Podcasts about Best Actress

Andy Peth fills in for John Rush on the final show of https://RushToReason.com 2025, joined by Ashley Carter, setting the tone with sharp humor, cultural commentary, and big-picture questions about the year that was. What were the biggest stories of 2025—and which ones are still shaping the future right now? As the conversation warms up, Andy challenges how people consume news, satire, and so-called “fact checks,” asking whether critical thinking has quietly disappeared in the internet age. Add in some much-needed laughter from stand-up comedian Brian Kiley, and Hour 1 becomes a fast-moving mix of humor, skepticism, and reflection. Which headlines really mattered this year—and did we miss the warning signs along the way? HOUR 2 Lights up, curtain rises—Hour 2 turns into a cinematic rollercoaster as Andy breaks down the best, worst, and most surprising movies of 2025. Which films delivered knockout performances and unexpected brilliance? Which ones looked promising… only to completely fall apart? From standout surprises like Weapons and Karate Kid: Legends, to baffling misfires that left audiences shaking their heads, Andy pulls no punches. Who earned Best Actor and Best Actress honors—and were there performances that didn't get the credit they deserved? Which highly anticipated releases became the year's biggest letdowns? And which films crossed the line into “needlessly woke,” distracting from story and substance? If you want to know which movies are worth your time—and which ones to avoid at all costs—this is the ultimate year-end movie verdict. Buckle up… this is movie talk with teeth.

Andy Peth fills in for John Rush on the final show of https://RushToReason.com 2025, joined by Ashley Carter, setting the tone with sharp humor, cultural commentary, and big-picture questions about the year that was. What were the biggest stories of 2025—and which ones are still shaping the future right now? As the conversation warms up, Andy challenges how people consume news, satire, and so-called “fact checks,” asking whether critical thinking has quietly disappeared in the internet age. Add in some much-needed laughter from stand-up comedian Brian Kiley, and Hour 1 becomes a fast-moving mix of humor, skepticism, and reflection. Which headlines really mattered this year—and did we miss the warning signs along the way? HOUR 2 Lights up, curtain rises—Hour 2 turns into a cinematic rollercoaster as Andy breaks down the best, worst, and most surprising movies of 2025. Which films delivered knockout performances and unexpected brilliance? Which ones looked promising… only to completely fall apart? From standout surprises like Weapons and Karate Kid: Legends, to baffling misfires that left audiences shaking their heads, Andy pulls no punches. Who earned Best Actor and Best Actress honors—and were there performances that didn't get the credit they deserved? Which highly anticipated releases became the year's biggest letdowns? And which films crossed the line into “needlessly woke,” distracting from story and substance? If you want to know which movies are worth your time—and which ones to avoid at all costs—this is the ultimate year-end movie verdict. Buckle up… this is movie talk with teeth.

How do you handle winter blues? Join host Marina Franklin, Vanessa Fraction and Holie Harper as we talk holiday cheer, money-saving hacks, and controversial documentaries that will keep you talking. Hollie Harper is a comedy nerd from South Jersey. She is currently the creator and co-exec producer of Hella Late! with Hollie Harper on BRIC TV and a co-host of the nationally trending Twitter Storytelling Chat "BlerdDating." Hella Late! with Hollie Harper was recently in the 2021 NYC Web Fest where she was nominated as Best Actress. Hollie was a semi-finalist in the 2019 NBC Standup Competition and has been featured on NY1, and in Black Enterprise Magazine, Thrive Global, Confessional Magazine and Black San Diego Magazine. Her popular sketch comedy show AMERICAN CANDY has played the Comic Strip, Gotham Comedy Club, BAM Café as well as the Chicago Sketch Comedy Festival. Time Out Chicago named them one of the five groups to watch. Hollie is a regular host for West Side Comedy Club in NYC and works with Gold Comedy and Stand Up Girls, two programs that empower young women by teaching them standup comedy. She was recently the talent coordinator and casting for "Blood Lassi" on Spotify, written by Pratima Mani, and moderated the panel for the Emmy Award winning, WOC editing team of Black Lady Sketch Show for The Black TV and Film Collective. She is also the Creative Consultant for the very successful Black Women in Comedy Laff Fest. Vanessa Fraction is a talented and hilarious comedian, actress, and writer who has made her mark in various forms of entertainment. She can currently be heard as a co-host on the Nappy Boy Radio Podcast hosted by Tpain and seen in the movie Praise This on Peacock. Vanessa can also be seen guest hosting on the entertainment news show Dish Nation. As a stand-up comedian, Vanessa has performed on Def Comedy Jam , Laff Mobs Laff Tracks , and more. Her writing credits include Raven's Home , 106 & Park , and The Mo'Nique Show. Additionally, she has appeared in the film Barbershop 2 and television shows Last Call, Mann & Wife (BounceTV), Comedy KnockOuts (TruTV) and Tales (BET) Not only is Vanessa "Action" Fraction a talented entertainer, but she is also a certified self-defense instructor. She teaches her unique class called Kicks & Comedy, combining her love for humor with her passion for empowering others through self-defense. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf. Writer for HBO's 'Divorce' and the new Tracy Morgan show on Paramount Plus: 'Crutch

In this episode, Nas, Keila, and Ori come together to reflect on the K-dramas that had them laughing, crying, and cringing all year long! From unforgettable storylines and standout performances, to blunders they wish they could unsee. Join them as they break down what made this year in K-Dramaland memorable!...Timestamps: General Thoughts on 2025 in Kdramaland (01:22), Completed Dramas (14:11), Top 3 Dramas of the Year (19:19), Best Actor and Best Actress (32:33), Best Couples (45:24), Favorite Secondary Characters (51:57), Confession of the Year (1:00:04), Best Kisses (1:06:34), Best Chemistry (1:09:45), Plot Twists (1:12:35), Best Villain (1:15:44), Best Tearjerkers (1:19:33), Dropped Dramas (1:24:09), Biggest Disappointments (1:35:18), Funniest Drama (1:42:42),  Favorite “New to Us” Actors (1:48:20), Best Friendships (1:54:07), Most Underrated Drama (1:59:40), Writer's Jail (02:02:28), Most Surprising Drama (2:10:48), Non 2025 Dramas We Watched (2:15:56), Predictions (2:27:23), Must Watch in 2026 (2:37:48), Thank You and Closing (2:43:30)

Please say goodbye to Dynamic Duel at https://dynamicduel.com and leave a voicemailJoin us on Discord at https://discord.gg/Fghf83qListen to the DynaMic Podcast Network at http://dynamicpodcasts.com• 0:00:00 - Introduction  • 0:04:22 - 2025 Brothers Awards Intro• 0:06:43 - Best Trailer 2025• 0:11:42 - Best Original Music 2025• 0:17:49 - Best New On-Screen Character 2025• 0:22:32 - Best Villain 2025• 0:27:23 - Best Hero 2025• 0:32:28 - Best Moment 2025• 0:37:37 - Best Actress 2025• 0:43:20 - Best Actor 2025• 0:48:25 - Best Television Series 2025• 0:54:16 - Best Picture 2025• 1:01:17 - Sign offWebsite: https://dynamicduel.comInstagram: https://instagram.com/dynamicduelpodcastMerch: https://dynamic-duel-shop.fourthwall.com/Executive producers: John Starosky, Zachary Hepburn, Nathaniel Wagner, Levi Yeaton, Austin Wesolowski, AJ Dunkerley, Nic Abanto, Scott Camacho, Gil Camacho, Adam Speas, Dean Maleski, Devin Davis, Joseph Kersting, and Paul Graves"Take a Chance" "Clash Defiant" "Blip Stream" "Nowhere Land" Kevin MacLeod (incompetech.com), Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/#Marvel #DC #MarvelVsDCBecome a supporter of this podcast: https://www.spreaker.com/podcast/dynamic-duel-dc-vs-marvel--5414543/support.

