Podcasts about Blonde Redhead

Nesta edição, Cleber Facchi (@cleberfacchi), Renan Guerra (@_renanguerra) e Nik Silva (@niksilva) conversam sobre o line-up do Balaclava Fest 2026, evento que contará com nomes como DIIV, Blonde Redhead, Sudan Archives, Wednesday, Dry Cleaning e muito mais.Apoie a gente: https://apoia.se/podcastvfsmNão Paro De Ouvir➜ Taj Ma House https://tinyurl.com/ehhscett➜ Paulete Lindacelva https://tinyurl.com/46db8fz8➜ Boards of Canada https://tinyurl.com/mftuhsyn➜ Cornelius https://tinyurl.com/2yaucyab➜ Jungle https://tinyurl.com/hfe228uk➜ Kwn https://tinyurl.com/5e3943s5➜ Willow https://tinyurl.com/mwtfk7v9➜ Saidah https://tinyurl.com/ye9n7h59➜ Pré/sal https://tinyurl.com/s2x8fef7➜ Lulina & Ana Frango Elétrico https://tinyurl.com/32vy52na➜ Gilla Band https://tinyurl.com/yc8n8duk➜ The Avalanches & Jamie XX https://tinyurl.com/3brn6y6s➜ A Good Year  https://tinyurl.com/cuca4znj➜ Ear https://tinyurl.com/mh3k7fj➜ Feeble Little Horse https://tinyurl.com/3zu2ydfz➜ Iceage https://tinyurl.com/52ccaktp➜ O Nó https://tinyurl.com/yc7mwhv4➜ Melly https://tinyurl.com/2uaytkda➜ Quedalivre https://tinyurl.com/3vhv5tt8➜ Janvi https://tinyurl.com/32y827yw➜ Clau Aniz https://tinyurl.com/yc4rhay9Você Precisa Ouvir Isso➜ Spider Noir (Amazon Prime Video)➜ Tela Brasil ➜ Natal Amargo (Cinemas)➜ Parada LGBTQIA+ 2026Playlist Seleção VFSM: https://bit.ly/3ETG7oEContato: sobremusicavamosfalar@gmail.com

Electro-acoustic sound-manipulation rubs shoulders with extended techniques on acoustic instruments, while influences from ’80s industrial, ’70s krautrock, ’00s folktronica and ’90s dub techno can be found alongside indie rock, breakbeat, and good ol’ classic freeform noise. It’s Sunday. It’s Utility Fog. LISTEN AGAIN to good ol’ classic freeform ‘fog. Stream on demand at fbi.radio, podcast here. Bibi Club – A Different Light [Secret City Records/Bandcamp] Bibi Club – Le Styx [Secret City Records/Bandcamp] The Montréal duo of Adèle Trottier-Rivard and Nicolas Basque are Bibi Club, a name which presumably makes more sense to French speakers, but their songs are split fairly evenly between French & English. Their quirky indie pop, part jangly guitars and part electronic, owes something to the British-French band Stereolab (who they covered last year), as well as Francophone indie music that often gets tagged with “chanson”, the French word for “song”. From their lovely third album Amaro, I started tonight with a driving piece of postpunk that clearly shows their debt to Blonde Redhead, which segues into an instrumental that loops part of the krautrocky groove and introduces hovering drones and sampled operatic voices. This might just be the emotional avant-garde indie rock you’ve been looking for. The Notwist – The Turning [Morr Music/Bandcamp] In 2001, German band The Notwist, having begun as hardcore punks and transitioned through emo to some kind of indie rock, released their breakthrough album Neon Golden – a significant date only in that a couple of years later was when I started Utility Fog on the newly-official FBi Radio. Arguably with their 1998 album Shrink, The Notwist were well on the way to their hybrid genre that we perhaps briefly called “indietronica”, with influences from IDM, drum’n’bass and techno as well as krautrock combined with indie rock. Meanwhile, Thomas Morr founded his Morr Music label in 1999, which quickly became a home to a similar clade of indie/IDM, shoegaze-tronic bands – many of which involved members of The Notwist, particularly brothers Micha and Markus Acher. It wasn’t actually until 2020 that The Notwist themselves signed to Morr Music, but it’s always seemed their spiritual home. The band’s new album News from Planet Zombie is perhaps their most “rock” album for some time, intentionally splitting from their studio-mediated workflows by bringing the whole band together to write & perform these songs in person. 10 years ago Superheroes, Ghostvillains + Stuff documented The Notwist’s live setup at the time, with modular synths & other electronics prominent alongside the (kraut)rock instruments; here the electronics are less prominent but clearly an integral part of whatever The Notwist does; but it’s the undeniable, distinctive songwriting that can’t help but shine through. Daniel Jumpertz – I Would Never Do That To You [Feral Media/Bandcamp] In the early days of Utility Fog/FBi, Danny Jumpertz was a strong supporter of Utility Fog, and the indietronica, folktronica and postrock sides of the playlists were reflected in the sorts of music he released on his Feral Media label. For a while now the in-the-family indie rock band Clairaudience has been his main musical outlet, but he’s now begun releasing a cache of solo songs, I believe once a month, starting with the stirring “Everything Is Lost” and now followed by the pretty krautrocky “I Would Never Do That To You“. From Jumpertz’ time in NYC, producer Abe Seiferth contributes “wig-out Moog mayhem”, which you’ll recognize as soon as you listen to the song! Looking forward to more in coming months. Praed – Assarab السراب [Ruptured Records/Bandcamp/Annihaya Records/Bandcamp] Now 20 years old, Praed is the combination of two Lebanese musicians, clarinettist/composer/more Paed Conca (part-Switzerland-based) and bassist/sound-artist/more Raed Yassin (part Berlin-based). The music – sometimes billed as “PRAED Orchestra” with friends from the MENA/SWANA region and Europe – draws from Egyptian street music (Shaabi, now mutating into Mahraganat) and the traditional Sufi spiritual/trance music Mulid, both in their ways based around hypnotic, repetitive beats. It’s always psychedelic, swirling, extremely rhythmic, a free jazz of Lebanese & Egyptian music. While new album Al Wahem الوهم is back in duo formation, they are still joined by many talented Beirut musicians (the album was recorded at Tunefork Studios in Beirut). As always this music is full of joy and yearning, and neverending forward motion. Simo Cell & Abdullah Miniawy – Living Emojis [Dekmantel/Bandcamp] Simo Cell & Abdullah Miniawy – Easing The Hearts [Dekmantel/Bandcamp] In 2020, French beatmaker Simo Cell and Egyptian singer, poet, trumpeter, composer & more Abdullah Miniawy teamed up for a frankly game-changing mini-album, Kill Me Or Negotiate. Simo’s music is equal parts UK bass, US bass and French club, transforming the Arabic vocals and jazz-trained trumpet of Miniawy, who had collaborated extensively with the post-dubstep kraut-tronic band Carl Gari (not to mention his own laptop experiments, no longer available online). The pair are not afraid to abstract Miniawy’s lyrics into cut-up samples, nor are they afraid to let him fly with gorgeous melodicism. Their second outing together is the brilliant album Dying Is The Internet, whose title couldn’t be more apposite really – it feels like it’s bringing the world down with it, and while you probably couldn’t blame Netanyahu on the internet, surely Trumpianism is as much a product of what the internet’s become as, well, all the other shit. There’s real humanity in these tracks, as well as futuristic technology; high drama and low grooves. If the internet’s dying, let this be the future. Damos Room – Molars [Limbo Tapes/Bandcamp] I’m not sure who Damos is or what’s in their Room, but signs point to it being three guys: Luke Miles, Nicholas Elson & Huw Oleskar. I’ve just found out (because they told me, nothing underhand) that Huw Oleskar is also known as Elijah Minnelli, responsible for some of the most interesting and lovely dub-folk hybrids in recent times, ostensibly under the auspices of Breadminster County Council. As for Damos Room, you can find a series of fantastic, weirdly-shaped releases on their Bandcamp, including a mixtape of two bizarre 40-minute radio pieces, some quasi-singles of abstracted dub/spoken-word/electronics, and the experimental electronics of their collaboration with rapper LYAM, which I played on this show a few years back. The band finally have an album coming, and Walk With The Militia… is not that album. It’s a mixtape, entirely in keeping with the mystery what all this is about. It collects a whole lot of weird shit, but it’s all dub-based experimental electronics, with Minnelli’s distinctive spoken word & low-key singing, odd radio interludes and noise bits and so on. It’s really fantastic. No doubt All Shall Go, the real album, will be well worth bending your ear to when it comes out in only a few weeks! New Age Doom featuring H.R. – We’re All the Same [We Are Busy Bodies/Bandcamp] Having previously collaborated with Lee “Scratch” Perry, Canadian collective New Age Doom know a thing or two about combining freeform psychdedelic noise with dub. Their latest collaborator H.R. co-founded Bad Brains, some of the earliest hardcore punks who combined rasta philosophy and reggae with their punk music. It appears that for all the peace-and-love preaching, H.R.’s fundamentalist religious outlook inherits the homophobia rampant in Rastafarianism, but that’s not apparent in these songs, thankfully. This is swirling dub with some excellent electric violin from Alina Petrova. DJ Sprinter – Floaterr [unreleased] Oslo’s DJ Sprinter has popped up in the last year and a bit as an absolutey top-tier producer of bass-heavy breakbeat. You can find a whole lot on his Bandcamp, but the other day he invited followers to message him on Instagram for some unreleased cuts, so I did, and I’ve brought you one tonight. Just as great as the plethora of stuff he’s already put out there, irresistible grooves. Rotate – Hot Glue [YUKU/Bandcamp] UK producer Rotate is also known as RWB, making dubsteppy, garagey cuts galore. Not sure what warrants being a Rotate track rather than RWB, but the more serious, full releases, especially for other labels, seem to be under Rotate. This is still absolutely bass music, wobbly and spacey, with just enough of that experimental edge to be very comfortable in the YUKU yuniverse. Teerath Majumder – Dust [Infrequent Seams/Bandcamp] Bangladeshi artist Teerath Majumder, based in Chicago, creates interdisciplinary art & music that explores the interaction between audience and artist/composer through technology, as well as producing music & sound-design in collaboration with other artists, directors & musicians. His new album Dust To Dust, however, is an entirely solo work, from the music & production to mastering & artwork. Here there are flittery synths, Bangladeshi samples at times, and when there are beats they skitter and thump. This album may have come from Majumder’s contemplation of death, but it’s teeming with life. MATA – Adolf Hippy [CÆR (Chiærichetti Æditori Recordings)/Bandcamp] MATA – Compro Oro Et Laboro [CÆR (Chiærichetti Æditori Recordings)/Bandcamp] Where did this even come from? Well… Italy. Italy is where the trio named MATA come from, making industrial/noise/glitch which could almost look like a typical rock band – guitar/vocals, bass, drums – if you ignore the electronics through everything. This is the kind of music where anything can happen, often grating, often strangely catchy? The label CÆR is the musical arm of Chiærichetti Æditori Recordings who also publish an underground comix anthology called LEGIONE, and I look forward to reading some when the package finally reaches Australia. Noémi Büchi – dislocated bodies (feat. Anushka Chkheidze) [-OUS/Bandcamp] With last year’s excellent Liquid Bones EP, Swiss/French composer Noémi Büchi shifted from dense electronic orchestrations to a somewhat lighter touch, with rhythm more to the forefront. Her new album Exuvie is body music made of deceptively simple parts that are bent and shuffled into unexpected shapes. It’s great, not least on this track, a collaboration with Georgian composer & producer Anushka Chkheidze. Roman Rofalski – Monday [Oscillations/Bandcamp] German musician Roman Rofalski is a classically-trained pianist and a jazz musician, releasing recordings of contemporary composers as well as jazz piano trios. He’s also interested in extending these forms into electronic realms, and we’ve heard him on this show as one half of electro-acoustic duo Saving Kaiser. In 2024, we heard him deconstructing his piano on the album Fractal, released by London-based Oscillations Music. He’s now followed that up with Awaiting PM, combining the inside & out of a new grand piano with distorted Akai MPC 2000 beats. There’s a sense of tension and expectation to these tracks, which were recorded while awaiting the birth of his son. It’s excellent stuff, and I’m glad to note that he’s got another release coming hot on its heels, which you’ll hear here in a couple of weeks. Autistici & datewithdeath – Grusch’s Biologics [Audiobulb/Bandcamp] Sheffield-based sound-artist David Newman has run the Audiobulb label since the netlabel days of the early 2000s, and for a similar length of time he’s made exploratory sounds as Autistici of a similar aesthetic to the label – post-IDM beats, glitchy sound processing, an electro-acoustic approach to found sounds, field recordings and instrumentation. Artistic collaboration has been a big part of what Newman’s done as Autistici and Volume Objects – the 2010 remix album Resonating Wires was a favourite release back then, but even his “solo” releases have often featured guests. Last year, two of three “familiarity” EPs came out from Autistici on Audiobulb – Familiarity Folded and Familiarity Enfolded, both of which featured simpatico either artists remixing Autistici or working with him, creating meticulous sound-art, sometimes with beats, usually mixing acoustic sounds with electronic approaches. Those two releases have limited CD editions; the third, out now, is Familiarity Unfolded, which can be found on vinyl as well. One of the best collaborations is with St. Augustine, Florida musician & writer Travis Johnson, who worked for many years under the alias datewithdeath, as well as running the Poverty Electronics label. Following an illness, datewithdeath has been retired – although not without clearing the cupboards with some stunning collections, including the collaboration/remix album Culotte Sine and the posthumous (so to speak) album Apple Tree Brightness. Johnson can now be found prioritising writing with Frolic Press, but there’s still a musical arm – Frolic Press Recordings that will feature his & others’ work – forthcoming is a novella from Aidan Baker of Nadja, with an accompanying solo album out for pre-order now. In any case, the glitchy & detailed “Grusch’s Biologics” is one of my favourite tracks from Autistici’s trio of releases. Bruce Russell – The Letter [Marhaug Forlag/Bandcamp] Lasse Marhaug – Turntable Oil Blues [Marhaug Forlag/Bandcamp] This one’s a huuuge deal in the noise world, or at least to me it is. Bruce Russell is a member of New Zealand’s iconic experimental rock trio The Dead C, a highly influential band across indie, shoegaze and noise. Lasse Marhaug is a giant of the noise scene, and also a producer of many surprising Norwegian & other artists including Korean jazz/experimental cellist Okkyung Lee, Jenny Hval and Kelly Lee Owens. As befits the noise scene, both are very intuitive workers with sound, and that’s where part of the joy of this release comes from. It’s actually their second collaboration, but Re-Make Re-Model came out of the idea of remixing each other, and thus is released as a 2CD set, each credited to the artist who completed the work (the remixer). It also comes in a beautiful open-spine hardcover book published by Marhaug (whose Marhaug Forlag also publishes the Personal Best magazine of noise music – the 2011 first issue of which included a feature on Bruce Russell), with photos & essays by both musicians about their relationship and their musical practice, and fascinating, detailed descriptions of how each track was made. Thus: Bruce Russell’s “The Letter” is based on Marhaug’s 2005 work Carnival of Souls, which is a soundtrack to a short film called The Letter. Russell chopped out tasty bits of the original, which he re-pitched, pushed the right & left channels out of sync & further tampered with. The results are deeply sinister. On Marhaug’s “Turntable Oil Blues”, he’s messing with Russell’s “Nigerian Delta Oil Well Blues”, a short track from his 21st Century Field Hollers And Prison Songs LP. The funny thing is, the ascending & descending slides aren’t a turntable slowing down & speeding up – they’re in Russell’s track. This is as directly a remix as it is a destruction of the original work, progressively distorting the original (played at the wrong speed) over a number of run-throughs. Ultimately noise is doing whatever the fuck you want with sound, and finding some artistry in it, and these two are past masters of the art of noise. Nabelóse – Niriides [Trost/Bandcamp] Pianist Ingrid Schmoliner and French horn player Elena Kakaliagou have played together for about a decade, making music that sits somewhere between contemporary composition and free jazz. Both also contribute voice to their Nabelóse project, including layers of spoken work, and – with prepared piano and horn that produces breathy wind as often as warm, slow melodies – their third album HAAR is a thing of mysterious beauty. Their previous albums – 2017’s Nabelóse and 2022’s OMOKENTRO – feature more singing that draws from their respective folk musics (Schmoliner is also a yodeler), but share this album’s patience and sonic exploration. Rosenau & Sanborn – Harm [Psychic Hotline/Bandcamp] Chris Rosenau of Collections of Colonies of Bees and Volcano Choir, and Nick Sanborn of Sylvan Esso have been friends for a long time, and made their first EP under their surnames back in 2019. The sequel (what Americans would call a “sophomore” effort) shares with the first a love of folky guitar, studio electronics and incidental found-sound. To me this is bliss, as it recalls the laptop folk of The Books and other airy, homespun folktronica of the early ’00s. Absolutely a little gem, do not miss. Booker Stardrum – Inside Sounds [WeJazz/Bandcamp] New York percussionist & composer Booker Stardrum is a member of Los Angeles (post-)jazz supergroup SML, and music runs in his family – his surname is adopted from the names of his parents, both avant-garde musicians themselves: flautist Stefani Starin and microtonal composer & instrument maker Dean Drummond. So Close-up On The Outside might be expected to be an avant-garde release, and in some ways it is, but in a very friendly, warm manner. Many friends from SML and the broader scene appear as guests on these compositions, but they flit in & out around careful edits; the main focus is on pitched and un-pitched wooden percussion, and glinting loops. There’s a low-key, positive outlook to the album which is uncommon and welcome. Richard Pike – I. “What Happened” [Salmon Universe/Bandcamp] Sydney’s Richard Pike, alum of PVT, is now based in London. He can be found in various ensembles, including with Joe Quirke, with whom he co-runs the Salmon Universe label, and under his own name has been making ambient-techno-hybrid-orchestral soundtracks for TV. Outside of that, he’s released solo music under the alias DEEP LEARNING on Oxtail Recordings, based around subtly rhythmic glitchy loops, but now returns to his own name for album that mixes late-night piano and glitchy dub-techno. It’s not surprising to discover that the creation of this music was directly triggered by the death of Ryuichi Sakamoto, but the music takes darker paths than the Japanese master. The full album’s out later in May, but the singles so far are rich & murky. Listen again — ~224MB

