Podcasts about Film analysis

Send us a textGood evening listeners and welcome to another episode of Last Call with Three & 1/2 Gentlemen. As they continue with their regular movies reviews, the hosts will bring you a mini show, about various topics. In this engaging conversation episode, the hosts go over their personal rankings of the greatest films of the 21st century and provide their own top 10 films for the last 25 years.  During the episode, the hosts debate the significance of various films, discuss honorable mentions, reflect on the impact of cinema on their lives and the shared love for storytelling through film.Come listen and follow the hosts on their Instagram and YouTube channel @the.gentlemenpodcastKael Your Idols: A New Hollywood PodcastA movie discussion podcast about the New Hollywood era from the late 60s through early 80sListen on: Apple Podcasts Spotify

Send us a textWhy does jealousy make us act so irrationally? In this episode, we chat about jealousy in films, how there seems to be more jealousy amongst women and how social media impacts jealousy and role modelling in younger generations.Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Valerie's focus on the villain's monologue in She Said was always going to be risky because we'd have to hear Harvey Weinstein's justification but justification requires the villain owning his stuff! What's interesting is not what's said but who says it. There's also differences between the turning points in this movie and the others we've watched, and it has a big impact on the story. -M Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

Show Notes No, it's not a Marvel movie. The Falcon and the Snowman is actually the real life story of  two life long friends who decide to spy for  the Soviet Union. Join the boys as they discuss.  Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 ‎Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 Creator Accountability Network creatoraccountabilitynetwork.org. Banner Year for Spy Game https://www.newspapers.com/article/free-lance-277-falcon-and-the-snowman-1/174481924/  European Spy Fever https://www.newspapers.com/article/turlock-journal-277-falcon-and-the-snowm/174481885/  Spy Dust https://www.newspapers.com/article/daily-times-advocate-277-falcon-and-the/174481966/  

Episode SummaryErin and Rachel discuss Bolt (2008), a lesser known film about a dog who thinks he's a super hero. Under new leadership, Disney Animation Studios starts to come out of their slump with this film that some people found boring (Erin) and others found heartwarming (Rachel). Episode BibliographyAmidi, A. (2006, December 18). Chris Sanders No Longer Directing American Dog. Cartoon Brew. https://www.cartoonbrew.com/disney/chris-sanders-no-longer-directing-american-dog-2407.htmlBolt. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl1531348481/Bolt (2008 film). (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Bolt_(2008_film)Catmull, E., & Wallace, A. (2014). Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration. Random House Publishing Group.Desowitz, B. (2008, December 4). The Digital Eye: How 'Bolt' Got Painterly. Animation World Network. https://www.awn.com/vfxworld/digital-eye-how-bolt-got-painterlyDonofrio, E. C. (2013). The wonderful world of gender roles: A look at recent Disney children's films [Honors thesis, Boston College]. https://core.ac.uk/reader/151481530DVD Deleted Scenes. (2024, October 7). Bolt (2008) | Behind the Scenes + Deleted Scenes. YouTube. https://www.youtube.com/watch?v=xsEyzc4FVZEEvry, M. (2020, February 13). Exclusive: Kiskaloo Movie Could Be Next for Chris Sanders! ComingSoon.net. https://www.comingsoon.net/movies/news/1122952-exclusive-kiskaloo-movie-could-be-next-for-chris-sandersFleming, M. (2002, November 18). ‘Lilo' scribes stitch Disney package. Variety. https://variety.com/2002/scene/markets-festivals/lilo-scribes-stitch-disney-package-1117876239/Fritz, B. (2006, December 1). Disney lays off animators. Variety. https://variety.com/2006/digital/features/disney-lays-off-animators-1117954931/Fritz, B. (2007, March 27). Sanders joins DreamWorks. Variety. https://variety.com/2007/digital/markets-festivals/sanders-joins-dreamworks-1117961927/From the creator of LILO & STITCH our first look at AMERICAN DOG!!!! (2004, August 16). Ain't It Cool News. https://legacy.aintitcool.com/node/18156Hedrick, D. (2010). King Lear or Bolt: The entertainment unconscious from CalArts to Disney. Shakespeare Studies, 38, 37-47. Hill, J. (2007, February 12). Toon Tuesday : How Disney is fixing “American Dog”. Jim Hill Media. https://jimhillmedia.com/toon-tuesday-how-disney-is-fixing-american-dog/Howard, B., & Williams, C. (Directors). (2008). Bolt [Film]. Walt Disney Animation Studios.Hurt, L.S. (2014). Fuzzy toys and fuzzy feelings: How the “Disney” culture provides the necessary psychological link to improving animal welfare. Journal of Animal & Natural Resource Law, 10, 253-272.McCarthy, T. (2008, November 13). Bolt. Variety. https://variety.com/2008/digital/awards/bolt-3-1200472217/Ness, M. (2016, November 17). An Adorable Dog in an Unbelievable Premise: Disney's Bolt. Reactor. https://reactormag.com/an-adorable-dog-in-an-unbelievable-premise-disneys-bolt/Porter, P. (2009). Journeys toward an authentic self. Society and Animals, 17, 368-375. DOI: 10.1163106311109X12474622855345Rechtshaffen, M. (2008, November 13). Film Review: Bolt. The Hollywood Reporter. https://web.archive.org/web/20081216015641/https://www.hollywoodreporter.com/hr/film/reviews/article_display.jsp?JSESSIONID=prd6JhJJnvQL9cYrfRKSHVQjP6dRnLhLH4SZ1KQht3tfhVLxmjqn!-591095386&&rid=11956Robinson, T. (2008, November 20). Bolt. AV Club. https://www.avclub.com/bolt-1798205268Scott, A. O. (2008, November 20). Canine TV Action Star Discovers that Life is the Best Reality Show. The New York Times. https://www.nytimes.com/2008/11/21/movies/21bolt.htmlSeibert, P. (2008). Bolt: Review. TV Guide. https://web.archive.org/web/20120212213609/http://movies.tvguide.com/bolt/review/294809Springy. (2023, October 11). American Dog: everything I found in one neat thread. forums.lostmediawiki.com. https://forums.lostmediawiki.com/thread/12742/american-dog-neat-threadTuran, K. (2008, November 21). ‘Bolt' spices up Disney with a dash of Pixar. Los Angeles Times. https://www.latimes.com/archives/la-xpm-2008-nov-21-et-bolt21-story.htmlWang, T. (2021). Bolt (2008): Journey to the authentic self. In S. M. Alegre (Ed.), Gender in 21st century animated children's cinema (pp. 86-87). https://ddd.uab.cat/pub/llibres/2021/236285/gen21cen_a2021.pdfWolff, E. (2009, February 5). Animated Oscar noms took long road. Variety. https://variety.com/2009/film/awards/animated-oscar-noms-took-long-road-1117999618/

The DC Studios debut film is here! And joining Matt to discuss it is our super-friend Matthew Kelly AKA: Nando v Movies! Does Big Blue bring it? Should we all buy stock in Lexcorp? How much they feed Crypto if they were watching him for the weekend? All this an more awaits your earholes in this episode.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Vulture and New York Magazine film critic Bilge Ebiri returns to discuss Bernardo Bertolucci's stunning mood piece Little Buddha, a rich and evocative story of an American family who travel to Bhutan after learning their son may be the reincarnation of the spiritual leader of a group of Tibetan Buddhist monks. The film also chronicles chapters in the life of Siddartha (played by Keanu Reeves) who rejects his life of sheltered privilege after learning of human suffering in order to seek a path of spiritual enlightenment. Exhibiting Berolucci's customary visual richness - emboldened by breathtaking images from Academy Award-winning cinematographer Vittorio Storaro - and an otherworldly emotional frankness, Little Buddha conjures the sensation and grandeur of a personal spiritual awakening. We discuss the career of Bertolucci and his "Eastern Trilogy" beginning with 1987's Best Picture winner The Last Emperor, in which Bertolucci's fascination with the spiritual and cultural practices of the Asian continent became a personal endeavor into a deeper understanding of his own artistic ethos. Then we unpack the splendid uncannines of Little Buddha and how Bertolucci's directorial mastery allows for a film of constant settling and de-escalation to feel thrilling and proulsive through it's evocation of a preternatural emotionality. Finally, we discuss the west's fascination with the Tibetan independence movement in the 1990s and the American films it inspired during the decade.   Follow Bilge Ebiri on TwitterOrder Little Buddha on 4K or Blu-ray from Kino LorberGet access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

"I'm not afraid of dying tomorrow, only of getting killed." For Episode 365, David and Brandon kick-off CineNation's World War I series with Stanley Kubrick's PATHS OF GLORY. Listen as they discuss Kubrick's career before the film, why so many studios turned the movie down, the screenwriter controversery, how they pulled off the trench scenes, why one major actor was fired during production because of an alleged kidnapping, how Kubrick's detailed style of directing annoyed some actors, and more! Also, don't forget to join our Patreon for more exclusive content:  Opening - The Round-Up Series and More -  (00:00:10) Intro to World War I (00:09:22) Intro to World War I Movies (00:20:28) Intro to Paths of Glory (00:24:31) How Paths of Glory Got to Production (00:35:54) Favorite Scenes (00:44:40) On Set Life - (01:17:54) Aftermath: Release and Legacy (01:25:31) What Worked and What Didn't (01:28:49) Film Facts (01:35:28) Awards (01:36:58) Final Questions on the Movie (01:41:40) Wrapping Up the Episode (01:47:55) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Send us a textWeddings are such a great setting for an entertaining film because of all the drama and chaos that usually unfolds! We're both on our respective wedding journeys and chat about our experiences and wedding in film and tv.Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

A man and his friends attempt to rob a bank and it goes really, really poorly. Based on a true story. Join the boys as they decide if this old movie still works.  Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 ‎Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 Creator Accountability Network creatoraccountabilitynetwork.org. Irving Trust Bank Robber / Rash of robberies https://www.newspapers.com/article/daily-news-276-dog-day-afternoon-1975-1/175466083/ Commuter Bandit https://www.newspapers.com/article/daily-news-276-dog-day-afternoon-1975-2/175466311/ Escapees https://www.newspapers.com/article/daily-news-276-dog-day-afternoon-1975-3/175466432/ Attica Prison riot https://en.wikipedia.org/wiki/Attica_Prison_riot  

