Podcasts about Film analysis

Art Smitten is joined by Amy Spiers in this episode to discuss the ‘Archives Are Hot! Artists in the Archive’ program developed by Next Wave in collaboration with CAST, Saluhan and An.Other Collective. Our presenter Tyra will also be sharing a review of Love Serenade (1996) directed by Shirley Barrett

We blue ourselves for this third installment of James Cameron's Pandora odyssey "Avatar: Fire and Ash"! Can big Jim go the distance with a third Nav'i film or is it time to abandon ship? If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textWhat were our top 5 five films of 2025? Listen into our annual wrap up episode where we chat about our favourite films of the year and what we are looking forward to in 2026!Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Find the 9 Points Rating system here: https://www.alostplot.com/9-points/ Find our review of Avatar: The Way of Water here: https://www.podomatic.com/podcasts/maverick51411/episodes/2022-12-29T20_39_12-08_00 In this episode, hosts Maverick and Avalon delve into the third installment of the Avatar series, Fire and Ash. They discuss their initial impressions, character developments, and the overarching themes of grief, family, and environmentalism. The conversation highlights the film's strengths and weaknesses, particularly in storytelling and character arcs, while also addressing the portrayal of villains and the visual spectacle that James Cameron is known for. They discuss the significance of family loyalty, environmentalism, and the complexities of characters like Spider, who struggles with identity and consistency. The conversation highlights the film's exploration of faith and the overarching themes of human greed versus nature, while also critiquing character arcs and emotional engagement.----------Highlights:0:00 ‘Avatar: Fire & Ash' Review10:46 Opening Scene16:21 Jake Sully27:53 Miles Quaritch & Other Villains37:57 Tension & Stakes43:49 Themes & Messages48:30 Miles 'Spider' Socorro55:33 Neytiri59:26 Lo'ak1:04:28 Kiri1:09:18 Lasting Impact#avatar #fireandash #jakesully #milesquaritch #spider #neytiri #loak #kiri #tuk #film #filmreview #pandora #alostplot #avatarfireandash #fantasy

The Fifth Element is loud, strange, and completely confident in its own weirdness. This review looks at why the movie still works decades later: the energy, the phenomenal costumes, the sincerity underneath all the craziness. From Bruce Willis playing it as low-key as possible to Milla Jovovich turning innocence into power, it's a film that commits. Wildly imaginative and impossible to mistake for anything else, it's the kind of sci-fi that reminds you how fun big swings can be.

Get access to this entire episode, the entire Denzember catalog, and all of our premium episodes by becoming a Hit Factory Patron for just $5/month.Roger Ebert Associate Editor Robert Daniels returns to the show to once again discuss the work of Denzel Washington and Spike Lee, this time unpacking his brilliant 1998 sports drama He Got Game. The film stars Denzel Washington as Jake Shuttlesworth, an Attica inmate who is tasked with getting his high school basketball prodigy son, Jesus (Ray Allen), to commit to playing for the governor's alma mater in exchange for a reduced prison sentence. A film as concerned with the capitalist mechanisms undergirding basketball culture as it is with acknowledging the intoxicating allure of the game's myth, Spike crafts a uniquel rewarding sports movie in a melodrama's skin. We begin with a discussion about Spike's formal ingenuity, and how he positions basketball as inextricable from broader Americana; a definitive part of American culture. Then, we praise the dual leading performances of Denzel Washington and NBA star Ray Allen. Finally, we disscuss the film's showstopper final act, showcasing Denzel and Allen's skills on the court in a brilliantly pitched one-on-one game that approaches the sublime, even supernatural.Follow Robert Daniels on Twitter.Read Robert on the musical direction of Spike Lee films at Letterboxd.....Our Denzember theme song is "Funk" by Oppo.

You gotta have faith because we've got our Knives Out for the third installment in Rian Johnson's murder mystery trilogy "Wake Up Dead Man"! It'll take Benoit Blanc to solve this debate about faith versus religion In this spirited episode!If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Find the 9 Points Rating System here: https://www.alostplot.com/9-points/ Find the Back to the Future Part 2 review here: https://www.podomatic.com/podcasts/maverick51411/episodes/2025-12-11T19_02_25-08_00 In this episode, Maverick and Andrew review 'Back to the Future Part 3', discussing their initial impressions, character developments, and the film's plot. They analyze the opening scene, the transformation of Marty McFly, and the romantic arc of Doc Brown. The conversation delves into the escalating stakes and conflicts, culminating in the showdown with Buford Tannen. The hosts reflect on the film's nostalgic elements and its place within the trilogy. In this conversation, Maverick and Andrew delve into the themes, character development, and lasting impact of 'Back to the Future III'. They discuss the film's exploration of conflict and consequences in time travel, the evolution of Doc Brown's character, and the overall messages conveyed through the trilogy. The discussion also touches on the film's reception and its place in pop culture, highlighting both strengths and weaknesses in character portrayals and thematic depth.----------Highlights:0:00 ‘Back to the Future Part 3' Introduction4:02 Opening Scene6:57 Marty McFly12:36 Escalating Stakes20:38 Buford Tannen22:45 The Climax28:36 Themes and Messages34:29 Doc Brown48:40 Lasting Impact#backtothefuture #backtothefuturepart3 #heymcfly #docbrown #emmettbrown #alostplot #martymcfly #michaeljfox #film #filmthoughts #podcast #timetravel #western #themes #storytelling 

