Podcasts about film history

It's the first major adaptation of Tolkien's trilogy and it is…rotoscope animation? Enter Ralph Bakshi and his completely batshit vision of an animated Middle Earth!Is it a mixed masterpiece or a very audacious disaster? Either way, Bakshi's rotoscope RINGS is extremely influential for Peter Jackson, and we're celebrating its legacy this week.Next week, we complete our unofficial animated trilogy with RETURN OF THE KING (1980) from Rankin and Bass. Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special FeaturesForging Through The Darkness: The Ralph Bakshi VisionMiddle-Earth Envisioned: The Hobbit and The Lord of the Rings: On Screen, On Stage, and Beyond by Brian J. Robb and Paul SimpsonCinefantastique Production HistoryJim Hill Media Ralph Bakshi InterviewA.V. Club Ralph Bakshi InterviewThe Hollywood Reporter Production HistoryRalph Bakshi on Peter JacksonCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It's the most wonderful time of the year! Denzember 2 kicks off with a conversation about Spike Lee and Denzel Washington's first collaboration, 1990's Mo' Better Blues, a film about jazz, art-making, and the pursuit of greatness at the expense of personal relationships. The terrific Minnie Zondi is our guest! We discuss the film's tepid reception upon release, and how a (predominantly white) critical audience failed to understand the political dimensions of a film about Black music and its commercial and social appropriation. Then, we reflect on Spike Lee's career and his brilliant cohort of collaborators, including composer Terence Blanchard (making his first appearance on a Spike Lee soundtrack), cinematographer Ernest R. Dickerson, and the electric stylings of costume designer Ruth E. Carter. Finally, we reflect on the movie's complicated ending, and what we're to make of its reflections on artistry, family, and whether exceptional talents can hold the two in balance. Follow Minnie Zondi on Twitter. Follow Minnie on Substack. Read Minnie's Twitter thread on Ruth E. Carter's costume work for Ryan Coogler's Sinners.Get access to the whole Denzember experience, all of our premium episodes and bonus content, and an invite to the Hit Factory Discord by becoming a Hit Factory Patron for just $5/month.....Our Denzember Theme Song is "Funk" by Oppo

Pour up a Krakozhian Layover and join McCash as he relives this Tom Hanks-Steven Spielberg team-up alongside Brandon and Stoney. Today, we're drinking with...The Terminal. To make the Krakozhian Layover1 1/2 oz Vodka3/4 oz Dry Vermouth1/2 oz Cherry Liqueur1/2 Lemon JuiceClub SodaLemon twist for garnishDirections:Shake vodka, vermouth, cherry liqueur, and lemon juice with iceStrain into a chilled glass over fresh iceTop with club soda and garnish with lemon twist

Pour up a Krakozhian Layover and join McCash as he relives this Tom Hanks-Steven Spielberg team-up alongside Brandon and Stoney. Today, we're drinking with...The Terminal. To make the Krakozhian Layover1 1/2 oz Vodka3/4 oz Dry Vermouth1/2 oz Cherry Liqueur1/2 Lemon JuiceClub SodaLemon twist for garnishDirections:Shake vodka, vermouth, cherry liqueur, and lemon juice with iceStrain into a chilled glass over fresh iceTop with club soda and garnish with lemon twist

Rewind. On Christmas Eve 2000, Susan Berman, a talented journalist, screenwriter, and author, sadly lost her life at her home on 1527 Benedict Canyon Drive in Beverly Hills. Susan, the cherished daughter of a mobster and a former dancer, was raised as part of mob royalty, celebrating birthdays with Elvis and Liberace. Her tragic passing deeply affected her friends, leaving us wondering—did Susan ever suspect her killer?Executive Producer Kristin OvernExecutive Producer and Host Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Better late than never, we're back with a conversation about Paul Thomas Anderson's recent critical and box office sensation One Battle After Another. PTA loosely adapts (and updates) Thomas Pynchon's 1990 novel Vineland, setting the story against the backdrop of an indeterminate moment in the 21st century to tell a story of washed-up revolutionary Bob Ferguson (Leonardo DiCaprio), who is dragged back into the fray when an old enemy (Sean Penn) resurfaces and threatens his teenage daughter (Chase Infiniti). The film represents the first time in over 20 years that Anderson has set a story in contemporary times, and he uses the opportunity to examine the current landscape of America, its political fissures, and to lay out his personal vision of a hopeful future staked out by the next generation...But Anderson also readily betrays the limits of his political vision, and his myopic understanding of the circumstances that have produced and perpetuated this country's bigotries and oppressive hierarchies. While One Battle After Another offers countless pleasures as an obeject of undeniable cinematic energy and craftsmanship, it fails to elucidate a coherent sociopolitical ideology, even as it readily co-opts and aestheticizes the langauge and iconography of radical leftwing militancy.We unpack the film's many contradictions, and key in to what makes OBAA a simultaneously riveting and frustrating watch. Then, we discuss the film's treatment of race and the cadre of brilliant Black actresses who mine depth and nuance out of Anderson's elliptical storytelling. Finally, we call for a deeper discourse about the film that makes room for its many contradictions and shortcomings, arguing that these jagged edges make the film a more urgent and enduring work than insistences on its perfection.Read Angelica Jade Bastién, on One Battle After Another at VultureRead Lyvie Scott on One Battle After Another at Inverse....Our Theme Song is "Mirror" by Chris Fish.

From its heavyweight title fight between Robert De Niro and Al Pacino to its ear shattering sound design, Brandon, Our Buddy Brett, and Stoney relive Michael Mann's 'Heat' on the latest episode of The Movie Review Rewind Podcast. 

Steve Ryan is the Course Director, MA in Songwriting, University of Limerick joins Emile Donovan.

