Podcasts about alphabet city

On April 12th, 1903, Mrs. Frances Connors spotted a overcoat draped over a barrel at the corner of 11th Street and Avenue D in Manhattan's Alphabet City. The coat looked new, and it wasn't wet, even though it had been raining all night. "Who gets rid of a perfectly good overcoat?" Mrs. Connors wondered, and, "What's in that barrel?" Curiosity got the better of her, she sidled over to the barrel, lifted the coat, and SCREAMED...Call 888-MURDERY, that's 888-687-3379 to share your story of living with a disability, or, your real-life Kinda Murdery story, and YOU could inspire an episode of the show!Sources: The Ananconda Standard, "The Baffling Mystery of the Barrel Murder," by William J. Flynn, Sunday, April 19th and April 26th, 1914.Accessed via Newspapers.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/kinda-murdery--5496890/support.

The East Village in New York City is a bustling, lively neighborhood full of top-notch restaurants, fun activities, and plenty of bars worth checking out.East Village LocationThe East Village runs from Houston to 14th St and then 4th Ave on the west end to the East River.Within the East Village, there are sections including Alphabet City, Little Ukraine, and the Bowery. It has often been a center of counterculture in New York and is seen as the birthplace of punk rock in the city.Places to Eat in the East VillageGiano - Our favorite Italian restaurant in the city.Veselka - Popular Ukranian spot with a focus on breakfast and brunch.Kafana - Traditional Serbian food in a cozy setup.Prince Tea House - Lots of tea options, desserts, and more.Ray's Candy Store - Long-standing dessert shop with soft serve, deep-fried Oreos, and more.7th Street Burger - Fairly priced smash burgers and fries.Two Boots Pizza - Unique flavor options in a funky spot.Lavagna - Tuscan flavors in a compact restaurant, amazing pasta.Joe's Pizza - Quality New York pizza available by the slice or pie.Mama Fina's - Authentic, fairly-priced Filipino food.San Marzano - Low-priced Italian spot with a bustling crowd.Bars & Places to Drink in the East VillageAmor y Amargo - Craft cocktails focused on Amaros and bitters.Burp Castle - Quiet bar (you will get shushed) with imported beers.Please Don't Tell - High-quality cocktails in a speakeasy accessed through a phone booth.The Bronx Brewery - Unfortunately, it's now permanently closed since we recorded this episode.The Wayland - Unique cocktails with tasty bites.McSorley's Old Ale House - One of the oldest bars in NYC with only two options (dark or light ale).Barcade - Loads of arcade games and an extensive draft list.Fun Things to Do in the East VillageAstor Center & Astor Wine & Spirits (This Episode's You'll Have to Check It Out Segment) - Top-notch wine and liquor store with an accompanying educational center focused on wine and liquor history and education.Atelier Sucre - Small kitchen offering cooking and baking classes.AuH2O - One of the best thrift stores we've been to in Manhattan.

Episode 113 wherein Kev discovers that he has a pretty valuable 7 incher on his hands. ON his hands, not in his hands. Get yer minds out of the gutter. That's later..... Anyway, there's all the usual shenanigans from all the usual suspects and we just have to keep winning pucks in the corners and getting shots to the net and if we just execute the game plan and give our goalie a chance, I'm sure we'll sports better than the other team sportses and emerge victorious! It's been a long day, this is all I've got.If Kev were to title this episode, he'd probably call it “There's no living in my life any more” or possibly “Queen forever more!”Today's episode looks at a Freddie's soaringly beautiful interlude on Side Black of Queen II, "Nevermore"NOTE: Skip forward to 21:48 if wanna get straight into the manifestations and wheel spin.The song at the end of the episode is the lead track from Randy Woods Band's second album. It's a little number called "Alphabet City". You can check it out here : https://youtu.be/nPPzvp-5hJUIf you want to listen to the piano cover that we played a little of in the episode, you can find that here: https://youtu.be/5Nd4pBsvrwcThanks to everyone who tuned in to the last episode and left us some comments on Facebook, Bluesky, and Discord! And while we're at it, come join us on Discord, we'd be glad to have you! We'll always try to answer any questions you have and seriously appreciate any corrections you make to anything we get wrong. And thanks so much for all your support as usual. We're loving diving into the Queen fandom as much as we're enjoying recording the podcasts!Follow us onFacebook: @seasidepodreviewDiscord: https://discord.gg/nrzr2mQjBluesky: @seasidepodreview.bsky.socialAlso, check out Kev's other podcastsThe Tom Petty Project: https://tompettyproject.comThe Ultimate Catalogue Clash: https://podcasters.spotify.com/pod/show/ultimate-catalogue-clashAnd if you want to check out Randy's music, you can find it here:https://randywoodsband.com Hosted on Acast. See acast.com/privacy for more information.

Burners often speak about the work it takes to prepare their art, art car, or camp for Black Rock City, but for many, it doesn't end there. A project sparked in the desert or at Regional Events can take on a life of its own, continuing year-round in surprising ways.What happens when a camp or mutant vehicle takes a break from Black Rock City? After all the Communal Effort devoted to their playa project, do they even know how to stop? Apparently not... and the world benefits.kbot and Stuart speak with people who pressed pause on producing in Black Rock City, only to put their time, imagination, and heart into projects that build a better world.Leon & Patrizia of New York Dangerous discuss how their resource rescue nonprofit fosters a ‘pay it forward' form of altruism.Leo & Catarina of Jaguara share how their mutant vehicle has become a vehicle for education and expression in Columbia.Zoe (aka “Jeff”) of Camp Starbarf tells how a year off for her camp spawned a voter support initiative and a punk rock band!Their stories share a theme: the 10 Principles (and playa-born fortitude) inspire their year-round endeavors.https://nyd.nychttps://jaguara.coStarBarf (instagram) LIVE.BURNINGMAN.ORG

Nouveau mini format pour RMNY ! A chaque lettre, une référence à New York et nous commençons naturellement par la lettre A. Ce nouveau format vous est concocté et présenté par Isabelle.Retrouvez tous les liens des réseaux sociaux et des plateformes du podcast ici : https://linktr.ee/racontemoinewyorkHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Matt Bowman and Surya Deer join the show for today's episode. They talk about Tampa's Lieutenant Dan, George Droid, the Buster BBW dating app.Thanks to Matt for coming back on the show and to Surya for joining us for the first time. Check Matt out on previous episodes of the show and for even more, hit the links down below.Surya is on Instagram @suryadeer and runs Smolder Comedy, a monthly live comedy show at Revision Lounge in Alphabet City, NYC. Matt is on Instagram as well @mattbowmancomedy and also hosts the podcast Matt Bowman is Bothered.As always, find Michael Good on Instagram @michaelgoodcomedy and on Twitter @agoodmichael. Check out the show on YouTube and follow the official Instagram page @morninggoodpodcast.

Welcome to the One Hundred & Forty-First Edition of The Chronicles Of Podcast, These are The Chronicles of Michael Doret In this edition we sit down with legendary graphic design artist Michael Doret to discuss his illustrious career and his new artbook/autobiography, Growing Up In Alphabet City. Michael takes us through his early life growing up in New York City, how it influenced his creative journey, and his process when approaching new projects. We dive into his most iconic works, including the Disney title treatments, the design of the New York Knicks logo, KISS's Rock and Roll Over album artwork, and his memorable covers for Time Magazine. Also this week, Tom kicks things off by sharing his excitement over the Slam Dunk 2025 lineup announcement. We dive into some quirky news, including Olympic fans getting upset over yellow fingernails, and Jamie gives us the scoop on his week in Devon and his experience representing the Sophie Lancaster Foundation at Unity Festival. Tom also recounts his epic time watching AEW All In live at Wembley Arena. In this episode, we continue with your favourite regular segments! Callum's Treachings takes a hilarious look at the caloric intake of superheroes, while Tom's Journal delivers the funniest internet gems from the past week—some of which almost break Jamie! Plus, Jamie's Audience Participation Challenge has us asking YOU: What Gen Z words or phrases leave you completely confused? If you like what you hear here then please don't hesitate to like and share this show with your friends and please make sure to follow us on all social medias and maybe even a little rating and review on your favourite podcasting apps. Official Website - The Chronicles of Podcast Official Sponsor - SayWeCanFly Affiliate Charity - Sophie Lancaster Foundation Official Website - Michael Doret

Kenny and Mark bust out the pom-poms for a LIVE show at the Francis Kite Club in Alphabet City to discuss the first single and so much more from MDNA. Topics include cheerleading, female collaborators, garage rock, bananas, ZZ Top, Burgundy wine, Martin Solveig, Michael Tordjman, Bob Costas, mascots, Megaforce, trench coats and baby carriages, THE SUPER BOWL HALFTIME PERFORMANCE, Midwestern farm hands, the NY Giants and the New England Patriots, Kelly Clarkson, LMFAO, CeeLo Green and the ultimate version of “Like a Prayer”, slack lining, the brilliant Moment Factory collaboration, and setting up a stage in under eight minutes. Plus, an appreciation of the star power of Nicki Minaj and Kenny deep dives into the fascinating and complicated M.I.A. Special thanks to the fabulous staff at Francis Kite Club, our Special Guest Sadonna, and all of the beautiful listeners, friends, and family who came out on a rainy night to celebrate the show with us. See you in two weeks!

Robert Kelly, Luis J. Gomez, Joe List, and Dan Soder join forces and discuss who can make the best helicopter noise, the East Village vs. Alphabet City, who would have the best postmortem benefit, and much more. Presented by YKWD and GaS Digital. LISTEN ON APPLE PODCASTS https://podcasts.apple.com/us/podcast/kidz-table-the-regz-w-robert-kelly-dan-soder-luis-j/id371045355?i=1000660381295  SOCIALS Robert Kelly @ykwdpodcast https://robertkellylive.com/ https://www.instagram.com/robertkellylive/  Luis J. Gomez https://luisofskanks.com/ https://www.instagram.com/gomezcomedy/ https://twitter.com/luisjgomez  Joe List https://twitter.com/JoeListComedy https://www.instagram.com/joelistcomedy/  Dan Soder https://www.dansoder.com/ https://www.instagram.com/dansoder/  Thanks to @johng.wav on Instagram for the new intro music. SPONSORS My Bookies Support the show get some MyBookie money on the house with code REGZ at https://bit.ly/joinwithREGZ LUCY https://lucy.co/regz and use code "REGZ" for 20% off your first order Small Batch Cigar https://www.smallbatchcigar.com/  Code: REGZ for 10% off + 5% Rewards points Learn more about your ad choices. Visit megaphone.fm/adchoices

Mike Giant in conversation with Dalek at Mike's studio in San Diego, California on June 21, 2024. Topics discussed include: Tyke, pickup basketball games, Hurley (2009-2015), Mark Parker, Roger Gastman, Black Dot, fashion world, Spacemonkey racing yacht, apartment mural, Cycle, dominatrix girlfriend, sex in SF in the 1990s, unintentional harm, painting freights at night in Chicago, closing out bars, interaction with Chicago PD, etiquette with cops, backing away from a sketchy girl, exhilaration of release, picking up Semz and Nekst from jail, referrals from fellow graffiti writers, writing to T-Dee, meeting Kaws (1995), car stolen in Queens, The Limelight club, Leeway, Sume, flow among creatives in NYC, Alphabet City, squatters, Sidewalk Cafe, Z Bar, East Side Inc, 111 Minna Gallery, Move shows by Rich Jacobs, Chouinard, location flexibility, disinterest in public school, DODDS, 16 years old in Japan (1984), 6'6” white hair, sexual standards, 1982 World Cup trip to Spain, teenage drinking and topless beaches in Europe, Iron Maiden “Number of the Beast” Tour, engaging with a new culture, Japanese cartoons, food mascots, Naval Academy in Maryland, family roots in Annapolis, new wave/punk, MTV, Oceans Two record store, confrontational attitude to punks, trip to Ocean City, meeting skaters, acting out, sleeping on floors, Espo arriving in a limo, lack of compassion/discussion from parents, parenting, honest conversation with children, self discovery through trials, processing childhood trauma as an adult, pressure of life clouding clarity of mind, Let It Go meditation to help sleep, medication, blood disorder, masking vs fixing, chaos bringers, Old Souls, difference in how sons first responded, Shannon's past lives, realizations on road trips, people watching, investigating emotions, discovering new places, memory recollection, casing neighborhoods before writing graffiti, mind mapping, Web3, global anonymous community, Tunny and Joe, importance of meeting in-person, Art Basel, Buffmonster, Bobby Tribal, Nate Lyons and Kris Markovich, Jay Strickland, Duffs team manager, Shepard Fairey, mailing canvases to artist friends, making connections, pulling off life as an artist, the blessing of support and the impact of murals.

