Podcast appearances and mentions of Billy Wilder

Marilyn Monroe was a gorgeous blonde, the kind who made men's tongues hit the floor. She also played innocent, cute and dumb as well as anyone. Case in point, The Seven Year Itch is where that famous image of her skirt being blown up while she's standing over a subway grate comes from. And the cinematic icon aced all of those angles in Billy Wilder's comedy. Yes, the director had to compromise and cut out much of the risque material that was in the play, yet he's still got the gift of Monroe...and Tom Ewell too, who won a Tony for playing a man who has an overactive imagination and can't stop thinking about cheating while his family is away for the summer. But are we supposed to ROOT for him to be unfaithful? And is "The Girl" even real? This flawed movie HAS remained funny, at least, especially in the over-the-top fantasy sequences. So try to keep cool in the scorching summer heat as Have You Ever Seen #678 digs into the elegant and/or delicate shenanigans in The Seven Year Itch. Maybe it would be wise to go with a cold brew this time of year, but whatever temperature you prefer, invest some of your bucks in Sparkplug Coffee. Our listeners get a onetime 20% discount just by using our "HYES" promo code. Go to "sparkplug.coffee/hyes" and get shopping. Subscribe to our channel in your podcast app and also on YouTube (@hyesellis in the search bar), but also help us grow the show by rating, reviewing, following, liking, commenting and so on. Tell us your own thoughts about the movies we review. Our email address is "haveyoueverseenpodcast@gmail.com" and/or try us on the socials. Ryan is @moviefiend51 on Twi-X and ryan-ellis on Bluesky while Bev is @bevellisellis on the first and bevellisellis on the second.

We are ready for our close-up, Mr DeMille! Just in time for its 75th Anniversary, LTP Noir delivers a supersized episode on the ultimate dark Hollywood satire that is "Sunset Boulevard". This knowing and tragic noir classic was nominated for 11 Academy Awards, excelling on multiple fronts. From the pairing of Billy Wilder and Charles Brackett to the casting of Gloria Swanson and Franz Waxman's inspired score, Josh unravels the skills and secrets behind this roller coaster production and its enduring legacy. Plot Summary@2:20; Production@24:00; Review@1:07:00; Scoring Feature@1:19:00

En efemérides: Omar Shariff. Mery en Los revoltosos de antes nos trajo: "Testigo de cargo" de Billy Wilder. Hicimos un dossier de "autoremakes", películas hechas dos veces por el mismo director.

Este é o episódio 51, no qual Fred e Alexandre concluem a filmografia completa do mestre Billy Wilder. No último de uma série de três episódios, os dois podcasters iniciam o bate-papo analisando o filme de 1960 e ganhador de Oscar de melhor filme, “Se Meu Apartamento Falasse” (The Apartment) e seguem por “Cupido Não Tem Bandeira” (One, Two, Three, 1961), “Irma La Douce” (1963), “Beija-me Idiota” (Kiss Me, Stupid, 1964), “Uma Loura Por Um Milhão” (The Fortune Cookie, 1966), “A Vida Íntima de Sherlock Holmes” (The Private Life of Sherlock Holmes, 1970), “Avanti!… Amantes à Italiana” (Avanti!, 1972), “A Primeira Página” (The Front Page, 1974), “Fedora” (1978) e seu último filme, “Amigos, Amigos, Negócio à Parte” (Buddy, Buddy, 1981). A carreira brilhante de Billy Wilder está agora completa nos arquivos do Podcast Filmes Clássicos!-------------------------------ESTE EPISÓDIO PRECISOU SER REPUBLICADO EM FUNÇÃO DO SPOTIFY TER APAGADO O ORIGINAL EM JUL/2025.-------------------------------LINKS PARA ADQUIRIR O LIVRO DO PFC ("Uma Jornada pelo Cinema - Anos 1950"):UICLAP - ⁠https://loja.uiclap.com/titulo/ua98290/⁠AMAZON - ⁠https://www.amazon.com.br/dp/6501481376⁠-------------------------------Acesse nosso site: ⁠⁠http://www.filmesclassicos.com.br⁠⁠Instagram: @podcastfcProcure "Podcast Filmes Clássicos" no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

Le stelle non hanno età La clip e l'immagine sono tratte da “Sunset boulevard” di Billy Wilder (con Gloria Swanson e William Holden, produzione Paramount, 1950 all rights reserved)

Are you ready for our close ups? Maybe not, but tuck in anyway as we watch Gloria Swanson's glorious swansong in Billy Wilder's dark comedy about lost fame, madness and how to arrange a funeral for a chimpanzee.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Adam and Josh take stock of the movie year with their Top 5 Films of 2025 (So Far), and take another look at Billy Wilder's THE APARTMENT, which took home the Best Picture and Best Director prize 65 years ago. This episode is presented by Regal Unlimited⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Intro (00:00:00-00:01:32) Top 5: Films of 2025 So Far (00:01:33-00:52:35) Filmspotting Family (00:52:36-00:58:59) Next Week / Notes / Poll (00:59:00-01:09:12) Pantheon Project: “The Apartment” (01:09:13-01:48:47) Credits / New Releases (01:48:48-01:50:54) Links: Cinema Interruptus: “The Player” https://www.siskelfilmcenter.org/interruptus The Reveal: “The Apartment” https://thereveal.film/54-tie-the-apartment-the-reveal-discusses-all-100-of-sight-sounds-greatest-films-of-all-time/ Filmspotting's Billy Wilder Marathon https://www.filmspotting.net/wilder Feedback: -Email us at ⁠⁠feedback@filmspotting.net⁠⁠. -⁠⁠Ask Us Anything⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠http://filmspottingfamily.com⁠⁠ -T-shirts and more available at the Filmspotting Shop. ⁠https://www.filmspotting.net/shop⁠ Follow: ⁠⁠https://www.instagram.com/filmspotting⁠⁠ ⁠⁠https://letterboxd.com/filmspotting⁠⁠ ⁠⁠https://twitter.com/filmspotting⁠⁠ ⁠⁠https://facebook.com/filmspotting⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠ ⁠⁠https://twitter.com/larsenonfilm⁠⁠ ⁠⁠https://facebook.com/larsenonfilm⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Two searing portraits of American ambition gone wrong: Billy Wilder's Ace in the Hole (Kirk Douglas) and George Stevens' A Place in the Sun (Montgomery Clift, Elizabeth Taylor, Shelley Winters). Media, murder, and the American Dream... what could go wrong?Connect with us:Never Did It on Letterboxd: https://letterboxd.com/bradgaroon/list/never-did-it-podcast/Brad on Letterboxd: https://letterboxd.com/bradgaroon/Jake on Letterboxd: https://letterboxd.com/jake_ziegler/Never Did It on Facebook: https://www.facebook.com/neverdiditpodcast Hosted by Brad Garoon & Jake Ziegler

This episode delves into Billy Wilder's classic film The Apartment, featuring Jack Lemmon and Shirley MacLaine. Joined by Kayte from Fangs for the Memory and Tender Subjects, we analyze the film's commentary on capitalism and personal relationships through Lemmon's character, C.C. Baxter. We discuss the contrasts between corporate life and personal sacrifice, highlight character dynamics, and list our top five office-themed movies. Kate shares insights on the film's development and its lasting relevance, showcasing Wilder's mastery in balancing humor with deeper themes of love and ambition within a capitalist society.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Michele is back again as she and Jason continue their journey into the films of the great Billy Wilder. This time they look at one of his greatest, most popular and most profound films, Sunset Boulevard (1950), and plumb so much of its hidden depth. Along with that, Michele and Jason take a look at a much deeper cut in Wilder's catalog: Fedora (1978), the shaggy-dog, slightly misbegotten approach to similar territory as Sunset. Fedora is a fascinating film for very different reasons than Sunset Boulevard, and in many ways helps appreciate the unique alchemy that helped make the earlier movie a classic and this one a flawed work.

Willkommen zu unserer Folge Nummer 50. Sie ist für uns eine der bewegendsten. Im Mittelpunkt steht der Filmemacher Marcel Ophüls, der vor einem Monat mit 97 Jahren gestorben ist. Dank seines Enkelsohnes Benjamin Seyfert können wir den Erinnerungen des gebürtigen Frankfurters lauschen – mit Anekdoten über seine Kindheit im Berlin der späten Weimarer Republik, über die Flucht nach Paris und vor allem über seinen Vater, den berühmten Regisseur Max Ophüls. Die Theater-Karriere von Max nimmt Fahrt auf in Wien und Breslau, aber zum Film kommt er in Berlin. Dort taucht er ein in das wilde und verrückte Leben mit WegbegleiterInnen wie Billy Wilder, Erich Kästner, Conrad Veidt oder Rosa Valetti. Die Erzählungen von Marcel Ophüls beleuchten eine der aufregendsten Momente des deutschen Films. Wir erfahren, wie Karl Valentin als Zirkusdirektor zum Film kommt, hören Gustav Gründgens kontrolliert schneidende Stimme in „Liebelei“, lassen Marcel sein Lieblingsfilmlied singen und erfahren vom tragischen Absturz eines Filmstars. Und was wissen wir vom Tonfilm, dass es das gibt? Auch das werdet ihr erfahren in unserer neuen Folge.

I've been pre-scheduling podcast episodes this summer &, forgetting that we are now living in a time of anything goes chaos in the U.S., last week's conversation wound up publishing in the hours after the news involving Iran. Hopefully anyone who knows me knows that I wouldn't normally pivot from major world news to self-promotion but I still wanted to take this opportunity to apologize for any confusion or insensitivity that the accidentally ill-timed new episode caused. To make up for that gaffe, I thought I'd deliver this third conversation in our summer suite of episodes devoted to Physical Media early, just in case you're heading to the airport or about to unplug for the next week or so since it's a big time for summer travel here in the states. (So far, nothing Earth-shattering has happened that I'm aware of as I type this but as a friend joked, it's getting harder & harder to find a day without a catastrophe.) In any case, may this be a distraction for you. In last week's new Watch With Jen, we led you down the dark streets of neo-noir. This installment is centered on American independent filmmakers (or in the case of Billy Wilder, very independently minded ones) & is devoted to matters of the heart. Kicking things off, VULTURE's brilliant TV critic & Peabody Awards juror Roxana Hadadi joins me to discuss Sean Baker's Oscar winning ANORA, SAINT OF THE NARROWS STREET novelist William Boyle returns to tackle CHOOSE ME by one of his favorite filmmakers Alan Rudolph, & I reunite with the knowledgeable film essayist Peter Avellino to talk about the magic of Billy Wilder's SOME LIKE IT HOT. Emotional, sparkling, & warm, I know this conversation will delight. Thanks so much for listening! Originally Posted on Patreon (6/27/25) here: https://www.patreon.com/posts/132487075Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fiTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

En el programa de esta semana dos clásicos vuelven a tomar el protagonismo. Mary Carmen Rodríguez (también editora del podcast) dedica reportaje a "La quimera del oro" de Charles Chaplin que cumple 100 años y que sirvió para asentar la forja de uno de los grandes genios de la historia a través de uno de esos incunables propios de los todavía inicios de un cine del que nadie podía imaginarse en ese momento todo lo que nos iba a dar. También se cumplen los 65 años de "El apartamento" de Billy Wilder, uno de los retratos más certeros, conmovedores y desoladores sobre la condición humana. En Leer cine, la biblioteca sonora de Carlos López-Tapia, "El filatelista" de Nicolas Feuz. Además las apuestas de Colgados de la plataforma y la crítica de las favoritas "The last showgirl", "Tres kilómetros al fin del mundo", "Todo saldrá bien", "La receta perfecta", "Sirat" y "Érase una vez mi madre". ¡Muchas gracias por escucharnos!

Dana and Tom welcome back Christine Duncan to discuss the Best Picture winner of 1960, The Apartment: written and directed by Billy Wilder with I.A.L. Diamond, cinematography by Joseph LaShelle, music by Adolph Deutsch, starring Jack Lemmon, Shirley MacLaine, and Fred MacMurray.Plot Summary: C.C. Baxter (Jack Lemmon), an ambitious office clerk in a Manhattan insurance firm, lends his apartment to philandering executives in hopes of climbing the corporate ladder. His plan hits a moral snag when he discovers that Fran Kubelik (Shirley MacLaine), the elevator operator he's fallen for, is having an affair with his boss, Jeff Sheldrake (Fred MacMurray). As Baxter wrestles with loyalty, loneliness, and love, he must decide whether success is worth sacrificing integrity and happiness. A poignant blend of sharp satire and heartfelt romance, The Apartment is a bittersweet portrait of ambition and redemption in the big city.Guest:Christine Duncan - Wife of Dana and Mother of Tom15x guest: Pretty Woman, Sleepless in Seattle, When Harry Met Sally, There's Something About Mary, My Fair Lady, Pillow Talk, The Odd Couple, Bringing Up Baby, A Few Good Men - Revisit, Guess Who's Coming to Dinner, Top Gun, Dial M for Murder, Anatomy of a Murder, Gone Girl, Roman Holiday RevisitChapters:00:00 Introduction and Welcome Back Christine02:12 Why Did Chris Want to Discuss The Apartment?04:04 Cast of The Apartment05:14 How Much Would You Sacrifice for Professional Success?10:43 Background for The Apartment14:32 Relationship(s) with The Apartment16:59 Does Dana Like The Apartment?17:43 Plot Summary for The Apartment18:33 What is The Apartment About?25:30...

Finalmente llegó el día en el que me digné a dedicarle un episodio a la película que le da nombre a este podcast. Estoy hablando de la obra maestra de Billy Wilder que está cumpliendo 75 años y no envejeció un solo día.Hablamos de sus temáticas adelantadas a su época, obviamente hacemos un poco de historia y tiramos mucha datita y también hablamos de su legado.Si quieren apoyar mi trabajo y la existencia de este podcast, pueden suscribirse al Magazine Club acá, y recibir contenido exclusivo. Esta semana hay doblete de Billy Wilder y subiré un episodio sobre Some Like It Hot.

In dieser Episode widmen sich Anne und ihr Gast David passend zum 65. Geburtstag einem weiteren Klassiker von Billy Wilder, diesmal "Das Appartment".

