Podcasts about GTA

Welcome to Episode 381 of New Dad Gaming! The 2025 "No New Games" challenge is finally complete, and the floodgates are open. In this 2026 kickoff special, Trevor and Jeff break down the massive list of games they denied themselves last year and the upcoming titles they can't wait to pre-order. We discuss the shifting landscape of 2026, including the looming release of GTA 6, the slump in console sales, and why we are both pivoting toward handhelds like the PlayStation Portal and Steam Deck to fit gaming into dad life. We also do a live "Google Search" deep dive into the top PC games coming this year, debating everything from Kingdom Come: Deliverance 2 to cozy farming sims like Fantasy Life. Plus, we discuss what a household looks like after a Roblox Ban and whether Fortnite or Star Wars Jedi will take its place. Topics Covered: The Floodgates Open: How it feels to finally be allowed to buy games again. Hardware Shift: Why we are ignoring the PS6 rumors to focus on Portable Gaming (Steam Deck & PS Portal). The 2026 Shopping List: Kingdom Come: Deliverance 2, Death Stranding 2, and Clair Obscur: Expedition 33. Backlog Catch-Up: Why Space Marine 2 is the first "old" game we are buying. Dad Life: Embracing "Mobile Gaming" (Red Dead on iPad) and why we are hoping for a Final Fantasy 7 Part 3demo. The Kids' Rotation: Life after banning Roblox and the move to Star Wars Jedi: Survivor. Timestamps: 0:00 - Intro: Welcome to 2026! 2:15 - The State of Gaming: GTA 6 & The Steam Deck Juggernaut 5:00 - Jeff's Wishlist: Final Fantasy 7 Part 3 & The PS Portal 8:30 - Trevor's Wishlist: Retro Handhelds & Red Dead on iPad 13:10 - Kids' Gaming Forecast: Can we keep Roblox out of the house? 17:45 - The "Immediate Buy" List: KCD2, Expedition 33, & Space Marine 2 22:00 - Live Reaction: Googling the "Top PC Games of 2026" (Arc Raiders & Donkey Kong?) 27:30 - Final Thoughts & Call for New Challenges Connect with New Dad Gaming:

Did you know that GTA 6 isn't the only game coming out in 2026? For example, on 27th May, IO Interactive will launch James Bond: 007 First Light onto PC, PS5, Xbox Series X/S and Nintendo Switch 2. At the Gamescom conference last year, Alex spoke to 007 First Light senior producer Theuns Smit to bring you this big preview! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Episode 406 - Our Most Anticipated Games of 2026In this week's episode of PS This Is Awesome!, Fred and Jake break down their most anticipated PlayStation games of 2026, sharing personal hype levels, early impressions, and why these titles are must-plays. From Marvel's Wolverine's intense action and cinematic storytelling to the massive open-world spectacle of GTA 6, the guys hit all the big names that will dominate next year. They also dive into Resident Evil: Requiem, Crimson Desert, Nioh 3, and other PS5 exclusives and multiplatform releases, giving listeners a sense of what to expect from both blockbuster and story-driven experiences.Fred shares his time with Silent Hill 2 Remake, the Corpo Intro on Cyberpunk 2077, and the Arizona Sunshine remake, while Jake discusses Silent Hill 2, Stardew Valley, The Outworlds 2 and his early thoughts on how these upcoming games stack up against classics. The episode also touches on PlayStation Plus changes in 2026, with PS4 titles being dropped from the Essential tier and a focus on PS5 and cross-gen games — plus speculation around a potential new Witcher 3 DLC nearly ten years after the original.It's a jam-packed episode for fans looking to plan their 2026 gaming calendars, mixing personal playtime, deep dives into upcoming releases, and news that could shift how PlayStation players experience their consoles next year.Visit www.patreon.com/psthisisawesome to support the show and help us continue producing the content you love!Please, if you enjoyed the content or even if you didn't quite enjoy this one, come back — we try to offer something for everybody. Share with your friends and help us grow our awesome PlayStation community!As always you can support our show at our Patreon Page. Thanks for listening.http://www.patreon.com/psthisisawesome Hosted on Acast. See acast.com/privacy for more information.

(00:00:00) 10 Profezie per il 2026 (e le mutande tassate) (00:00:29) Inizio del 2026 (00:00:40) Previsioni tecnologiche del 2026 (00:02:10) Il lancio di GTA 6 (00:09:58) Il mondo del gaming nel 2025 (00:13:42) Nuove tecnologie di Valve (00:19:54) Innovazioni nel settore smartphone (00:24:57) Futuro degli smartphone pieghevoli (00:27:51) Connettività satellitare nel 2026 (00:30:34) Potenziali cambiamenti nelle reti cellulari (00:35:17) Identità digitale e privacy (00:41:09) Intelligenza artificiale nella vita quotidiana (00:48:32) Regolamentazione dell'IA in Europa (01:03:31) Smart glasses del futuro (01:09:28) Conclusione e saluti L'ultimo episodio del 2025 è un intenso faccia a faccia con Francesco Graziani. Insieme commentiamo le 10 predizioni tech generate dall'AI per il 2026: dal dominio culturale di GTA 6 alla nuova offensiva hardware di Valve, passando per la morte delle "zone morte" grazie al satellite nativo. Non mancano le polemiche: tra AI Act, tasse doganali europee (spiegate con un curioso esempio di intimo usato) e il sogno di un'identità digitale sicura.Visita Digiteee e scopri tutte le notizie sulla tecnologiaSegui Digiteee su TikTokDimmi la tua su Twitter, su Threads, su Telegram, su Mastodon, su BlueSky o su Instagram.Mail jacoporeale@yahoo.it Scopri dove ascoltare il podcast e lascia una recensione su Apple Podcast o Spotify.Ascolta An iPad guy su YouTube Podcast.Supporta il podcast

On this week's very special episode of GTA VI O'clock, we sit down with Vinewood Public Access for an extended interview pulled from our 100th episode - breaking down radio stations, special editions, and why the music of GTA is so loved. Hosted on Acast. See acast.com/privacy for more information.

Das Jahr 2025 war eine Achterbahnfahrt für die Spieleindustrie. Während Branchenriesen wie EA straucheln und die "Live-Service-Blase" platzt, erleben Indie-Studios eine Renaissance der Kreativität. Doch der Schatten der KI wird länger: Ist sie das Ende menschlicher Kunst oder das ultimative Werkzeug? Wir analysieren den Einfluss von Private Equity, Chinas wachsender Macht und warum GTA 6 mehr ist als nur ein Spiel. Ein schonungsloser Jahresrückblick auf eine Branche zwischen Reboot und Resignation.

The Grand Theft Auto franchise has always been controversial. Violence, misogyny, theft and bloodshed...it was the ultimate power trip for those feeling trapped by the mundanities of modern life. But now, GTA 6 is coming, slated for a 2026 release...and more than carnage and nihilism comes a different kind of outrage. Of the game's two playable stars, one is Lucia, a tough-as-balls gal--the first female, in fact, to ever lead the franchise. This could be great, with Lucia playing the perfect helpmate to Jason, her hunky co-star. Or, this could be very bad, with Lucia playing the demanding girl boss, or worse, the guilty conscience the series has always dodged before. Will picking up random girls be as fun with Lucia around? Will it be fun blowing away countless men as a smart n' sassy, belligerent feminist? Rockstar better know what it's doing...Listeners are encouraged to check out the website lostnostalgia.com for more news, reviews, and musings on everything gaming, media, and retro related.Thanks to Decktonic for the bumper music.Thanks to Rewindapp Studio for "It's Summer 1987, You're Driving to Miami."

The Stranger Things coming out scene, a bunch of Somalians do day care, two fat women ruin your day, the pivotal decision of GTA 6's pride parades, Calfiornia ruins tortillas, the billionaire tax, and Maddox accidentally turns someone gay in highschool; all that and more this week on The Dick Show!

Depois de passarmos aquela Ceia de Natal maneira, hora de fazer aquela resenha sobre os carros de GTA com um verdadeiro especialista. O Flow Games de hoje traz o Guilherme Lemmi, da AvantGarde, para avaliar o histórico da série Grand Theft Auto com seus veículos e as expectativas para os carrões (e carrinhos!) de GTA 6!Será que vai rolar lasanha no novo jogo? Vem conferir com a gente!

Breaking down how much money Jake Paul made in his latest fight, new features announcer for GTA 6, Dubai's big plan for 2040, and more!----------0:00 HOW MUCH JAKE PAUL MADE FIGHTING!3:13 MAKESHIFT UPDATES/MERRY CHRISTMAS!6:23 FOUR NEW GTA 6 FEATURES!9:35 FOOD FROM ONE LETTER OF THE ABC!14:44 DUBAI'S 2040 PLAN!17:34 NAME THE FOUR SIDES OF A BOAT!19:35 SIGN UP FOR LEGENDZ!23:19 SONG TO DESCRIBE YOURSELF!27:35 ABOVE/BELOW AVERAGE 30 YR OLD?33:09 BACK TO BACK MONOLOGUES!37:10 THERE'S A SPOTIFY WRAPPED FOR EVERYTHING!43:19 MEMBER SHOUTOUTS!

Steam PC flops, Xbox layoffs return, Sony's handheld dominates, investors flee games for apps, Roblox sees a $100M exit, China beats Turkey, PC indie rises, mobile teams pivot to apps.01:01 Tribute to Vince Zampella08:03 Biggest Game of the Year Predictions08:09 GTA 6 and Its Impact11:42 Other Major Game Predictions14:13 Industry Macro Trends18:50 VC Investments and Gaming26:11 FIFA and Netflix Collaboration32:51 China's Dominance in Mobile Gaming38:52 Epic Games and the Future of Gaming43:08 Predictions for the Gaming Industry53:25 The AI Bubble and Its Implications56:50 Final Thoughts and Holiday Wishes

On this episode, we break down everything we think needs to happen to get the crypto market back on track in 2026.~This episode is sponsored by iTrust Capital~iTrustCapital | Get $100 Funding Reward + No Monthly Fees when you sign up using our custom link! ➜ https://bit.ly/iTrustPaul00:00 Intro00:50 Sponsor: iTrust Capital01:00 Bullish Catalysts01:20 Avoiding Gov Shutdown03:00 Healthcare receipts04:40 Positive Holiday Sales Outlook Q306:20 Congress is useless06:50 QE Back?07:30 Tariff Clarity08:00 Fed independence dead?09:30 This needs to away10:00 Metals Rally11:50 We need Clarity now12:30 Stablecoin & prediction markets catalyst13:40 ETH WINS14:00 Ethereum Upgrade in January?14:45 Money Market Funds move to Crypto15:15 Tokenized Gold & Silver continue growing16:30 Crypto outperforms tech bubble17:00 GTA 6 Actually Launches17:50 Scaramucci & Novagratz: 2026 will be about healing not hype20:20 Poll21:00 Outro#Crypto #Bitcoin #Ethereum~Crypto Catalyst Wishlist

On this Christmas Eve edition of Tech and Science Daily from The Standard, we're keeping it festive but still very London: Thames Water tackles a fresh Whitechapel fatberg blockage, while Crystal Palace Park's iconic Victorian dinosaur sculptures get a long-overdue restoration glow-up. After the break, we dip into seasonal gaming with Fortnite Winterfest and GTA festive gifts, plus a quick consumer tech check-in for last-minute kit. And in science, we've got a hopeful update on new research reshaping how we think about dopamine and movement in Parkinson's. Head to Standard.co.uk for all the latest Hosted on Acast. See acast.com/privacy for more information.

Julen är här och vi pratar om allt mellan jul och Jesus - och om Frasse Kings julklapp, någon har gett Frasse bakis-botemedlet. Vad vill kvinnor och Johan ha i julklapp, Brad Pitt. 62 år. Tidlöst face. Är det peak human? Chrille minns julklapparna: PS2, GTA och inga bekymmer. Jake Paul får en stor applåd för 6 rundor, har han återupplivat boxningscenen?

On this week's very special episode of GTA VI O'clock, we're joined by GTA 6 deep-diver Sav for an extended interview from our 100th episode - packed with insight, analysis, and everything Grand Theft Auto VI. Hosted on Acast. See acast.com/privacy for more information.

