Podcast appearances and mentions of Billy Wilder

Nesta edição do podcast cinematório café, nós analisamos o filme "A Hora do Mal" (Weapons, 2025), de Zach Cregger, um dos grandes sucessos de 2025. Também comentamos outros filmes de horror recentes sobre os quais ainda não havíamos falado no podcast: "O Pranto do Mal", "Apartamento 7A", "Pecadores", "Extermínio: A Evolução", "M3GAN 2.0" e "Prédio Vazio". - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema Em "A Hora do Mal", uma comunidade é abalada pelo desaparecimento repentino de crianças de uma mesma sala de aula. As suspeitas recaem sobre a professora delas, enquanto os pais e a polícia tentam desvendar o mistério. No elenco, Julia Garner, Josh Brolin, Amy Madigan, Benedict Wong e Alden Ehrenreich. Confira a minutagem em que os filmes são discutidos: 00:03:57 - "A Hora do Mal" 01:04:07 - "O Pranto do Mal", "Apartamento 7A", "Pecadores", "Extermínio: A Evolução", "M3GAN 2.0", "Prédio Vazio" Quem se senta à mesa conosco neste podcast é Ana Lúcia Andrade, professora de Cinema da Escola de Belas Artes da UFMG, autora dos livros "O Filme Dentro do Filme: a Metalinguagem no Cinema" e "Entretenimento Inteligente: O Cinema de Billy Wilder". O cinematório café é produzido e apresentado por Renato Silveira e Kel Gomes. A cada episódio, nós propomos um debate em torno de filmes recém-lançados e temas relacionados ao cinema, sempre em um clima de descontração e buscando refletir sobre imagens presentes no nosso dia a dia. Quer mandar um e-mail? Escreva seu recado e envie para contato@cinematorio.com.br. Este episódio contém trechos meramente ilustrativos das músicas "Weapons Main Theme" (2025), de Ryan Holladay, Hays Holladay & Zach Cregger; "Beware of Darkness" (1970), de George Harrison; e "Terminator 2 Main Title" (1991), de Brad Fiedel. Todos os direitos reservados aos artistas.  

Step into the world of faded glory and timeless brilliance as Charlotte and Adam dive into the restoration of Billy Wilder's masterpiece, Sunset Blvd. (1950). Charlotte takes you behind the scenes of the meticulous restoration process—sharing the challenges with picture and audio, and triumphs of bringing this classic back to life—while Adam peels back the curtain on the original production, with tales of Wilder, Swanson, Holden, and the making of one of Hollywood's sharpest portraits of itself.This episode also features a special recreation of the film's long-lost original opening—and a few surprises along the way. It's film restoration the way you've come to expect from Perf Damage: equal parts history, storytelling, and movie magic.Contact Us At:www.perfdamage.comEmail : perfdamagepodcast@gmail.comTwitter (X) : @perfdamageInstagram : @perf_damageLetterboxd : Perf DamageCheck Out our Youtube Channel:https://www.youtube.com/@PerfDamagePodcast

Dana and Tom with Frank Mandosa (host of Reels of Cinema, co-host of Movie Across the Pod) revisit Sunset Boulevard (1950): written and directed by Billy Wilder with Charles Brackett and DM Marshman Jr, cinematography by John F. Seitz, music by Franz Waxman, starring William Holden, Gloria Swanson, and Erich Von Stroheim.Plot Summary: Sunset Boulevard is a dark Hollywood drama directed by Billy Wilder. The story follows Joe Gillis (William Holden), a struggling screenwriter who can't sell his scripts. By chance, he meets Norma Desmond (Gloria Swanson), a once-famous silent film actress who now lives in isolation in her decaying mansion on Sunset Boulevard. Norma dreams of making a comeback and convinces Joe to help rewrite a script she believes will return her to stardom.As Joe becomes financially dependent on Norma, he finds himself trapped in her world of fading glory and denial. Their relationship grows tense and unhealthy, especially as Joe develops feelings for another young writer. Norma's desperation and inability to accept reality lead to a shocking and tragic ending. The film is a powerful look at obsession, fame, and the dark side of Hollywood.Chapters:00:00 Introduction and Welcome Back Frank04:39 Why is Sunset Boulevard So Critically Revered?14:11 Background for Sunset Boulevard16:51 Relationship(s) to Sunset Boulevard24:37 Plot Summary for Sunset Boulevard25:45 What is Sunset Boulevard About?29:35 Is Sunset Boulevard Billy Wilder's Best Film?33:48 Did You Know?35:52 First Break36:34 What's Happening with Frank40:38 Big Announcement - The Cinema Legacy Poll51:32 The Stanley Rubric - Legacy57:15 The Stanley Rubric - Impact/Significance01:03:16 The Stanley Rubric - Novelty01:06:12 Second Break01:06:49 In Memoriam01:08:04 The Stanley Rubric - Classicness01:14:31 The Stanley Rubric - Rewatchability01:19:52 The Stanley Rubric - Audience Score and Final Total01:22:13 Remaining Questions for Sunset Boulevard01:23:36 Thank You to Frank and Final Thoughts01:26:14 CreditsGuest:Frank MandosaHost of Reels of Cinema podcast, co-host of Movies across the Podhttps://linktr.ee/reelsofcinema; www.frankmandosa.weebly.comPreviously on The Sixth SenseYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, YouTube, or TikTok (@gmoatpodcast).For more on the original episode, go to: https://www.ronnyduncanstudios.com/post/sunset-boulevard-1950For more on the episode, go to: https://www.ronnyduncanstudios.com/post/sunset-boulevard-1950-revisit-ft-frank-mandosaFor the entire rankings list so far, go to:

Front Row Classics is shining a spotlight on one of the most underrated gems of Hollywood's golden year, 1939. Brandon is joined by writer and podcaster Emily Edwards to discuss Midnight, the sparkling romantic comedy directed by Mitchell Leisen. Featuring a razor-sharp script by Billy Wilder and Charles Brackett, the film delivers wit, charm, and a dose of zany fun from start to finish. Brandon and Emily dive into the film's irresistible performances, celebrating the impeccable work of Claudette Colbert, Don Ameche, Mary Astor, and John Barrymore. Join them as they explore why Midnight deserves a brighter place in the spotlight of classic film history.

Midnight Front Row Classics is shining a spotlight on one of the most underrated gems of Hollywood's golden year, 1939. Brandon is joined by writer and podcaster Emily Edwards to discuss Midnight, the sparkling romantic comedy directed by Mitchell Leisen. Featuring a razor-sharp script by Billy Wilder and Charles Brackett, the film delivers wit, charm, … Continue reading Ep. 348- Midnight →

The boys are back and they're talking about a real lemon on this week's episode. Jack Lemmon, that is! Join these washouts as they discuss The Apartment, Billy Wilder's 1960 classic romantic comedy. Pour a glass of champagne out for the loss of hat shelves, elevator and switchboard operators, and a whole slew of things that have ceased to exist since this movie came out. Get social with High & Low!Instagram @HighLowMovieShowThreads @ HighLowMovieShowJoin our Facebook Group The High & Low DungeonBuy Us a Coffee Twitter @HighLowMovieSho

Repasamos brevemente la carrera del actor Elliot Gould, luego discurrimos sobre "¿Qué nos pasa con el cine de hoy?" y terminamos bien arriba con la comedia vertiginosa "Uno, dos, tres" (1961) del enorme Billy Wilder.

Vamos a analizar una película de Howard Hawks, que parte de un guion de Charles Brackett y Billy Wilder, basado en un antiguo cuento de Wilder, titulado “De la A a la Z,” en la que juega hábilmente con la historia de “Blancanieves y los siete enanitos”, pero con esa mordacidad de Wilder, capaz de hacer que Blancanieves sea una cantante de cabaret, amante de un gánster, que va a esconderse a un antiguo caserón, en el que conviven siete “enanitos” o viejos profesores, que están trabajando en la creación de la que esperan sea la enciclopedia definitiva, en la que cada enanito se encarga de una sección. Barbara Stanwyck sería Blancanieves y Gary Cooper el príncipe del cuento, que es el que organiza el trabajo con los siete enanitos. En esta ocasión nos reunimos como siempre Javier Jiménez de Sevilla y Paco Dolz de Valencia, con Unai Aizpurúa de Donosti, que desde la trastienda es el mago que maneja los hilos desde la sombra para combinar las imágenes de lo que estamos comentando, para que esto sea algo más que tres bustos parlantes. Además en esta ocasión contamos como invitado especial con Juan Ángel Sáiz, también de Valencia, que repite con nosotros como amigo y amante del cine. La película para los que no la hayais visto está en FILMIN y AMAZON PRIME.

We Review: Sunset Boulevard, Some Like it Hot, The Apartment, Ace in the Hole, The Lost Weekend, The Private Life of Sherlock Holmes, Double Indemnity"We're ready for our close-up", because the classic movie Sunset Boulevard is celebrating its 75th anniversary this month. We honor the occasion by discussing the film and then delving into the career of its prolific writer/director Billy Wilder. Subscribe on YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/@moviesshapedpod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠follow us:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/moviesshapedpod/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chapters:00:00:00 Intro00:01:20 Billy Wilder Thoughts00:12:24 Sunset Boulevard00:32:13 Some Like it Hot00:50:28 Double Indemnity 01:08:26 Ace in the Hole01:26:27 The Apartment01:42:41 The Private Life of Sherlock Holmes01:59:37 The Lost Weekend02:18:48 Next Episode Preview & Outro

Michelle is back to continue our look at the films directed by the great Billy Wilder. This time, we look at the film which won the Academy Award for Best Picture and the film which should have won the award: the slightly less classic "problem drama" The Lost Weekend and the truly classic prototypical film noir Double Indemnity.Michelle and Jason both did their research on both films, which resulted in a fun and fascinating approach to the conversation, a conversation we hope you really enjoy.

One of the fascinating ironies about Los Angeles is that it is often movies in heightened genres like noir that best capture what the city really feels like to those born and raised in it (like this podcaster). Movies like Billy Wilder's acidic Hollywood takedown classic Sunset Boulevard and Roman Polanski's & Robert Towne's 70's new cinema classic Chinatown show sides of the city with a denizen's inside baseball knowledge. But there's also a neorealist strain in the films of John Cassavettes, Charles Burnett, and others that shows Los Angeles from a working class and middle class ground level. The way we actually live our life here. And finally, oddly, 60's and 70's B movies like 1977's totally couldn't be made today "The Van" show LA as it is because the moviemakers couldn't afford a budget to dress it up. They just shot what they could and captured LA without any soft lighting or makeup.  Join Secret Movie Club founder.programmer Craig Hammill (a 4th generation Los Angelino) as we discuss some of the known and underground gems that shine a real light on the city we who live here love. 

Get ready for a hilarious blast from the past as Bob and Brad take a trip down memory lane and revisit a movie (and whiskey) they haven't experienced since season 1. In this episode, they dive into the timeless comedic masterpiece Some Like It Hot, directed by the legendary Billy Wilder. Alongside this classic film, they pair it up with the oak-stave-finished Maker's Mark 46 bourbon, creating the perfect combination of laughter and flavor.Timestamps:0:00: Introduction09:00: Brad Explains12:46: Performances and Direction25:00: Maker's Mark 46 review37:20: Two Facts and a Falsehood40:15: Themes and Final Analysis51:40: Let's Make it a Double54:15: Final ScoresFilm & Whiskey Podcast. New episodes every Tuesday.Theme music: "New Shoes" by Blue WednesdayFilm & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!

On the 76th episode of Bomb Squad Matinee, Tanner, Cody, and Austin discuss Billy Wilder's classic Hollywood film Sunset Boulevard. Does this classic stand the test of time 75 years later? How did Gloria Swanson's real life acting career influence her character in the film? What did Cody think of the ending? Tune in to find out!

In Cineversary podcast episode #85, host ⁠Erik Martin⁠ is ready for his close up as he celebrates the 75th anniversary of Billy Wilder's Sunset Boulevard. Accompanying him on this diamond jubilee is Eddie Muller, host of TCM's Noir Alley and founder/president of the Film Noir Foundation. Together, they explore what makes this movie timeless and relevant, its influence on other filmmakers, prominent themes, and much more.Learn more about the Cineversary podcast at www.cineversary.com and email show comments or suggestions to cineversarypodcast@gmail.com.

Marilyn Monroe, Tony Curtis, and Jack Lemmon all wildly entertain in a comedy flick often classified as one of the greatest of all time. Arguably Billy Wilder's definitive film, this classic's got legs for a reason! Join Jason and Ryan for a hilarious ride through a very different time.The Deep Question: Where do you like to sit in a movie theater?This Week's Features:Some Like It Hot (1959)Message Jason and Ryan

Peter would like to know why Britain slept walk in to the First World War and what our country might look like if we'd never stumbled into that national tragedy.Elsewhere, Sarah and Peter pore over our bag of electronic mail and ruminate on everything from the benefits of counselling (Sarah is for it, Peter less so), how to write a novel – not that either have – the power of Billy Wilder's The Apartment and how Peter never actually ran with a motorcycle gang and why he'll never wear a leather jacket again. The world couldn't bear the fall out.On our reading and watch list this week: · Germany's Aims in the First World War – Fritz Fischer· The Guns Of August - Barbara W. Tuchman· Covenant With Death – John Harris· The Great Silence: Britain from the Shadow of the First World War to the Dawn of the Jazz Age - Juliet Nicolson· Bodyline – TV Series· Army Of Shadows – Dir: Jean-Pierre MelvillePlease do get in touch, email: alas@mailonline.co.uk, you can leave a comment on Spotify or even send us a voice note on Whatsapp – on 07796 657512, start your message with the word ‘alas'.Presenters: Sarah Vine & Peter HitchensProducer: Philip WildingEditor: Chelsey MooreProduction Manager: Vittoria CecchiniExecutive Producer: Jamie EastA Daily Mail production. Seriously Popular Hosted on Acast. See acast.com/privacy for more information.

