Podcasts about Best Actress

Listen to this PREVIEW of the 37th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with John T about two women co-leads who weren't nominated for Oscars: Audrey Hepburn and Shirley MacLaine in "The Children's Hour." We discuss their performances, talk about why they weren't nominated, and reveal whether we would have nominated them. You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "The Children's Hour" - United Artists

The mailbag is open! This week, Rebecca and John answer your questions about this year's Best Actress race, how to make the most of Telluride, and so much more. Then, John talks to Widow's Bay creator and showrunner Katie Dippold about the inspiration behind the Emmy-nominated horror-comedy series. Stick around till the end for a special round of FMK: Horror Movie edition. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Movie of the Year: 2006VolverThe Volver Podcast Episode Enters the BracketThe Volver podcast episode brings Pedro Almodóvar's beloved ghost story into the full Movie of the Year 2006 bracket. This week, Greg and Mike hold down the fort while Ryan sits this one out. Fortunately, they have serious backup. New Yorker television critic Inkoo Kang joins the panel to talk grief, ghosts, and the women of La Mancha. Together, they ask whether Almodóvar's warmest film has what it takes to survive the tournament.The conversation covers the film's supernatural heart, its unforgettable women, and its thoroughly rotten men. Additionally, the crew builds a Mount Rushmore of It Girls and runs through The Five. As always, the bracket outcome stays a secret here. Consequently, you will need to listen to find out how Volver fares.About the FilmVolver is a 2006 Spanish comedy-drama written and directed by Pedro Almodóvar. Penélope Cruz stars as Raimunda, a working-class mother in Madrid whose life unravels after a sudden death at home. Meanwhile, her sister Sole discovers that their late mother Irene, played by Carmen Maura, may have returned from the grave. The film is set partly in La Mancha, the windswept region where Almodóvar grew up.Volver premiered at the 2006 Cannes Film Festival, where it won Best Screenplay. Notably, its six lead actresses shared the Best Actress prize, an almost unheard-of collective honor. Cruz later earned an Academy Award nomination for Best Actress, a landmark for Spanish-language performances. Roger Ebert gave the film four stars and named it among his four-star movies of 2006. You can find full details on the film's cast and awards at IMDb.The 2006 field is stacked with heavyweights. Volver joins previous entries like The Prestige, Little Miss Sunshine, and Borat in the fight for the crown.Guest Panelist: Inkoo KangInkoo Kang is the television critic at The New Yorker, where she has covered TV since 2022. Before that, she served as a TV critic at The Washington Post and The Hollywood Reporter. Her byline has also appeared at Slate, MTV News, The Village Voice, and TheWrap over a career spanning more than a decade. In practice, that résumé makes her one of the sharpest working critics on storytelling, performance, and cultural memory. Her perspective on Almodóvar's women makes this Volver podcast conversation essential listening.Ghosts and Grief on the Volver PodcastVolver treats death with a shrug and grief with a casserole. The Taste Buds dig into how Almodóvar builds a ghost story without a single scare. Irene's return plays as domestic comedy first and emotional reckoning second. However, the laughs never cheapen the loss underneath them.Inkoo, Greg, and Mike explore how the film's La Mancha setting shapes its view of mortality. The village women tend graves like gardens and speak of the dead like neighbors. As a result, the supernatural feels less like fantasy and more like tradition. The panel asks whether that matter-of-fact approach to death is exactly why the film hits so hard. Ultimately, Volver argues that the dead stay with us because we keep setting a place for them.Mothers, Daughters, and Sisters on the Volver PodcastEvery meaningful relationship in Volver runs between women. Raimunda and her daughter Paula protect each other through the film's darkest turn. Sole and Raimunda circle each other with the friction only sisters manage. Above all, Irene's return forces three generations to confront secrets that shaped them all.The panel unpacks how Almodóvar stages forgiveness as the film's true climax. Specifically, they discuss the confessions between mother and daughter that reframe everything before them. Inkoo brings a critic's eye to Cruz's performance, which anchors the whole ensemble. Moreover, the group considers how the film honors caretaking as heroic labor. Cooking, cleaning, and burying become acts of love here, not background noise.Ugh, Dudes: The Men of VolverThe men of Volver are a rogues' gallery of predators, cheats, and dead weight. Consequently, the Volver podcast panel dedicates a full segment to asking a simple question. Why does Almodóvar write men this way, and what does their awfulness reveal?The panel argues that the film's male characters function as weather, not people. They cause damage, and then the women clean up after the storm. By contrast, the women get every ounce of the film's interiority and warmth. The crew debates whether this imbalance is a flaw or the entire point. Nevertheless, everyone agrees on one thing. The dudes in this movie? Ugh.Rushmore: It GirlsPenélope Cruz became a global It Girl on the strength of this performance. Therefore, the crew carves a Mount Rushmore of It Girls in her honor. Greg, Mike, and Inkoo each argue for the four faces that defined It Girl status across eras. The picks range from obvious icons to deep-cut favorites, and the debate gets appropriately heated. Listen to the episode to hear which four faces make the mountain.The Five on This Week's Volver PodcastThe episode also features The Five, a recurring segment built on movie archetypes. The panel receives five iconic character types and must argue for the 2006 star who best embodies each one. This week's archetypes are a murderers' row: Scout Finch, Batman, Ripley, Robin Hood, and Frankenstein's Monster.Consequently, the debate ranges across the entire 2006 landscape. Who carries Scout's wide-eyed moral clarity? Which star wears Batman's brooding armor? Moreover, who earns Ripley's steel, Robin Hood's roguish charm, or the Monster's tragic misunderstood soul? Greg, Mike, and Inkoo each make their cases, and the picks get delightfully contentious. The answers stay spoiler-free here, so hit play to hear who claims each archetype.Why Volver Still MattersVolver endures because it treats ordinary women's lives as the stuff of grand cinema. Twenty years later, its blend of melodrama, comedy, and ghost story still feels singular. Cruz's Oscar-nominated turn opened doors for Spanish-language performances in Hollywood's biggest categories. Furthermore, the film cemented Almodóvar's late-career run as one of world cinema's great streaks.The Volver podcast conversation makes the case that the film's warmth is its weapon. Plenty of movies mine grief for devastation. By contrast, Volver mines grief for connection, and that choice keeps audiences returning. The title means "to return" in Spanish, after all. Great films do exactly that.Related Episodes from Movie of the Year: 2006Movies of 2006: Intro Part 12006 Bracket Reveal and Sweet 16Tristram Shandy: A Cock and Bull Story2006 Mixtape Part I2006 Mixtape Part IIBrickThe Puffy ChairThe Devil Wears PradaLittle Miss SunshineThe PrestigeBoratAll Movie of the Year episodesFAQ: Volver Podcast and FilmWhat is the Volver podcast episode about?In this Volver podcast episode, Greg and Mike from Movie of the Year discuss Pedro Almodóvar's 2006 film with guest critic Inkoo Kang. Topics include ghosts and grief, the film's women, its terrible men, a Mount Rushmore of It Girls, and The Five.What is Volver about?Volver follows Raimunda, a Madrid mother played by Penélope Cruz, as she covers up a death at home. Meanwhile, her late mother apparently returns from the grave to settle unfinished business with her daughters.Who directed Volver?Pedro Almodóvar wrote and directed Volver. The Spanish filmmaker set the story partly in La Mancha, the region where he grew up.What does Volver mean?Volver means "to return" in Spanish. The title comes from a classic tango and...

The mailbag is open! This week, Rebecca and John answer your questions about this year's Best Actress race, how to make the most of Telluride, and so much more. Then, John talks to Widow's Bay creator and showrunner Katie Dippold about the inspiration behind the Emmy-nominated horror-comedy series. Stick around till the end for a special round of FMK: Horror Movie edition. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Recorded - 8/8/2026 On Episode 384 of the Almost Sideways Movie Podcast, we finalize our summer project of honoring the films from 15 years ago by awarding our final Pinots for 2011. What will take home Best Picture and be our deep dive next week? We also review the film that won our "Come to the Stable" category for 2011 as a first time watch for everyone. Here are the highlights:What We've Been Watching(4:00) "Crime of the Century" - Todd Director Blindspot Review(5:50) "I Swear" - Todd Review/Rant(11:35) "Olmo" - Zach Review(15:45) "One Night Only" - Zach & Terry Review(26:35) "Loving" - Terry Oscar Anniversary Review(29:50) "The Running Man" - Adam Pinot Blindspot Review2011 PINOT FINALS!!!(31:55) "Henry's Crime" - Featured "Come to the Stable" Winning Review(54:10) 2011 Pinot Reveal Initial Thoughts(56:30) Best Actor(1:04:15) Highest WAR(1:11:10) Best Adapted Screenplay(1:14:00) Best Original Screenplay(1:18:20) Best Ensemble(1:21:55) Best Scene(1:26:50) Best Supporting Actor(1:30:15) Best Actress(1:36:35) Best Director(1:39:25) '61 Cheval Blanc(1:53:30) Best Actress(1:59:05) Best Picture(2:07:30) Quote of the DayFind AlmostSideways everywhere!⁠⁠⁠http://⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠almostsideways.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/AlmostSidewayscom-130953353614569/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AlmostSideways Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideways⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Terry's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @almostsideterry⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zach's Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: https://letterboxd.com/pro_zach36/Todd: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Too Cool for Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adam's Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: @adamsideways⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4m⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber

pWotD Episode 3385: House of the Dragon Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 32,002 views on Saturday, 8 August 2026 our article of the day is House of the Dragon.House of the Dragon is an American fantasy drama television series created by George R. R. Martin and Ryan Condal for HBO. A prequel to Game of Thrones (2011–2019), it is the second television series in Martin's A Song of Ice and Fire franchise. Based on parts of Martin's 2018 book Fire & Blood, the series begins about 100 years after the Seven Kingdoms are united by the Targaryen conquest, nearly 200 years before the events of Game of Thrones, and 172 years before the birth of Daenerys Targaryen. Featuring an ensemble cast, the show portrays the events leading up to the decline of House Targaryen, a devastating war of succession known as the "Dance of the Dragons".House of the Dragon received a straight-to-series order in October 2019, with Ryan Condal and Miguel Sapochnik serving as showrunners. The series premiered on August 21, 2022, with the first season consisting of ten episodes. The series was renewed for a second season five days after its premiere. Sapochnik departed as showrunner after the first season, leaving Condal as the sole showrunner for the second season. The second season premiered on June 16, 2024, with eight episodes. The series was renewed for a third season in June 2024, which premiered on June 21, 2026 and is expected to consist of eight episodes. A fourth and final season is in development and expected to be released in 2028.The premiere of House of the Dragon was watched by over 10 million viewers across the linear channels and HBO Max on the first day, the biggest in HBO's history. The series has received positive reviews. It won a Golden Globe Award for Best Television Series – Drama, while Emma D'Arcy earned two nominations for Best Actress in a Television Series – Drama. It earned nine Emmy Award nominations, including Outstanding Drama Series, and won three British Academy Television Craft Awards.This recording reflects the Wikipedia text as of 02:33 UTC on Sunday, 9 August 2026.For the full current version of the article, see House of the Dragon on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Joanna.

LeBron's last harrah, wondering why Gen Z is choosing sleep over sex, how New Yorkers brave the streets, or just need a good laugh? We've got you! Join your host Marina Franklin with guests Sami Sour and Hollie Harper for the latest laughs and life lessons. Hollie Harper is a South Jersey comedian/writer/actress. In 2021 she created and co-exec-produced Hella Late! with Hollie Harper on BRIC TV for which she was nominated for best actress at 2021's NYC Web Fest. She was a recent semi-finalist in the NBC Standup Competition, won Best Actress at 2024's Act One, One Act Festival and just earned a Best Actress nomination by Broadway World for her performance in Melanie Goodreaux's "The Popes Of Farragut Street". Her live, sold-out comedy show "F.D.K." with Emily Flake was recently chosen for the Knockouts Women's Comedy Festival, the New York Comedy Festival and the IO Comedy Festival in Chicago. Sami Beason is a rising comedy talent from Denver, celebrated for their quick wit, authentic storytelling, and constant giggle. In 2024, they took home the Best of Fest award at the Colorado Springs Festival and now has a special on YouTube called "First Gen" through open bar. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf. Writer for HBO's 'Divorce' and the new Tracy Morgan show on Paramount Plus: 'Crutch  

Tony nominee, actor, vocalist Gayle Rankin as Alys Rivers in HOUSE OF THE DRAGON is mesmerising in an expanding role; we discuss the huge detailed aspect of series, costumes & more. HOUSE OF THE DRAGON S3 now on HBO MAXGayle excelled on Broadway as Sally Bowles in Cabaret at the Kit Kat Club in New York City, earning a Tony Award nomination for Best Actress in a Musical. She's a highlight in movie BAD THINGS (2023) with Molly Ringwald,also appearing in MEN (2022) opposite Jessie Buckley and as a drummer in HER SMELL (2018) with Elizabeth Moss + Cara Delevingnehttps://youtube.com/@movieanalystshaneadambassett?si=nZyw5fHIS4t_KgXj

Betty Buckley is a legendary, multi-award-winning actress/singer whose career spans theater, film, television and concert halls around the world. She is a 2012 Theatre Hall of Fame inductee and the 2017 recipient of  the Julie Harris Awards from The Actor's Fund for Artistic Achievement and received The Lifetime Achievement Award from The American Songbook Association in 2023. She won a Tony Award for her performance as Grizabella, the Glamour Cat, in Andrew Lloyd Webber's Cats and received her second Tony Award nomination for Best Actress in a musical for her performance as Hesione in Triumph of Love. She received an Olivier Award nomination for her critically acclaimed interpretation of Norma Desmond in the London production of Andrew Lloyd Webber's Sunset Boulevard, which she repeated to more rave reviews on Broadway. Ms. Buckley is featured in the film By Design, written and directed by Amanda Kramer, and it made its debut at The Sundance Film Festival in January 2025. She is also featured in the film Eternity for A24 Studios, starring Miles Teller and Elizabeth Olsen, released in November 2025. In March 2024, she co-starred in Imaginary for Blumhouse Productions and released by Lionsgate. She co-starred with James McAvoy in the M. Night Shyamalan hit film Split, one of the top international box office hits of 2017. She received a Saturn Award Nomination for Best Featured Actress for her work in the film. Her other films include her debut in Brian de Palma's screen version of Stephen King's Carrie, Bruce Beresford's Tender Mercies, Roman Polanski's Frantic, Woody Allen's Another Woman, Lawrence Kasdan's  Wyatt Earp and M. Night Shyamalan's The Happening. In 2024, The Mayfly, an animated short film written, produced and narrated by Ms. Buckley played the film festival circuit and won several awards, including Best of Festival, Best Director and Best 2D Character Based Animation at The Los Angeles Animation Festival. The film also won Best Animation at The Lady Filmmakers Festival in Los Angeles. A love letter to New York City and music, The Mayfly is a lyrical tale that was inspired by a true event at the Café Carlyle, with a score composed by seven-time GRAMMY® nominee Christian Jacob. Her other Broadway credits include 1776, Pippin, Song and Dance, The Mystery of Edwin Drood and Carrie. She headlined the first National Tour of the new Broadway production of Hello, Dolly! in 2018/2019. Off-Broadway credits include the world premiere of Horton Foote's The Old Friends, for which she received  a Drama Desk Nomination in 2014, White Lies, Lincoln Center's Elegies, the original NYSF production of The Mystery of Edwin Drood, The Eros Trilogy, Juno's Swans. Getting My Act Together and Taking It On  The Road. Regional credits include The Perfectionist, Gypsy, The Threepenny Opera, Camino Real, Buffalo  Gal, Arsenic and Old Lace, The Old Friends at Houston's Alley Theatre and Grey Gardens at the Bay Street Theatre in Sag Harbor, NY and The Ahmanson Theater in Los Angeles in 2016 for which she received an Ovation Award Nomination. In London, she starred in Promises, Promises for which she was nominated for An Evening Standard Award and in the 2013 British premiere of Dear World. On television, Buckley had a recurring role on Law & Order SVU for NBC. She co-starred in the third season  of AMC's hit series Preacher and has guest starred on the Fox/Warner Bros. TV shows: The Cleaning Lady, The CW hit Supergirl, the NBC Series Chicago Med and ABC Family's Pretty Little Liars. For HBO, she has appeared on Getting On, The Leftovers, The Pacific and for three seasons had a recurring role on OZ. She  starred as Abby Bradford in the hit series Eight is Enough. For more information, visit www.bettybuckley.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Listen to this PREVIEW of the 36th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Josh Parham about two performances nominated at the AARP Movies for Grownups Awards that weren't nominated for Oscars: Viola Davis ("Widows") and Alfre Woodard ("Clemency"). We discuss their performances, talk about why they weren't nominated, and reveal whether we would have nominated them. You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "Widows" - 20th Century Fox

Marcia Kimpton is an award-winning independent filmmaker, writer, director, producer, actress, and travel storyteller. The daughter of the late Bill Kimpton, founder of Kimpton Hotels & Restaurants, she has built a distinguished career outside the traditional studio system by creating self-funded, location-driven films that blend comedy, cultural exploration, and personal insight.In recent years, her most significant achievement has been the 2025 feature film An American Abroad. She wrote, directed, produced, and starred in this globe-trotting romantic comedy, which was filmed across multiple countries including Greece, France, Portugal, the Netherlands, Turkey, and South Africa. The mockumentary-style film follows a free-spirited travel host navigating relationships and cultural encounters, and it has been widely described as a love letter to wanderlust.The film earned Kimpton the Best Actress award at the Croatian International Film Festival and has achieved broad distribution. It is available free on Tubi and for rent or purchase on Amazon Prime Video, Apple TV, and other major platforms. Coverage in the Los Angeles Times and extensive festival and media attention have further elevated its profile through 2025 and into 2026.Additional recent recognition includes her selection as a Gladys Magazine Trailblazer in 2025. In June 2026, USA Today featured her travel insights drawn from visits to approximately 58 countries. At the time of that interview, she was filming a documentary in Namibia focused on ecotourism and conservation-oriented businesses. She continues to develop related African projects while maintaining an active presence promoting An American Abroad and advocating for independent filmmaking, women's creative leadership, and the transformative value of travel and storytelling.