Going coastal, a newbie in New York City, killer cabbies, the amazing Kim's Video, a Blonde Redhead redhead, drunken sledding, neighborhoods and abbreviations, meet me on Stacy Keach Street, a short Christopher Nolan movie, check out Jim Knipfel, porno theaters make no sense, Jeffrey Epstein is dead and rotting in hell, a double Spader, Mark Valley is a stand up guy (did I ever tell you that Vincent D'Onofrio liked me in an acting class?), planning trips, some Broadway movies, some Broadway plays, the dearly departed Philip Seymour Hoffman, Hal Hartley rules, welcome to my candy store, a great Gatz, I've got the golden brick-et, the ghosts of the Hotel Chelsea, and a summation from Werner Herzog. Stuff mentioned: Green Acres (1965-1971), Pace Picante Sauce commercial (1988 https://www.youtube.com/watch?v=1S828Y7Eais), The Freshman (1990), Kim's Video (2023), Balthazar (80 Spring St, New York, NY 10012), Following (1998), Thurston Moore Sonic Life: A Memoir (2023), Sunshine Hotel (2001), New Museum (235 Bowery, New York, NY 10002), New Museum The Last Newspaper: Contemporary Art, Curating Histories, Alternative Models (October 6 2010–January 9 2011), Jim Knipfel Slackjaw (1999), Escape From New York (1981), Alphabet City (1984), Police Academy (1984), The Cruise (1998), Taxi Driver (1976), I, The Jury (1982), Manhattan (1979), The Blacklist (2013-2023), Boston Legal (2004-2008), Game of Thrones (2011-2019), Neue Galerie New York (1048 5th Ave, New York, NY 10028), Neue Galerie Richard Gerstl (June 2017-September 2017), Richard Gerstl Self-Portrait, Laughing (1907 https://www.neuegalerie.org/content/self-portrait-laughing), Café Sabarsky (1048 5th Ave, New York, NY 10028), Birdman or (The Unexpected Virtue of Ignorance) [2014], Rope (1948), Game 6 (2005), After Hours (1995), Late Night with Conan O'Brien "A Visit with Hunter S. Thompson" (June 11, 1997 https://www.youtube.com/watch?v=5zwLuFy-TrY), All About Eve (1950), Sam Shepard True West (Circle in the Square Theatre 2000), Before the Devil Knows You're Dead (2007), Eugene O'Neill Long Day's Journey Into Night (Plymouth Theatre 2003), Will Eno Thom Pain (based on nothing) [DR2 Theatre 2005], Fay Grim (2006), Henry Fool (1997), Heathers: The Musical (New World Stages 2014), Heathers (1989), Heathers: The Musical "Candy Store" (2014), Elevator Repair Service Gatz (REDCAT 2012), F. Scott Fitzgerald The Great Gatsby (1925), Samuel Beckett Waiting for Godot (1953), Maidstone (1970), Dear Evan Hansen (2017 Music Box Theatre), Pitch Perfect (2012), In & of Itself (2017 Daryl Roth Theatre), Little Shop of Horrors (1986), Hotel Chelsea (222 W 23rd St, New York, NY 10011), Arthur C. Clarke 2001: A Space Odyssey (1968), William S. Burroughs Naked Lunch (1959), Chelsea GIrls (1966), Andy Warhol grave webcam (https://www.earthcam.com/usa/pennsylvania/pittsburgh/warhol/), Sid and Nancy (1986), Sid Vicious "My Way" (1979), Chelsea Hotel (BBC Arena 1981 https://vimeo.com/84587129), Nico "Chelsea Girls" (1967), and Nico Chelsea Girl (1967).

Will is joined by Dan and Bradley from Movies From Hell to discuss Paul Morrissey's MIXED BLOOD (1984). It's the wonderfully nihilistic story of a drug war in New York's Alphabet City. IMDb: https://www.imdb.com/title/tt0089607/ Youtube Movie Link: https://www.youtube.com/watch?v=s_ClHU5RLkg Movies from Hell X Account: https://x.com/MFHPOD Bradley's X Account: https://x.com/bradleyjkornish Dan's X Account: https://x.com/danpullenbooks

Qool DJ Marv Live at Madeline's Martini in Alphabet City Manhattan - May 19 2024Special thanks to DJ Marc Smooth for the easy cool vibes experience of covering for him at his Friday night gig at Madeline's Martini in NYC's East Village.A mix of people a mix of the music.https://www.instagram.com/djmarcsmooth/https://www.madelinesmartini.com/ --- https://www.youtube.com/channel/UC5gQLsodBsCys1_3Zbm83vg https://podcasts.apple.com/gb/podcast/qool-dj-marv-aural-memoirs-and-buttamilk-archives/id269880758https://music.apple.com/us/artist/qool-dj-marv/1558418894https://www.instagram.com/qooldjmarv/https://qooldjmarv.bandcamp.com/album/sound-paths-v-1https://tidal.com/browse/artist/23883666https://www.mixcloud.com/qooldjmarv/https://open.spotify.com/artist/48vhJ2d1hVaFHf6gqXeTm0?si=fWO0N456QeWRMWLUtqe4Yghttps://twitter.com/qooldjmarvhttps://www.threads.net/@qooldjmarvhttps://www.facebook.com/MarvJColeman/https://soundcloud.com/qooldjmarvhttps://www.twitch.tv/qooldjmarvhttps://www.paypal.com/paypalme/QoolDJMarvMusic

It's the Friday news roundup, election edition! City Cast contributor Natalie Bencivenga joins host Megan Harris to talk about the winners and losers, what a few of those victories may tell us about what's coming in November, and why we should be paying attention to all those write-ins, even if we never get a full or complete accounting of everything they said. We always cite our sources: Allegheny County election results SpotlightPA has great info on the candidates for attorney general. More than 60,000 voters statewide chose the write-in option in the Democratic presidential primary, but we may not get a complete count of how many people voted “uncommitted” because of the way Philadelphia tallies write-ins. Learn more about our sponsors:  City of Asylum is hosting International Jazz Poetry Month from May 2 – 23 at Alphabet City.  The Pittsburgh Opera is presenting The Passion of Mary Cardwell Dawson, April 27 through May 5, at the Byham Theater. Become a member of City Cast Pittsburgh at membership.citycast.fm. Want more Pittsburgh news? Sign up for our daily morning Hey Pittsburgh newsletter. We're also on Instagram @CityCastPgh! Interested in advertising with City Cast? Find more info here.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Starting a new independent community grocery is tough business, but Manchester's own Lisa Freeman felt it was a calling. She's been farming a little lot on Juniata Street since 2014, and is almost to her goal of opening up shop in June. We're catching up on her vision for the neighborhood, plus getting a taste of what's new and delicious in the East End, on the South Side, and even along our dreaded McKnightmare.  We want to know: Where is your favorite ice cream shop in Pittsburgh? Why do you love it? Email us or leave a voicemail at 412-212-8893 with your name and neighborhood, and you might hear it on the podcast! Learn more about our sponsors:  City of Asylum is hosting International Jazz Poetry Month from May 2 – 23 at Alphabet City.  The Pittsburgh Opera is presenting The Passion of Mary Cardwell Dawson, April 27 through May 5, at the Byham Theater. Become a member of City Cast Pittsburgh at membership.citycast.fm. Want more Pittsburgh news? Sign up for our daily morning Hey Pittsburgh newsletter. We're also on Instagram @CityCastPgh! Interested in advertising with City Cast? Find more info here. Learn more about your ad choices. Visit megaphone.fm/adchoices

If you want to go camping, where should you start? We're back with Marcus Shoffner, founder of the Outdoor Inclusion Coalition, talking about favorite destinations in and around the city, his tips and tricks for a good experience, ways to borrow and learn how to use the right gear, and other low-stress ideas to get you started. Plus, an update on the overnight camping pilot he started in Riverview Park! Want to hear more about inclusivity in outdoor spaces? Check out our previous conversation with Marcus. Learn more about our sponsors:  City of Asylum is hosting International Jazz Poetry Month from May 2 – 23 at Alphabet City.  The Pittsburgh Opera is presenting The Passion of Mary Cardwell Dawson, April 27 through May 5, at the Byham Theater. Become a member of City Cast Pittsburgh at membership.citycast.fm. Want more Pittsburgh news?  Sign up for our daily morning Hey Pittsburgh newsletter. We're on Instagram @CityCastPgh. Text or leave us a voicemail at 412-212-8893. Interested in advertising with City Cast? Find more info here. Learn more about your ad choices. Visit megaphone.fm/adchoices

A proposed TikTok ban just cleared the House, and Pennsylvania lawmakers are considering their own statewide restrictions on the video app. We're wondering what a ban could mean for Governor Josh Shapiro, a “prolific poster” with a few viral TikToks under his belt. Producer Sophia Lo joins host Megan Harris to break down the latest legislation and scroll through the governor's posts. Plus, a professional TikToker analyzes Shapiro's account for us. Thanks to Chris Vazquez, audience engagement producer at The Marshall Project, for sharing his insights on Shapiro's social media. Plus, it's primary Election Day in Pennsylvania. The polls are open from 7 a.m. to 8 p.m. Check your polling place here, or listen to our voting guide on your way to vote! Here are a few of the stories we talked about in today's episode: Over the weekend, the House passed a bill that would ban TikTok if the parent company, ByteDance, doesn't sell the app.  Now that the bill has passed the House, here's what might happen next in the Senate – and how TikTok could respond. PA billionaire Jeff Yass has a connection to the national ban; he has a big stake in ByteDance.  Friend of the pod Stephen Caruso reported on why Pennsylvania's attempts to regulate social media haven't been successful. Watch with us! We reviewed Shapiro's lottery and Béyonce TikToks, and you can find more from the governor on his account. Learn more about our sponsors:  City of Asylum is hosting International Jazz Poetry Month from May 2 – 23 at Alphabet City.  The Pittsburgh Opera is presenting The Passion of Mary Cardwell Dawson, April 27 through May 5, at the Byham Theater. Become a member of City Cast Pittsburgh at membership.citycast.fm. Want more Pittsburgh news?  Sign up for our daily morning Hey Pittsburgh newsletter. We're on Instagram @CityCastPgh. Text or leave us a voicemail at 412-212-8893. Interested in advertising with City Cast? Find more info here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Allegheny County Executive Sara Innamorato just marked one hundred days in office – and released a massive, 91-point plan for the county in the coming years. She joins us to talk about her main priorities, from affordable housing to a green economy. We also discuss the school district's lawsuit against her office seeking a countywide property reassessment, and what she's watching for in tomorrow's primary election. You can read Innamorato's plan and the results of her countywide survey here. Learn more about our sponsors:  The Pittsburgh Opera is presenting The Passion of Mary Cardwell Dawson, April 27 through May 5, at the Byham Theater. City of Asylum is hosting International Jazz Poetry Month from May 2 through 23 at Alphabet City.  Become a member of City Cast Pittsburgh at membership.citycast.fm. Want more Pittsburgh news?  Sign up for our daily morning Hey Pittsburgh newsletter. We're on Instagram @CityCastPgh. Text or leave us a voicemail at 412-212-8893. Interested in advertising with City Cast? Find more info here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Please visit breakerwhiskey.com for more information or to send a message to Whiskey's radio. Breaker Whiskey is an Atypical Artists production created by Lauren Shippen. If you'd like to support the show, please visit patreon.com/breakerwhiskey. As a patron, you will also receive each week's episodes as one longer episode every Monday. ------ [TRANSCRIPT] [click, static] (laughing) Against every single fucking odd, Don is alive. He's alive and here and— [click, static] I can't believe it, the first place I decide to check—Richie's shitty fucking Alphabet City loft—and Don has left a fucking note. It's—well, it's just so Don. [click, static] (clearing her throat) “To whoever the fuck might be out there reading this—if you've found this, that means you knew Richie, and knew him well enough to go looking for him, which means you're either one of our crew or you've got a few screws loose and you were friends with Richie because of his personality. But, screws loose or not, if you're in this empty world then I guess I'd like to know you. You can come on over to—“ And then he wrote his address, which I am not going to read out loud “—or—“ and then the name of his favorite bar, which I'm also not going to tell you, “where I am most days.” (laughing) Classic Don. “And if you're Richie and you're reading this—where the hell have you been? P.S. You still owe me fifteen bucks for that Mets game—never bet against the Mets.” Maybe things aren't so bad. Maybe even if this whole crazy situation can't be fixed…maybe we'll still be okay. I'll see you soon, Don. [click, static] [beeps] .. - / -.-. .- -. / -... . / ..-. .. -..- . -..  it can be fixed

