Podcasts about GTA

Today we'll be talking about some significant changes coming to the way travelers fly in Thailand, murder and intrigues as cyanide was found after a toxicology report of a deceased Channel 8 reporter, and a little later an outrageous case of a Norwegian man going full GTA in Bangkok.

Trusting the process is a really important way to free yourself, and the film, to discover what it is.Viridiana Lieberman is an award-winning documentary filmmaker. She recently edited the Netflix sensation The Perfect Neighbor.In this interview we talk:* Viri's love of the film Contact* Immersion as the core goal in her filmmaking* Her editing tools and workflow* Film school reflections* The philosophy and process behind The Perfect Neighbor — crafting a fully immersive, evidence-only narrative and syncing all audio to its original image.* Her thoughts on notes and collaboration* Techniques for seeing a cut with fresh eyesYou can see all of Viri's credits on her IMD page here.Thanks for reading The Creativity, Education, and Leadership Newsletter! Subscribe for free to receive new posts and support my work.Here is an AI-generated transcript of our conversation. Don't come for me.BEN: Viri, thank you so much for joining us today.VIRI: Oh, thank you for having me. I'm excited to be here.BEN: And I always like to start with a fun question. So senior year of high school, what music were you listening to?VIRI: Oh my goodness. Well, I'm class of 2000, so I mean. I don't even know how to answer this question because I listen to everything.I'm like one of those people I was raving, so I had techno in my system. I have a lot of like, um. The, like, everything from Baby Ann to Tsta. Like, there was like, there was a lot, um, Oak and like Paul Oak and Full, there was like techno. Okay. Then there was folk music because I loved, so Ani DeFranco was the soundtrack of my life, you know, and I was listening to Tori Amos and all that.Okay. And then there's like weird things that slip in, like fuel, you know, like whatever. Who was staying? I don't remember when they came out. But the point is there was like all these intersections, whether I was raving or I was at Warp Tour or I was like at Lili Fair, all of those things were happening in my music taste and whenever I get to hear those songs and like that, that back late nineties, um, rolling into the Ox.Yeah.BEN: I love the Venn diagram of techno and folk music.VIRI: Yeah.BEN: Yeah. What, are you a fan of the film inside Lou and Davis?VIRI: Uh, yes. Yes. I need to watch it again. I watched it once and now you're saying it, and I'm like writing it on my to-dos,BEN: but yes, it, it, the first time I saw it. I saw in the East Village, actually in the theater, and I just, I'm a Cohen Brothers fan, but I didn't love it.Mm-hmm. But it, it stayed on my mind and yeah. Now I probably rewatch it once a year. It might, yeah. In my, in my, on my list, it might be their best film. It's so good. Oh,VIRI: now I'm gonna, I'm putting it on my, I'm literally writing it on my, um, post-it to watch it.BEN: I'mVIRI: always looking for things to watch in the evening.BEN: What, what are some of the docs that kind of lit your flame, that really turned you on?VIRI: Uh, this is one of those questions that I, full transparency, get very embarrassed about because I actually did not have a path of documentary set for me from my film Loving Passion. I mean, when I graduated film school, the one thing I knew I didn't wanna do was documentary, which is hilarious now.Hilarious. My parents laugh about it regularly. Um. Because I had not had a good documentary education. I mean, no one had shown me docs that felt immersive and cinematic. I mean, I had seen docs that were smart, you know, that, but, but they felt, for me, they didn't feel as emotional. They felt sterile. Like there were just, I had seen the most cliched, basic, ignorant read of doc.And so I, you know, I dreamed of making space epics and giant studio films. Contact was my favorite movie. I so like there was everything that about, you know, when I was in film school, you know, I was going to see those movies and I was just chasing that high, that sensory high, that cinematic experience.And I didn't realize that documentaries could be. So it's not, you know, ever since then have I seen docs that I think are incredible. Sure. But when I think about my origin tale, I think I was always chasing a pretty. Not classic, but you know, familiar cinematic lens of the time that I was raised in. But it was fiction.It was fiction movies. And I think when I found Docs, you know, when I was, the very long story short of that is I was looking for a job and had a friend who made docs and I was like, put me in coach, you know, as an editor. And she was like, you've never cut a documentary before. I love you. Uh, but not today.But no, she hired me as an archival producer and then I worked my way up and I said, no, okay, blah, blah, blah. So that path showed me, like I started working on documentaries, seeing more documentaries, and then I was always chasing that cinema high, which by the way, documentaries do incredibly, you know, and have for many decades.But I hadn't met them yet. And I think that really informs. What I love to do in Docs, you know, I mean, I think like I, there's a lot that I like to, but one thing that is very important to me is creating that journey, creating this, you know, following the emotion, creating big moments, you know, that can really consume us.And it's not just about, I mean, not that there are films that are important to me, just about arguments and unpacking and education. At the same time, we have the opportunity to do so much more as storytellers and docs and we are doing it anyway. So that's, that's, you know, when, it's funny, when light my fire, I immediately think of all the fiction films I love and not docs, which I feel ashamed about.‘cause now I know, you know, I know so many incredible documentary filmmakers that light my fire. Um, but my, my impulse is still in the fiction world.BEN: Used a word that it's such an important word, which is immersion. And I, I first saw you speak, um, a week or two ago at the doc NYC Pro panel for editors, documentary editors about the perfect neighbor, which I wanna talk about in a bit because talk about a completely immersive experience.But thank you first, uh, contact, what, what is it about contact that you responded to?VIRI: Oh my goodness. I, well, I watched it growing up. I mean, with my dad, we're both sci-fi people. Like he got me into that. I mean, we're both, I mean he, you know, I was raised by him so clearly it stuck around contact for me. I think even to this day is still my favorite movie.And it, even though I'm kind of a style nut now, and it's, and it feels classic in its approach, but. There's something about all the layers at play in that film. Like there is this crazy big journey, but it's also engaging in a really smart conversation, right? Between science and faith and some of the greatest lines from that film.Are lines that you can say to yourself on the daily basis to remind yourself of like, where we are, what we're doing, why we're doing it, even down to the most basic, you know, funny, I thought the world was what we make it, you know, it's like all of these lines from contact that stick with me when he says, you know, um, did you love your father?Prove it. You know, it's like, what? What is proof? You know? So there were so many. Moments in that film. And for me, you know, climbing into that vessel and traveling through space and when she's floating and she sees the galaxy and she says they should have sent a poet, you know, and you're thinking about like the layers of this experience and how the aliens spoilers, um, you know, show up and talk to her in that conversation herself.Anyways, it's one of those. For me, kind of love letters to the human race and earth and what makes us tick and the complexity of identity all in this incredible journey that feels so. Big yet is boiled down to Jody Foster's very personal narrative, right? Like, it's like all, it just checks so many boxes and still feels like a spectacle.And so the balance, uh, you know, I, I do feel my instincts normally are to zoom in and feel incredibly personal. And I love kind of small stories that represent so much and that film in so many ways does that, and all the other things too. So I'm like, how did we get there? But I really, I can't, I don't know what it is.I can't shake that film. It's not, you know, there's a lot of films that have informed, you know, things I love and take me out to the fringe and take me to the mainstream and, you know, on my candy and, you know, all those things. And yet that, that film checks all the boxes for me.BEN: I remember seeing it in the theaters and you know everything you said.Plus you have a master filmmaker at the absolute top Oh god. Of his class. Oh my,VIRI: yes,BEN: yes. I mean, that mirror shot. Know, know, I mean, my jaw was on the ground because this is like, right, right. As CGI is started. Yes. So, I mean, I'm sure you've seen the behind the scenes of how theyVIRI: Yeah.BEN: Incredible.VIRI: Years.Years. We would be sitting around talking about how no one could figure out how he did it for years. Anybody I met who saw contact would be like, but how did they do the mirror shot? Like I nobody had kind of, yeah. Anyways, it was incredible. And you know, it's, and I,BEN: I saw, I saw it just with some civilians, right?Like the mirror shot. They're like, what are you talking about? The what? Huh?VIRI: Oh, it's so funny you bring that up because right now, you know, I went a friend, I have a friend who's a super fan of Wicked. We went for Wicked for Good, and there is a sequence in that film where they do the mirror jot over and over and over.It's like the, it's like the. Special device of that. It feels that way. That it's like the special scene with Glenda and her song. And someone next to me was sitting there and I heard him under his breath go,wow.Like he was really having a cinematic. And I wanted to lean over and be like, watch contact, like, like the first time.I saw it was there and now it's like people have, you know, unlocked it and are utilizing it. But it was, so, I mean, also, let's talk about the opening sequence of contact for a second. Phenomenal. Because I, I don't think I design, I've ever seen anything in cinema in my life like that. I if for anybody who's listening to this, even if you don't wanna watch the entire movie, which of course I'm obviously pitching you to do.Watch the opening. Like it, it's an incredible experience and it holds up and it's like when, yeah. Talk about attention to detail and the love of sound design and the visuals, but the patience. You wanna talk about trusting an audience, sitting in a theater and that silence Ah, yeah. Heaven film heaven.BEN: I mean, that's.That's one of the beautiful things that cinema does in, in the theater. Right. It just, you're in, you're immersed in this case, you know, pulling away from earth through outer space at however many, you know, hundreds of millions of miles an hour. You can't get that anywhere else. Yeah. That feeling,VIRI: that film is like all the greatest hits reel of.Storytelling gems. It's like the adventure, the love, the, you know, the, the complicated kind of smart dialogue that we can all understand what it's saying, but it's, but it's doing it through the experience of the story, you know, and then someone kind of knocks it outta the park without one quote where you gasp and it's really a phenomenal.Thing. Yeah. I, I've never, I haven't talked about contact as much in ages. Thank you for this.BEN: It's a great movie. It's there, and there were, there were two other moments in that movie, again when I saw it, where it's just like, this is a, a master storyteller. One is, yeah. When they're first like trying to decode the image.Mm-hmm. And you see a swastika.VIRI: Yeah. Oh yeah. And you're like,BEN: what the, what the f**k? That was like a total left turn. Right. But it's, it's, and I think it's, it's from the book, but it's like the movie is, it's, it's, you know, it's asking these questions and then you're like totally locked in, not expecting.You know, anything from World War II to be a part of this. And of course in the movie the, go ahead.VIRI: Yeah, no, I was gonna say, but the seed of thatBEN: is in the first shot,VIRI: scientifically educating. Oh yes. Well, the sensory experience, I mean, you're like, your heart stops and you get full Bo chills and then you're scared and you know, you're thinking a lot of things.And then when you realize the science of it, like the first thing that was broadcast, like that type of understanding the stakes of our history in a space narrative. And, you know, it, it just, there's so much. You know, unfurling in your mind. Yeah. In that moment that is both baked in from your lived experiences and what you know about the world, and also unlocking, so what's possible and what stakes have already been outside of this fiction, right?Mm-hmm. Outside of the book, outside of the telling of this, the reality of what has already happened in the facts of it. Yeah. It's really amazing.BEN: And the other moment we're just, and now, you know, being a filmmaker, you look back and I'm sure this is, it falls neatly and at the end of the second act. But when Tom scars, you know, getting ready to go up on the thing and then there's that terrorist incident or whatever, and the whole thing just collapses, the whole, um, sphere collapses and you just like, wait, what?Is that what's gonna happen now?VIRI: Yeah, like a hundred million dollars in it. It does too. It just like clink pun. Yeah. Everything.BEN: Yeah.VIRI: Think they'll never build it again. I mean, you just can't see what's coming after that and how it went down, who it happened to. I mean, that's the magic of that film, like in the best films.Are the ones where every scene, every character, it has so much going into it. Like if somebody paused the film there and said, wait, what's happening? And you had to explain it to them, it would take the entire movie to do it, you know, which you're like, that's, we're in it. Yeah. Anyway, so that's a great moment too, where I didn't, and I remember when they reveal spoilers again, uh, that there's another one, but when he is zooming in, you know, and you're like, oh, you know, it just, it's, yeah.Love it. It's wonderful. Now, I'm gonna watch that tonight too. IBEN: know, I, I haven't probably, I probably haven't watched that movie in 10 years, but now I gotta watch it again.VIRI: Yeah.BEN: Um, okay, so let's talk doc editing. Yes. What, um, I always like to, I heard a quote once that something about when, when critics get together, they talk meaning, and when artists get together, they talk paint.So let's talk paint for a second. What do you edit on?VIRI: I cut mainly on Avid and Premier. I, I do think of myself as more of an avid lady, but there's been a lot of probably the films that have done the most. I cut on Premier, and by that I mean like, it's interesting that I always assume Avid is my standard yet that most of the things that I love most, I cut on Premiere right now.I, I toggle between them both multiple projects on both, on both, um, programs and they're great. I love them equal for different reasons. I'm aBEN: big fan of Avid. I think it gets kind of a, a bad rap. Um, what, what are the benefits of AVID versus pr? I've never used Premier, but I was a big final cut seven person.So everybody has said that. Premier kind of emulates Final cut. Seven.VIRI: I never made a past seven. It's funny, I recently heard people are cutting on Final Cut Pro again, which A adds off. But I really, because I thought that ship had sailed when they went away from seven. So with, I will say like the top line things for me, you know, AVID forces you to control every single thing you're doing, which I actually think it can feel hindering and intimidating to some folks, but actually is highly liberating once you learn how to use it, which is great.It's also wonderful for. Networks. I mean, you can send a bin as a couple kilobyte. Like the idea that the shared workflow, when I've been on series or features with folks, it's unbeatable. Uh, you know, it can be cumbersome in like getting everything in there and stuff like that and all, and, but, but it kind of forces you to set up yourself for success, for online, for getting everything out.So, and there's a lot of good things. So then on conversely Premier. It's amazing ‘cause you can hit the ground running. You just drag everything in and you go. The challenge of course is like getting it out. Sometimes that's when you kind of hit the snaps. But I am impressed when I'm working with multiple frame rates, frame sizes, archival for many decades that I can just bring it into Premier and go and just start cutting.And you know, also it has a lot of intuitive nature with other Adobe Pro, you know, uh, applications and all of this, which is great. There's a lot of shortcuts. I mean, they're getting real. Slick with a lot of their new features, which I have barely met. I'm like an archival, I'm like a ancient picture editor lady from the past, like people always teach me things.They're just like, you know, you could just, and I'm like, what? But I, so I guess I, you know, I don't have all the tech guru inside talk on that, but I think that when I'm doing short form, it does feel like it's always premier long form. Always seems to avid. Team stuff feels avid, you know, feature, low budge features where they're just trying to like make ends meet.Feel Premier, and I think there's an enormous accessibility with Premier in that regard. But I still feel like Avid is a studios, I mean, a, a studio, well, who knows? I'm cut in the studios. But an industry standard in a lot of ways it still feels that way.BEN: Yeah, for sure. How did you get into editing?VIRI: I went to film school and while I was there, I really like, we did everything.You know, we learned how to shoot, we learned everything. Something about editing was really thrilling to me. I, I loved the puzzle of it, you know, I loved putting pieces together. We did these little funny exercises where we would take a movie and cut our own trailer and, you know, or they'd give us all the same footage and we cut our scene from it and.Itwas really incredible to see how different all those scenes were, and I loved finding ways to multipurpose footage, make an entire tone feel differently. You know, like if we're cutting a scene about a bank robbery, like how do you all of a sudden make it feel, you know, like romantic, you know, or whatever.It's like how do we kind of play with genre and tone and how much you can reinvent stuff, but it was really structure and shifting things anyways, it really, I was drawn to it and I had fun editing my things and helping other people edit it. I did always dream of directing, which I am doing now and I'm excited about, but I realized that my way in with editing was like learning how to do a story in that way, and it will always be my language.I think even as I direct or write or anything, I'm really imagining it as if I'm cutting it, and that could change every day, but like when I'm out shooting. I always feel like it's my superpower because when I'm filming it's like I know what I have and how I'll use it and I can change that every hour.But the idea of kind of knowing when you've got it or what it could be and having that reinvented is really incredible. So got into edit. So left film school. And then thought and loved editing, but wasn't like, I'm gonna be an editor. I was still very much on a very over, you know what? I guess I would say like, oh, I was gonna say Overhead, broad bird's eye.I was like, no, I'm gonna go make movies and then I'll direct ‘em and onward, but work, you know, worked in post houses, overnights, all that stuff and PA and try made my own crappy movies and you know, did a lot of that stuff and. It kept coming back to edit. I mean, I kept coming back to like assistant jobs and cutting, cutting, cutting, cutting, and it just felt like something that I had a skill for, but I didn't know what my voice was in that.Like I didn't, it took me a long time to realize I could have a voice as an editor, which was so dumb, and I think I wasted so much time thinking that like I was only search, you know, like that. I didn't have that to bring. That editing was just about. Taking someone else's vision. You know, I'm not a set of hands like I'm an artist as well.I think we all are as editors and I was very grateful that not, not too long into, you know, when I found the doc path and I went, okay, I think this is where I, I can rock this and I'm pretty excited about it. I ended up working with a small collection of directors who all. Respected that collaboration.Like they were excited for what I do and what I bring to it and felt, it made me feel like we were peers working together, which was my fantasy with how film works. And I feel like isn't always the constant, but I've been spoiled and now it's what I expect and what I want to create for others. And you know, I hope there's more of us out there.So it's interesting because my path to editing. Was like such a, a practical one and an emotional one, and an ego one, and a, you know, it's like, it's like all these things that have led me to where I am and the perfect neighbor is such a culmination of all of that. For sure.BEN: Yeah. And, and I want to get into it, uh, first the eternal question.Yeah. Film school worth it or not worth it?VIRI: I mean, listen, I. We'll share this. I think I've shared this before, but relevant to the fact I'll share it because I think we can all learn from each other's stories. I did not want to go to college. Okay? I wanted to go straight to la. I was like, I'm going to Hollywood.I wanted to make movies ever since I was a kid. This is what I'm gonna do, period. I come from a family of teachers. All of my parents are teachers. My parents divorced. I have my stepparent is teacher, like everybody's a teacher. And they were like, no. And not just a teacher. My mom and my dad are college professors, so they were like college, college, college.I sabotaged my SATs. I did not take them. I did not want to go to college. I was like, I am going to Los Angeles. Anyways, uh, my parents applied for me. To an accredited arts college that, and they were like, it's a three year try semester. You'll shoot on film, you can do your, you know, and they submitted my work from high school when I was in TV production or whatever.Anyways, they got me into this little college, and when I look back, I know that that experience was really incredible. I mean, while I was there, I was counting the days to leave, but I know that it gave me not only the foundation of. You know, learning, like, I mean, we were learning film at the time. I don't know what it's like now, but like we, you know, I learned all the different mediums, which was great on a vocational level, you know, but on top of that, they're just throwing cans of film at us and we're making all the mistakes we need to make to get where we need to get.And the other thing that's happening is there's also like the liberal arts, this is really, sounds like a teacher's kid, what I'm about to say. But like, there's also just the level of education To be smarter and learn more about the world, to inform your work doesn't mean that you can't. You can't skip college and just go out there and find your, and learn what you wanna learn in the stories that you journey out to tell.So I feel really torn on this answer because half of me is like. No, you don't need college. Like just go out and make stuff and learn what you wanna learn. And then the other half of me have to acknowledge that, like, I think there was a foundation built in that experience, in that transitional time of like semi-structure, semi independence, you know, like all the things that come with college.It's worth it, but it's expensive as heck. And I certainly, by the time I graduated, film wasn't even a thing and I had to learn digital out in the world. And. I think you can work on a film set and learn a hell of a lot more than you'll ever learn in a classroom. And at the same time, I really love learning.So, you know, my, I think I, my parents were right, they know it ‘cause I went back to grad school, so that was a shock for them. But I think, but yeah, so I, I get, what I would say is, it really is case, this is such a cop out of an answer, case by case basis. Ask yourself, you know, if you need that time and if you, if you aren't gonna go.You need to put in the work. You have to really like go out, go on those sets, work your tail off, seek out the books, read the stuff, you know, and no one's gonna hand you anything. And my stories are a hell of a lot, I think smarter and eloquent because of the education I had. Yeah.BEN: So you shuttle on, what was the school, by the way?VIRI: Well, it was called the, it was called the International Fine Arts College. It no longer exists because Art Institute bought it. It's now called the Miami International University of Art and Design, and they bought it the year I graduated. So I went to this tiny little arts college, uh, but graduated from this AI university, which my parents were like, okay.Um, but we were, it was a tiny little college owned by this man who would invite all of us over to his mansion for brunch every year. I mean, it was very strange, but cool. And it was mainly known for, I think fashion design and interior design. So the film kids, we all kind of had, it was an urban campus in Miami and we were all like kind of in a wado building on the side, and it was just kind of a really funky, misfit feeling thing that I thought was, now when I look back, I think was like super cool.I mean, they threw cans of film at us from the very first semester. There was no like, okay, be here for two years and earn your opportunity. We were making stuff right away and all of our teachers. All of our professors were people who were working in the field, like they were ones who were, you know, writing.They had written films and fun fact of the day, my, my cinematography professor was Sam Beam from Iron and Wine. If anybody knows Iron and Wine, like there's like, there's like we, we had crazy teachers that we now realize were people who were just probably trying to pay their bills while they were on their journey, and then they broke out and did their thing after we were done.BEN: Okay, so shooting on film. Yeah. What, um, was it 16 or 35? 