Podcasts about trinidadian

What are the secrets of the Vatican and the Order of the Jesuits that most people aren't aware of?In this episode, Amy welcomes back Michelle Young to delve into the often-unseen histories of the Roman Catholic Church, the Vatican City, the Jesuit Order, and the figure of the Black Pope. Michelle, a frequent guest and Trinidadian native, will help unpack these complex topics. We will also explore the interconnectedness of global religions and the underlying symbolism that binds them. Join us as we question the recent trend of celebrities and influencers promoting the Pope and the universal Catholic faith. Does the adage "all roads lead to Rome" hold significance for Bible-believing Christians? Furthermore, we will discuss potential warnings within the Book of Revelation that might be relevant to our understanding of the end times. Tune in for a thought-provoking discussion!------------------------------------------------Amy is a Christian Counselor:-To schedule an appointment: ⁠⁠https://www.biblicalguidancecounseling.com/appointments⁠⁠Amy teaches online verse by verse Bible studies:Rumble link: ⁠⁠https://rumble.com/c/BibleStudywithEyesontheright⁠⁠--------------------------------------Michelle Young : https://www.youtube.com/channel/UCheWB_dfVp8vT9J3eLmvYpw

Yesterday, the self-styled San Francisco “progressive” Joan Williams was on the show arguing that Democrats need to relearn the language of the American working class. But, as some of you have noted, Williams seems oblivious to the fact that politics is about more than simply aping other people's language. What you say matters, and the language of American working class, like all industrial working classes, is rooted in a critique of capitalism. She should probably read the New Yorker staff writer John Cassidy's excellent new book, Capitalism and its Critics, which traces capitalism's evolution and criticism from the East India Company through modern times. He defines capitalism as production for profit by privately-owned companies in markets, encompassing various forms from Chinese state capitalism to hyper-globalization. The book examines capitalism's most articulate critics including the Luddites, Marx, Engels, Thomas Carlisle, Adam Smith, Rosa Luxemburg, Keynes & Hayek, and contemporary figures like Sylvia Federici and Thomas Piketty. Cassidy explores how major economists were often critics of their era's dominant capitalist model, and untangles capitalism's complicated relationship with colonialism, slavery and AI which he regards as a potentially unprecedented economic disruption. This should be essential listening for all Democrats seeking to reinvent a post Biden-Harris party and message. 5 key takeaways* Capitalism has many forms - From Chinese state capitalism to Keynesian managed capitalism to hyper-globalization, all fitting the basic definition of production for profit by privately-owned companies in markets.* Great economists are typically critics - Smith criticized mercantile capitalism, Keynes critiqued laissez-faire capitalism, and Hayek/Friedman opposed managed capitalism. Each generation's leading economists challenge their era's dominant model.* Modern corporate structure has deep roots - The East India Company was essentially a modern multinational corporation with headquarters, board of directors, stockholders, and even a private army - showing capitalism's organizational continuity across centuries.* Capitalism is intertwined with colonialism and slavery - Industrial capitalism was built on pre-existing colonial and slave systems, particularly through the cotton industry and plantation economies.* AI represents a potentially unprecedented disruption - Unlike previous technological waves, AI may substitute rather than complement human labor on a massive scale, potentially creating political backlash exceeding even the "China shock" that contributed to Trump's rise.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Full TranscriptAndrew Keen: Hello, everybody. A couple of days ago, we did a show with Joan Williams. She has a new book out, "Outclassed: How the Left Lost the Working Class and How to Win Them Back." A book about language, about how to talk to the American working class. She also had a piece in Jacobin Magazine, an anti-capitalist magazine, about how the left needs to speak to what she calls average American values. We talked, of course, about Bernie Sanders and AOC and their language of fighting oligarchy, and the New York Times followed that up with "The Enduring Power of Anti-Capitalism in American Politics."But of course, that brings the question: what exactly is capitalism? I did a little bit of research. We can find definitions of capitalism from AI, from Wikipedia, even from online dictionaries, but I thought we might do a little better than relying on Wikipedia and come to a man who's given capitalism and its critics a great deal of thought. John Cassidy is well known as a staff writer at The New Yorker. He's the author of a wonderful book, the best book, actually, on the dot-com insanity. And his new book, "Capitalism and its Critics," is out this week. John, congratulations on the book.So I've got to be a bit of a schoolmaster with you, John, and get some definitions first. What exactly is capitalism before we get to criticism of it?John Cassidy: Yeah, I mean, it's a very good question, Andrew. Obviously, through the decades, even the centuries, there have been many different definitions of the term capitalism and there are different types of capitalism. To not be sort of too ideological about it, the working definition I use is basically production for profit—that could be production of goods or mostly in the new and, you know, in today's economy, production of services—for profit by companies which are privately owned in markets. That's a very sort of all-encompassing definition.Within that, you can have all sorts of different types of capitalism. You can have Chinese state capitalism, you can have the old mercantilism, which industrial capitalism came after, which Trump seems to be trying to resurrect. You can have Keynesian managed capitalism that we had for 30 or 40 years after the Second World War, which I grew up in in the UK. Or you can have sort of hyper-globalization, hyper-capitalism that we've tried for the last 30 years. There are all those different varieties of capitalism consistent with a basic definition, I think.Andrew Keen: That keeps you busy, John. I know you started this project, which is a big book and it's a wonderful book. I read it. I don't always read all the books I have on the show, but I read from cover to cover full of remarkable stories of the critics of capitalism. You note in the beginning that you began this in 2016 with the beginnings of Trump. What was it about the 2016 election that triggered a book about capitalism and its critics?John Cassidy: Well, I was reporting on it at the time for The New Yorker and it struck me—I covered, I basically covered the economy in various forms for various publications since the late 80s, early 90s. In fact, one of my first big stories was the stock market crash of '87. So yes, I am that old. But it seemed to me in 2016 when you had Bernie Sanders running from the left and Trump running from the right, but both in some way offering very sort of similar critiques of capitalism. People forget that Trump in 2016 actually was running from the left of the Republican Party. He was attacking big business. He was attacking Wall Street. He doesn't do that these days very much, but at the time he was very much posing as the sort of outsider here to protect the interests of the average working man.And it seemed to me that when you had this sort of pincer movement against the then ruling model, this wasn't just a one-off. It seemed to me it was a sort of an emerging crisis of legitimacy for the system. And I thought there could be a good book written about how we got to here. And originally I thought it would be a relatively short book just based on the last sort of 20 or 30 years since the collapse of the Cold War and the sort of triumphalism of the early 90s.But as I got into it more and more, I realized that so many of the issues which had been raised, things like globalization, rising inequality, monopoly power, exploitation, even pollution and climate change, these issues go back to the very start of the capitalist system or the industrial capitalist system back in sort of late 18th century, early 19th century Britain. So I thought, in the end, I thought, you know what, let's just do the whole thing soup to nuts through the eyes of the critics.There have obviously been many, many histories of capitalism written. I thought that an original way to do it, or hopefully original, would be to do a sort of a narrative through the lives and the critiques of the critics of various stages. So that's, I hope, what sets it apart from other books on the subject, and also provides a sort of narrative frame because, you know, I am a New Yorker writer, I realize if you want people to read things, you've got to make it readable. Easiest way to make things readable is to center them around people. People love reading about other people. So that's sort of the narrative frame. I start off with a whistleblower from the East India Company back in the—Andrew Keen: Yeah, I want to come to that. But before, John, my sense is that to simplify what you're saying, this is a labor of love. You're originally from Leeds, the heart of Yorkshire, the center of the very industrial revolution, the first industrial revolution where, in your historical analysis, capitalism was born. Is it a labor of love? What's your family relationship with capitalism? How long was the family in Leeds?John Cassidy: Right, I mean that's a very good question. It is a labor of love in a way, but it's not—our family doesn't go—I'm from an Irish family, family of Irish immigrants who moved to England in the 1940s and 1950s. So my father actually did start working in a big mill, the Kirkstall Forge in Leeds, which is a big steel mill, and he left after seeing one of his co-workers have his arms chopped off in one of the machinery, so he decided it wasn't for him and he spent his life working in the construction industry, which was dominated by immigrants as it is here now.So I don't have a—it's not like I go back to sort of the start of the industrial revolution, but I did grow up in the middle of Leeds, very working class, very industrial neighborhood. And what a sort of irony is, I'll point out, I used to, when I was a kid, I used to play golf on a municipal golf course called Gotts Park in Leeds, which—you know, most golf courses in America are sort of in the affluent suburbs, country clubs. This was right in the middle of Armley in Leeds, which is where the Victorian jail is and a very rough neighborhood. There's a small bit of land which they built a golf course on. It turns out it was named after one of the very first industrialists, Benjamin Gott, who was a wool and textile industrialist, and who played a part in the Luddite movement, which I mention.So it turns out, I was there when I was 11 or 12, just learning how to play golf on this scrappy golf course. And here I am, 50 years later, writing about Benjamin Gott at the start of the Industrial Revolution. So yeah, no, sure. I think it speaks to me in a way that perhaps it wouldn't to somebody else from a different background.Andrew Keen: We did a show with William Dalrymple, actually, a couple of years ago. He's been on actually since, the Anglo or Scottish Indian historian. His book on the East India Company, "The Anarchy," is a classic. You begin in some ways your history of capitalism with the East India Company. What was it about the East India Company, John, that makes it different from other for-profit organizations in economic, Western economic history?John Cassidy: I mean, I read that. It's a great book, by the way. That was actually quoted in my chapter on these. Yeah, I remember. I mean, the reason I focused on it was for two reasons. Number one, I was looking for a start, a narrative start to the book. And it seemed to me, you know, the obvious place to start is with the start of the industrial revolution. If you look at economics history textbooks, that's where they always start with Arkwright and all the inventors, you know, who were the sort of techno-entrepreneurs of their time, the sort of British Silicon Valley, if you could think of it as, in Lancashire and Derbyshire in the late 18th century.So I knew I had to sort of start there in some way, but I thought that's a bit pat. Is there another way into it? And it turns out that in 1772 in England, there was a huge bailout of the East India Company, very much like the sort of 2008, 2009 bailout of Wall Street. The company got into trouble. So I thought, you know, maybe there's something there. And I eventually found this guy, William Bolts, who worked for the East India Company, turned into a whistleblower after he was fired for finagling in India like lots of the people who worked for the company did.So that gave me two things. Number one, it gave me—you know, I'm a writer, so it gave me something to focus on a narrative. His personal history is very interesting. But number two, it gave me a sort of foundation because industrial capitalism didn't come from nowhere. You know, it was built on top of a pre-existing form of capitalism, which we now call mercantile capitalism, which was very protectionist, which speaks to us now. But also it had these big monopolistic multinational companies.The East India Company, in some ways, was a very modern corporation. It had a headquarters in Leadenhall Street in the city of London. It had a board of directors, it had stockholders, the company sent out very detailed instructions to the people in the field in India and Indonesia and Malaysia who were traders who bought things from the locals there, brought them back to England on their company ships. They had a company army even to enforce—to protect their operations there. It was an incredible multinational corporation.So that was also, I think, fascinating because it showed that even in the pre-existing system, you know, big corporations existed, there were monopolies, they had royal monopolies given—first the East India Company got one from Queen Elizabeth. But in some ways, they were very similar to modern monopolistic corporations. And they had some of the problems we've seen with modern monopolistic corporations, the way they acted. And Bolts was the sort of first corporate whistleblower, I thought. Yeah, that was a way of sort of getting into the story, I think. Hopefully, you know, it's just a good read, I think.William Bolts's story because he was—he came from nowhere, he was Dutch, he wasn't even English and he joined the company as a sort of impoverished young man, went to India like a lot of English minor aristocrats did to sort of make your fortune. The way the company worked, you had to sort of work on company time and make as much money as you could for the company, but then in your spare time you're allowed to trade for yourself. So a lot of the—without getting into too much detail, but you know, English aristocracy was based on—you know, the eldest child inherits everything, so if you were the younger brother of the Duke of Norfolk, you actually didn't inherit anything. So all of these minor aristocrats, so major aristocrats, but who weren't first born, joined the East India Company, went out to India and made a fortune, and then came back and built huge houses. Lots of the great manor houses in southern England were built by people from the East India Company and they were known as Nabobs, which is an Indian term. So they were the sort of, you know, billionaires of their time, and it was based on—as I say, it wasn't based on industrial capitalism, it was based on mercantile capitalism.Andrew Keen: Yeah, the beginning of the book, which focuses on Bolts and the East India Company, brings to mind for me two things. Firstly, the intimacy of modern capitalism, modern industrial capitalism with colonialism and of course slavery—lots of books have been written on that. Touch on this and also the relationship between the birth of capitalism and the birth of liberalism or democracy. John Stuart Mill, of course, the father in many ways of Western democracy. His day job, ironically enough, or perhaps not ironically, was at the East India Company. So how do those two things connect, or is it just coincidental?John Cassidy: Well, I don't think it is entirely coincidental, I mean, J.S. Mill—his father, James Mill, was also a well-known philosopher in the sort of, obviously, in the earlier generation, earlier than him. And he actually wrote the official history of the East India Company. And I think they gave his son, the sort of brilliant protégé, J.S. Mill, a job as largely as a sort of sinecure, I think. But he did go in and work there in the offices three or four days a week.But I think it does show how sort of integral—the sort of—as you say, the inheritor and the servant in Britain, particularly, of colonial capitalism was. So the East India Company was, you know, it was in decline by that stage in the middle of the 19th century, but it didn't actually give up its monopoly. It wasn't forced to give up its monopoly on the Indian trade until 1857, after, you know, some notorious massacres and there was a sort of public outcry.So yeah, no, that's—it's very interesting that the British—it's sort of unique to Britain in a way, but it's interesting that industrial capitalism arose alongside this pre-existing capitalist structure and somebody like Mill is a sort of paradoxical figure because actually he was quite critical of aspects of industrial capitalism and supported sort of taxes on the rich, even though he's known as the great, you know, one of the great apostles of the free market and free market liberalism. And his day job, as you say, he was working for the East India Company.Andrew Keen: What about the relationship between the birth of industrial capitalism, colonialism and slavery? Those are big questions and I know you deal with them in some—John Cassidy: I think you can't just write an economic history of capitalism now just starting with the cotton industry and say, you know, it was all about—it was all about just technical progress and gadgets, etc. It was built on a sort of pre-existing system which was colonial and, you know, the slave trade was a central element of that. Now, as you say, there have been lots and lots of books written about it, the whole 1619 project got an incredible amount of attention a few years ago. So I didn't really want to rehash all that, but I did want to acknowledge the sort of role of slavery, especially in the rise of the cotton industry because of course, a lot of the raw cotton was grown in the plantations in the American South.So the way I actually ended up doing that was by writing a chapter about Eric Williams, a Trinidadian writer who ended up as the Prime Minister of Trinidad when it became independent in the 1960s. But when he was younger, he wrote a book which is now regarded as a classic. He went to Oxford to do a PhD, won a scholarship. He was very smart. I won a sort of Oxford scholarship myself but 50 years before that, he came across the Atlantic and did an undergraduate degree in history and then did a PhD there and his PhD thesis was on slavery and capitalism.And at the time, in the 1930s, the link really wasn't acknowledged. You could read any sort of standard economic history written by British historians, and they completely ignored that. He made the argument that, you know, slavery was integral to the rise of capitalism and he basically started an argument which has been raging ever since the 1930s and, you know, if you want to study economic history now you have to sort of—you know, have to have to address that. And the way I thought, even though the—it's called the Williams thesis is very famous. I don't think many people knew much about where it came from. So I thought I'd do a chapter on—Andrew Keen: Yeah, that chapter is excellent. You mentioned earlier the Luddites, you're from Yorkshire where Luddism in some ways was born. One of the early chapters is on the Luddites. We did a show with Brian Merchant, his book, "Blood in the Machine," has done very well, I'm sure you're familiar with it. I always understood the Luddites as being against industrialization, against the machine, as opposed to being against capitalism. But did those two things get muddled together in the history of the Luddites?John Cassidy: I think they did. I mean, you know, Luddites, when we grew up, I mean you're English too, you know to be called a Luddite was a term of abuse, right? You know, you were sort of antediluvian, anti-technology, you're stupid. It was only, I think, with the sort of computer revolution, the tech revolution of the last 30, 40 years and the sort of disruptions it's caused, that people have started to look back at the Luddites and say, perhaps they had a point.For them, they were basically pre-industrial capitalism artisans. They worked for profit-making concerns, small workshops. Some of them worked for themselves, so they were sort of sole proprietor capitalists. Or they worked in small venues, but the rise of industrial capitalism, factory capitalism or whatever, basically took away their livelihoods progressively. So they associated capitalism with new technology. In their minds it was the same. But their argument wasn't really a technological one or even an economic one, it was more a moral one. They basically made the moral argument that capitalists shouldn't have the right to just take away their livelihoods with no sort of recompense for them.At the time they didn't have any parliamentary representation. You know, they weren't revolutionaries. The first thing they did was create petitions to try and get parliament to step in, sort of introduce some regulation here. They got turned down repeatedly by the sort of—even though it was a very aristocratic parliament, places like Manchester and Leeds didn't have any representation at all. So it was only after that that they sort of turned violent and started, you know, smashing machines and machines, I think, were sort of symbols of the system, which they saw as morally unjust.And I think that's sort of what—obviously, there's, you know, a lot of technological disruption now, so we can, especially as it starts to come for the educated cognitive class, we can sort of sympathize with them more. But I think the sort of moral critique that there's this, you know, underneath the sort of great creativity and economic growth that capitalism produces, there is also a lot of destruction and a lot of victims. And I think that message, you know, is becoming a lot more—that's why I think why they've been rediscovered in the last five or ten years and I'm one of the people I guess contributing to that rediscovery.Andrew Keen: There's obviously many critiques of capitalism politically. I want to come to Marx in a second, but your chapter, I thought, on Thomas Carlyle and this nostalgic conservatism was very important and there are other conservatives as well. John, do you think that—and you mentioned Trump earlier, who is essentially a nostalgist for a—I don't know, some sort of bizarre pre-capitalist age in America. Is there something particularly powerful about the anti-capitalism of romantics like Carlyle, 19th century Englishman, there were many others of course.John Cassidy: Well, I think so. I mean, I think what is—conservatism, when we were young anyway, was associated with Thatcherism and Reaganism, which, you know, lionized the free market and free market capitalism and was a reaction against the pre-existing form of capitalism, Keynesian capitalism of the sort of 40s to the 80s. But I think what got lost in that era was the fact that there have always been—you've got Hayek up there, obviously—Andrew Keen: And then Keynes and Hayek, the two—John Cassidy: Right, it goes to the end of that. They had a great debate in the 1930s about these issues. But Hayek really wasn't a conservative person, and neither was Milton Friedman. They were sort of free market revolutionaries, really, that you'd let the market rip and it does good things. And I think that that sort of a view, you know, it just became very powerful. But we sort of lost sight of the fact that there was also a much older tradition of sort of suspicion of radical changes of any type. And that was what conservatism was about to some extent. If you think about Baldwin in Britain, for example.And there was a sort of—during the Industrial Revolution, some of the strongest supporters of factory acts to reduce hours and hourly wages for women and kids were actually conservatives, Tories, as they were called at the time, like Ashley. That tradition, Carlyle was a sort of extreme representative of that. I mean, Carlyle was a sort of proto-fascist, let's not romanticize him, he lionized strongmen, Frederick the Great, and he didn't really believe in democracy. But he also had—he was appalled by the sort of, you know, the—like, what's the phrase I'm looking for? The sort of destructive aspects of industrial capitalism, both on the workers, you know, he said it was a dehumanizing system, sounded like Marx in some ways. That it dehumanized the workers, but also it destroyed the environment.He was an early environmentalist. He venerated the environment, was actually very strongly linked to the transcendentalists in America, people like Thoreau, who went to visit him when he visited Britain and he saw the sort of destructive impact that capitalism was having locally in places like Manchester, which were filthy with filthy rivers, etc. So he just saw the whole system as sort of morally bankrupt and he was a great writer, Carlyle, whatever you think of him. Great user of language, so he has these great ringing phrases like, you know, the cash nexus or calling it the Gospel of Mammonism, the shabbiest gospel ever preached under the sun was industrial capitalism.So, again, you know, that's a sort of paradoxical thing, because I think for so long conservatism was associated with, you know, with support for the free market and still is in most of the Republican Party, but then along comes Trump and sort of conquers the party with a, you know, more skeptical, as you say, romantic, not really based on any reality, but a sort of romantic view that America can stand by itself in the world. I mean, I see Trump actually as a sort of an effort to sort of throw back to mercantile capitalism in a way. You know, which was not just pre-industrial, but was also pre-democracy, run by monarchs, which I'm sure appeals to him, and it was based on, you know, large—there were large tariffs. You couldn't import things in the UK. If you want to import anything to the UK, you have to send it on a British ship because of the navigation laws. It was a very protectionist system and it's actually, you know, as I said, had a lot of parallels with what Trump's trying to do or tries to do until he backs off.Andrew Keen: You cheat a little bit in the book in the sense that you—everyone has their own chapter. We'll talk a little bit about Hayek and Smith and Lenin and Friedman. You do have one chapter on Marx, but you also have a chapter on Engels. So you kind of cheat. You combine the two. Is it possible, though, to do—and you've just written this book, so you know this as well as anyone. How do you write a book about capitalism and its critics and only really give one chapter to Marx, who is so dominant? I mean, you've got lots of Marxists in the book, including Lenin and Luxemburg. How fundamental is Marx to a criticism of capitalism? Is most criticism, especially from the left, from progressives, is it really just all a footnote to Marx?John Cassidy: I wouldn't go that far, but I think obviously on the left he is the central figure. But there's an element of sort of trying to rebuild Engels a bit in this. I mean, I think of Engels and Marx—I mean obviously Marx wrote the great classic "Capital," etc. But in the 1840s, when they both started writing about capitalism, Engels was sort of ahead of Marx in some ways. I mean, the sort of materialist concept, the idea that economics rules everything, Engels actually was the first one to come up with that in an essay in the 1840s which Marx then published in one of his—in the German newspaper he worked for at the time, radical newspaper, and he acknowledged openly that that was really what got him thinking seriously about economics, and even in the late—in 20, 25 years later when he wrote "Capital," all three volumes of it and the Grundrisse, just these enormous outpourings of analysis on capitalism.He acknowledged Engels's role in that and obviously Engels wrote the first draft of the Communist Manifesto in 1848 too, which Marx then topped and tailed and—he was a better writer obviously, Marx, and he gave it the dramatic language that we all know it for. So I think Engels and Marx together obviously are the central sort of figures in the sort of left-wing critique. But they didn't start out like that. I mean, they were very obscure, you've got to remember.You know, they were—when they were writing, Marx was writing "Capital" in London, it never even got published in English for another 20 years. It was just published in German. He was basically an expat. He had been thrown out of Germany, he had been thrown out of France, so England was last resort and the British didn't consider him a threat so they were happy to let him and the rest of the German sort of left in there. I think it became—it became the sort of epochal figure after his death really, I think, when he was picked up by the left-wing parties, which are especially the SPD in Germany, which was the first sort of socialist mass party and was officially Marxist until the First World War and there were great internal debates.And then of course, because Lenin and the Russians came out of that tradition too, Marxism then became the official doctrine of the Soviet Union when they adopted a version of it. And again there were massive internal arguments about what Marx really meant, and in fact, you know, one interpretation of the last 150 years of left-wing sort of intellectual development is as a sort of argument about what did Marx really mean and what are the important bits of it, what are the less essential bits of it. It's a bit like the "what did Keynes really mean" that you get in liberal circles.So yeah, Marx, obviously, this is basically an intellectual history of critiques of capitalism. In that frame, he is absolutely a central figure. Why didn't I give him more space than a chapter and a chapter and a half with Engels? There have been a million books written about Marx. I mean, it's not that—it's not that he's an unknown figure. You know, there's a best-selling book written in Britain about 20 years ago about him and then I was quoting, in my biographical research, I relied on some more recent, more scholarly biographies. So he's an endlessly fascinating figure but I didn't want him to dominate the book so I gave him basically the same space as everybody else.Andrew Keen: You've got, as I said, you've got a chapter on Adam Smith who's often considered the father of economics. You've got a chapter on Keynes. You've got a chapter on Friedman. And you've got a chapter on Hayek, all the great modern economists. Is it possible, John, to be a distinguished economist one way or the other and not be a critic of capitalism?John Cassidy: Well, I don't—I mean, I think history would suggest that the greatest economists have been critics of capitalism in their own time. People would say to me, what the hell have you got Milton Friedman and Friedrich Hayek in a book about critics of capitalism? They were great exponents, defenders of capitalism. They loved the system. That is perfectly true. But in the 1930s, 40s, 50s, 60s, and 70s, middle of the 20th century, they were actually arch-critics of the ruling form of capitalism at the time, which was what I call managed capitalism. What some people call Keynesianism, what other people call European social democracy, whatever you call it, it was a model of a mixed economy in which the government played a large role both in propping up demand and in providing an extensive social safety net in the UK and providing public healthcare and public education. It was a sort of hybrid model.Most of the economy in terms of the businesses remained in private hands. So most production was capitalistic. It was a capitalist system. They didn't go to the Soviet model of nationalizing everything and Britain did nationalize some businesses, but most places didn't. The US of course didn't but it was a form of managed capitalism. And Hayek and Friedman were both great critics of that and wanted to sort of move back to 19th century laissez-faire model.Keynes was a—was actually a great, I view him anyway, as really a sort of late Victorian liberal and was trying to protect as much of the sort of J.S. Mill view of the world as he could, but he thought capitalism had one fatal flaw: that it tended to fall into recessions and then they can snowball and the whole system can collapse which is what had basically happened in the early 1930s until Keynesian policies were adopted. Keynes sort of differed from a lot of his followers—I have a chapter on Joan Robinson in there, who were pretty left-wing and wanted to sort of use Keynesianism as a way to shift the economy quite far to the left. Keynes didn't really believe in that. He has a famous quote that, you know, once you get to full employment, you can then rely on the free market to sort of take care of things. He was still a liberal at heart.Going back to Adam Smith, why is he in a book on criticism of capitalism? And again, it goes back to what I said at the beginning. He actually wrote "The Wealth of Nations"—he explains in the introduction—as a critique of mercantile capitalism. His argument was that he was a pro-free trader, pro-small business, free enterprise. His argument was if you get the government out of the way, we don't need these government-sponsored monopolies like the East India Company. If you just rely on the market, the sort of market forces and competition will produce a good outcome. So then he was seen as a great—you know, he is then seen as the apostle of free market capitalism. I mean when I started as a young reporter, when I used to report in Washington, all the conservatives used to wear Adam Smith badges. You don't see Donald Trump wearing an Adam Smith badge, but that was the case.He was also—the other aspect of Smith, which I highlight, which is not often remarked on—he's also a critic of big business. He has a famous section where he discusses the sort of tendency of any group of more than three businessmen when they get together to try and raise prices and conspire against consumers. And he was very suspicious of, as I say, large companies, monopolies. I think if Adam Smith existed today, I mean, I think he would be a big supporter of Lina Khan and the sort of antitrust movement, he would say capitalism is great as long as you have competition, but if you don't have competition it becomes, you know, exploitative.Andrew Keen: Yeah, if Smith came back to live today, you have a chapter on Thomas Piketty, maybe he may not be French, but he may be taking that position about how the rich benefit from the structure of investment. Piketty's core—I've never had Piketty on the show, but I've had some of his followers like Emmanuel Saez from Berkeley. Yeah. How powerful is Piketty's critique of capitalism within the context of the classical economic analysis from Hayek and Friedman? Yeah, it's a very good question.John Cassidy: It's a very good question. I mean, he's a very paradoxical figure, Piketty, in that he obviously shot to world fame and stardom with his book on capital in the 21st century, which in some ways he obviously used the capital as a way of linking himself to Marx, even though he said he never read Marx. But he was basically making the same argument that if you leave capitalism unrestrained and don't do anything about monopolies etc. or wealth, you're going to get massive inequality and he—I think his great contribution, Piketty and the school of people, one of them you mentioned, around him was we sort of had a vague idea that inequality was going up and that, you know, wages were stagnating, etc.What he and his colleagues did is they produced these sort of scientific empirical studies showing in very simple to understand terms how the sort of share of income and wealth of the top 10 percent, the top 5 percent, the top 1 percent and the top 0.1 percent basically skyrocketed from the 1970s to about 2010. And it was, you know, he was an MIT PhD. Saez, who you mentioned, is a Berkeley professor. They were schooled in neoclassical economics at Harvard and MIT and places like that. So the right couldn't dismiss them as sort of, you know, lefties or Trots or whatever who're just sort of making this stuff up. They had to acknowledge that this was actually an empirical reality.I think it did change the whole basis of the debate and it was sort of part of this reaction against capitalism in the 2010s. You know it was obviously linked to the sort of Sanders and the Occupy Wall Street movement at the time. It came out of the—you know, the financial crisis as well when Wall Street disgraced itself. I mean, I wrote a previous book on all that, but people have sort of, I think, forgotten the great reaction against that a decade ago, which I think even Trump sort of exploited, as I say, by using anti-banker rhetoric at the time.So, Piketty was a great figure, I think, from, you know, I was thinking, who are the most influential critics of capitalism in the 21st century? And I think you'd have to put him up there on the list. I'm not saying he's the only one or the most eminent one. But I think he is a central figure. Now, of course, you'd think, well, this is a really powerful critic of capitalism, and nobody's going to pick up, and Bernie's going to take off and everything. But here we are a decade later now. It seems to be what the backlash has produced is a swing to the right, not a swing to the left. So that's, again, a sort of paradox.Andrew Keen: One person I didn't expect to come up in the book, John, and I was fascinated with this chapter, is Silvia Federici. I've tried to get her on the show. We've had some books about her writing and her kind of—I don't know, you treat her critique as a feminist one. The role of women. Why did you choose to write a chapter about Federici and that feminist critique of capitalism?John Cassidy: Right, right. Well, I don't think it was just feminist. I'll explain what I think it was. Two reasons. Number one, I wanted to get more women into the book. I mean, it's in some sense, it is a history of economics and economic critiques. And they are overwhelmingly written by men and women were sort of written out of the narrative of capitalism for a very long time. So I tried to include as many sort of women as actual thinkers as I could and I have a couple of early socialist feminist thinkers, Anna Wheeler and Flora Tristan and then I cover some of the—I cover Rosa Luxemburg as the great sort of tribune of the left revolutionary socialist, communist whatever you want to call it. Anti-capitalist I think is probably also important to note about. Yeah, and then I also have Joan Robinson, but I wanted somebody to do something in the modern era, and I thought Federici, in the world of the Wages for Housework movement, is very interesting from two perspectives.Number one, Federici herself is a Marxist, and I think she probably would still consider herself a revolutionary. She's based in New York, as you know now. She lived in New York for 50 years, but she came from—she's originally Italian and came out of the Italian left in the 1960s, which was very radical. Do you know her? Did you talk to her? I didn't talk to her on this. No, she—I basically relied on, there has been a lot of, as you say, there's been a lot of stuff written about her over the years. She's written, you know, she's given various long interviews and she's written a book herself, a version, a history of housework, so I figured it was all there and it was just a matter of pulling it together.But I think the critique, why the critique is interesting, most of the book is a sort of critique of how capitalism works, you know, in the production or you know, in factories or in offices or you know, wherever capitalist operations are working, but her critique is sort of domestic reproduction, as she calls it, the role of unpaid labor in supporting capitalism. I mean it goes back a long way actually. There was this moment, I sort of trace it back to the 1940s and 1950s when there were feminists in America who were demonstrating outside factories and making the point that you know, the factory workers and the operations of the factory, it couldn't—there's one of the famous sort of tire factory in California demonstrations where the women made the argument, look this factory can't continue to operate unless we feed and clothe the workers and provide the next generation of workers. You know, that's domestic reproduction. So their argument was that housework should be paid and Federici took that idea and a couple of her colleagues, she founded the—it's a global movement, but she founded the most famous branch in New York City in the 1970s. In Park Slope near where I live actually.And they were—you call it feminists, they were feminists in a way, but they were rejected by the sort of mainstream feminist movement, the sort of Gloria Steinems of the world, who Federici was very critical of because she said they ignored, they really just wanted to get women ahead in the sort of capitalist economy and they ignored the sort of underlying from her perspective, the underlying sort of illegitimacy and exploitation of that system. So they were never accepted as part of the feminist movement. They're to the left of the Feminist Movement.Andrew Keen: You mentioned Keynes, of course, so central in all this, particularly his analysis of the role of automation in capitalism. We did a show recently with Robert Skidelsky and I'm sure you're familiar—John Cassidy: Yeah, yeah, great, great biography of Keynes.Andrew Keen: Yeah, the great biographer of Keynes, whose latest book is "Mindless: The Human Condition in the Age of AI." You yourself wrote a brilliant book on the last tech mania and dot-com capitalism. I used it in a lot of my writing and books. What's your analysis of AI in this latest mania and the role generally of manias in the history of capitalism and indeed in critiquing capitalism? Is AI just the next chapter of the dot-com boom?John Cassidy: I think it's a very deep question. I think I'd give two answers to it. In one sense it is just the latest mania the way—I mean, the way capitalism works is we have these, I go back to Kondratiev, one of my Russian economists who ended up being killed by Stalin. He was the sort of inventor of the long wave theory of capitalism. We have these short waves where you have sort of booms and busts driven by finance and debt etc. But we also have long waves driven by technology.And obviously, in the last 40, 50 years, the two big ones are the original deployment of the internet and microchip technology in the sort of 80s and 90s culminating in the dot-com boom of the late 90s, which as you say, I wrote about. Thanks very much for your kind comments on the book. If you just sort of compare it from a financial basis I think they are very similar just in terms of the sort of role of hype from Wall Street in hyping up these companies. The sort of FOMO aspect of it among investors that they you know, you can't miss out. So just buy the companies blindly. And the sort of lionization in the press and the media of, you know, of AI as the sort of great wave of the future.So if you take a sort of skeptical market based approach, I would say, yeah, this is just another sort of another mania which will eventually burst and it looked like it had burst for a few weeks when Trump put the tariffs up, now the market seemed to be recovering. But I think there is, there may be something new about it. I am not, I don't pretend to be a technical expert. I try to rely on the evidence of or the testimony of people who know the systems well and also economists who have studied it. It seems to me the closer you get to it the more alarming it is in terms of the potential shock value that there is there.I mean Trump and the sort of reaction to a larger extent can be traced back to the China shock where we had this global shock to American manufacturing and sort of hollowed out a lot of the industrial areas much of it, like industrial Britain was hollowed out in the 80s. If you, you know, even people like Altman and Elon Musk, they seem to think that this is going to be on a much larger scale than that and will basically, you know, get rid of the professions as they exist. Which would be a huge, huge shock. And I think a lot of the economists who studied this, who four or five years ago were relatively optimistic, people like Daron Acemoglu, David Autor—Andrew Keen: Simon Johnson, of course, who just won the Nobel Prize, and he's from England.John Cassidy: Simon, I did an event with Simon earlier this week. You know they've studied this a lot more closely than I have but I do interview them and I think five, six years ago they were sort of optimistic that you know this could just be a new steam engine or could be a microchip which would lead to sort of a lot more growth, rising productivity, rising productivity is usually associated with rising wages so sure there'd be short-term costs but ultimately it would be a good thing. Now, I think if you speak to them, they see since the, you know, obviously, the OpenAI—the original launch and now there's just this huge arms race with no government involvement at all I think they're coming to the conclusion that rather than being developed to sort of complement human labor, all these systems are just being rushed out to substitute for human labor. And it's just going, if current trends persist, it's going to be a China shock on an even bigger scale.You know what is going to, if that, if they're right, that is going to produce some huge political backlash at some point, that's inevitable. So I know—the thing when the dot-com bubble burst, it didn't really have that much long-term impact on the economy. People lost the sort of fake money they thought they'd made. And then the companies, obviously some of the companies like Amazon and you know Google were real genuine profit-making companies and if you bought them early you made a fortune. But AI does seem a sort of bigger, scarier phenomenon to me. I don't know. I mean, you're close to it. What do you think?Andrew Keen: Well, I'm waiting for a book, John, from you. I think you can combine dot-com and capitalism and its critics. We need you probably to cover it—you know more about it than me. Final question, I mean, it's a wonderful book and we haven't even scratched the surface everyone needs to get it. I enjoyed the chapter, for example, on Karl Polanyi and so much more. I mean, it's a big book. But my final question, John, is do you have any regrets about anyone you left out? The one person I would have liked to have been included was Rawls because of his sort of treatment of capitalism and luck as a kind of casino. I'm not sure whether you gave any thought to Rawls, but is there someone in retrospect you should have had a chapter on that you left out?John Cassidy: There are lots of people I left out. I mean, that's the problem. I mean there have been hundreds and hundreds of critics of capitalism. Rawls, of course, incredibly influential and his idea of the sort of, you know, the veil of ignorance that you should judge things not knowing where you are in the income distribution and then—Andrew Keen: And it's luck. I mean the idea of some people get lucky and some people don't.John Cassidy: It is the luck of the draw, obviously, what card you pull. I think that is a very powerful critique, but I just—because I am more of an expert on economics, I tended to leave out philosophers and sociologists. I mean, you know, you could say, where's Max Weber? Where are the anarchists? You know, where's Emma Goldman? Where's John Kenneth Galbraith, the sort of great mid-century critic of American industrial capitalism? There's so many people that you could include. I mean, I could have written 10 volumes. In fact, I refer in the book to, you know, there's always been a problem. G.D.H. Cole, a famous English historian, wrote a history of socialism back in the 1960s and 70s. You know, just getting to 1850 took him six volumes. So, you've got to pick and choose, and I don't claim this is the history of capitalism and its critics. That would be a ridiculous claim to make. I just claim it's a history written by me, and hopefully the people are interested in it, and they're sufficiently diverse that you can address all the big questions.Andrew Keen: Well it's certainly incredibly timely. Capitalism and its critics—more and more of them. Sometimes they don't even describe themselves as critics of capitalism when they're talking about oligarchs or billionaires, they're really criticizing capitalism. A must read from one of America's leading journalists. And would you call yourself a critic of capitalism, John?John Cassidy: Yeah, I guess I am, to some extent, sure. I mean, I'm not a—you know, I'm not on the far left, but I'd say I'm a center-left critic of capitalism. Yes, definitely, that would be fair.Andrew Keen: And does the left need to learn? Does everyone on the left need to read the book and learn the language of anti-capitalism in a more coherent and honest way?John Cassidy: I hope so. I mean, obviously, I'd be talking my own book there, as they say, but I hope that people on the left, but not just people on the left. I really did try to sort of be fair to the sort of right-wing critiques as well. I included the Carlyle chapter particularly, obviously, but in the later chapters, I also sort of refer to this emerging critique on the right, the sort of economic nationalist critique. So hopefully, I think people on the right could read it to understand the critiques from the left, and people on the left could read it to understand some of the critiques on the right as well.Andrew Keen: Well, it's a lovely book. It's enormously erudite and simultaneously readable. Anyone who likes John Cassidy's work from The New Yorker will love it. Congratulations, John, on the new book, and I'd love to get you back on the show as anti-capitalism in America picks up steam and perhaps manifests itself in the 2028 election. Thank you so much.John Cassidy: Thanks very much for inviting me on, it was fun.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Elspeth Duncan, is a Trinidadian multi-hyphenate creative based in Tobago. Born into a scholarly family in St. Augustine, Trinidad, her father is a professor of botany, and her mother worked as a librarian. Elspeth's upbringing fostered a love for travel and learning, pursuing an education at the University of the West Indies, St. Augustine, where she earned a B.A. in English Literature and minored in linguistics, general psychology and sociology at UWI. She later attained a Master of Philosophy in Criminology from the University of Cambridge, driven by a desire to explore rehabilitation. She took part in Activities and societies: Women's Football Team; New Hall Women's Cricket Team; Squash; Cycling Elspeth's creative journey began in the advertising industry, where she worked as a Copywriter for McCann Erickson and Lonsdale/Saatchi & Saatchi for nearly a decade, crafting compelling campaigns across various media. In 2000, she founded Happy Hippie Productions, later becoming THOU ART YOGA. Elspeth is a KRI-certified Kundalini Yoga instructor since 2002, and has taught locally and internationally. Her dedication to animal welfare blossomed after relocating to Tobago in 2012, where she founded her nonprofit/NGO -Venus Doggess Of Love. This initiative aims to rescue, rehabilitate, and advocate for animals, with the belief that “Love changes lives.” Elspeth's commitment has earned her accolades, including the 2018 Angostura Champions Award for her significant contributions to animal welfare. Elspeth is an accomplished writer, of poetry, fiction, articles for Caribbean and international publications and scripts for film and theatre. Her first published work of fiction, Daisy Chain, links 53 women to each other in a chain of eclectic vignettes, some of which Elspeth intends to translate into film. She also paints and composes song lyrics and music that blends electronic and acoustic elements, reflecting her varied artistic talents. Her award-winning films, such as *Venus & Magnet*, showcase her storytelling prowess. Elspeth runs an intimate dining experience called Table For Two, curating personalized meals, that celebrates love and connection. Currently residing in Tobago with her three rescue dogs, Venus, Sheba and Brindle, and three cats, ABBA, Krispin, and Angelo, Elspeth continues to advocate for animal rescue and welfare.Elspeth Duncan embodies a unique blend of creativity, compassion, and commitment to positive change. Whether through her teachings, philanthropic efforts, culinary creations, or artistic expressions, she continually seeks to inspire and instill a sense of harmony in the world around her. As a devoted animal advocate and a passionate yoga instructor, she is dedicated to raising awareness and fostering connections—one class, one meal, and one rescued animal at a time. Elspeth enjoys nature, the outdoors, traveling, independent films, social and environmental activism, conscious living and any creative pursuit. Connect with this wonderful creative at:https://linktr.ee/elspethduncanhttps://www.facebook.com/elspeth.duncanhttps://www.facebook.com/VenusDoggessOfLoveCharlotteville Tails'—official selection 2025 at @caribbeanfilmfest11 - 15 June 2025, Trinidad #CharlottevilleTails #carribeanfilmfestival...see TRAILER HERE-https://youtu.be/r1sn6e9N8oQ?si=TqM4vXKpKobX5ah6

Graeme Smith and his husband Steven John travel to Trinidad and Tobago to launch series 6 of OUTCAST UK just days after the country's shock court ruling recriminalised homosexuality, reinstating a colonial-era law that now carries a 5-year prison sentence for same-sex intimacy.In this on-the-ground exclusive, OUTCAST UK meets Jason Jones, the activist taking the Trinidadian government to the Privy Council in London — the last hope for decriminalisation, not just in Trinidad, but for millions of LGBTQ+ people across the Commonwealth.Together, we unpack the deep scars of British colonial law, the grip of modern-day US-backed conservative networks, and the global battle to push back against the rising tide of anti-LGBTQ+ legislation.This isn't just a story about one island — it's a frontline report from a legal fight that could shape queer rights across the world.Producer- Graeme Smith Contributors - Jason Jones and Steven John. Like and subscribe wherever you get your podcasts and please leave a review.We're on Insta and TikTok @playoutcastuk Hosted on Acast. See acast.com/privacy for more information.

Do you have an idea for a podcast episode?In this episode of the Talking Pools podcast, host Rudy Stankowitz welcomes Rob Stewart, a pool industry expert and hot sauce entrepreneur. They discuss Rob's journey from pool openings and closings to creating his own brand of hot sauce, Rob's Revenge. The conversation covers the challenges of producing hot sauce, the importance of flavor and quality control, and the unique marketing strategies Rob employs. Listeners will gain insights into the entrepreneurial spirit and the passion behind crafting a product that stands out in the market.takeawaysRob Stewart transitioned from the pool industry to hot sauce production.Rob's Revenge hot sauce was born from an abundance of jalapeno peppers.The hot sauce recipe was inspired by a Trinidadian sauce but uniquely modified.Rob emphasizes the importance of flavor over heat in his sauces.He uses organic ingredients and avoids vinegar for a distinct taste.Rob's hot sauce production is done in a commercial kitchen to meet health standards.He gives away samples to build a customer base and gather reviews.Rob's marketing strategy focuses on local distribution due to shipping costs.The hot sauce industry presents both challenges and opportunities for entrepreneurs.Rob's passion for quality and flavor drives his hot sauce business.Sound Bites"I have a brand of hot sauce.""I just give them away.""I use zero vinegar."Chapters00:00Introduction to the Podcast and Guest02:59Rob's Journey in Pool Industry and Hot Sauce Creation05:53The Evolution of Rob's Revenge Hot Sauce17:00Flavor vs. Heat: The Unique Selling Point of Rob's Sauce19:58Sourcing Ingredients and Production Challenges22:54Marketing and Distribution of Hot Sauce25:57The Character of Rob's Revenge: A Fun Analogy28:59Rob's Commitment to Education and Quality in the Industry36:24The Science of Hot Sauce Production42:04Building a Brand Through Sampling51:24Challenges and Rewards in Hot Sauce Making58:29Connecting with Customers and Future Plans Support the showThank you so much for listening! You can find us on social media: Facebook Instagram Tik Tok Email us: talkingpools@gmail.com

Dr. Amara Pope is a multifaceted talent, blending creativity and academia seamlessly. A communications and media expert, she has a keen eye for marketing strategies, often leveraging AI for testing and implementing campaigns. Beyond her corporate pursuits, Amara is an accomplished artist, finding solace and creative expression through painting—a passion ignited from a young age. Raised with Trinidadian roots in Canada, she cherishes family ties and values experiences that deepen her connection with her heritage. Known for her vibrant and analytical mind, Dr. Pope is not only a beacon of knowledge but also of cultural richness and personal growth. Takeaways: The integration of AI in everyday marketing strategies can significantly enhance efficiency and creativity, particularly in areas like A/B testing and corporate communications. Exploring different cultures can provide invaluable life lessons and enrich personal perspectives, as demonstrated by Dr. Pope's eye-opening experiences in Japan. Prioritizing family and personal relationships can add a grounding balance to the chaos of professional life, underscoring the importance of life's simple joys and connections. Sound Bites: "I wrapped myself up into one piece at a time... it's in my head, I have to get it out. It's like meditation for me." "Honestly, in everyday communications, AI has been so helpful. It's about working in tandem with technology, not against it." "The cultural respect and etiquette I witnessed in Japan taught me a lot about appreciation and mindfulness in everyday actions." One Quote by Mick: "I've created some closed-sourced AI of my brain, right? My intellectual property, things that I've done, and I've been able to train it so that it is me. And it is freaking scary. But I guess that's what it's supposed to be, right?" Connect & Discover Dr. Amara: LinkedIn: https://www.linkedin.com/in/amara-pope/?originalSubdomain=ca Instagram: https://www.instagram.com/dramarapope/ Website: https://dramarapope.ca/ FOLLOW MICK ON:Instagram: https://www.instagram.com/mickunplugged/ Facebook: https://www.facebook.com/mickunplugged/ YouTube: https://www.youtube.com/@mickunplugged LinkedIn: https://www.linkedin.com/in/mickhunt/Website: https://www.mickhuntofficial.com Apple: https://podcasts.apple.com/us/podcast/mick-unplugged/See omnystudio.com/listener for privacy information.

Nicholas speaks to Trinidadian legend Queen Omega. They discuss her origins as a recording artist, the recent success of her "No Love Dubplate," and even try a local delicacy.

This week's episode is an extended, uncut interview with the one and only, Vanessa Riley. She is the preeminent voice in historical romance and fiction, writing Black characters who feature prominently in Regency Romance. A PhD in Engineering from Stanford and author of well over 25 books, Vanessa combines her love of learning, facts and figures with... well... love.We talk about her process, how she chooses her topics, and what is it about the Regency that she is drawn to.Bio: Vanessa Riley is an acclaimed author known for captivating novels such as Island Queen, a Good Morning America Buzz Pick, and Queen of Exiles, an ABC View Lit Pick. She was honored as the 2024 Georgia Mystery/Detective Author of the year for Murder in Drury Lane and the 2023 Georgia Literary Fiction Author of the Year for Sister Mother Warrior. Her craft highlights hidden narratives of power, love, and sisterhoods of Black women and women of color in historical fiction, romance, and mystery genres. Her works have received praise from publications like the Washington Post, Entertainment Weekly, NPR, Publisher Weekly, and the New York Times. In addition to penning over twenty-five novels, Vanessa holds a doctorate in mechanical engineering from Stanford University and STEM degrees from Penn State, adding a research-oriented approach to her writing while emphasizing inclusive storytelling about the Caribbean, Georgian, and Regency eras. As a member of Regency Fiction Writers, Crime Writers of Color, Mystery Writers of America, Women's Fiction Writers Association, Christian Book Lovers Retreat, and the Historical Novel Society, Vanessa advocates for diverse voices. She's also working to increase Sickle Cell Anemia awareness. When she's not writing, she can be found baking, crafting her Trinidadian grandma's recipes, or relaxing on her southern porch sipping caffeine. For more on Vanessa, visit her website. VanessaRiley.com Follow Romance in Colour on Social MediaIG ⁠@RomanceInColour⁠Twitter: ⁠@RomanceNColour ⁠Facebook Groups: ⁠www.facebook.com/groups/RomanceinColour⁠Follow Yakini on her Instagram @OurNycHomeFollow Tati Richardson on social media and pick up her books here, ⁠here⁠

Episode 466 / Marcus TroyMarcus Troy is a multidisciplinary artist whose work explores identity, heritage, and cultural storytelling. Deeply influenced by his Caribbean roots, his art reflects the folklore, traditions, and spirituality that shaped his upbringing in a Trinidadian household as a first-generation Canadian. A recent trip to the Caribbean provided further insight into his intuitive practice, unveiling the profound connection between his subconscious and his heritage.Beyond his roots, Marcus's artistic vision is shaped by his global travels, experience in fashion and textiles, and deep curiosity about the world. His work merges traditional techniques with contemporary narratives, delving into history, mysticism, and the evolving dialogue between art and society.

Car Chats is a  short interview series with host Veronica Charnell, a writer for Blavity 21 Ninety, and radio host on Soar Radio. Veronica Charnell talks with business professionals in the Entertainment and Media Industries. The series features music artists, business professionals, and content creators. This series is produced by Veronica Charnell Media. Anisa is Trinidadian born, now New York based singer-songwriter who has stepped out of the box of traditional gospel music and creates music from life experiences that we all can relate to.  Anisa's focus is the world at large - in the church and more importantly, out of the church.  Having experienced failures on every scale, she can effectively relate to issues real people deal with and looks for every opportunity to encourage both the young and old to pick themselves back up and never give up or give in.  Her message is "you are not your mistakes.”  In December of 2020 Anisa joined forces with RNU Records, an independent gospel label founded by Joshua Arnoux in the same year.  The two have been unstoppable ever since.  Their first two singles together: “You Reign” and “Covered” are anthems of God's goodness that they've been traveling around the country ministering to and inspiring people to praise God through every situation.  You Reign was nominated for the Maranatha Rhema Awards as ‘Best Gospel Praise Song of the Year' (2021).  Along with that nomination, Anisa also received nominations for ‘Female Gospel Artist of the Year', ‘Outstanding Female Worship Leader', and ‘Outstanding Motivational Speaker'.  Since its release, Covered has been rising on the Billboard Gospel charts and has maintained a steady spot in the top 20 category of Billboard's Gospel Indicator chart for over 30 weeks and held the #2 spot for four of those weeks before the chart closed in 2022.  On July 15, 2022 Anisa's first EP with RNU Records entitled ‘Anisa – The Next Chapter' was released.  This EP takes you on a journey of worship and praise and even a bit of biblical teaching that is sure to captivate the listener.  Anisa's latest music is one of the best gospel EPs you've never heard…yet!! Her story of resilience after church hurt and a broken marriage has birthed this new chapter that she's sharing with the world that God is a healer and a restorer. She can be heard on your local gospel station nationwide and Sirius XM worldwide. Website: www.veronicacharnell.comRead my featured articles on Blavity 21 NinetyVeronica Charnell Media published articles on NewsBreakhttps://www.newsbreak.com/publishers/@1589609#music #podcast #interview #money

Your past is preparing you for your future. Today we're going to hear a story about how one woman pivoted, reinvented herself, her vision for her future - with confidence, class, vision, and audacity. There's so many lessons in this episode for anyone who is unsure about starting something new - and needs some encouragement on starting again. We're not talking about starting over, but starting again...because all that you've been through is preparing you for where you're going. You just have to trust the journey. About our guest: Makini Regal Martin is a published floral, event, and interior designer. Trinidadian-born and Brooklyn-bred, Makini alwayspossessed a natural gift for design. She inherited her love for flowers from her two grandmothers, both avid gardeners and lower enthusiasts. After graduating from Columbia University and honing a successful career in management consulting, Makini turned her keen eye for design and love of flowers into a blossoming business when she launched Makini Regal Designs in 2011. Her design work has been published by New York Magazine, Essence, Design Sponge, The Knot, Munaluchi Bride, Black Enterprise, and many others. After the birth of her daughter, Zuri Rose, Makini was inspired to launch a children's lifestyle brand and write a children's book series. The Wonderful World of Zuri Rose: Flowers A–Z is the first book of that series. FIND MAKINI ON: Instagram: @makiniregal @worldofzurirose Web: www.theworldofzurirose.com FIND RANA ON SOCIAL: Instagram:  @rainshineluv @dreamsindriveWeb: www.dreamsindrive.com FIND DREAMS IN DRIVE ON:Instagram: http://www.instagram.com/dreamsindrive Twitter: http://twitter.com/dreamsindrive Web: https://www.dreamsindrive.com

Enjoyed our podcast? Shoot us a text and let us know—because great conversations never end at the last word!This week on TezTalks Radio, Marissa Trew speaks with Trinidadian artist Rodell Warner about his journey from multidisciplinary creative to a leading voice in new media and blockchain art. From NFTs to AI-generated archives, explore how he's reshaping storytelling in the digital age.

Presenting the Cosplay Goddess of the Caribbean Islands! In this episode of Cosplay Crunch, we welcome Panterona Cosplay all the way from Trinidad and Tobago! We get her unfiltered journey into the world of cosplay, starting from a place of pettiness to becoming a prominent figure in the Trinidadian cosplay community. We discuss the evolution of cosplay in Trinidad and Tobago, the cultural context surrounding race and representation, and the accessibility of resources for cosplayers in the Caribbean. Panterona also highlights the impact of Carnival in Trinidad on cosplay materials, and her experience of merging cosplay with Carnival, leading to the creation of Trinidad's first cosplay carnival band. Of course we talk about Alias Entertainment Expo, the complexities of organizing conventions in Trinidad, and the Caribbean Cosplay Championship. Make sure to listen all the way through to get the truth about her collaboration with Riot Games and the phenomenal Netflix series Arcane! You SERIOUSLY are not going to want to miss this episode. Trust!Find us at the below:Website: CosplayCrunch.comInstagram: @cosplaycrunchpodcastYouTube: @TheCosplayCrunchPodcastIf you have a question for one of our amazing guests, you can email us at cosplaycrunchpod@gmail.com

In this insightful episode of Its My Time Podcast, Asher sits down with Dr. David to explore his inspiring journey from Miami to becoming an oncologist. Jerel shares how his Trinidadian heritage, personal health challenges, and passion for financial literacy shaped his career path. The conversation dives into the trials of medical residency during the COVID-19 pandemic, the emotional toll of treating cancer patients, and the importance of maintaining balance in a demanding profession. Jerel also reflects on the challenges of being a young black doctor, navigating societal expectations, and forging his own path in a private practice. --- Support this podcast: https://podcasters.spotify.com/pod/show/asher-tchoua0/support

In this special December holiday hour, stories about celebration, differing traditions, and family. A mother and son do their best to keep the gifting spirit alive, a daughter tries to fulfill her mother's wish for a Trinidadian feast, and a man waits and waits for the perfect moment to kiss a date. Those and more stories in this episode. Hosted by The Moth's Executive Producer, Sarah Austin Jenness. The Moth Radio Hour is produced by The Moth and Jay Allison of Atlantic Public Media.Storytellers:Peter Aguero and his mother exchange holiday gifts made of paper.Tracey Segarra sends a Hanukkah card that her mother-in-law takes issue with.Steve Glickman attempts to escape a snowy Chicagoan Christmas for Puerto Vallarta.Dawn Fraser is tasked to find the perfect ingredients for a Trinidadian Christmas.Evan Lunt takes his grandmother's menorah to college as a keepsake of her.Bernie Somers counts down to a first kiss on New Year's Eve with a romantic interest.

Share scallops with the award-winning R. S. A. Garcia as we discuss how the idea for her Nebula-winning short story caused her to leap up and walk out of a writing workshop, how editor Ellen Datlow's advice changed her life, why writing is a verb, not an adjective, the way she decides whether or not to rise to the occasion of a themed anthology invite, her convoluted journey in finding an agent to negotiate her first novel sale even though there was already an offer on the table, why there are some rejections you should be grateful for, how Sigourney Weaver's role in Alien inspired the sorts of stories she wanted to tell, the Easter eggs in her fiction only a Trinidadian would get, how and why she's a complete pantser, the importance of community as well as the danger of it disappearing, her hope that readers get even more from her fiction upon rereading,  and much more.

Listen to some stories from my visit to Warsaw: • 10th birthday of POLIN - an award winning museum in Warsaw which tells the story of the Jewish community in Poland. • An artist's art in Yiddish. • A Trinidadian in Poland. • A multiethnic oasis in Warsaw. • A Warsaw unique church. • Enjoying live Chopin music in the iconic park in Warsaw - a 65-year-old tradition.

Send us a text message and tell us your thoughts.Our history of migration spans across the world. Join us as we journey with Alya Harding, a community organizer and PhD student, who shares her heartfelt exploration of Sierra Leonean Creole/Krio culture and her personal quest to uncover her Trinidadian roots. We examine the historical migrations that have woven a diverse Creole culture, bringing together Africans, African Americans, and Afro-Caribbean individuals in Sierra Leone. Alya's narrative of growing up in post-civil war Sierra Leone, paired with her newfound connections to her Caribbean heritage, paints a vivid picture of identity and belonging within the African diaspora.This episode offers a thoughtful reflection on the complex layers of Creole culture, as seen through the lens of "roots versus routes" by scholar Paul Gilroy. We discuss the spiritual connections that bind African and Caribbean people, bolstered by historical movements such as the Haitian Revolution. The conversation also critically examines the romanticized idea of "returning" to Africa. We challenge the commercialization and exclusivity of this concept, advocating for genuine engagement with local communities and learning from past social movements. Alya enriches the dialogue with her personal anecdotes, and together we explore the enduring quest for freedom within Black communities worldwide. Dive into these narratives and gain access to further resources on the Strictly Facts podcast website, as we continue to explore these essential themes in our ongoing series.Alya Harding, is a community organiser based in East London, concerned with issues of gender-based violence, migration, and agency. Alya's activism and academic pursuits are deeply influenced by her early childhood in post-civil war Sierra Leone, shaped by the resilience of her Krio heritage and the richness of creolised cultures. She is particularly drawn to storytelling as a means to explore the tensions between theory and practice, grounded in a feminist approach that reimagines identity and freedom at the intersections of race, gender, and empire. Alya's PhD research through an intergenerational discourse seeks to explore feminised migratory survival modes through the family pathology of African female headed households across Britain. In particular, examining how these practices affect their children, especially how they have shaped their daughters' views on identity, belonging and healing.Support the showConnect with Strictly Facts - Instagram | Facebook | Twitter | LinkedIn | YouTube | Website Looking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Want to Support Strictly Facts? Rate & Leave a Review on your favorite platform Share this episode with someone or online and tag us Send us a DM or voice note to have your thoughts featured on an upcoming episode Donate to help us continue empowering listeners with Caribbean history and education Produced by Breadfruit Media

In this episode, Ben explores the extraordinary journey of Dr. Camille Wardrop Alleyne, a trailblazer in the field of aerospace engineering. Camille reflects on her impactful career at NASA, where she led key human spaceflight programs and advanced groundbreaking science missions. She shares insights into her work at Arusha Space, promoting space-based solutions for global sustainability, and her passion for STEM education for young women through The Brightest Stars Foundation. They discuss her Trinidadian upbringing, her journey to becoming one of the few women of colour in senior leadership at NASA, and the importance of diversity and inclusion in space exploration. This episode is a testament to Camille's belief in the transformative power of education, the boundless opportunities of space, and her enduring mission to inspire the next generation of scientists and engineers. This weeks episode is sponsored by AIDAA. Check them out: https://www.aidaa.it/ OUTLINE: Here's approximate timestamps for the episode. 01:01 AIDAA 01:48 From Trinidad to NASA 05:45 Arriving at NASA for the first time 06:47 No social media 07:36 NASA career 13:26 Space industry is changing 15:24 Arusha Space 17:00 Picking “the dream team” 18:45 Private/Public Partnerships in the US and elsewhere 20:04 Current projects 21:12 Future of space exploration/what inspires Camille! 23:55 Why Space?! 25:41 The Brightest Stars Foundation 29:10 Advice to get into the industry (for non Math/Science students) 31:13 Engaging with non Space fairing nations 34:20 Wrap Up and Socials Connect with Dr. Camille Wardrop Alleyne: Arusha Space Website: https://arushaspace.com/ Facebook: https://www.facebook.com/arusha.space/ Instagram: https://www.instagram.com/arushaspace/ Brightest Stars Foundation Website: https://www.brighteststarsfoundation.org/ Instagram: https://www.instagram.com/brighteststarsfoundation/ Stay connected with us! Use #Astroben across various social media platforms to engage with us! Youtube: www.youtube.com/@astrobenpodcast Website: www.astroben.com Instagram: https://www.instagram.com/astrobenpodcast/ X: https://x.com/Gambleonit Tik Tok: https://www.tiktok.com/@astrobenpodcast LinkedIn: https://www.linkedin.com/company/astrobenpodcast/

Joining us from London is Diane Hinds, a seasoned PR Director, author, and lecturer, who draws from her rich Trinidadian heritage and diverse experiences. Her book "Conquerabia: The Struggle for Identity" tells the poignant story of a young protagonist's journey of self-discovery in Trinidad, blending cultural insights with emotional depth. #DianeHinds #Diane_Hinds #PenandSwordBooks #Pen_and_Sword_Books #Trinidad #Trinidadian_Books #Florenza_Lee #OntheairwithFlorenza #Author_Interview #Literary_Podcast #Book_Discussion #Genre_Fiction #Contemporary_Issues #FlorenzaLee #FlorenzaDeniseLee #FlorenzasPlace #FlorenzaSays #Authorschat #OnTheAirWithFlorenza

Send us a text message and tell us your thoughts.Have you ever considered how the people we associate with one Caribbean island might actually hail from another, and how these stories of migration shape identities? Join me as we uncover the intriguing tales of Caribbean icons and their unexpected island origins. This episode of Strictly Facts takes you on a journey through the intertwined histories of the Caribbean, starting with Grenadian leaders Sir Eric Gairy and Maurice Bishop, whose roots stretch to Aruba, and extending to cultural figures like Rita Marley and the Mighty Sparrow, who have left indelible marks across multiple islands.Immerse yourself in narratives that reveal the profound interconnectedness of the Caribbean region. Discover how Jamaican theater stalwart Randolph Williams began his life in Panama, and learn about Trinidadian model Sintra Bronte's surprising rise to become the face of Jamaican tourism. These stories highlight the fluidity of Caribbean identity and the vibrant cultural tapestry woven from movements across the islands. Tune in for a riveting exploration that reshapes our understanding of heritage, migration, and cultural influence throughout the Caribbean.Support the showConnect with Strictly Facts - Instagram | Facebook | Twitter | LinkedIn | YouTube | Website Looking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Want to Support Strictly Facts? Rate & Leave a Review on your favorite platform Share this episode with someone or online and tag us Send us a DM or voice note to have your thoughts featured on an upcoming episode Donate to help us continue empowering listeners with Caribbean history and education Produced by Breadfruit Media

Allan Little speaks to the Trinidadian human rights activist Jason Jones. He is campaigning to legalise consensual sex for homosexuals on his native island, and hopes that the case will have repercussions for similar laws in other countries. But will it be enough to change cultural attitudes?

We cook up a Diwali feast with a Trinidadian mother and daughter and discuss straddling cultures with the Indian-American DJ who introduced a blend of hip hop and Punjabi folk music to the club scene.This episode originally aired on November 1, 2015, and was produced by Dan Pashman and Anne Saini, with help from Tim Rujerry. The Sporkful team now includes Dan Pashman, Emma Morgenstern, Andres O'Hara, Nora Ritchie, and Jared O'Connell. This update was produced by Gianna Palmer. Publishing by Shantel Holder and transcription by Emily Nguyen.Every other Friday, we reach into our deep freezer and reheat an episode to serve up to you. We're calling these our Reheats. If you have a show you want reheated, send us an email or voice memo at hello@sporkful.com, and include your name, your location, which episode, and why.Transcript available at www.sporkful.com.Right now, Sporkful listeners can get three months free of the SiriusXM app by going to siriusxm.com/sporkful. Get all your favorite podcasts, more than 200 ad-free music channels curated by genre and era, and live sports coverage with the SiriusXM app.

How can women of colour break free from societal expectations, heal from financial trauma, and lead with authenticity?Join us in this transformative conversation with Lystra G. Sam, a social justice entrepreneur, community activist, and founder and managing director, Qmooniti Travel & Lifestyle.Lystra shares her leadership journey, shaped by her upbringing in a Trinidadian household, challenges of assimilation and pivotal moments that helped her embrace her strengths. From dancing with Prince to travelling the world, Lystra's path highlights the importance of confidence, integrity, and breaking societal norms to lead authentically.Lystra delves deep into the impact of money trauma on Black and Indigenous women and shares how the Trauma of Money program helped her heal and reshape her relationship with money. By addressing generational and systemic financial trauma, Lystra advocates for healthier money management, leadership growth, and businesses prioritizing well-being. She stresses that healing from trauma is crucial before achieving financial stability and leadership success.Together, we reflect on how critical regulation of our nervous systems as women of colour is to heal trauma and break free from unhealthy financial and work patterns. By creating this ripple effect of healing within, trust, community building, and empowerment will be possible for future generations.Embrace healing in your leadership journey by understanding your relationship to money, trusting your intuition and creating new habits. To learn more about the resources mentioned in the episode, check out the show notes here.

Today's episode is Part 1 of a two-part series featuring Tracy Blake (she/her). The only daughter of Trinidadian immigrants, Tracy and her youngest brother were raised in the multi-cultural, multi-ethnic, multi-faith, working class neighbourhood of Rexdale in Toronto, on the traditional territory of many nations, including the Anishinabeg, Haudenosaunee, Chippewa, and Huron-Wendat peoples, as well … Continue reading "GP054: Sport and Justice with Tracy Blake (Part 1)"

Today's episode is Part 2 of a two-part series featuring Tracy Blake (she/her). The only daughter of Trinidadian immigrants, Tracy and her youngest brother were raised in the multi-cultural, multi-ethnic, multi-faith, working class neighbourhood of Rexdale in Toronto, on the traditional territory of many nations, including the Anishinabeg, Haudenosaunee, Chippewa, and Huron-Wendat peoples, as well … Continue reading "GP055: Sport and Justice with Tracy Blake (Part 2)"

How can women of color overcome the isolation of being the "only one" in leadership and build strong, empowering communities together?Join us in this heartfelt conversation with Shelley-Anne Vidal, founder of ACT by Vidal.Shelley-Anne shares her journey of discovering her natural leadership abilities from a young age, driven by her “gift of the gab.” Her career as an author, coach, speaker, facilitator, and instructor has been shaped by her Trinidadian heritage and her experiences of living in Canada.Shelley-Anne highlights the challenges of being one of the few women of color in leadership roles and how finding community helped her shed the feeling of being a "lone wolf." She offers powerful metaphors like the "unicorn" to illustrate the importance of self-awareness, releasing societal expectations, and finding like-minded individuals who uplift and re-energize.Together, we dive into how breaking the cycle of isolation is critical to creating supportive communities where women of colour can be truly seen, celebrated, and nurtured into the leaders they aspire to be.Reclaim your leadership journey with intentional choices, authenticity and community.To learn more about the resources mentioned in the episode, check out the show notes here.

Philip Anthony Mitchell feels that he was radically brought into the Kingdom. Born in Queens, NY to Trinidadian parents, Philip found a sense of community and belonging in the streets, despite his mother and father starting a Christian ministry in the basement of their home.Now the lead pastor of 2819 Church in Atlanta, Philip sits down with the Perrys for a conversation on the urban context and darkness of his childhood, how he was changed by prison, the idea of "calling," and the deep reverence and affection he now has for the Lord. He feels like he's gotten a second chance at life, on the backside of a lot of pain and discipline, and he shares more of his story in this episode. Stay tuned for Part 2 next week! Check out 2819 Church online (www.2819church.org) or on Instagram (www.instagram.com/2819church) Follow Philip: https://www.instagram.com/philipamitchell/ This Episode of With The Perrys is Sponsored by:https://ariseforwomen.com — Get this 21-day video series from Covenant Eyes completely free!https://magicspoon.com/PERRY — Get $5 off right now with code PERRY! Subscribe to the Perrys' newsletter.To support the work of the Perrys, donate via PayPal.To advertise with the Perrys, visit WithThePerrys.com/Partner.www.withtheperrys.comwww.jackiehillperry.comwww.preston-perry.com

Written and directed by Ian Harmarine, DOUBLEs tells the story of Dhani (Sanjiv Boodhu), a Trinidadian street vendor who is forced to travel to Toronto in order to retain information from his estranged father, Ragbir (Errol Sitahal). However, as he discovers the severity of his father's illness, Dhani opts to stay with his father temporarily in a moment of (admittedly, tense) support for him. However, this also forces him to make difficult decisions about how he can care for a man he barely knows—and what his responsibilities to him truly are. In this 1on1, we speak to Harnarine about the relationship between food and community and trying to escape our families.

Have you ever wondered how a yoga teacher from Trinidad could redefine your understanding of God, spirituality and love?From writing letters to the editor at age 10 that were read by President George W. Bush and Mikhail Gorbachev about ending war and environmental destruction to walking across Costa Rica and teaching yoga internationally, Troy's journey is extraordinary. He shares the profound impact of his Trinidadian upbringing, his transformative introduction to yoga, and his unique perspectives on spirituality, identity, and human connection.Tune in to hear Troy's insights on the divine power of breath, the importance of living mindfully, and how recognizing the divine spark in everyone can foster unity and empathy. Check out his book, "My Name is Love", and visit troyhadeed.com for more!Troy Hadeed's Bio:Please see below a series of offerings, coupons, and specials you can share with your listeners in regard to any episodes featuring Troy Hadeed. See all Affiliate programs where you listeners benefit from discounts and you can earn commission to help fund your show.#1 - Affiliate Program - commission for you and your show.Website:www.weidentifyaslove.com – Merchandise shop & books direct from authorShop also available through www.troyhadeed.comSign Up For Program Here: https://weidentifyaslove.goaffpro.com/create-account- create a personal coupon code & link- your listeners get 10% off all purchases,- you Earn 7% commission#2 - If for some reason you rather not earn commission and be an affiliate please see below a coupon code for 10% of at www.weidentifyaslove.com t share with your community.Coupon Code – ‘IAMLOVE'Gives the customer 10% off their first order – inclusive of books – no affiliate attachment or commission#3 - 10 FREE E-books for your communityA personal coupon code will be created using the name of your show; upon scheduling. The first 10 listeners to use your personalized coupon code when checking out an e-book will get it sent to their device for free. Product link below.https://weidentifyaslove.com/products/my-name-is-love-by-troy-hadeed-ebook#4 - 30 Day free trial @ www.beyondyogatv.com (live streamed classes)https://beyond-yoga-online.namastream.com/product/6228/about#5 - 7 days free on Gaia.com – new content being released there soon.https://www.gaia.com/lp/gaia-experience?utm_source=ambassador&oid=7&affid=1837Stay Connected:- Troy Hadeed's Website: troyhadeed.com- Instagram- Amazon Book Link: My Name Is Love by Troy Hadeed- WEIDENTIFYASLOVE.COM - Merchandise & Clothing Line- Find Troy on Gaia.com - Free 7 Day TrialThank you for listening. Please check out @lateboomers on Instagram and our website lateboomers.biz. If you enjoyed this podcast and would like to watch it or listen to more of our episodes, you will find Late Boomers on your favorite podcast platform and on our new YouTube Late Boomers Podcast Channel. We hope we have inspired you and we look forward to your becoming a member of our Late Boomers family of subscribers.

Ato Boldon is a former Trinidadian sprinter who became one of the most successful track and field athletes in the world, especially known for his achievements in the 100m and 200m events. He is a four-time Olympic medalist and a world champion in sprinting. Ato competed in four Olympic Games (1992, 1996, 2000, and 2004), winning bronze medals in the 100m and 200m in 1996, as well as silver and bronze medals in the 2000 Olympics. After retiring from competition, Ato transitioned into broadcasting and is now a well-known sports commentator and analyst, often called the "voice of track and field." He provides commentary for NBC Sports during major international athletic events such as the Olympics and World Championships. Additionally, he was recently featured as a host and guide on the Netflix series Sprint, which offers behind-the-scenes insights into the world of professional sprinting. Ato is also involved in coaching and mentoring younger athletes, and he's recognized for his expertise and deep understanding of the sport, both technically and mentally.

Today an encore presentation of an episode that originally aired on February 13th. Marci Ien made her name as a Canadian television journalist anchoring some of CTV's most important programs. Today she's a federal cabinet minister responsible for women and gender equality. She was born in Toronto of Trinidadian descent. Today a feature interview with Marci Ien about her path as a Black Canadian and how she reflects on Black History month.

Send us a text message and tell us your thoughts.Embark on a remarkable journey through Caribbean history with us as we welcome Martine Powers, the senior host of the Washington Post Reports, as well as the host creator of the gripping series "The Empty Grave of Comrade Bishop." Martine's personal connection to the Caribbean, stemming from her Trinidadian heritage and family ties to Grenada, brings an intimate and profound perspective to the complex story of Maurice Bishop. Discover the intricate mysteries surrounding Bishop's execution and the enigmatic disappearance of his body, alongside speculations about possible US government involvement.Creating this series was no small feat, and Martine's dedication shines through as she shares the challenges and triumphs faced over two years of meticulous reporting. Balancing her primary job, relentless travel, and the hustle of gathering credible sources, Martine's commitment to bringing Caribbean stories to life is nothing short of inspiring. Her journey underscores the cultural significance of accurate storytelling, especially for Caribbean Americans yearning to see their heritage represented with depth and authenticity.The conversation delves into the politically charged atmosphere of Grenada during Maurice Bishop's era, offering a nuanced view far removed from the stereotypical vacation paradise. Through compelling anecdotes and powerful interviews, the discussion captures the intense experiences of those who lived through this turbulent time. It also shines a light on the often-overlooked histories of other Caribbean nations like Jamaica and Haiti, emphasizing the need for more stories that reflect the vibrant, resilient spirit of Caribbean people. Join us to uncover these untold narratives and gain a richer understanding of the Caribbean's multifaceted heritage.Connect with Martine Powers - Martine.Powers@washpost.comSupport the showConnect with Strictly Facts - Instagram | Facebook | Twitter | LinkedIn | YouTube Looking to read more about the topics covered in this episode? Subscribe to the newsletter at www.strictlyfactspod.com to get the Strictly Facts Syllabus to your email!Want to Support Strictly Facts? Rate the Show Leave a review on your favorite podcast platform Share this episode with someone who loves Caribbean history and culture Send us a DM or voice note to have your thoughts featured on an upcoming episode Share the episode on social media and tag us Donate to help us continue empowering listeners with Caribbean history and education Produced by Breadfruit Media

Apparently the Coat of Arms debate rages on as the Tassa Association wants the real Trini instrument on the emblem instead of the imported steelpan. Brilliant!It's an episode of dualities as we discuss the mourning as the news of the closing of the famed Carrat Shed in Marabella spread against the backdrop of apparent celebration of the woes of Movie Towne.It's a mixed bag when it comes to the reactions to the passing of Lawrence Duprey, once heralded as one of the greatest businessmen in the region. We do a deep dive into his legacy and the unfair tainting of his name and the hostile takeover of his businesses masked as a financial bailout.The music in this episode is a direct response to the divisive statement made by the Tassa Association of Trinidad & Tobago suggesting that Steelpan isn't 100% Trinidadian.Enjoy!!

In this episode, Clare is joined by Levi Emir a marketing professional who hails from Trinidad, where he worked for an American company. He has lived in the UK for 5 years and his wife had permanently relocated there a couple of years earlier. Levi shares his insights into the differences between Trinidadian, American and British cultures. Including work-life balance, racism, job security and making new friends. They also discuss the impact the recent UK demonstrations and riots are having on Levi and his family. Levi´s job means he keeps track of search behaviour, so he also shares his insights into how online behaviour reflects and informs the way society develops and acts. Levi Emir is from Trinidad and Tobago in the Caribbean and now lives in the United Kingdom. He is a creative digital marketing and advertising professional with 15+ years experience with the management of global paid search (PPC) marketing campaigns and stakeholder relationships. Levi has recently made a name for himself in the European marketing industry, achieving Best Integrated Campaign 2023 from both the European Agency Awards and UK Search Awards. He has worked with businesses spanning different industries across the Americas, Caribbean, EMEA, and APAC. He is most in his element when having fun, engaging conversations and enjoying a few rounds of snooker. Links: Website LinkedIn Twitter Instagram Calendly Scheduler KEY TAKEAWAYS Europe has a better work-life balance. People in the UK are generally very friendly and genuinely seem to care. Overall, Levi has had a good experience there. All countries have some xenophobia, and it is expressed differently in each culture. The race and immigration riots in the UK briefly changed the way Levi and his family lived. Levi and his wife feel that keeping an eye on the level of racism is wise. The similarity between the law systems of Trinidad and the UK has helped Levi. Levi´s wife hears more expressions of racism than he does. She is mixed race but looks white, so people say things to her they wouldn´t say around Levi who looks more African. BEST MOMENTS ‘I tried to stay away from going on a train or going anywhere long distance for the period of time that I saw riots taking place.' ‘Food always features as an aspect of moving countries.' ‘In our case, going back to Trinidad, there´s a general expectation that us coming from a first world country, we need to be the ones to pay.' ABOUT THE HOST: Clare Kay is a seasoned global traveller and professional with a rich background in international sales, customer service, and personal development. From selling books and television programs internationally to teaching English as a foreign language and proofreading for non-native speakers, Clare's career has always been globally focused. Her extensive travels for business have given her first-hand experience with numerous cultures. Having moved countries multiple times—from the UK to Zambia, China, Taiwan, Nigeria, and the USA—Clare brings a wealth of direct experience. Her podcast ‘Moving Countries 101' is an extension of her lifelong commitment to international engagement and cultural understanding. CONTACT METHOD www.kayproofreading.com  www.linkedin.com/in/clarekay   https://www.facebook.com/KayProofreading Podcast Description: Podcast Description: ‘Moving Countries 101' is your essential guide to navigating the complexities of relocating abroad. Host Clare Kay and her guests share authentic stories that highlight the unique challenges and opportunities of making a home in a new country, whether you're moving for a new job, to live with a partner, or to explore a new lifestyle. Clare brings her extensive experience in international travel and business to each episode, delving into the emotional, physical, and cultural impacts of moving countries. Tune in for valuable tips, heartfelt conversations, and a celebration of the diverse experiences that come with living abroad. ‘Moving Countries 101' is all about embracing change, discovering new perspectives, and finding your place in the world.

Thom Francis introduces us to Rico Frederick who was the featured poet at Nitty Gritty Slam #75 on August 5, 2014, at The Low Beat in Albany, NY. --- Nitty Gritty Slam was a joint project between Albany Poets, Urban Guerrilla Theatre, and the Frequency North Reading Series at The College Saint Rose. The poetry slam brought together artists from academia, the local spoken word community, and visiting writers from across the country on 1st and 3rd Tuesday of the month. NGS started in 2011 with a goal of sending the first team from Albany to the National Poetry Slam. All together, the Capital Region was represented three times at Nationals. On Tuesday, August 5, 2014, Rico Frederick was the featured poet at Nitty Gritty Slam #75 at The Low Beat in Albany, NY. Rico Frederick is a graphic designer and the author of the book Broken Calypsonian (Penmanship Books, 2014), holds an MFA in Writing from Pratt Institute, a NYSCA/NYFA Artist Fellowship Finalist, Fulbright semi-finalist, Cave Canem Fellow, Poets House Emerging Poets Fellow, Pushcart nominee, and the first poet to represent all four original New York City poetry venues at the National Poetry Slam. His poems, artistic work, and short film have been featured in the New York Times, Muzzle, Epiphany, No Dear Magazine, The Big Apple Film Festival, an Academy of American Poets Contest - Honorable Mention, Best of the Net Anthology Nominee (poetry) 2017 and elsewhere. Rico is a Trinidadian transplant, lives in New York, loves gummy bears, and scribbles poems on the back of maps in the hope they will take him someplace new.

Ian Harnarine is an award-winning Canadian filmmaker who found inspiration for his debut feature film, “Doubles,” in the delicious Trinidadian snack of the same name. The story follows an estranged father and son who are brought back together by difficult circumstances. Ian joins guest host Talia Schlanger to talk about drawing on his own experiences with his father to make the film, how it challenges clichés about the experience of immigrating to Canada, and what it was like getting Spike Lee's hand-written notes as a film student at NYU.

In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power.  Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power.  Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power.  Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power.  Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

In Strolling in the Ruins: The Caribbean's Non-Sovereign Modern in the Early Twentieth Century (Duke UP, 2023), Faith Smith engages with a period in the history of the Anglophone Caribbean often overlooked as nondescript, quiet, and embarrassingly pro-imperial within the larger narrative of Jamaican and Trinidadian nationalism. Between the 1865 Morant Bay Rebellion and World War I, British imperialism was taken for granted among both elites and ordinary people, while nationalist discourses would not begin to shape political imagination in the West Indies for decades. Smith argues that this moment, far from being uneventful, disrupts the inevitability of nationhood in the mid-twentieth century and anticipates the Caribbean's present-day relationship to global power.  Smith assembles and analyzes a diverse set of texts, from Carnival songs, poems, and novels to newspapers, photographs, and gardens, to examine theoretical and literary-historiographic questions concerning time and temporality, empire and diaspora, immigration and indigeneity, gender and the politics of desire, Africa's place within Caribbeanist discourse, and the idea of the Caribbean itself. Closely examining these cultural expressions of apparent quiescence, Smith locates the quiet violence of colonial rule and the insistence of colonial subjects on making meaningful lives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/caribbean-studies

Text me!Welcome back to *Stethoscopes and Strollers*! In this special Father's Day episode, I honor my husband and the father of my children. Here's a look at what we cover:Episode Highlights:- Manifestation Realized: Reflecting on how I manifested my husband, a first-generation Trinidadian, and how he surpassed all my expectations.- Parenting Together: How my husband inspired me to want boys and how we balance each other out in raising our beautiful family.- Overcoming Challenges: Discussing our journey through postpartum burnout and how his support helped me recover.- Personal Growth: The importance of mutual growth and commitment in our relationship, making us better partners and parents.- Special Moments: Sharing a recent ER visit with our daughter that highlighted our improved teamwork and communication.Key Messages:- Love and Respect: Despite the challenges, the love and respect for my husband remain strong and essential.- Supportive Partners: Celebrating fathers who break gender norms, are present with their kids, and take on parenting responsibilities.- Open Communication: Encouraging honest conversations with partners about their true desires and needs.Encouragement for Listeners:- Honoring Dads: Acknowledge and appreciate the efforts of the fathers in your life.- Stronger Together: Emphasize the importance of a strong marriage foundation for a stable family life.Call to Action:- Share with Your Husband: Let your husband listen to this episode as a way to appreciate and celebrate his role.- Support the Podcast: Share this episode with other physician moms and leave a five-star review on Apple Podcasts or your preferred platform.Thank you for joining this heartfelt Father's Day episode of *Stethoscopes and Strollers*. See you next time for more insightful discussions about motherhood and medicine!My next info session, Hire a Nanny in 5 EASY Steps is on Thursday 27th June 2024 at 3pm ET/ 12pm PT. Register now to hire the perfect nanny with confidence and EASE! The replay will be sent out to everyone who registers, so don't worry if you can't make it live. See you there! Remember to subscribe to "Stethoscopes and Strollers" on your favorite podcast platform so you never miss an episode of encouragement and empowerment. Apple Podcast | Spotify | YouTube Connect with me. Website | Instagram | Facebook Join my Email list to get tips on navigating motherhood in the medical field. If you feel you need direct support or someone to talk through the unique challenges of being a physician mom, schedule a free coaching session. Free Coaching Session with Dr. Toya

Send us a Text Message.Embark on a remarkable journey through Caribbean history with us as we welcome Martine Powers, the senior host of the Washington Post Reports, as well as the host creator of the gripping series "The Empty Grave of Comrade Bishop." Martine's personal connection to the Caribbean, stemming from her Trinidadian heritage and family ties to Grenada, brings an intimate and profound perspective to the complex story of Maurice Bishop. Discover the intricate mysteries surrounding Bishop's execution and the enigmatic disappearance of his body, alongside speculations about possible US government involvement.Creating this series was no small feat, and Martine's dedication shines through as she shares the challenges and triumphs faced over two years of meticulous reporting. Balancing her primary job, relentless travel, and the hustle of gathering credible sources, Martine's commitment to bringing Caribbean stories to life is nothing short of inspiring. Her journey underscores the cultural significance of accurate storytelling, especially for Caribbean Americans yearning to see their heritage represented with depth and authenticity.Our conversation delves into the politically charged atmosphere of Grenada during Maurice Bishop's era, offering a nuanced view far removed from the stereotypical vacation paradise. Through compelling anecdotes and powerful interviews, we capture the intense experiences of those who lived through this turbulent time. We also shine a light on the often-overlooked histories of other Caribbean nations like Jamaica and Haiti, emphasizing the need for more stories that reflect the vibrant, resilient spirit of Caribbean people. Join us to uncover these untold narratives and gain a richer understanding of the Caribbean's multifaceted heritage.Reference:The Empty Grave of Comrade Bishop - Website | Apple Podcasts | Amazon MusicThroughline (Podcast) - Grenada: Nobody's BackyardCaribbean Countries & Peacekeeping in Haiti | Miami Herald | Globe and MailConnect with Martine Powers - Martine.Powers@washpost.com Caribbean Legal Solutions is the easiest way to find an attorney in the Caribbean. Visit their website at caribbeanlegalsolutions.com Disclaimer: This podcast ad contains general information about Caribbean Legal Solutions and is not intended as legal advice. Always consult with a qualified attorney for legal advice specific to your situation.Support the Show.Connect with @carryonfriends - Instagram | Facebook | YouTube A Breadfruit Media Production

Ever wondered how losing your job could be the best thing that ever happened to you? Today on Music Junkies, we have the hilarious Ms. Francois sharing her unique perspective on social media fame and unconventional careers, including her uproarious take on getting fired and the unexpected twist of using Instagram to gain sympathy and followers. We also chat about the vital role of travel, understanding love languages in relationships, and even the risqué topic of considering an OnlyFans account, peppered with laugh-out-loud moments and thought-provoking insights. Join us as we reflect on the passage of time, shifting from the chaos of dance halls to the comfort of VIP sections. Ms. Francois and I get nostalgic about our teenage crushes, like Tevin Campbell, and the startling realizations about their lives as we've grown older. We delve into the trials and tribulations of modern dating, stressing the importance of first impressions, personal growth, and keeping high standards. The conversation takes a humorous turn as we fantasize about meeting the perfect partner through everyday scenarios, like a chance encounter with the UPS guy.In a heartfelt conclusion, we celebrate women's personal journeys of growth and self-discovery. Ms. Francois introduces her new initiative, Striving Goddesses, a support network for women navigating relationships and healing from past ones. We dive into the vibrant world of soca music and Trinidadian culture, with a special spotlight on Machel Montano's influence. Discussions also touched on cultural differences in relationships and the importance of women empowering each other. From the joyful tunes of Luther Vandross and Michael Jackson to the rejuvenating experience of a welcoming church community, this episode is a heartwarming blend of humor, nostalgia, and inspiration.Check out Mss FrancoisWatch the full episode on YouTubeCheck out the Playlist on SpotifyFollow us EverywhereMake sure to HIT that LIKE BUTTON and SUBSCRIBE to our Channel to be notified of new episodes!We always have a new episode every Monday at 1 pm Please share our page with your friends! Rock onSupport the Show.

Ever wondered how a region can transform almost overnight? As a former New Yorker, Randy Wilburn shares his own experiences navigating the surprising growth in northwest Arkansas. From getting used to a more relaxed driving culture to discovering hidden beach getaways inland, this episode of Pitch to Pro unfolds the region's dynamic evolution. We highlight monumental changes like the rise of a professional soccer team, a new medical school, and a flourishing culinary scene. Randy's son's passion for travel soccer and his wife's Trinidadian heritage have deepened his love for the sport, revealing the powerful community bonds it can create.In the second chapter, we dive into the bright future of youth soccer in northwest Arkansas. Young athletes are now presented with opportunities that past generations could only dream of. Through new initiatives, these soccer enthusiasts gain unprecedented access to resources that help mold their skills and character. Soccer's unifying power is spotlighted, illustrating how it bridges gaps and fosters a strong sense of community. Make sure to tune in next Thursday for another exciting episode, where we continue examining soccer's ever-growing impact in Arkansas and beyond.

Tiffany Yvonne Cox is a 1st generation Trinidadian actress, director, writer, and producer. She has been on several regional stages such as Chicago Shakespeare Theatre, Kansas City Repertory Theatre, The Milwaukee Repertory Theatre, and more. Select TV credits include: Grey's Anatomy; Dead To Me; Good Trouble and more. She currently can be seen playing Autumn Owens on Reasonable Doubt (Hulu) which was renewed for Season 2. And on Hallmark's Napa Ever After. In Tiffany's spare time she volunteers with CSH Speak Up! (where she supports those who have experienced homelessness in developing their story to share with legislation for more funding towards supportive housing) influenced her to direct and produce. Recent directing/producing credits include: Star Vehicle; Commune; Roadside Assistance; the podcast play LaDonna's Epiphany ft. Anna Maria Horsford. Tiffany started a grassroots group after joining SAG-AFTRA Leadership called MOVING THE DIAL to advocate for Black performers need for equity in Hair and Makeup on set. Since the inception of the group; the commercial and theatrical contracts added protections for people of color and those with textured hair. Follow her work at www.tiffanyyvonnecox.com.

In A House for Mr Biswas, his 1961 comic masterpiece, V.S. Naipaul pays tribute to his father and the vanishing world of his Trinidadian youth. Pankaj Mishra joins Adam Shatz in their first of four episodes to discuss the novel, a pathbreaking work of postcolonial literature and a particularly powerful influence on Pankaj himself. They explore Naipaul's fraught relationship to modernity, and the tensions between his attachment to individual freedom and his insistence on the constraints imposed by history. This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:Directly in Apple Podcasts: https://apple.co/3pJoFPqIn other podcast apps: lrb.me/closereadingsPankaj Mishra is a writer, critic and reporter who regularly contributes to the LRB. His books include Age of Anger: A History of the Present, From the Ruins of Empire: The Intellectuals Who Remade Asia and two novels, most recently Run and Hide.Get in touch: podcasts@lrb.co.uk Hosted on Acast. See acast.com/privacy for more information.

Wilkinson v. Garland, No. 22-666 (U.S. Mar. 19, 2024)jurisdiction; INA § 242(a)(2)(B) & (D); Guerro-Lasprilla; mixed question of law and fact; Patel Gomez-Ruotolo v. Garland, No. 23-1238 (4th Cir. Mar. 20, 2024)CIMT; categorical approach; electronic solicitation of a minor between seven and fourteen; VA Code § 18.2-374.3(c); attempted sexual battery on a child; VA Code Section 18.2-67.5(c); force; sexual battery by ruse; CAT protection from Venezuela Sabastian-Andres v. Garland, No. 23-3606 (6th Cir. Mar. 20, 2024)nexus; indigenous Guatemalan women; Mayan Akateko women  Ferreira v. Garland, No. 23-1543 (1st Cir. Mar. 21, 2024) BIA change to particular social group; women; nexus; family; Trinidadian women who oppose Trinidad's social norms in that they do not want to be subjected to abuse or violent sexual abuse by family members or significant others based on their gender Borjas Cruz v. Garland, No. 22-3035 (7th Cir. Mar. 21, 2024)nexus; extortion; motivation beyond money; Honduras Singh v. Garland, No. 22-211 (9th Cir. Mar. 22, 2024)past persecution standard in the Ninth Circuit; no serious physical harm required; DHS's relocation burden with Mann party claims and Punjab; IndiaTapia Coria v. Garland, No. 22-970 (9th Cir. Mar. 19, 2024)final order of removal; INA § 242(a)(2)(C); jurisdiction; on the merits review; Nasrallah; motion to remand; administrative closure; Nasrallah implicitly overruling prior precedentSponsors and friends of the podcast!Kurzban Kurzban Tetzeli and Pratt P.A.Immigration, serious injury, and business lawyers serving clients in Florida, California, and all over the world for over 40 years.Docketwise"Modern immigration software & case management"Driftwood Capital"A vertically integrated powerhouse in commercial real estate, developing hospitalityprojects for families seeking a secure EB-5 residency path." Filevine"Your Complete Legal Tech Stack, Supercharged by AI"Promo: Immigration.AI/ImmigrationReview Stafi"Remote staffing solutions for businesses of all sizes"Promo Code: stafi2024Get Started! Promo Code: FREEWant to become a patron?Click here to check out our Patreon Page!CONTACT INFORMATIONEmail: kgregg@kktplaw.comFacebook: @immigrationreviewInstagram: @immigrationreviewTwitter: @immreviewAbout your hostCase notesFeatured in San Diego VoyagerDISCLAIMER & CREDITSSee Eps. 1-200Support the show

Altheia Jones-Lecointe (1945 - present) is a Trinidadian physician and research assistant known for her role as a leader of the British Black Panther Movement. She represented herself in the hearings as one of the Mangrove Nine. It became one of the most influential Black power trials in British history. For Further Reading: Altheia Jones-Lecointe: the Black Panther who became a Mangrove Nine hero Saluting Our UCL Sisters: Elsa Goveia and Altheia Jones-Lecointe Celebrating the Women of the Mangrove Nine This Black History Month, we're talking about Revolutionaries: Black women who led struggles for liberation from violent governments, colonial rulers, and enslavers. These women had the courage to imagine radically different worlds – and used their power to try and pull those worlds into view. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more.  Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures.  Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, and Abbey Delk. Special thanks to Shira Atkins. Original theme music composed by Miles Moran. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.