Tonight's Triple Feature is a director spotlight on Barry Levinson, a filmmaker whose career is as quietly influential as it is stylistically fluid. We're looking at three of his most potent and thematically rich films: Good Morning, Vietnam (1987), Sleepers (1996), and Wag the Dog (1997). While these movies differ wildly in tone—ranging from manic comedy to grim drama to razor-sharp political satire—they're united by something deeper: a fascination with storytelling as both a tool of survival and a weapon of manipulation.To understand how these films fit together—and what they say about Levinson himself—we need to start with the man behind the camera.Who Is Barry Levinson?Barry Levinson emerged from the 1980s auteur boom with a distinctly humanistic voice. A Baltimore native, Levinson first made his mark as a screenwriter, penning ...And Justice for All (1979) and Diner (1982), the latter of which marked his directorial debut. He quickly carved out a niche making intelligent, character-driven dramas with sharp dialogue and a blend of humor and melancholy.You might call him an American moralist—but a flexible one. His best films don't preach; they interrogate. Levinson doesn't arrive at the story with a hammer and message—he arrives with a question. What is the cost of truth? What happens when institutions fail? What stories do we tell to protect ourselves… or to control others?This puts him in a rare category: a commercial filmmaker who consistently tackles uncomfortable ideas, often smuggled into crowd-pleasing packages.The Aesthetic: Naturalism Meets Narrative ControlVisually, Levinson isn't flashy. He doesn't announce himself with whip-pans or long takes. Instead, his aesthetic is clean, restrained, and deceptively simple—he clears space for character and performance. He's a director who understands the power of a well-cast actor and a lived-in setting.But beneath the grounded surface, Levinson is obsessed with the structure and function of narrative. His films constantly interrogate who gets to tell the story, why they're telling it, and what the consequences are. That meta-awareness—about media, perception, and memory—is central to tonight's triple feature.Good Morning, Vietnam (1987): Humor as SubversionGood Morning, Vietnam is perhaps Levinson's most accessible film, largely thanks to Robin Williams' explosive, genre-defying performance as real-life military radio DJ Adrian Cronauer. On the surface, it's a war comedy—a zany, rapid-fire laugh-fest set against the backdrop of Vietnam. But dig deeper, and it's a biting exploration of truth, censorship, and the psychological cost of telling jokes in a world on fire.Levinson lets Williams run wild, yes—but he also carefully frames Cronauer as a man whose humor is both a coping mechanism and a form of protest. The military brass wants control over the narrative. Cronauer wants to tell the truth, or at least laugh at the lie. And that tension—between comedy and tragedy, propaganda and rebellion—makes the film more than just a showcase for improv. It becomes a study of how humor can be a form of defiance in the face of institutional rot.This is Levinson at his most charming, but also his most subversive. He knows a spoonful of sugar helps the medicine go down—and he laces the sugar with acid.Sleepers (1996): Trauma, Brotherhood, and Justice Outside the SystemNearly a decade later, Levinson delivered Sleepers, a completely different animal. Based on Lorenzo Carcaterra's controversial novel (whose “based on a true story” claim remains disputed), Sleepers is a dark, operatic tale of childhood abuse and adult revenge. The humor of Vietnam is gone. In its place: Catholic guilt, corrupted institutions, and the brutal costs of unresolved trauma.If Good Morning, Vietnam was about resisting propaganda, Sleepers is about rewriting it. The second half of the film becomes an elaborate lie—a staged trial, manufactured witnesses, rigged outcomes—all orchestrated not to deceive the audience, but to achieve justice the legal system refuses to provide.Levinson doesn't ask us to condone this. He asks us to understand it. What happens when the people we trust—priests, guards, judges—become the abusers? And what happens when no one will hold them accountable?This is Levinson's angriest film, and his most emotionally direct. It's also deeply personal. Set in Hell's Kitchen in the 1960s, it's saturated with nostalgia—until that nostalgia curdles. It's the American coming-of-age story turned into a horror film.And once again, we're dealing with a narrator—Jason Patric's character—telling us the story long after the fact. But can we trust him? Should we?Levinson doesn't answer. He just holds the camera steady.Wag the Dog (1997): Manufacturing Reality in Real TimeIf Sleepers is a courtroom drama told through shadows and memory, Wag the Dog is a satire of the same mechanisms—but weaponized in real time. Released just weeks before the Clinton-Lewinsky scandal broke, this film is practically prophetic.A spin doctor (Robert De Niro) and a Hollywood producer (Dustin Hoffman) fabricate a fake war to distract from a presidential sex scandal. It's absurd. It's hilarious. And it feels… inevitable.This is Levinson in full meta mode, stripping the illusion of politics down to its skeleton. But while the premise is cynical, the filmmaking is precise and controlled. The performances are pitch-perfect. The script, by David Mamet and Hilary Henkin, is lean and lethal. And the message is terrifying:If the story is good enough, the facts don't matter.Wag the Dog completes the arc that began with Vietnam. In that film, the media truth-teller is punished. In Wag the Dog, the media manipulator is rewarded. Humor, once a weapon of rebellion, has become a tool of control. The satirical bite here is so sharp it draws blood.What These Films Say About LevinsonTaken together, these three films show a director fascinated by the moral weight of storytelling. Levinson keeps returning to the same idea: that narrative is power. Whether it's used to comfort soldiers, avenge childhood trauma, or distract a nation, stories shape the way we see the world—and they're always being weaponized by someone.He's not flashy. He's not dogmatic. But Barry Levinson understands something fundamental: that the line between truth and fiction is thin, fragile, and often chosen for us by people we'll never meet.And that's what makes him one of the most essential—and underrated—American filmmakers of the last 40 years.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

With Shahir out of town presumably researching dinosaurs, Matt and Jamie cue up the harmonica version of the JP theme song for this next entry in the legendary franchise from Director Gareth Edwards. Does it capture the wonder of the Parks? Or are we left with a empty feeling Jurassic World?If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Now... There is a fair amount of controversy surrounding this film ever since it was first screened at Cannes back in 2003, and I'm not talking about his dated belt. Roger Ebert slated the film. Gallo called him "fat". Ebert did not relent. Gallo cut the film down from 114 mins to 98 mins. Ebert rejoiced, awarded it a 3/4, and seemingly forgot everything Gallo called him. But that isn't really that controversial. I'm talking about what transpired at the end of the movie with Chloë Sevigny, which got everyone so upset.Yeah, if you didn't already know, you're gonna find out and you'll probably hate it. This is a film that had us on the fence for a significant amount of its runtime, and there are some pleasant surprises. Or as "pleasant" as the film allows you to feel.

Big shark in the watertext me if you wantSupport the showThank you for listening!! Like, Share, Subscribe Buy some merch if you want to support the Pod or if you Love me https://cine-ops-shop.fourthwall.com feel free to reach out, share, and followPodcast YouTube:https://www.youtube.com/@TheCine-OpsPodcastEmail: cineopspod@gmail.comIG: just_alvi21My YouTube: https://www.youtube.com/channel/UCoh517UWLGsZ_HyNvg33fog

Send us a textWelcome to the summer of sisterhood! We're continuing to chat about female friendships in film with “Bridesmaids”, talking about why it was so critically acclaimed and whether it still stands the test of time as a comedy. We also chat about the style of humour and our own personal preferences when it comes to comedy.Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Mission: Impossible Rogue Nation is a great example of good, straight forward storytelling. Yes, it's an action movie with big stunts. Yes, you have to suspend your disbelief.  Yes, it's Tom Cruise.  But there's more craft in this movie than meets the eye. This episode, I'll show you what I mean and Valerie will give her take on the interesting variation of the Villian's monologue. Just in case anyone was wondering, Valerie and I do our own stunts on the podcast. -M Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

Are aliens from outer space attacking the human race considered its own movie genre? Because here is another picture where that happens. This time it's Will Smith, Jeff Goldblum  and a cast of dozens turn to experience the pain of encountering a super advanced race from the stars. Clearly, Hollywood and the general public love this plot but does that mean this movie still works?    Links You can rate and review us in these places (and more, probably) Does This Still Work? - TV Podcast https://www.podchaser.com/podcasts/does-this-still-work-1088105 ‎Does This Still Work? on Apple Podcasts https://podcasts.apple.com/us/podcast/does-this-still-work/id1492570867 Creator Accountability Network creatoraccountabilitynetwork.org. 1999 NASA Woes https://www.newspapers.com/article/the-courier-274-independence-day-1/173535688/ https://www.newspapers.com/article/tulsa-world-274-independence-day-2/173536058/  