Awards season 2009 came down to a telenovela-worthy duel between Kathryn Bigelow with her war drama The Hurt Locker, and her ex-husband James Cameron, delivering his second consecutive Highest Grossing Movie Ever with Avatar. Kevin Weir re-joins Erin, Claire, and Dan to break it all down. Claire is not thrilled, Dan explains how a later release makes Hurt Locker seem much better, Erin posits you can only like movies about one war. But then it's off to Pandora, to dig into the groundbreaking visuals and threadbare narrative of Avatar, the global phenomenon everybody forgets is one of history's most successful movies. Which do our hosts prefer? Find out!Find all of our episodes and the rest of Writing Therapy Productions' various entertainments at www.writingtherapyproductions.com

Abby sits down with Alex to talk through all things Wizard of Oz. From L Frank Baum's books which date back to 1900, to the 1939 classic MGM film and so much more. Get Lunatics Merch here. Join the discussion on Discord. Check out Abby's book Horror Stories. Available in eBook and paperback. Music by Michaela Papa, Alan Kudan & Jordan Moser. Poster Art by Pilar Keprta @pilar.kep.Support your favorite podcast by wearing some haunting and highly specific clothing. Check out our merch store here. Consider joining our Patreon for bonus episodes, spooky literature and deep dives into horror and history. Click here to learn more. Follow us on TikTok, X, Instragram and YouTube. Join the conversation on Discord. Support us on Patreon. Support the show