Jeff returns to the Couch to help present the year's best games. Plus, Jon has a special announcement, and Tyler reveals his TGA bet assignments.CHAPTERS* (00:04:56) Kept You Waiting AwardThe best game we played for the first time that wasn't from this year.* (00:21:46) Damnit, Not Yet! AwardThe game we ran out of time to play, but liked what little we did.* (00:27:31) Keep the Party Going AwardThe best DLC, expansion, remaster, or remake.* (00:39:40) Can I Pet that Dog? AwardThe most huggable character.* (00:46:36) With the Boys AwardThe best multiplayer experience.* (00:53:50) A-to-B AwardThe best movement (walking, running, jumping, sliding, etc.).* **SPOILERS! (00:59:12) WTF?! AwardThe most confusing or perplexing scene in a game.* (01:08:19) Good Ol' Days AwardA nostalgic game or moment that makes you feel like a kid again.* (01:15:49) You Had Me at Hello AwardThe best voice acting or performance in a game.* (01:22:17) Downtime AwardThe best mini-game or side activity.* (01:33:10) Push It Real Good AwardThe best iteration, innovation, or complete creation of a genre.* (01:40:03) Found My Main AwardFavorite character, loadout, or class.* (01:53:15) What Killed Jon AwardThe best game to stream.* (02:02:00) White Knuckle AwardPart of a game that was beyond frustratingly tough.* (02:14:50) PLEASE STOP AwardThe trend or “feature” we hope to never see again.* (2:22:46) Everyone is High AwardThe game that critics loved but just didn't land with us. (Or vice versa.)* (02:35:31) How Do You Spell That? AwardThe game with the dumbest name.* (02:43:23) In the Privacy of My Own Home AwardA game or moment that you might be a little embarrassed by.* (02:50:45) Fine Ass AwardThe most attractive or best-dressed character.* (02:58:36) White Hat AwardThe best protagonist.* (03:02:22) Black Hat AwardThe best antagonist.* (03:08:38) Engine Calibrator AwardThe best side character.* (03:14:37) Book Cover Judge AwardThe game we thought we'd hate but ended up loving. (Or vice versa.)* (00:00:00) Total Rockstars AwardThe best studio or developer.* (03:25:39) Take that Zodiac AwardAwarded to the genre of the year.(03:30:47) Jon's Special Announcement!* (03:37:15) Well, That's Just Cool AwardThe best mechanic in a game.* (03:48:09) Once Upon a Time AwardThe game with the most captivating introduction.* **SPOILERS! (03:55:34) Knee Slapper AwardThe funniest moment.* **SPOILERS! (04:09:10) It's a Bad Day for Rain AwardThe scene that brought us to tears.* (04:18:34) Titan Slayer AwardThe most unforgettable, epic, intense, or unique boss fight.* **SPOILERS! (04:29:04) Happily Ever After AwardThe game with the most satisfying, best, complete, or enjoyable ending.* (04:49:05) Better Than a Blanket AwardBest game or experience that made you feel cozy.* (04:51:57) Shostakovich Would Be Proud AwardFor outstanding music, inclusive of score, original song, and/or licensed soundtrack.* (05:06:00) Single Repeat AwardThe best track on the album.* (05:10:27) Lost My Ear AwardFor outstanding creative and/or technical achievement in artistic design and animation.* (05:21:03) Home Away from Home AwardBest world or world-building.* (05:28:50) Faker, What Was That?! AwardThe best combat in a game.* (05:37:09) Seeing the Board AwardThinky good.* (05:49:16) I Need a Cigarette AwardThe most satisfying thing we did in a game.* (05:58:44) Diamond in the Rough AwardThe best hidden gem.* **SPOILERS! (06:05:23) I Need a Minute AwardThe most profound, emotional, or thought-provoking moment.* (06:16:22) That's a Jon-Ass Game AwardThe game that makes you think of Jon.* (06:25:44) That's a Tyler-Ass Game AwardThe game that makes you think of Tyler.* (6:32:38) That's a Jeff-Ass Game AwardThe game that makes you think of Jeff.(06:41:49) Tyler's TGA Bet Assignments(06:57:28) Personal Top 10 Lists(07:36:28) Top 5: Games of 2025* (07:45:56) NOT Grand Theft Auto VI AwardThe game we are most looking forward to next year that isn't GTA.Special Thanks to Jeff!Be sure to tune in to WhatKilledJeff on Twitch every weekday 2 PM–6 PM EST.SUBSCRIBEApple Podcasts | Spotify | Overcast | Pocket CastsMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/roger-gabalda/the-great-wonderLicense code: OFUZWJKDGLQATPRX This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.couchcompany.games

Deze talkshow wordt mede mogelijk gemaakt door Philips Hue. Alle meningen in deze video zijn onze eigen. Philips Hue heeft inhoudelijk geen inspraak op de content en zien de video net als jullie hier voor het eerst op de site.Welkom bij een verse aflevering van Gamekings Daily. In deze gaming vodcast praten twee presentatoren van Gamekings over de laatste ontwikkelingen in de wereld die videogames heet. In deze laatste editie van 2025 schuift Skate bij JJ aan om te praten over een aantal onderwerpen. Allereerst is daar de voortdurende controverse over het gebruik van generative AI in games. De storm die ontstond toen Larian Studio's aangaf dat ze in het voortraject van Baldur's Gate 3 AI hadden gebruikt, blijft doorwaaien. Nu hebben de Indie Awards de award voor GOTY van Clair Obscur: Expedition 33 afgepakt. Wat is er aan de hand en waarom gebeurde dat? En wie nam de eerste plaats nu over. Je krijgt het antwoord op deze vraag in de Gamekings Daily van maandag 22 december 2025.Clair Obscur gestraft voor vermeend gebruik generative AIAndere onderwerpen in deze episode van de vodcast zijn de remake van de eerste Tomb Raider die aangepast wordt. Waarom? Om aan de wensen van de ‘moderne' gamer te voldoen. Plus de twee hebben het over een ex-medewerker van Rockstar die meldt dat verder uitstel van GTA 6 de game zal schaden.Check de coole OmniGlow LED-strips van Philips HuePhilips Hue heeft zoals zo vaak weer wat tofs voor je in petto: de OmniGlow LED strips. Deze strips maken het voor jou mogelijk om niet alleen je game-room, maar ook keuken, woonkamer, slaapkamer of trappenhuis van zowel functioneel als sfeervol licht te voorzien. Wil je meer info over deze funky strips of een video bekijken waarin getoond wordt wat je er allemaal kunt, check dan hier de pagina van OmniGlow.

A assinatura do contrato de energia de reserva entre a Diamante Geração de Energia e o Governo Federal, com validade até 2040, foi apontada como uma das principais conquistas de 2025 para o setor carbonífero catarinense. O acordo garante segurança jurídica e econômica a uma cadeia produtiva responsável por cerca de 21 mil empregos diretos e indiretos e por uma movimentação anual estimada em R$ 6 bilhões na economia regional. A avaliação foi feita pela presidente do Sindicato da Indústria de Extração de Carvão do Estado de Santa Catarina (Siecesc – Carvão +), Astrid Barato, durante entrevista concedida nesta terça-feira (23) ao programa Cruz de Malta Notícias. Segundo ela, o ano foi marcado por avanços importantes tanto na área econômica quanto ambiental, consolidando um novo momento para o setor. Entre os destaques, Astrid ressaltou o desenvolvimento de projetos de pesquisa e inovação no Centro Tecnológico da SATC, voltados à transição e à sustentabilidade da atividade carbonífera. As iniciativas incluem estudos sobre captura de carbono, além da produção de fertilizantes por meio de zeólitas obtidas a partir das cinzas do carvão, ampliando o aproveitamento de resíduos e agregando valor à cadeia produtiva. Outro ponto relevante foi o avanço na Ação Civil Pública (ACP) do Carvão, com a retomada das reuniões do Grupo Técnico de Assessoramento à Execução da Sentença (GTA), por determinação da Justiça Federal. O grupo discute parâmetros técnicos para a recuperação ambiental das áreas impactadas pela mineração no passado. Atualmente, cerca de 55% dessas áreas já passaram ou estão passando por obras de recuperação ambiental, resultado considerado significativo pelo setor. O Siecesc – Carvão + encerra o ano também com progressos nas tratativas para a liberação do uso de áreas da ACP localizadas em regiões densamente urbanizadas, o que pode contribuir para o desenvolvimento ordenado desses espaços. No campo social, o sindicato mantém o projeto Carvão Amigo, que presta auxílio a 12 entidades filantrópicas do Sul Catarinense, além de apoiar iniciativas como o Proerd, da Polícia Militar, os Protetores Ambientais da Polícia Militar Ambiental, o Projeto Golfinhos, do Corpo de Bombeiros, e o Pelotão da Esperança. Já no eixo esportivo, o Carvão + atua como patrocinador master do projeto Tigrinhos e do Campeonato Regional da Larm. Para Astrid Barato, os resultados de 2025 demonstram que o setor carbonífero segue em transformação, buscando conciliar desenvolvimento econômico, responsabilidade ambiental e compromisso social com a região Sul de Santa Catarina.

Send Studio Toot 'n Scoot a Text Message!Actor and film maker PJ Sosko joins us in Studio Toot n' Scoot to talk about finding fresh momentum in Oklahoma, turning an RV into a mobile studio, a cold‑reading night into a TV show, and auditions into play instead of pressure. We trade laughs and hard truths about craft, AI, and posting less but better.• why the show's voice grew from DIY cables to a three‑camera studio • RV interviews at festivals and what mobile setups unlock • self‑tape habits, embracing mistakes, and authentic choices • voiceover and mocap stories from Manhunt, GTA, and Red Dead • AI for clipping and admin vs writing and performance • likeness ethics, scans, and labor lines not to cross • streaming contraction, quality control, and working realities • Tulsa's film rise, crews that hum, and community building • The Sandbox cold readings evolving into a TV format • upcoming projects, SFX gore, and keeping output consistentMerry, Merry Christmas. Happy New Year. I hope you'll be looking forward to us when we have our season six premiere sometime in March or April.Visit BlendersEyewear.com and use the code: LUWF at check out to receive a sweet 16% discount on your total purchase price! They have many styles, colors, and even winter gear such as goggles and beanies to choose from. Blenders also make a fantastic stocking surprise for the upcoming winter holidays!Use code: LUWF at blenderseyewear.com for a 16% discount and PROTECT YOUR PEEPERS! Make sure to follow us on most social media platforms:Shane Harges Comedy on Facebook and Youtubes and @shaneharges on Insta and TikTok!Also bookmark shaneharges.com in your favorite web browser!

Tonight we've got a Georgia county that waited until the end of 2025 to stop panicking, teleporting car thieves, Soviet level tracking of Americans, a farmer looking at losing his farm over mistakenly irrigating the wrong farm, a drone playing prison santa, and all kinds of craziness.https://linktr.ee/anarchyamongfriendsCheck out Luna's FB page - https://www.facebook.com/AnarchistBeauties Andrew's YT - https://www.youtube.com/channel/UCYuYw7aFnaJBc8F6NCn-CKg/videos"InkedAnarchist15" for 15% off at https://www.thebeardstruggle.com/?rfsn=4064657.9a3f66&utm_source=refersion&utm_medium=affiliate&utm_campaign=4064657.9a3f66https://www.reaperapparelco.com/?ref=52cju0Cb Or use "InkedAnarchist" at checkout and get 10% off.Dubby Energy Discount! - https://www.dubby.gg/discount/InkedAnarchist?ref=jwtimwuiJeremy at The Quartering's 'Coffee Brand Coffee': https://coffeebrandcoffee.com/?ref=eryobzq3Poppins Patches - https://www.facebook.com/poppinspatches or poppinspatches.com Anarchy Among Friends Telegram - https://t.me/AAFRTDAnarchy Among Friends Rumble - https://rumble.com/user/ValhallarchistSpotify - https://open.spotify.com/show/0pqbeHBmWPN1sG0e6L28UvPodbean - https://www.podbean.com/podcast-detail/8yy6n-c5c4e/Anarchy-Among-Friends-PodcastApple Podcasts - https://podcasts.apple.com/us/podcast/anarchy-among-friends/id1459037636?ign-mpt=uo%3D4Stitcher - https://www.stitcher.com/podcast/anchor-podcasts/anarchy-among-friendsGooglePodcasts - https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy9hNGZmNzQwL3BvZGNhc3QvcnNzBreaker - https://www.breaker.audio/anarchy-among-friendsOvercast - https://overcast.fm/itunes1459037636/anarchy-among-friendsPocketCasts - https://pca.st/CDH3RadioPublic - https://radiopublic.com/anarchy-among-friends-WkzzjlBrandenburg v. Ohio, 395 U.S. 444 (1969), was a landmark United States Supreme Court case, interpreting the First Amendment to the U.S. Constitution. The Court held that government cannot punish inflammatory speech unless that speech is "directed to inciting or producing imminent lawless action and is likely to incite or produce such action. https://en.wikipedia.org/wiki/Brandenburg_v._Ohio THIS PODCAST IS COVERED BY A BipCot NoGov LICENSE. USE AND RE-USE BY ANYONE EXCEPT GOVERNMENTS OR THEIR AGENTS IS OK. MORE INFO: https://bipcot.org/Surprise to absolutely nobody:https://www.militarytimes.com/news/pentagon-congress/2025/12/19/pentagon-fails-financial-audit-for-8th-year-in-a-row/“COVID emergency”:https://www.dekalbcountyga.gov/news/dekalb-county-ceo-signs-executive-order-transitioning-county-government-post-emergency-workThinking is hard:https://nypost.com/2025/12/14/us-news/sophia-malak-a-known-shoplifter-tried-to-rob-walmart-in-hartford-wisconsin-in-front-of-15-cops/Teleported:https://nypost.com/2025/12/10/us-news/florida-whacko-claims-he-was-teleported-into-stolen-bmw-that-he-crashed-at-130-mph-you-saved-me-from-the-aliens/Losing His Farm:https://www.agweb.com/news/business/farmland/government-threatens-seizure-85-yr-olds-entire-farm-irrigating-wrong-fieldRide Or Die:https://local12.com/news/nation-world/authorities-intercept-drone-carrying-steak-crab-legs-weed-for-prison-inmates-steak-old-bay-seasoning-marlboro-incident-shocking-images-arrests-unknown-dinner-early-holiday-plans-lee-correctional-institution-machine-ai-remote-control-contrabandIRS Hard:https://www.newsweek.com/irs-onlyfans-content-tax-on-tips-dispute-11142570Andrew's Spirit Animal:https://www.wsmv.com/2025/12/02/heavily-intoxicated-raccoon-passes-out-liquor-store-bathroom-after-breaking-ransacking-shelves/Mom Fired:https://nypost.com/2025/11/24/us-news/oklahoma-7-eleven-clerk-stephanie-dilyard-fired-after-shooting-deranged-customer-who-attacked-her/GTA:https://www.jalopnik.com/1921739/car-wash-clean-getaway/“Suspicious Travel Patterns” :https://apnews.com/article/immigration-border-patrol-surveillance-drivers-ice-trump-9f5d05469ce8c629d6fecf32d32098cd