Whether it's days, weeks or years, we're always ready to rage out and put boots on the ground to discuss Danny Boyle and Alex Garland's newest film! If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome back to Triple Feature, where we don't do pious canonization or mindless culture war dunking—we do critical conversations. And tonight, we're closing out Pride Month with a look at three biographical films that give us not only a window into LGBTQ history but also force us to confront the messy, complicated truth behind some of its most iconic figures: Milk (2008), Kinsey (2004), and Lizzy (2018). These are not feel-good hero narratives. Nor should they be. All three subjects—Harvey Milk, Alfred Kinsey, and Lizzie Borden—occupy liminal, even controversial, spaces in both queer history and American memory. And while these films do the Hollywood work of dramatizing personal struggle and cultural impact, what makes them worth watching—and discussing together—is that none of them give us easy protagonists. These are portraits of disruption, not sainthood. And maybe that's exactly what Pride Month needs: less sanitized inspiration and more uncomfortable honesty. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network. Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Find the 9 Points Rating System here: https://www.alostplot.com/9-points/ In this episode of A Lost Plot, hosts Maverick and Jared Stonefield delve into the classic film 'The Dead Poets Society.' They explore the film's themes of individuality, societal expectations, and the impact of a passionate teacher, John Keating, on his students. The conversation covers character dynamics, the emotional arcs of key characters like Neil Perry and Todd Anderson, and the significance of the film's ending. The hosts reflect on the film's powerful messages about seizing the day and living life to the fullest, making it a must-watch for everyone, especially young men.----------Highlights:0:00 'Dead Poets Society' Introduction3:47 Opening Scene5:58 Character Dynamics and Protagonists11:42 Backstory and Motive for the Boys16:08 John Keating as the Mentor Figure20:32 Welton Boys School25:03 The Aspiring Leader: Neil Perry37:46 The Unsure One: Todd Anderson43:11 The Loverboy: Knox Overstreet47:19 Meeks, Cameron, and Pitts51:03 The Scofflaw: Charlie Dalton55:55 Revisiting Keating1:01:49 Conclusion of the Film#deadpoetsociety #keating #neilperry #alostplot #knoxoverstreet #charliedalton #podcast #filmreview #films #review #classic #poetry #carpediem #johnkeating #robbinwilliams 

It's a brand new season and that means two brand new study topics! In Season 15, I'm studying something called the villain's monologue and Melanie is studying turning points. Guardians of the Galaxy vol. 3 is one of those films that's ok as long as you don't look too closely! There are definitely logic problems but insofar as our study topics are concerned, this movie offers up some valuable craft advice. Enjoy! -V. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

Love is in the air in Celine Song's "Materialists" which reunites our trio of intrepid film critic matchmakers lead by Izzy (BKRewind) to help us answer the ultimate cinematic dilemma: Pedro Pascal or Chris Evans? If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Challenge Accepted, Thomas and Frank celebrate the 50th anniversary of Steven Spielberg's iconic film Jaws. They revisit the movie that redefined the summer blockbuster, breaking down everything from unforgettable performances to behind-the-scenes innovations. The conversation explores the film's themes of fear, fatherhood, trauma, and nature vs. man, while also highlighting Spielberg's genius in turning technical failures into cinematic gold. Plus, a compelling fan theory about Chief Brody adds a whole new layer to the film. Timestamps and Topics: 00:00:00 Intro and first impressions 00:01:26 Classic vs. modern filmmaking 00:02:25 Town politics and Amity Island's denial 00:04:07 First deaths and the shift in tone 00:06:06 Brody's arc from outsider to hero 00:08:07 Quint's monologue and character intro 00:09:34 Jaws as a modern Moby Dick 00:12:01 Spielberg's camera work and blocking 00:14:48 Underwater filming innovations 00:17:10 Hooper and Quint's relationship 00:19:56 Fan theory: Is Brody a recovering alcoholic? 00:24:08 Best blocking scene: Hooper and Brody confront the mayor 00:25:11 The shark reveal and building tension 00:28:24 “You're gonna need a bigger boat” moment 00:30:09 Quint's final scene and the fear switch 00:35:02 Nature vs. man and Cold War commentary 00:38:48 Why practical effects still matter 00:39:56 John Williams' score as emotional storytelling 00:41:11 Fatherhood and generational connection through film Key Takeaways: Jaws successfully merges suspense and horror with character-driven storytelling Spielberg's limitations with the shark led to creative cinematography that enhanced the suspense The film's characters each represent a different relationship to fear and control Quint's monologue remains one of the most powerful moments in cinema Viewing Brody through the lens of a recovering alcoholic reframes the entire story Themes of misinformation, fear-driven decisions, and human error are still relevant today Quotes: “You're gonna need a bigger boat.” “That was the last time I felt fear. I was waiting for my turn.” “The shark isn't the villain. It's nature doing what it does. The villain is fear and denial.” “It's not about killing the shark. It's about what Brody's trying to kill inside himself.” Call to Action: Enjoying the show? Subscribe to Challenge Accepted, leave a review, and share your favorite Jaws moment using #ChallengeAcceptedPod. Let us know what movie you think holds up better than Jaws or what blockbuster defines summer for you! Links and Resources: Check out GeekFreaksPodcast.com for all the latest geek news and updates mentioned in the episode. Follow Us: Instagram: @challengeacceptedlive TikTok: @challengeacceptedlive Twitter: @CAPodcastLive Listener Questions: What summer movie do you watch every year? Ever had a shark encounter? Message us your thoughts or share on social media and tag us! Apple Podcast Tags: Jaws, movie review, Steven Spielberg, summer blockbuster, shark movies, film analysis, classic movies, movie podcast, John Williams, cinema history

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.We went exceptionally long on the late John Singleton's undersung period western Rosewood, a film (and filmmaker) whose fingerprints are all over Ryan Coogler's recent box office sensation, Sinners. Rosewood tells the story of an independent Black township in Florida and the barbaric racial violence it faced in 1923, incited by a white woman's false accusation of assault and the Klan-assisted mob that followed. It's believed that over 100 Black citizens were murdered during the attacks, though the true number has never been properly counted.Despite the brutality, the legacy of Rosewood was forgotten—suppressed for nearly 60 years by both those who endured it and those who carried out the violence—until investigators uncovered the truth. That reckoning ultimately led to a 1994 vote in the Florida State Legislature to pay reparations to the survivors and their descendants.In Singleton's hands, the story of Rosewood becomes a rich, downtempo historical epic of properly grave tone; a film that never shies away from the violent realities of Black life in America's south in the early 20th century, the racial animus stoked by class anxieties and lingering slavery era resentments, and the complicity of white audiences and their ancestors in carrying out the violence that shaped our country's past and present.We discuss Singleton's inimitable capacity to juggle the rhythms of mainstream studio moviemaking with the formal radicalism of a Black story told with limited equivocation and compromise, as well as how blockbuster moviemaking primes us for absolution rather than honest reckoning. Then, we explore the rich character work within the film, how Singleton utlizies the embellishments of genre and archetype to root Blackness in a cinematic history linked conspicuously to white supremacy, and the refreshing stroke of having "no good white guys" in the movie. Finally, we relate the film to Coogler's latest, where it achieves a similar filmic mastery as well as where we feel it falls short of Singleton's vision.Read The Rosewood Massacre at Esquire MagazineWatch The 1983 Rosewood Massacre segment from 60 MinutesRead Robert Daniels on Sinners at Roger Ebert....Our theme song is "Mirror" by Chris Fish.