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. Whitelands, "Heat Of The Summer" (Heat Of The Summer) 2025 Sonic Cathedral 2. Bitterviper, "Bird of Prey Beaten Back" (Bitterviper) 2025 Blue Chopsticks 3. Adrian Sherwood, "The Grand Designer" (The Grand Designer) 2025 On-U Sound 4. Gabriel Brady, "Untitled" (Day-blind) 2025 Tonal Union 5. Manslaughter 777, "Silk Barricade" (God's World) 2025 Thrill Jockey 6. Tortoise, "Oganesson (original version)" (Oganesson Remixes) 2025 International Anthem 7. Blonde Redhead, "Rest Of Her Life (Choir Version feat. Brooklyn Youth Chorus)" (The Shadow of the Guest) 2025 Section1 8. Brìghde Chaimbeul, "Sguabag/The Sweeper" (Sunwise) 2025 tak:til / Glitterbeat 9. Ilpo Väisänen, "Vallitseva" (Asuma) 2001 Mego / 2025 Editions Mego 10. Vanessa Tomlinson, "Speculative Ornithology" (The Edge is a Place) 2025 Room40 11. Xenia Pestova Bennett, "Red Mesa" (Annea Lockwood The Piano Works) 2025 Unsounds 12. The Pastels, "Everybody Is A Star" (You Don't Need Darkness To Do What You Think Is Right) 2007 Geographic * Eine Sendung vom 29. Juni 2025. # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com

Rachel Bobbitt is a Nova Scotian singer-songwriter who currently lives in Toronto, makes music in Los Angeles, and tours all around with bands like Men I Trust and Blonde Redhead — but her debut album is a homecoming of sorts. It's called "Swimming Towards the Sand” and it takes a sweeping and introspective look at the emotional landscape of the place where she grew up. Rachel joins guest host Talia Schlanger to talk about the album and her journey as a vocalist. Plus, she sets up a song off her new record.

1.  TV On The Radio - Wolf Like Me.   2.  The Dandy Warhols - Bohemian Like You.  3.  The Brian Jonestown Massacre - Vad Hände Med Dem?   4.  The Black Angels - I'd Kill for Her.  5.  Unknown Mortal Orchestra - Multi-Love.  6.  Good Looks - I Don't Want To Die.  7.  Omni - Courtesy Call.  8.  Being Dead - Blanket of my Bone.  9.  Upchuck - Freaky.  10.  Ekko Astral - head empty blues.  11.  Warmduscher - Midnight Dipper.  12.  Max Diaz - lirium.  13.  Desire - Don't Call.  14.  Boy Harsher - Give Me a Reason.  15.  Diles que no me maten - La Vida De Alguien Más.  16.  Pixel Grip - Split.  17.  Blonde Redhead - 23.  18.  BAMBARA - Letters From Sing Sing.  19.  The Raveonettes - Heart Of Stone.  20.  A Place To Bury Strangers - Keep Slipping Away.  21.  Goat Girl - Sad Cowboy.  22.  DAIISTAR - LMN BB LMN.  23.  La Femme - Si un jour.  24.  NNAMDÏ - Touchdown. 

Hola, os damos la bienvenida a ERA Magazine, el podcast de la música independiente española. En el programa de hoy hablamos del síndrome post Canela Party que sufrimos todos los canelistas que estuvimos en el "pitote del verano" del 20 al 23 de agosto. Una experiencia, como siempre, inolvidable d uno de los mejores festivales del verano. Y para hablar de las actuaciones que disfrutamos en Torremolinos contamos con Andrés Castaño, periodista musical y amigo que descubrió por primera vez lo bien que se cocina, musicalmente hablando, en tierras malagueñas. Lo que escuchamos en el programa: Blonde Redhead, "Snowman", "Sit Down for Dinner, pt 2". Amenra, "Forlorn". Derby Motoreta's Burrito Kachimba, "La fuente". Sal del Coche, "Ciudad de polvo". Ecca Vandal, "Bleed But Never Die". Bob Vylan, "He's A Man". Lambrini Girls, "Love". Fat Dog, "Pray To That". Frankie & The Witch Fingers, "Dead Silence". Maria Iskariot, "Dat Vind Ik Lekker". Parquesvr, "Los Managers". MJ Lenderman, "She's Leaving You". Tropical Fuck Storm, "You Let My Tyres Down". Depresión Sonora, "Me va la vida en esto". Grande Amore, "Ontes fun moi malo". Hasta aquí el programa de hoy, gracias a todos los que nos apoyáis a través de eramagazine.fm/donacion con vuestras aportaciones, sin vosotros y vosotras, esto no sería posible. Hasta el programa que viene, Un saludo.

De la musique zydeco au slam franco-vietnamien, en glissant sur un zou bisou hexagonal. C'est l'été ! Tous les mois, Sophian Fanen, journaliste au site Les Jours, propose 5 nouveautés. Voici sa sélection aoûtienne : - The Rolling Stones et Steve Riley, Zydeco sont pas salés, tiré de la compilation «A Tribute to the King of Zydeco» (Valcour Records, 2025) - Azuka Moweta and His Anioma Brothers Band, Kamsi Ebinu Ndum (Umoja Disco Remix), tiré du EP Ahaba Umoja System (Palenque Records, 2025) - Blonde Redhead, Before (Choir Version), tiré de l'album The Shadow of the Guest (Section1, 2025) - Che Noir, Who's the Greatest?, Tiré de l'album The Color Chocolate 2 (Poetic Movement, 2025) - Theodora featuring Jul, Zou bisou, tiré de l'album Mega BBL (Boss Lady, 2025)   Puis nous recevons George Ka, pour la sortie de l'album Les Rebords du Monde Après s'être révélée sur les scènes ouvertes et open mic en région parisienne, George Ka marque les esprits avec Saigon (2019), une ode au multiculturalisme dont le clip dépasse les 100 000 vues. Avec les morceaux «Jolies Personnes» ou «Garçon Manqué, Fille Manquante», issus de son premier EP Par Avance (2021), elle cumule aujourd'hui plusieurs millions d'écoutes et enchaîne les scènes, des festivals renommés aux premières parties de Gaël Faye à l'Olympia et au Zénith de Paris. Elle finit l'année 2024 avec deux dates parisiennes complètes, le Point Éphémère et la Maroquinerie, et l'ouverture d'un Trianon pour novembre 2025. Artiste engagée, George Ka anime des ateliers d'écriture et collabore avec des associations comme Nous Toutes ou La Timmy. Au-delà de la musique, notre collectionneuse d'histoires explore les frontières de l'écriture. En 2024, elle participe au Printemps des Poètes en Chine et réalise au Vietnam 2000 Âmes, un court-métrage et un clip qui mêlent poésie et cinéma. Elle collabore également à l'écriture de scénarios pour le cinéma et les séries, élargissant son champ créatif à d'autres formes d'expression. Avril 2025, George Ka dévoile Les Rebords du Monde, son premier album. Co-composé avec Louxor (Georgio, Gaël Faye, Jain…), avec la participation de Kevin Heartbeats, cet album réunit 11 morceaux mêlant pop, électronique et acoustique, et porte une ambition : « faire danser nos monstres avec ceux des autres ». À travers une écriture précise et imagée, George Ka nous invite à explorer le monde et notre intériorité avec lucidité et espoir. Titres joués : 2000 âmes, Lenny, L'Espagne, Le Même Corps, Bus 115. ► Album Les Rebords du Monde (SDM 2025). Facebook - YouTube. Concert 21 novembre 2025, Paris, le Trianon.

