Podcasts about Chorus line

We head back to Broadway this episode to audition with Alicia Newcom! She and Jon get into this movie versus the show, the choreography, and try to figure out what the show within the show these characters are auditioning for.Alicia's Instagram: @alicia_newcomAssembly Guide Instagram: @assemblyguidePodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodThreads: @butasongpodYouTube: @butasongpodNext episode: Hedwig and the Angry Inch (SCT #48)!

durée : 00:23:14 - " A Chorus Line " (1975) - Créée en 1975, A Chorus Line révolutionne Broadway en mettant en lumière les artistes anonymes des comédies musicales et connaît un succès inespéré Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Linda Love-Simmons is an award winning director and choreographer who has created special events from Los Angeles to New York City for Disney, Barbie, Monster High, the 2002 Olympics, Megan Mulally, Paramount Pictures, the Radio City Music Hall Rockettes, Holland America cruise lines, Sesame Street Live, Oakley, and Under Armor.  Stage Choreography credits include SWING, A CHORUS LINE, THE PRODUCERS, LEGALLY BLONDE, 9 TO 5, THE PRODUCERS, THE CRYSTAL CATHEDRALS-CREATION, SAVIOR OF THE WORLD, ONCE, DISNEY'S  TARZAN and KINKY BOOTS. For Disney, Linda is an entertainment show director and choreographer of hundreds special events and shows including, DISNEY CHANNEL FAN FEST,  THE ANIMATION ACADEMY, THE ALL AMERICAN COLLEGE BAND, THE DISNEYLAND BAND, THE YOUTH EDUCATION SERIES AND DISNEY PERFORMING ARTS. More than just creating technical and energetic choreography and thoughtful dramatic pieces Linda has a personal mantra of creating positive success experiences.  By inspiring performers to strive for their very best and encouraging them to dwell in the realm of possibility there is passion and excitement in everything she does. Leading by example and having no tolerance for low expectations she creates an environment where everyone she works with can attain the same personal excellence that she strives for in herself.

Today, I'm thrilled to announce my interview with Broadway veteran Annie McGreevey. Tune in to hear some of the stories of her wonderful career, including a memorable note from Bob Fosse during SWEET CHARITY, standing by for Ethel Merman in CALL ME MADAM, the joy of working with John Kenley, singing for Hal Prince at her COMPANY audition, talking to Stephen Sondheim about “Another Hundred People,” making birthday cakes during ANNIE, why THE MAGIC SHOW was a workout, the surprising fate of THE MOONY SHAPIRO SONGBOOK, crying after A CHORUS LINE, recording demos for FOLLIES, headlining at the Fontainebleau, performing with Carol Burnett in FROM THE TOP!, her journey with dyslexia, learning how to wrestle for BELOW THE BELT, performing a solo piece in I STAND BEFORE YOU NAKED, how Joshua Logan kept her job in RIP VAN WINKLE, performing at the first Kennedy Center Honors, making a cameo in JUNO at Encores!, going on in SWEENEY TODD at the last minute, and so much more. Don't miss this in-depth talk with one of Broadway's best.   In-person and livestream tickets to Backstage Babble Live are available here: https://54below.org/events/charles-kirschs-backstage-babble-live-3/

This episode of The Other Side of the Bell, featuring trumpeter performer and recording artist Paul Litteral, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Paul Litteral trumpet interview"   Find the expanded show notes, transcript and more photos here: https://bobreeves.com/blog/paul-litteral-trumpet-interview-the-other-side-of-the-bell-147   About Paul Litteral: Hollywood Paul Litteral began to build his career playing in Broadway hits such as The Best Little Whorehouse in Texas, A Chorus Line and Chess. In 1978, Paul and saxophonist Arno Hecht founded the well-known group called the Uptown Horns. As their visibility increased, the band was recruited for rock and roll gigs and played many of New York's most famous clubs. Paul and the Uptown Horns went on their first rock and roll tour with the J. Geils Band in 1981 and that led to many other opportunities including engagements with The Rolling Stones, Robert Plant, Tom Waits, Joe Cocker, James Brown, Pat Benatar, and Ray Charles. The band lists recording credits on over 150 albums including James Brown's Grammy Award winning "Living in America" and tracks for Joe Cocker, Albert Collins, Bonnie Raitt, Robert Palmer, Lou Reed and REM. In addition to continuing to play music, he began writing and found critical success with Hoboken to Hollywood, which earned him the 2011 Ovation Award for Musical Direction. Paul was also awarded Best Musical Direction by Stage Scene LA for Louis & Keely: Live' at the Sahara, which had a record run, playing to sold out audiences at the Geffen Playhouse. "Hollywood" Paul earned his nickname back in the 1980's due to his prodigious knowledge of film lore. Though his extensive contributions to the LA music scene have also helped add to that fabulous moniker. Paul's fame is within the world of Rock and Roll. On his latest album, "The Litteral Truth," he brings us a collection of songs that inspired his personal musical development. The Brecker Brothers, Edgar Winter and Steely Dan are a few of the artists we cover on the record, and revisiting these great cuts and reinterpreting them was a joyous excursion for all involved. Paul is a fun and talented man, and his records are spreading the joy of knowing him. -Bill Bodine   Episode Links: Outrageous 8 Records Find the albums here: The Litteral Truth Legacy Instagram (@paullitteralmusic) YouTube channel The Other Side of the Bell Episode #92 - Paul Litteral (first appearance)   Bob Reeves Brass Upcoming Events and Appearances: Trumpet Festival of the Southeast, Jan. 17, 2026, Kennesaw State University, Georgia Texas Music Educators Association Conference, Feb. 11-14 2026, San Antonio, Texas Dylan Music, Feb. 26-28, Woodbridge, New Jersey   Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - Paul Litteral Audio Engineer - Ted Cragg

Get ready for a wonderfully nerdy Broadway deep dive! In this episode, host Marc Bonanni of Broadway by Ghostlight sits down with authors Andrew Gerle and Joseph Zellnik to celebrate their dazzling new book The Periodic Table of Broadway Musicals. They're joined by very special guest—three-time Tony nominee and Broadway icon—Mary Testa for a lively talkback, signing, and live podcast recording that blends history, humor, and show-tune devotion. Inspired by the classic periodic table, the book reimagines 118 essential musicals—from A Chorus Line to Rent—as elements, complete with “atomic” symbols, clever original artwork, cast lists, trivia, and insights that reveal how each show shaped the evolving chemistry of Broadway. Whether you're a superfan, a theatre student, or simply someone who loves a good poster and a great story, this conversation uncovers the inspiration behind the project and the unexpected alchemy of musical theatre itself. Tune in for laughs, lore, and a whole lot of Broadway love—all with a full-size pull-out poster waiting in the wings. Learn more about your ad choices. Visit megaphone.fm/adchoices