Thief (Part One)Hosts: Clark Coffey & Cullen McFaterIn a special two-parter, Clark and Cullen discuss Michael Mann's 1981 feature film debut Thief! They talk about the stylistic and thematic mainstays of Mann's career, the patient, subtle intensity of the film's staging and setpieces, and much more!Subscribe to Soldiers of Cinema for honest, wide-ranging conversations on film, from cult favorites to award-winners - with two filmmakers, decades apart.TrailerDirector: Michael MannStarring:James CaanTuesday WeldWillie NelsonSocials:FacebookTwitterInstagram

Thief (Part Two)Hosts: Clark Coffey & Cullen McFaterIn the second part of our special two-parter, Clark and Cullen continue their discussion of Michael Mann's 1981 feature film debut Thief! They talk about the stylistic and thematic mainstays of Mann's career, the patient, subtle intensity of the film's staging and setpieces, and much more!Subscribe to Soldiers of Cinema for honest, wide-ranging conversations on film, from cult favorites to award-winners - with two filmmakers, decades apart.TrailerDirector: Michael MannStarring:James CaanTuesday WeldWillieNelsonSocials:FacebookTwitterInstagram

What's more Christmas-y than celebrating one's birthday? Brian just so happens to share the same birthday with someone else we might know, on Christmas Day, many, many moons ago. It seems almost to explain what this film is, because who hasn't seen this and enjoyed it? I mean, it was controversial upon its release and was banned by many councils, even to this day, but who hasn't heard or seen LIFE OF BRIAN at this point? Regardless, you've heard of MONTY PYTHON, and this is easily their best film. This film gave us "big nose", the "ex leper", and "what have the Romans ever done for us?" Do yourself a favor and watch this. It's an absolute treat for this Festive Season!

Send us a textAre we watching more comedy than ever before? In this episode, we chat about other forms of sketch comedy, including SNL and sketches on social media. We also postulate whether we have come back full circle to a more wholesome and “backyard” style of comedy that is more similar to Monty Python.Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Denzember continues with Culture Kitsch host Bobbi Miller joining us to discuss Kenneth Branagh's 1993 Shakespeare adaptation Much Ado About Nothing. Following his successful Henry V adaptation, Branagh returned to Shakespeare for a much airier, light-hearted affair, fashioning the classic play into an immensely pleasurable studio romantic comedy while preserving the spirit and (more importantly) the language of Much Ado..., assembling a showstopper ensemble led by Branagh, Emma Thompson, Michael Keaton, Keanu Reeves, and Denzel as Don Pedro of Aragon, nearly 30 years before he would take on The Tragedy of Macbeth.  We begin with a discussion of Branagh's formal tendencies, how his maximalism works for the genre, and illuminate his underremarked upon technical prowess. Then, we discuss what Branagh's Much Ado...  preserves from Shakespeare's stage, what it omits, and how these ommissions speak to the film's position as an End of History artifact interested in reifying traditional family values centered around monogamous, heterosexual couplings. Finally, we discuss how Denzel's Don Pedro is utliized narratively and thematically in the film, and how Denzel's movie star persona and race factor into our perception of the character. Follow Bobbi Miller on Twitter.Watch and Subscribe to Culture Kitsch on YouTube.Get access to the whole Denzember experience, all of our premium episodes and bonus content, and an invite to the Hit Factory Discord by becoming a Hit Factory Patron for just $5/month.....Our Denzember Theme Song is "Funk" by Oppo

Ham heads rejoice because we're deep diving on the bard with Chloe Zhao's adaptation of Maggie O'Farrell's Hamnet! We're also thrilled to be joined by legendary abolitionist Chandler Dean to give us all his hot Shakespeare takes!If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Find the 9 Points Rating System here: https://www.alostplot.com/9-points/ Find the first Back to the Future review here:https://www.podomatic.com/podcasts/maverick51411/episodes/2024-08-08T15_26_59-07_00 In this episode, Maverick and Andrew review 'Back to the Future II', discussing their initial impressions, character development, and the overarching themes of consequences and growth. They explore the film's opening scene, the portrayal of Marty McFly, and how the narrative sets up for the third installment. They explore the nuances of Biff as a villain, the character arcs of Marty and Doc, and the film's climactic moments. The discussion also touches on the lasting legacy of the film and its place within the 'Back to the Future' franchise, ultimately questioning its depth and storytelling effectiveness.----------Highlights:0:00 'Back to the Future II' Introduction4:24 Opening Scene10:11 Marty McFly30:44 Biff x345:26 The Climax & Side Characters50:16 Lasting Impact#backtothefuture #martymcfly #heymcfly #alostplot #filmthoughts #film #heydoc #emmettbrown #thefuture #2015 #biff #themes #characterdevelopment #sequels #timetravel

A disillusioned, recuperating, lonely man. Another man in a faraway country. Both looking for something. A chance encounter. Peace, pain, departure. Tenderness, impermanence, aching and beyond the senses. Equanimity, disillusionment, hunger, growth. Touch, the passage of time, and letting go. And also a lot of really damn long takes. Karri also deeply reflects on how Tsai's sense of emotional reorientation towards cinema strongly resonates with Karri and reflects his journey with The Flick Lab. Films covered in this episode: Days (2020) Hosted by Karri Ojala and Henrik Telkki. Edited by Karri Ojala. The Flick Lab theme tune performed by Nick Grivell.

