Podcasts about The Supremes

A look at the enduring legacy of the songs of Rodgers and Hart, interpreted through the decades by Frank Sinatra, Nina Simone, Tony Bennett, the Supremes, Lady Gaga and more. 

Send a textThis week Jeff is sharing his most beloved soul music and the artists who made them. 

Today's program features tuneage from Otis Redding, Pink Floyd, Peter Green, King Crimson, Pacific Gas & Electric, Radiohead, Red House Painters, The Four Tops, Supremes, Three Dog Night, Procol Harum, Rod Stewart, Rolling Stones, Walker Bros, Righteous Bros, Brian Auger w Julie Driscoll, Fortunes, Beatles, Tears For  Fears, Chicago, Colin Winfield Blues Band, Ray LaMontagne, Van Morrison and Blood Sweat & Tears.

This episode is presented by Create A Video – The US Supreme Court blocked President Trump's tariffs that he implemented after declaring a national emergency and using a 1977 law that allows presidents to regulate importation during emergencies. Subscribe to the podcast at: https://ThePetePod.com/ All the links to Pete's Prep are free: https://patreon.com/petekalinershow Media Bias Check: GroundNews promo code! Advertising and Booking inquiries: Pete@ThePeteKalinerShow.com Get exclusive content here!: https://thepetekalinershow.com/See omnystudio.com/listener for privacy information.

Send a textJoin Cheryl Lee - That Radio Chick on STILL ROCKIN' IT for news, reviews, music and interviews with some of our favourite Australian musiciansSinatra's swagger meets a mic‑drop freestyle and the result is pure delight. We sit down with Adelaide's own Hugh Sheridan to trace the spark that began on a kitchen‑table “stage” at age five and follow it all the way to a sharpened, joy‑driven career across theater, TV, and a beloved live act: the California Crooners Club. Hugh opens up about growing up in a creative family of seven children, a jazz‑playing dad, and the tough‑love push that turned dance from weakness into strength—proof that triple‑threat isn't a label, it's a work ethic.Then we dig into the California Crooners Club itself: the Rat Pack look, tight harmonies, and bold arrangements that splice classics with modern edge. The signature twist arrives when Gabe steps forward to rap over standards, a move that wakes up nostalgia and makes new fans out of skeptics. With the show returning to the Adelaide Fringe, Hugh teases a fresh setlist full of old‑school gems, a Supremes tribute (sshhhhh), and a few timely surprises, all built to make the room light up. Along the way, we touch the tender stuff—releasing jazz recordings with his late father, crafting a Christmas album rooted in Adelaide, and writing a holiday track that's joyful and honest.Hugh also shares the real calculus behind career choices, from a left‑field run on The Masked Singer to the screen roles that many still cherish, including Pack to the Rafters and the INXS mini‑series. What ties it all together is a simple aim: entertain well, tell the truth in song, and send people home feeling better than they arrived. If you love live music, swing, Motown, clever mashups, or just a good origin story, this one's for you.If you enjoy the show, follow the podcast, share it with a friend, and leave a quick review—what classic would you love to hear remixed at the next California Crooners Club night?What has Hugh Sheridan and The California Crooners Club been up to lately?  Let's find out!Get out when you can, support local music and I'll see you down the front!!Visit: ThatRadioChick.com.au

Hoy en La Gran Travesía podréis escuchar a The Supremes, Red Hot Chili Peppers, Blondie, Franz Ferdinand, The Clash, AC/DC, Manic Street Preachers, Kate Bush, Whitesnake, Bob Dylan, Nancy Sinatra, Beatles, Ryan Adams...y muchos más. ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Eduardo Gutiérrez, Belén B, Rafa Navarro, José Carlos Lozano, Ikatza, Cabe1961, Guillermo Esteban, Diego Román, Tole, Raquel, Poncho C, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

Du kan høre om den spæde start i Detroit som Primettes i 1959, til de mange forgæves forsøg, før det store gennembrud med Where Did Our Love Go. Jeg fortæller deres historie gennem deres udgivelser og samarbejde med sangskriver trioen Holland, Dozier and Holland og senere bl.a. Ashford and Simpson. Jeg slutter kort efter Diana Ross forfølger en solokarriere og Jean Terrell tager over som lead-sanger. Lyt med til: Baby Love, Reflections, You Can’t Hurry Love, Stop In The Name Of Love, Stoned Love og mange flere.

Send a textOn this Episode Tom and Bert continue  "The Spotlight Series" on entertainment influencers thru the decades!There are Stories to tell and the Guys will cover and discuss the beginnings and the careers of some of the greatest influencers throughout ALL of the entertainment industry.Today's Podcast will cover 3 more Legends of the Music scene from the 1960's that led the way for the "Girl Groups" era. We present ........Mary Wells, The Marvelettes and Martha and The Vandellas!Listen in as we cover and discuss the "History" of this influential Lady and "Girl Groups" and how they all were the early "Stars" of the Motown Sound led by Berry Gordy out of Detroit AKA "The Motor City"  in the early 1960's. Here we go!CHAPTERS:(1:05) Motown "Girls" in The House!(5:45) Here is Mary Wells!(8:10) "My Guy" sets the tone(18:16) Mary's rough personal life(22:46) Here are the Fabulous Marvelettes!(26:24) "Please Mr. Postman", "Don't Mess with Bill" and the Hit Parade continues(34:46) Berry Gordy and his bias toward "The Supremes" while underselling the Marvelettes(41:28) Here is "Martha and The Vandellas"(45:43) "Heatwave", "Dancing in the Streets", "Quicksand" and "Jimmy Mack" are killing it on the Charts!(50:00) The "seedy" Music Labels , Owners, Publishers were still facing lawsuits from the Groups and Bands and then It's a Wrap!!Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

Today, we're talking about the 2026 Winter Olympics Opening Ceremonies kicking off tonight; the Supremes allowing California's new voting map; the ongoing search for Savannah Guthrie's 84-year-old mom, and other top news for Friday, February 6th. Stay informed while remaining focused on Christ with The Pour Over. Looking to support us? You can choose to pay ⁠⁠⁠⁠here⁠⁠⁠⁠ Check out our sponsors! We actually use and enjoy every single one. Cru Wild Alaskan HelloFresh Safe House Project Gloo QAVA CCCU Filament Bible Upside Mosh LMNT Not Just Sunday Podcast Bible Gateway Plus TPO Corrections Page

“She was a beautiful person, loving and warm...She was down-to-earth, she loved to laugh, and everyone loved her.” - Marvin Gaye, on fellow Motown star and original Supreme Florence BallardThis week, the Dolls Pod presents the true story behind the Tony-winning musical “Dreamgirls,” and the very real woman that was its muse. Both Jennifer Holliday and Jennifer Hudson won Academy awards for their portrayals of Effie White, based on the fiery founder of the Supremes. Florence Ballard sang on 16 of their top 40 hits, and 9 of their number ones. But she did not have the happy ending Effie gets in “Dreamgirls.” She's often called “the Lost Supreme,” as she was virtually erased from the group's history. But as this episode will show you, Flo Ballard was anything but “just a backup singer.” She was brave in the face of hardship and a true trailblazer; the soul of Motown's first girl group. “Florence Ballard: The Real Effie White” is available wherever you stream your podcasts

Así sonaba febrero de 1966. Entrega mensual de la serie dedicada a recordar singles que alcanzaron su puesto más alto en listas de pop de EEUU hace 60 años.Playlist;(sintonía) HERB ALPERT and THE TIJUANA BRASS “Tijuana taxi” (top 38)JOHNNY LYTLE “The loop” (top 80)THE T-BONES “No matter what shape (Your stomach's in)” (top 3)NANCY SINATRA “These boots are made for walkin’” (top 1)THE SUPREMES “My world is empty without you” (top 5)STEVIE WONDER “Uptight (Everything's alright)” (top 3)THE MIRACLES “Goin to a Go Go” (top 11)MARY WELLS “(Can’t you see) You’re losing me” (top 94)THE KINKS “A well respected man” (top 13)THE WHO “My generation” (top 74)THE YOUNG RASCALS “I ain't gonna eat out my heart anymore” (top 52)THE STRANGELOVES “Night time” (top 30)SAM THE SHAM and THE PHARAOHS “Red hot” (top 82)FRANKIE VALLI “(You’re gonna) Hurt yourself” (top 39)JOHNNY and THE EXPRESSIONS “Something I want to tell you” (top 79)BUCK OWENS “Waitin’ in your Welfare Line” (top 57)RAY CHARLES “Cryin’ time” (top 6)LITTLE MILTON “We got the winning hand” (top 100)BERT KAEMPFERT and HIS ORCHESTRA “Bye bye blues” (top 54)Escuchar audio

In this episode, we talk to Fred Patterson, aka Phast Phreddie, about his work at the ARChive of Contemporary Music, plus his own magazine Back Door Man and his band Thee Precisions. Beginning with his early musical life teaching classes with Don Waller at UCLA's Experimental College, we hear about how he named Back Door Man after a Howlin Wolf song and wanted to cover "hard core rock n roll". Phreddie remembers how different it was working with R. Meltzer compared to Lester Bangs, who both contributed to the mag. Next, we hear about where Thee Precisions got their name and how they were intended as a garage rhythm 'n' blues combo that might fit into south central L.A.'s rockabilly scene without doing rockabilly.  After telling us about moving across the country to help set up a record shop in Albany, Phreddie then takes us back to the ARChive of Contemporary Music's original mission statement to collect two of every record and explains how they operate. Three clips from a 1977 Mary Wilson audio interview prompt Barney to wonder whether the Supremes are the greatest girl group of all time. To wrap things up, we pay tribute to Sly Dunbar of Sly & Robbie before Mark and Jasper talk us out with highlights from pieces including interviews with Isaac Hayes and De La Soul.   Many thanks to special guest Phast Phreddie Patterson. Find out more about the ARC at arcmusic.org. Pieces discussed: Articles, interviews and reviews from Phast Phreddie Patterson, The L.A. Rock Explosion, Gun Club: You Can't Go Home Again, Phast Phreddie Finds His Calling, Building the ARC, Not Fade Away: The ARChive of Contemporary Music, Collecting Gone Mad: The ARChive of Contemporary Music, Mary Wilson audio, Sly & Robbie: The Reggae Heartbeat – Freedom Into Form, Sly and Robbie: Laying Reggae's Bottom Line, Alan Price, Cat Stevens, Isaac Hayes, Ronnie & Clyde and De La Soul.