Listen up, Hobbitses! An adventure is knocking at your door! Will you answer it? Even if it's a musical?It's the first actual Tolkien adaptation of our series this week, and we are so confused that it exists. Rankin and Bass? The dudes who make the Rudolph and Frosty movies? Yes. And for some reason, Otto Preminger is in it.Next week it's Ralph Bakshi's THE LORD OF THE RINGS animated spectacular! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Middle-Earth Envisioned: The Hobbit and The Lord of the Rings: On Screen, On Stage, and Beyond by Brian J. Robb and Paul SimpsonJ. R. R. Tolkien: A Biography by Humphrey CarpenterThe New York Times Production HistoryTolkien Hates DisneyCinefantastique Production HistoryCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Episode SummaryErin and Rachel hop on down to 1920's New Orleans, where Disney's first Black princess spends most of her time as a frog in the Louisiana bayou. The Princess and the Frog (2010) provided much needed representation, but leaves a lot to be desired in terms of its race, class, and gender politics. Episode BibliographyThe 82nd Academy Awards | 2010. (n.d.). Oscars. https://www.oscars.org/oscars/ceremonies/2010/P?qt-honorees=1#block-quicktabs-honoreesAyres, C. (2009, December 12). The Princess and the Frog: Disney's black fairytale. The Times. https://www.thetimes.com/culture/tv-radio/article/the-princess-and-the-frog-disneys-black-fairytale-lcpnw3pj3jcBaker, E.D. (2002). The Frog Princess. Bloomsbury.Barnes, B. (2009, May 29). Her Prince Has Come. Critics, Too. The New York Times. https://www.nytimes.com/2009/05/31/fashion/31disney.htmlBreaux, R. M. (2010). After 75 years of magic: Disney answers its critics, rewrites African American history, and cashes in on its racist past. Journal of African American Studies, 14(4), 398-416. doi: 10.1007/s12111-010-9139-9Chang, J. (2009, November 24). The Princess and the Frog. Variety. https://variety.com/2009/digital/features/the-princess-and-the-frog-1200477289/Davis, A.M. (2014). Handsome heroes and vile villains: Men in Disney's feature animation. John Libbey & Company. Debruge, P. (2016, November 22). Disney's Pixar Acquisition: Bob Iger, John Lasseter Reanimated Studio. Variety. https://variety.com/2016/film/features/disney-pixar-acquisition-bob-iger-john-lasseter-1201923719/Disney Archives, The. (2025, January 14). The Princess and the Frog - Magic in the Bayou: The Making of a Princess. YouTube. https://www.youtube.com/watch?v=t9Gfgey_Oc8Disney Enterprises, Inc. (2009). The Princess and the Frog Production Notes. Oscars.org. https://web.archive.org/web/20100408202417/http://www.oscars.org/press/presskits/nominations/pdf/princess_and_the_frog.pdfEbert, R. (2009, December 9). At Disney, they still remember how to make movies like they used to movie review (2009). RogerEbert.com. https://www.rogerebert.com/reviews/the-princess-and-the-frog-2009Firehouse Five Plus Two - Wikipedia. (n.d.). Wikipedia, the free encyclopedia. https://en.wikipedia.org/wiki/Firehouse_Five_Plus_TwoFoundas, S. (2009, December 10). The Princess and the Frog. Dallas Observer. https://www.dallasobserver.com/arts-culture/the-princess-and-the-frog-6405784/Frog Prince, The. (2025, October 17). In Wikipedia. https://en.wikipedia.org/wiki/The_Frog_PrinceGallo, P. (2006, February 28). Mouse inks music man. Variety. https://variety.com/2006/film/markets-festivals/mouse-inks-music-man-1117939042/Gehlawat, A. (2010). The strange case of "The Princess and the Frog:" Passing and the elision of race. Journal of African American Studies, 14(4), 417-431. doi: 10.1007/s12111-010-9126-1Gilchrist, T. (2009, October 23). Interview: 'Princess and the Frog' Directors Ron Clements and John Musker. Moviefone. https://web.archive.org/web/20130921054004/http://news.moviefone.com/2009/10/23/interview-princess-and-the-frog-directors-ron-clements-and-jo/Gregory, S. M. (2010). Disney's second line: New Orleans, racial masquerade, and the reproduction of whiteness in The Princess and the Frog. Journal of African American Studies, 14(4), 432-449. doi: 10.1007/s12111-010-9138-xGuerrero, E. (1993). The Black image in protective custody: Hollywood's biracial buddy films of the eighties. In M. Diawara (Ed.), Black American cinema (pp. 237–246). Routledge.Hill, J. (2006, November 12). Monday Mouse Watch: Why a change of composers on “The Frog Princess” caused lots of WDFA staffers to lose their composure. Jim Hill Media. https://limegreen-loris-912771.hostingersite.com/monday-mouse-watch-why-a-change-of-composers-on-the-frog-princess-caused-lots-of-wdfa-staffers-to-lose-their-composure/Holt, K. (2006, June 23). Rhett Wickham: It's Baaack! Laughing Place. https://www.laughingplace.com/news-id510530.aspHoneycutt, K. (2009, November 24). The Princess and the Frog — Film Review. The Hollywood Reporter. https://www.hollywoodreporter.com/movies/movie-reviews/princess-frog-film-review-93780/Kayembe, B. (2021, March 9). Why are we still depicting Black women as 'Mammies'? Shado Mag. https://shado-mag.com/articles/opinion/why-are-we-still-depicting-black-women-as-mammies/Killer Reviews Staff. (2009). The Princess and the Frog Filmmakers Interview. Killer Reviews. https://web.archive.org/web/20100829054531/http://www.killerreviews.com/dispinterview.php?intid=1859King, C.R., Bloodsworth-Lugo, M.K., & Lugo-Lugo, C.R. (2010). Animated representations of Blackness. Journal of African American Studies, 14(4), 395-397. doi: 10.1007/s12111-010-9141-2King, S. (2009, November 22). Q & A with ‘Princess and the Frog' animators. Los Angeles Times. https://www.latimes.com/archives/la-xpm-2009-nov-22-la-ca-princess22-2009nov22-story.htmlLeah Chase. (n.d.). Wikipedia, the free encyclopedia. https://en.wikipedia.org/wiki/Leah_ChaseLeap of Faith: The Princess and the Frog. (2010, January 17). The Independent. https://www.the-independent.com/arts-entertainment/films/features/leap-of-faith-the-princess-and-the-frog-1870801.htmlLester, N. A. (2010). Disney's The Princess and the Frog: The pride, the pressure, and the politics of being a first. The Journal of American Culture, 33(4), 294-307. Malkin, M. (2007, February 5). Alicia Keys into Next Movie Role. E! Online. https://web.archive.org/web/20070210054735/http://www.eonline.com/gossip/planetgossip/blog/index.jsp?uuid=d21d0e39-9f0d-4b01-b81d-3989932f34abMcGee, A.M. (2012). Haitian vodou and voodoo: Imagined religion and popular culture. Studies in Religion, 41(2). doi: 10.1177/0008429812441311Misick, B. (2020, October 29). Controversy Over 'The Princess and the Frog'. Essence Magazine. https://www.essence.com/news/critics-dispute-princess-and-the-frog/Moffitt, K. R. (2019). Scripting the way for the 21st-century Disney princess in The Princess and the Frog. Women's Studies in Communication, 42(4), 471-489. doi: 10.1080/07491409.2019.1669757Moffitt, K. R., & Harris, H. E. (2014). Of negation, princesses, beauty, and work: Black mothers reflect on Disney's The Princess and the Frog. Howard Journal of Communications, 25(1), 56–76. doi:10.1080/10646175.2014.865354Myrlados, A. (2021, January 18). The Princess and The Frog: A case in cultural revisionism. The Enlightenment. https://lifeisgoodblog.com/2021/01/18/princess-and-frog-cultural-revisionism/Ness, M. (2016, June 2). The End of an Era: Disney's The Princess and the Frog. Reactor. https://reactormag.com/the-end-of-an-era-disneys-the-princess-and-the-frog/New Orleans Voodoo. (2025). New Orleans. https://www.neworleans.com/things-to-do/multicultural/traditions/voodoo/Noyer, J. (2010, June 1). The Princess And The Frog's Directors John Musker and Ron Clements take us to “the other side” of animation! Animated Views. Retrieved September 22, 2025, from https://animatedviews.com/2010/the-princess-and-the-frog-directors-john-musker-and-ron-clements-take-us-to-the-other-side-of-animation/Panaram, S., Rogers, H., & Stoddard, T. (n.d.). The Princess and the Frog: Rewriting Jazz Age History and Culture. The Black Atlantic. https://sites.duke.edu/blackatlantic/sample-page/contemporary-film-and-black-atlantic/history/disneyfied-histories-disneys-intentional-inaccuracy-historical-films-and-the-black-atlantic/the-princess-and-the-frog-and-rewriting-jazz-age-history-and-culture/Parasecoli, F. (2010). A taste of Louisiana: Mainstreaming Blackness through food in The Princess and the Frog. Journal of African American Studies, 14(4), 450-468. doi:  10.1007/s12111-010-9137-yPérez, E. (2021). “I got voodoo, I got hoodoo”: Ethnography and its objects in Disney's The Princess and the Frog. Material Religion, 17(1), 56-80. doi: 10.1080/17432200.2021.1977954Pinsky, M. I. (2010, January 7). What Walt Wrought. Wall Street Journal. https://www.wsj.com/articles/SB10001424052748703580904574638143338424878The Princess and the Frog. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl3916137985/Robertson, B. (2010, January). The Tradition Lives On. Computer Graphics World. https://www.cgw.com/Publications/CGW/2010/Volume-33-Issue-1-Jan-2010-/The-Tradition-Lives-On.aspxRoush, G. (2009, October 21). Interview: Princess And The Frog Directors John Musker And Ron Clements. Plus 7 Brand New Images! LatinoReview.com. https://web.archive.org/web/20091022114309/http://www.latinoreview.com/news/interview-princess-and-the-frog-directors-john-musker-and-ron-clements-plus-7-brand-new-images-8310Schwarzbaum, L. (2009, December 18). The Princess and the Frog. Entertainment Weekly. https://ew.com/article/2009/12/18/princess-and-frog-2/Sciretta, P. (2009, 28 February). WonderCon: The Princess And The Frog And The Future Of 2D Animation At Disney. Slash Film. https://www.slashfilm.com/502703/wondercon-the-princess-and-the-frog-and-the-future-of-2d-aniamtion-at-disney/Scott, M. (2009, November 22). New Orleans setting for 'Princess and the Frog' is a Disney dream come true for one man. NOLA.com. https://www.nola.com/entertainment_life/movies_tv/new-orleans-setting-for-princess-and-the-frog-is-a-disney-dream-come-true-for/article_c84036c3-ff1c-5fcd-94e3-9f7e916b774e.htmlScott, N. (2009, December 12). For 'Princess and the Frog,' Disney animators go back to the drawing board. NOLA.com. https://www.nola.com/entertainment_life/movies_tv/for-princess-and-the-frog-disney-animators-go-back-to-the-drawing-board/article_70787df8-b6ee-575d-9a0e-f1648f40cced.htmlSharkey, B. (2009, November 25). Review: 'The Princess and the Frog'. Los Angeles Times. https://www.latimes.com/archives/la-xpm-2009-nov-25-la-et-princess25-2009nov25-story.htmlTaylar. (2022, November 12). The Firehouse Five Plus Two - Disney's Jazz Band. The Disney Classics. https://www.thedisneyclassics.com/blog/firehouse-five-plus-twoTejada, A. (2020, July 14). Representation Without Transformation: Can Hollywood Stop Changing Cartoon Characters of Color? Reactor. https://reactormag.com/representation-without-transformation-can-hollywood-stop-changing-cartoon-characters-of-color/Terry, E.J. (2010). Rural as racialized plantation vs rural as modern reconnection: Blackness and agency in Disney's Song of the South and The Princess and the Frog. Journal of African American Studies, 14(4), 469-481. doi: 10.1007/s12111-010-9132-3Turner, S.E. (2013). Blackness, bayous and gumbo: Encoding and decoding race in a colorblind world. In Cheu, J. (Ed.), Diversity in Disney films: Critical essays on race, ethnicity, gender, sexuality, and disability (pp. 83-98). McFarland & Company.Update: Princess Anika and the Frog. (n.d.). E! News. https://www.eonline.com/news/59173/update-princess-anika-and-the-frogWhelan, B. (2012). Power to the princess: Disney and the creation of the 20th century princess narrative. Interdisciplinary Humanities, 29(1), 21–34.Wloszczyna, S. (n.d.). Enchanting return to 2-D: Disney animation conjures magical kingdom of yore. USA Today. https://usatoday30.usatoday.com/printedition/life/20070503/d_cover03.art.htm

Sandy shares writing advice from Guillermo del Toro, a talented director, screenwriter, producer, and artist whose incredible work spans horror, fiction, and fairy tales. Born in Guadalajara, Mexico, in 1964, del Toro's passion for film and horror blossomed during his childhood. His unique style beautifully blends genres, often finding grace in the grotesque, and draws inspiration from anime, manga, and Japanese TV. Del Toro has brought to life impressive big-budget movies like Blade II, Hellboy, Pacific Rim, and The Shape of Water, along with Netflix's captivating Frankenstein.  