Zach Cregger's "Weapons" was one of the biggest movies of 2025 and is currently making an award season run. But what was it about this movie that got to audiences? JLB breaks it all down!  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Robert Grainger (Joel Edgerton) is logging all of his memories in Clint Bentley's “Train Dreams” and we're here to sift through his highs and lows in this tender portrait of a 20th century man. If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Find the 9 Points Rating System here: https://www.alostplot.com/9-points/ Find our review of Pirates of the Caribbean: On Stranger Tides here:https://www.podomatic.com/podcasts/maverick51411/episodes/2025-11-26T15_45_38-08_00 In this episode, hosts Maverick and Andrew review 'Pirates of the Caribbean: Dead Men Tell No Tales,' discussing its reliance on nostalgia, character development issues, and the overall decline of Disney's storytelling quality. They analyze the film's plot, opening scenes, and the characters of Henry Turner and Caryna Smith, ultimately concluding that the film fails to deliver a compelling narrative or engaging characters. They discuss the lack of depth in the new characters, the forced romance, and the flat villain, Salazar. The conversation also touches on the themes of identity and redemption, questioning the film's lasting impact and the future of the franchise.----------Highlights:0:00 ‘Pirates of the Caribbean: Dead Men Tell No Tales' Introduction8:55 Opening Scene16:37 Jack Sparrow23:09 Henry Turner29:29 Caryna Smith48:47 Captain Armando Salazar55:02 Themes59:17 Lasting Impact1:06:18 Final Critiques#pirates #piratesofthecaribbean #deadmentellnotales #jacksparrow #johnnydepp #pirates5 #piratesofthecaribbean5 #alostplot #willturner #henryturner #carynasmith #amandosalazar #film #filmthoughts 

Christmas can be a hard time of year for folk, especially writers...Anyway, here we are, taking a look at Lynne Ramsay's MORVERN CALLAR: her second feature film about a young woman, her fiancé, her pal, and a quick trip to Spain in the New Year. You're probably thinking to yourself, "This sounds like LOVE ACTUALLY or something," but let's be real, this is LYNNE RAMSAY we're talking about here. It's dark, it's unforgiving, it's strange, and it looks really nice... Merry Christmas, everyone!

12.4.25 Hour 3, Mike Barber from Cville Right Now joins The Kevin Sheehan Show to preview the University of Virginia's Football upcoming matchup vs Duke in the ACC Championship game this Saturday. Steve Suter from the Maryland Sports Radio Network joins The Kevin Sheehan Show to break down film from the Commanders vs Broncos game and praises the defense with Dan Quinn taking over the play calls. Kevin Sheehan previews the Thursday Night Football matchup between the Cowboys and Lions.

Send us a textWelcome back to DMRThe newest installment in the Predator franchise, Predator: Badlands, breaks new ground by placing a Predator, or Yautja, as its central protagonist. The story follows Dek, a young, outcast Yautja on a quest to prove his worth to his warrior clan by hunting the seemingly unkillable apex predator of the treacherous, alien world of Genna, often called "The Death Planet." His perilous journey leads to an unlikely alliance with an advanced Weyland-Yutani Corporation android named Thia, whose own mission on the hostile planet went sideways. Together, the mismatched pair must navigate the lethal environment, evade Weyland-Yutani forces, and confront a terrifying creature that challenges everything Dek has been taught about the honor of the hunt, making for a thrilling sci-fi survival adventure.The film is directed by Dan Trachtenberg, who also helmed the critically acclaimed Prey. The main cast features Dimitrius Schuster-Koloamatangi as the Predator protagonist, Dek, and Elle Fanning in the dual role of the androids Thia and Tessa. As of the latest reports, Predator: Badlands has earned over $162 million at the global box office. Critics have embraced the fresh take, awarding it a Certified Fresh 86% on Rotten Tomatoes, while audiences have given it an even higher score of 96%.Reminder to grab your 30 day free Audible trial, link in the show; you'll be helping support DMR

This is storytelling at its finest. We could study it to learn about almost any aspect of writing, but this week, Melanie and I are highlighting the complexity and nuance of the main character. He's a passive character, which makes for an especially interesting study of both the hero's monologue and the shadow. If you've not seen THE HOLDOVERS yet, watch it as a gift to yourself this holiday season. You won't be disappointed. We'll be back in January  with a new episode. Until then, we'll be sharing some of our favourite episodes from the vault! Happy Holidays, everyone! And Happy New Year! - V. Acquire the power to write a bestselling story at storynerd.ca/courses For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

Still. Basking. Won't stop. Can't stop. Garrick Hodge and Mark Porter are here. They really enjoyed 'The Game.'  Enjoy a detailed video breakdown from Porter's 'Buck-Eye In The Sky' third down conversion before a deep dive on National Signing Day (see: It's tomorrow). Spend 5ish with us this a.m., 'Nutters! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

You can watch this episode on YouTube: https://youtu.be/uO7_6h0TftUApologies for the week late upload!! Technical difficulties!! New ep next Monday!! In this week's episode, we are chatting about the new Now You See Me, which has the Four (possibly Five) Horsemen return after a new slew of magicians are taking their credibility. Only for the mysterious Eye to send them on a mission to stop a diamond-mine heiress from selling the most valuable diamond. Oscar and Carl, as always, try and figure out who would watch this. If you have any questions or requests, send them to askwwwtpodcast@gmail.com Find us through: YouTube: https://www.youtube.com/@whowouldwatchthis Instagram: https://www.instagram.com/whowouldwatchthis/ TikTok: @podcastwhowouldwatchthis Letterboxd: Carl: https://letterboxd.com/carlllllllllll1/Oscar: https://letterboxd.com/oscarfart/ More links: https://linktr.ee/whowouldwatchthis

