Podcasts about Chorus line

In this episode I continue my review of Broadway's Nostalgia Craze of the 1970s and beyond. Many of the musicals that emerged in the late 60s and very early 70s were also influenced by the incipient Nostalgia Craze, even if overall their shows were decidedly modern. HAIR, Jesus Christ Superstar, Godspell, Two Gentlemen of Verona, Applause  all included musical sequences that recalled the Vaudeville era and Silver Age of Broadway. So nostalgia was in the air, and then No, No, Nanette sent it into the stratosphere! And all of this was before the nostalgia craze expanded to include the 1950s. Almost exactly one year after the premiere of Nanette the musical Grease opened on Broadway. It became wildly popular and ran for eight years on Broadway passing Fiddler to become the longest running musical of all time until A Chorus Line passed it. And Grease's enormous success set into motion a 1950s wing of the nostalgia craze by inspiring both the movie American Grafiiti (1973) and the TV show Happy Days (1974). The success of Nanette led directly to a 1973 revival Irene, the smash hit musical that opened in 1919 and became the longest running musical of its day. And Grease led directly to Over Here !, the 1974 musical in which the director, choreographer and producers of Grease attempted to do for the 1940s, what their previous show had done for the 1950s. The two still living Andrews Sisters, Patty and Maxine, where enticed to star in Over Here!, and the Sherman Brothers, of Disney fame, provided a terrific set of brand new very authentic sounding Big Band era style songs for them to swing. Broadway's Nostalgia Craze continued with a hit 1975 revival of the Jerome Kern Princess Theater musical Very Good Eddie, then in 1979 both the 1928 Edie Cantor vehicle Whoopee! and the 1930's style classic Burlesque show, Sugar Babies.  It was inevitable that the movie 42nd Street itself would be transformed into a Broadway stage musical in 1980. That same season there was the Marx Brothers inspired revusical A Day In Hollywood A Night In The Ukraine. 1983 brought a hit revival of Rodgers & Hart's On Your Toes, and over the next decade there would be two Gershwin “revisals”, both of them so heavily reworked that they were given new titles: My One And Only in 1983, and Crazy For You in 1993. In between, came the Broadway debut of a 1937 London hit Me And My Girl in 1986. I would even include the 1980 blockbuster Annie in this category. Although it was, of course, an entirely new musical it certainly played on nostalgia for the comic strip and radio show Little Orphan Annie from the Depression Era, and smartly used that to echo the recession of the 1970's. Some people would say that the Nostalgia Craze never ended, at least as far as Broadway is concerned.  Although, revivals of popular musicals have been part of the Broadway mix throughout most of its 120+ year history, the success of No, No, Nanette and its successors created a pattern and expectation that in every season – there should be at least enough revivals to fill out a Tony Award “Best Revival” category. And you could say that the immense popularity of City Center's Encore Series is an extension of the Nostalgia Craze, as well. I for one hope that we will never tire of rediscovering and reinventing the great musicals of the past. Learn more about your ad choices. Visit megaphone.fm/adchoices

 Listen to the Show Right Click to Save GuestsScriptWorks Out of Ink In StepAustin Shakespeare Young Shakespeare Cymbeline What We Talked About  Chorus Line 50th Call Me Izzy Separate the Artist from the Art Etoile Megan Hilty Tartuffe Off B'way Joe Allen's is 50 Billy Joel B'way Actors Cover Real Women Have Curves Clsosing Dog Man The Musical Sandy Knox Thank you to Dean Johanesen, lead singer of "The Human Condition" who gave us permission to use "Step Right Up" as our theme song, so please visit their website.. they're good! (that's an order)

While House Speaker MikeJohnson has been supporting President Trump's “One Big, Beautiful Bill,” its proposed Medicaid cuts could cause many of his constituents to lose coverage. The Gulf States Newsroom's Drew Hawkins traveled to Shreveport to hear what people are saying. One of the longest-running Broadway productions, “A Chorus Line,” opens at the Tulane Summer Lyric Theatre this weekend. And for the first time in the company's history, all productions this season are directed and choreographed by women. Director and choreographer Jauné Buisson and cast member Michael Paternostro share the details.Another performance debuts at Tulane this weekend as the New Orleans Shakespeare Festival continues its run of “The Imaginary Invalid.” Cast members Doug Spearman and Alix Paige tell us about performing Molliere's 17th century comedy.__Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber and our assistant producer is Aubry Procell. Our engineer is Garrett Pittman.You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App, and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

Every once in a while, you get the honor of doing a podcast with someone who you know is an important part of history. That's what I got to do today with Abe Jacob. Now, Abe is a sound designer. If you don't know what that is, well, I didn't really know either, but he's actually known as "The Godfather of Sound."He's had this remarkable life and career starting with his first gig that he did when he's right out of college at 22 years old in that 1966-1967 timeframe. This job ends up being The Beatles' last live concert. Shortly after he gets a job working with a band called The Mamas and the Papas. He tours with them and Peter, Paul and Mary, even winding up at the Capitol during a huge Vietnam protest concert. His list of accomplishments just goes on and on and on, having worked intimately with Jimi Hendrix until his death.What's so interesting is that Abe works with all of these legends, but he doesn't earn his nickname until he moves to theater. He is critically important to all the major plays of this time, including  Hair, Jesus Christ Superstar, Pippin', and he does A Chorus Line and Chicago at the same time. I mean, he works with legendary choreographer Bob Fosse. He becomes great friends with legendary actress Lauren Bacall. He has had an amazing and very interesting life. You can see why I'm excited having Abe do my podcast. It's exactly what I'm looking to accomplish. To document these important voices in art and Abe is most definitely an artist. Quite frankly, I would pay to interview Abe. He was that good. So I hope you enjoy. This is the Godfather of Sound, Abe Jacob, on Art Dealer Diaries Podcast episode 350.

Singer, songwriter, filmmaker, Broadway actor...Pierre Marais takes being a multi hyphenate to a WHOLE new level!  Originally from Capetown, South Africa, and a great pal for fourteen years, Pierre currently stars in Jamie Lloyd's groundbreaking revival of Sunset Boulevard, and has previously appeared on Broadway and in the National touring production of Disney's Aladdin, as well as the tour of A Chorus Line...has starred regionally as Jack Kelly in Newsies and the Emcee in Cabaret, and all while balancing an equally demanding calling/vocation as an award-winning filmmaker. As Apple Pie, written and directed by Marais, has landed him a win for Best Indie Short Film at the New York International Film Awards and as a finalist for Best Young Filmmaker at the world renowned Cannes Film Festival. Pierre talks about the special challenges faced by International artists here in the States and how those challenges serve to inspire all facets of his work as an artist. A true gem of a human, Pierre continues to serve as a role model for any young artist working to find their authentic voice in the chaos of our industry, and I hope you enjoy the conversation as much as we did!

Tom Felton to Play Draco Malfoy on Broadway, Site-Specific ‘Chorus Line’ Announced and Canceled, Trailers for ‘Spider Woman’ and ‘Wicked: For Good’ Since 2016, “Today on Broadway” has been the first and only daily podcast recapping the top theatre headlines every Monday through Friday. Any and all feedback is appreciated:Grace read more The post Today on Broadway: Friday, June 6, 2025 appeared first on BroadwayRadio.