The Beers return for another episode of film reviews and shenanigans. What are we drinking? Victory Summer Ale and Athletic Brewing Co non-alcoholic beverages (1:11). The Beers dive right into a review of THE CAT IN THE HAT; the chaotic children's comedy released in 2003 and inspired by the Dr Seuss children's book of the same name, starring Mike Myers, Sean Hayes, and Alec Baldwin (1:59). Next is a review of the 1950s classic THE APARTMENT, directed by the legendary Billy Wilder and starring Jack Lemon and Shirley MacClain (12:24), followed by a review of THE EQUALIZER trilogy, all of which were directed by Antoine Fuqua and starring Denzel Washington as the titular character of the franchise (23:58). The Beers wrap it up with a homage to the multi-decade legacy of Will Smith (33:34). Got a movie, TV series, or doc we should talk about? Send it! thewrapbeers@gmail.comFollow!https://www.instagram.com/thewrapbeers/https://www.tiktok.com/@thewrapbeerspodDylan - https://www.instagram.com/dylan_john_murphy/Roger - https://www.instagram.com/rogerzworld/Subscribe!https://www.youtube.com/@thewrapbeers Letterboxd!https://letterboxd.com/wrapitupb/ Intro & Outro Music by Matt Kuartzhttps://www.instagram.com/mattkuartz?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw%3D%3D

Este mes hablamos de "EL VERDUGO". Una joya del cine español dirigida por Luis García Berlanga, que más de sesenta años desde su estreno, nos sigue cautivando por su lección de cine con mayúsculas. Ganó varios premios en los festivales de Venecia o Moscú, asombró al propio Billy Wilder por su maestría y es un reflejo de la sociedad española de la época, en la que nos reconocemos todavía hoy. Con esa mezcla de humor, ternura y mucha ironía ese guion de Rafael Azcona y Luis García Berlanga confiado a tres actores en estado de gracia como son Nino Manfredi, Emma Penella y José Isbert hacen de ella una película redonda en todos los aspectos. Para hablar de la película nos juntamos como siempre Javier Jiménez de Sevilla y Paco Dolz de Valencia, con Jimmy Entraigües, argentino afincado en Valencia, para recordar y poner el acento en anécdotas y claves que han hecho de esta película una de las mejores del cine español. Como siempre Unai Aizpurúa se encargó de la parte técnica, para que el programa pudiera salir al aire de una forma fluida.

Alexandre recebe os amigos Rafael Amaral (Blog "Palavras de Cinema") e Willian de Andrade para um bate papo sobre um dos diretores de comédia mais influentes do cinema clássico. Ernst Lubitsch era alemão, mas fez a parte mais importante de sua carreira em Hollywood, dirigindo alguns dos grandes clássicos da comédia americana das décadas de 30 e 40. Influência para nomes como Billy Wilder, Lubitsch dirigiu pérolas como "Ser ou Não Ser", filme já debatido no PFC no episódio 123 - Dicas Triplas #12. Neste áudio, percorremos brevemente a carreira do cineasta, com destaque para filmes como "Ninotchka" (Ninotchka, 1939), "A Loja da Esquina" (The Shop Around The Corner, 1940) e "O Diabo Disse Não" (Heaven Can Wait, 1943).----------------------Acesse nosso site: ⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠Acesse nosso perfil no Instagram : ⁠⁠@podcastfc⁠⁠Nos procure no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

For their historic 200th episode, two detective-minded film critics, two dream theory dads, and two noir-loving teachers, Will Johnson and Don Shanahan, have reached a milestone that deserved a big movie and the help of stellar new guest. The hosts welcome Chicago-based film critic and artist Jeff York of The Establishing Shot and Pipeline Artists to compare two examples of poisonous Hollywood settings separated by decades and mere blocks of postal addresses. Our trio compares the dangerous and pervasive themes to be found in David Lynch's revered 2001 fever dream "Mulholland Drive" versus Billy Wilder's salaciously seminal 1950 dark comedy "Sunset Boulevard." The interpretations and lasting effects run quite the gamut in this extended discussion. Come learn more and stay for the mutual love and respect that fun movies encapsulate. Enjoy our podcast!https://discord.gg/N6MKWXU2https://www.teepublic.com/user/ruminationsradionetworkhttps://www.instagram.com/cinephilehissyfit/https://www.instagram.com/casablancadon/Twitter: https://twitter.com/CinephileFitwww.RuminationsRadioNetwork.comwww.instagram.com/RuminationsRadioNetworkTwitter: RuminationsRadioNetwork@RuminationsNProduction by Mitch Proctor for Area 42 Studios and SoundEpisode Artwork by Charles Langley for Area 42 Studios and Soundhttps://www.patreon.com/RuminationsRadiohttps://everymoviehasalesson.com/https://ruminationsradio.transistor.fm/ ★ Support this podcast on Patreon ★

This is a 5-minute sample of our full podcast episode on Billy Wilder's The Apartment — a film that somehow blends mid-century office politics, romantic dysfunction, and existential comedy into one perfect holiday movie. To hear the full conversation and unlock over 200 hours of movie deep dives, including more classics, new releases, and filmmaker spotlights, head to our Patreon and become a member in the link below.The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

Join Dan and Tom as they decode the 1943 movie, FIVE GRAVES TO CAIRO. Is this World War II movie a spy movie? Listen as Dan tries to convince Tom it is, despite Tom's uncertainty. The story with this menacing title follows the exploits of Cpl. John Bramble in June 1942 after he fell out of his tank in the North African desert.  Later on, he ends up meeting Rommel, The Desert Fox, himself.  Most of the movie takes place inside the hotel “Empress of Britain”. It is a great setting. Also, something is interesting there underneath the first floor. The people behind this movie are top-notch.  Billy Wilder directed and co-wrote it with Charles Brackett, adopting Lajos Biró's play “Hotel Imperial”. It garnered three Academy Award nominations and has an excellent cast. Specifically, Anne Baxter, Franchot Tone, Akim Tamiroff, and Erich von Stroheim play the leads. This is a movie where you don't want to be scanning your phone at the same time as you watch it.  You need to pay close attention. However, by listening to this episode, you will enhance your viewing experience.  We give you some things to look out for. What we will decode in this episode While we don't give away the key answers for this movie, these are the things we decode in our look at FIVE GRAVES TO CAIRO: ·         Details on this great cast. ·         How it had a real-world impact on the war. ·         The humor in this serious movie. For example, we include a clip from the movie about bedbugs. ·         Without a doubt, there is a tie-in to Boris Karloff. What is it? ·         The production, cinematography, costuming, and the score. ·         What Tom thought Bramble needed to have with him on the tank. ·         The use of the German language.  Authentic? ·         Opera in a World War II movie? ·         The dialogue - good, or bad? ·         Certainly, Rommel would not have said what he said at that lunch. Would he? ·         Answering Tom's question of if this is a spy movie ·         And more! What we don't answer is what the “five graves to Cairo” are. You need to watch the movie for that. Where to download the movie As of the time of the release of this episode (June 2025), you can stream this movie for free at: https://archive.org/details/five-graves-to-cairo-1943-billy-wilder. Tell us what you think about our no-spoiler review of FIVE GRAVES TO CAIRO. So, take a listen and let us know what you think. Have you heard of FIVE GRAVES TO CAIRO before this episode?  As a result of listening to this episode, did you watch it? To sum up, if you have seen this movie, what do you think?  Were we on point with our review?  What did you like and what would you have changed about the movie? Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all of our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage: https://bit.ly/3FtdIJD

“All right, Mr. DeMille, I'm ready fro my close up” Sunset Boulevard (1950) directed by Billy Wilder and starring Gloria Swanson, William Holden, Erich von Stroheim and Nancy Olson Next Time: But I'm A Cheerleader (1999)

This week we go from one Audrey to another. In this episode, we get to know Audrey Wilder. Audrey was a tremendous lady – wife of legendary director Billy Wilder, Hollywood hostess, and bosom friend of our man Nick. Audrey also goes way back into our narrative lending her name to one of the mysterious missing chapters of Truman Capote's Answered Prayers. With all the spiderwebs included that you like, it's time to bring Audrey Wilder into our main feed investigation! Continue your investigation with ad-free and bonus episodes on Patreon! To advertise on Done & Dunne, please reach out to info@amplitudemediapartners.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Front Row Classics is taking a look at one of the most popular courtroom mysteries ever made. Brandon is joined by friend of the podcast, Matt Duffy, to celebrate Billy Wilder's Witness for the Prosecution. Brandon and Matt celebrate the wit, drama and humor of this movies based on a play by Agatha Christie. The standout performances of Charles Laughton and Marlene Dietrich are especially praised.