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Writer and critic David Hering joins us from Liverpool to discuss the final film from the ingenious Stanley Kubrick, Eyes Wide Shut. Originally conceived in the 1970s as a follow-up to Kubrick's landmark 2001: A Space Odyssey as a more straightforward sex comedy, the film adapts and updates Arthur Schnitzler's 1926 novella Traumnovelle (Dream Story) into a visually stunning, phantasmagorical, and startlingly prescient dark night of the soul featuring one of Hollywood's then most famous couples that explores the psychosexual anxieties of masculinity and patriarchal power dynamics - upheld by loci of elite influence - that oppress, sublimate, and throttle our desires.We begin by examining the metatextual maelstrom surrounding the film, and how a series of distinct discourses (Kubrick's first film in over a decade, his sudden death shortly after the film's completion, Tom Cruise and Nicole Kidman's tabloid-ready romance) united to produce a landmark film event that was met by a befuddled critical and commercial audience alike. Then, we discuss the film's milieu, its controlled artificiality, and Kubrick's masterful use of repetition to create a uniquely dreamlike essence that beguiles even as it suggests a disquieting world of influence operating just outside of our periphery. Finally, we unpack the film's mysteries and unresolved tensions; how the film's conclusion (and iconic final line) suggest a subtle defiance toward the systems of control that minimize and abstract our libidinal, desirous agency. Follow David Hering on Twitter.Check out David's work at his website.....Our theme song is "Mirror" by Chris Fish.

Series premiere! This week we leave The Shire behind to embark on our journey through Middle Earth and the epic fantasy genre!In the spirit of Lord of the Rings, we've divided our miniseries into three parts, and we're starting today with Part 1: The Road to Mordor. And that road begins with, you guessed it, Ray Harryhausen!Peter Jackson's trilogy would not exist without the sword-and-sandals stop-motion action of Harryhausen – so as we voyage towards Mordor, we must first trek the scorching sands of Ancient Greece, where harpies fly, gigantic statues terrorize, and gods try to kill us out of boredom! Oh, and spooky skeletons.Next week, we spend some time with a different type kind of Hobbit in Rankin and Bass's animated THE HOBBIT. Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special FeaturesPeter Jackson Commentary TrackPeter Jackson on Ray HarryhausenArt UK Production HistoryRay Harryhausen/Bruce Eder Commentary Track 1992 Criterion ReleaseRay Harryhausen Talks Animating SkeletonsRay Harryhausen UK LaserDisc InterviewRay Harryhausen on Jerky MetalBruce Eder on Jason and the ArgonautsThe New York Times Ray Harryhausen FeatureInfinity Magazine Issue 41 Production HistoryCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Filmmaker Heather Landsman joins to discuss Michael Haneke's Benny's Video alongside a conversation about her latest film, the archival documentary The Best of Me, which chronicles Björk stalker Ricardo López through unvarnished, segments of his 1996 video diaries, created as a means of sharing his ideological convictions and his plan to mail the pop singer a letter bomb. The film shares some thematic connections with Benny's Video, exploring the potentially radicalizing effect of culutral ephemera, how mediation both reflects and proliferates the atomization of late capitalism, and how the distancing effect of the camera abstracts the boundaries between the incorporeal and the material. We begin with a conversation about The Best of Me, its creation, and how we should understand the case of the deeply disturbed López. Then we discuss Michael Haneke, his perspectives on violence and the media, and we take on some of the common criticisms of his work as overly didactic or sanctimonious. Finally, we look at Benny's Video, it's considerations of mediated existence in the late 20th century, and it prescience with regard to the digital unreality we all inhabit online every day in the 2020s. More info on The Best of Me can be found here. Watch the trailer for The Best of Me. Follow Heather Landsman on Twitter.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish.

On a dark and stormy night, Brandon and Stoney dig into the 1985 cult classic starring Tim Curry and a delightful ensemble, Clue. 

Run back the tape! We're closing the book on yet another miniseries this week, and… revealing the journey that lies ahead!It's been a joy scrubbing through all the haunted camera recordings of these found footage horror movies, and we're thrilled to tie off some loose ends, answer listener questions, and decide once and for all: is the Blair Witch even named Blair?Next week, we start anew…listen to find out where we'll be headed with our next miniseries!! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

After an incredibly limited theatrical run Guillermo del Toro's Frankenstein has hit Netflix as of November 7th. A week earlier, and maybe we'd have hit that Halloween sweet spot, but beggars can't be choosers, I suppose. I digress.Nonetheless, the occasion inspired Brandon and me (Stoney) to get behind the mics and talk about the vast history that this story holds in cinema history on the latest episode of The Vick's Flicks Podcast. We rewind to 1818 and discuss the original text from Mary Shelley. We look at some of the themes this story explores, and what about it has resonated with audiences for so many years. And, we look at an exhaustive filmography that features hundreds of films that fail to stand out and ask, “why did it take nearly a hundred years to do this ting right again?”Then, Brandon offers up his thoughts on del Toro's effort with 2025's Frankenstein.