On episode 322 of the AwardsWatch podcast, Editor-In-Chief Erik Anderson is joined by Executive Editor Ryan McQuade and Mark Johnson, aka The Awards Alchemist, to give their predictions for the upcoming Critics Choice Awards taking place on January 4, 2026. Recording the day after Christmas, the trio give a short version of their holiday experience (wine, so much wine) and then jump right into predicting who they think will be the winners of the 31st Critics Choice Association Awards, as well as reveal what some of our own votes were, including some races that feel very close. With Critics Choice happening a full week before the Golden Globes, will the group rely on being Oscar predictors or tastemakers as the first televised org of the season? While it feels like it's a head to head fight between One Battle After Another and Sinners in many categories--all of which is great for Warner Bros--some categories could be the beginning of a season-long coronation, like Amy Madigan vs Teyana Taylor in Best Supporting Actress and Jessie Buckley vs Rose Byrne in Best Actress. Best Actor could be a threeway race between Timothée Chalamet, Leonardo DiCaprio and Michael B. Jordan, although we're seeing Chalamet triumph here. This podcast runs 1h26m. We'll be back soon with a Best of 2025 wrap-up. Till then, let's get into it. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Season 5, Episode 703: Dive into an exhilarating conversation with the multi-talented Reagan Fox, an award-nominated actress and passionate advocate for mental health in the adult industry. In this episode, we explore Reagan's journey from a shy individual to a celebrated performer, discussing her impressive nominations for Best Actress and her role as an ambassador for Pineapple Support, an organization dedicated to providing mental health resources for adult performers. Reagan shares her experiences navigating the complexities of the adult film industry, including the challenges of being shadow banned and the importance of authenticity in her performances. We delve into her thoughts on ageism in the industry, her personal growth, and how she balances her career with her role as a mother. With candid discussions about the stigma surrounding sexuality and the role of sex toys in personal empowerment, this episode is packed with insight and inspiration. Join us as we celebrate Reagan's achievements, her passion for acting, and her commitment to supporting fellow performers. This is a conversation you won't want to miss! Highlights:  You're the fourth performer to ever get two best actress nominations The award season for both XMA and AVN starts in January How did you get into camming? Was it a surprise to you Started at such a later age You want that genuine feel when you're acting, right What are your favorite scenes to film? You know, it's kind of interesting Do you feel like you putting your content out there is a challenge You are an ambassador for Pineapple Support, an anti-suicide and mental health organization X Biz Business Executive Award Is there anything you've done that you kind of regret? Do you enjoy doing the scenes or does it feel more like work? So are you a sex toy fan and do you have a favorite? People who are disabled can use sex toys, right? Yes. People, no people, should not feel ashamed of buying them, they are simply tools Do you have anything coming up beyond the awards season? Do you find where you have to work a ton or you can be selective? Do you feel like you've got a good base of content? Do you do a workout plan to keep yourself the way you want to be? What are some hobbies that you have that people may not know? We've just had a cold snap here. Yeah, it's cold. So we like, we're below zero... Do you have anything fun you do for Christmas that you'd like to share? Do you get recognized a lot when you're out and about? Where can people find you if they want to find your content? Instagram Reaganfoxx, on X The Reagan Foxx? Are you going to completely be done doing this and retire? Key takeaways: • Reagan entered adult entertainment through camming after her family's appraisal business collapsed during the 2008 housing crisis—a career pivot driven by economic necessity rather than long-term ambition. • She intentionally avoids rewatching her own performances to preserve authenticity in acting and maintain psychological distance from her work. • Social media platforms selectively censor sexual education content from adult performers and other educators while permitting other provocative material in ads for businesses, creating inconsistent standards that Reagan and Ruan both view as highyly hypocritical, biased, and unfair, and violating the First Amendment right to free speech in the US. Other Holiday Erotic Fiction Stories: Holiday Smut: Santa Gives 12 Orgasms of Christmas The Smutty Little Holiday Audiobook Smutty Spicy Holiday Stories Ruan's Links, Newsletter Signup, Affiliate links and Deals:  PodNation Podcast Affiliate link, Get 15% OFF with code podna15 on Ryze Coffee at https://www.ryzesuperfoods.com/ Support the show and get exclusive content Sign up for Ruan's Newsletters https://subscribepage.io/ruanwillow All Ruan's links: https://linktr.ee/RuanWillow Affiliate link, collect your body's health and sexual health info with a wearable device for men from Firm Tech 15% OFF with code ruan15 https://myfirmtech.com/ruanwillow Merry Christmas and Happy Holidays! Thanks for listening!

Listen to this PREVIEW of the 29th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Sophia Ciminello about two past performances from current Oscar-contending actresses: Renate Reinsve ("The Worst Person in the World") and Tessa Thompson ("Passing"). We discuss their performances, talk about why they came up short, and reveal whether we would have nominated them.    You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "The Worst Person in the World" - NEON

On this Christmas Eve episode, the hosts dive into Lady Sings the Blues (1972), the biographical drama inspired by the life of jazz icon Billie Holiday and starring Diana Ross in her film debut. The ladies discuss the film's portrayal of artistry, trauma, addiction, love, and the ways both the music industry and the justice system shaped her life. The movie reminded the ladies that music makes us feel something, and our hosts gave a glimpse into their holiday feels with their own Top 10 facorite Christmas song "soundtrack". The contrast between their lists adds humor, personality, and a lot of holiday fun to the conversation. Cheers! *Please be advised this episode is intended for adult audiences and contains adult language and content. We are expressing opinions on the show for entertainment purposes only.Dedication: To our patrons as always!! We love you!Moni: To the hustlers.Kat: Lady Sings the Blues (1972) was directed by Sidney J. Furie.The screenplay was written by Terence McCloy and Chris Clark, and the film is loosely based on Billie Holiday's autobiography, Lady Sings the Blues, written with William Dufty.Berry Gordy was a producer through Motown Productions Diana Ross,, portrays Holiday, alongside a cast that includes Billy Dee Williams, Richard Pryor, James T. Callahan and Scatman Crothers.[5] The film was nominated for five Academy Awards in 1973, including Best Actress for Diana RossOfficial Billie Holiday Website biohttps://en.wikipedia.org/wiki/Lady_Sings_the_Blues_(film)https://billieholiday.com/bio/**Stranger than Fiction:

Sonia Hussain holds a unique place in Pakistani dramas and films with her excellent acting. She immerses herself in her roles and works. Recently, she was awarded the Diamond Butterfly Film Award in Russia for her best performance in the horror film Demak. - سونیا حسین پاکستانی ڈراموں اور فلموں میں اپنی بہترین اداکاری سے ایک منفرد مقام رکھتی ہیں۔ اپنے کرداروں میں ڈوب کر کام کرتی ہیں۔ حال ہی میں ان کو ہارر فلم دیمک میں بہترین اداکاری پر روس میں ڈائمنڈ بٹر فلائی فلم ایوارڈ دیا گیا ہے۔

Rest In Peace Rob ReinerCommemorating not only the 35th Anniversary of an iconic adaptation of the popular Stephen King novel of the same name but the recent tragic loss of its director Rob Reiner who was in the middle of a sterling run of instant classics (When Harry Met Sally, The Princess Bride, A Few Good Men, Stand By Me) at the time of this film's release.  It's the simple story of fictional best-selling author Paul Sheldon (Oscar-nominee James Caan) who gets severely injured and incapacitated after accidently driving off of a snow road one day in the mountains after finishing his latest novel.  Fortunately he's found by a local retired nurse named Annie Wilkes (Kathy Bates in the role which won her the Oscar for Best Actress) who gradually nurses him back to health....or DOES she?

After scoring a BAFTA nomination and winning Best Actress at the Cannes Film Festival for The Worst Person in the World, Renate Reinsve is rightfully zeroing in on her first Academy Award nomination for Joachim Trier's Sentimental Value.Reinsve leads the film, which is one of the year's best, as stage actress Nora, the estranged daughter of acclaimed filmmaker Gustav Borg played by Stellan Skarsgård. When Gustav attempts to reconnect with Nora by offering her the lead role in his new film, she adamantly refuses, so Gustav turns to a Hollywood star instead, Elle Fanning as Rachel Kemp. Now Nora and her sister Agnes (Inga Ibsdotter Lilleaas) must navigate their complex family dynamic while their father focuses on what could be his comeback film after a 15-year hiatus.Yes, Reinsve delivers yet another staggeringly impressive performance that's bound to pave the way to a significant awards season run, but as Reinsve explained while at the Collider Ladies Night studio, she didn't always feel so widely embraced. In fact, much of her earlier years involved getting kicked out of places. Hosted on Acast. See acast.com/privacy for more information.