If there's anything you're bound to enjoy, it's a good fight movie! This doesn't have "FIGHT" in the title, but adopts the more measured and assured term "SELF-DEFENSE". Fighting shouldn't be encouraged or promoted, but looking after yourself should, respectfully.That brings us to Riley Stearns' 2019 black comedy THE ART OF SELF-DEFENSE, which follows a "weak" man who gets beaten up, decides to learn to fight, and discovers his inner manliness.As dystopian as this world is presented, I do appreciate the idea of just being able to buy something that is generically named "DOG FOOD" to eliminate the time wasted in having to think about my choices.Before I bore you with how complicated my life is buying dog food, enjoy this film review.

While this installment attempts to capture the magic of its predecessors, it often feels like a shadow of what once was. We'll explore the film's self-referential humor, uneven pacing, and the challenges of continuing a beloved franchise. With a mix of nostalgia and critique, we'll discuss how "Scream 3" fits into Craven's legacy and whether it manages to deliver the thrills fans expect. 

In this episode of Challenge Accepted, Frank and Thomas revisit the 2010 animated hit How to Train Your Dragon, celebrating its powerful themes, stunning animation, and emotional depth. They explore what makes the original film stand out even today, how it compares to the new live-action version, and why Toothless became one of DreamWorks' most beloved characters. From world-building and sound design to the bond between Hiccup and his dragon, the duo digs into every corner of Berk and beyond. Timestamps and Topics: 00:00:00 Welcome to the show 00:00:06 Why How to Train Your Dragon still works 00:02:44 Full movie breakdown 00:05:30 World-building and dragon lore 00:08:00 Toothless' animal-like behavior and animation details 00:10:26 Relationship building through invention 00:13:38 Astrid's role and growth 00:16:05 Flying scenes and metaphor for trust 00:17:15 Disability representation and character arcs 00:19:49 Hiccup's friendships and social shift 00:21:00 Training montage and smart storytelling 00:23:03 Themes of empathy and understanding 00:26:48 John Powell's score and musical impact 00:29:03 Cast shoutout and voice acting highlights 00:31:02 Dean DeBlois directing both versions 00:34:43 Comparing to the Lilo & Stitch remake 00:36:12 Final battle and visual design 00:37:30 Emotional beats that still hit hard 00:39:12 Era of emotional storytelling in animation 00:40:00 Fun facts and trivia 00:45:13 Does it make the Top 100? 00:47:00 Next week's pick: Jaws 00:48:38 Wrap-up and call to action Key Takeaways: How to Train Your Dragon holds up through its heartfelt story and layered characters. The film uses inventive animation and sound to bring Toothless to life in a relatable, pet-like way. Hiccup's journey is about empathy, invention, and identity, making him a rare and compelling lead. The flying sequences, scored by John Powell and designed with input from Roger Deakins, are still cinematic highlights. The story's approach to disability and emotional growth gives it depth that resonates with audiences of all ages. The new live-action remake stays true to the spirit of the original thanks to director Dean DeBlois returning. Quotes:

Tonight on Damn You Hollywood!, Mark Radulich and Robert Winfree take flight with the live-action adaptation of How to Train Your Dragon! Based on the beloved DreamWorks animated trilogy and Cressida Cowell's book series, this 2025 reimagining brings Hiccup, Toothless, and the Viking island of Berk into the realm of live-action fantasy.Join us as we break down the casting choices, visual effects, faithfulness to the original, and whether this adaptation justifies its existence or rides on the coattails of nostalgia. Is Toothless still the most adorable dragon in cinema? Did the magic translate? We'll answer all that and more—plus the usual box office analysis, critical response roundup, and plenty of laughs along the way.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Join the podcaster of podcasters as we battle it out to find out who are the Killer of Killers in the first of Dan Trachtenberg's two predator movies this year! If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Outside the Cinema, hosts Bill and Chris discuss various topics ranging from parenting moments that impress them to the exploration of cult films, particularly focusing on George A. Romero's lesser-known work, 'There's Always Vanilla'. They share personal anecdotes about their children, delve into the significance of youth sports, and analyze the cultural context of the films they review, emphasizing the importance of understanding the era in which they were made. In this conversation, Chris Bricklemyer and OTC Industries delve into the film 'There's Always Vanilla,' directed by George A. Romero. They explore the film's themes of counterculture, character development, and the challenges faced during its writing and production. The discussion highlights the film's visual style, editing techniques, and ultimately leads to their recommendations and critiques of the film's overall quality. In this episode, the hosts delve into the evolution of comedy, critiquing the film 'Morons from Outer Space' for its juvenile humor and lack of substance. They transition into discussing 'The Nun', exploring its themes, character dynamics, and the effectiveness of its horror elements. The conversation culminates in a detailed review of 'Bring Her Back', highlighting its emotional depth and strong performances, ultimately leading to high praise for the film.

If you're writing a quiet, character-driven story — especially if it deals with questions of morality — Juror #2 is a film you must watch. The storytelling craft is rock solid, and although it's a legal drama, it's also highly nuanced with complex characters and an unbelievably intriguing plot. There's no spectacle here. It's all substance. Check out this hook: What if a juror in a murder trial realized that he is the killer? -V. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

We stayed up for three consecutive days without sleep and kept at least one hand on a microphone at all times in order to test our mettle and discuss S.R. Bindler's 1997 "gawkumentary" Hands on a Hardbody, a story of 23 contenstants in Longview, Texas squaring off in a competition of stamina to win a Nissan hardbody truck. Over the course of three days, Bindler and his crew record the ecstasy of victory, the agony of defeat, and the enormity of - as one particularly philosophical contestant puts it - "the human drama thing."We begin with a discussion of commodity fetishism (in the Marxian sense) and how the film explores the mystification of value surrounding the titular hardbody truck and what it means within the lives of all the contestants. Then, we dig into the film's many "characters", how they fulfill or transcend archetype, and how they beguile us with the profundity of their small-town wisdom. Finally, we discuss the feat of Bindler and Co's filmmaking as well as its limits, and how the strain the competition's longevity begins to bleed into the acuity and perceptiveness of the movie itself.Watch Hands on a Hardbody on YouTube.Rent or Purchase Hands on a HardbodyRead Ethan Warren on Hands on a Hardbody at Bright Wall/Dark Room.The Roxie theater in San Francisco is still seeking funds to help buy their building! Be sure to listen to our recent conversation with producer and Roxie board member Henry S. Rosenthal and visit the Roxie website to donate today!Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish

We're the hosts with the least in this billionaire boys club weekend filled with attempted coup's, artificially generated misinformation and poorly executed murders! If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This is a re-upload for Spotify of a conversation originally held in November of 2023. Hit Factory wishes to extend our deepest gratitude and reverence to the National Music Publishers' Association - tireless defenders of intellectual property, guardians of taste, and brave crusaders against independent podcasts that allegedly included a brief clip of copyrighted music within a previous version of this episode.  Journalist and writer Séamus Malekafzali returns to the program for a lengthy conversation about Martin Scorsese's 1995 crime epic 'Casino'. Initially viewed by critics and audiences as a retread of Scorsese's masterful crime saga 'Goodfellas', the film has since been reevaluated as a masterpiece in its own right - one enriched by the director's late period films and preoccupations.We discuss the film's dizzying construction, effectively evoking the glitz and glam of the Vegas strip through extended montages and voiceover (an effect masterfully rendered by Scorsese's deft hands as a director, a firecracker script with co-writer Nicholas Pileggi, and the brilliant editing of longtime Scorsese collaborator Thelma Schoonmaker). Then, we examine the brilliant, career-defining performance of Sharon Stone as Ginger McKenna. It's a role that deserves every possible accolade, and strikes a note that no one but Stone could conceivably achieve. Finally, we discuss the film as capitalist allegory, and how Scorsese thoughtfully weaves commentary on the corporate centralization of the American economy and its steady collapsing of the middle class.We also offer some thoughts on Scorsese's latest, 'Killers of the Flower Moon', and the evolution of the director's views on capitalism, corruption, and consequence. Follow Séamus on Twitter.Read Séamus's Substack on Middle East politics.Read & Listen to Burnt Nitrate, Séamus's explorations of lesser-known and lesser-discussed films.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

Back in the 1970's in the United Kingdom, there was a sole female Director of a movie. It was an avant-garde, cinematic depiction of the person's stage work and a perfect example of "Panic" Cinema. That film is THE OTHER SIDE OF THE UNDERNEATH.It's a cinematic journey we could not take on our own so we brought back Josh and Kat of Uncomfortable Brunch to bring a bit of academia to the table. We also introduce a new segment that tests Josh's proclivities. In an episode that talks about everything but the film in question, we believe our thought process is accurate.Everything makes sense... eventually.

In this episode, the hosts of Outside the Cinema discuss the cult classic film 'Vamp', exploring its unique blend of horror and comedy, the all-star cast, and the impact of listener engagement on the show. They delve into the film's plot, character dynamics, and its cultural significance, drawing parallels with other films and emphasizing the importance of visual storytelling. In this conversation, the hosts delve into the film 'Vamp,' exploring its artistic expression, character dynamics, and the transition from comedy to horror. They discuss the unique presence of Grace Jones, the visual aesthetics of the film, and the performances of the actors. The conversation culminates in their recommendations and grades for the film, highlighting its campy nature and the impact of its middle section. In this conversation, Chris Bricklemyer and OTC Industries delve into the campy charm and flaws of the 1998 film 'Deep Rising.' They discuss the impact of 90s CGI on the horror genre, character dynamics, and performances, ultimately recommending the film for its entertaining qualities despite its shortcomings. The discussion transitions into a review of the 'Annabelle' film, highlighting the challenges of modern horror films and the importance of character development.

If you are wondering what kids mean when they say, “It's cringe” then watch this movie. Otherwise save yourself some time. On paper everything about this movie should work, but, and it's an enormous but, it doesn't. It's easy to identify why. This movie doesn't know what it wants to be when it grows up - is it a romance, a spy or an action movie. On the upside, if you listen to this episode you will learn the difference between action stories and spy stories - I have very strong opinions about this. We also have lots of fun with our cranky pants on. -M For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

Frank and Thomas dive into Pride and Prejudice (2005) with a surprising amount of insight. After catching a recent theatrical re-release of the Jane Austen adaptation, the hosts unpack its romantic tension, cinematography, performances, and themes of societal expectations. Along the way, they reflect on Keira Knightley's breakout role, Matthew Macfadyen's modern take on Mr. Darcy, and how 19th-century courtship still hits in 2025. With some help from Frank's wife and linked video essays, they make sense of the story's deeper layers—reluctantly, but respectfully. Timestamps and Topics: 00:00:00 Welcome and Thomas's reluctant movie pick 00:00:41 The theatrical re-release and first impressions 00:01:17 Breakdown of the plot, scene by scene 00:04:47 What this movie says about power, class, and gender 00:06:50 The Mr. Bennet and Elizabeth dynamic 00:09:15 Mr. Darcy's character and casting impact 00:14:32 Understanding the dialog and social codes 00:17:12 Cinematography and standout shots 00:20:26 The iconic rain scene and its symbolism 00:24:23 Keira Knightley's performance and casting 00:26:18 Star-studded supporting cast 00:27:06 Comparing both proposals as visual storytelling 00:29:44 Does the movie feel too rushed? 00:33:03 Trivia: red flags, fake book titles, and bad eyesight 00:36:00 Final thoughts and star ratings 00:37:04 Next movie pick revealed: Galaxy Quest Key Takeaways: Pride & Prejudice (2005) is a well-crafted adaptation that, despite not being made for everyone, earns respect for its care and attention to detail. Keira Knightley and Matthew Macfadyen bring depth to iconic characters, especially through subtext and physical acting. Joe Wright's direction is subtle but powerful, using natural lighting, one-shot sequences, and thoughtful framing. The story critiques societal norms by centering a woman (Elizabeth Bennet) who refuses to play by the rules. The movie has become a beloved comfort film, especially for those drawn to emotionally charged slow-burn romances. Quotes:

Our mission should we choose to accept it is to trust Tom Cruise (aka Ethan Hunt) just one more time before this series self destructs in five seconds. This message was not written by the entity.If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

220. In this spoiler-packed episode of the Tailoring Talk Magazine, Jon, Alex, and Roberto dive deep into Mission: Impossible – Final Reckoning!We dissect major plot points, evaluate the film's legacy, discuss casting choices, analyse the script and assess its current box office and critical reception.We conclude by sharing our final ratings and debating which instalment stands as the best in the Mission: Impossible franchise.Enjoyed the episode? Don't forget to subscribe, rate, and leave a review on your favorite podcast platform. Share your thoughts and rankings with us on social media using #TailoringTalkPodcast.Chapters00:00 Introduction to Mission Impossible: The Final Reckoning01:28 Spoiler Warning and Initial Reactions05:10 Premiere Insights and Oscar Considerations06:27 Plot Overview and Expectations08:23 First Impressions: Pacing and Exposition11:36 Character Development and Emotional Impact15:32 Comparative Analysis with Previous Films21:36 Set Pieces and Action Sequences24:44 Humor and Team Dynamics30:07 Final Thoughts and Conclusion31:13 Cinematic Moments and Character Dynamics35:09 Exploring the Plot and Character Development40:55 Stakes and Consequences in the Narrative49:10 Box Office Predictions and Industry Challenges50:43 Technical Mastery vs. Storytelling01:00:18 AI and Plot Flaws01:02:46 Gadgets and Their Significance01:05:02 The Reality of Technology in Film01:07:58 Exploring the Science Behind Fiction01:09:58 Rating the Film: A Critical Analysis01:13:04 Comparing the Mission Impossible Series01:16:58 Audience Reception and Future ContentMessage The Show Directly & Join The Conversation !Support the showYou can now support the show and help me to keep having inspiring, insightful and impactful conversations by subscribing! Visit https://www.buzzsprout.com/1716147/support and thank you so much in advance for helping the show!Links:Roberto on Instagram http://www.instagram.com/robertorevillalondonTailoring Talk on Instagram http://www.instagram.com/tailoringtalkpodcastTailoring Talk on YouTube https://youtube.com/@tailoringtalkCreditsTailoring Talk Intro and Outro Music by Wataboy / TVARI on PixabayEdited & Produced by Roberto RevillaConnect with Roberto head to https://allmylinks.com/robertorevillaEmail the show at tailoringtalkpodcast@gmail.com

Its our anniversary and we're celebrating with the MOVIE OF THE DECADE! The TOP 10 of the TOP 10's are collated for this special TOP 10 of the DECADE! If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode SummaryErin and Rachel travel 700 years into the future to discuss WALL-E (2008), Pixar's robot romance with an unintentionally anti-capitalist message. Fatphobia and misogyny make this dystopian tale unwatchable despite its endearing protagonist, striking animation, and moments of nostalgia. Episode BibliographyThe 81st Academy Awards | 2009. (2009, February 22). Oscars.org. https://www.oscars.org/oscars/ceremonies/2009Akers, D. (2008, June 9). Wall-E: A Movie With a Full Heart, or A Tribute to Justin. Spectrum. https://spectrummagazine.org/news/wall-e-movie-full-heart-or-tribute-justin/Allen, C. (2008, July 13). Wall-E doesn't say anything. Los Angeles Times. https://www.latimes.com/la-op-allen13-2008jul13-story.htmlAnderson, C.T. (2012). Post-apocalyptic nostalgia: WALL-E, garbage, and American ambivalence toward manufactured goods. Literature Interpretation Theory, 23(3), 267-282, DOI: 10.1080/10436928.2012.703598Ball, S. (2009, January 23). Mr. Oscar, Tear Down This Wall! Andrew Stanton on How Animated Films are Pigeonholed -- and How Wall-E is Every Man. Newsweek. https://web.archive.org/web/20090204034311/http://blog.newsweek.com/blogs/popvox/archive/2009/01/23/breaking-out-of-the-box-wall-e-director-andrew-stanton-on-the-oscars-the-blurring-of-the-line-between-animation-and-film-and-writing-strong-female-characterBandyk, M. (2009, January 22). Academy Awards Controversy: Wall-E Gets Snubbed For Best Picture Oscar. USNews. https://web.archive.org/web/20110717180938/http://money.usnews.com/money/blogs/risky-business/2009/01/22/academy-awards-controversy-wall-e-gets-snubbed-for-best-picture-oscarBarbagallo, R. (2009). Design With a Purpose, an interview with Ralph Eggleston. Animation Art Conservation. https://www.animationartconservation.com/design-with-a-purpose%2c-an-interview-with-ralph-eggleston.htmlBeck, B. (2009). Don't make me laugh: People are funny in WALL-E and Tropic Thunder.  Multicultural Perspectives, 11(2), 90-93. DOI: 10.1080/15210960903028768Bold, K. (2008, July 23). ‘WALL-E' and the professor. Today@UCI. https://web.archive.org/web/20080726230400/http://today.uci.edu/Features/profile_detail.asp?key=369Bose, M. (2017). Immaterial thoughts: Brand value, environmental sustainability, and WALL-E. Criticism, 59(2), 247-277. DOI: 10.13110/criticism.59.2.0247Caraway, K., & Caraway, B.R. (2020). Representing ecological crises in children's media: An analysis of The Lorax and Wall-E. Environmental Communication, 14(5), 686-697, DOI: 10.1080/17524032.2019.1710226Coconut Press. (2022, July 1). The Making of WALL-E: The Imperfect Lens (Disney Pixar video). YouTube. https://www.youtube.com/watch?v=G8tlVs4r7zgDesowitz, B. (2009). Hello, WALL•E!: Pixar Reaches for the Stars. Animation World Magazine. https://web.archive.org/web/20090720073659/http://mag.awn.com/article_view.php?id=3682&page=allDisney Enterprises, Inc./Pixar. (2008, June 12). WALL-E Press Kit. Disney. https://web.archive.org/web/20110711103245/http://adisney.go.com/disneyvideos/animatedfilms/wall-e/media/downloads/WALLEProductionNotes.pdfEbert, R. (2008, June 26). Droid Story. Roger Ebert. https://www.rogerebert.com/reviews/wall-e-2008Film Review: WALL-E. (2008, October 1). BBC. http://news.bbc.co.uk/cbbcnews/hi/newsid_7500000/newsid_7504500/7504559.stmFlaig, P. (2016). Slapstick after Fordism: WALL-E, automatism and Pixar's fun factory. Animation: An Interdisciplinary Journal, 11(1), 59-74. DOI: 10.1177/1746847715625017Frick, A. (2008, July 1). Right-Wing Apoplectic Over Pixar's WALL-E: ‘Malthusian Fear Mongering,' ‘Fascistic Elements'. Think Progress. https://archive.thinkprogress.org/right-wing-apoplectic-over-pixars-wall-e-malthusian-fear-mongering-fascistic-elements-92e1523a8a6e/Gaffey, A.J. (2018). Flip the switch: Virtue, programming, and the prospect of automatic agency in Wall-E. Southern Communication Journal, 83(1), 41-56. DOI: 10.1080/1041794X.2017.1399434Glint, J.M.S., & Bhuvaneswari, G. (2025). Memory, Social Identity and Technology at Odds: The Implication on Physical Well‑Being in Wall‑E. Human Arenas. DOI: 10.1007/s42087-024-00471-wHill, J. (2008, June 17). When it comes to the retail world, Speed Racer whomps WALL-E. Jim Hill Media. https://jimhillmedia.com/when-it-comes-to-the-retail-world-speed-racer-whomps-wall-e/Hobbes, M., & Gordon, A. [Hosts]. (2022, May 31). MP Watch Part: Wall-E and Spy [Audio podcast episode]. In Maintenance Phase. https://www.maintenancephase.com/Horn, S., & Moro, E. (2008, April 7). Wall•E Preview. IGN. https://web.archive.org/web/20080411234805/http://movies.ign.com/articles/865/865021p4.htmlHuxley, T. (2008, November 13). Q&A With WALL•E's Ben Burtt. Pixar Planet. https://pixarplanet.com/blog/qa-with-walles-ben-burtt/Justin Wright. (n.d.). Wikipedia. Retrieved April 13, 2025, from https://en.wikipedia.org/wiki/Justin_WrightKorfiatis, K., Photiou, M., & Petrou, S. (2020). Effects of ecoanimations on nine and twelve year old children's environmental conceptions: How WALL-E changed young spectators' views of earth and environmental protection. The Journal of Environmental Education, 51(5), 381-394. DOI: 10.1080/00958964.2020.1747965 Lloyd, A. (2023, December 1). Counteracting Bone and Muscle Loss in Microgravity. NASA. https://www.nasa.gov/humans-in-space/counteracting-bone-and-muscle-loss-in-microgravity/Mattie, S. (2014). WALL-E on the problem of technology. Perspectives on Political Science, 43(1), 12-20. DOI: 10.1080/10457097.2013.784576Murray, R.L., & Heumann, J.K. (2011). That's all folks? Ecocritical readings of American animated features. University of Nebraska Press. Ness, M. (2017, September 28). Robots in Love: WALL-E. Reactor. https://reactormag.com/robots-in-love-wall-e/Pixar. (2016a, October 16). Robo-Everything | WALL•E | Disney•Pixar. 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Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.We got our hands on Sofia Coppola's diary and read it to try and make sense of her dreamy, quietly devastating debut The Virgin Suicides. Adapted from the Jeffrey Eugenides novel of the same name, Coppola's film tells the story of the five Lisbon sisters as seen through the eyes of the boys they charm and perplex in equal measure. Adopting the male gaze as a means of dismantling it, the film is a gauzy, stylish showcase that approaches the concerns of girlhood with sincerity while unearthing the tragedies of femininity under the patriarchal thumb of suburban American life.We discuss the film's aesthetic contradictions and how it weaponizes its own visual splendor against the viewer, its beauty a calculated veneer masking uncomfortable truths. Then, we examine the film's brilliant narrative device, using a single unidentified narrator to represent the collective attitudes of the young men incapapable of comprehending the fullness of the Lisbon sisters and their interiority. Finally, we ponder the connections Coppola draws between femininity and the natural world, how she literalizes this coupling within the film's suburban landscape and distinctive milieu.The Roxie theater in San Francisco is still seeking funds to help buy their building! Be sure to listen to our recent conversation with producer and Roxie board member Henry S. Rosenthal and visit the Roxie website to donate today!....Our theme song is "Mirror" by Chris Fish

In this episode, the hosts of Outside the Cinema delve into the world of cult films, focusing on 'Bloody Muscle Bodybuilder in Hell', a Japanese horror-comedy that pays homage to the 'Evil Dead' series. They discuss the film's production challenges, character dynamics, and the influence of classic horror tropes. The conversation highlights the film's unique charm, despite its low-budget special effects, and the genuine effort put into its creation. The hosts reflect on the absurdity and humor that define cult cinema, making it a beloved genre among fans. In this conversation, the hosts delve into the unique narrative of 'Bloody Muscle Bodybuilder in Hell,' comparing it to the classic 'Evil Dead' series. They discuss the film's merits, its low-budget production, and the humor intertwined with horror elements. The conversation transitions into a review of the 1976 film 'Drive-In,' exploring its characters and the cultural context of the 1970s drive-in theater experience. In this conversation, Chris Bricklemyer and OTC Industries explore the charm of 70s slice-of-life films, discussing their endearing qualities and character development. They reflect on the fashion of the era and its impact on their viewing experience. The discussion transitions to the Conjuring universe, where they critique the themes and storytelling of the films. Reverend Scott's humorous take on movie reviews adds a light-hearted touch, leading to closing thoughts on future recommendations and the overall experience of watching these films.

We've had a number of masterful movies this season and Women Talking is another one. Q: How do you tell a story when everything you've ever known is at stake? A: Consider the pros and cons using multiple protagonists. This is a great movie where the level of writing craft is high, and the core event provides more relief than you thought possible. If you can bear to watch this movie more than once, it will be worth it. -M. For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.Follow Valerie on Instagram and Threads @valerie_francisFollow Melanie on X, Instagram and Facebook @MelanieHillAuthor

We're live at PAX East with special guests Geoffrey Zatkin, Kat Rider, Sophia Ricciardi and Jasmine "ThatBronzeGirl" Bhullar to put an end to the eternal existential question of our generation, "Which is a better video game adaptation: Minecraft or Until Dawn"? There were tears, laughter, knife fights and a zombie horde, but we finally got to the bottom of this important question and ended the debate once and for all!If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.