? Right. That makes a good exaggeration after. Yeah, exaggeration after the initial what's the, what the word I'm looking for, the when you, when you recognition, when you get the recognition, laugh on the sound, and then you have to do something with it and make it bigger, right? You have to have more fun with it.Michael Jamin (00:11:09):But you did a post, I thought it was fascinating. I think it was on TikTok, excuse me. I think it might have been like how you do Robert Downey Jr. Or something. And you, you walk through the stages of how you approach the voice in, in pieces and then how you getFrank Caliendo (00:11:26):There. So let's, let's start with this. And this is something that you'll identify with completely as a writer and a creator. You have to find the cadence and the voice of the person not speaking in terms of tone, but the cadence, right? Yeah. How many Christopher Walkins have you heard, right? You've heard low, you've heard, hi, you've heard in the middle, in, in, in the old days, it was William. You knew who it was just by the pauses, right? So you could tell from those voices how you would write for that character. You put the point of view into those, into the song, right? What those of the, you know, into you put the lyrics into the melody. So with Robert, Danny Jr, I found that this is with other characters too. That counting can help you do it. It's better for the audience. It's not a full way to teach somebody how to do it, but it's entertaining while you do it. So Robert Downey Jr. Is after you find the pitch, or you don't even have to have the pitch first, but I'll go to the pitch cuz it's what I do. But it's one, two, pause, burp 5, 6, 7. So you find that it's 1, 2, 4, 5, 6, 7. And then you can just figure it out, you know? So that's, that's how you find those with Liam Neon. It's 1, 2, 3, 4, 5, 6, 7. You know? So it's the beginning. That'sMichael Jamin (00:12:52):Interesting.Frank Caliendo (00:12:53):Yeah. You can do that with Jeff. Goldblum is one, two 1, 1 1. Juan, what comes after one? Think out loud. That's him one. What's, what's coming into my head? What do I hear? The voices coming at me. One, two. Yes. Here comes one, two, a little jazz. 2, 2, 3, 3, 3, 4, 4, 1, 2, 3, 4, 5, 6.Michael Jamin (00:13:17):But you talk about this, you're talking about how you approach it. It's not like you think anyone, you, it's not like you're trying to teach anybody. It's not like anyone, you think anyone can do this, do you? Because I don't think IFrank Caliendo (00:13:26):Do. I think people can find, people can find, I do think people can find it. I think people can find people can't get the, they might not be able to get the pitch, the, the, the note, but they can find the cadence. Everybody, people do itMichael Jamin (00:13:40):Forever. But you, you know, your, your throat, your mouth has a certain in your nose, like you talk. I think you're stuck kind of with the, like, I can't change my, you're stuck with the voice. I don't know how you were able to literally changeFrank Caliendo (00:13:51):The, well, you don't need to do all that stuff. You don't, you don't have to do all the, that. This is another part. The face is another part of an impression. That'sMichael Jamin (00:13:58):The sound of the com. The sound comes from inside your skull.Frank Caliendo (00:14:01):Ok. So yeah. So there, there, there are different pieces to this as well. You can close off your throat. You, you think of it, you know the Bobby character, the Howie Mandel, little bitMichael Jamin (00:14:12):Bobby.Frank Caliendo (00:14:14):So that's closing off your throat. And a lot of people can do that. But the difference is finding different levels of being able to work. It's just, it's a, it's like a muscle, right? Right. So I'll do, I've done this, you might have seen this before, but this is John C. Riley is in here. So John C. Riley has just a little bit of bubble in his throat. Now if you work backwards, a tiny hole, ker frog, that's a little bit more up in here, re tiny Hall Kermit, you're reporting from the planet COOs. Then bring it down a little bit, Nelson your throat a little bit more. You add some air and it becomes Mark. I, I see this as an absolute win, guys. ThisMichael Jamin (00:14:51):That's exactly it. ThisFrank Caliendo (00:14:52):Is, this is crazy. And then, so for Ruff, he is got that thing where I think he had like a, a tumor or something, some, some medical thing when he was younger. And part of his f it was the same with like Stallone, Stallone had Bell's palsy, right? So he is got that, you know, that thing that, right? So if you find, I call it the pizza slice, you've probably seen the thing I did this. It's a triangle. It's a line across the eyebrows, a.in the, in the chin. And it's the triangle that goes down. There are two things. Now, this is stuff I'm actually gonna dos and Instagram on as well, but it's I just am too lazy. And it's, the mouth tells you how the person talks.Michael Jamin (00:15:33):UhhuhFrank Caliendo (00:15:34):. So if you watch my mouth, that's why everybody does a Donald Trump, right? When they do a Donald Trump, you have to do the lips. The lips are very, very, that's very. But now this part of my face from those down is doing Donald Trump. Now when the eyes start going, it sh now that's the point of view that starts. Same with the bush. Bush is, you know, I could do this thing with this half smile. It's like somebody told me a dirty joke before I came up here, but that's just, that's from nose down. But now I get a little discombobulate and you know, I'm staring into the, the abbu, you know, that's what it was also a great movie. So it's, and then the point of view comes from the way you think. Right? But you, when you write a character, when you write a character, you become that character when you write, I don't know if I'm stirring batter or what. Yeah. But if you're doing a cooking show and you're stirring the batter, but your character, you haveMichael Jamin (00:16:32):To, yeah, we would, for example, on King Hill, we would imitate Bobby Hill or Hank or whatever. But imitating is not sounding, you know, it's not sounding like,Frank Caliendo (00:16:40):Yeah. It's just, that's just taking it another level. You, you, you just take it. You get, because you had the cadence of the character. You might not have had the