Josh O’Connor is having a bit of a moment. He’s been in four movies this year. On December 12, two of them became available to watch at home, including the biggest movie of his career so far, the new Knives Out mystery, Wake Up Dead Man. On December 13, O’Connor hosted Saturday Night Live. On December 16, the first trailer dropped for the soon-to-be biggest movie of his career so far, Steven Spielberg’s Disclosure Day. Not too bad. So The Nose is looking at the other new Josh O’Connor movie from last week: The Mastermind, written, directed, and edited by Kelly Reichardt. It’s a slow-cinema kind of heist movie set in 1970 and also starring Alana Haim, Hope Davis, John Magaro, Gaby Hoffman, and Bill Camp. And: Sorry, Baby is a black comedy-drama written by, directed by, and starring Eva Victor. According to A24’s logline, “Something bad happened to Agnes. But life goes on … for everyone around her, at least.” Eva Victor, who plays Agnes, is nominated for the Golden Globe for Best Actress in a Motion Picture — Drama. GUESTS: Shawn Murray: A stand-up comedian, writer, and the host of the Fantasy Filmballpodcast Carolyn Paine: An actress and comedian; she’s the founder and director of CONNetic Dance and the creative producer and choreographer for The Bushnell’s Digital Institute Irene Papoulis: Taught writing for a long time at Trinity College Lindsay Lee Wallace: A writer and journalist covering culture, health, technology, bats, and anything else people will answer her questions about The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe, Eugene Amatruda, and Dylan Reyes contributed to this show. Our programming is made possible thanks to listeners like you. Please consider supporting this show and Connecticut Public with a donation today.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

pWotD Episode 3150: Penny Marshall Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 307,286 views on Tuesday, 16 December 2025 our article of the day is Penny Marshall.Carole Penny Marshall (October 15, 1943 – December 17, 2018) was an American actress, film director, and producer. She is best known for her role as Laverne DeFazio on the television sitcom Laverne & Shirley (1976–1983), receiving three nominations for the Golden Globe Award for Best Actress – Television Series Musical or Comedy for her portrayal.Marshall made her directorial debut with Jumpin' Jack Flash (1986) before directing Big (1988), which became the first film directed by a woman to gross more than $100 million at the U. S. box office. Her subsequent directing credits included Awakenings (1990) (which was nominated for Academy Award for Best Picture), A League of Their Own (1992), Renaissance Man (1994), The Preacher's Wife (1996), and Riding in Cars with Boys (2001). She also produced Cinderella Man and Bewitched (both 2005), and directed episodes of the television series According to Jim and United States of Tara.This recording reflects the Wikipedia text as of 03:26 UTC on Wednesday, 17 December 2025.For the full current version of the article, see Penny Marshall on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Niamh.

Diane Kruger is a German actress known for her verticality in roles and languages, from Hollywood blockbusters like "Troy" and "National Treasure," to Tarantino's "Inglourious Basterds" and international gems like "In the Fade," for which she won Best Actress at Cannes. Currently she stars in two television series, "The Seduction," a French-language period drama for HBO MAX, in which she plays Madame de Rosemonde, and "Little Disasters," a psychological thriller for Paramount+ where she plays a complex, fiercely devoted new mother whose world collapses around her. On this episode, she gives us a peek inside her acting process and the ingredients in the "sauce" that help her do her work, like why she's not fond of rehearsal, the importance of trust and collaboration, how a detailed backstory helps her, why she wouldn't want to play the same character for dozens of episodes, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

On this episode of Project Big Screen, our full panel is back as we review two of the year's biggest releases: ‘WAKE UP DEAD MAN' and ‘HAMNET'. Where does the latest Knives Out Mystery rank in Rian Johnson's whodunnit franchise? And is Jessie Buckley less of a lock for Best Actress than we were led to believe? We also react to industry news, including the Golden Globe nominations — should we care? And we catch up on the movies and series we were watching for the past week… We finish the episode with a ranking of our Top 10 Movies That Make Us Cry — what do you think deserves to go #1? Make sure to like and subscribe — and if you want to be a part of our fan rankings, listen for Gooch's instructions in this episode on how to join! Timecodes: || Intro - (0:00) || Wake Up Dead Man Review - (2:37) || Wake Up Dead Man SPOILERS - (14:34) || Ad - (26:01) || Hamnet Review - (27:13) || Hamnet SPOILERS - (44:26) || Ad - (48:43) || Ella McCay Reactions - (49:55) || Golden Globe Nominations - (1:03:27) || Supergirl Trailer - (1:13:23) || The Drama Trailer - (1:19:08) || Warner Bros Update - (1:20:03) || Doomsday Marketing - (1:20:34) || Megalopolis Returns - (1:23:22) || What We're Watching - (1:25:05) || Top 10 Tearjerkers - (1:33:11) Follow us on Social Media: barstool.link/pbs X | Twitter | Letterboxd: @ProjBigScreen IG | Tik Tok: @ProjectBigScreen Our Personal Letterboxds: Jeff: @JeffDLowe Gooch: @Bobby_Gooch Kenjac: @Kenjac Klemmer: @ChrisKlemmer Kirk: @KirkMinihaneYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/lightscamerabarstool

This week on the InSession Film Podcast, the great Ryan McQuade joins us to discuss the 2025 awards season! We talk about the Golden Globes nominations, the acting categories and what to expect from Best Casting. We also lament the annual, and always ironic, discourse around film awards. - Opening Banter (0:30) - Awards Discourse (4:33) - 2025 Awards Update (38:08) - Best Actress (1:02:31) - Best Actor (1:22:16) - Best Casting (1:33:06) Visit https://insessionfilm.com for merch and more! Visit this episode's sponsor: koffeekult.com - Get 15% OFF with the code: ISF25 Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content! Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

Hosts Tammy and Penni bring us creativity and cheer amidst the cold weather ❄️This week, Tammy interviews two multifaceted creators:Opera singer and actress Cristina Fontanelli about her upcoming holiday event, the film SANTINO, which earned her a Best Actress award at the Cutting Room International Film FestivalAward-winning filmmaker, actress, and Editor-in-Chief of Indie Film Online Magazine Kathrina Miccio, about the upcoming Venus on Broadway International Film Festival, of which she is the Founder and Director. Plus, Katie gives us a programming update about NYWIFT's upcoming holiday celebrations! To be featured on the podcast, email us at communications@nywift.org. For more great content go to NYWIFT.org.Special thanks to⁠ Elspeth Collard⁠, the creator of our podcast theme song.Links/Socials: Cristina Fontanelli: Instagram: @cristinafontanelli / Website: https://cristinafontanelli.com/Kathrina Micci: Instagram: @kathrinamiccioofficial / Website: https://indiefilmonline.com/NYWIFT: Instagram:⁠⁠ @NYWIFT⁠⁠ / Twitter/X: ⁠⁠ @NYWIFT⁠⁠

The outstanding drama "Hamnet" is a speculative period piece about the inspiration behind Shakespeare's "Hamlet." Anchored by terrific performances by Paul Mescal and Jesse Buckley as Shakespeare and his troubled wife Agnes, it's an emotionally involving tale, adapted by director Chloe Zhao from Maggie O'Farrell's award-winning novel. Perhaps surprisingly, "Hamnet" is a better film than Zhao's previous Oscar winner "Nomadland." And speaking of Oscar, Buckley's moving performance is likely a Best Actress shoo-in. The Netflix showbiz drama "Jay Kelly" provides a role that fits George Clooney like a glove. He plays a movie star who tries to reconnect with his estranged daughters while alienating those in his entourage who've supported him. Adam Sandler gives the film's best performance as George's unappreciated manager. While somewhat engaging, there are phony elements in the movie that are uncharacteristic of the gifted filmmaker Noah Baumbach. "Jay Kelly" is a mixed bag bolstered by megawatt star power. Mel Gibson stars in the ugly, excessively violent drama, "Hunting Season." Mel and his daughter provide aid and shelter to a woman found shot in the woods, only to invoke the wrath of a vicious drug lord. This is the kind of fodder that used to be called "grindhouse cinema," prodding audiences into vengeful bloodlust. Happy Holidays! A gifted cast can't save the noisy, irritating Amazon Prime holiday farce, "Oh. What. Fun." Michelle Pfeiffer plays a put-upon mom who goes all out for her family at Christmas, but her efforts aren't appreciated…until she goes missing. None of it rings true. "Oh. What. Fun." is a lump of coal for your cinematic stocking.

