Podcast appearances and mentions of hans beckert

Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es M, una película de suspenso y misterio alemana de 1931 dirigida por Fritz Lang y protagonizada por Peter Lorre en su tercer papel cinematográfico ahora como Hans Beckert, un asesino en serie que ataca a niños. Plot: Cuando la policía de una ciudad alemana no logra atrapar a un asesino de niños, otros criminales se unen a la persecución. Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Letterboxd: https://boxd.it/446nl

Not A Bomb Presents The Classics is a series where Jose and Sammy join Troy and Brad to discuss some of the greatest films in history. This episode is a bit late for March, but we hope it's worth the wait. In this classic installment, the guys delve into Fritz Lang's 1931 German suspense thriller - M. The film features Peter Lorre as Hans Beckert, a serial killer who targets children. The story revolves around the intense search for Beckert by the police and the criminal underworld. This film is notable for its early use of procedural drama elements and innovative cinematic techniques, such as long tracking shots and a musical leitmotif. “M” is widely regarded as one of the greatest films ever and significantly influenced modern crime. How well does this 1931 classic hold up? Listen in to find out!Be sure to subscribe to the Gentlemen's Guide to Midnite Cinema to hear more of Sammy. Also, check out Jose's podcast - Watch Skip Plus. Both are highly recommended.If you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com or Contact Us - here. Also, if you like what you hear, leave a review on Apple Podcast.Cast: Brad, Troy, Jose, Sammy

This week on Remainders, we finish our Fritz Lang double feature with the 1931 noir classic M. A German suspense thriller ahead of its time, Lang's first sound film is his most pivotal and is widely considered one of the greatest films of all time and his magnum opus. Peter Lorre sets the stage for decades of creeper performances playing Hans Beckert, an incarnation of evil that still forces a moral quandary for the audience.Other topics this week include TLB's first show of the year, Lisa Marie Presley, the best and maybe worst Elvis movies, Nick Cave's thoughts on AI, the life of L.A. mountain lion P-22, Carpenter remakes and upgrades, new music, and Billy Wilder essentials.Songs of the Week:Blue Moon and Mona Lisa by Elvis PresleyHour of the Wolf by TribulationAll Remainders Songs of the Week found hereWebsiteFacebookInstagramYouTubeTwitter

Every 30 years or so a movie comes along that introduces a character that simultaneously scares, repulses and attracts us.  Characters like ultra intelligent Dr. Hannibal Lector, the friendly Norman Bates and the mysterious Hans Beckert.  This week we dive into the depths of madness and chase serial killers with our friends at the 30something Movie Podcast.  Cook up a pot of fava beans, chill the bottle of chianti and get ready to be thrilled and chilled as we (ahem) dissect the great classics!  See omnystudio.com/listener for privacy information.

M is consider by some to be the first modern serial killer film. Directed by German director, Fritz Lang in 1931 and starring Peter Lorre in the lead role of Hans Beckert.  Fritz use Shot in six weeks just outside of Berlin. M tells the story of a child killer that is not only hunted by the police and the criminals whose organization is being disrupted by police raids in search of the child killer.  Jesse Loki and Dani G discuss how much this film set up themes that many films followed in the years to come. From making sound part of the story, to camera techniques, story telling, and character portrayal. M is part of cinema film history. Audio clips from M (1931) are owned and copyrighted by their respectful owners. Music and sounds from Music-Note World Graphics made and provided by Cecilia L. Leal

On today’s episode, I talked with Heather Reed, who picked 1931’s M or M: Eine Stadt zukt einen Morder, which was directed by Fritz Lang, and was written alongside his wife, Thea von Harbou who both worked together previously on his Dr. Mabuse series, the five-hour-long Die Nibelungen Saga, and possibly the most influential Science-Fiction film of all time, Metropolis. M starring Hollywood icon before he was one, Peter Lorre follows the story of Hans Beckert, a child murderer who is tracked down by both the German Authorities and the criminal underworld. M is considered to be the first in the serial killer slasher film genre. So sit back relax, and enjoy the show. You can purchase M here. Cinemallennials is a podcast where myself and another millennial are introduced to a classic film for the very first time ranging from the birth of cinema to the 1960s. Myself and my guest will open your eyes to the vast landscape of classic film as we discuss the films' performers, their performances, those behind the camera, and how they and their films still influence our world today. Website: dlewmoviereview.com/ Social Media: Facebook: facebook.com/dlewmoviereviews/ Twitter: twitter.com/dlewmoviereview Instagram: @dlew88 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

«Die Mörder sind unter uns» lautete der Arbeitstitel von Fritz Langs berühmtem Film «M» von 1931. Er spiegelt die Ambivalenz, mit der Lang und Thea von Harbou die Jagd auf den Serienmörder Hans Beckert schildern. Die eigentliche Hauptrolle spielt die zutiefst verunsicherte Metropole, deren Bevölkerung von den Kriegserlebnissen und der Weltwirtschaftskrise gezeichnet ist. In der Adaption durch den Musiker und Theatermacher Schorsch Kamerun (Die Goldenen Zitronen) und die Komponistin Cathy van Eck wird dieses Verhältnis umgedreht und der Film zur Konzertinstallation, der Stoff zur Folie der Gegenwart. Unserer weiteren Themen: Wie gefährlich ist Kulturarbeit im Irak? Zur Entführung der Bagdader Kuratorin Helga Mewis / Klassikerin der Gegenwartskunst: Münchner Pinakothek der Moderne zeigt "Astrid Klein" / "Solange bunte Balken durchlaufen": Das jüngste Projekt des Musikerkollektiv Alligator Gozaimasu

Chegamos ao episódio 65 do Podcast Filmes Clássicos e a dupla Fred/Alexandre entram no submundo do crime devidamente acompanhados do podcaster Marcos Noriega (direto do Masmorra Cine) para tentar prender um dos assassinos seriais mais famosos do cinema, Hans Beckert, mais conhecido como “M, O Vampiro de Dusseldorf” (M, 1931). O clássico de Fritz Lang é alvo do nosso podcast, que hoje chega para discutir o legado do longa para o cinema falado e suas influências no film noir, subgênero americano no qual o diretor alemão será uma das peças chave, depois de chegar ao Estados Unidos fugindo da ascensão do nazismo em sua terra natal. Na Alemanha, M é até hoje considerado um dos principais filmes já produzidos no país e foi fundamental para a carreira do ator que protagonizou o assassino, Peter Lorre, que também fez considerável sucesso no cinema de Hollywood anos mais tarde, interpretando papéis em filmes como “Relíquia Macabra” e “Casablanca”.

Behold the many sides of Benjamin Verdery. Seated in the WQXR Café with his baritone guitar in hand, Verdery lets introspective pieces by Bach and Randy Newman spill forth with a hushed introspection. But speaking behind a microphone, Verdery becomes garrulous and animated, expounding on squeaky strings, the music of Elvis Presley and teaching in the age of YouTube. Verdery is nothing if not steeped in the world of classical guitar: he travels the globe appearing at specialized guitar festivals, delivering week-long master classes from Maui to Amsterdam, and overseeing the guitar department at Yale University, a post he has held since 1985. His website contains the requisite sections devote to instruments, gear and teaching tips.   Verdery has a populist streak too. As artistic director of the guitar series at the 92nd St Y, he curates a series of guitar recitals and performs there himself, as he will on Thursday in a solo concert of works by Albeniz, Bach and Ezra Landerman as well as arrangements of songs by Prince and Presley. Adapting pop songs for the classical guitar, Verdery says, isn’t as straightforward as it may seem. He says that an arrangement like “Kiss” by Prince (listen above), is conceived as a kind of collage. “I generally gravitate towards something that sounds really exciting and cool on the classical guitar,” he told host Jeff Spurgeon. “With the Prince, who doesn’t want to do that?” Verdery will transcribe bits of the tune, then adapt the bass line or the drum part into a thicker accompaniment parts. “There I have to do some composing because I’m not singing. It’s so joyful.” Verdery ends his Café Concert with "In Germany Before The War," a 1977 song by Randy Newman inspired by the Fritz Lang film M, which featured Peter Lorre as serial killer Hans Beckert. Newman has said the brooding song was intended as a metaphor for a nation about to enter a period of horror and transgression. It’s finding unlikely songs like this or working with younger composers that seems to keep Verdery going. "The astounding thing is the instrument still fascinates me,” he said. “As you get older pieces seem to grow with you, especially the great ones. “[Pianist] Dinu Lipatti said, ‘You don’t pick pieces, pieces pick you. As you go through life, even the simplest pieces can mean so much. You’re always humbled – by both the instrument because it still sounds fresh and unusual – and by the music.” Video: Amy Pearl; Sound: Edward Haber; Interview: Jeff Spurgeon; Text & Production: Brian Wise

This week, things get dark and serious when Zach goes inside the mind of child killer in Fritz Lang's 1931 classic, M. A simple, haunting musical phrase whistled offscreen tells us that a young girl will be killed. "Who is the Murderer?" pleads a nearby placard as serial killer Hans Beckert, played by Peter Lorre (Casablanca, The Maltese Falcon), closes in on little Elsie Beckmann. In his harrowing masterwork M, Fritz Lang (Metropolis, The Testament of Dr. Mabuse) merges trenchant social commentary with chilling suspense, creating a panorama of private madness and public hysteria that to this day remains the blueprint for the psychological thriller. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site and forums.

This week, things get dark and serious when Zach goes inside the mind of child killer in Fritz Lang's 1931 classic, M. A simple, haunting musical phrase whistled offscreen tells us that a young girl will be killed. "Who is the Murderer?" pleads a nearby placard as serial killer Hans Beckert, played by Peter Lorre (Casablanca, The Maltese Falcon), closes in on little Elsie Beckmann. In his harrowing masterwork M, Fritz Lang (Metropolis, The Testament of Dr. Mabuse) merges trenchant social commentary with chilling suspense, creating a panorama of private madness and public hysteria that to this day remains the blueprint for the psychological thriller. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site and forums.