note, but you had the notes written. You didn't have them on the stop, but you knew if it was an eighth note, a quarter note, whatever, a, a rest. And I only know a little bit about music and that's all of it that I just told you.Michael Jamin (00:17:00):But did you, as a kid, did you, like, did you, were you good at this as a kid? Did you wanna aspire? Did you aspire to this?Frank Caliendo (00:17:06):I think I was pretty good at it. I, I have a natural knack and my kids have the knack too. So you have to have a, a knack at the beginning to figure this stuff out from the beginning Right. To, you know, it's predator of the infrared going. I see everything. My son had Bell's Palsy when he was very little. And I, I could see that when he would smile. This is a, the blessing and a curse thing. And when he would smile, he wouldn't smile all at the same time. And then I started to look closely and part of his face moved a lot slower and didn't always move. And I said to, to my wife, I go, something happened. I don't know what it is, but I think he had Bell's Palsy. Well, we had him tested to make sure there was no brain stuff going on or whatever.(00:17:47):But the doctors, what the diagnosis eventually was Bell. He had Bell's Palsy when he was a baby. Right. And it, you know, pa what happens is Bell's Palsy is, I think the fifth I, I don't remember what it was, the fifth or seventh cranial nerve. Something gets damaged either by a virus or trauma, blood trauma. And it keeps you from everything moving at the same time. But that's, but I could see it. Most people don't see it. I could see it because that's the way my brain breaks things down. Yeah. I mean, you as a writer, as a performer, whatever, however you consider, whatever you consider yourself, you do similar things. You see the world from that point of view. And that's how you write. You go, you observe, you take in, and then you replicate or create from that. Exaggeration or finding the, I I've set off Siri like nine times on my watch during this. I've never, that's never happened before.Michael Jamin (00:18:50):I Yeah, I, I say mean things to her. I and I and my wife says it's not good because Apple's picking up on this , like I say awful things to Siri. So, you know, like, Siri, you asshole. What time is it? She don't say that.Frank Caliendo (00:19:08):I'm sure it could be much worse.Michael Jamin (00:19:10):Yeah, it is much worse. I'm cleaning it upFrank Caliendo (00:19:11):For the podcast. Yeah. You were just trying not to get canceled.Michael Jamin (00:19:14):Yeah. Yeah. .Frank Caliendo (00:19:15):Yeah. So there, so there are lots of, yeah, I, I, I see. I look at these thi these things in, in lots of different ways. For me, you know, one of the things that, one of the things when I first got on social media in the last couple years, a few years ago mm-hmm. . Cause I wasn't doing any, cuz I was on Twitter 10 years ago. AndMichael Jamin (00:19:35):Why did I started finding, started my goal on social media. Why did you start?Frank Caliendo (00:19:38):Well, you have to. I mean, if you, if you, the first time it, it was because it was new and people were telling me I didn't like it. I just, I don't like it. I, I, I, I can't, I can't adapt it because people are angry for the most part. And there's a lot ofMichael Jamin (00:19:54):Yes. Tell me about it.Frank Caliendo (00:19:56):Is it, yeah. Right, right. And there's a lot of what confirmation bias. So there's confirmation bias mm-hmm. and the exact opposite. Right? So people either wanna hear exactly what they're thinking and they don't wanna have a conversation about something different. Mm-Hmm. . Or they just wanna fight you for no reason. They wanna troll you. They just wanna, they wanna make you mad. And especially somebody like you or somebody like me that's been in the entertainment business, we targets. Because if we say something back that's mean. Oh, the guy from Glen Martin dvsMichael Jamin (00:20:27):. Well, they don't, they don't. No one's ever heard of that. I know. But, but you're right. I don't, I don't respond anymore because there's just no winning it. There'sFrank Caliendo (00:20:35):No winning. It can't win. Cause because you are, it would be like, this is an exaggeration, but it'd be like a leader being a leader of a country. And this is, but this is what Trump does or did though, right? Uhhuh, . . And you would come back at people and you'd go think, ah, you gotta stay above that. At a certain point it's fu it, it quote unquote. It could be funny in and this isn't a political rant, this is just what I see as an observation. Mm-Hmm. it can be funny in of somebody running for president, but as soon as they're president you kind of feel like you're Yeah. I think, I think it's time to be a little different. You can, that's my opinion. ButMichael Jamin (00:21:08):No, you're absolutely right. I told, but, but, and that's what's so interesting about it, is because social media, at least when I started doing it, like at first, it's a little empowering. You have an audience and you can, you have an, you have a platform. But then once you start getting trolled and, and I, as a comedy writer, I feel like I can tear you apart. I can tear you apart. Whoever's trolling, I don't, I'm better at this than you. But the minute I do it, I, I can't do it because then I'm, I'm then I'm the asshole. And then it, what was once empowering now becomes emasculating at the same time. It's very odd to be able to have a platform, but not causeFrank Caliendo (00:21:40):And and you can, and people can say things to you that you could never say back because they will say things that would get you as a business person canceled. Yep. It doesn't have to be racial. Or it just, they can say things that are just mean that if you say it and somebody pulls it up, they're like, look what Michael Jamin did. Yeah. This is unbelievable. Yeah. I We can't hire this guy. Yeah. He's, he's a terrible person. And they'll defend the person who's ripping you to shreds and saying way worse things. Yes. So you're stuck in, you're, you're stuck in a spot. So it, so I, I started, this is why I got away from social media 10 years ago, whatever. So I was on Twitter, I was building it really quickly with sports stuff. Mostly not video, just just kind of like sassy phrases and, you know, mean