Follow Your Yellow Brick Road to Success….Desmond Richardson: (Ballet) Pointe of View What is your INTENTION?WHY ARE YOU DOING WHAT YOU DO?He says to his dancers be “Inside of the Moment.”He's worked with Aretha Franklin, Michael Jackson, Prince and MadonnaHe's trained and /or danced alongside the greats: Alvin Ailey, William Forsythe, Sylvie Guillem, Sarita Allen, Carmen de Lavallade, Maurice Béjart, Mikhail Baryshnikov, Diana VishnevaKeywordsdance, ballet, artistry, mentorship, performance, intention, Complexions, dance education, global dance, cultural impactSummaryIn this conversation, Michelle Zeitlin and Desmond Richardson explore the intricate world of dance, focusing on the importance of intention, artistry, and mentorship. They discuss the daily life of a ballet company, the significance of authenticity in performance, and the evolution of dance education. The dialogue also highlights the creation of Complexions, a dance company that fuses various styles, and the impact of iconic artists on their journeys. Ultimately, they emphasize the need for dancers to connect with their audience and the cultural relevance of dance in today's society.TakeawaysThe journey of a dancer is about intention and authenticity.Daily life in a ballet company involves nurturing young artists.Artistry in dance requires more than just technical skill.Complexions represents a fusion of diverse dance styles.Mentorship plays a crucial role in shaping a dancer's career.The importance of being present in the moment during performance.Dancers must understand their unique voice and perspective.Dance education is evolving to include a broader range of styles.The global landscape of dance is rich and diverse.Cultural impact of dance is significant and should be celebrated.TitlesPassion and Purpose in DanceThe Daily Life of a Ballet CompanyChaptersUnderstanding Intent in DanceThe Essence of an ArtistComplexions: A Fusion of Dance StylesWorking with Icons: Michael Jackson and PrinceThe Journey of ComplexionsTraining and Technique in DanceThe Influence of European DanceThe Importance of Authenticity in ArtThe Growth of Dance IntensivesDiversity in Dance TrainingThe Role of Mentorship in DanceThe Journey of a DancerCultural Experiences in DanceThe Importance of Audience ConnectionPassion to Power in DanceMichelle Zeitlin is a former ballet dancer with the Joffrey Ballet Concert Group; She worked with the Creator of A Chorus Line and Show Creator of DREAMGIRLS, on the original Broadway Workshop, SCANDAL--Michael Bennett. She has danced on TV, in feature films, commercials, music videos and choreographed and directed hundreds of projects. Her company, More Zap Productions produced turnkey Experiential Events (Industrials) for major brands including NIKE, APPLE, INTEL, and many many others.She has also danced ballets, contemporary choreography and musicals around the globe. So it is with this like minded understanding that she interviews Desmond Richardson, co-founder of COMPLEXIONS, a contemporary ballet company, with Dwight Rhoden.They talk about their mutual work experiences with "folks" like Michael Peters. Michelle met with Bob Fosse at the very young age of seventeen in NY to read for the movie, STAR 80.Desmond danced with Bob Fosse in his world wide hit which was all DANCE. Shirley MacLaine and Cyd Charrise were in that audience, along with MJ, who sent Desmond a fan note backstage!For more on Complexions, see their website https://www.complexionscontemporaryballet.org/For More on Michelle Zeitlin, Host/Producer of More Zap Productions & Management https://www.morezap.com/You can pitch guests to Michelle and her Team at Passion-Power.com on the Contact FormWe are also booking speaking engagements, workshops and coaching clinics for CREATIVES at every stage of their development/career.MoreZAP@gmail.com Thanks for listening! We'd appreciate a 5 star Rating!

 Listen to the Show Right Click to Save GuestsEvery word.Poetry The Blasphemy of a Good BathAlchemy Theatre  'Night MotherWhat We Talked About Ragtime Purple Rain Trailer for Merrily We Roll Along Film Good Sex Off Broadway No Actor Strike, but musicians? Deaf West Elephant Shoes Commercial for Chess Chorus Line in the Philippines Today Tix Ari Emanuel Moonstruck All Star Reading Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)

Så nåede vi til 70'ernes mere eksperimenterende tid, hvor rammerne for den klasisske musical udfordres og vi får endnu mere fokus på dans som fortællende element. Med "A Chorus Line" er der i den grad noget at tale om, så dét gør vi! God fornøjelse.

This year is the 50th anniversary of A Chorus Line and Chicago and the 10th anniversary of Hamilton. Meanwhile, new Broadway shows are struggling to make their money back. This hour, we take stock of stage musicals today, learn how they’re developed, and ask about their status in our culture. GUESTS: Alexander Gemignani: Actor, music director, orchestrator, conductor, composer/lyricist, educator, and artistic director of The National Music Theater Conference at the Eugene O'Neill Theater Center Elysa Gardner: Theater critic for The New York Sun and a contributor to The New York Times. She is also author of Magic To Do: Pippin's Fantastic, Fraught Journey to Broadway and Beyond Paul Hodge: Award-winning writer-composer from Brisbane, Australia. His work has been produced Off-Broadway, in London, Edinburgh and Australia, including at the Sydney Opera House. His new musical, The Great Emu War, is currently at the Goodspeed Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Olivier nominee Carly Mercedes Dyer (Singin' in the Rain / A Chorus Line) co-hosts The West End Frame Show!Andrew and Carly discuss The Harder They Come (Stratford East), 50 First Dates (The Other Palace) and Clarkston(Trafalgar Theatre) as well as the latest news about Amber Davies, Bank Of Dave, Beetlejuice, Lucie Jones, Megan Hilty and more.Carly has played roles including Cassie in A Chorus Line, Faye Treadwell in The Drifters Girl, June in Gypsy and Erma in Anything Goes, for which she was nominated for an Olivier Award and won a WhatsOnStage Award. Her other theatre credits include: The Color Purple, Dreamgirls, Memphis, West Side Story, Hadestown, Rock Of Ages and lots more. Carly played Christine in Dirty Rotten Scoundrels at the London Palladium and recently reprised her performance in Japan. This Christmas she's off to Manchester to star as Kathy Seldon in Singin' in the Rain at the Royal Exchange.Follow Carly on Instagram and TikTok: @carlymdyerThis podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

I speak with Rob Ruggiero, the Artistic Director of TheaterWorks Hartford, who is directing the 50th anniversary production of the Tony Award and Pulitzer Prize winning musical, A Chorus Line, at the Goodspeed Opera House in East Haddam, Ct.