Mita wanted a movie about one of her favourite topics, conspiracies, and asked for "...classic conspiracy films." Chat GPT did its thing and suggested "Klute" from 1971 for the next movie review. Mita and Nadeem talk murder mysteries and sentimental values. 

Joan Micklin Silver's groundbreaking debut feature film, Hester Street (1975), vividly portrays the immigrant experience through the eyes of Gitl (Carol Kane), a young, Orthodox Jewish woman who arrives in New York City from Eastern Europe at the end of the nineteenth century. Reunited with her already-assimilated husband, Gitl finds they now have little in common and she is forced to adjust to a new way of life. Hester Street achieved international critical and commercial success, and Kane received a Best Actress nomination at the 1976 Academy Awards.  Marking the film's 50th anniversary, Dr. Julia Wagner's landmark book Hester Street (Bloomsbury, 2025) is the first to focus exclusively on Micklin Silver's film. Wagner examines how, despite the sexism and prejudice that Micklin Silver faced, a low-budget, black-and-white, female-led, independent production with Yiddish dialogue became an unexpected box-office hit. Through close analysis, Dr. Wagner highlights the importance of Hester Street as a milestone in cinema and affirms Micklin Silver's status as a unique voice in the history of American film-making.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Joan Micklin Silver's groundbreaking debut feature film, Hester Street (1975), vividly portrays the immigrant experience through the eyes of Gitl (Carol Kane), a young, Orthodox Jewish woman who arrives in New York City from Eastern Europe at the end of the nineteenth century. Reunited with her already-assimilated husband, Gitl finds they now have little in common and she is forced to adjust to a new way of life. Hester Street achieved international critical and commercial success, and Kane received a Best Actress nomination at the 1976 Academy Awards.  Marking the film's 50th anniversary, Dr. Julia Wagner's landmark book Hester Street (Bloomsbury, 2025) is the first to focus exclusively on Micklin Silver's film. Wagner examines how, despite the sexism and prejudice that Micklin Silver faced, a low-budget, black-and-white, female-led, independent production with Yiddish dialogue became an unexpected box-office hit. Through close analysis, Dr. Wagner highlights the importance of Hester Street as a milestone in cinema and affirms Micklin Silver's status as a unique voice in the history of American film-making.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Joan Micklin Silver's groundbreaking debut feature film, Hester Street (1975), vividly portrays the immigrant experience through the eyes of Gitl (Carol Kane), a young, Orthodox Jewish woman who arrives in New York City from Eastern Europe at the end of the nineteenth century. Reunited with her already-assimilated husband, Gitl finds they now have little in common and she is forced to adjust to a new way of life. Hester Street achieved international critical and commercial success, and Kane received a Best Actress nomination at the 1976 Academy Awards.  Marking the film's 50th anniversary, Dr. Julia Wagner's landmark book Hester Street (Bloomsbury, 2025) is the first to focus exclusively on Micklin Silver's film. Wagner examines how, despite the sexism and prejudice that Micklin Silver faced, a low-budget, black-and-white, female-led, independent production with Yiddish dialogue became an unexpected box-office hit. Through close analysis, Dr. Wagner highlights the importance of Hester Street as a milestone in cinema and affirms Micklin Silver's status as a unique voice in the history of American film-making.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Joan Micklin Silver's groundbreaking debut feature film, Hester Street (1975), vividly portrays the immigrant experience through the eyes of Gitl (Carol Kane), a young, Orthodox Jewish woman who arrives in New York City from Eastern Europe at the end of the nineteenth century. Reunited with her already-assimilated husband, Gitl finds they now have little in common and she is forced to adjust to a new way of life. Hester Street achieved international critical and commercial success, and Kane received a Best Actress nomination at the 1976 Academy Awards.  Marking the film's 50th anniversary, Dr. Julia Wagner's landmark book Hester Street (Bloomsbury, 2025) is the first to focus exclusively on Micklin Silver's film. Wagner examines how, despite the sexism and prejudice that Micklin Silver faced, a low-budget, black-and-white, female-led, independent production with Yiddish dialogue became an unexpected box-office hit. Through close analysis, Dr. Wagner highlights the importance of Hester Street as a milestone in cinema and affirms Micklin Silver's status as a unique voice in the history of American film-making.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Joan Micklin Silver's groundbreaking debut feature film, Hester Street (1975), vividly portrays the immigrant experience through the eyes of Gitl (Carol Kane), a young, Orthodox Jewish woman who arrives in New York City from Eastern Europe at the end of the nineteenth century. Reunited with her already-assimilated husband, Gitl finds they now have little in common and she is forced to adjust to a new way of life. Hester Street achieved international critical and commercial success, and Kane received a Best Actress nomination at the 1976 Academy Awards.  Marking the film's 50th anniversary, Dr. Julia Wagner's landmark book Hester Street (Bloomsbury, 2025) is the first to focus exclusively on Micklin Silver's film. Wagner examines how, despite the sexism and prejudice that Micklin Silver faced, a low-budget, black-and-white, female-led, independent production with Yiddish dialogue became an unexpected box-office hit. Through close analysis, Dr. Wagner highlights the importance of Hester Street as a milestone in cinema and affirms Micklin Silver's status as a unique voice in the history of American film-making.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

On this episode, Shadan is joined by the wonderful Amanda Spears to discuss this year's Best Actor and Best Actress races! Plus, a few thoughts on the Gotham Awards.   Visit https://insessionfilm.com for merch and more!   Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content!   Follow us on X/Twitter! @InSessionFilm | @ShadanLarki | @eRockReviews

Listen to this PREVIEW of the 28th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Dan Bayer about two performances from musicals that didn't earn Oscar nominations: Björk ("Dancer in the Dark") and Amy Adams ("Enchanted"). We discuss their performances, talk about why they came up short, and reveal whether we would have nominated them.    You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "Dancer in the Dark" - Fine Line Pictures

Sho, Genge!Welcome back to ASIAS, with your girl, Sis G.U!This episode is one that I am excited to bring forth to you, as the Genge. Today, I am joined by Ama Qamata!Ama Qamata is a celebrated South African actress, producer, and global ambassador best known for her breakout role as Puleng Khumalo in Netflix's critically acclaimed series Blood & Water, the longest-running Netflix series in Africa. Her versatility has also shone in productions such as Gomora, Our Girl (BBC), and Commandos: The Mission (NPO).On the big screen, Ama made her feature debut in Fight Like a Girl, which she also co-produced. Her powerful performance earned her the Rising Star Award at the Naples International Film Festival and a nomination for Best Actress at the African Movie Academy Awards.In 2025, Ama was named the Sub-Saharan Africa Ambassador for L'Oréal Paris, representing the brand's global message of confidence, beauty, and self-worth. A Forbes Africa 30 Under 30 honoree, she continues to champion youth empowerment and authenticity, using her platform to amplify African stories.