things. I, and I realized I was starting to be this person on Twitter in real life in real wayMichael Jamin (00:22:37):InFrank Caliendo (00:22:37):What I'd see somebody just, I'd see somebody and wanna say something terrible to them. Mm-Hmm. . And the only reason I would say that in Twitter, cuz my comedy's silly, not really mean uhhuh, , it's it more cherubic cuz of the cheeks. But , it was one of those things where you said mean things on Twitter, you got likes and retweets cuz people love Right. You know, knocking down people in power. Yeah. Yeah. And I would say something about a quarterback that just threw an interception. Something I could never do. I would never have, you know, that that's the level of skill to, to make it to their level. And I'm ripping them to shreds. I'm going, I, I, and I've changed this way too. I mean, I, I used to think, you know, I used to watch the Oscars and kind of rip the Oscars to shreds because it is so self-aggrandizing. It, so mm-hmm. , everybody's self-congratulatory and stuff. Like, and I would say things, I'm like, I shouldn't be saying this, that, not just because it's, you know, it's kind of gross. But it's, it's also just, I don't know, these people work very hard to get where they, you know, they're just going, some of 'em don't, you know, they're happy to be getting an award, but they have to be show up. It's part of the business. Right.(00:23:46):I get it. I, I what a jerk I am for. You know, that's why even people, people wanna do a podcast and like, let's do a podcast where we just rip movies. I'm like, I don't wanna, that's somebody's acting, somebody's put a lot of time, like my TV show. There were a lot of great people putting that stuff together. But by the time it all got put together, a network has to say other people standards and practices, all these different levels, it's not really what you want it to be. And it's not any one person's fault. It's just not what you want it to be. And that person is, but, you know, that's why it's so amazing when somebody does do something really great, you're going, wow, you watch a, a Tarantino film or something like that. He's a guy who just fights for all his own stuff.(00:24:32):He's gonna do it his way. Right. But you watch a, you watch a film with somebody who does Jordan Peele now right. Who actually got to work with a man TV years ago. People get to a point where they have their point of view and they can make closer to the movie that they want to make. And then you go, okay, when this turns out, this is, this is fantastic. This is how you do it. Because when you don't have that much, say you don't have that much power and you don't have that much fight in you, it's, it's really hard to get close to what you want. And there were so many things in my show mm-hmm. that were close to what I wanted. But that little bit of change just goes. And there were three little changes. You go, oh, the timing's not what I would've done there. They used a cut I never would've used. Right. And now they put it in a different part of the show. Wow. Oh man. So then I know that happens everybody,Michael Jamin (00:25:27):But I have to ask, so then why do you do, why are you on social media? Because you, you have quite a big presence on it. So what's,Frank Caliendo (00:25:33):You go in, you go into an somebody's office, an executive's office. The first thing they do is look how many this, what are you doing here? What do you do? They reallyMichael Jamin (00:25:43):Say, say that toFrank Caliendo (00:25:44):You. Oh yeah, I've had plenty. The people look at me. It'sMichael Jamin (00:25:47):Because what they don't, I feel like they don't understand is the change in the algorithm, which is maybe only a few months old, but they don't un do they understand when you talk to them that having a million followers on Instagram or TikTok, you can't reach them all on any given day. You reach maybe a 10th of them, you know.Frank Caliendo (00:26:03):Well, you don't even reach that. I mean, people don't, so again, people the way it's been explained to me is that TikTok doesn't even really go out to yourMichael Jamin (00:26:15):Followers anymore. No, it doesn't. No, it doesn't.Frank Caliendo (00:26:17):It go, it goes out to a random sample audience, which has mm-hmm. some of your followers in it. And then once it hits that first audience, if enough people watch it long enough or watch it to the end, it gets, then it goes to the next sampleMichael Jamin (00:26:30):Audience. Yes. Right.Frank Caliendo (00:26:31):So if you go to a bad, I I,Michael Jamin (00:26:34):But that's also Instagram. Now that's kind of this, they're they're taking the same model. TheFrank Caliendo (00:26:38):The real stuff. Yeah. Well, because, and the reason that works for them is because they, they can build stars faster that way they can build. So it used to be on Instagram, it would take you years if you weren't famous mm-hmm. to get to a point where you had 10,000, 20,000, 30,000 followers. Well now people can just vertically swipe through reels and all of a sudden the, those people who do that are tend to follow a lot more people. Right. So your videos can go viral with no followers. Right. And then suddenly you'll have followers. It didn't used to work like that it used to.Michael Jamin (00:27:15):Exactly. So that's why I'm asking lots of followers. Do they know, do you think the executives know that? Cause they look at your numbers and like go, oh, Frank's got a big following. But do they know that you canFrank Caliendo (00:27:23):I don't. I think they're a little, I think yes and no. But again, it works to, in their favor that if you have videos that have a lot of numbers mm-hmm. do, because then you're hitting an audience. They know you're hitting a pretty big audience that spreads it to other people. Mm-Hmm. . Now I'm 49, I'm about to be 49. Okay? Mm-hmm. , I, my age group that I played to most, or played to the most was probably 35 to 50 in there. You know, somewhere in there somewhere that I felt like I was similar age and had similar likes and life experiences.Michael Jamin (00:28:00):Right.Frank Caliendo (00:28:00):And those people, that group of people doesn't tend to hit the light button or the retweet button as much. I know I don't. Right. Right. Kids send it, they direct message stuff to their friends. They