Matthew Toffolo interviews Sarah Van Sant, director of the short film "Best Kept Secret." Sarah discusses her first foray into directing after a career in acting, modeling, and stunt work. Sarah explained how she and her husband developed the concept during COVID, collaborating with writer Jameson Brawley to adapt the story into a cost-effective short film about a couple trapped in a mattress store after closing hours. The film was shot in a local furniture store in Chattanooga, Tennessee, with Sarah working closely with cinematographer Axel Marshall and editor Jameson Brawley to bring her vision to life. The production involved casting actors from Atlanta via Zoom auditions, with Kathleen Graham winning Best Actress at the Broad Street Film Festival. Sarah expressed enthusiasm for directing and plans to continue making films, including adapting a previous screenplay into a feature-length project. https://www.instagram.com/sarahvansandt/ —— Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod https://www.facebook.com/wildsoundpod —— Love for you to try the Indy Film Festival AP. • Daily new film festival of the best new films from around the world. New archived festival to watch anytime. • Library of over 500+ award-winning films to watch anytime. Go to https://www.wildsound.ca and sign up for the free 3-day trial. Check out the daily film festival (and previous ones from last month) at https://www.wildsound.ca/browse Always an amazing lineup of films. Inspiring for storytellers.

On episode 353 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello, and AwardsWatch contributors Mark Johnson, Josh Parham, and Karen Peterson come together for part two of their Best Supporting Actress Oscar winner tier ranking. In the second part of the Best Actress tier rankings (listen to Part One here), the team return to the scene of the crime from last week to rank the remaining 45 Oscar winning performances, and discuss where they place them in their all-ranking. In trying to place these winners in the correct spot, the team had to come together and decide on whether to place these performances in the S (all-time winner), A, B, C, D, or F tier and explain the ranking. For the first time in the tier ranking episodes, the performances have been randomized, making the show even more unpredictable as to who will be covered from the list of winners on this episode. Also, the team has instituted two rules that include only 12 winners (when looking at percentages vs whole numbers compared to Best Actress, the group added two by the end of the episode) being able to be in the "S tier" and if an actress has multiple wins, only one of their wins can make it into the 12. Some of the winners ranked on this week's episode are Eva Marie Saint (On the Waterfront), Jennifer Hudson (Dreamgirls), Viola Davis (Fences), Mo'Nique (Precious), Meryl Streep (Kramer vs Kramer), Jane Darwell (The Grapes of Wrath), Amy Madigan (Weapons), two wins for Dianne Wiest (Hannah and Her Sisters, Bullets Over Broadway), Whoopi Goldberg (Ghost), and more. By the end of the episode, some of the wildest takes of the episode start coming out, so you will want to listen all the way to the end to hear them; it's lot of fun. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 4h46m. We will be back in next week for a special episode Director Watch, where co-hosts Ryan and Jay, alongside some guests, review the final film of their Christopher Nolan series and his latest epic, The Odyssey. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Aaron and Josh Sarnecky are here to celebrate the 40th anniversary of Aliens.Aliens is a sci-fi action film directed by James Cameron. It is the sequel to 1979's Alien. Cameron developed the story with David Giler and Walter Hill and wrote the screenplay. It opened in theaters on July 18, 1986.In the film, a salvage crew finds Ellen Ripley (Sigourney Weaver) in stasis 57 years after events of the first movie. Though the higher-ups at the Weyland-Yutani Corporation initially dismiss her story about the deadly xenomorph, one of the representatives, Carter Burke (Paul Reiser), asks Ripley to help rescue colonists on the moon where she first encountered the alien.Joining them is a group of space marines. Notable marines include Corporal Hicks (Michael Biehn), Private Hudson (Bill Paxton) and Private Vasquez (Jenette Goldstein). Also part of the crew is an android, Bishop (Lance Henriksen). The only survivor they find is a girl called Newt (Carrie Henn). Xenomorphs have overrun the colony.Aliens opened to positive reviews, though it was too intense for some critics' liking. It is now considered a classic, just as good as the original, if not better. It was the seventh highest-grossing film at the U.S. box office and made approximately $183 million worldwide. Aliens was nominated at the Oscars for Best Actress, Best Art Direction, Best Film Editing, Best Original Score and Best Sound. The film won Best Visual Effects (like the first film) and Best Sound Effects Editing. Weaver's nomination broke the mold for science fiction roles, often passed up for recognition. Aaron had seen Aliens before, but Josh had not. Aaron talks about his first time watching it before the Josh shares his opinion. They talk about the plot, characters, the effects, and parts they thought didn't hold up. They also discuss its place in the Alien franchise and James Cameron's filmography.You can also listen to Aaron and Josh's podcast with Editor-in-Chief Bill Bodkin on James Cameron's Terminator 2: Judgment Day. Aliens is available to rent on Prime Video

Who is the most overdue actor in Hollywood? According to a Nate Silver model from 2012, it isn't Leonardo DiCaprio — it's Matt Damon. And he still hasn't won. Now Damon (The Odyssey) and Tom Cruise (Digger) are both heading into the 2027 Oscar race with massive 'he's finally due' narratives — and Dylan and Craig are making their way-too-early calls on who gets in and who takes home the statue.This week: full five-nominee slates for Best Actor and Best Actress at the 99th Academy Awards, predicted winners, and dark horses nobody else is talking about yet. On the Best Actor side: why the Cruise vs. Damon clash mirrors one of the great rivalries in Oscar history, whether Jeremy Strong (The Social Reckoning) runs as lead or supporting, and why Timothée Chalamet might quietly accumulate his way into the race via Dune 3. On the Best Actress side: why both hosts pick Sandra Hüller but for different movies — and why a new Academy rule could make her the first performer nominated twice in the same category since the 1930s. Plus: the Al Pacino / Scent of a Woman parallel that makes Tom Cruise the 2027 frontrunner, the Ingrid Bergman / Gaslight parallel pointing toward a Hüller win, Craig's case for Julianne Moore (The Debut), and why Elon Musk promoting the new Uwe Boll film as the antidote to The Odyssey might be the funniest thing to happen in Hollywood this year.Films discussed: Digger, The Odyssey, Fjord, The Debut, The Social Reckoning, Michael, Wild Horse Nine, Obsession, Rose, Fatherland, A Place in Hell, Gentle Monster, Project Hail Mary, I Swear, The Invite, Jack of Spades, All of a Sudden

On episode 352 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, Associate Editor Sophia Ciminello, and AwardsWatch contributors Mark Johnson and Josh Parham, for part one of their long-awaited Best Supporting Actress Oscar winner tier ranking. It's that time of year for the AW team to dive deep into a two-part tier ranking episode. After doing Best Actress last year, the team moves on from those fiery episodes to the another popular category; Best Supporting Actress and its 90 winners. In trying to place these winners in the correct spot, the team had to come together and decide on whether to place these performances in the S (all-time winner), A, B, C, D, or F tier and explain the ranking. Only 45 of the winners are discussed on this episode, with the rest covered next week. For these Supporting Actress tier ranking episodes, the performances have been randomized, making the show unpredictable as to who will be covered from the list of winners on this episode. Also, the team has instituted two rules that include only 10 winners being able to be in the "S tier" (since the supporting categories weren't added until the 9th Academy Awards) and if an actress has multiple wins, only one of their wins can make it into the 10. It adds a fun wrinkle for the team to try and figure out when they get to their final rankings. Some of the winning performances discussed on this show were Catherine Zeta-Jones (Chicago), Renée Zellweger (Cold Mountain), Melissa Leo (The Fighter), Hattie McDaniel (Gone with the Wind), Rita Moreno (West Side Story), Jamie Lee Curtis (Everything Everywhere All at Once), Judi Dench (Shakespeare in Love), Ruth Gordon (Rosemary's Baby), and more. It may only be part one, but it's a great episode and we hope you all enjoy it and listen next week to part two. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 4h15m. We will be back in next week for part two of our Best Supporting Actress tier rankings. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Send us Fan MailIn this episode we discuss the winners of the big three awards at the 17th Academy Awards. Going My Way won Best Picture. Was that the right choice? We also discuss the Best Actor and Best Actress winners and decide who should have won those. Do you agree? Let's talk about it! Click to listen!

