Podcasts about Best Actress

Joan Micklin Silver's groundbreaking debut feature film, Hester Street (1975), vividly portrays the immigrant experience through the eyes of Gitl (Carol Kane), a young, Orthodox Jewish woman who arrives in New York City from Eastern Europe at the end of the nineteenth century. Reunited with her already-assimilated husband, Gitl finds they now have little in common and she is forced to adjust to a new way of life. Hester Street achieved international critical and commercial success, and Kane received a Best Actress nomination at the 1976 Academy Awards.  Marking the film's 50th anniversary, Dr. Julia Wagner's landmark book Hester Street (Bloomsbury, 2025) is the first to focus exclusively on Micklin Silver's film. Wagner examines how, despite the sexism and prejudice that Micklin Silver faced, a low-budget, black-and-white, female-led, independent production with Yiddish dialogue became an unexpected box-office hit. Through close analysis, Dr. Wagner highlights the importance of Hester Street as a milestone in cinema and affirms Micklin Silver's status as a unique voice in the history of American film-making.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Joan Micklin Silver's groundbreaking debut feature film, Hester Street (1975), vividly portrays the immigrant experience through the eyes of Gitl (Carol Kane), a young, Orthodox Jewish woman who arrives in New York City from Eastern Europe at the end of the nineteenth century. Reunited with her already-assimilated husband, Gitl finds they now have little in common and she is forced to adjust to a new way of life. Hester Street achieved international critical and commercial success, and Kane received a Best Actress nomination at the 1976 Academy Awards.  Marking the film's 50th anniversary, Dr. Julia Wagner's landmark book Hester Street (Bloomsbury, 2025) is the first to focus exclusively on Micklin Silver's film. Wagner examines how, despite the sexism and prejudice that Micklin Silver faced, a low-budget, black-and-white, female-led, independent production with Yiddish dialogue became an unexpected box-office hit. Through close analysis, Dr. Wagner highlights the importance of Hester Street as a milestone in cinema and affirms Micklin Silver's status as a unique voice in the history of American film-making.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Joan Micklin Silver's groundbreaking debut feature film, Hester Street (1975), vividly portrays the immigrant experience through the eyes of Gitl (Carol Kane), a young, Orthodox Jewish woman who arrives in New York City from Eastern Europe at the end of the nineteenth century. Reunited with her already-assimilated husband, Gitl finds they now have little in common and she is forced to adjust to a new way of life. Hester Street achieved international critical and commercial success, and Kane received a Best Actress nomination at the 1976 Academy Awards.  Marking the film's 50th anniversary, Dr. Julia Wagner's landmark book Hester Street (Bloomsbury, 2025) is the first to focus exclusively on Micklin Silver's film. Wagner examines how, despite the sexism and prejudice that Micklin Silver faced, a low-budget, black-and-white, female-led, independent production with Yiddish dialogue became an unexpected box-office hit. Through close analysis, Dr. Wagner highlights the importance of Hester Street as a milestone in cinema and affirms Micklin Silver's status as a unique voice in the history of American film-making.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Joan Micklin Silver's groundbreaking debut feature film, Hester Street (1975), vividly portrays the immigrant experience through the eyes of Gitl (Carol Kane), a young, Orthodox Jewish woman who arrives in New York City from Eastern Europe at the end of the nineteenth century. Reunited with her already-assimilated husband, Gitl finds they now have little in common and she is forced to adjust to a new way of life. Hester Street achieved international critical and commercial success, and Kane received a Best Actress nomination at the 1976 Academy Awards.  Marking the film's 50th anniversary, Dr. Julia Wagner's landmark book Hester Street (Bloomsbury, 2025) is the first to focus exclusively on Micklin Silver's film. Wagner examines how, despite the sexism and prejudice that Micklin Silver faced, a low-budget, black-and-white, female-led, independent production with Yiddish dialogue became an unexpected box-office hit. Through close analysis, Dr. Wagner highlights the importance of Hester Street as a milestone in cinema and affirms Micklin Silver's status as a unique voice in the history of American film-making.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Joan Micklin Silver's groundbreaking debut feature film, Hester Street (1975), vividly portrays the immigrant experience through the eyes of Gitl (Carol Kane), a young, Orthodox Jewish woman who arrives in New York City from Eastern Europe at the end of the nineteenth century. Reunited with her already-assimilated husband, Gitl finds they now have little in common and she is forced to adjust to a new way of life. Hester Street achieved international critical and commercial success, and Kane received a Best Actress nomination at the 1976 Academy Awards.  Marking the film's 50th anniversary, Dr. Julia Wagner's landmark book Hester Street (Bloomsbury, 2025) is the first to focus exclusively on Micklin Silver's film. Wagner examines how, despite the sexism and prejudice that Micklin Silver faced, a low-budget, black-and-white, female-led, independent production with Yiddish dialogue became an unexpected box-office hit. Through close analysis, Dr. Wagner highlights the importance of Hester Street as a milestone in cinema and affirms Micklin Silver's status as a unique voice in the history of American film-making.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

On this episode, Shadan is joined by the wonderful Amanda Spears to discuss this year's Best Actor and Best Actress races! Plus, a few thoughts on the Gotham Awards.   Visit https://insessionfilm.com for merch and more!   Thanks for listening and be sure to subscribe! Become an ISF VIP today to get exclusive bonus content!   Follow us on X/Twitter! @InSessionFilm | @ShadanLarki | @eRockReviews

Listen to this PREVIEW of the 28th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Dan Bayer about two performances from musicals that didn't earn Oscar nominations: Björk ("Dancer in the Dark") and Amy Adams ("Enchanted"). We discuss their performances, talk about why they came up short, and reveal whether we would have nominated them.    You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "Dancer in the Dark" - Fine Line Pictures

Sho, Genge!Welcome back to ASIAS, with your girl, Sis G.U!This episode is one that I am excited to bring forth to you, as the Genge. Today, I am joined by Ama Qamata!Ama Qamata is a celebrated South African actress, producer, and global ambassador best known for her breakout role as Puleng Khumalo in Netflix's critically acclaimed series Blood & Water, the longest-running Netflix series in Africa. Her versatility has also shone in productions such as Gomora, Our Girl (BBC), and Commandos: The Mission (NPO).On the big screen, Ama made her feature debut in Fight Like a Girl, which she also co-produced. Her powerful performance earned her the Rising Star Award at the Naples International Film Festival and a nomination for Best Actress at the African Movie Academy Awards.In 2025, Ama was named the Sub-Saharan Africa Ambassador for L'Oréal Paris, representing the brand's global message of confidence, beauty, and self-worth. A Forbes Africa 30 Under 30 honoree, she continues to champion youth empowerment and authenticity, using her platform to amplify African stories.

Michelle Yeoh has created a legendary body of work that defies easy categorisation. You'll know her from cult classic Kung Fu Cinema, Everything Everywhere, All At Once - the film that made her the first Asian woman to be given the Academy Award for Best Actress at the time. She was cast as a Bond girl in Tomorrow Never Dies, then starred in the global box office hit Crouching Tiger Hidden Dragon and the brilliantly chilling future mother-in-law in Crazy Rich Asians. This month sees her returning to the role in Wicked, as Madame Morrible. In person she is warm and engaging, with a fascinating story to tell. We talk about why mistakes help us grow, why she felt like a ‘failure' for not having children (something we have in common), stage fright - and how she almost quit after a life-threatening stunt injury. Plus: racism, typecasting and why her mother is the REAL diva. ✨ IN THIS EPISODE: 01:16 The Journey to Hollywood 02:36 The Role of Family 03:52 On Playing Iconic Roles 08:10 Facing Personal Challenges 24:20 Think Wider: Breaking Family Expectations 25:38 Pursuing Dreams: From Ballet to Acting 27:16 The Hong Kong Film Industry: Early Challenges 27:33 Breaking Stereotypes: Women in Action Films 34:25 Hollywood's Limitations: Typecasting and Minority Roles 37:30 Facing Racism: The Ongoing Struggle 39:22 Stunt Accident: A Turning Point 47:57 Resilience and Reflection: Lessons Learned