send things to their f they then they tag other people. They tag lots of people. Yeah. And that's why network executives, producers advertisers like young audiences, not just to sell the products to, but they're the ones that spread the word. Right. And they know that. They know it. It kind of works. You know, I always, I never really thought about that or I never really believed them with that. You know, I've changed brands on a lot of stuff. I've changed toothpaste, I've changed all kinds of things. Right. I don't think I'm normal. I, I, I, I guess I'm not, but young people will try different things and they will do lots of different things at a much higher rate. AndMichael Jamin (00:28:54):So interesting. Do you feel then, as a performer that, okay, so you kind of have to do this. You're a little bit, you know, could you do it what, every day? Right? How many times do you post a day?Frank Caliendo (00:29:05):I don't, I don't even post that much. I, I'll post like a, a week. Once a week or once. Oh, half the time. It's half the time. It's old stuff that I've already Interesting. Like the thing, I have something with 8 million views right now from like a couple weeks ago. Wow. That I've posted two times before. Yeah. And it's gotten a million views and 2 million views and maybe 30,000 views. Oh. Which hits exactly what you're talking about. Yeah. If it doesn't hit the, I have, I have two pieces of advice. A couple pieces of advice for your content, please. I, I would not end my pieces telling people to go see, go. Don't, I wouldn't waste the time in the, in the, in the post telling people for more, if you like stuff like this. Go see, go did Michael Jam writer what, you know, your website, stuff like that. Right. I would just put it in writing near the end. Yeah. On the screen. Because then it's there a little bit subliminally. And they don't have to wait for the, because if they've heard you, if they like your posts and they watch you all the time, they know that's the end of your post. They'll cut out early.Michael Jamin (00:30:10):Interesting. So you're saying put But if I put it up on there, cause I, I do this to get people on my newsletter Right. To, you know, cuz that you get their, but you're saying if I, if I just say it'sFrank Caliendo (00:30:20):Up to say at the end, you spend two to three seconds going. Right. If you like what I said right. Go to Michael Jamin, Robert Writer what is it? Michael jaminMichael Jamin (00:30:28):Michaeljamin.Com/Watchlist is my newsletterFrank Caliendo (00:30:30):Slash watch. Okay. So if you, if you like what you've heard, go to Michael Jamin slash wa slash slash watchlist stuff like this and other things that I gotta Now now they've got, now you've, now you've given them a little piece, which is what's everybody telling you to do? They all tell you well get the call for action. Yeah. But if they've seen your post and they like your posts, they don't need that anymore. Right.Michael Jamin (00:30:53):What if they're brand new? What if they'reFrank Caliendo (00:30:54):Brand new? If they're brand new, you put it, you just put it up on the screen. You put it up on IMichael Jamin (00:30:58):The screen. What do I put on the screen?Frank Caliendo (00:30:59):On the screen? You just write it on the screen. Yeah. Say like more stuff like this.Michael Jamin (00:31:03):Oh, okay. For the whole thing. For more. Okay.Frank Caliendo (00:31:05):Or, or in the last, the last third of what you say. Okay. Just have it up there. And in the, because you do that, you can try, you can, you can experiment and do it both. Do it, do say it sometimes put it up on the screen. Do both mm-hmm. sometimes just put, put it at the end and, and test it. Yeah. Because I could be, I can be wrong. I can be wrong here. But I'm telling you, I watched to the end of yours because I know because I want yours to do well, Uhhuh, , I'll do it, but I'm tempted as soon as you go into that mm-hmm. , I tempted to flip up andMichael Jamin (00:31:39):All right. What,Frank Caliendo (00:31:40):What I found with my stuff, if I introduce things, sometimes people don't even wanna see me introduce it. I just put the title of what I'm doing on the screen.Michael Jamin (00:31:49):Uhhuh ,Frank Caliendo (00:31:50):I don't tell you, you know, I don't tell you what I'm doing. I put the title on the screen to tell you what I'm doing and I get right into it. Right. Unless it's a reply to somebody's if somebody's, then I read their reply a little bit. Right. So they have the visual and you're reading the reply and you're saying something at the same time. So they're kind going back and forth. And then you do, you cut and do what they're saying. What is, what is your other, very quickly,Michael Jamin (00:32:16):What is your other tip for me? Is there anything else? I'll listen in. I don't know if my reader Yeah. What cutsFrank Caliendo (00:32:26):I would cut, I would cut a lot. You don't cut much. Oh, oh,Michael Jamin (00:32:30):Oh.Frank Caliendo (00:32:31):Visually you do, you do things in one.Michael Jamin (00:32:33):Yeah. No. You know why? Because I just don't wanna produce anything. I don't wanna spend time. Right.Frank Caliendo (00:32:36):I get it. I get it. I get, I get it. And, and, but like a friend, somebody I know used to work at YouTube and they're like, just cut, just cut, cut, cut, cut, cut. And you don't even have to really produce it. All you have to do is just splice, splice, splice slightly. Make things bigger and smaller. You don't even really cut any air out. But I, if, if you look at, if you look, you just put it in iMovie or they actually have it in there. Now. If you don't even, you don't evenMichael Jamin (00:33:01):Too much word.Frank Caliendo (00:33:02):I get it. If you watch most of my stuff that's new. There is no real effort into writing it. , Uhhuh. It's just saying words over and over.Michael Jamin (00:33:13):. Right. It's,Frank Caliendo (00:33:15):I won't put the time. Now what I'm starting to do is go back, like you said, let's talk about the Seinfeld thing. When I put the Seinfeld thingMichael Jamin (00:33:21):Out, and that was from Frankie. OhFrank Caliendo (00:33:23):Right. That was from, and it was critically panned. Like it's terrible. Like critics told me it was awful.Michael Jamin (00:33:28):. Ok. I liked it.Frank Caliendo (00:33:30):Yeah. And