With this week's episode, we offer a long overdue thanks to Patreon stalwart and regular guest star Gavin McDowell, who once asked Tim, Carrie, and Rob to share their thoughts on the wonderful cinematic form known as film noir. We were never to make that happen, but this is the next best thing: Gavin himself joins Tim to chat about the history, style, and classification of noir, along with fellow guest star Zev Burrows. Topics discussed include the ethically queasy appeal of the vicious women of noir, the difference between nihilism and cynicism, and whether either "film noir or "Alfred Hitchcock" can be reasonably described as film genres. In addition, for our movie roundtable, Zev catches up with the Jean Cocteau/Jean-Pierre Melville collaboration Les Enfants terribles, Gavin patches a terrible oversight by finally seeing Billy Wilder's The Apartment, and Tim shares his thoughts on British plays for television such as 1987's Road, his assignment from Patreon supporter David G.

Adam and Josh, um, split on the Dave Franco-Alison Brie body horror movie TOGETHER, then catalog the wonders of Billy Wilder's SUNSET BOULEVARD, which still astonishes at 75. Plus, the new doc about T. Rex frontman Marc Bolan and the Deeply Flawed Filmspotting Poll asks you to relitigate the 1976 Best Picture race. This episode is presented by Regal Unlimited⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes and chapter starts may not be precise with ads.) Intro (00:00:00-00:01:54) Review: “Together” (00:01:55-00:40:06) Filmspotting Family (00:40:07-00:43:43) Review (AK): “AngelHeaded Hipster” (00:43:44-00:47:13) Next Week / Notes (00:47:14-00:52:29) Polls (00:52:30-01:01:13) Sacred Cow: “Sunset Boulevard” at 75 (01:01:14-01:42:46) Credits / New Releases (01:42:47-01:45:58) Links: -Cinema Interruptus: “The Player” https://www.siskelfilmcenter.org/interruptus -"AngelHeaded Hipster” Screenings https://greenwichentertainment.com/film/angelheaded-hipster-the-songs-of-marc-bolan-t-rex/ Feedback: -Email us at ⁠⁠feedback@filmspotting.net⁠⁠. -⁠⁠Ask Us Anything⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠http://filmspottingfamily.com⁠⁠ -T-shirts and more available at the Filmspotting Shop. ⁠https://www.filmspotting.net/shop⁠ Follow: ⁠⁠https://www.instagram.com/filmspotting⁠⁠ ⁠⁠https://letterboxd.com/filmspotting⁠⁠ ⁠⁠https://facebook.com/filmspotting⁠⁠ ⁠⁠https://twitter.com/filmspotting⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠ https://www.instagram.com/larsenonfilm https://bsky.app/profile/larsenonfilm.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices

Donald Trump has said repeatedly that Billy Wilder's SUNSET BOULEVARD (1950) is one of his favorite movies. We revisit one of Hollywood's enduring classics and try to figure out if the current president identifies more with Norma Desmond or Joe Gillis. PLUS: Are we entering the worst season for political memoirs of all time? "President Trump isn't happy about the Oscar for ‘Parasite.' What movies does he like?" by Josh Rottenberg - https://www.latimes.com/entertainment-arts/movies/story/2020-02-21/president-trump-favorite-movies-parasite-oscar "The Worst Campaign Book Season of All Time Is Here" by Katherine Krueger - https://www.discourseblog.com/p/the-worst-campaign-book-season-of

for the full episode join the Patreon [patreon.com/fashiongrunge]Runnin' wild and talking Some Like it Hot for the latest 'Back track' episode! I'm so excited to cover this one because I got a major case of the feels when watching this for the pod.If you are looking for an all around stellar film with an incredible cast, laughs a plenty, brilliant story, and an ethereal Marilyn Monroe then look no further. I get into the behind the scenes tidbits I discovered including the troubles on set, how the men were cast as Daphne and Josephine, and how it wasn't well received (inconceivable) during the first screening.off-topic rants include: 80s movies, Frank Sinatra, and the Hays Code in films---Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! Host: Lauren @lauren_melanie Follow Fashion Grunge PodcastFind more Fashion Grunge on LinktreeJoin me on Substack:  The Lo Down: a Fashion Grunge blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

Sunset Boulevard is one of the most cynical and darkly funny films ever made about Hollywood. To celebrate its 75th anniversary, Mike and Keir zoom in on Billy Wilder's noir classic. It's the movie no one wanted to make, yet it somehow became the movie no one could ever forget.   Season 2 is coming soon!  Our Patreon is the best place to get all our content, so join today! Patreon.com/TheFilmographersPodcast Social media Instagram @thefilmographers Bluesky: @thefilmographers.bsky.social Letterboxd @filmographers YouTube @TheFilmographersPodcast Website https://filmographerspodcast.com/ Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

It is a light week for physical media but that does not mean there aren't some heavy hitters. Erik Childress and Peter Sobczynski are here to catch you up including a pair of grim anti-war films from Kon Ichikawa. There is a whole new batch of martial arts films from the Shaw Brothers. Peter Weir's dad-movie maritime epic gets an upgrade as does a great starring vehicle for David Dastmalchian. They talk about Sam Peckinpah's song-inspired Hal Needham film and the 40th anniversary of a John Cusack teen classic. Though few films will compare to the majesty of a masterpiece among masterpieces from Billy Wilder that belongs on every movie lover's shelf.3:45 - Criterion (Fires on the Plain 4K, The Burmese Harp 4K)10:23 – Shout Factory (Shaw Brothers Classics: Volume Seven)13:32 - Disney (Master and Commander: The Far Side of the World (4K Steelbook))23:55 - Paramount (Sunset Boulevard (4K), Better Off Dead (4K))51:06 - IFC (Late Night with the Devil (4K Steelbook))1:13:57 - Kino (Convoy (4K))1:13:57 – New Theatrical Title On Blu-ray (Friendship)1:15:09 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTBe sure to check outChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Cette semaine: Eddington d'Ari Aster avec un ti-peu de spoilers mais pas vraiment, Le successeur de Xavier Legrand avec tout plein de spoilers mais on lance un avertissement assez clair avant, Billy Wilder, Fantstic Four, Single White Female et j'en passe!

Marilyn Monroe was a gorgeous blonde, the kind who made men's tongues hit the floor. She also played innocent, cute and dumb as well as anyone. Case in point, The Seven Year Itch is where that famous image of her skirt being blown up while she's standing over a subway grate comes from. And the cinematic icon aced all of those angles in Billy Wilder's comedy. Yes, the director had to compromise and cut out much of the risque material that was in the play, yet he's still got the gift of Monroe...and Tom Ewell too, who won a Tony for playing a man who has an overactive imagination and can't stop thinking about cheating while his family is away for the summer. But are we supposed to ROOT for him to be unfaithful? And is "The Girl" even real? This flawed movie HAS remained funny, at least, especially in the over-the-top fantasy sequences. So try to keep cool in the scorching summer heat as Have You Ever Seen #678 digs into the elegant and/or delicate shenanigans in The Seven Year Itch. Maybe it would be wise to go with a cold brew this time of year, but whatever temperature you prefer, invest some of your bucks in Sparkplug Coffee. Our listeners get a onetime 20% discount just by using our "HYES" promo code. Go to "sparkplug.coffee/hyes" and get shopping. Subscribe to our channel in your podcast app and also on YouTube (@hyesellis in the search bar), but also help us grow the show by rating, reviewing, following, liking, commenting and so on. Tell us your own thoughts about the movies we review. Our email address is "haveyoueverseenpodcast@gmail.com" and/or try us on the socials. Ryan is @moviefiend51 on Twi-X and ryan-ellis on Bluesky while Bev is @bevellisellis on the first and bevellisellis on the second.