Witness for the Prosecution Front Row Classics is taking a look at one of the most popular courtroom mysteries ever made. Brandon is joined by friend of the podcast, Matt Duffy, to celebrate Billy Wilder’s Witness for the Prosecution. Brandon and Matt celebrate the wit, drama and humor of this movies based on a play … Continue reading Ep. 310- Witness for the Prosecution →

PopaHALLics #143 "Pop Go the Generations"Dad and daughter discuss the thrill of introducing your kid to your childhood pop culture faves. Also: Tina Fey does a series remake of an old Alan Alda/Carol Burnett movie. A documentary looks at Anita Pallenberg, "a rock and roll goddess." And Steve examines the making of the classics "Double Indemnity" and "High Noon."Streaming:"The Four Seasons," Netflix. In this TV series remake of the Alda/Burnett movie, the decades-long friendship of three couples is tested when one divorces, complicating their quarterly weekend getaways. With Fey (co-creator), Steve Carell, Colman Domingo, and Will Forte."Catching Fire: The Story of Anita Pallenberg,," Hulu. We tend to focus on Pallenberg's involvement with the Rolling Stones, but his documentary based on her unpublished autobiography shows how she was so much more.  Scarlett Johanssen narrates."Press Play," Hulu. In this 2022 sci-fi romantic drama, Chloe (Clara Rugaard) uses a mixtape to travel back in time to try to save her true love (Lewis Pullman). Danny Glover plays his boss."Poker Face," Peacock. Charlie (Natasha Lyonne) continues to get into messy scrapes because of her ability to tell if someone's lying. The second season features such guest stars as Cynthia Erivo ("Wicked"), Giancarlo Esposito ("Breaking Bad"), comedian John Mulaney, and Akwafina.Books:"From the Moment They Met, It Was Murder: Double Indemnity and the Rise of Film Noir," by Alain Silver and James Ursini. The behind-the-scenes story of the making of the film noir classic starring Barbara Stanwyck and Fred MacMurray and co-written by novelist Raymond Chandler and director Billy Wilder. The book also explores the cultural impact of the film."High Noon: The Hollywood Blacklist and the Making of an American Classic," by Glenn Frankel. Frankel takes us behind the scenes of the making of this classic Western starring Gary Cooper and Grace Kelly and shows how the movie's themes were shaped by the Hollywood blacklist in the 1950s."Demon Copperhead," by Barbara Kingsolver. An acclaimed retelling of "David Copperfield," set in modern Appalachia.Click through the links to watch and read what we're talking about.

Step into the shadowy world of deception, desire, and betrayal as Movie Mistrial explores Billy Wilder's iconic film noir, Double Indemnity.Double Indemnity is a masterwork of noir cinema, featuring razor-sharp dialogue, atmospheric cinematography, and unforgettable performances from Barbara Stanwyck and Fred MacMurray. With its morally complex characters and suspenseful plot, the film laid the blueprint for the genre and remains just as gripping today as it was in 1944.While Double Indemnity is a cornerstone of classic Hollywood, some modern viewers might find its pacing slower compared to today's thrillers. The stylized dialogue and melodramatic tone—hallmarks of the era—may not resonate with everyone.Join us as we dive into the dark heart of Double Indemnity and debate whether this tale of crime and consequence still delivers its fatal punch.Connect with us and share your thoughts:Twitter: http://tiny.cc/MistrialTwitterFacebook: http://tiny.cc/MistrialFBInstagram: http://tiny.cc/MistrialInstaVisit our website, www.moviemistrial.com, for more captivating episodes and to stay up-to-date with all things movies.

Episode 66: This week we are on the run in a tale spun by Billy Wilder with Rob's pick in 1944's Double Indemnity. Also we say farewell to 2pm Todd and welcome along for the ride Matt, our new co-host as we expand his horizons.Double Indemnity Trailer.Make sure to join us for Murder & Mayhem next week with our Boy Kills World review from 2024.Help support our other projects @Kinectic OnslotCircle of Jerks PodcastA Cut Above: Horror ReviewPraises due to The Bird Beats for our beat!Become a supporter of this podcast: https://www.spreaker.com/podcast/the-cinemigos--6354096/support.

Ladies and GENTLEMEN who like it hot, we have quite the pick from a disgruntled Snob, Jared. He was NOT happy with the previous picks and even went as far as to say that they made him feel PETTY not PRETTY. But today we have Jared's pick from 1959 and from director Billy Wilder, “Some Like it Hot.” This film stars Jack Lemmon and Tony Curtis and Marilyn Monroe! We have a good time talking about just why this pick is so good and how it makes us feel pretty inside and outside. Join us for the discussion as we delve in!Film Discussed: Some Like it Hot (1959)Letterboxd: Eric Peterson:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/EricLPeterson/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jared Klopfenstein:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/kidchimp/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ethan Jasso:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/e_unit7/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Caleb Zehr:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/cjzehr/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ricky Wickham:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/octopuswizard/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Cody Martin: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/codytmartin/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Five star reviews left on the pod get read out loud!

Michelle is back for yet another fantastic discussion of films directed by the great Billy Wilder. This time she and Jason discuss two woefully underrated films in Wilder's auspicious filmography, Five Graves to Cairo and A Foreign Affair. The friends discuss the excellent way Wilder portrays gender, the depiction of history as it happens, why sometimes it's better to cast relative unknowns, and much, much more.

