Podcasts about Film analysis

Whether it's days, weeks or years, we're always ready to rage out and put boots on the ground to discuss Danny Boyle and Alex Garland's newest film! If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome back to Triple Feature, where we don't do pious canonization or mindless culture war dunking—we do critical conversations. And tonight, we're closing out Pride Month with a look at three biographical films that give us not only a window into LGBTQ history but also force us to confront the messy, complicated truth behind some of its most iconic figures: Milk (2008), Kinsey (2004), and Lizzy (2018). These are not feel-good hero narratives. Nor should they be. All three subjects—Harvey Milk, Alfred Kinsey, and Lizzie Borden—occupy liminal, even controversial, spaces in both queer history and American memory. And while these films do the Hollywood work of dramatizing personal struggle and cultural impact, what makes them worth watching—and discussing together—is that none of them give us easy protagonists. These are portraits of disruption, not sainthood. And maybe that's exactly what Pride Month needs: less sanitized inspiration and more uncomfortable honesty. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Send us a textWe're bidding toxic men adieu with this final part of “Thelma and Louise”! Listen in on our chat about the cathartic ending of this film and how Thelma and Louise tackle the toxic men around them.Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Find the 9 Points Rating System here: https://www.alostplot.com/9-points/ In this episode of A Lost Plot, hosts Maverick and Jared Stonefield delve into the classic film 'The Dead Poets Society.' They explore the film's themes of individuality, societal expectations, and the impact of a passionate teacher, John Keating, on his students. The conversation covers character dynamics, the emotional arcs of key characters like Neil Perry and Todd Anderson, and the significance of the film's ending. The hosts reflect on the film's powerful messages about seizing the day and living life to the fullest, making it a must-watch for everyone, especially young men.----------Highlights:0:00 'Dead Poets Society' Introduction3:47 Opening Scene5:58 Character Dynamics and Protagonists11:42 Backstory and Motive for the Boys16:08 John Keating as the Mentor Figure20:32 Welton Boys School25:03 The Aspiring Leader: Neil Perry37:46 The Unsure One: Todd Anderson43:11 The Loverboy: Knox Overstreet47:19 Meeks, Cameron, and Pitts51:03 The Scofflaw: Charlie Dalton55:55 Revisiting Keating1:01:49 Conclusion of the Film#deadpoetsociety #keating #neilperry #alostplot #knoxoverstreet #charliedalton #podcast #filmreview #films #review #classic #poetry #carpediem #johnkeating #robbinwilliams 

It's a brand new season and that means two brand new study topics! In Season 15, I'm studying something called the villain's monologue and Melanie is studying turning points. Guardians of the Galaxy vol. 3 is one of those films that's ok as long as you don't look too closely! There are definitely logic problems but insofar as our study topics are concerned, this movie offers up some valuable craft advice. Enjoy! -V. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

Love is in the air in Celine Song's "Materialists" which reunites our trio of intrepid film critic matchmakers lead by Izzy (BKRewind) to help us answer the ultimate cinematic dilemma: Pedro Pascal or Chris Evans? If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Challenge Accepted, Thomas and Frank celebrate the 50th anniversary of Steven Spielberg's iconic film Jaws. They revisit the movie that redefined the summer blockbuster, breaking down everything from unforgettable performances to behind-the-scenes innovations. The conversation explores the film's themes of fear, fatherhood, trauma, and nature vs. man, while also highlighting Spielberg's genius in turning technical failures into cinematic gold. Plus, a compelling fan theory about Chief Brody adds a whole new layer to the film. Timestamps and Topics: 00:00:00 Intro and first impressions 00:01:26 Classic vs. modern filmmaking 00:02:25 Town politics and Amity Island's denial 00:04:07 First deaths and the shift in tone 00:06:06 Brody's arc from outsider to hero 00:08:07 Quint's monologue and character intro 00:09:34 Jaws as a modern Moby Dick 00:12:01 Spielberg's camera work and blocking 00:14:48 Underwater filming innovations 00:17:10 Hooper and Quint's relationship 00:19:56 Fan theory: Is Brody a recovering alcoholic? 00:24:08 Best blocking scene: Hooper and Brody confront the mayor 00:25:11 The shark reveal and building tension 00:28:24 “You're gonna need a bigger boat” moment 00:30:09 Quint's final scene and the fear switch 00:35:02 Nature vs. man and Cold War commentary 00:38:48 Why practical effects still matter 00:39:56 John Williams' score as emotional storytelling 00:41:11 Fatherhood and generational connection through film Key Takeaways: Jaws successfully merges suspense and horror with character-driven storytelling Spielberg's limitations with the shark led to creative cinematography that enhanced the suspense The film's characters each represent a different relationship to fear and control Quint's monologue remains one of the most powerful moments in cinema Viewing Brody through the lens of a recovering alcoholic reframes the entire story Themes of misinformation, fear-driven decisions, and human error are still relevant today Quotes: “You're gonna need a bigger boat.” “That was the last time I felt fear. I was waiting for my turn.” “The shark isn't the villain. It's nature doing what it does. The villain is fear and denial.” “It's not about killing the shark. It's about what Brody's trying to kill inside himself.” Call to Action: Enjoying the show? Subscribe to Challenge Accepted, leave a review, and share your favorite Jaws moment using #ChallengeAcceptedPod. Let us know what movie you think holds up better than Jaws or what blockbuster defines summer for you! Links and Resources: Check out GeekFreaksPodcast.com for all the latest geek news and updates mentioned in the episode. Follow Us: Instagram: @challengeacceptedlive TikTok: @challengeacceptedlive Twitter: @CAPodcastLive Listener Questions: What summer movie do you watch every year? Ever had a shark encounter? Message us your thoughts or share on social media and tag us! Apple Podcast Tags: Jaws, movie review, Steven Spielberg, summer blockbuster, shark movies, film analysis, classic movies, movie podcast, John Williams, cinema history