Leaving behind one iconic adaptation of a popular novel in 'The Exorcist' and picking up another with this introductory episode about 'One Flew Over The Cuckoo's Nest', Milos Forman and Bo Goldman's film based on Ken Kesey's counter-culture classic novel.  In this episode, I cover some of the film's journey from page to screen and from father to son(s). Casting, pre-production delays, and some context for the film in 1975. 'One Flew Over The Cuckoo's Nest' is one of only three films to ever win "The Big 5" Academy Awards: Best Actor, Best Actress, Best Picture, Best Director, and Best Screenplay.  Listen to the episode to find the surprising other two films. This episode can be consumed prior to a re-watch of the film, and the subsequent two episodes will each cover about half of the film after you watch the film armed with all the behind-the-scenes details from this one. Bo Goldman INTV

Oscar-Winning legend Martin Scorsese (Killers of the Flower Moon, Taxi Driver, The Departed) directs this epic tale about The Rise and Fall of the Mob in Las Vegas, based on true events.  It's the story of how mafia handicapper Sam "Ace" Rothstein (Robert DeNiro) took over the Tangiers casino on The Strip and helped bring it to unprecendented sucess, helped by mafia enforcer Nicky Santoro (Joe Pesci).  He falls in love with a local hustler named Ginger McKenna (Sharon Stone) and over time, their relationship deteriorates as does his handle on many crazy things being done by Nicky....and eventually the Mob no longer had power in Las Vegas.  Nominated for one Oscar (Sharon Stone, Best Actress), this was initially met with some disappointment upon release as many compared it to Scorsese's similarly themed classic mob epic Goodfellas from five years prior.  Over time, its reputation has grown thanks to several memorable scenes and performances - the stacked cast also includes James Woods, Don Rickles, Kevin Pollak, Alan King, and Frank Vincent.Host: Geoff GershonEdited By Ella GershonProducer: Marlene Gershon Send us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

In our latest tribute, Janet, John, (and Pen) celebrate the life and career of the actress, director, producer, and fashion icon whose began to rise to stardom during the New Hollywood movement... Diane Keaton! With a 60-year long career in Hollywood, this actress was always destined to one day be under the limelight, but after seeing her mother win Mrs. Los Angeles her resolve to become a part of the dramatics of performing at a young age only strengthened. She participated in singing and acting club during high school and continued to perform anywhere she could until she was cast as an understudy in the production of Hair (1968). From there she began to rise in the broadway eye, soon being nominated for a Tony as the Best Featured Actress in a Play for her role in Play it Again, Sam (1969). She truly couldn't be stopped as she moved from the stage to the screen with her debut film, Lovers and Other Strangers (1970). Soon after she was being cast in Francis Ford Coppola's The Godfather (1972) as Kay Adams-Corleone and Woody Allen's Annie Hall (1977), which combined together launched her into stardom and earned her the Oscar for Best Actress in a Leading Role. Some of her other fantastic films are Looking for Mr.Goodbar (1977), Reds (1981), Manhattan (1979) , The First Wives Club (1996), Finding Dory (2016), Book Club (2018), and many more.  To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!

Josh and Aaron Sarnecky have returned for another podcast. This month their talking Pride & Prejudice for its 20th anniversary.Pride & Prejudice is a period romance film directed by Joe Wright. Based on the beloved Jane Austen novel, it is an adaptation by Deborah Moggach. Emma Thompson provided additional dialogue uncredited. It opened in U.S. theaters on November 23, 2005.Set in late 18th century England, the film follows Elizabeth (Keira Knightley), one of five Bennet daughters who needs marrying. Elizabeth becomes acquainted with Mr. Darcy (Matthew Macfadyen), whom she loathes. While Jane Bennet (Rosamund Pike) cozies up to Mr. Bingley (Simon Woods), Mr. Collins (Tom Hollander) has his eye on Elizabeth.Other characters include Mr. and Mrs. Bennet (Donald Sutherland and Brenda Blethyn), their other daughters Mary, Lydia, and Kitty (Talulah Riley, Jena Malone, and Carey Mulligan), Darcy's benefactor Lady Catherine de Bourgh (Judi Dench), and the duplicitous Mr. Wickham (Rupert Friend).Pride & Prejudice garnered praise from critics and made $129 million on a $28 million budget. At the Oscars, the film was nominated for Best Actress for Knightley, Best Art Direction, Best Costume Design, and Best Original Score. Josh and Aaron discuss their histories with Pride & Prejudice before going into the plot, performances, and cinematography. They also talk about the film living in the shadow of the 1995 miniseries and the upcoming Netflix adaptation.You can listen to last month's Anniversary Brothers on Static Shock.Pride & Prejudice is streaming on HBO Max.

Jennifer Lawrence's breakthrough role in the 2010 drama Winter's Bone secured her first Academy Award nomination when she was just 20, and she won the Best Actress category two years later for Silver Linings Playbook. Since then, she has become one of the most prolific, critically acclaimed and highest paid actors in Hollywood as the star of The Hunger Games series and three X-Men movies. Other leading roles include American Hustle, Joy and, most recently, the psychological drama Die My Love.Jennifer talks to John Wilson about her childhood on her parents' farm in Kentucky. After being scouted by a modelling agency, she left school as a teenager and moved to New York to start working as a model and actor. She recalls how the film Taxi Driver, starring a young Jodie Foster, made a big impression on her as an aspiring actress and how Jodie Foster later became a role model when she directed Jennifer on the set of The Beaver. She also counts Gena Rowlands' performance in A Woman Under The Influence, written and directed by John Cassavetes, as an important inspiration, as well as working with directors David O Russell and Lynne Ramsay. Producer: Edwina PitmanArchive and film clips used:Uncle Buck, John Hughes, 1989 No Hard Feelings, Gene Stupnitsky, 2023 Taxi Driver, Martin Scorsese, 1976 Winter's Bone, Debra Granik, 2010 The Hunger Games, Gary Ross, 2012 American Hustle, David O Russell, 2013 Veep, Armando Iannucci, 2012 A Woman Under The Influence, John Cassavetes, 1974 Die My Love, Lynne Ramsay, 2025

I had the great pleasure of meeting Jennifer Estin when I signed at the terrific online classes for the Annoyance, Improv Fiend! https://improvfiend.com We chatted about her childhood and how her mother created games that inspired her to pursue acting. Jennifer Estlin has been involved in the entertainment business as an actress and producer since 1986. Following her graduation from Northwestern University's School of Speech in 1987, she traveled to Edinburgh Scotland with the production of André Gregory's Alice! directed by David Schwimmer. Afterward, she spent three months traveling all over Europe until deciding to settle for awhile in Paris, where she earned her living singing on the Parisian Metro for close to a year. ​ Upon returning to Chicago, Jennifer spent several years working in many of Chicago's theatres including The Annoyance, Northlight, and The Body Politic. She toured for two years with Second City's National Touring company and was a company member on a Second City resident stage prior to moving to New York in 1994. There, she continued her career by working in regional theatres around the country, Off-Broadway theatre, film, and television. She returned to Chicago in 2002 to become President, Executive Producer and owner of the Annoyance Theatre, and continues to work on film, television and stage. Jennifer has appeared as recurring characters Judge Cohen on Proven Innocent and Cathy Briscoe on NBC's Law and Order, and also in shows such as Chicago PD, Empire, Late Night with Conan O'Brien, Exit 57, and in several national and regional commercials. Her feature film credits include the soon to be released (Fall 2024) Everything Fun You Could Possibly Do in Aledo, Illinois (for which she received Best Actress award at the Star City Film Festlval), The Eyes, iMurders, Chicago Boricua, and Volcano, and the award winning short films A Million Miles Away,(Sundance) and The Cure (Slamdance). ​You can learn more about Jennifer at https://www.jenniferestlin.com ​

Anne Thompson and Ryan Lattanzio dig into the messy, metaphorical 'Die My Love,' from its magnetic star performance to its reception as it opens wide this weekend. They discuss if the challenging performance puts Jennifer Lawrence in the Best Actress top 5, then they rank the movies Netflix is putting forth for awards. Learn more about your ad choices. Visit megaphone.fm/adchoices

I had the opportunity to sit down with the Horror Legend, Alan Danziger and with the writer, producer, Ray Spivey!  We chat about their new film and the classic shot of all time, according to Quentin Tarantino and Oliver Stone.  Juicy details inside, tune in now and watch the film! How many remakes of a bad horror movie can you make?  The cast and crew of THE WEEDHACKER MASSACRE boldly film where gruesome murders occurred years ago, and the masked killer has returned. It's going to be their worst movie ever. THE WEEDHACKER MASSACRE stars David Treviño (Rent Free, Storage Locker), Molly Sakonchick (Storage Locker), Bobbie Grace (Fear the Walking Dead, Velocity Girl), Sean Reyna, Parrish Randall (Circus of the Dead, The Goldilocks), and featuring Allen Danziger (The Texas Chainsaw Massacre) as Sheriff Danzinshoos. The film was co-created by Allen Danziger and Ray Spivey, written and produced by Ray Spivey, executive produced by Allen Danziger, and directed by Jody Stelzig.  THE WEEDHACKER MASSACRE had its World Premiere at the Golden State Film Festival. The film has won many awards, including New York International Film Awards Best Comedy Winner-IndieFEST, Awards of Merit- Best Song, Best Actor; Awards of Recognition-Best Screenplay, Best Actress; Best Supporting Actress, Semi-Finalist Best Comedy Chicago Filmmaker Awards, Semi-Finalist Santa Barbara International Movie Awards, Semi-Finalist - Santa Monica International Filmmaker Awards. Buffalo 8 released the film on digital platforms on October 17, 2025. To view the trailer, go to: https://youtu.be/8Vgvmk24KVI Social Media Handles: https://www.facebook.com/weedhackermovie?mibextid=wwXIfr https://www.facebook.com/chainsawjerry https://www.instagram.com/weedhackermovie/?igsh=NTc4MTIwNjQ2YQ%3D%3D# https://www.instagram.com/chainsawjerry/# https://www.instagram.com/pokerfacerules/ https://x.com/weedhackerm https://www.tiktok.com/@whackermassacre?_t=ZT-8xdqfbm09Lq&_r=1 Stay connected with me:  https://www.instagram.com/SHESALLOVERTHEPLACEPODCAST https://www.chonacas.com/links/  

EPISODE 112 -  “CLASSIC CINEMA STAR OF THE MONTH: JACQUELINE WHITE” - 11/03/25 When we think of our beloved Classic film stars who are still with us, we tend to think of EVA MARIE SAINT, ANN BLYTH, KIM NOVAK, ROBERT WAGNOR, or DICK VAN DYKE, however, there is one star among us who will be turning 103 in November. The name JACQUELINE WHITE may not ring any bells today, but for a brief time in the 1940s, she was a beautiful, talented leading lady with much promise. In fact, when she was up for the lead role of the mother in the 1946 film The Yearling, she was told by the producers that she was too beautiful to portray the simple pioneer woman. The role went to JANE WYMAN, who probably would have been none-too-pleased to know that, apparently, she was just fine playing such a plain and simple woman! But as a consolation prize, Wyman was nominated for an Academy Award as Best Actress. Join us as we pay tribute to Jacqueline White and her contribution to classic cinema.  SHOW NOTES:  Sources: Jacqueline White Official Biography, 1946, RKO Studios; “Jacqueline White May Be The New Irene Dunne, December 1, 1946, Los Angeles Times; “Jacqueline White to Wed,” September 20, 1948, by Louella Parsons, Los Angeles Examiner; “Snappy Shots,” October 24, 1948, by Dorothy Manners, Los Angeles Examiner; “An Interview With…Jacqueline White,” by Mike Fitzgerald, Western Clippings; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: Dr. Gillespie's New Assistant  (1942), starring Lionel Barrymore, Van Johnson, & Susan Peters; Reunion in France (1942), starring Joan Crawford & John Wayne; Air Raid Wardens (1943), starring Stan Laurel, Oliver Hardy, & Jacqueline White; Three Hearts for Julia (1943), starring Ann Sothern & Melvyn Douglas; Pilot #5 (1943), starring Franchot Tone, Marsha Hunt, & Gene Kelly; Swing Shift Maisie (1943), starring Ann Sothern & James Craig; A Guy Named Joe (1943), starring Spencer Tracy, Irene Dunne, & Van Johnson; Song of Russia (1944), starring Robert Taylor & Susan Peters; Thirty Seconds Over Tokyo (1944), starring Spencer Tracy, Van Johnson, & Robert Walker; The Harvey Girls (1946), starring Judy Garland, John Hodiak, & Angela Lansbury; The Show Off (1946), starring Red Skelton, Marilyn Maxwell, & Marjorie Main; Banjo (1947), starring Sharron Moffat & Jacqueline White; Seven Keys To Baldpate (1947), starring Phillip Terry & Jacqueline White; Crossfire (1947), starring Robert Young, Robert Mitchum, Robert Ryan, & Gloria Grahame; Night Song (1947); starring Dana Andrews & Merle Oberon; Return of the Bad Men (1948), starring Randolph Scott, Robert Ryan, Anne Jeffries, & Jacqueline White; Mystery In Mexico (1948), starring William Lundigan & Jacqueline White; Riders on The Range (1950), starring Tim Holt & Jacqueline White; The Capture (1950), starring Lew Ayres & Teresa Wright The Narrow Margin (1952), starring Charles MacGRaw, Marie Windsor & Jacqueline White; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

November is finally the time to get to this year's Best Picture Oscar winner and here in episode #695, the talk/rant is indeed about "Ani". Somehow, auteur Sean Baker tied Walt Disney's record by winning 4 Oscars in one night while foul-mouthed fireplug Mikey Madison won Best Actress as well. She and Yura Borisov are two of a half-dozen people giving strong performances in Anora, the Russian-centric dramedy that gets funnier in what is also a repetitive, way-too-long second half. You'll probably find this monologue to be controversial, but answer this: what is this movie about? Is it just a crass Pretty Woman? Well, in any case, don't get married to the stupid idiot son of an oligarch. Just keep on strippin' for a livin' and swearing when you're really mad because feathers will be ruffled in this show that's all about Anora. If there's been an episode in recent memory that should elicit more feedback than this one, name it. Try an email (haveyoueverseenpodcast@gmail.com). On the media that is social, I'm @moviefiend51 on Twi-X and ryan-ellis on Bluesky. Subscribe to Have You Ever Seen in your app. Rate the show and do a little write-up as well. This will likely bulk up in the coming months, but I occasionally write up things on Letterboxd too. Look for "RyanHYES".

Listen to this PREVIEW of the 27th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Andrew Carden about two performances from movies we love to watch in the fall season that didn't earn Oscar nominations: Mia Farrow ("Hannah and Her Sisters") and Meryl Streep ("Death Becomes Her"). We discuss their performances, talk about why they came up short, and reveal whether we would have nominated them.    You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "Hannah and Her Sisters" - Orion Pictures

Watch the video version of this podcast here on YouTube: https://www.youtube.com/watch?v=9OyRBa9lcUk Our two new books... STORY QUESTIONS is currently 10% off! - https://payhip.com/b/ZTvq9 and 17 Steps To Writing A Great Main Character - https://payhip.com/b/kCZGd 0:00 - Story Of A Real Life Puppeteer 9:41 - 7 Lessons Learned From Making A 17 Million View Video 20:47 - How A Short Viral Video Became A Full Length Documentary 36:03 - The Best Movies Are The Ones You Make From The Heart 48:54 - 3 Questions Every Character Must Answer For Every Scene 1:02:09 - Number One Tip For Directing Actors 1:10:42 - If You Submit To 100 Film Festivals... What Can You Expect? Paola Baldion is an award-winning actress, director, and producer of Colombian and European heritage. Born in Paris and raised in Italy and Colombia, Paola is a multilingual Latina artist fluent in Spanish, English, Italian, and French. She began performing at age four in her parents' marionette theater and later trained under renowned masters Edgardo Román and Paco Barrero in Bogotá, followed by HB Studios in New York and Stephanie Feury Studio in Los Angeles. She holds a BFA in Theater and Film Studies from Concordia University in Montreal. Paola made her feature film debut in the lead role of Marina in Retratos en un Mar de Mentiras (Portraits in a Sea of Lies), which premiered at the Berlin and Guadalajara film festivals. Her performance earned her the Colombian Academy Award for Best Actress, along with Best Actress honors at the Guadalajara and Amiens International Film Festivals. As co-founder of Dos Almas Films, she has directed impactful short films and documentaries, including For Alma and I Am Migration-a documentary where she and partner Jamie Toll travel across the U.S., offering free DNA tests to explore ancestry and identity. Her latest fiction film, Abrazo, tells the emotional story of a pregnant Central American woman crossing the U.S. border. The film has received 29 festival awards, including Best Film, Best Director, Best Writer, and Best Actress. Through her body of work, Paola continues to champion stories about identity, migration, and social justice-bringing visibility to underrepresented voices in both dramatic and comedic roles. WATCH 'I AM MIGRATION' https://www.facebook.com/iammigration/videos/611347859214872 WATCH 'ABRAZO' - NEW SHORT FILM BY PAOLA • ABRAZO - World Premiere (Official Film) CONNECT WITH PAOLA BALDION https://www.paolabaldion.com https://www.imdb.com/name/nm3672989 https://www.instagram.com/paolabaldion

It's Lobster's birthday, and what better way to acknowledge the toll aging takes on our bodies than to watch a movie about what goes wrong when we try to cheat the clock. From writer-director Coralie Fargeat comes the tale of Elizabeth Sparkle, a former sex symbol and acclaimed actress turned daytime tv aerobics instructor. When a mysterious treatment offers to restore her youthful appearance, the realization that beauty is only skin deep is only the first of many horrors that await. Starring Demi Moore and Margaret Qualley in dual roles, this 2024 release burst onto the scene at Cannes, where it was nominated for the Palme d'Or and Fargeat won Best Screenplay. After a wide release, which saw the film bring in $80 million through word-of-mouth social media marketing, it earned five Oscar noms, including Best Picture, Best Director, and Best Actress for Moore, taking home the statue for Best Makeup & Hairstyling. But appearance isn't everything, so let's take a long hard look in the mirror and decide if we like what we see. Is The Substance all style, and no substance? Or is it the stuff that dreams are made of? And for Legends of Halloween, that means it's also the stuff of nightmares!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com).. Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

The penultimate horror film in Have You Ever Seen's 10th Annual Scary Movie Month was a blockbuster and an Oscar-winner. And that's unusual for the relentless and unsubtle director Darren Aronofsky. He isn't often rewarded so much for the chances he takes. This 693rd episode talks about how the intense Black Swan is women-centric, even as the women in it go through hell. Natalie Portman won Best Actress for playing a lonely ballet dancer who was deluded even before the movie started. Then after she gets the lead role in Swan Lake, she shows us levels of masochism, obsession and deep mental illness. Real versus imagined. Mila Kunis, Barbara Hershey and Vincent Cassell hit some home runs too, with Hersey eating it up as Portman's possessive and abusive mother. So put on your feathers and get ready for an episode all about the sordid and dangerous world of ballet. Well, Actually: Mother! wasn't a complete failure at the box office and Noah didn't do THAT badly worldwide. Be a sweet girl (or a sweet boy) and write a review of this or any other HYES episode. Rate it too (5 stars!). And subscribe to the show. The email address is "haveyoueverseenpodcast@gmail.com". The socials are “@moviefiend51” on the T and “ryan-ellis” on the B. If you spend time on Letterboxd, look for me as "RyanHYES". I tend to focus on modern movies (contrasting the M-O of this podcast) and will probably do a lot more reviewing there in mid-November and beyond.

This Friends Like Us, join your host Marina Franklin, Shang Forbes, and Hollie Harper. They weave humor into today's most pressing topics - Like, is Marjorie Taylor Green not so Maga anymore? Tune in now for laughs and insights. SHANG, a transplanted New Yorker whose carefully nurtured evolution from stand-up comedy to socio-political satire gives heavy flight to the spoken and outspoken word. SHANG has been seen on CBS'S The Late Late Show 2X BET's Comic View Grand Stand Winner HBO 's Def Jam & Def Poetry, Gotham LIVE, STARZ 1st Amendment, Si TV, Mun2 Comics Unleashed, Comedy Central's Jamie Foxx Laffapaloolza ,Premium Blend &  Gotham Comedy LIVE. Shang Also Has Guest Starred On NBC'S “Heroes”, CBS'S “CSI” & NCIS & Shang recently Co-starred for Honda their Commercial Campaign & the Movie “Devine Intervention” & “Trunked!” Check out his Amazon Prime comedy special, 'SHANG is SHANGRY! LIVE IN NEW YORK'. It's the comedian That if you don't know, Now you know. Shang is not angry he's SHANGRY. Hollie Harper is a comedy nerd from South Jersey. She is currently the creator and co-exec producer of Hella Late! with Hollie Harper on BRIC TV and a co-host of the nationally trending Twitter Storytelling Chat “BlerdDating.” Hella Late! with Hollie Harper was recently in the 2021 NYC Web Fest where she was nominated as Best Actress. Hollie was a semi-finalist in the 2019 NBC Standup Competition and has been featured on NY1, and in Black Enterprise Magazine, Thrive Global, Confessional Magazine and Black San Diego Magazine. Her popular sketch comedy show AMERICAN CANDY has played the Comic Strip, Gotham Comedy Club, BAM Café as well as the Chicago Sketch Comedy Festival. Time Out Chicago named them one of the five groups to watch. Hollie is a regular host for West Side Comedy Club in NYC and works with Gold Comedy and Stand Up Girls, two programs that empower young women by teaching them standup comedy. She was recently the talent coordinator and casting for “Blood Lassi” on Spotify, written by Pratima Mani, and moderated the panel for the Emmy Award winning, WOC editing team of Black Lady Sketch Show for The Black TV and Film Collective. She is also the Creative Consultant for the very successful Black Women in Comedy Laff Fest. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf. Writer for HBO's 'Divorce' and the new Tracy Morgan show on Paramount Plus: 'Crutch    

Actor/Director Helen Hunt & Actor singer/songwriter psych/mythology PHD phd Helen Slater discuss a deep friendship and love, growing up in art, the beginning of their friendship on a trip to russia, Winnie The Pooh,, growing beyond your first dream, parenting, parenting artists, Helen H. introducing Helen S. to her husband, improv, acting styles, baseball, French Fries, & clown school.Bio: Helen Hunt has enjoyed a distinguished career not only as an award-winning actor, but as an accomplished writer, director, and producer. As an actress, her extensive and diverse body of work includes roles in film, theater, and television.      Hunt enjoyed a residency at The Old Vic Theatre in EUREKA DAY, a story about parents on the Executive Committee of a progressive private school in Berkeley, California. While taking pride in their ability to accept everyone, a public health scare erupts, testing their tolerance and revealing their true colors. Written by Jonathan Spector and directed by Katy Rudd. It was the European premiere of a multi award-winning story. Hunt performed alongside Kirsten Foster, Mark McKinney, Ben Schnetzer and Susan Kelechi Watson. In television, Hunt can most recently be seen as Winnie Landell in HACKS, created by Paul W. Downs, Lucia Aniello, and Jen Statsky. She can also be seen as Rainey in Daveed Diggs and Rafael Casal's BLINDSPOTTING, a show based on the film with the same title. In 2022 it was nominated for a Film Independent Spirit Award for Best New Scripted Series. The second season was released in April 2023. Hunt returned to the stage this February in Susan V. Booth's major revival of Pinter's famed masterwork BETRAYAL at Chicago's Goodman Theatre. The Oscar, Emmy, and Golden Globe Award winner currently stars in the play alongside Tony nominee and Outer Critics Circle Award winner Ian Barford, respectively playing Emma and Robert. In 2019, Hunt revived her role as Jamie Buchman for another season of the hit show MAD ABOUT YOU opposite Paul Reiser. The show returned as a limited series on Spectrum Originals with all episodes available on demand.    In 2012 Hunt's performance in THE SESSIONS earned her an Independent Spirit Award for Best Supporting Female and notations in the same category by the Academy Awards, Golden Globe Awards, SAG Awards, Broadcast Film Critics' Awards and the BAFTA Awards.  The film premiered in competition at the 2012 Sundance Film Festival and took home the Audience Award as well as the jury prize for Best Ensemble.  Other film credits include: Netflix's Comedy CANDY JAR, RIDE (which Hunt also co-wrote, produced, and directed), DECODING ANNIE PARKER, SOUL SURFER, EVERY DAY, BOBBY, THEN SHE FOUND ME (which Hunt again also co-wrote, produced, and directed), AS GOOD AS IT GETS, WHAT WOMEN WANT, CASTAWAY, A GOOD WOMAN, Woody Allen's THE CURSE OF THE JADE SCORPION, Robert Altman's DR. T AND THE WOMEN, PAY IT FORWARD, and TWISTER. Hunt can last be seen in HOW IT ENDS, Michael Cristopher's THE NIGHT CLERK and Adam Randall's thriller I SEE YOU. Early career film credits are: THE WATERDANCE, KISS OF DEATH, MR. SATURDAY NIGHT, PEGGY SUE GOT MARRIED, NEXT OF KIN, GIRLS JUST WANNA HAVE FUN, PROJECT X. and MILES FROM HOME.     Additional television credits include “MAD ABOUT YOU” and the critically acclaimed HBO Miniseries EMPIRE FALLS. For her role as Jamie Buchman in MAD ABOUT YOU, Hunt garnered four Emmy Awards, four Golden Globe Awards (three as lead actress and one as Producer for Best Comedy), and a Screen Actors Guild Award.  She was also named “Best Actress” for her role in the film AS GOOD AS IT GETS for which Hunt won a Golden Globe Award, a Screen Actors Guild Award, and an Oscar.     Helen Slater is an American actress and singer-songwriter. In 1982 she was cast in the title role of the film Supergirl (1984) opposite Peter O'Toole and Faye Dunaway. Other credits include The Legend of Billie Jean (1985), Ruthless People (1986), The Secret of My Success (1987), City Slickers (1991), Sticky Fingers (1988), Lassie (1994), No Way Back (1995), The Steal (1995), Seeing Other People (2004) and most recently, Confetti (2021). Slater starred in the Fox original movie 12:01 (1993), Hallmark Hall of Fame's Best Friends for Life (1998), Toothless (1997) and Lifetime's The Good Mother (2013). She was also a part of the all-star ensemble cast of Showtimes guided improvisational films Chantilly Lace (1993), Parallel Lives (1994) and most recently completed filming the sequel Chantilly Bridge (2021). In series television, Helen starred in ABC's The Lying Game (2011-2013), Gigantic (2010-2011) and the CW series Supergirl (2015-2022). As a guest star, she has appeared on such series as Seinfeld, Caroline in the City, HBO's Dream On, CBS' Michael Hayes, Will and Grace, Grey's Anatomy, Private Practice, Supernatural, Smallville and the series finale episode of Madmen. Slater appeared in the off-Broadway plays Almost Romance (1987), Responsible Parties (1988), and starred in the Pasadena Playhouse's world premiere production of The Big Day (1990). She is a co-founder of the theatre group The Naked Angels and one of the founding members of the Los Angeles improvisational group, The Bubalaires, and SHPLOTZ!   She is also a member of Turbine Arts Collective  (https://www.turbine-arts.org/), a non-profit arts organization dedicated to the exploration of creativity.

On October 11, 2025, Diane Keaton — the Oscar-winning actress, director, author, and one of the most singular voices in American cinema — passed away at the age of 79. Over a career spanning more than five decades, Keaton evolved from quirky ingénue to one of Hollywood's most admired and enduring figures. She first drew notice in The Godfather, but it was her performance in Annie Hall — the role that won her the Academy Award for Best Actress — that cemented her status as a cultural icon. Known for her distinctive style, quick wit, and emotional authenticity, Keaton redefined what it meant to be a leading woman in Hollywood — and in life — inspiring generations of artists and audiences alike Hosts: Derek Kaufman & Jason Beckerman Learn more about your ad choices. Visit podcastchoices.com/adchoices

Best Pick with John Dorney, Jessica Regan and Tom Salinsky Episode 18: Annie Hall (1977) recorded live at the London Podcast Festival. Released 26 September 2018. Rereleased 12 October 2025. For this episode – which we are re-running in honour of Diane Keaton – we watched Annie Hall, written by Woody Allen and Marshall Brickman and directed by Allen, who also starred alongside Diane Keaton, Tony Roberts, Carol Kane and Paul Simon. The film won four Academy Awards including Best Actress for Diane Keaton and Best Screenplay for Allen and Brickman. Star Wars Despecialized https://www.youtube.com/watch?v=mGrXO2RDzLg&vl=en Kathy Griffin's Woody Allen story https://www.youtube.com/watch?v=6i62GcGDgI4 Thanks to Zoe, Sally and everyone at the London Podcast Festival for making this happen. Tom's new podcast ALL BRITISH COMEDY EXPLAINED is now available here in audio: https://podfollow.com/all-british-comedy-explained and here in video: https://www.youtube.com/@AllBritishComedyExplained BEST PICK the book is available now from all the usual places, and the paperback is out now. From the publisher https://tinyurl.com/best-pick-book-rowman UK Amazon https://amzn.to/3zFNATI US Amazon https://www.amzn.com/1538163101 UK bookstore https://www.waterstones.com/book/9781538163108 US bookstore https://www.barnesandnoble.com/w/best-pick-john-dorney/1139956434 Audio book https://www.audible.co.uk/pd/Best-Pick-Audiobook/B09SBMX1V4 To send in your questions, comments, thoughts and ideas, you can join our Facebook group, email us on bestpickpod@gmail.com, or find us on Bluesky. You can also visit our website at https://bestpickpod.com and sign up to our mailing list to get notified as soon as a new episode is released. Just follow this link: http://eepurl.com/dbHO3n. If you enjoy this podcast and you'd like to help us to continue to make it, you can now support us on Patreon for as little as £2.50 per month.

pWotD Episode 3084: Diane Keaton Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 3,456,836 views on Saturday, 11 October 2025 our article of the day is Diane Keaton.Diane Keaton (née Hall; January 5, 1946 – October 11, 2025) was an American actress. She received various accolades throughout her career spanning over five decades, including an Academy Award, a BAFTA Award, and two Golden Globe Awards, in addition to nominations for two Emmy Awards, and a Tony Award. She was honored with the Film Society of Lincoln Center Gala Tribute in 2007 and an AFI Life Achievement Award in 2017.Keaton's career began on stage when she appeared in the original 1968 Broadway production of the musical Hair. The next year she was nominated for a Tony Award for Best Featured Actress in a Play for her performance in Woody Allen's comic play Play It Again, Sam. She then made her screen debut in a small role in Lovers and Other Strangers (1970), before rising to prominence with her first major film role as Kay Adams-Corleone in Francis Ford Coppola's The Godfather (1972), a role she reprised in its sequels Part II (1974) and Part III (1990). She frequently collaborated with Woody Allen, beginning with the film adaptation of Play It Again, Sam (1972). Her next two films with him, Sleeper (1973) and Love and Death (1975), established her as a comic actress, while her fourth, Annie Hall (1977), won her the Academy Award for Best Actress.Keaton was further Oscar-nominated for her roles as activist Louise Bryant in Reds (1981), a leukemia patient in Marvin's Room (1996), and a dramatist in Something's Gotta Give (2003). She was known for her roles in dramatic films such as Looking for Mr. Goodbar (1977), Interiors (1978), and Crimes of the Heart (1986), as well as comedic roles in Manhattan (1979), Baby Boom (1987), Father of the Bride (1991), its 1995 sequel, Manhattan Murder Mystery (1993), The First Wives Club (1996), The Family Stone (2005), Finding Dory (2016), and Book Club (2018).This recording reflects the Wikipedia text as of 02:36 UTC on Sunday, 12 October 2025.For the full current version of the article, see Diane Keaton on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Salli.

She's back! Marcia Kimpton returns to the show to talk about her newly released film, An American Abroad, which she wrote, produced, directed, and starred in. The indie rom-com combines her love of travel with her art of storytelling and takes the audience on an epic adventure through Amsterdam, Turkey, Greece, South Africa, France, and Portugal — going onsafari, swimming with great white sharks, and navigating the treacherous yet hilarious waters of modern dating life.Marcia is a true creative force of nature with a flair for fashion and a love of fine wine. She's an award-winning filmmaker who has received more than 40 awards at festivals worldwide and recently won Best Actress for her leading role in the film at the Croatian International Film Festival. The daughter ofthe late Bill Kimpton, founder of the prestigious Kimpton Hotels & Restaurants, she has traveled to over 50 countries and is known as one of the most trusted voices in adventure. More of her film and travel content can be found on her YouTube channel, Kimpton's World Travel, Comedy, and Film Channel.On this episode, go behind the scenes of the making of the movie, learn tips on how to follow your filmmaking dreams and produce indie films on a budget, and take an adventure ride through Marcia's travels!“The world has so many good people… We are united in art.” –Marcia Kimpton

Timothée Chalamet's 'Marty Supreme' has a surprise world premiere this week at the New York Film Festival — is the reaction what he needed to boost his lead in the Best Actor race? Awardist host Gerrad Hall, EW Sr. Writer Joey Nolfi, and Sr. Editor Joyce Eng breakdown early chatter about his performance and what it'll mean for his chances. Plus, thoughts on 'One Battle After Another' star Chase Infiniti leaping into the Best Actress category, and we dive into the Golden Globes' short list for Best Podcast, which includes some controversial political voices. And Gerrad chats with 'The Lost Bus' star America Ferrera about the harrowing true story, about the bus driver and teacher who were trapped with 22 students during California's devastating 2018 Camp Fire. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Movie of the Year: 1999The Grand Finale (Finale)The End of the 1999 RoadThe moment has arrived. After months of debates, shocking eliminations, and unforgettable arguments, the 1999 Movie of the Year Finale comes to its climactic conclusion. The Taste Buds—Mike, Ryan, and Greg—step into the ring one last time to decide which film will take home the crown as the ultimate 1999 Movie of the Year. Two iconic movies remain. Only one will survive.The Final Showdown: The Best of 1999The bracket began with dozens of contenders, but it is now down to two giants. The Taste Buds give every moment the dramatic weight it deserves, breaking down performances, set pieces, and cultural impact. Expect arguments that land like body slams, counterpoints that hit like steel chairs, and a final decision that could shock listeners everywhere. The question remains: Which 1999 film will become the undisputed champion?The Ultimate 1999 AwardsBefore the crown is placed, the Taste Buds hand out the most outrageous and most coveted awards of the season. These categories highlight the wild, unforgettable moments that made 1999 a year like no other:Best SexBest ViolenceBest Musical MomentBest ActorBest ActressEach award sparks passionate debate, hilarious takes, and surprising winners, ensuring the finale delivers both celebration and chaos.FAQ About the 1999 Finale PodcastWhat is the 1999 Movie of the Year?The Taste Buds crown the single film that defines 1999 as the greatest movie year of all time.Which awards are given in the finale?The finale features awards for Best Actor, Best Actress, Best Sex Scene, Best Violence, and Best Musical Moment.Who are the Taste Buds?Mike, Ryan, and Greg—hosts of the Movie of the Year Podcast, where movies battle for cultural immortality.A Crown Worth Fighting For1999 gave us masterpieces, cult classics, and blockbusters that defined a generation. But only one film can be crowned 1999 Movie of the Year. Will it be the movie with the strongest performances? The wildest twist? The boldest direction? The Taste Buds decide, and the final verdict is in.Listen now to Part Three of the finale. Subscribe to Movie of the Year, share the episode with fellow movie lovers, and email us your reactions at popfilterco@gmail.com. Did the Taste Buds get it right, or did your pick for Best 1999 Movie get robbed? Let the debate continue.

Listen to this PREVIEW of the 26th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Chris Feil about two performances recognized at the Razzies that didn't deserve to be: Shelley Duvall ("The Shining") and Elizabeth Berkley ("Showgirls"). We discuss their performances, talk about why they came up short, and reveal whether we would have nominated them.    You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "The Shining" - Warner Bros.

Director Steven Bernstein DGA, ASC, WGA wrote and directed the award-winning feature film "Decoding Annie Parker" (U.S. theatrical release Summer 2014) which won Best Actress for Samantha Morton at The Seattle International Film Festival and also won Bernstein The Alfred P. Sloan Foundation Feature Film Award at The Hamptons International Film Festival. Bernstein was also nominated for best screenwriter and best director at the Milan Film Festival. Bernstein was a 2013 nominee for The ASC Award for outstanding achievement in Cinematography for his work on Magic City.steven bernstein website

Send us a textSPECIAL NOTE: SEASON 15 OF THE GOOD, THE POD AND THE UGLY CELEBRATES THE USE OF THE PRACTICAL AND DIGITAL EFFECT KNOWN AS THE SQUIB. IRL GUN VIOLENCE IS INTOLERABLE AND RENOUNCED BUT... CINEMATIC VIOLENCE WILL BE CELEBRATED IN A WAY THAT MAY DISTURB SOME LISTENERS.  This week TGTPTU covers the film Elephant, no not the 2000s school-shooter mood piece by Gus Van Sant filmed in Portland, OR and covered previously and paired with Scarface (1983, not the earlier, black-and-white 1932 Howard Hawkes version) in Episode 8 of this Squib Season (it's Season 15 after all, not Season 14's Redux where the hosts covered films already covered) but, rather, the 39-minute, made-for-British-TV short film directed by Alan Clarke also entitled ELEPHANT (1989).  Chosen by host Thomas for its un-celebratory violence, the film tracks with Clarke's influential, wide-angle following shots (camera, not bullet) people who shoot other people (with bullets, not cameras) in mostly silent milieus but for environmental sounds, mostly very bloody. (As mentioned by cohost Ken, and for more on this camera placement and its effects and influence on Van Sant, see this video essay on the Film & Media Studies' YouTubeTM channel: https://youtu.be/Z5B8_IDhJQo.) Produced and defended by Danny Boyle, Elephant's unspoken (again, mostly silent with dialogue barely heard in just one scene between four blokes kicking around the football toward the middle of the flick) subject is The Troubles in the UK. In what is either bravery or foolery (callers into the network after this movie aired were split), working class and Brit-born Clarke--by then a celebrated veteran of the medium of the British TV issues film--stripped the original screenplay of dialogue when making the film in order to focus on the act of gun murder as was then currently occurring. With one un-notable exception, each of the eighteen scenes of gun violence has the shooter followed into the setting where the homicide is to occur, shoot his victim, leave followed by the camera/audience, and then cut back to silent moments of each murdered man filling the frame with his recently un-lifed corpse.  Elephant would be Clarke's penultimate work, with The Firm (no, not the adaption of the John Grisham novel that gave Holly Hunter the nom for Best Supporting Actress the same year she won Best Actress for The Piano as The Firm you're thinking of is by Sydney Pollack) also shot for British television and aired in 1989 as his final. Clarke would cross the pond to see if he could sell out in America (according to Ken) and die in 1990 at the age of 54.  The film resoundingly fails the Bechdel test.  Host Ryan calls Clarke a coward.  THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @goodpodugly.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gLetterboxd (follow us!):Podcast: goodpoduglyKen: Ken KoralRyan: Ryan Tobias

Absolutely blessed to have Stacey Jewel on the show today.Her production, 7 Layers Captive, will be in Anchorage on Sunday, October 5th at 5pm in the Discovery Theatre of the Alaska Center for the Performing Arts. Here's the story...I hope you can tune in."Written and performed by award-winning artist Stacy Jewell, 7 Layers Captive is a globally acclaimed, one-woman theatrical experience based on her real-life abduction into sex trafficking. Mesmerizing and unexpectedly entertaining, this award-winning play delivers poetic truth and unforgettable storytelling that has earned standing ovations around the world. With original sound design and fierce monologues, Stacy commands the stage with humor, power, and grace—leaving audiences moved, inspired, and uplifted.Named a Top Scene Stealer by DC Theater Arts—placing second only to The Lion King's “Hakuna Matata” at the Kennedy Center—7 Layers Captive proves that even the heaviest truths can be told with artistry, charisma, and healing joy. Winner of Best Actress, Best Stage Play (2015), and DC Theater Arts' Scene Stealers Award, this play is not a story of pity—it's an unflinching celebration of survival, resilience, and redemption."Support the show

Show notes provided by Joe PelusoAdaptations from one medium to another can be hit or miss. Some land, and some don't. Ken Kesey's novel "One Flew Over The Cuckoo's Nest" was not only a masterpiece of fiction, but when adapted to the big screen, garnered nine academy awards (Including, but not limited to, Best Picture, Best Director. Best Actor, Best Actress, and--no surprise--Best Adapted Screenplay). In our corner of the pop cultureuniverse, we fans have had many live action and animated features adapted from our favorite comics and stories for decades. But can an adaptation of Earth's Greatest Protector work in an animated film where he shows a side of himself rarely seen?    Join your host, Keith, Joe, and returning guest Dylan (whosuggested this topic) as the guys critique  Action Comics #775 "What's So Funny About Truth, Justice, And The American Way" and the animated film it spawned "Superman VS.The Elite".    The twin works by creatives Joe Kelly, Doug Mahnke, Lee Bermejo (the comic book), and Michael Chang (the film's director) are deeply dissected by the boys as they work their way through all the action, drama, story and animation style that made both these offerings stand out. But beyond all the bright colors and animated mayhem, there are nuanced themes of duty, violence, fallen friendships, and loss thatare all brought to bear resulting in introspection and an examination of the human condition. The hallmark of any good work of fiction.     If you have never read the comic or seen the animated film, we think that after an hour of thoughtful discussion, you might give them both a look. Hidden gems are rare, but when discovered they sure as heck land!

Welcome to It's A Wonderful Podcast!We're celebrating one of Old Hollywood's most respected, decorated, and beloved actresses all September long as Morgan and Jeannine are looking at a variety of movies starring the great OLIVIA DE HAVILLAND!The series gets off to a wonderful start with de Havilland's second Best Actress winning performance in the subtle, thoughtful, and powerful romantic melodrama, THE HEIRESS (1949) also starring Monty Clift, Ralph Richardson & Miriam Hopkins!Our YouTube Channel for Monday Madness on video, Morgan Hasn't Seen TV, Retro Trailer Reactions & More⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

This Friends Like Us, host Marina Franklin talks with Hollie Harper and Chanel Ali about Chanel's new solo show 'Relative Stranger'! They dive deep into her story of triumph over adversity. Tune into today's podcast to hear her inspiring journey and get your tickets to see the show! You know Chanel Ali from Netflix's Dash and Lily or her time on MTV's Girl Code. Originally from Philly, her storyteller-like style and commanding stage presence allowed her to conquer the NYC comedy scene as a crowd favorite. She boasts two Comedy Central specials, an album, and the fact that she drinks way more than you. Her new Solo show, Relative Stranger is playing at the Soho House from Sept. 17th - 28th. Hollie Harper is a comedy nerd from South Jersey. She is currently the creator and co-exec producer of Hella Late! with Hollie Harper on BRIC TV and a co-host of the nationally trending Twitter Storytelling Chat “BlerdDating.” Hella Late! with Hollie Harper was recently in the 2021 NYC Web Fest where she was nominated as Best Actress. Hollie was a semi-finalist in the 2019 NBC Standup Competition and has been featured on NY1, and in Black Enterprise Magazine, Thrive Global, Confessional Magazine and Black San Diego Magazine. Her popular sketch comedy show AMERICAN CANDY has played the Comic Strip, Gotham Comedy Club, BAM Café as well as the Chicago Sketch Comedy Festival. Time Out Chicago named them one of the five groups to watch. Hollie is a regular host for West Side Comedy Club in NYC and works with Gold Comedy and Stand Up Girls, two programs that empower young women by teaching them standup comedy. She was recently the talent coordinator and casting for “Blood Lassi” on Spotify, written by Pratima Mani, and moderated the panel for the Emmy Award winning, WOC editing team of Black Lady Sketch Show for The Black TV and Film Collective. She is also the Creative Consultant for the very successful Black Women in Comedy Laff Fest. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf. Writer for HBO's 'Divorce' and the new Tracy Morgan show on Paramount Plus: 'Crutch'.

Marisha recently starred as Sally Bowles in Cabaret on Broadway and in London. Also on the west end she starred as Miss Adelaide in the smash-hit revival of Guys and Dolls, earning an Olivier Award nomination for Best Actress in a Musical. She also received critical acclaim and an Oliver nomination for her performance as Ado Annie in the groundbreaking production of Oklahoma! At the Young Vic. Her extensive stage credits include performing for His Majesty the King, starring as Motormouth Maybelle in Hairspray at the London Coliseum, originating the role of Becky in the West End production of Waitress at the Adelphi Theatre, and making her West End debut as Effie White in Dreamgirls at the Savoy Theatre. Her albums include Soul Holiday, Tomorrow and Live in London. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Erik Childress and Peter Sobczynski look ahead in the world of physical media and reveal what you can add to your library this week and next. For those who have seen Spike Lee's remake, Highest 2 Lowest, Crtierion offers up the Kurosawa original in OK. You may have been issued it when you first bought your DVD player but now you can get the TV sci-fi adaptation with a unique stake in box office history. Universal has upgraded a pair of Best Actress-winning biopics and Warner upgrades a horror original in time for its final sequel. Oliver Stone has James Woods in one of his very best performances. Dwayne Johnson gets 4K'd in one of his few good movies. There are a pair of detective stories including the unfairly maligned sequel to Chinatown. Plus Walter Hill's prison boxing film is also worth another look4:20 - Criterion (High and Low (4K), Compensation)17:13 - Arrow (Lost in Space (1998) (4K))28:21 - Universal (Coal Miner's Daughter (4K), Erin Brockovich (4K))45:09 - Shout Factory (Salvador (4K))55:14 - Warner (The Conjuring (4K))1:01:50 - Kino (Huckleberry Finn (1931), Father Brown Detective, The Two Jakes (4K), The Lords of Discipline (4K), Smoke/Blue in the Face, The Rundown (4K), Undisputed (4K))1:56:21 - New Theatrical & TV Titles On Blu-ray (Ballerina: From the World of John Wick (4K), Jurassic World: Rebirth (4K), Elio (4K), Materialists, Ice Road: Vengeance, The Surfer, Clown in a Cornfield (4K), The Ritual, Bride Hard, Little House on the Prairie: The Complete Series (1974-1983))2:02:51 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

As Summer comes to a close, we're celebrating some of the most widely acclaimed voices who shaped this past year, from film to theater, to cooking and the written word. First, one of the year's defining writers, Pullitzer Prize-winning Palestinian poet Mosab Abu Toha speaks to Christiane about his award-winning poems and the dire conditions his family members continue to face in Gaza since he managed to escape. Then breakout star and Oscar winner Mikey Madison talks about playing a Brooklyn sex worker in "Anora" and how she prepared for the role which won her Best Actress at the Oscars. Also, three-time James Beard nominee for Best Chef, Iranian-born Nasim Alikhani discusses her contemporary spin on Iranian cuisine, her journey to the U.S. and what it was like cooking for the Biden White House. Plus, actors Jessica Hecht and Bill Irwin, stars of "Eureka Day," talk to Christiane about the Broadway play that satirizes vaccine skepticism and took home the Tony Award for Best Revival of a Play.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Listen to this PREVIEW of the 25th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Mattie Lucas about two Best Actress Oscar winners who were overlooked for a leading performance earlier in their careers: Julianne Moore ("Safe") and Reese Witherspoon ("Election"). We discuss their performances, talk about why they came up short, and reveal whether we would have nominated them.    You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "Safe" - Sony Pictures Classics

Sigi (Yes, like the yogurt...) is a bicoastal and bilingual Swiss-Israeli-American triple citizen. (Did you follow?) You almost saw her on Unprisoned, This Is Us, Henry Danger, and Jessie, but those roles ended up on the cutting room floor. You can, however, still catch her on Call Your Mother, Girl Meets World, The Middle, Jimmy Kimmel Live!, and the hit Apple+ series Lessons in Chemistry. Sigi has created lots of digital content and won Best Actress for her film Optimistic Realist at the Portland Comedy Film Festival for playing an aspiring actress slash Hebrew school teacher. It was a real stretch. Sigi is a member of Theatre of NOTE and has performed on stages all over LA. Favorite critically-acclaimed productions include The Diary of Anne Frank (Best Leading Actress), Bad Jews, The Immigrant, and Askance (Outstanding Understudy in a Drama). Aside from making people laugh, Sigi can often be seen carrying seven beverages at once and an overpriced diaper bag that conveniently has no beverage holders.On this episode of Mommywood, Sigi shares her experience navigating the complexities of motherhood, from the transition of having one child to two, to the challenges of balancing personal identity with parenting. We discuss the emotional and physical aspects of pregnancy, the dynamics between siblings, and the societal pressures surrounding maternal instinct. The conversation also touches on the realities of being a working mom in the creative industry, the importance of support systems, and the joy found in small moments with children. Ultimately, we emphasize the value of connection, creativity, and the unique journey of motherhood.00:00 The Journey of Motherhood Begins02:49 Navigating the Transition from One to Two05:53 Sibling Dynamics and Playtime08:51 Pregnancy Experiences: The Same Yet Different11:26 The Myth of Maternal Instinct14:28 Balancing Identity: Mom, Actor, and Comedian17:15 The Decision to Start a Family20:10 The Reality of Working Moms22:59 The Challenges of Returning to Work26:01 Finding Joy in the Chaos29:02 The Role of Support Systems31:53 The Impact of Pets on Family Life34:35 Creative Pursuits Amidst Motherhood37:18 Advice for Aspiring Actor Moms40:29 Finding Balance and Fulfillment43:16 The Importance of Connection and Joy

BigTent hosted a special conversation with Jane Fonda — legendary actor, activist, and two‑time Academy Award winner—moderated by Rachel Janfaza, founder of The Up and Up newsletter. They reflected on Jane's extraordinary journey as a change maker, and her unwavering commitment to fight against the climate crisis, and to restore democratic norms in the U.S. From standing on the frontlines of social justice movements to founding Fire Drill Fridays, Jane has spent decades challenging power, inspiring action, and mobilizing people across generations to protect our planet. She shared lessons from a lifetime of activism, her vision for a sustainable future, and why each of us must join the movement to safeguard our future. This was a rare opportunity to hear from one of the most influential voices of our time about what it takes to create lasting change — and why the fight for our planet is the fight of our lives. ABOUT THE SPEAKERS: JANE FONDA is a two-time Academy Award-winning actor (Best Actress in 1971 for Klute and in 1978 for Coming Home), producer, author, activist, and fitness guru. Her career has spanned over 50 years, accumulating a body of film work that includes more than 50 films and significant contributions to political causes such as women's rights, Native Americans' rights, and environmental protection. She is a seven-time Golden Globe® winner and was honored with the Cecil B. DeMille Award in 2021. She accepted The Harry Belafonte Voices for Social Justice Award at the 2023 Tribeca Film Festival. In April of 2024, Fonda accepted the TIME Magazine Earth Award. She also recently received the SAG Life Achievement Award in February 2025. Fonda led the charge on the climate emergency via Fire Drill Fridays, the national movement to protest government inaction on climate change, which she started in October 2019 in partnership with Greenpeace USA. In 2022, she launched the Jane Fonda Climate PAC, focused on defeating political allies of the fossil fuel industry. Her latest book, “What Can I Do? My Path From Climate Despair to Action,” details her personal journey with the movement and provides solutions for communities to combat the climate crisis. RACHEL JANFAZA is the founder of The Up and Up – a newsletter about young voters – and and a consultant on youth civic engagement and media strategy. A member of Generation Z, she is laser-focused on the cohort's civic attitude and has convened listening sessions with hundreds of young people across the country. Her written work has been featured in The New York Times, CNN, The Free Press, Glamour, POLITICO Magazine, Teen Vogue, Vogue, Elle, Cosmo, and Bustle. And her on-air analysis has been featured on CNN, C-SPAN, The Hill TV, NY-1, WNYC Public Radio, and NPR/WBUR.Watch YouTube Recording HERELearn More: BigTentUSA This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit bigtentnews.substack.com

Great Pop Culture Debate host Eric Rezsnyak explains how we created the bracket for our 2025 Summer Special devoted to the best actresses to ever when the Emmy Award for Best Actress in a Comedy Series (supporting or lead). He also walks you through the Round 1 match-ups. The main episode will release on Tuesday, August 26, wherever you listen to podcasts. ⁠⁠Make sure to subscribe to the podcast⁠⁠ so you don't miss any upcoming episodes. And if you love pop culture, sign up for our weekly newsletter to keep up on all the new movies, music, and TV shows dropping every week! ⁠⁠Click here to learn about all the great perks our Patreon subscribers receive!⁠⁠ CREDITS: Intro/outro music: "Dance to My Tune" by Marc Torch https://www.greatpopculturedebate.com/subscribe Learn more about your ad choices. Visit megaphone.fm/adchoices

Great Pop Culture Debate host Eric Rezsnyak explains how we created the bracket for our 2025 Summer Special devoted to the best actresses to ever when the Emmy Award for Best Actress in a Comedy Series (supporting or lead). He also walks you through the Round 1 match-ups. The main episode will release on Tuesday, August 26, wherever you listen to podcasts. ⁠⁠Make sure to subscribe to the podcast⁠⁠ so you don't miss any upcoming episodes. And if you love pop culture, sign up for our weekly newsletter to keep up on all the new movies, music, and TV shows dropping every week! ⁠⁠Click here to learn about all the great perks our Patreon subscribers receive!⁠⁠ CREDITS: Intro/outro music: "Dance to My Tune" by Marc Torch https://www.greatpopculturedebate.com/subscribe Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's time for our weekly Oscar talk and the one before everything changes. Next week begins the fall festival season with Venice and Telluride on top of each other, then bleeding into Toronto in the first week of September. Everything that looked 'good on paper' now has to put up or shut up because this is where real buzz begins. On episode 303 AwardsWatch Editor-In-chief Erik Anderson is joined by Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello look at the trailers for Anemone and Hedda and break down the Best Actor, Best Actress and Best Supporting Actress Oscar races. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 57m. We'll be back next with a Telluride wrap up. Til then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Sixty years later and the hills are still very much alive with the sound of music! In fact, Maria helped the Trapp Family (yes, based on a real singing family) live on through her memoir which was adapted into the Rodgers and Hammerstein musical and Oscar-winning film widely loved today. Nick and Sophia share the tumultuous history behind what would become a memorable Best Picture winner along with their favorite songs and scenes. Then, they open up their discussion about the 38th Academy Awards to figure out how Julie Andrews lost Best Actress, which other big players affected the race, and why certain other films from the year weren't nominated (35:25). Follow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Nick @sauerkraut27Follow Sophia @sophia_cimMusic: “The Greatest Adventure” by Jonathan Adamich

Listen to this PREVIEW of the 24th episode of A Woman Robbed, a special bonus series you can hear on the And the Runner-Up Is Patreon exclusive feed! A Woman Robbed is a series in which Kevin is joined by a special guest in discussing women who had significant Oscar buzz heading into the nominations but were ultimately robbed/snubbed/omitted from the Best Actress lineup. In this episode, Kevin speaks with Chelsea Eichholz about two Best Supporting Actress Oscar winners who were overlooked for a leading performance: Geena Davis ("A League of Their Own") and Whoopi Goldberg ("Sister Act"). We discuss their performances, talk about why they came up short, and reveal whether we would have nominated them.    You can listen to the full episode of A Woman Robbed by going to patreon.com/andtherunnerupis and contributing at the $5 per month tier. Clips included in this episode: "A League of Their Own" - Columbia Pictures

In a single year, Sharon Stone was nominated for awards for both Best Actress and Worst Actress – for the same role. She launched a million sexual awakenings with one quick display in Basic Instinct. Her performance in that film was so vivid that it inspired stalkers to track her down. It may have even served as the inspiration for one fan to commit murder, cannibalism, and necrophilia. This episode contains themes that may be disturbing to some listeners, including graphic depictions of violence. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices