Podcasts about jerome robbins' broadway

SHOWS: How to Succeed....., Jerome Robbins' Broadway, The Shadow Box   One of Broadway's most beloved general managers and producers, Tony Award winner Leonard Soloway, is not only swinging by Shetler Studios to discuss his incredible career in the theater, but to also discuss the new documentary LEONARD SOLOWAY'S BROADWAY, of which he is the subject.   Leonard pulls back the curtain on his career to discuss how he tamed Lauren Bacall, what it was like bringing The Shadow Box to Broadway, and why the Secret Service ain't so secret!   Also, Leonard shines the spotlight on Neil Simon, Hal Prince, and Mike Nichols!   Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4   To book a room at Shetler Studios, head on over to: https://www.shetlerstudios.com

"Life upon the wicked stage Ain't ever what a girl supposes..." - from Show Boat New episode! In episode #11, I explore what life was like on the Elizabethan stage, from its naive origins to the messy, democratic, bawdy theatre world Shakespeare inherited. Join me as I learn about the original hellmouth, why the Puritans were so opposed to the filthy theatre, some fun things to do with a donkey, and how many days it takes to dance your way from London to Norwich...   You can find me on Facebook, Twitter, or by email at podcastshakespeare@gmail.com. You can subscribe to the podcast at iTunes, Stitcher, Soundcloud, or download direct from Libsyn. The Patreon campaign is up and running, with bonus Sonnet episodes! We also have a Spotify playlist, which will be updated as we work through the plays. Key links below. You can also visit the bibliography page here, which is a work in progress. Links mentioned: Malcolm Gladwell, The Tipping Point (2000); Thomas Norton and Thomas Sackville, The Tragedy of Gorboduc (1561-62); Stephen Greenblatt, Will in the World (2004); Reverend John Northbrooke's allegations against the theatre (late 16th century); Bill Bryson, Shakespeare: The World as Stage (2007); Representation of the Globe Theatre, at the website of Saint Ignatius College, Geelong; (New) Globe Theatre, DVD online store; Slings and Arrows (2003-2006) - Season 1 trailer on Youtube; Ned Alleyn (1566 - 1626); Richard Burbage (1567 - 1619); "Exit: Burbage"; Robin Williams in Mork & Mindy (1978 - 1982); Richard Tarleton (15?? - 1588); Will Kempe (15?? - 1603); Kemp's Nine Days Wonder; Morris dancing; Robert Armin (c. 1563 - 1615); Philip Henslowe (c. 1550 - 1616); Henslowe's diary... as a blog!; Shakespeare in Love (1998, d: John Madden). Joseph Fiennes is Shakespeare, Geoffrey Rush is Philip Henslowe, Ben Affleck is Ned Alleyn, Judi Dench is Queen Elizabeth, Martin Clunes is Richard Burbage, Rupert Everett is Kit Marlowe, and Patrick Barlow plays Will Kempe.; Music: "We Open in Venice" and "Another Op'nin, Another Show" from Cole Porter's Kiss Me Kate: 1999 production with Brent Barrett (Fred / Petruchio), Rachel York (Lili / Kate), Nancy Kathryn Anderson (Lois / Bianca), Michael Berresse (Bill / Lucentio), and Kaye Brown (Hattie); Music in the Time of Shakespeare – Gigue; Thomas Morley: Dances for Broken Consort; Blossom Dearie: Life Upon the Wicked Stage (from Show Boat); Judy Garland: No Business Like Show Business (from Annie Get Your Gun); Jason Alexander: Comedy Tonight (from A Funny Thing Happened on the Way to the Forum, excerpted in Jerome Robbins' Broadway); Original Broadway Cast: The Glamorous Life (from A Little Night Music)

TODAY: Faith Prince, American stage actress and singer with a constant presence in Broadway. Prince began her Broadway career in 1989, with the role of Tessie Tura in Jerome Robbins' Broadway, and made her breakthrough debut in the 1992 revival of Guys and Dolls. For her performance as Miss Adelaide, she won both the Tony and Drama Desk Awards for Best Actress in a Musical. Since then she has remained on Broadway and the national scene with various roles in musicals such as Annie, The Little Mermaid, and most recently the Nederlander Theater production of Disaster! Popcorn Talk Network, the online broadcast network that features movie discussion, news, interviews and commentary proudly presents “The Film Scene w/ Illeana Douglas”, a weekly, freewheeling discussion show where industry veteran Illeana Douglas interviews Hollywood's most important voices in TV and Film, discussing some of Cinema's most important films, scenes, and shots. Produced by Ryan Nilsen and co-hosted by Jeff Graham, this show is essential listening for serious and casual fans of film! Stay Up To Date: http://illeanaspodcast.com/illeana-douglas-episodes/ Listen on iTunes: https://itunes.apple.com/us/podcast/i-blame-dennis-hopper-starring-illeana-douglas/id1169112310?mt=2 Visit our website: https://popcorntalknetwork.com Follow us on Twitter: http://twitter.com/thepopcorntalk Love TV? Check out http://site.afterbuzztv.com Love Books? Check out http://bookcircleonline.com Support our friends at http://blackhollywoodlive.com Shopping on Amazon? Click through our Amazon affiliate program at http://www.amazon.com//ref=as_sl_pd_t...

Fosse.Bennett.Robbins. Scott Wise got to know and work with them all. His incredible dancing skills were featured in 13 Broadway musicals including A Chorus Line, Cats, Carrie, and Jerome Robbins' Broadway, for which he won the Tony Award. Scott sits down and talks to Rob and Kevin about what it was like to be embraced by Jerome Robbins, learn from Michael Bennett, and how consistently never stop learning. Plus: Memories of Carrie, meeting an unknown Jerry Seinfeld, and how a photo booth in Times Square launched his career! For more info on Scott's dance program, visit here: https://www.finelinetheatrearts.com/welcome.html

Choreographer Sergio Trujillo talks about the development of the new Broadway musical "Memphis" and how the dance styles he employs in it draw upon research he'd already done for several other musicals. He also talks about his childhood in Colombia and how music was part of the country's daily life; his discovery, while studying science at the University of Toronto, of his love and aptitude for dancing; his journeyman years as a Broadway dancer in shows including "Jerome Robbins' Broadway", the 1992 "Guys and Dolls" and "Fosse"; his transition into choreography at Canada's Stratford Festival and in London's West End; how he created dance moves for "Jersey Boys" when the original Four Seasons only stood and sang; why "The Mambo Kings" was vital to his career even though it was never seen in New York; his many collaborations with director Des McAnuff, including the 2009 "Guys and Dolls" -- where he took his inspiration not from Frank Loesser, but from Louis Prima; why his credit isn't "choreographer" on "Next to Normal"; his meticulous preparation, which includes already having all the choreography worked out for this spring's "The Addams Family"; and his plans for his directing debut in 2010 with "Havana", and whether he thinks that will cause him to ultimately leave choreography behind. Original air date - September 21, 2009.

Choreographer Sergio Trujillo talks about the development of the new Broadway musical "Memphis" and how the dance styles he employs in it draw upon research he'd already done for several other musicals. He also talks about his childhood in Colombia and how music was part of the country's daily life; his discovery, while studying science at the University of Toronto, of his love and aptitude for dancing; his journeyman years as a Broadway dancer in shows including "Jerome Robbins' Broadway", the 1992 "Guys and Dolls" and "Fosse"; his transition into choreography at Canada's Stratford Festival and in London's West End; how he created dance moves for "Jersey Boys" when the original Four Seasons only stood and sang; why "The Mambo Kings" was vital to his career even though it was never seen in New York; his many collaborations with director Des McAnuff, including the 2009 "Guys and Dolls" -- where he took his inspiration not from Frank Loesser, but from Louis Prima; why his credit isn't "choreographer" on "Next to Normal"; his meticulous preparation, which includes already having all the choreography worked out for this spring's "The Addams Family"; and his plans for his directing debut in 2010 with "Havana", and whether he thinks that will cause him to ultimately leave choreography behind. Original air date - September 21, 2009.

Tony Award-winning choreographer Jerry Mitchell talks about taking on the dual roles of director and choreographer for the first time with "Legally Blonde" and charts the development of the musical from the selection of the writing team to its San Francisco tryout to its Broadway debut. He also shares his experience of becoming a professional dancer while still in college, when he was chosen by the legendary Agnes DeMille for the 1980 revival of "Brigadoon", his work with two other legends -- Michael Bennett on "Scandal" and Jerome Robbins on "Jerome Robbins' Broadway"; how he develops a dance vocabulary for each of his shows according to the needs of the material, with sources as diverse as 60s dances (for "Hairspray") and basketball (for "The Full Monty"); and how dancing nearly naked on a drum for Tommy Tune in "The Will Rogers Follies" led to "Broadway Bares", which has raised millions of dollars for Broadway Cares. Original air date – May 11, 2007.

Tony Award-winning choreographer Jerry Mitchell (for the original Cabaret and 2005 and 2010’s revivals of La Cage aux Folles) talks about taking on the dual roles of director and choreographer for the first time with Legally Blonde and charts the development of the musical from the selection of the writing team to its San Francisco tryout to its Broadway debut. He also shares his experience of becoming a professional dancer while still in college, when he was chosen by the legendary Agnes DeMille for the 1980 revival of Brigadoon, his work with two other legends -- Michael Bennett on Scandal and Jerome Robbins on Jerome Robbins' Broadway; how he develops a dance vocabulary for each of his shows according to the needs of the material, with sources as diverse as 60s dances (for Hairspray) and basketball (for The Full Monty); and how dancing nearly naked on a drum for Tommy Tune in The Will Rogers Follies led to Broadway Bares, which has raised millions of dollars for Broadway Cares.

Tony Award-winning choreographer Jerry Mitchell talks about taking on the dual roles of director and choreographer for the first time with "Legally Blonde" and charts the development of the musical from the selection of the writing team to its San Francisco tryout to its Broadway debut. He also shares his experience of becoming a professional dancer while still in college, when he was chosen by the legendary Agnes DeMille for the 1980 revival of "Brigadoon", his work with two other legends -- Michael Bennett on "Scandal" and Jerome Robbins on "Jerome Robbins' Broadway"; how he develops a dance vocabulary for each of his shows according to the needs of the material, with sources as diverse as 60s dances (for "Hairspray") and basketball (for "The Full Monty"); and how dancing nearly naked on a drum for Tommy Tune in "The Will Rogers Follies" led to "Broadway Bares", which has raised millions of dollars for Broadway Cares. Original air date – May 11, 2007.