De la musique zydeco au slam franco-vietnamien, en glissant sur un zou bisou hexagonal. C'est l'été ! Tous les mois, Sophian Fanen, journaliste au site Les Jours, propose 5 nouveautés. Voici sa sélection aoûtienne : - The Rolling Stones et Steve Riley, Zydeco sont pas salés, tiré de la compilation «A Tribute to the King of Zydeco» (Valcour Records, 2025) - Azuka Moweta and His Anioma Brothers Band, Kamsi Ebinu Ndum (Umoja Disco Remix), tiré du EP Ahaba Umoja System (Palenque Records, 2025) - Blonde Redhead, Before (Choir Version), tiré de l'album The Shadow of the Guest (Section1, 2025) - Che Noir, Who's the Greatest?, Tiré de l'album The Color Chocolate 2 (Poetic Movement, 2025) - Theodora featuring Jul, Zou bisou, tiré de l'album Mega BBL (Boss Lady, 2025)   Puis nous recevons George Ka, pour la sortie de l'album Les Rebords du Monde Après s'être révélée sur les scènes ouvertes et open mic en région parisienne, George Ka marque les esprits avec Saigon (2019), une ode au multiculturalisme dont le clip dépasse les 100 000 vues. Avec les morceaux «Jolies Personnes» ou «Garçon Manqué, Fille Manquante», issus de son premier EP Par Avance (2021), elle cumule aujourd'hui plusieurs millions d'écoutes et enchaîne les scènes, des festivals renommés aux premières parties de Gaël Faye à l'Olympia et au Zénith de Paris. Elle finit l'année 2024 avec deux dates parisiennes complètes, le Point Éphémère et la Maroquinerie, et l'ouverture d'un Trianon pour novembre 2025. Artiste engagée, George Ka anime des ateliers d'écriture et collabore avec des associations comme Nous Toutes ou La Timmy. Au-delà de la musique, notre collectionneuse d'histoires explore les frontières de l'écriture. En 2024, elle participe au Printemps des Poètes en Chine et réalise au Vietnam 2000 Âmes, un court-métrage et un clip qui mêlent poésie et cinéma. Elle collabore également à l'écriture de scénarios pour le cinéma et les séries, élargissant son champ créatif à d'autres formes d'expression. Avril 2025, George Ka dévoile Les Rebords du Monde, son premier album. Co-composé avec Louxor (Georgio, Gaël Faye, Jain…), avec la participation de Kevin Heartbeats, cet album réunit 11 morceaux mêlant pop, électronique et acoustique, et porte une ambition : « faire danser nos monstres avec ceux des autres ». À travers une écriture précise et imagée, George Ka nous invite à explorer le monde et notre intériorité avec lucidité et espoir. Titres joués : 2000 âmes, Lenny, L'Espagne, Le Même Corps, Bus 115. ► Album Les Rebords du Monde (SDM 2025). Facebook - YouTube. Concert 21 novembre 2025, Paris, le Trianon.

Brittany Luse, host of NPR's It's Been A Minute, joins us to update our running list of the year's best songs, including new shoegaze from Wisp, heart-thumping dance beats from Sherelle and more.Featured artists and songs:1. Sherelle & George Riley: "Freaky (Just My Type)," from 'With A Vengeance' 2. Blonde Redhead: "Rest Of Her Life (Choir Version)," from 'The Shadow Of The Guest'3. Natanya: "Moviestar," from 'Feline's Return'4. Wisp: "Save Me Now," from 'If Not Winter'5. Ekathé and El Mundo Limón: "Baba" (single)'All Songs Considered' 25th anniversary segment: Our No. 1 songs from 2019Weekly reset: Taiko and fireworks, Toyohashi, JapanEnjoy the show? Share it with a friend and leave us a review on Apple or wherever you listen to podcasts. Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.org Hear new songs from past episodes in the All Songs Considered playlists in Apple Music and Spotify.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

C'est la haute saison des festivals et ce n'est pas un mais deux festivals que nous couvrons ce week-end. Après Beauregard où Alexandra Dumont recevait The Dandy Warhols, Oscar Emch ou Blonde Redhead, Tsugi Radio prend la clé des champs dans les Yvelines dans la petite bourgade Gazeran pour la 4ème édition du Festival Amapola. Festival féministe, engagé, à la pointe de l'émergence qui mêle les disciplines. Festival champêtre qui accorde à la scène émergente et notamment féminine avec Crenoka, mais aussi nos 2 résidentes Ultranoük et Mira Ló. Le soleil se couche sur les champs, nous sommes au fin fond des Yvelines, pas loin de Rambouillet, à Gazeran, et j'accueille mon premier invité Objet Transitionnel·le alias Théophile Dubus.

Nous sommes au troisième jour du festival Beauregard, deuxième jour pour nous, au château d'Hérouville-Saint-Clair, tout proche de Caen. Après un DAY BEFORE, couronné de succès, avec les prestations des co-headliners Black Eyed Peas et DJ Snake, le festival accueillait hier un line-up très éclectique, allant du rap de SDM au rock lo-fi de la Norvégienne Girl in red, en passant par la classe de Air. Alexandra Dumont reçoit, en direct, Malik Djoudi, Blonde Redhead, The Dandy Warhols, Oscar Emch. Avec aussi l'intervention de Mathieu Culleron (France Inter), Zoé Pinet et Laurène Bienvenue, fondatrices du média des nouvelles scènes rock et indé Poisson vélo.

Episode 750: June 29, 2025 playlist: Whitelands, "Heat Of The Summer" (Heat Of The Summer) 2025 Sonic Cathedral Bitterviper, "Bird of Prey Beaten Back" (Bitterviper) 2025 Blue Chopsticks Adrian Sherwood, "The Grand Designer" (The Grand Designer) 2025 On-U Sound Gabriel Brady, "Untitled" (Day-blind) 2025 Tonal Union Manslaughter 777, "Silk Barricade" (God's World) 2025 Thrill Jockey Tortoise, "Oganesson (original version)" (Oganesson Remixes) 2025 International Anthem Blonde Redhead, "Rest Of Her Life (Choir Version feat. Brooklyn Youth Chorus)" (The Shadow of the Guest) 2025 Section1 Brighde Chaimbeul, "Sguabag/The Sweeper" (Sunwise) 2025 tak:til / Glitterbeat Ilpo Vaisanen, "Vallitseva" (Asuma) 2001 Mego / 2025 Editions Mego Vanessa Tomlinson, "Speculative Ornithology" (The Edge is a Place) 2025 Room40 Xenia Pestova Bennett, "Red Mesa" (Annea Lockwood The Piano Works) 2025 Unsounds The Pastels, "Everybody Is A Star" (You Don't Need Darkness To Do What You Think Is Right) 2007 Geographic Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Mark Sandman du groupe Morphine et sa fameuse basse à deux cordes. MORPHINE. THE NIGHT – 4:45The Night, DreamWorks, 2000 BLONDE REDHEAD. DOLL IS MINE – 3:05Misery is a Butterfly, 4AD, 2004 MARISSA NADLER. RIVER OF DIRT – 4:25Little Hells, Kemado records, 2009 NEAL CASAL. FOR TOMORROW – 2:35Return in Kind, Fargo, 2004 JOHNNY THUNDERS. […] Cet article Errance #186 : De Morphine à Mirel Wagner est apparu en premier sur Eldorado.

Pour cette 12e édition du festival Levitation France, on vous embarque pour un avant-goût sonore du grand week-end psyché des 27 et 28 juin 2025. Cette année, cap sur un nouveau lieu : les rives verdoyantes du Lac de Maine à Angers, un écrin naturel pour accueillir une programmation toujours aussi exigeante et envoûtante. Dans cet épisode, on reçoit Marion Cornudet, de Radical Production et de Levitation France, pour décrypter les choix artistiques de cette édition et ce que ce changement de décor va apporter à l'expérience des festivaliers. Avec à l'affiche : Blonde Redhead, The Limiñanas, Boy Harsher, bdrmm, Kadavar, Ditz, Bryan's Magic Tears, Heartworms… et bien d'autres pépites à découvrir !

durée : 00:53:32 - Very Good Trip - par : Michka Assayas - Ce soir, un programme très mélodieux, vous y entendrez des voix que vous connaissez, d'autres pas du tout, vous avez l'habitude. Et on commence tout de suite par quelque chose de très ensoleillé. - réalisé par : Stéphane Ronxin

THE BEST BOOK CLUB IN THE MULTIVERSE! The Book Club Bois gather for their longest session EVER. The fate of EVERY world is on the line in Geoff Johns' epic INFINITE CRISIS! Once upon a time, there were infinite earths. Then, one day… there weren't. Now, when the skies turn red and villains unite… they will return. Worlds will live. Worlds will die. And nothing will ever be the same. Covers Infinite Crisis (2005) #1-7, Teen Titans (2003) #32-33 & Teen Titans Annual #1 by Geoff Johns, Marv Wolfman, Phil Jimenez, George Perez, Ivan Reis, Joe Bennett, Todd Nauck, Ed Benes, Dale Eaglesham, Tom Grindberg & Elton Ramalho Time Stamps: 00:00:34 Intro and Whatcha Doin'? 00:50:15 INFINITE CRISIS 05:37:26 Titanic Mailbag Follow us! Bluesky: https://bsky.app/profile/geeksplained.bsky.social Instagram: www.instagram.com/geeksplainedpod/?hl=en Send us your questions for the Geeksplained Mailbag! Email: Geeksplained@gmail.com Music Sampled: “Alive” by Warbly Jets “Iron” by Woodkid “For the Damaged Coda” by Blonde Redhead