Nouvel épisode de Fake News juste avant Noël c'est pas beau ça ? 5 infos, certaines sont vraies et d'autres non, et c'est aux 3 candidats de démêler le vrai du faux Dans cet épisode on parle de Natascha Kampusch, de GTA en ligne, de visions de poitrines, de strip tease et de polices d'écritureEt je veux pas trop vous teaser mais on un final extraordinaire ! Si l'émission vous plaît, abonnez vous sur votre plateforme de streaming, partagez la sur les réseaux et mettez lui une bonne note la team L'instagram de Croductions :https://www.instagram.com/croductionspodcast?igsh=bXI0cmx6dmNiNWlq&utm_source=qrMon instagram :https://www.instagram.com/julescros?igsh=MWNlY2FnMHkzZWEycw%3D%3D&utm_source=qrMa chaîne YouTube :https://youtube.com/@julescros?si=P04Aw-INxYi9-tAdHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

The return of bump-slash combat is here, but what we're positing is: What if it's time for throw up and explode combat?Disclaimer: We recorded this before the recent news about Larian's use of generative AI for creative work. It's very disappointing.Discussed: the Vita is here, Persona 4 Golden, the upcoming remake of P4, our experience getting into Persona, our S-Link arcana, Vita games we're most excited for, a caveat from the future, the Divinity trailer, BG3, Divinity Original Sin 2, the pending fate of GTA 6, 2025 takeaways, Angeline Era, bump-slash renaissance, Octopath Traveler 0, Octopath as a series, the upcoming Elliott sweep, GOTY EveFind us everywhere: https://intothecast.onlineBuy some merch, if you'd like: https://shop.intothecast.onlineJoin the Patreon: https://www.patreon.com/intothecast---Follow Stephen Hilger: https://bsky.app/profile/stephenhilger.bsky.social Follow Brendon Bigley: https://bsky.app/profile/bb.wavelengths.onlineProduced by AJ Fillari: https://bsky.app/profile/ajfillari.bsky.social---Season 8 cover art by Scout Wilkinson: https://scoutwilkinson.myportfolio.com/Theme song by Will LaPorte: https://ghostdown.online/---Timecodes:(00:00) - Intro (00:24) - Vita means life! (07:10) - Persona 4 Golden | PSP stands for PerSona Playing (40:03) - What Vita game are you looking forward to? (44:58) - Break (45:00) - Quick Larian caveat (47:34) - Divinity | Vibe check (01:13:35) - Break (01:13:36) - C'mon Dutch! Bring me to that statue in the desert! (01:15:33) - Angeline Era | Brendon's been gaming (01:28:55) - Break (01:28:57) - Octopath Traveler 0 | A power-driven podcast (01:49:35) - GOTY eve! (01:54:00) - Wrapping up ---Thanks to all of our amazing patrons, including our Eternal Gratitude members:Vincent JPatrick KEd AJ-RockSamantha DNorth HeroSam HSnzznJ-RockGregory Mark SCmndr BiscuiticemanChristian HRydan BCaleb HArden FEye of the DuckKaleNathan EJ. H. AjoelchronoMellowMatthew BRobin LPSeekingSeakingJimmerszoey!Vinny MMattKerry KBrian MNoah DZach DChristopher TDHugo WToddChris BLukerfuffleStephen YDaniel GEric FTaran WBrendan OChris ZClayton MZach RDylan NFederico VTigerz RevengeLogan HAlan RJohn AMike LmattjanzzDavid MHeavyPixelsKaleb HTyler JCorey ZSusan HBarry TRobert RChris JBrett Allen HDan SJack SGarrett CjimiiboJohn HDirch FJim EJim WTristan LEvan BAwfulHanzomin2Aaron GJean HTodd Nred_wagonNeilPeter BJohn VvErik MRedmage77Joshua JTony LDanny KGibson GKate Duncan BRichard MDaniel NSeth MJamesAndy HDemoEmmaLyn ECorey TCaleb WJake LJesse WMike TCodesMatt BWesleymebezacAlex LSergio LninjadeathdogRory BA42PoundMooseRobert MMichael WAndrewthis_JUSTINRyan O14.3 billion yearsBrendan KMegan BSecretAgentKoalaNoah OArcturusAndrew WhepaheChase ALoveDiesNick QChris MRBKaren HAdam FScott HAlexander SMatt HMurrayDavid PJason KMicah OKamrin HAndrew DKyle SPhilip N ★ Support this podcast on Patreon ★

We map out 2026 across TV, anime, movies, and games with Kory from The World Is My Burrito, weighing returning favorites, new bets, and what might slip. Highs from 2025 awards, honest MCU worries, indie game love, and big‑event plans round it out.• Apple TV+ standouts with Shrinking and Monarch: Legacy of Monsters returning• Anime sequels vs new bets, from Freiren to Ghost In The Shell• 2026 film slate: Supergirl, Dune: Messiah, Odyssey, Mortal Kombat 2• Doomsday skepticism, RDJ as Doom, MCU stakes after Kang• Sleepers and wild cards: Project Hail Mary, Scary Movie 6, Mario Galaxy• Indie games to watch: Replaced, Reanimal, Dead As Disco, Nivalis• Remakes and reboots: Sands Of Time, Black Flag, Fable prospects• the Big Five release odds: Wolverine, GTA 6, Half‑Life 3, Fable, Elder Scrolls 6• Conventions, live events, streaming goals, and gear upgradesFollow Kory and The World Is My Burrito here: https://www.twimbpodcast.com/

Toronto City Council passes a motion to boost the slow-moving speed of the Finch LRT by giving it signal priority; Collectible store owners across the GTA say there's a growing issue of thefts involving valuable Pokémon trading cards; Five friends from the GTA have gone viral for embarking on ultra-long walks to explore the area.

https://whoisemmabass.comBioWith a firm focus on the heavier side of electronic music, Emma Bass is a 28-year-old powerhouse known for her distinctive sound and dynamic presence behind the decks. Blending underground energy with refined artistry, her sets weave together UKG, tech house, and bass - all delivered with that unmistakable Emma Bass flair.Fusing her talents as both a DJ and live vocalist, Emma brings a fresh live element to her performances, combining her commanding voice and strong songwriting abilities to create an experience that is as immersive as it is energetic.Her breakout collaboration with Nemo (AUS), “Why Don't You”, released on Be Rich Records, stormed the ARIA Club Charts and caught the attention of Steve Aoki, earning airtime across the U.S. and Canada. The success of the track launched Emma's first Australian tour, with standout performances at major venues including HQ Adelaide, Australia's largest nightclub.Further cementing her place in the scene, her collaboration with Lit Lords (USA) gained global traction after being featured on Trap Nation, amassing over 100K views and attracting attention from industry heavyweights.Known for her ability to move seamlessly between studio production and live performance, Emma continues to push boundaries, supporting some of the biggest names in electronic music -  sharing stages with:Skream, Chris Lorenzo, Art Work, Touch Sensitive, Moksi, Mike Cervello, Akouo, Lumberjvck, Borgore, Busy P, Griz, Nemo, Luude, Chenzo, Mighty Fools, AB The Thief, Figure, Crankdat, Noy, Nick Thayer, Human Movement, Preditah, Motez, AC Slater, DJ Q, Yellow Claw, My Nu Leng, TXNK, Hydraulix, Doctor Werewolf, GTA, Lawbrakr (Canada), Bonka, Captain Hook, Lorenzo Raganzini , Bag Raiders, Ben Hemsley, and Havana Brown.With her highly anticipated debut original single “Sweet Déjà Vu” set for release January 16th 2026, Emma Bass stands poised to make an even bigger mark on the global electronic scene — proving she's not just an artist to watch, but a force to be reckoned with.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

If you never played GTA, play it.

A mix of rain and snow makes for a messy commute for GTA residents as dozens of collisions are reported across the region; the new Finch West LRT is up and running but there is uncertainty as to who has the authority to make it run faster; and, the Ontario Liberals call on the Ford government to put U.S. liquor back on the shelves and donate the proceeds of sales to local food banks.

Sunday City looks like GTA… but it's actually one of the most brilliant social casino reveals of 2025.In this episode, we break down how Kefir built a perfect illusion onboarding, why the casino core is so polished, why the LiveOps/meta is shockingly advanced, and what the studio must fix (creatives!) to scale into the next Top Tycoon-level monster.What you'll learn• Why the GTA illusion onboarding is top-3 of the year• How Sunday City hides → reveals → embraces its casino core• Why this is Social Casino 3.0, not a clone• LiveOps structure: yoga, cruise ship, treasure digging, Wheel of Wonders• Why albums, star upgrades, and idle chips matter• What Kefir got right — and wrong — about creatives• Why they need 2× the creative output to compete with Chinese giants

Today, we discuss what could make Dallas such a sinful city, how some guy made his local cops' jobs really easy, a decent 10 Best Christmas movies of all time list, and a hospital worker in Mesquite who really wasn't concerned about the patient.  Dallas One Of The Most 'Sinful' Cities In The Country Per New StudyWaterbury man arrested for carjacking, then stealing same car again, police say10 Best Christmas Movies of All Time, Ranked by IMDb ScoreHospital worker in viral labor video no longer employed – NBC 5 Dallas-Fort WorthThe Treehouse Show is a Dallas based comedy podcast. Leave your worries outside and join Dan O'Malley, Trey Trenholm, Raj Sharma, and their guests for laughs about funny news, viral stories, and hilarious commentary.The Treehouse WebsiteGet MORE from the Treehouse Show on PatreonGet a FREE roof inspection from the best company in DFW:Cook DFW Roofing & Restoration CLICK HERE TO DONATE:The RMS Treehouse Listeners Foundation

Come join us this week as we discuss for the VERY FIRST TIME about our favorite toys we got for Christmas as kids!We are like 80% sure we haven't discussed this topic yet. But if we have, just consider this THE REMIX!!! So what do you say? wanna get Nostalgic with us? Make sure you email, or message us on social media and let us know what some of YOUR favorite toys were!Grab your favorite blanket, warm up a hot cup of cocoa and get Nostalgic with us!Make sure to leave us a 5 star review, and tell a friend about the show. If you want to suggest a topic for an upcoming show email us at NotableNostalgia90@Gmail.com or find us at Facebook.com/NotableNostalgiaThanks for listening Nostalgia Nerds!

Please support us on Patreonhttps://www.patreon.com/friendlyjordiespodcast00:00:00 - Intro00:03:37 – Barnaby Makes his Switch00:10:00 – Pakistan's Green Transition00:16:57 – Excited for GTA 600:25:05 - Social Media Ban00:53:08 - Liberals are internally blaming Trump for their election loss Hosted on Acast. See acast.com/privacy for more information.

Today we'll be talking about some significant changes coming to the way travelers fly in Thailand, murder and intrigues as cyanide was found after a toxicology report of a deceased Channel 8 reporter, and a little later an outrageous case of a Norwegian man going full GTA in Bangkok.

Trusting the process is a really important way to free yourself, and the film, to discover what it is.Viridiana Lieberman is an award-winning documentary filmmaker. She recently edited the Netflix sensation The Perfect Neighbor.In this interview we talk:* Viri's love of the film Contact* Immersion as the core goal in her filmmaking* Her editing tools and workflow* Film school reflections* The philosophy and process behind The Perfect Neighbor — crafting a fully immersive, evidence-only narrative and syncing all audio to its original image.* Her thoughts on notes and collaboration* Techniques for seeing a cut with fresh eyesYou can see all of Viri's credits on her IMD page here.Thanks for reading The Creativity, Education, and Leadership Newsletter! Subscribe for free to receive new posts and support my work.Here is an AI-generated transcript of our conversation. Don't come for me.BEN: Viri, thank you so much for joining us today.VIRI: Oh, thank you for having me. I'm excited to be here.BEN: And I always like to start with a fun question. So senior year of high school, what music were you listening to?VIRI: Oh my goodness. Well, I'm class of 2000, so I mean. I don't even know how to answer this question because I listen to everything.I'm like one of those people I was raving, so I had techno in my system. I have a lot of like, um. The, like, everything from Baby Ann to Tsta. Like, there was like, there was a lot, um, Oak and like Paul Oak and Full, there was like techno. Okay. Then there was folk music because I loved, so Ani DeFranco was the soundtrack of my life, you know, and I was listening to Tori Amos and all that.Okay. And then there's like weird things that slip in, like fuel, you know, like whatever. Who was staying? I don't remember when they came out. But the point is there was like all these intersections, whether I was raving or I was at Warp Tour or I was like at Lili Fair, all of those things were happening in my music taste and whenever I get to hear those songs and like that, that back late nineties, um, rolling into the Ox.Yeah.BEN: I love the Venn diagram of techno and folk music.VIRI: Yeah.BEN: Yeah. What, are you a fan of the film inside Lou and Davis?VIRI: Uh, yes. Yes. I need to watch it again. I watched it once and now you're saying it, and I'm like writing it on my to-dos,BEN: but yes, it, it, the first time I saw it. I saw in the East Village, actually in the theater, and I just, I'm a Cohen Brothers fan, but I didn't love it.Mm-hmm. But it, it stayed on my mind and yeah. Now I probably rewatch it once a year. It might, yeah. In my, in my, on my list, it might be their best film. It's so good. Oh,VIRI: now I'm gonna, I'm putting it on my, I'm literally writing it on my, um, post-it to watch it.BEN: I'mVIRI: always looking for things to watch in the evening.BEN: What, what are some of the docs that kind of lit your flame, that really turned you on?VIRI: Uh, this is one of those questions that I, full transparency, get very embarrassed about because I actually did not have a path of documentary set for me from my film Loving Passion. I mean, when I graduated film school, the one thing I knew I didn't wanna do was documentary, which is hilarious now.Hilarious. My parents laugh about it regularly. Um. Because I had not had a good documentary education. I mean, no one had shown me docs that felt immersive and cinematic. I mean, I had seen docs that were smart, you know, that, but, but they felt, for me, they didn't feel as emotional. They felt sterile. Like there were just, I had seen the most cliched, basic, ignorant read of doc.And so I, you know, I dreamed of making space epics and giant studio films. Contact was my favorite movie. I so like there was everything that about, you know, when I was in film school, you know, I was going to see those movies and I was just chasing that high, that sensory high, that cinematic experience.And I didn't realize that documentaries could be. So it's not, you know, ever since then have I seen docs that I think are incredible. Sure. But when I think about my origin tale, I think I was always chasing a pretty. Not classic, but you know, familiar cinematic lens of the time that I was raised in. But it was fiction.It was fiction movies. And I think when I found Docs, you know, when I was, the very long story short of that is I was looking for a job and had a friend who made docs and I was like, put me in coach, you know, as an editor. And she was like, you've never cut a documentary before. I love you. Uh, but not today.But no, she hired me as an archival producer and then I worked my way up and I said, no, okay, blah, blah, blah. So that path showed me, like I started working on documentaries, seeing more documentaries, and then I was always chasing that cinema high, which by the way, documentaries do incredibly, you know, and have for many decades.But I hadn't met them yet. And I think that really informs. What I love to do in Docs, you know, I mean, I think like I, there's a lot that I like to, but one thing that is very important to me is creating that journey, creating this, you know, following the emotion, creating big moments, you know, that can really consume us.And it's not just about, I mean, not that there are films that are important to me, just about arguments and unpacking and education. At the same time, we have the opportunity to do so much more as storytellers and docs and we are doing it anyway. So that's, that's, you know, when, it's funny, when light my fire, I immediately think of all the fiction films I love and not docs, which I feel ashamed about.‘cause now I know, you know, I know so many incredible documentary filmmakers that light my fire. Um, but my, my impulse is still in the fiction world.BEN: Used a word that it's such an important word, which is immersion. And I, I first saw you speak, um, a week or two ago at the doc NYC Pro panel for editors, documentary editors about the perfect neighbor, which I wanna talk about in a bit because talk about a completely immersive experience.But thank you first, uh, contact, what, what is it about contact that you responded to?VIRI: Oh my goodness. I, well, I watched it growing up. I mean, with my dad, we're both sci-fi people. Like he got me into that. I mean, we're both, I mean he, you know, I was raised by him so clearly it stuck around contact for me. I think even to this day is still my favorite movie.And it, even though I'm kind of a style nut now, and it's, and it feels classic in its approach, but. There's something about all the layers at play in that film. Like there is this crazy big journey, but it's also engaging in a really smart conversation, right? Between science and faith and some of the greatest lines from that film.Are lines that you can say to yourself on the daily basis to remind yourself of like, where we are, what we're doing, why we're doing it, even down to the most basic, you know, funny, I thought the world was what we make it, you know, it's like all of these lines from contact that stick with me when he says, you know, um, did you love your father?Prove it. You know, it's like, what? What is proof? You know? So there were so many. Moments in that film. And for me, you know, climbing into that vessel and traveling through space and when she's floating and she sees the galaxy and she says they should have sent a poet, you know, and you're thinking about like the layers of this experience and how the aliens spoilers, um, you know, show up and talk to her in that conversation herself.Anyways, it's one of those. For me, kind of love letters to the human race and earth and what makes us tick and the complexity of identity all in this incredible journey that feels so. Big yet is boiled down to Jody Foster's very personal narrative, right? Like, it's like all, it just checks so many boxes and still feels like a spectacle.And so the balance, uh, you know, I, I do feel my instincts normally are to zoom in and feel incredibly personal. And I love kind of small stories that represent so much and that film in so many ways does that, and all the other things too. So I'm like, how did we get there? But I really, I can't, I don't know what it is.I can't shake that film. It's not, you know, there's a lot of films that have informed, you know, things I love and take me out to the fringe and take me to the mainstream and, you know, on my candy and, you know, all those things. And yet that, that film checks all the boxes for me.BEN: I remember seeing it in the theaters and you know everything you said.Plus you have a master filmmaker at the absolute top Oh god. Of his class. Oh my,VIRI: yes,BEN: yes. I mean, that mirror shot. Know, know, I mean, my jaw was on the ground because this is like, right, right. As CGI is started. Yes. So, I mean, I'm sure you've seen the behind the scenes of how theyVIRI: Yeah.BEN: Incredible.VIRI: Years.Years. We would be sitting around talking about how no one could figure out how he did it for years. Anybody I met who saw contact would be like, but how did they do the mirror shot? Like I nobody had kind of, yeah. Anyways, it was incredible. And you know, it's, and I,BEN: I saw, I saw it just with some civilians, right?Like the mirror shot. They're like, what are you talking about? The what? Huh?VIRI: Oh, it's so funny you bring that up because right now, you know, I went a friend, I have a friend who's a super fan of Wicked. We went for Wicked for Good, and there is a sequence in that film where they do the mirror jot over and over and over.It's like the, it's like the. Special device of that. It feels that way. That it's like the special scene with Glenda and her song. And someone next to me was sitting there and I heard him under his breath go,wow.Like he was really having a cinematic. And I wanted to lean over and be like, watch contact, like, like the first time.I saw it was there and now it's like people have, you know, unlocked it and are utilizing it. But it was, so, I mean, also, let's talk about the opening sequence of contact for a second. Phenomenal. Because I, I don't think I design, I've ever seen anything in cinema in my life like that. I if for anybody who's listening to this, even if you don't wanna watch the entire movie, which of course I'm obviously pitching you to do.Watch the opening. Like it, it's an incredible experience and it holds up and it's like when, yeah. Talk about attention to detail and the love of sound design and the visuals, but the patience. You wanna talk about trusting an audience, sitting in a theater and that silence Ah, yeah. Heaven film heaven.BEN: I mean, that's.That's one of the beautiful things that cinema does in, in the theater. Right. It just, you're in, you're immersed in this case, you know, pulling away from earth through outer space at however many, you know, hundreds of millions of miles an hour. You can't get that anywhere else. Yeah. That feeling,VIRI: that film is like all the greatest hits reel of.Storytelling gems. It's like the adventure, the love, the, you know, the, the complicated kind of smart dialogue that we can all understand what it's saying, but it's, but it's doing it through the experience of the story, you know, and then someone kind of knocks it outta the park without one quote where you gasp and it's really a phenomenal.Thing. Yeah. I, I've never, I haven't talked about contact as much in ages. Thank you for this.BEN: It's a great movie. It's there, and there were, there were two other moments in that movie, again when I saw it, where it's just like, this is a, a master storyteller. One is, yeah. When they're first like trying to decode the image.Mm-hmm. And you see a swastika.VIRI: Yeah. Oh yeah. And you're like,BEN: what the, what the f**k? That was like a total left turn. Right. But it's, it's, and I think it's, it's from the book, but it's like the movie is, it's, it's, you know, it's asking these questions and then you're like totally locked in, not expecting.You know, anything from World War II to be a part of this. And of course in the movie the, go ahead.VIRI: Yeah, no, I was gonna say, but the seed of thatBEN: is in the first shot,VIRI: scientifically educating. Oh yes. Well, the sensory experience, I mean, you're like, your heart stops and you get full Bo chills and then you're scared and you know, you're thinking a lot of things.And then when you realize the science of it, like the first thing that was broadcast, like that type of understanding the stakes of our history in a space narrative. And, you know, it, it just, there's so much. You know, unfurling in your mind. Yeah. In that moment that is both baked in from your lived experiences and what you know about the world, and also unlocking, so what's possible and what stakes have already been outside of this fiction, right?Mm-hmm. Outside of the book, outside of the telling of this, the reality of what has already happened in the facts of it. Yeah. It's really amazing.BEN: And the other moment we're just, and now, you know, being a filmmaker, you look back and I'm sure this is, it falls neatly and at the end of the second act. But when Tom scars, you know, getting ready to go up on the thing and then there's that terrorist incident or whatever, and the whole thing just collapses, the whole, um, sphere collapses and you just like, wait, what?Is that what's gonna happen now?VIRI: Yeah, like a hundred million dollars in it. It does too. It just like clink pun. Yeah. Everything.BEN: Yeah.VIRI: Think they'll never build it again. I mean, you just can't see what's coming after that and how it went down, who it happened to. I mean, that's the magic of that film, like in the best films.Are the ones where every scene, every character, it has so much going into it. Like if somebody paused the film there and said, wait, what's happening? And you had to explain it to them, it would take the entire movie to do it, you know, which you're like, that's, we're in it. Yeah. Anyway, so that's a great moment too, where I didn't, and I remember when they reveal spoilers again, uh, that there's another one, but when he is zooming in, you know, and you're like, oh, you know, it just, it's, yeah.Love it. It's wonderful. Now, I'm gonna watch that tonight too. IBEN: know, I, I haven't probably, I probably haven't watched that movie in 10 years, but now I gotta watch it again.VIRI: Yeah.BEN: Um, okay, so let's talk doc editing. Yes. What, um, I always like to, I heard a quote once that something about when, when critics get together, they talk meaning, and when artists get together, they talk paint.So let's talk paint for a second. What do you edit on?VIRI: I cut mainly on Avid and Premier. I, I do think of myself as more of an avid lady, but there's been a lot of probably the films that have done the most. I cut on Premier, and by that I mean like, it's interesting that I always assume Avid is my standard yet that most of the things that I love most, I cut on Premiere right now.I, I toggle between them both multiple projects on both, on both, um, programs and they're great. I love them equal for different reasons. I'm aBEN: big fan of Avid. I think it gets kind of a, a bad rap. Um, what, what are the benefits of AVID versus pr? I've never used Premier, but I was a big final cut seven person.So everybody has said that. Premier kind of emulates Final cut. Seven.VIRI: I never made a past seven. It's funny, I recently heard people are cutting on Final Cut Pro again, which A adds off. But I really, because I thought that ship had sailed when they went away from seven. So with, I will say like the top line things for me, you know, AVID forces you to control every single thing you're doing, which I actually think it can feel hindering and intimidating to some folks, but actually is highly liberating once you learn how to use it, which is great.It's also wonderful for. Networks. I mean, you can send a bin as a couple kilobyte. Like the idea that the shared workflow, when I've been on series or features with folks, it's unbeatable. Uh, you know, it can be cumbersome in like getting everything in there and stuff like that and all, and, but, but it kind of forces you to set up yourself for success, for online, for getting everything out.So, and there's a lot of good things. So then on conversely Premier. It's amazing ‘cause you can hit the ground running. You just drag everything in and you go. The challenge of course is like getting it out. Sometimes that's when you kind of hit the snaps. But I am impressed when I'm working with multiple frame rates, frame sizes, archival for many decades that I can just bring it into Premier and go and just start cutting.And you know, also it has a lot of intuitive nature with other Adobe Pro, you know, uh, applications and all of this, which is great. There's a lot of shortcuts. I mean, they're getting real. Slick with a lot of their new features, which I have barely met. I'm like an archival, I'm like a ancient picture editor lady from the past, like people always teach me things.They're just like, you know, you could just, and I'm like, what? But I, so I guess I, you know, I don't have all the tech guru inside talk on that, but I think that when I'm doing short form, it does feel like it's always premier long form. Always seems to avid. Team stuff feels avid, you know, feature, low budge features where they're just trying to like make ends meet.Feel Premier, and I think there's an enormous accessibility with Premier in that regard. But I still feel like Avid is a studios, I mean, a, a studio, well, who knows? I'm cut in the studios. But an industry standard in a lot of ways it still feels that way.BEN: Yeah, for sure. How did you get into editing?VIRI: I went to film school and while I was there, I really like, we did everything.You know, we learned how to shoot, we learned everything. Something about editing was really thrilling to me. I, I loved the puzzle of it, you know, I loved putting pieces together. We did these little funny exercises where we would take a movie and cut our own trailer and, you know, or they'd give us all the same footage and we cut our scene from it and.Itwas really incredible to see how different all those scenes were, and I loved finding ways to multipurpose footage, make an entire tone feel differently. You know, like if we're cutting a scene about a bank robbery, like how do you all of a sudden make it feel, you know, like romantic, you know, or whatever.It's like how do we kind of play with genre and tone and how much you can reinvent stuff, but it was really structure and shifting things anyways, it really, I was drawn to it and I had fun editing my things and helping other people edit it. I did always dream of directing, which I am doing now and I'm excited about, but I realized that my way in with editing was like learning how to do a story in that way, and it will always be my language.I think even as I direct or write or anything, I'm really imagining it as if I'm cutting it, and that could change every day, but like when I'm out shooting. I always feel like it's my superpower because when I'm filming it's like I know what I have and how I'll use it and I can change that every hour.But the idea of kind of knowing when you've got it or what it could be and having that reinvented is really incredible. So got into edit. So left film school. And then thought and loved editing, but wasn't like, I'm gonna be an editor. I was still very much on a very over, you know what? I guess I would say like, oh, I was gonna say Overhead, broad bird's eye.I was like, no, I'm gonna go make movies and then I'll direct ‘em and onward, but work, you know, worked in post houses, overnights, all that stuff and PA and try made my own crappy movies and you know, did a lot of that stuff and. It kept coming back to edit. I mean, I kept coming back to like assistant jobs and cutting, cutting, cutting, cutting, and it just felt like something that I had a skill for, but I didn't know what my voice was in that.Like I didn't, it took me a long time to realize I could have a voice as an editor, which was so dumb, and I think I wasted so much time thinking that like I was only search, you know, like that. I didn't have that to bring. That editing was just about. Taking someone else's vision. You know, I'm not a set of hands like I'm an artist as well.I think we all are as editors and I was very grateful that not, not too long into, you know, when I found the doc path and I went, okay, I think this is where I, I can rock this and I'm pretty excited about it. I ended up working with a small collection of directors who all. Respected that collaboration.Like they were excited for what I do and what I bring to it and felt, it made me feel like we were peers working together, which was my fantasy with how film works. And I feel like isn't always the constant, but I've been spoiled and now it's what I expect and what I want to create for others. And you know, I hope there's more of us out there.So it's interesting because my path to editing. Was like such a, a practical one and an emotional one, and an ego one, and a, you know, it's like, it's like all these things that have led me to where I am and the perfect neighbor is such a culmination of all of that. For sure.BEN: Yeah. And, and I want to get into it, uh, first the eternal question.Yeah. Film school worth it or not worth it?VIRI: I mean, listen, I. We'll share this. I think I've shared this before, but relevant to the fact I'll share it because I think we can all learn from each other's stories. I did not want to go to college. Okay? I wanted to go straight to la. I was like, I'm going to Hollywood.I wanted to make movies ever since I was a kid. This is what I'm gonna do, period. I come from a family of teachers. All of my parents are teachers. My parents divorced. I have my stepparent is teacher, like everybody's a teacher. And they were like, no. And not just a teacher. My mom and my dad are college professors, so they were like college, college, college.I sabotaged my SATs. I did not take them. I did not want to go to college. I was like, I am going to Los Angeles. Anyways, uh, my parents applied for me. To an accredited arts college that, and they were like, it's a three year try semester. You'll shoot on film, you can do your, you know, and they submitted my work from high school when I was in TV production or whatever.Anyways, they got me into this little college, and when I look back, I know that that experience was really incredible. I mean, while I was there, I was counting the days to leave, but I know that it gave me not only the foundation of. You know, learning, like, I mean, we were learning film at the time. I don't know what it's like now, but like we, you know, I learned all the different mediums, which was great on a vocational level, you know, but on top of that, they're just throwing cans of film at us and we're making all the mistakes we need to make to get where we need to get.And the other thing that's happening is there's also like the liberal arts, this is really, sounds like a teacher's kid, what I'm about to say. But like, there's also just the level of education To be smarter and learn more about the world, to inform your work doesn't mean that you can't. You can't skip college and just go out there and find your, and learn what you wanna learn in the stories that you journey out to tell.So I feel really torn on this answer because half of me is like. No, you don't need college. Like just go out and make stuff and learn what you wanna learn. And then the other half of me have to acknowledge that, like, I think there was a foundation built in that experience, in that transitional time of like semi-structure, semi independence, you know, like all the things that come with college.It's worth it, but it's expensive as heck. And I certainly, by the time I graduated, film wasn't even a thing and I had to learn digital out in the world. And. I think you can work on a film set and learn a hell of a lot more than you'll ever learn in a classroom. And at the same time, I really love learning.So, you know, my, I think I, my parents were right, they know it ‘cause I went back to grad school, so that was a shock for them. But I think, but yeah, so I, I get, what I would say is, it really is case, this is such a cop out of an answer, case by case basis. Ask yourself, you know, if you need that time and if you, if you aren't gonna go.You need to put in the work. You have to really like go out, go on those sets, work your tail off, seek out the books, read the stuff, you know, and no one's gonna hand you anything. And my stories are a hell of a lot, I think smarter and eloquent because of the education I had. Yeah.BEN: So you shuttle on, what was the school, by the way?VIRI: Well, it was called the, it was called the International Fine Arts College. It no longer exists because Art Institute bought it. It's now called the Miami International University of Art and Design, and they bought it the year I graduated. So I went to this tiny little arts college, uh, but graduated from this AI university, which my parents were like, okay.Um, but we were, it was a tiny little college owned by this man who would invite all of us over to his mansion for brunch every year. I mean, it was very strange, but cool. And it was mainly known for, I think fashion design and interior design. So the film kids, we all kind of had, it was an urban campus in Miami and we were all like kind of in a wado building on the side, and it was just kind of a really funky, misfit feeling thing that I thought was, now when I look back, I think was like super cool.I mean, they threw cans of film at us from the very first semester. There was no like, okay, be here for two years and earn your opportunity. We were making stuff right away and all of our teachers. All of our professors were people who were working in the field, like they were ones who were, you know, writing.They had written films and fun fact of the day, my, my cinematography professor was Sam Beam from Iron and Wine. If anybody knows Iron and Wine, like there's like, there's like we, we had crazy teachers that we now realize were people who were just probably trying to pay their bills while they were on their journey, and then they broke out and did their thing after we were done.BEN: Okay, so shooting on film. Yeah. What, um, was it 16 or 35? 16. And then how are you doing sound? No, notVIRI: 35, 16. Yeah. I mean, we had sound on Dax, you know, like we were recording all the mm-hmm. Oh, when we did the film. Yeah, yeah. Separate. Yeah, yeah, yeah. We did the Yeah. Syncs soundBEN: into a We did a,VIRI: yeah, we did, we did one.We shot on a Bolex, I think, if I remember it right. It did like a tiny, that probably was eight, you know? But the point is we did that on. The flatbed. After that, we would digitize and we would cut on media 100, which was like this. It was, I think it was called the, I'm pretty sure it was called Media 100.It was like this before avid, you know. A more archaic editing digital program that, so we did the one, the one cut and splice version of our, our tiny little films. And then we weren't on kind of beautiful steam backs or anything. It was like, you know, it was much, yeah, smaller. But we had, but you know, we raced in the changing tents and we did, you know, we did a lot of film, love and fun.And I will tell you for your own amusement that we were on set once with somebody making their short. The girl at the AC just grabbed, grabbed the film, what's, oh my God, I can't even believe I'm forgetting the name of it. But, um, whatever the top of the camera grabbed it and thought she had unlocked it, like unhinged it and just pulled it out after all the film just come spooling out on set.And we were like, everybody just froze and we were just standing there. It was like a bad sketch comedy, like we're all just standing there in silence with like, just like rolling out of the camera. I, I'll never forget it.BEN: Nightmare. Nightmare. I, you know, you said something earlier about when you're shooting your own stuff.Being an editor is a little bit of a superpower because you know, oh, I'm gonna need this, I'm gonna need that. And, and for me it's similar. It's especially similar. Like, oh, we didn't get this. I need to get an insert of this ‘cause I know I'm probably gonna want that. I also feel like, you know, I came up, um, to instill photography, 35 millimeter photography, and then when I got into filmmaking it was, um, digital, uh, mini DV tape.So, but I feel like the, um, the structure of having this, you know, you only have 36 shots in a still camera, so you've gotta be sure that that carried over even to my shooting on digital, of being meticulous about setting up the shot, knowing what I need. Whereas, you know, younger people who have just been shooting digital their whole lives that just shoot everything and we'll figure it out later.Yeah. Do do you, do you feel you had that Advant an advantage? Yes. Or sitting on film gave you some advantages?VIRI: I totally, yes. I also am a firm believer and lover of intention. Like I don't this whole, like we could just snap a shot and then punch in and we'll, whatever. Like it was my worst nightmare when people started talking about.We'll shoot scenes and something, it was like eight K, so we can navigate the frame. And I was like, wait, you're not gonna move the camera again. Like, it just, it was terrifying. So, and we passed that, but now the AI stuff is getting dicey, but the, I think that you. I, I am pretty romantic about the hands-on, I like books with paper, you know, like, I like the can, the cinematographer to capture, even if it's digital.And those benefits of the digital for me is like, yes, letting it roll, but it's not about cheating frames, you know, like it's about, it's about the accessibility of being able to capture things longer, or the technology to move smoother. These are good things. But it's not about, you know, simplifying the frame in something that we need to, that is still an art form.Like that's a craft. That's a craft. And you could argue that what we choose, you know, photographers, the choice they make in Photoshop is the new version of that is very different. Like my friends who are dps, you know, there's always like glasses the game, right? The lenses are the game. It's like, it's not about filters In posts, that was always our nightmare, right?The old fix it and post everybody's got their version of their comic strip that says Fix it and post with everything exploding. It's like, no, that's not what this is about. And so, I mean, I, I think I'll always be. Trying to, in my brain fight the good fight for the craftiness of it all because I'm so in love with everything.I miss film. I'm sad. I miss that time. I mean, I think I, it still exists and hopefully someday I'll have the opportunity that somebody will fund something that I'm a part of that is film. And at the same time there's somewhere in between that still feels like it's honoring that freshness. And, and then now there's like the, yeah, the new generation.It's, you know, my kids don't understand that I have like. Hand them a disposable camera. We'll get them sometimes for fun and they will also like click away. I mean, the good thing you have to wind it so they can't, they can't ruin it right away, but they'll kind of can't fathom that idea. And um, and I love that, where you're like, we only get 24 shots.Yeah, it's veryBEN: cool. So you said you felt the perfect neighbor, kind of, that was the culmination of all your different skills in the craft of editing. Can you talk a little bit about that?VIRI: Yes. I think that I spent, I think all the films, it's like every film that I've had the privilege of being a part of, I have taken something like, there's like some tool that was added to the tool belt.Maybe it had to do with like structure or style or a specific build to a quote or, or a device or a mechanism in the film, whatever it is. It was the why of why that felt right. That would kind of be the tool in the tool belt. It wouldn't just be like, oh, I learned how to use this new toy. It was like, no, no.There's some kind of storytelling, experience, technique, emotion that I felt that Now I'm like, okay, how do I add that in to everything I do? And I want every film to feel specific and serve what it's doing. But I think a lot of that sent me in a direction of really always approaching a project. Trying to meet it for like the, the work that only it can do.You know, it's like, it's not about comps. It's not about saying like, oh, we're making a film that's like, fill in the blank. I'm like, how do we plug and play the elements we have into that? It's like, no, what are the elements we have and how do we work with them? And that's something I fought for a lot on all the films I've been a part of.Um, and by that I mean fight for it. I just mean reminding everybody always in the room that we can trust the audience, you know, that we can. That, that we should follow the materials what, and work with what we have first, and then figure out what could be missing and not kind of IME immediately project what we think it needs to be, or it should be.It's like, no, let's discover what it is and then that way we will we'll appreciate. Not only what we're doing in the process, but ultimately we don't even realize what it can do for what it is if we've never seen it before, which is thrilling. And a lot of those have been a part of, there have been pockets of being able to do that.And then usually near the end there's a little bit of math thing that happens. You know, folks come in the room and they're trying to, you know, but what if, and then, but other people did. Okay, so all you get these notes and you kind of reel it in a little bit and you find a delicate balance with the perfect neighbor.When Gita came to me and we realized, you know, we made that in a vacuum like that was we, we made that film independently. Very little money, like tiny, tiny little family of the crew. It was just me and her, you know, like when we were kind of cutting it together and then, and then there's obviously producers to kind of help and build that platform and, and give great feedback along the way.But it allowed us to take huge creative risks in a really exciting way. And I hate that I even have to use the word risks because it sounds like, but, but I do, because I think that the industry is pushing against, you know, sometimes the spec specificity of things, uh, in fear of. Not knowing how it will be received.And I fantasize about all of us being able to just watch something and seeing how we feel about it and not kind of needing to know what it is before we see it. So, okay, here comes the perfect neighbor. GTA says to me early on, like, I think. I think it can be told through all these materials, and I was like, it will be told through like I was determined and I held us very strict to it.I mean, as we kind of developed the story and hit some challenges, it was like, this is the fun. Let's problem solve this. Let's figure out what it means. But that also came within the container of all this to kind of trust the audience stuff that I've been trying to repeat to myself as a mantra so I don't fall into the trappings that I'm watching so much work do.With this one, we knew it was gonna be this raw approach and by composing it completely of the evidence, it would ideally be this kind of undeniable way to tell the story, which I realized was only possible because of the wealth of material we had for this tracked so much time that, you know, took the journey.It did, but at the same time, honoring that that's all we needed to make it happen. So all those tools, I think it was like. A mixed bag of things that I found that were effective, things that I've been frustrated by in my process. Things that I felt radical about with, you know, that I've been like trying to scream in, into the void and nobody's listening.You know, it's like all of that because I, you know, I think I've said this many times. The perfect neighbor was not my full-time job. I was on another film that couldn't have been more different. So I think in a, in a real deep seated, subconscious way, it was in conversation with that. Me trying to go as far away from that as possible and in understanding what could be possible, um, with this film.So yeah, it's, it's interesting. It's like all the tools from the films, but it was also like where I was in my life, what had happened to me, you know, and all of those. And by that I mean in a process level, you know, working in film, uh, and that and yes, and the values and ethics that I honor and wanna stick to and protect in the.Personal lens and all of that. So I think, I think it, it, it was a culmination of many things, but in that approach that people feel that has resonated that I'm most proud of, you know, and what I brought to the film, I think that that is definitely, like, I don't think I could have cut this film the way I did at any other time before, you know, I think I needed all of those experiences to get here.BEN: Oh, there's so much there and, and there's something kind of the. The first part of what you were saying, I've had this experience, I'm curious if you've had this experience. I sort of try to prepare filmmakers to be open to this, that when you're working with something, especially Doc, I think Yeah. More so Doc, at a certain point the project is gonna start telling you what it wants to be if you, if you're open to it.Yes. Um, but it's such a. Sometimes I call it the spooky process. Like it's such a ephemeral thing to say, right? Like, ‘cause you know, the other half of editing is just very technical. Um, but this is like, there's, there's this thing that's gonna happen where it's gonna start talking to you. Do you have that experience?VIRI: Yes. Oh, yes. I've also been a part of films that, you know, they set it out to make it about one person. And once we watched all the footage, it is about somebody else. I mean, there's, you know, those things where you kind of have to meet the spooky part, you know, in, in kind of honoring that concept that you're bringing up is really that when a film is done, I can't remember cutting it.Like, I don't, I mean, I remember it and I remember if you ask me why I did something, I'll tell you. I mean, I'm very, I am super. Precious to a fault about an obsessive. So like you could pause any film I've been a part of and I'll tell you exactly why I used that shot and what, you know, I can do that. But the instinct to like just grab and go when I'm just cutting and I'm flowing.Yeah, that's from something else. I don't know what that is. I mean, I don't. People tell me that I'm very fast, which is, I don't know if that's a good or a bad thing, but I think it really comes from knowing that the job is to make choices and you can always go back and try different things, but this choose your own adventure novel is like just going, and I kind of always laugh about when I look back and I'm like, whoa, have that happen.Like, you know, like I don't even. And I have my own versions of imposter syndrome where I refill mens and I'm like, oh, got away with that one. Um, or every time a new project begins, I'm like, do I have any magic left in the tank? Um, but, but trusting the process, you know, to what you're socking about is a really important way to free yourself and the film to.Discover what it is. I think nowadays because of the algorithm and the, you know, I mean, it's changing right now, so we'll see where, how it recalibrates. But for a, for a while, over these past years, the expectations have, it's like shifted where they come before the film is like, it's like you create your decks and your sizzles and you write out your movie and you, and there is no time for discovery.And when it happens. It's like undeniable that you needed to break it because it's like you keep hitting the same impasse and you can't solve it and then you're like, oh, that's because we have to step outta the map. But I fear that many works have suffered, you know, that they have like followed the map and missed an opportunity.And so, you know, and for me as an editor, it's always kinda a red flag when someone's like, and here's the written edit. I'm like, what? Now let's watch the footage. I wanna know where There's always intention when you set up, but as people always say, the edit is kind of the last. The last step of the storytelling process.‘cause so much can change there. So there is, you know, there it will reveal itself. I do get nerdy about that. I think a film knows what it is. I remember when I was shooting my first film called Born to Play, that film, we were. At the championship, you know, the team was not, thought that they were gonna win the whole thing.We're at the championship and someone leaned over to me and they said, you know, it's funny when a story knows it's being filmed. And I was like, ah. I think about that all the time because now I think about that in the edit bay. I'm like, okay, you tell me, you know, what do you wanna do? And then you kind of like, you match frame back to something and all of a sudden you've opened a portal and you're in like a whole new theme.It's very cool. You put, you know, you put down a different. A different music temp, music track, and all of a sudden you're making a new movie. I mean, it's incredible. It's like, it really is real world magic. It's so much fun. Yeah,BEN: it is. It's a blast. The, so, uh, I saw you at the panel at Doc NYC and then I went that night or the next night and watched Perfect Neighbor blew me away, and you said something on the panel that then blew me away again when I thought about it, which is.I think, correct me if I'm wrong, all of the audio is syncedVIRI: Yeah. To the footage.BEN: That, to me is the big, huge, courageous decision you made.VIRI: I feel like I haven't said that enough. I don't know if folks understand, and it's mainly for the edit of that night, like the, I mean, it's all, it's, it's all that, but it was important.That the, that the sound would be synced to the shock that you're seeing. So when you're hearing a cop, you know, a police officer say, medics, we need medics. If we're in a dashboard cam, that's when it was, you know, echoing from the dashboard. Like that's what, so anything you're hearing is synced. When you hear something coming off from the per when they're walking by and you hear someone yelling something, you know, it's like all of that.I mean, that was me getting really strict about the idea that we were presenting this footage for what it was, you know, that it was the evidence that you are watching, as you know, for lack of a better term, unbiased, objectively as possible. You know, we're presenting this for what it is. I, of course, I have to cut down these calls.I am making choices like that. That is happening. We are, we are. Composing a narrative, you know, there, uh, that stuff is happening. But to create, but to know that what you're hearing, I'm not applying a different value to the frame on, on a very practical syn sound way. You know, it's like I'm not gonna reappropriate frames.Of course, in the grand scheme of the narrative flow with the emotions, you know, the genre play of this horror type film, and there's a lot happening, but anything you were hearing, you know, came from that frame. Yeah.BEN: That's amazing. How did you organize the footage and the files initially?VIRI: Well, Gita always likes to laugh ‘cause she is, she calls herself my first ae, which is true.I had no a, you know, I had, she was, she had gotten all that material, you know, she didn't get that material to make a film. They had originally, this is a family friend who died and when this all happened, they went down and gathered this material to make a case, to make sure that Susan didn't get out. To make sure this was not forgotten.You know, to be able to utilize. Protect the family. And so there was, at first it was kind of just gathering that. And then once she got it, she realized that it spanned two years, you know, I mean, she, she popped, she was an editor for many, many years, an incredible editor. She popped it into a system, strung it all out, sunk up a lot of it to see what was there, and realized like, there's something here.And that's when she called me. So she had organized it, you know, by date, you know, and that, that originally. Strung out a lot of it. And then, so when I came in, it was just kind of like this giant collection of stuff, like folders with the nine one calls. How long was the strung out? Well, I didn't know this.Well, I mean, we have about 30 hours of content. It wasn't one string out, you know, it was like there were the call, all the calls, and then the 9 1 1 calls, the dash cams. The ring cams. Okay. Excuse me. The canvassing interviews, audio only content. So many, many. Was about 30 hours of content, which honestly, as most of us editors know, is not actually a lot I've cut.You know, it's usually, we have tons more than that. I mean, I, I've cut decades worth of material and thousands of hours, you know, but 30 hours of this type of material is very specific, you know, that's a, that's its own challenge. So, so yeah. So the first, so it was organized. It was just organized by call.Interview, you know, some naming conventions in there. Some things we had to sync up. You know, the 9 1 1 calls would overlap. You could hear it in the nine one one call center. You would hear someone, one person who called in, and then you'd hear in the background, like the conversation of another call. It's in the film.There's one moment where you can hear they're going as fast as they can, like from over, from a different. So there was so much overlap. So there was some syncing that we kind of had to do by ear, by signals, by, you know, and there's some time coding on the, on the cameras, but that would go off, which was strange.They weren't always perfect. So, but that, that challenge unto itself would help us kind of really screen the footage to a finite detail, right. To like, have, to really understand where everybody is and what they're doing when,BEN: yeah. You talked about kind of at the end, you know, different people come in, there's, you know, maybe you need to reach a certain length or so on and so forth.How do you, um, handle notes? What's your advice to young filmmakers as far as navigating that process? Great question.VIRI: I am someone who, when I was a kid, I had trouble with authority. I wasn't like a total rebel. I think I was like a really goody goody too. She was borderline. I mean, I had my moments, but growing up in, in a journey, an artistic journey that requires you to kind of fall in love with getting critiques and honing things and working in teams.And I had some growing pains for a long time with notes. I mean, my impulse was always, no. A note would come and I'd go, no, excuse me. Go to bed, wake up. And then I would find my way in and that would be great. That bed marinating time has now gone away, thank goodness. And I have realized that. Not all notes, but some notes have really changed the trajectory of a project in the most powerful waves.And it doesn't always the, to me, what I always like to tell folks is it's, the notes aren't really the issues. It's what? It's the solutions people offer. You know? It's like you can bring up what you're having an issue with. It's when people kind of are like, you know what I would do? Or you know what you think you should do, or you could do this.You're like, you don't have to listen to that stuff. I mean, you can. You can if you have the power to filter it. Some of us do, some of us don't. I've worked with people who. Take all the notes. Notes and I have to, we have to, I kind of have to help filter and then I've worked with people who can very quickly go need that, don't need that need, that, don't need that.Hear that, don't know how to deal with that yet. You know, like if, like, we can kind of go through it. So one piece of advice I would say is number one, you don't have to take all the notes and that's, that's, that's an honoring my little veary. Wants to stand by the vision, you know, and and fight for instincts.Okay. But the second thing is the old classic. It's the note behind the note. It's really trying to understand where that note's coming from. Who gave it what they're looking for? You know, like is that, is it a preference note or is it a fact? You know, like is it something that's really structurally a problem?Is it something that's really about that moment in the film? Or is it because of all the events that led to that moment that it's not doing the work you think it should? You know, the, the value is a complete piece. So what I really love about notes now is I get excited for the feedback and then I get really excited about trying to decipher.What they mean, not just taking them as like my to-do list. That's not, you know, that's not the best way to approach it. It's really to get excited about getting to actually hear feedback from an audience member. Now, don't get me wrong, an audience member is usually. A producer in the beginning, and they have, they may have their own agenda, and that's something to know too.And maybe their agenda can influence the film in an important direction for the work that they and we all wanted to do. Or it can help at least discern where their notes are coming from. And then we can find our own emotional or higher level way to get into solving that note. But, you know, there's still, I still get notes that make me mad.I still get notes where I get sad that I don't think anybody was really. Watching it or understanding it, you know, there's always a thought, you know, that happens too. And to be able to read those notes and still find that like one kernel in there, or be able to read them and say, no kernels. But, but, but by doing that, you're now creating the conviction of what you're doing, right?Like what to do and what not to do. Carrie, equal value, you know, so you can read all these notes and go, oh, okay, so I am doing this niche thing, but I believe in it and. And I'm gonna stand by it. Or like, this one person got it and these five didn't. And I know that the rules should be like majority rules, but that one person, I wanna figure out why they got it so that I can try to get these, you know, you get what I'm saying?So I, I've grown, it took a long time for me to get where I am and I still have moments where I'm bracing, you know, where I like to scroll to see how many notes there are before I even read them. You know, like dumb things that I feel like such a kid about. But we're human. You know, we're so vulnerable.Doing this work is you're so naked and you're trying and you get so excited. And I fall in love with everything. I edit so furiously and at every stage of the process, like my first cut, I'm like, this is the movie. Like I love this so much. And then, you know, by the 10th root polling experience. I'm like, this is the movie.I love it so much. You know, so it's, it's painful, but at the same time it's like highly liberating and I've gotten a lot more flowy with it, which was needed. I would, I would encourage everybody to learn how to really enjoy being malleable with it, because that's when you find the sweet spot. It's actually not like knowing everything right away, exactly what it's supposed to be.It's like being able to know what the heart of it is. And then get really excited about how collaborative what we do is. And, and then you do things you would've never imagined. You would've never imagined, um, or you couldn't have done alone, you know, which is really cool. ‘cause then you get to learn a lot more about yourself.BEN: Yeah. And I think what you said of sort of being able to separate the idea of, okay, something maybe isn't clicking there, versus whatever solution this person's offering. Nine times outta 10 is not gonna be helpful, but, but the first part is very helpful that maybe I'm missing something or maybe what I want to connect is not connecting.VIRI: And don't take it personally. Yeah. Don't ever take it personally. I, I think that's something that like, we're all here to try to make the best movie we can.BEN: Exactly.VIRI: You know? Yeah. And I'm not gonna pretend there aren't a couple sticklers out there, like there's a couple little wrenches in the engine, but, but we will, we all know who they are when we're on the project, and we will bind together to protect from that.But at the same time, yeah, it's, yeah. You get it, you get it. Yeah. But it's really, it's an important part of our process and I, it took me a while to learn that.BEN: Last question. So you talked about kind of getting to this cut and this cut and this cut. One of the most important parts of editing, I think is especially when, when you've been working on a project for a long time, is being able to try and see it with fresh eyes.And of course the, one of the ways to do that is to just leave it alone for three weeks or a month or however long and then come back to it. But sometimes we don't have that luxury. I remember Walter Merch reading in his book that sometimes he would run the film upside down just to, mm-hmm. You know, re re redo it the way his brain is watching it.Do you have any tips and tricks for seeing a cut with fresh eyes? OhVIRI: yeah. I mean, I mean, other than stepping away from it, of course we all, you know, with this film in particular, I was able to do that because I was doing other films too. But I, one good one I always love is take all the music out. Just watch the film without music.It's really a fascinating thing. I also really like quiet films, so like I tend to all of a sudden realize like, what is absolutely necessary with the music, but, but it, it really, people get reliant on it, um, to do the work. And you'd be pleasantly surprised that it can inform and reinvent a scene to kind of watch it without, and you can, it's not about taking it out forever, it's just the exercise of watching what the film is actually doing in its raw form, which is great.Switching that out. I mean, I can, you know, there's other, washing it upside down, I feel like. Yeah, I mean like there's a lot of tricks we can trick our trick, our brain. You can do, you could also, I. I think, I mean, I've had times where I've watched things out of order, I guess. Like where I kind of like go and I watch the end and then I click to the middle and then I go back to the top, you know?And I'm seeing, like, I'm trying to see if they're all connecting, like, because I'm really obsessed with how things begin and how they end. I think the middle is highly important, but it really, s**t tells you, what are we doing here? Like what are we set up and where are we ending? And then like, what is the most effective.Journey to get there. And so there is a way of also kind of trying to pinpoint the pillars of the film and just watching those moments and not kind, and then kind of reverse engineering the whole piece back out. Yeah, those are a couple of tricks, but more than anything, it's sometimes just to go watch something else.If you can't step away from the project for a couple of weeks, maybe watch something, you could, I mean, you can watch something comparable in a way. That tonally or thematically feels in conversation with it to just kind of then come back and feel like there's a conversation happening between your piece and that piece.The other thing you could do is watch something so. Far different, right? Like, even if you like, don't like, I don't know what I'm suggesting, you'd have to, it would bend on the project, but there's another world where like you're like, all right, I'm gonna go off and watch some kind of crazy thrill ride and then come back to my slow burn portrait, you know, and, and just, just to fresh the pal a little bit, you know?I was like that. It's like fueling the tanks. We should be watching a lot of stuff anyways, but. That can happen too, so you don't, you also get to click off for a second because I think we can get, sometimes it's really good to stay in it at all times, but sometimes you can lose the force for the, you can't see it anymore.You're in the weeds. You're too close to it. So how do we kind of shake it loose? Feedback sessions, by the way, are a part, is a part of that because I think that when you sit in the back of the room and you watch other people watch the film, you're forced to watch it as another person. It's like the whole thing.So, and I, I tend to watch people's body language more than, I'm not watching the film. I'm like watching for when people shift. Yeah, yeah. I'm watching when people are like coughing or, you know, or when they, yeah. Whatever. You get it. Yeah. Yeah. That, that, soBEN: that is the most helpful part for me is at a certain point I'll bring in a couple friends and I'll just say, just want you to watch this, and I'm gonna ask you a couple questions afterwards.But 95% of what I need is just sitting there. Watching them and you said exactly. Watching their body language.VIRI: Yeah. Oh man. I mean, this was shoulder, shoulder shooks. There's, and you can tell the difference, you can tell the difference between someone's in an uncomfortable chair and someone's like, it's like whenever you can sense it if you're ever in a theater and you can start to sense, like when they, when they reset the day, like whenever we can all, we all kind of as a community are like, oh, this is my moment.To like get comfortable and go get a bite of popcorn. It's like there's tells, so some of those are intentional and then some are not. Right? I mean, if this is, it goes deeper than the, will they laugh at this or will they be scared at this moment? It really is about captivating them and feeling like when you've, when you've lost it,BEN: for sure.Yeah. Very. This has been fantastic. Oh my God, how fun.VIRI: I talked about things here with you that I've haven't talked, I mean, contact so deeply, but even film school, I feel like I don't know if that's out there anywhere. So that was fun. Thank you.BEN: Love it. Love it. That, that that's, you know, that's what I hope for these interviews that we get to things that, that haven't been talked about in other places.And I always love to just go in, you know, wherever the trail leads in this case. Yeah. With, uh, with Jody Foster and Math McConaughey and, uh, I mean, go see it. Everybody met this. Yeah. Uh, and for people who are interested in your work, where can they find you?VIRI: I mean, I don't update my website enough. I just go to IMDB.Look me up on IMDB. All my work is there. I think, you know, in a list, I've worked on a lot of films that are on HBO and I've worked on a lot of films and now, you know, obviously the perfect neighbor's on Netflix right now, it's having an incredible moment where I think the world is engaging with it. In powerful ways beyond our dreams.So if you watch it now, I bet everybody can kind of have really fascinating conversations, but my work is all out, you know, the sports stuff born to play. I think it's on peacock right now. I mean, I feel like, yeah, I love the scope that I've had the privilege of working on, and I hope it keeps growing. Who knows.Maybe I'll make my space movie someday. We'll see. But in the meantime, yeah, head over and see this, the list of credits and anything that anybody watches, I love to engage about. So they're all, I feel that they're all doing veryBEN: different work. I love it. Thank you so much.VIRI: Thank you. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

Despite any gripes with Xbox this year, there's no denying that 2026 presents a fun challenge for them. Fable, Forza Horizon 6, Halo, and Gears Of War E-Day are all slated to drop next year. However, a new wrinkle has been introduced in the ambitious RPG, Clockwork Revolution, which hails from inXile Entertainment. After a seven minute trailer from this summer's showcase, we felt this thing had to be ready to go soon. Sadly, the RPG titan tempered our expectations when the trailer ended with the familiar statement from its initial reveal: "Coming in due time." Well, if a LinkedIn profile is to be believed, Clockwork Revolution may join the fray of a busy year for the "biggest publisher in gaming." Naturally, we hone in on GTA 6 which creates a splash radius so large that every publisher will be avoiding them for the fall. How Xbox navigates this will be interesting as we have yet to consider overdue titles like State Of Decay 3 and third party deals. Buckle up, friends! It's going to be a wild ride. Please keep in mind that our timestamps are approximate, and will often be slightly off due to dynamic ad placement. 0:00:00 - Intro0:06:49 - Health Is Wealth0:11:42 - Birthday video games0:24:49 - Holiday gaming plans0:30:43 - Our reveal predictions for The Game Awards0:37:07 - What is that Game Awards statue?0:41:43 - Avowed roadmap updated0:50:38 - Microsoft might want to add AI to Game Pass1:00:04 - Xbox Game Pass is done for the year1:05:04 - CD Projekt Red wants the new Witcher trilogy done in 6 years1:28:49 - Make or Break moment for Yacht Club Games1:38:21 - The art controversy with Marathon has been settled1:43:00 - There will be a Hitman 41:45:49 - Ubisoft cuts plans for Assassin's Creed Shadows DLC1:51:10 - Splinter Cell director returns1:54:35 - Bloodlines 2 sales flop1:58:23 - Is Shadow The Hedgehog getting his own movie?2:01:41 - What's next for Metal Gear Solid?2:08:11 - Control 2 reveal at The Game Awards?2:09:19 - Some sales updates2:10:42 - What We're Playing3:01:50 - Xbox's 2026 release rumors Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, we're talking wholesome hauntings, unexplained moments that hit you in the feels, and why GTA 6 is suddenly the LGBTQ+ ally nobody saw coming. It's spooky, it's sweet, and silly — just how we like it. Stay for the laughs, chills, and pure chaos. ALL MY SOCIALS ARE HERE https://linktr.ee/Ambersmilesjones Join my Professionally Silly YouTube channel membership to get access to perks: https://www.youtube.com/channel/UCEabIsoT5wrN5hRSgY7wnYQ/join   Amber “Smiles” Jones PO BOX 533 Lovejoy, GA 30250 Email me: itsprofessionallysilly@gmail.com  LEAVE ME A MESSAGE 805-664-1828

In this episode of Canadian Investing in the U.S., Glen Sutherland welcomes two guests — cross-border CPA Chris McAvoy of LEAP ACT and Tim Myron, founder of Pursuit CPA in Burlington, Ontario. The discussion centers on the merger between LEAP ACT and Pursuit CPA, which will combine their teams into a single 20-person firm with offices in both Burlington and Niagara. The merger allows clients from the GTA and Niagara regions to access the same cross-border tax expertise more conveniently, while maintaining continuity of service. Tim highlights that his firm already handles numerous U.S.-related corporate structures and cross-border clients, ensuring that the expertise LEAP ACT clients rely on will remain in place. Chris also announces his departure from LEAP ACT to join a technology company as an executive officer, a longtime client that recently achieved significant scientific breakthroughs and funding. He expresses confidence in Tim's leadership and notes that key relationships with partners like Global Tax Services (Ali Ajami) and cross-border legal collaborators will remain intact. The group discusses how the transition will strengthen service delivery and maintain collaboration between Canadian and U.S. advisors. Chris thanks Glen and the investing community for their support and shares plans to become more active personally in real-estate investing, coming full circle from accountant to investor. Glen closes by expressing excitement for the transition and the continued partnership with the expanded Pursuit-LEAP team.

(00:00) Co tam u nas słychać?(02:16) Metroid, Disco Samurai i Project Thea(04:38) Luther, Ona jedzie z przodu, Zaginiony autokar(11:10) Koniec aplikacji messenger na desktopy(16:20) Stranded: Alien Dawn(18:32) Tematy z zeszłego odcinka
(21:56) Spotify Wrapped i co się liczy na YT(28:50) Problemy z RAMem(30:35) Powody wzrostu cen pamięci RAM(34:15) Skala inwestycji w infrastrukturę AI(36:15) Do kiedy potrwa kryzys(44:16) Jakie produkty podrożeją?(53:00) Chmura i GTA 6 Project Thea Release Trailerhttps://youtu.be/SxJFj9rGvSU?si=3hZuo7wATgq6OTMSDisco Samurai - Release Date Trailerhttps://youtu.be/sf35SK0V1qk?si=ceBCNXINNBm6GgM5Kryzys pamięci RAM może potrwać nawet do 2028 roku; Samsung i SK Hynix zabrali głos w sprawiehttps://www.gry-online.pl/newsroom/kryzys-pamieci-ram-moze-potrwac-nawet-do-2028-roku-samsung-i-sk-h/z02fa6aNvidia reportedly no longer supplying VRAM to its GPU board partners in response to memory crunch — rumor claims vendors will only get the die, forced to source memory on their ownhttps://www.tomshardware.com/pc-components/gpus/nvidia-reportedly-no-longer-supplying-vram-to-its-gpu-board-partners-in-response-to-memory-crunch-rumor-claims-vendors-will-only-get-the-die-forced-to-source-memory-on-their-ownPamięć DRAM drożeje szybciej niż złoto. Twój komputer będzie kosztował fortunęhttps://ithardware.pl/aktualnosci/pamiec_dram_drozeje_zloto-46384.htmlGrupa Rock i Borys na FB - https://www.facebook.com/groups/805231679816756/Podcast Remigiusz "Pojęcia Nie Mam" Maciaszekhttps://tinyurl.com/yfx4s5zzShorty Rock i Boryshttps://www.facebook.com/rockiboryshttps://www.tiktok.com/@borysniespielakSerwer Discord podcastu Rock i Borys!https://discord.com/invite/AMUHt4JEvdSłuchaj nas na Lectonie: https://lectonapp.com/p/rckbrsSłuchaj nas na Spotify: https://spoti.fi/2WxzUqjSłuchaj nas na iTunes: https://apple.co/2Jz7MPSProgram LIVE w niedzielę od osiemnastej - https://jarock.pl/live/rockRock i Borys to program o grach, technologii i życiu

Om hur vidrigt det skulle vara att bo i LA, killar som sminkar sig, vilka P Diddy har legat med och hur utmanande de senaste två månaderna har varit för oss alla tre. Till sist landar vi i den kanske mest rimliga framtidsutsikten: att vi snart hellre lever i GTA. * Det här är ett gammalt avsnitt från Podme. För att få tillgång till Podmes alla premiumpoddar samt fler avsnitt från den här podden, helt utan reklam, prova Podme Premium kostnadsfritt. *

Canada's largest city attracts a surprising diversity of bird species - and peeping at them from along the shores of Lake Ontario: countless birders. Among these birders, you'll find Jean Iron, Mark Peck and Nancy Barrett - three of Toronto's well known faces in the birding community. They share their favourite birding stories, explain the science behind why Toronto is a hotspot for birds, and relish in the community and friendships they've made through birding. Plus we hear about their new book, and give away a few copies!Donate to Birds Canada for your chance to win a copy of Toronto's Birds: 100+ species photographed in the GTA . Go to birdscanada.org/donate and mention the podcast in the comment field. When you order from birdsandbeans.ca/warblers, Birds and Beans donates to this podcast - thank you for supporting us, and our migratory birds! We mentioned lots of volunteer opportunities in this episode:Project FeederWatch (runs all winter, from Nov 1-April 30)Great Backyard Bird Count (Feb 13-16, 2026)Christmas Bird Count (Dec 14-Jan 5) Hawk Watch (look for groups near you, they're all over Canada)Toronto Whimbrel WatchToronto Ornithological Club and Ontario Field Ornithologists  Mark Peck was the Collections Specialist in Ornithology at the Royal Ontario Museum for 41 years until his retirement in 2024. He is the author of Bird Eggs: A Young Naturalist's Guide, is Vice-President of the Ontario Field Ornithologists, who awarded him the Distinguished Ornithologist Award in 2024, and is a longtime member of the Toronto Ornithological Club. He lives in Toronto, Ontario.Nancy Barrett worked as a medical transcriptionist for 31 years at a community hospital. She belongs to several bird and nature organizations, including as a member of the board at THE TOC (Toronto Ornithological Club), OFO (Ontario Field Ornithologists), and is the VP at the Friends of Sam Smith Park.Jean Iron was President of the Ontario Field Ornithologists for nine years and editor of its newsletter for fourteen; she received its Distinguished Ornithologist Award in 2016. She is an Honorary Member of the Toronto Ornithological Club, and has authored many articles about birds, illustrated with her own photos, and leads tours for birding clubs and at birding festivals. She lives in Toronto, Ontario.Andrea Gress (she/her) secretly thinks Piping Plovers are better than all the other birds...studied Renewable Resource Management at the University of Saskatchewan. She pivoted towards birds, after an internship in South Africa. Upon returning, she worked with Piping Plovers in Saskatchewan, and then as the Ontario Piping Plover Coordinator. Years of sharing her love of plovers with beach goers has turned into a full time communications role with Birds Canada.  Support the show

SPONSORS: - Download Cash App Today: https://capl.onelink.me/vFut/uu6cof5i #CashAppPod. Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. See terms and conditions at https://cash.app/legal/us/en-us/card-agreement. Cash App Green, overdraft coverage, borrow, cash back offers and promotions provided by Cash App, a Block, Inc. brand. Visit http://cash.app/legal/podcast for full disclosures. In this episode of The Danny Brown Show, Danny links up with Sebastian Murphy of Viagra Boys for a mix of music talk, wild stories, and classic Danny chaos. They dig into finding deeper meaning in songs, Halloween memories, and the time Danny almost got rolled by the Narcos. Sebastian opens up about dealing with temptation on the road, while Danny spirals into YouTube rabbit holes and explains how fava beans might actually kill him. They also get into Sebastian's Magic: The Gathering obsession, the fear of trying new things, and—of course—the legendary saga of Danny's stolen porn laptop. A perfect blend of honesty, humor, and unfiltered Danny energy. Check out Viagra Boys and follow Sebastian: YouTube: https://www.youtube.com/channel/UCWEK3RhJB-BkdMZ9fiROVAQ Instagram: https://www.instagram.com/murphysthlm Have a question for Danny? Hit us up at danny@thedannybrownshow.com The Danny Brown Show Ep. 184 https://xdannyxbrownx.com https://store.ymhstudios.com Chapters 00:00:00 - Intro 00:02:06 - Finding Deeper Meaning In Songs 00:08:06 - Dealing With Temptation 00:10:05 - Coked Up Bruce Lee 00:13:03 - Fava Beans Can Kill Danny 00:17:48 - YouTube Rabbit Holes 00:23:16 - Being Too Scared To Try 00:25:17 - Magic The Gathering Obsession 00:28:28 - GTA 6 Is Scaring Danny Learn more about your ad choices. Visit megaphone.fm/adchoices

Spike, Zuckerman, and Jonny tackle everything from LA's terrible air quality to Chinese car fails. The team announces their Car of the Year nominations, Spike reveals Jerry Seinfeld's secret Porsche auction, and Jonny delivers an honest review of the revamped Karma automotive lineup. ______________________________________________ GRAB SOME SCR MERCH: https://spikescarradio.com GET MORE SCR ON PATREON: https://www.patreon.com/spikescarradio

Friday – We discuss the Anna Kepner cruise ship tragedy. We compared buck naked with butt naked. Jim reveals his deviled egg recipe. Is it time to start dressing nicer for airline travel? The 8-Bit Update with Jayden on GTA 6 and Black Ops 7. Prime Time Kitchen with Orlando Weekly Restaurant Critic Faiyaz Kara. Plus, JCS News, Sink or Sail, Embers Only, Pick the Porn & You Heard it Here First. See omnystudio.com/listener for privacy information.

Friday – We discuss the Anna Kepner cruise ship tragedy. We compared buck naked with butt naked. Jim reveals his deviled egg recipe. Is it time to start dressing nicer for airline travel? The 8-Bit Update with Jayden on GTA 6 and Black Ops 7. Prime Time Kitchen with Orlando Weekly Restaurant Critic Faiyaz Kara. Plus, JCS News, Sink or Sail, Embers Only, Pick the Porn & You Heard it Here First.

Xbox's big bet for bringing PCs to the living room has officially been undercut. This week, Valve announced three (!) different pieces of hardware. First, there is the Steam Machine, which serves as the strongest competitor to consoles. While still very much a PC, the Steam Machine packs a lot of punch for a small device and could be a force if priced well. Second, a brand new VR headset in the Steam Frame. Despite Meta having massive first-party support, Valve has decided to challenge a space that many of us thought was finished growing. Third, and finally, is a Steam Controller. It's horrendous looking and makes the Duke look ergonomic. How does Valve's aggressive hardware plans disrupt Xbox and does any lingering appeal for the PC in the living room by Xbox remain? The Dukes unite and dive straight in. Please keep in mind that our timestamps are approximate, and will often be slightly off due to dynamic ad placement. 0:00:00 - Intro0:08:49 - The Hair Crisis0:13:57 - Halo Infinite support is ending0:21:59 - Former Nintendo President opens up on Xbox and Switch 20:31:59 - State Of Play Japan reactions0:47:15  Arc Raiders is a smash hit0:57:04 - GTA 6 has been delayed1:09:02 - Take Two proves great narrative games sell well1:13:02 - Borderlands 4 sales are soft1:18:58 - Dispatch sells over 1 million copies1:20:47 - Ghost Of Yotei sells over 3 million copies1:23:00 - BioWare and EA recommit to Mass Effect1:42:28 - Marvel 1943: Rise Of Hydra has been delayed1:44:35 - Silent Hill 2's Xbox release date leaks1:48:42 - Nintendo first party are using game key cards1:51:07 - Square Enix undergoes layoffs and drops new roadmap2:03:02 - Trails In The Sky Remake 2 confirmed for 20262:05:54 - What We're Playing3:00:07 - Valve announces Steam Machine, Frame, and Controller3:28:55 - Todd Howard interview3:42:30 - Avowed 2 is in the cards, but not Outer Worlds 3? Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, Marques, Andrew, and David start off talking about the newest Apple Pocket accessory that was released before getting into the OnePlus 15. After that, they talk about Marques getting interviewed by LeBron James, the new Spotify Wrapped weekly feature, and GTA 6 getting delayed (again). Then they wrap it all up with a game of HYPEathetically speaking. Enjoy! Links: Apple iPhone Pocket: https://www.apple.com/newsroom/2025/11/introducing-iphone-pocket-a-beautiful-way-to-wear-and-carry-iphone/ MKBHD - OnePlus 15 video: https://youtu.be/2MdQWo9fHZs?si=QxIvodONzlBC9oU2 LeBron James x Marques: https://youtu.be/htRERdGz4bI?si=mYJmXIMzt3EnwaTC Verge - iPhone Air 2 delayed: https://www.theverge.com/news/817908/apple-iphone-air-second-generation-delayed Rockstar Games - GTA 6 delayed: https://www.rockstargames.com/newswire/article/ak3ak31a49a221/grand-theft-auto-vi-is-now-set-to-launch-november-19-2026 This episode brought to you by: Framer: https://www.framer.com/design (code: wave) Grammarly: https://www.superhuman.com/podcast LinkedIn: https://www.linkedin.com/MKBHD Monarch Money: https://www.monarch.com (code: wave) T-Mobile: https://www.t-mobile.com/switch Music provided by Epidemic Sound Shop the merch: https://shop.mkbhd.com Social: Waveform Threads: https://www.threads.net/@waveformpodcast Waveform Instagram: https://www.instagram.com/waveformpodcast/?hl=en Hosts: Marques: https://www.threads.net/@mkbhd Andrew: https://www.threads.net/@andrew_manganelli David: https://www.threads.net/@davidimel Adam: https://www.threads.net/@parmesanpapi17 Ellis: https://twitter.com/EllisRovin TikTok: https://www.tiktok.com/@waveformpodcast Join the Discord: https://discord.gg/mkbhd Music by 20syl: https://bit.ly/2S53xlC Waveform is part of the Vox Media Podcast Network. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Bros are back with another HEAVY one! This week kicks off with prayers up for Jamaica as they deal with the damages from a hurricane. Terrance reflects on his first time out the country which was a trip to Jamaica and how much it meant to him. Terrell reflects on his weekend and how he learned the hard way that going to Costco is a DATE. From there, they start off with YOU vs. Terrell in a high-stakes Movie Trivia showdown where you gotta answer before he does

Follow, watch, and rate all of our podcasts on Spotify! https://open.spotify.com/show/1hXrn6RoMMAiNGLE8jxKKf Thank you for the support! Run of Show - - Start - Housekeeping Today you got: If you're a Kinda Funny Member: The Roper Report   - - Breaking: ‘Grand Theft Auto VI' Is Postponed Again — to November 2026 - Does November Make Sense for GTA? - SuperChats - SuperChats - How This Will Affect Other Games - Wee News! Learn more about your ad choices. Visit megaphone.fm/adchoices

Download for Mobile | Podcast Preview | Full Timestamps Older Twitch VODs are now being uploaded to the new channel: https://www.youtube.com/@CastleSuperBeastArchive Coach Cloud805 & The Pre-Boxjam Casuals Extremely Unlucky Hades 2 Patch Timing Watch Me SUE (Grift Dat Soulja Boy) Finish Us: The Mortal Kombat Legacy Kollection Story Deus Ex Never Asked For This Business Cucks: Presented by Amazon Unanswered Questions That Should Have Stayed Unanswered Watch live: twitch.tv/castlesuperbeast Go to http://buyraycon.com/superbeast to save on  Raycon audio products sitewide. Go to http://shopify.com/superbeast to sign up for your $1-per-month trial period. Go to http://rocketmoney.com/superbeast to cancel your unwanted subscriptions. Click this link https://www.boot.dev/?promo=CASTLESUPERBEAST and use my code CASTLESUPERBEAST to get 25% off your first payment for boot.dev. Amazon have reportedly cancelled their Lord Of The Rings MMO, again Messy Rockstar Firings Ahead of GTA 6: Accusations from "Gross Misconduct" to Union Busting and Unjust Layoffs Deus Ex's OG art director has seen the remaster: 'Oh, what the f***, No. This did not need to happen' Mortal Kombat: Legacy Kollection Comes Under Fire For Missing "Basic Features" At Launch Souljaboy has dropped the Souljagame Flip for a bit over $400, and it appears to just be the Retroid Flip for double the price. The response from the Retroid social media team is- "I didn't know about this. This is not any kind of official licensing deal. He does not have permission to rebrand our products and sell them as his own. The Retroid Pocket Flip 2 is patented in the U.S by ourselves." - Retroid Japan Patent Office rejects Nintendo application relevant to Palworld dispute, cites games like ARK as prior art after third-party submission Nintendo may not be able to recoup legal expenses of Palworld lawsuit even if it wins, Japanese attorney suggests  Concord's sudden shutdown is such a big deal, it's been brought up during UK government debates on video game consumer laws Fatal Fury: City of the Wolves DLC character Chun-Li  The winner of the "Kuaishou FightClub Championship VI - Chengdu" is Hinao from REJECT YOUTH! A 14-year-old with 2 years of gaming experience SonicFox Vs Leffen GRAND FINALS - Dreamhack Atlanta  

Dan Houser is co-founder of Rockstar Games and is a legendary creative mind behind Grand Theft Auto (GTA) and Red Dead Redemption series of video games. Thank you for listening ❤ Check out our sponsors: https://lexfridman.com/sponsors/ep484-sc See below for timestamps, transcript, and to give feedback, submit questions, contact Lex, etc. Transcript: https://lexfridman.com/dan-houser-transcript CONTACT LEX: Feedback - give feedback to Lex: https://lexfridman.com/survey AMA - submit questions, videos or call-in: https://lexfridman.com/ama Hiring - join our team: https://lexfridman.com/hiring Other - other ways to get in touch: https://lexfridman.com/contact EPISODE LINKS: Absurd Adventures: https://absurdventures.com A Better Paradise: https://www.amazon.com/exec/obidos/ASIN/B0FCYSK8VD American Caper: https://absurdventures.com/americancaper SPONSORS: To support this podcast, check out our sponsors & get discounts: Box: Intelligent content management platform. Go to https://box.com/ai UPLIFT Desk: Standing desks and office ergonomics. Go to https://upliftdesk.com/lex CodeRabbit: AI-powered code reviews. Go to https://coderabbit.ai/lex Miro: Online collaborative whiteboard platform. Go to https://miro.com/ Lindy: No-code AI agent builder. Go to https://go.lindy.ai/lex Shopify: Sell stuff online. Go to https://shopify.com/lex LMNT: Zero-sugar electrolyte drink mix. Go to https://drinkLMNT.com/lex OUTLINE: (00:00) - Introduction (01:29) - Sponsors, Comments, and Reflections (11:32) - Greatest films of all time (23:45) - Making video games (26:36) - GTA 3 (29:55) - Open world video games (32:42) - Character creation (36:09) - Superintelligent AI in A Better Paradise (45:21) - Can LLMs write video games? (49:41) - Creating GTA 4 and GTA 5 (1:01:16) - Hard work and Rockstar's culture of excellence (1:04:56) - GTA 6 (1:21:46) - Red Dead Redemption 2 (2:01:39) - DLCs for GTA and Red Dead Redemption (2:07:58) - Leaving Rockstar Games (2:17:22) - Greatest game of all time (2:22:10) - Life lessons from father (2:24:29) - Mortality (2:41:47) - Advice for young people (2:47:49) - Future of video games PODCAST LINKS: - Podcast Website: https://lexfridman.com/podcast - Apple Podcasts: https://apple.co/2lwqZIr - Spotify: https://spoti.fi/2nEwCF8 - RSS: https://lexfridman.com/feed/podcast/ - Podcast Playlist: https://www.youtube.com/playlist?list=PLrAXtmErZgOdP_8GztsuKi9nrraNbKKp4 - Clips Channel: https://www.youtube.com/lexclips