Podcasts about Film analysis

We're finally circling back to 2023's Sing Sing from director Greg Kwedar and talking about the prison industrial complex, amateur theater and how adorable Coleman Domingo's marriage story is!If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Alas, we have neared the end of our exclusive "FEMALE" August season, and we've taken this chance to usher in this close with a special guest. Laura and Ryan know next to nothing about the work of John Waters, which is both abhorrent and indicative of our glaring ignorance. That's why we invited Josh, who basically said we should have invited someone else if we wanted to talk about John Waters. Either way, enjoy this deepish dive into FEMALE TROUBLE and the revelation we'll be uncovering far more of his work in the future!

On today's episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we have the August BONUS episode for supporter feeds! We dive deep into the occult symbolism of Danny Boyle's Sunshine, exploring how the film functions as a modern allegory for death, rebirth, and humanity's obsession with the solar deity. We unpack the story of Icarus as a metaphor for approaching the divine unprepared, and the recurring symbolism of the number seven as the union of spirit and matter. The crew's obsession with staring into the sun becomes a study in ego death and the alchemical process of Nigredo, while the Black Sun imagery and cube-shaped bomb reflect Saturnian forces, time, and entropy. We'll connect the hidden sun concept from Crowley and Kenneth Grant to Gnostic and Freemasonic ideas of oppositional polarities, and show how Pinbacker represents the ultimate adversarial initiator, testing humanity's capacity to transcend mortal limitations. Ultimately, Sunshine is a meditation on facing death, confronting the constraints of matter, and creating a new sun within the sun—a ritualistic and esoteric journey encoded in a sci-fi epic.FULL EPISODE NOW UP AD-FREE ON ALL SUPPORTER FEEDS! Free feed gets a preview!3 SUPPORTER FEED OPTIONS- get bonus content AND go commercial free + other perks:*PATREON.com/IlluminatiWatcher : ad free, HUNDREDS of bonus shows, early access AND TWO OF MY BOOKS! (The Dark Path and Kubrick's Code); you can join the conversations with hundreds of other show supporters*VIP SECTION: Due to the threat of censorship, I set up a Patreon-type system through MY OWN website! IIt's even setup the same: FREE ebooks, Kubrick's Code video! Sign up at: https://illuminatiwatcher.com/members-section/*APPLE PREMIUM: If you're on the Apple Podcasts app- just click the Premium button and you're in! NO more ads, Early Access, EVERY BONUS EPISODE

Send us a textHappy back to school! To celebrate the start of another school year, we are watching “Booksmart”. This episode, we chat about how high schools and cliques have changed in film over time, and why that might be.Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

We inaugurate (and conclude) our coverage of Senegalese master Ousmane Sembène with a discussion of his 1992 feature Guelwaar, the late filmmaker's only work of the decade. In essence a minor comedy of errors revolving around the misplaced body of a departed community leader and political agitator, Guelwaar transforms several times over into a profound and moving chronicle of national identity, religious conflict, and the material politics required to resist colonial rule. We begin with an explication of Sembène's politics and how his Marxism informs the social milieu of his works. Then, we praise the film's feminism, its many nuanced women characters, and the director's progressive standpoint on sex work . Finally, we relate Sembène's invocation of aid as a tool of imperial oppression to current situations ongoing in Gaza.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

Sip some soda pop with us as we show you how it's done, done, done!KPop Demon Hunters is the movie of the summer and we've got thoughts, opinions and some new moves to discuss!P.S. Matt regrets misquoting the line "Fit check for my Napalm Era. He will watch the movie 5 more times as recompense.If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Perhaps in the midst of tragedy there can be a happy ending. I'll analyze the 2018 film Galveston in today's episode.My favorite scene from the film, Roy and Rocky dancing: https://www.youtube.com/watch?v=RahGOUTAzxsDon't forget to follow Juncture on Spotify (https://bit.ly/3HNYqAb) or wherever you listen to podcast.

In this episode, hosts Bill and Chris delve into the world of cult cinema, focusing on two films: Empire of the Dark and Runaway Nightmare. They explore the unique characteristics of these passion projects, discussing the earnestness and charm of low-budget filmmaking. The conversation highlights the quirks and flaws of the films while appreciating the creativity behind them. Through humorous banter and personal anecdotes, the hosts engage listeners in a deep analysis of what makes cult films special, emphasizing the importance of supporting independent creators. In this conversation, Bill and Chris delve into the world of B-movies, focusing on 'Empire of the Dark' and 'Runaway Nightmare.' They explore the creative choreography, special effects, and the unique charm of cheesy films. The discussion includes recommendations, ratings, and a detailed analysis of the plots, character dynamics, and humor present in both films. The hosts emphasize the enjoyment derived from these cult classics and their appeal to fans of the genre.

Send us a textWe've saved the most powerful storyline until last. Tibby's storyline and the journey she goes through with Bailey adds a lot of realism to the film. It's the one that hits you the hardest, and one of the main reasons why “Sisterhood of the Travelling Pants” goes beyond the typical teen movie genre.Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

In this episode, Melanie is studying female characters and how women are presented in modern stories (her work in this episode is reeeeally interesting!), and I investigate something I learned from Steven Pressfield, which is that we shouldn't introduce anything new after Act 2. Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

The DescendantsHosts: Clark Coffey & Cullen McFaterThis week, we're looking at Alexander Payne's The Descendants - a layered, bittersweet story about family, change, and confronting the past. With George Clooney at the center, Clark and Cullen explore how Payne's low-key style brings quiet emotional weight to a story set against the backdrop of a changing Hawaii.Subscribe to Soldiers of Cinema for honest, wide-ranging conversations on film, from cult favorites to award-winners - with two filmmakers, decades apart.TrailerDirector: Alexander PayneStarring:George ClooneyShailene WoodleyAmara MillerSocials:FacebookTwitterInstagram

We're running at you like Naruto to discuss Zach Cregger's "Weapons" with special guest JM8 from Second Wind and Design Delve! From the cinematic influence of Magnolia to the internal logic of suburbia, we cover a lot of ground!If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Who knows how far this episode will reach with something like "FEMALE" in the title, huh? Oh, we're only joking, YOU know why. In part 2 of our "August-Where-We-Cover-Films-With-Female-in-The-Title", we're looking at Susan Streitfeld's FEMALE PERVERSIONS. A film of theatrical quality and its own distinct style, it may not appeal to everyone. It may alienate others, and generate wonderment for some. It's hard to argue that the film has something to offer within the scope of exploring woman creatives and voices in cinema. Just watch out for the one-and-only Clancy Brown shine for no more than 3 scenes and basically Philip Seymour Hoffman this!

In this episode of 'Outside the Cinema', hosts Bill and Chris dive into discussions about cult movies, focusing on two films: 'Libido' from the 1960s and 'Crypt of Dark Secrets' from the 1970s. They explore the themes, characters, and cinematic techniques of both films, providing insights into their narratives and production. The conversation also touches on the broader context of Italian cinema and the giallo genre, as well as the hosts' personal reflections on the films' impact and their recommendations for viewers.

Spike Jonze's 2009 film Where the Wild Things Are is an ambitious adaptation of Maurice Sendak's classic children's book, but despite its stunning visuals and unique atmosphere, it struggles to capture the warmth and timeless charm of the original story. Billed as a family movie, this fantasy-drama often feels more like an indie art film, leaving many viewers, especially younger audiences, confused, restless, or disappointed.

Send us a textCarmen, the glue that holds the group together, is the focus of this episode. We chat about her fiery, outgoing personality and how her story really grounds the movie, helping to bring the emotionality, heart and soul of the film.Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Whatever kind of story you're writing, if you want a reader to stick with you all the way to the end, you've got to build tension! Believe it or not, The Bourne Identity is a terrific example to study - even for a love story or coming of age story. Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

A cantankerous old drunk refuses to believe he didn't win a million dollars so his son agrees to drive him from Montana to Nebraska to collect the father's non-existent prize money.. On the way, the son learns more about his old man than he was prepared for. Is that good? Join Joe and George as they discuss that and if the movie still works.  Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 ‎Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 Creator Accountability Network creatoraccountabilitynetwork.org. In China, aged mother sues her children https://www.newspapers.com/article/omaha-world-herald-281-nebraska-2013-1/176480318/ Music program to bring back memories at Mitchell Care Center Page 1 https://www.newspapers.com/article/star-herald-281-nebraska-2013-2a/176480438/ Page 2 https://www.newspapers.com/article/star-herald-281-nebraska-2013-2b/176480466/ Chadron Police advise of potential scam https://www.newspapers.com/article/star-herald-281-nebraska-2013-3/176480567/  

From 1995's Stallone spectacle to 2012's Karl Urban reboot, Judge Dredd straddles a bizarre line between political satire and fascist power fantasy. In this episode of The Flick Lab, Karri and Henrik break down the paradox; is Dredd a warning against authoritarianism, or a celebration of it? Even more importantly, what may be the behavioral consequences to our societies? We'll discuss the character's comic book origins, compare the two movies, and explore how a supposed critique of fascism can still end up fueling the very fantasy it condemns. Films covered in this episode: Judge Dredd (1995) Dredd (2012) Hosted by Karri Ojala and Henrik Telkki. Edited by Karri Ojala. The Flick Lab theme tune performed by Nick Grivell.

Doctors say there's a 50-50 chance of Akiva Schaffer's "The Naked Gun" surviving our discussion, though there's only a 10% chance of that. Surely they can't be serious about Liam Neeson and Pam Anderson replacing Leslie Nielson and Priscilla Presley in a world where electric car makers want to take over the world? Yes they are and don't call me Shirley. If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.More new movie talk as we take on the most divisive film of the summer, Ari Aster's COVID-era neo-western Eddington. The film follows Joaquin Phoenix as Joe Cross, the sheriff of Eddington, NM who - frustrated by the state's mask mandates in early 2020 - decides to run for mayor to depose the incumbent Ted Garcia (Pedro Pascal), a boilerplate liberal looking to move the town into the future by granting subsidies to a tech company attempting to build a data center at the edge of town. The film also traces the various conflicts that erupts as the era's wave of Black Lives Matter protests (following the murder of George Floyd) run up against the sheriff's department and the competing ideologies of the townsfolk, all emboldened by the hypermediated, isolated existences that defined the pandemic.We beging by addressing the film's politics, rejecting criticisms of the film as "centrist" or evincing a "both sides are bad" mentality, instead revealing the fundamental retreat of material politics as the defining order of the 2020s. Then, we discuss the film as western, how it embraces the lineage of John Ford, and how its world of localized, independent vacuums of internet-fed ideology suggest a collapse of the dialectic. Finally, we look at what the movie has to say about Big Tech, the victims of capitalism, and its (quite cynical) read on where America all headed.Read Alex on Eddington at More Like Shit StackRead Ed Berger on Eddington at Reciprocal Contradicton 2.0....Our theme song is "Mirror" by Chris Fish

Send us a textGood evening listeners and welcome to another episode of Last Call with Three & 1/2 Gentlemen. As they continue with their regular movies reviews, the hosts will bring you a mini show, about various topics. In this engaging conversation, the hosts go over their top 10 comedy films of all time. The conversation also highlights honorable mentions and hidden gems, encouraging listeners to engage with their own top picks. As they countdown to their number one selections, the hosts emphasize the nostalgia and timelessness of these films, making a case for why they resonate with audiences today.Come listen and follow the hosts on their Instagram page and YouTube channel @the.gentlemenpodcast

3 years before Ferris Bueller took the day off, Mathew Broderick played another high school student who skipped school. But in this movie, instead of spending the day goofing off with his friends, here he brings the world close to thermonuclear war. You can call this Ferris Buller's F*ck Up.  Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 ‎Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 Creator Accountability Network creatoraccountabilitynetwork.org. Nuclear Arms Race Targeted For Victory Page 1:  https://www.newspapers.com/article/the-standard-280-wargames-1983-11/177490507/ Page 2: https://www.newspapers.com/article/the-standard-280-wargames-1983-12/177490669/ The Rush for Artificial Intelligence https://www.newspapers.com/article/the-journal-news-280-wargames-1983-2/177493452/  

Stretch out with us and Marvel's first family, The Fantastic Four who are finally space bound in the 37th Marvel Cinematic Universe film!If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We're hitting August, and it's all about the FEMALES: which means we're covering films with "FEMALE" in the title. And if you couldn't get enough of individuals assuming someone else's identity in one episode, wait until you get your eyes on SINGLE WHITE FEMALE. Following in the footsteps of THE TALENTED MR. RIPLEY, we replace opulence and popularity with questionable haircuts. They really test the limits of Bridget Fonda's attraction factor by giving her a haircut similar to Guy Gardner's from SUPERMAN, but you will be surprised how well this hair performs. There's very little to say about this film that hasn't been said already as one of the prime examples of the Erotic Thriller genre. This is a good one!

On this episode of Parallax Views, J.G. Michael is joined by writer and self-described film analyst Albert Lanier to discuss his work on the blog The Final Cut and his Retro Reviews website. We kick things off by exploring why Albert prefers the term “film analyst” over “movie reviewer,” delving into what it means to engage deeply with cinema rather than simply judge it. From there, we dive into his thoughtful takes on: Psycho II, the surprising and often overlooked sequel to Hitchcock's classic, and how it rethinks Norman Bates for a new era. Tobe Hooper's Lifeforce, a wild blend of sci-fi, horror, and eroticism that could only have come out of the 80s. The heyday of raunchy 80s comedies, what they reflected about the culture at the time, and why they endure (or don't). Split Image, a lesser-known thriller about cults that holds up as both a tense drama and a cultural artifact of its period. It's a conversation that ranges from cult cinema (and movies about cults) to the philosophy of film criticism, nostalgia, and why some forgotten gems deserve a second look.

Mickey Rourke is a PI. Robert DeNiro is his mysterious client and Lisa Bonet….a voodoo priestess or something? Who knows? You get to see her breasts though and that's great if you like that sort of thing. In any case, her breasts still works but does the film? Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 ‎Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 Creator Accountability Network creatoraccountabilitynetwork.org. Voodoo versus. Hoodoo https://www.newspapers.com/article/southwest-daily-news-279-angel-heart-198/175953460/ Amnesia https://www.newspapers.com/article/the-post-star-279-angel-heart-1987-1/175953009/ Alektorophobia (Fear of Chickens or Hens) https://my.clevelandclinic.org/health/diseases/22565-alektorophobia-fear-of-chickens-or-hens Ball-Point Pens https://en.wikipedia.org/wiki/Ballpoint_pen  

Welcome to Eddington circa 2020, a tranquil little New Mexico town where COVID doesn't exist and social upheaval rarely happens. Sheriff Joe Cross (Joaquin Pheonix) and Mayor Ted Garcia (Pedro Pascal) are going to have a friendly debate over what Ari Aster is trying to say.If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

THE MIRACLE CLUB is a multiple protagonist, miniplot, story. That means that each protagonist is also an antagonist. Sounds cool, right? But how the heck do you pull it off? Well one of the ways is to give each POV character her own villain's monologue. This film misses on one character and you just have to hear what happens to the story because of it! Melanie continues her study of turning points and this week, she shows us how they impact a story's pacing. Don't miss out! -V.“The villain drives the middle build of your story.” - Valerie FrancisRelated Story Nerd EpisodesSeason 11: Conflict Triangles Deep Dive  Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

This is the show's first Jim Jarmusch film. It could also be our  last Jim Jarmusch film if George has anything to say about it.    Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 ‎Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 Creator Accountability Network creatoraccountabilitynetwork.org. Coffee Statistics: Consumption, Preferences, & Spending https://www.driveresearch.com/market-research-company-blog/coffee-survey/ Bad News, Coffee Drinkers: You Might Be a Psychopath if You Like Your Coffee Black https://www.rd.com/article/coffee-black-psychopath-study/ Coffee Drinking Is Widespread in the United States, but Usual Intake Varies by Key Demographic and Lifestyle Factors https://pmc.ncbi.nlm.nih.gov/articles/PMC4997286/ Cigarettes priced at $9.52 in 2003 → $33.83 in 2025 https://www.in2013dollars.com/Cigarettes/price-inflation/2003-to-2025?amount=9.52  

Matt and special guest host Balvin hit the track to talk all things F1: The Movie. We discuss the return of the movie star film, the insanely cool camera tech needed to capture the speed, and how the real cinema was the friends we made along the way!If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textGood evening listeners and welcome to another episode of Last Call with Three & 1/2 Gentlemen. As they continue with their regular movies reviews, the hosts will bring you a mini show, about various topics. In this engaging conversation episode, the hosts go over their personal rankings of the greatest films of the 21st century and provide their own top 10 films for the last 25 years.  During the episode, the hosts debate the significance of various films, discuss honorable mentions, reflect on the impact of cinema on their lives and the shared love for storytelling through film.Come listen and follow the hosts on their Instagram and YouTube channel @the.gentlemenpodcastKael Your Idols: A New Hollywood PodcastA movie discussion podcast about the New Hollywood era from the late 60s through early 80sListen on: Apple Podcasts Spotify

Valerie's focus on the villain's monologue in She Said was always going to be risky because we'd have to hear Harvey Weinstein's justification but justification requires the villain owning his stuff! What's interesting is not what's said but who says it. There's also differences between the turning points in this movie and the others we've watched, and it has a big impact on the story. -M Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

Show Notes No, it's not a Marvel movie. The Falcon and the Snowman is actually the real life story of  two life long friends who decide to spy for  the Soviet Union. Join the boys as they discuss.  Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 ‎Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 Creator Accountability Network creatoraccountabilitynetwork.org. Banner Year for Spy Game https://www.newspapers.com/article/free-lance-277-falcon-and-the-snowman-1/174481924/  European Spy Fever https://www.newspapers.com/article/turlock-journal-277-falcon-and-the-snowm/174481885/  Spy Dust https://www.newspapers.com/article/daily-times-advocate-277-falcon-and-the/174481966/  

Episode SummaryErin and Rachel discuss Bolt (2008), a lesser known film about a dog who thinks he's a super hero. Under new leadership, Disney Animation Studios starts to come out of their slump with this film that some people found boring (Erin) and others found heartwarming (Rachel). Episode BibliographyAmidi, A. (2006, December 18). Chris Sanders No Longer Directing American Dog. Cartoon Brew. https://www.cartoonbrew.com/disney/chris-sanders-no-longer-directing-american-dog-2407.htmlBolt. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl1531348481/Bolt (2008 film). (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Bolt_(2008_film)Catmull, E., & Wallace, A. (2014). Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration. Random House Publishing Group.Desowitz, B. (2008, December 4). The Digital Eye: How 'Bolt' Got Painterly. Animation World Network. https://www.awn.com/vfxworld/digital-eye-how-bolt-got-painterlyDonofrio, E. C. (2013). The wonderful world of gender roles: A look at recent Disney children's films [Honors thesis, Boston College]. https://core.ac.uk/reader/151481530DVD Deleted Scenes. (2024, October 7). Bolt (2008) | Behind the Scenes + Deleted Scenes. YouTube. https://www.youtube.com/watch?v=xsEyzc4FVZEEvry, M. (2020, February 13). Exclusive: Kiskaloo Movie Could Be Next for Chris Sanders! ComingSoon.net. https://www.comingsoon.net/movies/news/1122952-exclusive-kiskaloo-movie-could-be-next-for-chris-sandersFleming, M. (2002, November 18). ‘Lilo' scribes stitch Disney package. Variety. https://variety.com/2002/scene/markets-festivals/lilo-scribes-stitch-disney-package-1117876239/Fritz, B. (2006, December 1). Disney lays off animators. Variety. https://variety.com/2006/digital/features/disney-lays-off-animators-1117954931/Fritz, B. (2007, March 27). Sanders joins DreamWorks. Variety. https://variety.com/2007/digital/markets-festivals/sanders-joins-dreamworks-1117961927/From the creator of LILO & STITCH our first look at AMERICAN DOG!!!! (2004, August 16). Ain't It Cool News. https://legacy.aintitcool.com/node/18156Hedrick, D. (2010). King Lear or Bolt: The entertainment unconscious from CalArts to Disney. Shakespeare Studies, 38, 37-47. Hill, J. (2007, February 12). Toon Tuesday : How Disney is fixing “American Dog”. Jim Hill Media. https://jimhillmedia.com/toon-tuesday-how-disney-is-fixing-american-dog/Howard, B., & Williams, C. (Directors). (2008). Bolt [Film]. Walt Disney Animation Studios.Hurt, L.S. (2014). Fuzzy toys and fuzzy feelings: How the “Disney” culture provides the necessary psychological link to improving animal welfare. Journal of Animal & Natural Resource Law, 10, 253-272.McCarthy, T. (2008, November 13). Bolt. Variety. https://variety.com/2008/digital/awards/bolt-3-1200472217/Ness, M. (2016, November 17). An Adorable Dog in an Unbelievable Premise: Disney's Bolt. Reactor. https://reactormag.com/an-adorable-dog-in-an-unbelievable-premise-disneys-bolt/Porter, P. (2009). Journeys toward an authentic self. Society and Animals, 17, 368-375. DOI: 10.1163106311109X12474622855345Rechtshaffen, M. (2008, November 13). Film Review: Bolt. The Hollywood Reporter. https://web.archive.org/web/20081216015641/https://www.hollywoodreporter.com/hr/film/reviews/article_display.jsp?JSESSIONID=prd6JhJJnvQL9cYrfRKSHVQjP6dRnLhLH4SZ1KQht3tfhVLxmjqn!-591095386&&rid=11956Robinson, T. (2008, November 20). Bolt. AV Club. https://www.avclub.com/bolt-1798205268Scott, A. O. (2008, November 20). Canine TV Action Star Discovers that Life is the Best Reality Show. The New York Times. https://www.nytimes.com/2008/11/21/movies/21bolt.htmlSeibert, P. (2008). Bolt: Review. TV Guide. https://web.archive.org/web/20120212213609/http://movies.tvguide.com/bolt/review/294809Springy. (2023, October 11). American Dog: everything I found in one neat thread. forums.lostmediawiki.com. https://forums.lostmediawiki.com/thread/12742/american-dog-neat-threadTuran, K. (2008, November 21). ‘Bolt' spices up Disney with a dash of Pixar. Los Angeles Times. https://www.latimes.com/archives/la-xpm-2008-nov-21-et-bolt21-story.htmlWang, T. (2021). Bolt (2008): Journey to the authentic self. In S. M. Alegre (Ed.), Gender in 21st century animated children's cinema (pp. 86-87). https://ddd.uab.cat/pub/llibres/2021/236285/gen21cen_a2021.pdfWolff, E. (2009, February 5). Animated Oscar noms took long road. Variety. https://variety.com/2009/film/awards/animated-oscar-noms-took-long-road-1117999618/

The DC Studios debut film is here! And joining Matt to discuss it is our super-friend Matthew Kelly AKA: Nando v Movies! Does Big Blue bring it? Should we all buy stock in Lexcorp? How much they feed Crypto if they were watching him for the weekend? All this an more awaits your earholes in this episode.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Vulture and New York Magazine film critic Bilge Ebiri returns to discuss Bernardo Bertolucci's stunning mood piece Little Buddha, a rich and evocative story of an American family who travel to Bhutan after learning their son may be the reincarnation of the spiritual leader of a group of Tibetan Buddhist monks. The film also chronicles chapters in the life of Siddartha (played by Keanu Reeves) who rejects his life of sheltered privilege after learning of human suffering in order to seek a path of spiritual enlightenment. Exhibiting Berolucci's customary visual richness - emboldened by breathtaking images from Academy Award-winning cinematographer Vittorio Storaro - and an otherworldly emotional frankness, Little Buddha conjures the sensation and grandeur of a personal spiritual awakening. We discuss the career of Bertolucci and his "Eastern Trilogy" beginning with 1987's Best Picture winner The Last Emperor, in which Bertolucci's fascination with the spiritual and cultural practices of the Asian continent became a personal endeavor into a deeper understanding of his own artistic ethos. Then we unpack the splendid uncannines of Little Buddha and how Bertolucci's directorial mastery allows for a film of constant settling and de-escalation to feel thrilling and proulsive through it's evocation of a preternatural emotionality. Finally, we discuss the west's fascination with the Tibetan independence movement in the 1990s and the American films it inspired during the decade.   Follow Bilge Ebiri on TwitterOrder Little Buddha on 4K or Blu-ray from Kino LorberGet access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

"I'm not afraid of dying tomorrow, only of getting killed." For Episode 365, David and Brandon kick-off CineNation's World War I series with Stanley Kubrick's PATHS OF GLORY. Listen as they discuss Kubrick's career before the film, why so many studios turned the movie down, the screenwriter controversery, how they pulled off the trench scenes, why one major actor was fired during production because of an alleged kidnapping, how Kubrick's detailed style of directing annoyed some actors, and more! Also, don't forget to join our Patreon for more exclusive content:  Opening - The Round-Up Series and More -  (00:00:10) Intro to World War I (00:09:22) Intro to World War I Movies (00:20:28) Intro to Paths of Glory (00:24:31) How Paths of Glory Got to Production (00:35:54) Favorite Scenes (00:44:40) On Set Life - (01:17:54) Aftermath: Release and Legacy (01:25:31) What Worked and What Didn't (01:28:49) Film Facts (01:35:28) Awards (01:36:58) Final Questions on the Movie (01:41:40) Wrapping Up the Episode (01:47:55) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Tonight's Triple Feature is a director spotlight on Barry Levinson, a filmmaker whose career is as quietly influential as it is stylistically fluid. We're looking at three of his most potent and thematically rich films: Good Morning, Vietnam (1987), Sleepers (1996), and Wag the Dog (1997). While these movies differ wildly in tone—ranging from manic comedy to grim drama to razor-sharp political satire—they're united by something deeper: a fascination with storytelling as both a tool of survival and a weapon of manipulation.To understand how these films fit together—and what they say about Levinson himself—we need to start with the man behind the camera.Who Is Barry Levinson?Barry Levinson emerged from the 1980s auteur boom with a distinctly humanistic voice. A Baltimore native, Levinson first made his mark as a screenwriter, penning ...And Justice for All (1979) and Diner (1982), the latter of which marked his directorial debut. He quickly carved out a niche making intelligent, character-driven dramas with sharp dialogue and a blend of humor and melancholy.You might call him an American moralist—but a flexible one. His best films don't preach; they interrogate. Levinson doesn't arrive at the story with a hammer and message—he arrives with a question. What is the cost of truth? What happens when institutions fail? What stories do we tell to protect ourselves… or to control others?This puts him in a rare category: a commercial filmmaker who consistently tackles uncomfortable ideas, often smuggled into crowd-pleasing packages.The Aesthetic: Naturalism Meets Narrative ControlVisually, Levinson isn't flashy. He doesn't announce himself with whip-pans or long takes. Instead, his aesthetic is clean, restrained, and deceptively simple—he clears space for character and performance. He's a director who understands the power of a well-cast actor and a lived-in setting.But beneath the grounded surface, Levinson is obsessed with the structure and function of narrative. His films constantly interrogate who gets to tell the story, why they're telling it, and what the consequences are. That meta-awareness—about media, perception, and memory—is central to tonight's triple feature.Good Morning, Vietnam (1987): Humor as SubversionGood Morning, Vietnam is perhaps Levinson's most accessible film, largely thanks to Robin Williams' explosive, genre-defying performance as real-life military radio DJ Adrian Cronauer. On the surface, it's a war comedy—a zany, rapid-fire laugh-fest set against the backdrop of Vietnam. But dig deeper, and it's a biting exploration of truth, censorship, and the psychological cost of telling jokes in a world on fire.Levinson lets Williams run wild, yes—but he also carefully frames Cronauer as a man whose humor is both a coping mechanism and a form of protest. The military brass wants control over the narrative. Cronauer wants to tell the truth, or at least laugh at the lie. And that tension—between comedy and tragedy, propaganda and rebellion—makes the film more than just a showcase for improv. It becomes a study of how humor can be a form of defiance in the face of institutional rot.This is Levinson at his most charming, but also his most subversive. He knows a spoonful of sugar helps the medicine go down—and he laces the sugar with acid.Sleepers (1996): Trauma, Brotherhood, and Justice Outside the SystemNearly a decade later, Levinson delivered Sleepers, a completely different animal. Based on Lorenzo Carcaterra's controversial novel (whose “based on a true story” claim remains disputed), Sleepers is a dark, operatic tale of childhood abuse and adult revenge. The humor of Vietnam is gone. In its place: Catholic guilt, corrupted institutions, and the brutal costs of unresolved trauma.If Good Morning, Vietnam was about resisting propaganda, Sleepers is about rewriting it. The second half of the film becomes an elaborate lie—a staged trial, manufactured witnesses, rigged outcomes—all orchestrated not to deceive the audience, but to achieve justice the legal system refuses to provide.Levinson doesn't ask us to condone this. He asks us to understand it. What happens when the people we trust—priests, guards, judges—become the abusers? And what happens when no one will hold them accountable?This is Levinson's angriest film, and his most emotionally direct. It's also deeply personal. Set in Hell's Kitchen in the 1960s, it's saturated with nostalgia—until that nostalgia curdles. It's the American coming-of-age story turned into a horror film.And once again, we're dealing with a narrator—Jason Patric's character—telling us the story long after the fact. But can we trust him? Should we?Levinson doesn't answer. He just holds the camera steady.Wag the Dog (1997): Manufacturing Reality in Real TimeIf Sleepers is a courtroom drama told through shadows and memory, Wag the Dog is a satire of the same mechanisms—but weaponized in real time. Released just weeks before the Clinton-Lewinsky scandal broke, this film is practically prophetic.A spin doctor (Robert De Niro) and a Hollywood producer (Dustin Hoffman) fabricate a fake war to distract from a presidential sex scandal. It's absurd. It's hilarious. And it feels… inevitable.This is Levinson in full meta mode, stripping the illusion of politics down to its skeleton. But while the premise is cynical, the filmmaking is precise and controlled. The performances are pitch-perfect. The script, by David Mamet and Hilary Henkin, is lean and lethal. And the message is terrifying:If the story is good enough, the facts don't matter.Wag the Dog completes the arc that began with Vietnam. In that film, the media truth-teller is punished. In Wag the Dog, the media manipulator is rewarded. Humor, once a weapon of rebellion, has become a tool of control. The satirical bite here is so sharp it draws blood.What These Films Say About LevinsonTaken together, these three films show a director fascinated by the moral weight of storytelling. Levinson keeps returning to the same idea: that narrative is power. Whether it's used to comfort soldiers, avenge childhood trauma, or distract a nation, stories shape the way we see the world—and they're always being weaponized by someone.He's not flashy. He's not dogmatic. But Barry Levinson understands something fundamental: that the line between truth and fiction is thin, fragile, and often chosen for us by people we'll never meet.And that's what makes him one of the most essential—and underrated—American filmmakers of the last 40 years.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

With Shahir out of town presumably researching dinosaurs, Matt and Jamie cue up the harmonica version of the JP theme song for this next entry in the legendary franchise from Director Gareth Edwards. Does it capture the wonder of the Parks? Or are we left with a empty feeling Jurassic World?If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Now... There is a fair amount of controversy surrounding this film ever since it was first screened at Cannes back in 2003, and I'm not talking about his dated belt. Roger Ebert slated the film. Gallo called him "fat". Ebert did not relent. Gallo cut the film down from 114 mins to 98 mins. Ebert rejoiced, awarded it a 3/4, and seemingly forgot everything Gallo called him. But that isn't really that controversial. I'm talking about what transpired at the end of the movie with Chloë Sevigny, which got everyone so upset.Yeah, if you didn't already know, you're gonna find out and you'll probably hate it. This is a film that had us on the fence for a significant amount of its runtime, and there are some pleasant surprises. Or as "pleasant" as the film allows you to feel.

Big shark in the watertext me if you wantSupport the showThank you for listening!! Like, Share, Subscribe Buy some merch if you want to support the Pod or if you Love me https://cine-ops-shop.fourthwall.com feel free to reach out, share, and followPodcast YouTube:https://www.youtube.com/@TheCine-OpsPodcastEmail: cineopspod@gmail.comIG: just_alvi21My YouTube: https://www.youtube.com/channel/UCoh517UWLGsZ_HyNvg33fog

Mission: Impossible Rogue Nation is a great example of good, straight forward storytelling. Yes, it's an action movie with big stunts. Yes, you have to suspend your disbelief.  Yes, it's Tom Cruise.  But there's more craft in this movie than meets the eye. This episode, I'll show you what I mean and Valerie will give her take on the interesting variation of the Villian's monologue. Just in case anyone was wondering, Valerie and I do our own stunts on the podcast. -M Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

Whether it's days, weeks or years, we're always ready to rage out and put boots on the ground to discuss Danny Boyle and Alex Garland's newest film! If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Find the 9 Points Rating System here: https://www.alostplot.com/9-points/ In this episode of A Lost Plot, hosts Maverick and Jared Stonefield delve into the classic film 'The Dead Poets Society.' They explore the film's themes of individuality, societal expectations, and the impact of a passionate teacher, John Keating, on his students. The conversation covers character dynamics, the emotional arcs of key characters like Neil Perry and Todd Anderson, and the significance of the film's ending. The hosts reflect on the film's powerful messages about seizing the day and living life to the fullest, making it a must-watch for everyone, especially young men.----------Highlights:0:00 'Dead Poets Society' Introduction3:47 Opening Scene5:58 Character Dynamics and Protagonists11:42 Backstory and Motive for the Boys16:08 John Keating as the Mentor Figure20:32 Welton Boys School25:03 The Aspiring Leader: Neil Perry37:46 The Unsure One: Todd Anderson43:11 The Loverboy: Knox Overstreet47:19 Meeks, Cameron, and Pitts51:03 The Scofflaw: Charlie Dalton55:55 Revisiting Keating1:01:49 Conclusion of the Film#deadpoetsociety #keating #neilperry #alostplot #knoxoverstreet #charliedalton #podcast #filmreview #films #review #classic #poetry #carpediem #johnkeating #robbinwilliams 

It's a brand new season and that means two brand new study topics! In Season 15, I'm studying something called the villain's monologue and Melanie is studying turning points. Guardians of the Galaxy vol. 3 is one of those films that's ok as long as you don't look too closely! There are definitely logic problems but insofar as our study topics are concerned, this movie offers up some valuable craft advice. Enjoy! -V. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

Love is in the air in Celine Song's "Materialists" which reunites our trio of intrepid film critic matchmakers lead by Izzy (BKRewind) to help us answer the ultimate cinematic dilemma: Pedro Pascal or Chris Evans? If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.