We are ready for our close-up, Mr DeMille! Just in time for its 75th Anniversary, LTP Noir delivers a supersized episode on the ultimate dark Hollywood satire that is "Sunset Boulevard". This knowing and tragic noir classic was nominated for 11 Academy Awards, excelling on multiple fronts. From the pairing of Billy Wilder and Charles Brackett to the casting of Gloria Swanson and Franz Waxman's inspired score, Josh unravels the skills and secrets behind this roller coaster production and its enduring legacy. Plot Summary@2:20; Production@24:00; Review@1:07:00; Scoring Feature@1:19:00

Este é o episódio 51, no qual Fred e Alexandre concluem a filmografia completa do mestre Billy Wilder. No último de uma série de três episódios, os dois podcasters iniciam o bate-papo analisando o filme de 1960 e ganhador de Oscar de melhor filme, “Se Meu Apartamento Falasse” (The Apartment) e seguem por “Cupido Não Tem Bandeira” (One, Two, Three, 1961), “Irma La Douce” (1963), “Beija-me Idiota” (Kiss Me, Stupid, 1964), “Uma Loura Por Um Milhão” (The Fortune Cookie, 1966), “A Vida Íntima de Sherlock Holmes” (The Private Life of Sherlock Holmes, 1970), “Avanti!… Amantes à Italiana” (Avanti!, 1972), “A Primeira Página” (The Front Page, 1974), “Fedora” (1978) e seu último filme, “Amigos, Amigos, Negócio à Parte” (Buddy, Buddy, 1981). A carreira brilhante de Billy Wilder está agora completa nos arquivos do Podcast Filmes Clássicos!-------------------------------ESTE EPISÓDIO PRECISOU SER REPUBLICADO EM FUNÇÃO DO SPOTIFY TER APAGADO O ORIGINAL EM JUL/2025.-------------------------------LINKS PARA ADQUIRIR O LIVRO DO PFC ("Uma Jornada pelo Cinema - Anos 1950"):UICLAP - ⁠https://loja.uiclap.com/titulo/ua98290/⁠AMAZON - ⁠https://www.amazon.com.br/dp/6501481376⁠-------------------------------Acesse nosso site: ⁠⁠http://www.filmesclassicos.com.br⁠⁠Instagram: @podcastfcProcure "Podcast Filmes Clássicos" no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

Are you ready for our close ups? Maybe not, but tuck in anyway as we watch Gloria Swanson's glorious swansong in Billy Wilder's dark comedy about lost fame, madness and how to arrange a funeral for a chimpanzee.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Adam and Josh take stock of the movie year with their Top 5 Films of 2025 (So Far), and take another look at Billy Wilder's THE APARTMENT, which took home the Best Picture and Best Director prize 65 years ago. This episode is presented by Regal Unlimited⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Intro (00:00:00-00:01:32) Top 5: Films of 2025 So Far (00:01:33-00:52:35) Filmspotting Family (00:52:36-00:58:59) Next Week / Notes / Poll (00:59:00-01:09:12) Pantheon Project: “The Apartment” (01:09:13-01:48:47) Credits / New Releases (01:48:48-01:50:54) Links: Cinema Interruptus: “The Player” https://www.siskelfilmcenter.org/interruptus The Reveal: “The Apartment” https://thereveal.film/54-tie-the-apartment-the-reveal-discusses-all-100-of-sight-sounds-greatest-films-of-all-time/ Filmspotting's Billy Wilder Marathon https://www.filmspotting.net/wilder Feedback: -Email us at ⁠⁠feedback@filmspotting.net⁠⁠. -⁠⁠Ask Us Anything⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠http://filmspottingfamily.com⁠⁠ -T-shirts and more available at the Filmspotting Shop. ⁠https://www.filmspotting.net/shop⁠ Follow: ⁠⁠https://www.instagram.com/filmspotting⁠⁠ ⁠⁠https://letterboxd.com/filmspotting⁠⁠ ⁠⁠https://twitter.com/filmspotting⁠⁠ ⁠⁠https://facebook.com/filmspotting⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠ ⁠⁠https://twitter.com/larsenonfilm⁠⁠ ⁠⁠https://facebook.com/larsenonfilm⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Two searing portraits of American ambition gone wrong: Billy Wilder's Ace in the Hole (Kirk Douglas) and George Stevens' A Place in the Sun (Montgomery Clift, Elizabeth Taylor, Shelley Winters). Media, murder, and the American Dream... what could go wrong?Connect with us:Never Did It on Letterboxd: https://letterboxd.com/bradgaroon/list/never-did-it-podcast/Brad on Letterboxd: https://letterboxd.com/bradgaroon/Jake on Letterboxd: https://letterboxd.com/jake_ziegler/Never Did It on Facebook: https://www.facebook.com/neverdiditpodcast Hosted by Brad Garoon & Jake Ziegler

This episode delves into Billy Wilder's classic film The Apartment, featuring Jack Lemmon and Shirley MacLaine. Joined by Kayte from Fangs for the Memory and Tender Subjects, we analyze the film's commentary on capitalism and personal relationships through Lemmon's character, C.C. Baxter. We discuss the contrasts between corporate life and personal sacrifice, highlight character dynamics, and list our top five office-themed movies. Kate shares insights on the film's development and its lasting relevance, showcasing Wilder's mastery in balancing humor with deeper themes of love and ambition within a capitalist society.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Michele is back again as she and Jason continue their journey into the films of the great Billy Wilder. This time they look at one of his greatest, most popular and most profound films, Sunset Boulevard (1950), and plumb so much of its hidden depth. Along with that, Michele and Jason take a look at a much deeper cut in Wilder's catalog: Fedora (1978), the shaggy-dog, slightly misbegotten approach to similar territory as Sunset. Fedora is a fascinating film for very different reasons than Sunset Boulevard, and in many ways helps appreciate the unique alchemy that helped make the earlier movie a classic and this one a flawed work.

Willkommen zu unserer Folge Nummer 50. Sie ist für uns eine der bewegendsten. Im Mittelpunkt steht der Filmemacher Marcel Ophüls, der vor einem Monat mit 97 Jahren gestorben ist. Dank seines Enkelsohnes Benjamin Seyfert können wir den Erinnerungen des gebürtigen Frankfurters lauschen – mit Anekdoten über seine Kindheit im Berlin der späten Weimarer Republik, über die Flucht nach Paris und vor allem über seinen Vater, den berühmten Regisseur Max Ophüls. Die Theater-Karriere von Max nimmt Fahrt auf in Wien und Breslau, aber zum Film kommt er in Berlin. Dort taucht er ein in das wilde und verrückte Leben mit WegbegleiterInnen wie Billy Wilder, Erich Kästner, Conrad Veidt oder Rosa Valetti. Die Erzählungen von Marcel Ophüls beleuchten eine der aufregendsten Momente des deutschen Films. Wir erfahren, wie Karl Valentin als Zirkusdirektor zum Film kommt, hören Gustav Gründgens kontrolliert schneidende Stimme in „Liebelei“, lassen Marcel sein Lieblingsfilmlied singen und erfahren vom tragischen Absturz eines Filmstars. Und was wissen wir vom Tonfilm, dass es das gibt? Auch das werdet ihr erfahren in unserer neuen Folge.