Send us a textSinger, songwriter and guitarist Jess Sylvester (Marinero) joins Al and introduces him to Blonde Redhead's 2004 album Misery Is a Butterfly. Jess talks about why he chose this album for the episode and how he was first exposed to it. Among many aspects of the album he focuses on, Jess observes how Blonde Redhead integrates their classical influences with different musical styles and how they convey the album's lyrical themes across its 11 tracks. Jess also talks about his brand-new Marinero album, La La La, and the process of recording it in Los Angeles.As Jess mentioned on the show, the best place to keep up with him and his work is on Instagram. He is @marin_guero.You can find Jess' music on his Marinero Bandcamp page: https://maringuero.bandcamp.com/.Al is on Bluesky at @almelchior.bsky.social. This show has an account on Instagram at @youmealbum. Subscribe for free to You, Me and An Album: The Newsletter! https://youmealbum.substack.com/. You can also support the show on Buzzsprout at https://www.buzzsprout.com/1542814/episodes or at the link at the bottom of these show notes.Have a comment, question or suggestion about the show? Contact Al by clicking on the “Send us a text” link just above.1:27 Jess joins the show1:50 Jess explains why he chose Misery Is a Butterfly—and not The Beach Boys' Smile Sessions4:13 Al was especially happy to do a Blonde Redhead episode5:28 Jess talks about the mixtape that introduced him to Blonde Redhead7:39 Jess recalls his first impressions of Misery Is a Butterfly11:55 Jess has nostalgic feelings about the album14:41 Al had a memorable experience when listening to Misery Is a Butterfly for the first time15:46 Jess talks about Blonde Redhead's influences17:51 Jess provides some specific examples of how Blonde Redhead integrate their different influences20:52 Jess and Al talk about the tracks that act as palate cleansers for them24:25 Al was impressed by the album's sequencing and how its themes were developed27:33 The album takes a surprising turn with “Equus”31:10 Jess explains what makes Misery Is a Butterfly a standout in Blonde Redhead's discography33:29 Misery Is a Butterfly launched Jess into a new level of Blonde Redhead fandom35:16 Jess observes how the album hits him now after he hadn't listened to it much in recent years38:00 Jess talks about what he enjoys from other Blonde Redhead albums41:08 Jess picks out his favorite moment from Misery Is a Butterfly43:13 Blonde Redhead ties opposing themes together throughout the album45:51 Jess hears “Magic Mountain” as a unique song on the album47:29 Jess appreciates Simone Pace's drumming49:53 Jess hears Misery Is a Butterfly as a reflection of Blonde Redhead being composers, not jammers52:27 Jess talks about recording his new Marinero album La La La54:50 Jess consciously pushed himself to incorporate many different styles on La La La58:43 Jess reveals his plans for the coming monthsOutro music is from “The Mystery of Miss Mari Jane” by Marinero.Support the show

A joint mix with the Montréal based duo Bibi Club, thank you for the collaboration and to Mischa Karam for helping to facilitate this mix. Artwork by Sarah Fathallah from justseeds.org Thanks for listening. - Stefan. Below is the track listing: 01. Emahoy Tsege Mariam Gebru, Ballad of the spirits 02. Blonde Redhead, 23 03. Aquaserge, Si loin Si proche 04. Moondog, Do your thing 05. Willie Trasher, Silent Inuit 06. Bibi Club, Ce qui va disparaître 07. Manja Ristić, The Witching Hour (excerpt) 08. Soledad Coyoli, Poema de luna, no.2 09. Badawi, Qaher III 10. Daniel Carter and Stefan Christoff, I can see it all turning now 11. Matteo Uggeri, ...and Then This Wonder 12. Matteo Uggeri, ...for God 13. Sonny Singh, Koi Bol Ram 14. Steve Bates, Seduction - Descent - The gloomy pits - Copper crown (excerpt)

On this episode, Scott welcomes back the iconic frontman of Tool, A Perfect Circle, and Puscifer for his second time on Lipps Service — Maynard James Keenan! Maynard discusses the Sessanta tour (in celebration of his 60th birthday), details his upbringing in Ohio, his life in the army, and what it's like living in LA. The two also get into Maynard's many extensive interests, ranging from Jiu-Jitsu, UFC, and wine-making to opening and owning multiple restaurants. Maynard also talks about his favorite records and how they influence his wine-making. The episode closes with some of Maynard's favorite underground bands, TV shows, and comedians. Tune in for another insightful conversation with the one and only Maynard James Keenan! 00:00 - Intro 00:20 - Black Sabbath 02:00 - Comedy openers 03:21 - Early influences 04:45 - Time management 06:03 - Growing up in Ohio 09:55 - Life in the army 15:09 - First band CAD (CAD song becoming Sober) 17:33 - Moving to LA/early days of Tool 20:32 - Scientology gun story 22:39 - Religion 23:29 - Creative process 27:34 - UFC and fighting 28:43 - Setenta/touring 32:24 - Merkin Vinyard/living in Arizona 38:23 - Talking about context and wine 40:09 - Jiu jitsu 42:05 - Favorite restaurants 44:28 - Favorite records 45:56 - Underground bands 47:29 - Car speakers/Portlandia 48:40 - Comedians 51:00 - Closing remarks @Sonos makes it so easy to fill your home with incredible sound! Check out the new Sonos Ace headphones !! The headphones are bluetooth enabled and come with three buttons. The content key allows you to play, pause, accept calls, and control the volume. Plus, they feature noise cancellation and voice assist!These headphones are exceptionally well done and sound incredible, whether you're listening to your favorite playlist, chatting on a call, watching a movie, or even recording a podcast like this one. They sound particularly fantastic when listening to Lipps Service!The content key allows you to play, pause, accept calls, and control the volume. Plus, they feature noise cancellation and voice assist!Sonos has great gifts for everyone on your list. Visit sonos dot com forward slash “Lipps” to save 20% on select products. That's sonos dot com slash “Lipps”.

1.  Blonde Redhead - 23. 2.  Qlowski - Surrender. 3.  alphabet - Artificial Light. 4.  BODEGA - Myrtle Parade. 5.  Tess Parks - California's Dreaming. 6.  Fellini Félin - Charlie. 7.  Choses Sauvages - Incendie au paradis. 8.  Reverend Baron - Famous Feelin'. 9.  Pomona - A Man Like Me. 10.  Burner - Hyena. 11.  Mad Honey - HEAVY.  12.  Skegss - High Beaming. 13.  Slowdive - kisses - electronic version 3. 14.  Caribou - Only You. 15.  ACTORS - Object Of Desire. 16.  HONESTY - MEASURE ME. 17.  Paceshifters - Highway Of Tears. 18.  The Horrors - The Silence That Remains. 19.  Mandrake Handshake - King Cnut. 20.  Healing Gems - Swords Dance. 21.  Moreish Idols - Pale Blue Dot. 22.  Kikagaku Moyo - Nana. 23.  Terra Twin - The Recogniser.  24.  congratulations - Ice Tea. 25.  Xiu Xiu - Maestro One Chord. 26.  Maruja - Break The Tension.

The latest album from Blonde Redhead is "Sit Down for Dinner." Amedeo Pace of the band talks with me about their music, about the band, and about ...dinner. Blonde Redhead will be at the Meadowlark Festival on September 15th.

September 13-15, the Stone Ridge Orchard in Stone Ridge, New York will host the Meadowlark Festival. The festival's proceeds support organizations that advocate for farmers in the Hudson Valley including Farm Aid, Rondout Valley Growers, and Hudson Valley Center for Food, Culture, and Agriculture. The line-up includes Fruit Bats; Deer Tick; Slaughter Beach, Dog; Blonde Redhead, and many others - including our guest, Laura Stevenson.

Not everyone can say that both their first and last jobs were behind the counter of a record store. But that's how things ended up for Matthew Caws, before his beloved power-pop act Nada Surf became his main gig in the mid-2000's. Shifting time between New York City and Paris growing up, he points to an eclectic list of influences (classical, disco and late 70's NYC punk) that laid the groundwork for who he'd become as a musician and songwriter. Though their sneering, tongue-in-cheek alt-rock hit "Popular" became an MTV staple throughout 1996, the band has made a deeper impact as they've aged, through genuinely hopeful takes on the human condition like "Inside of Love" or "See These Bones." Today, Matthew talks about color coding his record collection, why double-tracking vocals feels like an act of fiction, the meticulous nature of Nada Surf's album covers, and connecting the dots between Bach and Blonde Redhead. Their new album Moon Mirror -- the group's first for Nashville label New West -- drops September 13th. More details are available at nadasurf.com.

