Podcasts about Chorus line

Born in Brooklyn, New York Rick Dior began his professional music career at the age of thirteen, freelancing in and around the metropolitan area in various small ensembles, orchestras and theater productions. He is a graduate of the Manhattan School of Music where he studied with timpanist Fred Hinger and jazz composer Bob Mintzer. He also studied extensively with famed jazz drummer Joe Morello. Rick has performed as a percussionist with a variety of superb artists in many musical genres including James Taylor, Aretha Franklin, Ray Charles, Al Jarreau, Roberta Flack, Martina McBride, BeBe and CeCe Winans, Linda Rondstadt, Glen Campbell, Bobby McFerrin, Mary Chapin Carpenter, Randy Newman, and Marvin Hamlisch. He has added his drum set talents to performances with many great jazz artists including Marvin Stamm, Bill Watrous, Rich Perry, Harold Danko, Clark Terry, Red Rodney, Chris Potter, Lionel Hampton and Russell Malone. Rick also has an extensive orchestral percussion background and has performed as principal percussionist, section percussionist and timpanist with the Charlotte Symphony Orchestra, Charlotte Ballet and Opera Carolina since 1990. As a first-call theater percussionist and drummer in Charlotte NC, Rick has performed in dozens of Broadway show tours. They include Chorus Line, Jesus Christ Superstar, Wicked, The Producers, Young Frankenstein, Spamalot, Hairspray, South Pacific, West Side Story, 9 to 5, Mary Poppins, Bring It On, Newsies, and Beautiful. His recording credits are extensive and include CD releases, movie soundtracks and commercial radio/television spots. As an engineer and producer Rick has been involved in hundreds of recordings. These include recording projects with artists such as Branford Marsalis, Delfeayo Marsalis, Ellis Marsalis, Ed Thigpen, Harry Connick Jr., Michael Spiro, Joey Calderazzo, Michael Carvin, and Jimmy Cobb. Rick is also a very active educator and has served as the Professor of Percussion at the University of North Carolina at Charlotte since 2001. He also maintains a busy private and online teaching studio. In this episode, Rick talks about: The variety of demands performing with the Charlotte Symphony Orchestra Playing percussion with touring musicals and the skills needed How important it is to develop fundamental technique at an early age Studying with and befriending the legendary Joe Morello Rick's Youtube channel: it's beginning and it's appeal His custom built drumsticks ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Small, tern-like Bonaparte's Gulls often form a chorus-line at the water's edge. Side by side, in half an inch of water, they stomp their feet as fast as they can. Under this pummeling, a smorgasbord of shrimp is stirred up for the gulls to harvest. Is this a learned behavior, or were these gulls born knowing how to forage cooperatively? Who knows? But it's hard to imagine a more nutritional dance routine! More info and transcript at BirdNote.org. Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks.  BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Max Clayton stars in the hit musical Schmigadoon!, which won the Tony Award for Best Musical. Clayton, plays dashing Danny Bailey in the show. He was honored with the Chita Rivera Award along with Drama Desk and Outer Critics Circle Award nominations for his riveting and showstopping performance. His other stage credits include Chicago, The Music Man, Moulin Rouge! The Musical, Hello, Dolly!, Pretty Woman, Bandstand, Something Rotten!, On the Town, Gigi, A Chorus Line and more. On screen, he can be seen in Kiss of the Spider Woman, White Noise, and Dear Edward. Schmigadoon's original cast recording will be released on August 21 in partnership with Joy Machine Records and will include the entire Tony Award-winning score and orchestrations. This episode was recorded on July 22, 2026. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week the All Stars have to make political smearing their opponents in order to become the first drag Prime Minister! Which Queen has the best ad? Which Queen leads the best smear campaign? And which Queen is ready for A Chorus Line? All this and more! 

Elliot Sneider is a pianist, composer, writer, and improviser originally from Syracuse, New York, where he began playing piano at the age of five. After ten years of classical study with pianist Richard Smernoff, Sneider became obsessed with jazz and blues, studying improvisation with Beth Separac and quickly finding his voice as an improviser. Before long, he was performing professionally throughout Central New York as a teenager, including holding down the piano chair with the Sunday Night Road Band, music directing productions for Syracuse's Talent Company, including the SAMMY Award-winning productions of A Chorus Line and The Full Monty, and spending summers performing with the Stan Colella All-Star Band. He also led his own groups, Too Many Cooks and Five Layer Burrito, the latter with singer/guitarist Joe Driscoll. From an early age, Sneider moved comfortably between jazz clubs, theater pits, concert halls, and community arts spaces — a musical openness that continues to shape his work today. After studying Jazz Composition at the New England Conservatory of Music, Sneider went on to earn degrees in composition and electronic music from New York University and Arizona State University, where he completed a Doctor of Musical Arts degree in Composition. While at NEC, he studied with artists including pianist Paul Bley, whose approach to improvisation deeply influenced Sneider's musical voice and understanding of spontaneity, vulnerability, and listening. Over the years, Sneider's work has ranged from jazz performance and theater to multimedia composition, songwriting, music technology, and arts leadership. His performing career has included collaborations with Michael Arenella's Dreamland Orchestra, Ryan Hobler's Sunroom, Foly Kolade's Asiko, and a wide range of artists throughout New York State. His current project, Merciful TRVLR, brings together many of these musical worlds through performances that blend jazz, Americana, improvisation, storytelling, and song. Following the loss of his wife to cancer, Sneider began creating performances centered on grief, resilience, caregiving, memory, and human connection. Combining original music, spoken narrative, and collaborative improvisation, Merciful TRVLR creates intimate listening-room experiences where audiences are invited not simply to observe, but to reflect, connect, and feel less alone. Elliot visited the Flamingo Lounge on July 20, 2026 to share his music, stories and his personal journey.

In this weeks episode, Dottie and Brandon are joined by two members of the Ritz Theatre Summerstock production of A Chorus Line, Zach Quillen and Maggie Clark! The two actors discuss what the show is all about as well as their roles in the show. As of posting, the show is yet to happen, so here's the link to the tickets if you are in the area! https://tennesseevalleyarts.org/events/a-chorus-line/ A lot of guests featured on the channel are taking part in this show (including yours truly [pretty is what it's about]) so if you missed some of our past guests, come check them out this weekend and next! Intro shot by Reagan Lawson with music by Zeke Jones #achorusline #dance #dancevideo #viraldance #revival #communitytheatre #summerstock #preprofessional #video #hashtag #comedyvideo #podcast #interview #artist #artwork #awesome #campuslife #art #community #comedy #creativeadvice #collegeartist #college #collegelife #video #videos #funny #funnyvideo #silly #students #studentlife #artwork #beautiful #community #design #education #explore #entertainment #explorepage #editing #foryou #fun #hosts #highlights #happy #improvement #instagram #inspiration #jokes #like #motivation #memes #movie #viral #viralvideo #viralvideos #2026 #trending #trendy #trendingvideo #trends

Detrás de cada aplauso hay una audición, años de preparación y una historia personal que pocas veces llega al público. Esa es la esencia de A Chorus Line, el clásico de Broadway que revolucionó el teatro musical al poner en primer plano a los integrantes del ensamble, aquellos artistas que suelen permanecer en un segundo plano, pero sostienen cada espectáculo.El actor, cantante, bailarín y productor, Rodrigo Garmendia, quien cuenta con una trayectoria que lo convierte en una de las figuras más completas del teatro musical, interpreta a Zach en la versión uruguaya que acaba de estrenarse en el Teatro Solís, reflexiona sobre la vigencia de una obra nacida a partir de testimonios reales de bailarines y que marcó un antes y un después en la historia del género. Garmendia destaca el cuidado con el que fue concebida esta producción, dirigida por Mariana Lloret, María Elena Pérez, Javier Soares Netto y Franco Polimeni, con una puesta fiel al original, un elenco de 25 artistas, música en vivo junto a la Banda Sinfónica de Montevideo y un equipo creativo que asumió el desafío de llevar este título emblemático al escenario uruguayo.También reflexiona sobre el presente del teatro musical en Uruguay, un género con una larga trayectoria que hoy vive un gran momento. Además, destaca el talento y el compromiso del joven elenco, cuya historia refleja el espíritu de A Chorus Line: una vocación sostenida, ante todo, por la pasión.