I've been pre-scheduling podcast episodes this summer &, forgetting that we are now living in a time of anything goes chaos in the U.S., last week's conversation wound up publishing in the hours after the news involving Iran. Hopefully anyone who knows me knows that I wouldn't normally pivot from major world news to self-promotion but I still wanted to take this opportunity to apologize for any confusion or insensitivity that the accidentally ill-timed new episode caused. To make up for that gaffe, I thought I'd deliver this third conversation in our summer suite of episodes devoted to Physical Media early, just in case you're heading to the airport or about to unplug for the next week or so since it's a big time for summer travel here in the states. (So far, nothing Earth-shattering has happened that I'm aware of as I type this but as a friend joked, it's getting harder & harder to find a day without a catastrophe.) In any case, may this be a distraction for you. In last week's new Watch With Jen, we led you down the dark streets of neo-noir. This installment is centered on American independent filmmakers (or in the case of Billy Wilder, very independently minded ones) & is devoted to matters of the heart. Kicking things off, VULTURE's brilliant TV critic & Peabody Awards juror Roxana Hadadi joins me to discuss Sean Baker's Oscar winning ANORA, SAINT OF THE NARROWS STREET novelist William Boyle returns to tackle CHOOSE ME by one of his favorite filmmakers Alan Rudolph, & I reunite with the knowledgeable film essayist Peter Avellino to talk about the magic of Billy Wilder's SOME LIKE IT HOT. Emotional, sparkling, & warm, I know this conversation will delight. Thanks so much for listening! Originally Posted on Patreon (6/27/25) here: https://www.patreon.com/posts/132487075Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopDonate to the Pod via Ko-fiTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

En el programa de esta semana dos clásicos vuelven a tomar el protagonismo. Mary Carmen Rodríguez (también editora del podcast) dedica reportaje a "La quimera del oro" de Charles Chaplin que cumple 100 años y que sirvió para asentar la forja de uno de los grandes genios de la historia a través de uno de esos incunables propios de los todavía inicios de un cine del que nadie podía imaginarse en ese momento todo lo que nos iba a dar. También se cumplen los 65 años de "El apartamento" de Billy Wilder, uno de los retratos más certeros, conmovedores y desoladores sobre la condición humana. En Leer cine, la biblioteca sonora de Carlos López-Tapia, "El filatelista" de Nicolas Feuz. Además las apuestas de Colgados de la plataforma y la crítica de las favoritas "The last showgirl", "Tres kilómetros al fin del mundo", "Todo saldrá bien", "La receta perfecta", "Sirat" y "Érase una vez mi madre". ¡Muchas gracias por escucharnos!

Dana and Tom welcome back Christine Duncan to discuss the Best Picture winner of 1960, The Apartment: written and directed by Billy Wilder with I.A.L. Diamond, cinematography by Joseph LaShelle, music by Adolph Deutsch, starring Jack Lemmon, Shirley MacLaine, and Fred MacMurray.Plot Summary: C.C. Baxter (Jack Lemmon), an ambitious office clerk in a Manhattan insurance firm, lends his apartment to philandering executives in hopes of climbing the corporate ladder. His plan hits a moral snag when he discovers that Fran Kubelik (Shirley MacLaine), the elevator operator he's fallen for, is having an affair with his boss, Jeff Sheldrake (Fred MacMurray). As Baxter wrestles with loyalty, loneliness, and love, he must decide whether success is worth sacrificing integrity and happiness. A poignant blend of sharp satire and heartfelt romance, The Apartment is a bittersweet portrait of ambition and redemption in the big city.Guest:Christine Duncan - Wife of Dana and Mother of Tom15x guest: Pretty Woman, Sleepless in Seattle, When Harry Met Sally, There's Something About Mary, My Fair Lady, Pillow Talk, The Odd Couple, Bringing Up Baby, A Few Good Men - Revisit, Guess Who's Coming to Dinner, Top Gun, Dial M for Murder, Anatomy of a Murder, Gone Girl, Roman Holiday RevisitChapters:00:00 Introduction and Welcome Back Christine02:12 Why Did Chris Want to Discuss The Apartment?04:04 Cast of The Apartment05:14 How Much Would You Sacrifice for Professional Success?10:43 Background for The Apartment14:32 Relationship(s) with The Apartment16:59 Does Dana Like The Apartment?17:43 Plot Summary for The Apartment18:33 What is The Apartment About?25:30...

The Beers return for another episode of film reviews and shenanigans. What are we drinking? Victory Summer Ale and Athletic Brewing Co non-alcoholic beverages (1:11). The Beers dive right into a review of THE CAT IN THE HAT; the chaotic children's comedy released in 2003 and inspired by the Dr Seuss children's book of the same name, starring Mike Myers, Sean Hayes, and Alec Baldwin (1:59). Next is a review of the 1950s classic THE APARTMENT, directed by the legendary Billy Wilder and starring Jack Lemon and Shirley MacClain (12:24), followed by a review of THE EQUALIZER trilogy, all of which were directed by Antoine Fuqua and starring Denzel Washington as the titular character of the franchise (23:58). The Beers wrap it up with a homage to the multi-decade legacy of Will Smith (33:34). Got a movie, TV series, or doc we should talk about? Send it! thewrapbeers@gmail.comFollow!https://www.instagram.com/thewrapbeers/https://www.tiktok.com/@thewrapbeerspodDylan - https://www.instagram.com/dylan_john_murphy/Roger - https://www.instagram.com/rogerzworld/Subscribe!https://www.youtube.com/@thewrapbeers Letterboxd!https://letterboxd.com/wrapitupb/ Intro & Outro Music by Matt Kuartzhttps://www.instagram.com/mattkuartz?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw%3D%3D

Alexandre recebe os amigos Rafael Amaral (Blog "Palavras de Cinema") e Willian de Andrade para um bate papo sobre um dos diretores de comédia mais influentes do cinema clássico. Ernst Lubitsch era alemão, mas fez a parte mais importante de sua carreira em Hollywood, dirigindo alguns dos grandes clássicos da comédia americana das décadas de 30 e 40. Influência para nomes como Billy Wilder, Lubitsch dirigiu pérolas como "Ser ou Não Ser", filme já debatido no PFC no episódio 123 - Dicas Triplas #12. Neste áudio, percorremos brevemente a carreira do cineasta, com destaque para filmes como "Ninotchka" (Ninotchka, 1939), "A Loja da Esquina" (The Shop Around The Corner, 1940) e "O Diabo Disse Não" (Heaven Can Wait, 1943).----------------------Acesse nosso site: ⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠Acesse nosso perfil no Instagram : ⁠⁠@podcastfc⁠⁠Nos procure no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