It's 2007, and like Radiohead with In Rainbows, DCLF considered adopting a "pay what you want model" for this episode but thought better of it. Instead, it's on the house. So sit back, save your money and enjoy great deep cuts from the likes of The Good, The Bad and The Queen, Blonde Redhead, Modest Mouse, Robert Plant & Alison Krauss, Architecture in Helsinki . . .  Learn more about your ad choices. Visit megaphone.fm/adchoices

Going coastal, a newbie in New York City, killer cabbies, the amazing Kim's Video, a Blonde Redhead redhead, drunken sledding, neighborhoods and abbreviations, meet me on Stacy Keach Street, a short Christopher Nolan movie, check out Jim Knipfel, porno theaters make no sense, Jeffrey Epstein is dead and rotting in hell, a double Spader, Mark Valley is a stand up guy (did I ever tell you that Vincent D'Onofrio liked me in an acting class?), planning trips, some Broadway movies, some Broadway plays, the dearly departed Philip Seymour Hoffman, Hal Hartley rules, welcome to my candy store, a great Gatz, I've got the golden brick-et, the ghosts of the Hotel Chelsea, and a summation from Werner Herzog. Stuff mentioned: Green Acres (1965-1971), Pace Picante Sauce commercial (1988 https://www.youtube.com/watch?v=1S828Y7Eais), The Freshman (1990), Kim's Video (2023), Balthazar (80 Spring St, New York, NY 10012), Following (1998), Thurston Moore Sonic Life: A Memoir (2023), Sunshine Hotel (2001), New Museum (235 Bowery, New York, NY 10002), New Museum The Last Newspaper: Contemporary Art, Curating Histories, Alternative Models (October 6 2010–January 9 2011), Jim Knipfel Slackjaw (1999), Escape From New York (1981), Alphabet City (1984), Police Academy (1984), The Cruise (1998), Taxi Driver (1976), I, The Jury (1982), Manhattan (1979), The Blacklist (2013-2023), Boston Legal (2004-2008), Game of Thrones (2011-2019), Neue Galerie New York (1048 5th Ave, New York, NY 10028), Neue Galerie Richard Gerstl (June 2017-September 2017), Richard Gerstl Self-Portrait, Laughing (1907 https://www.neuegalerie.org/content/self-portrait-laughing), Café Sabarsky (1048 5th Ave, New York, NY 10028), Birdman or (The Unexpected Virtue of Ignorance) [2014], Rope (1948), Game 6 (2005), After Hours (1995), Late Night with Conan O'Brien "A Visit with Hunter S. Thompson" (June 11, 1997 https://www.youtube.com/watch?v=5zwLuFy-TrY), All About Eve (1950), Sam Shepard True West (Circle in the Square Theatre 2000), Before the Devil Knows You're Dead (2007), Eugene O'Neill Long Day's Journey Into Night (Plymouth Theatre 2003), Will Eno Thom Pain (based on nothing) [DR2 Theatre 2005], Fay Grim (2006), Henry Fool (1997), Heathers: The Musical (New World Stages 2014), Heathers (1989), Heathers: The Musical "Candy Store" (2014), Elevator Repair Service Gatz (REDCAT 2012), F. Scott Fitzgerald The Great Gatsby (1925), Samuel Beckett Waiting for Godot (1953), Maidstone (1970), Dear Evan Hansen (2017 Music Box Theatre), Pitch Perfect (2012), In & of Itself (2017 Daryl Roth Theatre), Little Shop of Horrors (1986), Hotel Chelsea (222 W 23rd St, New York, NY 10011), Arthur C. Clarke 2001: A Space Odyssey (1968), William S. Burroughs Naked Lunch (1959), Chelsea GIrls (1966), Andy Warhol grave webcam (https://www.earthcam.com/usa/pennsylvania/pittsburgh/warhol/), Sid and Nancy (1986), Sid Vicious "My Way" (1979), Chelsea Hotel (BBC Arena 1981 https://vimeo.com/84587129), Nico "Chelsea Girls" (1967), and Nico Chelsea Girl (1967).

In this episode of Seeing Them Live, Charles and Doug welcome members of the eclectic New York City band Mad Meg: Ilya Popenko, Dan Vexler, Jason Laney, and Igor Reznik. The conversation starts with an introduction to Mad Meg's unique sound, characterized by a blend of various music genres and fronted by Ilya's distinct vocals. The band members recount their formation story within the Russian-speaking community of New York City, with Jason humorously describing his determined efforts to join the band despite not speaking Russian. The discussion then shifts to the band's concert experiences, highlighting an unusual and memorable performance at a women's correctional facility in Lithuania. Charles praises the energy of the live recording from this concert, drawing a comparison to Johnny Cash's iconic Folsom Prison performance. The band members reflect on the spontaneous nature of the prison show, which was organized in just a few days due to a canceled gig, and the exceptional audio quality captured by their sound engineer, Augustine.The episode also delves into the band's live performance history in New York City, specifically their residency at New Blue 151, where they have built a strong local following. They talk about their 2022 album, Who Deserves Balloons and Medals, which was notable for having videos accompanying many of the songs. Ilya shares insights into the creative process behind these videos, emphasizing the importance of maintaining artistic control and integrating visual elements to expand the dimensions of their music.The band's creative versatility extends beyond their music to filmmaking. Ilya, a skilled filmmaker, directed several of Mad Meg's music videos and completed a feature-length documentary about Jeffrey Lewis and the antifolk scene in New York. This film, which premiered at SlamDance Film Festival and was nominated for Best Documentary, showcases Ilya's multifaceted talents and the band's commitment to creative storytelling across different mediums.Throughout the episode, the members of Mad Meg share anecdotes and behind-the-scenes stories, offering listeners a deep dive into their artistic journey and the dynamic synergy that fuels their innovative work. This conversation not only highlights the band's musical achievements but also their ability to merge music with compelling visual narratives, making for an engaging and multifaceted artistic experience.BANDS MENTIONED: Adrian Baloo, Blonde Redhead, Frank Zappa, Genesis, Iron Maiden, Johnny Cash, King Crimson, Kino, Lounge Lizards, Mad Meg, Nine Inch Nails, Rolling Stones, Social Distortion, The BearsVENUES MENTIONED: 930 Club (Washington, D.C.), Gramercy Theatre (New York City), Happy Ending (Lower East Side, New York City), New Blue 151 (New York City), Penevėžys Women's Correctional Facility (Lithuania) PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

 We listen to a conversation with Amedeo Pace of Blonde Redhead about their upcoming show in Aotearoa. 

On What's Up with Marama Davidson, Rachel speaks to the co-leader of the Green Party about recent polling, AUKUS discussions, and goings on in the education sector. The Bard of Bollix chats orangutans and Roman dodecahedrons on The Mind Trench. We listen to a conversation with Blonde Redhead about their upcoming show in Aotearoa. Joseph Harper of the What Now team is dialling in to chat about Lil Gigs,the segment with wonderful Aotearoa musicians performing in kids spaces for New Zealand Music Month. Justine Sachs helps the listeners wade through employment relations and union queries on Red Dead Redemption. Whakarongo mai nei!

Ça faisait un petit moment que je n'avais pas sorti d'analyse, et pour cause, celle-ci m'a donné du fil à retordre !Cependant, elle fait une parfaite transition avec le précédent qui était consacré à Gainsbourg, vous comprendrez pourquoi !Une belle analyse en tout cas de plus de 50min pour un des plus beaux albums de ma collection. Il sera question de basse à 6 cordes, de clavinet, d'accordage tordu, de voix qui sonnent faux, d'accident d'équitation et même de Rick & Morty, bref, beaucoup de choses à dire pour ce chef d'œuvre.Quelques liens complémentaires sont disponibles sur la page de l'épisode : https://ecoutecapodcast.fr/ep-136-blonde-redhead-misery-is-a-butterfly-lanalyse/La playlist de l'épisode : https://open.spotify.com/playlist/5PDFxpmetxNBOELiO0SOPI?si=c4c257cc13d64f74Mon best of chronologique perso de Blonde Redhead : https://open.spotify.com/playlist/38PdXFFeC2d5t6JfxVaA89?si=05f1b00bf2d14908Vous pouvez retrouver Ecoute Ca sur les réseaux sociaux aux adresses suivantes et contribuer au financement participatif via le site tipeee. Merci également de partager l'épisode autour de vous et de commenter via les applications dédiées.Tipeee : http://tipeee.com/ecoute-ca Discord :  https://discord.com/invite/wgxkGN3grG Instagram : @ecoutecapodcast Bluesky : https://bsky.app/profile/ecoutecapodcast.bsky.socialTwitter : @ecoute_ca Facebook : ecoutecapodcastPour me contacter : ecoutecapodcast@gmail.comPodmust : https://podmust.com/podcast/ecoute-ca/  Itunes : https://itunes.apple.com/fr/podcast/%C3%A9coute-%C3%A7a/id1307143363?l=en              Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Guy Picciotto's work in Fugazi and Rites of Spring had an immeasurable impact on Joe's life. As a producer, Guy has helped artists such as Blonde Redhead, Vic Chestnut, and The Blood Brothers reach new heights. In an uncharacterisically candid conversation, Guy tells Joe about his childhood, his artistic trajectory, and his most recent project as a producer--Jim White's first solo album, All Hits: Memories. 