pWotD Episode 3345: Penelope Keith Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 335,463 views on Monday, 29 June 2026 our article of the day is Penelope Keith.Dame Penelope Anne Constance Keith (née Hatfield; 2 April 1940 – 29 June 2026) was an English actress. Active in film, radio, stage and television, where she was also a presenter, Keith is primarily known for her roles in the British sitcoms The Good Life and To the Manor Born. Keith succeeded Lord Olivier as president of the Actors' Benevolent Fund after his death in 1989 and was appointed Dame Commander of the Order of the British Empire (DBE) in the 2014 New Year Honours for services to the arts and to charity.Keith joined the Royal Shakespeare Company in 1963, and went on to win the 1976 Olivier Award for Best Comedy Performance for the play Donkeys' Years. She became a household name in the UK playing Margo Leadbetter in the sitcom The Good Life (1975–1978), winning the 1977 BAFTA TV Award for Best Light Entertainment Performance.In 1978, Keith won the BAFTA TV Award for Best Actress for The Norman Conquests. She then starred as Audrey fforbes-Hamilton in the sitcom To the Manor Born (1979–1981), a show that received audiences of more than 20 million. Keith went on to star in another six sitcoms, including Executive Stress (1986–1988), No Job for a Lady (1990–1992) and Next of Kin (1995–1997). From 2000, she worked mainly in the theatre, with her roles including Madam Arcati in Blithe Spirit (2004) and Lady Bracknell in The Importance of Being Earnest (2007).This recording reflects the Wikipedia text as of 03:49 UTC on Tuesday, 30 June 2026.For the full current version of the article, see Penelope Keith on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Justin.

Send us Fan MailIn this episode, we discuss the 16th Academy Awards. We discuss the big three awards. Casablanca won Best Picture. Paul Lukas won Best Actor for his role in Watch on the Rhine. Jennifer Jones won Best Actress for The Song of Bernadette. Did the right candidates win? Who got snubbed? We have a hot take on one that we believe got snubbed. Let's talk about it!

In today's episode of The Quiz, we're testing your movie knowledge on everything from legendary Hollywood dynasties and timeless musical blockbusters to box office record-breakers and historic Academy Award snubs. Can you answer these? Oscar Gold: This iconic performer comes from true Hollywood royalty. Do you know which daughter of an Academy Award-winning director and an Oscar-nominated actress took home the Best Actress trophy for her unforgettable performance in 1972's Cabaret? Box Office Barbies: The 2023 mega-hit Barbie brought an entire world of dolls to life, anchored by Margot Robbie and Ryan Gosling. But do you remember the brilliant actress who stepped into the oval office as President Barbie? Snubbed Directors: The 1995 Academy Awards featured an incredibly stiff competition among visionary storytellers. Of the five brilliant filmmakers nominated for Best Director that year, which one remains the only one to never win an Oscar in their lifetime? Play. Share. Listen, with Actor Dean Cain. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Listen to this PREVIEW of the 35th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Izzy of Be Kind Rewind about two performances from LGBTQ+ actresses that weren't nominated for Oscars: Marlene Dietrich ("Witness for the Prosecution") and Anna Paquin ("Margaret"). We discuss their performances, talk about why they weren't nominated, and reveal whether we would have nominated them. You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "Witness for the Prosecution" - United Artists

Team This Had Oscar Buzz (Hall of Famers Joe Reid & Chris Feil) and Team Supporting Actresses (née Chasing Amy Adams, Hall of Famer Louis Peitzman & All Star Dane McDonald) return to the Draft Table to competitively / collaboratively rank the 10 films the won the Oscar for BEST ACTRESS in the 1990s! Want more Screen Drafts? Become a Booster! For just $5 a month get ad-free Main Feed episodes, plus monthly installments of The Franchise mini-Super Draft, The Marathon, Speed Drafts, and the Cool Kids Criterion Club Corner. Visit www.patreon.com/screendrafts to join the Club and support the show!

A terrific opportunity to hear from Australian actor Shabana Azeez as she prepares to begin filming Season 3 of The Pitt in the US. Equity member Kat Hoyos sits down with Shabana to explore her journey from starting out in Adelaide to working on one of the most talked-about TV series today. Widely regarded as one of the most popular shows of the moment, The Pitt has captured global attention with its gripping storytelling and distinctive style. This a great opportunity to hear firsthand about the experiences, influences, and stories that continue to shape her work. They discuss how she has navigated the industry, developed her craft, and embraced the opportunities and challenges of an international career. Shabana Azeez has quickly established herself as one of the most exciting actors to watch with her undeniable talent and magnetic screen presence.  As a breakout star of HBO Max's Emmy-winning hit series, THE PITT, she can be seen reprising her role as “Victoria Javadi” in the second season which is currently streaming on Max in the USA, Binge in Australia and a number of other platforms around the world. She recently wrapped production on SBS's new drama, THE AIRPORT CHAPLAIN. The eight-part series stars Shabana opposite Hugo Weaving and captures the high-stakes world of a bustling international airport, told through the struggles and triumphs of the workers who keep it running. Recently in film, she voiced the lead character of “Saira” in the animated feature film LESBIAN SPACE PRINCESS which was selected for the 2025 Berlinale where it won the Teddy Award and honored with an AACTA Award for ‘Best Indie Film'. Previously in film, she starred as “Irene” in the feature film, BIRDEATER, for which she was awarded ‘Best Actress' by the Australian Film Critics Association. The film also won the AACTA for ‘Best Independent Feature Film', the audience award for ‘Best Australian Narrative Feature at Sydney Film Festival' and had sold out screenings at Melbourne International Film Festival prior to a very well-received release in the USA at SXSW. Shabana co-won ‘Best Female Actor' at Tropfest in 2019 and was nominated for ‘Best Performance' at Stellar Film Festival and ‘Best Actress' at the South Australian Screen Awards for her work in the feature CRUSH. She also plays “Lali” in the short film I'M THE MOST RACIST PERSON I KNOW which won the Special Jury Award at SXSW 2025, ‘Best Short Film' at Cinefest Oz in 2025 and ‘Best Short Film' at the 2026 AACTA Awards. Previous television credits include roles on the animated series TALES FROM OUTER SUBURBIA, ABC's IN LIMBO, SBS's THE HUNTING, Netflix's APPLE CIDER VINEGAR, Disney+'s NAUTILUS, ABC'S UTOPIA and WHY ARE YOU LIKE THIS?. Shabana also regularly lends her voice and talent for accents to voiceover work and audiobooks, including the very important story Home to Biloela by Priya Nadesalingam.  Splitting her time between Australia and Los Angeles, she continues to take on bold, diverse roles that showcase her talent and versatility while highlighting her passion for telling stories that push the envelope.

On Episode 152 of The Film 89 Podcast, Steve and Skye are joined by a trio of returning co-hosts, Jacob Rivera, Kyle Reardon and Leighton Winstone, to discuss one of the all-time great serial killer thrillers, director Jonathan Demme's multi-Oscar-winning 1991 adaptation of Thomas Harris' best-selling novel, The Silence of the Lambs. Starring Jodie Foster, Anthony Hopkins, Scott Glenn and Ted Levine, the film would receive huge critical acclaim and worldwide box office success and would go on to become one of only three films to win “the big 5” at the Academy Awards; Best Picture, Best Director, Best Adapted Screenplay, Best Actor and Best Actress, as well as nominations for Best Editing and Best Sound. The Silence of the Lambs is widely regarded as one of the greatest films in the history of the medium and is given the in-depth Film '89 treatment for its 35th anniversary. 