It's the most wonderful time of the year! Denzember 2 kicks off with a conversation about Spike Lee and Denzel Washington's first collaboration, 1990's Mo' Better Blues, a film about jazz, art-making, and the pursuit of greatness at the expense of personal relationships. The terrific Minnie Zondi is our guest! We discuss the film's tepid reception upon release, and how a (predominantly white) critical audience failed to understand the political dimensions of a film about Black music and its commercial and social appropriation. Then, we reflect on Spike Lee's career and his brilliant cohort of collaborators, including composer Terence Blanchard (making his first appearance on a Spike Lee soundtrack), cinematographer Ernest R. Dickerson, and the electric stylings of costume designer Ruth E. Carter. Finally, we reflect on the movie's complicated ending, and what we're to make of its reflections on artistry, family, and whether exceptional talents can hold the two in balance. Follow Minnie Zondi on Twitter. Follow Minnie on Substack. Read Minnie's Twitter thread on Ruth E. Carter's costume work for Ryan Coogler's Sinners.Get access to the whole Denzember experience, all of our premium episodes and bonus content, and an invite to the Hit Factory Discord by becoming a Hit Factory Patron for just $5/month.....Our Denzember Theme Song is "Funk" by Oppo

We're defying gravity for a second time as we reach the Wicked conclusion to the most important question of this generation... what does the Wizard want? If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Houselights, we navigate through Kathryn Bigelow's "K-19: The Widowmaker," focusing on its technical brilliance and narrative challenges. We discuss the film's claustrophobic cinematography, the nuanced performances of Harrison Ford and Liam Neeson, and the historical context that frames this gripping submarine drama. While the film excels in its technical execution, the emotional connection with the characters remains elusive, leaving us with a complex yet compelling cinematic experience.

OsamaHosts: Clark Coffey & Cullen McFaterThis episode, Clark and Cullen discuss the 2003 Afghan film Osama, which follows a preteen girl living in Afghanistan under the Taliban regime who disguises herself as a boy to support her family. Clark and Cullen also chat about Cullen's experience shooting a documentary in Afghanistan and how the film struck him having been there recently.Subscribe to Soldiers of Cinema for honest, wide-ranging conversations on film, from cult favorites to award-winners - with two filmmakers, decades apart.TrailerDirector: Siddiq BarmakStarring:Marina GolbahariZubaida SaharKhwaja NaderSocials:FacebookTwitterInstagram

Find the 9 Points Rating System here: https://www.alostplot.com/9-points/ Find the Pirates of the Caribbean: At World's End review here: https://www.podomatic.com/podcasts/maverick51411/episodes/2025-11-05T04_00_00-08_00 The review of Pirates of the Caribbean: On Stranger Tides delves into a critical analysis of character development in a film, highlighting how certain characters are perceived as inferior versions of their predecessors. The discussion emphasizes the lack of originality and depth in the new characters compared to the established ones, leading to a weaker narrative overall.----------Highlights:0:00 'Pirates of the Caribbean: On Stranger Tides' Introduction4:08 Opening Scene8:52 Jack Sparrow20:38 Themes & Messages28:15 Blackbeard & The Mermaids41:03 Angelica48:36 Lasting Impact#pirates #piratesofthecaribbean #piratesofthecaribbean5 #onstrangertides #jacksparrow #blackbeard #edwardteach #alostplot #film #filmthoughts #johnnydepp #characterarc #characterdevelopment #review #podcast 

This week on All Pop, No Culture, we dig into a wide spread of movies, musicals, podcasts, and horror TV—basically everything lighting up your feed (or should be). Kevin kicks things off with a review of One Battle After Another, a character-driven drama with sharp performances and a slow-burn emotional core. Andrew throws in director deep cuts, trivia, and a few wild personal stories to round out the discussion. We shift gears into true-crime meets Hollywood with a breakdown of Allison Mack's vulnerable, complicated interview on Michael Rosenbaum's podcast. The group looks at her time in the Nxivm cult, her prison experience, the contradictions in her public story, and the surprising relationship she formed after her release. Lauren brings the energy back up with her trip to see the Broadway musical Two Strangers Carry a Cake Across New York—a quirky, heartfelt rom-com on stage that sparks a full-scale debate on why musical adaptations either soar (Wicked, Hamilton) or crash spectacularly (Cats, West Side Story). Kevin then reviews the indie horror film Shelby Oaks, breaking down what works (atmosphere) and what really doesn't (genre chaos, FX overload). The crew compares it to classics like Blair Witch and Paranormal Activity while debating whether it's worth a rental or a “wait until streaming” kind of watch. We wrap with a deep dive into HBO's IT: Welcome to Derry, exploring its historical layers, lore, Pennywise reveals, character arcs, and how it all ties back to Stephen King's universe. With Stranger Things Season 5 on the horizon, the hype is already building for next week's episode. If you're into film analysis, musical theater takes, true-crime commentary, horror reviews, and unfiltered pop-culture conversations—you're in the right place. What We Cover One Battle After Another movie review Allison Mack interview breakdown (Nxivm + Rosenbaum podcast) Broadway's Two Strangers Carry a Cake Across New York Why musical adaptations succeed or fail Shelby Oaks horror review Found-footage classics vs. modern indie horror HBO's IT: Welcome to Derry episode 4 Stephen King universe connections Stranger Things Season 5 hype As always, thank you for watching. If you haven't already, don't forget to Like & Subscribe. We love new viewers! Also, leave us comments and let is know how we are doing and what we can be doing better. Enjoy the episode and have a great week! Facebook: @apncpodcast Twitter: @APNCPodcast Instagram: AllPopNoCulture Hashtags #AllPopNoCulture #MovieReview #TVReview #PopCulturePodcast #OneBattleAfterAnother #AllisonMack #MichaelRosenbaum #Nxivm #ShelbyOaks #BroadwayMusicals #TwoStrangersCarryACakeAcrossNewYork #WelcomeToDerry #StephenKing #HBOOriginals #HorrorReview #StreamingRecommendations #MusicalTheatre #FoundFootageHorror #PodcastDiscussion