On the show this time, it's the brilliant intensity of the veteran New York City band - Blonde Redhead. Blonde Redhead is a legendary independent alternative-rock band. They've been making music, and records on their own terms since 1994. The consistent core of the band is Kazu Makino and twin brothers Simone and Amedeo Pace. Between them they cover vocals, keys, guitars and drums. They sometimes work with collaborators - most often occupying the position of bass player. Their band has truly gone through fire - surviving breakups, endless fights, a horrible trampling by horse, and even the goodbye album. This moment finds them returning - 30 years wiser since their debut - with a brilliant, complex record, as fresh and original as any fan could wish for. It's called 'Sit Down For Dinner' and it's available on Section1 Records. Recorded 10/19/2023. Sit Down For Dinner (Part 1) Sit Down For Dinner (Part 2) Snowman Melody Experiment Kiss Her Kiss Her Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On the show this time, it's the brilliant intensity of the veteran New York City band - Blonde Redhead. Blonde Redhead is a legendary independent alternative-rock band. They've been making music, and records on their own terms since 1994. The consistent core of the band is Kazu Makino and twin brothers Simone and Amedeo Pace. Between them they cover vocals, keys, guitars and drums. They sometimes work with collaborators - most often occupying the position of bass player. Their band has truly gone through fire - surviving breakups, endless fights, a horrible trampling by horse, and even the goodbye album. This moment finds them returning - 30 years wiser since their debut - with a brilliant, complex record, as fresh and original as any fan could wish for. It's called 'Sit Down For Dinner' and it's available on Section1 Records. Recorded 10/19/2023. Sit Down For Dinner (Part 1) Sit Down For Dinner (Part 2) Snowman Melody Experiment Kiss Her Kiss Her Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Full show: https://kNOwBETTERHIPHOP.com Artist Played: AMiAM, Blueprint, Kno, conshus, Colette Chantel, Amerigo Gazaway, Dillon, Luna, Honor Flow Productions, Stik Figa, The Expert, Ana Tijoux, Blu, Nottz, Shad, Quelle Chris, Joel Culpepper, Miguel Atwood-Ferguson, Ensilence, Tekbeatz, Blonde Redhead, Blac Supreme, Daptone Records, EyeQ, Blockhead, Koreatown Oddity, Open Mike Eagle, George Riley, Arrested Development, Chuck D, Grandmaster Caz, Configa, Speech, EJ the Witchdoctor, OutKast, GOODie MOb, IMAKEMADBEATS

Northern California kind of sucks, getting naked at Disneyland and the Oscars, a dismal attempt at soccer with Blonde Redhead, some other sports-related failures, weird ass supplements, Mads Mikkelsen, smoking and drinking and chewing tobacco and generally being an idiot, worst college experience ever, a couple of great Los Angeles movies, and a dearly missed Irish bar. Stuff mentioned: Leonard Bernstein (music), Betty Comden and Adolph Green (lyrics) "New York, New York" (1944), On the Town (1949), New York, New York (1977), Sammy Fain, Irving Kahal, and Pierre Norman "You Brought a New Kind of Love to Me (1930), Another Round (2020), Scarlet Pleasure "What A Life" (2020), Riders of Justice (2020), Wild at Heart (1990), Jim Morrison and The Doors "A Feast of Friends" (1978), Tomaso Albinoni's "Adagio in G Minor" (1708, perhaps), In Country (1989), Protomartyr "Polacrilex Kid" (2023), Protomartyr Formal Growth in the Desert (2023), Protomartyr "A Private Understanding" (2017), Protomartyr Relatives in Descent (2017), From Hollywood to Deadwood (1988), The Late Show (1977), and Married...with Children (1987-1997).

Seeing bands back in the day, musings on aging, me being an idiot with Unwound, the amazing Blonde Redhead, yelling at Julie Delpy, Pavement and a drunken karaoke, the majesty and tragedy of Elliott Smith, the joy that Quasi brings, don't cheat on Beck (or anyone), and a departed friend. Stuff mentioned: Unwound "Lady Elect" (1996), Blonde Redhead "Violent Life" (1995), Blonde Redhead Melody of Certain Damaged Lemons (2000), Blonde Redhead Fake Can Be Just as Good (1997), Blonde Redhead "Futurism vs. Passéism" (1997), Pavement "Sensitive Euro Man" (1996), Pavement Slanted and Enchanted (1989), Pavement "Silence Kid" (1994), Elliott Smith "Say Yes" (1997), Elliott Smith "Coming Up Roses (1995), Elliott Smith "I Figured You Out" (2017, recorded in 1995), Quasi Featuring "Birds" (1997), Quasi "California" (1997), Quasi "It's Raining" (2001), Beck Sea Change (2002), Beck "Cyanide Breath Mint" (1994), Elliott Smith "True Love" (2015, recorded in 2001), Edna St. Vincent Millay "First Fig" (1920), and Elliott Smith "Happiness" (2000).

Will and Jason discuss new releases by indie rock veterans Wilco, Drop Nineteens, and Blonde Redhead, plus a live report and bonus songs.

durée : 00:53:52 - Very Good Trip - par : Michka Assayas - Ce soir, dans Very Good Trip, de belles voix folk, automnales, c'est la saison. - réalisé par : Stéphane Ronxin

Esta semana, en Islas de Robinson, suenan: WILCO - "SOLDIER CHILD" ("COUSIN", 2023) / DEVENDRA BANHART - "MAY" ("FLYIN' WIG", 2023) / CATE LE BON - "TYPICAL LOVE" (2022) / H. HAWKLINE - "SUPRESSION STREET" ("MILK FOR FLOWERS", 2023) / WESTERMAN - "CSI PETRALONA" ("AN INBUILT FAULT", 2023) / MODERN NATURE - "ENSÕ" ("NO FIXED POINT IN SPACE", 2023) / BLONDE REDHEAD - "REST OF HER LIFE" ("SIT DOWN FOR DINNER", 2023) / BLAKE MILLS - "BREAKTHROUGH MOON" ("JELLY ROAD", 2023) / FEIST - "BECOME THE EARTH" ("MULTITUDES", 2023) / JONATHAN WILSON - "OL' FATHER TIME" ("EAT THE WORM", 2023) / CALIFONE - "COMEDY" ("VILLAGERS", 2023) / JOHN SOUTHWORTH - "ALWAYS ON THE RIVER" ("WHEN YOU'RE THIS, THIS IN LOVE", 2023) / Escuchar audio

Kazu Makino of Blonde Redhead speaks to Rachel about the band's new album Sit Down For Dinner, out today. Whakarongo mai nei!

On Travelling Tunes with Dr Kirsten Zemke, we explore grime music. Kazu Makino of Blonde Redhead speaks to Rachel about the band's new album Sit Down For Dinner, out today. Litia Tuiburelevu is our Viewmaster, talking about the new season of her show Still Here. Swop from Yoko-Zuna, Kédu and Elisa are in the studio having a yarn about their upcoming gig at Neck of the Woods. Whakarongo mai nei!

Today's episode is with Vintologi, the founder of the eponymous "religion" and author of the Transmaxxing Manifesto. It was recorded in July of 2021 if certain references are out of date. It was certainly interesting to revisit after my recent episode with Tina, on The TRANSMaxxing Redux episode.------------------------------------------------------------------------------------------------------------------------------------------- "Misery is a Butterly" by Blonde Redhead. 2004. Courtesy of Beggars Music Group. ——————————————————————— INCEL is created and produced by Naama Kates for Crawlspace Media. Music by Cyrus Melchor. —————————————————————— If you or someone you know is struggling emotionally, or having a hard time, please call someone, or contact one of the excellent resources provided below. —————————————————————— Suicide Prevention Lifeline w: https://suicidepreventionlifeline.org/ t: 1.800.273.8255 —————————————————————— Samaritans Website: https://www.samaritans.org and telephone (UK): 116.123 —————————————————————— Please contact Naama at INCEL with any comments, inquiries, or just random thoughts: e: theincelproject@gmail.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5608426/advertisement

On the eve of Blonde Redhead's first new album in nine years, their excellent Sit Down For Dinner, the band's Kazu Makino joins the LSQ podcast for episode 95. She talks about how the experience of making her own solo album a few years ago inspired a new confidence going into this Blonde Redhead album; the influence she took from growing up in a household where classical music was playing at a soft volume at all times; the evolution of her songwriting within the band; how a good performance feels like a trance; and more. Blonde Redhead's North American tour begins in mid-October. Get tickets here.