Michelle Yeoh has created a legendary body of work that defies easy categorisation. You'll know her from cult classic Kung Fu Cinema, Everything Everywhere, All At Once - the film that made her the first Asian woman to be given the Academy Award for Best Actress at the time. She was cast as a Bond girl in Tomorrow Never Dies, then starred in the global box office hit Crouching Tiger Hidden Dragon and the brilliantly chilling future mother-in-law in Crazy Rich Asians. This month sees her returning to the role in Wicked, as Madame Morrible. In person she is warm and engaging, with a fascinating story to tell. We talk about why mistakes help us grow, why she felt like a ‘failure' for not having children (something we have in common), stage fright - and how she almost quit after a life-threatening stunt injury. Plus: racism, typecasting and why her mother is the REAL diva. ✨ IN THIS EPISODE: 01:16 The Journey to Hollywood 02:36 The Role of Family 03:52 On Playing Iconic Roles 08:10 Facing Personal Challenges 24:20 Think Wider: Breaking Family Expectations 25:38 Pursuing Dreams: From Ballet to Acting 27:16 The Hong Kong Film Industry: Early Challenges 27:33 Breaking Stereotypes: Women in Action Films 34:25 Hollywood's Limitations: Typecasting and Minority Roles 37:30 Facing Racism: The Ongoing Struggle 39:22 Stunt Accident: A Turning Point 47:57 Resilience and Reflection: Lessons Learned

Leaving behind one iconic adaptation of a popular novel in 'The Exorcist' and picking up another with this introductory episode about 'One Flew Over The Cuckoo's Nest', Milos Forman and Bo Goldman's film based on Ken Kesey's counter-culture classic novel.  In this episode, I cover some of the film's journey from page to screen and from father to son(s). Casting, pre-production delays, and some context for the film in 1975. 'One Flew Over The Cuckoo's Nest' is one of only three films to ever win "The Big 5" Academy Awards: Best Actor, Best Actress, Best Picture, Best Director, and Best Screenplay.  Listen to the episode to find the surprising other two films. This episode can be consumed prior to a re-watch of the film, and the subsequent two episodes will each cover about half of the film after you watch the film armed with all the behind-the-scenes details from this one. Bo Goldman INTV

Oscar-Winning legend Martin Scorsese (Killers of the Flower Moon, Taxi Driver, The Departed) directs this epic tale about The Rise and Fall of the Mob in Las Vegas, based on true events.  It's the story of how mafia handicapper Sam "Ace" Rothstein (Robert DeNiro) took over the Tangiers casino on The Strip and helped bring it to unprecendented sucess, helped by mafia enforcer Nicky Santoro (Joe Pesci).  He falls in love with a local hustler named Ginger McKenna (Sharon Stone) and over time, their relationship deteriorates as does his handle on many crazy things being done by Nicky....and eventually the Mob no longer had power in Las Vegas.  Nominated for one Oscar (Sharon Stone, Best Actress), this was initially met with some disappointment upon release as many compared it to Scorsese's similarly themed classic mob epic Goodfellas from five years prior.  Over time, its reputation has grown thanks to several memorable scenes and performances - the stacked cast also includes James Woods, Don Rickles, Kevin Pollak, Alan King, and Frank Vincent.Host: Geoff GershonEdited By Ella GershonProducer: Marlene Gershon Send us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

In our latest tribute, Janet, John, (and Pen) celebrate the life and career of the actress, director, producer, and fashion icon whose began to rise to stardom during the New Hollywood movement... Diane Keaton! With a 60-year long career in Hollywood, this actress was always destined to one day be under the limelight, but after seeing her mother win Mrs. Los Angeles her resolve to become a part of the dramatics of performing at a young age only strengthened. She participated in singing and acting club during high school and continued to perform anywhere she could until she was cast as an understudy in the production of Hair (1968). From there she began to rise in the broadway eye, soon being nominated for a Tony as the Best Featured Actress in a Play for her role in Play it Again, Sam (1969). She truly couldn't be stopped as she moved from the stage to the screen with her debut film, Lovers and Other Strangers (1970). Soon after she was being cast in Francis Ford Coppola's The Godfather (1972) as Kay Adams-Corleone and Woody Allen's Annie Hall (1977), which combined together launched her into stardom and earned her the Oscar for Best Actress in a Leading Role. Some of her other fantastic films are Looking for Mr.Goodbar (1977), Reds (1981), Manhattan (1979) , The First Wives Club (1996), Finding Dory (2016), Book Club (2018), and many more.  To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!

Josh and Aaron Sarnecky have returned for another podcast. This month their talking Pride & Prejudice for its 20th anniversary.Pride & Prejudice is a period romance film directed by Joe Wright. Based on the beloved Jane Austen novel, it is an adaptation by Deborah Moggach. Emma Thompson provided additional dialogue uncredited. It opened in U.S. theaters on November 23, 2005.Set in late 18th century England, the film follows Elizabeth (Keira Knightley), one of five Bennet daughters who needs marrying. Elizabeth becomes acquainted with Mr. Darcy (Matthew Macfadyen), whom she loathes. While Jane Bennet (Rosamund Pike) cozies up to Mr. Bingley (Simon Woods), Mr. Collins (Tom Hollander) has his eye on Elizabeth.Other characters include Mr. and Mrs. Bennet (Donald Sutherland and Brenda Blethyn), their other daughters Mary, Lydia, and Kitty (Talulah Riley, Jena Malone, and Carey Mulligan), Darcy's benefactor Lady Catherine de Bourgh (Judi Dench), and the duplicitous Mr. Wickham (Rupert Friend).Pride & Prejudice garnered praise from critics and made $129 million on a $28 million budget. At the Oscars, the film was nominated for Best Actress for Knightley, Best Art Direction, Best Costume Design, and Best Original Score. Josh and Aaron discuss their histories with Pride & Prejudice before going into the plot, performances, and cinematography. They also talk about the film living in the shadow of the 1995 miniseries and the upcoming Netflix adaptation.You can listen to last month's Anniversary Brothers on Static Shock.Pride & Prejudice is streaming on HBO Max.

Jennifer Lawrence's breakthrough role in the 2010 drama Winter's Bone secured her first Academy Award nomination when she was just 20, and she won the Best Actress category two years later for Silver Linings Playbook. Since then, she has become one of the most prolific, critically acclaimed and highest paid actors in Hollywood as the star of The Hunger Games series and three X-Men movies. Other leading roles include American Hustle, Joy and, most recently, the psychological drama Die My Love.Jennifer talks to John Wilson about her childhood on her parents' farm in Kentucky. After being scouted by a modelling agency, she left school as a teenager and moved to New York to start working as a model and actor. She recalls how the film Taxi Driver, starring a young Jodie Foster, made a big impression on her as an aspiring actress and how Jodie Foster later became a role model when she directed Jennifer on the set of The Beaver. She also counts Gena Rowlands' performance in A Woman Under The Influence, written and directed by John Cassavetes, as an important inspiration, as well as working with directors David O Russell and Lynne Ramsay. Producer: Edwina PitmanArchive and film clips used:Uncle Buck, John Hughes, 1989 No Hard Feelings, Gene Stupnitsky, 2023 Taxi Driver, Martin Scorsese, 1976 Winter's Bone, Debra Granik, 2010 The Hunger Games, Gary Ross, 2012 American Hustle, David O Russell, 2013 Veep, Armando Iannucci, 2012 A Woman Under The Influence, John Cassavetes, 1974 Die My Love, Lynne Ramsay, 2025

I had the great pleasure of meeting Jennifer Estin when I signed at the terrific online classes for the Annoyance, Improv Fiend! https://improvfiend.com We chatted about her childhood and how her mother created games that inspired her to pursue acting. Jennifer Estlin has been involved in the entertainment business as an actress and producer since 1986. Following her graduation from Northwestern University's School of Speech in 1987, she traveled to Edinburgh Scotland with the production of André Gregory's Alice! directed by David Schwimmer. Afterward, she spent three months traveling all over Europe until deciding to settle for awhile in Paris, where she earned her living singing on the Parisian Metro for close to a year. ​ Upon returning to Chicago, Jennifer spent several years working in many of Chicago's theatres including The Annoyance, Northlight, and The Body Politic. She toured for two years with Second City's National Touring company and was a company member on a Second City resident stage prior to moving to New York in 1994. There, she continued her career by working in regional theatres around the country, Off-Broadway theatre, film, and television. She returned to Chicago in 2002 to become President, Executive Producer and owner of the Annoyance Theatre, and continues to work on film, television and stage. Jennifer has appeared as recurring characters Judge Cohen on Proven Innocent and Cathy Briscoe on NBC's Law and Order, and also in shows such as Chicago PD, Empire, Late Night with Conan O'Brien, Exit 57, and in several national and regional commercials. Her feature film credits include the soon to be released (Fall 2024) Everything Fun You Could Possibly Do in Aledo, Illinois (for which she received Best Actress award at the Star City Film Festlval), The Eyes, iMurders, Chicago Boricua, and Volcano, and the award winning short films A Million Miles Away,(Sundance) and The Cure (Slamdance). ​You can learn more about Jennifer at https://www.jenniferestlin.com ​