Shakespeare ​famously ​wrote, ​what's ​in ​a ​name? ​ ​But ​let's ​say ​it ​out ​loud. ​ ​Jack ​ ​Lemmon. ​It ​says ​it ​all ​right ​there ​in ​the ​name. ​​Jack. Ordinary, ​​the ​guy ​across ​from ​you ​on ​the ​subway. Lemon. The ​one ​that ​got ​the ​broken ​car. ​ ​The ​bitter ​taste, ​yet ​the ​surprising ​brightly ​colored ​yellow ​sun ​inside ​of ​the ​bad ​luck. ​Jack ​Lemmon, ​arguably ​the ​greatest ​comic ​and ​dramatic ​actor ​to ​ever ​grace ​the ​screen, ​who ​is ​unrivaled ​​as ​the ​everyman ​who ​trips, ​stumbles, ​ ​triumphs ​and ​gets ​the ​girl. ​Or ​in ​the ​case ​of ​Some ​like ​it ​Hot, ​the ​guy. ​ ​Starting ​this ​week ​at ​one ​of ​my ​very ​favorite ​movie ​theaters, ​the ​Film ​Forum ​on ​Houston ​Street, ​Jack ​Lemmon ​turns ​100. ​ Can ​you ​believe ​it? ​And ​the ​Film ​Forum ​is ​opening ​its ​two ​week ​tribute ​on ​Friday, ​May ​16th ​with ​the ​iconic ​story ​of ​opposites, ​the ​Odd ​Couple. ​But ​I'm ​not ​here ​to ​talk ​about ​Mr. ​Lemon's ​legendary ​roles ​in ​Days ​of ​Wine ​and ​Roses, ​Glengarry ​Glen ​Ross ​ ​having ​a ​revival ​on ​Broadway ​now ​with ​Bob ​Odenkirk ​reprising ​Lemon's ​unforgettable ​Shelley ​Levine, ​The ​Front ​Page, ​Mr. ​Roberts, ​Bell, ​Book ​and ​A Candle. ​A ​personal ​favorite ​of ​mine, ​Some ​like ​it ​Hot, ​which ​I ​watched ​on ​VHS ​until ​the ​tape ​broke…I ​am ​here ​to ​talk ​about ​one ​of ​the ​greatest ​comedies, ​if ​you ​can ​call ​a ​film ​about ​a ​mid ​level ​office ​drone ​working ​at ​an ​insurance ​company ​ ​who ​lets ​his ​superiors ​bully ​him ​into ​letting ​them ​have ​his ​apartment ​for ​their ​affairs ​in ​hopes ​of ​him ​getting ​promoted ​and ​the ​suicidal ​elevator ​girl ​who ​whom ​he ​falls ​in ​love ​with. ​A comedy ​​The ​Apartment. ​ Legendary ​director ​Billy ​Wilder, ​coming ​off ​the ​wild ​success ​of ​Some ​like ​it ​Hot ​with ​Marilyn ​Monroe, ​wanted ​to ​keep ​his ​collaboration ​with ​Lemon ​going. ​So ​in ​1960, ​Wilder ​and ​I.A.L ​diamond ​(Come ​on, ​is ​that ​the ​coolest ​name?)​ who ​wrote ​Some ​Like ​It ​Hot ​with ​Wilder ​were ​inspired ​by ​an ​infamous ​Hollywood ​murder ​story ​about ​agent ​Jennings ​Lange ​who ​was ​having ​an ​affair ​with ​actress ​Joan ​Bennett ​in ​an ​underlings ​apartment. ​So ​her ​husband, ​producer ​Walter ​Wanger, ​shot ​and ​killed ​Lange. ​Check ​out ​Karina ​Longworth's ​excellent ​podcast ​Love ​Is A Crime from ​You ​Must ​Remember ​This ​for ​the ​full ​retelling ​to ​you ​and ​I. ​This ​might ​not ​seem ​like ​source ​material ​for ​one ​of ​our ​greatest ​comedies, ​but ​in ​Wilder, ​Lemon ​and ​the ​adorable ​Shirley ​MacLaine's ​Hands, ​it ​was ​a ​box ​office ​smash, ​winning ​five ​Oscars ​out ​of ​ten ​nominations. ​Now ​I ​could ​go ​on ​and ​on ​about ​Billy ​Wilder's ​meticulous ​directorial ​precision, ​Lemon's ​unreal ​​comic ​timing ​and ​turn ​on ​a ​dime ​pathos ​why ​Ving ​Rhames ​spontaneously ​gave ​him ​his ​very ​own ​Golden ​Globe ​in ​1998. ​But I'm actually here to talk about a hat, a haircut, and a mirror. Let's rewind to 1960 - President Kennedy just took office, Roy Orbison's ‘Only The Lonely' was on the radio, and the kids were doing Chubby Checker's ‘The Twist'. The very seriously subversive theme and subject of The Apartment can not be over stated in this climate. The film, shot in gorgeous black & white by Joseph LaShelle of Laura and Marty fame, puts us smack-dab in what I'd call ‘Mad Men' central - a heady swirl of cigarette smoke and ‘Tom & Jerry' cocktail mix, office Christmas parties, wives holding on line 2 while executive husbands scheduled accepted trysts before dinner and kissing the kids goodnight. Lemmon plays ‘C.C. Baxter', a hard-working, well-meaning drone who somehow gets himself turned into a sort of brothel landlord. His neighbors wonder how he can withstand being such a Lothario - the sounds coming through the walls everynight don't match C.C. Baxter's unassuming Brooks Brothers suit with a rumpled white shirt with rounded collars and tie-bar to boot.But Baxter is caught in a hilarious cycle of paying his dues to climb the corporate ladder. This is what you must do. You must get out of bed at midnight to allow your boss to wine and bed his mistress in your Upper Westside apartment even if it involves you sleeping on a park bench in Central Park and catching your death (which Lemmon really did on that particular night shoot on location in the chilly fall of NYC). Lemmon's aspiration is to be ‘the youngest junior executive at Consolidated Insurance' so he MUST climb that corporate ladder to get the accoutrements - the windowed office, the carte blanche phone calls to pass on favors, and the bowler hat!He proudly shows it off to Shirley MacLaine's elevator operator, Fran Kubelik, who regards it as the ultimate symbol of the last ‘nice guy' crossing over the river Styx to the underworld of betrayal. She is happy for Baxter, but her eyes register a cultural sadness - this white male corporate culture is a disease and its got it claws in Baxter, and Baxter is completely oblivious to what he is about to sign on the dotted line for. Fran isn't. Despite her absolutely adorable ‘pixie' hair-cut, she has been groped by the best of them, and seems unreachable by the hordes of executives. Fran is the Snow Leopard, the last big game that hasn't been conquered. You can grab her butt, and she firmly pushes you on your way. There is something modern, forward-leaning in her attitude and appearance, punctuated by that hair-cut representing women's liberation, strength, and independence. ‘I don't need long flowing hair to make you like me, pal.' The pixie cut was popularized by Audrey Hepburn in the late 1950's, followed by the model Twiggy, and reaching its apotheosis with Mia Farrow in Rosemary's Baby in the mid-1960s. But Shirley MacLaine, in my humble opinion, does it best as ‘Fran', the hard-working elevator operator girl who won't fall prey. Fran says in one of the film's most famous lines of dialogue, “When you're alone with a married man, you shouldn't wear mascara.” Shirley MacLaine's tender and deep performance as ‘Fran', lets us - and eventually Baxter - know that all is not well in the corporate system and the culture at large. One of the most ingenious uses of the Hollywood film adage ‘show don't tell' in filmmaking is the use of a simple compact make-up mirror to tell a major plot turn in The Apartment. Baxter's boss, Jeff D. Sheldrake played with brave impunity by silver screen star Fred MacMurray, who was so hated after this performance he would be aaccosted in the street by ladies chasting him for playing such a ‘dirty man'. Sheldrake calls Baxter into his office early in the film for what Baxter thinks is his promotion. Sheldrake says he's heard about Baxter's ‘key' - meaning his revolving brothel. Sheldrake wants in. Baxter obliges as Sheldrake is THE biggest fish. Later, in another summoning to the head honcho's office, Baxter gives him a floral compact he discovered in his couch, assuming it belongs to Sheldrake's mistress. The mirror inside the compact is cracked jagged down the middle splitting the image of whoever opens it in two. Baxter thinks nothing of it until he is modeling his bowler hat - the Junior Executive - for Fran. What do you think? he askes her. “After all, this is a conservative firm. I don't want people to think I'm an entertainer…”. In the midst of this, Fran helpful as ever, opens her compact to show Baxter how the bowler hat looks. To Baxter's deep inner shock, he puts ‘two and two together' and realizes Fran is in fact Sheldrake's mistress. The horror. The one that was ungettable gotten by the biggest fish with a wife and two kids. The shot of Lemmon reacting in the cracked compact is on the of most effective story and visual devices I can think of in cinema. Baxter sees himself split apart - two worlds: the happy go lucky Baxter, and the Baxter that is now privy to some vile stuff involving the one girl he actually likes.Fran sees his reaction and asks ‘what is it? Baxter takes a beat. “The mirror…it's broken.” Then Fran utters one of my favorite lines, “I know. I like it this way…makes me look the way I feel.” WOW. What a subversive revilation! What a profound utterance. Talk about Chekhov. ‘Makes me look the way I feel'. We begin to realize all is not right with Fran. Sheldrake is leading her on. She sets a boundary at the local Chinese restaurant where he apparently takes all his conquests - the back booth. But Sheldrake works her over, and convinces her he WILL leave his wife. After a tryst back at Baxter's apartment on Christmas Eve, Sheldrake must catch his evening train to make dinner with the family. Obviously having forgotten to get Fran anything of real signifigance for Christmas, he opens his wallet and hands her a hudred dollar bill. Even in today's anything goes era, it's a shockingly seedy gesture that is all too real. MacLaine's Fran takes it in stride - just like Baxter leaving his key under the rug for his bosses - and stands to take off her coat and gets ready to disrobe. Fran says something like, ‘well, you already paid for it.' Ugh. My heart broke! For Fran, for Baxter, for the sad inevitablity of it all. Trigger Warning. The last portion of this episode deals with suicide. Listen with care. Fran asks to be left alone. In the bathroom, she finds the hundred dollar bill in her purse, and realizing she will never be able to break this cycle, she sees Baxter's sleeping pills - Seconal - and takes them all. Meanwhile, Baxter is out drowning his sorrows with a hilarious companion, played by actress Hope Holiday. They get drunk and dance, looking for a place to get even closer, they head back to Baxter's apartment - “Might as well go to me. Everybody else does.” Once back at his place, he discovers Fran and races to his jocular doctor neighbor, played by Jack Kruschen (also Oscar nominated for his hilarious supporting role as Dr. Dreyfuss), and Fran narrowly misses checking out. While recovering at Baxter's playing gin rummy (which MacLaine was playing alot of as a peripheral member of the Rat Pack), Fran and him bond, more than bond. They fall into bliss and don't even know it. It's a beautiful chemistry, one that apparently as it evolved dictated the script. Sources say upon commencement of filming, the screenplay was a mere 40 pages, and Wilder liked to work that way and let things evolve. He was also famous for re-shooting after viewing dallies. MacLaine calls him 'sciencentific, brittle and caustic with women but made you better for it'. She tells a story about once such instance during a climactic scene with Fred MacMurray's ‘Sheldrake' where she couldn't get the emotion necessary for their break-up in the Chinese restaurant they frequent. MacLaine's native Canadian accent was coming out literally on the word ‘out.' After viewing the ‘rushes', he concluded they need to re-shoot, even calling MacLaine out in the screening room. MacLaine, much like Fran, didn't buckle under pressure, and they re-shot. On the day, Wilder called ‘Action' and excused himself to give her the privacy to do the scene. She hit it out of the park, uttering the lines from that take that made the final cut, “So you sit there and make yourself a cup of instant coffee while he rushes out to catch the train.”Well, long story short, Baxter and Fran end up together - thank Heavens. I could explain the plot twists to get them there, but I want to leave you with one final remberance of MacLaine's. When asked what it was like to work with Jack Lemmon, she said, “He would say, ‘Magic time!', every time the camera rolled. And then we knew we'd better make some magic.”Check out The Apartment on the big screen at The Film Forum in all its glory this Friday, Saturday and Sunday. And all of Jack Lemmon's ‘Magic time' over the next two weeks. You won't be sorry.More about the series here:JACK LEMMON 100Watch The Apartment here:Look Behind The Look is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

Send us a textIt's just Mark, his overanalysis, and Rudy Vallée as he tries to figure out what makes Some Like It Hot such a timeless comedy, why the idea of syncopation gives it rare thematic harmony, and how Billy Wilder and IAL Diamond were so damn good.https://markoveranalysesfilm.buzzsprout.com/https://www.markoveranalysesstory.com/https://twitter.com/overanalysefilm

In this conversation, Yiwen Cao discusses her groundbreaking AI-generated film 'What's Next?', which premiered at the 2025 Berlin Film Festival. Although past films about AI are discussed, including “Her”, “A.I.”, “Ex Machina”, and “The Matrix”, Yiwen's favorite movie is Billy Wilder's 1959 comedy/musical “Some Like It Hot”.She shares insights into the creative process, including making the film over six and a half days on no sleep, the themes of the film, and the role of AI in filmmaking, emphasizing the importance of social commentary in her work.Yiwen reflects on the audience's reception of AI films, addresses the future of AI in the film industry, and offers advice for aspiring filmmakers.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

¿Está la comedia más amordazada que antes? Hoy hablamos de ONE, TWO, THREE (1961) dirigida por Billy Wilder.

GGACP celebrates National Couples Appreciation Month with this ENCORE of the first of a 2-part interview featuring celebrated actors and longtime Hollywood couple Richard Benjamin and Paula Prentiss. In this episode, Richard and Paula talk about their seven-decade careers in front of (and behind) the camera, co-starring in a groundbreaking sitcom, co-hosting “Saturday Night Live,” meeting Stan Laurel and Buster Keaton and working with legendary directors Howard Hawks, Mike Nichols and Billy Wilder. Also, Jack Cassidy plays a superhero, Jack Benny exits “The Sunshine Boys,” Paula shares the stage with Hope and Crosby and Richard teams Burt Reynolds and Clint Eastwood. PLUS: Uncle Goopy! “Goodbye, Columbus”! Remembering Jim Hutton! Walter Matthau plays the ponies! And Richard and Paula gush over Gilbert's James Mason impression! Learn more about your ad choices. Visit megaphone.fm/adchoices

Michele joins Jason again for a new project: a look at the films of the great Billy Wilder. This week the pair discuss several films Wilder co-wrote before he took up the directing reigns: Ball of Fire, Arise My Love, Ninotchka and more -- and find them to all be pretty special films. We think you'll enjoy the insight the pair bring, and have fun thinking through your own watch of these sublime films!

Send us a textOn this Episode, Tom and Bert review and discuss their personal Top 10 +1 extra War Movies thru the Decades!War Movies have always, in most cases, been Epic Films.The most talented Director's and Film Makers like Clint Eastwood, Steven Spielberg, Stanley Kubrick, Billy Wilder and Oliver Stone are omnipresent on this list. When it comes to WAR Movies these men delivered all time classics! Chapter Highlights:(2:26) "Schindler's List"(7:46) "Path's of Glory"(11:51) "Saving Private Ryan"(16:30) "The Pianist"(19:23) "Platoon"(22:37) "Full Metal Jacket"(28:04) "Patton"(31:45) "300"(33:55) "The Dirty Dozen"(38:40) "Stalag 17"(41:21) "Good Morning Vietnam"Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

"Você vai falar sobre ele, mas por favor, não conte o final" isso era o que dizia o pôster promocional do filme Testetemunha de Acusação baseado no conto e na peça teatral de Agatha Christie. Contrariando não só o aviso do cartaz, mas a narração final do longa "A administração deste cinema sugere que, para que seus amigos que ainda não viram o filme possam melhor desfrutá-lo, você não divulgue para ninguém o segredo do final de Testemunha de Acusação" Andreia D'Oliveira, Gabi Idealli e Brunão vão falar, com spoiler liberado, desta obra prima estrelada por Charles Laughton, Marlene Dietrich e Tyrone Power e dirigida por Billy Wilder. Vem ouvir… por sua conta e risco! Comentado no episódio Crepúsculo dos Deuses (1950 ‧ Noir/Drama ‧ 1h 55m) Se Meu Apartamento Falasse (1960 ‧ Romance/Drama ‧ 2h 5m) Quanto Mais Quente Melhor (1959 ‧ Musical/Romance ‧ 2 horas) Farrapo Humano (2000 ‧ Drama/Drama jurídico ‧ 2h 11m) A Montanha dos Sete Abutres (1951 ‧ Noir/Thriller ‧ 1h 51m) O Pecado Mora ao Lado (1955 ‧ Romance/Drama ‧ 1h 45m) O Sol é para Todos (1955 ‧ Romance/Drama ‧ 1h 45m) Tempo de Matar (1996 ‧ Thriller/Ficção policial ‧ 2h 29m) Anatomia de uma Queda (2023 ‧ Thriller/Crime ‧ 2h 31m) O Vento Será Tua Herança (1960 ‧ Drama/Drama ‧ 2h 8m) O Veredicto (1982 ‧ Thriller/Drama ‧ 2h 9m) As Duas Faces de um Crime (1996 ‧ Thriller/Crime ‧ 2h 10m) Filadélfia (1993 ‧ Drama/Drama judicial ‧ 2h 6m) Os 7 de Chicago (2020 ‧ Thriller/Crime ‧ 2h 9m) Argentina, 1985 (2022 ‧ Thriller/Drama ‧ 2h 20m) O Segredo dos Seus Olhos (2009 ‧ Crime/Thriller ‧ 2h 7m) Acima de Qualquer Suspeita (1990 ‧ Thriller/Mistério ‧ 2h 7m) Acima de Qualquer Suspeita (2024 ‧ Thriller ‧ 1 temporada) O Mentiroso (1997 ‧ Drama/Fantasia ‧ 1h 27m) Questão de Honra (1992 ‧ Thriller/Crime ‧ 2h 18m) Erin Brockovich - Uma Mulher de Talento (2000 ‧ Drama/Drama jurídico ‧ 2h 11m)

We all know of Marilyn Monroe, but WE have never seen her perform in a movie before. We remedy that in this episode, as we return to another Billy Wilder production and see another familiar face with Jack Lemmon (only this time in drag) with the crime comedy caper, Some Like It Hot!Was it a sizzling sensational flick, or did the experience leave us feeling cold? Is there more to Marilyn than beauty, and how did the two male leads fare as females? Listen in to find out!-------------------------------------------------------Don't forget to follow us on social media in the links below, and let us know your thoughts and recommendations for the future!  ⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/sp_filmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠x.com/SP_Filmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/SP_Filmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-------------------------------------------------------Rating and reviewing the show is a great help too! Please feel free to do so with these helpful links below:Goodpods: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://goodpods.app.link/pkE7J2T6ykb⁠⁠⁠⁠⁠⁠⁠⁠⁠Podchaser: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.podchaser.com/users/sp_filmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/gb/podcast/sp-filmviewers/id1485548644⁠⁠⁠⁠⁠⁠⁠⁠⁠ Lastly, we now have a Patreon you can join, for as little as £1/$1.50. More details in the link below:⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/spfilmviewers⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

“The Tragic Life of Classic Cinema Star Gail Russell” (082) - 4/07/2025 Hollywood legend has it that ethereal beauty GAIL RUSSELL was discovered after a Paramount Studios talent manager picked up two hitchhiking Santa Monica high school boys who told him all about the "Hedy Lamarr of Santa Monica High School." Allegedly, he then tracked down Russell at school and arranged for a screen test. The rest, as they say, is Hollywood history. If only it had been that easy. Russell, who was painfully shy and had no interest in a career as an actress was pushed in front of the camera by her ambitious mother and the executives at Paramount who saw dollar signs in her startling blue eyes. This week, we explore the life and career of one of Hollywood's most tragic beauties, GAIL RUSSELL.  SHOW NOTES:  Sources: Fallen Star: A Biography of Gail Russell (2016), by Steven Glenn Ochoa; John Wayne: The Life and Legend (2015), by Scott Erman; It's the Pictures That Got Smaller: Charles Brackett on Billy Wilder (2104), edited by Anthony Slide; “Paramount Official Biography of Gail Russell,” March 1940, Paramount Pictures; “Gail Russell,” May 1971, by Jim Meyer, Film Fan Monthly; “Stars Attend Funeral of Gail Russell,” August 30, 1961, Los Angeles Times; “Private Rites Scheduled Today for Gail Russell,” August 29, 1961, Los Angeles Times; “Gail Russell Found Dead At Home,” May 28, 1961, Los Angeles Times; “Gail Russell Threatens to Sue on Wayne Case Charge,” October 21, 1953, The Los Angeles Evening Herald & Express; “Gail Russell Held On Drunk Driving Charges,” November 25, 1953, Los Angeles Times; “Film Star Gail Russell Jailed As Drunk Driver,” November 25, 1953, LA Daily News; “Gail Russell Fights Drunk Driving Charge; Trial Set,” November 27, 1953, The Los Angeles Evening Herald & Express; “Gail Russell Charges $150 Drunk Charge,” January 18, 1954, The Los Angeles Evening Herald & Express; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Henry Aldrich Gets Glamour (1943), starring James Lydon & Diana Lynn; Lady In The Dark (1944), starring Ginger Rogers & Ray Milland; The Uninvited (1944), starring Ray Milland, Ruth Hussey, & Gail Russell; Our Hearts Were Young And Gay (1944), starring Gail Russell & Diana Lynn; Salty O'Rourke (1945), starring Alan Ladd & Gail Russell; The Unseen (1945), starring Joel McCrea & Gail Russell; Our Hearts Were Growing Up (1946), starring Gail Russell & Diana Lynn; Calcutta (1947), starring Alan Ladd & Gail Russell; Angel And The Badman (1947), starring John Wayne & Gail Russell; Night Has A Thousand Eyes (1948), starring Edward G. Robinson, Gail Russell, & JohnLund; Moonrise (1948), starring Dane Clark & Gail Russell; Wake of the Red Witch (1948), starring John Wayne & Gail Russell; Song of India (1949), starring Turban Bey & Gail Russell; El Paso (1949), starring John Wayne, Sterling Hayden, & Gail Russell; The Great Dan Patch (1949), starring Dennis O'Keefe; Captain China (1950), starring John Payne & Gail Russell; 7 Men From Now (1956), starring Randolph Scott & Gail Russell; The Tattered Dress (1957), starring Jeff Chandler & Jeanne Crain; The Silent Call (1961), starring Gail Russell & Roger Mobley --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Billy Wilder channeled his inner Adam Sandler for 1959's SOME LIKE IT HOT. All he had to do to wow critics and audiences was put Jack Lemmon and Tony Curtis in drag, and sexualize Marilyn Monroe every few scenes. Listen to Alex & Julio take on this 95% Tomatometer score, as they wonder if Wilder realized his movie celebrated a woman embracing the latest in a series of toxic relationships!TIMELINE00:01:24 Some Like It Hot00:14:23 Contrarians Corner- Wanna know how we really feel about SOME LIKE IT HOT? Check out the Real Talk (RT) episode, on your feed RIGHT NOW! (or pretty soon — Spotify can be a pain when it comes to refreshing the feed)- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemonios on Twitter or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

People loooooooooove SOME LIKE IT HOT. Does it belong on Billy Wilder's Mt Rushmore though? How does it compare to the other Wilder movies we've covered on the show? What's it like, watching a classic Marilyn Monroe performance after having experienced her turn on THE MISFITS? Will this be our next Criterion purchase? The answers are in this Real Talk segment.TIMELINE00:01:26 Goosepimply All Over00:02:08 Real Talk01:00:45 The Future & Patreon Stuff- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemonios on Twitter or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!Up next, it's time to pay our first Livestream For The Cure 2024 debt, as Alex gets to experience Spielberg's WEST SIDE STORY for the first time! Until then, let us know what you thought of Some Like It Hot: Has it aged like fine wine or is it a little cringe now? Can anyone out-Marilyn Marilyn? How far did Osgood and Daphne go? E-mail us at wearethecontrarians@gmail.com or share your thoughts with us on Threads or BlueSky!

Why does “Bart Gets Hit by a Car” (S2E10) show the episode title on screen at the beginning, unlike nearly every other episode of The Simpsons? We think we found an answer in The Fortune Cookie (1966), the very first pairing of longtime comedy duo Jack Lemmon and Walter Matthau. They're the original odd couple! This forgotten movie provided the plot for this early episode of The Simpsons, and possibly much more.Also in this episode:• A classic example of “homage, French for theft”• How this movie may have inspired the origins of Lionel Hutz and Dr. Nick Riviera• When does Walter Matthau sound most like season 1 Homer in this movie?• Adam and Nate unwisely try to rewrite Billy Wilder and I.A.L. Diamond, two masters of comedy writingPlus, check out our show notes for a complete list of Simpsons references, double feature suggestions, and further readingNext time, filmmaker and podcaster Devan Scott returns to discuss Jaws (1975) on its 50th anniversary, alongside its culty parody in “The Joy of Sect” (S9E13).For more Simpsons movie parody content, check out SpringfieldGoogolplex.com, or follow us @simpsonsfilmpod on Instagram, Bluesky, TikTok, YouTube, and Letterboxd. Discover more great podcasts on the That Shelf Podcast Network.

For the final week of the MaxFunDrive we invited Stuart and Dan from The Flop House to take a break from bad movies and watch the Best Picture winner "The Apartment" starring Jack Lemmon and Shirley MacLaine.Tune in next week when our movie will be... Mighty Morphin Power Rangers: The MovieListen to The Flop House, it's very good!Catch Emily Fleming and Jordan Morris at Wondercon!Matt Lieb and Francesca Fiorentini will be in San Francisco at Cobb's Comedy Club on May 7th! Buy tickets here!   MaxFunDrive ends on March 28, 2025! Support our show now and get access to bonus content by becoming a member at maximumfun.org/join.

Ah, this was so much easier to record than Contrarians Corner. If you wanted to hear us actually engage with The Son's concerns regarding mental health and parenthood - and how the movie addresses them - well, this is where it happens. But don't worry, we still throw in the occasional Wolverine joke.TIMELINE00:01:26 Berserker Rage00:02:21 Real Talk00:54:57 The Future & Patreon Stuff- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemonios on Twitter or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!Up next, we pick our next entry from Jordan Manse's Top 100 movies of all time, and we welcome Billy Wilder back to the show as we tackle SOME LIKE IT HOT! Until then, let us know what you thought of The Son: Is it really a prequel to The Father? Could the cast tell this wasn't going well as they shot it? Did you have any theories about the French intern? E-mail us at wearethecontrarians@gmail.com or share your thoughts with us on Threads or BlueSky!

Hollywood's 1960s began with Billy Wilder winning three Oscars for The Apartment. But Wilder's biggest success would also prove to be his last film to be afforded such respectability, as Wilder largely abandoned the type of material that the Academy embraced, and veered gleefully into disreputability. Of the 9 films Wilder made in the 20 years after The Apartment, in this episode we'll pay special attention to three that were engaged with the rapidly changing culture – in Hollywood and beyond: One, Two, Three (1961); Avanti (1972); and Fedora (1978). To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week on the InSession Film Podcast, we discuss the very depressing James Bond news with Amazon taking over and we begin the next phase of our Best Picture Movie Series as we review Billy Wilder's THE APARTMENT!   - James Bond (10:20) - The Apartment (56:34)   Visit https://insessionfilm.com for merch and more!   Episode's sponsor: ONE OF THEM DAYS - Follow us on social media for your chance to win a FREE digital code!   Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe   Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

SEASON 3 EPISODE 98: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:44) SPECIAL COMMENT: Many Americans will not stop lying to themselves about Trump’s insanity. But the rest of us have to. The rest of us: every politician who steps in front of a microphone, every news producer who begins a newscast with some other story made trivial in contrast, every columnist who writes about alarm or some quarters or this Ohio diner, every commentator tempted to say this was the moment Trump truly became president. Trump is manifestly insane and this week he has entered that stage of whatever it specifically IS that’s wrong with him, that is characterized by mania: the conviction that something that is impossible WILL happen simply because he SAYS it is going to happen. HIS mania happens to be about Gaza. The next one could be about the sun rising in the west. Or about how Americans would survive a nuclear war because he’s leading them and he’s immortal. Mania doesn’t have to be MANIC. It doesn’t require hyperbolic words nor unsuppressed rage nor vivid hallucinations. He’s insane. He believes in things that aren’t true and can’t be true and he has a rationalization ready for whenever somebody tells him that they can’t be true. There is nothing of the cliched crazy man in his voice as he talks about Gaza. Nevertheless this guy is metaphorically about one inch away from having conversations with invisible gophers. He says the land is beautiful and he will "cherish" it. His language matches what someone would say if they were having sex with the land. It's a form of what film-maker Billy Wilder allegedly told Nancy Reagan when she quizzed him about why the character played by Gloria Swanson had a pet chimp in their movie “Sunset Boulevard”: "that's because she was f'ing the monkey." Trump talks about Gaza like he is f'ing the monkey. B-Block (30:04) THE WORST PERSONS IN THE WORLD: Fox's Emily Compagno knows how to reform the media. Literally have them just republish Trump press releases. Well, it works for Fox. Dinesh D'Souza celebrates an Army Base NOT being re-re-named after a Civil War General, and Eric Adams, polling at 10% to be renominated for Mayor of New York, has not only sold out his city but now he is actively toying with switching to the GOP, where he will probably poll at LESS than 10%. C-Block (41:10) IN SPORTS: Oh man do I hate it when leagues shut down their seasons so the players can play made-up international tournaments. Wait, only the National Hockey League does that? As part of its marketing strategy to make this great game even LESS prominent? And by the way its new tournament unfolds as the 45th anniversary hits of a truly great international tournament: the 1980 Olympic Hockey medal competition. I covered it, and I'm still cold. Memories, and one of my radio reports, included.See omnystudio.com/listener for privacy information.

GGACP celebrates the birthday (January 27) of comedian, actor, writer and GGACP fan Patton Oswalt by presenting this ENCORE of a wide-ranging interview from 2018. In this episode, Patton drops by the studio to discuss the films of Sidney Lumet and Billy Wilder, the “unnatural” art of sitcom acting, the disappearance of grindhouse theaters and the influence of “Richard Pryor: Live in Concert.” Also, Larry Cohen deconstructs Superman, Gilbert imagines “Titanic, Part II,” the Karate Kid opens a car dealership and Patton stages “The Day the Clown Cried.” PLUS: Praising “Ratatouille”! Remembering John Cazale! The artistry of Rick Baker! And “Francis Ford Coppola's Dr. Strange”!  Learn more about your ad choices. Visit megaphone.fm/adchoices