Adam takes Liam on a sonic journey through the evolution of NYC art noise turned dream pop band Blonde Redhead.

Today's Song of the Day is "Before" from Blonde Redhead's album, Sit Down For Dinner, out September 29th.Blonde Redhead will be performing at Amsterdam Bar and Hall on Monday, October 30th.

Episode 656: September 10, 2023 playlist: Godflesh, "Nero (Remix)" (Nero) 2023 Avalanche Sparkle Division, "Oh Yeah!" (Foxy) 2023 Temporary Residence Edward Ka-Spel, "Spectrescape 13" (Spectrescapes 3) 2016 self-released Big Blood, "James Bay" (Deep Maine) 2019 Don't Rust the Ruin / 2023 Feeding Tube Nervous Gender, "Monsters" (Music From Hell) 1981 Subterranean / 2023 Dark Entries Jeremiah Chiu, "In Electric Time" (In Electric Time) 2023 International Anthem Mary Lattimore, "Horses, Glossy on the Hill" (Goodbye, Hotel Arkada) 2023 Ghostly International Arpanet, "P2101V" (Wireless Internet) 2002 Record Makers / Source John Fahey, "Morning (Pt. 2)" (Proofs and Refutations) 2023 Drag City Midwife and Nyxy Nyx, "it's ok 2 lie 2 me" (it's ok 2 lie 2 me b/w Andy) 2023 self-released Blonde Redhead, "Before" (Sit Down for Dinner) 2023 Section1 in be tween noise, "the apostle" (humming endlessly in the hush) 1995 New Plastic Music Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Episode 643: July 29, 2023 playlist: Blonde Redhead, "Melody Experiment" (Sit Down for Dinner) 2023 Section1 Joshua Hill and Micaela Tobin, "Fade Away" (Tent Music) 2023 Whited Sepulchre Euglossine, "Pollinator" (Bug Planet Is the Current Timeline) 2023 Hausu Mountain The Bug, "Sickness(Slowly dying)" (Machine 2) 2023 Pressure Aereogramme, "The Black Path" (Sleep and Release) 2003 Chemikal Underground Merzbow, "CATalysis No 3" (CATalysis) 2023 Elevator Bath Fugazi, "Returning the Screw" (In On the Kill Taker) 1993 Dischord Lankum, "Newcastle" (False Lankum) 2023 Rough Trade Fabiano do Nascimento, "Babel" (Das Nuvens) 2023 Leaving Drawing Virtual Gardens, "Be aware there is a goat hidden in the trees" (22:22) 2023 Lost Tribe Sound Lusine, "Zero to Sixty (ft. Sarah Jaffe)" (Long Light) 2023 Ghostly Theodore Cale Schafer, "See You Soon" (Trust) 2023 Students of Decay Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Join our PATREON for bonus episodes.  This week we talk about the 1988 Siouxsie and the Banshees album Peepshow with Rainer Maria's Caithlin De Marrais. We also discuss: whatchu drinkin, Rainer Maria heads, First Unitarian Church, reliving your 20's, Madison WI, we own Viceland, syncs, Caithlin's newest record, spotify, awards, The Cure, whatchu watchin, having kids, Mike Kinsella, Siouxsie is everywhere, what makes Peepshow so significant, horror films, Blonde Redhead, our favorite songs on the record, Christian Death, Siouxsie origin story, choosing songs for a record, and so much more.  // Follow us at @danbassini, @mysprocalledlife, @caithlindemarrais, @rainermariamusic and @runintotheground.  Listen to our RITG Mixtape Vol. 12 Best of 2022 here.

The return of the amazing Blonde Redhead plus "the great lost band of NYC" and more! --- Support this podcast: https://podcasters.spotify.com/pod/show/thebottomforty/support

We had the pleasure of interviewing We Are Scientists Zoom video!American rock band We Are Scientists debuted in the early aughts with the angular post-punk edge of With Love and Squalor, later evolving to incorporate polished synths and expanded atmospherics on efforts like 2016's Helter Seltzer, 2018's Megaplex, and 2021's Huffy. Although modestly popular in America, they were a hit in the U.K., where the group's sound -- part post-punk revival and part indie rock with a touch of '80s synth pop -- drew parallels to contemporaries like Editors, Franz Ferdinand, Interpol, and the Killers. Formed on the West Coast by three California-based college students, We Are Scientists officially took flight after frontman and guitar Keith Murray, bass player Chris Cain, and drummer Michael Tapper (who replaced founding drummer/vocalist Scott Lamb) relocated to Brooklyn and began building a small but devoted following. After releasing three EPs and one independent album -- Safety, Fun, and Learning (In That Order) -- the group signed with Virgin Records and released their major-label debut, With Love and Squalor, in early 2006. The effort peaked at ten on the Billboard Heatseekers chart and eventually was certified gold in the U.K. In 2008, We Are Scientists -- reduced to a duo comprising Cain and Murray after Tapper parted ways with the group -- put out their second full-length album, Brain Thrust Mastery. Produced by Ariel Rechtshaid, the set included the singles "After Hours" and "Chick Lit." As before, the record found popularity in the U.K., where it debuted at number 11 on the albums chart. In late 2012, the band entered the studio in New York with producer Chris Coady (Beach House, Gang Gang Dance, Blonde Redhead) to record sessions for their fourth record. Burrows relocated to the city from England while he worked with Murray and Cain to write and record tracks for the album. Titled TV en Français, it arrived in early 2014 on 100%/Dine Alone Records and featured appearances by Rose Elinor Dougall (Mark Ronson) and Tim Wheeler (Ash). In 2016, We Are Scientists returned with their fifth studio album, Helter Seltzer, produced by Max Hart (of Katy Perry's band). The effort charted in the Top 50 of the U.K. and Scottish charts. Two years later, they delivered their sixth effort, the polished Megaplex, also produced by Hart. The album featured the singles "Heart Is a Weapon," "Not Another Word," and "Your Light Has Changed."Following the 2020 launch of their own Dumpster Dive podcast, the group returned with the full-length Huffy in 2021. Although 2021's Huffy returned to a guitar-driven sound, Lobes, the band's eighth studio album, released early 2023, is their synthiest, electronic beatiest collection yet. So, really, who even is We Are Scientists? Founding We Are Scientists members Keith Murray (guitar) and Chris Cain (bass) have played with guys like Adam, Michael, Andy, Danny, Chris, Matt, and Gary on drums, but for over five years now have had Keith Carne, who looks like he isn't going anywhere.The band's previous singles “After Hours,” “Nobody Move, Nobody Get Hurt,” “The Great Escape,” “It's a Hit” and “Chick Lit” all have charted in the US/UK and the band have appeared on US late night talk shows, The Late Show with David Letterman, Conan and Carson Daly and performed at Coachella, Sasquatch, and All Points West festivals. In the UK, the band played the Reading and Leeds main stage and Glastonbury Festivals among other world-wide touring. The release of Lobes was celebrated with a very special hometown show at Brooklyn Made on January 20, 2023.We want to hear from you! Please email Hello@BringinitBackwards.com. www.BringinitBackwards.com#podcast #interview #bringinbackpod #WeAreScientists #Lobes #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod

This is Jimmy's favourite paper! Here's a copy someone posted on HitBug. Is it as good as the original? Likely not! Ivan also enjoyed this Theory Building business immensely; don't be fooled by the liberal use of the “blonk” censor-tone to cover the galleon-hold of swearwords he let slip, those mostly pertain to the Ryle. For the next episode, we're reading No Silver Bullet by Fred Brooks. Links The Witness, again! The Generation Ship Model of Software Development The philosophy of suckless.org Stop Writing Dead Programs, a talk by Jack Rusher, gets a whole new meaning! Someone rewrote Super Mario 64's code to run faster and better on original N64 hardware. Music featured in this episode: Speed x Distance = Time by Blonde Redhead from the album In an Expression of the Inexpressible which, upon reflection, is actually not Ivan's favourite. That'd be Melody of Certain Damaged Lemons. Hey listener! Send us questions so we can answer them on the show. Like, “How do you turn your worms?” Or, “What's so great about prepromorphisms anyway?” We'll answer them, honest! Send them here: Ivan Jimmy Or just DM us in the FoC Slack. futureofcoding.org/episodes/061See omnystudio.com/listener for privacy information.