There was an article in the Hollywood Reporter about the Best Actor and Best Actress Oscars and how they get distributed. In it, I learned that there has only ever been ONE Best Actor winner under 30. One! And there have been 33 Best Actress winners under 30.To read ⁠⁠⁠⁠Best Actor/Actress Ratios at the Oscars ⁠⁠⁠⁠⁠ visit the Songs for the Struggling Artist blog. Episode 501Song: One⁠⁠Image of Curtain⁠ by Rob Laughter via ⁠Unsplash⁠Give this podcast 5 stars. Write a nice review! Rate it: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ratethispodcast.com/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Mailing list: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.emilyrainbowdavis.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/SongsfortheStrugglingArtist/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠Support me on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/emilyrdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kofi: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://ko-fi.com/emilyrainbowdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PayPal: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.paypal.me/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://emilyrainbowdavis.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@erainbowd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Mastodon - @erainbowd@podvibes.co BlueSky - @erainbowd.bsky.social ⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pinterest⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠Listen to The Dragoning ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and The Defense ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this episode, Scott welcomes an old friend to the podcast - Sarah Uriarte Berry. Scott and Sarah did a production of "Grease" together and they had a great time reminiscing about the show and talking about her incredible career on Broadway, on tour, and what it was like being the very first Belle at The Disneyland Resort. Sarah Uriarte Berry made her Broadway debut as Eponine in "Les Miserables" and later reprised her role for the 10th Anniversary Production. She also starred as Belle in "Disney's Beauty and the Beast" twice on Broadway: First at the Palace Theater, and 11 years later, paired with Donny Osmond at the Lunt-Fontanne. Also on Broadway, Sarah won critical acclaim as Franca in "The Light in the Piazza" at Lincoln Center Theater, where she received Drama Desk and Outer Critics Circle Award nominations for Best Supporting Actress.On tour, she played the role of Betty Schaefer in "Sunset Boulevard" with Petula Clark and the role of Julie Jordan in "Carousel" with Patrick Wilson. For "Carousel," she won an Ovation Award for Best Actress in a Musical. She also recently toured with "Disney Princess - The Concert."Other notable theatre credits include starring as Cinderella in "Rogers & Hammerstein's Cinderella" for the New York City Opera alongside Eartha Kitt, Nicola in "Taboo" opposite Boy George, "Next To Normal," "End Of The Rainbow," "A Little Night Music" at the Kennedy Center, soloist in Bernstein's Mass at Carnegie Hall, and "Sondheim on Sondheim" at the Hollywood Bowl alongside Vanessa Williams, Jesse Tyler Ferguson, and Jonathan Groff.Sarah's film appearances include roles in the feature film "Frontera" starring Ed Harris, Eva Longoria and Michael Peña, and "Pretty Bird" starring Billy Crudup. On television, Sarah's appeared on "Law and Order - Criminal Intent," "Six Degrees," The Tony Awards, and can be seen as Saint Jellorica in the infamous Cats episode of "Unbreakable Kimmy Schmidt."Email: TheMouseAndMePodcast@gmail.comSupport: www.patreon.com/themouseandmeFB and Instagram: “The Mouse and Me”Music by Kevin MacLeod from https://incompetech.filmmusic.io

6/10/26 Mike and cohost, Nashville country singer & songwriter Chloe Penny welcomed actress & dancer Violet Tinnirelloto ConversationsRadio Ep.220!   Violet Tinnirellois an American actor, singer, and dancer from New York's Hudson Valley who is known for her work as Charlie on Sesame Street. As a lifelong fan of all Jim Henson's work, it was a dream come true when Violet was cast to play the first child cast member on Sesame Street in nearly 20 years and has won Young Entertainer Awards for Best Actress in a recurring role -TV) for her work on Sesame Street in 2022, 2023 and 2024. She began her performance career at the age of four and has appeared in many commercials including Lunchables, Red Lobster, Stop & Shop, Holiday Inn, Nickelodeon and LEGO. She appeared on NBC's America's Got Talent and Pharrell Williams ‘HAPPY' – Both in the book and music video. She is also a successful voice actor having voiced characters "Cappie" on Nick Jr's Wallykazam and "Penny" in the Nickelodeon short, The Thing About Babies. Violet has appeared in short films including A Force for Good, which is about the universal power of compassion. She appears on Cyberchase on PBS as Alex and has been seen on Saturday Night Live multiple times with Kristin Stewart, John Mullaney, Saoirse Ronan and more! Violet loves to perform on the live stage. Throughout the Broadway labs, workshops, and even the run at the iconic Paper Mill Playhouse in Millburn, New Jersey, Violet spent over two years working on Chasing Rainbows: The Road to Oz. She loved playing the role of Shirley Temple and showcasing her tap-dancing skills - her favorite dance style. She also sang and danced in the cabaret style shows both at The Laurie Beechman Theater and Stage 72 at The Triad. In a tribute to Broadway's return, Violet joined a cast of Broadway kids in “We're Gonna Come Back”, directed by Janine Molinari. Most recently, Violet appeared on stage as 'Peter Pan' in Shuffles NYC production of 'Peter Pantomime' and danced in ‘Swan Fake' – a dance video directed by Shelby Kaufman. It's Always fun when Violet joins us! Follow Violet on Instagram @violettinnirello Enjoy the Podcast!

The breakout star of the horror hit knows the internet is rooting for her to win Best Actress at the 2027 Oscars Learn more about your ad choices. Visit megaphone.fm/adchoices

Reid Carter concludes the Azaria Chamberlain story on Australia Day. Lindy gives birth to daughter Kahlia in prison - the baby taken from her within hours. February 1986: A climber falls to his death at Uluru. Search party finds Azaria's matinee jacket near dingo lairs - the jacket police said didn't exist. Lindy released immediately. Royal Commission dismantles every piece of forensic evidence. Meryl Streep wins Best Actress at Cannes playing Lindy. "A dingo ate my baby" becomes cruel pop culture joke. June 2012: Fourth inquest finally rules dingo killed Azaria. Thirty-two years for the truth. Unlock an ad-free podcast experience with Caloroga Shark Media! Get all our shows on any player you love, hassle free! For Apple users, hit the banner on your Apple podcasts app. For Spotify or other players, visit caloroga.com/plus. No plug-ins needed!Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories' with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show!We now have Merch!  FREE SHIPPING! Check out all the products like T-shirts, mugs, bags, jackets and more with logos and slogans from your favorite shows! Did we mention there's free shipping? Get 10% off with code NewMerch10 Go to Caloroga.comGet more info from Caloroga Shark Media and if you have any comments, suggestions, or just want to get in touch our email is info@caloroga.com

This week we're excited to present a conversation with The Little Sister lead actress Nadia Melliti, moderated by FLC programmer Madeline Whittle. A 2026 Rendez-vous with French Cinema selection, The Little Sister is currently playing at Film at Lincoln Center, courtesy of Strand Releasing. Get tickets at filmlinc.org/sister Devout Muslim teenager Fatima (Nadia Melliti) lives with her loving Algerian immigrant family in Paris, but fears the inevitable fallout if her tradition-minded kin discover her identity as a lesbian. Initially wary of her own sexuality and eager to downplay it, Fatima blossoms when she meets Ji-na (Return to Seoul star Park Ji-Min), but challenges await the nascent couple. In her fourth directorial effort, Hafsia Herzi (also acclaimed for her captivating performances in The Rapture and The Secret of the Grain) rejects the clichés of queer coming-of-age stories, which so often center around tragedy and trauma. Instead, Herzi centers one young girl's relatively drama-free journey of self-discovery and coming out, one telling incident at a time. A true discovery in her first on-screen role, Melliti won Best Actress awards at Cannes and Lumières, as well as the César Award for Best Female Newcomer, while the film took home the prestigious Louis-Delluc Prize in 2025. A Rendez-Vous with French Cinema 2026 selection. A Strand Releasing release.

On episode 346 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and AwardsWatch contributors Dan Bayer, Mark Johnson, and Josh Parham to go back 15 years and take a look at the 84th Academy Awards, covering the films of 2011. On this week's retrospective, the AW team returns from Cannes to take a look back at the 84th Oscars, one that was known for having a great selection of films to choose from that the Academy decided to mostly ignore for more middle of the road, safer choices. This lead to a winner that is not remembered as much for a film that defined the year, both from a critical and commercial aspect, and also lead to one of the worst wins in the Best Actress category. So given the nature of the show and the game played by the AW team, change is a coming for 2011, as the following films were mentioned over the courses of lengthy discussions over every category; Weekend, Contagion, Shame, Melancholia, Crazy Stupid Love, Take Shelter, Killer Joe, The Skin I Live In, 50/50, as well as films that were already nominees getting more love like Moneyball, The Girl with the Dragon Tattoo, Warrior, The Tree of Life, Drive, Bridesmaids, and more. In their in-depth discussion, the AW team talked about the film year of 2011, briefly discuss talk about The Artist as a Best Picture winner, and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to four films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h52m. We will be back in next week for a review round-up episode discussing some of the newest releases in theaters like Obsession, Backrooms, Masters of the Universe, Power Ballad, Blue Film, Blue Heron, and more. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Listen to this PREVIEW of the 34th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Brandon Stanwyck about two Best Actress-winning performances at the Cannes Film Festival that weren't nominated for Oscars: Isabelle Adjani ("Possession") and Julianne Moore ("Maps to the Stars"). We discuss their performances, talk about what would've happened if they were eligible, and reveal whether we would have nominated them.    You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "Possession" - Metrograph Pictures