When Drew Lachey (98 Degrees) and Lea Lachey (Choreographer) asked their students to anonymously write down the ways they didn't feel seen, they had no idea it would change the course of their lives. Those handwritten stories became the foundation for Label•less, the moving new Off-Broadway theatrical experience encouraging audiences to look beyond labels and reconnect through empathy. In this special The Art of Kindness conversation, Drew and Lea join Robert Peterpaul to discuss how kindness shapes every aspect of their work—from directing and teaching to parenting and creating safe spaces where artists can thrive. This podcast podcast episode covers: How their new show Label•less was born out of classroom Redefining labels from educator to parent to pop star and what they really mean Building rehearsal rooms with love instead of fear How kind leaders are better leaders Why they can't shake an interaction with one random security guard, plus more. Label•less is a groundbreaking new 90-minute musical experience that gets real about the challenges we all face in today's world. Created by Drew Lachey (98 Degrees & “Dancing With the Stars”) and choreographer Lea Lachey, Label•less features a wildly talented cast of young adults sharing real-life experiences and taking audiences on an emotional journey packed with soaring vocals and electric dancing. With an original score spanning rock, pop, and R&B, plus hit songs like “Born This Way” and “Rise Up,” Label•less is on a mission to break down barriers, remind us of our shared humanity, and envision life beyond labels. Learn more: labellessmusical.com DREW LACHEY (Creator, Co-Director, Writer, Producer), a proud Cincinnatian, is best known for his multiplatinum pop group 98 Degrees, selling more than 10 million records worldwide and achieving eight top 40 singles in the United States. He also appeared on ABC's “Dancing with the Stars” and was crowned Season 2 Champion. A Broadway veteran, he starred as Mark Cohen in Jonathan Larson's Pulitzer Prize–winning musical Rent and as King Arthur's right-hand man, Patsy, in Mike Nichols' Tony Award–winning production of Monty Python's Spamalot. Additional onstage work includes Corny Collins in Hairspray, Charlie in Kinky Boots, and Zach in A Chorus Line. Drew also hosted ABC's “Dance War: Bruno vs. Carrie Ann,” HGTV's “$250,000 Dollar Challenge,” Design Network's “Date My House,” “America Sings,” “The Price Is Right Live,” “Let's Make a Deal Live,” and the Miss USA Pageant. He currently lives in Cincinnati, where he, along with his wife, Lea, created and run Lachey Arts, a performing arts nonprofit.    LEA LACHEY (Creator, Co-Director, Choreographer, Producer) a native of Cincinnati, has worked professionally in many different areas of the entertainment industry. Whether creating for stage or film, theater or concerts, she believes in the power of storytelling. Over the years, she has worked with organizations and artists including the Radio City Rockettes, 98 Degrees, Missy Elliott, Walt Disney, the NBA, and the NFL. Her work has been seen on “Good Morning America,” the “Today” show, Miss America, Miss Teen USA, MTV, and VH1. Over the last several years, she has had the honor of working as choreographer and dance consultant on multiple films, including Carol, starring Academy Award–winning actress Cate Blanchett and Kyle Chandler; Miles Ahead, starring Golden Globe Award–winning actor Don Cheadle and Emayatzy Corinealdi; and “A Christmas Melody,” directed by and starring Grammy Award winner Mariah Carey and starring Lacey Chabert. Lea is currently the Co-Artistic Director of Lachey Arts, a performing arts nonprofit based in Cincinnati.  Follow us: ⁠⁠⁠@artofkindnesspod⁠⁠⁠ / ⁠⁠⁠@robpeterpaul⁠⁠⁠ Support the show! (⁠⁠⁠https://www.buymeacoffee.com/theaok⁠⁠⁠) Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. We are supported by the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

1975. The Broadway musical is maturing and evolving, and while it's probing deeper than ever before, this new style of musical has yet to produce a record-breaking smash. Enter A Chorus Line. The first show to set any number of performance records, A Chorus Line was an unlikely smash, seeing as it had no famous stars, was written by a group of relatively unknown theatrical creators, and was about dancers at an audition. And yet, director and choreogreapher Michael Bennett saw the potential in the everyday struggles of Broadway dancers, and he turned it into a landmark. In this episode, we talk about the destruction of the fourth wall in "At the Ballet" with music by Marvin Hamlisch and lyrics by Ed Kleban. All clips are from the 2015 40th anniversary celebration remaster of the original cast album of A Chorus Line featuring Kelly Bishop, Nancy Lane, and Kay Cole and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com Recommended Reading/Viewing: Ethan Mordden, Anything Goes: A History of American Musical Theater (Mordden's other volumes are also excellent resources for more in-depth discussion) Broadway: The American Musical Record Breaking Performance of A Chorus Line featuring Kelly Bishop and Kay Cole Audra McDonald, Megan Hilty, and Kelli O'Hara Seth Rudetsky Deconstructs "At the Ballet"

From dancer to director, Michael Bennett reinvented what a Broadway musical could be. Shoshana talks with Natalie Guevara, creator of Mirror Man: A Portrait of Michael Bennett and unlike many of our guests, she is someone who didn't consider herself a theater person until Michael Bennett changed that. Natalie got interested because even though Bennett gave us A Chorus Line and Dreamgirls, his name barely comes up in the same breath as Sondheim or Jonathan Larson. Natalie noticed that gap and made it her mission to fill it! They trace Bennett's journey from dancer to one of Broadway's most visionary director-choreographers, hitting Promises, Promises, Company, Follies, A Chorus Line (born from taped personal testimonies), Dreamgirls, and the unrealized projects cut short when he died of AIDS-related illness at just 44. Music featured: "Turkey Lurkey Time" from Promises, Promises "Who's That Woman" from Follies "Better" from A Class Act You can write to scenetosong@gmail.com with a comment or question or to be a guest. Follow on Instagram @‌ScenetoSong and on Facebook at "Scene to Song with Shoshana Greenberg Podcast." Sign up for the monthly e-newsletter at scenetosong.substack.com and consider supporting on Patreon. Theme music by Julia Meinwald.