it's even cut even shorter. It's, it's even, I think the full things like pretty good. There was one of the things I was the most proud of, Uhhuh or the proudest of. And but it's one of those things where , it's so funny cuz it really does look like a South Park version cuz I'm so fat. At the time we made it that it's that, that it just looks like, I call it sign fat. Right. But it was weird cuz if I had guest stars on the show, it would, it would even make it tougher for disbelief, you know, suspending belief or di is it suspending belief or suspending disbelief.Michael Jamin (00:34:03):Suspending disbelief.Frank Caliendo (00:34:05):So, okay, so, so you,Michael Jamin (00:34:07):Yeah. So you're not disbelieving it,Frank Caliendo (00:34:09):Right? So you suspend your disbelief when you see somebody, all the characters look kind of the same. It fits, but all of a sudden you have somebody that looks more like the person because they're skinnier or something like that. A sudden it looks up like, but that Seinfeld thing, it was actually from my, my act was my, the way I did it in my act was I tried to, I always trying to think for the impressions. And so my, my thinking of the Seinfeld bit and my act was Seinfeld is about nothing. It's about reality. It's about everything that happens a reality. Well, what takes you outta reality? So it was drugs. Mm-Hmm. . So I thought put Seinfeld on drugs. And the, the, the bit was why do my fingers look like little people? Who are these people? They doing, they're talking to each other.(00:34:54):They're probably talking about me when I say Jerry, oh, somebody. Hey Jerry, you look like you've been seeing little people on your fingers. That's great. You just let that cat. And then at the end it was Newman and Newman's like, hello Jerry, hello Newman. And she would've lost a sort of Jerry Garcia grateful dead commitment of stamps. She would see them baby . So he'd licked the stamps. You know, that was the bit. So there was reality and it turned back into AED episode. But the whole bit was instead of reality, how do I get into a fantasy world? And that was the easiest way to to, to(00:35:28):Do it. Right.Michael Jamin (00:35:31):Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.(00:35:54):It's fucking, your voices are amazing. I mean, that sounds amazing. But tell me, I have another question up for you. I'm just, I'm curious, I know you're, I actually wanna mention this, so I know you're, you, you got two shows coming up in, in Phoenix, right? Yeah. Where you do, where you go and it stand up, you're doing voices as well, or like, right? OrFrank Caliendo (00:36:11):Yeah. I, I just, what I do is, I'm, I, so what I, what I like to do is, I always hated the vaudevillian impressionist Uhhuh . What if,Michael Jamin (00:36:21):Oh yeah.Frank Caliendo (00:36:23):You know, what if Carrie Grant was your waiter, well, why, why would he be, first of all, that's bad writing, right? ,Michael Jamin (00:36:32):Why would he be your waiter? WhyFrank Caliendo (00:36:33):Would he be a waiter? Remember, years ago, I think it was on the white was it the white album? The that Dennis Miller did? Uhhuh . He's like . He was like and these impressionist, I think Jack Nicholson as a fry cook at McDonald's. I mean, how about you as a fry cook at McDonald's? Chachi, get some writing. You know? So it was it was, I was always like, I wanna write for these characters. So what do would I do? I would make observations. So the way, and that would give me my point of view. So Pacino, he's an actor, right? So I was like, what do act what do they teach you in acting? Be curious. Be amazed by everything. So the simplest thing, Pacino can be amazed. Like somebody's turning on a light. He's like, wait a second, you mean to tell me you flip a switch over there? A light comes on over here. Wow. . So he's amazed by everything. That's the point, right? And that's what my Pacino character always was. And he, and chewing gum. So that'sMichael Jamin (00:37:34):Dead onFrank Caliendo (00:37:34):Man. It's make those, make those observations and then apply them in situations later. So it's observational comedy, but I was just observing how people were. Robert Downey Jr. Is a human. Twitter feed, 280 characters are less and everything's about himself. So he'd give, be giving out an Academy Award, which is supposed to be about the nominees, but the, but he'd be up there like, these people deserve your applause almost as much as I do. Hashtag awesome. So it's, that's the point of view, right? Set it up. That's funny. Bring it back. So once you have that, now you can, now the audience is in on what your point of view is. Now you can put them in situations, which is really what you do with characters in writing. You know, any kind of sitcom or any kind of a, any, you know, any kind of drama, anything.(00:38:25):It just takes longer to get them to who the character is an impression most of the time, and this is why impressions are cut away from acting so much where people think there's no acting in impressions because it's just, you know, somebody, there was Robert De and they work on, are you talking to me? Well, where's the, where's the writing for that? It's the vallian part, right? Come up with something that tells you who the character is. Right. And now write for it. And now it's an interesting character. And that's what you know any type of original character, it just takes longer to get there. And that's why a pilot, right? A television pilot, and you can tell me if I'm wrong, you do this more than me. Let's see. There's a lot more exposition and telling, kind of telling people, okay, hey, I'm just your local waitress. You know? Yeah. Yeah. And they tell you a little bit because they have to do it to get it done. To get it sold. Yeah. And then once it's, once you kind of have it, now you can develop the characters and you have, you have arcs that can build the character to something longer. Yeah. And that's why a lot of pilots get rewritten and redone because the pilot's almost a presentation just to sell it. And it's almost two on the nose. It's a to be what you want.Michael Jamin (00:39:40):But tell me what it's like when you do, like, when you go do a show or two shows, like literally, what is that? Like? You get on a plane, you arrive a couple days before your show, likeFrank