 In remembrance of the wonderful writer, director, and actor Adrienne Shelly, we're excited to share again The Writers' Hangout Episode dedicated to her story, which we originally posted in the month she passed. It's a heartfelt chance to get to know this talented and incredible woman, whose life was tragically cut short. We hope you feel inspired and connected through her story.The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

Try to remember these times, listeners. Some of the best nights of our lives were being had in parking lots.When Connor O'Malley brings a couple DV cameras to the suburban abyss of Tobyhanna, Pennsylvania, we simply have no choice but to watch. It's somehow the culmination of every found footage film we covered in this series, and also one of the funniest feature-length films ever uploaded directly to YouTube… or anywhere, for the matter.It's RAP WORLD, baby. And we're living in it!Next week we wrap up our found footage miniseries, answer some listener questions, AND…announce our next series! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Vulture Conner O'Malley InterviewFader Production HistoryFilmmaker Magazine Production HistoryScreen Slate Conner O'Malley & Danny Scharar InterviewConner O'Malley Needs a ProducerCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Pour up a Hit Pit and join McCash as he relives this Oscar-winning classic starring Hillary Swank and Clint Eastwood alongside Brandon and Stoney. Today, we're drinking with...Million Dollar Baby. To make the Hit Pit, you'll need:2 oz Bourbon1/2 oz of sweet vermouth1/2 oz elderflower liqueur1/4 oz fresh lemon juiceDash of bittersGarnish with a lemon twist and a cherryAdd all ingredients into to shaker with ice.Directions:Shake well and strain into a martini glassGarnish with twist and cherryEnjoy this smooth but bold drink...perfect for toasting resilience, heart and a knockout performance.

Pour up a Hit Pit and join McCash as he relives this Oscar-winning classic starring Hillary Swank and Clint Eastwood alongside Brandon and Stoney. Today, we're drinking with...Million Dollar Baby. To make the Hit Pit, you'll need:2 oz Bourbon1/2 oz of sweet vermouth1/2 oz elderflower liqueur1/4 oz fresh lemon juiceDash of bittersGarnish with a lemon twist and a cherryAdd all ingredients into to shaker with ice.Directions:Shake well and strain into a martini glassGarnish with twist and cherryEnjoy this smooth but bold drink...perfect for toasting resilience, heart and a knockout performance.

Sometimes, dreams really do come true! We're thrilled to have with us the amazing Jerry Zucker, who, alongside his brother David and their friend Jim Abrahams, played a huge part in transforming comedy in the 1980s. Together, they brought a fresh and hilarious twist to the spoof movie genre with the legendary 1980 hit “Airplane,” which the American Film Institute recognized as one of the ten funniest films ever made.Before that, the Zuckers and Abrahams wrote the cult classic, "Kentucky Fried Movie" (1977), a comedy consisting of unrelated sketches. After "Airplane," the Zuckers and Abrahams created "Police Squad!" (ABC, 1982) and turned it into the successful film franchise of today. Next, Zucker, Abrahams, Zucker returned to the big screen with "Top Secret!" (1984). Jerry also directed "Ruthless People" (1986) and "Ghost" (1990), starring Patrick Swayze and Demi Moore. "The Naked Gun - From the Files of Police Squad!" (1988). He produced "First Knight" (1995), "Rat Race," "A Walk in the Clouds" (1995), and "My Best Friend's Wedding" (1997). Additionally, he worked on "Fair Game" (2010).Special thanks to Katie Zucker and Darlene Chan.The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

Happy Halloween!!Hang out with Sandy, Terry, and special guest screenwriter Mark Steen as they recap "Ghost and Mr. Chicken," starring Don Knotts from "The Andy Griffith Show" fame. Directed by Alan Rafkin and written by James Fritzell and Everett Greenbaum, "The Ghost and Mr. Chicken" is about a timid typesetter who hasn't a ghost of a chance of becoming a reporter - until he decides to solve a murder mystery and ends up spending a fright-filled night in a haunted house. You don't need to watch the movie to enjoy the show, but we encourage you to do so since it's a fun movie that the whole family can enjoy.The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

It's Halloween, so we decided to do a "scary" one! Podcaster, author, and emissary from the City of Brotherly Love Trevor Strunk joins to discuss Robert Rodriguez's 1998 Breakfast-Club-Meets-Body-Snatchers riff The Faculty. Boasting a memorable cast of young up-and-comers and a script written by Scream-scribe Kevin Williamson, the film is both playfully self-aware and slyly subversive in its explorations of social hierarchies and the omnipresent 90s fixation with conformity to the monoculture. We begin by exploring how the film updates the Body Snatcher narrative, borrowing (and explicitly citing) the literary works of Robert A. Heinlen and Jack Finney, as well as both previous Body Snatchers film adaptations by Don Siegel and Philip Kaufman. Then, we contend with some of the movie's most intriguing premises - its assertions about capitalist hierarchies and how they maintain the oppression of marginalized out-groups as well as how American society impedes gratifying sexual expression (especially for women). Finally, we examine the deceptively cynical ending and what it suggests about the stickiness of the neoliberal order, its structural hold on the horizons of our sociopolitical imagination. Follow Trevor Strunk on TwitterListen & Subscribe to No CartridgeBuy Trevor's book Story Mode: Video Games and the Interplay between Consoles and Culture Join us on Thursday November 6th, 2025 6pm PT/9pm ET for a virtual screening of FAILED STATE + Q&A w/ Dir. Christopher Jason Bell.Purchase tickets HERE.Hit Factory Patrons can RSVP at Patreon from our pinned post.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish.