For their historic 200th episode, two detective-minded film critics, two dream theory dads, and two noir-loving teachers, Will Johnson and Don Shanahan, have reached a milestone that deserved a big movie and the help of stellar new guest. The hosts welcome Chicago-based film critic and artist Jeff York of The Establishing Shot and Pipeline Artists to compare two examples of poisonous Hollywood settings separated by decades and mere blocks of postal addresses. Our trio compares the dangerous and pervasive themes to be found in David Lynch's revered 2001 fever dream "Mulholland Drive" versus Billy Wilder's salaciously seminal 1950 dark comedy "Sunset Boulevard." The interpretations and lasting effects run quite the gamut in this extended discussion. Come learn more and stay for the mutual love and respect that fun movies encapsulate. Enjoy our podcast!https://discord.gg/N6MKWXU2https://www.teepublic.com/user/ruminationsradionetworkhttps://www.instagram.com/cinephilehissyfit/https://www.instagram.com/casablancadon/Twitter: https://twitter.com/CinephileFitwww.RuminationsRadioNetwork.comwww.instagram.com/RuminationsRadioNetworkTwitter: RuminationsRadioNetwork@RuminationsNProduction by Mitch Proctor for Area 42 Studios and SoundEpisode Artwork by Charles Langley for Area 42 Studios and Soundhttps://www.patreon.com/RuminationsRadiohttps://everymoviehasalesson.com/https://ruminationsradio.transistor.fm/ ★ Support this podcast on Patreon ★

This is a 5-minute sample of our full podcast episode on Billy Wilder's The Apartment — a film that somehow blends mid-century office politics, romantic dysfunction, and existential comedy into one perfect holiday movie. To hear the full conversation and unlock over 200 hours of movie deep dives, including more classics, new releases, and filmmaker spotlights, head to our Patreon and become a member in the link below.The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠How to link Patreon to Spotify and Apple⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reddit: r/TheExtraCredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

Join Dan and Tom as they decode the 1943 movie, FIVE GRAVES TO CAIRO. Is this World War II movie a spy movie? Listen as Dan tries to convince Tom it is, despite Tom's uncertainty. The story with this menacing title follows the exploits of Cpl. John Bramble in June 1942 after he fell out of his tank in the North African desert.  Later on, he ends up meeting Rommel, The Desert Fox, himself.  Most of the movie takes place inside the hotel “Empress of Britain”. It is a great setting. Also, something is interesting there underneath the first floor. The people behind this movie are top-notch.  Billy Wilder directed and co-wrote it with Charles Brackett, adopting Lajos Biró's play “Hotel Imperial”. It garnered three Academy Award nominations and has an excellent cast. Specifically, Anne Baxter, Franchot Tone, Akim Tamiroff, and Erich von Stroheim play the leads. This is a movie where you don't want to be scanning your phone at the same time as you watch it.  You need to pay close attention. However, by listening to this episode, you will enhance your viewing experience.  We give you some things to look out for. What we will decode in this episode While we don't give away the key answers for this movie, these are the things we decode in our look at FIVE GRAVES TO CAIRO: ·         Details on this great cast. ·         How it had a real-world impact on the war. ·         The humor in this serious movie. For example, we include a clip from the movie about bedbugs. ·         Without a doubt, there is a tie-in to Boris Karloff. What is it? ·         The production, cinematography, costuming, and the score. ·         What Tom thought Bramble needed to have with him on the tank. ·         The use of the German language.  Authentic? ·         Opera in a World War II movie? ·         The dialogue - good, or bad? ·         Certainly, Rommel would not have said what he said at that lunch. Would he? ·         Answering Tom's question of if this is a spy movie ·         And more! What we don't answer is what the “five graves to Cairo” are. You need to watch the movie for that. Where to download the movie As of the time of the release of this episode (June 2025), you can stream this movie for free at: https://archive.org/details/five-graves-to-cairo-1943-billy-wilder. Tell us what you think about our no-spoiler review of FIVE GRAVES TO CAIRO. So, take a listen and let us know what you think. Have you heard of FIVE GRAVES TO CAIRO before this episode?  As a result of listening to this episode, did you watch it? To sum up, if you have seen this movie, what do you think?  Were we on point with our review?  What did you like and what would you have changed about the movie? Let us know your thoughts, ideas for future episodes, and what you think of this episode. Just drop us a note at info@spymovienavigator.com.  The more we hear from you, the better the show will surely be!  We'll give you a shout-out in a future episode!   You can check out all of our CRACKING THE CODE OF SPY MOVIES podcast episodes on your favorite podcast app or our website. In addition, you can check out our YouTube channel as well.   Episode Webpage: https://bit.ly/3FtdIJD

“All right, Mr. DeMille, I'm ready fro my close up” Sunset Boulevard (1950) directed by Billy Wilder and starring Gloria Swanson, William Holden, Erich von Stroheim and Nancy Olson Next Time: But I'm A Cheerleader (1999)

This week we go from one Audrey to another. In this episode, we get to know Audrey Wilder. Audrey was a tremendous lady – wife of legendary director Billy Wilder, Hollywood hostess, and bosom friend of our man Nick. Audrey also goes way back into our narrative lending her name to one of the mysterious missing chapters of Truman Capote's Answered Prayers. With all the spiderwebs included that you like, it's time to bring Audrey Wilder into our main feed investigation! Continue your investigation with ad-free and bonus episodes on Patreon! To advertise on Done & Dunne, please reach out to info@amplitudemediapartners.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Front Row Classics is taking a look at one of the most popular courtroom mysteries ever made. Brandon is joined by friend of the podcast, Matt Duffy, to celebrate Billy Wilder's Witness for the Prosecution. Brandon and Matt celebrate the wit, drama and humor of this movies based on a play by Agatha Christie. The standout performances of Charles Laughton and Marlene Dietrich are especially praised.

Witness for the Prosecution Front Row Classics is taking a look at one of the most popular courtroom mysteries ever made. Brandon is joined by friend of the podcast, Matt Duffy, to celebrate Billy Wilder’s Witness for the Prosecution. Brandon and Matt celebrate the wit, drama and humor of this movies based on a play … Continue reading Ep. 310- Witness for the Prosecution →

Episode 66: This week we are on the run in a tale spun by Billy Wilder with Rob's pick in 1944's Double Indemnity. Also we say farewell to 2pm Todd and welcome along for the ride Matt, our new co-host as we expand his horizons.Double Indemnity Trailer.Make sure to join us for Murder & Mayhem next week with our Boy Kills World review from 2024.Help support our other projects @Kinectic OnslotCircle of Jerks PodcastA Cut Above: Horror ReviewPraises due to The Bird Beats for our beat!Become a supporter of this podcast: https://www.spreaker.com/podcast/the-cinemigos--6354096/support.

Ladies and GENTLEMEN who like it hot, we have quite the pick from a disgruntled Snob, Jared. He was NOT happy with the previous picks and even went as far as to say that they made him feel PETTY not PRETTY. But today we have Jared's pick from 1959 and from director Billy Wilder, “Some Like it Hot.” This film stars Jack Lemmon and Tony Curtis and Marilyn Monroe! We have a good time talking about just why this pick is so good and how it makes us feel pretty inside and outside. Join us for the discussion as we delve in!Film Discussed: Some Like it Hot (1959)Letterboxd: Eric Peterson:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/EricLPeterson/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jared Klopfenstein:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/kidchimp/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ethan Jasso:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/e_unit7/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Caleb Zehr:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/cjzehr/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ricky Wickham:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/octopuswizard/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Cody Martin: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/codytmartin/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Five star reviews left on the pod get read out loud!

