Podcasts about The Maltese Falcon

Watch the best scene reading: https://www.youtube.com/watch?v=b0mBY_JoZVo When a young, broke librarian buys an abandoned house on the outskirts of a British Columbian town, he starts to uncover the house's secrets as unexplained incidents occur. Get to know the writer: What is your screenplay about? The script follows a young programmer who moves into a haunted house in the Interior of British Columbia due to (widespread) financial difficulties. What genres does your screenplay fall under? It is a horror picture. Why should this screenplay be made into a movie? The story derives it's chills n' thrills from mood more so than sudden frights, which an audience will resonate with. The origin of the evil spectre which haunts the house and surrounding area is also relevant to issues of concern today. How would you describe this script in two words? ‘Definite Appeal'. What movie have you seen the most times in your life? By my recollection, either ‘Jaws' or ‘The Maltese Falcon'. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod

In this episode, Sam Spade embarks on a mysterious case known as the Crab Louie Caper. Set against the backdrop of San Francisco's Fisherman's Wharf, Spade navigates through a web of deceit, love, and murder as he investigates the death of Louis Majore. The story unfolds with twists and turns, revealing the complexities of human relationships and the quest for truth. As Spade delves deeper, he uncovers the dark secrets surrounding Louis's death and the motivations of those involved, ultimately leading to a dramatic conclusion where justice is served.TakeawaysThe Crab Louie Caper is a classic detective story.Sam Spade is portrayed as a clever and resourceful detective.The setting of Fisherman's Wharf adds to the story's atmosphere.Themes of love, betrayal, and revenge are prevalent.The investigation reveals the complexities of human relationships.The character dynamics are rich and engaging.The narrative is filled with suspense and intrigue.The use of Italian phrases adds authenticity to the dialogue.The story highlights the moral dilemmas faced by the characters.Justice is ultimately served in a dramatic fashion."The Adventures of Sam Spade" primarily refers to a radio show that aired from 1946 to 1951, based on the private detective character Sam Spade created by Dashiell Hammett. Key details about the radio show:Based on the character from "The Maltese Falcon": The radio series took the character from Hammett's iconic novel, "The Maltese Falcon," and presented new adventures.Airs and networks: It aired on ABC in 1946 (13 episodes), then CBS from 1946-1949 (157 episodes), and finally on NBC from 1949-1951 (51 episodes).Starring Actors:Howard Duff played Sam Spade for most of the run.Steve Dunne took over the role in the final season on NBC.Lurene Tuttle played Effie Perrine, Sam's loyal secretary.Tone: The radio show had a more lighthearted and "tongue-in-cheek" approach compared to the original novel and film adaptations.Format: Each episode typically involved Sam Spade recounting his latest case to Effie, who would type it up, using a mix of past-tense narration and present dialogue to immerse listeners in the story.Popularity: The show was popular and received positive reviews during its run.Edgar Award: Scriptwriters Jason James and Bob Tallman received an Edgar Award for Best Radio Drama in 1947. It's important to note:Dashiell Hammett's name was removed from the show in the late 1940s due to investigations into his political involvement.Howard Duff was later blacklisted, contributing to the show's end. Beyond the radio show, "The Adventures of Sam Spade" can also refer to:A collection of short stories: Dashiell Hammett wrote three short stories featuring Sam Spade: "A Man Called Spade," "Too Many Have Lived," and "They Can Only Hang You Once." These were collected in a book titled "The Adventures of Sam Spade and Other Stories".Sam Spade himself: The character is widely remembered, particularly due to Humphrey Bogart's portrayal in the classic film "The Maltese Falcon". Spade is considered a foundational figure in hard-boiled detective fiction. Sam Spade, detective, Crab Louie Caper, mystery, investigation, San Francisco, noir, crime, storytelling, radio drama

Back from the holidays and the guys are sharing Movies and discussing The Maltese Falcon in the FKAtheBookClub Rate Us ⭐⭐⭐⭐⭐ on Apple Podcasts! Connect With The Show:  Follow Us On Instagram  Follow Us On Twitter  Follow Us On TikTok  Visit Us On The Web    

Get your Badass Fest VII Tickets Here! Humphrey Bogart stars as Sam Spade, a quick-talking and trouble-seeking Private Investigator hunting down thieves and treasure in San Francisco. In The Maltese Falcon (1941), directed by John Huston, Bogart gives one of his most famous performances, solidifying him as an unconventional yet beloved star of the silver screen. Join Talitha and A.Ron as they trail Spade on his hunt for the truth about a mysterious Falcon.  Talitha's short films! (they are very short and quite “twee”) Baldly Go - A Star Trek: The Original Series Podcast Andor Podcast: Tribe of Two Bald Move Pulp Bald Move Prestige Have Lunch with Jim & A.Ron Hey there!  Check out https://support.baldmove.com/ to find out how you can gain access to ALL of our premium content, as well as ad-free versions of the podcasts! Join the Club! Join the discussion:  Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter  |  Instagram  |  Facebook Leave Us A Review on Apple Podcasts   Learn more about your ad choices. Visit megaphone.fm/adchoices

The Adventures of SamSpade: The Soap Opera Caper (02-09-1951)"The Soap Opera Caper" is an episode of The Adventures of Sam Spade radio program, which aired on February 16, 1951. 1. The Story:Sam Spade is hired by a "soap opera queen" (a prominent actress in a soap opera).Her husband is distraught over a mysterious telegram he received from Mexico City.Sam's job is to find the husband and uncover the reason for his distress. 2. Key Elements of the Radio Episode:Starring Steve Dunne: Steve Dunne played Sam Spade in the later years of the show.Lurene Tuttle as Effie: Lurene Tuttle continued her role as Sam's secretary, Effie Perine.Focus on Mystery and Detection: The episode involves Sam investigating a mysterious situation to find answers.Humorous Tone: The Adventures of Sam Spade radio series often took a more lighthearted and humorous approach compared to the original Maltese Falcon novel or movie. 3. Significance and Legacy:Part of the Sam Spade Radio Series: This episode is a part of the long-running radio series based on the popular detective character.Old Time Radio: It represents the popular "old time radio" era and its detective/mystery genre.Adaptation: The series brought the character of Sam Spade to a new audience and medium.

The boys are talking The Maltese Falcon by Dashiell Hammett. The man surely has a way with words and the gang has a good time going through them. Rate Us ⭐⭐⭐⭐⭐ on Apple Podcasts! Connect With The Show:  Follow Us On Instagram  Follow Us On Twitter  Follow Us On TikTok  Visit Us On The Web    

The dudes wanted to tell you all about their upcoming Book Club segment! Read along with us as we delve into Dashiell Hammett's 1930 mystery novel, The Maltese Falcon!

In this episode we discuss some TV, Jonathan's Dogma screening, and our two features - The Maltese Falcon and I Wake up ScreamingThanks for stopping by. Feel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid.

On this episode, Ryan and Eric review the final issue of Marvel Comics TVA limited series as Spider-Gwen, Scarlet Witch, and the team race to stop Nightmare. As the mysteries keep coming up to the end we close out this chapter. Ryan talks about the Maltese Falcon way too much!The guys also look forward at the upcoming Thor books over summer and speculate what all we are in for. Lots to love in the months ahead, even though Thor is dying soon. (weeping softly)Consider supporting the show on PATREON: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/user?u=65477484⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the conversation on DISCORD: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/XHA3a2b2uH⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our INSTAGRAM: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/manypathspodcasts?igsh=Nm15MjQ2dW10cXZ3&utm_source=qr⁠

Back home in Plaistow where this all began, we check out the new lounge seating, Dennis mans the bar, and we hear from the Maltese Falcon. The Hidden Herf fools some of the people some of the time, but not all the people all of the time. Local Spotlight – Plaistow Cigar Co; Plaistow, NH … Continue reading "Episode 390: Have a Cup of Shut the F-Up – Plaistow Cigar Co; Plaistow, NH"

This episode was originally released on March 3, 2015. Listen to help prep for the next episode of our new season, The Old Man is Still Alive. She was the raven-haired beauty whose lily-white persona was forged by her supporting roles in Gone With the Wind and several Errol Flynn swashbucklers. He was the real-life swashbuckler, the heroic lover/drinker/fighter whose directorial debut The Maltese Falcon, was an enormous success. They met when Huston directed de Havilland in his second film, In This Our Life, and began an affair which would continue, on and off, through the decade, as he joined the Army and made several controversial documentaries exposing dark aspects of the war experience, and as she waged a war of her own, taking Warner Brothers to court to challenge the indentured servitude of the star contract system. De Havilland's lawsuit went all the way to the California Supreme Court, and had massive implications on the future of labor in Hollywood and beyond.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Choice Classic Radio presents Lux Radio Theater which aired from 1934 to 1955. Today we bring to you the episode titled "The Maltese Falcon.” Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

Upper West Side, Indian Wells Tennis, Daryl and Alana ticket buying, Lisa wants better seats, Daryl's ticket buying preferences, Stadiums at Indian Wells are small, Lisa notes Daryl's preference for not-great seats at sporting events, Lisa trying to persuade, Larry A is a great selection for Max, Larry A=Lawrence of Arabia, Max and Milo loved movies, Find Milo's Letterbox'd account @milotimepodcast, Donny B, Max and Milo had their own language, No Country, Inglorious, In, Mel Brooks, Clint Eastwood, Renee Russo, Watching Larry A with Milo while Milo was in treatment, The Maltese Falcon, Coded language between the boys, Sometimes siblings get lost in the shuffle, which we never want to happen to Max, Max and Milo such great brothers to each other, Milo looked up to Max, Max always let Milo in, No competition between the boys, The way Milo would say "Donny B" was always very special, Link In Bio, as opposed to Linktree

Best known as Effie, the loyal secretary to Sam Spade in The Maltese Falcon, Lee Patrick enjoyed great success on the Broadway stage and worked steadily as a character actress on the big and small screens. We'll hear her in a pair of shows from Suspense: first, she's half of a murderous married couple in "Just One Happy Little Family" (originally aired on CBS on April 6, 1958), and then she plays a woman whose part-time job takes a turn for the dangerous in "My Dear Niece" (originally aired on CBS on November 16, 1958). Plus, she recreates one of her great Broadway roles alongside Orson Welles and Jack Benny in a Campbell Playhouse production of "June Moon" (originally aired on CBS on March 24, 1940).

In the season finale of our Visionary Remakes season, we investigate two versions of The Maltese Falcon, the original from 1931 and the more famous 1941 version.The Maltese Falcon has almost become shorthand for both Humphrey Bogart and the beginning of film noir. That famous film was preceded by a film adaptation a decade earlier, which itself was preceded by the hard boiled crime novel a year prior. The 1941 film has totally eclipsed both the original adaptation and the book in popular consciousness. Perhaps rightly so. John Huston's directorial debut is a masterwork in writing, editing, and acting. It has also been touted as one of the more rewatchable films from the era due to its production design, clockwork plot, and Bogart's enigmatic vibes.The Maltese Falcon is a great example of why some films should be remade. The remake improves pretty much every aspect of the original film. But our discussion takes a turn when Dan questions whether Falcon is truly a noir film. We dive deep into this topic and how labels and genres can often obfuscate the significance and heritage of a film. If The Maltese Falcon is not the first big noir film, then what gives it such a high value among film lovers and filmmakers? The answer of course lies within the film itself, not a genre label.

Holly screams "Oh man! Oh God! Oh man!" after a viewing of Tough Guys Don't Dance (1987), a bonkers, sleazy, drug and sex fueled neo-noir from novelist turned director Norman Mailer. The late, demented Wings Hauser co-stars alongside Ryan O'Neal, who plays an ex-con with two severed heads in his drug stash. Listen as we try to sort out the most convoluted mystery plot since The Maltese Falcon featuring grifters, witches, sadomasochists, and more on this week's exciting episode! Hosted on Acast. See acast.com/privacy for more information.

"IT'S FATAL: WHAT IS FILM NOIR?" (PART III) (080) 3/24/2025 Welcome to the third and final installment of our series on Film Noir. As we have previously discussed the technical elements of noir and met the typical character's of noir, we will now take a look at the creative aspects of the genre that help create that special brand of dark, sexy, deadly movies. We'll discuss dialogue, and clever devices like voice overs, flashbacks, and dream sequences that enhance these dark, moody films. We'll also look at the fatalistic themes that reigned supreme throughout the genre.  SHOW NOTES:  Sources: Film Noir (2017), by Alian Silver & James Ursini; Into the Darkness: The Hidden World of Film Noir 1941-1959 (2016), by Mark A. Viera; More than Night: film Noir in Its Contexts (2008), by James Naremore; Dark City: The Lost World of Film Noir (1998), by Eddie Muller; Voices in the Dark: The Narrative Patterns of Film Noir (1989), by J.P. Telotte; Film Noir: An Encyclopedia Reference to the American Style (1979), edited by Alain Silver & Elizabeth Ward; Wikipedia.com; TCM.com; IMDBPro.com; Movies Mentioned:  Impact (1949), starring Brian Donlevy, Ella Raines, Charles Coburn, Helen Walker, & Anna May Wong; Gilda (1946), starring Rita Hayworth & Glenn Ford; Gun Crazy (1950), starring John Dall & Peggy Cummins; The Brother's Rico (1957), starring Richard Conte, Diane Foster, & James Darren; D.O.A. (1950), starring Edmond O'Brien; Cape Fear (1962), starring Robert Mitchum, Gregory Peck, and Polly Bergen; Double Indemnity (1944), starring Barbara Stanwyck, Fred MacMurray, & Edward G. Robinson; Clash By Night (1952), starring Barbara Stanwyck, Robert Ryan, & Paul Douglas; The Man I Love (1947), starring Ida Lupino & Robert Alda; The Maltese Falcon (1941), starring Humphrey Bogart & Mary Astor; Dead Reckoning (1947), starring Humphrey Bogart & Lizabeth Scott; Detour (1945), starring Tom Neal & Ann Savage; Laura (1944), starring Gene Tierney & Dana Andrews; City That Never Sleeps (1953), starring Gig Young & Mala Powers; Sunset Boulevard (1950), starring Gloria Swanson & William Holden; The Killers (1946), starring Burt Lancaster & Ava Gardner; The Great Flamarion (1945), starring Erich von Stroheim & Mary Beth Hughes; The Locket (1946), starring Laraine Day, Robert Mitchum, & Brian Aherne; The Invisible Wall (1946), starring Don Castle & Virginia Christine; The Strange Love of Martha Ivers (1946), starring Barbara Stanwyck, Van Heflin, Lizabeth Scott & Kirk Douglas; The Dark Past (1948), starring William Holden, Nina Foch, & Lee J. Cobb; Murder My Sweet (1945), starring Dick Powell & Claire Trevor; The Woman On The Beach (1947), starring Robert Ryan & Joan Bennett; Spellbound (1945), starring Ingrid Bergman & Gregory Peck; Manhandled (1949), starring Dorothy Lamour, Sterling Hayden, & Dan Duryea; Scarlet Street (1945), starring Edward G. Robinson, Joan Bennett, & Dan Duryea; Moonrise (1948), starring Dane Clark & Gail Russell; Out of the Past (1947), starring Robert Mitchum, Jane Greer, & Kirk Douglas; In a Lonely Place (1950), starring Humphrey Bogart & Gloria Grahame; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Episode Website Link: https://frombeneaththehollywoodsign.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The second episode of our season on the awesome movie year of 1941 features our pick for a notable debut feature, John Huston's The Maltese Falcon. Written and directed by John Huston and starring Humphrey Bogart, Mary Astor, Peter Lorre and Sydney Greenstreet, The Maltese Falcon is the third adaptation of Dashiell Hammett's 1930 novel.The contemporary reviews quoted in this episode come from Bosley Crowther in The New York Times (https://www.nytimes.com/1941/10/04/archives/the-maltese-falcon-a-fast-mysterythriller-with-quality-and-charm-at.html), Variety (http://variety.com/1941/film/reviews/the-maltese-falcon-2-1200413694/), and The Film Daily.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod

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Welcome to The Nerdy Podcast ran by Northern Nerds!! The Maltese Falcon - A Classic Noir Unveiled Join us in this episode as we dive deep into the shadowy world of film noir with a close examination of the 1941 classic, The Maltese Falcon. Directed by John Huston and starring the iconic Humphrey Bogart as the hard-boiled private detective Sam Spade, this film set the standard for the genre and introduced audiences to a labyrinth of deceit, betrayal, and the relentless pursuit of a priceless artifact. We'll explore the film's intricate plot, which revolves around the mysterious and alluring femme fatale, Brigid O'Shaughnessy, played by Mary Astor, and the enigmatic quest for the legendary Maltese Falcon. Discover how the film's sharp dialogue, unforgettable characters, and striking cinematography contribute to its status as a timeless masterpiece. In this episode, we'll also discuss the historical context of the film's release, its adaptation from Dashiell Hammett's novel, and the impact it had on future noir films. Plus, we'll share behind-the-scenes anecdotes and delve into the performances that brought this gripping tale to life. Whether you're a seasoned film buff or a newcomer to classic cinema, this episode promises to illuminate the dark corners of The Maltese Falcon and its enduring legacy in the world of storytelling. Tune in for a thrilling journey through one of the greatest detective stories ever told!

Can Spade outwit the police and Gutman's gang? The stunning conclusion of The Maltese Falcon, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Today we continue with The Maltese Falcon.   There is a little more course language in this story than in our usual fare, so if you run into something that makes you uncomfortable, you might want to consider why that is. Might be a good thing to think about.     And now, The Maltese Falcon, Part 8 of 8, by Dashiell Hammett.       Follow this link to become a monthly supporter:     Follow this link to subscribe to our YouTube Channel:     Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:       Follow this link to follow us on TikTok:

Can Spade outwit the police and Gutman's gang? The stunning conclusion of The Maltese Falcon, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Today we continue with The Maltese Falcon.   There is a little more course language in this story than in our usual fare, so if you run into something that makes you uncomfortable, you might want to consider why that is. Might be a good thing to think about.     And now, The Maltese Falcon, Part 8 of 8, by Dashiell Hammett.       Follow this link to become a monthly supporter:     Follow this link to subscribe to our YouTube Channel:     Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:       Follow this link to follow us on TikTok:

Can Sam leverage the falcon to fence in all the murdering, thieving crooks? Dashiell Hammett, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Today we continue with The Maltese Falcon.   There is a little more course language in this story than in our usual fare, and as with nearly all detective novels of the time, it's got its share of homophobia and misogyny. Take the time to pause the show and point it out to your kids.     And now, The Maltese Falcon, Part 7 of 8, by Dashiell Hammett.       Follow this link to become a monthly supporter:     Follow this link to subscribe to our YouTube Channel:     Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:       Follow this link to follow us on TikTok:  

Can Sam leverage the falcon to fence in all the murdering, thieving crooks? Dashiell Hammett, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Today we continue with The Maltese Falcon.   There is a little more course language in this story than in our usual fare, and as with nearly all detective novels of the time, it's got its share of homophobia and misogyny. Take the time to pause the show and point it out to your kids.     And now, The Maltese Falcon, Part 7 of 8, by Dashiell Hammett.       Follow this link to become a monthly supporter:     Follow this link to subscribe to our YouTube Channel:     Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:       Follow this link to follow us on TikTok:

In this week's episode, I take a look at the movies and streaming shows I watched in winter 2024/2025, and share my opinions on them. I also take a look at my ebook advertising results from January 2025. This week's coupon code will get you 50% off the audiobook of Half-Orc Paladin, Book #3 in the Half-Elven Thief series, (as excellently narrated by Leanne Woodward) at my Payhip store: PALADIN50 The coupon code is valid through February 28, 2025. So if you need a new audiobook for the bad February weather, we've got you covered! 00:00:00 Introduction and Writing Updates   Hello, everyone. Welcome to Episode 238 of The Pulp Writer Show. My name is Jonathan Moeller. Today is February 7, 2025 and today we are discussing the movies and streaming shows I watched in Winter 2024 and 2025. Before that, we will do Coupon of the Week, an update on my current writing projects, Question of the Week, and my ad results from January 2025.   First, let's start with Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Half-Orc Paladin, Book Three in the Half-Elven Thief Series (as excellently narrated by Leanne Woodward) at my Payhip store. That coupon code is PALADIN50. This coupon code will be valid through February the 28th, 2025, so if you need a new audiobook to get you through the bad February weather, we have got you covered.   Now for an update on my current writing and audiobook projects. As I mentioned last week, Shield of Deception is now out and you can get it at Amazon, Barnes and Noble, Kobo, Google Play, Apple Books, Smashwords and my Payhip store. It is doing quite well. Thank you all for that. I hope you enjoy the book and I've been hearing good things about it from people who read it.   Now that Shield of Deception is done, my main project is now Ghost in the Assembly and I am 36,000 words into it as of this recording, which puts me almost on Chapter 8 of 21. So I'm about one third of the way through the rough draft, give or take. If all goes well. I'm hoping that book will be out in March. My secondary project is Shield of Battle, which is the sequel to Shield of Deception and I am about 2,000 words into that. I'm also 50,000 words into what will be the third and final Stealth and Spells book, Stealth and Spells Online: Final Quest. It was originally named Reactant, but I decided to change the name to Final Quest because that sounds better and if all goes well, that will probably be out in the middle of the year, give or take.   In audiobook news, Cloak of Masks (as excellently narrated by Hollis McCarthy) is now out at all audio stores, including Audible, so you can listen to that there. Work is almost done on Cloak of Dragonfire. It's being proof-listened to as I record this and hopefully that should be out before too much longer. So that is where I'm at with my current writing and audiobook projects.   00:02:19 Question of the Week   Next up is Question of the Week, which is intended to inspire interesting discussions of enjoyable topics. This week's topic, which ties into our main topic: what was the favorite movie you saw in 2024? No wrong answers, obviously (including “I hate everything I saw in 2024”). We have a few responses for this.   JD says: It was either Transformers One or Deadpool and Wolverine.   Mary says: I didn't see any movies in 2024.   Doug says: Dune was one of the books I read in the ‘70s. Like your books, I never got enough back then. I was buying Hardcovers. I still have six of them. I have seen the two versions of the books. Can't wait to see this version of the books. I have seen the first movies. Hope to see more.   David says: Godzilla versus Kong was pretty much the only one from last year I saw. I just bought Gladiator 2 but haven't watched it yet.   Davette says: I enjoyed both Dune 2 and The Fall Guy and Inside Out 2 and Deadpool and Wolverine. My favorite was Wicked, mainly because I've been waiting on that movie for years.   Bonnie says: I haven't seen any movies or watched TV in years.   For myself, I think it would be a tie for my favorite movie of 2024 for between Dune 2 and The Fall Guy. The two Dune movies, for all the stuff they changed from the book, are probably the most faithful adaptation it was possible to make with that very dense and very weird book. I thought The Fall Guy was just hilarious and I had no idea it was based on TV series from the ‘80s until I read up about it on the Internet after I saw the movie. It was interesting that we didn't have very many responses to this question the week and of those responses, one third of them was “I didn't see any movies in 2024.” So if the movie industry is wondering why it's in so much trouble, I think we might have just found the answer here in that nobody wants to go to see movies in the theater anymore.   00:04:09 Ad Results for January 2025 Now onto our next topic, how my ads performed in January 2025. Now as usual for my books in January, I used Facebook ads, Amazon ads, and BookBub ads, so let's break them down by category- first, by Facebook ads. As usual, I advertised The Ghosts and Cloak Games/Cloak Mage.   GHOSTS: $4.08 for every dollar, with 22% of the profit coming from the audiobooks.   CLOAK GAMES/MAGE: $3.38 for every dollar, with 6% of the profit coming from the audiobooks. So that went pretty well. I'm hoping that percentage will go up once Cloak of Dragonfire is done and we can put together Cloak Mage Omnibus Three.   I also did some Amazon ads – specifically for HALF-ELVEN THIEF, STEALTH & SPELLS ONLINE: CREATION, and THE LINUX COMMAND LINE BEGINNERS GUIDE.   Remember, for an Amazon ad to be effective, it usually needs to be generating at least one sale for every eight clicks on the ads.   HALF-ELVEN THIEF: $4.65 for every dollar spent, 1.85 sales for every click. It's just an amazing ratio-thank you for that.   STEALTH & SPELLS ONLINE: CREATION: Lost $0.15 for every dollar spent, 1 sale for every 4.76 clicks.   THE LINUX COMMAND LINE BEGINNER'S GUIDE: $3.16 for every dollar spent, 33% of the profit from audio, 1.34 sales for every click.   The standout was HALF-ELVEN THIEF, which actually had more sales than clicks on the ads. That hardly ever happens!   You can see there's a reason I'm going to conclude STEALTH & SPELLS with the third book, because it just doesn't sell well. All of the advertising experiments I have tried to make it sell well have not responded to date. That said, we did improve from December, where I only got a sale for every 14 clicks.   Additionally, Amazon ads work really well with nonfiction books, since they respond a lot better to keyword ads.   Finally, I used Bookbub ads for THE GHOSTS on Apple. That went pretty well.   THE GHOSTS: $4 for every $1 spent.   So, all in all, a pretty good month for ads, though STEALTH & SPELLS remains the weak point. As always everyone, thank you for buying the books and listening to the audiobooks.   00:06:50 Main Topic: Movie/TV Show Reviews of Winter 2024/Early Winter 2025 Now onto our main topic, the movies and streaming shows I watched in Winter 2024 and early winter 2025. As always, my ratings are totally subjective and based on nothing more concrete than my own opinions.   Our first one is Red One, which came out in 2024. This was a strange mashup of genres, a holiday movie, urban fantasy, a thriller, and just a little bit of existential horror. Dwayne “The Rock” Johnson plays Callum Drift, who is the head of Santa Claus's security. Meanwhile, Chris Evans plays an unscrupulous hacker and thief named Jack O'Malley. Jack unwittingly helps unknown malefactors kidnap Santa Claus and so Callum and Jack have to team up to rescue Santa from his kidnappers. This sounds like a lighthearted holiday movie, but it really isn't. The movie is rather dour and takes itself very seriously. Callum acts like he's in a Jason Bourne movie and deals with various supernatural creatures like a special forces operator assessing targets. Additionally, there are some urban fantasy elements with the vast government agency dedicated to hiding the supernatural world from normal people. I don't think the dissonance really worked at all. It had pieces of a light holiday movie and pieces of a thriller and they really didn't mesh. It's not hard to see why this one didn't do well in the theaters, on top of its enormous budget. Overall Grade: D (In the spirit of Christmas generosity)   Next up is Argylle, which came out in 2024. This was a dumb movie, but I enjoyed it, kind of like Murder Mystery with Adam Sandler and Jennifer Aniston on Netflix. I mean that wasn't exactly Shakespeare or Milton, but I would be lying if I said I didn't enjoy myself while watching it. Same thing applies to Argylle. The plot is that the protagonist Ellie Conway is a bestselling spy novelist. Ellie is a bit of an eccentric personality and travels everywhere with her cat in a backpack that has a window in it so the cat can see what's going on. However, it turns out that Ellie's novels are accurately predicting events in real life espionage, so several sinister spy agencies are hunting her down to learn her secret. A spy named Aidan saves Ellie, claiming that he's the only one she can trust. Of course, this is the kind of movie that has a shocking betrayal and plot twist every eight minutes or so, and the revelation of the central twist made me face palm a bit. There is a fight scene at the end involving colored smoke that's absolutely bonkers. It was on Apple Plus or Apple TV or whatever it's called, but that means all the characters did all their computing on shiny new Apple devices, which is always amusing. Overall Grade: D+ (but barely)   Next up is Venom: The Last Dance, which came out in 2024. It wasn't as good as the first two since so many of the characters did not return, but it brought the Venom Trilogy to a mostly satisfying conclusion. Eddie Brock and Venom are on the run after the events of Venom: Let There Be Carnage. Unbeknownst to either of them, the US government has a secret facility holding captured symbiant aliens and the agency that runs the facility is hunting for them. Unbeknownst to the US government, the creator of the symbiotes, an evil entity named Knull is preparing to escape his prison and to do that, he needs Eddie/Venom delivered to him alive, so he dispatches his creatures to Earth hunt down Eddie and Venom, with disastrous results. The best part of the movie was the comedic duo of Eddie and Venom since the movie takes the absurdity of their situation and leans into it. Overall Grade: B- Next up is the Lord of the Rings: The War of the Rohirrim, which came out in 2024. I read an interview with Brandon Sanderson where he said that a big part of the problem with movie adaptations of books is that the filmmakers often want to tell their own story, not the books'. So they basically used the book as a framework for telling their own story, which inevitably annoys the readers of the book. I suspect that was what happened with The War of the Rohirrim. This movie was a mixture of strong points and weaknesses. Apparently it only exists because New Line needed to put out something or they'd lose film rights to Tolkien's stuff, and so The War of the Rohirrim was fast-tracked.   The strong points: the animation looked pretty, the battle scenes were fun to watch, the voice performances were good, and the music was also good.   The weak points: it felt too long and slow-paced. I think a good half-hour could have been cut of the characters looking pensive and thoughtful (and saved the animators a lot of work in the process). Additionally, I don't think the changes to the plot quite worked. It's based out of the Appendices of The Lord of the Rings, specifically the history of Rohan. In the book, the plot is touched off when the corrupt Lord Freca demands that King Helm's daughter Hera marry Freca's son Wulf. Helm takes exception to this and ends up killing Freca. His son Wulf swears vengeance, gathers an army from Rohan's enemies, and sets out to seize the crown for himself. In the book, Helm's sons are killed, and Helm himself dies in the defense of the Hornburg (which later becomes known as Helm's Deep), but his nephew Frealof gathers an army, kills Wulf, and becomes the new king of Rohan.   That would have been perfectly good for the plot, but as we mentioned above, I think the screenwriters decided they wanted to write about a Strong Female Character, so they massively expanded Hera's part and made her the protagonist. The problem with this as an adaptation is that Hera is only mentioned once in the book, so the script has to make up a lot of extra stuff to justify Hera's presence, which always weakens an adaptation of a book. This version of Hera would have been in danger of becoming a stereotypical #girlboss character, but she acts more like a Japanese anime protagonist, which does work better in this sort of movie than an Americanized Strong Female Character.   So, in the end, not a bad movie, but I think it would have worked better if they had stuck closer to the original plot in the book. Overall Grade: B-   Next up is Golden Era, which came out in 2022. This is a documentary about the making of the classic Nintendo 64 game Goldeneye and the company behind it. Until I watched this, I never knew that Rare, the company that made Goldeneye, was based in the UK.   I admit I really didn't play Goldeneye back in the ‘90s and early ‘00s. I did a few times at various social events, but I never really got into it since I didn't own a game console from 1998 to 2019. Nonetheless, Goldeneye was a very influential game that left its mark on all first-person shooter games since. The documentary interviews most of the people who were involved in the making of Goldeneye, and it was fascinating to see how they more or less accidentally created a genre-defining game.   If you enjoyed Goldeneye or are interested in video game history at all, the documentary is worth watching. After many years of official unavailability, Goldeneye is now available on Nintendo Switch and Xbox, so I may have to give it a try. Overall grade: B     Next up is Wonka, which came out in 2023. I didn't really intend to watch this, but it was on in the background while I was playing Starfield…and Starfield has a lot of loading screens. This movie wasn't made for me, not even remotely, but I thought it was a competently executed example of a movie musical.   Anyway, the plot revolves around a young Willy Wonka coming to a city that seems like a weird hybrid between Paris and New York. Wonka sets out to start selling his innovative chocolates, but soon runs into stiff opposition from the corrupt local candy industry, the corrupt local police chief, and his equally corrupt landlady, who has somehow transitioned from hospitality to luring people into debt slavery. Wonka makes allies from his fellow indentured workers, and soon he is conducting local chocolate manufacturing like a heist.   Like I said, this really wasn't made for me, and I'm sure people who actually like musicals would have many more detailed opinions. But this had some genuinely funny bits. Hugh Grant as an Oompa Loompa was hilarious, and so was Rowan Atkinson as a corrupt bishop. The best line: “Judgment has come…in a most unexpected form!” Overall grade: B     Next up is Man on the Inside, which came out in 2024, and this is a Netflix comedy series from Mike Schur, who created Parks and Recreation, The Good Place and Brooklyn 99. To describe this show, think of a meditation about accepting the inevitability of aging and death through Schur's comedic style, and you'll be there.   Anyway, Ted Danson stars as a recently widowed retired professor of engineering named Charles. His daughter is worried that he's not handling things well and becoming too isolated, so suggests that he find a hobby. Charles answers a classified ad for an “older man who can use technology” and finds himself recruited by a private investigator named Julie. Julie's company has been hired to find a thief within a retirement home, and Julie is about 35 years too young to convincingly infiltrate a retirement home. Hence, Charles pretends to be a new resident, and finds himself befriending the residents he is supposed to investigate. All the while, he tries to deal with the remaining grief from his wife's death, which he never got around to processing in the moment.   In my opinion, The Good Place and Brooklyn 99 both kind of fell apart in their final seasons, but Man on the Inside avoids that in its final episodes, providing good resolution to both the conflict and the emotional stakes. I thought it was both bittersweet and quite funny, and I approve that there's going to be a 2nd season. Overall grade: B   Next up is Minted, which came out in 2023, and this was an interesting documentary about the rise in the fall of the NFT, which in the early 2020s we were assured was going to be the next big thing, but it just turned out to be yet another scam.   The documentary follows an interesting course, first explaining what an NFT is, and then interviewing artists who made life-changing money from minting their early NFTS. But then the speculators arrived, and followed swiftly by the scammers. As of 2025, of course, NFTs are quite worthless, like so many much-vaunted Web 3.0 style technologies.   I think the documentary's biggest weakness was assuming that NFT technology was around to stay and would find a use that would help artists. I agree that it's around to stay, but I don't think it adds value to anything at all. Nevertheless, an interesting look into the NFT fad and the impact it had on artists. Overall grade: B     Next up is Gladiator 2, which came out in 2024. This is basically the same movie as the original Gladiator, just reshuffled a bit and with twenty years of improved technology. The main character Hanno is a soldier in an African city that rebels against Rome. After the rebellion is inevitably crushed, he is taken as a slave and ends up as a gladiator in Rome, determined to take his vengeance on the Roman general who ordered the death of his wife. However, the general was only carrying out the orders of the insane twin emperors Geta and Caracalla. For that matter, Hanno's owner, the charming and affable Macrinus, has his own agenda. As Hanno seeks revenge, he finds himself drawn into the deadly game of imperial politics and must confront the secrets of his own past.   The movie is only very vaguely accurate in terms of history, but it does a good job of capturing the corruption and decadence of the Roman Empire at that time. The empire was in very bad shape, and in fact was only a few years from what historians call the Crisis of the Third Century, a fifty year period of continual civil war, assassination, usurpation, and economic meltdown that resulted in the empire breaking into three separate states for about fifteen years. Everyone knows that the Roman Empire fell in 476 AD, but it very nearly didn't make it even to 300 AD. So the ending of Gladiator 2 is a total fantasy, like one of those alt-history books where the Roman Empire ends up conquering the Americas or expanding into outer space.   That said, I enjoyed the movie. Denzel Washington, Pedro Pascal, and Connie Nielsen in particular gave very good performances, with Denzel Washington's Macrinus as the standout. Overall grade: B Next up is High Sierra, which came out in 1941, and this is 1940s true crime grimdark. A common misconception is that black and white films are generally more sanitized and saccharine than modern fare. This definitely isn't true – there wasn't any gratuitous violence and nudity in ‘40s movies, but some of them were very cynical and dark. High Sierra definitely falls into that category. Humphrey Bogart plays Roy Earle, a bank robber currently in Indiana state prison. His former boss Big Mac arranges a pardon for him, and brings him out to California for one last big job.   Unfortunately, the other people on Earle's crew are idiots, and he has a growing sense of impending disaster. Additionally, Earle gets emotionally entangled with two women – Velma, a sick woman from his hometown, and Marie, a woman inured to the lifestyle of criminals. As Earle prepares for the job and attempts to deal with the two women, things get more and more complicated. Definitely on the darker side as I mentioned, but well worth watching, both as a historical artifact and a crime story in its own right. Overall grade: B+   Next is Star Trek: Lower Decks Season 5, which came out in 2024. Lower Decks is an example of a parody of a thing that is so good that it sort of loops around the horseshoe and becomes a good example of the thing it is parodying. Season 5 is the undeserved end to the very funny Lower Decks series. Paramount really, really wants to get purchased by Skydance, and that's probably going to happen in 2025, so there's a lot of clearing the decks at Paramount, and I expect Lower Decks was one of the casualties.   Then again, our protagonists are no longer lower deckers but junior officers, so perhaps it was a natural place to end the show. So Lower Decks went out pretty strong with a collection of funny and good episodes. All the characters experienced plot arcs and development. The lower deckers matured from the callow ensigns they were in Season 1, and the senior officers likewise experienced character growth and development. (I liked Commander Ransom's triumphant battle cry of “high intensity interval training!”)   I'd say the only weakness is that the show ended with multiverse stuff, and I don't like multiverse stuff in general. Still, the show made a compelling argument for the multiverse as a concept, and the multiverse plot did give an excuse to bring back various Trek actors for speaking parts. And, to be fair, Star Trek has been doing multiverse stuff long, long before the Marvel movies ran the concept into the ground – Captain Kirk was dealing with alternate universe stuff back in the 1960s.   The last episode was a satisfactory conclusion to the series. Lower Decks might be over, but once the Skydance acquisition settles down, maybe the character will return in a new show called Junior Officers? One can hope! Overall grade: B+   Next up is the Frasier reboot Season 2, which also came out in 2024. I liked this about as much as I liked Season 1, which is to say I enjoyed it and found it funny. Frasier's and his son Frederick's relationship seems to have reached equilibrium, so the season spent more time on more 1940s style screwball comedy, which is not a bad thing. Some of the best comedy remains the conflicts between Frasier and Frederick, which is of course an echo of Frasier's own conflicts with his father back in the original show in the 1990s.   I think the best episode was the return of Frasier's scheming, Machiavellian agent Bebe and her daughter Phoebe, who did not exactly fall far from the maternal apple tree. The 10-episode format for the season does seem rather cramped compared to the 20-ish episodes per season of the original show, but that was a different era.   Frasier remains, as one of the characters said in the previous season, the same well-meaning buffoon who goes “that extra, ill-advised mile.” I hope we get a Season 3, but with the shakeups we mentioned at Paramount, that seems unlikely. Overall grade: A-     Finally, let's close with the three best things I saw in Winter 2024/2025.   The first of my favorite three is Saturday Night, which came out in 2024. This is a biopic about the chaotic first night of Saturday Night Live back in the 1970s. Quite hilarious in a vicious sort of way, and (from what I understand) it accurately captures the sheer chaos of live TV. Of course, the chaos surrounding SNL is probably a bit higher than usual for standard live television.   After I watched it, I looked it up, and it seems the movie compresses about three months' worth of events into the hour and a half before the launch of the very first episode. What's amusing is that the more outlandish an event in the movie was, the more likely it was to have actually happened in the leadup to the show's launch. It was the mundane stuff that was made up, not the crazy stuff.   JK Simmons was hilarious as Milton Berle. Nowadays, SNL is an Institution, so it was amusing to see it back when everyone thought it was a bad idea that would fail catastrophically. The movie convincingly captured the “look” of the 1970s – all the characters looked like they were made of nicotine, cholesterol, and cocaine, and in some instances, a lot of cocaine. That stuff is bad for you, as several SNL stars later found out to their sorrow.   It really shows the randomness of history – watching the creation of SNL, you wouldn't expect it to have lasting cultural impact, but it did. Overall grade: A The second of my three favorite things I saw was The Thin Man, which came out in 1934. This is based on a novel by Dashiel Hammett (most famous for writing The Maltese Falcon), and was made pre-Hays Code, so the female lead tended to wear outfits that show off a bit more skin than you would otherwise expect in a 1930s movie. Interestingly, The Thin Man is a fusion of a noir detective movie and a screwball comedy, not two genres that are usually connected, and somehow it all works.   Anyway, the movie centers around detective Nick and his wife Nora, who have returned to New York after a four-year sojourn to California. Nick used to be a private detective, but then he married the wealthy Nora, and wanted to retire to a life of ease and parties with a lot of alcohol. Except everyone in New York assumes that Nick isn't retired and is back on the case, and so he gets dragged into the disappearance of an eccentric factory owner and a string of murders that pop up around it. Of course, Nick isn't as reluctant to come out of retirement as he pretends.   As is often the case in many movies made in the 1930s, many of the rich characters are shown as malicious buffoons, especially the factory owner's ex-wife. Nick and Nora, as the protagonists, are of course exempt from this.   This is considered a classic, and deservedly so – the characters are sharply drawn, the dialogue is good, the performances are excellent, the movie manages to portray a fairly complex plot in 90 minutes. You'll want to watch it with the captions on, of course, because while human nature may not have changed in the ninety years since this movie came out, audio technology has sure improved.   Fun fact: Nick and Nora's dog is named Asta, which is apparently a frequent answer in crossword puzzles due to the double vowels. Overall grade: A   Now, for the third of my three favorite things I saw in Winter 2024/2025, that would be Star Wars: Skeleton Crew, which came out in 2024. This is Star Wars meets The Goonies meets Pirates of the Caribbean, and despite that very odd combination of influences, the show was really quite good. The show opens on the idyllic planet of At Attin, which looks like an idealized version of 1980s suburbia filtered through Star Wars. Everyone on the planet has the same job – contributing to the Great Work (whatever that is). Since our four protagonists are kids, they don't pay much attention to that or the concerns of the adults. When one of the children discovers a derelict spaceship in the woods, they accidentally activate it and fly off-planet.   This is a problem because At Attin is protected by a Barrier that doesn't allow travel, and the galaxy is a dangerous place with a lot of pirate gangs roaming around looking for prey. However, the children fall in with Jod, who claims to be a Jedi who will help the kids get back to their home. Everyone they meet warns them that Jod is a con artist and not to be trusted, but he demonstrates Force powers again and again (which would seem to support his claim that he's a Jedi). And the kids' home of At Attin has a mysterious secret, one that Jod desperately wants to claim for himself.   This is very entertaining all the way through. Star Wars really works best as a kids' adventure show (in my opinion), though I'm still looking forward to the second season of Andor, which is Star Wars crossed with a John le Carre spy thriller. Overall grade: A     So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

Why is Gutman's crew rubbing elbows with the captain of the La Paloma? Dashiell Hammett, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Today we continue with The Maltese Falcon.   There is a little more course language in this story than in our usual fare, and as with nearly all detective novels of the time, it's got its share of homophobia and misogyny. Take the time to pause the show and point it out to your kids.     And now, The Maltese Falcon, Part 6 of 8, by Dashiell Hammett.       Follow this link to become a monthly supporter:     Follow this link to subscribe to our YouTube Channel:     Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:       Follow this link to follow us on TikTok:

Why is Gutman's crew rubbing elbows with the captain of the La Paloma? Dashiell Hammett, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Today we continue with The Maltese Falcon.   There is a little more course language in this story than in our usual fare, and as with nearly all detective novels of the time, it's got its share of homophobia and misogyny. Take the time to pause the show and point it out to your kids.     And now, The Maltese Falcon, Part 6 of 8, by Dashiell Hammett.       Follow this link to become a monthly supporter:     Follow this link to subscribe to our YouTube Channel:     Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:       Follow this link to follow us on TikTok:

What wonders does Gutman detail in the cryptic history of the Maltese Falcon? Dashiell Hammett, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Today we continue with The Maltese Falcon.   By the way, the phrase, “off the gooseberry” is an archaic phrase from the 1920s meaning stealing hanging laundry from the line.   There is a little more course language in this story than in our usual fare, and as with nearly all detective novels of the time, it's got its share of homophobia and misogyny. Take the time to pause the show and point it out to your kids.     And now, The Maltese Falcon, Part 5 of 8, by Dashiell Hammett.       Follow this link to become a monthly supporter:     Follow this link to subscribe to our YouTube Channel:     Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:       Follow this link to follow us on TikTok:      

With everything to say. Bonus content, sneak peeks, and everything before anything else. Our next film, More Beautiful Than Death, is deep in post-production. Don't miss a single moment of it!

What wonders does Gutman detail in the cryptic history of the Maltese Falcon? Dashiell Hammett, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Today we continue with The Maltese Falcon.   By the way, the phrase, “off the gooseberry” is an archaic phrase from the 1920s meaning stealing hanging laundry from the line.   There is a little more course language in this story than in our usual fare, and as with nearly all detective novels of the time, it's got its share of homophobia and misogyny. Take the time to pause the show and point it out to your kids.     And now, The Maltese Falcon, Part 5 of 8, by Dashiell Hammett.       Follow this link to become a monthly supporter:     Follow this link to subscribe to our YouTube Channel:     Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:       Follow this link to follow us on TikTok:

Sam needs to meet with someone named “G” – he just doesn't know why. Dashiell Hammett, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Today we continue with The Maltese Falcon.   There is a little more course language in this story than in our usual fare, and as with nearly all detective novels of the time, it's got its share of homophobia and misogyny. Take the time to pause the show and point it out to your kids.     And now, The Maltese Falcon, Part 4 of 8, by Dashiell Hammett.       Follow this link to become a monthly supporter:     Follow this link to subscribe to our YouTube Channel:     Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:       Follow this link to follow us on TikTok:

The AFC and NFC championship games are upon us, and Len and Beave go through the divisional playoff games that got us here. Plus the Cavs hit the inevitable lull in their schedule -- can they get back on track? The Bulls and Zach LaVine trade rumors continue. Beave reviews the Dashiell Hammett novel "The Maltese Falcon". Beave and Len talk about Iris DeMent's 1994 album "My Life". They also talk about the four-part documentary "Beyond Saturday Night". Plus secret top 40 hits! All JAGBAGS!

Sam needs to meet with someone named “G” – he just doesn't know why. Dashiell Hammett, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Today we continue with The Maltese Falcon.   There is a little more course language in this story than in our usual fare, and as with nearly all detective novels of the time, it's got its share of homophobia and misogyny. Take the time to pause the show and point it out to your kids.     And now, The Maltese Falcon, Part 4 of 8, by Dashiell Hammett.       Follow this link to become a monthly supporter:     Follow this link to subscribe to our YouTube Channel:     Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:       Follow this link to follow us on TikTok:

Warner Brothers was one of the minor studios until they introduced the first talking picture, which made the studio into one of the majors. In the Thirties, Warner Brothers, led by the irascible Jack L. Warner, was known for its glitzy musicals and crime dramas. In the early Forties, the studio released two films that are now regarded as among the best American films ever made: The Maltese Falcon and Casablanca.

Someone is tailing Sam, and he needs to know who he can trust, and who he shouldn't. Dashiell Hammett, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Today we continue with The Maltese Falcon.   There is a little more course language in this story than in our usual fare, and as with nearly all detective novels of the time, it's got its share of homophobia and misogyny. Take the time to pause the show and point it out to your kids.     And now, The Maltese Falcon, Part 3 of 8, by Dashiell Hammett.       Follow this link to become a monthly supporter:     Follow this link to subscribe to our YouTube Channel:     Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:       Follow this link to follow us on TikTok:      

Someone is tailing Sam, and he needs to know who he can trust, and who he shouldn't. Dashiell Hammett, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Today we continue with The Maltese Falcon.   There is a little more course language in this story than in our usual fare, and as with nearly all detective novels of the time, it's got its share of homophobia and misogyny. Take the time to pause the show and point it out to your kids.     And now, The Maltese Falcon, Part 3 of 8, by Dashiell Hammett.       Follow this link to become a monthly supporter:     Follow this link to subscribe to our YouTube Channel:     Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:       Follow this link to follow us on TikTok:      

A private eye, a pathological liar, and an antiques collector pursue a priceless statue. Join us as we discuss our 2025 box office predictions, Conan O'Brien's gumshoe speak, and what dingus really means. It's the stuff that dreams are made of as we find out if The Maltese Falcon stands the Test of Time.

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An encore presentation of Peter Lorre's dive into the horrors of silent cinema! Revisit the unforgettable moments of this legendary actor's fight for eternal peace after Matthew and Vincent force him into a devil's bargain to review silent movies for a return to the afterlife! You'll relive all your favorite moments - Pierre the wily rodent! The beloved bucket of fish heads! The inexorable descent into madness!Marvel at Mr. Lorre's reviews of the following classics: The Phantom of the Opera (1925); The Mystic (1925, dir. Tod Browning); The Unknown (1927, dir. Tod Browning feat. Lon Chaney, Joan Crawford); He Who Gets Slapped (1921, dir. Victor Sjöström feat. Lon Chaney, Norma Shearer, John Gilbert); The Man Who Laughs (1928, feat. Conrad Veidt); The Golem: How He Came Into the World (1920, photography of Karl Freund); The Cabinet of Dr. Caligari (1920) feat. Conrad Veidt); Metropolis (1927, dir. Fritz Lang); Faust (1926, dir. F.W. Murnau); Dr. Jekyll and Mr. Hyde (1920, feat. John Barrymore); The Hunchback of Notre Dame (1923, feat. Lon Chaney); The Unholy Three (1925, dir. Tod Browning feat. Lon Chaney); The Lost World (1925, feat. Wallace Beery).Thrill in the audio glow of Mr. Lorre's famous filmography, with trailers for Mad Love; Casablanca; The Maltese Falcon; Invisible Agent; Trilogy of Terror; 20,000 Leagues Under the Sea; The Comedy of Terrors; The Raven (1963); and The Beast With Five Fingers.Thanks for joining us friends in this celebration of silent horror and the immortal Peter Lorre. We'll see you next time for the movie that inspired Gojira - The Beast from 20,000 Fathoms (1953) with special effects by Ray Harryhausen!If you enjoy the podcast, please leave a rating and review. Or leave a comment at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaiju@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaijupodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠Instagram (@camp_kaiju)⁠; or call the Kaiju Hotline at ⁠⁠⁠(612) 470-2612⁠⁠⁠.Visit ⁠⁠⁠⁠⁠⁠Patreon.com/campkaiju⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠campkaiju.threadless.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for perks and merchandise.Camp Kaiju: Monster Movie Podcast. Silent But Deadly: Monster Movies from the Silent Era (2024). Hosted by Vincent Hannam, Matthew Cole Levine. Camp Kaiju: Monster Movie Podcast, produced, written, and performed by Vincent S. Hannam. Additional performance by Joshua English Scrimshaw. © 2024 Vincent S. Hannam, All Rights Reserved.

With the police running after him with their noses to the ground, Sam Spade needs some answers from his client - starting with who she really is. Dashiell Hammett, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Today we continue with The Maltese Falcon.   There is a little more course language in this story than in our usual fare, and as with nearly all detective novels of the time, it's got its share of homophobia and misogyny. Take the time to pause the show and point it out to your kids.     And now, The Maltese Falcon, Part 2 of 8, by Dashiell Hammett.       Follow this link to become a monthly supporter:     Follow this link to subscribe to our YouTube Channel:     Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:       Follow this link to follow us on TikTok:  

With the police running after him with their noses to the ground, Sam Spade needs some answers from his client - starting with who she really is. Dashiell Hammett, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.   Today we continue with The Maltese Falcon.   There is a little more course language in this story than in our usual fare, and as with nearly all detective novels of the time, it's got its share of homophobia and misogyny. Take the time to pause the show and point it out to your kids.     And now, The Maltese Falcon, Part 2 of 8, by Dashiell Hammett.       Follow this link to become a monthly supporter:     Follow this link to subscribe to our YouTube Channel:     Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:       Follow this link to follow us on TikTok:

In This episode, Walter & Xander reintroduce themselves to the classic film noir genre with the classic all timer, The Maltese Falcon from 1941. Listen and find out if this iconic blueprint film still holds value like its titular black bird. Find more of the MBP on; - Instagram: @Murderboard_pod- Twitter: @Murderboardthe - Monthly Subscription Episodes:https://anchor.fm/walter-williams-ili7/subscribe There you can get access to bonus episodes, videos & more Murderboard content while helping sustain future episodes. Join in on the conversation as well! If you listen on Anchor or Spotify, you can comment on the episode using the new Q&A tab in the show notes!!!! We'd Love To Hear From You!! --- Send in a voice message: https:// podcasters.spotify.com/pod/show/walter-williams-iii7/message

Spade and Archer get hired to tail a shady guy named Floyd Thursby… and one of the greatest detective novels begins. Dashiell Hammett, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   I'm so very grateful to all our supporters who have helped us during this holiday season. If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.     The Boston Globe said, “Dashiell Hammett is a master of the detective novel, yes, but also one hell of a writer.”  The London Times Literary Supplement said, “The Maltese Falcon is not only probably the best detective story we have ever read, it is an exceedingly well written novel.”. I am inclined to agree.   The characters are economically written, yes. But Hammett also pauses to set the stage and create a dynamic ambiance in a masterful way. The way he describes Spade's apartment, or the breeze through the window blowing the cigarette ash on his desk. There are many elements of brilliance with this book, and I'm so excited it's entered the public domain.   There is a little more course language in this story than in our usual fare, and as with nearly all detective novels of the time, it's got its share of homophobia and misogyny. Take the time to pause the show and point it out to your kids.     And now, The Maltese Falcon, Part 1 of 8, by Dashiell Hammett.       Follow this link to become a monthly supporter:     Follow this link to subscribe to our YouTube Channel:     Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:       Follow this link to follow us on TikTok:

Spade and Archer get hired to tail a shady guy named Floyd Thursby… and one of the greatest detective novels begins. Dashiell Hammett, today on The Classic Tales Podcast.   Welcome to The Classic Tales Podcast. Thank you for listening.   I'm so very grateful to all our supporters who have helped us during this holiday season. If you'd like to ensure the future of The Classic Tales, please visit the website, classictalesaudiobooks.com, and either make a donation, buy an audiobook, or pick up one of our many support options.   And if you can't support us monetarily, leave us a review or share an episode with a friend. It all helps.     The Boston Globe said, “Dashiell Hammett is a master of the detective novel, yes, but also one hell of a writer.”  The London Times Literary Supplement said, “The Maltese Falcon is not only probably the best detective story we have ever read, it is an exceedingly well written novel.”. I am inclined to agree.   The characters are economically written, yes. But Hammett also pauses to set the stage and create a dynamic ambiance in a masterful way. The way he describes Spade's apartment, or the breeze through the window blowing the cigarette ash on his desk. There are many elements of brilliance with this book, and I'm so excited it's entered the public domain.   There is a little more foul language in this story than in our usual fare, and as with nearly all detective novels of the time, it's got its share of homophobia and misogyny. Take the time to pause the show and point it out to your kids.     And now, The Maltese Falcon, Part 1 of 8, by Dashiell Hammett.       Follow this link to become a monthly supporter:     Follow this link to subscribe to our YouTube Channel:     Follow this link to subscribe to the Arsène Lupin Podcast:     Follow this link to follow us on Instagram:     Follow this link to follow us on Facebook:       Follow this link to follow us on TikTok:

Dec. 6-12: Wesley Snipes drops twice, Australian family drama, Christian Bale celebrates Passover, the Maltese Falcon is lost, Christmas comes to Family Guy and Baywatch, and the end of the NES. All this and more 30, 20, and 10 years ago!

Classics month continues and Lemar is soldiering on!We have another 1940s entry with The Maltese Falcon. Join us to hear Mackenzie nerd out on Film Noir and try to convince Lemar that Bogie and Bond are not the same thing. Grab a drink and listen to Lemar bitch about love stories and Mackenzie explain why Effie is the true hero here anyway. This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

The SaDBoys finally watch the John Huston's noir classic: The Maltese Falcon! We discuss it's fantastic cinematography, snappy dialogue and of course, the fantastic menswear. Leave it to Bogey to make a pinstripe suit and fedora feel so easy to wear! Listen to this short preview and join the patreon for the full episode. Blog Post: https://alittlebitofrest.com/2024/11/29/the-menswear-in-the-maltese-falcon-1941/ Support us on Patreon for the full episode and join the Discord: https://www.patreon.com/styleanddirection/ Follow us on Instagram! www.instagram.com/styleanddirection/ www.instagram.com/ethanmwong/ www.instagram.com/spencerdso/ www.instagram.com/awyeahmj Podcast is produced by MJ Kintanar

3:58:35 – Frank in New Jersey, plus the Other Side. Topics include: Belvedere synchronicities, ramen bar, liquor store, cardboardpocalypses, The Maltese Falcon (1941), hats, The Larry Sanders Show, robots, halfway mark life hack, Onsug Radio personality Jerry A. Greene has passed away, smoke shop synchronicity, Weird Little Highway, metafictional stuff, Underberg Bitters, Jamboree Annabell, Jägermeister Cold Brew […]

This month we checked out the classic hardboiled detective novel The Maltese Falcon by Dashiel Hammett. It's a short, entertaining, and absolutely genre defining novel.  Note: This is an unedited audio copy of the live-streamed discussion over on YouTube, so you'll hear us interact with the audience a bit. Click here to submit a book for the Book Club Next month's book is The Bright Sword By Lev Grossman.  We'll be meeting to discuss it on Friday, December 7th at 9:30 PM Central Time!!! Support us on Patreon Matt's Twitter: @moridinamael Scott's Twitter:@scottdaly85 Stay updated with Doof Media: @doofmedia See all of our podcasts, writing, and more at www.doofmedia.com

Darkness Syndicate members get the ad-free version plus all of the artwork created for the YouTube and podcast thumbnails: https://www.patreon.com/posts/112015805CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:56.000 = CBS Radio Mystery Theater, “The Wakeful Ghost” (March 03, 1975)00:55:51.629 = Sam Spade, “The Maltese Falcon, Part 1 of 4” (ADU)01:28:37.007 = Sam Spade, “The Maltese Falcon, Part 2 of 4” (ADU)02:00:54.590 = Sam Spade, “The Maltese Falcon, Part 3 of 4” (ADU)02:32:52.701 = Sam Spade, “The Maltese Falcon, Part 4 of 4” (ADU)02:58:24.655 = The Sealed Book, “Murderer Unknown” (August 19, 1945) ***WD03:29:15.100 = The Shadow, “The Tenor With The Broken Voice” (June 05, 138)03:59:25.610 = Sleep No More, “The Jilting of Granny Weatherall / Escape” (January 30, 1957)04:29:39.115 = Suspense, “Will You Make A Bet With Death” (November 10, 1942)04:59:22.103 = Show Close(ADU) = Air Date Unknown***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music Library= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0205