Caliendo (00:39:51):The day, usually a day off, the day of just get there. YouMichael Jamin (00:39:55):Do a sound check or no, you just go up on stage likeFrank Caliendo (00:39:58):A theater. I'm probably have the guy opening for me do a sound check. I don't, I don't even, I just go out there and show up and head so I have more energy. I mean, it's just, I like to get out there and just start going. I have a plan. Uhhuh, I have a lot of stuff that I've, I will do that I've done, you know, that I've worked on and done before. But now I try to, I actually like to do clubs a lot more than theaters. Why is that? Because I get to play more and I don't feel, I feel like somebody goes to the theater, you know, they, you feel like they, even though they're not, you feel like it should be a little bit more put together and professional. I feel like at a club, it can,Michael Jamin (00:40:34):A club, you can get heckled. They're not necessarily coming to see you. If you go to a theater, they're coming. They're paying seeFrank Caliendo (00:40:40):Me, 90, 99%. They come to see me at a club. Now if I'm doing a club, yeah. Cuz I'll do like off nights. I'll do like a Tuesday or a Wednesday. The, the general audience isn't going for that. And tickets will sell in advance. I mean, it, it's, that's, that's what I, that's what I likeMichael Jamin (00:40:57):To do. Is, is it theater though? More, more seats usually.Frank Caliendo (00:41:00):Yeah. It's harder to sell. 'em, You, you've gotta figure you're gonna sell. Probably you can probably, cuz people are, they're trained to go to a club and you'll get some people that fill other seats and it'll, it'll snowball. People will talk about it more. Uhhuh . And they have a built in advertising in everybody who goes to that venue. Three or four, you know, five shows a week.Michael Jamin (00:41:20):Interesting.Frank Caliendo (00:41:20):Sees that you're gonna to be there. And they're a comedy audience already. A theater doesn't necessarily have a builtin comedy audience. It might be that's 9%.Michael Jamin (00:41:31):But they're not coming in a comedy club. They might be drunk, they might be hostile, they may heckle. They're not, they're, it'sFrank Caliendo (00:41:38):Not, not, it's not as bad anymore. It's, it, yeah. Most of the clubs are that that's, that's kind of a nineties early two thousands as maybe eighties type of thing. It, that doesn't happen as much anymore because they have so much riding on everything. The clubs used to be, they would you just go there and do a nightclub set and they, they, they'd turn 'em in and out, two drinks, four drinks, and get 'em in and out. Now they're selling them dinner. Uhhuh, they, they, they realize they were given away the five, they were, they're restaurants now that have entertainment. Right. Because they would, they would bring everybody in and nobody, they would give everybody else all the food and beverage around the showtime. And they would, they were realized, well we can do this too. And some of 'em do it. Really,Michael Jamin (00:42:21):Really. But they're not eating during the show. You don't want the meeting show.Frank Caliendo (00:42:24):Yeah, they're,Michael Jamin (00:42:24):Yeah. Yeah. They're, and you're hearing like the silverware and stuff?Frank Caliendo (00:42:27):Yeah, it's, it's, it's usually more of a finger food. But they're, yeah. They're, they're so are some that have full-on, you know, but that, that a lot of that happens during the opener or mc too. By the time I'm up, they're, they're, they're a drinking and they're warmed up and they're, they've gotten their food already.Michael Jamin (00:42:45):And then do you travel with their, with your, with your opener Or is it a local guyFrank Caliendo (00:42:50):Or one? I bring people with me because I know what they're doing. , Uhhuh, . I, I, I'm, I'm a control freak in terms of what's on before me. Right. Because I'm very clean. Even when I try to be dirty, it doesn't work because people wanna see me for being clean. Right. but I've had, I, you know, an opener thinks they're clean and you, you know, I only say that word once, like, wow, that's too many times for some of my audience. Right. Or they, they, they, they, they're not expecting it. Cause they've been there to see me before and I'm the one who's gonna get the emails in the club is. And so I just bring people that I know are gonna play and then I don't have to watch the set over and over and over.Michael Jamin (00:43:31):And then you, and then after you'll you how many shows?Frank Caliendo (00:43:35):Two is the most I'll doing at night, but I'd rather just do one. Right.Michael Jamin (00:43:39):It's exhausting. It's exhausting to hold that kind of attention for pe to people.Frank Caliendo (00:43:43):Yeah, it is. And I just have the point where I, I do it and I have, when I have fun doing it mm-hmm. , that's when I go up and do it. And if I go up and I'm creating some, I'm having fun. If I'm doing an old set just for money and not creating, I'm not having fun. And that happened to me for five to 10 years where I was just doing the same thing all the time. I was making a ton of money Uhhuh. But I think some of my audience got like, well you're doing the same exact set. And it was just going, kind of going through the motions. And I, that wasn't a great time for myself for, you know, me personally. Not like I had anything wrong with family or anything. Like I just wasn't having fun doing the comedy.Michael Jamin (00:44:24):AndFrank Caliendo (00:44:24):Then weMichael Jamin (00:44:25):Will you leave the next day or what, what or I don't wanna cut off. IFrank Caliendo (00:44:28):I used to leave the next morning, first flight to try and get home. Cause I have two little kids right at the time. Two little kids now. They don't like me that much anymore, so. Right. I don't mind going away for a little Do you have kids?Michael Jamin (00:44:39):I do, but they're grown. Yeah. They'reFrank Caliendo (00:44:41):In college. Yeah. So, so you know that, I mean, when they're little, I was missing a lot cuz I was working a lot when they were little. I'd be on the road for a couple weeks at a time. I didn't see my son's first steps. I mean, I just, I didn't like that kinda stuff. SoMichael Jamin (00:44:56):But you knew going into it, when you went to comedy, you knew that that's, that's what the life is gonna be like, right? Or No? Were you surprised? Yeah.Frank Caliendo (00:45:03):But you kind of assume you're gonna go you, you know, you Yes, yes. You do know. But you're also thinking maybe I'll land a TV show, Uhhuh , maybe I'll do, you know, you, you, I don't, and I didn't plan, I didn't plan in the terms of that. But listen, I don't have to work. I honestly don't have to work anymore. I really don't. I I'm, I'm at a point where I don't, so I do things that I really want to. Right. And I, you know, the NFL on Fox stuff, because I was associated with a NFL Hall of Famers and stuff. Like, I do big corporate shows for, you know, oh, do you? For the biggest, for the biggest companies in the world, Uhhuh. And that's, that's what I do. People, you know, I, you, you see one date on the you know, on my public dates, because I live in Phoenix, I don't have to go anywhere.(00:45:52):So I'm just gonna do it. I can do, I can go do it and I can, I can be home. People are asking me to do shows all the time. I'm like and also do a run of one night at different clubs so I can, I don't like looking at the same back of the room for, you know, five or six days. You know, three, four days, five shows. I just, I don't enjoy. So I don't do it. Right. I I I try to do the things now that I like to do. Michael Jamin (00:46:19):I didn't know your feet,Frank Caliendo (00:46:20):So I've saved a lot of money.Michael Jamin (00:46:22):How are you getting acting gigs in if you're all, if you're outFrank Caliendo (00:46:24):There? Well, have you seen me in anything? I don'tMichael Jamin (00:46:27):. That's why.Frank Caliendo (00:46:29):Well, yeah. I don't, I, I don't I go, I go out to la I'll, I'll do some stuff on tape and things like that. Uhhuh , and people ask for me. But I, I, I, you know, yeah, there's, people call me now and I'll get people are like, Hey, will you do this? I'm like, yeah, if I don't have to do it, yeah. Yeah. I just go do it. And I was like, yeah. Like, I just did something recently that was a, a Zoom thing. Like it was actually Zoom in a movie, like a small, you know, like a, a Netflix kinda thing. Like, they're like, you can, you can, you don't even have to come here, you can just do a Zoom thing. And we made, it made the part became bigger. Right. Cause we, you know, I I I call it being serious to the point of being funny where you're just so serious. It's Will, will Ferrell does it really, really well. Right, right. Where you're so serious that it becomes funny. I that's what I, that's the comedy I like. I don't like hail I paid. Right, right.Michael Jamin (00:47:22):Here'sFrank Caliendo (00:47:23):My testicles. That's not the kind of comedy I really like, but it's, a lot of times it's what you have to do to get like the, the funniest thing to me. I like that really uncomfortable stuff in serious. So, better Call Saul, you, are you a fan of that show? Yeah,Michael Jamin (00:47:40):Yeah,Frank Caliendo (00:47:40):Yeah. I like that. Mike Erman Trout.Michael Jamin (00:47:42):Yeah,Frank Caliendo (00:47:43):He's great. Will just odenkirk they will crack me up because it's not, they're not doing anything big and funny per se. They're just in a really awkward situation. But it's, the stakes are so high and it's really important. La Los Salam, monka, you know, it's like, yeah.(00:48:04):All these things are so, like, and stuff Brian Cranston would do on breaking Bad. And you'd watch them and you'd go, ah, like, I'd like to go. God, you're good. I go, that's the stuff that when somebody's just the character and I go, I, I was watching billions. I watched Billions and I started watching Paul Giamati and that's why I started doing that impression, just because I'm like, he's so good. And he's so, I believe these are ways, like, he's just so, like, the intensity and you, you know, you kind of know where he is going before he does, and then he can zig or zag and that's what makes him great. Cause you think you got him pinned down and you're like, oh.Michael Jamin (00:48:51):But, so what's interesting I'm hearing is that, so you have a platform, a stage where you can write, perform pretty much whatever you want to do, but at this point you kind of want someone else just to write for you. And I, I'll, I'll be, I'll just act, you know,Frank Caliendo (00:49:04):That's more of a, and I'll add my pieces if, if that's what you want. Like, I'll add a little flair or that, that's really more what I do wanna do. Yeah. I mean it's, it's, I dunno, I don't want the, this is gonna sound terrible, but it, I, maybe it is, maybe, but after having a couple shows that I developed or, you know, development deals that just fell apart and weren't what I wanted them to be. Mm-Hmm. , I just wanna be in somebody else's who's a real good fighter and go, let's work together. I like being part of a team. Right. And I don't wanna be on a team where somebody wants to do something completely different than me. Right. I don't wanna do that. But if somebody's in the same, in the, in the same wavelength and they're going, and you, you know when that is, can you just start having fun?(00:49:52):You go, that's what I was gonna say. And then you, you do it and they're like, I, I know. Don't even say it. I'm gonna do exactly what you're about to say. Mm-Hmm. , this is it. Don't worry if I don't, we'll shoot it again, but I know what you're gonna say right here. Cuz I saw the light bulb go on with you as soon as it on with me. Here we go. Right. So, yeah. I, that's, I wanna, I wanna be a part of somebody else's thing. That's really, and, and when people think of me, they think I wanna be a one man band. I didn't even wanna be a one man band on my own show. I, I, I, I just, right. I don't know. I, I like being something, I like being part of something bigger. And it doesn't, agents don't always understand that either, because agents a lot of the time, like, you could, you should do your own thing. I'm like, but if I do my own thing, then it's just about me. I'm sick of it being about me. How about it is about,Michael Jamin (00:50:41):I'll tell you this cuz this gets back to Spade, but I'm just, shoot me. He didn't wanna be on screen. If he wasn't, he wanted to hit a home run, walk off, stay stage. I mean, that was it. He didn't need to hang around. He didn't need to count lines, he