Welcome to Season 04 Episode 4.15 - the "Producers" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in  northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: Mr. Steve Wendell/And The Tony Goes To..."; Mr. Rick Mascaro/Founder, Lakeshore Center for the Arts; Mr. Jefferson Westwood, retiring Director, Rockefeller Arts Center. Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. And don't forget to enter the giveaway for a $25 gift card from Domus Fare, and 2 tickets to any movie from the Cinema Series. Entries must be received by Friday June 6th at 12 noon! Listen to the podcast for the question and answer. Then email your answer to operahouse@fredopera.org. Make sure you put the word "Giveaway" in the subject line and include your preferred contact information. Thanks for listening! Time Stamps (Approximate) 1:55 - Steve Wendell/And The Tony Goes To... 16:30 - Rick Mascaro/Lakeshore Center for the Arts 33:33 - Arts Calendar 35:31 - Mr. Jefferson Westwood/retiring Director, Rockefeller Arts Center Media "I Wanna Be A Producer", from the musical The Producers, music and lyrics by Mel Brooks, performed by Matthew Broderick, from the original cast album, March 2001 "What I Did for Love", from the musical A Chorus Line, music by Marvin Hamlisch, lyrics by Edward Kleban, performed by Priscilla Lopez, from the original cast album, Columbia 1975 "That's Entertainment", from the film musical The Band Wagon, music by Howard Dietz and Arthur Schwartz; written by Betty Comden and Adolph Green, performed by the Boston Pops Orchestra, John Williams, conductor, January 2014 "There's No Business Like Show Business", from the musical Annie Get Your Gun, written and composed by Irving Berlin, performed by the WDR Funkhausorchester, Michael Seal, conductor, June 2022. "There's No Business Like Show Business", from the film musical There's No Business Like Show Business, written and composed by Irving Berlin, performed by Ethel Merman. 20th Century Fox, December 1954. Artist Links Steve Wendell Rick Mascaro Jefferson Westwood Box Office at SUNY Fredonia Lake Shore Center for the Arts Main Street Studios Ticket Website WCVF Fredonia WRFA Jamestown   BECOME AN OPERA HOUSE MEMBER!

On Sunday 18th May, Mickey-Jo was joined at my live Cabaret show 'MickeyJoTheatre: LIVE' at the Phoenix Arts Club by the extraordinary Carly Mercedes Dyer. Carly received an Olivier Award nomination for her hysterical performance as Erma in Anything Goes at the Barbican Centre, and has also wowed audiences in A Chorus Line, West Side Story, Dirty Rotten Scoundrels, and the UK tour of the Drifter's Girl. Just days before her debut cabaret show as part of Janie Dee's "A Wonderful World" cabaret festival at Crazy Coqs, she joined me at MickeyJoTheatre: LIVE to discuss her career so far, the notion of stardom, and how her cabaret will tie in with the festival's conversations about raising awareness of climate change and celebrating connectivity and the beauty of the natural world. •get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

This episode of The Other Side of the Bell, featuring a live panel discussion on the legacy of William Adam and AdamFest, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "AdamFest 2025 Panel Discussion"   About the William Adam Trumpet Festival (AdamFest): The 11th Annual William Adam International Trumpet Festival will take place June 19–22, 2025, at Austin Peay State University, hosted by Dr. Rob Waugh. This year's festival brings together a distinguished roster of William Adam's former students—many of whom are among today's leading trumpet artists—for four days of inspiration, performance, and pedagogy. In the spirit of Mr. Adam's legacy, the festival offers a rich mix of masterclasses, performances, complimentary private and group lessons, and targeted seminars on topics such as jazz improvisation, orchestral playing, trumpet fundamentals, and effective teaching. Special programming is available for younger students and their educators. William Adam taught trumpet at Indiana University's Jacobs School of Music from 1946 to 1988 and continued teaching privately until his passing in 2013. Widely regarded as one of the most influential trumpet pedagogues of the 20th century, his teaching emphasized sound, simplicity, and personal connection. The annual festival ensures his philosophy continues to inspire new generations of trumpet players. About Our Panelists: Bobby Burns Jr. is a longtime member of Earth, Wind & Fire and a veteran of the Los Angeles music scene. After studying with the legendary Bill Adam at Indiana University—where he overcame early challenges to earn a degree in trumpet performance—Bobby moved to L.A., balancing day jobs with gigs until establishing a full-time music career. His versatile résumé spans symphonic, studio, and touring work, with credits including The Temptations, Tony Bennett, Dr. Dre, and Broadway productions like Evita and A Chorus Line. Since joining Earth, Wind & Fire in 2004, he has performed on major stages around the world, from the White House to the Grammys. Bobby is also an active educator, passionate about mentoring the next generation of musicians. Charley Davis is a versatile trumpeter, respected educator, and innovative designer with a career spanning over three decades. A fixture in the Los Angeles studio scene, Charley has performed with legends like Frank Sinatra, Natalie Cole, Buddy Rich, and Placido Domingo, and his credits range from motion pictures and Broadway shows to big bands and Las Vegas stages. He currently teaches at Cal State Long Beach, Citrus College, and the Henry Mancini Institute, where he's known for his deep diagnostic insight and mentorship. Charley is also the founder of Charles Davis Music Products, producing a signature line of trumpets and mutes that reflect his commitment to excellence in both sound and craftsmanship. Robert Slack is a seasoned trumpeter, educator, and recording artist with a master's degree in trumpet performance from Indiana University, where he studied under the legendary William Adam. His diverse career has included everything from orchestras and brass ensembles to touring with Buddy Rich and Paul Anka, and performing in Las Vegas showrooms with stars like Frank Sinatra and Sammy Davis Jr. Now based in Los Angeles, Robert has built an extensive studio career with credits spanning film, television, and commercial work. He currently serves as trumpet professor at Azusa Pacific University, where he's been on faculty for over 18 years. Larry Hall is one of Los Angeles' top session trumpet players, known for his versatility across virtually every musical style. A former student of William Adam at Indiana University, Larry has built a prolific recording career with credits spanning film, television, and albums for artists including Elton John, The Jacksons, Earth, Wind & Fire, and Placido Domingo. His ability to adapt his sound to any musical context has made him a first-call player in the L.A. studio scene. Dr. Karl Sievers is a distinguished performer and educator whose career spans orchestral, jazz, and commercial music. A former student of William Adam, he holds a DMA in trumpet performance and recently retired as a Presidential Professor at the University of Oklahoma. Now in his 24th season as principal trumpet of the Oklahoma City Philharmonic, Karl is equally at home playing lead in jazz and Broadway settings. When he's not performing, he enjoys fitness, motorcycles, fishing, and time with family. Gino Muñoz is a versatile musician, educator, and entrepreneur with over two decades of professional performance experience, including work with Michael Bublé and Gwen Stefani. A proud alumnus and now full-time faculty member at Citrus College, Gino has played a key role in shaping the school's acclaimed Instrumental Music program. He is the past Academic Senate President, produces live shows for venues like SeaWorld and Legoland, and is a partner at 37 St Joseph Studios, a professional recording facility in Arcadia. Anthony “Tony” Bonsera Jr. is a dynamic trumpeter, composer, arranger, and educator whose career spans jazz, big band, rock, and fusion. He has played lead or split lead trumpet with groups like The Glenn Miller Orchestra, Big Bad Voodoo Daddy, and the Bill Holman Big Band, and is a longtime faculty member at Citrus College. As a bandleader and recording artist, Tony's projects—such as his original album The Gates of Hell and the genre-blending Los Angeles Classic Rock Orchestra—showcase his creative range. His latest work, L.A.'s Finest, is an ambitious double album featuring top musicians from across the country. A Philly native, Tony still finds time for family, friends, and the occasional cheesesteak.   Podcast listeners! Enter code "podcast" at checkout for 15% off any of our Gard bags! Visit trumpetmouthpiece.com for more info.     Episode Links: WilliamAdamTrumpet.com Bill Adam Facebook Group -  https://www.facebook.com/groups/603106766409745/ Charley Davis Book - A Tribute to William Adam Print Version - https://trumpetmouthpiece.com/products/tribute-to-william-adam-method-book-his-teachings-his-routine-by-charley-davis PDF Version - https://trumpetmouthpiece.com/products/digital-copy-tribute-to-william-adam-method-book-his-teachings-his-routine-by-charley-davis William Adam Brass Choir Arrangements - https://trumpetmouthpiece.com/collections/william-adam-brass-choir-arrangements International Trumpet Guild Conference, May 27-31, University of Utah, Salt Lake City. Sign up sheet for valve alignments: bobreeves.com/itg William Adam Trumpet Festival, June 19-22, Clarksville, Tennessee. williamadamtrumpet.com  Sign up sheet for valve alignments: bobreeves.com/williamadam   Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Art - courtesy of John Snell Audio Engineer - Ted Cragg

Nelson Bettencourt (Disney's Aladdin / Friendsical) co-hosts The West End Frame Show!Andrew and Nelson discuss Here We Are (National Theatre) and The Mad Ones (Other Palace Studio) as well as the latest news about Tina: The Tina Turner Musical closing, Cynthia Erivo's West End return, Legally Blonde's new tour, casting for The Sound of Music at Leicester Curve and lots more.Nelson recently played Babkak in the UK & Ireland tour of Disney's Aladdin having previously played Ross in the UK tour of Friendsical. Nelson is from Canada, with his Canadian theatre credits including Candide, Fun Home, Rogers & Hammerstein's Cinderella, Sister Act, A Chorus Line, All Shook Up, Beauty and the Beast and Breaking Up Is Hard To Do.Follow Nelson on Instagram: @nfmbettencourt This podcast is hosted by Andrew Tomlins. @AndrewTomlins32 Thanks for listening!Email: andrew@westendframe.co.ukVisit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

Join Matt and me for Episode 134 as we tackle A Chorus Line (1985), a movie musical that boldly asked, “What if we took a Broadway masterpiece… and made it worse?” Directed by Richard Attenborough (yes, really) and starring Michael Douglas as Zach (also… yes, really), this adaptation swaps out two iconic songs for original numbers that absolutely no one asked for—and makes the whole thing feel more like an 80s street dance audition than a tribute to Broadway's beating heart.Gone is the original choreography. Gone is the emotional depth. What's left? Perms, sweatbands, and a lot of bewildered sighing from us. We break down the baffling choices, the missed opportunities, and why this one might just top our list of “what were they thinking?” movie musicals.Support the Conner & Smith Show on Patreon here:https://www.patreon.com/ConnerandSmith?utm_campaign=creatorshare_fan

Today, I'm thrilled to announce my episode with producer Jenny Gersten, who was recently named the new VP and Artistic Director of Musical Theater at City Center. Tune in to hear some of the stories of her legendary career, including how Anne Kauffman and Lear DeBessonet brought her on board at City Center, the true mission of the Encores! series, what she looks for in a potential revival, the challenges of massively reworking a show, her experience running the Williamstown Theater Festival after the pandemic, how changing venues affected the experience of the Festival, how she ended up having the same job as her father at the Public Theater, how transferring a show to Broadway has changed since A CHORUS LINE, how the revival of HAIR transferred to Broadway, developing the marketing strategy for BEETLEJUICE, how they made the off-Broadway revival of SWEENEY TODD financially viable, finding the audience for JUST FOR US using digital marketing, designing the Perelman Arts Center, and so much more. Don't miss this in-depth conversation with one of Broadway's most important creative minds.

Listen to Rachel Cahoon, Nicky Kaider, and Leela Aviles-Dawson the talented actors nominated for their roles in The Sound of Music, Jersey Boys, and Chorus Line. 

This one originally dropped in September 2021 in two parts—but if you missed it back then, don't worry. I'm bringing it back as part of the Broadway Drumming 101 Classic Interview Series.Ray Marchica is one of those drummers whose name has been floating around the NYC scene for decades—and for good reason. He's done it all: gold records, TV house band gigs, iconic Broadway runs, off-Broadway, jazz big bands, the works. From James Brown's "Living in America" to The Rosie O'Donnell Show to Mamma Mia!—Ray's been laying it down with feel, power, and style.In this episode, Ray shares stories about:* Growing up in Brooklyn and learning drums from his uncle in the basement* Studying classical percussion at Brooklyn College with the legendary Morris Lang* Landing his first major gig on the A Chorus Line tour in the ‘70s* Navigating the world of jingle sessions, Radio Registry (yes, that was a thing for you young folk), and Broadway subs* Getting the gig with Dan Hartman and playing on hit records* What it was like playing for La Cage aux Folles, Starlight Express, Will Rogers Follies, and other major shows* His time in the pit for Miss Saigon, the long run with Mamma Mia!, and his approach to training subs* Real talk about the rise of drum machines, the shift in Broadway orchestra pits, and how he's stayed versatile through it allWhether you're a drummer, a fan of Broadway, or just someone who loves hearing stories from the road, the pit, and the studio, you'll dig this.Hit play. Subscribe if you haven't. And check out more at BroadwayDrumming101.com.If you loved this episode, check out some of the other powerful resources we've created for musicians looking to bridge the gap between the classroom and the Broadway pit:*

April is National Autism Awareness Month, and in New Orleans, the next few weeks are full of events to promote acceptance of people all across the autism spectrum. Claire Tibbets, executive director of the Autism Society of Greater New Orleans, tells us more about April's events as well as resources available for the autism community throughout the year.The Summer Lyric Theatre at Tulane is returning for its 58th season. On deck this year are hit Broadway musicals, “A Chorus Line,” “Company,” and “Carousel.” Artistic director Leonard Raybon tells us more about these upcoming performances and his new role at the head of the company. We all know that daily life requires energy and creates emissions. Like when you drive a car or buy a new pair of shoes. But how far would you go to account for your own carbon footprint? Former Coastal Desk reporter Halle Parker joined one New Orleans artist for a tree planting trip in Plaquemines Parish to try, as she tried to offset the emissions created by her artwork. ___Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber. We receive production and technical support from Garrett Pittman, Adam Vos and our assistant producer, Aubry Procell. You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, Google Play and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

durée : 01:28:50 - A Chorus Line, 50 ans - par : Laurent Valière - En 1975, A Chorus Line est une révolution à Broadway : une comédie musicale sur les anonymes qui font les comédies musicales et connait un succès inespéré. Revenons sur 50 ans de succès. Avec dans les étoiles de la comédie musicale My Fair Lady. - réalisé par : Céline Parfenoff

In this week's mini-sode, we are shining the spotlight on Broadway's Pulitzer Prize winning musical, A Chorus Line! This one goes out to all the #DancerFirst folks out there, but it's still a classic that should be in everyone's Broadway knowledge!Support the showHost/ Production/ Editing: Brennan StefanikMusic: Dylan KaufmanGraphic Design: Jordan Vongsithi@batobroadway on Instagram, Threads, and TikTokPatreon.com/batobroadway

ANNIE part 1: Debora Krizak [Sweet Charity, A Chorus Line] stars as Miss Hannigan and original Yellow Wiggle Greg Page stars as President Franklin Roosevelt. Debora was one of my first Podcast guests and Greg makes his professional musical debut, very exciting. Hear more about the new Australian production of ANNIE [Crossroads Live], now playing at the Capitol Theatre before touring, the exciting cast assembled and bringing the Wiggle magic to the world of ANNIE.  Watch performances: ~ 'Easy Street' in Annie ~ 'Hard Knock Life' in Annie ~ Audience reactions watching Annie the musical ~ Audience reactions with Sandy ~ Greg on the Wiggles ~ Debora performing 'Big Spender' at Sydney Cabaret Let Me Entertain You Instagram | Twitter | Facebook | TikTok | Youtube

Legendary composer John Kander (Chicago, Cabaret, Steel Pier, Zorba) shares rarified insider stories with Michael Riedel about the making of Chicago. Kander reminisces about creating epic musical hits with songwriting partner Fred Ebb and collaborating with Director/Choregrapher Bob Fosse. Kander also reveals the secret advice he received from dear friend Liza Minnelli.  Chicago opened on Broadway in 1975, and in the shadow of the Tony-winning musical smash A Chorus Line, Chicago was overlooked for years. When Chicago returned to New York's City Center and transferred to Broadway in 1996, no one would have dreamed that the show would still be running in 2025, making it the longest running musical revival in Broadway history! This episode features never-before-heard excerpts from the interviews Michael Riedel recorded while writing his 2020 best-selling book Singular Sensation: The Triumph of Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Justin and I continue our month of musicals with A CHORUS LINE! Hundreds of hopefuls congregate at a cattle call for Broadway dancers. A sour director, Zach (Michael Douglas), and his brusque assistant (Terrence Mann) whittle down the ranks until they're left with 16 dancers. All tell their life stories -- some tragic, some comic -- and explain their love of dance. Tension mounts when Cassie (Alyson Reed) -- once both a big star and the director's lover but now desperate for a part -- auditions. But Zach must choose only the best for his show. Hear our thoughts - and the thoughts of critics SISKEL AND EBERT.Be sure to subscribe on your favorite pod platform and our YOUTUBE channel!Visit thecultworthy.comVisit https://www.themoviewire.comVideo: https://www.youtube.com/@back2thebalcony

U Guys, after a brief hiatus, Oh My Pod is back with a bang! This week's BroadwayWorld Recap is overflowing with Bway news. Then I am joined by ten-time Broadway veteran, J.Elaine Marcos! From Priscilla, Queen of the Desert to Drag The Musical, J.Elaine has performed in every facet of the New York theater scene and beyond. In this hilarious episode, we talk all about the highs and lows of a lifelong career in Musical Theater, and how to navigate the inevitable ebbs and flows. We touch on J.Elaine's experience as a Filipino actress, and how her heritage has influenced her career in the theater. J.Elaine's resume includes some of the most iconic Broadway shows, from A Chorus Line to Annie, to Sweet Charity to Miss Saigon. With ten Broadway credits and regional/off-broadway credits to boot, I can confidently say J.Elaine knows what she's talking about. She is such a delight, U don't wanna miss this episode! Follow J.Elaine on Instagram: @jelainemarcos Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

Born and raised in New York City, Porfirio Figueroa is a former triple threat who was fortunate to have danced for the legendary Jerome Robbins, and the great Michael Bennett in shows such as “West Side Story” (having played both Chino and Bernardo) and “A Chorus Line” (having played both Mark Anthony and Paul). He has also worked in TV, film and theater in various capacities as a director, playwright, lyricist, and producer. Locally, he is an active member of Fort Washington Collegiate Church where he conceived, developed, and executed “The Salon Hang,” an art showcase for the Upper Manhattan community featuring over 44 local artists. Porfirio has advised numerous not-for-profit organizations and notable clientele on development, execution, and community outreach. Furthermore, he has advised the Washington Heights Chamber Orchestra, served as a Board Member of the Dance Project of Washington Heights, and AYUDA for the Arts. He is a Cum Laude Graduate of the State University of New York at Binghamton, and currently serves as the Deputy Director of Community Affairs for the Office of the Manhattan Borough President, Mark Levine.

On today's episode of The CLS Experience, we have a very exclusive treat. She's not just an actress, she's a beacon of empowerment and a voice for embracing one's true intuitive self, big facts. Growing up as one of the few Asian Americans in her school, she faced challenges fitting in, yet she harbored a deep love for the performing arts, which I absolutely admire. Despite feeling out of place and experiencing bullying, she didn't let these obstacles define her. Instead, she excelled academically, graduating as valedictorian from Malibu High School and heading to UC Berkeley with a focus on math and engineering, just to name a few. But the universe had other plans. A study abroad opportunity in Paris led her to audition for a musical, landing a role in "A Chorus Line." That experience ignited her passion for acting, a path she's pursued with zest and grace. Now she will help you master your energy, call in more abundance, AND her story is one of resilience, self-discovery, and the pursuit of dreams against all odds. She is the embodiment of authenticity and perseverance. She's just a juggernaut in all facets of life and a terrific human being. Please welcome the talented, resilient, and inspiring, abundant and quantum shifting Paget Kagy.12:35 - Personal Growth Through Elevating Consciousness15:23 - Unlocking Your Highest Potential18:48 - Release Energetic Patterns for Manifestation27:05 - Maintaining High Vibration Frequency39:49 - Expanding Consciousness and Opportunities48:35 - Connecting Through Authenticity and AlignmentFind Out More: https://pagetkagy.com/work-with-me/To join our community click here.➤ To connect with Paget Kagy follow Paget on Instagram➤ Order a copy of my new book The Reinvention Formula today! ➤ Join our CLS texting community for free daily inspiration and business strategies to elevate your day, text (917) 634-3796To follow The CLS Experience and connect with Craig on Social Media:➤ INSTAGRAM➤ FACEBOOK➤ TIKTOK➤ YOUTUBE➤ WEBSITE➤ LINKEDIN➤ X

In 2022, two Ana de Armas fans filed a lawsuit after renting the 2019 film Yesterday and discovering that scenes with her from the trailer had been cut entirely from the film. This incident opened a discussion about what is "false advertising." For example, when a Rusical billed as portraying The Wizard Of Oz, Wicked, and The Wiz all at once turns out to be a parody of A Chorus Line - is the audience to blame for having strong reactions? The Action Pack will discuss this bizarre twist on an otherwise fairly serviceable Rusical and more, PLUS the latest round of our Drag Race Fantasy League game! X IS FOR SHOW is a talk show for your favorite media, the same way THE OFFICE was a documentary about a paper company. Every week, THE ACTION PACK gathers to discuss a wide range of entertainment media and news, from film & TV to comics to gaming, music, and beyond. Led by showrunner NICO (@NicoAction) and producer KEVO (@KevoReally), as well as a variety of friends and special guests, these LIVE discussions are not to be missed - so be sure to tune in and join us for all the fun!

durée : 02:28:59 - France Musique est à vous du samedi 01 mars 2025 - par : Gabrielle Oliveira-Guyon - Au programme d'aujourd'hui, de belles œuvres religieuses : le motet Quam Dilecta de Rameau, le Miserere de Zelenka et la Messe en mi bémol majeur de Schubert ! Mais aussi Lester Young et la comédie musicale Chorus Line. - réalisé par : Emmanuel Benito

In this latest recap of RuPaul's Drag Race season 17, Steven has been kidnapped by Joe and forced to talk about A Chorus Line! I mean The Wiz. I mean The Wizard of Oz. I mean, Wicked? Eh, screw it, we'll just throw all of them in a blender and make a Rusical out of it! The remaining ten girls of RuPaul's Drag Race Season 17 show off their musical talents as they take on iconic Wizard of Oz characters such as Dorothy, The Scarecrow, Glenda the Good Witch, and... Cher, I suppose! Who will be getting a Tony and who will be getting a Booty?! Find out in the latest episode of This Toxic Fandom!

The progressive and disruptive social movements of the 1960s and 70s had a huge impact on the Broadway Musical and were reflected back into the culture by them. These include the Civil Rights movement, Women's Liberation, Black Power, and the Gay Liberation Movement. The Stonewall Rebellion in 1969 brought gay issues into the mainstream and during the 1970s LGBTQ+ people would become “out, loud, and proud” in significant numbers. Of course, it makes sense that this new visibility and feeling of liberation would be felt on Broadway where there had always been a large representation of queer people throughout the industry, including in positions of leadership. As a result queer characters and stories began appearing on Broadway -- especially in plays -- but also in a few musicals as well. In this episode I explore the growing visibility of openly queer content on Broadway in musicals such as Hair, Coco, Applause, Seesaw, A Chorus Line, La Cage Aux Folles, and the works of William Finn. I also recount the devastating effect that the AIDS Crisis had on Broadway during the 1980s and 90s when a whole generation of creative talent was eliminated or sidelined by the disease.  AIDS claimed the lives of hundreds of actors, singers, musicians, stage managers, production assistants, and designers -- as well as scores of dancers that had been trained by Bennett, Fosse, Champion, and Tune and might have one day become influential directors and choreographers themselves. The devastation of AIDS opened the door to the “British Invasion” that would soon dominate Broadway. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kelly Bishop, legend of stage, screen, chorus lines and iconic television joins us to talk about her magnificent book, The Third Gilmore Girl! Kelly's media path took her from Broadway dancer to a Tony winning performance in A Chorus Line to her partial culpability for putting Baby in a corner in Dirty Dancing to Friday night dinners with Lorelei and Rory as Emily Gilmore. And the journey continues… As Kelly's book and this conversation reveal, she did it all with grace, charm, dedication, diligence and humility.First, we speak with singer/actor Sam Harris, whose rocket ride aboard starship Star Search launched him into millions of living rooms with his celestial rendering of Over the Rainbow. After battling Covid related vocal issues, Sam is readying his  triumphant return in a stage show he calls, Beyond The Rainbow.  Sam and Fritz discuss their shared history at a little Santa Monica nightclub called The Horn where they honed their crafts and were both discovered! Then Kelly Bishop tells us how her work ethic and confidence were shaped by a nurturing mother, who ran interference against her neglectful father, teaching her ballet and carving a path for her to reach for her dreams.Kelly shares how inspired she has been by show runners Amy Sherman and Dan Palladino and how taking on the role of Emily Gilmore allowed her to explore the relationship she witnessed between her mother and her grandmother. She also talks tenderly about her love story with her husband, Journalist Lee Leonard, her surprisingly primal response to the death of her father and her treasured friendships with Amy Sherman-Palladino and Lauren Graham. Kelly also gives us some hints about the newest Palladino project, Etoile, which is coming soon to Prime. All this plus  rounds of IMDB Roulette and Gilmore Girls Trivia!And in recommendations -Weezy: The Echo of Old Books by Barbara DavisFritz: Netflix Movie 'The Teacher's Lounge'Path Points of Interest:The Third Gilmore Girl by Kelly BishopKelly Bishop WikipediaKelly Bishop IMDBA Chorus Line on BroadwayKelly Bishop - At The BalletDirty Dancing The Gilmore GirlsGilmore Girls IMDBGilmore Girls Opening SongMedia Path Podcast"Emily Gilmore" Youtube PageSam Harrishttps://www.samharris.com/Sam Harris at the El Portal Theatrehttps://elportaltheatre.com/beyondtherainbow.htmlThe Teachers' Loungehttps://www.netflix.com/title/81725559The Echo of Old Books by Barbara Davishttps://www.amazon.com/Echo-Old-Books-Novel/dp/1542038162/

Today, I'm thrilled to announce my interview with Tony winner Kelly Bishop, whose memoir The Third Gilmore Girl is now out from Gallery Books. Tune in to hear some of the stories of her legendary career, including how A CHORUS LINE changed the trajectory of musical theater, how she ended up taking over for Stockard Channing in SIX DEGREES OF SEPARATION, how dying her hair led to her Broadway debut in GOLDEN RAINBOW, why she didn't prepare a Tonys acceptance speech, the miscasting that took place in ON THE TOWN, why PROPOSALS was a disappointing experience, breaking the fire code at the Public Theater, getting put into THE LAST NIGHT OF BALLYHOO, standing up to the creative team during RACHAEL LILY ROSENBLOOM…, why she loved her role in BECKY SHAW, going on the road with IRENE, and more. You won't want to miss this interview with one of stage and screen's best actresses.

On this episode of One Indescribable Podcast… Adam H, Todd the Librarian, and TV Lindy continue their journey through every episode of Schmigadoon by recapping Season 2 Episode 2: Doorway to Where. This episode is paired with the musical A Chorus Line! Our friend Zed (@hardrockhope) joins us to discuss the episode and movie! “In theater camp I was more of a double threat” Thank you for listening, you deserve a whole bowl of corn puddin'! Follow the podcast on Twitter @oneCXGpodcast! Find us @pianomanadam1 (Adam), @librariantodd (Todd), and @tvlindy (Lindy)! Follow Whirlwind Podcasts @WhirlwindPods and visit our website at whirlwindpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The Dutch Apple Dinner Theatre is a beloved Lancaster experience. The theatre opened in 1967 by Deborah and Thomas Prather. Deborah and her husband Thomas, always dreamed to own a theatre in Lancaster instead of going to Hazleton, Lancaster, and Harrisburg. “So, we designed it, built it off of Route 30 in Lancaster. We wanted to go to Lancaster address because of the tourism industry. And so, after the answer to prayers and lots of wishes from friends and contractors, we opened on April 3rd, 1987, with a production of A Chorus Line, “said Debroah. Will Prather is the son of Thomas and Deborah, and now the Executive Producer of Prather Productions. Initially, he said he did not want to go into the family theater business. “I wanted to do I wanted to go in the hospitality industry. I was very fortunate that I was accepted at Cornell University's hotel school, and I got a great education and learned a lot about business. And then I took a job in the corporate world, and that didn't last very long, “said Will. Shortly after, Debroah asked Will if he wanted to return to the business and take over while she retired in 1993. “36 years later, I'm still here, still running the business, managing growth, managing 300 employees and lots of various challenges that we've encountered as a business. But I've always had the support of my parents. My mom has been incredibly supportive through some really challenging times. But the future is bright for the industry, and I'm just honored to be a second-generation business owner and entrepreneur, “said Will. According to Will, the overall guest experience is what sets the Dutch Apple Dinner Theatre apart from other venues in the area. “You know, everything from free parking, which is plentiful to a really terrific meal, very Pennsylvania Dutch local flavors, and then a professional production that is on the caliber of anything else you will see in this community. So, when you bring all those things together and offer them at a valuable price and we also are also really known for our service. We have employees that have been with us from the very, very beginning. We're a very caring operation. We take care of our people and in turn, they take care of our guests who really make the magic happen, “said Will. CLICK HERE to see the upcoming shows from the theatre. Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.

Gilmore Girls was one of the first true binge worthy series that you could watch again and again. On this week's episodes, we are talking to the amazing Kelly Bishop (a/k/a Emily Gilmore).  Kelly shares stories from her new Memoir: The Third Gilmore Girl. From her Tony Award winning time in the original A Chorus Line to Gilmore Girls and her personal journey, Kelly has so many stories to tell in her new book and she shares many of them with us.   Show Notes/Links: www.hotflashescooltopics.com The Third Gilmore Girl: https://amzn.to/40eiBMU FOLLOW US ON: Instagram: https://www.instagram.com/hotflashesandcooltopics/ Youtube: https://www.youtube.com/channel/UC6ssWfO0qeZYEIs6TzrKBHQ Facebook: https://www.facebook.com/groups/657557054765087   Want to Leave a Review for Hot Flashes and Cool Topics? Here's How: For Apple Podcasts on an iPhone or iOS device: Open the Apple Podcast App on your device. Click on the “search” icon Type into the search bar “Hot Flashes and Cool Topics” and click on the show Towards the bottom, look for “Ratings and Reviews” Click on “Write a Review” and leave us your thoughts and comments! For Apple Podcasts on a computer: On the Apple Podcasts website, go to the search bar and type “Hot Flashes and Cool Topics” After clicking on the show, find the “Listen on Apple Podcasts” button and click on it The “Hot Flashes and Cool Topics” podcast should open on the Apple Podcasts application Keep scrolling on the page until you see “Ratings and Reviews” Click on “See All” If you want to give us a five-star rating, hover over the empty stars! If you want to leave your thoughts and comments, click on “Write a Review”!  

Today, I'm thrilled to announce my interview with theater veteran Michael Berresse. Tune in to hear some of the stories of his legendary career, including his brief moment being directed by Jerome Robbins during FIDDLER ON THE ROOF, the process of bringing TITLE OF SHOW to Broadway, creating his version of “Bianca” in KISS ME, KATE, understudying the lead role in DAMN YANKEES, bringing Bob Mackie to the stage in THE CHER SHOW, how he became artistic director of The Weston Playhouse, staging a revival of THE GOLDEN APPLE at Encores!, his onstage accident during BUSKER ALLEY, the isolation of playing Zach in A CHORUS LINE, auditioning for Ann Reinking for CHICAGO, and so much more. You won't want to miss this in-depth conversation with one of Broadway's best actors and directors.

Before Kelly Bishop found her way into our hearts as Emily Gilmore, she danced her way into history in Broadway's "A Chorus Line" and the movie "Dirty Dancing." Most recently, you might have seen her as Mrs. Ivey in Hulu's "The Watchful Eye."But chances are you probably recognize the Tony-Award winner from her role as the matriarch of Stars Hollow. She joins us to talk about her new memoir, "The Third Gilmore Girl."Want to support 1A? Give to your local public radio station and subscribe to this podcast. Have questions? Connect with us. Listen to 1A sponsor-free by signing up for 1A+ at plus.npr.org/the1a.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Episode Summary:  Menina Fortunato interviews the accomplished G Madison IV, a dancer, choreographer, and creative director with a career spanning continents and industries. G shares his journey from self-taught beginnings in San Diego to performing alongside global icons like Mariah Carey, Rihanna, and Kendrick Lamar. Now based in Australia, he reflects on transitioning into musical theater and balancing family life with a thriving career. G emphasizes the importance of mindset, clarity, and professionalism in building a sustainable dance career. He recounts personal challenges, like being fired from a major project, and offers insights on how setbacks can lead to growth. In a lively Q&A with mentees, G provides practical advice on topics like staying calm in auditions, choosing between opportunities, and the qualities choreographers seek in dancers. The conversation is packed with wisdom and inspiration for aspiring and professional dancers alike, showing that success is about more than talent—it's about perseverance, consistency, and a clear vision for the future. Show Notes: (00:00:00) Introduction (02:40) Early Career (10:51) Mindset and Career Lessons (24:00) Musical Theater Transition (40:27) Saying No to Big Jobs (44:25) Q&A Highlights (44:25) Overcoming Rejection (52:55) Audition Mindset (01:03:07) Choosing Opportunities (01:07:00) Professionalism and Consistency Biography: G.Madison IV has thrived in the entertainment industry wearing many different hats for over 20 years. Born in San Diego, California, currently living in Perth, AU with his wife & daughter, G is still hitting the stage whenever possible.  Established in Los Angeles, G's performed, designed and creative directed worldwide for the industry's elite: MARIAH CAREY, CHAKA KHAN, RIHANNA, LADY GAGA, ALICIA KEYS, KENDRICK LAMAR, MEGAN THE STALLION, ALUNA GEORGE, CHE'NELLE, CAMILLA CABELLO, GREENDAY and more. Including THE GRAMMYS, ELLEN, DANCING WITH THE STARS, BILLBOARD AWARDS, LIP SYNC BATTLE, PEOPLE'S CHOICE AWARDS, LATIN VIDEO AWARDS, G has most recently been cast in the newest theatrical phenomena live musical, MJ THE MUSICAL, running in AUSTRALIA.  He has only recently involved himself in musical theater, having starred in HAMA PRODUCTIONS' FAME THE MUSICAL (Crown Theater), & DREW ANTHONY CREATIVES' ‘CHICAGO, and ‘A CHORUS LINE' being the first of many. G has collected numerous lessons on and off the stage so he continues expressing his passion to perform, inform and transform local & international talent through movements, music, and personal development. G is beyond grateful to be able to live an abundant life of creativity, traveling the world, providing for his family …and having fun doing it.  Connect on Social Media: https://www.instagram.com/gmadison4 https://www.facebook.com/Gmadison4 Webpage https://www.made4stage.com

U Guys, Fosse legend Dylis Croman is on the pod! This week's BroadwayWorld Recap has all the latest Bway updates, including my official review of the Wicked film. Then I am joined by a true Broadway veteran with an incredible career, Dylis Croman. Fresh off of performing the role of Roxie Hart in Chicago on Broadway, we chat in her dressing room between shows about her history with the show, and the world of Fosse. Having met Anne Reinking at 14 years old and coming up through the ranks as a dancer, Dylis has always been a force in the world of dance. She made her Broadway debut in FOSSE, taking on one of the most iconic pieces of choreography, Bob Fosse's Trumpet Solo. She worked closely alongside Anne Reinking helping set the first national tour of the show, before going into the Broadway company. Dylis shares about her experience in shows like Sweet Charity, A Chorus Line, Oklahoma!, and the most recent revival of Dancin'. We talk about what it takes to maintain the longevity of a career on the stage, and she opens up about how the most impactful thing she has come to know as a performer is the ability to watch and learn from your peers. Dylis is a true gem, U don't wanna miss this episode! Follow Dylis on Instagram: @dycro33 Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

A Chorus Line (1985) by Bob Sham & Friends

For artists of all disciplines, putting yourself out there is an essential part of the journey. Whether you're a dancer, singer, actor, visual artist, or writer, this episode is packed with actionable advice. What You'll Learn: Audition Insights: Strategies for preparing, reading the room, and balancing authenticity with show requirements. Handling Rejection: How to turn setbacks into growth opportunities and build resilience. Putting Yourself Out There: Embracing vulnerability and taking strategic risks to showcase your talent. Practical Tips for All Artists: Applying audition strategies to any situation where you need to put yourself out there. Special Guest: Kahlia Davis—a seasoned performer trained at Patrick Studios Australia and AMDA in New York. She shares experiences from her roles in productions like A Chorus Line, 42nd Street, and Moulin Rouge! The Musical. Key Takeaways: Plan and manage your schedule to handle multiple auditions or showcases. Maintain energy and focus under pressure. Network and build industry relationships to open doors. Tune in and discover how Kahlia's journey can inspire your own path, helping you face challenges, turn “no” into opportunities, and keep moving forward. Don't miss this episode—it's your guide to mastering auditions, facing challenges, and embracing resilience as an artist. Listen now and take the next step in your creative journey! Want more tips? Check out the show notes here: Copy and paste: https://larabiancapilcher.com/2024/11/12/auditions-and-beyond-the-art-of-putting-yourself-out-there/ Don't forget to share this episode with a fellow creative who might need it!

Today's Guest is Meredith Patterson and she happens to be a very good friend of Scott's. They met another lifetime ago…waaaaaay back in December 1996 and got to perform together 8 shows a week on the US and Canadian tour of Singin' in the Rain.   When the record button for this interview was pressed and when Meredith and Scott popped up on each others screens, they were so happy to see each other, they wound up talking and reminiscing for a while before they even talked about Meredith's career and the Disney stuff.  Since they talked for so long about so many things, and since people have asked what doesn't make the Final Cut - what gets edited out of these interviews - what's going to happen is this - Part 1 is released today, Part 2 will come out next week, and the week after, a bonus episode of some of Meredith and Scott's personal conversation will come out, with Meredith's blessing. You'll hear these two friends laugh, reminisce about their time together, etc.  On Broadway, Meredith is known for her incredible skills as a dancer both in balletic grace and tap dancing, and the New York Times compared her to the legendary Ginger Rogers. How's that for a compliment? She made her broadway debut in the Julie Taymor directed play The Green Bird. For those not familiar, Julie Taymor directed the Broadway musical, The Lion King. Meredith then lived the classic understudy's dream come true when she took over the starring role of Peggy Sawyer in the Tony Award Winning Revival of 42nd Street, where she made her Broadway musical debut.  Meredith was also the first non-original principal to be recorded for posterity with the Lincoln Center Archives. When her Broadway contract was up, Meredith went on to star in the groundbreaking Moscow production of 42nd Street, where she was the first American actress to perform in an English-speaking production in Russia. Also on Broadway, she originated the role of Judy Haynes in Irving Berlin's White Christmas. Other theatre credits include A Christmas Carol at Madison Square Garden and The Boy Friend where she played the Julie Andrews role of Polly Browne under the direction of Julie Andrews. Her national tour credits include starring as Judy Haynes in White Christmas, Polly in Crazy For You, and Kathy Seldon in Singin' in the Rain.  Her television career began with her hilarious role on Boston Legal in a 5 episode arch opposite Candace Bergen and Tom Selleck for Disney owned ABC. She also guest starred on Law & Order SVU opposite Marissa Hargitay, The Good Wife, and Made in Jersey. She played Francesca on All My Children and is featured as one of the last 3 girls for the role of Val in the critically acclaimed A Chorus Line documentary, Every Little Step. Meredith made her feature film debut as Marilyn Monroe in Paramount's Company Man. Some other film credits include Broken Flowers, where she played opposite Bill Murray and was Lady Alyssa in Disney's The Princess Diaries II: Royal Engagement with Julie Andrews, Anne Hathaway, and Chris Pine. Meredith now lives in Montana with her husband and two children where she runs her own production company. She's written two books and she has her own podcast, all of which we'll be talking about...in Part 2 so stay tuned! This episode picks up at the end of Meredith and Scott reminiscing. Enjoy Part 1 of Scott's conversation with the lovely...the talented...Meredith Patterson! Email: ⁠TheMouseAndMePodcast@gmail.com⁠ Support: ⁠www.patreon.com/themouseandme⁠ FB & Instagram: The Mouse and Me TikTok: @TheMouseAndMePodcast Twitter: @MouseMePodcast Music by Kevin MacLeod from ⁠https://incompetech.filmmusic.io⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/themouseandme/support

A flock of small shorebirds, like Western Sandpipers, twists and turns, glittering in the sky. When threatened by a falcon, these birds take to the air, flying so close together that it's hard for a predator to capture one. A bird at one edge turns toward the middle, and a wave sweeps across the entire flock in less than a second.More info and transcript at BirdNote.org. Want more BirdNote? Subscribe to our weekly newsletter. Sign up for BirdNote+ to get ad-free listening and other perks. BirdNote is a nonprofit. Your tax-deductible gift makes these shows possible. 

Tickets are available for in-person attendance and via livestream on The Green Room 42 website. Next month marks the 50th anniversary of The Little Prince, a musical film based on the classic children's story and the final collaboration of Broadway writing duo Alan Jay Lerner and Frederick Loewe. To celebrate this milestone The Green Room 42 presents “Lights, Camera, Lerner and Loewe” on November 5th at 9:30pm. And the special guest of the evening is Steven Warner, who was the child actor in the title role alongside Broadway luminaries like Richard Kiley, Bob Fosse, Donna McKechnie, and Gene Wilder. Two other movie musicals also celebrating anniversaries this fall are Brigadoon, which has enchanted audiences for 70 years with its tale of love and a mystical village, as well as My Fair Lady, the timeless classic reaching its 60th anniversary. And each of these three musicals will be brought to life with some of the finest voices on and off Broadway. This one-night-only concert features Grammy Award nominee Mykal Kilgore (Motown, Hair), Tony Award nominee Jane Summerhays (Me and My Girl, A Chorus Line), Tony Award Honoree Ben Davis (Once Upon a Mattress, La Boheme), E. Clayton Cornelious (Ain't Too Proud), and Ellis Gage (White Rose, James & the Giant Peach). Warner will reprise songs he sang in The Little Prince. Performers from recent Broadway revivals of Lerner & Loewe musicals are among the singers as well, including Rachel Fairbanks (Camelot), Michael Halling (My Fair Lady), and Valerie Torres-Rosario (Camelot). The associate conductor for both Camelot and My Fair Lady, Will Curry, will provide music direction and violin along with Megan Smythe (The Great Gatsby) on piano. Relive the magic of Lerner and Loewe's cinematic masterpieces through an evening of soaring melodies, romance, and nostalgia. The Green Room 42 is located at 570 Tenth Avenue inside YOTEL in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tickets are available for in-person attendance and via livestream on The Green Room 42 website. Next month marks the 50th anniversary of The Little Prince, a musical film based on the classic children's story and the final collaboration of Broadway writing duo Alan Jay Lerner and Frederick Loewe. To celebrate this milestone The Green Room 42 presents “Lights, Camera, Lerner and Loewe” on November 5th at 9:30pm. And the special guest of the evening is Steven Warner, who was the child actor in the title role alongside Broadway luminaries like Richard Kiley, Bob Fosse, Donna McKechnie, and Gene Wilder. Two other movie musicals also celebrating anniversaries this fall are Brigadoon, which has enchanted audiences for 70 years with its tale of love and a mystical village, as well as My Fair Lady, the timeless classic reaching its 60th anniversary. And each of these three musicals will be brought to life with some of the finest voices on and off Broadway. This one-night-only concert features Grammy Award nominee Mykal Kilgore (Motown, Hair), Tony Award nominee Jane Summerhays (Me and My Girl, A Chorus Line), Tony Award Honoree Ben Davis (Once Upon a Mattress, La Boheme), E. Clayton Cornelious (Ain't Too Proud), and Ellis Gage (White Rose, James & the Giant Peach). Warner will reprise songs he sang in The Little Prince. Performers from recent Broadway revivals of Lerner & Loewe musicals are among the singers as well, including Rachel Fairbanks (Camelot), Michael Halling (My Fair Lady), and Valerie Torres-Rosario (Camelot). The associate conductor for both Camelot and My Fair Lady, Will Curry, will provide music direction and violin along with Megan Smythe (The Great Gatsby) on piano. Relive the magic of Lerner and Loewe's cinematic masterpieces through an evening of soaring melodies, romance, and nostalgia. The Green Room 42 is located at 570 Tenth Avenue inside YOTEL in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices

SEASON 3 Episode Eight. "Putting It Out There: Your Mental Health Story On the Stage"Synopsis:   Sean meets two very different performers who claimed their mental health stories by creating their own one-person solo shows: Legendary drag queen Varla Jean Merman aka Jeff Roberson and Broadway actor Chryssie Whitehead. Content warning:  Content about suicide.Dial or text 988 24/7 to the Suicide and Crisis Lifeline if you are in crisis.Follow Varla Jean Merman on Instagram at @varlajeanmerman and online at varlajean.com. Follow Chryssie on Instagram at @ChryssieWhitehead and @imolctheshow and online at ChryssieWhitehead.com.Stage Combat The Podcast is member supported programming.  If you believe in what we are doing, why not support us by becoming a member at STAGE COMBAT AT PATREON?patreon.com/StageCombatThePodcastIt's the companion to Season 3.  Listen to bonus content from this episode:   Jeff Roberson talks about the political attacks on drag from the right and Chryssie recalls being a part of the 2008 A Chorus Line documentary "Every Little Step."  Plus "Sean Goes Off Script" to dive deeper into this episode.And experience at Patreon our all-new chat podcast series:  JUST ACTING and THE MENTAL HEALTH POD.Editing by Alex Griffitt.  Mixing and Sound Design by Justin Gerrish.Written and Directed by Sean Hayden for Haywood Productions, LLC.Produced by Haywood Productions, LLC.Sign up for the Stage Combat newsletter atLanding Page - Stage Combat (stagecombatthepodcast.com)Contact us with a DM at our instagram:Stage Combat

In our series interviewing folks who are transitioning to a new institution, Matty and Kikau chat with André Garner who recently joined the Department of Musical Theatre as an assistant professor in the University of Michigan School of Music, Theatre & Dance. We talk about the strong UMICH alum community, how we nurture curiosity and rigor, and so much more!  Andre's recommendation is The Morning Show on Apple TV and we chat about America's Sweethearts on Netflix.   —-- Garner's Broadway credits include How the Grinch Stole Christmas, The Music Man, Marie Christine, and Grease. Off-Broadway, he starred as the title character in Langston Hughes's Little Ham, as well as performing in From My Hometown. Garner appeared in the national touring productions of The Color Purple, Dreamgirls, Joseph and the Amazing Technicolor Dreamcoat, and Miss Saigon. Internationally, he toured with the European and Asian companies of A Chorus Line. Garner has taught at Ball State University, Baruch College, New York Film Academy, and California State University, Long Beach. His professional memberships include SAG-AFTRA and the Actor's Equity Association, and he currently serves on the executive board of the Musical Theatre Educators' Alliance. Garner received a BS from Virginia Polytechnic Institute and State University and an MFA from California State University, Long Beach.

The Sting. The Way We Were. A Chorus Line. Composer Marvin Hamlisch was well-known for all of those, and much more. In this 1992 interview, Halisch talksabout his illustrious career in show business, starting with his early years at Juilliard. Get The Way I Was by Marvin HamlischAs an Amazon Associate, Now I've Heard Everything earns from qualifying purchases.You may also enjoy my interviews with Amdre Previn and Richard Adler For more vintage interviews with celebrities, leaders, and influencers, subscribe to Now I've Heard Everything on Spotify, Apple Podcasts. and now on YouTube #Broadway #The Sting #Barbra Streisand #Grammy

Costume Designer, JENNIFER STARZYK is a creative collaborator with over twenty five years in the film industry. She takes a character-driven approach with her own unique vision to serve the story and support the script. Her versatile yet distinct style has been showcased across a variety of genres and periods. Perhaps best known for the Netflix psychological series, Mindhunter. where Jennifer worked closely to create a restrained period look with renowned director David Fincher. Her range varies in tone as seen in Warner Bros Neo-Noir Reminiscence starring Hugh Jackman & Rebecca Ferguson; to the outlandish colorful contemporary in Bill & Ted Face The Music; to allowing documentary footage inform how Colin Firth and Toni Colette should look in aughts fashion for Max's The Staircase. Jennifer's latest work was A24 biopic, The Iron Claw, written and directed by Sean Durkin. The Iron Claw stars Zac Efron, Jeremy Allen White, Harris Dickinson and Hold McCallany and is a tragic film that tells the story of the Von Erich's. Spanning from late 1970s- 1990s, her costumes showcase the dynasty of wrestlers and help create the world of rural Texas. Jennifer's elaborate ring robes were included on display at the 2024 ASU FIDM Art of Costume Design in Film. Upcoming work includes Amazon's Killer Heat, starring Joseph Gordon Levitt, Shailene Woodley and Richard Madden. This contemporary mystery was filmed on location in Greece and follows twin brothers who find themselves in a dangerous love triangle on an isolated island. The contemporary costumes highlight quiet luxury and showcase several Greek fashion brands for added authenticity. During the WGA & SAG strikes, Jennifer lent her energy and talent to help costume The Groundlings charity fundraiser, One Night Only. Having just days to outfit 35 performers for The Chorus Line. The musical featured Saturday Night Live alum Kristen Wiig, Will Forte, Ana Gasteyer amongst other incredible talent and helped raise over $200,000 for Motion Picture & Television Fund. All proceeds went to below the line affected by the strikes. Currently, she is designing a contemporary action comedy for Twentieth Century Fox titled, Eenie Meanie. Written and directed by Shawn Simmons. The film stars Samara Weaving as a reformed teenage getaway driver who is dragged back into her unsavory past when a former employer offers her a chance to save the life of her chronically unreliable ex-boyfriend. No matter the project, Jennifer Starzyk brings the same fierce spirit and powerful approach to designing costumes.

Today, I'm chatting with Emmy Award winner Kevin Spirtas about the debut of season 3 of his 6-time Emmy Award-winning digital series, After Forever. The show stars Kevin as Brian and Mitchell Anderson (Doogie Howser, Party of Five) as Jason, a "50-ish" gay couple living in New York City who appear to have it all -- until Jason's untimely death from cancer forces Brian to think about his future and ultimately his mortality, without the love of his life. Season three finds Brian exploring therapy as a means to help him move through his grief while he also attempts to address the idea of dating again. I've known Kevin since our early days pursuing acting in New York City when he was featured in several Broadway productions, including A Chorus Line, Meet Me in St. Louis, and was the official standby for Hugh Jackman in The Boy From Oz. Along the way, daytime TV fans came to know Kevin through his long-running role on Days of Our Lives as “Dr. Craig Wesley.” In 2014, Kevin ran into former Days Of Our Lives writer Michael Slade in a New York gym. Eager to create their own opportunities, the two set out to create a series about gay men over 50. In 2019, After Forever—Season 1 made history by becoming the most Emmy-awarded LGBTQ-themed drama series on any platform. Kevin received an Emmy for Outstanding Lead Actor in a Digital Drama, along with three additional Emmys that he shares with Michael Slade for Outstanding Digital Drama Series 2019 and Outstanding Writing Team for a Digital Drama in 2019 and 2020. The series was also honored with a special recognition award in 2021 by the GLAAD Media Awards. Season 3 of After Forever is available now on Vimeo. Head over to https://afterforevertheseries.com for links to the new episodes. Season 1 and 2 are available on Amazon Prime Video and Dekkoo.

Before Kelly Bishop danced onto our screens as Emily Gilmore she was one of New York City's top chorus girls, inspiring and originating a whole ass character in A Chorus Line. Between winning a Tony and having some husbands she writes one of our favorite kinds of just keep doing shit you like memoirs.  NEW MERCH!!!!!! https://shop.celebritymemoirbookclub.biz/ If you want to host a CMBC meetup here's a meetup 101 packet to help you plan! We're hosting a Book Swap Oct 17! WE'RE STILL IN AUSTRALIA 9/25 - Brisbane, Australia  9/27 - Melbourne, Australia  9/29 - Perth, Australia  Keep up with all the latest:  https://celebritymemoirbookclub.biz/ Join our Geneva Community to chat with the other worms!!!!  Join the Patreon for new episodes every Thursday! https://www.patreon.com/celebritymemoirbookclub  Follow us on Twitter @cmbc_podcast and Instagram @celebritymemoirbookclub  Art by @adrianne_manpearl and theme song by @ashleesimpsonross Learn more about your ad choices. Visit podcastchoices.com/adchoices

“The flavor and the taste of our regions, as soon as you start industrializing it… it strips the flavor of the grain. It might be good as a crop that will bring in money, but it's not going to have that same soulful value that the type of flour that is stone-milled.” —Jennifer Lapidus   From the farmers who nurture the grains, to the millers who coax out their complex flavors, to the bakers who transform these flours into loaves that nourish the soul, these artisans play a crucial role in preserving the unique tastes of their regions.    Jennifer Lapidus founded Carolina Ground, a small flour mill that aims to revive traditional milling practices and strengthen the connection between farmers, millers, and bakers. With a passion for history and a deep appreciation for the art of sourdough bread-making, Jennifer has spent over 30 years championing the use of locally sourced, stone-milled flour to create exceptional baked goods that nourish both body and soul.   Join the conversation as Justine and Jennifer talk about the importance of following your passions even if the path is not straightforward, how collaboration and support help the baking community thrive, the power of preserving tradition in the age of rapid industrialization, the benefits of focusing on the quality over quantity, and the value of finding the right balance for a mission-driven business.   Meet Jennifer:  Jennifer (she/her) is a baker, a miller, an author, a wife, a mother and stepmom, a sister, a fan of beagle mutts, bitter foods, long walks, and Belgian road bikes. She's forklift certified and her favorite musical is A Chorus Line (though Hamilton is a close second).   Website Facebook Instagram Connect with NextGen Purpose: Website Facebook Instagram  LinkedIn YouTube Episode Highlights: 00:40 Baking as a Mark in History 05:21 Making Sourdough More Nutritious and Flavorful  09:16 The Farmers-Millers-Bakers Community  13:16 The Benefits of Growing Laterally  16:39 More than Just Sugar and Egg  

WADE McCOLLUM (Actor) Broadway: Wicked (Witch's Father, Wizard/Dr. Dillamond cover) London's West End: World Premiere of It Happened in Key West (Carl) Broadway Tours: Lincoln Center Theatre's My Fair Lady (Karpathy/Higgins cover), Priscilla Queen Of The Desert (Tick/Mitzi), Jersey Boys (Norm). Off-Broadway: Make Me Gorgeous, (Kate/Kenneth Marlowe), Triassic Parq (Velociraptor of Faith), Secondary Dominance (The Muse), and McCollum's Lortel Nominated and Norton Award-winning performance as Ernest in Ernest Shackleton Loves Me. World Premieres: Water For Elephants, Alliance Theatre (Wade); Michael Weller's A Welcome Guest, CATF (Shimeus); Rob Askins' The Carpenter, Alley Theatre (Gene); Fly By Night, TheatreWorks Palo Alto (The Narrator). Select Theatre: I Am My Own Wife, PCS (Charlotte/Others); A Lie Of The Mind, PCPA (Jake); A Midsummer Night's Dream, Willamette Rep (Puck); Batboy the Musical, PCS (Batboy); The Rocky Horror Show, Triangle Productions (Frank-N-Furter); The Santaland Diaries, Syracuse Stage (Crumpet); Cabaret, Dallas Theatre Center (Emcee) – Dallas/Fort Worth Theatre Critics Award; Hedwig And The Angry Inch, Triangle Productions and L.A.'s Celebration Theatre (Hedwig) – Drammy, Ovation, Los Angeles Critics Circle, and Garland Awards. Select TV and film: “FBI: MW,” “Madame Secretary,” “The Knick,” “Nightcap,” “At Home with Amy Sedaris,” Options, “Prodigal Son,” Delicate Instruments, “Submissions Only,” and Ernest Shackleton Loves Me on broadwayhd.com. www.wadesong.com Rick Elice ( Book Writer) On Broadway: Jersey Boys (Best Musical, 2006 Tony Award, 2007 Grammy Award and 2009 Olivier Award); The Addams Family; Peter and the Starcatcher (winner of five 2012 Tony Awards);and The Cher Show (winner of two 2019 Tony Awards). In the pipeline: The Princess Bride and Smash, co-written with Bob Martin; Silver Linings Playbook, a musical adaptation of the popular film; The Marvels, a musical adaptation of the popular novel; and Treasure, an original musical written with 2021 Ed Kleban Award-winner Benjamin Scheuer. From 1982-1999, as creative director at Serino Coyne Inc, Rick created and produced ad campaigns for more than 300 Broadway shows, from A Chorus Line to The Lion King. From 1999-2009, he served as creative consultant for The Walt Disney Studio. Charter member, American Repertory Theatre. Trustee, The Actors' Fund. BA, Cornell University; MFA, Yale Drama School; Teaching Fellow, Harvard University. Heartfelt thanks to those he's been lucky enough to know, whose work makes him grateful for the day he was born: Sondheim, Stoppard, Bennett, Prince, Fosse, Robbins, Nichols, Tune, Nunn, Timbers, McAnuff, Laurents, Lippa, Stone, Taymor, Papp, Schumacher, Schneider, Costello, Coyne, Brickman, and eternally, Roger Rees. Hey Rog, look who's running away with the circus! Learn more about your ad choices. Visit podcastchoices.com/adchoices