When it comes to John Carpenter's iconic franchise, Halloween, most people may be familiar, in the abstract, with the name Moustapha Akkad as his name is the first to appear in the opening credits for every movie. What fans of the series may not be familiar with is how integral Moustapha was to bringing the story of Michael Myers to life, producing all 8 original movies, even after John Carpenter, himself, left the series. To celebrate Halloween, Brian Santana joins me to talk about the life of Moustapha Akkad, the man born to a customs officer in Syria, who came to Hollywood to bring the story of Islam to life on the big screen. From his movie, The Message, to becoming the silent force behind one of the horror genre's greatest franchises, Moustapha Akkad's life was rich with creativity until his violent death at the hands of suicide bombers in Amman, Jordan. This is the story of his life and his enduring legacy, honoring the man who was so pivotal in making Michael Myers and the season what it is today. Get A Murder On Campus: The Professor, The Cop, and North Carolina's Most Notorious Cold Case hereCheck out Chapter 91 with Brian and Cameron Santana hereCheck out Chapter 105: Summer's Almost Gone with Brian Santana and J.T. Townsend hereCheck out Chapter 114: The Devil in the Details-The Unsolved Death of Jeannette DePalma w/ Brian Santana hereConnect with us on Social Media!You can find us at:Instagram: @bookofthedeadpodX: @bkofthedeadpodFacebook: The Book of the Dead PodcastTikTok: BookofthedeadpodOr visit our website at www.botdpod.comAkkad, Moustapha (1930–2005) | Encyclopedia.com. (n.d.). https://www.encyclopedia.com/international/encyclopedias-almanacs-transcripts-and-maps/akkad-moustapha-1930-2005Al-Atraqchi, F. (2007, September 2). Halloween producer's epic plan. Al Jazeera. https://www.aljazeera.com/features/2007/9/2/halloween-producers-epic-planBrayson, J. (2018, October 18). Who is Moustapha Akkad? ‘Halloween' is dedicated to someone who shaped the franchise. Bustle. https://www.bustle.com/p/who-is-moustapha-akkad-halloween-is-dedicated-to-someone-who-shaped-the-franchise-12576403CNN.com - Jordan confirms al Qaeda behind hotel blasts - Nov 12, 2005. (n.d.). https://web.archive.org/web/20080527142122/http://www.cnn.com/2005/WORLD/meast/11/12/jordan.blasts/index.htmlCole, J. (2005, November 15). Strange death of Moustapha Akkad. Informed Comment. https://www.juancole.com/2005/11/strange-death-of-moustapha-akkad.htmlDossey, E. (2018, November 6). No Sleep October: The Halloween Franchise - Midwest Film Journal. Midwest Film Journal. https://midwestfilmjournal.com/2018/10/31/no-sleep-october-the-halloween-franchise/Film Comment. (2017, January 19). Keeping the faith. https://www.filmcomment.com/article/moustapha-akkad/Hollywood producer, daughter died in bombing. (2005, November 11). NBC News. https://www.nbcnews.com/id/wbna10002363Mattar, S. (2005, November 5). “Halloween” Producer Akkad Dies in Jordan. Backstage. https://www.backstage.com/magazine/article/halloween-producer-akkad-dies-jordan-38743/Moustapha Akkad - Arab America. (2015, June 2). Arab America. https://www.arabamerica.com/arabamericans/moustapha-akkad/Nov 12, 2005, page 42 - The Pantagraph at Newspapers.com. (n.d.). Newspapers.com. https://www.newspapers.com/image/75766674/?match=1&terms=moustapha%20akkadO'Scannlain, D. F. (2015). BOYER v. CHAPPELL. In United States Court of Appeals for the Ninth Circuit. https://cdn.ca9.uscourts.gov/datastore/opinions/2015/07/16/13-99006.pdfPeople v. Boyer -  S029476 - Thu, 05/11/2006 | California Supreme Court Resources. (n.d.). https://scocal.stanford.edu/opinion/people-v-boyer-33625People v. Boyer (1989). (n.d.). Justia Law. https://law.justia.com/cases/california/supreme-court/3d/48/247.htmlSpinner, J. (2005, November 15). Motive Glimpsed in Jordan Attack. The Washington Post. https://www.washingtonpost.com/wp-dyn/content/article/2005/11/14/AR2005111400230.htmlTCF Staff. (2005, November 9). Deadly Bombings Hit Jordan. The Street. https://www.thestreet.com/personal-finance/deadly-bombings-hit-jordan-10252100The Associated Press. (2005a, November 12). Moustapha Akkad, 75, producer of “Halloween” films. Asbury Park Press, A13.The Associated Press. (2005b, November 12). Moustapha Akkad, 75, Who Produced Religious and Horror Films, Is Dead. The New York Times. https://www.nytimes.com/2005/11/12/obituaries/moustapha-akkad-75-who-produced-religious-and-horror-films-is.htmlThompson, S. (2020, October 18). Inside the legacy of the Multimillion-Dollar ‘Halloween' franchise as the original returns to theaters. Forbes. https://www.forbes.com/sites/simonthompson/2020/10/18/inside-the-legacy-of-the-multimillion-dollar-halloween-franchise-as-the-original-returns-to-theaters/Tüfekçi̇, A. (2020, November 25). Understanding Moustapha Akkad through ‘The Message' he left. Daily Sabah. https://www.dailysabah.com/arts/cinema/understanding-moustapha-akkad-through-the-message-he-leftTwair, S. (2009, August 31). Moustapha Akkad (1933-2005). Washington Report on Middle East Affairs. https://www.wrmea.org/2006-january-february/moustapha-akkad-1933-2005.htmlVoa. (2009, October 30). Arab-American filmmaker Mustafa Al Akkad Killed in Jordan Terrorist Attack. Voice of America. https://www.voanews.com/a/a-13-2005-11-18-voa23/391281.htmlIf you enjoyed the episode, consider leaving a review or rating! It helps more than you know! If you have a case suggestion, or want attention brought to a loved one's case, email me at bookofthedeadpod@gmail.com with Case Suggestion in the subject line.Stay safe, stay curious, and stay vigilant.

This week we're covering one of our favorite horror films, John Carpenter's Halloween! We begin by diving into the background of the film, and its shoestring budget. We also discuss the legacy of Halloween and how it shaped horror for years to come. We then get into the plot and describe everything we love about this film. We end the episode with a pair of double bills for your viewing pleasure!Thank you so much for listening! Support us at Patreon at https://www.patreon.com/DoubleBillChill Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

Happy Halloween! Outdoor SoBro comes by the studio to celebrate with Stoney as the two relive one of the most beloved relics of their childhood...the Ernest movies. Filmed in East Nashville, this one hits a little close to home! We're talkin' 1991's Ernest Scared Stupid on this year's Halloween episode of The Movie Review Rewind Podcast!

Welcome to the dark web! For the penultimate episode of our found footage miniseries, we're making Eye of the Duck history and inviting a writer/director to come on and explore his own film!Stephen Susco joins us to sail down the river and talk all things UNFRIENDED, such as transitioning the franchise from horror to thriller, the cursed search history of a professional screenwriter, the legacy of the screen life subgenre, and how easy it is to access the dark web! Really... apparently, anyone can do it.Next week, it's the deeply demented final film of our miniseries, RAP WORLD (2024). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:The Q&A With Jeff Goldsmith Stephen Susco & Andrew Wesman InterviewThrillist Stephen Susco InterviewFrightday Stephen Susco & Colin Woodell InterviewThe Hindu Kevin Stewart InterviewStephen Susco on “Unfriended 3”Unfriended Getting a SequelCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Pour up a Red Spiral and join Steven McCash as he relives the start of one of horror's most iconic franchises alongside Brittany Fernandez and Brandon Vick. Today, we're drinking with...Saw.To make the Red Spiral, you'll need: -2oz vodka-1/2 oz triple sec-1oz cranberry juice-1/2 oz lime juice-1/4 oz simple syrup-red sugar or crushed red candy-lime twistDirections: Rim the martini glass with red sugar or candyShake all ingredients with iceStrain into the glassTop with lime twist

Grab your winter coat and don't fall asleep because it's time for Black Phone 2! Seth is joined by Shawn Hunt to discuss Scott Derrickson's sequel, Ethan Hawke bringing the goods, the problems with expanding lore in horror sequels, the uncanny connection to The Hateful Eight, sticking your finger in payphones and how horror icons public perception changes over time. It's a wide ranging conversation on all things horror so strap in and check it out!  Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, shout out on the show AND you get to vote on monthly episodes and themes. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

A towering classic of Hollywood's Golden Age, The Ten Commandments (1956) remains one of the greatest epics ever made. In this episode, we explore Cecil B. DeMille's monumental vision, Charlton Heston's iconic performance, and the timeless spectacle that continues to part the cinematic seas.