Join this channel to get access to perks:https://www.youtube.com/channel/UCu93zN6Q_ygmzRcIa8elTTw/joinMike Codella Youtube:https://www.youtube.com/@mikecodellaupagainstthewallBuy Mikes book Alphaville:https://www.amazon.com/Alphaville-York-1988-Welcome-Heroin/dp/1250001986Links to Rob's channels:www.youtube.com/@typicalskepticwww.spreaker.com/show/typical-skeptic-podcast_1www.rokfin.com/typicalskepticwww. Rumble.com/typicalskepticSocial Media:facebook.com/robert.kalil.7instagram.com/kalilroberttwitter.com/robertkalil1121TYPICAL SKEPTIC PODCAST LINKS:Robert kalil paranormal support experiencer session book:https://robertkalilcoaching.simplybook.me/v2/#booktypical skeptic podcast Merch Store:https://my-store-d53dc3.creator-spring.comTypical skeptic Podcast Tip Jar:Paypal.me/typicalskepticmediaCashapp Kalil1121 Venmo @Robert-Kalilor buy me a coffee at: Buymeacoffee.com/typicalskepticJoin the Patreon:patreon.com/typicalskeptic✅Im on typical skeptic telegram as wellhttps://t.me/+_exBOfNVb0dlNTY5✅join our discord group for free and stay in touch with what im up tohttps://discord.gg/W9QHxmmAffiliates:--Happy Hippo Kratom Use code skeptic for 15 percent off -- https://happyhippo.com/r?id=00tjf5--Natural Shilajit and Monoatomic Gold from Healthy Nutrition LLC.use code: ROBhttps://naturalshilajit.com/discount/ROB--https://mn-nice-ethnobotanicals.com/?ref=kz9qe0iv Use this Link and Code TypicalSkepticP at MN Nice Botanicals for 10 percent off for legal amanita Mushroom, Blue Lotus, Dream Herb and much much more. Excellent site

[TRANSCRIPT] [click, static] I've been…slowing down this week. Everything from the tornado in Kansas to Estes Park feels like a blur. It's getting dark earlier and earlier now and I don't much care for driving in the dark when I'm the only one on the road, so I've been taking longer to get from place to place… I'm planning on going to Vegas for my birthday because…well, why the fuck not, right? And I think there's a part of me that thinks if I just really drag out the process of getting there, I'll delay my birthday somehow.  My last birthday…we were in a good period, actually. Or, at least, an okay period. Things were…peaceful. The falls in general were always pretty peaceful. We still had the optimism of people who'd spent the summer in the sunshine, and we'd finish up our harvest, start stocking up for winter…there was ritual in it.  Harry baked me a cake. A carrot cake, because we always had a ton of carrots, but she didn't bother with frosting because, according to her, “carrot cake with anything other than cream cheese frosting is an abomination” and, well, obviously fresh cream cheese isn't exactly easy to come by. But despite that, it was nice. It was…it was delicious, actually, she's always been a very talented baker.  So we had dinner and cake and a bottle of wine that she'd stowed away early on—that was a surprise. Both that she'd had the foresight to stash it and that she brought it out for my birthday. When I asked her about it, she said… Well, actually, she didn't say anything. I've  spent a lot of time playing that night over and over in my head, playing lots of nights over and over in my head, imagining how the conversations could have gone, that sometimes I forget what really happened. And what really happened that night is that I asked her why she was wasting a special bottle of wine on me and she just said “well, it's not all for you”, and topped off both our glasses and that's not really an answer to the question at all, is it? I wish she'd said— [click, static] We didn't do presents, obviously. Not for birthdays or Christmas or anything. But we'd usually spend holidays playing some kind of game—chess or one of the few boardgames we had or whatever card game we could best remember. And that night, she suggested we play Clue, which was my favorite game and she never liked playing it much, so that…that felt like a weird sort of gift.  And for that whole night, it felt almost like the old days. Like we were in Richie's Alphabet City loft, like we were standing on the edge of something; of finally getting along, of finally understanding each other.  Turns out we weren't. Instead, that was just one of the last good days.  [click, static]

Mario Hyman, a seasoned and multifaceted artist, stands at the intersection of music, history, and filmmaking. At 63 years old, he brings a wealth of experience as a retired school counsellor, coupled with three decades of unwavering dedication to the world of music.As the driving force behind "Roundhouse/Hymanic Music Productions," Mario is not only a composer and musician but also a prolific creator who collaborates with fellow artists. His musical journey has taken him on a diverse path, where he crafts everything from soulful melodies to catchy jingles for companies and organizations.Mario's artistic endeavours extend beyond the realm of music. A passionate historian, he has delved into the annals of time to explore and understand the cultural tapestry that has shaped our world. Simultaneously, Mario has embraced the art of filmmaking, a craft that allows him to weave narratives and capture the essence of human experiences.One notable achievement in Mario's musical repertoire is the creation of "The Godfather of The Lower East Side," a single dedicated to the world-renowned artist and photographer Clayton Patterson. This musical masterpiece, inspired by an illustration piece curated by Julian Voloj, pays homage to the vibrant and iconic Lower East Side.Collaboration is at the heart of Mario's creative process, as evidenced by his work on "Monochrome World." Commissioned by filmmaker Rich Allen, Mario crafted a compelling song that encapsulates the essence of Allen's visual storytelling. The track is available on SoundCloud and YouTube, showcasing Mario's ability to integrate his musical prowess into different artistic mediums seamlessly.Beyond the realms of music and film, Mario is currently immersed in a captivating documentary project titled "Alphabet City." This film is a testament to Mario's deep connection with the Lower East Side, where he lived and worked during the tumultuous drug era of the 80s. Through interviews with survivors, he sheds light on the lives impacted by the challenges and triumphs of that era, providing a poignant and authentic glimpse into a pivotal chapter of New York City's history.Mario Hyman's journey is a testament to the transformative power of art and its ability to transcend boundaries. As he continues to create, document, and contribute to the cultural landscape, Mario remains a beacon of inspiration for artists and enthusiasts alike. Hosted on Acast. See acast.com/privacy for more information.

Tonight, we'll be talking a set of films that almost form a genre of their own.   These films were often, though not always, “respected” by critics and the general public at large, but all bore that dark, almost despairing claustrophobia and realistic feel of what I and others were living every day out on the streets locally, far from the dayglo nonsense of the 60's reruns or the sunnier Hollywood based fare of the day.   The streets were crowded, filthy, filled with the detritus of the post-hippie era – the junkies, the odd artsy types, the gangs, the whores.  The days where you were damn glad to see Curtis Sliwa's Guardian Angels on a subway…if you were crazy enough to use them at all. Everything covered in graffiti, buildings collapsing into tenements, crack houses, illicit hookup spots for rough trade cruising types.  Garbage in the streets, and decay in every sense of the word.   These are films that wallow in what in later years would be referred to as urban blight, but not so much “celebrating” as providing a window into all the palpable danger and decline of an impoverished post-blackout Manhattan in the days after the Watts and Newark riots, not long past Ford telling the mayor and city to go screw ourselves when asking for Federal relief.   These were the days of Studio 54, CBGBs and the original Saturday Night Live – but filled with menace. Hard drug use was rampant.  Muggings were so commonplace as to be a shrug of the shoulders.  Nobody in their right mind stepped into Central Park after sunset.  Washington Square was known for decades as Needle Park.  And the East Village?  Forget about Alphabet City, the Bronx or Brooklyn.   This was a special breed of film, that focused on crooked, flawed cops working outside a busted system…but not with the heroic vibe of Reaganite action heroes.  These guys paid for painting outside the lines.  The denouments were never triumphant, all victories were pyrrhic.  Vigilante justice and community action were about as fantastic as these films got, and as close to actual comeuppance as anyone got.   This is the story, in a way, of our childhood and early youth to young adulthood, as told in some very memorable films. So join us as we go dumpster diving in the back alleys of most dangerous of neighborhoods, only here on Weird Scenes! Week 111 (11/30/23): Take a Bite of the Rotten Apple - NYC cop/crime films of the 70s https://weirdscenes1.wordpress.com/ https://www.facebook.com/WeirdScenes1 https://twitter.com/WeirdScenes1 (@weirdscenes1) TheThirdEyeCinema @Threads https://thirdeyecinema.podbean.com/ https://itunes.apple.com/us/podcast/third-eye-cinema-weird-scenes-inside-the-goldmine-podcast/id553402044 https://(open.spotify.com)/show/4s8QkoE6PnAfh65C5on5ZS?nd=1 https://music.amazon.com/podcasts/09456286-8956-4b80-a158-f750f525f246/Third-Eye-Cinema-Weird-Scenes-Inside-the-Goldmine-podcast Take a Bite of the Rotten Apple - NYC cop/crime films of the 70s  

[TRANSCRIPT] [click, static] Harry was right. Santa Fe is gorgeous.  You know, being here, thinking about it being Harry's favorite, thinking about the fact that she could be here, right now, with me, and she's not… (sighs) It wasn't…it wasn't all bad. That's what I've been thinking about. Since I arrived, since going to the art museum, it's like I see her around every corner, and I imagine what she'd look like going through the galleries, or pointing out the unique architecture, or insisting we find ingredients to make one of her favorite Santa Fe meals, whatever that might be.  It's—it's made me—I've been remembering the good times, I guess is how you'd put it. There was this one time, before everything happened actually, before that last job, way before— Richie had this unbelievably shitty loft in Alphabet City. Barely any heat, exposed wires, groaning pipes, warped glass in the old windows, just the whole thing. He was the only one of us who lived on the East side—even me of the unpermanent address tended to stick West—but he was also the only one who owned his place. Well, and Pete. We were all pretty sure that Pete owned a whole fucking brownstone in Brooklyn, but we were never able to confirm it. He was pretty secretive about his personal life.  But, anyway, Richie would sometimes let me crash at his loft and he had us all over with some degree of regularity—the place was huge, so great for big parties. The crew wasn't big of course, but he'd invite all his weird beatnik friends and Harry would bring her art friends and Don would bring the guys he grew up with who'd always have some kind of Italian fruitcake with them and Pete and I would stand in the corner friendless and drinking heavily.  And one night, we'd all been there for hours and the crowd had dwindled and it was really just us and Don was doing his truly awful Perry Como impression and Harry and I were on the couch just…in stitches. And I think both of us were pretty sauced by that point, because once Don took mercy on all of us and stopped, someone had the brilliant idea of doing a game of charades. Harry and I were on the same team and we just…I don't know, it was fun. It was really fun. We kicked everyone's asses, it was…we were so in sync, it was strange. But Harry didn't make fun of me for my pedestrian choices of what to act out and she didn't pick anything that she knew I wouldn't get and it was like… “Oh. This is what it could be like if we were nice to each other. I didn't expect it to feel this wonderful” Anyway, then we sobered up and everyone went home and I passed out on Richie's couch and then I didn't see Harry again until our next job nearly two months later. And it was like that night had never happened. She was just as cold and condescending as ever. And I was just as snide as I always was.  But for that one night…I don't know, it felt good. It felt like how things were supposed to be.  With your mysterious job and all, I wonder if you had any friends in it. If you ever goofed around with them. Or if it was all serious, all the time.  It must have been, right? If it went as badly as you say, hurt people, it must have been serious right?  I mean, I dn't know why I'm even asking, I— [click, static] I still don't trust you, but not talking to you is worse.  [click, static] [beeps] .. - / ... - .. .-.. .-.. / -- .- - - . .-. ... It still matters

KISHI BASHI – Red, white & blueSUFJAN STEVENS – Will anybody ever love meTHE NATIONAL – Alphabet CityANIMAL COLLECTIVE – Gem & IWILCO – EvictedBIG THIEF– Borno for loving youMELENAS – K2EL COLUMPIO ASESINO  – A la espalda del mar (con Amaral)TUYA –  Ball under the carSIDONIE –No salgo másMIKEL ERENTXUN  – Flores y caféGRIAN CHATTEN -FirefliesFONTAINES DC- In ar gcroíthe go deo (Orbital Remix)DISCLOSURE - Go the distanceOVERMONO - Blow out (hoy, con Gustavo Iglesias tomando el puesto de Virginia Díaz)Escuchar audio

Johnny is in trouble. One of his crack houses just got raided and his boss, Geno, doesn't trust him. Johnny decides to get out of town but not before Geno suspects his plan.

Before 1955 nobody used the phrase "East Village" to describe the historic northern portion of the Lower East Side, the New York tenement district with a rich German and Eastern European heritage.But when the Third Avenue El was torn down that year, those who were attracted to the culture of Greenwich Village -- with its coffeehouses, poets and jazz music -- began flocking to the east side, attracted to low rents.Soon the newly named East Village culturally became an extension of the Village with new bookstores, cafes, experimental theaters, and nightclubs. By the mid-1960s the hepcats were replaced by hippies, flamboyant and politically active, influenced by the events of the 1960s and a slightly different buffet of drugs.At the same time, the neighborhood's Ukrainian population grew as well after the United States provided visas to thousands of refugees from Europe displaced by World War II. By the 1960s Puerto Ricans also lived in the eastern end of the district, sometimes called Alphabet City (and eventually Loisaida).In this first of a two-part series on the history of the East Village, Greg is joined Jason Birchard from Veselka Restaurant, who shares his family's story, and by theater historian David Loewy to discuss the influence of Joe Papp and The Public Theater, a stage whose first production would capture the very counter-culture dominating the streets around it.Visit the website for images and more informationFurther listening:Nuyorican: The Great Puerto Rican MigrationSt. Mark's Place: Party Time In The East VillageThe Secrets of St. Mark's Church-in-the-Bowery     

On April 12th, 1903, Mrs. Frances Connors spotted a overcoat draped over a barrel at the corner of 11th Street and Avenue D in Manhattan's Alphabet City. The coat looked new, and it wasn't wet, even though it had been raining all night. "Who gets rid of a perfectly good overcoat?" Mrs. Connors wondered, and, "What's in that barrel?" Curiosity got the better of her, she sidled over to the barrel, lifted the coat, and SCREAMED...Call 888-MURDERY, that's 888-687-3379 to share your story of living with a disability, or, your real-life Kinda Murdery story, and YOU could inspire an episode of the show!Sources: The Ananconda Standard, "The Baffling Mystery of the Barrel Murder," by William J. Flynn, Sunday, April 19th, 1914. Accessed via Newspapers.comThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5496890/advertisement

Episode 432 - Zach Mack, Alphabet City Beer Co. Happy Monday, Thieves! We're talking to our friend Zach Mack of Alphabet City Beer Co. today. We've been fans of ABC for ages - we actually recorded an early episode of the podcast there with Jason Perkins of Allagash way back in the day — so it was a pleasure to have Zach on to talk about the history of the bar and how beer has changed in the 11+ years he's been open in the East Village. Fun, nostalgic talk with some tomato sandwich and mayonnaise opinions tossed in, to boot. Tune in and let us know what you think!***As always, you can email your questions, complaints, whimpers, or whines to us at stealthisbeerpodcast@gmail.com. We read everything we get and we'll try to respond as quickly as we can. If not online, then on air. And THANKS! You can subscribe to STB on iTunes and PLEASE LEAVE US A REVIEW!!! Co-hosts: Augie Carton & John Holl Producer: Justin Kennedy Engineer: Brian Casse Music: "Abstract Concepts - What Up in the Streets" by Black Ant.

John Joseph is the definition of never giving up. John grew up in some of the most abusive environments a human can withstand. John nearly lost his human form on more than one occasion. John slung dope and shot dope. He was an addict and a criminal. Then finding himself begging for a way to stay above. John found service to be his path.    Welcome to episode two hundred twelve of Above Ground Podcast. This week we are joined by John Joseph. John is a vegan triathlete, author, and  singer in his namesake band,  Bloodclot (Upstate Records). John wrote the help yourself classic, The PMA Effect; how a positive mental attitude can make you the badass you were born to be. This week we discuss substance abuse, real life on the streets and just who you need to become for a life of survival of the fittest. This is dedicated to the memories of Kevin McQuaid and Frank McGowan.    From John's earliest days the deck was stacked against him. Having gone from an abusive home where his prize fighter dad would use his mom for a punching bag. Then through the horrendous foster system where  his childhood was nearly erased from existence. Rather taking his chances, John, eventually ran away and claimed Alphabet City as his playground and training ground.     John found a spiritual path out of the pain and torment he was in. Finding the teachings of His Divine Grace A.C. Bhaktivedanta Swami Prabhupada.  John learned that freedom comes in the form of service.  Begging for help on the steps of the Krishna Temple, was the opening of the light.    John Joseph says knowledge without application is useless. Don't just read his books. Use them. Use them to find your own path. Knowledge can take us from hell to heaven in a minute.  Get a camp together and don't be surprised by the ones who leave. Be surprised by the ones who stay. Stay humble and more tolerant than a tree and don't let your ego get in the way of your life.    John is currently the singer for Upstate Records recording artist Bloodclot. Thank you to Mario Cangemi for connecting us with John.  Check out John at these links:   https://www.upstaterecordsny.com https://www.johnjosephdiscipline.com https://prabhupadabooks.com  

Director Amos Poe and writer Luc Sante

A story about the time that Phil Banks said stop-and-frisk wasn't a thing, plus a post-credits mini-concert from Jon Langford of the Mekons, performing last week in Alphabet City.

In 1996, the Belfast DJ and producer David Holmes travelled to New York to make a record. While hanging out in the Lower East Side and Alphabet City, Holmes and some pals, armed with a DAT recorder, dropped some acid and wandered around the city recording people for his upcoming LP.A year later, that album, a classic record - 1997's Let's Get Killed was released, which imbued a cinematic world-building dance record with audio of the characters Holmes met on the New York streets with samples of 7" records gifted to him by Terri Hooley, of Good Vibrations record shop in his hometown in Northern Ireland.Holmes would go on to make the cinematic sing as a composer for soundtracks for Steven Soderbergh that includes Out of Sight, the Ocean's Trilogy of films, alongside soundtracks for TV shows The Fall and Killing Eve. Holmes has never stopped DJing or creating, whether it's the four albums he's made with Unloved or producing a Noel Gallagher album.This podcast is the story of how Let's Get Killed bridges New York and Belfast in David Holmes' own words, in conversation with Nialler9, along with some chat about the art and organisation of DJing and news of an upcoming dance-focused David Holmes album.This conversation takes place ahead of the INY x Guinness Storehouse event on Sunday March 19th where David Holmes will be doing a public conversation with John Kelly about the record, and DJing alongside his old pal Billy Scurry.We've some tickets to the sold out event on Insta.Listen on Apple | Android | ACAST | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed* Support Nialler9 on Patreon and join our Discord communityShow notesSongs played on the Nialler9 Podcast Spotify PlaylistSubscribe to the podcast and please leave a review on iTunes, tell your friends or commit to supporting us directly. Support us on Patreon. Hosted on Acast. See acast.com/privacy for more information.

Alphabet City Beer Co. owner Zach Mack usually hosts So You Want to Run a Restaurant, but not this week! Producer Matt Lynch joins host Claudia Saric to interview Zach about the lessons he's learned in the hospitality industry and how he applied them when opening his second concept, Taco Vista.

This week's guest is the owner of Alphabet City Beer, Zachary Mack.ABC Beer Company is a beer bar and store located in the lower east side of Manhattan. We talk about how he built the business in 2012, the evolution of the beer industry over the last decade, and how he will help anyone, and I mean ANYONE, find the right beer. 

The dynamic nature of actor Josh Pais's approach toward constructing performance; harnessing creativity; and retaining the spontaneity associated with each moment on-screen is part of his signature. With over 100 roles to his credit, the Lower East Side native grew up in a culturally vibrant, evolving environment which led him to cultivate his own unique sense of identity as one of the finest performers in the film and television industry. His remarkable filmography includes memorable performances in Safe Men, in which he acted among contemporaries like Sam Rockwell, Steve Zahn and Peter Dinklage; The Station Agent, penned and directed by one of his best friends, Tom McCarthy; the brilliant Lynn Shelton's emotional masterpiece, Touchy Feely; Nicole Holofcener's classically independent, Please Give, with Catherine Keener; and Charlie Kaufman's directorial opus, Synecdoche, NY, acting opposite Phillip Seymour Hoffman. Along the way came multiyear arcs in television shows like Ray Donovan, alongside Liev Schreiber; and memorable scenes with Joaquin Phoenix in the seminal Joker (Todd Phillips; Scott Silver). You can immerse yourself into the techniques he has developed and experienced throughout his prolific career by visiting Committed Impulse (committedimpulse.com), and find him on his Instagram (@JoshPais). In our conversation, we discussed his documentary, 7th Street, describing the state of culture which governed his Alphabet City upbringing; collaborating with some of the best directors on the planet; and acting on projects which gave meaning to the landscape of film. His latest projects include Nicole Holofcener's You Hurt My Feelings (David Cross; Amber Tamblyn; Julia Louis-Dreyfus) and David E. Kelley's upcoming mini series, A Man in Full, with Regina King directing (Jeff Daniels; Bill Camp).Opening Credits: Bureaucrat & The Conspirators - Yankees; The Rope River Blues Band - Wrist Lit; Closing Credits: POVALISHIN DIVISION - Сестра

Pamela Strobel (c. 1920- c. 1998) was a woman whose little restaurant in her Alphabet City apartment drew New York's culinary elite to her doorstep. Much of her story remains a mystery, but her soul food recipes and no-nonsense attitude towards cooking have become the stuff of legend.Food has been a unifier for millennia, not just gathering people together to share a meal, but acting as a warm introduction to new histories and traditions. This February on Womanica, we're celebrating Tastemakers - the Black chefs, cooks, and food historians who created new foodways and preserved important culinary stories of the past. The impact of chefs like Pig Foot Mary, Mama Dip, and Georgia Gilmore stretch far beyond the culinary scene - uplifting their local communities and inspiring those who came after them. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should.Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more.  Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Ale Tejeda, Sara Schleede, Abbey Delk, and Alex Jhamb Burns. Special thanks to Shira Atkins. Original theme music composed by Miles Moran.Follow Wonder Media Network:WebsiteInstagramTwitter

The Fuzztones were born in the summer of 1980, in the bowels of New York City's Lower East Side. "Alphabet City" to be exact. Rudi Protrudi and Deb O'Nair had moved there from Harrisburg, Pennsylvania, five years earlier, with their band Tina Peel . Das Fürlines from New York City, USA were an influential, all-female "punk-polka" band in the mid-1980s, renowned for their rousing performances. Contents 1History 2Members 3Albums 4References 5Further reading 6External links History[edit] Das Fürlines appeared on the US TV shows Entertainment Tonight and Andy Warhol's 15 Minutes in 1985, and released their debut album Das Fürlines Go Hog Wild on their own label, Palooka Records. Their next album, Lost in the Translation (1986), was a lot more contextual than Go Hog Wild. In 1988, they released a concept album, The Angry Years, which was inspired by the self-help book Women Who Love Too Much. They split up acrimoniously in 1988 after a spate of betrayal and infighting during a tour. They released the four-CD compilation Bratwurst, Bierhalls, and Bustiers: The Box Set, which contained various outtakes, B-sides, and rarities. They reformed in 1996 to perform a few benefit concerts to raise money for lead singer Wendy Wild's medical bills. She died of cancer in 1996. Members[edit] ·      Wendy Wild – vocals, banjo, guitar (b. Wendy Andreiev, August 31, 1956, USA, d. October 26, 1996, New York) ·      Holly Hemlock – guitar, vocals ·      Deb O'Nair – keyboards, vocals, accordion ·      Liz Luv – bass guitar ·      Rachel Schnitzel – drums,       I'll be honest. Deb O'Nair was a famous musician living the life in NYC headlining all the clubs, Mudd Club, while I was going to an office everyday.   It was an honor when Deb reached out to me to express interest in discussing the trauma she's dealing with around having been abandoned at birth until she was adopted at 5 months old by her parents. Deb contacted her birth mother about 20 years ago and learned more about her early life after her mother died in 2020. In this session we get some sense of Deb life growing up in a strict catholic home and breaking out, moving to NYC and getting involved in the music business and touring with bands as a young person very much on her own.

This week Mitchell and Slim discuss their growing watchlists including Avatar: The Way of Water, Bardo and Nanny. Slim also talks about doing a weekly watchlist cleanse. After a quick look back at recent releases and community reviews, they shuffle their watchlists and discuss exploding intestines and grimy New York City. Weekend Watchlist – Updated Weekly list > movies mentioned in this episode. Letterboxd reviews and links mentioned: Transcripts of podcast episodes available Slim & Katie Walsh's Avatar: The Way of Water review Ana V's Bardo review Robert Daniels's Nanny review JoeJazzy's Guillermo Del Torro's Pinocchio review Gemma's Puss in Boots: The Last Wish review Justin LaLiberty & Chuck Forsman's Alphabet City review Rob's Eye's Wide Shut review Kayla's The Shop Around the Corner review DamRoberts744's March the Shell with Shoes On Jack's Top 50 of 2022 list Credits: This episode was recorded in Philadelphia and Delaware, and edited by Slim. Facts by Jack. Transcript by Sophie Shin. Theme: ‘IZON' by Trent Walton.

Jennifer Lieberman comes by her writing and creativity honestly. She has been writing, organizing, and working toward a career in theater writing ever since she was a student in school. She has written her own one-person play as well as a book entitled “Year of the What” based on the play.   As Jennifer tells us about her life, she discusses living in New York City during the terrorist attacks on September 11, 2001. She will discuss how her life changed after that day.   Jennifer clearly is a person who set goals for herself and then worked to achieve them. She is absolutely unstoppable. I think you will enjoy this interview and the creative personality of this wonderful person.   About the Guest: After years of pounding the pavement and knocking on doors with no success of breaking into the entertainment industry, Jennifer decided to take matters into her own hands and created the solo-show Year of the Slut. This show proved to be her break and the play went on to win the Audience Choice Award in New York City and is now the #1 Amazon Best Selling novel Year of the What? and was awarded the Gold Medal at the Global Book Awards 2022 for Coming of Age Books. Since deciding to make her own break Lieberman has appeared in over 30 international stage productions, has produced over 40 independent film and theatre productions and has helped over 100 creatives make their own break through her coaching and consulting work. She has penned a number of stage and screen plays and her short films have screened at the Festival de Cannes Court Métrage among other international festivals. She is currently gearing up to direct her first feature film.   Social Media Links: Twitter: https://twitter.com/iamjenlieberman Instagram: https://www.instagram.com/iamjenlieberman/ Facebook: https://www.facebook.com/iamjenlieberman Linkedin: https://www.linkedin.com/in/jennifer-lieberman-33b20426/       About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can also subscribe in your favorite podcast app.   Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.     Transcription Notes Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i  capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson  01:21 Hi, again, it's Michael Hingson, and you are listening to unstoppable mindset, the podcast where inclusion diversity in the unexpected me. And today, Jennifer Lieberman, our guest I think certainly has lots of unexpected things that she's going to tell us about. If you don't know, Jennifer, and you may or may not know who she is, I will just tell you that you want to talk about unexpected. She wrote her own one person play called The year of the slug, and we're gonna get into that I am sure, along with a lot of other things. So Jennifer, welcome to unstoppable mindset. How are you?   Jennifer Lieberman  02:00 I'm fabulous. Michael, thank you so much for having me. I'm so excited to chat with you today.   Michael Hingson  02:07 Well, we're really excited that you're here. And I know you do have lots of stories and you faced a lot of challenges. And it will be good to go through some of those. Why don't we start new sort of telling me a little bit about your early life and how you kind of progressed a little bit?   Jennifer Lieberman  02:21 Sure. So I started off as the competitive gymnast. And I was in competition. By the time I was five, and was training almost every day after school. By the time I was eight years old. I kind of had a natural aptitude for the sport. And that was my main focus for a really long time. And then I ended up coaching, I founded a high school team. And I think it's relevant because from a very early age, I had to have like a certain amount of discipline. And that discipline has really helped me with longevity in the creative world where it's It's a thankless business a lot of the time.   Michael Hingson  03:11 So where are you from originally?   Jennifer Lieberman  03:13 Oh, yes, I'm from. I was born in Toronto raised in Maple, Canada, just outside of Toronto. I went to York University in Toronto, I studied philosophy and English Lit. And when I graduated, I moved to New York City to pursue a career in theatre. I started writing at a young age, I was about eight years old when I started writing scripts. Originally, it started off as fan fiction for shows that I wanted to be on as a child. And then by the time I was 12, I my imagination evolved enough to create my own plots and characters and storylines that weren't borrowing from worlds that were previously created by other writers. So it was always something in me. But like I said, gymnastics was the main focus, you know, until halfway through high school when I had a career ending knee injury. But like, I still love the sport and love being in the gym. So coaching kind of allowed me to stay in the world that I was used to. And then in university is when I started taking acting classes, and I just kind of never looked back like I am in love with the creative process, whether it's writing performance, filmmaking, and I've developed a lot of skills over the years in order to stay working and stay in the game. Because especially as an actor, you don't have a lot of agency or control over when you get picked And what you get picked for.   Michael Hingson  05:02 So for you, philosophy ended up sort of being a means to an end, as opposed to being a career that you are going to go into in some way. Well,   Jennifer Lieberman  05:11 actually, I studied philosophy, it's interesting that you bring it up, but the Greeks are who invented theatre. That's where a theater was born in these Greek Dionysian festivals, and, you know, East Escalus. Like all of these writers wrote, theatrically, and that's kind of, you know, philosophy played on these stories, or at least in the earlier days, so it always felt connected to me. Philosophy, Greek philosophy, mythology, it was all kind of wrapped up in some sort of performance.   Michael Hingson  05:53 But you went through and got a degree in philosophy, and then you move to New York, is that because you wanted to go into Broadway? Oh, yeah. And   Jennifer Lieberman  06:01 also, like, my parents didn't consider a degree in theater a degree, you know. And I knew, I also knew that I was a writer. And then I wanted to tackle, you know, topics that were, you know, that would challenge people. And that would make people think and different points of view. So I thought, for the writing side of it, because it was never just to be an actor, it was always an actor who wrote projects. So the philosophy and the English Lit just seemed like a great jumping off point in order to develop my skills, grappling different difficult subject matters and structure and theatrical writing and all of that stuff.   Michael Hingson  06:49 Well, so you move to New York. And I guess something that none of us would know. Listening to you and talking with you here is your half African did that have a an impact on you and being able to break into this industry? Or?   Jennifer Lieberman  07:07 No, not at all, because I look, I look like a white girl, I'm my dad's side is Polish. My mother is tunisienne from Tunis. 10 is yeah, she immigrated to Canada with her parents and siblings, and she was the young girl. So so nobody has any inkling of my African roots, unless I actually mentioned it. So, um, so yeah, that's kind of something that's very unexpected, and people don't really place me in that category. Even though I really identify with my 10 ASEAN, heritage and culture, especially traditions, you know, family traditions, things like that my was very close to both of my 10 ASEAN grandparents, I they grew up five houses away from where I grew up, so I saw them almost every day. And that is just ingrained in who I am.   Michael Hingson  08:12 So does that make you essentially a bi racial person?   Jennifer Lieberman  08:16 Um, you know, it's funny, cuz my sense, it's, my family is North African. And like I said, like, my grandfather had dark skin, but my grandmother had light skin. I don't even know if I would be considered biracial. Because once again, like, by looking at me, you couldn't really tell I don't appear to be bipoc. So it's not something that really comes up. Actually. I don't even know what people would consider me to be honest.   Michael Hingson  08:49 A writer and an actress. Yes, so so it really didn't have much of an impact, which is, which is cool. Well, it shouldn't anyway, but it seemed relevant to ask the question. You know, so you, you move to New York. Tell us about that. Where did you go? What did you do in New York? And and what's your favorite bagel place? You know, all the important things?   Jennifer Lieberman  09:17 Yes. Um, so I basically after my last exam, I didn't even wait around for graduation. I wasn't there. On the day, they gave out diplomas because I really didn't care about a diploma. I felt like that was more an obligation I had to fulfill for my parents sake, and then I could start my life. So I showed up in New York and like I say, with a duffel bag and a dream and I was just like, I'm here and stumbled my way. I had rented an apartment sight unseen, which was not a great apartment and last in there very long. And I'm Just basically there was a newspaper back then called Backstage, it used to be a physical newspaper, now you can get an online subscription. And I just started looking in the newspaper that was specifically for the acting world and started circling different auditions I could show up at or submit to. And that's how it all began. And I was fortunate enough to get in with a couple of different theatre companies. And I was able to work with the same people. consistently over time, there were three different companies that I was working with consistently. So that helped me grow and develop as an artist. And one of the companies I ended up becoming a producer at 22. So I learned every aspect, from carpentry using power tools to help get the sets made to running the lighting and sound stage management, costuming, anything that was needed. You just kind of when you're an off off Broadway company without any real funding. You just scraped together whatever you can to make it happen. But also, pardon? Go ahead. Oh, but also those lessons have been invaluable for where I am now. Because, you know, not having the perfect sort of circumstances, or the amount of money we wish we had has never deterred me from making something happen.   Michael Hingson  11:37 So you wore many hats. And you obviously learned a lot as you went along. What was kind of the biggest challenge that you had back in those early days?   Jennifer Lieberman  11:47 Oh, well, I grew up in a really small town. My neighbors were trees. So getting used to the fast paced kind of hustle and bustle of New York City. It was a huge culture shock for me, I grew up in the middle of nowhere, and then move to the center of the world, with everything happening. And just as I was starting to get my footing in New York, 911 happened. And   Michael Hingson  12:18 where were you at the time,   Jennifer Lieberman  12:21 I was on my way to work. I was walking towards the subway at Astor Place, I was living in Alphabet City, and witnessed the first plane, fly into the World Trade Center and thought it was a fluke accident and got on the subway and continued with my day.   Michael Hingson  12:49 So for people who don't know where is Alphabet City, and what is   Jennifer Lieberman  12:52 Oh, yes, so Alphabet City is like the East most part of the East Village. So I was at Avenue D and 10th street. That's where I was living. I didn't last very long in that apartment. I moved in there. And on September 1, and I think by the 15th of September, I had packed everything up and went back to Canada for a while because I couldn't handle the reality of what happened. And I needed to go home. As   Michael Hingson  13:31 I went, he didn't last long either. You just   Jennifer Lieberman  13:35 got damnit, I'm going back to New York.   Michael Hingson  13:38 So you, you said you argued with people, as you were going on the subway and so on. Tell us about that if you want.   Jennifer Lieberman  13:46 I argued with people who were saying it was a terrorist attack. Because at that age, you know, the level of innocence being raised very sheltered in a small town in Canada. I was just like, This doesn't happen, like we're living in, you know, 2001 like, What do you mean? No, this is impossible that somebody hijacked a plane and flew it into a building in the United States. Like it's impossible. I just thought it was a freak accident and continued to work. And you know, there were arguments on the subway because some people saw it as we were all getting on the subway together. But then there were other people who had been on the subway for a while and are hearing it for the first time. So there was a panic. And then I got to two I was working at 34th and Park at a real estate company. That was my side hustle at the time. And I told my boss what happened. And he got really angry with me. And he said that it's not funny, like we don't joke about these things. And I was like, I'm not joke like, who wouldn't joke about these things? Like, turn on the radio. And he did. And that's when we heard about the second plane. And I just remember, like my soul leaving my body at the realization that it couldn't be an accident if there were two that happened in that short amount of time. Like, it was just literally, I felt my innocence Leave me. And yeah, I became a different person that day.   Michael Hingson  15:32 I think a lot of us did. One of my employees was on the PATH train paths stands for Port Authority, trans Hudson, it goes under the river. But he was on the PATH train coming in from Hoboken. They just pulled into the path station under tower Well, under the central part of the World Trade Center. Yep. At the fourth sub level when the second plane hit. And he told me later, the train just started shaking and so on in the pilot, the pilot, the conductor, and the engineer just said, don't leave the train. And they just literally turned around and went back. Right, in Hoboken, because I think they may have known that something was going on. But they didn't know, of course, about the second plane, because it was happening in real time. But nevertheless, they just turned around, went back to New Jersey. Yeah. Yeah, it was just Well, and, of course, who would have thought, right? Exactly. It's one of those things that it's really hard to imagine. And I can understand your reaction. And it did change all of us who were there. And as I've said to many people, and my wife has really pointed this out the problem for most people, certainly the people outside of the immediate area where this occurred that is outside New York City and so on, or further away, who just couldn't see what was happening. Your view, not yours, because you were there. But the view of people was only as large as your TV screen or your newspaper. And you couldn't have the same impact in your mind as all of us who were there at the time did. So you went back to Canada for a couple of months. And that's sort of understandable. You had a place to escape to as it were.   Jennifer Lieberman  17:33 Yeah. First I went to the Poconos. So I had a good friend Heather. She was initially my roommate. And then we, you know, we both ended up living in Alphabet City, actually. But she moved in with a boyfriend. And you know, no cell phones were working. As you know, all the cell towers were down because they were in the Trade Center. So we couldn't get I couldn't call my parents. I couldn't call anyone in Canada. But Heather and I somehow found each other on the street. And I guess it took two or three days for her dad to be able to drive to the city and get us because the city was closed. They weren't letting any vehicles in or out of the city. And I ended up going her dad picked us up. It was her boyfriend at the time. She and myself. And we went to their house in the Poconos for a few days. And then I got back to the city. And I don't know if planes were back up in the air yet, but I took the train home to Toronto, it was like a 12 hour train ride. And I just like packed up everything I had and just hopped on the train. Because I also felt like my dreams were so trite and insignificant compared to the weight of what happened. And I felt silly. I felt you know that everything that was so important to me the day before, was completely superfluous after that incident.   Michael Hingson  19:12 Yeah, what could you do? And it it makes perfect sense that you just left. You're fortunate to be able to do that. Some cell phones were working that day because I was able to call my wife in New Jersey. She couldn't call me. But I could call her interesting. And we were able to, to communicate learned later that day that the trains had started running from Penn Station in New York to Penn Station in Newark. So I was able to get a train later that evening, back to Newark, and then catch the train going from Newark out to Westfield, where we lived. So we got home at about seven that night. It was interesting being on the train, going from New York to New Jersey, people came up to me and said, You're really dirty. Were you downtown? And I said, Yeah, I was in Tower One. And it was interesting while we were going to the train station, from the apartment of a friend of my colleague, David's who I was with, although it wasn't the same as typical, still cars were moving, there was traffic. And it seemed like even only being a few miles away, it was already so significantly different than what we were experiencing downtown.   Jennifer Lieberman  20:40 Oh, yeah, the whole world stopped. If you were on the island of Manhattan, the whole world stopped, you know, and I ended up in New Jersey as well, actually. Because I was beneath 14th street and they didn't really want anybody coming back home if you were below 14th street because they didn't know. Like we talked about before we started recording, you know, gas leaks, fires under the city, things like that the fires could travel through the subway lines, you know, through the tunnels and stuff. So I ended up in New Jersey at a colleague's place for I guess, the first couple of nights. And yeah, it was it's It's surreal. It was just, that's the only word. You know, I can think   Michael Hingson  21:30 of was just how did you get to New Jersey?   Jennifer Lieberman  21:32 I believe I took a train from Penn Station.   Michael Hingson  21:35 Okay, so you were able to catch a train too, which was cool.   Jennifer Lieberman  21:39 Yeah, I was able to catch a train. Yeah, it was. I can't even   Michael Hingson  21:45 Well, let's, let's go back to you. So you moved back to Canada for a little while. Yeah.   Jennifer Lieberman  21:50 Canada. And you know, that didn't last? No, it didn't last because, you know, after I got over the initial shock of what actually happened. I was like, Yeah, you know, my dreams are important to me. And art is just as important as ever, especially during a crisis, having writers and having theater and having stories and people who are able to tell stories in compelling ways. And I basically did a, I did a one ad. And when all I went right back to what I was doing before, with an even stronger conviction than I had previously.   Michael Hingson  22:37 So what happened?   Jennifer Lieberman  22:40 So I continued with the theatre company that I was with, and I got into, like I said, couple other theatre companies I was performing off off Broadway pretty regularly. I was with a mime company called the American mime theatre, and trained and performed as a mime for a few years. And this company was quite special. It was funded by the National Endowment for the Arts. And it was its own medium. It wasn't a copy of French pantomime. It was its own discipline. And that was actually coming. You know what, when we got to the one woman shows, but doing the mind training was the best foundation I could have asked for moving forward and doing one person shows where I was playing multiple characters and had to snap in and out of them very quickly. And being able to just snap into a physicality that made it very clear to the audience that I was somebody new, or somebody different as to the character who was previous. So yeah, I ended up producing a bunch of shows off Broadway got into film production. I was in New York for about six years and, and just try to learn as much as I could and craft as much as I could. I started working with a director named Jim craft offered rest in peace he passed a couple years ago during the pandemic, not from COVID. But he was a phenomenal writer and director he studied under Ilya Khazanah at the actor studio, and his play to patch it was a real tipping point in my artistic career. I had to play a mentally challenged girl who was raped and murdered. And once I was able to get through that, I realized like yeah, I really prove to myself like okay, this is where I belong. You know, I have the I have the chops. I have the stamina, I have the drive and you You know, that was like a big milestone, also, in terms of it was the most challenging role that I had ever come across. And I really had to rise to the occasion. And a lot of times in creative work, like until you were given the opportunity to rise to the occasion, you don't know what you're made of. So that was a huge milestone for me. And then, while I was working after I was working on capatch it, my grandma got sick, and I ended up back in Toronto for about a year and a half to help my mom, and my grandma got better and which was great. And then I decided to give la a try. One of the films that I had produced in New York was in a festival in LA and I went to the festival, the film won a couple of awards. And I was like, Okay, I'm gonna give Hollywood a shot now. And that's, that's what happened next.   Michael Hingson  26:01 Well, typically, people always want to get noticed and seen and so on. So what kind of was really your big break? And in terms of whether it be Broadway or wherever? And why do you consider it a big break?   Jennifer Lieberman  26:16 Okay, um, so I, when I was in LA, I had been there for about a year and this is where Europe the sled came into play. A friend suggested that I create a vehicle for myself that, you know, everybody comes from all over the world, to have their, you know, hat in the ring and give it a try to be a star in Hollywood. And very, very, very few people make it. And you have to kind of come up with a way to get noticed. So a friend of mine suggested, do a one woman show, showcase your writing, showcase your acting ability, and you can invite agents, you can invite directors, you can invite people that can hire you people that can represent you, and that will be a good vehicle. So I did what she said. And nobody from the industry really showed up, I kind of compare it to the movie lala land with Emma Stone where she does this one woman show and there's like one person in the audience, I had more than one person, because I had supportive friends from acting class and my mom came from Canada. But in terms of industry, nobody, nobody who could represent me or hired me show up showed up. However, I had so much fun creating the characters working on the show, and taking so this was like the next plateau in my career to patch it, where I played the mentally challenged girl was like the first kind of plateau of being like, okay, you know, you really have to rise to the occasion, doing an hour and a half on stage by yourself playing 10 characters was a whole different level of rising to the occasion. And I did it successfully expecting to fail. And not only that, so much of my time in LA up until that point, had been trying to get in the door, trying to get the job trying to get the audition. And none of that was actually doing what I went there to do, which was being creative, and performing. So I realized, like, okay, of course, I'm still going to submit to auditions. And I'm still going to try and get an agent and all of that. But in the meantime, I have the agency and the ability to create this piece and develop it and keep going with it. And I did and I did a few different workshops in LA and then I got invited to be in a festival in New York, I won the Audience Choice Award at the festival and then Doom like that was the next kind of plateau because now not only could I did I prove to myself, I could do a one woman show, but I proved that it could be recognized and successful. And that led to another one woman show in Australia. And then when I got back from Australia, because at this point in time, I had been a producer for hire for many, many years I had been producing since I was 22. And I had produced well over a dozen film and theatre projects at this point. And I was like huh, I I can help other actors who are frustrated spinning their wheels achieve what I achieved. And that's when I founded my company make your own break. So you know, nobody ever gave me a big break. I'd like them to if anyone has a big break waiting, I'll take it. But, um, but also realizing that I could do this for myself and I can do this for other actors and writers on a small scale was really exciting to me, because I love the creative process. And I love working with actors, and I love working with writers and storytelling, and I love helping I call it I love helping people dig for the gold that's inside of them, because everybody has a treasure buried inside. But a lot of times we're we're not put in situations that push ourselves to actually dig for it. Especially when we're in situations where other people are giving us opportunities, as opposed to us having to really dig down inside and figure out how do I create this opportunity for myself?   Michael Hingson  30:53 Well, and it's also true that oftentimes, we don't necessarily recognize the opportunities are right there for the taking.   Jennifer Lieberman  31:02 Exactly, exactly. And then so creating the one woman show set me on this whole trajectory of I'm just going to keep creating my own stuff. And I created a web series with a friend of mine from acting class, we wrote it together, we produced it together, we both starred in it. You know, it wasn't like commercially successful, like, there's dismal. You know, we did this almost 10 years ago, and there's like dismal YouTube views. It's very embarrassing, but it's also one of the things I'm the most proud of, I had the most fun working on it, I loved everything about it. And it's one of those projects where all the problems with it could have been solved if we had more money. And, to me, that's a success. Because, you know, we couldn't help the fact that we didn't have more money to make it. And the fact that you know, okay, fine, you know, the, the camera work wasn't fantastic, or the stats weren't fantastic, you know, but all the actors were fantastic. The directing was fantastic, the writing was fantastic, you know, so so I'm so super proud of that. And then Rebecca, my partner on that we made a short film together. And then I finally finally after decades of being a writer, because I started writing when I was eight, had the confidence to produce something that I had written on my own. And that was my short film leash. And that ended up screening at the short film corner at the Cannes Film Festival, which was like another huge milestone, I still couldn't get any agents or managers or anybody to take me on or represent me. But at this point, it's like, I got my film that I made that I wrote that, you know, that I produced that I was in to the biggest, most important film festival in the world. And I'm like, okay, that like, you know, even though the industry quote unquote, you know, hasn't recognized me yet. In terms of like, the agents and the managers and staff that's like, there must be something valid to my creativity. And then I made another short film, and it also got screened in the short film corner at the Cannes Film Festival on screen at the Cambridge Film Festival in the UK, and it just kind of, you know, so all these little bits of validation, they haven't turned into, you know, the career that I'm aspiring towards, but it's all encouragement. That helps me keep going.   Michael Hingson  33:57 You certainly are unstoppably optimistic.   Jennifer Lieberman  34:01 Well, the thing is, I don't even think it's that. I think it's just I don't have a choice. This is just who I am. It's what I do. I just keep creating, I can't help it. There was this movie years ago with Jeffrey rush called quills about the marquis decide, and how he was imprisoned because of his writing and how he was persecuted. And, you know, he kept writing no matter what he kept writing, he would write in blood on his bedsheets. And eventually he was just nude in a in a cell with nothing, because they needed to stop him from writing the depraved material that he was writing. And, you know, it was just I wouldn't say my my compulsion is that extreme. But yeah, I don't feel like this is something I chose. I feel like it chose me It's something inside of me. And I get very depressed when I'm not able to have a creative outlet. You know, it's almost survival, which I know sounds completely absurd, but any other creative who has the same conviction? I do, it makes complete sense to them.   Michael Hingson  35:23 Well, you wrote starred in and did everything regarding, of course, your, your one woman show your of the slot what happened to it? Because it did oh yeah appear and you had some awards with it and so on. So what happened?   Jennifer Lieberman  35:39 So, um, in the interim, so once we won the award in New York, some people, like lots of people, actually friends, colleagues, people that I didn't know, suggested that it would be a great Chiclet book, and that I should write the novel. So I did, I wrote, I wrote the novel and shopped it around for a couple years. But once again, I was so green, it didn't even occur to me, like, oh, you should hire an editor, and you should hire a proofreader. And you should get a whole team of people together before you start sending it to agents and, and, you know, publishing companies. So I gave up on it. Over a decade, I probably gave up on it about three times. You know, the first time, I was completely unprepared. The second time, I did hire an editor, and she just was the wrong fit. And it didn't resonate with her. So she was just very cruel in her feedback. And I couldn't look at it for another two years. And, and then finally, a friend of mine encouraged me to finish it and self publish it not to be successful, but just to get to the finish line, and not have one more project hanging over me that's unfinished. So with that state of mind, it was actually kind of a relief, because it's like, Oh, I'm not even trying to make this book successful. I'm just trying to get to the finish line. And then I did, and I, I self published Europe, the sled and it was censored. And for a good year, I tried my damnedest to get around the censorship issues with Amazon, Facebook, Instagram, in terms of advertising. It was allowed to be on Amazon, I was allowed to have a Facebook page, I was allowed to have an Instagram account, but it couldn't do any advertising, which means I couldn't break through my audience of peers. So if you weren't already my friend, I couldn't get the information to you. Which kind of made it dead in the water. A colleague of mine after a year suggested to change the title since that was the only barrier. And I was like, No, the title is what's you know, is why it was a success in the first place. That's what packed houses. Village Voice had no problem. Printing ads with the title timeout in New York had no problem none of the, you know, none of the entities that came to review the play had problems publishing the title. But I guess since it was published after the ME TOO movement, the climate had changed a little bit. And we weren't able to. Yeah, well, I just wasn't able to get it out there. So after a few months of hemming and hawing over the whole situation, because I had the title before I had the story. I'm just I was just pretty good at coming up with catchy titles. So I was really married to it and then finally revamped it, retitled it, rebranded it, relaunched it. And it's now a number one bestseller on Amazon. It recently won the gold medal at the Global Book Awards for Best Coming of Age book, it won a bronze medal at the independent publishing Awards for Best romance slash erotica ebook. And, yeah, it's won a couple more, but those are the most notable and it served me well to to retitle the book so,   Michael Hingson  39:30 and the title of the book is   Jennifer Lieberman  39:32 near of the what, so it rhymes with slut. But it's not as controversial. And it actually serves me because in the process of, of publishing this first one, I realized that it's a trilogy and Book Two is going to be year of the bitch and I'll have the same problems. So I'm just going to keep it under the year of the white umbrella. a lot.   Michael Hingson  40:01 I would I would submit, maybe not. I know there is, well, I suppose anything's possible. But my wife and I love to read a variety of books. And we've written or we've read a number of books by an author Barbara Nino. So she wrote the Stasi justice series. Have you ever read any of her books? I haven't been on familiar with her. So she's also written the bitches Ever After series published with that name, so maybe it won't be quite the same? Well,   Jennifer Lieberman  40:34 there's a big book out called the ethical slut, that? Well, you know, and they had no problems with censorship, either. But I think sometimes it can, it depends on who your publisher is and who you're connected to. But um, but anyway, I think the year of the web series serves me because as soon as someone opens the first page of the book, The subtitle is right there, right. Yeah,   Michael Hingson  41:00 so people should go look for year of the what? Yes. Well, I'm glad it has been really successful. And you have worn a lot of hats on, off off Broadway and Hollywood and so on. And now you're back in Canada, and so on. What do you like best of all those hats and all those jobs or opportunities.   Jennifer Lieberman  41:27 That's number one. That's always been my number one passion. That's why I started writing fan fiction when I was eight, is because I just wanted to be in these movies and shows that I watched, and I really enjoy writing, I actually really enjoy producing and helping bring projects to life, whether they're mine or somebody else's. But the there's something magical about performing and living and breathing in somebody else's skin and a different world that a writer created. And it's just incomparable. So   Michael Hingson  42:14 year of the well, we'll, we'll do the slot. What? Is it funny?   Jennifer Lieberman  42:21 It is yes. So what are the words that one was best rom com of 2021. So when I submitted it to book life through Publishers Weekly, one of the reviews was that it doesn't fit neatly into the romance genre. And it doesn't fit neatly into the erotica genre. And it doesn't fit into this genre and doesn't fit into that genre. They didn't even review the book, like didn't even give like a positive or negative review. All they did was list all the genres it didn't fit into. And, but it is quite humorous. Because it's about these dating misadventures, and coming of age and coming to terms with sexuality, being a young woman in New York City, and kind of having to reevaluate a lot of the stories or, you know, kind of expectations that were ingrained in the character. So it's not even about her being a slut. It's about her reevaluating what that word means to her, because she only planned to be with my one man. So anything more than that would put her in the slot category. But yeah, so it was her kind of, you know, reevaluating her perception of what is the slot? And, you know, how many partners is too many and all of that stuff? Because, also, in today's world, how realistic is it? For someone to be with just one partner for their whole life? I don't know. Especially like in Western society? I don't know.   Michael Hingson  44:14 Well, since you have been involved in writing something that's humorous and so on, have you at all been involved in comedy stand up comedy or any of those kinds of things?   Jennifer Lieberman  44:26 Yeah, I did do stand up comedy. I do it from time to time. I wouldn't call myself a stand up comedian. Because I don't love it enough to be hitting the clubs every single night trying to get on stage, which if you're trying to make a living as a stand up comedian, you have to be hitting the clubs every night. All of the legit stand up comedians, I know will hit 234 Different clubs at night to get up. And I'm not that committed to it. It's a nice muscle to flex, it's nice to know that I have the courage to get up and do it that I can make an audience laugh. But I'm no by no means a professional stand up. I got into it by accident, I responded to a casting notice looking for females who could be funny. And it was a promoter looking for more female comics to be on his shows. And he was willing to train and coach to coach women because he just felt like he wasn't getting enough women applying to be on his on his lineups. And he wasn't meeting enough women. This was this was a few years ago, this was like I think 2014 is when I started, it was just before Amy Schumer, like, had her breakout success and became a huge household name. Now, now when you go into the comedy scene, there are so many more women than then there was, you know, about eight years ago. So now, it's not the same climate. So his name? Matt Taylor, his name's Matt Taylor. So he kind of convinced me to give it a go and try five minutes. Because I was like, oh, no, like, That's too scary. I don't do that. But after doing two one woman shows where I was on stage by myself for over an hour, each one I was like, Okay, what's five minutes. And I did it. And when I was a hit, it was great. Nobody thought everybody thought I was quite seasoned. All the other comedians on the lineup thought that I had done it dozens of times before. And I, I did it pretty consistently for a couple of years. But once again, like I said, I just didn't love it enough. Like I'd rather I would run, I would run to a theater every night to do Shakespeare or Tennessee Williams, I wouldn't run to a theater every night to do stand up. So it's just not the type of creative that I am. But once again, nice to know that, that I can flex that muscle.   Michael Hingson  47:14 So how many books have you written so far? One novel,   Jennifer Lieberman  47:17 which we discussed, and then under Mike, my consulting business to make your own break business I've published to during the pandemic, I always intended to publish books, under the Make Your Own break umbrella, about low budget, film production, low, no budget is more accurate, no budget theatre production, how to develop a solo show. So all of those are still coming. But during the pandemic, I was asked to coach a few executives, to help them with their presentation skills and engaging their team. And I'm kind of like a nerd and I didn't feel qualified to coach these people. So I was like, Okay, I have to come up with a system before I feel confident enough to like go and actually, you know, do this and charge money. So I came up with these seven steps on how to master your virtual meeting. So that's one of the books make your own break, how to master your virtual meeting in seven simple steps. And then I also recorded my AUDIO BOOK during the initial lockdown, and I messed up a lot. And I had to I recorded the entire book and had to throw it in the garbage and start again from scratch. And then the same friend colleague who suggested I changed my title suggested that I write a how to book geared towards self published authors and indie authors on how they can record and publish their own audio books. So that's book number two how to record and publish your audio book in seven simple steps once again under the Make Your Own break umbrella. And yeah, so there are those two books and like I said, I I will be publishing more How To books under the Make Your Own break, but those will probably pertain more to film theater production and creative process.   Michael Hingson  49:23 And then the what? At pardon. And then more year of the what and then more   Jennifer Lieberman  49:28 year of the wet because that I've realized as a trilogy. You know, when women are young, if people want to attack us in our teens and 20s Regardless of what our personal lives are, people call us a sloth. Whether it's male or females, it's a woman it's a it's a word is weaponized against women. And then as we get older, more assertive, more confident, we're we're called a bitch. So I'm kind of going through the trajectory of words. are used as weapons against women, and how we can reframe them and own them, instead of being ashamed of them.   Michael Hingson  50:09 Then you can write the fourth book what bitch. But anyway, that's another story. Exactly. So did you publish an audiobook?   Jennifer Lieberman  50:18 I did, yes. This year of the what is available on Audible? Yes. So I did I, I was I finally recorded a successful version. And it was after that, that I decided that okay, yeah, maybe I can write the how to book on how to do this. And it's specifically encouraging self published authors. Because if you have enough conviction to write your story, you should be the one telling it.   Michael Hingson  50:47 It's interesting in the publishing world today, that and people will tell you, this agents and others will tell you this, that it isn't like it used to be, you have to do a lot of your own marketing, even if you get a publisher to take on your book and take that project. So the fact is doing an indie publishing project certainly uses a lot of the same rules, you still have to market it, you're gonna have to do it either way, you're still going to be doing a lot of the work, the publishing industry can help. But you still got to do a lot, if not most of the work.   Jennifer Lieberman  51:29 Yeah, and not just that, I don't know, if if you follow any celebrities, on on Twitter, or Instagram, but I believe nowadays, like I'm a, I'm a member of the Screen Actors Guild, that union in the US, and a lot of contracts now have social media obligations written into them, that you have to tweet that you have to post a certain amount to help promote the show. And a lot of decisions are based on how big of a following you have, there's actually, I'm not sure if you were a Game of Thrones fan, I was a big Game of Thrones fan. But one of the characters, it was between her and another actress and she had a bigger social media following. And that was the tipping point of how she got cast. So it you know, self promote, like that's what social media is, it's all self promotion. So it's not just the publishing world, it's the acting world, I think it's just become the norm of it doesn't matter what business you're in. It used to be that you needed a.com. In order to exist now you need a social media following in order to exist.   Michael Hingson  52:53 I know when we originally did fender Dogg, and Thomas Nelson put, picked it up and decided to publish it. Even then back in 2010, and 2011. One of the main questions was, how much will you be able to contribute to the marketing of the book? How much will you be able to help promote it? Now? We have a contract to do our next book, A Guide Dogs Guide to Being brave, unless the publisher decides once we're done to change the title. But still, it is all about how big of a following do you have? How much are you going to be able to contribute contribute to the book because you're probably not going to get some sort of big book tour or anything like that paid for by the publishing company, unless there's some compelling reason to do it. And it is all about what you can do. So publishing is changing, the landscape is changing. mainstream publishers are great, they do add a lot of value. But you do need to learn to sell and to market and be intelligent about it as an author, no matter how your book gets published.   Jennifer Lieberman  54:03 Yes. And, you know, it's a double edged sword, because it gives lots of opportunities to indie, indie authors, but it also, it's sad for me because it becomes a popularity contest. And it's not necessarily about how good your book is, or how good your work is. It's just if you, you know, have a buzz factor. And if you have a following or if you had, like some mishap in your life that went viral, then all of a sudden, you have this huge platform for all these opportunities, regardless of how talented or prepared you are for those opportunities. And you know, it like I said, it's a double edged sword. There are benefits to it. And there are, you know, there are detriments to it but also like I'm the type of artist. I'm gonna I'm willing to go outside of my integrity. So let the chips fall where they may.   Michael Hingson  55:05 Well, you have written both in the literary world, if you will. And in the theater world, which do you prefer? And why? Oh, that's a toughy. Because you're doing a lot with each one, aren't you?   Jennifer Lieberman  55:21 Yeah. And I'm still like, I'm, you know, and that's the thing, like I write plays, I write scripts for film, and I'm writing a TV pilot right now. And in the literary world, the benefit of writing in the literary world, is once the writing is finished, and when I mean writing, I mean, also the editing and the proofreading. Your job is done, like the project is complete. When you're writing theatrically, whether it's film or theatre, that's just step one, there's still a very, very, very long road ahead of you, you know, and trying to get into the right hands, trying to raise the money, trying to, you know, get the right team together, and the right actors, the right, you know, then you had, then there's the feat of filming it, and then the post production process, and then the distribution process. So there is something very satisfying when writing a book that's finished. But there's also something very exciting to me, you know, in the whole process of getting a project produced from you know, from step one to step 55.   Michael Hingson  56:45 So, as a writer in the theatrical world, you really can't just be a writer, and then you turn it over to someone, if you're going to make it successful, I gather, what you're saying is, you really have to be the driving force behind the whole project, not just the writing part.   Jennifer Lieberman  57:01 Well, at my level, because like I said, I don't have an agent, I don't, I'm trying to get things into other people's hands. So right now, I'm shopping around here of the what for theatrical opportunity, I went to the Cannes Film Festival to the market there, I've met with a certain number of people. And one of the questions was, how involved would you want to be in this project? And my answer is, however involved you would like, you know, because I'm not married to this project. Like I, I've been living with this for a decade, between writing it, workshopping it, and then the novel between the play and the novel, like, I'm ready to let this go. If somebody wants to write me a check. Go ahead, do what you will with it. You know, but then there are other pieces that are closer to my heart that I'm like, oh, no, like, this isn't for sale. We can partner on this and make this together. But this is, you know, staying under my under my wings, so to speak. But I have another I have a short piece, a short film, that a friend of mine is shooting in LA next month, and I'm not really gonna have any creative involvement in it.   Michael Hingson  58:26 Out of curiosity, when somebody asks you that question, is there sort of a general trend as to what do they want the answer to be? Or is it really something that varies? They they're not necessarily looking for you to be involved typically, or they'd like you to be involved typically, as a really an answer that makes more sense to most people than not,   Jennifer Lieberman  58:47 you know, it's interesting, because I've gotten both, I've gotten both opinions. You know, for, I guess the higher up people are on the food chain. They're very relieved to hear that I don't need to have any involvement in it at all, because they know how hard it is to get something made in the first place, let alone having all of these, you know, kind of stipulations. It's like, well, I can only get made, you know, she gets to approve the script and this and this and this and that, you know, so the less I think the less involvement I have, the easier it is for the producer because they have more freedom to negotiate. Right. But that's an instinct once again, I don't know, you know,   Michael Hingson  59:32 it probably does very well. How do you keep such a positive attitude and keep yourself to use the terminology of our podcast unstoppable as you get a lot of rejections as you face a lot of challenges. And as you said, you haven't had that huge break. But how do you keep yourself going?   Jennifer Lieberman  59:51 I love it. This is a love affair. This is a lifelong love affair for me. And I was on a podcast A few days ago, we had to write a creativity statement. And my creativity statement is that being a creative is like being in a one sided relationship, and you have to love it enough for both of you. Because the the industry isn't necessarily going to love you back. But if you love it enough, if you love the creative process enough, you're just gonna keep going.   Michael Hingson  1:00:22 I want you to extrapolate that to just anyone even outside the theatrical world. What would you tell somebody if they come up to you and say, How can I just keep myself going,   Jennifer Lieberman  1:00:35 find something that you love and do it as often as possible? It doesn't have to be your job, you don't have to make money at it. You just have to have something in your life that you really love and enjoy doing. You know, whether it's dancing, whether it's singing, you know, and that's the thing like, you don't have to be a superstar. I'm not a superstar. Maybe one day I will be universe. But I, I'm not going to stop what I do, because it just brings me so much joy. And I'm so happy and I do I get in a funk. I get in a funk when I'm not able to create. And, you know, for some people it might be hiking or kayaking or camping or connecting with nature. That's something that that I love to do. Also, that brings me joy. But yeah, I think a lot of us get so caught up. And also I would say close your screen. Go dark, go dark for a few days. Don't worry about what's going on on social media. Don't worry about the internet, like go outside and actually be in the real world connect with real people connect with nature. Be in your body. I find when I get in my head, too much I can spin out. But when you're in your body, you can you can feel your you can feel your essence. You   Michael Hingson  1:02:04 know, always good to step back.   Jennifer Lieberman  1:02:07 So that would be my advice.   Michael Hingson  1:02:10 It's always good to step back and look at yourself and just relax. And we don't do that often enough. We get too involved in that social media and everything else as you point out.   Jennifer Lieberman  1:02:22 Yeah, exactly. And it's proven like there are statistics, social media makes people depressed. People only put their Insta life best moments on social media. I'm sure someone will mention if they're going through a hard time or whatever. But that's not the majority of people. People will sift through their life find take a million photos of one of one scenario, find the best photo doctorate with with face tune filters and whatever and make their life look fabulous. And you know, everything's curated. I'm actually I wrote a poem about this. Would you mind I've never shared this publicly. Can I? Really?   Michael Hingson  1:03:09 Sure. Go ahead.   Jennifer Lieberman  1:03:11 Okay. It's called Black Sabbath. And basically, it's about going dark. Can we all just go dark for a day? Turn off the devices be still be silent and pray? No posts, no distractions? No waiting impatiently for strangers reactions. Can we all just go dark for a day? No selfie indulgence? No curated inspiration. No unsolicited motivation. Be present. Be awake. Meditate. Can we all just go dark for a day hold our loved ones dear if not in our arms in our consciousness spear. Make amends with our Maker, the true force of nature and submit to the power of our sublime creator. Can we all just go dark for a day, shut our screens, search our souls reclaim our minds that get hijacked every time we scroll. And finally take back our grip of the only thing we can control. That's it.   Michael Hingson  1:04:24 That's as powerful as it gets. And it is so true. Yeah. Yeah. It is absolutely so true. So what you've already alluded to it, what do you do when you're not writing and being creative? What do you like to do to relax? You said some of   Jennifer Lieberman  1:04:41 it. Yeah, I'm a yoga Holic. Like I said, I spent the first half of my life as a competitive gymnast. So I'm super active. I love physical activity. I don't work out in terms of like, I don't go to the gym and I don't do a certain amount of reps and I I'm on a treadmill for 20 minutes a day I do physical activities that I enjoy, so I enjoy yoga. I'm quite advanced at it with a gymnastics background so it's fun and acrobatic for me. I love hiking. I love connecting with nature whether it's stand up paddleboarding, kayaking, canoeing, waterskiing, I love all of that stuff. Not much of a snow skier though I don't really love the cold, even though I'm Canadian.   Michael Hingson  1:05:30 How lucky you were you live in? You don't like to call it okay.   Jennifer Lieberman  1:05:34 Yeah, I don't. But basically anything active and outdoors. There's a treetop trekking course not far from where my parents are. And like, that's next on the list. I'm really excited to do that. What is that? Basically, they have these like, kind of obstacle courses up in the trees. So you're on harnesses, and you know, whether it's like platforms that you walk across, or ropes courses that you have to, you know, I don't know, I haven't been but it sounds fun.   Michael Hingson  1:06:12 Well, you have to let us know what it's like after you, you get to go clearly not wheelchair accessible. So I'm sure my wife's not gonna want to do it. But nevertheless, you got to let us know how it goes once you do it.   Jennifer Lieberman  1:06:27 Yes, I will. I will. It's very exciting. Oh, and I love live music. So like rock shows. That's my jam. I'm a rocker chick.   Michael Hingson  1:06:36 There you go. Well, I want to thank you for being here. And spending the last hour and a little bit more with us. This has been fun. Clearly, you keep yourself going you do move forward, you're not going to let things stop you, you are going to be unstoppable, as I said, using the parlance of the name of the podcast, but I want to thank you for being here and inspiring all of us and telling us your story. If people want to reach out to you and contact you and learn more about you find your books or anything else. How will they do that?   Jennifer Lieberman  1:07:10 Okay, so year of the what.com is the website for the book, but it'll link you to almost everything. Or you can go to make your own break.com. Both of those have links to all of the books and all the social media. And they also have contact pages that will come to my inbox directly. So that's the best way. If you want to find out more about me, and on social media, whether it's Facebook, Twitter, or Instagram. I am Jen Lieberman. So the at sign, and then I am Jen. J e n Lieberman L i E,B E R m a N.   Michael Hingson  1:08:00 Well, I hope people will reach out oh, I should ask you you written in your writing the How To books? Are you going to do anything like create any online courses or anything?   Jennifer Lieberman  1:08:10 You know, it's funny I was doing in person courses. I haven't gotten around to doing the online ones yet. But yes, that is also in the works. There's a laundry list. Bed. And like we talked about, I wear many hats. And I'm always more interested in the creative stuff. As opposed to the as opposed to the business side. So I you know, I always feel like, oh, there'll be time for the course there'll be time for that. And as it as it so happens, the more successful my creative career is, the more validity I have to teach these other courses. So it's all in good time.   Michael Hingson  1:08:49 Great. Well, again, thank you for being here with us people, please go visit your of the what.com or make your own break.com. And reach out to Jen, she would love to hear from you. And I would love to hear from you. I'd love to know what you thought about today, I would really appreciate you giving us a five star rating. Jennifer Lieberman needs a five star rating. So let's give her one you all. And I want to thank you all for for being here. Reach out to me, feel free to do so by emailing me at Michaelhi at accessibe.com Or go visit WWW dot Michael hingson.com/podcast. Or just go to Michael hingson.com and learn more about the things that I do. But either way, please help us give Jen rave reviews. And Jen one last time. Thank you very much for being here.   Jennifer Lieberman  1:09:48 Thank you so much, Michael. This was such a treat. I really appreciate you having me on.   Michael Hingson  1:09:53 Well, the fun and the honor was mine. So thank you you   1:09:59 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com. accessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for listening. Please come back and visit us again next week.

Wayne Cabot and Paul Murnane have the top stories from the WCBS newsroom, including the latest on the upcoming election, a deadly shooting in Alphabet City, and the impact of Hurricane Sandy on Hoboken, New Jersey ten years after the storm. 

We're LOOKING BACK at Jazz Poetry. Jazz Poetry has celebrated the fusion of music and language for over 18 years. Musicians and poets are brought together by City of Asylum to experiment, collaborate, connect and to express themselves freely, yielding performances greater than their parts . Over the years, Jazz Poetry has featured hundreds of artists from hundreds of countries. This episode is really special, an opportunity to dig through performances from the City of Asylum archive 2011-2019. Unless you were sitting in the audience at the COA tent, or Alphabet City, at any of these performances, you've never heard these before. We're really excited to share. We'll Open with a performance by Sonia Sanchez from 2011. Then we'll follow up with the incredible medley featuring Justin Philip Reed, Ilya Kaminsky, Jenny Johnson, and Yusef Komunyakaa. All the music, the amazing jazz, is brought to you by Jazz Poetry musical director Oliver Lake and various musicians he's recruited to join him across the years.

This episode is with powerhouse guitarist Gavin Van Vlack. Over the past 4 decades he has influenced thousands of musicians by consistently reinventing his sound and approach in bands like Absolution, Burn, Die 116, Pry, Big Collapse and Cannonized. We discuss hitchhiking hundreds of miles as a youth to go to music stores to acquire gear, purchasing an epic guitar from Billy Gibbons and how he protected his gear over the years living in the Lower East Side Squats of Alphabet City in the 80's. Please share, rate and subscribe wherever you enjoy your podcasts! Spread the word! Check out Gavin's stuff on Instagram @gavin_van_godamn_vlack @burn_nyc and @diamondheartpcc

From a childhood in a neighborhood where the ending story could go either way, Mike Codella chose to take a career path to enforce the law rather than break it.  Needing a change, Mike joined the NYPD in 1983 and never looked back.  Truly believing in his life's mission, to make a difference, he matriculated up the ladder in the dangerous world of undercover work in Alphabet City and Red Hook, Mike took to the street to leave them much safer than he left them.  Working on high profile cases such as Eton Paetz to the infamous Son of Sam the true love for Law Enforcement shines through with every soft spoken word. Now through his Brazillian Jui-Jitsu school, the Codella Academy to his book Alphaville 1988, Mike continues to make a difference in lives into his retirement.Find The Suffering PodcastThe Suffering Podcast InstagramKevin Donaldson InstagramMike Failace InstagramBuzzsproutApple PodcastGoogle PodcastSpotifyAmazon MusicListen NotesFacebookTikTokYouTubeThe Suffering Podcast FamilyDented Development ProjectToyota of HackensackThe Grande SaloonXBodyCafeinaBella Dama CigarsHackensack Brewing Company - Peace, Love, BeerThe Suffering Podcast Gear10-13 SurvivorsShots Fired Book: The Misunderstandings, Misconceptions, and Myths about Police ShootingsBuzzsprout:  Get your Podcast Started today and receive a 20$ Amazon Gift CardThe Jimmy Hauburger Memorial Foundation#keepsuffering #Realkevindonaldson #denteddevelopmentproject #mentalhealth #mike_failace #mentalhealthawareness #ptsd #pts #mentaltoughness #motivation #inspiration #confidence #police #sonogsam #etonpaetz #jayz #codellaacademy #bjj #brazilianjuijitsu #mikecodella #nypd #undercover #drugtrade #retiredpolice Support the show

This week we're talking How We Got To Now, Cloudpunk, and Alphabet City. Show music by HeartBeatHero and OGRE. Support the show! Get up to 2 months free podcasting service with our Libsyn code OZONE

Today on the 5: Over the weekend I watched a movie that's been on my watch list for a while. It's 1984's Alphabet City, and while it took a little longer than usual to hook me, once it did I had a really good time with it.

In this episode, my roommate provides me with an instant social life, and his alluring girlfriend—an eventual Oscar winner—brings the drama. Let's take a trip.

Meg recounts the tragic events of the evening Yusuf Hawkins went to Bensonhurst. Jessica discusses Astor Place Hairstylists, Alphabet City, and Tenax hair gel.

We are starting off Season Two with a bang! I'm so excited to share the personal story of my friend, Edward Buchanan, Creative Director of @sansovino6, which is unapologetically black owned and operated. He's also the Knitwear Design Director for @virgilabloh 's @off____white, co founder of BIPOC movement WAMI / we are made in Italy and most recently named Milano Fashion Director for @kegrand ‘s @theperfectmagazine. I've known Ed since I was a teenager in NYC.  We lived in the same apartment in Alphabet City at one point, it was an exciting time to experience a group of artists all cohabitating. Edward has been working in the fashion industry for over twenty years. He has chosen purpose and “quiet creativity” over celebrity. He talks about "losing things in order to gain something” and I believe that he has made the way he lives artistically and with purpose. Hearing him speak is cathartic, hypnotic and I always learn something whenever we get together. Enjoy!

John and Alex continue interviewing Stephen as they travel across Alphabet City. Find out why the Village People are stalking Stephen, how Tinder is killing the bar scene, and why you should always double check to make sure the door is locked before starting your end of night clean up. Get ready for the finale of this two part episode! --- Support this podcast: https://anchor.fm/thebuyback/support