NBA and Miami Heat News featuring Bam Adebayo, Tyler Herro, Norman Powell, Nikola Jovic, Andrew Wiggins, Kel'el Ware, Kasparas Jakucionis, Terry Rozier, Jaime Jaquez Jr., Pelle Larsson, Keshad Johnson, Erik Spoelstra and more. Subscribe for more Miami Heat, Miami Dolphins, NBA and NFL news. My YouTube Channel My Twitter Intro Song : Pine Island - RadixTheRuler Outro Song : Pull Up Freestyle - RadixTheRuler Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you are writing a villain's POV in your story, this episode is for you. Lydia Tar is a villain but she's also the protagonist of the story. Quite simply: villain + protagonist = anti-hero. The slow reveal of Tar's shadow is a masterclass in writing a villain POV. You could start off with an evil villain and maintain that line in your story, but it's much more compelling to watch the villain's camouflage and true nature being revealed over time. -M. Acquire the power to write a bestselling story at storynerd.ca/courses For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

This is our spoiler-free review for Wake Up Dead Man, the latest entry in Rian Johnson's Knives Out series. We break down the film's striking gothic look and feel — from Steve Yedlin's atmospheric cinematography to the way light shapes the story — and talk through the performances, including Daniel Craig's ever-magnetic return as Benoit Blanc.We also get into how the film's familiar narrative structure affects the mystery this time around, why the ensemble's character dynamics feel looser, and how the story doesn't quite hit the same heights as the original. Finally, we share our overall thoughts and ratings, celebrating what the movie gets right while digging into where it falls short and what this franchise needs to evolve moving forward.Catch Wake Up Dead Man: A Knives Out Mystery in select theatres starting November 26, and stream it globally on Netflix December 12. Check out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord HEREFollow Eatcentric - Same geeks. New Eats