Was Wes Craven's Cursed intentionally made to be a horror comedy? Or, did it just end up that way after years of re-writes and re-shoots? Brittany Fernandez of Danger Zone Video joins Brandon and Stoney on the latest Spooky Season episode of the Movie Review Rewind Podcast to relive this hot mess, for better or for worse. 

In 1960, Alfred Hitchcock released Psycho, a bold new sort of horror film that shocked audience's with it's sequences of murder and depravity, including a shower stabbing sequence that is firmly in the canon of iconic film moments. But where did this cinematic burst of bloodlust come from? In part 1 of our debut episode of Years of Fear, we explore the evolution of the first 60+ years of onscreen violence and death that lead up to Janet Leigh's iconic death sequence. We also explore the film's director, his early career, and the artistic dead end that made Psycho possible. Join us for the beginning of our journey of the first four years of 1960s Horror Cinema. 

The fine, upstanding gentlemen of Pod Casty for Me, Jake Serwin and Ian Rhine, return to discuss Hirokazu Kore-eda's After Life, which follows a group of recently deceased people entering a state of limbo where counselors  (also deceased) help them locate their most important memory and then go about the work of turning that memory into a film that they will watch forever in eternity. The film adopts, at least in part, a docu-fiction quality, assembling talking head interviews with several non-actors telling their memories directly to camera before becoming a treatise on art-making itself, considering how cinema reflects and retains memory. We begin with a discussion of Kore-eda's formalism, and how the director embraces both the erudite affect of slow cinema and the melodramatic dramaturgy of classical narrative to mixed effect. Then, we engage the film's high concept premise, how its emboldened by its ambiguities and where the film still feels grafted to terrestrial quotidian experience. Finally, we ponder the wide array of films that deal with the afterlife as a bureaucratic machine, and whether applying systemic order to something like death is a comforting fantasy or a cloistering nightmare. Read Hirokazu Kore-eda's director statement on After Life.Listen & Subscribe to Pod Casty for Me.Follow Pod Casty for Me on Twitter.Join us on Thursday November 6th, 2025 6pm PT/9pm ET for a virtual screening of FAILED STATE + Q&A w/ Dir. Christopher Jason Bell.Purchase tickets HERE.Hit Factory Patrons can RSVP at Patreon from our pinned post.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish.

It's Late Night with Abraxas! Hosted by the one and only…. Mr. Wriggles! This week we're filming one VERY cursed television broadcast in front of a live studio audience! LATE NIGHT is perhaps the most popular found footage movie of the past few years, and we're finally going to answer the question… is it really found footage? (Yes. The answer is yes). Don't forget your sacrificial dagger! Next week, we are joined by the writer and director of UNFRIENDED: DARK WEB, Stephen Susco, for a very special bonus episode! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special FeaturesQ&A With Directors Colin and Cameron CairnesBehind the ScenesFangoria Cairnes Brothers InterviewNIDA Ian Bliss InterviewVariety Production HistoryNovastream Brothers Cairnes InterviewCairnes Brothers Explain AI UseVariety David Dastmalchian InterviewConsequence David Dastmalcian InterviewFilmmaker Magazine Matthew Temple InterviewThe Hollywood Reporter Cairnes Brothers InterviewCraft Services Matthew Temple Interview Part 1Credits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The end is near as Seth and guest co-host Jamila head for Isle Esme to witness the insane Breaking Dawn: Part 1! Hey, by the way, did you know Edward used to be a killer or killers? No? Well, I hope you're not interested in that because it will never be mentioned again! Bella gets sick, gets stabbed with a turkey baster full of Edward Venom and somewhere in there Iron & Wine sings about being a fat house cat. Check it out!  End credits song "Kristen Stewart, I Wanna Be Your Vampire Boyfriend" by The Vampire & Werewolf Experience Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, shout out on the show AND you get to vote on monthly episodes and themes. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

Pour up Coconut Pete's Killer Colada and join McCash as he relives this comedic slasher from the comedy troop, Broken Lizard, alongside Brandon and Stoney. Today, we're drinking with...Club Dread. To make Coconut Pete's Killer Colada, you'll need: 2 oz Coconut Rum1 oz Dark Rum1 oz Pineapple Juice1 oz Coconut Cream1/2 oz Lime JuiceGrenadineMaraschino CherryPineapple WedgeDirections Combine rums, pineapple juice, cream, lime juice and ice in a shakerShake until well chilledPour into a hurricane glassDrizzle grenadine down the side to mimic blood in the waterGarnish with cherry, pineapple wedge

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Film writer and author of the upcoming book De Palma Does Hollywood Travis Woods joins us to discuss the exemplary filmmaker and his 1993 crime masterpiece Carlito's Way, starring Al Pacino as the titular Carlito Brigante, an ex-hustler freed from prison after serving five years of a thirty-year sentence on a legal technicality who seeks to outrun the shadow of his past, resulting in tragedy. Reteaming with Pacino and producer Martin Bregman a decade after the success of Scarface, De Palma imbues his characteristically nimble, brilliant formal mastery with sweeping romance and stirring fatalism that remains one of the director's richest, most personal films. We begin with a long discussion about De Palma as filmmaker and unpack the inherent politicization of his form. Then, we talk about Carlito's Way and its place within De Palma's greater filmmography; how it splits the difference between his "one for them, one for me" routine, and how the film subverts our knowledge of De Palma's implicative form to embrace a gentler mode of his signature style. Finally, we consider the film's reflection of the political ideology of the 90s, warring between the filmmaker's materialist persuasion and the mytholigizing force of the End of History. Follow Travis Woods on Twitter.Join us on Thursday November 6th, 2025 6pm PT/9pm ET for a virtual screening of FAILED STATE + Q&A w/ Dir. Christopher Jason Bell. Purchase tickets HERE.Hit Factory Patrons can RSVP at Patreon from our pinned post.....Our theme music is "Mirror" by Chris Fish.

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.On the occasion of Paul Thomas Anderson's latest film One Battle After Anotherin theaters, we look back at the director's ambitious, unwieldy, and under-loved 1999 feature Magnolia starring a massive ensemble that includes returning PTA collaborators Julianne Moore, John C. Reilly, Melora Walters, Philip Seymour Hoffman, William H. Macy and Philip Baker Hall alongside a career-best Tom Cruise in a showstopper supporting turn that would net him his third (and, to date, last) Academy Award nomination for a performance. Still his longest, most sprawling effort, Magnolia is a definitively Paul Thomas Anderson picture in both milieu and concern setting its sights on flawed, idiosyncratic characters living in and around the San Fernando Valley. But Magnolia also represents a distinctive pivot in Andersons career, as he begins to operate in a decidedly more minor key that would come to define the second act of his career in the 21st century.We begin with a thorough examination of Paul Thomas Anderson as filmmaker, his strengths and his shortcomings. Then, we ask an obvious, but slyly difficult question - What exactly is Magnolia about? Finally, we discuss the film as it relates to Anderson's oeuvre, how it informs and supplements his later work and how its flaws become more apparent as his filmography evolves.Read Nick Pinkerton's piece The Master? at The Point....Our theme song is "Mirror" by Chris Fish

Brandon and Stoney dig into the masterful folk horror, The Witch, from Robert Eggers on this Spooky Season episode of The Movie Review Rewind Podcast. 

This week we take a trip overseas to look into Hammer Films and one of their "mini-hitchcocks," "Taste of Fear" (or "Scream of Fear" in the US). We discuss the founding of Hammer and where they were creatively after their gothic horrors were a hit. We talk about writer, Jimmy Sangster, and the production of this film. After discussing the background, we dive into the movie to explore the twists and turns of the plot. Finally, we each pair the film with another for a pair of double bills. Thank you so much for listening! Support us at Patreon at https://www.patreon.com/DoubleBillChill Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

We are so back! It's the worst pandemic in modern history, and we couldn't be more excited (and terrified) to be trapped on a Zoom call with you (and a demon) again.Lockdown-era movies have been pretty unimpressive so far, but HOST is a VERY notable exception. This Zoom call has everything! A mopey quarantine boyfriend, a naughty grandpa, and… oh god is that a disembodied facetune filter?Next week, we've got two tickets to the most satanic talk show in television -- it's LATE NIGHT WITH THE DEVIL (2024)! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special FeaturesHost Behind the ScenesShort of the Week Production HistoryYahoo Production HistoryRob Savage Happy Hour PrankThe Telegraph Production HistoryShudder Producing HostDatebook Production HistoryThe Filmmakers Podcast Gemma Hurley InterviewNightmare on Film Street Rob Savage, Jed Shepard, and Gemma Hurley InterviewSci Fi Now Cast InterviewCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Close that tent and cuddle up with the one you love(?) because it's time for The Twilight Saga: Eclipse! That's right folks, after two movies the vampires and werewolves are finally coming together to team up to face their most dangerous foe yet: Bryce Dallas Howard! We discuss the love triangle, Taylor Lautner, Robert Pattinson and Kristen Stewart, wigs, and breaking your hand by punching a face. We also dare to ask if a vampire can just be killed by anything and if Jasper being a confederate soldier is a third act character development rush job. Check it out!  End credits song "Victoria Looks Different! (Bryce Dallas Howard vs. Rachelle Lefevre)" by The Vampire & Werewolf Experience Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, shout out on the show AND you get to vote on monthly episodes and themes. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

Spooky Season continues on 'Drinking With...' - pour up a 'Dead Don't Daiquiri' and join McCash as he looks back at this thrilling remake of George A. Romero's classic from 1978 alongside Brandon and Stoney. Today, we're drinking with...Dawn of the Dead. To make the Dead Don't Daiquiri, you'll need:2 oz Dark Rum3/4 oz Lime Juice1/2 oz Blood Orange Liqueur1/2 oz Simple Syrup2 dashes bittersRed SugarFreeze Dried RaspberriesDirections:Rim a glass with lime juice and red sugar for that “flesh wound” look. Shake all ingredients with ice. Strain into the glass. Garnish with gummy brains for an added spooky take. 

Seth is joined by Derek to discuss the latest incarnation of Manuel Puig's novel, Kiss of the Spider Woman! They discuss the difficulties of adaptations across different mediums, the pain within the story, the acting of Tonatiuh, Diego Luna and Jennifer Lopez, how trailer's can set up our expectations and why the film's depictions of diginity and humanity in the face of persecution are relevant to today. Check it out!  Follow Derek on Twitter and Letterboxd Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, decoder ring, shout out on the show AND you get to vote on monthly episodes and themes. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

The screen is life! The found footage genre infects MacOS this week with a truly horrific story of parenting, grief, and, of course, screens!!Is John Cho the most oblivious father in movie history? Or is the internet a terrible place that preys on society's most vulnerable youths? Probably a little of both… but hey, at least we still had Addicting Games Dot Com!Next week, we fall even deeper into the screen abyss for Rob Savage's HOST (2020). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special FeaturesCommentaryTimur Bekmambetov on Screenlife FilmsAn Alien Invasion Under Our NosesAsian Cinevision Aneesh Chaganty and Sev Ohanian InterviewWe Need to Make John Cho OlderFrame.io Editing BreakdownNo Film School Aneesh Chaganty and Sev Ohanian InterviewGlide Magazine Aneesh Chaganty and Sev Ohanian InterviewFilm School Rejects Juan Sebastián Barón InterviewFilmmaker Magazine Juan Sebastián Barón InterviewThe Verge John Cho InterviewThe Columbia Dispatch Debra Messing InterviewCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rewind Episode: Join Sandy and Terry for a fun chat about how a short story from a dime store magazine turned into one of Hollywood's most talked-about films and the fifth-highest-grossing movie of 1954. The film REAR WINDOW, featuring stars like Jimmy Stewart, Grace Kelly, Raymond Burr, and Thelma Ritter, was written by John Michael Hayes and directed by Alfred Hitchcock.   The PAGE International Screenwriting Awards sponsors the WRITERS HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

In this captivating episode of That Was Pretty Scary, host Jon Lee Brody dives into a WHAT IF scenario of Halloween 4.  Ten years after Michael Myers, evil remains, but in a new, chillingly abstract form. Jon breaks down Carpenter's original plan, examines how it could have altered horror history, and offers a deep analysis of the potential ripple effects on pop culture and the film industry. If you're a fan of Halloween, this episode is a must-listen for discovering what might have been! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.