Thrilled and honored to welcome Jessica Lee Goldyn as our 100th episode guest!  Jessica is an actress, singer and dancer known for playing Val/Cassie in the revival of A Chorus and the documentary Every Little Step! Her other Broadway credits include Nini in Moulin Rouge, Finding Neverland and Hello Dolly. Some of her other credits include Chicago, On the Town at City Center Encores!, Sweet Charity and the film King of Staten Island. Jessica was also a part of the 50th Anniversary of A Chorus Line and she is the creator of The Source NYC and teaches at Steps on Broadway.We talk with Jessica about the importance of keeping the legacy of A Chorus Line alive, her love of teaching, our mutual love of Ragtime and much more!

Dennis is join via Zoom from Sitges, Spain by writer Jon Kinnally to talk about his new memoir I'm Prancing as Fast as I Can, which features stories about his life, from his childhood in Syracuse, New York through his career in Hollywood as a longtime writer on Will & Grace, the original incarnation and the reboot. Jon talks about where his title comes from, having "book envy" over other writers who've had books published and trying to communicate to younger generations what it was like for gay people in the 70's, 80's and 90's. Jon also talks finding out he and his writing partner, Tracy Proust, had gotten hired on Will & Grace on the same day he learned that the bankruptcy that he had applied for had gone through. He recalls writing a "lost episode" of Will & Grace called "Will Works Out" that was too edgy for syndication. He also discusses co-writing an episode from the reboot that he's particularly proud of, where Grace reveals that she never read the letters Will wrote her after first coming out to her as gay. Other topics include: moving to Spain with his husband Chris, losing his previous boyfriend Luis to leukemia at the height of the AIDS crisis in New York City, being part of a chunky Chorus Line in college and the enchanting private Madonna moment he got to witness when the pop icon was guest-starring on Will & Grace.

Alex is back for some speculation about the health of Donald Trump (after his disappearance) and Rudy Giuliani (after his “not targeted” car crash). Then we turn to the weird world of Democratic Party influencers and the dark-money group secretly funding their American Girl Doll memes. Finally, we chat a little about phones in schools and Adam Friedland's interview with Richie Torres. Follow Alex on Twitter @Lowenaffchen Check out his show Fortune Kit: https://www.patreon.com/fortunekit And stream “Hotel California” by Bob Marley: https://www.youtube.com/watch?v=taTD0NPb8Do And listen to Felix's new series about video games THE PLAYERS CLUB!

From 2023- Gail Merrifield Papp, author of "Public/Privater: My Life with Joe Papp at The Public Theater." The author's husband, Joe Papp, was an important theatrical impresario who founded The Public Theater as an outgrowth of The Shakespeare Workshop. The Public Theater's most noteworthy productions over the years have included "Hair," "A Chorus Line," and "Hamilton." PBS is now streaming a marvelous American Masters documentary titled "Joe Papp in Five Acts."

“Some people might say CATS is a ripoff of A Chorus Line. I don't want to go that far but it's remarkably similar. I think it's sort of a doppelganger of A Chorus Line.” In this episode, host Mike Abrams welcomes David Armstrong, a fellow Broadway Podcast Network host and author of the newly published book Broadway Nation.'They delve into the rich history of Broadway musicals, highlighting the significant influences and connections, including how the iconic musical CATS ties into this history. Armstrong shares fascinating insights about the evolution of Broadway from his podcast and University of Washington course, the criteria behind the Jellicle choice, and how reality shows like 'Queen for a Day' may have influenced Broadway storytelling. 00:53 David's Broadway Journey 01:22 The Evolution from Podcast to Book 07:26 The Impact of A Chorus Line on CATS 08:17 The British Theater Transformation 12:16 The Reality Show Parallel 27:54 Assigning CATS to Students 28:39 Discussing the 2019 Movie 35:17 The Jellicle Choice Debate Check out Broadway Nation on Instagram: @davidatbroadwaynation Check out the Broadway Nation Podcast Check out the Broadway Nation Book Produced by: ⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“Some people might say CATS is a ripoff of A Chorus Line. I don't want to go that far but it's remarkably similar. I think it's sort of a doppelganger of A Chorus Line.” In this episode, host Mike Abrams welcomes David Armstrong, a fellow Broadway Podcast Network host and author of the newly published book Broadway Nation. They delve into the rich history of Broadway musicals, highlighting the significant influences and connections, including how the iconic musical CATS ties into this history. Armstrong shares fascinating insights about the evolution of Broadway from his podcast and University of Washington course, the criteria behind the Jellicle choice, and how reality shows like 'Queen for a Day' may have influenced Broadway storytelling. 00:53 David's Broadway Journey 01:22 The Evolution from Podcast to Book 07:26 The Impact of A Chorus Line on CATS 08:17 The British Theater Transformation 12:16 The Reality Show Parallel 27:54 Assigning CATS to Students 28:39 Discussing the 2019 Movie 35:17 The Jellicle Choice Debate Check out Broadway Nation on Instagram: @davidatbroadwaynation Check out the Broadway Nation Podcast Check out the Broadway Nation Book Produced by: ⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

The singular sensation celebrates its 50th Anniversary and we *finally* get around to showcasing its amazing Hamlisch/Kleban score. The original cast plus Tony Bennett, Barbra Streisand, Eydie Gormé, and more.

he Locher Room celebrated Pride Month with a very special guest: Jill Powell — Broadway actress, LGBTQ+ advocate, and former As the World Turns cast member.Jill began her professional journey at just 13, performing in national tours, TV commercials, and on Broadway in shows like A Chorus Line, Damn Yankees, and Grand Hotel. Daytime fans will remember her as Marcy Breen on As the World Turns.A proud lesbian mom to Ash, her 31-year-old transgender son, Jill is a passionate advocate for LGBTQ+ youth. In this heartfelt conversation, she shares her journey through the arts, motherhood, and advocacy.Don't miss this inspiring and powerful Pride episode.