Episode SummaryErin and Rachel hop on down to 1920's New Orleans, where Disney's first Black princess spends most of her time as a frog in the Louisiana bayou. The Princess and the Frog (2010) provided much needed representation, but leaves a lot to be desired in terms of its race, class, and gender politics. Episode BibliographyThe 82nd Academy Awards | 2010. (n.d.). Oscars. https://www.oscars.org/oscars/ceremonies/2010/P?qt-honorees=1#block-quicktabs-honoreesAyres, C. (2009, December 12). The Princess and the Frog: Disney's black fairytale. The Times. https://www.thetimes.com/culture/tv-radio/article/the-princess-and-the-frog-disneys-black-fairytale-lcpnw3pj3jcBaker, E.D. (2002). The Frog Princess. Bloomsbury.Barnes, B. (2009, May 29). Her Prince Has Come. Critics, Too. The New York Times. https://www.nytimes.com/2009/05/31/fashion/31disney.htmlBreaux, R. M. (2010). After 75 years of magic: Disney answers its critics, rewrites African American history, and cashes in on its racist past. Journal of African American Studies, 14(4), 398-416. doi: 10.1007/s12111-010-9139-9Chang, J. (2009, November 24). The Princess and the Frog. Variety. https://variety.com/2009/digital/features/the-princess-and-the-frog-1200477289/Davis, A.M. (2014). Handsome heroes and vile villains: Men in Disney's feature animation. John Libbey & Company. Debruge, P. (2016, November 22). Disney's Pixar Acquisition: Bob Iger, John Lasseter Reanimated Studio. Variety. https://variety.com/2016/film/features/disney-pixar-acquisition-bob-iger-john-lasseter-1201923719/Disney Archives, The. (2025, January 14). The Princess and the Frog - Magic in the Bayou: The Making of a Princess. YouTube. https://www.youtube.com/watch?v=t9Gfgey_Oc8Disney Enterprises, Inc. (2009). The Princess and the Frog Production Notes. Oscars.org. https://web.archive.org/web/20100408202417/http://www.oscars.org/press/presskits/nominations/pdf/princess_and_the_frog.pdfEbert, R. (2009, December 9). At Disney, they still remember how to make movies like they used to movie review (2009). RogerEbert.com. https://www.rogerebert.com/reviews/the-princess-and-the-frog-2009Firehouse Five Plus Two - Wikipedia. (n.d.). Wikipedia, the free encyclopedia. https://en.wikipedia.org/wiki/Firehouse_Five_Plus_TwoFoundas, S. (2009, December 10). The Princess and the Frog. Dallas Observer. https://www.dallasobserver.com/arts-culture/the-princess-and-the-frog-6405784/Frog Prince, The. (2025, October 17). In Wikipedia. https://en.wikipedia.org/wiki/The_Frog_PrinceGallo, P. (2006, February 28). Mouse inks music man. Variety. https://variety.com/2006/film/markets-festivals/mouse-inks-music-man-1117939042/Gehlawat, A. (2010). The strange case of "The Princess and the Frog:" Passing and the elision of race. Journal of African American Studies, 14(4), 417-431. doi: 10.1007/s12111-010-9126-1Gilchrist, T. (2009, October 23). Interview: 'Princess and the Frog' Directors Ron Clements and John Musker. Moviefone. https://web.archive.org/web/20130921054004/http://news.moviefone.com/2009/10/23/interview-princess-and-the-frog-directors-ron-clements-and-jo/Gregory, S. M. (2010). Disney's second line: New Orleans, racial masquerade, and the reproduction of whiteness in The Princess and the Frog. Journal of African American Studies, 14(4), 432-449. doi: 10.1007/s12111-010-9138-xGuerrero, E. (1993). The Black image in protective custody: Hollywood's biracial buddy films of the eighties. In M. Diawara (Ed.), Black American cinema (pp. 237–246). Routledge.Hill, J. (2006, November 12). Monday Mouse Watch: Why a change of composers on “The Frog Princess” caused lots of WDFA staffers to lose their composure. Jim Hill Media. https://limegreen-loris-912771.hostingersite.com/monday-mouse-watch-why-a-change-of-composers-on-the-frog-princess-caused-lots-of-wdfa-staffers-to-lose-their-composure/Holt, K. (2006, June 23). Rhett Wickham: It's Baaack! Laughing Place. https://www.laughingplace.com/news-id510530.aspHoneycutt, K. (2009, November 24). The Princess and the Frog — Film Review. The Hollywood Reporter. https://www.hollywoodreporter.com/movies/movie-reviews/princess-frog-film-review-93780/Kayembe, B. (2021, March 9). Why are we still depicting Black women as 'Mammies'? Shado Mag. https://shado-mag.com/articles/opinion/why-are-we-still-depicting-black-women-as-mammies/Killer Reviews Staff. (2009). The Princess and the Frog Filmmakers Interview. Killer Reviews. https://web.archive.org/web/20100829054531/http://www.killerreviews.com/dispinterview.php?intid=1859King, C.R., Bloodsworth-Lugo, M.K., & Lugo-Lugo, C.R. (2010). Animated representations of Blackness. Journal of African American Studies, 14(4), 395-397. doi: 10.1007/s12111-010-9141-2King, S. (2009, November 22). Q & A with ‘Princess and the Frog' animators. Los Angeles Times. https://www.latimes.com/archives/la-xpm-2009-nov-22-la-ca-princess22-2009nov22-story.htmlLeah Chase. (n.d.). Wikipedia, the free encyclopedia. https://en.wikipedia.org/wiki/Leah_ChaseLeap of Faith: The Princess and the Frog. (2010, January 17). The Independent. https://www.the-independent.com/arts-entertainment/films/features/leap-of-faith-the-princess-and-the-frog-1870801.htmlLester, N. A. (2010). Disney's The Princess and the Frog: The pride, the pressure, and the politics of being a first. The Journal of American Culture, 33(4), 294-307. Malkin, M. (2007, February 5). Alicia Keys into Next Movie Role. E! Online. https://web.archive.org/web/20070210054735/http://www.eonline.com/gossip/planetgossip/blog/index.jsp?uuid=d21d0e39-9f0d-4b01-b81d-3989932f34abMcGee, A.M. (2012). Haitian vodou and voodoo: Imagined religion and popular culture. Studies in Religion, 41(2). doi: 10.1177/0008429812441311Misick, B. (2020, October 29). Controversy Over 'The Princess and the Frog'. Essence Magazine. https://www.essence.com/news/critics-dispute-princess-and-the-frog/Moffitt, K. R. (2019). Scripting the way for the 21st-century Disney princess in The Princess and the Frog. Women's Studies in Communication, 42(4), 471-489. doi: 10.1080/07491409.2019.1669757Moffitt, K. R., & Harris, H. E. (2014). Of negation, princesses, beauty, and work: Black mothers reflect on Disney's The Princess and the Frog. Howard Journal of Communications, 25(1), 56–76. doi:10.1080/10646175.2014.865354Myrlados, A. (2021, January 18). The Princess and The Frog: A case in cultural revisionism. The Enlightenment. https://lifeisgoodblog.com/2021/01/18/princess-and-frog-cultural-revisionism/Ness, M. (2016, June 2). The End of an Era: Disney's The Princess and the Frog. Reactor. https://reactormag.com/the-end-of-an-era-disneys-the-princess-and-the-frog/New Orleans Voodoo. (2025). New Orleans. https://www.neworleans.com/things-to-do/multicultural/traditions/voodoo/Noyer, J. (2010, June 1). The Princess And The Frog's Directors John Musker and Ron Clements take us to “the other side” of animation! Animated Views. Retrieved September 22, 2025, from https://animatedviews.com/2010/the-princess-and-the-frog-directors-john-musker-and-ron-clements-take-us-to-the-other-side-of-animation/Panaram, S., Rogers, H., & Stoddard, T. (n.d.). The Princess and the Frog: Rewriting Jazz Age History and Culture. The Black Atlantic. https://sites.duke.edu/blackatlantic/sample-page/contemporary-film-and-black-atlantic/history/disneyfied-histories-disneys-intentional-inaccuracy-historical-films-and-the-black-atlantic/the-princess-and-the-frog-and-rewriting-jazz-age-history-and-culture/Parasecoli, F. (2010). A taste of Louisiana: Mainstreaming Blackness through food in The Princess and the Frog. Journal of African American Studies, 14(4), 450-468. doi:  10.1007/s12111-010-9137-yPérez, E. (2021). “I got voodoo, I got hoodoo”: Ethnography and its objects in Disney's The Princess and the Frog. Material Religion, 17(1), 56-80. doi: 10.1080/17432200.2021.1977954Pinsky, M. I. (2010, January 7). What Walt Wrought. Wall Street Journal. https://www.wsj.com/articles/SB10001424052748703580904574638143338424878The Princess and the Frog. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl3916137985/Robertson, B. (2010, January). The Tradition Lives On. Computer Graphics World. https://www.cgw.com/Publications/CGW/2010/Volume-33-Issue-1-Jan-2010-/The-Tradition-Lives-On.aspxRoush, G. (2009, October 21). Interview: Princess And The Frog Directors John Musker And Ron Clements. Plus 7 Brand New Images! LatinoReview.com. https://web.archive.org/web/20091022114309/http://www.latinoreview.com/news/interview-princess-and-the-frog-directors-john-musker-and-ron-clements-plus-7-brand-new-images-8310Schwarzbaum, L. (2009, December 18). The Princess and the Frog. Entertainment Weekly. https://ew.com/article/2009/12/18/princess-and-frog-2/Sciretta, P. (2009, 28 February). WonderCon: The Princess And The Frog And The Future Of 2D Animation At Disney. Slash Film. https://www.slashfilm.com/502703/wondercon-the-princess-and-the-frog-and-the-future-of-2d-aniamtion-at-disney/Scott, M. (2009, November 22). New Orleans setting for 'Princess and the Frog' is a Disney dream come true for one man. NOLA.com. https://www.nola.com/entertainment_life/movies_tv/new-orleans-setting-for-princess-and-the-frog-is-a-disney-dream-come-true-for/article_c84036c3-ff1c-5fcd-94e3-9f7e916b774e.htmlScott, N. (2009, December 12). For 'Princess and the Frog,' Disney animators go back to the drawing board. NOLA.com. https://www.nola.com/entertainment_life/movies_tv/for-princess-and-the-frog-disney-animators-go-back-to-the-drawing-board/article_70787df8-b6ee-575d-9a0e-f1648f40cced.htmlSharkey, B. (2009, November 25). Review: 'The Princess and the Frog'. Los Angeles Times. https://www.latimes.com/archives/la-xpm-2009-nov-25-la-et-princess25-2009nov25-story.htmlTaylar. (2022, November 12). The Firehouse Five Plus Two - Disney's Jazz Band. The Disney Classics. https://www.thedisneyclassics.com/blog/firehouse-five-plus-twoTejada, A. (2020, July 14). Representation Without Transformation: Can Hollywood Stop Changing Cartoon Characters of Color? Reactor. https://reactormag.com/representation-without-transformation-can-hollywood-stop-changing-cartoon-characters-of-color/Terry, E.J. (2010). Rural as racialized plantation vs rural as modern reconnection: Blackness and agency in Disney's Song of the South and The Princess and the Frog. 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Joachim Trier returns to the pod and has us feeling sentimental! We dive into intertextuality, remorse and how filmmaking can shape identity. If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

You know when one of your reviews is "I'm not sure if Kenneth will break into song at any moment", you're either getting something that's gonna be awesome or bordering on disaster. This film is a mixed bag, which is ironic, because MARY SHELLEY'S FRANKENSTEIN, directed and starring Kenneth Branagh, is about a mad scientist who takes a bunch of dead bodies, stitches them together and brings them back to life. It's a tale as old as 1818, as they say. If the dazzling lights of contraptions pulsating, buzzing, and electrifying don't grab you, Kenneth's washboard definitely will!

Wire into the dystopian world of Kathryn Bigelow's "Strange Days" with our latest review. We explore the film's ambitious narrative, technical wizardry, and its reflection of 90s societal angst. From groundbreaking POV shots to its complex themes, this episode unpacks why "Strange Days" remains a compelling watch. 

If you're curious about how to handle unlikeable protagonists, this episode is for you! In Hitchcock's classic, DIAL M FOR MURDER, the protagonist is the villain — he plots the murder of his wife, and that's about as unlikeable as it gets! His anti-hero's monologue is a veritable masterclass and his shadow reveals that he's actually kind of a nice guy underneath it all ... when he's not blackmailing people and planning murders that is. -V. Acquire the power to write a bestselling story at storynerd.ca/courses For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

Oscar and Carl chat about Disney's 60-plus-year-late sequel to Return to Oz, discussing the scariness and freakiness of the Wheelers, the kinkiness of the mother-obsessed Pumpkinhead, and the irritatingly unhelpful Tik-Tok, all leading to the ultimate question: who would watch this?If you have any questions or requests, send them to askwwwtpodcast@gmail.com Find us through: YouTube: https://www.youtube.com/@whowouldwatchthis Instagram: https://www.instagram.com/whowouldwatchthis/ TikTok: @podcastwhowouldwatchthis Letterboxd: Carl: https://letterboxd.com/carlllllllllll1/Oscar: https://letterboxd.com/oscarfart/ More links: https://linktr.ee/whowouldwatchthis

There's no killing what can't be killed, which means the Predator franchise is back from the dead with the third Dan Trachtenberg helmed Yautja adventure, this time in the badlands of... New Zealand? If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join Houselights as we explore "Point Break," Kathryn Bigelow's 90s cult classic that blends extreme sports with high-stakes heists. With Keanu Reeves and Patrick Swayze leading the charge, this film is a thrilling ride of surfing, skydiving, and philosophical musings on freedom. Discover why this action-packed spectacle remains a beloved piece of pop culture.