16. And then how are you doing sound? No, notVIRI: 35, 16. Yeah. I mean, we had sound on Dax, you know, like we were recording all the mm-hmm. Oh, when we did the film. Yeah, yeah. Separate. Yeah, yeah, yeah. We did the Yeah. Syncs soundBEN: into a We did a,VIRI: yeah, we did, we did one.We shot on a Bolex, I think, if I remember it right. It did like a tiny, that probably was eight, you know? But the point is we did that on. The flatbed. After that, we would digitize and we would cut on media 100, which was like this. It was, I think it was called the, I'm pretty sure it was called Media 100.It was like this before avid, you know. A more archaic editing digital program that, so we did the one, the one cut and splice version of our, our tiny little films. And then we weren't on kind of beautiful steam backs or anything. It was like, you know, it was much, yeah, smaller. But we had, but you know, we raced in the changing tents and we did, you know, we did a lot of film, love and fun.And I will tell you for your own amusement that we were on set once with somebody making their short. The girl at the AC just grabbed, grabbed the film, what's, oh my God, I can't even believe I'm forgetting the name of it. But, um, whatever the top of the camera grabbed it and thought she had unlocked it, like unhinged it and just pulled it out after all the film just come spooling out on set.And we were like, everybody just froze and we were just standing there. It was like a bad sketch comedy, like we're all just standing there in silence with like, just like rolling out of the camera. I, I'll never forget it.BEN: Nightmare. Nightmare. I, you know, you said something earlier about when you're shooting your own stuff.Being an editor is a little bit of a superpower because you know, oh, I'm gonna need this, I'm gonna need that. And, and for me it's similar. It's especially similar. Like, oh, we didn't get this. I need to get an insert of this ‘cause I know I'm probably gonna want that. I also feel like, you know, I came up, um, to instill photography, 35 millimeter photography, and then when I got into filmmaking it was, um, digital, uh, mini DV tape.So, but I feel like the, um, the structure of having this, you know, you only have 36 shots in a still camera, so you've gotta be sure that that carried over even to my shooting on digital, of being meticulous about setting up the shot, knowing what I need. Whereas, you know, younger people who have just been shooting digital their whole lives that just shoot everything and we'll figure it out later.Yeah. Do do you, do you feel you had that Advant an advantage? Yes. Or sitting on film gave you some advantages?VIRI: I totally, yes. I also am a firm believer and lover of intention. Like I don't this whole, like we could just snap a shot and then punch in and we'll, whatever. Like it was my worst nightmare when people started talking about.We'll shoot scenes and something, it was like eight K, so we can navigate the frame. And I was like, wait, you're not gonna move the camera again. Like, it just, it was terrifying. So, and we passed that, but now the AI stuff is getting dicey, but the, I think that you. I, I am pretty romantic about the hands-on, I like books with paper, you know, like, I like the can, the cinematographer to capture, even if it's digital.And those benefits of the digital for me is like, yes, letting it roll, but it's not about cheating frames, you know, like it's about, it's about the accessibility of being able to capture things longer, or the technology to move smoother. These are good things. But it's not about, you know, simplifying the frame in something that we need to, that is still an art form.Like that's a craft. That's a craft. And you could argue that what we choose, you know, photographers, the choice they make in Photoshop is the new version of that is very different. Like my friends who are dps, you know, there's always like glasses the game, right? The lenses are the game. It's like, it's not about filters In posts, that was always our nightmare, right?The old fix it and post everybody's got their version of their comic strip that says Fix it and post with everything exploding. It's like, no, that's not what this is about. And so, I mean, I, I think I'll always be. Trying to, in my brain fight the good fight for the craftiness of it all because I'm so in love with everything.I miss film. I'm sad. I miss that time. I mean, I think I, it still exists and hopefully someday I'll have the opportunity that somebody will fund something that I'm a part of that is film. And at the same time there's somewhere in between that still feels like it's honoring that freshness. And, and then now there's like the, yeah, the new generation.It's, you know, my kids don't understand that I have like. Hand them a disposable camera. We'll get them sometimes for fun and they will also like click away. I mean, the good thing you have to wind it so they can't, they can't ruin it right away, but they'll kind of can't fathom that idea. And um, and I love that, where you're like, we only get 24 shots.Yeah, it's veryBEN: cool. So you said you felt the perfect neighbor, kind of, that was the culmination of all your different skills in the craft of editing. Can you talk a little bit about that?VIRI: Yes. I think that I spent, I think all the films, it's like every film that I've had the privilege of being a part of, I have taken something like, there's like some tool that was added to the tool belt.Maybe it had to do with like structure or style or a specific build to a quote or, or a device or a mechanism in the film, whatever it is. It was the why of why that felt right. That would kind of be the tool in the tool belt. It wouldn't just be like, oh, I learned how to use this new toy. It was like, no, no.There's some kind of storytelling, experience, technique, emotion that I felt that Now I'm like, okay, how do I add that in to everything I do? And I want every film to feel specific and serve what it's doing. But I think a lot of that sent me in a direction of really always approaching a project. Trying to meet it for like the, the work that only it can do.You know, it's like, it's not about comps. It's not about saying like, oh, we're making a film that's like, fill in the blank. I'm like, how do we plug and play the elements we have into that? It's like, no, what are the elements we have and how do we work with them? And that's something I fought for a lot on all the films I've been a part of.Um, and by that I mean fight for it. I just mean reminding everybody always in the room that we can trust the audience, you know, that we can. That, that we should follow the materials what, and work with what we have first, and then figure out what could be missing and not kind of IME immediately project what we think it needs to be, or it should be.It's like, no, let's discover what it is and then that way we will we'll appreciate. Not only what we're doing in the process, but ultimately we don't even realize what it can do for what it is if we've never seen it before, which is thrilling. And a lot of those have been a part of, there have been pockets of being able to do that.And then usually near the end there's a little bit of math thing that happens. You know, folks come in the room and they're trying to, you know, but what if, and then, but other people did. Okay, so all you get these notes and you kind of reel it in a little bit and you find a delicate balance with the perfect neighbor.When Gita came to me and we realized, you know, we made that in a vacuum like that was we, we made that film independently. Very little money, like tiny, tiny little family of the crew. It was just me and her, you know, like when we were kind of cutting it together and then, and then there's obviously producers to kind of help and build that platform and, and give great feedback along the way.But it allowed us to take huge creative risks in a really exciting way. And I hate that I even have to use the word risks because it sounds like, but, but I do, because I think that the industry is pushing against, you know, sometimes the spec specificity of things, uh, in fear of. Not knowing how it will be received.And I fantasize about all of us being able to just watch something and seeing how we feel about it and not kind of needing to know what it is before we see it. So, okay, here comes the perfect neighbor. GTA says to me early on, like, I think. I think it can be told through all these materials, and I was like, it will be told through like I was determined and I held us very strict to it.I mean, as we kind of developed the story and hit some challenges, it was like, this is the fun. Let's problem solve this. Let's figure out what it means. But that also came within the container of all this to kind of trust the audience stuff that I've been trying to repeat to myself as a mantra so I don't fall into the trappings that I'm watching so much work do.With this one, we knew it was gonna be this raw approach and by composing it completely of the evidence, it would ideally be this kind of undeniable way to tell the story, which I realized was only possible because of the wealth of material we had for this tracked so much time that, you know, took the journey.It did, but at the same time, honoring that that's all we needed to make it happen. So all those tools, I think it was like. A mixed bag of things that I found that were effective, things that I've been frustrated by in my process. Things that I felt radical about with, you know, that I've been like trying to scream in, into the void and nobody's listening.You know, it's like all of that because I, you know, I think I've said this many times. The perfect neighbor was not my full-time job. I was on another film that couldn't have been more different. So I think in a, in a real deep seated, subconscious way, it was in conversation with that. Me trying to go as far away from that as possible and in understanding what could be possible, um, with this film.So yeah, it's, it's interesting. It's like all the tools from the films, but it was also like where I was in my life, what had happened to me, you know, and all of those. And by that I mean in a process level, you know, working in film, uh, and that and yes, and the values and ethics that I honor and wanna stick to and protect in the.Personal lens and all of that. So I think, I think it, it, it was a culmination of many things, but in that approach that people feel that has resonated that I'm most proud of, you know, and what I brought to the film, I think that that is definitely, like, I don't think I could have cut this film the way I did at any other time before, you know, I think I needed all of those experiences to get here.BEN: Oh, there's so much there and, and there's something kind of the. The first part of what you were saying, I've had this experience, I'm curious if you've had this experience. I sort of try to prepare filmmakers to be open to this, that when you're working with something, especially Doc, I think Yeah. More so Doc, at a certain point the project is gonna start telling you what it wants to be if you, if you're open to it.Yes. Um, but it's such a. Sometimes I call it the spooky process. Like it's such a ephemeral thing to say, right? Like, ‘cause you know, the other half of editing is just very technical. Um, but this is like, there's, there's this thing that's gonna happen where it's gonna start talking to you. Do you have that experience?VIRI: Yes. Oh, yes. I've also been a part of films that, you know, they set it out to make it about one person. And once we watched all the footage, it is about somebody else. I mean, there's, you know, those things where you kind of have to meet the spooky part, you know, in, in kind of honoring that concept that you're bringing up is really that when a film is done, I can't remember cutting it.Like, I don't, I mean, I remember it and I remember if you ask me why I did something, I'll tell you. I mean, I'm very, I am super. Precious to a fault about an obsessive. So like you could pause any film I've been a part of and I'll tell you exactly why I used that shot and what, you know, I can do that. But the instinct to like just grab and go when I'm just cutting and I'm flowing.Yeah, that's from something else. I don't know what that is. I mean, I don't. People tell me that I'm very fast, which is, I don't know if that's a good or a bad thing, but I think it really comes from knowing that the job is to make choices and you can always go back and try different things, but this choose your own adventure novel is like just going, and I kind of always laugh about when I look back and I'm like, whoa, have that happen.Like, you know, like I don't even. And I have my own versions of imposter syndrome where I refill mens and I'm like, oh, got away with that one. Um, or every time a new project begins, I'm like, do I have any magic left in the tank? Um, but, but trusting the process, you know, to what you're socking about is a really important way to free yourself and the film to.Discover what it is. I think nowadays because of the algorithm and the, you know, I mean, it's changing right now, so we'll see where, how it recalibrates. But for a, for a while, over these past years, the expectations have, it's like shifted where they come before the film is like, it's like you create your decks and your sizzles and you write out your movie and you, and there is no time for discovery.And when it happens. It's like undeniable that you needed to break it because it's like you keep hitting the same impasse and you can't solve it and then you're like, oh, that's because we have to step outta the map. But I fear that many works have suffered, you know, that they have like followed the map and missed an opportunity.And so, you know, and for me as an editor, it's always kinda a red flag when someone's like, and here's the written edit. I'm like, what? Now let's watch the footage. I wanna know where There's always intention when you set up, but as people always say, the edit is kind of the last. The last step of the storytelling process.‘cause so much can change there. So there is, you know, there it will reveal itself. I do get nerdy about that. I think a film knows what it is. I remember when I was shooting my first film called Born to Play, that film, we were. At the championship, you know, the team was not, thought that they were gonna win the whole thing.We're at the championship and someone leaned over to me and they said, you know, it's funny when a story knows it's being filmed. And I was like, ah. I think about that all the time because now I think about that in the edit bay. I'm like, okay, you tell me, you know, what do you wanna do? And then you kind of like, you match frame back to something and all of a sudden you've opened a portal and you're in like a whole new theme.It's very cool. You put, you know, you put down a different. A different music temp, music track, and all of a sudden you're making a new movie. I mean, it's incredible. It's like, it really is real world magic. It's so much fun. Yeah,BEN: it is. It's a blast. The, so, uh, I saw you at the panel at Doc NYC and then I went that night or the next night and watched Perfect Neighbor blew me away, and you said something on the panel that then blew me away again when I thought about it, which is.I think, correct me if I'm wrong, all of the audio is syncedVIRI: Yeah. To the footage.BEN: That, to me is the big, huge, courageous decision you made.VIRI: I feel like I haven't said that enough. I don't know if folks understand, and it's mainly for the edit of that night, like the, I mean, it's all, it's, it's all that, but it was important.That the, that the sound would be synced to the shock that you're seeing. So when you're hearing a cop, you know, a police officer say, medics, we need medics. If we're in a dashboard cam, that's when it was, you know, echoing from the dashboard. Like that's what, so anything you're hearing is synced. When you hear something coming off from the per when they're walking by and you hear someone yelling something, you know, it's like all of that.I mean, that was me getting really strict about the idea that we were presenting this footage for what it was, you know, that it was the evidence that you are watching, as you know, for lack of a better term, unbiased, objectively as possible. You know, we're presenting this for what it is. I, of course, I have to cut down these calls.I am making choices like that. That is happening. We are, we are. Composing a narrative, you know, there, uh, that stuff is happening. But to create, but to know that what you're hearing, I'm not applying a different value to the frame on, on a very practical syn sound way. You know, it's like I'm not gonna reappropriate frames.Of course, in the grand scheme of the narrative flow with the emotions, you know, the genre play of this horror type film, and there's a lot happening, but anything you were hearing, you know, came from that frame. Yeah.BEN: That's amazing. How did you organize the footage and the files initially?VIRI: Well, Gita always likes to laugh ‘cause she is, she calls herself my first ae, which is true.I had no a, you know, I had, she was, she had gotten all that material, you know, she didn't get that material to make a film. They had originally, this is a family friend who died and when this all happened, they went down and gathered this material to make a case, to make sure that Susan didn't get out. To make sure this was not forgotten.You know, to be able to utilize. Protect the family. And so there was, at first it was kind of just gathering that. And then once she got it, she realized that it spanned two years, you know, I mean, she, she popped, she was an editor for many, many years, an incredible editor. She popped it into a system, strung it all out, sunk up a lot of it to see what was there, and realized like, there's something here.And that's when she called me. So she had organized it, you know, by date, you know, and that, that originally. Strung out a lot of it. And then, so when I came in, it was just kind of like this giant collection of stuff, like folders with the nine one calls. How long was the strung out? Well, I didn't know this.Well, I mean, we have about 30 hours of content. It wasn't one string out, you know, it was like there were the call, all the calls, and then the 9 1 1 calls, the dash cams. The ring cams. Okay. Excuse me. The canvassing interviews, audio only content. So many, many. Was about 30 hours of content, which honestly, as most of us editors know, is not actually a lot I've cut.You know, it's usually, we have tons more than that. I mean, I, I've cut decades worth of material and thousands of hours, you know, but 30 hours of this type of material is very specific, you know, that's a, that's its own challenge. So, so yeah. So the first, so it was organized. It was just organized by call.Interview, you know, some naming conventions in there. Some things we had to sync up. You know, the 9 1 1 calls would overlap. You could hear it in the nine one one call center. You would hear someone, one person who called in, and then you'd hear in the background, like the conversation of another call. It's in the film.There's one moment where you can hear they're going as fast as they can, like from over, from a different. So there was so much overlap. So there was some syncing that we kind of had to do by ear, by signals, by, you know, and there's some time coding on the, on the cameras, but that would go off, which was strange.They weren't always perfect. So, but that, that challenge unto itself would help us kind of really screen the footage to a finite detail, right. To like, have, to really understand where everybody is and what they're doing when,BEN: yeah. You talked about kind of at the end, you know, different people come in, there's, you know, maybe you need to reach a certain length or so on and so forth.How do you, um, handle notes? What's your advice to young filmmakers as far as navigating that process? Great question.VIRI: I am someone who, when I was a kid, I had trouble with authority. I wasn't like a total rebel. I think I was like a really goody goody too. She was borderline. I mean, I had my moments, but growing up in, in a journey, an artistic journey that requires you to kind of fall in love with getting critiques and honing things and working in teams.And I had some growing pains for a long time with notes. I mean, my impulse was always, no. A note would come and I'd go, no, excuse me. Go to bed, wake up. And then I would find my way in and that would be great. That bed marinating time has now gone away, thank goodness. And I have realized that. Not all notes, but some notes have really changed the trajectory of a project in the most powerful waves.And it doesn't always the, to me, what I always like to tell folks is it's, the notes aren't really the issues. It's what? It's the solutions people offer. You know? It's like you can bring up what you're having an issue with. It's when people kind of are like, you know what I would do? Or you know what you think you should do, or you could do this.You're like, you don't have to listen to that stuff. I mean, you can. You can if you have the power to filter it. Some of us do, some of us don't. I've worked with people who. Take all the notes. Notes and I have to, we have to, I kind of have to help filter and then I've worked with people who can very quickly go need that, don't need that need, that, don't need that.Hear that, don't know how to deal with that yet. You know, like if, like, we can kind of go through it. So one piece of advice I would say is number one, you don't have to take all the notes and that's, that's, that's an honoring my little veary. Wants to stand by the vision, you know, and and fight for instincts.Okay. But the second thing is the old classic. It's the note behind the note. It's really trying to understand where that note's coming from. Who gave it what they're looking for? You know, like is that, is it a preference note or is it a fact? You know, like is it something that's really structurally a problem?Is it something that's really about that moment in the film? Or is it because of all the events that led to that moment that it's not doing the work you think it should? You know, the, the value is a complete piece. So what I really love about notes now is I get excited for the feedback and then I get really excited about trying to decipher.What they mean, not just taking them as like my to-do list. That's not, you know, that's not the best way to approach it. It's really to get excited about getting to actually hear feedback from an audience member. Now, don't get me wrong, an audience member is usually. A producer in the beginning, and they have, they may have their own agenda, and that's something to know too.And maybe their agenda can influence the film in an important direction for the work that they and we all wanted to do. Or it can help at least discern where their notes are coming from. And then we can find our own emotional or higher level way to get into solving that note. But, you know, there's still, I still get notes that make me mad.I still get notes where I get sad that I don't think anybody was really. Watching it or understanding it, you know, there's always a thought, you know, that happens too. And to be able to read those notes and still find that like one kernel in there, or be able to read them and say, no kernels. But, but, but by doing that, you're now creating the conviction of what you're doing, right?Like what to do and what not to do. Carrie, equal value, you know, so you can read all these notes and go, oh, okay, so I am doing this niche thing, but I believe in it and. And I'm gonna stand by it. Or like, this one person got it and these five didn't. And I know that the rules should be like majority rules, but that one person, I wanna figure out why they got it so that I can try to get these, you know, you get what I'm saying?So I, I've grown, it took a long time for me to get where I am and I still have moments where I'm bracing, you know, where I like to scroll to see how many notes there are before I even read them. You know, like dumb things that I feel like such a kid about. But we're human. You know, we're so vulnerable.Doing this work is you're so naked and you're trying and you get so excited. And I fall in love with everything. I edit so furiously and at every stage of the process, like my first cut, I'm like, this is the movie. Like I love this so much. And then, you know, by the 10th root polling experience. I'm like, this is the movie.I love it so much. You know, so it's, it's painful, but at the same time it's like highly liberating and I've gotten a lot more flowy with it, which was needed. I would, I would encourage everybody to learn how to really enjoy being malleable with it, because that's when you find the sweet spot. It's actually not like knowing everything right away, exactly what it's supposed to be.It's like being able to know what the heart of it is. And then get really excited about how collaborative what we do is. And, and then you do things you would've never imagined. You would've never imagined, um, or you couldn't have done alone, you know, which is really cool. ‘cause then you get to learn a lot more about yourself.BEN: Yeah. And I think what you said of sort of being able to separate the idea of, okay, something maybe isn't clicking there, versus whatever solution this person's offering. Nine times outta 10 is not gonna be helpful, but, but the first part is very helpful that maybe I'm missing something or maybe what I want to connect is not connecting.VIRI: And don't take it personally. Yeah. Don't ever take it personally. I, I think that's something that like, we're all here to try to make the best movie we can.BEN: Exactly.VIRI: You know? Yeah. And I'm not gonna pretend there aren't a couple sticklers out there, like there's a couple little wrenches in the engine, but, but we will, we all know who they are when we're on the project, and we will bind together to protect from that.But at the same time, yeah, it's, yeah. You get it, you get it. Yeah. But it's really, it's an important part of our process and I, it took me a while to learn that.BEN: Last question. So you talked about kind of getting to this cut and this cut and this cut. One of the most important parts of editing, I think is especially when, when you've been working on a project for a long time, is being able to try and see it with fresh eyes.And of course the, one of the ways to do that is to just leave it alone for three weeks or a month or however long and then come back to it. But sometimes we don't have that luxury. I remember Walter Merch reading in his book that sometimes he would run the film upside down just to, mm-hmm. You know, re re redo it the way his brain is watching it.Do you have any tips and tricks for seeing a cut with fresh eyes? OhVIRI: yeah. I mean, I mean, other than stepping away from it, of course we all, you know, with this film in particular, I was able to do that because I was doing other films too. But I, one good one I always love is take all the music out. Just watch the film without music.It's really a fascinating thing. I also really like quiet films, so like I tend to all of a sudden realize like, what is absolutely necessary with the music, but, but it, it really, people get reliant on it, um, to do the work. And you'd be pleasantly surprised that it can inform and reinvent a scene to kind of watch it without, and you can, it's not about taking it out forever, it's just the exercise of watching what the film is actually doing in its raw form, which is great.Switching that out. I mean, I can, you know, there's other, washing it upside down, I feel like. Yeah, I mean like there's a lot of tricks we can trick our trick, our brain. You can do, you could also, I. I think, I mean, I've had times where I've watched things out of order, I guess. Like where I kind of like go and I watch the end and then I click to the middle and then I go back to the top, you know?And I'm seeing, like, I'm trying to see if they're all connecting, like, because I'm really obsessed with how things begin and how they end. I think the middle is highly important, but it really, s**t tells you, what are we doing here? Like what are we set up and where are we ending? And then like, what is the most effective.Journey to get there. And so there is a way of also kind of trying to pinpoint the pillars of the film and just watching those moments and not kind, and then kind of reverse engineering the whole piece back out. Yeah, those are a couple of tricks, but more than anything, it's sometimes just to go watch something else.If you can't step away from the project for a couple of weeks, maybe watch something, you could, I mean, you can watch something comparable in a way. That tonally or thematically feels in conversation with it to just kind of then come back and feel like there's a conversation happening between your piece and that piece.The other thing you could do is watch something so. Far different, right? Like, even if you like, don't like, I don't know what I'm suggesting, you'd have to, it would bend on the project, but there's another world where like you're like, all right, I'm gonna go off and watch some kind of crazy thrill ride and then come back to my slow burn portrait, you know, and, and just, just to fresh the pal a little bit, you know?I was like that. It's like fueling the tanks. We should be watching a lot of stuff anyways, but. That can happen too, so you don't, you also get to click off for a second because I think we can get, sometimes it's really good to stay in it at all times, but sometimes you can lose the force for the, you can't see it anymore.You're in the weeds. You're too close to it. So how do we kind of shake it loose? Feedback sessions, by the way, are a part, is a part of that because I think that when you sit in the back of the room and you watch other people watch the film, you're forced to watch it as another person. It's like the whole thing.So, and I, I tend to watch people's body language more than, I'm not watching the film. I'm like watching for when people shift. Yeah, yeah. I'm watching when people are like coughing or, you know, or when they, yeah. Whatever. You get it. Yeah. Yeah. That, that, soBEN: that is the most helpful part for me is at a certain point I'll bring in a couple friends and I'll just say, just want you to watch this, and I'm gonna ask you a couple questions afterwards.But 95% of what I need is just sitting there. Watching them and you said exactly. Watching their body language.VIRI: Yeah. Oh man. I mean, this was shoulder, shoulder shooks. There's, and you can tell the difference, you can tell the difference between someone's in an uncomfortable chair and someone's like, it's like whenever you can sense it if you're ever in a theater and you can start to sense, like when they, when they reset the day, like whenever we can all, we all kind of as a community are like, oh, this is my moment.To like get comfortable and go get a bite of popcorn. It's like there's tells, so some of those are intentional and then some are not. Right? I mean, if this is, it goes deeper than the, will they laugh at this or will they be scared at this moment? It really is about captivating them and feeling like when you've, when you've lost it,BEN: for sure.Yeah. Very. This has been fantastic. Oh my God, how fun.VIRI: I talked about things here with you that I've haven't talked, I mean, contact so deeply, but even film school, I feel like I don't know if that's out there anywhere. So that was fun. Thank you.BEN: Love it. Love it. That, that that's, you know, that's what I hope for these interviews that we get to things that, that haven't been talked about in other places.And I always love to just go in, you know, wherever the trail leads in this case. Yeah. With, uh, with Jody Foster and Math McConaughey and, uh, I mean, go see it. Everybody met this. Yeah. Uh, and for people who are interested in your work, where can they find you?VIRI: I mean, I don't update my website enough. I just go to IMDB.Look me up on IMDB. All my work is there. I think, you know, in a list, I've worked on a lot of films that are on HBO and I've worked on a lot of films and now, you know, obviously the perfect neighbor's on Netflix right now, it's having an incredible moment where I think the world is engaging with it. In powerful ways beyond our dreams.So if you watch it now, I bet everybody can kind of have really fascinating conversations, but my work is all out, you know, the sports stuff born to play. I think it's on peacock right now. I mean, I feel like, yeah, I love the scope that I've had the privilege of working on, and I hope it keeps growing. Who knows.Maybe I'll make my space movie someday. We'll see. But in the meantime, yeah, head over and see this, the list of credits and anything that anybody watches, I love to engage about. So they're all, I feel that they're all doing veryBEN: different work. I love it. Thank you so much.VIRI: Thank you. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

Despite any gripes with Xbox this year, there's no denying that 2026 presents a fun challenge for them. Fable, Forza Horizon 6, Halo, and Gears Of War E-Day are all slated to drop next year. However, a new wrinkle has been introduced in the ambitious RPG, Clockwork Revolution, which hails from inXile Entertainment. After a seven minute trailer from this summer's showcase, we felt this thing had to be ready to go soon. Sadly, the RPG titan tempered our expectations when the trailer ended with the familiar statement from its initial reveal: "Coming in due time." Well, if a LinkedIn profile is to be believed, Clockwork Revolution may join the fray of a busy year for the "biggest publisher in gaming." Naturally, we hone in on GTA 6 which creates a splash radius so large that every publisher will be avoiding them for the fall. How Xbox navigates this will be interesting as we have yet to consider overdue titles like State Of Decay 3 and third party deals. Buckle up, friends! It's going to be a wild ride. Please keep in mind that our timestamps are approximate, and will often be slightly off due to dynamic ad placement. 0:00:00 - Intro0:06:49 - Health Is Wealth0:11:42 - Birthday video games0:24:49 - Holiday gaming plans0:30:43 - Our reveal predictions for The Game Awards0:37:07 - What is that Game Awards statue?0:41:43 - Avowed roadmap updated0:50:38 - Microsoft might want to add AI to Game Pass1:00:04 - Xbox Game Pass is done for the year1:05:04 - CD Projekt Red wants the new Witcher trilogy done in 6 years1:28:49 - Make or Break moment for Yacht Club Games1:38:21 - The art controversy with Marathon has been settled1:43:00 - There will be a Hitman 41:45:49 - Ubisoft cuts plans for Assassin's Creed Shadows DLC1:51:10 - Splinter Cell director returns1:54:35 - Bloodlines 2 sales flop1:58:23 - Is Shadow The Hedgehog getting his own movie?2:01:41 - What's next for Metal Gear Solid?2:08:11 - Control 2 reveal at The Game Awards?2:09:19 - Some sales updates2:10:42 - What We're Playing3:01:50 - Xbox's 2026 release rumors Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, we're talking wholesome hauntings, unexplained moments that hit you in the feels, and why GTA 6 is suddenly the LGBTQ+ ally nobody saw coming. It's spooky, it's sweet, and silly — just how we like it. Stay for the laughs, chills, and pure chaos. ALL MY SOCIALS ARE HERE https://linktr.ee/Ambersmilesjones Join my Professionally Silly YouTube channel membership to get access to perks: https://www.youtube.com/channel/UCEabIsoT5wrN5hRSgY7wnYQ/join   Amber “Smiles” Jones PO BOX 533 Lovejoy, GA 30250 Email me: itsprofessionallysilly@gmail.com  LEAVE ME A MESSAGE 805-664-1828