In this episode of Half Hour with Jeff & Richie, we break down the latest Broadway happenings. We discuss the announcement of Bess Wohl's “Liberation", the return of "The Rink" benefit concert, a new trailer for the Lorenz Hart biopic "Blue Moon", and the modern reimagining of "Damn Yankees." The episode also highlights the 50th anniversary concert for "A Chorus Line" and a concert staging of "Jesus Christ Superstar." Celebrating 300 episodes, we answer listener questions on plays suited for film, review Broadway grosses, and examine the current state of the market. Follow and connect with all things @HalfHourPodcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Share your thoughts with us ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hi friends! This week, we are catching up with Bendy on her wedding plans as we enter the final MONTH before I DO

 Listen to the Show Right Click to Save GuestsCity of Austin ACMEDoctuh Mistuh The Toxic Avenger & Pretty FilthyGround Floor Theatre QCamp Off the Rails  What We Talked About Maybe Happy Ending Andrew Barth Feldman Trump Center for the Performing Arts Broadway Briefing turns 10 Conrad Ricamora launches scholarship fund Dylan Mulvaney Ticket Prices on B'way Undervalued? Suff's Tour Damn yankees A Chorus Line turns 50Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)

Mulvaney announces Off-Broadway premiere, stars set for ‘Songs for a New World’ concert, highlights from ‘A Chorus Line’ anniversary concert Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt read more

Peter Filichia, James Marino, and Michael Portantiere talk about the 50th Anniversary of A Chorus Line. Reviews include JOY: A New True Musical @ the Laura Pels Theatre, Polishing Shakespeare @ 59e59, A Midsummer Night’s Dream @ Ensemble Shakespeare Company, A Midsummer Night’s Dream @ Shakespeare in the Parking Lot, read more

Today, I'm so excited to announce the 250th episode of Backstage Babble. The mission of the podcast has always been to document Broadway history, and I'm thrilled to welcome a man who has had a profound influence on Broadway history over several eras in his work as a dancer and a choreographer: Wayne Cilento. Tune in to hear some of the stories of his legendary career, including his reflections on the 50th anniversary of A CHORUS LINE, how Michael Bennett kept the show on track, discussing BIG DEAL with Bob Fosse, reinventing DANCIN' for 2023 audiences, creating a movement style for WICKED, collaborating with Des McAnuff on TOMMY and HOW TO SUCCEED, how an Elvis Presley postcard inspired “Pinball Wizard,” how THE ACT led him to become a choreographer, how choreographing commercials helped him hone his skills as a director, the challenges of reviving SWEET CHARITY, making his Broadway debut with BABY, working with Heather Headley on AIDA, coming in on DREAM at the last minute, lending his talents to HIGH SOCIETY and THE MAGIC SHOW, why he turned down SUMMER, choreographing Chita Rivera in JERRY'S GIRLS, choreographing acts for everyone from Carol Channing to Alicia Keys, exploring new forms of dance for HOLLER IF YA HEAR ME, backstage shenanigans at SEESAW, his memories of RACHAEL LILY ROSENBLOOM…, and so much more. Don't miss this in-depth conversation with a seven-time Tony nominee and true Broadway veteran.   Wildcat Tickets: https://54below.org/events/54-sings-wildcat/

It's 50 years since theatre history was made - the premiere of A Chorus Line. It was seen as a seminal moment, turning the spotlight on the people who make the show for the first time.Baayork Lee tells Josephine McDermott how she played Connie Wong in the original production. Like many of the first cast, her true life experiences made it into the show which was developed in workshops by director and choreographer Michael Bennett.Baayork Lee describes “the buzz” the musical generated soon after opening in a small venue off Broadway on 21 May, 1975, with everyone from singer Diana Ross and former first lady Jackie Kennedy Onassis to comedian Groucho Marx vying for seats. Two months later on 27 July the show transferred to Broadway. It won nine Tony Awards and became one of the longest-running shows on Broadway. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: A Chorus Line at the Shubert Theatre. Credit: Richard Corkery/NY Daily News Archive via Getty Images)

Max Pearson presents a collection of the week's Witness History interviews from the BBC World Service. Our guest is Dr Natalia Grincheva, an expert in cultural diplomacy from Lasalle, University of the Arts in Singapore. We start by hearing about when US president Bill Clinton was presented with a saxophone on a 1994 visit to Prague and he and the Czech president Vaclav Havel performed together on stage.Then, India's first female anthropologist, Irawati Karve.Twenty years on, the cousin of John Charles de Menezes, describes the day the unarmed Brazilian man was shot dead by anti-terrorism police in London.Plus, the discovery of the super-strong fibre Kevlar in 1965 which was used in bulletproof vests.And finally, 50 years on from the premiere of the Broadway hit A Chorus Line, an original cast member shares her memories.Contributors:Urmilla Deshpande – granddaughter of Irawati Karve.Patricia da Silva – cousin of Jean Charles de Menezes.Baayork Lee – Connie in A Chorus LinePlus, archive recording of Stephanie Kwolek, and material from the Vaclav Havel Center and the William J Clinton Presidential Library.(Photo: President Bill Clinton accepts a saxophone as a gift from a Belgian delegation in 1994. Credit: Luke Frazza/AFP via Getty Images)

New York City officials are investigating a reported ATM scam involving payment cards issued through the city's Summer Youth Employment Program. Plus, Sunset Park residents are calling for the city to improve pedestrian safety along Third Avenue where two men were recently killed. And finally, The iconic Broadway musical “A Chorus Line” is turning 50 and it changed Broadway forever.

 Listen to the Show Right Click to Save GuestsSummer Stock Austin Mary Poppins & Jesus Christ SuperstarCity Theatre Wit What We Talked AboutChicago & Chorus Line Chorus Line Anniversary show (7/27) Jesse Green et al Rising Leaders of color in theatre journalism Gypsy to Close Cherry Lane sold Dolly A True Original Musical Notebook tour announce cast and dates Kids night on B'way You Had To Be there: How the Toronto Godspell Ignighed a Comedy Revolution  Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)

In this episode I continue my review of Broadway's Nostalgia Craze of the 1970s and beyond. Many of the musicals that emerged in the late 60s and very early 70s were also influenced by the incipient Nostalgia Craze, even if overall their shows were decidedly modern. HAIR, Jesus Christ Superstar, Godspell, Two Gentlemen of Verona, Applause  all included musical sequences that recalled the Vaudeville era and Silver Age of Broadway. So nostalgia was in the air, and then No, No, Nanette sent it into the stratosphere! And all of this was before the nostalgia craze expanded to include the 1950s. Almost exactly one year after the premiere of Nanette the musical Grease opened on Broadway. It became wildly popular and ran for eight years on Broadway passing Fiddler to become the longest running musical of all time until A Chorus Line passed it. And Grease's enormous success set into motion a 1950s wing of the nostalgia craze by inspiring both the movie American Grafiiti (1973) and the TV show Happy Days (1974). The success of Nanette led directly to a 1973 revival Irene, the smash hit musical that opened in 1919 and became the longest running musical of its day. And Grease led directly to Over Here !, the 1974 musical in which the director, choreographer and producers of Grease attempted to do for the 1940s, what their previous show had done for the 1950s. The two still living Andrews Sisters, Patty and Maxine, where enticed to star in Over Here!, and the Sherman Brothers, of Disney fame, provided a terrific set of brand new very authentic sounding Big Band era style songs for them to swing. Broadway's Nostalgia Craze continued with a hit 1975 revival of the Jerome Kern Princess Theater musical Very Good Eddie, then in 1979 both the 1928 Edie Cantor vehicle Whoopee! and the 1930's style classic Burlesque show, Sugar Babies.  It was inevitable that the movie 42nd Street itself would be transformed into a Broadway stage musical in 1980. That same season there was the Marx Brothers inspired revusical A Day In Hollywood A Night In The Ukraine. 1983 brought a hit revival of Rodgers & Hart's On Your Toes, and over the next decade there would be two Gershwin “revisals”, both of them so heavily reworked that they were given new titles: My One And Only in 1983, and Crazy For You in 1993. In between, came the Broadway debut of a 1937 London hit Me And My Girl in 1986. I would even include the 1980 blockbuster Annie in this category. Although it was, of course, an entirely new musical it certainly played on nostalgia for the comic strip and radio show Little Orphan Annie from the Depression Era, and smartly used that to echo the recession of the 1970's. Some people would say that the Nostalgia Craze never ended, at least as far as Broadway is concerned.  Although, revivals of popular musicals have been part of the Broadway mix throughout most of its 120+ year history, the success of No, No, Nanette and its successors created a pattern and expectation that in every season – there should be at least enough revivals to fill out a Tony Award “Best Revival” category. And you could say that the immense popularity of City Center's Encore Series is an extension of the Nostalgia Craze, as well. I for one hope that we will never tire of rediscovering and reinventing the great musicals of the past. Learn more about your ad choices. Visit megaphone.fm/adchoices

 Listen to the Show Right Click to Save GuestsScriptWorks Out of Ink In StepAustin Shakespeare Young Shakespeare Cymbeline What We Talked About  Chorus Line 50th Call Me Izzy Separate the Artist from the Art Etoile Megan Hilty Tartuffe Off B'way Joe Allen's is 50 Billy Joel B'way Actors Cover Real Women Have Curves Clsosing Dog Man The Musical Sandy Knox Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)

While House Speaker MikeJohnson has been supporting President Trump's “One Big, Beautiful Bill,” its proposed Medicaid cuts could cause many of his constituents to lose coverage. The Gulf States Newsroom's Drew Hawkins traveled to Shreveport to hear what people are saying. One of the longest-running Broadway productions, “A Chorus Line,” opens at the Tulane Summer Lyric Theatre this weekend. And for the first time in the company's history, all productions this season are directed and choreographed by women. Director and choreographer Jauné Buisson and cast member Michael Paternostro share the details.Another performance debuts at Tulane this weekend as the New Orleans Shakespeare Festival continues its run of “The Imaginary Invalid.” Cast members Doug Spearman and Alix Paige tell us about performing Molliere's 17th century comedy.__Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App, and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

Every once in a while, you get the honor of doing a podcast with someone who you know is an important part of history. That's what I got to do today with Abe Jacob. Now, Abe is a sound designer. If you don't know what that is, well, I didn't really know either, but he's actually known as "The Godfather of Sound."He's had this remarkable life and career starting with his first gig that he did when he's right out of college at 22 years old in that 1966-1967 timeframe. This job ends up being The Beatles' last live concert. Shortly after he gets a job working with a band called The Mamas and the Papas. He tours with them and Peter, Paul and Mary, even winding up at the Capitol during a huge Vietnam protest concert. His list of accomplishments just goes on and on and on, having worked intimately with Jimi Hendrix until his death.What's so interesting is that Abe works with all of these legends, but he doesn't earn his nickname until he moves to theater. He is critically important to all the major plays of this time, including  Hair, Jesus Christ Superstar, Pippin', and he does A Chorus Line and Chicago at the same time. I mean, he works with legendary choreographer Bob Fosse. He becomes great friends with legendary actress Lauren Bacall. He has had an amazing and very interesting life. You can see why I'm excited having Abe do my podcast. It's exactly what I'm looking to accomplish. To document these important voices in art and Abe is most definitely an artist. Quite frankly, I would pay to interview Abe. He was that good. So I hope you enjoy. This is the Godfather of Sound, Abe Jacob, on Art Dealer Diaries Podcast episode 350.

Tom Felton to Play Draco Malfoy on Broadway, Site-Specific ‘Chorus Line’ Announced and Canceled, Trailers for ‘Spider Woman’ and ‘Wicked: For Good’ Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace read more The post Today on Broadway: Friday, June 6, 2025 appeared first on BroadwayRadio.

This episode of The Other Side of the Bell, featuring a live panel discussion on the legacy of William Adam and AdamFest, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "AdamFest 2025 Panel Discussion"   About the William Adam Trumpet Festival (AdamFest): The 11th Annual William Adam International Trumpet Festival will take place June 19–22, 2025, at Austin Peay State University, hosted by Dr. Rob Waugh. This year's festival brings together a distinguished roster of William Adam's former students—many of whom are among today's leading trumpet artists—for four days of inspiration, performance, and pedagogy. In the spirit of Mr. Adam's legacy, the festival offers a rich mix of masterclasses, performances, complimentary private and group lessons, and targeted seminars on topics such as jazz improvisation, orchestral playing, trumpet fundamentals, and effective teaching. Special programming is available for younger students and their educators. William Adam taught trumpet at Indiana University's Jacobs School of Music from 1946 to 1988 and continued teaching privately until his passing in 2013. Widely regarded as one of the most influential trumpet pedagogues of the 20th century, his teaching emphasized sound, simplicity, and personal connection. The annual festival ensures his philosophy continues to inspire new generations of trumpet players. About Our Panelists: Bobby Burns Jr. is a longtime member of Earth, Wind & Fire and a veteran of the Los Angeles music scene. After studying with the legendary Bill Adam at Indiana University—where he overcame early challenges to earn a degree in trumpet performance—Bobby moved to L.A., balancing day jobs with gigs until establishing a full-time music career. His versatile résumé spans symphonic, studio, and touring work, with credits including The Temptations, Tony Bennett, Dr. Dre, and Broadway productions like Evita and A Chorus Line. Since joining Earth, Wind & Fire in 2004, he has performed on major stages around the world, from the White House to the Grammys. Bobby is also an active educator, passionate about mentoring the next generation of musicians. Charley Davis is a versatile trumpeter, respected educator, and innovative designer with a career spanning over three decades. A fixture in the Los Angeles studio scene, Charley has performed with legends like Frank Sinatra, Natalie Cole, Buddy Rich, and Placido Domingo, and his credits range from motion pictures and Broadway shows to big bands and Las Vegas stages. He currently teaches at Cal State Long Beach, Citrus College, and the Henry Mancini Institute, where he's known for his deep diagnostic insight and mentorship. Charley is also the founder of Charles Davis Music Products, producing a signature line of trumpets and mutes that reflect his commitment to excellence in both sound and craftsmanship. Robert Slack is a seasoned trumpeter, educator, and recording artist with a master's degree in trumpet performance from Indiana University, where he studied under the legendary William Adam. His diverse career has included everything from orchestras and brass ensembles to touring with Buddy Rich and Paul Anka, and performing in Las Vegas showrooms with stars like Frank Sinatra and Sammy Davis Jr. Now based in Los Angeles, Robert has built an extensive studio career with credits spanning film, television, and commercial work. He currently serves as trumpet professor at Azusa Pacific University, where he's been on faculty for over 18 years. Larry Hall is one of Los Angeles' top session trumpet players, known for his versatility across virtually every musical style. A former student of William Adam at Indiana University, Larry has built a prolific recording career with credits spanning film, television, and albums for artists including Elton John, The Jacksons, Earth, Wind & Fire, and Placido Domingo. His ability to adapt his sound to any musical context has made him a first-call player in the L.A. studio scene. Dr. Karl Sievers is a distinguished performer and educator whose career spans orchestral, jazz, and commercial music. A former student of William Adam, he holds a DMA in trumpet performance and recently retired as a Presidential Professor at the University of Oklahoma. Now in his 24th season as principal trumpet of the Oklahoma City Philharmonic, Karl is equally at home playing lead in jazz and Broadway settings. When he's not performing, he enjoys fitness, motorcycles, fishing, and time with family. Gino Muñoz is a versatile musician, educator, and entrepreneur with over two decades of professional performance experience, including work with Michael Bublé and Gwen Stefani. A proud alumnus and now full-time faculty member at Citrus College, Gino has played a key role in shaping the school's acclaimed Instrumental Music program. He is the past Academic Senate President, produces live shows for venues like SeaWorld and Legoland, and is a partner at 37 St Joseph Studios, a professional recording facility in Arcadia. Anthony “Tony” Bonsera Jr. is a dynamic trumpeter, composer, arranger, and educator whose career spans jazz, big band, rock, and fusion. He has played lead or split lead trumpet with groups like The Glenn Miller Orchestra, Big Bad Voodoo Daddy, and the Bill Holman Big Band, and is a longtime faculty member at Citrus College. As a bandleader and recording artist, Tony's projects—such as his original album The Gates of Hell and the genre-blending Los Angeles Classic Rock Orchestra—showcase his creative range. His latest work, L.A.'s Finest, is an ambitious double album featuring top musicians from across the country. A Philly native, Tony still finds time for family, friends, and the occasional cheesesteak.   Podcast listeners! Enter code "podcast" at checkout for 15% off any of our Gard bags! Visit trumpetmouthpiece.com for more info.     Episode Links: WilliamAdamTrumpet.com Bill Adam Facebook Group -  https://www.facebook.com/groups/603106766409745/ Charley Davis Book - A Tribute to William Adam Print Version - https://trumpetmouthpiece.com/products/tribute-to-william-adam-method-book-his-teachings-his-routine-by-charley-davis PDF Version - https://trumpetmouthpiece.com/products/digital-copy-tribute-to-william-adam-method-book-his-teachings-his-routine-by-charley-davis William Adam Brass Choir Arrangements - https://trumpetmouthpiece.com/collections/william-adam-brass-choir-arrangements International Trumpet Guild Conference, May 27-31, University of Utah, Salt Lake City. Sign up sheet for valve alignments: bobreeves.com/itg William Adam Trumpet Festival, June 19-22, Clarksville, Tennessee. williamadamtrumpet.com  Sign up sheet for valve alignments: bobreeves.com/williamadam   Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Art - courtesy of John Snell Audio Engineer - Ted Cragg

Join Matt and me for Episode 134 as we tackle A Chorus Line (1985), a movie musical that boldly asked, “What if we took a Broadway masterpiece… and made it worse?” Directed by Richard Attenborough (yes, really) and starring Michael Douglas as Zach (also… yes, really), this adaptation swaps out two iconic songs for original numbers that absolutely no one asked for—and makes the whole thing feel more like an 80s street dance audition than a tribute to Broadway's beating heart.Gone is the original choreography. Gone is the emotional depth. What's left? Perms, sweatbands, and a lot of bewildered sighing from us. We break down the baffling choices, the missed opportunities, and why this one might just top our list of “what were they thinking?” movie musicals.Support the Conner & Smith Show on Patreon here:https://www.patreon.com/ConnerandSmith?utm_campaign=creatorshare_fan

Today, I'm thrilled to announce my episode with producer Jenny Gersten, who was recently named the new VP and Artistic Director of Musical Theater at City Center. Tune in to hear some of the stories of her legendary career, including how Anne Kauffman and Lear DeBessonet brought her on board at City Center, the true mission of the Encores! series, what she looks for in a potential revival, the challenges of massively reworking a show, her experience running the Williamstown Theater Festival after the pandemic, how changing venues affected the experience of the Festival, how she ended up having the same job as her father at the Public Theater, how transferring a show to Broadway has changed since A CHORUS LINE, how the revival of HAIR transferred to Broadway, developing the marketing strategy for BEETLEJUICE, how they made the off-Broadway revival of SWEENEY TODD financially viable, finding the audience for JUST FOR US using digital marketing, designing the Perelman Arts Center, and so much more. Don't miss this in-depth conversation with one of Broadway's most important creative minds.

This one originally dropped in September 2021 in two parts—but if you missed it back then, don't worry. I'm bringing it back as part of the Broadway Drumming 101 Classic Interview Series.Ray Marchica is one of those drummers whose name has been floating around the NYC scene for decades—and for good reason. He's done it all: gold records, TV house band gigs, iconic Broadway runs, off-Broadway, jazz big bands, the works. From James Brown's "Living in America" to The Rosie O'Donnell Show to Mamma Mia!—Ray's been laying it down with feel, power, and style.In this episode, Ray shares stories about:* Growing up in Brooklyn and learning drums from his uncle in the basement* Studying classical percussion at Brooklyn College with the legendary Morris Lang* Landing his first major gig on the A Chorus Line tour in the ‘70s* Navigating the world of jingle sessions, Radio Registry (yes, that was a thing for you young folk), and Broadway subs* Getting the gig with Dan Hartman and playing on hit records* What it was like playing for La Cage aux Folles, Starlight Express, Will Rogers Follies, and other major shows* His time in the pit for Miss Saigon, the long run with Mamma Mia!, and his approach to training subs* Real talk about the rise of drum machines, the shift in Broadway orchestra pits, and how he's stayed versatile through it allWhether you're a drummer, a fan of Broadway, or just someone who loves hearing stories from the road, the pit, and the studio, you'll dig this.Hit play. Subscribe if you haven't. And check out more at BroadwayDrumming101.com.If you loved this episode, check out some of the other powerful resources we've created for musicians looking to bridge the gap between the classroom and the Broadway pit:*

April is National Autism Awareness Month, and in New Orleans, the next few weeks are full of events to promote acceptance of people all across the autism spectrum. Claire Tibbets, executive director of the Autism Society of Greater New Orleans, tells us more about April's events as well as resources available for the autism community throughout the year.The Summer Lyric Theatre at Tulane is returning for its 58th season. On deck this year are hit Broadway musicals, “A Chorus Line,” “Company,” and “Carousel.” Artistic director Leonard Raybon tells us more about these upcoming performances and his new role at the head of the company. We all know that daily life requires energy and creates emissions. Like when you drive a car or buy a new pair of shoes. But how far would you go to account for your own carbon footprint? Former Coastal Desk reporter Halle Parker joined one New Orleans artist for a tree planting trip in Plaquemines Parish to try, as she tried to offset the emissions created by her artwork. ___Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber. We receive production and technical support from Garrett Pittman, Adam Vos and our assistant producer, Aubry Procell. You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, Google Play and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

In this week's mini-sode, we are shining the spotlight on Broadway's Pulitzer Prize winning musical, A Chorus Line! This one goes out to all the #DancerFirst folks out there, but it's still a classic that should be in everyone's Broadway knowledge!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

Legendary composer John Kander (Chicago, Cabaret, Steel Pier, Zorba) shares rarified insider stories with Michael Riedel about the making of Chicago. Kander reminisces about creating epic musical hits with songwriting partner Fred Ebb and collaborating with Director/Choregrapher Bob Fosse. Kander also reveals the secret advice he received from dear friend Liza Minnelli.  Chicago opened on Broadway in 1975, and in the shadow of the Tony-winning musical smash A Chorus Line, Chicago was overlooked for years. When Chicago returned to New York's City Center and transferred to Broadway in 1996, no one would have dreamed that the show would still be running in 2025, making it the longest running musical revival in Broadway history! This episode features never-before-heard excerpts from the interviews Michael Riedel recorded while writing his 2020 best-selling book Singular Sensation: The Triumph of Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices

U Guys, after a brief hiatus, Oh My Pod is back with a bang! This week's BroadwayWorld Recap is overflowing with Bway news. Then I am joined by ten-time Broadway veteran, J.Elaine Marcos! From Priscilla, Queen of the Desert to Drag The Musical, J.Elaine has performed in every facet of the New York theater scene and beyond. In this hilarious episode, we talk all about the highs and lows of a lifelong career in Musical Theater, and how to navigate the inevitable ebbs and flows. We touch on J.Elaine's experience as a Filipino actress, and how her heritage has influenced her career in the theater. J.Elaine's resume includes some of the most iconic Broadway shows, from A Chorus Line to Annie, to Sweet Charity to Miss Saigon. With ten Broadway credits and regional/off-broadway credits to boot, I can confidently say J.Elaine knows what she's talking about. She is such a delight, U don't wanna miss this episode! Follow J.Elaine on Instagram: @jelainemarcos Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

Born and raised in New York City, Porfirio Figueroa is a former triple threat who was fortunate to have danced for the legendary Jerome Robbins, and the great Michael Bennett in shows such as “West Side Story” (having played both Chino and Bernardo) and “A Chorus Line” (having played both Mark Anthony and Paul). He has also worked in TV, film and theater in various capacities as a director, playwright, lyricist, and producer. Locally, he is an active member of Fort Washington Collegiate Church where he conceived, developed, and executed “The Salon Hang,” an art showcase for the Upper Manhattan community featuring over 44 local artists. Porfirio has advised numerous not-for-profit organizations and notable clientele on development, execution, and community outreach. Furthermore, he has advised the Washington Heights Chamber Orchestra, served as a Board Member of the Dance Project of Washington Heights, and AYUDA for the Arts. He is a Cum Laude Graduate of the State University of New York at Binghamton, and currently serves as the Deputy Director of Community Affairs for the Office of the Manhattan Borough President, Mark Levine.

On today's episode of The CLS Experience, we have a very exclusive treat. She's not just an actress, she's a beacon of empowerment and a voice for embracing one's true intuitive self, big facts. Growing up as one of the few Asian Americans in her school, she faced challenges fitting in, yet she harbored a deep love for the performing arts, which I absolutely admire. Despite feeling out of place and experiencing bullying, she didn't let these obstacles define her. Instead, she excelled academically, graduating as valedictorian from Malibu High School and heading to UC Berkeley with a focus on math and engineering, just to name a few. But the universe had other plans. A study abroad opportunity in Paris led her to audition for a musical, landing a role in "A Chorus Line." That experience ignited her passion for acting, a path she's pursued with zest and grace. Now she will help you master your energy, call in more abundance, AND her story is one of resilience, self-discovery, and the pursuit of dreams against all odds. She is the embodiment of authenticity and perseverance. She's just a juggernaut in all facets of life and a terrific human being. Please welcome the talented, resilient, and inspiring, abundant and quantum shifting Paget Kagy.12:35 - Personal Growth Through Elevating Consciousness15:23 - Unlocking Your Highest Potential18:48 - Release Energetic Patterns for Manifestation27:05 - Maintaining High Vibration Frequency39:49 - Expanding Consciousness and Opportunities48:35 - Connecting Through Authenticity and AlignmentFind Out More: https://pagetkagy.com/work-with-me/To join our community click here.➤ To connect with Paget Kagy follow Paget on Instagram➤ Order a copy of my new book The Reinvention Formula today! ➤ Join our CLS texting community for free daily inspiration and business strategies to elevate your day, text (917) 634-3796To follow The CLS Experience and connect with Craig on Social Media:➤ INSTAGRAM➤ FACEBOOK➤ TIKTOK➤ YOUTUBE➤ WEBSITE➤ LINKEDIN➤ X

The progressive and disruptive social movements of the 1960s and 70s had a huge impact on the Broadway Musical and were reflected back into the culture by them. These include the Civil Rights movement, Women's Liberation, Black Power, and the Gay Liberation Movement. The Stonewall Rebellion in 1969 brought gay issues into the mainstream and during the 1970s LGBTQ+ people would become “out, loud, and proud” in significant numbers. Of course, it makes sense that this new visibility and feeling of liberation would be felt on Broadway where there had always been a large representation of queer people throughout the industry, including in positions of leadership. As a result queer characters and stories began appearing on Broadway -- especially in plays -- but also in a few musicals as well. In this episode I explore the growing visibility of openly queer content on Broadway in musicals such as Hair, Coco, Applause, Seesaw, A Chorus Line, La Cage Aux Folles, and the works of William Finn. I also recount the devastating effect that the AIDS Crisis had on Broadway during the 1980s and 90s when a whole generation of creative talent was eliminated or sidelined by the disease.  AIDS claimed the lives of hundreds of actors, singers, musicians, stage managers, production assistants, and designers -- as well as scores of dancers that had been trained by Bennett, Fosse, Champion, and Tune and might have one day become influential directors and choreographers themselves. The devastation of AIDS opened the door to the “British Invasion” that would soon dominate Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kelly Bishop, legend of stage, screen, chorus lines and iconic television joins us to talk about her magnificent book, The Third Gilmore Girl! Kelly's media path took her from Broadway dancer to a Tony winning performance in A Chorus Line to her partial culpability for putting Baby in a corner in Dirty Dancing to Friday night dinners with Lorelei and Rory as Emily Gilmore. And the journey continues… As Kelly's book and this conversation reveal, she did it all with grace, charm, dedication, diligence and humility.First, we speak with singer/actor Sam Harris, whose rocket ride aboard starship Star Search launched him into millions of living rooms with his celestial rendering of Over the Rainbow. After battling Covid related vocal issues, Sam is readying his  triumphant return in a stage show he calls, Beyond The Rainbow.  Sam and Fritz discuss their shared history at a little Santa Monica nightclub called The Horn where they honed their crafts and were both discovered! Then Kelly Bishop tells us how her work ethic and confidence were shaped by a nurturing mother, who ran interference against her neglectful father, teaching her ballet and carving a path for her to reach for her dreams.Kelly shares how inspired she has been by show runners Amy Sherman and Dan Palladino and how taking on the role of Emily Gilmore allowed her to explore the relationship she witnessed between her mother and her grandmother. She also talks tenderly about her love story with her husband, Journalist Lee Leonard, her surprisingly primal response to the death of her father and her treasured friendships with Amy Sherman-Palladino and Lauren Graham. Kelly also gives us some hints about the newest Palladino project, Etoile, which is coming soon to Prime. All this plus  rounds of IMDB Roulette and Gilmore Girls Trivia!And in recommendations -Weezy: The Echo of Old Books by Barbara DavisFritz: Netflix Movie 'The Teacher's Lounge'Path Points of Interest:The Third Gilmore Girl by Kelly BishopKelly Bishop WikipediaKelly Bishop IMDBA Chorus Line on BroadwayKelly Bishop - At The BalletDirty Dancing The Gilmore GirlsGilmore Girls IMDBGilmore Girls Opening SongMedia Path Podcast"Emily Gilmore" Youtube PageSam Harrishttps://www.samharris.com/Sam Harris at the El Portal Theatrehttps://elportaltheatre.com/beyondtherainbow.htmlThe Teachers' Loungehttps://www.netflix.com/title/81725559The Echo of Old Books by Barbara Davishttps://www.amazon.com/Echo-Old-Books-Novel/dp/1542038162/

Before Kelly Bishop found her way into our hearts as Emily Gilmore, she danced her way into history in Broadway's "A Chorus Line" and the movie "Dirty Dancing." Most recently, you might have seen her as Mrs. Ivey in Hulu's "The Watchful Eye."But chances are you probably recognize the Tony-Award winner from her role as the matriarch of Stars Hollow. She joins us to talk about her new memoir, "The Third Gilmore Girl."Want to support 1A? Give to your local public radio station and subscribe to this podcast. Have questions? Connect with us. Listen to 1A sponsor-free by signing up for 1A+ at plus.npr.org/the1a.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Before Kelly Bishop danced onto our screens as Emily Gilmore she was one of New York City's top chorus girls, inspiring and originating a whole ass character in A Chorus Line. Between winning a Tony and having some husbands she writes one of our favorite kinds of just keep doing shit you like memoirs.  NEW MERCH!!!!!! https://shop.celebritymemoirbookclub.biz/ If you want to host a CMBC meetup here's a meetup 101 packet to help you plan! We're hosting a Book Swap Oct 17! WE'RE STILL IN AUSTRALIA 9/25 - Brisbane, Australia  9/27 - Melbourne, Australia  9/29 - Perth, Australia  Keep up with all the latest:  https://celebritymemoirbookclub.biz/ Join our Geneva Community to chat with the other worms!!!!  Join the Patreon for new episodes every Thursday! https://www.patreon.com/celebritymemoirbookclub  Follow us on Twitter @cmbc_podcast and Instagram @celebritymemoirbookclub  Art by @adrianne_manpearl and theme song by @ashleesimpsonross Learn more about your ad choices. Visit podcastchoices.com/adchoices