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.We went exceptionally long on the late John Singleton's undersung period western Rosewood, a film (and filmmaker) whose fingerprints are all over Ryan Coogler's recent box office sensation, Sinners. Rosewood tells the story of an independent Black township in Florida and the barbaric racial violence it faced in 1923, incited by a white woman's false accusation of assault and the Klan-assisted mob that followed. It's believed that over 100 Black citizens were murdered during the attacks, though the true number has never been properly counted.Despite the brutality, the legacy of Rosewood was forgotten—suppressed for nearly 60 years by both those who endured it and those who carried out the violence—until investigators uncovered the truth. That reckoning ultimately led to a 1994 vote in the Florida State Legislature to pay reparations to the survivors and their descendants.In Singleton's hands, the story of Rosewood becomes a rich, downtempo historical epic of properly grave tone; a film that never shies away from the violent realities of Black life in America's south in the early 20th century, the racial animus stoked by class anxieties and lingering slavery era resentments, and the complicity of white audiences and their ancestors in carrying out the violence that shaped our country's past and present.We discuss Singleton's inimitable capacity to juggle the rhythms of mainstream studio moviemaking with the formal radicalism of a Black story told with limited equivocation and compromise, as well as how blockbuster moviemaking primes us for absolution rather than honest reckoning. Then, we explore the rich character work within the film, how Singleton utlizies the embellishments of genre and archetype to root Blackness in a cinematic history linked conspicuously to white supremacy, and the refreshing stroke of having "no good white guys" in the movie. Finally, we relate the film to Coogler's latest, where it achieves a similar filmic mastery as well as where we feel it falls short of Singleton's vision.Read The Rosewood Massacre at Esquire MagazineWatch The 1983 Rosewood Massacre segment from 60 MinutesRead Robert Daniels on Sinners at Roger Ebert....Our theme song is "Mirror" by Chris Fish.

If there's anything you're bound to enjoy, it's a good fight movie! This doesn't have "FIGHT" in the title, but adopts the more measured and assured term "SELF-DEFENSE". Fighting shouldn't be encouraged or promoted, but looking after yourself should, respectfully.That brings us to Riley Stearns' 2019 black comedy THE ART OF SELF-DEFENSE, which follows a "weak" man who gets beaten up, decides to learn to fight, and discovers his inner manliness.As dystopian as this world is presented, I do appreciate the idea of just being able to buy something that is generically named "DOG FOOD" to eliminate the time wasted in having to think about my choices.Before I bore you with how complicated my life is buying dog food, enjoy this film review.

While this installment attempts to capture the magic of its predecessors, it often feels like a shadow of what once was. We'll explore the film's self-referential humor, uneven pacing, and the challenges of continuing a beloved franchise. With a mix of nostalgia and critique, we'll discuss how "Scream 3" fits into Craven's legacy and whether it manages to deliver the thrills fans expect. 

Send us a textWhat are road movies? In this episode, we chat about the defining characteristics of a road movie that make them entertaining, particularly how they compare to the equally entertaining bottle movies. Also, stay tuned to the very end to hear our thoughts on “Mission Impossible: The Final Reckoning”!Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

In this episode of Challenge Accepted, Frank and Thomas revisit the 2010 animated hit How to Train Your Dragon, celebrating its powerful themes, stunning animation, and emotional depth. They explore what makes the original film stand out even today, how it compares to the new live-action version, and why Toothless became one of DreamWorks' most beloved characters. From world-building and sound design to the bond between Hiccup and his dragon, the duo digs into every corner of Berk and beyond. Timestamps and Topics: 00:00:00 Welcome to the show 00:00:06 Why How to Train Your Dragon still works 00:02:44 Full movie breakdown 00:05:30 World-building and dragon lore 00:08:00 Toothless' animal-like behavior and animation details 00:10:26 Relationship building through invention 00:13:38 Astrid's role and growth 00:16:05 Flying scenes and metaphor for trust 00:17:15 Disability representation and character arcs 00:19:49 Hiccup's friendships and social shift 00:21:00 Training montage and smart storytelling 00:23:03 Themes of empathy and understanding 00:26:48 John Powell's score and musical impact 00:29:03 Cast shoutout and voice acting highlights 00:31:02 Dean DeBlois directing both versions 00:34:43 Comparing to the Lilo & Stitch remake 00:36:12 Final battle and visual design 00:37:30 Emotional beats that still hit hard 00:39:12 Era of emotional storytelling in animation 00:40:00 Fun facts and trivia 00:45:13 Does it make the Top 100? 00:47:00 Next week's pick: Jaws 00:48:38 Wrap-up and call to action Key Takeaways: How to Train Your Dragon holds up through its heartfelt story and layered characters. The film uses inventive animation and sound to bring Toothless to life in a relatable, pet-like way. Hiccup's journey is about empathy, invention, and identity, making him a rare and compelling lead. The flying sequences, scored by John Powell and designed with input from Roger Deakins, are still cinematic highlights. The story's approach to disability and emotional growth gives it depth that resonates with audiences of all ages. The new live-action remake stays true to the spirit of the original thanks to director Dean DeBlois returning. Quotes:

Tonight on Damn You Hollywood!, Mark Radulich and Robert Winfree take flight with the live-action adaptation of How to Train Your Dragon! Based on the beloved DreamWorks animated trilogy and Cressida Cowell's book series, this 2025 reimagining brings Hiccup, Toothless, and the Viking island of Berk into the realm of live-action fantasy.Join us as we break down the casting choices, visual effects, faithfulness to the original, and whether this adaptation justifies its existence or rides on the coattails of nostalgia. Is Toothless still the most adorable dragon in cinema? Did the magic translate? We'll answer all that and more—plus the usual box office analysis, critical response roundup, and plenty of laughs along the way.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Join the podcaster of podcasters as we battle it out to find out who are the Killer of Killers in the first of Dan Trachtenberg's two predator movies this year! If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Outside the Cinema, hosts Bill and Chris discuss various topics ranging from parenting moments that impress them to the exploration of cult films, particularly focusing on George A. Romero's lesser-known work, 'There's Always Vanilla'. They share personal anecdotes about their children, delve into the significance of youth sports, and analyze the cultural context of the films they review, emphasizing the importance of understanding the era in which they were made. In this conversation, Chris Bricklemyer and OTC Industries delve into the film 'There's Always Vanilla,' directed by George A. Romero. They explore the film's themes of counterculture, character development, and the challenges faced during its writing and production. The discussion highlights the film's visual style, editing techniques, and ultimately leads to their recommendations and critiques of the film's overall quality. In this episode, the hosts delve into the evolution of comedy, critiquing the film 'Morons from Outer Space' for its juvenile humor and lack of substance. They transition into discussing 'The Nun', exploring its themes, character dynamics, and the effectiveness of its horror elements. The conversation culminates in a detailed review of 'Bring Her Back', highlighting its emotional depth and strong performances, ultimately leading to high praise for the film.

If you're writing a quiet, character-driven story — especially if it deals with questions of morality — Juror #2 is a film you must watch. The storytelling craft is rock solid, and although it's a legal drama, it's also highly nuanced with complex characters and an unbelievably intriguing plot. There's no spectacle here. It's all substance. Check out this hook: What if a juror in a murder trial realized that he is the killer? -V. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

We stayed up for three consecutive days without sleep and kept at least one hand on a microphone at all times in order to test our mettle and discuss S.R. Bindler's 1997 "gawkumentary" Hands on a Hardbody, a story of 23 contenstants in Longview, Texas squaring off in a competition of stamina to win a Nissan hardbody truck. Over the course of three days, Bindler and his crew record the ecstasy of victory, the agony of defeat, and the enormity of - as one particularly philosophical contestant puts it - "the human drama thing."We begin with a discussion of commodity fetishism (in the Marxian sense) and how the film explores the mystification of value surrounding the titular hardbody truck and what it means within the lives of all the contestants. Then, we dig into the film's many "characters", how they fulfill or transcend archetype, and how they beguile us with the profundity of their small-town wisdom. Finally, we discuss the feat of Bindler and Co's filmmaking as well as its limits, and how the strain the competition's longevity begins to bleed into the acuity and perceptiveness of the movie itself.Watch Hands on a Hardbody on YouTube.Rent or Purchase Hands on a HardbodyRead Ethan Warren on Hands on a Hardbody at Bright Wall/Dark Room.The Roxie theater in San Francisco is still seeking funds to help buy their building! Be sure to listen to our recent conversation with producer and Roxie board member Henry S. Rosenthal and visit the Roxie website to donate today!Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

We're the hosts with the least in this billionaire boys club weekend filled with attempted coup's, artificially generated misinformation and poorly executed murders! If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is a re-upload for Spotify of a conversation originally held in November of 2023. Hit Factory wishes to extend our deepest gratitude and reverence to the National Music Publishers' Association - tireless defenders of intellectual property, guardians of taste, and brave crusaders against independent podcasts that allegedly included a brief clip of copyrighted music within a previous version of this episode.  Journalist and writer Séamus Malekafzali returns to the program for a lengthy conversation about Martin Scorsese's 1995 crime epic 'Casino'. Initially viewed by critics and audiences as a retread of Scorsese's masterful crime saga 'Goodfellas', the film has since been reevaluated as a masterpiece in its own right - one enriched by the director's late period films and preoccupations.We discuss the film's dizzying construction, effectively evoking the glitz and glam of the Vegas strip through extended montages and voiceover (an effect masterfully rendered by Scorsese's deft hands as a director, a firecracker script with co-writer Nicholas Pileggi, and the brilliant editing of longtime Scorsese collaborator Thelma Schoonmaker). Then, we examine the brilliant, career-defining performance of Sharon Stone as Ginger McKenna. It's a role that deserves every possible accolade, and strikes a note that no one but Stone could conceivably achieve. Finally, we discuss the film as capitalist allegory, and how Scorsese thoughtfully weaves commentary on the corporate centralization of the American economy and its steady collapsing of the middle class.We also offer some thoughts on Scorsese's latest, 'Killers of the Flower Moon', and the evolution of the director's views on capitalism, corruption, and consequence. Follow Séamus on Twitter.Read Séamus's Substack on Middle East politics.Read & Listen to Burnt Nitrate, Séamus's explorations of lesser-known and lesser-discussed films.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

Back in the 1970's in the United Kingdom, there was a sole female Director of a movie. It was an avant-garde, cinematic depiction of the person's stage work and a perfect example of "Panic" Cinema. That film is THE OTHER SIDE OF THE UNDERNEATH.It's a cinematic journey we could not take on our own so we brought back Josh and Kat of Uncomfortable Brunch to bring a bit of academia to the table. We also introduce a new segment that tests Josh's proclivities. In an episode that talks about everything but the film in question, we believe our thought process is accurate.Everything makes sense... eventually.

In this episode, the hosts of Outside the Cinema discuss the cult classic film 'Vamp', exploring its unique blend of horror and comedy, the all-star cast, and the impact of listener engagement on the show. They delve into the film's plot, character dynamics, and its cultural significance, drawing parallels with other films and emphasizing the importance of visual storytelling. In this conversation, the hosts delve into the film 'Vamp,' exploring its artistic expression, character dynamics, and the transition from comedy to horror. They discuss the unique presence of Grace Jones, the visual aesthetics of the film, and the performances of the actors. The conversation culminates in their recommendations and grades for the film, highlighting its campy nature and the impact of its middle section. In this conversation, Chris Bricklemyer and OTC Industries delve into the campy charm and flaws of the 1998 film 'Deep Rising.' They discuss the impact of 90s CGI on the horror genre, character dynamics, and performances, ultimately recommending the film for its entertaining qualities despite its shortcomings. The discussion transitions into a review of the 'Annabelle' film, highlighting the challenges of modern horror films and the importance of character development.

If you are wondering what kids mean when they say, “It's cringe” then watch this movie. Otherwise save yourself some time. On paper everything about this movie should work, but, and it's an enormous but, it doesn't. It's easy to identify why. This movie doesn't know what it wants to be when it grows up - is it a romance, a spy or an action movie. On the upside, if you listen to this episode you will learn the difference between action stories and spy stories - I have very strong opinions about this. We also have lots of fun with our cranky pants on. -M For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

Frank and Thomas dive into Pride and Prejudice (2005) with a surprising amount of insight. After catching a recent theatrical re-release of the Jane Austen adaptation, the hosts unpack its romantic tension, cinematography, performances, and themes of societal expectations. Along the way, they reflect on Keira Knightley's breakout role, Matthew Macfadyen's modern take on Mr. Darcy, and how 19th-century courtship still hits in 2025. With some help from Frank's wife and linked video essays, they make sense of the story's deeper layers—reluctantly, but respectfully. Timestamps and Topics: 00:00:00 Welcome and Thomas's reluctant movie pick 00:00:41 The theatrical re-release and first impressions 00:01:17 Breakdown of the plot, scene by scene 00:04:47 What this movie says about power, class, and gender 00:06:50 The Mr. Bennet and Elizabeth dynamic 00:09:15 Mr. Darcy's character and casting impact 00:14:32 Understanding the dialog and social codes 00:17:12 Cinematography and standout shots 00:20:26 The iconic rain scene and its symbolism 00:24:23 Keira Knightley's performance and casting 00:26:18 Star-studded supporting cast 00:27:06 Comparing both proposals as visual storytelling 00:29:44 Does the movie feel too rushed? 00:33:03 Trivia: red flags, fake book titles, and bad eyesight 00:36:00 Final thoughts and star ratings 00:37:04 Next movie pick revealed: Galaxy Quest Key Takeaways: Pride & Prejudice (2005) is a well-crafted adaptation that, despite not being made for everyone, earns respect for its care and attention to detail. Keira Knightley and Matthew Macfadyen bring depth to iconic characters, especially through subtext and physical acting. Joe Wright's direction is subtle but powerful, using natural lighting, one-shot sequences, and thoughtful framing. The story critiques societal norms by centering a woman (Elizabeth Bennet) who refuses to play by the rules. The movie has become a beloved comfort film, especially for those drawn to emotionally charged slow-burn romances. Quotes:

Our mission should we choose to accept it is to trust Tom Cruise (aka Ethan Hunt) just one more time before this series self destructs in five seconds. This message was not written by the entity.If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

220. In this spoiler-packed episode of the Tailoring Talk Magazine, Jon, Alex, and Roberto dive deep into Mission: Impossible – Final Reckoning!We dissect major plot points, evaluate the film's legacy, discuss casting choices, analyse the script and assess its current box office and critical reception.We conclude by sharing our final ratings and debating which instalment stands as the best in the Mission: Impossible franchise.Enjoyed the episode? Don't forget to subscribe, rate, and leave a review on your favorite podcast platform. Share your thoughts and rankings with us on social media using #TailoringTalkPodcast.Chapters00:00 Introduction to Mission Impossible: The Final Reckoning01:28 Spoiler Warning and Initial Reactions05:10 Premiere Insights and Oscar Considerations06:27 Plot Overview and Expectations08:23 First Impressions: Pacing and Exposition11:36 Character Development and Emotional Impact15:32 Comparative Analysis with Previous Films21:36 Set Pieces and Action Sequences24:44 Humor and Team Dynamics30:07 Final Thoughts and Conclusion31:13 Cinematic Moments and Character Dynamics35:09 Exploring the Plot and Character Development40:55 Stakes and Consequences in the Narrative49:10 Box Office Predictions and Industry Challenges50:43 Technical Mastery vs. Storytelling01:00:18 AI and Plot Flaws01:02:46 Gadgets and Their Significance01:05:02 The Reality of Technology in Film01:07:58 Exploring the Science Behind Fiction01:09:58 Rating the Film: A Critical Analysis01:13:04 Comparing the Mission Impossible Series01:16:58 Audience Reception and Future ContentMessage The Show Directly & Join The Conversation !Support the showYou can now support the show and help me to keep having inspiring, insightful and impactful conversations by subscribing! Visit https://www.buzzsprout.com/1716147/support and thank you so much in advance for helping the show!Links:Roberto on Instagram http://www.instagram.com/robertorevillalondonTailoring Talk on Instagram http://www.instagram.com/tailoringtalkpodcastTailoring Talk on YouTube https://youtube.com/@tailoringtalkCreditsTailoring Talk Intro and Outro Music by Wataboy / TVARI on PixabayEdited & Produced by Roberto RevillaConnect with Roberto head to https://allmylinks.com/robertorevillaEmail the show at tailoringtalkpodcast@gmail.com

Its our anniversary and we're celebrating with the MOVIE OF THE DECADE! The TOP 10 of the TOP 10's are collated for this special TOP 10 of the DECADE! If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode SummaryErin and Rachel travel 700 years into the future to discuss WALL-E (2008), Pixar's robot romance with an unintentionally anti-capitalist message. Fatphobia and misogyny make this dystopian tale unwatchable despite its endearing protagonist, striking animation, and moments of nostalgia. Episode BibliographyThe 81st Academy Awards | 2009. (2009, February 22). Oscars.org. https://www.oscars.org/oscars/ceremonies/2009Akers, D. (2008, June 9). Wall-E: A Movie With a Full Heart, or A Tribute to Justin. Spectrum. https://spectrummagazine.org/news/wall-e-movie-full-heart-or-tribute-justin/Allen, C. (2008, July 13). Wall-E doesn't say anything. Los Angeles Times. https://www.latimes.com/la-op-allen13-2008jul13-story.htmlAnderson, C.T. (2012). Post-apocalyptic nostalgia: WALL-E, garbage, and American ambivalence toward manufactured goods. Literature Interpretation Theory, 23(3), 267-282, DOI: 10.1080/10436928.2012.703598Ball, S. (2009, January 23). Mr. Oscar, Tear Down This Wall! Andrew Stanton on How Animated Films are Pigeonholed -- and How Wall-E is Every Man. Newsweek. https://web.archive.org/web/20090204034311/http://blog.newsweek.com/blogs/popvox/archive/2009/01/23/breaking-out-of-the-box-wall-e-director-andrew-stanton-on-the-oscars-the-blurring-of-the-line-between-animation-and-film-and-writing-strong-female-characterBandyk, M. (2009, January 22). Academy Awards Controversy: Wall-E Gets Snubbed For Best Picture Oscar. USNews. https://web.archive.org/web/20110717180938/http://money.usnews.com/money/blogs/risky-business/2009/01/22/academy-awards-controversy-wall-e-gets-snubbed-for-best-picture-oscarBarbagallo, R. (2009). Design With a Purpose, an interview with Ralph Eggleston. Animation Art Conservation. https://www.animationartconservation.com/design-with-a-purpose%2c-an-interview-with-ralph-eggleston.htmlBeck, B. (2009). Don't make me laugh: People are funny in WALL-E and Tropic Thunder.  Multicultural Perspectives, 11(2), 90-93. DOI: 10.1080/15210960903028768Bold, K. (2008, July 23). ‘WALL-E' and the professor. Today@UCI. https://web.archive.org/web/20080726230400/http://today.uci.edu/Features/profile_detail.asp?key=369Bose, M. (2017). Immaterial thoughts: Brand value, environmental sustainability, and WALL-E. Criticism, 59(2), 247-277. DOI: 10.13110/criticism.59.2.0247Caraway, K., & Caraway, B.R. (2020). Representing ecological crises in children's media: An analysis of The Lorax and Wall-E. Environmental Communication, 14(5), 686-697, DOI: 10.1080/17524032.2019.1710226Coconut Press. (2022, July 1). The Making of WALL-E: The Imperfect Lens (Disney Pixar video). YouTube. https://www.youtube.com/watch?v=G8tlVs4r7zgDesowitz, B. (2009). Hello, WALL•E!: Pixar Reaches for the Stars. Animation World Magazine. https://web.archive.org/web/20090720073659/http://mag.awn.com/article_view.php?id=3682&page=allDisney Enterprises, Inc./Pixar. (2008, June 12). WALL-E Press Kit. Disney. https://web.archive.org/web/20110711103245/http://adisney.go.com/disneyvideos/animatedfilms/wall-e/media/downloads/WALLEProductionNotes.pdfEbert, R. (2008, June 26). Droid Story. Roger Ebert. https://www.rogerebert.com/reviews/wall-e-2008Film Review: WALL-E. (2008, October 1). BBC. http://news.bbc.co.uk/cbbcnews/hi/newsid_7500000/newsid_7504500/7504559.stmFlaig, P. (2016). Slapstick after Fordism: WALL-E, automatism and Pixar's fun factory. Animation: An Interdisciplinary Journal, 11(1), 59-74. DOI: 10.1177/1746847715625017Frick, A. (2008, July 1). Right-Wing Apoplectic Over Pixar's WALL-E: ‘Malthusian Fear Mongering,' ‘Fascistic Elements'. Think Progress. https://archive.thinkprogress.org/right-wing-apoplectic-over-pixars-wall-e-malthusian-fear-mongering-fascistic-elements-92e1523a8a6e/Gaffey, A.J. (2018). Flip the switch: Virtue, programming, and the prospect of automatic agency in Wall-E. Southern Communication Journal, 83(1), 41-56. DOI: 10.1080/1041794X.2017.1399434Glint, J.M.S., & Bhuvaneswari, G. (2025). Memory, Social Identity and Technology at Odds: The Implication on Physical Well‑Being in Wall‑E. Human Arenas. DOI: 10.1007/s42087-024-00471-wHill, J. (2008, June 17). When it comes to the retail world, Speed Racer whomps WALL-E. Jim Hill Media. https://jimhillmedia.com/when-it-comes-to-the-retail-world-speed-racer-whomps-wall-e/Hobbes, M., & Gordon, A. [Hosts]. (2022, May 31). MP Watch Part: Wall-E and Spy [Audio podcast episode]. In Maintenance Phase. https://www.maintenancephase.com/Horn, S., & Moro, E. (2008, April 7). Wall•E Preview. IGN. https://web.archive.org/web/20080411234805/http://movies.ign.com/articles/865/865021p4.htmlHuxley, T. (2008, November 13). Q&A With WALL•E's Ben Burtt. Pixar Planet. https://pixarplanet.com/blog/qa-with-walles-ben-burtt/Justin Wright. (n.d.). Wikipedia. Retrieved April 13, 2025, from https://en.wikipedia.org/wiki/Justin_WrightKorfiatis, K., Photiou, M., & Petrou, S. (2020). Effects of ecoanimations on nine and twelve year old children's environmental conceptions: How WALL-E changed young spectators' views of earth and environmental protection. The Journal of Environmental Education, 51(5), 381-394. DOI: 10.1080/00958964.2020.1747965 Lloyd, A. (2023, December 1). Counteracting Bone and Muscle Loss in Microgravity. NASA. https://www.nasa.gov/humans-in-space/counteracting-bone-and-muscle-loss-in-microgravity/Mattie, S. (2014). WALL-E on the problem of technology. Perspectives on Political Science, 43(1), 12-20. DOI: 10.1080/10457097.2013.784576Murray, R.L., & Heumann, J.K. (2011). That's all folks? Ecocritical readings of American animated features. University of Nebraska Press. Ness, M. (2017, September 28). Robots in Love: WALL-E. Reactor. https://reactormag.com/robots-in-love-wall-e/Pixar. (2016a, October 16). Robo-Everything | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=gqquKFkH-iI&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=9Pixar. (2016b, October 19). Captain's Log | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=PRUoIOkp9AU&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=5Pixar. (2016c, October 19). Live Action | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=FQh4z-j0ScI&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=15Pixar. (2016d, October 19). Trash Planet | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=UmnSYmqpIEY&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=14Pixar. (2016e, October 19). WALL•E and EVE | WALL•E | Disney•Pixar. YouTube. https://www.youtube.com/watch?v=m-AYOhIYZlQ&list=PLLhVNqe2jAb8X9ocSkynckJmcP5y0B4Vc&index=12Potokar, S. (2017, March 8). Wall-E Animation Foley and Sound Design. YouTube. https://www.youtube.com/watch?v=0IPxIvbc_csPrice, D. A. (2009). The Pixar Touch: The Making of a Company. Knopf Doubleday Publishing Group.Recording Academy. (2025). 51st Annual GRAMMY Awards. GRAMMY.com. https://www.grammy.com/awards/51st-annual-grammy-awardsRoberts, S. (2008). Andrew Stanton Interview, Wall-E. Movies Online. https://web.archive.org/web/20080626061223/http://www.moviesonline.ca/movienews_14899.htmlRobinson, T. (2008, June 26). Andrew Stanton. A.V. Club. https://web.archive.org/web/20080908045321/http://www.avclub.com/content/interview/andrew_stantonStanton, A. (Director). (2008). WALL-E [Film]. Pixar Animation Studios.Suellentrop, C. (2008, June 30). Another Brick in the ‘WALL-E'. The New York Times. https://archive.nytimes.com/opinionator.blogs.nytimes.com/2008/06/30/another-brick-in-the-wall-e/Tranter, P., & Sharpe, S. (2012). Disney-Pixar to the rescue: Harnessing positive affect for enhancing children's active mobility. Journal of Transport Geography, 20, 34-40. DOI: 10.1016/j.jtrangeo.2011.04.006van Oosterwijk, I., & McCarthy, W. (2023). Once upon a dystopian time: The portrayal and perception of environmentalism in Pixar's Finding Nemo and WALL-E. Quarterly Review of Film and Video, 40(7), 848-873. DOI: 10.1080/10509208.2022.2049181 WALL-E. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/WALL-EWALL-E. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl3615065601/Willman, C. (2008, July 14). 'WALL-E': How he found 'Hello, Dolly!' Entertainment Weekly. https://ew.com/article/2008/07/14/wall-e-how-he-found-hello-dolly/Yates, M. (2015). Labor as “nature,” nature as labor. Interdisciplinary Studies in Literature and Environment, 22(3), 525-543.

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.We got our hands on Sofia Coppola's diary and read it to try and make sense of her dreamy, quietly devastating debut The Virgin Suicides. Adapted from the Jeffrey Eugenides novel of the same name, Coppola's film tells the story of the five Lisbon sisters as seen through the eyes of the boys they charm and perplex in equal measure. Adopting the male gaze as a means of dismantling it, the film is a gauzy, stylish showcase that approaches the concerns of girlhood with sincerity while unearthing the tragedies of femininity under the patriarchal thumb of suburban American life.We discuss the film's aesthetic contradictions and how it weaponizes its own visual splendor against the viewer, its beauty a calculated veneer masking uncomfortable truths. Then, we examine the film's brilliant narrative device, using a single unidentified narrator to represent the collective attitudes of the young men incapapable of comprehending the fullness of the Lisbon sisters and their interiority. Finally, we ponder the connections Coppola draws between femininity and the natural world, how she literalizes this coupling within the film's suburban landscape and distinctive milieu.The Roxie theater in San Francisco is still seeking funds to help buy their building! Be sure to listen to our recent conversation with producer and Roxie board member Henry S. Rosenthal and visit the Roxie website to donate today!....Our theme song is "Mirror" by Chris Fish

Ricky, Ricky, Ricky! We're back with our first episode stalwart, Richard Rush!We always knew we were going to return to the world of Rush, this time in his most notable film, THE STUNT MAN. Starring Peter O'Toole, Barbara Hershey, and Steve Railsback, this film tells a tale about a wanted felon who stumbles onto a film set and 'just begins working' as a stuntman, and everyone loves him.As you might expect, there is a lot of 'Rush-isms' in this, for better or worse. But honestly, we wouldn't have it any other way! Remember, King Kong was only 3'6". It was the 'movie magic' that made him tall.

In this episode, the hosts of Outside the Cinema delve into the world of cult films, focusing on 'Bloody Muscle Bodybuilder in Hell', a Japanese horror-comedy that pays homage to the 'Evil Dead' series. They discuss the film's production challenges, character dynamics, and the influence of classic horror tropes. The conversation highlights the film's unique charm, despite its low-budget special effects, and the genuine effort put into its creation. The hosts reflect on the absurdity and humor that define cult cinema, making it a beloved genre among fans. In this conversation, the hosts delve into the unique narrative of 'Bloody Muscle Bodybuilder in Hell,' comparing it to the classic 'Evil Dead' series. They discuss the film's merits, its low-budget production, and the humor intertwined with horror elements. The conversation transitions into a review of the 1976 film 'Drive-In,' exploring its characters and the cultural context of the 1970s drive-in theater experience. In this conversation, Chris Bricklemyer and OTC Industries explore the charm of 70s slice-of-life films, discussing their endearing qualities and character development. They reflect on the fashion of the era and its impact on their viewing experience. The discussion transitions to the Conjuring universe, where they critique the themes and storytelling of the films. Reverend Scott's humorous take on movie reviews adds a light-hearted touch, leading to closing thoughts on future recommendations and the overall experience of watching these films.

We've had a number of masterful movies this season and Women Talking is another one. Q: How do you tell a story when everything you've ever known is at stake? A: Consider the pros and cons using multiple protagonists. This is a great movie where the level of writing craft is high, and the core event provides more relief than you thought possible. If you can bear to watch this movie more than once, it will be worth it. -M. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

We're live at PAX East with special guests Geoffrey Zatkin, Kat Rider, Sophia Ricciardi and Jasmine "ThatBronzeGirl" Bhullar to put an end to the eternal existential question of our generation, "Which is a better video game adaptation: Minecraft or Until Dawn"? There were tears, laughter, knife fights and a zombie horde, but we finally got to the bottom of this important question and ended the debate once and for all!If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Case and Sam are looking back at the earliest episodes of the show! Check out their thoughts on the eighteenth episode when Case sat down with Drew Lewandowski and chatted about Captain America: The First Avenger! Overview In the latest episode of the 'Another Pass at Another Pass' podcast, hosts Case Aiken and Sam Alicea review 'Captain America: The First Avenger,' reflecting on its role as a unifying film within the Marvel Cinematic Universe (MCU). They discuss the film's strong character setup in the first half but critique a rushed third act and missed opportunities for deeper character development, particularly concerning the Howling Commandos and the relationship between Howard Stark and Steve Rogers. Praise is given to the casting, especially Chris Evans as Captain America and Hugo Weaving as Red Skull, while discussing suggestions for improving narrative flow. The hosts express a continuing appreciation for the film after rewatching it, noting its effective handling of themes and villains, and they highlight its significance within the broader MCU narrative. Additionally, they touch on the impact of real-world events on superhero films and announce upcoming podcast episodes, wrapping up with promotional messages for other network shows.   Notes Introduction to the Podcast and Film (00:00 - 10:16) Case Aiken and Sam Alicea are hosting 'Another Pass at Another Pass' podcast They're reviewing a previous episode about Captain America: The First Avenger The original episode featured Case and his friend Drew Lewandowski Case apologizes for poor audio quality in the original recording They discuss how Captain America serves as a unifying movie in the MCU The film connects elements from Iron Man, Thor, and Hulk through the Tesseract Captain America as a Unifying Element (10:16 - 19:05) Captain America movies serve as unifying elements in the MCU Winter Soldier launched 'phase two' by introducing more complex themes The lines between good and bad become increasingly blurred in later films Captain America represents absolute leadership and teamwork The film establishes the character's role as someone who brings people together Captain America represents the ideals of America, not just super strength Film Structure Analysis (19:05 - 28:33) First half of the film is exceptionally strong, creating a perfect character setup The third act feels rushed with some missed opportunities for character development The Red Skull (Hugo Weaving) is praised as an excellent villain HYDRA's introduction was more significant than initially realized HYDRA allowed for the creation of a Marvel-specific villain organization The film sets up important elements for Winter Soldier and later MCU films ⏱️ Critique of Film Pacing (28:33 - 36:56) The Howling Commandos deserved more screen time and character development The relationship between Howard Stark and Steve Rogers needed more development This relationship becomes important context for Tony/Steve dynamics in later films Bucky's 'death' scene could have been positioned differently in the narrative The train sequence and finale have some structural issues Discussion about how the film could have better bridged its two halves Casting and Character Highlights (36:56 - 45:25) Exceptional casting across the board: Chris Evans, Hugo Weaving, Stanley Tucci Red Skull is one of the most enduring Marvel villains, despite limited screen time Zola's character design cleverly references his comic book appearance Tommy Lee Jones perfectly cast as the military leader Chris Evans found his defining role as Captain America Strong supporting cast with actors who would later become more famous Film Analysis and Improvement Ideas (45:26 - 54:02) Suggestion to add an 'intermission' between the film's two halves Proposal to restructure the third act for better narrative flow The kamikaze pilots subplot criticized as lowering the stakes Suggested improvements for the final confrontation with Red Skull Idea to incorporate Bucky's death as a catalyst for the final mission Discussion about improving the transition between propaganda era and real combat Conclusion of Original Episode (54:02 - 01:02:58) Original hosts wrap up their discussion of the film The movie is praised as being difficult to critique because it's so well-made Recommendation for viewers to rewatch the film with modern context Discussion of how the film fits into the larger MCU narrative Mention of a 'Phase One drinking game' for MCU marathon viewings Final thoughts on the film's significance to the MCU Modern Perspective on the Film (01:02:58 - 01:13:03) Sam and Case discuss their current opinions of the film after rewatching Both hosts remain strongly positive about the film years later The movie holds up exceptionally well in the context of the full MCU Discussion of how the film handles its villain effectively Praise for the subtle character moments and attention to detail Red Skull's appearance in later MCU films briefly mentioned Character Design and Props (01:13:03 - 01:24:11) Excellent adaptation of comic book costumes to realistic military gear Props and set design create an authentic World War II atmosphere Captain America's evolution from USO performer to actual hero is well-executed Small character arcs for supporting characters are effectively included Discussion of how the film works as a family-friendly viewing option Only one potentially scary scene (Red Skull face reveal) noted for young viewers ️ Current MCU Discussion and Conclusions (01:24:11 - 01:39:52) Brief discussion of the recent 'Captain America: Brave New World' film Comparison between the original trilogy and newer Captain America content Discussion of how real-world events affect superhero movie production The consistent writing team for the Captain America trilogy provided narrative strength Announcement of upcoming podcast episodes and network news Farewell and promotional messages for other network shows

Find the 9 Points Rating System here: https://www.alostplot.com/9-points/Find the Thunderbolts* Review here: https://www.podomatic.com/podcasts/maverick51411/episodes/2025-05-07T04_00_00-07_00 In this conversation, Maverick and Andrew analyze the film 'Black Widow,' focusing on character development, the portrayal of female empowerment, and the effectiveness of the villains. They discuss the contrasting characters of Yelena and Natasha, the lack of emotional stakes, and the disappointing representation of female characters in the Marvel Cinematic Universe. The conversation also touches on the impact of Black Widow's death and the legacy of the film, concluding with a call for better-written female characters in future Disney productions.----------Highlights:0:00 ‘Black Widow' Introduction3:51 Opening Scene6:18 Natasha Romanoff: A Compelling Protagonist?14:00 Dreykov and Taskmaster16:39 Female Empowerment and Hollywood25:01 Side Characters31:11 Romanoff's Problems Before Black Widow34:28 Themes and Messages35:46 Lasting Impact of Black Widow#blackwidow #natasharomanoff #yelenabolova #alexeishostakov #redguardian #alostplot #redroom #dreykov #taskmaster #disney #marvel #marvelstudios #mcu #film #filmthoughts #femaleleads #femaleempowerment #thunderbolts #assassins #assassin 

This movie looks like an innocent little story about seniors who want to make the most of their golden years, but the craft behind it will knock your socks off. It's a multiple POV, multiple plot film and believe me, this is NOT an easy format to pull off. So if you're writing a story with more than one protagonist and/or more than one plot line, do yourself a favour — listen to this episode and learn from these master storytellers. -V. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

216. Hold onto your seats, because this episode of Tailoring Talk Magazine Podcast is a high-octane thrill ride! We're diving headfirst into the world of Ethan Hunt and his daring IMF team as we unravel the genius of Mission Impossible: Rogue Nation. From its jaw-dropping opening stunt to the pulse-pounding motorbike chase, we break down the moments that make this film an action masterpiece.Join us as we explore:

We're diving into Mission: Impossible – The Final Reckoning to talk all things action, nostalgia, and whether Ethan Hunt still has fuel left in the tank. From jaw-dropping stunts to emotional callbacks, we break down the film's look and feel, performances, and story—without giving anything away. Does it stick the landing as a franchise finale? Tune in to find out.MISSION: IMPOSSIBLE – THE FINAL RECKONING will be in theatres and IMAX on May 23 Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HERE

I'm just a historian! :)

Meet The New Avengerz* as we're joined by Nando V Movies to discuss the 36th MCU movie “The Thunderbolts” and say hello to darkness our old friend!If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We finally bring the brilliant, indelible work of Claire Denis to the pod with a discussion of her 1994 TV movie U.S. Go Home. Produced as part of the anthology series Tous les garcons et les filles de leur age… alongside work from other French visionaries like Chantal Akerman, Olivier Assayas and André Téchiné, Denis' film is an elliptical, compassionate coming-of-age story that regularly subverts expectations and never succumbs to the potentially regressive tendencies of its narrative milieu. We begin with some chatter about recent Hit Factory-featured filmmaker Edward Yang and a recent watch of his final work, Yi Yi. Then, we explore Denis' film - its lyrical formalism, its exquisite soundtrack - and how she crafts a work of simultaneously keen observation and hypnotic ambiguity. Watch U.S. Go Home on YouTubeThe Roxie theater in San Francisco is still seeking funds to help buy their building! Be sure to listen to our recent conversation with producer and Roxie board member Henry S. Rosenthal and visit the Roxie website to donate today!Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

Oh boy. We've found ourselves in a bit of Barney Rubble, eh? However hard we try, we seem to find ourselves back in prison. And in this episode, you can listen to us in "real-time" literally figuring out how many "prison movies" we've already uncovered, and it's alarming.We're back with Mr. Mackenzie after we did YOUNG ADAM all those episodes ago, and it's another pretty bleak and disheartening piece of cinema starring Jack O'Connell in a big bad man prison. Key words here: "Prison Kisses" and you won't be disappointed.Enjoy! (hahah)

It's gonna be a late night as Matt, Shahir and Jamie wait "Until Dawn" to discuss video game adaptations, Sony pictures and David F Sandberg's pony smashing approach to filmmakingIf you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

213. In this exhilarating episode of the Tailoring Talk Magazine Podcast, we scale new heights—literally—as we dive into the adrenaline-fueled world of Mission Impossible: Ghost Protocol. From Brad Bird's visionary direction to the groundbreaking stunts and innovative gadgets, we unpack everything that makes this film a standout in the series.Get ready to relive the heart-stopping Burj Khalifa sequence, one of the most iconic action set pieces in cinema history, as we explore how it redefined what's possible in blockbuster filmmaking. We also discuss the intricate plot, the humor that balances the tension, and the emotional stakes that keep viewers hooked—especially during the unforgettable final mission.Join us as we break down the dynamic character interactions, the daring practical effects, and the film's pivotal Kremlin heist, all of which cement Ghost Protocol as a game-changer for the franchise.

Find the 9 Points Rating System here: https://www.alostplot.com/9-points/In this episode, hosts Maverick and Avalon delve into the political thriller film 'Conclave,' exploring its themes of church politics, character dynamics, and moral dilemmas. They discuss the film's opening scene, the intricacies of the conclave process, and the development of key characters like Thomas Lawrence, Aldo Bellini, and Adeyemi. The conversation highlights how personal ambitions and scandals impact the narrative, ultimately reflecting on the complexities of leadership within the church. ----------Highlights:0:00 'Conclave' Introduction8:39 Opening Scene13:15 Exploring Thomas Lawrence19:18 Aldo Bellini's Ambition and Downfall29:15 Adeyemi's Scandal and Consequences31:56 Tremblay's Corruption43:05 The Unexpected Candidate55:14 Lasting Impact of the Film#conclave #conclavefilm #catholic #catholicchurch #ralphfiennes #cardinal #pope #film #filmthoughts #alostplot #podcast #filmreview #modernevents #terrorism #infidelity #corruption #honesty #innocence 

In this week's episode of The Decision Reel, we dive axe-first into the bloody brilliance of American Psycho! Steve, Wally, Tara and special guest Reid dissect the cult classic that gave us business cards, chainsaws, and the unforgettable performance of Christian Bale as Patrick Bateman. This one's a bit longer than usual — but trust us, it's worth every minute. From 80s pop music to the film's biting satire and iconic quotes, we go deep into what makes American Psycho a twistedly genius ride through the mind of a very well-dressed madman. So put on your raincoat, turn up the Huey Lewis, and press play on a killer conversation.

Steven Roberts returns to round out this trio of Sinners discussing Ryan Cooglers new historical horror with not one, but two Michael B Jordan's! Tap your feet as we talk about history vs history lessons, Cooglers filmography and "the shot" If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.