didn't need to have storylines. He's like, no, just lemme hit a couple home runs and I'll, you know, I'll do what I need to do and then leave.Frank Caliendo (00:50:59):And, you know, and, and you and you're, you're better like that. You're, you're better because you don't look like you're hanging around you. People can't wait to see you come in. Yeah. People know that your part's going to be fun. Now everybody can't be that. You have to have people that are going to drive the show. Right. Right. Arthur on king of Queens. Mm-Hmm. , you know, he is gonna come in from the base and be like, I had no idea this was gonna be this way. By the way, he had one of the greatest Jerry Stiller came up me, I did the Seinfeld bit Montreal at the Montreal Comedy Festival. Uhhuh . Jerry Stiller comes up to me afterward and it's the greatest. Like, this is awesome. He goes, you know, I really enjoyed your show, especially the portion. And I was like, oh, that is, oh, thank you Mr. Stiller. He's like, now could you tell me where the bathroom is? ?Michael Jamin (00:51:49):HeFrank Caliendo (00:51:49):Just wanted to know,Michael Jamin (00:51:50):SaidFrank Caliendo (00:51:51):You just wanted to know when the bathroom was . And that was, I told j I told Ben Stiller that I told him that at, it was, I think it was after his father pass away. I did a show called Birthday Boys. And it was actually, it was, it was really a funny thing. But it was, he was playing a Robin Williams type teacher, dead poet society kind of teacher. Ben Stiller was, who was directed by Bob. Bob. Bob Odenkirk is directing it as a guest director. But it was so awesome. Yeah. see, there's go sir. So I, I, I told, I told that Ben Stiller just the moment he heard it, he's like, , like, like he was almost embarrassed. That's my dad. Like, that's just my dad being my dad. Like, I've been there, man. But I, I remember in that, that was one of my favorite things too. Well the, the thing they wrote is why I wanna tell you this too, was the bit they wrote was he's this, like I said, this dead poet society kind of teacher. But he's going, you know, he's, he's teaching outside the box and he's supposed to be teaching the Diary of Anne Frank, but he's teaching the Diary of Frank Kelly instead .Michael Jamin (00:53:02):Right. It's funny.Frank Caliendo (00:53:03):And, and it's, you know, it's a joke of making fun of me, but I was like, God, just to be in this joke. And Bob Oden is directing and Ben still is doing it. The birthday boys wrote it. It's like, oh. And I made Stiller laugh. Cause when Odenkirk kind of went off the script, he's like, just, he's having Mr. Stiller. No, he's having Ben just tell me. He's like okay. Adam Sandler at a, at a funeral. And I was like, oh grandma, where did you have leave? Where were you? I leaving And then Ben starts cracking up. He's like, I can't go. I can't go out. He stopped. He stopped. And I go, I just, Ben laugh on the set. Oh. I go, this is the greatest day of my life. And Stiller is like, let's get going. You know? He's like, no, he was, he was great. But it was so funny too cause it was a moment for me, like, oh, this is one of the people I look up to is one of the great reactors. Yeah. Like Ben Stiller as funny as he could be presenting somethi

On this episode, the gang dodges atrociraptors and swats down gigantic locusts while chatting about the truly sad and terrible trilogy conclusion, Jurassic World: Dominion! Why couldn't the film have had the guts to kill off some of these legacy characters? Why are we focusing on so much non-dinosaur story elements like corn seed, Clone Girl, and those dreadful locusts? And bringing back Dodgson? Really? PLUS: Coming this spring to ITV, the next docutainment sensation, My Dinosaur Bride!  Jurassic World: Dominion stars Chris Pratt, Bryce Dallas Howard, Laura Dern, Sam Neill, Jeff Goldblum, DeWanda Wise, Mamoudou Athie, Isabella Sermon, Campbell Scott, Omar Sy, and BD Wong as Dr. Henry Wu; directed by Colin Trevorrow. Click here to snag tickets to catch the gang LIVE in the virtual space on January 26 as they chat about the stunningly bad Thor: Love and Thunder! Ticket bundles available for the exclusive after-party Q&A as well! Check out the WHM Merch Store featuring new SW Crispy Critters, MINGO!, WHAT IF Donna? & Mortal Kombat designs! Advertise on We Hate Movies via Gumball.fmUnlock Exclusive Content!: http://www.patreon.com/wehatemoviesSee omnystudio.com/listener for privacy information.

The wait is over! Jeff Goldblum's long-awaited Christmas album is here, and it's unlike any holiday compilation you've heard before.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Award-winning actor Jeff Goldblum talks to MSNBC's Ari Melber for nearly an hour in this candid, sprawling and sometimes goofy conversation, as the two discuss Goldblum's work with directors such as Steven Spielberg and Wes Anderson, his many iconic roles, what he loves about jazz, and having his “weirdness” affirmed. In this wide-ranging interview, Ari and Goldblum also tackle “insect politics”, taxonomy, rap lyrics, poetry, and being a “craft obsessive” and he reveals who he most wants to collaborate with next in this newest installment of “Mavericks with Ari Melber,” a series of interviews with artists, musicians and cultural icons. msnbc.com/mavericks

What the top country stars are worth, Jeff Goldblum has shared a brand new Christmas single, being a teacher is a very important job, 2 teachers in Arizona lost their job for making an OnlyFans video in a classroom, a website is selling human sized teddy bears to use as a body pillow, you can forget about crypto now, a controversial wedding trend that's becoming a thing, and Vinnie reads your texts!

On this month's WLM, the guys are chatting about one of the all-time great Steve Spielberg classics, Jurassic Park! How out-of-this-world excellent is this John Williams score? Does it get any better than Goldblum and that open shirt? And would it have killed them to make it just the slightest bit—::DINOSAUR ROAR::! This episode is for subscribers only! To access the full show, along with countless hours of exclusive bonus content you can't get anywhere else, head over to our Patreon and sign up today! Unlock Exclusive Content!: http://www.patreon.com/wehatemovies See omnystudio.com/listener for privacy information.