Dirigido y moderado por José Luis Arranz. En este episodio 'Especial Mamá Ya Soy Artista' nos acompañan Pablo Puyol, Álvaro Carrero, Adolfo Santos y Ángel Caparrós. Opinión, debate y entretenimiento. Buena compañía y buena conversación. Episodio callejero desde... Librería Luces · Alameda Principal, 37 · 29001-Málaga En directo el... 20 de junio de 2026'Podcasteando con amigos' en... WhatsApp: https://www.podcasteando.es/agoraInstagram: https://www.instagram.com/podcasteandoconamigos Conócenos mejor... PABLO PUYOL es actor, cantante y bailarín malagueño, conocido especialmente por su papel de Pedro en la serie Un paso adelante, fenómeno televisivo que también dio origen al grupo musical UPA Dance. A lo largo de su trayectoria ha participado en numerosas series de televisión como Los Serrano, La que se avecina o Servir y proteger. En cine ha trabajado en películas como 20 centímetros, Chuecatown, La mancha negra y En otro lugar. Durante este 2026 ha participado en el rodaje de 4 nuevas películas que verán la luz a final de año y en 2027. Sobre los escenarios ha desarrollado una intensa carrera teatral y musical, participando en montajes como Grease, La bella y la bestia o A Chorus Line. En los últimos años ha protagonizado obras como “Like, el MusicApp”, “Un secreto a voces” y “Una Hermana para tres hermanos” y “Nada” además de encabezar recientemente el musical “Houdini”. ÁLVARO CARRERO estudió interpretación en la RESAD ( Real escuela superior de arte dramático) Madrid. En el panorama teatral ha trabajado como actor en montajes como “Se ha escribido un crimen”, “La cena de los idiotas”, “La extraña pareja”, “En ocasiones veo a Umberto” y “abre fácil”. Todos ellos representados por todo el territorio español haciendo también temporada larga en Madrid.En cine y televisión cabe destacar su aparición en la serie de tve “centro médico” y en las películas “los Japón” y “la lista de los deseos”. Al margen de la interpretación cabe destacar su trabajo como director y dramaturgo. Co-autor de la obra“Se ha escribido un crimen”. Director y autor de las obras “en ocasiones veo a Umberto”, “el juez de línea”, “abre fácil”, “un secreto a voces”, “una hermana para tres hermanos” y “Nada”. Sus trabajos como guionista más destacable: “sinceros” y “sos estudiantes” Canal 2 de Andalucia. “Mira la vida”. Canal sur. Cortometraje “abre fácil” con el que ganó el festival de cine de Málaga. Actualmente se encuentra en la elaboración de su primer largometraje “124 destino Bilbao” y desde 2023 es socio de la productora, Producciones teatrales la cochera.JOSÉ LUIS ARRANZ SALAS (Málaga, 1968) es Informático y Comunicador. Cuenta con más de 30 años de experiencia profesional en los diferentes sectores de las Tecnologías de la Información, la comunicación y la docencia. Docente vocacional ha impartido cursos en distintos centros y universidades. Es emprendedor en Celinet Soluciones Informáticas. Entrevistador en Entrevistas a Personas Interesantes (Mejor Blog de Actualidad en los Premios 20 Blogs de 20 Minutos). Instagramer y YouTuber en En directo con amigos. Podcaster en Podcasteando con amigos. Articulista en Mentes Inquietas y otros medios físicos y digitales. ÁNGEL CAPARRÓS VEREDA (Málaga, 1968) es Informático, administrador de sistemas, especializado en diseño y programación de equipamientos electrónicos de automoción, control de acceso, flotas, laboratorios y observatorios astronómicos. Astrófilo desde que vió unos puntos brillantes en el cielo, y constructor de telescopios desde que aprendió a usar la sierra y el martillo. Ha diseñado equipos de software y hardware abierto orientados al control de telescopios y la astrofotografía que, para su sorpresa, aún siguen siendo construidos y usados por aficionados en todo el mundo. Disclaimer: Las opiniones vertidas en este podcast las realiza cada contertulio a título personal. La responsabilidad, a todos los efectos, de todo lo dicho es exclusiva de esa persona.

 Listen to the Show Right Click to Save GuestsCity Theatre Company A Raisin in the SunDirty Gold Theatre Insomnia Cafe What We Talked About The Tonys Winner's List Pink Opening NY Times Best/Worst Death of a Salesman - rudin Lost Boys – lighting design Chorus Line Helen Shaw's update Kennedy Center Fallen Angels Streams Girl Interrupted Review TDF Autism Friendly performances Bowen Yang to host Jimmy's Stranger Things to close on B'way and West End Hadestown Pro Tape trailer Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)  

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Our annual look at the Tonys from 50 years ago: A Chorus Line, Chicago, Pacific Overtures, Bubbling Brown Sugar, and more.: 5 -6- 7- 8!!

New York's hottest new show is THE CIRCUIT, an immersive silent disco ballet. This episode Sarah chats with Josh Zacher, choreographer of The Circuit, the latest creation from New York Theatre Company. Sarah and Josh talk about dance, queer storytelling, and this sexy new show pulsing every Thursday through Sunday now through the end of June on the streets and in the scenic landscape of DUMBO. THE CIRCUIT is an immersive, site-specific silent disco theatrical experience inspired by Arthur Schnitzler's La Ronde. It fuses dance, theater, and a live original score into performance. Audience members wear wireless headphones, hearing a fully realized play—including dialogue, monologues, and a live EDM score—while watching choreography unfold in real time through the streets of DUMBO, Brooklyn. Attendees follow performers along a set route, creating a personal and fluid experience.  Josh Zacher is the Associate Choreographer for Dr Seuss' How The Grinch Stole Christmas National Tour. Josh also has worked at The MUNY, Tuacahn, Seattle's 5th Avenue, Kansas City Starlight, The Ordway, La Mirada, J2 Spotlight, The George, and Inside Broadway. Some of his recent collaborators include Richard J. Hinds, John MacInnis, Sara Edwards, Glenn Casale, Robbie Roby, Michael Heitzman, Denis Jones, Marcia Milgrom Dodge, Rachel Klein, and Chase Brock. Some recent shows include La Cage Aux Folles, The Wizard of Oz, Disney's The Little Mermaid, Esther (World Premiere), and Big Famous (Lab - Choreographer). Josh is also the founder and creator of Stage the Number, a professional style rehearsal workshop and a founding member of The New York Theatre Company. Find Josh's class at Steps On Broadway, Broadway Dance Center, and New York City Center. Performance: National Tour: The Prom, A Chorus Line. Education: NYU/Tisch - BFA www.josh-zacher.com @dancingdudejz @stagethenumber Learn more about your ad choices. Visit megaphone.fm/adchoices

Michael Berresse went straight from high school to performing at Disneyland, then at Walt Disney World, and then Tokyo Disneyland. From there, he moved to New York, where he's appeared in over 7,000 performances of 11 Broadway shows. Michael made his Broadway debut in the 1990 revival of Fiddler on the Roof. He was nominated for a Tony and Olivier Award for Best Featured Actor in a Musical for his work as Bill Calhoun in Kiss Me Kate. He also starred in Chicago (first as Fred Casely and later as Billy Flynn), Guys and Dolls, Carousel, Damn Yankees, The Light in the Piazza, the revival of A Chorus Line as Zach, and The Cher Show where he played the roles of Bob Mackie, Robert Altman, and Artie.Also on Broadway, Michael directed and choreographed the musical, [title of show], for which he was nominated for a Lucille Lortel Award and a recipient of off-Broadway's Obie Award.On film, Michael stalked Russell Crowe in State of Play, rescued Haley Joel Osment in A.I. Artificial Intelligence directed by Steven Spielberg, and offed Albert Finney in The Bourne Legacy. He also appeared as himself in the documentary film Every Little Step, which follows the casting process of the production of A Chorus Line.He's also fallen into the orchestra pit on Broadway…twice…and, of course, Michael and Scott talk about that.Enjoy this interview with the incredible Michael Berresse!Email: TheMouseAndMePodcast@gmail.comSupport: www.patreon.com/themouseandmeFB and Instagram: “The Mouse and Me”Music by Kevin MacLeod from https://incompetech.filmmusic.io

It's time for one singular sensation as we reached the Top 40 of our list starting with the 1985 adaptation of ‘A Chorus Line' directed by Richard Attenborough. With a cast including Michael Douglas and Alyson Reed we see a group of dancers as they audition to be part of a new Broadway Show. So grab your gold hat, get in line and tune in!

Locked and Probably Loaded with DJ Qualls & Kelly Blackheart — chaos, camp, and candid confessions. In this episode DJ and Kelly riff on late-night movie nostalgia (A Chorus Line, Heathers), awkward theater memories, and the weird joy of revisiting cult favorites. They swap stories from emo nights at the Avalon, run-ins with fans, and drunkenly delightful takes on holiday/Hallmark comfort-watching — all with the show's signature absurdity and heart. Then the pair dive into modern annoyances: crushed Walmart chips (complete with Kelly's AI-made “microwaved crumbs” song), #mustardlife confessions (yes, there's a secret mustard compartment), public parenting pet peeves, and the creeping absurdity of AI — from gaslighting chatbots to fake-cry reality stars. Stick around for listener info, Patreon perks, and their usual tangents that spiral gloriously out of control. Chapters / Timecodes 00:00 — Intro & banter with Isaac 01:11 — A Chorus Line, musicals & campy nostalgia 05:12 — Heathers, Happy Campers & early roles talk 08:00 — Emo Night, Avalon memories & live music shoutouts 15:40 — Public pet peeves: escalators, kids & crowds 19:50 — Reality TV acting bootcamp & Erica Kirk fake crying roast 22:10 — AI experiments: texts-to-song, “fagot.com” riff, and microwaved crumbs track 25:48 — Crushed Walmart chips saga — the viral snack anthem 31:00 — Mustard obsession: secret compartment and condiment strategy 36:00 — AI gaslighting demos & tech paranoia (timers, spelling, resumes) 40:30 — GPS dependence, creativity, and why convenience can be a trap 44:15 — Patreon, live happy hour, call-ins & how to support the show 46:30 — Lost phones, travel habits, Tile recs & pocket vs. purse philosophy 51:00 — Food loves: El Pollo Loco burrito orders, sauces & signature habits 53:30 — Sign-off, plugs, and outro   Best YouTube Tags (SEO-optimized) comedy podcast, DJ Qualls, Kelly Blackheart, Locked and Probably Loaded, podcast highlights, celebrity podcast, comedy clips, emo night, Avalon club, A Chorus Line, Heathers movie, crushed chips, Walmart chips, microwaved crumbs song, mustard compartment, AI fails, chatbot gaslighting, fake crying, Erica Kirk (reality), pop culture podcast, Patreon podcast, listener Q&A Hashtags #ComedyPodcast #DJQualls #KellyBlackheart #LockedAndProbablyLoaded #AICreativity #PodcastHighlights #EmoNight #MustardLife #ChipsSong #PopCultureComedy #DJQualls #KellyBlackheart #LockedandProbablyLoaded #loadedpod #LockedandProbablyloadedpodcast, #DJQuallsPodcast #Supernatural #SPNfamily, Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

TICKETS TO OUR MAY 24 LIVE SHOW IN BROOKLYN ARE ON GENERAL SALE NOW! To get your tickets, go to Littlefieldnyc.com Heath Saunders (Jesus Christ Superstar Live; Natasha, Pierre, and the Great Comet of 1812) joins the lads on the line as they kick-ball-change their way through Marvin Hamlisch, Edward Kleban, James Kirkwood Jr., and Nicholas Dante's 1975 musical megahit: A Chorus Line. Topics include the rise of Michael Bennett, the serendipity of surprise playbills, and what it means to produce a show about 1970s labor in 2026. Heath Saunders: Instagram // Bluesky // spectra.theater Media Referenced in this Episode: A Chorus Line. 1975. Dir. Michael Bennett. A Chorus Line. 1984. Dir. Richard Attenborough. A Chorus Line. 2006. Dir. Bob Avian. Every Little Step. 2008. Dir. James D. Stern and Adam Del Deo. Free For All: Joe Papp, The Public, and the Greatest Theater Story Ever Told by Kenneth Turan and Joseph Papp. Knopf Publishing. 2009. On the Line: The Creation of A Chorus Line by Robert Viagas, Baayork Lee, and Thommie Walsh. Limelight Editions. 1990. “What I Think About When I Hear That Broadway is Racist” by Heath Saunders. Medium. June 10th, 2020. TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com   Interstitial: “I Can't Do That” // Music by Marvin Hamlisch // Lyrics by Dr. Samuel Bultch, D.D.S. // feat. Dr. Samuel Bultch, D.D.S. as “Dr. Samuel Bultch, D.D.S.”

New York, 28. April 1990. Nach über 6000 Vorstellungen am Broadway wird "A Chorus Line" abgesetzt. Bis zu diesem Zeitpunkt hatte es kein anderes Musical auf so viel Aufführungen gebracht. Dabei fing alles ganz klein an.

With a gazillion-dollar smile, easy, absolutely effortless charm, Tony Award-winning Cady Huffman took this adoring fan and turned me into an even bigger one (who knew that was possible), and dare I say (she said), a friend. *Sigh* A masterful storyteller, without even trying, I was delightfully mesmerized, hanging on her every word. Her remembrances of Bob Fosse, auditioning for him, being cast by him, dancing with him (WHAT!), and drinking beside him, left me breathless. Tommy Tune, another genius, and The Will Rogers Follies, her first Tony nomination, her most vivid remembrance of finding out is about the guy she woke up with. So damn human at every turn. I love this woman! And of course, her Tony turn, also winning the Drama Desk Award and the Outer Critics' Circle Award, for The Producers, where I first witnessed Cady's stunningly sexy, adorable Ulla, the last preview before opening night. The show against which I've measured all others. To date, none have exceeded the laughs, the spectacle, and the non-stop thrills. In a word, it was… perfection! Cady told us about Susan Stroman, Mel Brooks, Nathan Lane. and our mutual friend, Wendy Waring, still in Cady's world today. We talked Kay Cole, Samantha's director and OG of A Chorus Line, who sang, At the Ballet, which could have been Cady's theme song for many of her days, La Cage Aux Folles, her first Broadway play, the wild backstage antics, and auditioning for Cy Coleman, hysterical! Dame Edna! Steel Pier, Sting! We talked about growing up in Santa Barbara, early family struggles, her first play and her first line, ballet, opera, and Cady mastering each. Her brother Linus, childhood friends Anthony Edwards, Eric Stoltz, and the incredible Kathleen Wilhoite, my long-time grown-up pal. Before we signed off, we talked the reals… aging, food, booze, programs, Ozempic, and a little-known side effect that worked for the good. Cady Huffman is living my life. My childhood dream life. Better than I could have ever imagined. Tonight, I got to live it vicariously through her. Thank you, Cady, for that, for everything! Cady Huffman Live on Game Changers With Vicki Abelson Wed, April 15th, 5 pm PT, 8 pm ET https://youtube.com/live/DmE_USj-UkE

A native of the North Chicago suburbs, Ronna Rochell started dancing at age 5. At that young age, she started with creative movement classes, and by the time she was in junior high, she had evolved into a serious modern dance student. She was fortunate to have a fabulous teacher from junior high and high school who taught her the technique of Martha Graham and Alwin Nikolai.  Her dance teacher's name was Carol Walker, who later went on to serve as Dean of the Department of Dance at SUNY Purchase. At age 16, after studying dance for a summer at the American Dance Festival at Duke University, Ronna auditioned and made it into one of the premiere modern dance companies in Chicago, the Joseph Holmes Dance Theatre.  She was an apprentice with the company and performed with them as well. After dancing in college at the University of Michigan, Ann Arbor, she went on to pursue her MFA in dance at the University of Illinois, Urbana-Champaign, earning her degree in 1989.  Right before graduation, she auditioned and was accepted into the New Dance Ensemble apprentice program.  So after graduation, in 1989, she moved to Minneapolis and apprenticed with the dance company for one year.  Next, inspired by the Nancy Hauser Dance Company, she was invited to join the company in 1991.  Ronna was a member of the Nancy Hauser Dance company for two years. She finished her modern dance career dancing in a Walker Art Center sponsored event in Gerry Girouard's choreography on the beach of Cedar Lake in 1993! Since then she has gone back to her teaching roots and started her own business, BodyWisdom, teaching yoga, Pilates and fitness classes, as well as bringing chair yoga into senior living communities. More recently, she rebooted her dance career by going into musical theatre as she performed with Theatre 55 and had a fabulous time dancing in the productions of Pippin (2019) and A Chorus Line (2023). Now Ronna focuses on continuing teaching yoga and fitness classes, spending time with her three adult sons, tandem biking with her husband Steve, and enjoying cross-country skiing, even racing at the American Birkebeiner.  She is proud to say that she skied the Kortelopet at this event- 29 kilometers- and she just received her 10 year plaque for the Kortelopet - quite an achievement for her!

Episode 322 shares a look at the history and evolution of sound design for theatre, from Broadway to Cirque du Soleil, from the folks at the Twenty Thousand Hertz podcast. This early episode features two of the biggest names in Broadway sound, Abe “The Godfather of Sound Design” Jacobs, whose career ranged from mixing the Mamas and the Papas and Jimi Hendrix to designing such iconic Broadway shows as Jesus Christ Superstar, Hair, Evita, A Chorus Line, and so many more, joined by Jonathan Deans, designer of countless Cirque du Soleil Vegas spectaculars including Mystere, Love, Ka, and many others, as well as a long list of Broadway credits including last year's Tony Award-winning sound design for Buena Vista Social Club, Waitress, and Pippin, to name just a few.Episode Links:Twenty Thousand HertzInside Sound With Dallas TaylorJonathan Deans OnlineEpisode 322 TranscriptConnect with the community on the Signal To Noise Facebook Group and Discord Server. Both are spaces for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments!Also please check out and support The Roadie Clinic, Their mission is simple. “We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle.”The Signal To Noise Podcast on ProSoundWeb is co-hosted by pro audio veterans Andy Leviss and Sean Walker.Want to be a part of the show? If you have a quick tip to share, or a question for the hosts, past or future guests, or listeners at home, we'd love to include it in a future episode. You can send it to us one of two ways:1) If you want to send it in as text and have us read it, or record your own short audio file, send it to signal2noise@prosoundweb.com with the subject “Tips” or “Questions”2) If you want a quick easy way to do a short (90s or less) audio recording, go to https://www.speakpipe.com/S2N and leave us a voicemail there.

Our guest today is the remarkable Jessica Lee Goldyn. Currently staring in Gotta Dance, her illustrious career includes some of Broadway's most iconic productions. From her star-making turn in A Chorus Line, to performances in shows like Hello, Dolly!, Finding Neverland and Moulin Rouge, Jessica's professional journey is one of longevity, dedication, and deep artistic commitment - now marking 20 years since her Broadway debut. Jessica is a living legend and it was a true pleasure to have her on the show. Join us as we reflect on the defining moments of her career (including working with Bette Midler!), what excites her about the next generation of Broadway talent, and the kinds of stories Jessica hopes to see, tell and create on stage in the years to come. ______ Follow Jessica on Instagram: @jessicaleegoldyn Follow Goodversations on Instagram: @goodversations ______ If you enjoyed this episode, please share it on your social pages! In this way, more people will get to hear Jessica's thoughts on the industry. Be sure to follow us on Spotify and Apple Podcasts for a fresh batch of weekly episodes, featuring the stars of Mean Girls, Chicago and more.  

Send a textA look at how we approach theatre criticism at OnStage Colorado, plus the week's Top 10 Colorado Headliners and a conversation with the Denver Theatre Ensemble.In this episode of the OnStage Colorado Podcast, hosts Alex Miller and Toni Tresca turn the critical lens on themselves, digging into the craft — and the controversy — of writing honest theatre reviews. As Toni's criticism has grown sharper over five years of covering Colorado's stages, so has the response: from grateful notes to hurt feelings aired on social media. What does it mean to be kind and honest at the same time? And where is the line between candor and cruelty?Toni also catches up on a busy stretch of shows: Steven Dietz's intricate Fiction at Three Leeches in Lakewood, the bracingly timely Just Like Us at Su Teatro, a strong but imperfect A Chorus Line at the Lakewood Cultural Center, and the world premiere of Nina Alice Miller's lyrical Daughtering from Dirty Fish Theatre at the Dairy Arts Center in Boulder.Later, Alex sits down with Rhianna DeVries and Tess Neel, the artistic director and producing director of Denver Theatre Ensemble — a young, DU-rooted company now in its third season and gearing up for an all-world-premieres lineup that includes a collaboration with Picnic Theatre Company in Steamboat Springs.IN THIS EPISODE:- Recent show catchup: Fiction, Just Like Us, A Chorus Line, Daughtering- News: Arvada Center 2025-26 season announcement- News: Yates Theatre in Denver's Berkeley neighborhood moves closer to reopening as a 300-seat indie cinema- News: Can anyone make a living in theatre? A viral Facebook post sparks 115 comments- Main topic: Theatre criticism — honesty, kindness, community theatre and editorial integrity- Interview: Rhianna DeVries and Tess Neel, Denver Theatre Ensemble- Top 10 Colorado HeadlinersTOP 10 COLORADO HEADLINERS:- Phantom of the Opera — Denver Center Buell Theatre, March 18-April 5- Goodnight Moon — Parker Arts (stage production + Fiber Tale exhibit), through March 29- Pen Pals — Theatre Aspen, March 20-21 only- Little Women — Phamaly Theatre Company, Parsons Theatre, Northglenn, March 19-April 4- The Cottage — OpenStage Theatre, Fort Collins, March 21-April 18- Cheap Thrills — Telluride Theatre, Sheridan Opera House, March 20-21- Proof — Magic Circle Players, Montrose, through March 28- Bonnie & Clyde — Bright Heart Stages, The People's Building, Aurora, March 20-29- Women's Theatre Festival — Millibo Art Theatre, Colorado Springs, through March 22- Red Willow — Control Group Productions, South Platte Park, Littleton, March 20-April 4

On this episode, we discuss the Richard Attenborough musical film adaptation of A CHORUS LINE! It's been a divisive movie throughout the years, and maybe it doesn't all work as a movie, but there's plenty to it as an adaptation that is quite compelling.  Panel: Kristin Battestella, Amy Thomasson Visit insessionfilm.com for merch and more! Thanks for listening and be sure to subscribe on your podcast app of choice! insessionfilm.com/subscribe

For this episode, Dennis is joined via Zoom by the cast of the new film Adam and Steve Escape From MAGA for a rollicking game of You Don't Know My Life! Writer-Director Craig Chester is joined by his cast mates Nora Burns, Nadya Ginsburg, Ned Van Zandt, Madeline Reed, Mélisa Breiner-Sanders, Cary Curran, David Ilku and Michael Musto to answer these two questions: As your film demonstrates, last year was a total shitshow...but what's something good you experienced in 2025? AND You're writing a magazine article entitled My Actor's Nightmare based on an incident from your life. What happens in it? Their surprising and hilarious answers include stories about everything from Chorus Line and Studio 54 reunions to getting horny in Trader Joe's at Christmas to having explosive diarrhea in a bagel shop and turning the story into an audition monologue. Watch Adam & Steve Escape From MAGA here: https://www.youtube.com/watch?v=rgVjFrF0AwM&t=3095s    

Linda Love-Simmons returns to the Feeding the Starving Artist podcast!Linda is an award winning director and choreographer who has created special events from Los Angeles to New York City for Disney, Barbie, Monster High, the 2002 Olympics, Megan Mulally, Paramount Pictures, the Radio City Music Hall Rockettes, Holland America cruise lines, Sesame Street Live, Oakley, and Under Armor.  Stage Choreography credits include SWING, A CHORUS LINE, THE PRODUCERS, LEGALLY BLONDE, 9 TO 5, THE PRODUCERS, THE CRYSTAL CATHEDRALS-CREATION, SAVIOR OF THE WORLD, ONCE, DISNEY'S  TARZAN and KINKY BOOTS. For Disney, Linda is an entertainment show director and choreographer of hundreds special events and shows including, DISNEY CHANNEL FAN FEST,  THE ANIMATION ACADEMY, THE ALL AMERICAN COLLEGE BAND, THE DISNEYLAND BAND, THE YOUTH EDUCATION SERIES AND DISNEY PERFORMING ARTS. More than just creating technical and energetic choreography and thoughtful dramatic pieces Linda has a personal mantra of creating positive success experiences.  By inspiring performers to strive for their very best and encouraging them to dwell in the realm of possibility there is passion and excitement in everything she does. Leading by example and having no tolerance for low expectations she creates an environment where everyone she works with can attain the same personal excellence that she strives for in herself.

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Broadway has body issues. What is a Broadway Body? Broadway has long preserved the ideology of the "Broadway Body": the hyper-fit, exceptionally able, triple-threat performer who represents how Broadway musicals favor certain kinds of bodies. Casting is always a political act, situated within a power structure that gives preference to the Broadway Body. In Broadway Bodies: A Critical History of Conformity (Oxford UP, 2023), author Ryan Donovan explores how ability, sexuality, and size intersect with gender, race, and ethnicity in casting and performance. To understand these intersectional relationships, he poses a series of questions: Why did A Chorus Line, a show that sought to individuate dancers, inevitably make dancers indistinguishable? How does the use of fat suits in musicals like Dreamgirls and Hairspray stigmatize fatness? What were the political implications of casting two straight actors as the gay couple in La Cage aux Folles in 1983? How did deaf actors change the sound of musicals in Deaf West's Broadway revivals? Whose bodies does Broadway cast and whose does it cast aside? In answering these questions, Broadway Bodies tells a history of Broadway's inclusion of various forms of embodied difference while revealing its simultaneous ambivalence toward non-conforming bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

We head back to Broadway this episode to audition with Alicia Newcom! She and Jon get into this movie versus the show, the choreography, and try to figure out what the show within the show these characters are auditioning for.Alicia's Instagram: @alicia_newcomAssembly Guide Instagram: @assemblyguidePodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodThreads: @butasongpodYouTube: @butasongpodNext episode: Hedwig and the Angry Inch (SCT #48)!

durée : 00:23:14 - " A Chorus Line " (1975) - Créée en 1975, A Chorus Line révolutionne Broadway en mettant en lumière les artistes anonymes des comédies musicales et connaît un succès inespéré Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Linda Love-Simmons is an award winning director and choreographer who has created special events from Los Angeles to New York City for Disney, Barbie, Monster High, the 2002 Olympics, Megan Mulally, Paramount Pictures, the Radio City Music Hall Rockettes, Holland America cruise lines, Sesame Street Live, Oakley, and Under Armor.  Stage Choreography credits include SWING, A CHORUS LINE, THE PRODUCERS, LEGALLY BLONDE, 9 TO 5, THE PRODUCERS, THE CRYSTAL CATHEDRALS-CREATION, SAVIOR OF THE WORLD, ONCE, DISNEY'S  TARZAN and KINKY BOOTS. For Disney, Linda is an entertainment show director and choreographer of hundreds special events and shows including, DISNEY CHANNEL FAN FEST,  THE ANIMATION ACADEMY, THE ALL AMERICAN COLLEGE BAND, THE DISNEYLAND BAND, THE YOUTH EDUCATION SERIES AND DISNEY PERFORMING ARTS. More than just creating technical and energetic choreography and thoughtful dramatic pieces Linda has a personal mantra of creating positive success experiences.  By inspiring performers to strive for their very best and encouraging them to dwell in the realm of possibility there is passion and excitement in everything she does. Leading by example and having no tolerance for low expectations she creates an environment where everyone she works with can attain the same personal excellence that she strives for in herself.

Today, I'm thrilled to announce my interview with Broadway veteran Annie McGreevey. Tune in to hear some of the stories of her wonderful career, including a memorable note from Bob Fosse during SWEET CHARITY, standing by for Ethel Merman in CALL ME MADAM, the joy of working with John Kenley, singing for Hal Prince at her COMPANY audition, talking to Stephen Sondheim about “Another Hundred People,” making birthday cakes during ANNIE, why THE MAGIC SHOW was a workout, the surprising fate of THE MOONY SHAPIRO SONGBOOK, crying after A CHORUS LINE, recording demos for FOLLIES, headlining at the Fontainebleau, performing with Carol Burnett in FROM THE TOP!, her journey with dyslexia, learning how to wrestle for BELOW THE BELT, performing a solo piece in I STAND BEFORE YOU NAKED, how Joshua Logan kept her job in RIP VAN WINKLE, performing at the first Kennedy Center Honors, making a cameo in JUNO at Encores!, going on in SWEENEY TODD at the last minute, and so much more. Don't miss this in-depth talk with one of Broadway's best.   In-person and livestream tickets to Backstage Babble Live are available here: https://54below.org/events/charles-kirschs-backstage-babble-live-3/

This episode of The Other Side of the Bell, featuring trumpeter performer and recording artist Paul Litteral, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Paul Litteral trumpet interview"   Find the expanded show notes, transcript and more photos here: https://bobreeves.com/blog/paul-litteral-trumpet-interview-the-other-side-of-the-bell-147   About Paul Litteral: Hollywood Paul Litteral began to build his career playing in Broadway hits such as The Best Little Whorehouse in Texas, A Chorus Line and Chess. In 1978, Paul and saxophonist Arno Hecht founded the well-known group called the Uptown Horns. As their visibility increased, the band was recruited for rock and roll gigs and played many of New York's most famous clubs. Paul and the Uptown Horns went on their first rock and roll tour with the J. Geils Band in 1981 and that led to many other opportunities including engagements with The Rolling Stones, Robert Plant, Tom Waits, Joe Cocker, James Brown, Pat Benatar, and Ray Charles. The band lists recording credits on over 150 albums including James Brown's Grammy Award winning "Living in America" and tracks for Joe Cocker, Albert Collins, Bonnie Raitt, Robert Palmer, Lou Reed and REM. In addition to continuing to play music, he began writing and found critical success with Hoboken to Hollywood, which earned him the 2011 Ovation Award for Musical Direction. Paul was also awarded Best Musical Direction by Stage Scene LA for Louis & Keely: Live' at the Sahara, which had a record run, playing to sold out audiences at the Geffen Playhouse. "Hollywood" Paul earned his nickname back in the 1980's due to his prodigious knowledge of film lore. Though his extensive contributions to the LA music scene have also helped add to that fabulous moniker. Paul's fame is within the world of Rock and Roll. On his latest album, "The Litteral Truth," he brings us a collection of songs that inspired his personal musical development. The Brecker Brothers, Edgar Winter and Steely Dan are a few of the artists we cover on the record, and revisiting these great cuts and reinterpreting them was a joyous excursion for all involved. Paul is a fun and talented man, and his records are spreading the joy of knowing him. -Bill Bodine   Episode Links: Outrageous 8 Records Find the albums here: The Litteral Truth Legacy Instagram (@paullitteralmusic) YouTube channel The Other Side of the Bell Episode #92 - Paul Litteral (first appearance)   Bob Reeves Brass Upcoming Events and Appearances: Trumpet Festival of the Southeast, Jan. 17, 2026, Kennesaw State University, Georgia Texas Music Educators Association Conference, Feb. 11-14 2026, San Antonio, Texas Dylan Music, Feb. 26-28, Woodbridge, New Jersey   Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - Paul Litteral Audio Engineer - Ted Cragg

Get ready for a wonderfully nerdy Broadway deep dive! In this episode, host Marc Bonanni of Broadway by Ghostlight sits down with authors Andrew Gerle and Joseph Zellnik to celebrate their dazzling new book The Periodic Table of Broadway Musicals. They're joined by very special guest—three-time Tony nominee and Broadway icon—Mary Testa for a lively talkback, signing, and live podcast recording that blends history, humor, and show-tune devotion. Inspired by the classic periodic table, the book reimagines 118 essential musicals—from A Chorus Line to Rent—as elements, complete with “atomic” symbols, clever original artwork, cast lists, trivia, and insights that reveal how each show shaped the evolving chemistry of Broadway. Whether you're a superfan, a theatre student, or simply someone who loves a good poster and a great story, this conversation uncovers the inspiration behind the project and the unexpected alchemy of musical theatre itself. Tune in for laughs, lore, and a whole lot of Broadway love—all with a full-size pull-out poster waiting in the wings. Learn more about your ad choices. Visit megaphone.fm/adchoices

Follow Your Yellow Brick Road to Success….Desmond Richardson: (Ballet) Pointe of View What is your INTENTION?WHY ARE YOU DOING WHAT YOU DO?He says to his dancers be “Inside of the Moment.”He's worked with Aretha Franklin, Michael Jackson, Prince and MadonnaHe's trained and /or danced alongside the greats: Alvin Ailey, William Forsythe, Sylvie Guillem, Sarita Allen, Carmen de Lavallade, Maurice Béjart, Mikhail Baryshnikov, Diana VishnevaKeywordsdance, ballet, artistry, mentorship, performance, intention, Complexions, dance education, global dance, cultural impactSummaryIn this conversation, Michelle Zeitlin and Desmond Richardson explore the intricate world of dance, focusing on the importance of intention, artistry, and mentorship. They discuss the daily life of a ballet company, the significance of authenticity in performance, and the evolution of dance education. The dialogue also highlights the creation of Complexions, a dance company that fuses various styles, and the impact of iconic artists on their journeys. Ultimately, they emphasize the need for dancers to connect with their audience and the cultural relevance of dance in today's society.TakeawaysThe journey of a dancer is about intention and authenticity.Daily life in a ballet company involves nurturing young artists.Artistry in dance requires more than just technical skill.Complexions represents a fusion of diverse dance styles.Mentorship plays a crucial role in shaping a dancer's career.The importance of being present in the moment during performance.Dancers must understand their unique voice and perspective.Dance education is evolving to include a broader range of styles.The global landscape of dance is rich and diverse.Cultural impact of dance is significant and should be celebrated.TitlesPassion and Purpose in DanceThe Daily Life of a Ballet CompanyChaptersUnderstanding Intent in DanceThe Essence of an ArtistComplexions: A Fusion of Dance StylesWorking with Icons: Michael Jackson and PrinceThe Journey of ComplexionsTraining and Technique in DanceThe Influence of European DanceThe Importance of Authenticity in ArtThe Growth of Dance IntensivesDiversity in Dance TrainingThe Role of Mentorship in DanceThe Journey of a DancerCultural Experiences in DanceThe Importance of Audience ConnectionPassion to Power in DanceMichelle Zeitlin is a former ballet dancer with the Joffrey Ballet Concert Group; She worked with the Creator of A Chorus Line and Show Creator of DREAMGIRLS, on the original Broadway Workshop, SCANDAL--Michael Bennett. She has danced on TV, in feature films, commercials, music videos and choreographed and directed hundreds of projects. Her company, More Zap Productions produced turnkey Experiential Events (Industrials) for major brands including NIKE, APPLE, INTEL, and many many others.She has also danced ballets, contemporary choreography and musicals around the globe. So it is with this like minded understanding that she interviews Desmond Richardson, co-founder of COMPLEXIONS, a contemporary ballet company, with Dwight Rhoden.They talk about their mutual work experiences with "folks" like Michael Peters. Michelle met with Bob Fosse at the very young age of seventeen in NY to read for the movie, STAR 80.Desmond danced with Bob Fosse in his world wide hit which was all DANCE. Shirley MacLaine and Cyd Charrise were in that audience, along with MJ, who sent Desmond a fan note backstage!For more on Complexions, see their website https://www.complexionscontemporaryballet.org/For More on Michelle Zeitlin, Host/Producer of More Zap Productions & Management https://www.morezap.com/You can pitch guests to Michelle and her Team at Passion-Power.com on the Contact FormWe are also booking speaking engagements, workshops and coaching clinics for CREATIVES at every stage of their development/career.MoreZAP@gmail.com Thanks for listening! We'd appreciate a 5 star Rating!

 Listen to the Show Right Click to Save GuestsEvery word.Poetry The Blasphemy of a Good BathAlchemy Theatre  'Night MotherWhat We Talked About Ragtime Purple Rain Trailer for Merrily We Roll Along Film Good Sex Off Broadway No Actor Strike, but musicians? Deaf West Elephant Shoes Commercial for Chess Chorus Line in the Philippines Today Tix Ari Emanuel Moonstruck All Star Reading Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)

This year is the 50th anniversary of A Chorus Line and Chicago and the 10th anniversary of Hamilton. Meanwhile, new Broadway shows are struggling to make their money back. This hour, we take stock of stage musicals today, learn how they’re developed, and ask about their status in our culture. GUESTS: Alexander Gemignani: Actor, music director, orchestrator, conductor, composer/lyricist, educator, and artistic director of The National Music Theater Conference at the Eugene O'Neill Theater Center Elysa Gardner: Theater critic for The New York Sun and a contributor to The New York Times. She is also author of Magic To Do: Pippin's Fantastic, Fraught Journey to Broadway and Beyond Paul Hodge: Award-winning writer-composer from Brisbane, Australia. His work has been produced Off-Broadway, in London, Edinburgh and Australia, including at the Sydney Opera House. His new musical, The Great Emu War, is currently at the Goodspeed Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Dennis is join via Zoom from Sitges, Spain by writer Jon Kinnally to talk about his new memoir I'm Prancing as Fast as I Can, which features stories about his life, from his childhood in Syracuse, New York through his career in Hollywood as a longtime writer on Will & Grace, the original incarnation and the reboot. Jon talks about where his title comes from, having "book envy" over other writers who've had books published and trying to communicate to younger generations what it was like for gay people in the 70's, 80's and 90's. Jon also talks finding out he and his writing partner, Tracy Proust, had gotten hired on Will & Grace on the same day he learned that the bankruptcy that he had applied for had gone through. He recalls writing a "lost episode" of Will & Grace called "Will Works Out" that was too edgy for syndication. He also discusses co-writing an episode from the reboot that he's particularly proud of, where Grace reveals that she never read the letters Will wrote her after first coming out to her as gay. Other topics include: moving to Spain with his husband Chris, losing his previous boyfriend Luis to leukemia at the height of the AIDS crisis in New York City, being part of a chunky Chorus Line in college and the enchanting private Madonna moment he got to witness when the pop icon was guest-starring on Will & Grace.

Alex is back for some speculation about the health of Donald Trump (after his disappearance) and Rudy Giuliani (after his “not targeted” car crash). Then we turn to the weird world of Democratic Party influencers and the dark-money group secretly funding their American Girl Doll memes. Finally, we chat a little about phones in schools and Adam Friedland's interview with Richie Torres. Follow Alex on Twitter @Lowenaffchen Check out his show Fortune Kit: https://www.patreon.com/fortunekit And stream “Hotel California” by Bob Marley: https://www.youtube.com/watch?v=taTD0NPb8Do And listen to Felix's new series about video games THE PLAYERS CLUB!

“Some people might say CATS is a ripoff of A Chorus Line. I don't want to go that far but it's remarkably similar. I think it's sort of a doppelganger of A Chorus Line.” In this episode, host Mike Abrams welcomes David Armstrong, a fellow Broadway Podcast Network host and author of the newly published book Broadway Nation.'They delve into the rich history of Broadway musicals, highlighting the significant influences and connections, including how the iconic musical CATS ties into this history. Armstrong shares fascinating insights about the evolution of Broadway from his podcast and University of Washington course, the criteria behind the Jellicle choice, and how reality shows like 'Queen for a Day' may have influenced Broadway storytelling. 00:53 David's Broadway Journey 01:22 The Evolution from Podcast to Book 07:26 The Impact of A Chorus Line on CATS 08:17 The British Theater Transformation 12:16 The Reality Show Parallel 27:54 Assigning CATS to Students 28:39 Discussing the 2019 Movie 35:17 The Jellicle Choice Debate Check out Broadway Nation on Instagram: @davidatbroadwaynation Check out the Broadway Nation Podcast Check out the Broadway Nation Book Produced by: ⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

“Some people might say CATS is a ripoff of A Chorus Line. I don't want to go that far but it's remarkably similar. I think it's sort of a doppelganger of A Chorus Line.” In this episode, host Mike Abrams welcomes David Armstrong, a fellow Broadway Podcast Network host and author of the newly published book Broadway Nation. They delve into the rich history of Broadway musicals, highlighting the significant influences and connections, including how the iconic musical CATS ties into this history. Armstrong shares fascinating insights about the evolution of Broadway from his podcast and University of Washington course, the criteria behind the Jellicle choice, and how reality shows like 'Queen for a Day' may have influenced Broadway storytelling. 00:53 David's Broadway Journey 01:22 The Evolution from Podcast to Book 07:26 The Impact of A Chorus Line on CATS 08:17 The British Theater Transformation 12:16 The Reality Show Parallel 27:54 Assigning CATS to Students 28:39 Discussing the 2019 Movie 35:17 The Jellicle Choice Debate Check out Broadway Nation on Instagram: @davidatbroadwaynation Check out the Broadway Nation Podcast Check out the Broadway Nation Book Produced by: ⁠⁠⁠⁠⁠Alan Seales⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠Broadway Podcast Network⁠⁠⁠⁠⁠ Social Media: @⁠⁠⁠⁠⁠TheWrongCatDied Learn more about your ad choices. Visit megaphone.fm/adchoices

The singular sensation celebrates its 50th Anniversary and we *finally* get around to showcasing its amazing Hamlisch/Kleban score. The original cast plus Tony Bennett, Barbra Streisand, Eydie Gormé, and more.

Mulvaney announces Off-Broadway premiere, stars set for ‘Songs for a New World’ concert, highlights from ‘A Chorus Line’ anniversary concert Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace Aki: grace@broadwayradio.com | @ItsGraceAkiMatt read more

Peter Filichia, James Marino, and Michael Portantiere talk about the 50th Anniversary of A Chorus Line. Reviews include JOY: A New True Musical @ the Laura Pels Theatre, Polishing Shakespeare @ 59e59, A Midsummer Night’s Dream @ Ensemble Shakespeare Company, A Midsummer Night’s Dream @ Shakespeare in the Parking Lot, read more

It's 50 years since theatre history was made - the premiere of A Chorus Line. It was seen as a seminal moment, turning the spotlight on the people who make the show for the first time.Baayork Lee tells Josephine McDermott how she played Connie Wong in the original production. Like many of the first cast, her true life experiences made it into the show which was developed in workshops by director and choreographer Michael Bennett.Baayork Lee describes “the buzz” the musical generated soon after opening in a small venue off Broadway on 21 May, 1975, with everyone from singer Diana Ross and former first lady Jackie Kennedy Onassis to comedian Groucho Marx vying for seats. Two months later on 27 July the show transferred to Broadway. It won nine Tony Awards and became one of the longest-running shows on Broadway. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: A Chorus Line at the Shubert Theatre. Credit: Richard Corkery/NY Daily News Archive via Getty Images)

Max Pearson presents a collection of the week's Witness History interviews from the BBC World Service. Our guest is Dr Natalia Grincheva, an expert in cultural diplomacy from Lasalle, University of the Arts in Singapore. We start by hearing about when US president Bill Clinton was presented with a saxophone on a 1994 visit to Prague and he and the Czech president Vaclav Havel performed together on stage.Then, India's first female anthropologist, Irawati Karve.Twenty years on, the cousin of John Charles de Menezes, describes the day the unarmed Brazilian man was shot dead by anti-terrorism police in London.Plus, the discovery of the super-strong fibre Kevlar in 1965 which was used in bulletproof vests.And finally, 50 years on from the premiere of the Broadway hit A Chorus Line, an original cast member shares her memories.Contributors:Urmilla Deshpande – granddaughter of Irawati Karve.Patricia da Silva – cousin of Jean Charles de Menezes.Baayork Lee – Connie in A Chorus LinePlus, archive recording of Stephanie Kwolek, and material from the Vaclav Havel Center and the William J Clinton Presidential Library.(Photo: President Bill Clinton accepts a saxophone as a gift from a Belgian delegation in 1994. Credit: Luke Frazza/AFP via Getty Images)

In this episode I continue my review of Broadway's Nostalgia Craze of the 1970s and beyond. Many of the musicals that emerged in the late 60s and very early 70s were also influenced by the incipient Nostalgia Craze, even if overall their shows were decidedly modern. HAIR, Jesus Christ Superstar, Godspell, Two Gentlemen of Verona, Applause  all included musical sequences that recalled the Vaudeville era and Silver Age of Broadway. So nostalgia was in the air, and then No, No, Nanette sent it into the stratosphere! And all of this was before the nostalgia craze expanded to include the 1950s. Almost exactly one year after the premiere of Nanette the musical Grease opened on Broadway. It became wildly popular and ran for eight years on Broadway passing Fiddler to become the longest running musical of all time until A Chorus Line passed it. And Grease's enormous success set into motion a 1950s wing of the nostalgia craze by inspiring both the movie American Grafiiti (1973) and the TV show Happy Days (1974). The success of Nanette led directly to a 1973 revival Irene, the smash hit musical that opened in 1919 and became the longest running musical of its day. And Grease led directly to Over Here !, the 1974 musical in which the director, choreographer and producers of Grease attempted to do for the 1940s, what their previous show had done for the 1950s. The two still living Andrews Sisters, Patty and Maxine, where enticed to star in Over Here!, and the Sherman Brothers, of Disney fame, provided a terrific set of brand new very authentic sounding Big Band era style songs for them to swing. Broadway's Nostalgia Craze continued with a hit 1975 revival of the Jerome Kern Princess Theater musical Very Good Eddie, then in 1979 both the 1928 Edie Cantor vehicle Whoopee! and the 1930's style classic Burlesque show, Sugar Babies.  It was inevitable that the movie 42nd Street itself would be transformed into a Broadway stage musical in 1980. That same season there was the Marx Brothers inspired revusical A Day In Hollywood A Night In The Ukraine. 1983 brought a hit revival of Rodgers & Hart's On Your Toes, and over the next decade there would be two Gershwin “revisals”, both of them so heavily reworked that they were given new titles: My One And Only in 1983, and Crazy For You in 1993. In between, came the Broadway debut of a 1937 London hit Me And My Girl in 1986. I would even include the 1980 blockbuster Annie in this category. Although it was, of course, an entirely new musical it certainly played on nostalgia for the comic strip and radio show Little Orphan Annie from the Depression Era, and smartly used that to echo the recession of the 1970's. Some people would say that the Nostalgia Craze never ended, at least as far as Broadway is concerned.  Although, revivals of popular musicals have been part of the Broadway mix throughout most of its 120+ year history, the success of No, No, Nanette and its successors created a pattern and expectation that in every season – there should be at least enough revivals to fill out a Tony Award “Best Revival” category. And you could say that the immense popularity of City Center's Encore Series is an extension of the Nostalgia Craze, as well. I for one hope that we will never tire of rediscovering and reinventing the great musicals of the past. Learn more about your ad choices. Visit megaphone.fm/adchoices