The villain isn't a stand in for the hero's shadow. The villain is a warning to the hero if the hero doesn't learn to integrate their shadow. The Incredibles is storytelling gold and a very clear example of the role of the villain and hero plus their relationship to the hero's shadow. Of course, every good superhero movie needs a hero's monologue and The Incredibles delivers. This week is a great week for both our topics, so join us as we don our capes and wear our undies on the outside! -M. Acquire the power to write a bestselling story at storynerd.ca/courses For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

NBA and Miami Heat News featuring Bam Adebayo, Tyler Herro, Norman Powell, Nikola Jovic, Andrew Wiggins, Kel'el Ware, Kasparas Jakucionis, Terry Rozier, Jaime Jaquez Jr., Pelle Larsson, Keshad Johnson, Erik Spoelstra and more. Subscribe for more Miami Heat, Miami Dolphins, NBA and NFL news. My YouTube Channel My Twitter Intro Song : Pine Island - RadixTheRuler Outro Song : Pull Up Freestyle - RadixTheRuler Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Yorgos Lanthimos returns to the pod as the most discussed* director on the show! We're ready to save the green planet with Jesse Plemons and Emma Stone in Bugonia. While you're here, check out the film's graphic designer: Vasilis Marmatakis *This fact, like our name, has not been verified anywhere by anyone. If you're enjoying the show, consider buying us a coffee, sending us an email or hitting us up on Letterboxd, Twitter(X), BlueSky or Instagram!You can catch our episodes early and ad free over on Nebula! Sign up with the link below. It really helps out the pod so we thank you in advance!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Find the 9 Points Rating System here: https://www.alostplot.com/9-points/ Find the review for Pirates of the Caribbean: Dead Man's Chest here: https://www.podomatic.com/podcasts/maverick51411/episodes/2025-10-30T04_00_00-07_00 In this episode, Maverick and Andrew review 'Pirates of the Caribbean: At World's End,' discussing their initial impressions, ratings, and the film's plot. They explore Will Turner's evolution from an idealistic hero to a cunning pirate, Bootstrap Bill's tragic fate, and Elizabeth Swann's transformation into a pirate lord. The discussion also covers the antagonistic roles of Davy Jones and Cutler Beckett, as well as Norrington's redemption arc. The conversation concludes with reflections on the film's impact and its successful box office performance, highlighting the clever nods to the original Disneyland ride.----------Highlights:0:00 ‘Pirates of the Caribbean: At World's End' Introduction3:55 Opening Scene8:46 Is Jack Sparrow Compelling?40:26 Will Turner50:06 Bootstrap Bill Turner57:56 Elizabeth Swann1:09:21 Davy Jones & Cutler Beckett1:16:22 James Norrington#piratesofthecaribbean #atworldsend #pirates #alostplot #film #filmreview #jacksparrow #cutlerbeckett #davyjones #willturner #elizabethswann #podcast #filming #characteranalysis #characterarc #swashbucklers #betrayal #filmthoughts #bootstropbill #jamesnorrington 

NBA and Miami Heat News featuring Bam Adebayo, Tyler Herro, Norman Powell, Nikola Jovic, Andrew Wiggins, Kel'el Ware, Kasparas Jakucionis, Terry Rozier, Jaime Jaquez Jr., Pelle Larsson, Keshad Johnson, Erik Spoelstra and more. Subscribe for more Miami Heat, Miami Dolphins, NBA and NFL news. My YouTube Channel My Twitter Intro Song : Pine Island - RadixTheRuler Outro Song : Pull Up Freestyle - RadixTheRuler Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you're writing a dual protagonist story, a story with multiple plot lines or a romance, this episode is for you! After the spookiness of last week's episode, I thought we are all due for a feel-good, positive juju kinda movie. What better choice than THE PROPOSAL? Enjoy! -V. Acquire the power to write a bestselling story at storynerd.ca/courses  For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle. To learn to read like a writer, visit Melanie's website.

In this episode Joe Blewett from JetsXFactor shares his thoughts on the first half of the Jets season. Are the Jets dealing with coaching issues? players underachieving?  who should be traded?  Be sure to subscribe to JetsXFactor on YouTube! 

Chill or Be Chilled. Let's Watch It Again is back!Rob Lee is joined by Lea Anderson to discuss the 1995 cult classic Tales from the Hood!Tales from the Hood (1995) is a Black horror anthology directed by Rusty Cundieff, framed by a late-night visit to a funeral home where a mortician guides three men through four supernatural morality tales addressing police brutality, domestic abuse, racism, and gang violence.In this retrospective, host Rob Lee and horror scholar Lea Anderson (Truth in This Art alum; FANGORIA columnist, SHUDDER contributor) examine the film's construction, cultural context, and legacy in Black horror.Topics include:The anthology's frame narrative and how it threads the segments togetherSegment-by-segment themes and social commentaryKey performances, including Clarence Williams III and David Alan GrierPractical effects, puppetry, and memorable set piecesProduction and release context: 1995 box office, competition (Casper, Braveheart, Johnny Mnemonic), and receptionThe film's enduring relevance and place in the horror canonCheck out the episode on the Let's Watch It Again Feed Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis. Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcast The Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★