"Pluribus" is an American post-apocalyptic science fiction television series created by Vince Gilligan for Apple TV. Set and filmed primarily in Albuquerque, New Mexico, the series follows novelist Carol Sturka (Rhea Seehorn), who finds herself isolated after an alien virus transforms the rest of humanity into a peaceful, content hive mind that nevertheless seeks to assimilate her and other immune individuals. The series has received acclaim from critics, with praise for Gilligan's writing and direction, Seehorn's performance, and the show's originality, tone, and stylistic influences. It was nominated for two Golden Globe Awards and two Critics' Choice Awards, with Seehorn winning Best Actress in a Drama Series in both ceremonies. Karolina Wydra was kind enough to spend some time talking with us about her work and experience making the series, which you can listen to below. Please be sure to check out the show, which is now available to stream on Apple TV. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Fjord wins the Palme! All of a Sudden's Virgine Efira & Tao Okamoto win Best Actress, the boys from Coward win Best Actor, and La Bola Negra and Fatherland tie in Director. The Cannes Awards are here, and we discuss them all. Plus, we continue to review the reviewers and tally the ovations in Part III of our coverage of the 2026 Cannes Film Festival. BOX OFFICE REPORT: The Mandalorian and Grogu Reviewed - 1:35 Obsession Rewatched - 4:36 CANNES COVERAGE PART III: Fjord wins the Palme and a bunch of independent awards - 9:44 Minotaur takes 2nd - 15:37 A tie in Director between La Bola Negra and Fatherland - 18:03 Netflix Acquisitions: La Bola Negra, Gentle Monster & In Waves - 20:31 Best Actress to Efira & Okamoto from All of a Sudden - 21:40 Best Actor to Macchia & Champagne of Coward & MUBI's Acquisitions - 23:58 The Jury Prize to The Dreamed Adventure - 23:36 Best Screenplay to A Man of His Time - 27:54 Un Certain Regard's FIPRESCI PRIZE & Camera D'or to Benimana - 29:43 Everytime and Elephants in the Fog take 2 other top prizes - 33:58 Past Un Certain Regard Film That Have Gone onto Oscar Noms - 37:47 The Queer Palme goes to Teenage Sex and Death - 38:43 A24's Club Kid scores the largest acquisition price at Cannes - 39:23 Victorian Psycho isn't set in the Middle Ages but has contemporary music - 41:59 Out of Competition Discussions - 46:51 John Travolta's Propeller One Way Night Coach, South Korea's Zombie Film - Colony, Nicholas Winding Refn's Her Private Hell, Andy Garcia's Diamond & Kiyoshi Kurosawa's The Samurai and the Prisoner. The Final Standing Ovations Tally - 55:22 OUTRO: Make sure to follow us on social media as we comment on everything happening in the movie business. https://linktr.ee/mikemikeandoscar

In this episode, Josh and Jade review the Oscar nominated film, Hamnet. The film is directed by Chloé Zhao, who co-wrote the screenplay with Maggie O'Farrell, based on the 2020 novel by O'Farrell. The film dramatises the family life of William Shakespeare and his wife Agnes Hathaway as they cope with the death of their 11-year-old son Hamnet.It stars Jessie Buckley and Paul Mescal as Agnes and William, alongside Emily Watson, Joe Alwyn, and Jacobi Jupe in supporting roles.The film received numerous awards, including winning the Best Motion Picture – Drama and Best Actress in a Motion Picture – Drama for Buckley at the 83rd Golden Globe Awards, and eight nominations at the 98th Academy Awards, including Best Picture, Best Director for Zhao, with Buckley winning the Academy Award for Best Actress.But the most pressing question that our hosts ask is: "why does it sound like everyone is mumbling in this movie?"Find out if this film is trash or treasure by smashing that play button.

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture Our 2008 retrospective continues with Clint Eastwood's "Changeling," starring Angelina Jolie, John Malkovich, Jeffrey Donovan, Colm Feore, Michael Kelly, Jason Butler Harner, Gattlin Griffith & Eddie Alderson. Premiering at the Cannes Film Festival in 2008, the film was based on actual events, specifically the 1928 Wineville Chicken Coop murders in Mira Loma, California, and was written by J. Michael Straczynski. The film received positive reviews, and Angelina Jolie was nominated for Best Actress for her performance, along with two other craft nominations for the cinematography and art direction. What do we think of it all these years later? Tune in as Sara Clements, Dan Bayer, Alyssa Christian, and I talk about the Eastwood's direction, Jolie's performance, the cinematography, the score, its awards season run, and more in our SPOILER-FILLED review. Please check out our past review for “Frost/Nixon” and "Doubt." We appreciate your support and hope you enjoy our review! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Comment on this episode by going to KDramaChat.com Today, we'll be discussing Episode 6 of Our Unwritten Seoul, the hit K Drama on Netflix starring Park Bo Young as Yoo Mi Ji and Yoo Mi Rae, and Jin Young as Lee Ho Su. We discuss: The songs we featured during the recap: “Silence of the Night” by Elaine “The One Who Understood Me” by Nam Hye Seung and Park Sang Hee How Episode 6 was all about secrets: the secrets people keep to protect themselves, the secrets kept to protect others, and the pain and misunderstandings that secrets can create. Ho Su finally learning that the woman beside him is really Mi Ji after her drunken confession and sleep talking at his apartment. Ji Yun's growing feelings for Ho Su, her inferiority complex toward Mi Rae, and the realities of being a contract worker in South Korea. The ethical and emotional dilemmas surrounding the headquarters redevelopment project and the confidential plans for the future light rail station. Lee Chung Gu's manipulative behavior and the growing sense that Mi Ji is being set up inside the company. Kim Rosa's mysterious inability to read, and the growing mystery surrounding her identity, her poetry, and her relationship to Sang Wol. Mi Rae's emotional collapse after the town gossip, and Se Jin's reminder that “the rumors are fake, but the strawberries are real.” The revelation that Gyeong Gu is likely gay, how Mi Ji protected his secret for years, and how misunderstandings destroyed Mi Ji and Ho Su's relationship for over a decade. The many K Drama elements in this episode, including drunken confessions, piggyback rides, triangles, wrist grabs, umbrella scenes, protective secrets, and emotional overheard conversations. Park Bo Young's extraordinary acting performance as four distinct versions of Mi Ji and Mi Rae, and why she deserved her Best Actress win at the Baeksang Awards. References Silence of the Night by Elaine, including lyrics Gov't to revise regulations on hiring temporary workers - The Korea Herald Dyslexia - Wikipedia Dyslexia Basics

Movie of the Year: 1971The Finale, Part IIThe 1971 Film Finale Podcast: One Champion RemainsThe 1971 film finale podcast brings the Taste Buds' most ambitious bracket season to its definitive conclusion. Ryan, Mike, and Greg have debated, dismissed, and championed their way through a remarkable field — and now eight films remain. In this episode, four Elite Eight matchups collapse into a single champion, and five major awards close out the season before the final verdict arrives.Furthermore, this finale caps a season that has included some of the most provocative, challenging, and enduring films ever made. From Stanley Kubrick's A Clockwork Orange to William Friedkin's The French Connection, the 1971 bracket has consistently rewarded listeners willing to sit with difficult, boundary-pushing work. The season also covered Straw Dogs, Sweet Sweetback's Baadasssss Song, and Dirty Harry — each one generating strong arguments before falling short of the Elite Eight.Additionally, five competitive award categories — Best Sex, Best Violence, Musical Moment, Best Actor, and Best Actress — draw nominees from across the full season. Consequently, this episode stands as the richest and most content-dense installment of the year.ContentsThe Elite Eight MatchupsThe 1971 AwardsWhy the 1971 Film Finale Podcast Still MattersRelated EpisodesFAQThe Elite Eight MatchupsEight films enter. One leaves as the 1971 champion. The Taste Buds structured the Elite Eight around four head-to-head matchups, and each one forces a different kind of critical argument.A Clockwork Orange vs. The DevilsTwo of the year's most transgressive films meet in the first matchup. A Clockwork Orange arrived as a season-long frontrunner — a Kubrick film operating at the height of his formal powers, one that the Taste Buds covered in depth on their dedicated episode. Ken Russell's The Devils, meanwhile, delivers a fever dream of religious hysteria and state violence that stands as one of the most divisive films the Taste Buds have discussed all season. Moreover, this matchup poses a pointed question: which film earns its provocation more honestly? Both demand something from the viewer. However, only one advances.Harold and Maude vs. McCabe and Mrs. MillerHarold and Maude represents the season's most warmly beloved film — a dark comedy about love, death, and radical living that generated some of the most enthusiastic podcast discussion of the year. By contrast, Robert Altman's McCabe and Mrs. Miller offers a revisionist Western suffused with melancholy and moral exhaustion, its beauty inseparable from its grief. Both films carry passionate advocates among the Taste Buds. Consequently, this matchup ranks among the tightest and most personal bracket debates of the entire season. Above all, it asks whether warmth or ache makes the stronger lasting impression.Wanda vs. The ConformistBarbara Loden's Wanda — a micro-budget American independent masterwork — faces Bernardo Bertolucci's The Conformist, a visually ravishing Italian political drama. Notably, both films center on characters adrift in systems designed to diminish them. Nevertheless, they arrive at very different emotional endpoints: Wanda drifts, the Conformist spirals. The Taste Buds' arguments in this matchup reveal as much about their own critical values as about the films themselves. In practice, this is the bracket's most purely cinephile debate.The French Connection vs. The Last Picture ShowThe bracket's most commercially dominant film — The French Connection, winner of five Academy Awards including Best Picture — faces Peter Bogdanovich's elegiac The Last Picture Show. In practice, this matchup pits Hollywood's muscular genre filmmaking against its more introspective New Wave ambitions. As a result, the debate cuts to the heart of what 1971 cinema actually achieved. Gene Hackman's Popeye Doyle and the dusty streets of Anarene, Texas, represent two entirely different ideas of what a great film should do — and the Taste Buds have strong opinions on which idea wins.The 1971 AwardsBefore the bracket champion is named, the Taste Buds present five awards covering the full sweep of the season. This Movie of the Year 1971 podcast segment features each host nominating the moments they found most memorable, daring, or essential — and the resulting field spans an extraordinary range of films and tones.Best SexThe nominees range from the tender to the violent to the surreal, drawing from three different films and three distinct registers of human sexuality.Jacy and Abilene — The Last Picture ShowThe Pool Party — The Last Picture ShowThe Rape of Christ — The DevilsThe Sex Duel with the Biker Gang — Sweet Sweetback's Baadasssss SongYoung Sweetback and the Sex Worker — Sweet Sweetback's Baadasssss SongBest ViolenceThe nominees span the full tonal range of 1971 action filmmaking — from Dirty Harry's iconic bank robbery standoff to the slow, aching finality of McCabe dying alone in the snow.The Car Chase — The French ConnectionHarry Foils a Bank Robbery — Dirty HarryThe Kid Kills the Cowboy — McCabe and Mrs. MillerThe Ludovico Technique — A Clockwork OrangeMcCabe Dies Alone in the Snow — McCabe and Mrs. MillerMusical MomentThe nominees here demonstrate just how varied 1971's soundtrack was — Cat Stevens, Beethoven, and Gene Wilder all make the shortlist.Maude Sings "If You Want to Sing Out, Sing Out" — Harold and MaudeOpening Funeral March — A Clockwork Orange"Pure Imagination" — Willy Wonka and the Chocolate Factory"Singin' in the Rain" — A Clockwork OrangeThe Tango — The ConformistBest Actor The five nominees represent the full range of 1971 male performance — from Hackman's coiled rage to Wilder's heartbreaking wonder. Additionally, this category generated some of the most contested debates in the entire 1971 film podcast season.Warren Beatty — McCabe and Mrs. MillerGene Hackman — The French ConnectionOliver Reed — The DevilsJean-Louis Trintignant — The ConformistGene Wilder —

On this episode of The Video Store Podcast, I am recommending four movies about the people who get called when somebody has made a mess, crossed the wrong person, or needs a situation to go away quietly. The movies this week are Sweet Smell of Success (1957), Wise Guys (1986), La Femme Nikita (1990), and Pulp Fiction (1994). They all deal with that idea in different ways, from a press agent trying to stay useful, to mob errand boys trying to stay alive, to handlers working inside a government machine, to a man who arrives with a plan when everyone else is panicking.I start with Sweet Smell of Success (1957), which may be the coldest movie on this list. Tony Curtis plays Sidney Falco, a press agent who is always working an angle and always trying to stay useful to Burt Lancaster's J. J. Hunsecker. Hunsecker has the power, but Falco is the fixer. He is the one moving through restaurants, clubs, offices, and sidewalks trying to make things happen for people who would rather not get their own hands dirty. The film was directed by Alexander Mackendrick, with cinematography by James Wong Howe and music by Elmer Bernstein. It was shot partly on the streets of New York, and it still feels like a movie made out of cigarette smoke, bad favors, and late night anxiety.Then I move to Wise Guys (1986), a Brian De Palma comedy that feels a little odd in his filmography, which is part of what makes it interesting. Danny DeVito and Joe Piscopo play low level mob guys who are useful until they are not. They run errands, take orders, and try to read the room, but the room keeps changing on them. Harvey Keitel, Dan Hedaya, Ray Sharkey, Frank Vincent, and Captain Lou Albano are all in the cast, which gives the movie a nice mix of mob movie faces and broad comedy. It is not De Palma in thriller mode, but you can still see his interest in people trapped inside systems they do not fully control.The third recommendation is La Femme Nikita (1990), Luc Besson's French action thriller about a young woman pulled into a government program that turns her into an assassin. The fixer here is not only one person. It is the whole structure around her. Tchéky Karyo's Bob is part handler and part threat, someone who can seem kind while reminding Nikita that her new life is not really hers. Jeanne Moreau also appears as Amande, who helps shape Nikita into someone who can move through polite society while carrying a completely different life underneath. Anne Parillaud won the César Award for Best Actress for the role, and you can see why. She has to play the violence, the fear, and the strange sadness of someone being rebuilt for other people's purposes.The last movie is Pulp Fiction (1994), where Harvey Keitel's Winston Wolf may be the cleanest example of this week's theme. He arrives, assesses the problem, gives instructions, and leaves before the movie can turn him into something bigger. That is part of why the character works so well. He does not need a long backstory. He is there because somebody called the right number. The movie is full of people talking themselves into and out of danger, but Mr. Wolf is different. He does not talk around the problem. He handles it.So this week, the shelf has a bitter New York classic, an oddball mob comedy, a French thriller, and one of the defining crime films of the 1990s. Four very different rentals, all built around people who know what to do when the situation has gone bad.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Ernest, Hunter, Drew, and special guest Marcel discuss all the movies they saw and award their favorites of the 2026 Florida Film Festival. Marcel's Movies: @MarcelsMoviesAndMore on Instagram/TikTokTimecodes:​0:00 Cold Open ​1:27 Intro ​3:18 Overall thoughts of the festival ​14:00 One Spoon of Chocolate ​21:31 Hokum​29:29 Over Your Dead Body​34:23 I Want Your Sex ​43:00 I Swear​49:28 The Christophers ​53:52 Obsession ​1:08:31 Best Non-Film Events (Industry Parties, Red Carpet Events, Director Q&As, Forums) ​1:18:00 Return from Tomorrow ​1:20:56 First They Came For My College ​1:30:18 Best Food​1:33:55 Best Supporting Performance​1:41:43 Best Actor​1:45:20 Return from Tomorrow SPOILERS​1:49:13 Best Actor (cont.)​1:51:00 Best Documentary, Best Short, Best Florida Film​1:55:28 Best Actress​1:59:10 Best of the Fest

A welcome meal for the star amidst her West End run.  Rosamund Pike is the latest theatre actor to visit us in the middle of a hectic show schedule, with a performance at London's Wyndham's Theatre to follow her visit to Dish. In Inter Alia, Rosumund stars as Jessica Parks, a London Crown Court Judge balancing work, motherhood and friendship. It's an incredible central performance that earned Rosamund an Olivier Award for Best Actress, just a few days before we sat down to record.  Rosamund, celebrated for her roles in Pride & Prejudice, Die Another Day, Gone Girl and I Care A Lot, also has a new film on the horizon; Ladies First is a fantastical comedy where a misogynistic CEO Damian (Sacha Baron Cohen) finds himself in a world dominated by women, with Alex, played by Rosamund, as his boss. Ladies First is coming to Netflix on 22 May.  Angela serves Rosamund a beautiful dish of roast trout with brown butter alongside freshly cooked asparagus. The meal is perfectly paired with a glass of The Ned Pinnacle Sauvignon Blanc. Rosamund, a keen cook, is delighted with a hot plate of food at a time when her pre-show meals are dominated by cold salads - and the occasional sardine…  With a wide ranging career on stage and on film, we get some brilliant tales of life on-set from Rosamund, including dark chocolate energy boosts, and the value of co-stars who double up as mixologists.  You can watch full episodes of Dish on YouTube and on Spotify.  All recipes from this podcast can be found at waitrose.com/dishrecipes A transcript for this episode can be found at waitrose.com/dish If you want to get in touch with us about anything at all, contact dish@waitrose.co.uk  Dish from Waitrose is made by Cold Glass Productions Learn more about your ad choices. Visit megaphone.fm/adchoices

Natasha Hodgson is a British writer, performer, and composer for theatre, television, and audio. As a co-founder of the theatre company Spit-Lip, she co-created, co-wrote, and co-composed Operation Mincemeat, the wildly inventive musical that began life at the New Diorama Theatre in 2019 before evolving through multiple runs to become a West End phenomenon.In 2024, the show won the Olivier Award for Best New Musical, with my guest also nominated for Best Actress for her performance as Ewen Montagu. In 2025 she continued the role on Broadway, where the production opened to critical acclaim and multiple Tony nominations. Alongside her theatre work, she has written for television series including Don't Hug Me I'm Scared, The Amazing World of Gumball, and Bravest Warriors, and created the acclaimed BBC Sounds comedy series The Sink. Across stage and screen, her work combines sharp wit, musical invention, and a flair for ensemble storytelling.Why on Earth Have I Seen the Same Broadway Show 13 Times? An Investigation - Taffy Brodesser-Akner, New York Times Magazine.Operation Mincemeat Official WebsiteBecome a My Perfect Console supporter and receive a range of benefits at www.patreon.com/myperfectconsoleTake the Acast listener survey to help shape the show: My Perfect Console with Simon Parkin Survey 2025 Hosted on Acast. See acast.com/privacy for more information.

Listen to this PREVIEW of the 33rd episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Chelsea Eichholz about two performances from TV movies that weren't eligible for Oscars: Halle Berry ("Introducing Dorothy Dandridge") and Drew Barrymore ("Grey Gardens"). We discuss their performances, talk about what would've happened if they were eligible, and reveal whether we would have nominated them.    You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "Introducing Dorothy Dandridge" - HBO

On this week's episode of You Are What You Read, we are thrilled to bring you our LIVE conversation with the great Susan Lucci at the Adelphi University Writers & Readers Festival. Susan Lucci is the most famous face in daytime television history and held audiences spellbound for over forty years as the iconic Erica Kane on ABC's award-winning daytime drama All My Children. In May of 1999, on her nineteenth nomination, she won the Emmy for Best Actress, receiving the longest standing ovation in television history. She is the author of the New York Times bestselling memoirs All My Life and La Lucci, which we discuss in this episode. Susan most recently finished a successful run starring in the off-Broadway hit show My First Ex-Husband and appears in Jonah Hill's Apple TV+ film Outcome. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dive into the legacy! Join host Marina Franklin as she chats with Dr. Tamara Nall and Hollie Harper about embracing and celebrating matriarchal legacy. Tune in for insights on redefining generational traditions. Dr. Tamara Nall is the founder of The Junia Legacy, a cultural movement redefining generational naming traditions to intentionally honor daughters as legacy bearers. Through Junia, she introduced a feminine counterpart to "Junior," creating space for women to be recognized in lineage and identity. Her work explores the intersection of culture, naming, and generational pride, empowering families to build legacy with intention.  Hollie Harper is a South Jersey comedian/writer/actress. In 2021 she created and co-exec-produced Hella Late! with Hollie Harper on BRIC TV for which she was nominated for best actress at 2021's NYC Web Fest. She was a recent semi-finalist in the NBC Standup Competition, won Best Actress at 2024's Act One, One Act Festival and just earned a Best Actress nomination by Broadway World for her performance in Melanie Goodreaux's "The Popes Of Farragut Street". Her live, sold-out comedy show "F.D.K." with Emily Flake was recently chosen for the Knockouts Women's Comedy Festival, the New York Comedy Festival and the IO Comedy Festival in Chicago. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf. Writer for HBO's 'Divorce' and the new Tracy Morgan show on Paramount Plus: 'Crutch  

Today we're sharing our electric conversation with Jane Fonda. This one feels especially right for this moment—because so many of us are asking the same questions Jane has been answering with her life: How do we keep aging without disappearing? How do we stay awake—to our bodies, to each other, to the truth—when everything feels so chaotic and overwhelming? Jane reminds us that getting older doesn't mean getting quieter—it can mean getting whole. Not perfection, but integration. Not waiting until you have it all figured out—but showing up as you are and doing your part. - How she left her body as a child—and found her way back decades later - Why the goal isn't perfection—it's becoming whole - What she's learned about love, power, and choosing herself - How she kept showing up through backlash, surveillance, and public attacks - Why you don't have to be ready—you just have to begin About Jane:  Jane Fonda is a two-time Academy Award-winning actor (Best Actress in 1971 for Klute and in 1978 for Coming Home), producer, author, activist, and fitness guru. Her career has spanned over 50 years, accumulating a body of film work that includes over 45 films and crucial work on behalf of political causes such as women's rights, Native Americans, and the environment. She is a seven-time Golden Globe winner and was honored with the Cecil B. DeMille Award in 2021, Stanley Kubrick Excellence in Film Award as part of BAFTA's Britannia Awards in 2019, AFI Life Achievement Award winner in 2014, and Honorary Palme d'Or honoree in 2007.  Follow We Can Do Hard Things on:  Instagram — ⁠https://www.instagram.com/wecandohardthings⁠

Paul Stanley of KISS joins us as Rock & Brews opens, Oscars madness, Iran's new Supreme Leader might be gay, unhelpful tech companies, and sweaty Jake Paul. Rock & Brews opens in Royal Oak this week. Paul Stanley of KISS joins the show to promote the restaurant, defend KISS merchandise, praise Detroit Rock City, chat songwriting, talk up the Stanley Simmons band, talk crazy outfits and more. Oscars 2026: Timothée Chalamet was the big loser of the night. Sean Penn decided to bail on the show. Jessie Buckley survived her cat scandal to win Best Actress. Demi Moore looked stupid. Rebel Wilson was snubbed! Corey Feldman was also snubbed! Bill Maher had some words for the show itself. The “In Memoriam” left off some famous folk. People lost their minds over a Schindler's List joke. Host Conan O'Brien had some good bits. Tom Bower has a new book out that slams Meghan Markle and Not-a-Prince Harry. Iran's new Supreme Leader, Mojtaba Khamenei, is totally gay. Jake Paul sweats a lot. Ozempic skin is disgusting. Tomorrow is going to be a cold St. Patrick's Day. Mr. Skin is set to join us this week to promote the Anatomy Awards. Mr. Fellhauer is a cool teacher. The Professor of Rock is clashing with YouTube lately. Tom Mazawey is the only person to get their X account back after getting hacked. Dave Landau will join us tomorrow with WATP! Merch remains available. Buy it before it's gone or miss out. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon)

Chloé Zhao became only the second woman to win an Oscar for Best Director, for 2020's “Nomadland,” and she is nominated once again for “Hamnet,” starring Paul Mescal and Jessie Buckley. Based on Maggie O'Farrell's novel of the same name, the film follows a young William Shakespeare and his wife, and their grief at the loss of their only son. “Hamnet” is also nominated for Best Picture, Best Actress, and five other awards.  Speaking with Michael Schulman, Zhao talked about the origins of “Hamnet,” the centrality of nature imagery in her work, and how the I.P. in a Marvel film is not so different from adapting a literary novel.   This segment originally aired on December 5, 2025. Further reading: “Chloé Zhao Has Looked into the Void,” by Michael Schulman New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Kate Hudson is a Golden Globe-winning actress who is nominated for Best Actress in a Leading Role for her performance in Song Sung Blue at this year's Oscars. In this conversation from December 2022, Hudson sits down with Willie Geist to discuss her role in Glass Onion: A Knives Out Mystery, overcoming her fear of singing in public, and balancing her creative career with running Fabletics and raising a family. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Kristian Harloff Show is back with a special Oscars Preview Show, breaking down everything you need to know before Hollywood's biggest night. With the Academy Awards right around the corner, Kristian Harloff dives into the biggest races, major nominees, potential surprises, and who might walk away with the gold at the 2026 Oscars. On today's episode, Kristian discusses the major categories including Best Picture, Best Director, Best Actor, Best Actress, and the biggest technical awards, along with predictions for who has the momentum heading into the ceremony. From blockbuster contenders to prestige dramas and breakout performances, this is your complete Oscars preview and predictions episode. Which films have the best chance to win at the Academy Awards? Could there be any major upsets? Kristian also breaks down the narratives around the nominees, industry buzz, and what the results could mean for the future of Hollywood and the awards season landscape. Plus, it's also Q&A day, meaning Kristian is answering your questions about the Oscars, movies, upcoming films, streaming shows, Marvel, DC, Star Wars, and the biggest stories in entertainment. Join the conversation and be part of the live discussion with the Kristian Harloff community. If you love movie news, Oscars predictions, film discussions, Hollywood industry talk, and pop culture debates, make sure to subscribe to The Kristian Harloff Show and join us live every week. SPONSOR: FACTOR: Head to https://www.factormeals.com/kristian50off and use code kristian50off to get 50 percent off and free breakfast for a year! *Offer only valid for new Factor customers with code and qualifying auto-renewing subscription purchase. Make healthier eating easy with Factor.