Michelle is back for yet another fantastic discussion of films directed by the great Billy Wilder. This time she and Jason discuss two woefully underrated films in Wilder's auspicious filmography, Five Graves to Cairo and A Foreign Affair. The friends discuss the excellent way Wilder portrays gender, the depiction of history as it happens, why sometimes it's better to cast relative unknowns, and much, much more.

Shakespeare ​famously ​wrote, ​what's ​in ​a ​name? ​ ​But ​let's ​say ​it ​out ​loud. ​ ​Jack ​ ​Lemmon. ​It ​says ​it ​all ​right ​there ​in ​the ​name. ​​Jack. Ordinary, ​​the ​guy ​across ​from ​you ​on ​the ​subway. Lemon. The ​one ​that ​got ​the ​broken ​car. ​ ​The ​bitter ​taste, ​yet ​the ​surprising ​brightly ​colored ​yellow ​sun ​inside ​of ​the ​bad ​luck. ​Jack ​Lemmon, ​arguably ​the ​greatest ​comic ​and ​dramatic ​actor ​to ​ever ​grace ​the ​screen, ​who ​is ​unrivaled ​​as ​the ​everyman ​who ​trips, ​stumbles, ​ ​triumphs ​and ​gets ​the ​girl. ​Or ​in ​the ​case ​of ​Some ​like ​it ​Hot, ​the ​guy. ​ ​Starting ​this ​week ​at ​one ​of ​my ​very ​favorite ​movie ​theaters, ​the ​Film ​Forum ​on ​Houston ​Street, ​Jack ​Lemmon ​turns ​100. ​ Can ​you ​believe ​it? ​And ​the ​Film ​Forum ​is ​opening ​its ​two ​week ​tribute ​on ​Friday, ​May ​16th ​with ​the ​iconic ​story ​of ​opposites, ​the ​Odd ​Couple. ​But ​I'm ​not ​here ​to ​talk ​about ​Mr. ​Lemon's ​legendary ​roles ​in ​Days ​of ​Wine ​and ​Roses, ​Glengarry ​Glen ​Ross ​ ​having ​a ​revival ​on ​Broadway ​now ​with ​Bob ​Odenkirk ​reprising ​Lemon's ​unforgettable ​Shelley ​Levine, ​The ​Front ​Page, ​Mr. ​Roberts, ​Bell, ​Book ​and ​A Candle. ​A ​personal ​favorite ​of ​mine, ​Some ​like ​it ​Hot, ​which ​I ​watched ​on ​VHS ​until ​the ​tape ​broke…I ​am ​here ​to ​talk ​about ​one ​of ​the ​greatest ​comedies, ​if ​you ​can ​call ​a ​film ​about ​a ​mid ​level ​office ​drone ​working ​at ​an ​insurance ​company ​ ​who ​lets ​his ​superiors ​bully ​him ​into ​letting ​them ​have ​his ​apartment ​for ​their ​affairs ​in ​hopes ​of ​him ​getting ​promoted ​and ​the ​suicidal ​elevator ​girl ​who ​whom ​he ​falls ​in ​love ​with. ​A comedy ​​The ​Apartment. ​ Legendary ​director ​Billy ​Wilder, ​coming ​off ​the ​wild ​success ​of ​Some ​like ​it ​Hot ​with ​Marilyn ​Monroe, ​wanted ​to ​keep ​his ​collaboration ​with ​Lemon ​going. ​So ​in ​1960, ​Wilder ​and ​I.A.L ​diamond ​(Come ​on, ​is ​that ​the ​coolest ​name?)​ who ​wrote ​Some ​Like ​It ​Hot ​with ​Wilder ​were ​inspired ​by ​an ​infamous ​Hollywood ​murder ​story ​about ​agent ​Jennings ​Lange ​who ​was ​having ​an ​affair ​with ​actress ​Joan ​Bennett ​in ​an ​underlings ​apartment. ​So ​her ​husband, ​producer ​Walter ​Wanger, ​shot ​and ​killed ​Lange. ​Check ​out ​Karina ​Longworth's ​excellent ​podcast ​Love ​Is A Crime from ​You ​Must ​Remember ​This ​for ​the ​full ​retelling ​to ​you ​and ​I. ​This ​might ​not ​seem ​like ​source ​material ​for ​one ​of ​our ​greatest ​comedies, ​but ​in ​Wilder, ​Lemon ​and ​the ​adorable ​Shirley ​MacLaine's ​Hands, ​it ​was ​a ​box ​office ​smash, ​winning ​five ​Oscars ​out ​of ​ten ​nominations. ​Now ​I ​could ​go ​on ​and ​on ​about ​Billy ​Wilder's ​meticulous ​directorial ​precision, ​Lemon's ​unreal ​​comic ​timing ​and ​turn ​on ​a ​dime ​pathos ​why ​Ving ​Rhames ​spontaneously ​gave ​him ​his ​very ​own ​Golden ​Globe ​in ​1998. ​But I'm actually here to talk about a hat, a haircut, and a mirror. Let's rewind to 1960 - President Kennedy just took office, Roy Orbison's ‘Only The Lonely' was on the radio, and the kids were doing Chubby Checker's ‘The Twist'. The very seriously subversive theme and subject of The Apartment can not be over stated in this climate. The film, shot in gorgeous black & white by Joseph LaShelle of Laura and Marty fame, puts us smack-dab in what I'd call ‘Mad Men' central - a heady swirl of cigarette smoke and ‘Tom & Jerry' cocktail mix, office Christmas parties, wives holding on line 2 while executive husbands scheduled accepted trysts before dinner and kissing the kids goodnight. Lemmon plays ‘C.C. Baxter', a hard-working, well-meaning drone who somehow gets himself turned into a sort of brothel landlord. His neighbors wonder how he can withstand being such a Lothario - the sounds coming through the walls everynight don't match C.C. Baxter's unassuming Brooks Brothers suit with a rumpled white shirt with rounded collars and tie-bar to boot.But Baxter is caught in a hilarious cycle of paying his dues to climb the corporate ladder. This is what you must do. You must get out of bed at midnight to allow your boss to wine and bed his mistress in your Upper Westside apartment even if it involves you sleeping on a park bench in Central Park and catching your death (which Lemmon really did on that particular night shoot on location in the chilly fall of NYC). Lemmon's aspiration is to be ‘the youngest junior executive at Consolidated Insurance' so he MUST climb that corporate ladder to get the accoutrements - the windowed office, the carte blanche phone calls to pass on favors, and the bowler hat!He proudly shows it off to Shirley MacLaine's elevator operator, Fran Kubelik, who regards it as the ultimate symbol of the last ‘nice guy' crossing over the river Styx to the underworld of betrayal. She is happy for Baxter, but her eyes register a cultural sadness - this white male corporate culture is a disease and its got it claws in Baxter, and Baxter is completely oblivious to what he is about to sign on the dotted line for. Fran isn't. Despite her absolutely adorable ‘pixie' hair-cut, she has been groped by the best of them, and seems unreachable by the hordes of executives. Fran is the Snow Leopard, the last big game that hasn't been conquered. You can grab her butt, and she firmly pushes you on your way. There is something modern, forward-leaning in her attitude and appearance, punctuated by that hair-cut representing women's liberation, strength, and independence. ‘I don't need long flowing hair to make you like me, pal.' The pixie cut was popularized by Audrey Hepburn in the late 1950's, followed by the model Twiggy, and reaching its apotheosis with Mia Farrow in Rosemary's Baby in the mid-1960s. But Shirley MacLaine, in my humble opinion, does it best as ‘Fran', the hard-working elevator operator girl who won't fall prey. Fran says in one of the film's most famous lines of dialogue, “When you're alone with a married man, you shouldn't wear mascara.” Shirley MacLaine's tender and deep performance as ‘Fran', lets us - and eventually Baxter - know that all is not well in the corporate system and the culture at large. One of the most ingenious uses of the Hollywood film adage ‘show don't tell' in filmmaking is the use of a simple compact make-up mirror to tell a major plot turn in The Apartment. Baxter's boss, Jeff D. Sheldrake played with brave impunity by silver screen star Fred MacMurray, who was so hated after this performance he would be aaccosted in the street by ladies chasting him for playing such a ‘dirty man'. Sheldrake calls Baxter into his office early in the film for what Baxter thinks is his promotion. Sheldrake says he's heard about Baxter's ‘key' - meaning his revolving brothel. Sheldrake wants in. Baxter obliges as Sheldrake is THE biggest fish. Later, in another summoning to the head honcho's office, Baxter gives him a floral compact he discovered in his couch, assuming it belongs to Sheldrake's mistress. The mirror inside the compact is cracked jagged down the middle splitting the image of whoever opens it in two. Baxter thinks nothing of it until he is modeling his bowler hat - the Junior Executive - for Fran. What do you think? he askes her. “After all, this is a conservative firm. I don't want people to think I'm an entertainer…”. In the midst of this, Fran helpful as ever, opens her compact to show Baxter how the bowler hat looks. To Baxter's deep inner shock, he puts ‘two and two together' and realizes Fran is in fact Sheldrake's mistress. The horror. The one that was ungettable gotten by the biggest fish with a wife and two kids. The shot of Lemmon reacting in the cracked compact is on the of most effective story and visual devices I can think of in cinema. Baxter sees himself split apart - two worlds: the happy go lucky Baxter, and the Baxter that is now privy to some vile stuff involving the one girl he actually likes.Fran sees his reaction and asks ‘what is it? Baxter takes a beat. “The mirror…it's broken.” Then Fran utters one of my favorite lines, “I know. I like it this way…makes me look the way I feel.” WOW. What a subversive revilation! What a profound utterance. Talk about Chekhov. ‘Makes me look the way I feel'. We begin to realize all is not right with Fran. Sheldrake is leading her on. She sets a boundary at the local Chinese restaurant where he apparently takes all his conquests - the back booth. But Sheldrake works her over, and convinces her he WILL leave his wife. After a tryst back at Baxter's apartment on Christmas Eve, Sheldrake must catch his evening train to make dinner with the family. Obviously having forgotten to get Fran anything of real signifigance for Christmas, he opens his wallet and hands her a hudred dollar bill. Even in today's anything goes era, it's a shockingly seedy gesture that is all too real. MacLaine's Fran takes it in stride - just like Baxter leaving his key under the rug for his bosses - and stands to take off her coat and gets ready to disrobe. Fran says something like, ‘well, you already paid for it.' Ugh. My heart broke! For Fran, for Baxter, for the sad inevitablity of it all. Trigger Warning. The last portion of this episode deals with suicide. Listen with care. Fran asks to be left alone. In the bathroom, she finds the hundred dollar bill in her purse, and realizing she will never be able to break this cycle, she sees Baxter's sleeping pills - Seconal - and takes them all. Meanwhile, Baxter is out drowning his sorrows with a hilarious companion, played by actress Hope Holiday. They get drunk and dance, looking for a place to get even closer, they head back to Baxter's apartment - “Might as well go to me. Everybody else does.” Once back at his place, he discovers Fran and races to his jocular doctor neighbor, played by Jack Kruschen (also Oscar nominated for his hilarious supporting role as Dr. Dreyfuss), and Fran narrowly misses checking out. While recovering at Baxter's playing gin rummy (which MacLaine was playing alot of as a peripheral member of the Rat Pack), Fran and him bond, more than bond. They fall into bliss and don't even know it. It's a beautiful chemistry, one that apparently as it evolved dictated the script. Sources say upon commencement of filming, the screenplay was a mere 40 pages, and Wilder liked to work that way and let things evolve. He was also famous for re-shooting after viewing dallies. MacLaine calls him 'sciencentific, brittle and caustic with women but made you better for it'. She tells a story about once such instance during a climactic scene with Fred MacMurray's ‘Sheldrake' where she couldn't get the emotion necessary for their break-up in the Chinese restaurant they frequent. MacLaine's native Canadian accent was coming out literally on the word ‘out.' After viewing the ‘rushes', he concluded they need to re-shoot, even calling MacLaine out in the screening room. MacLaine, much like Fran, didn't buckle under pressure, and they re-shot. On the day, Wilder called ‘Action' and excused himself to give her the privacy to do the scene. She hit it out of the park, uttering the lines from that take that made the final cut, “So you sit there and make yourself a cup of instant coffee while he rushes out to catch the train.”Well, long story short, Baxter and Fran end up together - thank Heavens. I could explain the plot twists to get them there, but I want to leave you with one final remberance of MacLaine's. When asked what it was like to work with Jack Lemmon, she said, “He would say, ‘Magic time!', every time the camera rolled. And then we knew we'd better make some magic.”Check out The Apartment on the big screen at The Film Forum in all its glory this Friday, Saturday and Sunday. And all of Jack Lemmon's ‘Magic time' over the next two weeks. You won't be sorry.More about the series here:JACK LEMMON 100Watch The Apartment here:Look Behind The Look is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

GGACP celebrates National Couples Appreciation Month with this ENCORE of the first of a 2-part interview featuring celebrated actors and longtime Hollywood couple Richard Benjamin and Paula Prentiss. In this episode, Richard and Paula talk about their seven-decade careers in front of (and behind) the camera, co-starring in a groundbreaking sitcom, co-hosting “Saturday Night Live,” meeting Stan Laurel and Buster Keaton and working with legendary directors Howard Hawks, Mike Nichols and Billy Wilder. Also, Jack Cassidy plays a superhero, Jack Benny exits “The Sunshine Boys,” Paula shares the stage with Hope and Crosby and Richard teams Burt Reynolds and Clint Eastwood. PLUS: Uncle Goopy! “Goodbye, Columbus”! Remembering Jim Hutton! Walter Matthau plays the ponies! And Richard and Paula gush over Gilbert's James Mason impression! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hollywood's 1960s began with Billy Wilder winning three Oscars for The Apartment. But Wilder's biggest success would also prove to be his last film to be afforded such respectability, as Wilder largely abandoned the type of material that the Academy embraced, and veered gleefully into disreputability. Of the 9 films Wilder made in the 20 years after The Apartment, in this episode we'll pay special attention to three that were engaged with the rapidly changing culture – in Hollywood and beyond: One, Two, Three (1961); Avanti (1972); and Fedora (1978). To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices