Podcasts about indian goddess

A candid conversation with Corinne Dempsey on her wide-ranging, fascinating research in religion, from the Indian Goddess in New York and Icelandic Spirit Work. Books The Goddess Lives in Upstate New York: Breaking Convention and Making Home at a North American Hindu Temple Kerala Christian Sainthood: Collisions of Culture and Worldview in South India Bringing the Sacred Down to Earth: Adventures in Comparative Religion Bridges Between Worlds: Spirits and Spirit Work in Northern Iceland  Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

A candid conversation with Corinne Dempsey on her wide-ranging, fascinating research in religion, from the Indian Goddess in New York and Icelandic Spirit Work. Books The Goddess Lives in Upstate New York: Breaking Convention and Making Home at a North American Hindu Temple Kerala Christian Sainthood: Collisions of Culture and Worldview in South India Bringing the Sacred Down to Earth: Adventures in Comparative Religion Bridges Between Worlds: Spirits and Spirit Work in Northern Iceland  Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

A candid conversation with Corinne Dempsey on her wide-ranging, fascinating research in religion, from the Indian Goddess in New York and Icelandic Spirit Work. Books The Goddess Lives in Upstate New York: Breaking Convention and Making Home at a North American Hindu Temple Kerala Christian Sainthood: Collisions of Culture and Worldview in South India Bringing the Sacred Down to Earth: Adventures in Comparative Religion Bridges Between Worlds: Spirits and Spirit Work in Northern Iceland  Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

A candid conversation with Corinne Dempsey on her wide-ranging, fascinating research in religion, from the Indian Goddess in New York and Icelandic Spirit Work. Books The Goddess Lives in Upstate New York: Breaking Convention and Making Home at a North American Hindu Temple Kerala Christian Sainthood: Collisions of Culture and Worldview in South India Bringing the Sacred Down to Earth: Adventures in Comparative Religion Bridges Between Worlds: Spirits and Spirit Work in Northern Iceland  Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

 SPEAKER:Devdutt Pattanaik writes on relevance of mythology in modern times. He is also a speaker, illustrator and author, on Hindu sacred lore, legends, folklore, fables and parables. He has written books on the relevance of sacred stories, symbols and rituals. His more popular books include Myth = Mithya: A Handbook of Hindu Mythology; Jaya: An Illustrated Retelling of the Mahabharata; and Sita: An Illustrated Retelling of the Ramayana and My Gita. SYNOPSIS:The recent political storm over MP Mahua Moitra's comments on Kali soon followed by another political controversy around The Week magazine publishing on its cover a 200 year old Kangra painting of shiva  & #Kali  brought the national attention on the many varied ways in which the goddess is imagined, understood and worshipped across the subcontinent. To some she is a loving mother, to some a ferocious warrior #goddess  . She is associated with cremation grounds and believed to symbolise death. And yet she also represents the creation of life and the universe. Some believe she is the manifestation of the ultimate reality, the “#brahman  ”.  Then there are those who see in her a rule-breaking feminist icon.Even the #ancientindia   texts don't seem to agree. At one end we are told that she emerged from Shiva to slay the demons and on the other she is herself “#adishakti ”, the supreme power.Literature tells us that she is timeless and formless. Yet the visual depictions of her form have evoked awe, horror and reverence among millions for centuries. While in many parts of India her worship still involves liquor or meat or blood, to vast swathes of Indians unaware of this, even the mention of such substances in association with the #devi  is nothing less than sacrilege.Today we have invited one of the most knowledgeable scholars of Indian #mythology  to help us unravel the perplexing iconography, legends and practices associated with the ever more intriguing goddess Kali! EXPLORE MORE:Find out about upcoming sessions and learn how you can join them live and become a part of the conversation - https://www.argumentativeindians.comDISCLAIMER:We invite thought leaders from across the ideological spectrum. The guests in our sessions express their independent views and  opinions. Argumentative Indians does not profess to subscribe, agree or endorse the same or be in anyway responsible for the stance, words and comments of our guests.Explore More at - www.argumentativeindians.comDISCLAIMER:We invite thought leaders from across the ideological spectrum. The guests in our sessions express their independent views and opinions. Argumentative Indians does not profess to subscribe, agree or endorse the same or be in anyway responsible for the stance, words and comments of our guests.

BRINGING YOUR DEEPEST EROTIC & SEXUAL FANTASIES TO LIFE WITH THIS EPISODE OF JUICY SEX STORY. THIS EROTIC SEX STORY IS BROUGHT TO YOU BY SOUNDS MEDIA HOUSE. SIT BACK AND ENJOY THE ULTIMATE EROTIC EXPERIENCE OF THIS SPICY SEX STORY................

In this episode, we chat with Tifa Wine, Mx. Quest, Bijuriya, & Sundari the Indian Goddess, 4 indenture-descendant drag artists in 3 different diaspora sites, about performing gender, being Trinidadian & Guyanese, & the complex questions of identity. Tifa Wine Ryan Persadie/Tifa Wine is an artist, educator, performer, and researcher based in Toronto, Canada. His aesthetic and scholarly work interrogates the relationships and the entanglements between queer Indo-Caribbean diasporas, Caribbean feminisms, Afro-Asian intimacies, legacies of indenture, performance, embodiment, and popular culture. His writing can be found in the Stabroek News, A Colour Deep, Gay City News, and MUSICultures. He also works with and organizes with multiple community groups including the Caribbean Equality Project, and Queeribbean Toronto. Outside of academia, he also works as a drag artist where he goes by the stage name of Tifa Wine. In this capacity, he uses embodied archives of song, dance, comedy, gesture, make-up, story-telling and fashion to pursue calls of decolonial and feminist pedagogy. He has performed across the GTA and internationally and works across mediums of live performance, video, and photography. Mx. Quest Miranda EJ. Warner is a genderqueer, mixed-race, Indo-Guyanese activist and artist of many disciplines. They are the driving force behind queer clown collective #ClownsKillEmpires, as well as a member of Les Femmes Fatales Women of Colour Burlesque. A regular fixture in drag (as Sydney Quest) and burlesque (as Imogen Quest) scenes worldwide, they have spent the pandemic taking #ClownsKillEmpires online, to showcase the most ridiculous QTBIPOC digital art they can find. Bijuriya Bijuriya is a drag queen living in Montreal/Tiohtiake, Canada. She's half Indo-Caribbean and half-Québécoise. On-stage Bjiuriya is a dazzling thunderbolt of energy and quirkiness. Bijuriya is inspired by her South Asian culture and appreciated for her proud, festive and humorous outlook on Bollywood and all things Desi! With a background as a musician and interdisciplinary artist, she is currently creating a theatrical solo show to be premiered at Montréal Arts Interculturels in March 2022. Sundari the Indian Goddess Under the stage names Sundari the Indian Goddess and International Dancer Zaman, Mohamed Afzal Amin, a native of Guyana, has over 15 years of award-winning experiences as a performer. Both as Zaman and as Sundari, Amin draws on his training in Bollywood, chutney, and multiple Caribbean and classical Indian dance styles to promote Indo-Caribbean arts and culture and the multiple, intersectional identities of LGBTQ+ Caribbean immigrants in the diaspora. Zaman is one of the founding members and the lead choreographer of the Taranng Dance Troupe (Waves of the Future), a group of diversely trained dancers amplifying visibility and unity within the Caribbean performing arts community in the New York metropolitan tri-state area. And, as an LGBTQ+ rights activist and artist, he has pioneered several historic initiatives leading to queer and drag-centric performance pieces in faith-based institutions and at religious and cultural parades and festivals under both of his ionic personalities. In 2021, Amin bridged the skills, expertise and wisdom of his performer personalities into Zamandari, a consultancy, mentorship and community engagement platform to support new and up and coming Caribbean artists and connect the public with training, volunteer, and community support opportunities.

We continue our discussion with Tifa Wine, Mx. Quest, Bijuriya, & Sundari the Indian Goddess, 4 indenture-descendant drag artists in 3 different diaspora sites, about performing gender, being Trinidadian & Guyanese, & the complex questions of identity. Tifa Wine Ryan Persadie/Tifa Wine is an artist, educator, performer, and researcher based in Toronto, Canada. His aesthetic and scholarly work interrogates the relationships and the entanglements between queer Indo-Caribbean diasporas, Caribbean feminisms, Afro-Asian intimacies, legacies of indenture, performance, embodiment, and popular culture. His writing can be found in the Stabroek News, A Colour Deep, Gay City News, and MUSICultures. He also works with and organizes with multiple community groups including the Caribbean Equality Project, and Queeribbean Toronto. Outside of academia, he also works as a drag artist where he goes by the stage name of Tifa Wine. In this capacity, he uses embodied archives of song, dance, comedy, gesture, make-up, story-telling and fashion to pursue calls of decolonial and feminist pedagogy. He has performed across the GTA and internationally and works across mediums of live performance, video, and photography. Mx. Quest Miranda EJ. Warner is a genderqueer, mixed-race, Indo-Guyanese activist and artist of many disciplines. They are the driving force behind queer clown collective #ClownsKillEmpires, as well as a member of Les Femmes Fatales Women of Colour Burlesque. A regular fixture in drag (as Sydney Quest) and burlesque (as Imogen Quest) scenes worldwide, they have spent the pandemic taking #ClownsKillEmpires online, to showcase the most ridiculous QTBIPOC digital art they can find. Bijuriya Bijuriya is a drag queen living in Montreal/Tiohtiake, Canada. She's half Indo-Caribbean and half-Québécoise. On-stage Bjiuriya is a dazzling thunderbolt of energy and quirkiness. Bijuriya is inspired by her South Asian culture and appreciated for her proud, festive and humorous outlook on Bollywood and all things Desi! With a background as a musician and interdisciplinary artist, she is currently creating a theatrical solo show to be premiered at Montréal Arts Interculturels in March 2022. Sundari the Indian Goddess Under the stage names Sundari the Indian Goddess and International Dancer Zaman, Mohamed Afzal Amin, a native of Guyana, has over 15 years of award-winning experiences as a performer. Both as Zaman and as Sundari, Amin draws on his training in Bollywood, chutney, and multiple Caribbean and classical Indian dance styles to promote Indo-Caribbean arts and culture and the multiple, intersectional identities of LGBTQ+ Caribbean immigrants in the diaspora. Zaman is one of the founding members and the lead choreographer of the Taranng Dance Troupe (Waves of the Future), a group of diversely trained dancers amplifying visibility and unity within the Caribbean performing arts community in the New York metropolitan tri-state area. And, as an LGBTQ+ rights activist and artist, he has pioneered several historic initiatives leading to queer and drag-centric performance pieces in faith-based institutions and at religious and cultural parades and festivals under both of his ionic personalities. In 2021, Amin bridged the skills, expertise and wisdom of his performer personalities into Zamandari, a consultancy, mentorship and community engagement platform to support new and up and coming Caribbean artists and connect the public with training, volunteer, and community support opportunities.

We continue talking with Tifa Wine, Mx. Quest, Bijuriya, & Sundari the Indian Goddess, 4 indenture-descendant drag artists in 3 different diaspora sites, about performing gender, being Trinidadian & Guyanese, & the complex questions of identity. Tifa Wine Ryan Persadie/Tifa Wine is an artist, educator, performer, and researcher based in Toronto, Canada. His aesthetic and scholarly work interrogates the relationships and the entanglements between queer Indo-Caribbean diasporas, Caribbean feminisms, Afro-Asian intimacies, legacies of indenture, performance, embodiment, and popular culture. His writing can be found in the Stabroek News, A Colour Deep, Gay City News, and MUSICultures. He also works with and organizes with multiple community groups including the Caribbean Equality Project, and Queeribbean Toronto. Outside of academia, he also works as a drag artist where he goes by the stage name of Tifa Wine. In this capacity, he uses embodied archives of song, dance, comedy, gesture, make-up, story-telling and fashion to pursue calls of decolonial and feminist pedagogy. He has performed across the GTA and internationally and works across mediums of live performance, video, and photography. Mx. Quest Miranda EJ. Warner is a genderqueer, mixed-race, Indo-Guyanese activist and artist of many disciplines. They are the driving force behind queer clown collective #ClownsKillEmpires, as well as a member of Les Femmes Fatales Women of Colour Burlesque. A regular fixture in drag (as Sydney Quest) and burlesque (as Imogen Quest) scenes worldwide, they have spent the pandemic taking #ClownsKillEmpires online, to showcase the most ridiculous QTBIPOC digital art they can find. Bijuriya Bijuriya is a drag queen living in Montreal/Tiohtiake, Canada. She's half Indo-Caribbean and half-Québécoise. On-stage Bjiuriya is a dazzling thunderbolt of energy and quirkiness. Bijuriya is inspired by her South Asian culture and appreciated for her proud, festive and humorous outlook on Bollywood and all things Desi! With a background as a musician and interdisciplinary artist, she is currently creating a theatrical solo show to be premiered at Montréal Arts Interculturels in March 2022. Sundari the Indian Goddess Under the stage names Sundari the Indian Goddess and International Dancer Zaman, Mohamed Afzal Amin, a native of Guyana, has over 15 years of award-winning experiences as a performer. Both as Zaman and as Sundari, Amin draws on his training in Bollywood, chutney, and multiple Caribbean and classical Indian dance styles to promote Indo-Caribbean arts and culture and the multiple, intersectional identities of LGBTQ+ Caribbean immigrants in the diaspora. Zaman is one of the founding members and the lead choreographer of the Taranng Dance Troupe (Waves of the Future), a group of diversely trained dancers amplifying visibility and unity within the Caribbean performing arts community in the New York metropolitan tri-state area. And, as an LGBTQ+ rights activist and artist, he has pioneered several historic initiatives leading to queer and drag-centric performance pieces in faith-based institutions and at religious and cultural parades and festivals under both of his ionic personalities. In 2021, Amin bridged the skills, expertise and wisdom of his performer personalities into Zamandari, a consultancy, mentorship and community engagement platform to support new and up and coming Caribbean artists and connect the public with training, volunteer, and community support opportunities.

Enjoy listening to our Friend's Erotic Stories!More Sexy Stories:Apple: https://podcasts.apple.com/us/podcast/my-sexy-stories/id1583470189Spotify: https://open.spotify.com/show/7vF8k6APi1jeKLF9s6eDygGirl of the Story, Alison Tyler: https://www.instagram.com/onlyalisontyler/For Business Inquiries: boredwriterwrites@gmail.comCheck it out on: https://linktr.ee/myfriendseroticstoriesInstagram: https://www.instagram.com/myfriendseroticstories/Support this podcast at — https://redcircle.com/my-friends-erotic-stories/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Thank you for listening to my sexy stories! Enjoy your night or the start of your day, spiced by our imaginative story made only for your enjoyment…Girl of the Story, Eva Lovia : https://www.instagram.com/lovialongtime/For Business Inquiries: boredwriterwrites@gmail.comCheck it out on: https://linktr.ee/myfriendseroticstoriesInstagram: https://www.instagram.com/myfriendseroticstories/Support this podcast at — https://redcircle.com/my-sexy-stories/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Thank you for listening on today's story. Make sure to rate and subscribe and spice up your day and night!Check her out before listening to the story. More Sexy Stories:Apple: https://podcasts.apple.com/us/podcast/my-sexy-stories/id1583470189Spotify: https://open.spotify.com/show/7vF8k6APi1jeKLF9s6eDygGirl of the Story, Kendra Sutherland : https://www.instagram.com/kendr_asutherland/For Business Inquiries: boredwriterwrites@gmail.comCheck it out on: https://linktr.ee/myfriendseroticstoriesInstagram: https://www.instagram.com/myfriendseroticstories/Support this podcast at — https://redcircle.com/sexy-steamy-sex-stories/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Come here and listen to what Reddit has to offer. Make your ears tingle with the sexy stories written for us by our friends from Reddit.Thank you for listening on today's story. Make sure to rate and subscribe and spice up your day and night!More Sexy Stories:Apple: https://podcasts.apple.com/us/podcast/my-sexy-stories/id1583470189Spotify: https://open.spotify.com/show/7vF8k6APi1jeKLF9s6eDygFor Business Inquiries: boredwriterwrites@gmail.comCheck it out on: https://linktr.ee/myfriendseroticstoriesInstagram: https://www.instagram.com/myfriendseroticstories/Support this podcast at — https://redcircle.com/just-a-reddit-erotic-drama/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Enjoy listening to our Friend's Erotic Stories!More Hot Stories:Apple: https://podcasts.apple.com/us/podcast/just-a-reddit-erotic-drama/id1567226845Spotify: https://open.spotify.com/show/2n4A2f2RhgNafjiIn4iEqY Girl of the Story, Amanda Cerny : https://www.instagram.com/amandacerny/For Business Inquiries: boredwriterwrites@gmail.comCheck it out on: https://linktr.ee/myfriendseroticstoriesInstagram: https://www.instagram.com/myfriendseroticstories/Support this podcast at — https://redcircle.com/my-friends-erotic-stories/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Sacral Chakra is an incredibly powerful center within where our sexual, creative & intuitive energies both abide and are processed. Discussed in this evocative episode is how we can leverage, enhance and come into alignment with these energies by exploring ways we can bring more conscious awareness to them . Also detailed is how to decipher imbalances in this chakra such as excesses & deficiencies, and the life experiences that cause them. The psychological developmental stages of this chakra is covered as well as  concrete practices & lifestyle choices you can make to bring this chakra into greater balance, harmony & inspiration for your sacred sexuality, creativity & abundance mentality are all connected. Find out how! This episode is punctuated with a micro abundance meditation that can be done again & again. “You are not a drop in the ocean; you are the entire ocean in a drop.” - Rumi  Note: This is the third episode in our Chakra Soulcast Series. Make sure you have checked out the 1st & 2nd episodes in this series entitled, Chakras: The Rainbow Bridge Inside of You - Episode # 16 & Root Chakra: Grow Your Roots & Ground Your Chit - Episode #17. Stay tuned and be on the lookout for these upcoming “Soulcasts” where we will go chakra by chakra (one episode per each chakra) and you can learn even about this powerful mystical technology that blends Eastern Wisdom & Modern Day life so you can move towards more mystical mastery and mindfulness living. SHOW NOTES:  “Swadhisthana” is Sanskrit name for the sacral chakra. “swa” means “one's own” and “adhisthana” means dwelling place or residence. Kundalini originally dwelled here until it descended down into the root chakra.  We are all pregnant with possibilities and this chakra is located at the level of our reproductive organs. This chakra is connected to our right to feel and to our unconscious. It is developed during the childhood stage from 2 months old until approx. 2 years. As adults we go back and re-develop refining this chakra which is closely tied to our psyche, shadow and emotional body. Stressors of this chakra are important to know. You can have an excess or deficiency in this sacral chakra, both of which cause imbalances and can affect our day-to-day life.  Many women who have given birth have residual trauma which affects this chakra and can be healed at any point later in a women's life...even 50 years or more later! The Alligator, Mermaid and Merman archetypes are all associated with this chakra in addition to the Indian Goddess of Abundance, Lakshmi, and the Roman Goddess, Venus, the goddess of sex, beauty, victory and fertility. The “Birth of Venus'' painting by Botticelli https://en.wikipedia.org/wiki/The_Birth_of_Venus  is a beautiful depiction of this sacral chakra erotic energy even if you identify as male as the masculine and feminine energies live within each being. Freya ( the Scandinavian goddess of love, fertility, battle, and death which is so adept because our passion, sexuality and even our fecund creativity are linked intrinsically to these things, right?) birthed the name for our weekday Friday. And Freya's counterpart is of course the roman goddess Venus!  Affirmations reprogram our thoughts. This chakra is associated with the element of water and in western astrology, the signs of water are: Cancer, Scorpio & Pisces. We live in a culture that brainwashes our sexuality through consumerism. The commercialism of sexuality is connected to the pornography industry. There is much collective healing work & reclamation of our sacred sexuality surrounding the massive influence of pornography in this digital age. Thinking of our sexuality and practicing it as such is a revolutionary act in our culture with this climate. What gets our sacred waters flowing in support of our spiritual and psychological development? Our sacred waters are directly connected to our mysticism and in a symbiotic relationship with our creativity. Untamed, by Glennon Doyle, Chapter called “Woods” page 176, description of effect of pornography on our psyches.  https://untamedbook.com/  Many paths of Tantra believe that the senses can be gateways for the divine to enter if we engage consciously with them. Why Tantra historically was associated with sex.  Pleasure in alignment can open us up to more mystical moments. If you are not sexually active, you can nourish this chakra in other ways to forge more creativity. Let your hair down like Venus and relax, as relaxing helps build intuition & creativity. We are both the artist and the muse. Consider the ways you are interfacing with this chakra from a place of deep consciousness, reverent awareness in the way of abundance, sexuality & creativity. "I must be a mermaid, I have no fear of depth and a great fear of shallow living." - Anais Nin Repeat the mantra “Vam” 6x daily as a practice to connect, heal or open this chakra.

Contemporary debates on “mansplaining” foreground the authority enjoyed by male speech, and highlight the way it projects listening as the responsibility of the dominated, and speech as the privilege of the dominant. What mansplaining denies systematically is the right of women to speak and be heard as much as men. Anway Mukhopadhyay, The Authority of Female Speech in Indian Goddess Traditions (Palgrave, 2020) excavates numerous instances of the authority of female speech from Indian goddess traditions and relates them to the contemporary gender debates, especially to the issues of mansplaining and womansplaining. These traditions present a paradigm of female speech that compels its male audience to reframe the configurations of “masculinity.” This tradition of authoritative female speech forms a continuum, even though there are many points of disjuncture as well as conjuncture between the Vedic, Upanishadic, puranic, and tantric figurations of the Goddess as an authoritative speaker. The book underlines the Goddess’s role as the spiritual mentor of her devotee, exemplified in the Devi Gitas, and re-situates the female gurus in Hinduism within the traditions that find in Devi’s speech ultimate spiritual authority. Moreover, it explores whether the figure of Devi as Womansplainer can encourage a more dialogic structure of gender relations in today’s world where female voices are still often undervalued. Anway Mukhopadhyay is Assistant Professor at the Department of Humanities and Social Sciences, Indian Institute of Technology Kharagpur, India. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices

Contemporary debates on “mansplaining” foreground the authority enjoyed by male speech, and highlight the way it projects listening as the responsibility of the dominated, and speech as the privilege of the dominant. What mansplaining denies systematically is the right of women to speak and be heard as much as men. Anway Mukhopadhyay, The Authority of Female Speech in Indian Goddess Traditions (Palgrave, 2020) excavates numerous instances of the authority of female speech from Indian goddess traditions and relates them to the contemporary gender debates, especially to the issues of mansplaining and womansplaining. These traditions present a paradigm of female speech that compels its male audience to reframe the configurations of “masculinity.” This tradition of authoritative female speech forms a continuum, even though there are many points of disjuncture as well as conjuncture between the Vedic, Upanishadic, puranic, and tantric figurations of the Goddess as an authoritative speaker. The book underlines the Goddess’s role as the spiritual mentor of her devotee, exemplified in the Devi Gitas, and re-situates the female gurus in Hinduism within the traditions that find in Devi’s speech ultimate spiritual authority. Moreover, it explores whether the figure of Devi as Womansplainer can encourage a more dialogic structure of gender relations in today’s world where female voices are still often undervalued. Anway Mukhopadhyay is Assistant Professor at the Department of Humanities and Social Sciences, Indian Institute of Technology Kharagpur, India. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices

Contemporary debates on “mansplaining” foreground the authority enjoyed by male speech, and highlight the way it projects listening as the responsibility of the dominated, and speech as the privilege of the dominant. What mansplaining denies systematically is the right of women to speak and be heard as much as men. Anway Mukhopadhyay, The Authority of Female Speech in Indian Goddess Traditions (Palgrave, 2020) excavates numerous instances of the authority of female speech from Indian goddess traditions and relates them to the contemporary gender debates, especially to the issues of mansplaining and womansplaining. These traditions present a paradigm of female speech that compels its male audience to reframe the configurations of “masculinity.” This tradition of authoritative female speech forms a continuum, even though there are many points of disjuncture as well as conjuncture between the Vedic, Upanishadic, puranic, and tantric figurations of the Goddess as an authoritative speaker. The book underlines the Goddess’s role as the spiritual mentor of her devotee, exemplified in the Devi Gitas, and re-situates the female gurus in Hinduism within the traditions that find in Devi’s speech ultimate spiritual authority. Moreover, it explores whether the figure of Devi as Womansplainer can encourage a more dialogic structure of gender relations in today’s world where female voices are still often undervalued. Anway Mukhopadhyay is Assistant Professor at the Department of Humanities and Social Sciences, Indian Institute of Technology Kharagpur, India. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices

Contemporary debates on “mansplaining” foreground the authority enjoyed by male speech, and highlight the way it projects listening as the responsibility of the dominated, and speech as the privilege of the dominant. What mansplaining denies systematically is the right of women to speak and be heard as much as men. Anway Mukhopadhyay, The Authority of Female Speech in Indian Goddess Traditions (Palgrave, 2020) excavates numerous instances of the authority of female speech from Indian goddess traditions and relates them to the contemporary gender debates, especially to the issues of mansplaining and womansplaining. These traditions present a paradigm of female speech that compels its male audience to reframe the configurations of “masculinity.” This tradition of authoritative female speech forms a continuum, even though there are many points of disjuncture as well as conjuncture between the Vedic, Upanishadic, puranic, and tantric figurations of the Goddess as an authoritative speaker. The book underlines the Goddess's role as the spiritual mentor of her devotee, exemplified in the Devi Gitas, and re-situates the female gurus in Hinduism within the traditions that find in Devi's speech ultimate spiritual authority. Moreover, it explores whether the figure of Devi as Womansplainer can encourage a more dialogic structure of gender relations in today's world where female voices are still often undervalued. Anway Mukhopadhyay is Assistant Professor at the Department of Humanities and Social Sciences, Indian Institute of Technology Kharagpur, India. For information on your host Raj Balkaran's background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices

Contemporary debates on “mansplaining” foreground the authority enjoyed by male speech, and highlight the way it projects listening as the responsibility of the dominated, and speech as the privilege of the dominant. What mansplaining denies systematically is the right of women to speak and be heard as much as men. Anway Mukhopadhyay, The Authority of Female Speech in Indian Goddess Traditions (Palgrave, 2020) excavates numerous instances of the authority of female speech from Indian goddess traditions and relates them to the contemporary gender debates, especially to the issues of mansplaining and womansplaining. These traditions present a paradigm of female speech that compels its male audience to reframe the configurations of “masculinity.” This tradition of authoritative female speech forms a continuum, even though there are many points of disjuncture as well as conjuncture between the Vedic, Upanishadic, puranic, and tantric figurations of the Goddess as an authoritative speaker. The book underlines the Goddess’s role as the spiritual mentor of her devotee, exemplified in the Devi Gitas, and re-situates the female gurus in Hinduism within the traditions that find in Devi’s speech ultimate spiritual authority. Moreover, it explores whether the figure of Devi as Womansplainer can encourage a more dialogic structure of gender relations in today’s world where female voices are still often undervalued. Anway Mukhopadhyay is Assistant Professor at the Department of Humanities and Social Sciences, Indian Institute of Technology Kharagpur, India. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices

Contemporary debates on “mansplaining” foreground the authority enjoyed by male speech, and highlight the way it projects listening as the responsibility of the dominated, and speech as the privilege of the dominant. What mansplaining denies systematically is the right of women to speak and be heard as much as men. Anway Mukhopadhyay, The Authority of Female Speech in Indian Goddess Traditions (Palgrave, 2020) excavates numerous instances of the authority of female speech from Indian goddess traditions and relates them to the contemporary gender debates, especially to the issues of mansplaining and womansplaining. These traditions present a paradigm of female speech that compels its male audience to reframe the configurations of “masculinity.” This tradition of authoritative female speech forms a continuum, even though there are many points of disjuncture as well as conjuncture between the Vedic, Upanishadic, puranic, and tantric figurations of the Goddess as an authoritative speaker. The book underlines the Goddess’s role as the spiritual mentor of her devotee, exemplified in the Devi Gitas, and re-situates the female gurus in Hinduism within the traditions that find in Devi’s speech ultimate spiritual authority. Moreover, it explores whether the figure of Devi as Womansplainer can encourage a more dialogic structure of gender relations in today’s world where female voices are still often undervalued. Anway Mukhopadhyay is Assistant Professor at the Department of Humanities and Social Sciences, Indian Institute of Technology Kharagpur, India. For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why is the Indian Goddess sometimes figured as a corpse in Tantric Traditions? What is the significance of this? How is it different from when the Hindu god Shiva is figured as a corpse? Centered on the myth of Sati (whereby the Goddess was dismembered after her self-immolation), Anway Mukhopadhyay's new book The Goddess in Hindu-Tantric Traditions: Devī as Corpse (Routledge, 2018) features a fascinating take on why the “death” of the Goddess in this myth is no death at all, especially in contrast to Shiva as corpse. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why is the Indian Goddess sometimes figured as a corpse in Tantric Traditions? What is the significance of this? How is it different from when the Hindu god Shiva is figured as a corpse? Centered on the myth of Sati (whereby the Goddess was dismembered after her self-immolation), Anway Mukhopadhyay's new book The Goddess in Hindu-Tantric Traditions: Devī as Corpse (Routledge, 2018) features a fascinating take on why the “death” of the Goddess in this myth is no death at all, especially in contrast to Shiva as corpse. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why is the Indian Goddess sometimes figured as a corpse in Tantric Traditions? What is the significance of this? How is it different from when the Hindu god Shiva is figured as a corpse? Centered on the myth of Sati (whereby the Goddess was dismembered after her self-immolation), Anway Mukhopadhyay's new book The Goddess in Hindu-Tantric Traditions: Devī as Corpse (Routledge, 2018) features a fascinating take on why the “death” of the Goddess in this myth is no death at all, especially in contrast to Shiva as corpse. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why is the Indian Goddess sometimes figured as a corpse in Tantric Traditions? What is the significance of this? How is it different from when the Hindu god Shiva is figured as a corpse? Centered on the myth of Sati (whereby the Goddess was dismembered after her self-immolation), Anway Mukhopadhyay's new book The Goddess in Hindu-Tantric Traditions: Devī as Corpse (Routledge, 2018) features a fascinating take on why the “death” of the Goddess in this myth is no death at all, especially in contrast to Shiva as corpse. For information on your host Raj Balkaran’s background, see rajbalkaran.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this 49th episode on The Red Thread the language is changed into English for a third time. Mirka Kettunen takes you for a ride that starts in a French ridecharing service and ends up with a bunch of deities that originate in India. Kee-Kay Bertell does his best to keep up and add som trivia of his own. Two tracks from Bensound.com are used in this episode, namely "Instinct" and "Better Days". You might also recognise the track "You Talk Too Much" by Jack Jones, a harp cover of "Arrietty's Song", a version of "La Vie en Rose" by Alan Dunn and the title track from the Bond movie "Goldfinger".

Joyce B. Flueckiger‘s new bookWhen the World Becomes Female: Guises of a South Indian Goddess (Indiana University Press, 2013) is a rich and colorful analysis of the goddess Gangamma’s festival and her devotees. During the festival men take on female guises, whilst women intensify the rituals that they perform throughout the year. The books explores the excess of the goddess and the lives of those who bear her.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Joyce B. Flueckiger‘s new bookWhen the World Becomes Female: Guises of a South Indian Goddess (Indiana University Press, 2013) is a rich and colorful analysis of the goddess Gangamma’s festival and her devotees. During the festival men take on female guises, whilst women intensify the rituals that they perform throughout the year. The books explores the excess of the goddess and the lives of those who bear her.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Joyce B. Flueckiger‘s new bookWhen the World Becomes Female: Guises of a South Indian Goddess (Indiana University Press, 2013) is a rich and colorful analysis of the goddess Gangamma’s festival and her devotees. During the festival men take on female guises, whilst women intensify the rituals that they perform throughout the year. The books explores the excess of the goddess and the lives of those who bear her.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Joyce B. Flueckiger‘s new bookWhen the World Becomes Female: Guises of a South Indian Goddess (Indiana University Press, 2013) is a rich and colorful analysis of the goddess Gangamma’s festival and her devotees. During the festival men take on female guises, whilst women intensify the rituals that they perform throughout the year. The books explores the excess of the goddess and the lives of those who bear her.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Joyce B. Flueckiger‘s new bookWhen the World Becomes Female: Guises of a South Indian Goddess (Indiana University Press, 2013) is a rich and colorful analysis of the goddess Gangamma’s festival and her devotees. During the festival men take on female guises, whilst women intensify the rituals that they perform throughout the year. The books explores the excess of the goddess and the lives of those who bear her.   Learn more about your ad choices. Visit megaphone.fm/adchoices