In this episode of Canadian Investing in the U.S., Glen Sutherland welcomes two guests — cross-border CPA Chris McAvoy of LEAP ACT and Tim Myron, founder of Pursuit CPA in Burlington, Ontario. The discussion centers on the merger between LEAP ACT and Pursuit CPA, which will combine their teams into a single 20-person firm with offices in both Burlington and Niagara. The merger allows clients from the GTA and Niagara regions to access the same cross-border tax expertise more conveniently, while maintaining continuity of service. Tim highlights that his firm already handles numerous U.S.-related corporate structures and cross-border clients, ensuring that the expertise LEAP ACT clients rely on will remain in place. Chris also announces his departure from LEAP ACT to join a technology company as an executive officer, a longtime client that recently achieved significant scientific breakthroughs and funding. He expresses confidence in Tim's leadership and notes that key relationships with partners like Global Tax Services (Ali Ajami) and cross-border legal collaborators will remain intact. The group discusses how the transition will strengthen service delivery and maintain collaboration between Canadian and U.S. advisors. Chris thanks Glen and the investing community for their support and shares plans to become more active personally in real-estate investing, coming full circle from accountant to investor. Glen closes by expressing excitement for the transition and the continued partnership with the expanded Pursuit-LEAP team.

(00:00) Co tam u nas słychać?(02:16) Metroid, Disco Samurai i Project Thea(04:38) Luther, Ona jedzie z przodu, Zaginiony autokar(11:10) Koniec aplikacji messenger na desktopy(16:20) Stranded: Alien Dawn(18:32) Tematy z zeszłego odcinka
(21:56) Spotify Wrapped i co się liczy na YT(28:50) Problemy z RAMem(30:35) Powody wzrostu cen pamięci RAM(34:15) Skala inwestycji w infrastrukturę AI(36:15) Do kiedy potrwa kryzys(44:16) Jakie produkty podrożeją?(53:00) Chmura i GTA 6 Project Thea Release Trailerhttps://youtu.be/SxJFj9rGvSU?si=3hZuo7wATgq6OTMSDisco Samurai - Release Date Trailerhttps://youtu.be/sf35SK0V1qk?si=ceBCNXINNBm6GgM5Kryzys pamięci RAM może potrwać nawet do 2028 roku; Samsung i SK Hynix zabrali głos w sprawiehttps://www.gry-online.pl/newsroom/kryzys-pamieci-ram-moze-potrwac-nawet-do-2028-roku-samsung-i-sk-h/z02fa6aNvidia reportedly no longer supplying VRAM to its GPU board partners in response to memory crunch — rumor claims vendors will only get the die, forced to source memory on their ownhttps://www.tomshardware.com/pc-components/gpus/nvidia-reportedly-no-longer-supplying-vram-to-its-gpu-board-partners-in-response-to-memory-crunch-rumor-claims-vendors-will-only-get-the-die-forced-to-source-memory-on-their-ownPamięć DRAM drożeje szybciej niż złoto. Twój komputer będzie kosztował fortunęhttps://ithardware.pl/aktualnosci/pamiec_dram_drozeje_zloto-46384.htmlGrupa Rock i Borys na FB - https://www.facebook.com/groups/805231679816756/Podcast Remigiusz "Pojęcia Nie Mam" Maciaszekhttps://tinyurl.com/yfx4s5zzShorty Rock i Boryshttps://www.facebook.com/rockiboryshttps://www.tiktok.com/@borysniespielakSerwer Discord podcastu Rock i Borys!https://discord.com/invite/AMUHt4JEvdSłuchaj nas na Lectonie: https://lectonapp.com/p/rckbrsSłuchaj nas na Spotify: https://spoti.fi/2WxzUqjSłuchaj nas na iTunes: https://apple.co/2Jz7MPSProgram LIVE w niedzielę od osiemnastej - https://jarock.pl/live/rockRock i Borys to program o grach, technologii i życiu

Om hur vidrigt det skulle vara att bo i LA, killar som sminkar sig, vilka P Diddy har legat med och hur utmanande de senaste två månaderna har varit för oss alla tre. Till sist landar vi i den kanske mest rimliga framtidsutsikten: att vi snart hellre lever i GTA. * Det här är ett gammalt avsnitt från Podme. För att få tillgång till Podmes alla premiumpoddar samt fler avsnitt från den här podden, helt utan reklam, prova Podme Premium kostnadsfritt. *

Welcome to Day 5. This is another MAJOR element in the prep process. Don't miss a moment. Here is the story on this series.... Paul announced a 7-Day Home Seller Boot Camp Prep program, sharing his behind-the-scenes approach to helping clients sell properties in Toronto, GTA, and beyond. He emphasized the importance of proper preparation and highlighted that the program includes the same strategies he uses for his own properties, aiming to maximize sellers' success and financial returns. Paul invited interested participants to reach out for the boot camp schedule and stressed the need for early preparation to avoid last-minute panic. For the full invite link, email me at paul.indrigo@century21.ca and add "BOOTCAMP" in subject line.

En décembre 2024, la bande-annonce de GTA 6 a été mise en ligne, faisant au passage exploser Internet et les compteurs de YouTube. Mais, deux ans plus tard, ce jeu vidéo extrêmement attendu (et le mot est faible) n'est toujours pas sorti. Pire encore, la date de commercialisation n'arrête pas d'être décalée. Car, oui, GTA 6 était censé sortir là, maintenant, à l'automne 2025... mais la sortie a été décalée au 26 mai 2026. Et là, il y a quelques jours, patatra, la date a encore été changée. Finalement, ce sera pour le 19 novembre 2026. Si tout va bien.Dans ce nouvel épisode de Questions Tech, la journaliste Chloé Woitier lève le voile sur le report du jeu vidéo GTA 6 . Et n'oubliez pas : dans la Tech, il n'y a pas de questions bêtes !Vous pouvez retrouver Questions Tech sur Figaro Radio, le site du figaro.fr et sur toutes les plateformes d'écoute.Chronique et rédaction : Chloé WoitierMontage : Astrid LandonPrise de son : Louis ChabainProduction exécutive : Aude Sérès, rédactrice en chef, pôle audio Le FigaroCoordination de production : Salomé Boulet, pôle audio Le FigaroCommunication : Réseaux sociaux Le FigaroVisuel & habillage : Studio design Le FigaroHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Plany nowej trylogii Wiedźmina, sekret daty wydania Silksong i Steam dobijający kolejnego indyka. Zapraszam do materiału!Najlepsze oferty pracy w gamedevie:https://workplays.it/Patronite Okiem Deva:https://patronite.pl/okiemdevaDiscord Okiem Deva:https://discord.gg/4anD7dJJn8Linki: https://linktr.ee/okiemdevaKompilacja ofert pracy:https://bit.ly/GamedevPracaPytania do następnego live'ahttps://forms.gle/4rEHhLdoiPUDWdtE7Świetne krzesła biurowe i gamingowe znajdziecie tutaj:https://s.yumisu.pl/okiemdeva00:00:00 Intro00:00:42 Nowa trylogia Wiedźmina00:05:26 Nagły termin Silksong00:09:18 Steam dobija kolejnego indyka00:16:20 GTA tylko w 30 FPS?00:20:00 Branżowe liczby00:23:03 Outro----------------Wspierający:https://workplays.it/Spotify: AdamP, Kozak12, JJanekWichowskiIntern: Jakub “oluD” DulnikiewiczJunior Dev: HARDCOROWYKOŚCIU GAMEPLAY!, Krzysztof Mierzejewski, Kruszynka Izka, Phillip Thomsen, Norbert Furmańczyk (Pisarz Samozwaniec), Wombat, Konrad Szejnfeld (ko_sz), Aloxxx, Saaellor, Mateusz K., kondi16, nothing, Anna Weglarz, ExitWound, Kojo Bojo, MichalDev, Aliwera, Jakub “oluD” DulnikiewiczRegular Dev: Marcin "kowboj_czacza" Ignasiak, Adam Kabalak, Backgroundcharacter_A, Kaspa Anonim, Maciej Radaszewski, Ewa Siwińska, Mateusz Stolarz Stolarczyk, Leniwa Ola, Piotr Łyp, Pierre Monet, kona 1, Andrzej Janicki, Łukasz Korzanowski, Artur Loska, PabloRal, R W, Mat Heus (Sizuae), vxd555, Jakub Staniszewski, Ari Gold, bibruRG_78Senior Dev: Marek Leśniak, Piotr Sadza, Michał Kondzior, Ard, Adrian Kraska, Mateusz Myga, Michał Król, Magdalena Płoszaj-Kotynia, Cezary Łysoń, Łukasz Klejnberg, Bartosz Majcherczak, Agata Pławna, Szymon Góraj, Veman, Jakub Kornatowski (@GramyNaMacu), Arkadiusz Czeryna, Agnieszka Rumińska, Adrian Sawko, Michał Stankiewicz, scooby666, Tek, Mariusz Kowalski, Maxjestic, Michał Ginter, Magdalena Porath, Mateusz Śródka, Kornel Kisielewicz, Krzysztof Szczech, Jan Skiba, Wered, Pielgrzym, Marcin Pietrzyk, Mateusz Kulczycki , JOORDAN, KRUK Artworks, KovalGames, BloszamelowyJacuś, keksimus maximus, Wojciech Wojciechowski, Regito93, Piotr Beyer, Tomasz Golik, Piteroix, Warsi, enonemasta, Bonga, Miras, Pawelek1329, MorfiniuszPrincipal Dev: Patryk Koniarczyk, Dawid Kuc, Tomasz Kowalczyk, Sandman, Andrzej Uszakow, Wojciech Uziębło, Leszek Lisowski----------------Źródła:https://gameranx.com/updates/id/558484/article/the-witcher-4-trilogy-will-fully-launch-within-6-years/https://insider-gaming.com/cd-projekt-red-confirms-the-witcher-4-not-releasing-in-2026-new-trilogy-sticking-to-6-year-plan/https://www.gamesindustry.biz/team-cherry-says-its-unfortunate-that-silksong-launch-disrupted-other-indieshttps://thisweekinvideogames.com/news/hollow-knight-silksong-team-cherry-release-date-comments-bloomberg-interview/https://www.gamesindustry.biz/developer-santa-ragione-claims-it-could-close-after-valve-blocked-game-from-steamhttps://www.gamesindustry.biz/gog-backs-horses-after-the-game-was-blocked-from-steamhttps://gameranx.com/updates/id/558477/article/will-grand-theft-auto-6-only-run-at-30-fps/https://www.videogameschronicle.com/news/only-2-of-battlefield-6-matches-during-launch-week-were-affected-by-cheaters-ea-claims/https://insider-gaming.com/where-winds-meet-reaches-9-million-players-in-two-weeks/