Imagine this: I'm sitting in my Washington D.C. studio, coffee in hand, watching the Supreme Court building gleam under a crisp winter sun, and I can't shake the feeling that the highest court in the land is about to drop some seismic rulings on President Donald Trump. Over the past few days, the buzz has been electric, especially with SCOTUSblog reporting on January 28 that the justices are set to huddle in their private conference on February 20 to decide whether to dive into that infamous five-million-dollar verdict from Trump's clash with E. Jean Carroll.Let me take you back. Carroll, the veteran journalist who penned Elle magazine's advice column for 27 years, sued Trump in 2022 under a special New York state law that reopened the window for adult sexual abuse victims to file claims. She accused him of assaulting her in a Bergdorf Goodman dressing room in Manhattan back in 1996, and then defaming her in a 2022 Truth Social post where he branded her story a hoax and a con job. A federal jury in May 2023 sided with her, hitting Trump with liability for sexual abuse and defamation, awarding her that five-million-dollar payout. Trump appealed to the Second Circuit Court of Appeals, which upheld it in December 2024 and shot down his rehearing bid in June 2025. Now, his team from the James Otis Law Group—led by his solicitor general D. John Sauer—is begging the Supreme Court to step in, calling the suit facially implausible and politically timed to hurt him after he became the 45th president. They want out key evidence: testimonies from Jessica Leeds, who claims Trump groped her on a plane in 1979, and Natasha Stoynoff, alleging assault at his Mar-a-Lago home in 2005, plus that infamous Access Hollywood tape where Trump boasted about grabbing women. Carroll's lawyer, Roberta Kaplan, fires back that even without those, her case stands strong, so the Supremes should pass.But that's just one front. The court's January argument calendar, released late last year, packs a punch with Trump cases testing his executive muscle. On January 21, they heard Trump v. Cook, where President Trump tried firing Federal Reserve Governor Lisa Cook over mortgage fraud allegations from before her tenure. U.S. District Judge Jia Cobb in D.C. blocked it with a preliminary injunction in September 2025, citing the Federal Reserve Act's for-cause protection. The D.C. Circuit and Supreme Court denied emergency bids to oust her fast, but now it's full showdown—Cook's rep, ex-Solicitor General Paul Clement, versus Sauer. Wikipedia details how this sparked a historic brawl over Fed independence, with Cook's team calling it a political smear.Then there's the shadow docket drama from 2025, as News4JAX outlined this week: Trump's admin won over 80 percent of emergency pleas, greenlighting moves like slashing foreign aid, axing agency heads, and tying immigration probes to looks or language. But they drew the line at deploying National Guard to Chicago. Chief Justice John Roberts' year-end report subtly defended judicial independence, dubbing courts a counter-majoritarian check amid Trump's judge-bashing.Looking ahead, per News4JAX and KIMA Action News clips from early January, 2026 looms huge: birthright citizenship challenges under the 14th Amendment, sweeping tariffs from Trump's 2025 executive orders—argued November 5, decision pending—and more Fed firing fights. Illinois alone filed 51 suits against his policies by January, per WTTW. Lawfare's tracker logs the national security lawsuits piling up. With Trump's approval dipping to 42 percent, experts whisper the conservative court might now clip his wings, echoing rebukes to Truman, Nixon, and others late in term.These battles aren't just legal—they're reshaping power between White House, Congress, and the robes. As SCOTUSblog notes, decisions could land soon after February 20 conferences, maybe by March.Thanks for tuning in, listeners. Come back next week for more, and this has been a Quiet Please production—for more, check out Quiet Please Dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

A catchup with the Limerick rapper, poet, thinker, writer and actor Denise Chaila. Denise Chaila has been working on her own artist development in recent years. The Limerick artist has spent time away from the spotlight surfacing only to offer a glimpse of what's preoccupying her eloquent mind. A lot has happened in the five and half years (!) since Denise and I sat down with pals to have a chat for the Podcast. This time around, it's just the two of us, with Denise sharing the journey that took her from Ed Sheeran remixes and support slots to an artistic and creative re-evaluation that prompted her to put the breaks on her career as it barrelled ever higher and forward. In this episode, Denise tells us why she shunned the limelight, and the machinations of the music industry around her, and illuminates on recent times that have taken her to visit the childhood homes of J Dilla (Detroit) and Michael Jackson (Indiana), making a film with Limerick-born LA photographer and director Brian Cross aka B+ about the Supremes performing in Limerick, meeting Erykah Badu and her recent experiences exploring traditional Irish music and sessions. On Friday, Denise Chaila performs a rare hometown show as part of All We Have Are Days, with the show at billed as an in conversation and performance, which as Denise told me will aim to tear down the barriers of performer and audience.   * Support Nialler9 on Patreon, get event discounts, playlists, ad-free episodes and join our Discord community Listen on Apple | Android  | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Pod.Link

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Interesting fact: While all federal officials take an oath that they will support the US Constitution, Supreme Court justices must also take a second (and very profound) oath of office.As New York Times judicial columnist Adam Liptak reports, each of the nine “supremes” must swear that they will “do equal right to the poor and the rich.” Yes, class fairness is not only a core element of justice, but it's supposed out to be a formal measure of Supreme Court behavior.Every justice is aware of this consequential, ethical requirement, since each one took the oath. How damning, then, that the Court's right-wing ideologues feel no twinge of conscience about flagrantly and frequently violating their own word of honor! Call the roll: Roberts, Thomas, Alito, Gorsuch, Kavanaugh, and Barrett. In case after case that pits corporate power against workers, consumers, small business, voters, communities, our environment, farm families—i.e., you and me—this plutocratic cabal rules for the rich.This month, an independent study of decisions by the Roberts Court revealed that two-thirds of its rulings favor wealthy powers over middle-income and poor people. Thus, our so-called “court of justice” is a primary pusher of inequality, especially through its farfetched decree that unlimited corporate political cash is “free speech,” and that corporations are “people.”Chief Justice Roberts smugly proclaims that the Constitution tells him whether the corporate giant or “the little guy” should win. “That's the oath” I took, he sniffs.This is Jim Hightower saying… Bovine excrement! It's obvious that plutocratic ideologues like him are using the Constitution like a ventriloquist dummy. And—hello, your honorableness—what about that other oath you took about equal fairness for the poor?Do something!There are groups that are working on holding the mighty Supremes accountable—what a world that will be! Check out:* The Alliance for Justice* Common Cause* Brennan Center for JusticeJim Hightower's Lowdown is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit jimhightower.substack.com/subscribe

On today's show, the Supremes sign, Billboard sets a bad record, & Mick Jagger sells out to Ed Sullivan. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:16 What happened on this date in music history03:33 Music award ceremonies that were held on this date in music history04:12 Albums released on this date in music history 04:51 Singles released on this date in music history 06:08 Podcast advertisement 06:41 Birthdays of music artists on this date in music history 07:40 Passings of music artists on this date in music history 09:05 What's on tomorrow's episode

Back on this day in 1970 Diana Ross and The Supremes performed their last concert. The group had 12 No. 1 hits in the first half of the 60s or better known as the rock and roll era. 

Is Gov. Tim Walz facing impeachment? 12,000 dead in Iran? Pacers win 3 in a row! The Supremes likely to rule in favoring banning boys in girls sports. Marion County sheriff says jail will no longer hold ICE detainees longer than 48 hours. Today’s Popcorn Moment: Bernie Sanders: I am very worried that ICE is becoming a domestic army for Donald TrumpBernie Sanders: I am very worried that ICE is becoming a domestic army for Donald Trump. Today on the Marketplace: Indiana Pullover - 3X. Host on Massachusetts College radio station makes threats against the Vice President. Dry January, Texans LB Genocide Message on face. Machado to meet with Trump, Trump Admin wants to cap credit card interest rates. Jerome Powell investigation is a bad look. TV Theme song: Dr Quinn Medicine Woman. Dems now admit antifa is realSee omnystudio.com/listener for privacy information.

Is Gov. Tim Walz facing impeachment? 12,000 dead in Iran? Pacers win 3 in a row! The Supremes likely to rule in favoring banning boys in girls sports. See omnystudio.com/listener for privacy information.

Actor BD Wong rose to fame with the Tony Award-winning performance of Song Liling in the 1988 Broadway musical “M. Butterfly.” He went on to pick up more roles on stage and on screen, including a 14-year run portraying Dr. George Huang in the TV series “Law & Order: Special Victims Unit.” Through all his successes and achievements, he's faced personal obstacles, as well as having to face the challenge of being a gay Asian actor in an industry where most of his peers didn't have his same background. In this episode of “Life In Seven Songs,” Wong details his journey as a boy growing up in the Sunset District nurturing his love of musical theater, to New York City as a young man where he lived in an apartment that was owned by the mafia. He talks about how the tragic loss of his baby made him a more confident public speaker, and how now, as an industry veteran, he's championing Asian representation in the entertainment industry. Here's his playlist: The Supremes, “Stop In The Name of Love” Charlie Rich, “Behind Closed Doors” Pacific Overtures OBC/Stephen Sondheim, “There Is No Other Way” Al Jarreau, “Boogie Down” Elton John, “The Greatest Discovery” Beyonce, “Love On Top” Dr. John, “Accentuate the Positive”

Uwe is in the studio for one last show before leaving town again, and he's got one more show worth of classic and rare soul and R&B records new to his collection to share with us on today's radio dance party. We analyze the ownership history left behind on a record, look at a group called the Supremes that wasn't THAT Supremes but used the name first, and listen to a song that really wants you to FEEL IT! -Originally broadcast January 11, 2026- Willie Mitchell / That Driving BeatGarnett Mimms / Prove It To MeThe Impalas / Whip It On MeLittle Jerry Williams / I'm the Lover ManBilly Preston / The NightMaurice & The Radiants / Baby You've Got ItJean Wells / Can't You Feel ItThe Intruders / I'm Girl Scoutin'Clarence Murray / The Book Of LoveThe Masqueraders / I Got ItThe Supremes / You And MeB.B. King / I'm Gonna Sit in Till You Give InSugar Pie DeSanto / Can't Let You GoThe Falcons / SwimFontella Bass / My Good LovingKim Tolliver / I Gotta Find A WayJimmy Robins / I Can't Please YouTommy Wills / Night TrainThe Brothers Cain / Anyway You Like ItCarl Henderson / Please Stop Laughing At MeThe Rising Sun / Feel ItFelix Lark and the Jack Hart Trio / Little Tender LoveLittle Bob / Nobody But YouDamita Jo / I'll Save The Last Dance For YouThe Valentines / Baby, Lots Of LuckJeanette Williams / All Of A SuddenThe Parliaments / Don't Be Sore At MeJohnny Nash / (What A) Groovy FeelingChubby Checker / Karate MonkeyWilson Pickett / Night OwlAnn King / Ooba Dooba DooLittle Anthony and The Imperials / Better Use Your HeadDee Irwin / The Wrong DirectionThe Marvelettes / PlayboyClarence Carter / Tell Daddy"Little Esther" Phillips & "Big Al" Downing / You Never Miss Your Water (Till The Well Runs Dry)Guys & Dolls / Looking For A LoverLittle Carl Carlton / Why Don't They Leave Us AloneThe Jets / Every Thing I Do Hosted on Acast. See acast.com/privacy for more information.

The third of the Four Immeasurables of Buddhism, as defined online, is sympathetic joy, or empathy, I have long taken to indicate the kind of genuine delight that one can feel at the good fortune of others.Unfortunately, in the context of our prevailing dog-eat-dog, winner-take-all, loser-victim mentality—the emerging tribal take on social and economic standing in America—this fulsome embrace of the success of others has become a diminishingly rare commodity, if we are to believe the daily reporting. Your winning at the game of life means that I must be losing. As if there is a finite store of happiness, from which any one'sindividual achievement, or gain, necessarily takes away from the total available to others.However, if empathy has a more substantial base than its conventionally positive, but dualistic or relativistic meaning—reduced to like-mindedness, or even pity—it must also be operative in negative mode. In certain cases, when and where we are not at all sympathetic, but stubbornly indifferent; we may even find ourselves opposed to others. In which case, empathy for oneself tends to trump — no pun —any possibility of empathy for others.Shakyamuni Buddha was reputed to have been able to read minds. One of the ten honorifics accorded him during his lifetime translates as something like “controller of men,” which is roughly the meaning of Matsuoka Roshi's first dharma name, “Soyu.” Empathy plays a central, determinative part in this ability to win friends and influence people. But our inborn, naturally altruistic empathy may need an occasional boost from the nurturing, tender loving care of meditation.My supposition is that Siddhartha Gautama was already a highly sensitive youngster, becomingestranged from existence itself, owing to the pain and suffering he had witnessed in his life. Like MasterDogen, he witnessed the death of his own mother at an early age. But his realization in meditation during hismid-thirties must have engendered the emergence of an even deeper and broader sensibility for the suffering of others. He clearly was a natural empath, born of magnanimous and nurturing mind, innately endowed with compassionate traits. Which were only amplified in, and by, his intense meditation under that fig tree.In the Surangama Sutra, attributed to Buddha, he suggests that it is possible, and even probable, that his followers will themselves develop such paranormal powers (Skt. siddhis) through their own meditation. One of which would be this ability to “know others' minds.” In the Fifty Warnings attached to this sutra, cautionary tales against falling into certain states of delusion (Skt. mara), he offered specific spoiler alerts,flagging the likelihood of getting stuck at various stages of the process, ten in each of the Five Skandhas.By misinterpreting fifty gobsmackingly vivid meditative experiences that Buddha describes in meticulous detail—occurring at remote passes on the parallel track of transcending ordinary perception of reality—your average monk or nun might come to believe, falsely, that they are now fully enlightened. When, truth be told, they still have a long way to go, before finally getting off the train at anuttara samyak sambodhi, the end of the line.He also admonished them not to demonstrate any such abilities to others, as their audience might also get the wrong idea, that gaining such seemingly mystical or magical powers is what the practice of the Noble Eightfold Path is all about. Too soon. Wait—there's more. Just keep on keepin' on, no matter whateverfantastic or fabulous transformation seems to have taken place. You are not home free, yet.It is worth mentioning that at this time there were apparently any number of clever charlatans andwould-be magicians plying their trades of trickery in the public marketplace, masquerading as genuine sages (Skt. sadhu) or seers. Buddha apparently did not want his followers to settle for a “me too” position in the contemporaneous war of ideas, competing for the attention of the hoi polloi.This throughline of the teaching further suggests that in Buddha's case, he had persevered, making itall the way down and through the rabbit hole, and all the way back. In other words, he did not fall for thevarious offramps that Mara (the spirit of delusion), offered up to sidetrack him, that long dark night under the Bodhi tree. Even the daughters of Mara, with their seductive wiles, were unable to distract the young prince from his single-minded focus on penetrating the primordial koan of suffering existence. According to the story, he had already been there, done that, with many a merry maid, under the direction of his doting father. Whose game plan was to keep him in thrall to the sensory pleasures of the world, so that he would succeed to his inheritance, the leadership of theShakya clan. But young Siddhartha was not buying it. He had other fish to fry, starting with himself.Because Buddha was able to resist the temptations of fantasy and overcome the nightmares of fear, ifwe are to believe the story—doggedly persisting in the face of all resistance—he eventually emerged from the other side of the wormhole. In other words, he went full circle through the looking glass, returning to whence he had launched his excellent adventure, exploring the new frontier of mind-only. He came home again, the prodigal son, but home had been miraculously transformed into the entire universe. Yet nothing special, indicated by his touching the Earth.But his enhanced empathy, for himself and his intimately personal causes and conditions, extended to include all beings. It had to be an even more painful embrace of universal suffering, than had been his initial, self-centered view of suffering that drove him to the cushion. Fortunately, his profound, newfoundinsight swayed him to try to help all others, the very beginning of the bodhisattva vow.So compassion turns out to be just one of those things—as one of the Supremes famously said of pornography—difficult to define definitively. But you know it when you feel it. When you feel true compassion, however, it will not be compassion for others. It will be compassion for your sorry self. And it will not be coming from yourself. In other words, it will not yet manifest as true empathy.Along with all the other findings, conclusions, and recommendations that formed the deliverables of Buddha's contract with humanity, empathy fits all three. He found that it constitutes a description of reality, concluded that it is a fundamental law of sentient existence, and recommended a big dose as a prescription for negotiating the Path. At once a cause, as well as an effect, empathy is a natural attribute of the Way. It is only natural that we realize it, the sooner the better.

Ce lundi 5 janvier, Marjorie Hache accompagne le retour de RTL2 Pop-Rock Station après les fêtes avec deux heures pensées pour adoucir le mois de janvier. La programmation mêle valeurs sûres et énergie rock, des Beach Boys à Led Zeppelin en passant par Rage Against The Machine. L'émission s'ouvre avec Kasabian, Jet et The Supremes avec "Stop In The Name Of Love" un titre de 1965, avant un détour par Neil Young et le classique des Breeders avec "Cannonball". La soirée fait une large place aux nouveautés. Komodor présente "Raise Your Hands", extrait de l'album à venir "Time and Space", tandis que Rise Of The Northstar s'impose avec "Neo Paris", extrait de son 4e album. La nouveauté Fresh met en lumière Sun et "Blood". Le moment reprise est consacré à "Nineteenth Nervous Breakdown" des Rolling Stones, revisité par les Flamin' Groovies dans une version sortie en 1979. La suite de l'émission alterne pop et rock avec The Asteroids Galaxy Tour, Great Lake Swimmers, The Charlatans, Nick Drake ou Rage Against The Machine. La soirée se conclut avec Archive et l'annonce de leur prochain album "Glass Minds", attendu fin février. Kasabian - Hippie Sunshine Jet - Are You Gonna Be My Girl The Supremes - Stop ! In The Name Of Love The Beach Boys - California Dreamin Neil Young & The Crazy Horse - Break The Chain Love - Everybody's Gotta Live (Version Uncut) Green Day - Dilemma Komodor - Raise Your Hands Led Zeppelin - Kashmir The Breeders - Cannonball Ramones - Blitzkrieg Bop Rise Of The Northstar - Neo Paris Flamin' Groovies - 19Th Nervous Breakdown The Asteroids Galaxy Tour - Around The Bend Rage Against The Machine - Wake Up Great Lake Swimmers - Caught Light Norman Greenbaum - Spirit In The Sky Larkin Poe - She's A Self Made Man The Charlatans - Deeper And Deeper The Four Seasons - Beggin Dog Eat Dog - Who's The King Sun - Blood Johansson Scarlett & Yorn Pete - Relator Nick Drake - Time Of No Reply Archive - AgainHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series: it's Part 2 of Chuck's chat with his close friend, legendary bassist Carol Kaye. This time around, they're joined by Chuck's bassist buddy, Ammo. Carol is one of the most prolific bass guitarists in rock and pop music, playing on an estimated 10,000 recordings during a career spanning over 65 years. She actually started doing session work in 1957 on guitar, and after a bassist failed to turn up to a session in 1963, she switched to that instrument, quickly making a name for herself as one of the most in-demand session players of the 1960s. She's appeared on sessions by Frank Sinatra, Simon & Garfunkel, Stevie Wonder, The Supremes, The Temptations, The Four Tops, and The Monkees. The intro on Glen Campbell's “Wichita Lineman”? She came up with that. Of course, that's also Carol plucking away on The Beach Boys albums Today!, Summer Days (And Summer Nights!!), Pet Sounds, and Smile. Most famously, Kaye's bass lines are the driving force behind “Good Vibrations”, one of her many number 1 hits.  Here's just a few of the many things that Carol discusses with Discograffiti in this podcast: What Murry Wilson was like at that time; The love that Chuck Britz had for Brian, especially during his dark time in the 1970s; Carol's views on Paul McCartney's bass playing; Her nightmare story of working with producer Joe Thomas; And Carol's absolutely brilliant way of explaining why Brian's music connected with people in such a big way. Sneak Peek: linktr.ee/discograffiti For the full, ad-free, 54-minute podcast, either subscribe to Discograffiti's Patreon at the Private Tier or higher, or just grab the episode as a one-off at the same link. The Full Podcast: Patreon.com/Discograffiti

pWotD Episode 3166: Diana Ross Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 250,006 views on Thursday, 1 January 2026 our article of the day is Diana Ross.Diana Ross (born March 26, 1944) is an American singer and actress. Known as the "Queen of Motown", she was the lead singer of the vocal group the Supremes, who became Motown's most successful act during the 1960s and one of the world's best-selling girl groups of all time. They remain the best-charting female group in history, with a total of 12 number-one pop singles on the U. S. Billboard Hot 100.Following her departure from the Supremes in 1970, Ross embarked on a successful solo career with the release of her eponymous debut solo album. Between 1972 and 1980, Ross recorded four top ten albums with her most successful studio release being the album Diana. In a fifteen-year span, Ross recorded twelve top ten singles with six -- "Ain't No Mountain High Enough", "Touch Me in the Morning", "Theme from Mahogany (Do You Know Where You're Going To)", "Love Hangover", "Upside Down" and "Endless Love"— topping the Billboard Hot 100, making her the female solo act with the most number-one songs in the United States at the time. Ross achieved international success with later songs such as "I'm Coming Out", "Chain Reaction", "If We Hold on Together", and "When You Tell Me That You Love Me".Ross has also achieved mainstream success and recognition as an actress. Her first role was her Golden Globe Award-winning and Academy Award-nominated portrayal of Billie Holiday in the film Lady Sings the Blues (1972), which made her the first African-American actress to receive an Academy Award nomination for a debut film performance. The film's soundtrack became her only solo album to reach number-one on the U. S. Billboard 200 chart. She also starred in two other feature films, Mahogany (1975) and The Wiz (1978), and later appeared in the television films Out of Darkness (1994), for which she was nominated for a Golden Globe Award, and Double Platinum (1999).Ross was named the "Female Entertainer of the Century" by Billboard in 1976. Since her solo career began in 1970, Ross has sold over 100 million records worldwide. Between 1964 and 1981, Ross sang on eighteen number one US singles. In 2021, Billboard ranked her the 30th greatest charting artist of all time on the Billboard Hot 100. Her hits as a Supreme and a solo artist combined put Ross among the top-five artists on the Billboard Hot 100 singles chart from 1955 to 2018. She has scored a top 75 U. K. hit single for a record 33 consecutive years (1964–1996). In 1988, Ross was inducted to the Rock and Roll Hall of Fame as a member of the Supremes, and is one of the rare performers to have two stars on the Hollywood Walk of Fame. She is the recipient of a Special Tony Award in 1977, the Kennedy Center Honors in 2007, the Grammy Lifetime Achievement Award in 2012 and 2023 (becoming the first woman to win the award twice, the latter as a member of the Supremes), and the Presidential Medal of Freedom in 2016.This recording reflects the Wikipedia text as of 03:27 UTC on Friday, 2 January 2026.For the full current version of the article, see Diana Ross on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Geraint.

Join us this week as our hosts J and Z watch Timothée Chalamet's latest attempt for an Oscar win with "Marty Supreme" (0:00:00). The guys also continue their season two coverage of Disney's "Percy Jackson and the Olympians" with episode four (0:35:04) and Amazon's "Fallout" with episode two (0:46:33). 

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series: it's Part 2 of Chuck's chat with his close friend, legendary bassist Carol Kaye. This time around, they're joined by Chuck's bassist buddy, Ammo. Carol is one of the most prolific bass guitarists in rock and pop music, playing on an estimated 10,000 recordings during a career spanning over 65 years. She actually started doing session work in 1957 on guitar, and after a bassist failed to turn up to a session in 1963, she switched to that instrument, quickly making a name for herself as one of the most in-demand session players of the 1960s. She's appeared on sessions by Frank Sinatra, Simon & Garfunkel, Stevie Wonder, The Supremes, The Temptations, The Four Tops, and The Monkees. The intro on Glen Campbell's “Wichita Lineman”? She came up with that. Of course, that's also Carol plucking away on The Beach Boys albums Today!, Summer Days (And Summer Nights!!), Pet Sounds, and Smile. Most famously, Kaye's bass lines are the driving force behind “Good Vibrations”, one of her many number 1 hits.  Here's just a few of the many things that Carol discusses with Discograffiti in this podcast: Brian's psychological difficulties; A nerd's fantasy: a rundown of her equipment; The corruption she experienced firsthand while working for Motown; The music she liked and didn't like playing; The particularities of the legendary studios in which she recorded; And just setting the record straight in general, about absolutely everything. Sneak Peek: linktr.ee/discograffiti For the full, ad-free, 43-minute bonus podcast, either subscribe to Discograffiti's Patreon at the Major Tier or higher, or just grab the episode as a one-off at the same link. The Full Podcast: Patreon.com/Discograffiti

This 'Media Buzz Meter' first aired on December 10th, 2025 …Howie Kurtz on President Trump's recent rally despite media criticism of his health, the release of records related to the Ghislaine Maxwell and Jeffrey Epstein investigation, and Netflix's $72 billion bid to acquire Warner Bros. Discovery.  Follow Howie on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@HowardKurtz⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠For more #MediaBuzz click here Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 91 - Murdock and Marvel: 2017 It was a big year for comics in theaters, but local comic shops did not do nearly as well, with sales diving substantially from 2016. The Year in Comics  Comics in Other Media Comic Sales Notable Comics Top Comic News Notable Passings Marvel Eisner Awards Dan's Favorite The Year in Daredevil  Appearances: Daredevil v5 #13-28, Power Man and Iron Fist #10, Avengers #3.1, Kingpin #2-3, Elektra #3, Doctor Strange #21-24, FCBD All-New Guardians of the Galaxy #1, Defenders #1 and 6, X-Men: Gold #6, Thanos #10, Iron Fist #73  Writer: Charles Soule (#13-28)  Pencils: Ron Garney (#13-14, #17-18, #20, #26-28), Goran Sudzuka (#15-16, #21-22), Marc Laming (#19), Alec Morgan (#23-25)  Inks: Ron Garney (#13-14, #17-18, #20, #26-28), Goran Sudzuka (#15-16, #21-22), Marc Laming (#19), Alec Morgan (#23-25)  As we teased in 2016, the year starts with the Dark Art storyline that actually begins in October of 2016 and features the debut of serial killer/artist Muse. Daredevil's protégé Blindspot is invited to a warehouse where a giant blood mural has been painted. He phones Daredevil and the pair investigate while the owner of the warehouse starts charging admission so people can see the twisted art.   When the mural gets desecrated by an address, the pair find another equally horrifying art exhibit made with inhumans. Daredevil has a brief interaction with Muse on the building's rooftop before Muse escapes. While Daredevil tries to get help from Medusa and the inhumans, Blindspot goes after Muse and finds his hideout and several hostages he plans to use in his next art piece. Blindspot frees the hostages and acts as a decoy to Muse so they can escape. Blindspot though is captured by Muse and before Daredevil can save him, Muse gouges his eyes out.   Ultimately Daredevil defeats Muse and gets Blindspot to a hospital, but the damage is done. Matt Murdock is left feeling very guilty he let his student be hurt.  This leads to a short 2 book story arch called the Seventh Day where Matt enters a church for the first time in a while and speaks with Father Jordan. The story is light on action but makes up for it with real character development will be our Spotlight story of the week.   Next, Matt Murdock returns to Father Jordan and the confessional booth and finally answers the question we've had all series – “How was Matt able to make everyone forget he is Daredevil?” as he recounts his final days in San Francsico in a story called Purple.    Not surprising it has to do with Killgrave and his purple children. Killgrave used a guard in prison to escape and upon escaping sought his children to elevate his power beyond it's already dangerous level. Two of the children show up a Mat Murdock's house just ahead of a hoard of crazed people sent by Killgrave to capture them. Matt locks them and Kirsten in a panic room and then incapacitates the mob.   Daredevil goes after Killgrave and upon finding him, the rest of the kidnapped children and his power-boosting machine, Daredevil can't keep from falling under the purple man's influence.  Killgrave toys with him asking asks Daredevil what exactly the worst possible thing he could do is. Daredevil suggests the Purple Man to have everybody, heroes, villains and civilians, wreak havoc upon the streets. When asked what he would do in this scenario, Daredevil simply says "nothing".  This outrages Killgrave which is apparently enough for Daredevil to break free of control and takedown Killgrave. As a thank you for saving them, the Purple kids decide to help Daredevil by using the device and making everyone in the world forget that Matt Murdock and Daredevil are one in the same. Daredevil returns home where Kirsten doesn't realize Daredevil and Matt are the same so he leaves and decided to use this free start to go back to New York and start over.  This leads us into the next story – Supreme. In it we see Matt Murdock and Daredevil team up take the fight against criminals to the courtroom. Daredevil, with the help of Luke Cage and Echo – stop the Munition Militia from blowing up city hall but are only manage to capture Simon “Slug” Slugansky in the process. It's then ADA Murdock puts his idea into motion – have Daredevil testify against Slugansky in court – without revealing his secret identity.   The defense team tries to discredit the red suit wearing Daredevil saying “anyone can wear a suit”. Daredevil proves he is the real deal when the Milita charge into the courtroom attempting to free they cohort. When the dust settles, Daredevil is able to give testimony and the District Attorney's office wins the now high-profile case.   Seeing how the decision could affect his business interests, Kingpin launches a two-part attack on Matt Murdock to see the case go away is it gets appealed to higher and higher courts. He hires a former lead attorney for Tony Stark called just “Legal” to represent Slugansky in court and hires Tombstone to take out Murdock when not in court.   Legal is able to get the verdict overturned in the New York Supreme Court – which angers D.A. Hochberg (Matt's boss) saying he needs to stop using New York resources. That causes Matt to reach out to Foggy for help – which is interrupted by a Tombstone attack. Matt uses his Daredevil skills to beat him and escape with Foggy and Foggy agrees to help. Fast forward 2 weeks and the case is being heard by the Supreme Court.  To Foggy's surprise, Matt confesses that he lost the previous appeals case on purpose. He says he needed it to come before the Supremes in order for the ruling to have true power. And while waiting to for the case to be called, Matt gets confirmation Kingpin was the one who hired Legal. While arguing before the Justices, Murdock imagines his exchange with them as a physical battle, and feels like he's getting beat up badly. In his rebuttal to Legal's opening statement he stresses the voluntary good that all citizens are obliged to do.   Ten days later, the court rules in Matt's favor, potentially changing the entire landscape of law enforcement. Matt calls Foggy and tries to explain why he needs to fight criminals both in the courtroom and in the streets at once. He reverts to his classic red costume. Meanwhile, In NYC, and enraged Kingpin punches out a window, and tells Wesley to turn to Plan C.  The year ends with a 3-book story called “Land of the Blind”. Matt learns Samuel Chung (aka Blindspot) is in China, so he travels there looking for him. Shortly after arriving, he's captured by Blindspot and put in a hole for what seems like several months. We learn he has gotten his eyesight back thanks to a deal his mother made with the Beast and the Hand. Sam wants to trade Daredevil's life for the life of his mother – which he does. Though he has a change of heart during their escape and the pair return and help Daredevil escape. Upon returning to NYC, Daredevil learns Wilson Fisk has been elected Mayor of New York.  This Week's Spotlight: Daredevil v5 Issues 15 and 16 from March 2017 “The Seventh Day”  Recap Why We Picked This Story Daredevil Rapid Fire Questions The Takeaway It was a big year for women in comics. Questions or comments We'd love to hear from you!  Email us at questions@comicsovertime.com or find us on Twitter @comicsoftime. ------------------ THANKS TO THE FOLLOWING CREATORS AND RESOURCES  Music: Our theme music is by the very talented Lesfm.  You can find more about them and their music at https://pixabay.com/users/lesfm-22579021/.  The Grand Comics Database: Dan uses custom queries against a downloadable copy of the GCD to construct his publisher, title and creator charts.  Comichron: Our source for comic book sales data.  Marvel Year By Year: A Visual History  DC Comics Year By Year: A Visual Chronicle  https://en.wikipedia.org/wiki/List_of_films_based_on_English-language_comics  https://en.wikipedia.org/wiki/List_of_Marvel_Comics_superhero_debuts  https://comicbookreadingorders.com/marvel/event-timeline/  https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipients-1990s/ 

The rock and roll legend, Billy J. Kramer, grew up in Bootle, a Liverpool suburb.  Upon leaving school, he became a trainee engineer by day and aspiring singer by night, performing under the stage name Billy Kramer. Billy's performances at local rock clubs around Liverpool soon brought him to the attention of the one and only John Lennon.  John urged Brian Epstein to sign Billy to an exclusive management contract.  Billy jumped at the opportunity to become a full-time entertainer.  Soon after, Billy was summoned to Brian's office to find John there waiting for him with the suggestion that he add the “J” to his name to give it a “rock and roll edge”.  From that day forward, Billy has been known as Billy J. Kramer.In March of 1963, Billy was the first person to have a hit record with a Lennon-McCartney song, “Do You Want To Know A Secret,” which was written specially for him by John and Paul and produced by George Martin at Abbey Road Studios even before The Beatles recorded it.Billy toured extensively throughout the UK as the opening act for The Beatles both before and during Beatlemania.  Billy also headlined tours with such greats as Del Shannon, Gene Pitney, and The Everly Brothers.Billy's recordings of the Lennon-McCartney compositions, “Bad To Me” along with “I'll Keep You Satisfied”, “From A Window”, and “I Call Your Name” all became international million sellers.  He also had a smash hit with the Mort Shuman/John Leslie McFarland song, Little Children.  Released as a double sided single, Bad To Me and Little Children have the unique distinction of being the highest entry into the Billboard charts at #8.  That accomplishment has never been equalled.Billy's appearances on the Ed Sullivan show, Shindig, and Hullaballoo secured his place in rock ‘n roll history.  In 1964, Billy performed as part of the legendary T.A.M.I. show along with such artists as James Brown, Chuck Berry, The Beach Boys, Marvin Gaye, The Supremes , Smokey Robinson, The Rolling Stones and many others.To commemorate his 50th anniversary in the music business, Billy recorded and released new material entitled “I Won The Fight”.  Billy recently released his autobiography, “Do You Want To Know A Secret.”Billy continues to record, perform and promote his Storytellers show to international audiences.Please stick around at the end of the show for a really fantastic treat.  Billy has lent us his brand new Christmas song, “Christmas Kinda Feeling…”

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. Chuck and legendary bassist Carol Kaye are close friends, so this exceptional interview goes incredibly deep in its search for the truth. Carol is one of the most prolific bass guitarists in rock and pop music, playing on an estimated 10,000 recordings during a career spanning over 65 years. She actually started doing session work in 1957 on guitar, and after a bassist failed to turn up to a session in 1963, she switched to that instrument, quickly making a name for herself as one of the most in-demand session players of the 1960s. She's appeared on sessions by Frank Sinatra, Simon & Garfunkel, Stevie Wonder, The Supremes, The Temptations, The Four Tops, and The Monkees. The intro on Glen Campbell's “Wichita Lineman”? She came up with that. Of course, that's also Carol plucking away on The Beach Boys albums Today!, Summer Days (And Summer Nights!!), Pet Sounds, and Smile. Most famously, Kaye's bass lines are the driving force behind “Good Vibrations”, one of her many number 1 hits.  Here's just a few of the many things that Carol discusses with Discograffiti in this podcast: The truth about Mike Love; The first time she crossed paths with Brian Wilson; Working with Murry Wilson; The three times that Carol had Brian and Marilyn over to her house. There'll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti's Patreon. Don't miss it, or you'll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we'll all have world peace. Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up) Free Sneak Peek: linktr.ee/discograffiti Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It's completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti's weekly bonus episodes and access to our entire Patreon episode archive. There are now over 300 Patreon episodes.

Send us a textMotown, Madness, and the Jule Buk Protection Detail

Howie Kurtz on President Trump's recent rally despite media criticism of his health, the release of records related to the Ghislaine Maxwell and Jeffrey Epstein investigation, and Netflix's $72 billion bid to acquire Warner Bros. Discovery.  Follow Howie on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠@HowardKurtz⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠For more #MediaBuzz click here Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nate Wilcox and Ed Ward conclude their discussion of Ed's ⁠⁠⁠⁠⁠⁠⁠⁠⁠"History of Rock & Roll 1920-1963⁠⁠⁠⁠ "⁠⁠⁠⁠⁠⁠ with part two of 1963. We'll hear about about the Lebanese Restaurant that birthed surf music and saved Fender guitars, how Murray Wilson's failed musical career laid the groundwork for his sons' amazing success, how Columbia buried Bob Dylan's first attempt to go rock, and the split between kids singing “My Boyfriend's Back” and those singing “Blowing in the Wind.” We talk about Stevie Wonder's first hit and why you can hear someone shouting “what key? What key?” in the background, the mystery of Smokey Robinson's failure to get a hit with the Supremes and we finally get to England and talk about the Beatles and the Rolling Stones and the revolution they triggered and would bring to America in 1964. ⁠GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This playlist is 65% vinyl friendly. Very poor. Scorchio! ‘1960/1970 Vintage Stereo Design Record Player, in bright orange, the emblematic colour of the 1960 and an example of Mod Ultra Space Age Pop Art Raymond Loewy? France French Designer Museum-worthy‘ says the Etsy seller, adding ‘It has a few cracks, one of the speakers has a small tear in the cloth and may need an overhaul, a full check up to see how and if it works and if it is complete… WE HAVE NEVER TRIED TO USE IT AND I DO NOT KNOW IF IT WORKS OR PLAYS.‘ Thank flip it’s down to €4600, from €7100. Any track marked * has been given either a tiny or a slightly larger 41 Rooms tweak/edit/chop and the occasional tune might sound a bit dodgy, quality-wise. On top of that, the switch between different decades and production values never helps in the mix here. And a bit of a croak in my voice here and there. A temporary glitch, hopefully. Lyric of Playlist 146 Trickery involved but it has to be The Bots! 00.00 (Intro) THE FLAMINGOS – Stars (Edit) – Unreleased demo – 1983. Episode #1 for info. 00.41 NEW ORDER – Ruined In A Day (Reading Festival, 1993) – In Concert – 577, CD – BBC Transcription – 1993 I and my four-year-old, Alice were there, on what was a triumphant return, with the wonderful ‘Ruined’ in amongst new numbers from the band’s then recently released Republic album nobody would have previously heard in a live setting. BBC Transcription Services recordings – produced to service radio stations and usually for a very limited time frame for broadcast – had moved from vinyl to CD but with runs still only in their low hundreds New Order completists would be struggling to own a copy of this one… and I don’t. 04.42 MERIC LONG – A Small Act Of Defiance – Kablooey, LP – Polyvinyl Record Company – 2025 Book-ending a bunch of releases through the years as a member of The Dodos, Kablooey is seemingly Long’s first solo release under his own name since 2006. 07.43 BIOCHEMICAL DREAD – False Kings Of The Earth – 12″ – Pulsolid – 2004 Besides his work with Cabaret Voltaire this 12″ demonstrates there are gaps in my knowledge of Richard H. Kirk’s lengthy discography elsewhere. A copy of ‘False Kings… ‘ however is currently heading my way. RIP, Richard. 13.21 DARKSIDE – One Last Nothing – Download only – Matador – 2025 Including a past member of the 41 Rooms playlist parish, Nicolas Jaar, a US trio currently NOT releasing a 12″, though their Bandcamp visual hints otherwise. 18.32 AGENTS WITH FALSE MEMORIES – Agents With False Memories (extract), CD only – Ash International / Soleilmoon Recordings – 1996 Extract, indeed as Richard H. Kirk promptly returns to show 146 with this four minute snippet from a 53 minute track. 22.34 HUMANIZER – Shinobi – ? – ? – 2000s? Ignoring the slight Liam Gallagher drawl and with zero connection to any Death Metal band of the same name, this might have been Manchester sourced… and maybe with a Peter Hook connection. That’s what I’m vaguely remembering… from over a decade ago. Dunno… A ‘demo’ version, minus vocals, might also get an outing here at some point. 27.08 DIFFERENT GEAR – A Little Bit Paranoid (Extended Mix) * – 12″ – City Rockers – 2002 Courtesy of a ‘Phil Dirtbox’, the vocal is the winner here. 32.59 MERZ – Sorrow In The Sky (Nightingale Vs The Crow) – 7″ b-side – Lotus Records – 2002 The stuff that people sing about… and here with gusto and passion, to boot! 36.55 LUSCIOUS JACKSON – Why Do I Lie? (Sessions at 54th, 11.97) – Stream only – 1997 Vocalist, Jill Cunniff’s tale of lying sounding best live! 40.13 THE POPPY FAMILY – I Was Wondering – 7″ – London – 1971 A bit of a strange arrangement, this one. Albeit with a key change in there – verses with no choruses! Weird and wonderful… and maybe a bit brave in the pop world of the early ’70s, where the only PF track I remember hearing as a young teen was Which Way Are You Going Billy? That won’t be getting a 41 Rooms spin. 42.43 SOPHIE JAMIESON – Camera – I Still Want To Share, LP – Bella Union – 2025 Being over in Brighton recently it seemed appropriate I buy her clear vinyl album from the Bella Union shop and re Camera? It’s the subtle build in Sophie’s vocal and she’ll be here again at some point. 46.59 MARTYN BATES – The Rhyme Of Miracles – Arriving Fire, CD only – Ambivalent Scale – 2014 Martyn instils presence in a tune like few others for me. 50.28 JOSE FELICIANO – First Of May – 7″ b-side – RCA – 1969 ‘Feliciano seems to be on a heavy Bee Gees kick… after ‘Marley Purt Drive,’ he now does ‘First Of May’ and ‘Gotta Get A Message To You.’ And with his highly stylised projection, Jose manages to make them sound totally removed from anything the Gibb brothers originated’. – Disc (edited review of the album, 10 to 23), 15.11.69. As far as I know the Bee Gees tune was only ever released on a 7″ (my ‘format of choice’) for Jose in Mexico, New Zealand, Philippines and Spain and never as an A-side and arranger, Al Capps most probably winced if he ever got to see the NZ pressing below. Strangely, Jose’s very rarely performed the song live. I’ve only noted it three times, including two at London’s Jazz Cafe, in 1996 and again in 1998 and at the former it surfaced nearly under duress. With the audience (maybe unsurprisingly) constantly shouting out for past JF favourites Jose countered, ‘You know there’s a lot of songs you people ask me for that unfortunately… and I’m not being rude, a lot of artists are rude, they do it on purpose, but some of the songs that you ask me to sing, do you know that I haven’t sung them in years and I’ve forgotten the words and rather than make an ass out of myself that’s why I don’t sing them, OK? So, don’t take it personal… I don’t sing those songs anymore. But I’ll tell you what though there’s some that you ask for that I do remember, like this one. I hope that this one will satisfy you.’ That rare sighting was even more surprising considering Jose had taken the rare move of including his own recording of the song when guesting on Brian Matthew’s My Top Twelve for BBC Radio 1 back in June 1974. 54.11 JAPAN – Alien – Quiet Life, LP – Ariola Hansa – 1980 Bedford: Heronscroft, Putnoe, 1980 and Winkles, 1981… with a few Japan gigs thrown in at the time. 58.47 JOHN CALE – Chinese Envoy (M:FANS) – M: FANS, 2 LP – Double Six – 2016 ‘Approached as a reinterpretation of Cale's 1982 improvisational album, Music for a New Society… M:FANS is something of a funhouse mirror reflection of that work, using the basic song-structures of the original album as a starting point and using time, experience and the technological advances of the ensuing years to bring a new focus to the tunes. Some selections are comfortably familiar, while others have a significantly different footprint‘. – KCRW 01.02.32 ICEHOUSE – No Promises (Dance Mix) * – 12″ – Chrysalis – 1990 Fully five years after the track had seemingly done its thing it got an extended outing in Spain. 01.07.58 DAVID BOWIE – This Is Not America (BBC concert) – Bowie At The Beeb, 2CD – EMI – 2000 Part of Bowie’s special set for a small invited audience at the BBC’s Radio Theatre, in London, June 2000. 01.11.29 JOHNNY KEATING – Theme from Z-Cars (Johnny Todd) – 7″ – Piccadilly – 1962 Did I realise the grittier scripts involved here than had been delivered by Jack Warner’s strolling forerunner, Dixon Of Dock Green? Nah, I was five when Z-Cars kicked off but the theme (based on the traditional folk song, Johnny Todd) still brings a fuzzy feel. And Wikipedia will give you the full story on why Everton FC players come out to the tune at home games. 01.13.22 MARC COHN – ‘Walking in Memphis (Mahna Mahna)’ – Stream only – 1990’s? Cohn definitely wouldn’t have seen this coming, as the self proclaiming Mahna Mahna and the Snowths duo upstage him in a short but cheeky mashup (of sorts) I happened on via Youtube a couple of decades ago. I’ll openly admit I was a Muppets fan when they first aired on UK TV back in the mid ’70s and with Statler & Waldorf the stars for me I remember walking my girlfriend of the time, Jill home from work and then running up the hill to my house to record the show. Pre the age of video recorders, at one point there was a stack of ten to twenty AGFA(!!) cassette tapes of the shows in my bedroom. Getting back to Cohn, the fact he’s ‘racing’ a bit here actually adds to the cheeriness and I salute whoever was involved. 01.14.44 BERNARD CRIBBINS – The Hole In The Ground – 7″ – Parlophone – 1962 And like the Z-Cars theme I was five when this was released and I’d have definitely been singing this one in the years close after – and weirdly, although it’s the second tune from ’62 on this show, it’s not the last. 01.16.27 THE BOTS – Fuzzy Math – George W. Bush Greatest Hits, v/artists, CDr only – Spin The World – 2004 I heard this cut and paste work of art somewhere around its ‘release’ and as of 2004… ‘… utilizing the revolutionary Presidential Truth Filter(PTF). The PTF operates like this: All presidential statements are recorded, and made into a huge database. The database is searchable by speech, phrase, keyword, emotional intensity, etc. In parallel, an analysis is made of the historical circumstances of the particular presidency. The question must be asked, what is this man (all men so far…) really all about? What is a defining characteristic of this presidency? The final question which must be addressed by the PTF is, how can we use the assets in the database to concatenate the truth, and make the President speak it? The first attempt was Bushwack, in 1992. This turned into a huge hit before the Presidential election in 1992, though BMI denied that it was ever on the air at all. Through October of that year, stations such as San Francisco’s Live105 were playing it almost hourly. In 1997 Rock The House was a popular download at an early digital music download startup, muzic.com. In 2003 Bushwack2 was released at about the start of the Iraq war. The mood of the song is quite grim, as the truth of those times was interpreted by the PTF. In 2004, the PTF was reprogrammed to emphasize economics and general silliness, and Fuzzy Math was born. We think it’s the best one yet. Judge the results for yourself’. – thebots.net 01.19.26 DREXCIYA – Black Sea – The Journey Home, 12″ EP – Warp – 1995 First heard on either of Colin Faver’s or Colin Dale’s techno shows on KISS FM. Sounds more likely it was the former. 01.24.58 E-DANCER – Heavenly * – 12″ – KMS – 1997 The Inner City (‘Big Fun’) man, Kevin Saunderson with his techno head on. 01.28.51 CHARLES WEBSTER – Your Life * – 12″ – Peacefrog – 2000 Pitched up a bit (‘+3%’ says my file iD) this is a class slice of soulful techno/house. 01.33.11 CHARLOTTE DAY WILSON – Selfish – Download only – Stone Woman Music – 2025 This r&b musician has been around for a decade or so but I wouldn’t have guessed, judging by this slight departure to a ’90s UK garage feel (first half anyway). It suits her. 01.36.48 BENCH – Felice – Bliss, 2LP – Cylinder Recordings – 2000 The fifth appearance on 41 Rooms to date for this pretty much forgotten duo. 01.39.36 BLUE STATES – Your Girl – 12″ EP – Memphis Industries – 1999 First heard on a compilation CD a mate of mine, Sid put together, of fave tracks forwarded by mates of his. Not their own tracks, you understand. 01.43.45 THE MIRACLES – I’ll Try Something New – 7″ – Tamla – 1962 Hellfire! Those breakdown strings mid way are a bit of a jolt! Easy, Smokey! Writer, Robinson’s own version is actually the third to make it to 41 Rooms and his vocal arrangement sounds more like a remake than either Kiki Dee’s ‘straighter’ take or even the Supremes and Temptations stab at the song, when chronologically they both followed this Miracles single. 01.46.14 SMITH & MUDD – Blue River – 2LP – Claremont 56 – 2007 Electronic… downtempo… shuffling… drifting… or maybe flowing. 01.48.38 MERZ – A.M. (Good Morning) * – Single-sided, white label 12″ only – 1995 The second artist to return this show, multi instrumentalist and songwriter, Conrad Merz and his at times very idiosyncratic vocal (‘Many Weathers Apart’, for instance) seem to have trodden their own path through the years. 01.53.45 CRAIG ARMSTRONG (feat ELIZABETH FRASER) – This Love (& The Life That I Have) * – 41 Rooms Soft Mash Up only – Early 2000s I grabbed the extra voice – Virginia McKenna as Second World War spy Violette Szabo, reading the code poem The Life That I Have at the end of the film Carve Her Name With Pride – fully thirty plus years ago and I had a stab at floating it over This Love a long time ago but recently had another go. Aided by Jazz The Glass, we pitched her down slightly and then I took out a chunk of the poem in the second half. Not that it’s going to happen but I reckon it would need the song itself re-arranged/edited to work perfectly but methinks the idea is still a cool one. Show 147 hopefully surfaces Jan 4. Dec x The post Post Punk Plus Podcast Playlist 146 – Original upload 7.12.25 appeared first on 41Rooms.

This episode is presented by Create A Video – The US Supreme Court ruled that the new redistricting map drawn by Texas Republicans can remain in place for the upcoming midterms. Subscribe to the podcast at: https://ThePetePod.com/ All the links to Pete's Prep are free: https://patreon.com/petekalinershow Media Bias Check: GroundNews promo code! Advertising and Booking inquiries: Pete@ThePeteKalinerShow.comGet exclusive content here!: https://thepetekalinershow.com/See omnystudio.com/listener for privacy information.

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz sits down with legendary producer and entertainment executive Suzanne de Passe. From championing the Jackson 5 early in their career to producing Emmy Award–winning miniseries like Lonesome Dove, Suzanne's career is defined by vision, talent recognition, and breaking barriers in Hollywood.An Eclectic, Wonderful Childhood (02:16) Suzanne describes growing up in Harlem, attending the progressive private school New Lincoln, and spending summers in Martha's Vineyard.Suzanne's Superpower (12:46) Suzanne talks about her greatest talent: recognizing the talent of others and knowing what to do with it.The Meeting That Changed Everything (16:22) Through her friendship with Cindy Birdsong of The Supremes, Suzanne met Berry Gordy in 1967, a moment that changed her life forever."One Day, That's Gonna Be Me" (21:19) Standing under the Essex House sign, watching Diana Ross depart in one limo, and the other Supremes in another, Suzanne had a realization: she wanted to be a part of that world.Championing The Jackson 5 (31:39) When Bobby Taylor invited her to hear a young group of brothers sing four songs a cappella, “the hair on the back of my neck flew up,” Suzanne recalls. Despite Barry Gordy's initial resistance to signing another kid act, her relentless advocacy is what finally got the Jackson 5 their Motown audition.Rock and Roll Hall of Fame Induction (38:04) In 2024, Suzanne was inducted into the Rock and Roll Hall of Fame with the Ahmet Ertegun Award, the fifth woman and the first solo living female recipient among male legends.Lonesome Dove (40:28) After optioning Larry McMurtry's unpublished novel for $50,000, Swifty Lazar called with news: it had won the Pulitzer Prize. The resulting CBS miniseries was nominated for 19 Emmys, won 11, and received a Golden Globe and a Peabody Award.Immortal Studio: The Next Chapter (51:17) Suzanne has launched the production company Immortal Studio with partners Madison Jones, Cory Martin, and investor Yang Ben Wang. Focused on premium television, the company already has full seasons scripted and is built to be nimble, artist-friendly, and protective of creative vision — avoiding the industry's usual “fingerprinting process,” where too many people try to leave their mark.Suzanne de Passe demonstrates that recognizing talent, whether in five kids singing a capella or an unpublished western novel, combined with persistence and vision, can build an entertainment legacy that spans decades.Host: Kevin GoetzGuest: Suzanne de PasseProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Suzanne de Passe:Wikipedia: https://en.wikipedia.org/wiki/Suzanne_de_PasseIMDB:https://www.imdb.com/name/nm0210867/Rock and Roll Hall of Fame:For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

L'émission démarre avec un programme chargé : The Rolling Stones, PJ Harvey, The Doors, mais aussi les nouveautés signées Bandit Bandit et Tame Impala. Les Foo Fighters ouvrent la soirée avec "Asking for a Friend"; suivent Guns N' Roses et Led Zeppelin. La première partie de soirée se poursuit avec David Bowie période 1972 et un passage par Eiffel avant la découverte du nouveau titre de l'album de la semaine de Midlake, "The Ghouls". RTL2 Pop-Rock Station enchaîne avec Rise Of The North Star, fraîchement passés en interview dans l'émission, puis la reprise du soir : "You Keep Me Hanging On", tube des Supremes revisité en 1986 par Kim Wilde. Arrivent ensuite Starcrawler, Interpol, Tame Impala, Archive ou encore The Doors. Francis Zégut recommande le country-rock canadien de The Bros. Landreth, avant un détour par Aretha Franklin et Eugene McGuinness. La nouveauté "Fresh Fresh Fresh" du jour est signée Bandit Bandit avec "Pas Le Temps", un single aux guitares abrasives et aux accents 80s. La fin de soirée se prolonge jusqu'à minuit avec Lee Fields, Editors, Archive et Band of Skulls. Foo Fighters - Asking For A Friend Guns N' Roses - It's So Easy Led Zeppelin - Whole Lotta Love PJ Harvey - Down By The Water David Bowie - Life On Mars Eiffel - J'ai Pousse Trop Vite The Bangles - Walk Like An Egyptian Midlake - The Ghouls The Rolling Stones - (I Can't Get No) Satisfaction Arctic Monkeys - Fluorescent Adolescent Beastie Boys - Sabotage Rise Of The Northstar - Neo Paris Kim Wilde - You Keep Me Hanging On Starcrawler - Road Kill Interpol - Rest My Chemistry The Bros. Landreth - Wide Awake And Dreaming Aretha Franklin - Think Eugene Mcguinness - Shotgun Kasabian - Hippie Sunshine AC/DC - Rock N Roll Aint Noise Pollution Rob Zombie - Helter Skelter (Feat. Marilyn Manson) Bandit Bandit - Pas Le Temps The Doors - Alabama Song (Whisky Bar) Lee Fields - Sentimental Fool Editors - Papillon Tame Impala - Dracula Archive - Remains Of Nothing (Feat. Band Of Skullz)Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Berry Gordy Jr., born on Nov. 28, 1929, transformed American music by creating the Motown Sound, a revolutionary blend of soul, pop and R&B. After founding Motown in 1959, he helped launch the careers of Stevie Wonder, Marvin Gaye, the Supremes, the Temptations, the Jackson 5 and many more. Today, we celebrate Gordy's enduring legacy and his 96th birthday. Subscribe to our newsletter to stay informed with the latest news from a leading Black-owned & controlled media company:https://aurn.com/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices

Fletch Wiley is a graduate of the University of North Texas, home of the One O'Clock Lab Band, and earned a graduate fellowship to Yale University. He has built a career working with diverse groups of artists, churches, theaters, ad agencies and record labels and has performed with luminary musical artists Stevie Wonder, Diana Ross and the Supremes, Doc Severinsen and Gladys Knight and the Pips. Fletch's story is one of rebirth from a music scene full of drugs and wayward hopes to new life, new hope, and new purpose. Grab his book to read the story! https://a.co/d/5Aon5HCLearn more!https://fletchwiley.com/Be in touch!Instagram: @biblejazzSubscribe to Bible Jazz on Apple!https://podcasts.apple.com/us/podcast/uppc-podcast/id1450663729?mt=2Follow on Spotify:https://open.spotify.com/show/2YLbRFDsJbqGEAkMuJ1E5MAnd at www.UPPC.orgMusic:"Vibing Over Venus" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Modern Jazz Samba" by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4063-modern-jazz-sambaLicense: https://filmmusic.io/standard-license"Study And Relax" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"On Hold for You" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

Fletch Wiley is a graduate of the University of North Texas, home of the One O'Clock Lab Band, and earned a graduate fellowship to Yale University. He has built a career working with diverse groups of artists, churches, theaters, ad agencies and record labels and has performed with luminary musical artists Stevie Wonder, Diana Ross and the Supremes, Doc Severinsen and Gladys Knight and the Pips. Fletch's story is one of rebirth from a music scene full of drugs and wayward hopes to new life, new hope, and new purpose. Grab his book to read the story! https://a.co/d/5Aon5HCLearn more!https://fletchwiley.com/Be in touch!Instagram: @biblejazzSubscribe to Bible Jazz on Apple!https://podcasts.apple.com/us/podcast/uppc-podcast/id1450663729?mt=2Follow on Spotify:https://open.spotify.com/show/2YLbRFDsJbqGEAkMuJ1E5MAnd at www.UPPC.orgMusic:"Vibing Over Venus" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Modern Jazz Samba" by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4063-modern-jazz-sambaLicense: https://filmmusic.io/standard-license"Study And Relax" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"On Hold for You" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

It's Tuesday, November 11th, A.D. 2025. This is The Worldview in 5 Minutes heard on 140 radio stations and at www.TheWorldview.com.  I'm Adam McManus. (Adam@TheWorldview.com) By Kevin Swanson Nigerian Governor denies Christian genocide Just days after Nigerian Nasarawa State Governor Abdullahi Sule publicly denied the existence of religious persecution or Christian genocide in Nigeria, about 50 Fulani Muslim gunmen launched a deadly midnight assault on a Christian community in the state.   Three individuals were murdered and others were critically wounded in the massacre.   In protest, hundreds of youths from the community displayed the dead bodies of the victims and blocked traffic until the military showed up to disperse them.  They were protesting the persistent invasions and kidnappings, in hopes of some government intervention. According to Open Doors, Nigeria is the seventh most dangerous country worldwide for Christians. Sudanese civil war claims 70,000 civilian lives The ongoing civil war in Sudan, Africa is bringing untold losses to human life. Approximately, 70,000 civilians were killed in the last year, and the same number the year before. A paramilitary group, known as the “Rapid Support Forces,” is killing civilians with darker skin in the ethnic purge — and then burying the bodies in mass graves, reports Al Jazeera. America invested twice as much in Africa as China did The BBC reports that the U.S. has overtaken China as Africa's biggest investor for the first time since 2012. America invested $7.8 billion in 2023, compared to China's $4 billion. America absent from U.N. Climate Change Conference The 30th United Nations Climate Change Conference kicked off yesterday in Belém, Brazil. Notably, the U.S. federal delegation is absent, reports The Hill.com. 7 Democrats, 1 Independent join GOP to end gov't shutdown The U.S. Democrat Party has experienced a seismic split. In an historic development on the national scene, seven Democrat senators and one Independent senator agreed to a compromise with the Republicans in the U.S. Senate to bring the government shutdown to an end, report The Epoch Times. The defectors were Dick Durbin (D-IL), Catherine Masto (D-NV), Jacky Rosen (D-NV), John Fetterman (D-PA), Tim Kaine (D-VA), Jeanne Shaheen (D-NH), Maggie Hassan (D-NH), and Angus King (I-ME). The big bone of contention among the Democrats in the shutdown concerned there hope of extending the Obamacare funding of individual and family health insurance.  Health insurers are corrupt and contribute heavily to Democrats Breitbart and American Resolve estimate that health insurers are taking in $1 trillion per year in federal subsidies, thanks to Obamacare. Plus, their stocks are up 1,000% since 2009. These companies contributed five times more funds to the Kamala Harris presidential campaign than they contributed to Donald Trump's campaign. And “Blue Shield of California donated $500,000 and UnitedHealth donated $75,000 to Democratic Governor Gavin Newsom's ballot measure effort, Prop. 50” which could give Democrat and insurance companies five additional seats in Congress. Even more egregious, federal auditors estimate that Medicare Advantage will overbill medical services somewhere in the neighborhood of $1 trillion this decade. Isaiah 1:23 warns of princes who “are rebellious, and companions of thieves. Everyone loves bribes and follows after rewards. They do not defend the fatherless, nor does the cause of the widow come before them.” Tucker Carlson in hot water for Nick Fuentes interview But then, the “conservative right” has their own dumpster fire going after Tucker Carlson interviewed Nick Fuentes. (It was a 2-hour-long interview). Ben Shapiro, the conservative founder of The Daily Wire, referred to Carlson as the “most virulent super-spreader of vile ideas in America.”  Mark Levin layered on another epithet for Carlson, calling the conservative talk show host a “Nazi promoter. " And Republican Senator Ted Cruz of Texas called the Fuentes interview “cowardly and complicit." Supremes unlikely to affirm Trump's tariffs According to the SCOTUS BLOG, the U.S. Supreme Court appears doubtful as to the constitutionality of the Trump tariffs.   Both Chief Justice John Roberts and Justice Neil Gorsuch appeared skeptical in the oral arguments which took place last Wednesday.  Supreme Court will not reverse homosexual marriage The U.S. Supreme Court will not reverse Obergefell.   The high court issued their decision Monday to let the 2015 decision stand — codifying the legitimization of faux marriage for those living in unnatural relations, men with men, and women with women — here in the United States. The justices rejected an appeal from former Kentucky County Clerk Kim Davis — who had refused to issue marriage licenses to homosexual couples — on the basis of her religious beliefs. A few weeks ago, Justice Amy Barrett admitted her reluctance to oppose the homosexual campaign for same-sex faux marriage because of what she called "very concrete reliance interests,” reports the New York Times. These apparently did not include God's interests. In a speech Justice Samuel Alito gave a few months ago, he called the Obergefell decision a “precedent of the court that is entitled to the respect afforded by the doctrine of stare decisis.”   That's a legal term meaning the policy of following principles laid down in previous judicial decisions. Mat Staver of Liberty Counsel was quite disappointed.  He said, “The majority of Supreme Court Justices know Obergefell is wrong, and this case should have been granted review and reversed that unconstitutional opinion. We are committed to overturning Obergefell. Like the abortion issue in Roe v. Wade, the Obergefell opinion has no basis in the U.S. Constitution.” The Prophet Micah issued this lament in Chapter 7:2-4. “The faithful man has perished from the Earth, and there is no one upright among men. They all lie in wait for blood; The best of them is like a brier; The most upright is sharper than a thorn hedge; The day of your watchman and your punishment comes; Now shall be their perplexity.” Household debt shot up by 30% Total U.S. household debt has registered a 30% increase since 2020 — now at $18.5 trillion. And, the U.S. dollar has weakened against major currencies this year by about 10%. That's the worst performance since the Nixon presidency.   Meanwhile, gold has increased about 60% in value this year to date. Average American wedding costs $33,000 And finally, in other economic news, The Knot reveals that the average wedding now costs $33,000. And couples who invite over 140 guests will need to pay $40,000. The price tag is location dependent.  New York weddings run $48,000 while Wyoming weddings average $17,000. To compare, the cost of the average starter home in America this year, by RedFin's metric, is $260,000 with a down payment of $16,900. Close And that's The Worldview on this Tuesday, November 11th, in the year of our Lord 2025, the 19th wedding anniversary of my bride Amy and me. Check out our love story at www.AdamsWedding.net.  Follow The Worldview on X or subscribe for free by Spotify, Amazon Music, or by iTunes or email to our unique Christian newscast at www.TheWorldview.com.  I'm Adam McManus. Seize the day for Jesus Christ.

1965 may feel like an entirely different lifetime, but even if you're Gen X or a Millennial, chances are you know the songs and the icons from that incredible year. Cher! The Beatles! The Rolling Stones! The Supremes! Legends in their prime whose music continues to hold cultural cache 60 years after its release. So join the Great Pop Culture Debate as we do the time warp and try to determine the Best Song of 1965. Songs discussed: “Unchained Melody” by The Righteous Brothers, “Help!” by The Beatles, “(I Can't Get No) Satisfaction” by The Rolling Stones, “My Girl” by The Temptations, “Ticket to Ride” by The Beatles, “You've Lost That Lovin' Feeling” by The Righteous Brothers, “Stop! In the Name of Love” by The Supremes, “I Got You Babe” by Sonny & Cher, “Do You Believe in Magic?” by The Lovin' Spoonful, “How Sweet It Is (To Be Loved By You)” by Marvin Gaye, “What the World Needs Now is Love” by Jackie DeShannon, “It's Not Unusual” by Tom Jones, “I Can't Help Myself (Sugar Pie Honey Bunch)” by The Four Tops, “California Girls” by The Beach Boys, “We Got to Get Out of This Place” by The Animals Join host Eric Rezsnyak and panelists Derek Mekita, John Higgins, and Zack Derby as they discuss and debate 16 of the biggest hits from 60 years ago. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Derek Mekita, John Higgins, Zack Derby Producer: Bob Erlenback Editor: John Higgins Theme Music: “Dance to My Tune” by Marc Torch #music #1960s #60smusic #popmusic #rockmusic #unchainedmelody #righteousbrothers #cher #sonnyandcher #igotyoubabe #thebeatles #beatles #beatleshelp #rollingstones #satisfaction #marvingaye #thefourtops #thebeachboys #beachboys #fourtops #temptations #thetemptations #thesupremes #supremes #dianaross #motown #tomjones Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

1965 may feel like an entirely different lifetime, but even if you're Gen X or a Millennial, chances are you know the songs and the icons from that incredible year. Cher! The Beatles! The Rolling Stones! The Supremes! Legends in their prime whose music continues to hold cultural cache 60 years after its release. So join the Great Pop Culture Debate as we do the time warp and try to determine the Best Song of 1965. Songs discussed: “Unchained Melody” by The Righteous Brothers, “Help!” by The Beatles, “(I Can't Get No) Satisfaction” by The Rolling Stones, “My Girl” by The Temptations, “Ticket to Ride” by The Beatles, “You've Lost That Lovin' Feeling” by The Righteous Brothers, “Stop! In the Name of Love” by The Supremes, “I Got You Babe” by Sonny & Cher, “Do You Believe in Magic?” by The Lovin' Spoonful, “How Sweet It Is (To Be Loved By You)” by Marvin Gaye, “What the World Needs Now is Love” by Jackie DeShannon, “It's Not Unusual” by Tom Jones, “I Can't Help Myself (Sugar Pie Honey Bunch)” by The Four Tops, “California Girls” by The Beach Boys, “We Got to Get Out of This Place” by The Animals Join host Eric Rezsnyak and panelists Derek Mekita, John Higgins, and Zack Derby as they discuss and debate 16 of the biggest hits from 60 years ago. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Derek Mekita, John Higgins, Zack Derby Producer: Bob Erlenback Editor: John Higgins Theme Music: “Dance to My Tune” by Marc Torch #music #1960s #60smusic #popmusic #rockmusic #unchainedmelody #righteousbrothers #cher #sonnyandcher #igotyoubabe #thebeatles #beatles #beatleshelp #rollingstones #satisfaction #marvingaye #thefourtops #thebeachboys #beachboys #fourtops #temptations #thetemptations #thesupremes #supremes #dianaross #motown #tomjones Learn more about your ad choices. Visit megaphone.fm/adchoices

War Room Trump Vows $2,000 Tariff Dividend Checks For Lower/Middle Class Americans, As Supremes Weigh Constitutionality – Meanwhile, Liberals Whine Dems Caved on Schumer Shutdown

Ian Lyngen and Ben Jeffery bring you their thoughts on the U.S. Rates market for the upcoming week of November 10th, 2025, and respond to questions submitted by listeners and clients.

The US Supreme Court hearing on the legality of the majority of the US administration's tariffs produced a positive reaction from tariff-related equities. The questioning from some justices, including the chief justice, seemingly increased investor expectations that the tariffs would be declared illegal. That should entail a rebate to US companies, which would offer a fiscal boost to the US economy.

The Trump administration is not doing well in front of SCOTUS today as they decide on the legality of their tariff overreach. Plus, the president is just flat wrong on the filibuster, even as people like Senator Hawley say otherwise.