Anne Thompson and Ryan Lattanzio dig into the messy, metaphorical 'Die My Love,' from its magnetic star performance to its reception as it opens wide this weekend. They discuss if the challenging performance puts Jennifer Lawrence in the Best Actress top 5, then they rank the movies Netflix is putting forth for awards. Learn more about your ad choices. Visit megaphone.fm/adchoices

I had the opportunity to sit down with the Horror Legend, Alan Danziger and with the writer, producer, Ray Spivey!  We chat about their new film and the classic shot of all time, according to Quentin Tarantino and Oliver Stone.  Juicy details inside, tune in now and watch the film! How many remakes of a bad horror movie can you make?  The cast and crew of THE WEEDHACKER MASSACRE boldly film where gruesome murders occurred years ago, and the masked killer has returned. It's going to be their worst movie ever. THE WEEDHACKER MASSACRE stars David Treviño (Rent Free, Storage Locker), Molly Sakonchick (Storage Locker), Bobbie Grace (Fear the Walking Dead, Velocity Girl), Sean Reyna, Parrish Randall (Circus of the Dead, The Goldilocks), and featuring Allen Danziger (The Texas Chainsaw Massacre) as Sheriff Danzinshoos. The film was co-created by Allen Danziger and Ray Spivey, written and produced by Ray Spivey, executive produced by Allen Danziger, and directed by Jody Stelzig.  THE WEEDHACKER MASSACRE had its World Premiere at the Golden State Film Festival. The film has won many awards, including New York International Film Awards Best Comedy Winner-IndieFEST, Awards of Merit- Best Song, Best Actor; Awards of Recognition-Best Screenplay, Best Actress; Best Supporting Actress, Semi-Finalist Best Comedy Chicago Filmmaker Awards, Semi-Finalist Santa Barbara International Movie Awards, Semi-Finalist - Santa Monica International Filmmaker Awards. Buffalo 8 released the film on digital platforms on October 17, 2025. To view the trailer, go to: https://youtu.be/8Vgvmk24KVI Social Media Handles: https://www.facebook.com/weedhackermovie?mibextid=wwXIfr https://www.facebook.com/chainsawjerry https://www.instagram.com/weedhackermovie/?igsh=NTc4MTIwNjQ2YQ%3D%3D# https://www.instagram.com/chainsawjerry/# https://www.instagram.com/pokerfacerules/ https://x.com/weedhackerm https://www.tiktok.com/@whackermassacre?_t=ZT-8xdqfbm09Lq&_r=1 Stay connected with me:  https://www.instagram.com/SHESALLOVERTHEPLACEPODCAST https://www.chonacas.com/links/  

EPISODE 112 -  “CLASSIC CINEMA STAR OF THE MONTH: JACQUELINE WHITE” - 11/03/25 When we think of our beloved Classic film stars who are still with us, we tend to think of EVA MARIE SAINT, ANN BLYTH, KIM NOVAK, ROBERT WAGNOR, or DICK VAN DYKE, however, there is one star among us who will be turning 103 in November. The name JACQUELINE WHITE may not ring any bells today, but for a brief time in the 1940s, she was a beautiful, talented leading lady with much promise. In fact, when she was up for the lead role of the mother in the 1946 film The Yearling, she was told by the producers that she was too beautiful to portray the simple pioneer woman. The role went to JANE WYMAN, who probably would have been none-too-pleased to know that, apparently, she was just fine playing such a plain and simple woman! But as a consolation prize, Wyman was nominated for an Academy Award as Best Actress. Join us as we pay tribute to Jacqueline White and her contribution to classic cinema.  SHOW NOTES:  Sources: Jacqueline White Official Biography, 1946, RKO Studios; “Jacqueline White May Be The New Irene Dunne, December 1, 1946, Los Angeles Times; “Jacqueline White to Wed,” September 20, 1948, by Louella Parsons, Los Angeles Examiner; “Snappy Shots,” October 24, 1948, by Dorothy Manners, Los Angeles Examiner; “An Interview With…Jacqueline White,” by Mike Fitzgerald, Western Clippings; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Dr. Gillespie's New Assistant  (1942), starring Lionel Barrymore, Van Johnson, & Susan Peters; Reunion in France (1942), starring Joan Crawford & John Wayne; Air Raid Wardens (1943), starring Stan Laurel, Oliver Hardy, & Jacqueline White; Three Hearts for Julia (1943), starring Ann Sothern & Melvyn Douglas; Pilot #5 (1943), starring Franchot Tone, Marsha Hunt, & Gene Kelly; Swing Shift Maisie (1943), starring Ann Sothern & James Craig; A Guy Named Joe (1943), starring Spencer Tracy, Irene Dunne, & Van Johnson; Song of Russia (1944), starring Robert Taylor & Susan Peters; Thirty Seconds Over Tokyo (1944), starring Spencer Tracy, Van Johnson, & Robert Walker; The Harvey Girls (1946), starring Judy Garland, John Hodiak, & Angela Lansbury; The Show Off (1946), starring Red Skelton, Marilyn Maxwell, & Marjorie Main; Banjo (1947), starring Sharron Moffat & Jacqueline White; Seven Keys To Baldpate (1947), starring Phillip Terry & Jacqueline White; Crossfire (1947), starring Robert Young, Robert Mitchum, Robert Ryan, & Gloria Grahame; Night Song (1947); starring Dana Andrews & Merle Oberon; Return of the Bad Men (1948), starring Randolph Scott, Robert Ryan, Anne Jeffries, & Jacqueline White; Mystery In Mexico (1948), starring William Lundigan & Jacqueline White; Riders on The Range (1950), starring Tim Holt & Jacqueline White; The Capture (1950), starring Lew Ayres & Teresa Wright The Narrow Margin (1952), starring Charles MacGRaw, Marie Windsor & Jacqueline White; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

November is finally the time to get to this year's Best Picture Oscar winner and here in episode #695, the talk/rant is indeed about "Ani". Somehow, auteur Sean Baker tied Walt Disney's record by winning 4 Oscars in one night while foul-mouthed fireplug Mikey Madison won Best Actress as well. She and Yura Borisov are two of a half-dozen people giving strong performances in Anora, the Russian-centric dramedy that gets funnier in what is also a repetitive, way-too-long second half. You'll probably find this monologue to be controversial, but answer this: what is this movie about? Is it just a crass Pretty Woman? Well, in any case, don't get married to the stupid idiot son of an oligarch. Just keep on strippin' for a livin' and swearing when you're really mad because feathers will be ruffled in this show that's all about Anora. If there's been an episode in recent memory that should elicit more feedback than this one, name it. Try an email (haveyoueverseenpodcast@gmail.com). On the media that is social, I'm @moviefiend51 on Twi-X and ryan-ellis on Bluesky. Subscribe to Have You Ever Seen in your app. Rate the show and do a little write-up as well. This will likely bulk up in the coming months, but I occasionally write up things on Letterboxd too. Look for "RyanHYES".

Listen to this PREVIEW of the 27th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Andrew Carden about two performances from movies we love to watch in the fall season that didn't earn Oscar nominations: Mia Farrow ("Hannah and Her Sisters") and Meryl Streep ("Death Becomes Her"). We discuss their performances, talk about why they came up short, and reveal whether we would have nominated them.    You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "Hannah and Her Sisters" - Orion Pictures

Watch the video version of this podcast here on YouTube: https://www.youtube.com/watch?v=9OyRBa9lcUk Our two new books... STORY QUESTIONS is currently 10% off! - https://payhip.com/b/ZTvq9 and 17 Steps To Writing A Great Main Character - https://payhip.com/b/kCZGd 0:00 - Story Of A Real Life Puppeteer 9:41 - 7 Lessons Learned From Making A 17 Million View Video 20:47 - How A Short Viral Video Became A Full Length Documentary 36:03 - The Best Movies Are The Ones You Make From The Heart 48:54 - 3 Questions Every Character Must Answer For Every Scene 1:02:09 - Number One Tip For Directing Actors 1:10:42 - If You Submit To 100 Film Festivals... What Can You Expect? Paola Baldion is an award-winning actress, director, and producer of Colombian and European heritage. Born in Paris and raised in Italy and Colombia, Paola is a multilingual Latina artist fluent in Spanish, English, Italian, and French. She began performing at age four in her parents' marionette theater and later trained under renowned masters Edgardo Román and Paco Barrero in Bogotá, followed by HB Studios in New York and Stephanie Feury Studio in Los Angeles. She holds a BFA in Theater and Film Studies from Concordia University in Montreal. Paola made her feature film debut in the lead role of Marina in Retratos en un Mar de Mentiras (Portraits in a Sea of Lies), which premiered at the Berlin and Guadalajara film festivals. Her performance earned her the Colombian Academy Award for Best Actress, along with Best Actress honors at the Guadalajara and Amiens International Film Festivals. As co-founder of Dos Almas Films, she has directed impactful short films and documentaries, including For Alma and I Am Migration-a documentary where she and partner Jamie Toll travel across the U.S., offering free DNA tests to explore ancestry and identity. Her latest fiction film, Abrazo, tells the emotional story of a pregnant Central American woman crossing the U.S. border. The film has received 29 festival awards, including Best Film, Best Director, Best Writer, and Best Actress. Through her body of work, Paola continues to champion stories about identity, migration, and social justice-bringing visibility to underrepresented voices in both dramatic and comedic roles. WATCH 'I AM MIGRATION' https://www.facebook.com/iammigration/videos/611347859214872 WATCH 'ABRAZO' - NEW SHORT FILM BY PAOLA • ABRAZO - World Premiere (Official Film) CONNECT WITH PAOLA BALDION https://www.paolabaldion.com https://www.imdb.com/name/nm3672989 https://www.instagram.com/paolabaldion

It's Lobster's birthday, and what better way to acknowledge the toll aging takes on our bodies than to watch a movie about what goes wrong when we try to cheat the clock. From writer-director Coralie Fargeat comes the tale of Elizabeth Sparkle, a former sex symbol and acclaimed actress turned daytime tv aerobics instructor. When a mysterious treatment offers to restore her youthful appearance, the realization that beauty is only skin deep is only the first of many horrors that await. Starring Demi Moore and Margaret Qualley in dual roles, this 2024 release burst onto the scene at Cannes, where it was nominated for the Palme d'Or and Fargeat won Best Screenplay. After a wide release, which saw the film bring in $80 million through word-of-mouth social media marketing, it earned five Oscar noms, including Best Picture, Best Director, and Best Actress for Moore, taking home the statue for Best Makeup & Hairstyling. But appearance isn't everything, so let's take a long hard look in the mirror and decide if we like what we see. Is The Substance all style, and no substance? Or is it the stuff that dreams are made of? And for Legends of Halloween, that means it's also the stuff of nightmares!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com).. Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

The penultimate horror film in Have You Ever Seen's 10th Annual Scary Movie Month was a blockbuster and an Oscar-winner. And that's unusual for the relentless and unsubtle director Darren Aronofsky. He isn't often rewarded so much for the chances he takes. This 693rd episode talks about how the intense Black Swan is women-centric, even as the women in it go through hell. Natalie Portman won Best Actress for playing a lonely ballet dancer who was deluded even before the movie started. Then after she gets the lead role in Swan Lake, she shows us levels of masochism, obsession and deep mental illness. Real versus imagined. Mila Kunis, Barbara Hershey and Vincent Cassell hit some home runs too, with Hersey eating it up as Portman's possessive and abusive mother. So put on your feathers and get ready for an episode all about the sordid and dangerous world of ballet. Well, Actually: Mother! wasn't a complete failure at the box office and Noah didn't do THAT badly worldwide. Be a sweet girl (or a sweet boy) and write a review of this or any other HYES episode. Rate it too (5 stars!). And subscribe to the show. The email address is "haveyoueverseenpodcast@gmail.com". The socials are “@moviefiend51” on the T and “ryan-ellis” on the B. If you spend time on Letterboxd, look for me as "RyanHYES". I tend to focus on modern movies (contrasting the M-O of this podcast) and will probably do a lot more reviewing there in mid-November and beyond.

This Friends Like Us, join your host Marina Franklin, Shang Forbes, and Hollie Harper. They weave humor into today's most pressing topics - Like, is Marjorie Taylor Green not so Maga anymore? Tune in now for laughs and insights. SHANG, a transplanted New Yorker whose carefully nurtured evolution from stand-up comedy to socio-political satire gives heavy flight to the spoken and outspoken word. SHANG has been seen on CBS'S The Late Late Show 2X BET's Comic View Grand Stand Winner HBO 's Def Jam & Def Poetry, Gotham LIVE, STARZ 1st Amendment, Si TV, Mun2 Comics Unleashed, Comedy Central's Jamie Foxx Laffapaloolza ,Premium Blend &  Gotham Comedy LIVE. Shang Also Has Guest Starred On NBC'S “Heroes”, CBS'S “CSI” & NCIS & Shang recently Co-starred for Honda their Commercial Campaign & the Movie “Devine Intervention” & “Trunked!” Check out his Amazon Prime comedy special, 'SHANG is SHANGRY! LIVE IN NEW YORK'. It's the comedian That if you don't know, Now you know. Shang is not angry he's SHANGRY. Hollie Harper is a comedy nerd from South Jersey. She is currently the creator and co-exec producer of Hella Late! with Hollie Harper on BRIC TV and a co-host of the nationally trending Twitter Storytelling Chat “BlerdDating.” Hella Late! with Hollie Harper was recently in the 2021 NYC Web Fest where she was nominated as Best Actress. Hollie was a semi-finalist in the 2019 NBC Standup Competition and has been featured on NY1, and in Black Enterprise Magazine, Thrive Global, Confessional Magazine and Black San Diego Magazine. Her popular sketch comedy show AMERICAN CANDY has played the Comic Strip, Gotham Comedy Club, BAM Café as well as the Chicago Sketch Comedy Festival. Time Out Chicago named them one of the five groups to watch. Hollie is a regular host for West Side Comedy Club in NYC and works with Gold Comedy and Stand Up Girls, two programs that empower young women by teaching them standup comedy. She was recently the talent coordinator and casting for “Blood Lassi” on Spotify, written by Pratima Mani, and moderated the panel for the Emmy Award winning, WOC editing team of Black Lady Sketch Show for The Black TV and Film Collective. She is also the Creative Consultant for the very successful Black Women in Comedy Laff Fest. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf. Writer for HBO's 'Divorce' and the new Tracy Morgan show on Paramount Plus: 'Crutch    

Actor/Director Helen Hunt & Actor singer/songwriter psych/mythology PHD phd Helen Slater discuss a deep friendship and love, growing up in art, the beginning of their friendship on a trip to russia, Winnie The Pooh,, growing beyond your first dream, parenting, parenting artists, Helen H. introducing Helen S. to her husband, improv, acting styles, baseball, French Fries, & clown school.Bio: Helen Hunt has enjoyed a distinguished career not only as an award-winning actor, but as an accomplished writer, director, and producer. As an actress, her extensive and diverse body of work includes roles in film, theater, and television.      Hunt enjoyed a residency at The Old Vic Theatre in EUREKA DAY, a story about parents on the Executive Committee of a progressive private school in Berkeley, California. While taking pride in their ability to accept everyone, a public health scare erupts, testing their tolerance and revealing their true colors. Written by Jonathan Spector and directed by Katy Rudd. It was the European premiere of a multi award-winning story. Hunt performed alongside Kirsten Foster, Mark McKinney, Ben Schnetzer and Susan Kelechi Watson. In television, Hunt can most recently be seen as Winnie Landell in HACKS, created by Paul W. Downs, Lucia Aniello, and Jen Statsky. She can also be seen as Rainey in Daveed Diggs and Rafael Casal's BLINDSPOTTING, a show based on the film with the same title. In 2022 it was nominated for a Film Independent Spirit Award for Best New Scripted Series. The second season was released in April 2023. Hunt returned to the stage this February in Susan V. Booth's major revival of Pinter's famed masterwork BETRAYAL at Chicago's Goodman Theatre. The Oscar, Emmy, and Golden Globe Award winner currently stars in the play alongside Tony nominee and Outer Critics Circle Award winner Ian Barford, respectively playing Emma and Robert. In 2019, Hunt revived her role as Jamie Buchman for another season of the hit show MAD ABOUT YOU opposite Paul Reiser. The show returned as a limited series on Spectrum Originals with all episodes available on demand.    In 2012 Hunt's performance in THE SESSIONS earned her an Independent Spirit Award for Best Supporting Female and notations in the same category by the Academy Awards, Golden Globe Awards, SAG Awards, Broadcast Film Critics' Awards and the BAFTA Awards.  The film premiered in competition at the 2012 Sundance Film Festival and took home the Audience Award as well as the jury prize for Best Ensemble.  Other film credits include: Netflix's Comedy CANDY JAR, RIDE (which Hunt also co-wrote, produced, and directed), DECODING ANNIE PARKER, SOUL SURFER, EVERY DAY, BOBBY, THEN SHE FOUND ME (which Hunt again also co-wrote, produced, and directed), AS GOOD AS IT GETS, WHAT WOMEN WANT, CASTAWAY, A GOOD WOMAN, Woody Allen's THE CURSE OF THE JADE SCORPION, Robert Altman's DR. T AND THE WOMEN, PAY IT FORWARD, and TWISTER. Hunt can last be seen in HOW IT ENDS, Michael Cristopher's THE NIGHT CLERK and Adam Randall's thriller I SEE YOU. Early career film credits are: THE WATERDANCE, KISS OF DEATH, MR. SATURDAY NIGHT, PEGGY SUE GOT MARRIED, NEXT OF KIN, GIRLS JUST WANNA HAVE FUN, PROJECT X. and MILES FROM HOME.     Additional television credits include “MAD ABOUT YOU” and the critically acclaimed HBO Miniseries EMPIRE FALLS. For her role as Jamie Buchman in MAD ABOUT YOU, Hunt garnered four Emmy Awards, four Golden Globe Awards (three as lead actress and one as Producer for Best Comedy), and a Screen Actors Guild Award.  She was also named “Best Actress” for her role in the film AS GOOD AS IT GETS for which Hunt won a Golden Globe Award, a Screen Actors Guild Award, and an Oscar.     Helen Slater is an American actress and singer-songwriter. In 1982 she was cast in the title role of the film Supergirl (1984) opposite Peter O'Toole and Faye Dunaway. Other credits include The Legend of Billie Jean (1985), Ruthless People (1986), The Secret of My Success (1987), City Slickers (1991), Sticky Fingers (1988), Lassie (1994), No Way Back (1995), The Steal (1995), Seeing Other People (2004) and most recently, Confetti (2021). Slater starred in the Fox original movie 12:01 (1993), Hallmark Hall of Fame's Best Friends for Life (1998), Toothless (1997) and Lifetime's The Good Mother (2013). She was also a part of the all-star ensemble cast of Showtimes guided improvisational films Chantilly Lace (1993), Parallel Lives (1994) and most recently completed filming the sequel Chantilly Bridge (2021). In series television, Helen starred in ABC's The Lying Game (2011-2013), Gigantic (2010-2011) and the CW series Supergirl (2015-2022). As a guest star, she has appeared on such series as Seinfeld, Caroline in the City, HBO's Dream On, CBS' Michael Hayes, Will and Grace, Grey's Anatomy, Private Practice, Supernatural, Smallville and the series finale episode of Madmen. Slater appeared in the off-Broadway plays Almost Romance (1987), Responsible Parties (1988), and starred in the Pasadena Playhouse's world premiere production of The Big Day (1990). She is a co-founder of the theatre group The Naked Angels and one of the founding members of the Los Angeles improvisational group, The Bubalaires, and SHPLOTZ!   She is also a member of Turbine Arts Collective  (https://www.turbine-arts.org/), a non-profit arts organization dedicated to the exploration of creativity.

On October 11, 2025, Diane Keaton — the Oscar-winning actress, director, author, and one of the most singular voices in American cinema — passed away at the age of 79. Over a career spanning more than five decades, Keaton evolved from quirky ingénue to one of Hollywood's most admired and enduring figures. She first drew notice in The Godfather, but it was her performance in Annie Hall — the role that won her the Academy Award for Best Actress — that cemented her status as a cultural icon. Known for her distinctive style, quick wit, and emotional authenticity, Keaton redefined what it meant to be a leading woman in Hollywood — and in life — inspiring generations of artists and audiences alike Hosts: Derek Kaufman & Jason Beckerman Learn more about your ad choices. Visit podcastchoices.com/adchoices

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 18: Annie Hall (1977) recorded live at the London Podcast Festival. Released 26 September 2018. Rereleased 12 October 2025. For this episode – which we are re-running in honour of Diane Keaton – we watched Annie Hall, written by Woody Allen and Marshall Brickman and directed by Allen, who also starred alongside Diane Keaton, Tony Roberts, Carol Kane and Paul Simon. The film won four Academy Awards including Best Actress for Diane Keaton and Best Screenplay for Allen and Brickman. Star Wars Despecialized https://www.youtube.com/watch?v=mGrXO2RDzLg&vl=en Kathy Griffin's Woody Allen story https://www.youtube.com/watch?v=6i62GcGDgI4 Thanks to Zoe, Sally and everyone at the London Podcast Festival for making this happen. Tom's new podcast ALL BRITISH COMEDY EXPLAINED is now available here in audio: https://podfollow.com/all-british-comedy-explained and here in video: https://www.youtube.com/@AllBritishComedyExplained BEST PICK the book is available now from all the usual places, and the paperback is out now. From the publisher https://tinyurl.com/best-pick-book-rowman UK Amazon https://amzn.to/3zFNATI US Amazon https://www.amzn.com/1538163101 UK bookstore https://www.waterstones.com/book/9781538163108 US bookstore https://www.barnesandnoble.com/w/best-pick-john-dorney/1139956434 Audio book https://www.audible.co.uk/pd/Best-Pick-Audiobook/B09SBMX1V4 To send in your questions, comments, thoughts and ideas, you can join our Facebook group, email us on bestpickpod@gmail.com, or find us on Bluesky. You can also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month.

She's back! Marcia Kimpton returns to the show to talk about her newly released film, An American Abroad, which she wrote, produced, directed, and starred in. The indie rom-com combines her love of travel with her art of storytelling and takes the audience on an epic adventure through Amsterdam, Turkey, Greece, South Africa, France, and Portugal — going onsafari, swimming with great white sharks, and navigating the treacherous yet hilarious waters of modern dating life.Marcia is a true creative force of nature with a flair for fashion and a love of fine wine. She's an award-winning filmmaker who has received more than 40 awards at festivals worldwide and recently won Best Actress for her leading role in the film at the Croatian International Film Festival. The daughter ofthe late Bill Kimpton, founder of the prestigious Kimpton Hotels & Restaurants, she has traveled to over 50 countries and is known as one of the most trusted voices in adventure. More of her film and travel content can be found on her YouTube channel, Kimpton's World Travel, Comedy, and Film Channel.On this episode, go behind the scenes of the making of the movie, learn tips on how to follow your filmmaking dreams and produce indie films on a budget, and take an adventure ride through Marcia's travels!“The world has so many good people… We are united in art.” –Marcia Kimpton

Timothée Chalamet's 'Marty Supreme' has a surprise world premiere this week at the New York Film Festival — is the reaction what he needed to boost his lead in the Best Actor race? Awardist host Gerrad Hall, EW Sr. Writer Joey Nolfi, and Sr. Editor Joyce Eng breakdown early chatter about his performance and what it'll mean for his chances. Plus, thoughts on 'One Battle After Another' star Chase Infiniti leaping into the Best Actress category, and we dive into the Golden Globes' short list for Best Podcast, which includes some controversial political voices. And Gerrad chats with 'The Lost Bus' star America Ferrera about the harrowing true story, about the bus driver and teacher who were trapped with 22 students during California's devastating 2018 Camp Fire. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Listen to this PREVIEW of the 26th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Chris Feil about two performances recognized at the Razzies that didn't deserve to be: Shelley Duvall ("The Shining") and Elizabeth Berkley ("Showgirls"). We discuss their performances, talk about why they came up short, and reveal whether we would have nominated them.    You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "The Shining" - Warner Bros.