The Game Awards are just around the corner, and the gang share their bold predictions for what's set to be revealed. Will we finally see GTA 6 on Nintendo Switch 2? Is Resident Evil 9 ready to show Leon? Could Control 2, Judas, or even Half-Life 3 make an appearance? We debate the likelihood of a God of War side-scrolling game, Death Stranding 2 coming to PC day-and-date, Marathon's re-reveal, and much more. We also dive deep into our Metroid Prime 4 review, discussing the controversial bike sections, the game's stunning visuals, new psychic abilities, and whether the story sticks the landing. Plus: Xbox's bizarre controller Crocs, What The Wiki returns, and the age-old debate about footwear. Chapters 00:00:00 Coming Up 00:00:27 Game Awards Predictions 00:29:16 Metroid Prime 4 Review 00:46:40 Rapid Fire Question: Xbox Crocs 00:50:16 What The Wiki?! The Press Start Podcast is Press Start Australia's weekly video game discussion podcast. SUBSCRIBE LiSTNR: https://play.listnr.com/podcast/the-press-start-podcast Spotify: https://open.spotify.com/show/70QgrzSyPK476F9cTsfUWJ Apple: https://podcasts.apple.com/au/podcast/the-press-start-podcast/id812891885 YouTube: https://youtube.com/playlist?list=PLvh0fsLvVCs9Pym8WExQiXdiqQsscybcK&si=Zh7Gw4QsFJQGFoUU For more gaming news, reviews & more visit https://www.press-start.com.au SUBSCRIBE | https://goo.gl/i9FGAx FOLLOW US | https://www.facebook.com/gaming/PressStartAu https://twitter.com/PressStartAU https://www.instagram.com/pressstartau/ https://www.tiktok.com/@pressstartau Contact us at hello@press-start.com.au #gaming #podcast #playstation

Canada's largest city attracts a surprising diversity of bird species - and peeping at them from along the shores of Lake Ontario: countless birders. Among these birders, you'll find Jean Iron, Mark Peck and Nancy Barrett - three of Toronto's well known faces in the birding community. They share their favourite birding stories, explain the science behind why Toronto is a hotspot for birds, and relish in the community and friendships they've made through birding. Plus we hear about their new book, and give away a few copies!Donate to Birds Canada for your chance to win a copy of Toronto's Birds: 100+ species photographed in the GTA . Go to birdscanada.org/donate and mention the podcast in the comment field. When you order from birdsandbeans.ca/warblers, Birds and Beans donates to this podcast - thank you for supporting us, and our migratory birds! We mentioned lots of volunteer opportunities in this episode:Project FeederWatch (runs all winter, from Nov 1-April 30)Great Backyard Bird Count (Feb 13-16, 2026)Christmas Bird Count (Dec 14-Jan 5) Hawk Watch (look for groups near you, they're all over Canada)Toronto Whimbrel WatchToronto Ornithological Club and Ontario Field Ornithologists  Mark Peck was the Collections Specialist in Ornithology at the Royal Ontario Museum for 41 years until his retirement in 2024. He is the author of Bird Eggs: A Young Naturalist's Guide, is Vice-President of the Ontario Field Ornithologists, who awarded him the Distinguished Ornithologist Award in 2024, and is a longtime member of the Toronto Ornithological Club. He lives in Toronto, Ontario.Nancy Barrett worked as a medical transcriptionist for 31 years at a community hospital. She belongs to several bird and nature organizations, including as a member of the board at THE TOC (Toronto Ornithological Club), OFO (Ontario Field Ornithologists), and is the VP at the Friends of Sam Smith Park.Jean Iron was President of the Ontario Field Ornithologists for nine years and editor of its newsletter for fourteen; she received its Distinguished Ornithologist Award in 2016. She is an Honorary Member of the Toronto Ornithological Club, and has authored many articles about birds, illustrated with her own photos, and leads tours for birding clubs and at birding festivals. She lives in Toronto, Ontario.Andrea Gress (she/her) secretly thinks Piping Plovers are better than all the other birds...studied Renewable Resource Management at the University of Saskatchewan. She pivoted towards birds, after an internship in South Africa. Upon returning, she worked with Piping Plovers in Saskatchewan, and then as the Ontario Piping Plover Coordinator. Years of sharing her love of plovers with beach goers has turned into a full time communications role with Birds Canada.  Support the show

Deze talkshow wordt mede mogelijk gemaakt door MSI. Alle meningen in deze video zijn onze eigen. MSI heeft inhoudelijk geen inspraak op de content en zien de video net als jullie hier voor het eerst op de site.Na een meteorologisch prima weekend is het tijd voor een nieuwe werkweek. En die gaan JJ, Koos en Skate voor je inluiden. Dat doen ze met een nieuwe editie van Brievenmaandag. Nu iedereen op Jasper na terug is op het nest, kunnen we gewoon met drie man de vragen gaan beantwoorden. Een vraag bijvoorbeeld over het uitstel van GTA 6. Of ze dat misschien doen omdat de nieuwe generatie consoles er aan komt? Mogelijk dat Rockstar daar op zit te wachten? En wat zijn onze verwachtingen van de gratis MMO Where Winds Meet? Gaat dat wat worden? Zit er misschien een adder onder het gras, want gratis? Je krijgt de antwoorden op deze vragen en meer in de Brievenmaandag van maandag 01 december 2025. Gaat GTA 6 gewoon op de next gen consoles uitkomen?Een brievenschrijver vraagt zich af of de Steam Machine wel een mainstream toekomst heeft wanneer multiplayer games zoals Fortnite, EA FC26, Battlefield 6 en Call of Duty: Black Ops 7 niet online speelbaar zijn in verband met het ontbreken van kernel level anti cheat? Plus, wat is onze favoriete IP aller tijden en zouden we er aanpassingen in willen zijn als er een nieuwe editie uitkomt?Win een MSI GeForce RTX 5070 Ti 16G videokaart bij de MSI Advent kalenderVanaf 1 december is tijdens de MSI Advent Kalender actie elke dag prijs het op Instagram. En deze toffe actie begint met een klapper. Onze vrienden uit het Zuiden beginnen met het weggeven van de GeForce RTX 5070 Ti 16H videokaart. Dan zit er je er warm bij tijdens de Kerst. Hoe win je deze kaart? Volg zowel msigaming_bnx als het Gamekings Instagram-account en beantwoord de vraag (bij MSI): welke game ga jij op deze dikke kaart spelen?

Hi everyone, in this Episode we got the chance to speak to Crwales we spoke about GTA 6 being delayed again and all other stuff to do with gaming and we also spoke about I'm A Celebrity...Get Me Out Of Here!

#podcast #veterans #meme In this episode, the hosts engage in a lively conversation filled with humor, personal anecdotes, and reflections on life. They discuss their recent experiences with friendsgiving, drinking, and cooking, particularly focusing on barbecue techniques. The conversation also touches on movies, streaming culture, and the impact of personal life changes. The hosts share their thoughts on various entertainment topics while maintaining a light-hearted and humorous tone throughout the episode. In this episode, the hosts delve into their experiences with gaming, particularly focusing on the community dynamics and emotional impacts of gaming. They reflect on their military service, discussing the importance of disobeying unlawful orders and the mental health challenges faced by veterans.Chapters00:00 Introduction to DD214 Network Podcast01:55 Friendsgiving and Holiday Celebrations07:58 The Art of Barbecue and Cooking Techniques13:05 Midlife Reflections and Podcasting Journey16:49 Upcoming Events and Time Perception17:03 Navigating Post-Service Life19:22 Reflections on Family and Milestones22:16 Cinematic Experiences and Reviews25:29 Literary Discussions and Insights33:16 Reality TV and Its Impact33:59 The Cutthroat World of Traders35:20 Reality Show Dynamics and Fan Engagement36:16 The Great Bungalow War Begins40:18 The Rise of Streamers and Community Conflicts43:29 Community Events and Gaming Dynamics46:13 Frustration and Gaming Culture46:29 Challenges in Gaming: Campers and Looting47:41 Apologies to Speranza: The Impact of Gaming on Real Places48:17 War Stories and Military Experiences49:34 Intensity of Live Fire Exercises51:18 Transitioning to Football: Game Day Excitement51:55 Overtime Drama: High Stakes in Football54:33 Thanksgiving Showdown: Cowboys vs. Chiefs55:50 Playoff Implications: Must-Win Situations58:35 Basketball Updates: Arizona Wildcats' Success01:00:12 GTA and Gaming Connections01:00:57 Controversy in Sports: Tom Brady's Misstep01:01:53 Game Day Controversies and Misunderstandings01:02:57 Political Discussions and Military Orders01:05:00 The Duty to Disobey Unlawful Orders01:07:54 Reflections on Military Experience and Media01:10:23 Thanksgiving Reflections and Mental Health AwarenessDD214 Network PodcastDirected & Produced by Jonathan ‘Clean' SanchezHosted by Joe Squillini & Jay CampbellEdited by Clean Sanchez Media, LLCMusic by Shrieks666 ("Shadow Surfing," "Voices Getting Louder") – Check them out on Bandcamp!Website: CleanSanchezMedia.comAffiliate LinksGovee - https://govee.sjv.io/CLEANHemper -https://www.hemper.co/DD214Disclaimer: This Podcast contains adult language. Adult Supervision is advised.Fair Use Disclaimer:The content provided on this podcast may include material subject to copyright protection. In accordance with the principles of "fair use" as defined in Section 107 of the Copyright Act of 1976, the use of copyrighted material on this podcast is for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.The determination of whether the use of copyrighted material constitutes fair use is made on a case-by-case basis, taking into account various factors outlined in Section 107. The inclusion of such material is not an endorsement by the DD214 Network Podcast or Clean Sanchez Media, LLC, but is meant to enrich and contribute to discussions within the specified purposes of fair use. All copyrights and trademarks are the property of their respective owners.Shop official merch for DD214 Network: http://www.CleanSanchezMedia.com

SPONSORS: - Download Cash App Today: https://capl.onelink.me/vFut/uu6cof5i #CashAppPod. Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. See terms and conditions at https://cash.app/legal/us/en-us/card-agreement. Cash App Green, overdraft coverage, borrow, cash back offers and promotions provided by Cash App, a Block, Inc. brand. Visit http://cash.app/legal/podcast for full disclosures. In this episode of The Danny Brown Show, Danny links up with Sebastian Murphy of Viagra Boys for a mix of music talk, wild stories, and classic Danny chaos. They dig into finding deeper meaning in songs, Halloween memories, and the time Danny almost got rolled by the Narcos. Sebastian opens up about dealing with temptation on the road, while Danny spirals into YouTube rabbit holes and explains how fava beans might actually kill him. They also get into Sebastian's Magic: The Gathering obsession, the fear of trying new things, and—of course—the legendary saga of Danny's stolen porn laptop. A perfect blend of honesty, humor, and unfiltered Danny energy. Check out Viagra Boys and follow Sebastian: YouTube: https://www.youtube.com/channel/UCWEK3RhJB-BkdMZ9fiROVAQ Instagram: https://www.instagram.com/murphysthlm Have a question for Danny? Hit us up at danny@thedannybrownshow.com The Danny Brown Show Ep. 184 https://xdannyxbrownx.com https://store.ymhstudios.com Chapters 00:00:00 - Intro 00:02:06 - Finding Deeper Meaning In Songs 00:08:06 - Dealing With Temptation 00:10:05 - Coked Up Bruce Lee 00:13:03 - Fava Beans Can Kill Danny 00:17:48 - YouTube Rabbit Holes 00:23:16 - Being Too Scared To Try 00:25:17 - Magic The Gathering Obsession 00:28:28 - GTA 6 Is Scaring Danny Learn more about your ad choices. Visit megaphone.fm/adchoices

Press XJoin the Press X Discord: https://discord.gg/MAXtvmv2rwTopics:NSO adds Ninja Gaiden II and Battletoads for NES and Kid Icarus: Of Myths and Monsters and Bionic Commando for Game Boy https://x.com/NintendoAmerica/status/1993484853887566217Far Cry TV Series Set at FX from Noah Hawley and Rob Mac https://variety.com/2025/tv/news/far-cry-tv-series-fx-noah-hawley-rob-mac-1236591190/Cyberpunk 2077 has sold 35 million copies https://x.com/Wario64/status/1993722106253885832Games we're grateful for, for helping us in life etc.John: FFII/Lunar, Persona 4 Golden, WWF No Mercy (typed this out so I don't forget lol)Brett:  Uncharted 2/Battlefield 2: Bad Company, Inside/Horizon Zero Dawn, Death Stranding  Will think of more lolGreg: RE2, Street Fighter II, Sonic Adventure, Halo ⅔, Mario Kart Double Dash, GTA 4, Total Carnage, Sunset Riders, TMNT Tutrltes in Time, THPS2   Questions from Discord: Brydude: (1) Do Mario fart? (2) Second question, what is your favorite movie to watch during Thanksgiving? (3) Third question, even though I think we heard it last year: I'm tryna make you guys have questions that can go on for a few minutes: What is your favorite Thanksgiving dish? (4) One final question: What does the fox say?Joe: Any memorable Black Friday moments? Best deals you've gotten, any fights etc.Jtlawbass: What game has the best/yummiest-looking food? Is there any video game food you would like to learn to cook? Part of me wants to learn to cook the food from Monster Hunter Rise. It looked so good.

Deze talkshow wordt mede mogelijk gemaakt door Mojo. Alle meningen in deze video zijn onze eigen. Mojo heeft inhoudelijk geen inspraak op de content en zien de video net als jullie hier voor het eerst op de site.We brengen je een nieuwe episode van Gamekings Daily. In deze gaming vodcast praten twee presentatoren van Gamekings over het laatste nieuws uit de wereld die videogames heet. Altijd vergezeld van een stevige mening. We blijven immers Gamekings. Koos schuift vandaag vanuit zijn studio bij JJ om een aantal onderwerpen te bespreken. Hopelijk is zijn jetlag al wat verdwenen zodat hij fris en fruitig de discussie aan kan gaan. Bijvoorbeeld over het nieuws dat Ubisoft mensen zoekt om aan Beyond Good & Evil 2 te gaan werken. Een game die in 2008 werd aangekondigd en nog steeds verre van klaar is. Ook praten de twee over Cyberpunk 2077 dat sinds deze week beter verkocht heeft dan The Witcher 3. En dat ondanks de behoorlijk valse start. Deze topics en meer zie en hoor je voorbij komen in de Gamekings Daily van donderdag 27 november 2025.Beyond Good & Evil 2 bestaat nog steeds, echt waar…Andere onderwerpen in deze editie betreffen het feit dat GTA 5 gewoon meedoet aan de Steam Awards 2025 en de aankondiging dat er door Bungie wordt gewerkt aan Destiny 3. Al deze onderwerpen zijn aanwezig in deze video.Scoor kaarten voor het concert van Sabaton in de Ziggo DomeLiefhebbers van het betere beukwerk, opgelet. De Zweedse heavy metalband Sabaton doet in het kader van The Legendary Tour 2025, op maandag 1 december een optreden in de Ziggo Dome. De band, die bekend staat om liedteksten die bijna zonder uitzondering gaan over historische oorlogen, veldslagen en personages, komt met een spetterende show waarin het wordt bij gestaan The Legendary Orchestra. Ga dus maar uit van een unieke audiovisuele ervaring. Hier kun jij bij interesse de kaarten kopen.

Spike, Zuckerman, and Jonny tackle everything from LA's terrible air quality to Chinese car fails. The team announces their Car of the Year nominations, Spike reveals Jerry Seinfeld's secret Porsche auction, and Jonny delivers an honest review of the revamped Karma automotive lineup. ______________________________________________ GRAB SOME SCR MERCH: https://spikescarradio.com GET MORE SCR ON PATREON: https://www.patreon.com/spikescarradio

What do wine, cats, design, and career reinvention have in common? The guest this week, Jaime Drayer, will say everything. In this inspiring episode of Wine Behind the Scenes, Laurel sits down with Jaime to talk about how she went from working as a graphic designer to building her own creative brand (hello, Kitties and Cabernet!) before diving headfirst into the wine world. What began as a part-time retail job at Burning Kiln Winery quickly turned into a full-time passion. Today, Jaime is the winery's Marketing Coordinator, combining her eye for design, love for storytelling, and a growing knowledge of all things wine. Jaime shares how she returned to her hometown of Norfolk County, found an unexpected opportunity in an emerging wine region, and discovered a supportive all-female leadership team that's helping shape the future of Ontario wine. If you've ever thought about switching lanes, following your creative instincts, or learning wine from the ground up this episode's for you. What You'll Learn: How Jaime transitioned from graphic designer to wine marketer The story behind her wine-and-cat-themed business, Kitties and Cabernet Why Burning Kiln Winery's unique location sets it apart in Ontario What it's like working with an all-female management team The ins and outs of learning about wine through hands-on experience Tips for anyone curious about working in wine How passion projects can fuel your main hustle And we have our wonky term with Judith Lewis - What the term "RS" means in wine (and no, it's not a new app!) Jaime Drayer is the Marketing Coordinator at Burning Kiln Winery in Norfolk County, Ontario. A trained graphic designer, Jaime began her career in Hamilton, working in the creative industry across the GTA before launching her own wine-inspired brand, Kitties and Cabernet.  After returning to her hometown in 2023, she joined Burning Kiln as a part-time retail team member. Her role quickly evolved to include sales and marketing, a perfect match for her storytelling skills and growing passion for the wine industry.  Whether she's designing greeting cards, planning winery events, or creating brand content, Jaime brings creativity, heart, and authenticity to everything she does. Listen now at: www.winebehindthescenes.com

Deze talkshow wordt mede mogelijk gemaakt door Omen. Alle meningen in deze video zijn onze eigen. Omen heeft inhoudelijk geen inspraak op de content en zien de video net als jullie hier voor het eerst op de site.Welkom bij een nieuwe editie van Gamekings Daily. In deze gaming vodcast praten twee presentatoren van Gamekings over het laatste nieuws die de wereld der videogames heeft voortgebracht. Dit keer is het Boris die bij JJ aan de desk zit om te praten over een aantal interessante onderwerpen. Allereerst is daar het interview dat GTA-creator Dan Houser gaf ter promotie van zijn nieuwe boek A Better Paradise. Daaraan scheen hij wat meer licht op de reden waarom hij bij Rockstar vertrok. Een pijnlijk verhaal als je beseft dat je daardoor singleplayer DLC voor GTA 5 bent mis gelopen. De twee hebben het verder over de Far Cry TV-serie die meer en meer vorm krijgt en het gerucht dat Destiny 3 'in the making is'. Deze topics en meer zijn te zien en horen in de Gamekings Daily van woensdag 26 november 2025.'We hadden dus gewoon singleplayer DLC voor GTA 5 kunnen hebben'De twee heren bespreken ook kort het gratis weekje Battlefield 6 wat momenteel gaande is. Best lang voor een game die pas een maandje uit is. Is daar een reden voor? Het antwoord krijg je in deze video.Scoor 200 euro korting bij aankoop van de OMEN 16? gaming laptopDe OMEN 16? gaming laptop is een krachtig beestje dat power koppelt aan een coole look. En dat is natuurlijk fijn als je buitenhuis wil gaan werken met deze laptop. Met een AMD Ryzen™ 9 – 8940HX processor, een GeForce RTX™ 5070 (8 GB) videokaart en 1 TB aan opslag capaciteit kun je meer dan prima gamen. Veel reviews loven deze laptop en geven aan dat het de concurrentie veelal het nakijken geeft. Interesse? Hier vind je alle specs en een link naar 200 euro korting bij aanschaf.

We dive into the exciting world of video game creativity as we compare fan-made passion projects to official developer releases! From community-driven remakes and inspired reimaginings to big-budget sequels and reboots, we explore which ones capture the true spirit of gaming. Level 857 Video Game Podcast Ep-383: Fan Games vs. Official Releases: Who Did It Better?00:00 - Intro02:04 - Games Played Discussion - Absolum06:58 - Al played Claire Obscure Expedition 33, Luminous13:29 - Choc played Street Fighter 6, Marvel Rivals20:52- Turb played Donkey Kong (Game Boy), Final Fantasy Tactics27:30 - Stikz played Ninja Gaiden 4, Ridge Racer (PSP)35:27 - Stal played Star Wars Jedi Survivor, Vernal Edge, Dark Deity 46:13 - Indie Game of the Week Spotlight - Cyber Shadow49:42 - Survey reveals more players in the US and UK prefer single-player games over multiplayer56:44 - Rumor: Rockstar Could Be Considering Switch 2 Port of GTA 61:01:09 - The first official photos from The Legend of Zelda live-action movie have been published1:10:45 - Valve Claims Steam Machine Outperforms 70% of Current Gaming PCs1:20:36 - Break: Free Game Giveaway Reminder1:25:18 - Fan Games vs. Official Releases: Who Did It Better?If you enjoyed the podcast and would like to show support, feel free to do so in any of the following ways below:(1) Subscribe and share this podcast with close friends/family(2) Rate/Review us on your preferred podcasting platform: https://podcasters.spotify.com/pod/show/level857(3) Become a member on either Fourthwall or Patreon for exclusive perks and discounts on merch! https://www.857ent.com/#membership(4) Hit the bell and subscribe to our live podcast and multiplayer, co-op gaming channel: https://goo.gl/Zy9RTD***Special shout out to all of our supporters, especially our Boss Level Members***John L.

Valve's Steam Machine, GTA VI Delay, Halo on PS5 + Anime Character Pokémon Teams Have you ever looked at an anime character and wondered to yourself, "What would their Pokemon team be?" Well, you're in luck! Tune in this week to see as Cole, Mike, and Jay give Pokemon teams to anime characters assigned to them by the other guys!Also, the GameCube makes a shocking return, the console wars may be over, GTA 6 is getting delayed, and more!Topics & Timestamps:00:00 – AniProPod 207 Intro & Episode Overview08:33 – Valve's Steam Machine Revealed (GabeCube)17:48 – Console Talk: Xbox vs Sega & Future of Gaming24:15 – Halo Coming to PS5: What This Means29:49 – GTA VI Delayed: New Release Info37:15 – Mailbag: Fall Footwear Debate – Boots or Shoes?43:13 – Second Half Teaser: Pokémon Teams for Anime Characters48:30 – Mob's Pokémon Team & Strategy Analysis53:31 – Levi Ackerman's Pokémon Team Breakdown59:09 – Kirito's Pokémon Team: Picks & Battle Style01:08:00 – Holo the Wise Wolf's Pokémon Team & Tactics01:13:55 – Senku Ishigami's Pokémon Team & Science Strategy01:21:31 – Yuu Ishigami's Pokémon Team Explained01:29:00 – Episode Wrap-Up & Next Time on AniProPodSupport AniPro:Patreon – https://www.patreon.com/AniProPodMailbag – https://anipropod.com/mailbagTokyoTreat ($5 off) – Use code "ANIPRO" for $5 off your first #TokyoTreat box: https://team.tokyotreat.com/AniProFollow & Subscribe:X (Twitter) – https://twitter.com/AniProPodInstagram – https://www.instagram.com/anipropodDiscord – https://discord.gg/dV5tMCWvM7Next Reviews:Anime – Golden Kamuy → Elfen Lied → Now and Then, Here and ThereManga – Ichi the Witch → Black Torch Music & Credits:Opening Theme – “Shibuya” Bumper Track – "Retired Betamax" by "Pandicio Del Toro"Music licensed via – slip.streamEnjoying the show? If so, please rate & review us on Apple Podcasts or Spotify – it only takes a moment and helps new listeners find us!

Friday – We discuss the Anna Kepner cruise ship tragedy. We compared buck naked with butt naked. Jim reveals his deviled egg recipe. Is it time to start dressing nicer for airline travel? The 8-Bit Update with Jayden on GTA 6 and Black Ops 7. Prime Time Kitchen with Orlando Weekly Restaurant Critic Faiyaz Kara. Plus, JCS News, Sink or Sail, Embers Only, Pick the Porn & You Heard it Here First.

Friday – We discuss the Anna Kepner cruise ship tragedy. We compared buck naked with butt naked. Jim reveals his deviled egg recipe. Is it time to start dressing nicer for airline travel? The 8-Bit Update with Jayden on GTA 6 and Black Ops 7. Prime Time Kitchen with Orlando Weekly Restaurant Critic Faiyaz Kara. Plus, JCS News, Sink or Sail, Embers Only, Pick the Porn & You Heard it Here First. See omnystudio.com/listener for privacy information.

On this episode of Straturday Night Live, we're kicking things off with a brand new intro — and this one's been four years in the making!

This week in the news: Take Two's stocks drop alongside the delay of GTA 6 and they're still slightly disappointed in the Borderlands 4 launch. Steam announced a bunch of new hardware including a new Steam Machine, VR headset, and controller. Will it be on par with console pricing? And one of the original devs for the first Saints Row game has Embracer's interest after talking about a revival of the series via a 1970s prequel. What have we been doing this week? Well Grif's brain is broken upon replaying a game that she'd already given a lot of grace. Is it really that bad or is she just bitter these days? Chicken is too good at RTS games and figured out how to absolutely dominate in a playtest for an upcoming game. And of course, "Friend Slop" as Chicken called it, is everywhere. With the recent Peak and Repo updates, there's plenty of laughs to go around. All this and more on this week's Infinite Respawn Podcast!

Hele Nerdelandslagets King Kong Klingon-yndling er tilbake for å hylle dataspillenes kraft! I livet til Theis Magelssen er dataspill så kraftige at de ofte fører til en hel haug med kontroversielle meninger om dem. Derav hele TO episoder knyttet til meninger som kan lage en simpel spiller om til en sveitserost! I del 1 skal vi gjennom konsollkriger, klima og GTA 6, så spenn deg fast! Hosted on Acast. See acast.com/privacy for more information.

We focus on how Republicans are firing workers for protected speech. We also give you an update on the GTA union busting, Starbucks workers, and more.✦ ABOUT ✦The Valley Labor Report is the only union talk radio show in Alabama, elevating struggles for justice and fairness on the job, educating folks about how they can do the same, and bringing relevant news to workers in Alabama and beyond.Our single largest source of revenue *is our listeners* so your support really matters and helps us stay on the air!Make a one time donation or become a monthly donor on our website or patreon:TVLR.FMPatreon.com/thevalleylaborreportVisit our official website for more info on the show, membership, our sponsors, merch, and more: https://www.tvlr.fmFollow TVLR on Facebook: https://www.facebook.com/TheValleyLab...Follow TVLR on Twitter: @LaborReportersFollow Jacob on Twitter: @JacobM_ALFollow TVLR Co-Creator David Story on Twitter: @RadiclUnionist✦ CONTACT US ✦Our phone number is 844-899-TVLR (8857), call or text us live on air, or leave us a voicemail and we might play it during the show!✦ OUR ADVERTISERS KEEP US ON THE AIR! ✦Support them if you can.The attorneys at MAPLES, TUCKER, AND JACOB fight for working people. Let them represent you in your workplace injury claim. Mtandj.com; (855) 617-9333The MACHINISTS UNION represents workers in several industries including healthcare, the defense industry, woodworking, and more. iamaw44.org (256) 286-3704 / organize@iamaw44.orgDo you need good union laborers on your construction site, or do you want a union construction job? Reach out to the IRONWORKERS LOCAL 477. Ironworkers477.org  256-383-3334 (Jeb Miles) / local477@bellsouth.netThe NORTH ALABAMA DSA is looking for folks to work for a better North Alabama, fighting for liberty and justice for all. Contact / Join: DSANorthAlabama@gmail.comIBEW LOCAL 136 is a group of over 900 electricians and electrical workers providing our area with the finest workforce in the construction industry. You belong here. ibew136.org Contact: (205) 833-0909IFPTE - We are engineers, scientists, nonprofit employees, technicians, lawyers, and many other professions who have joined together to have a greater voice in our careers. With over 80,000 members spread across the U.S. and Canada, we invite you and your colleagues to consider the benefits of engaging in collective bargaining. IFPTE.org Contact: (202) 239-4880THE HUNTSVILLE INDUSTRIAL WORKERS OF THE WORLD is a union open to any and all working people. Call or email them today to begin organizing your workplace - wherever it is. On the Web: https://hsviww.org/ Contact: (256) 651-6707 / organize@hsviww.orgENERGY ALABAMA is accelerating Alabama's transition to sustainable energy. We are a nonprofit membership-based organization that has advocated for clean energy in Alabama since 2014. Our work is based on three pillars: education, advocacy, and technical assistance. Energy Alabama on the Web: https://alcse.org/ Contact: (256) 812-1431 / dtait@energyalabama.orgThe Retail, Wholesale and Department Store Union represents in a wide range of industries, including but not limited to retail, grocery stores, poultry processing, dairy processing, cereal processing, soda bottlers, bakeries, health care, hotels, manufacturing, public sector workers like crossing guards, sanitation, and highway workers, warehouses, building services,  and distribution. Learn more at RWDSU.infoThe American Federation of Government Employees (AFGE) is the largest federal employee union proudly representing 700,000 federal and D.C. government workers nationwide and overseas. Learn more at AFGE.orgAre you looking for a better future, a career that can have you set for life, and to be a part of something that's bigger than yourself?   Consider a skilled trades apprenticeship with the International Union of Painters and Allied Trades. Learn more at IUPAT.orgUnionly is a union-focused company created specifically to support organized labor. We believe that providing online payments should be simple, safe, and secure.  Visit https://unionly.io/ to learn more.Hometown Action envisions inclusive, revitalized, and sustainable communities built through multiracial working class organizing and leadership development at the local and state level to create opportunities for all people to thrive. Learn more at hometownaction.orgMembers of IBEW have some of the best wages and benefits in North Alabama. Find out more and join their team at ibew558.org ★ Support this podcast on Patreon ★

Catching up (04:32)Michael trailer (18:04) Mario galaxy movie trailer (27:54)Good luck, have fun, don't die trailer (34:12)Toy Story 5 trailer (40:08) The Devil Wears Prada 2 trailer (45:06)Fall out season 2 trailer (46:56)Monarch season 2 trailer (54:41 )Gta 6 delayed/union busting (59:22)Steam Machine?!? (01:04:56)Square Enix layoff/AI initiative (01:21:38)The Mummy Returns?!?! (01:27:30)Star Citizen breaks records? (01:34:22)Ending (01:36:46)

Der Countdown läuft! Moderatorin Lea diskutiert mit dem Gamestar-Experten Julius Busch und GTA-Streamer Dennis Werth die gigantischen Erwartungen an GTA VI, genau ein Jahr vor dem mutmaßlichen Release. Sie analysieren die neuen Hauptcharaktere Lucia & Jason, spekulieren über die Möglichkeit eines dritten Protagonisten und wagen eine Prognose zum heiß diskutierten Online-Modus.

Micha und Phil stolpern von Balkon-Solar, verschobenem GTA 6 und verzweifelter CCC-Ticketjagd direkt erneut in die KI-Dystopie. Bei den Filmen wirds gruselig, eklig, klassisch - oder oberflächlich mit Tiefgang.

#craftbeer #themummy #brendanfraser The Mummy is coming back with the dreamiest on-screen couple of 1999 — Brendan Fraser and Rachel Weisz. Welcome back, ancient-Egyptian cursed mommy and zaddy. We love you. On the gaming side, GTA 6 gets delayed yet again and Valve announces new Steam hardware that might be a game-changer if the price is right. Finally, we close out with a quick talk on the Grammys' Album of the Year nominees and why they're kind of weird (but not all bad). 0:00 Intro 9:17 The Mummy Requel is Happening with Brendan Fraser & Rachel Weisz 24:18 Grand Theft Auto 6 Gets Delayed Yet Again 44:20 Valve Announces Steam Machine, Steam Frame, & Steam Controller 59:43 The Grammys 2025 Album of the Year Noms are Hip-Hop-Filled 1:12:05 Cheers of the Week: The Chair Company & Tatsuya Nakadai 1:16:35 Beer Review Odd Colony Brewing Company (in collaboration with Spahr Brewing Company) Oddtoberfest Open-Fermented Marzen-Style Lager

Moderatorin Lea Herfurtner diskutiert zusammen mit unserem Gamestar-GTA-Experten Julius Busch und GTA-RP Content Creator Dennis Werth (Heideltraut) die Faszination der Grand Theft Auto-Reihe. Gemeinsam tauchen sie tief in das Vermächtnis der Marke ein, beleuchten, welche Serienteile die Gaming-Welt revolutioniert haben, und analysieren, wie GTA den Sprung zu einem der einflussreichsten und größten Namen der gesamten Branche schaffte.

This week's episode is a full buffet of sports takes, random debates, and pure foolishness. Felix and Beav start by wishing the Brothers of Omega Psi Phi a happy Founders's Day and thank everyone who came out to celebrate over the rainy weekend. Beav then kicks things off with "Dre's Top 5". Then we slide into Quick Hits, headlined by LeBron officially returning to the Lakers, because of course he is—L.A. property taxes need him. Meanwhile in Inglewood, the Clippers new signing  Bradley Beal is hurt again. Then things take a left turn into food anthropology as the fellas argue "How do you eat a taco?" Thanks to Skattabo, we learn way too much about folding technique, structural integrity, and the philosophy behind biting etiquette. From here, we enter Rule Breakers, and the segment does NOT disappoint: A 50-year-old father and his son suiting up together for Compton CC like it's a Disney+ special nobody asked for. A Michael Jordan impersonator furious he wasn't cast for something, reminding everyone why impersonators usually stay impersonating. Cam Newton pulling up on HBCU leadership 15 dudes packed in one car to go rob somebody—an operation so inefficient even GTA would glitch. And finally, a man who got tackled in the middle of church, proving that the Lord may forgive you, but security will not. It's sports, it's comedy, it's chaos. Another week of takes you didn't ask for, but absolutely needed. Enjoy!

Xbox's big bet for bringing PCs to the living room has officially been undercut. This week, Valve announced three (!) different pieces of hardware. First, there is the Steam Machine, which serves as the strongest competitor to consoles. While still very much a PC, the Steam Machine packs a lot of punch for a small device and could be a force if priced well. Second, a brand new VR headset in the Steam Frame. Despite Meta having massive first-party support, Valve has decided to challenge a space that many of us thought was finished growing. Third, and finally, is a Steam Controller. It's horrendous looking and makes the Duke look ergonomic. How does Valve's aggressive hardware plans disrupt Xbox and does any lingering appeal for the PC in the living room by Xbox remain? The Dukes unite and dive straight in. Please keep in mind that our timestamps are approximate, and will often be slightly off due to dynamic ad placement. 0:00:00 - Intro0:08:49 - The Hair Crisis0:13:57 - Halo Infinite support is ending0:21:59 - Former Nintendo President opens up on Xbox and Switch 20:31:59 - State Of Play Japan reactions0:47:15  Arc Raiders is a smash hit0:57:04 - GTA 6 has been delayed1:09:02 - Take Two proves great narrative games sell well1:13:02 - Borderlands 4 sales are soft1:18:58 - Dispatch sells over 1 million copies1:20:47 - Ghost Of Yotei sells over 3 million copies1:23:00 - BioWare and EA recommit to Mass Effect1:42:28 - Marvel 1943: Rise Of Hydra has been delayed1:44:35 - Silent Hill 2's Xbox release date leaks1:48:42 - Nintendo first party are using game key cards1:51:07 - Square Enix undergoes layoffs and drops new roadmap2:03:02 - Trails In The Sky Remake 2 confirmed for 20262:05:54 - What We're Playing3:00:07 - Valve announces Steam Machine, Frame, and Controller3:28:55 - Todd Howard interview3:42:30 - Avowed 2 is in the cards, but not Outer Worlds 3? Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we're geeking out about GTA 6 Delays, K-Pop Demon Hunters Sequel, and Wonderman! Andrea Geeking Out The Office (Seasons 4 and 5) Pluribus (new show) Fallout: New Vegas   Jonathan Geeking Out  Assassin's creed 3 Always sunny in philadelphia  Frankenstein (2025) Cody Geeking Out Expedition 33 Frankenstein (2025) Witcher Season 4   Gaming GTA 6 Delayed… Again https://www.ign.com/videos/gta-6-has-been-delayed-again-to-november-2026 EA and Bioware Committed To Mass Effect 5 https://www.ign.com/articles/ea-and-bioware-remain-committed-to-next-mass-effect-game-and-yes-romances-will-return Square Enix Undergoes Mass Layoffs https://www.ign.com/articles/square-enix-undergoes-mass-layoffs-as-it-reorganizes-to-consolidate-development-in-japan Grammys exclude Clair Obscur Soundtrack nomination https://www.nme.com/news/gaming-news/clair-obscur-expedition-33-grammys-snub-3907087   Movies First Look at Yoshi https://www.ign.com/articles/latest-super-mario-galaxy-leak-comes-from-pillsbury-cookies-offers-our-best-look-yet-at-yoshi-and-all-but-confirms-two-more-fan-favorite-characters K-Pop Demon Hunters 2029 https://www.ign.com/articles/dont-expect-to-see-kpop-demon-hunters-2-until-2029 Predator Badlands Beats Franchise Record https://www.ign.com/articles/predator-badlands-sets-franchise-record-with-biggest-box-office-opening-ever-for-a-predator-movie-including-the-aliens-vs-predator-films   TV Stranger Things Tales From 85 Spinoff https://www.ign.com/articles/netflix-reveals-stranger-things-tales-from-85-animated-spinoff-with-teaser-video-first-look-images-and-voice-cast-announcement Wonderman Trailer https://www.youtube.com/watch?v=KwXeoGi7nH0 MORE INFO Send us your questions! podcast@geeksundergrace.com For more Geeks Under Grace: http://www.geeksundergrace.com http://www.twitter.com/geeksundergrace http://www.twitch.tv/geeksundergrace https://geeksundergrace.com/give   For more Cody Armour: http://twitter.com/CodyArmour https://www.instagram.com/codyarmour/

In this episode, Marques, Andrew, and David start off talking about the newest Apple Pocket accessory that was released before getting into the OnePlus 15. After that, they talk about Marques getting interviewed by LeBron James, the new Spotify Wrapped weekly feature, and GTA 6 getting delayed (again). Then they wrap it all up with a game of HYPEathetically speaking. Enjoy! Links: Apple iPhone Pocket: https://www.apple.com/newsroom/2025/11/introducing-iphone-pocket-a-beautiful-way-to-wear-and-carry-iphone/ MKBHD - OnePlus 15 video: https://youtu.be/2MdQWo9fHZs?si=QxIvodONzlBC9oU2 LeBron James x Marques: https://youtu.be/htRERdGz4bI?si=mYJmXIMzt3EnwaTC Verge - iPhone Air 2 delayed: https://www.theverge.com/news/817908/apple-iphone-air-second-generation-delayed Rockstar Games - GTA 6 delayed: https://www.rockstargames.com/newswire/article/ak3ak31a49a221/grand-theft-auto-vi-is-now-set-to-launch-november-19-2026 This episode brought to you by: Framer: https://www.framer.com/design (code: wave) Grammarly: https://www.superhuman.com/podcast LinkedIn: https://www.linkedin.com/MKBHD Monarch Money: https://www.monarch.com (code: wave) T-Mobile: https://www.t-mobile.com/switch Music provided by Epidemic Sound Shop the merch: https://shop.mkbhd.com Social: Waveform Threads: https://www.threads.net/@waveformpodcast Waveform Instagram: https://www.instagram.com/waveformpodcast/?hl=en Hosts: Marques: https://www.threads.net/@mkbhd Andrew: https://www.threads.net/@andrew_manganelli David: https://www.threads.net/@davidimel Adam: https://www.threads.net/@parmesanpapi17 Ellis: https://twitter.com/EllisRovin TikTok: https://www.tiktok.com/@waveformpodcast Join the Discord: https://discord.gg/mkbhd Music by 20syl: https://bit.ly/2S53xlC Waveform is part of the Vox Media Podcast Network. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tonight we're talking about Steam's new hardware, GTA 6's inevitable delay, Halo Infinite ending support, Nightreign DLC, and plenty more! ***** Watch the show LIVE Wednesday nights at 7PM Eastern - @benishandsomeyt ***** Reviews and subscriptions help us out so much. If you enjoyed the show, make sure to subscribe and leave us a review on iTunes. ***** Follow us on Twitter! Twitter.com/BenSmith2588 Twitter.com/csfdave Twitter.com/_gloriousginger Learn more about your ad choices. Visit podcastchoices.com/adchoices

Support the show Patreon: https://www.patreon.com/PSTrophyroom Discord: https://discord.gg/wPNp3kC  BSYK: https://tinyurl.com/3e24bn7y  Store: https://tinyurl.com/ktbsdw3s  This week on The Trophy Room:  A PlayStation Podcast hosts Teegan, Kyle, and Joe talk about dive deep into the massive PlayStation and gaming news cycle. Rockstar Games has officially delayed Grand Theft Auto VI to November 19, 2026, and fans are split between hype and frustration. We also break down the shocking union-busting allegations against Rockstar after the firing of 31 employees in the UK and what this means for the developer's reputation ahead of GTA 6's release. Then, we cover Sony's latest State of Play Japan, featuring major reveals like Dragon Quest VII Reimagined, Fatal Frame II Remake, Monster Hunter Wilds Title Update 4, and Marvel Tokon: Fighting Souls. We discuss which titles might come West and which ones highlight PlayStation's renewed focus on Japan. We also unpack Sony's Q2 FY2025 earnings, revealing PS5 sales have now surpassed 84 million units, with 119 million active users. Sony claims the PS5 is only “midway through its lifecycle,” refusing to comment on PS6 rumors — though new reports point to a 2027 hybrid console with Switch-style docking. Plus: New details leak about the Horizon MMO: Steel Frontiers from NCSoft. A new Steam console and VR headset (“Steam Frame”) leak — can Valve finally challenge Xbox and PlayStation? Crash Team Racing comeback rumors ignite after a Beenox banner leak. New PS Plus Extra & Premium lineup for November 2025 featuring GTA V, Pacific Drive, and Tomb Raider Anniversary. Ratchet & Clank: Ranger Rumble officially revealed for mobile. All that and more in this week's PlayStation-centric discussion full of news, hot takes, and community questions!

Giga Bytes Podcast #387: Hoy hablamos del Steam, PS, GTA y Mucho más!!! Lego Marvel Avengers Strange Tales review Lumines Arise Review Ratchet and Clank Ranger Rumble anunciado para iOS y Android Horizon Steel Frontiers (MMORPG por NC Soft) anunciado para PC, móvil Death Stranding Isolation anime a Disney Plus 2027 Super Mario Galaxy movie trailer, Running Man Review Steam anuncia nuevo Hardware para 2026: * Zen 4 CPU 4.8Ghz 6C/12T * RDNA3 GPU with 28CUs 2.45Ghz (8GB GDDR6 VRAM) * 16GB DDR5 RAM * 4K 60 FPS with FSR * 512GB or 2TB options * Display Port 1.4 (4K @ 240fps, 8K @ 60fps) * HDMI 2.0 (4K @ 120fps) * 1 x USB C * 2 x USB 3.2 * 2 x USB 2.0 * 1GB Ethernet * Wi-Fi 6E * Bluetooth 5.3 Los Game Awards 2025 tendran stream por Prime Video diciembre 11 8-11pm EST Kingdom Come Deliverance 2 vende 4m desde febrero PlayStation's 27” Gaming Monitor anunciado QHD IPS Display (2560 x 1440) HDR VRR up to 120 Hz (PS5/PS5 Pro), 240 Hz (PC/Mac) Built-in Charging Hook for DualSense Two HDMI IN (2.1), one DisplayPort In (1.4) 2 USB Type_A, 1 USB-C ports Stereo speaker & 3.5 mm audio output Coming 2026 Xbox Series X/S y PS5 de aniversario (Nov 10 y 12 2020) Marvel TOKON Fighting Souls closed beta 2 diciembre 5 2ndo QTR PS (Hasta sept 30): 2m de unidades en el mercado (100k unidades más Y2Y), sobrepasa Xbox 360 9m PS5 durante el trimestre (2ndo mejor para PS5) Ghost of Yotei vende 3.2m en su primer mes en el mercado 1st party sales aumenta de 5.3 a 6.3m Y2Y MAU aumenta a 119m de 116m Y2Y Aumentan pronostico PS5 en mediados de su ciclo de vida PS5 es el 2do producto de Playstation que más rápido ha vendido en US Halo Infinite a recibir ultimo contenido, eliminando plan de 10 años del título (nov 18) Xbox Series X/S y PS5 cumplen 5 años Todd Howard: todavía falta mucho para Elder Scrolls 6, podría aparecer estilo Shadow drop PS Portal ahora el dispositivo más usado para remote play, superando mobile PC, PS4, PS5 Rockstar: GTA 6 atrasado hasta el 19 de noviembre 2025 Marvel 1943 Rise of Hydra atrasado luego de comienzos de 2026 Guiness World Records tira indirecta a Rockstar Games/GTA Nintendo reporte financiero: (Hasta sept 30) Nintendo Switch 2: 10.36m de unidades vendidas 62m Software units Mario Kart World: 9.57m Donkey Kong Bananza: 3.49m Switch 1: 154.1m Wii U: 13.56m 3DS: 75.94m Aumentan pronóstico de venta de 15m a 19m hasta marzo 31, 2026 De ahora en adelante desarrollo se enfocará en SW2 Division de Xbox pasado trimestre hasta sept 30 2025: Gaming disminuye 2% Aumenta 1% Xbox content and services Hardware disminuye 29% Sigueme y Suscribete: Facebook.com/elgiga Youtube.com/elgiga947 Instagram.com/elgiga947                                                                                                                                    Twitch.tv/elgiga947 Twitter.com/elgiga947 Giga Bytes Podcast   #monsterenergypr @monsterenergy @Stephreyesmarketing @caribbeanxsports @eriberto213 #gigabytespodcast #NintendoSwitch2 #PS5 #MarvelTokonFightingSouls #COD #Wolverine #Saros #GhostofYotei #ACShadowsSwitch #ResidentEvilRequiem #NinjaGaiden4 #GhostofYotei #Switch #Xbox #PSSR #PS5Pro #Xbox #Switch2 #Review #Playstation #Switch2 @tiendasmesalve #gigabytespodcast #HaloPS5 #PS6 #NextXBox #PSPortal  

An American beat Italians at making pizza and the US stopped making pennies before GTA 6 came out! What more could possibly happen before then??

The Bros are back with another HEAVY one! This week kicks off with prayers up for Jamaica as they deal with the damages from a hurricane. Terrance reflects on his first time out the country which was a trip to Jamaica and how much it meant to him. Terrell reflects on his weekend and how he learned the hard way that going to Costco is a DATE. From there, they start off with YOU vs. Terrell in a high-stakes Movie Trivia showdown where you gotta answer before he does

This weeks crew: Webby, Darren, Nick Loads of games discussed this week including Battlefield 6, Arc Raiders, TABS, Hogwarts Legacy, Ghost of Yotei, Gears of War, and Webby moaning about Arma Reforger 1.6 update which has ruined the game. We run through the Xbox 360 releases from October and November 2006. What a time to be alive! News this week includes GTA 6 delay, Rockstar picket lines, Halo Infinite not being so Infinite and much more. https://www.patreon.com/360gamercast https://discord.gg/CqDMSg9 https://www.facebook.com/groups/360gamercast/ https://twitter.com/Webby360G https://twitter.com/360GamerCast All Access Patrons - John Smith

Gaming hosts Josh, Ryan, and Ace are back with another jam-packed episode of This Week in Gaming (TWIG) — and things are heating up! We're breaking down the shocking Expedition 33 snub that's got fans fired up, the frustrating news that GTA 6 has been delayed… AGAIN, and the chaos surrounding the latest Rust server reset that's dividing players. From industry shakeups to unexpected twists, this episode dives deep into the week's biggest gaming stories and what they mean for the future of video games. Whether you're here for the hot takes, insider breakdowns, or just want to keep up with all things gaming, this one's for you. It's all that and more on a video game-packed edition of TWIG — only on the Video Gamers Podcast!   Thanks to our MYTHIC Supporters: Redletter, Disratory, Ol' Jake, Gaius, Jigglepuf, Phelps and NorwegianGreaser   Thanks to our Legendary Supporters: HypnoticPyro, PeopleWonder and Bobby S.   Connect with the show: Support us on Patreon: ⁠patreon.com/videogamerspod⁠ Join our Gaming Community: https://discord.gg/vUzjAZBV Follow us on Instagram:⁠ https://www.instagram.com/videogamerspod/⁠  Follow us on X:⁠ https://twitter.com/VideoGamersPod⁠  Subscribe to us on YouTube:⁠ ⁠⁠https://www.youtube.com/@VideoGamersPod?sub_confirmation=1⁠    Visit us on the web:⁠https://videogamerspod.com/⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Follow, watch, and rate all of our podcasts on Spotify! https://open.spotify.com/show/1hXrn6RoMMAiNGLE8jxKKf Thank you for the support! Run of Show - - Start - Housekeeping Today you got: If you're a Kinda Funny Member: The Roper Report   - - Breaking: ‘Grand Theft Auto VI' Is Postponed Again — to November 2026 - Does November Make Sense for GTA? - SuperChats - SuperChats - How This Will Affect Other Games - Wee News! Learn more about your ad choices. Visit megaphone.fm/adchoices

Download for Mobile | Podcast Preview | Full Timestamps Older Twitch VODs are now being uploaded to the new channel: https://www.youtube.com/@CastleSuperBeastArchive Coach Cloud805 & The Pre-Boxjam Casuals Extremely Unlucky Hades 2 Patch Timing Watch Me SUE (Grift Dat Soulja Boy) Finish Us: The Mortal Kombat Legacy Kollection Story Deus Ex Never Asked For This Business Cucks: Presented by Amazon Unanswered Questions That Should Have Stayed Unanswered Watch live: twitch.tv/castlesuperbeast Go to http://buyraycon.com/superbeast to save on  Raycon audio products sitewide. Go to http://shopify.com/superbeast to sign up for your $1-per-month trial period. Go to http://rocketmoney.com/superbeast to cancel your unwanted subscriptions. Click this link https://www.boot.dev/?promo=CASTLESUPERBEAST and use my code CASTLESUPERBEAST to get 25% off your first payment for boot.dev. Amazon have reportedly cancelled their Lord Of The Rings MMO, again Messy Rockstar Firings Ahead of GTA 6: Accusations from "Gross Misconduct" to Union Busting and Unjust Layoffs Deus Ex's OG art director has seen the remaster: 'Oh, what the f***, No. This did not need to happen' Mortal Kombat: Legacy Kollection Comes Under Fire For Missing "Basic Features" At Launch Souljaboy has dropped the Souljagame Flip for a bit over $400, and it appears to just be the Retroid Flip for double the price. The response from the Retroid social media team is- "I didn't know about this. This is not any kind of official licensing deal. He does not have permission to rebrand our products and sell them as his own. The Retroid Pocket Flip 2 is patented in the U.S by ourselves." - Retroid Japan Patent Office rejects Nintendo application relevant to Palworld dispute, cites games like ARK as prior art after third-party submission Nintendo may not be able to recoup legal expenses of Palworld lawsuit even if it wins, Japanese attorney suggests  Concord's sudden shutdown is such a big deal, it's been brought up during UK government debates on video game consumer laws Fatal Fury: City of the Wolves DLC character Chun-Li  The winner of the "Kuaishou FightClub Championship VI - Chengdu" is Hinao from REJECT YOUTH! A 14-year-old with 2 years of gaming experience SonicFox Vs Leffen GRAND FINALS - Dreamhack Atlanta  

Dan Houser is co-founder of Rockstar Games and is a legendary creative mind behind Grand Theft Auto (GTA) and Red Dead Redemption series of video games. Thank you for listening ❤ Check out our sponsors: https://lexfridman.com/sponsors/ep484-sc See below for timestamps, transcript, and to give feedback, submit questions, contact Lex, etc. Transcript: https://lexfridman.com/dan-houser-transcript CONTACT LEX: Feedback - give feedback to Lex: https://lexfridman.com/survey AMA - submit questions, videos or call-in: https://lexfridman.com/ama Hiring - join our team: https://lexfridman.com/hiring Other - other ways to get in touch: https://lexfridman.com/contact EPISODE LINKS: Absurd Adventures: https://absurdventures.com A Better Paradise: https://www.amazon.com/exec/obidos/ASIN/B0FCYSK8VD American Caper: https://absurdventures.com/americancaper SPONSORS: To support this podcast, check out our sponsors & get discounts: Box: Intelligent content management platform. Go to https://box.com/ai UPLIFT Desk: Standing desks and office ergonomics. Go to https://upliftdesk.com/lex CodeRabbit: AI-powered code reviews. Go to https://coderabbit.ai/lex Miro: Online collaborative whiteboard platform. Go to https://miro.com/ Lindy: No-code AI agent builder. Go to https://go.lindy.ai/lex Shopify: Sell stuff online. Go to https://shopify.com/lex LMNT: Zero-sugar electrolyte drink mix. Go to https://drinkLMNT.com/lex OUTLINE: (00:00) - Introduction (01:29) - Sponsors, Comments, and Reflections (11:32) - Greatest films of all time (23:45) - Making video games (26:36) - GTA 3 (29:55) - Open world video games (32:42) - Character creation (36:09) - Superintelligent AI in A Better Paradise (45:21) - Can LLMs write video games? (49:41) - Creating GTA 4 and GTA 5 (1:01:16) - Hard work and Rockstar's culture of excellence (1:04:56) - GTA 6 (1:21:46) - Red Dead Redemption 2 (2:01:39) - DLCs for GTA and Red Dead Redemption (2:07:58) - Leaving Rockstar Games (2:17:22) - Greatest game of all time (2:22:10) - Life lessons from father (2:24:29) - Mortality (2:41:47) - Advice for young people (2:47:49) - Future of video games PODCAST LINKS: - Podcast Website: https://lexfridman.com/podcast - Apple Podcasts: https://apple.co/2lwqZIr - Spotify: https://spoti.fi/2nEwCF8 - RSS: https://lexfridman.com/feed/podcast/ - Podcast Playlist: https://www.youtube.com/playlist?list=PLrAXtmErZgOdP_8GztsuKi9nrraNbKKp4 - Clips Channel: https://www.youtube.com/lexclips