Podcasts about Showboat

Host Jodi Katz sat down with two women at the forefront of redefining health care as we know it: Liz Josefsberg, Founder & CEO of Target 100 Inc and Sarah Pesce, COO of stealth-mode wellness startup Radence.Despite wildly different paths—Liz went from Broadway star to Weight Watchers executive, while Sarah pivoted from nurse practitioner to health-tech builder—both share a mission: to help people move from “sick care” to well care.Liz's early career was center stage—literally. She spent years performing in Showboat and Les Misérables, all while privately battling weight fluctuations. That struggle led her to Weight Watchers, first as a member, then as a team member, and ultimately as their Director of Brand Advocacy. She helped build programs, consulted for the CEO, and guided celebrities like Jennifer Hudson and Charles Barkley through their own wellness transformations.But Liz wanted more than just the Weight Watchers playbook. She authored Target 100, a behavioral weight loss book that evolved into an app platform connecting hydration tracking, biometrics, and movement. Her mission? To give people a simple, evidence-based way to understand their bodies—and stay in the game without guilt or shame.Sarah began in cardiology, treating patients already facing chronic illness. It didn't sit right. She saw an opportunity to move upstream—to build better systems for prevention. That led her to advanced degrees, hospital innovation work, and eventually to launching wellness labs that deliver “digital twins” of users through biomarker testing, wearables, and environmental data.Now, at Radence, Sarah's team is developing a member-based preventative screening experience backed by a powerhouse science team. Her focus? Making cutting-edge longevity care accessible, personalized, and understandable—without needing an advanced medical degree to interpret your own labs.Liz and Sarah agreed on nearly everything: that bio-data is only helpful if it's explained clearly. That technology is outpacing consumer understanding. That shame is a sales tool used too often—and that emotional support is what most health programs are missing. Whether it's using AI to build “Liz in your pocket” or designing a membership that meets people where they are, their north star is clarity, context, and compassion.As Liz put it: “No woman has ever come to me and said she doesn't know an apple is better than a Snickers. The problem isn't information. It's behavior—and how we stay in the game.”

On tonight's episode John, B, and Frank review Game Changer Wrestling's "Tournament Of Survival X" and "Cage Of Survival 4" from the Terminal at The Showboat.

Send us a textIn this episode of the Grow Clinton Podcast, Andy and Jenny interview Chris and Courtney to learn more about the 2025 Clinton Area Showboat Theatre (CAST).The 2025 CAST Season will open on June 12th with The Addams Family.Additional 2025 shows include:Joseph and the Amazing Technicolor DreamcoatBright Star (A New Musical)Almost Heaven (The Story of John Denver)The Clinton Area Showboat Theatre produces professional summer theatre and offers theatre education programs, enhancing the cultural and artistic climate. As one of only three professional union theatre companies in Iowa, CAST aims to be the leading theatre company in the region, attracting talent from across the country. CAST is situated at the community's most iconic landmarks, Riverview Park along the Mississippi River.For showtimes and ticket sales, please visit https://www.clintonshowboat.com/.To promote your member business or organization on the podcast, contact the Grow Clinton office at 563.242.5702 or visit us online at www.GrowClinton.com.Grow Clinton's mission is to promote business growth, foster community, and advocate for the sustainable economic success of the Greater Clinton Region.

The Beulah Show || 03 Beulah Finds A Wedding Ring | July 16, 1945Originally portrayed by a white male actor, Marlin Hurt, Beulah Brown first appeared in 1939 when Hurt introduced and played the character on the Hometown Incorporated radio series and in 1940 on NBC radio's Show Boat series. In 1943, Beulah moved over to That's Life and then became a supporting character on the popular Fibber McGee and Molly radio series in March 1944.On July 2, 1945, Beulah was spun off into her own radio show on CBS, The Marlin Hurt and Beulah Show, sponsored by Tums. Hurt was still in the role of Beulah, and also played the voice of Beulah's boyfriend, Bill Jackson. Beulah was employed as a housekeeper and cook for the Henderson family: father Harry, mother Alice and son Donnie. Rounding out the cast was Oriole Winston, the housekeeper for the family next door to the Hendersons.After Hurt died of a heart attack in 1946, he was replaced by another white actor, Bob Corley, and the series was retitled The Beulah Show, which ran on ABC as a sustaining program from February 24 to August 20, 1947.When African-American actress Hattie McDaniel took over the role on November 24, 1947, with the program returning to CBS. She earned $1,000 a week for the first season, doubled the ratings of the original series and pleased the NAACP which was elated to see a historic first: a black woman as the star of a network radio program.McDaniel continued in the role until she became ill in 1952 and was replaced by Lillian Randolph, who was in turn replaced for the 1953–54 radio season by her sister, Amanda Randolph.: : : : :My other podcast channels include: DRAMA X THEATER -- SCI FI x HORROR -- MYSTERY X SUSPENSE -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESEnjoy my podcast? You can subscribe to receive new post notices. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#comedyclassics #oldtimeradio #otr #radioclassics #jackbenny #fibbermcgeemolly #bobhope #lucilleball #martinandlewis #grouchomarx #abbottandcostello #miltonberle #oldtimeradioclassics #classicradio #duaneotr:::: :

Broadway legend Beth Leavel joins Joel Crump for another edition of Broadway Time at Carmine's! About Beth: Tony Winner Beth Leavel was most recently seen on Broadway in the role of The Baroness in Lempicka. She was nominated for a 2019 Tony, Drama Desk, Drama League and Outer Critic's Circle award for her performance as DeeDee Allen in the critically acclaimed Broadway show The Prom. She received Tony, Drama Desk, NY Outer Critics Circle and L.A. Drama Critics Awards for her performance as the title character in The Drowsy Chaperone. Beth also received Tony, Drama Desk, and Outer Critics Circle nominations for her role as Florence Greenberg in Baby It's You. Other Broadway roles include Mrs. June Adams in Bandstand, Emily in Elf, Donna in Mamma Mia!, Frau Blucher in Young Frankenstein, Dorothy Brock in the revival of 42nd Street, Tess in the original company of Crazy For You, Mrs. Bixby in The Civil War, Ellie in Hal Prince's Showboat, and Anytime Annie (her Broadway debut) in 42nd Street. Numerous TV, most recently The Ghosts of Christmas Always (Hallmark), The Walking Dead (AMC), and The Bite (Spectrum). Beth's one-woman cabaret, It's Not About Me, has played across the country to rave reviews and sold out venues. In her spare time, Leavel gives back and teaches master classes for students all over the world. MFA from UNC-G. Proud mom to T.J. and Sam and helplessly in love with Adam Heller. Grateful to my BRS/GAGE family. "Broadway Time at Carmine's" features Broadway stars over lunch in engaging conversations at the iconic Carmine's Times Square eatery. For more, visit www.BWayTime.com, and follow:

Fanny Herself is the story of Fanny Brandeis, a young girl coming of age in the Midwest at the turn of the 20th century. It is generally considered to have been based on Ferber's own experiences growing up in Appleton, Wisconsin. Ferber would go on to win the Pulitzer Prize in a 1925 for her book So Big, and is also the author of Showboat and Cimarron.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Fanny Herself is the story of Fanny Brandeis, a young girl coming of age in the Midwest at the turn of the 20th century. It is generally considered to have been based on Ferber's own experiences growing up in Appleton, Wisconsin. Ferber would go on to win the Pulitzer Prize in a 1925 for her book So Big, and is also the author of Showboat and Cimarron.  Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Fanny Herself is the story of Fanny Brandeis, a young girl coming of age in the Midwest at the turn of the 20th century. It is generally considered to have been based on Ferber's own experiences growing up in Appleton, Wisconsin. Ferber would go on to win the Pulitzer Prize in a 1925 for her book So Big, and is also the author of Showboat and Cimarron.  Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Fanny Herself is the story of Fanny Brandeis, a young girl coming of age in the Midwest at the turn of the 20th century. It is generally considered to have been based on Ferber's own experiences growing up in Appleton, Wisconsin. Ferber would go on to win the Pulitzer Prize in a 1925 for her book So Big, and is also the author of Showboat and Cimarron.  Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Fanny Herself is the story of Fanny Brandeis, a young girl coming of age in the Midwest at the turn of the 20th century. It is generally considered to have been based on Ferber's own experiences growing up in Appleton, Wisconsin. Ferber would go on to win the Pulitzer Prize in a 1925 for her book So Big, and is also the author of Showboat and Cimarron.  Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Hour two of Happy Hour with Johnny Radio kicks off with some Showboat talk as we talk to Wes Hills, the running back. Next we get into some more NBA talk followed by Hardinwood. Wrapping up the show, Johnny gives you his picks.

Emmy, Tony, and SAG Award nominee Norm Lewis joins The Art of Kindness with Robert Peterpaul to discuss leading a cast with kindness, the unique way advertising influenced his career, his new show Ceremonies in Dark Old Men and more. NORM LEWIS was recently seen onstage starring in the national tour of the Tony Award-winning production of A Soldier's Play and in Andrew Lloyd Webber's West End Concert of Love Never Dies. He starred in Spike Lee's critically acclaimed, "Da 5 Bloods," and in the groundbreaking FX series, Pose. Additionally, Mr. Lewis can be seen starring opposite Hilary Swank in the feature "The Good Mother," Amazon Prime's newest series, Swarm, and Hulu's, Up Here. He was also seen as 'Caiaphas' in the award-winning NBC television special, “Jesus Christ Superstar Live in Concert!,” alongside John Legend, Sara Bareilles, and Alice Cooper. Mr. Lewis returned to Broadway in the Fall of 2021, starring in Chicken and Biscuits at the Circle In The Square Theatre. He previously appeared in the Broadway revival of Once on This Island and as Sweeney Todd in the Off-Broadway production of Sweeney Todd: The Demon Barber of Fleet Street at the Barrow Street Theatre, receiving the AUDELCO Award for his performance. In May of 2014, he made history as The Phantom of the Opera's first African American Phantom on Broadway. He has been seen on PBS in the Live From Lincoln Center productions of Showboat with Vanessa Williams, Norm Lewis: Who Am I?, New Year's Eve: A Gershwin Celebration with Diane Reeves, as well as American Voices with Renée Fleming and the PBS Specials First You Dream – The Music of Kander & Ebb and Ella Wishes You A Swingin' Christmas. He can be seen recurring in the VH1 series, Daytime Divas, also alongside Vanessa Williams. His additional television credits include Women of The Movement, Law & Order, Dr. Death, Mrs. America, Better Things, The Unbreakable Kimmy Schmidt, Bull, Chicago Med, Gotham, The Blacklist, and Blue Bloods, as well as in his recurring role as Senator Edison Davis on the hit drama Scandal. Mr. Lewis is a proud, founding member of Black Theatre United, an organization which stands together to help protect Black people, Black talent and Black lives of all shapes and orientations in theatre and communities across the country. He received Tony, Drama Desk, Drama League, and Outer Critics Circle award nominations for his performance as Porgy in the Broadway production of The Gershwins' Porgy & Bess. Other Broadway credits include Sondheim on Sondheim, The Little Mermaid, Les Misérables, Chicago, Amour, The Wild Party, Side Show, Miss Saigon, and The Who's Tommy. In London's West End he has appeared as Javert in Les Misérables and Les Misérables: The 25th Anniversary Concert, which aired on PBS. Off-Broadway Mr. Lewis has performed in Dessa Rose (Drama Desk nomination, AUDELCO Award), Shakespeare in the Park's The Tempest, The Two Gentlemen of Verona (Drama League nomination), Captains Courageous, and A New Brain. His regional credits include Porgy in The Gershwins' Porgy and Bess (A.R.T.), Ragtime, Dreamgirls (with Jennifer Holliday), First You Dream, Sweeney Todd, and The Fantasticks. His additional film credits include Christmas In Tune (starring opposite Reba McEntire), Magnum Opus, Winter's Tale, Sex and the City 2, Confidences, and Preaching to the Choir. Norm's albums "The Norm Lewis Christmas Album" & "This is The Life" can be found on Amazon.com as well as cdbaby.com. Ceremonies in Dark Old Men Tickets: https://www.thepeccadillo.com/ Follow Norm: @thenormlewis Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Learn more about your ad choices. Visit megaphone.fm/adchoices

A Funny FridayFirst a look at this day in History.Then The Charlie McCarthy Show, originally broadcast April 25, 1943, 82 years ago, Showboat?  Bergen tries to explain shortwave radio to Charlie. Bill Thompson is leaving for Flageria to make a movie. He performs a Flagerian western. Guest Irene Dunne joins Charlie on a Mississippi showboat in Uncle Tom's Cabin.Followed by the news from 82 years ago, then The Great Gildersleeve starring Harold Peary, originally broadcast April 25, 1943, 82 years ago, Rabbits.  Leroy's going to make big money raising rabbits. Then You Bet Your Life starring Groucho Marx, originally broadcast April 25, 1951, 74 years ago, The Secret Word is Wall. Do you know what the Badge of Military Merit is?Followed by The Adventures of Ozzie and Harriet, originally broadcast April 25, 1952, 73 years ago, Too Much Change.   Ozzie gets $5 too much change at the Emporium and tries to return it, without much success! Finally The Couple Next Door starring Peg Lynch and Alan Bunce, originally broadcast April 25, 1960, 65 years ago, Mr. Piper's job is threatened.  The theory that Leif Erikson discovered America before Columbus may be a little too hot for Mr. Piper's boss, who threatens his import-export job because it might offend their Italian clients!Thanks to Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamFind the Family Fallout Shelter Booklet Here: https://www.survivorlibrary.com/library/the_family_fallout_shelter_1959.pdfhttps://wardomatic.blogspot.com/2006/11/fallout-shelter-handbook-1962.htmlAnd more about the Survive-all Fallout Sheltershttps://conelrad.blogspot.com/2010/09/mad-men-meet-mad-survive-all-shelter.html

Featuring the following artists:AKKI (DE)Tone-HypeBeicoBinary FinaryCosmic BoysDANZAH, TechmoDitoLiquid SoulMaddix, Sarah De WarrenMarkus Schulz, Emma HewittMEIRLINMha IriNicole MoudaberPhaxe, Morten GranauPush, WehbbaSubstateThomas SchumacherVictor RuizWehbbaZyonSupport the show

WI and FL elections. Calls support gym bros. TN black Rep Justin Pearson and KY U.S. Rep Thomas Massie: Showboaters? Fun calls?The Hake Report, Tuesday, April 1, 2025 ADTIMESTAMPS* (0:00:00) Start* (0:02:39) MS-13 or not?* (0:05:28) Hey, guys!* (0:08:36) News… Tariffs* (0:10:43) Wisconsin, Florida elections* (0:14:29) Cory Booker yappin'* (0:17:48) ALEX, CA: Attack on gym bros by libs* (0:27:02) JAIME, MN: Supps, Vitamins; Jesus fragrant oils* (0:39:36) CARL, MA: Irish slavery?* (0:44:28) DLive: Frankincense* (0:50:26) Coffee / Bigg Bump* (0:53:16) Coffee / Justin Pearson* (1:03:18) Coffees… John Adams.* (1:08:00) Ron Paul, Thomas Massie* (1:11:53) CARL: Trump, Massie, George Floyd* (1:19:33) ROBERT, KS: Ross Perot!* (1:28:00) Matt Gaetz out* (1:29:45) CHUCK, Detroit: black people* (1:51:15) Closing: Call me tomorrow!* (1:52:02) Jon Parfitt / Bright Lights - Edgy Summer Pop RockLINKSBLOG https://www.thehakereport.com/blog/2025/4/1/the-hake-report-tue-4-1-25PODCAST / Substack HAKE NEWS from JLP https://www.thehakereport.com/jlp-news/2025/4/1/hake-news-tue-4-1-25Hake is live M-F 9-11a PT (11-1CT/12-2ET) Call-in 1-888-775-3773 https://www.thehakereport.com/showVIDEO YouTube - Rumble* - Facebook - X - BitChute - Odysee*PODCAST Substack - Apple - Spotify - Castbox - Podcast Addict*SUPER CHAT on platforms* above or BuyMeACoffee, etc.SHOP - Printify (new!) - Spring (old!) - Cameo | All My LinksJLP Network:JLP - Church - TFS - Nick - Joel - Punchie Get full access to HAKE at thehakereport.substack.com/subscribe

Welcome to Mysteries in the Machine! Ethan, Charlie, and Adele meet Josie and the Pussycats on a trip down the Mississippi sure to be memorable. Send us an email at mysteriesinthemachinepod@gmail.com with your thoughts or any questions you have! We would love to hear from you. Make sure to subscribe so you know when our next episode drops and rate and review if you like what we are doing.IG:⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mysteriesinthemachinepod/⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Ethan: ⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/ethan.t.hulen/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and https://bsky.app/profile/ethulen.does.chat⁠Follow Charlie: ⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/greenpixie12/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/greenpixiedraws/⁠⁠⁠⁠

This week it's another "No DQ and A", where we answer your questions! We discuss the Verne Gagne/Bobby Heenan relationship, Jerry Sags as a referee, directing at The Showboat, old wrestling action figures, Gorgeous George and more!   There's a new one stop shop for AWA Unleashed merch, it's https://www.teepublic.com/user/unleashed-plus. You can get t-shirts, hoodies, hats, mugs, phone cases, and tons more.

We were joined by Henri Boucher from the Boat Show so he and Huge could talk about some of the great things you could find there this weekend. See omnystudio.com/listener for privacy information.

We were joined by Ben Nielsen from the Boat Show so he and Huge could talk about some of the great things you could find there this weekend. See omnystudio.com/listener for privacy information.

We were joined by Hunter Jordan from D&R Sports Center in Kalamazoo. He told us about some of the things you can find at their booth this weekend, talked about the latest and greatest when it comes to fishing, and more. See omnystudio.com/listener for privacy information.

Please support our friend and lifelong resistor David Johansen: https://is.gd/nq38cf Thanks for listening! You're our special angel! Follow us on: twitter.com/gurlstop_pod instagram.com/gurlstop.pod facebook.com/gurlstop.pod Email us at gurlstop.pod@gmail.com Ciao babies

My guest again this week is Christopher S. Connelly, author of the fascinating new book HELEN MORGAN — THE ORIGINAL TORCH SINGER AND ZIEGFELD'S LAST STAR.  The topics discussed in this episode include: Morgan's follow up to Show Boat, the 1929 hit musical Sweet Adeline — a star vehicle created especially for her by Jerome Kern and Oscar Hammerstein II. The 1932 revival of Show Boat and subsequent tour. Morgan's career as a nightclub hostess and entertainer at a series of night spots named for her including Chez Morgan, Helen Morgan's Summer House, and The House of Morgan. The Ziegfeld Follies of 1931. And Helen Morgan as a Gay Icon and the "Pansy Craze" stars who imitated her. Christopher S. Connelly is a film and theater historian. His work has appeared in Etcetera magazine and the Kino Lorber DVD release of Mamoulian's Applause. He is also an actor, Roman Catholic cantor, and chorister for the Atlanta Opera. When he is not writing or performing, he works IT for the Georgia Institute of Technology. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of longtime Patron Club Member Ann Welsh. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we take a look at the end 1987 and the "Showboat Era", and was it the beginning of the end? Mick and Joe were both working for the AWA at the time, they discussed the history of the move to the Showboat & the ESPN deal, what a typical day was like, who was and wasn't involved in production meetings, the mood in the locker room, we looked at the roster and more!   We have a new one stop shop for AWA Unleashed merch, it's https://www.teepublic.com/user/unleashed-plus.

This week my, guest is Christopher T. Connelly, the author of the fascinating new book HELEN MORGAN — THE ORIGINAL TORCH SINGER AND ZIEGFELD'S LAST STAR.  There are a number of individuals who were very big Broadway stars back in what I call the Silver Age of Broadway (the 1920s and 30s), But who today are mostly overlooked and left out of the conversation. Performers who were on a level with Jolson and Cantor and Fanny Bryce, but whose fame has almost entirely faded. Of course most musical theater fans will know the name Helen Morgan, and know that she originated the role of "Julie" in Show Boat. But if you are like me, you will be largely unaware, of the incredible range of her talents, the depth and breadth of her career, and the level of her stardom. And I have no doubt that you'll be as fascinated by this book and by this conversation as I was. Christopher S. Connelly is a film and theater historian. His work has appeared in Etcetera magazine and the Kino Lorber DVD release of Mamoulian's Applause. He is also an actor, Roman Catholic cantor, and chorister for the Atlanta Opera. When he is not writing or performing, he works IT for the Georgia Institute of Technology. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of longtime Patron Club Member MARK STANTON. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Oscar Hammerstein II was Broadway's greatest lyricist. He was responsible for the book and lyrics to so many of the musicals that created the Golden Era of Broadway. With Richard Rogers he wrote “The King And I”, “Oklahoma”, “The Sound Of Music”, “Carousel”, “South Pacific” and “Flower Drum Song”. With Jerome Kern he wrote “Show Boat”. He co-wrote 850 songs, and won 8 Tony Awards and 2 Oscars. After he passed in 1960 he received a unique Broadway honor - all the lights on Broadway were turned off for 3 minutes.My guest is Jessie Barth, author and music educator, who is a Hammerstein expert.In honor of Oscar my featured song is John Coltrane's exquisite version of “My Favorite Things” from The Sound Of Music. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“THE RICH ONES ALL STARS” is Robert's latest single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

durée : 00:23:19 - « Show Boat » de Jerome Kern et Oscar Hammerstein. Toronto Production 1993. - Show Boat est une comédie musicale américaine créée à Broadway en 1927, dont la musique a été composée par Jerome Kern, le livret et les paroles ont été écrits par Oscar Hammerstein II

In this episode, Jeff and Richie dive into the off-Broadway production of "Show/Boat: A River" at NYU Skirball, a bold reimagining of the classic musical "Show Boat." We explore how Target Margin Theatre and director David Herskovitz tackle the challenges of adapting this iconic piece for modern audiences. Our discussion covers the production's innovative approach to racial themes, standout performances, and the effectiveness of its minimalist scenic design. We analyze the show's strengths and weaknesses, from the powerful use of sashes to highlight racial issues to the somewhat disjointed second act. Notable performances, including Rebbekah Vega-Romero as Magnolia and Alvin Crawford's rendition of "Old Man River," take center stage in our conversation. We also debate the artistic liberties taken in this adaptation and their impact on the audience experience. Is this reimagining a successful step forward for classic musicals, or does it need further development? Tune in for our in-depth analysis of this work-in-progress and what it reveals about the future of musical theater adaptations. Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on "Show/Boat: A River" on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Novelist and playwright Edna Ferber (1885-1968) lived a wondrous life: residing in Manhattan as a member of the famed Algonquin Round Table, writing a Pulitzer Prize-winning novel (So Big), and producing works that Hollywood turned into twentieth-century classics, including the Kern & Hammerstein musical Show Boat and George Stevens's Giant, starring Elizabeth Taylor, Rock Hudson, and James Dean. Along the way, she also served as a caretaker and mentor for her grandniece, who was wowed by her great aunt's style, presence, and celebrity connections. In this episode, Jacke talks to Julie Gilbert, that little girl who grew up to become a writer herself, about her new book Giant Love: Edna Ferber, Her Best-Selling Novel of Texas, and the Making of a Classic American Film. PLUS Jacke talks to Yiddish literature expert Jessica Kirzane about her choice for the last book she will ever read. Additional listening: 567 Your Dream Guest: Jessica Kirzane on Translating Yiddish Literature 316 Willa Cather (with Lauren Marino) 64 Dorothy Parker (with Mike Palindrome) The music in this episode is by Gabriel Ruiz-Bernal. Learn more at gabrielruizbernal.com. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

He can pick 'em. Good 'ole Joe he has a tent full of acceptable's and we should honor them. We can't be told what to do anymore. Time's up your out Joe. Go back to Scranton, Oh that's right Delaware.

We look at a monumental score by Kern and Hammerstein that just keeps rolling along in imaginative and compelling renditions by Miles Davis, Sarah Vaughan, Bill Evans, Audra McDonald, Peggy Lee and more.

Katie checks in with actor (Maria in West Side Story at the 5th Avenue Theatre, Luisa in The Fantasticks at the Cape Playhouse, upcoming: Magnolia in Showboat at Target Margin Theater) and writer (The Question, 2024 Eugene O'Neill finalist, BMI program), Rebbekah Vega-Romero.

On the December 27 edition of the Music History Today podcast, Leonard Cohen debuts, the Faces break up, Show Boat premieres, & happy birthday to guys from Missing Persons, Sixpence None the Richer, & Dire Straits For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

The American musical is in a state of flux. Today's Broadway offerings are mostly jukebox musicals and blatant I.P. grabs; original ideas are few and far between. Meanwhile, one of the biggest films of the season is Jon M. Chu's earnest (and lengthy) adaptation of “Wicked,” the origin story of the Wicked Witch of the West that first premièred on the Great White Way nearly twenty years ago—and has been a smash hit ever since. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss why “Wicked” is resonating with audiences in 2024. They consider it alongside other recent movie musicals, such as “Emilia Pérez,” which centers on the transgender leader of a Mexican cartel, and Todd Phillips's follow-up to “Joker,” the confounding “Joker: Folie à Deux.” Then they step back to trace the evolution of the musical, from the first shows to marry song and story in the nineteen-twenties to the seventies-era innovations of figures like Stephen Sondheim. Amid the massive commercial, technological, and aesthetic shifts of the last century, how has the form changed, and why has it endured? “People who don't like musicals will often criticize their artificiality,” Schwartz says. “Some things in life are so heightened . . . yet they're part of the real. Why not put them to music and have singing be part of it?”Read, watch, and listen with the critics:“Wicked” (2024)“The Animals That Made It All Worth It,” by Naomi Fry (The New Yorker)“Ben Shapiro Reviews ‘Wicked' ”“Frozen” (2013)“Emilia Pérez” (2024)“Joker: Folie à Deux” (2024)“ ‘Joker: Folie à Deux' Review: Make 'Em Laugh (and Yawn),” by Manohla Dargis (the New York Times)“Hair” (1979)“The Sound of Music” (1965)“Anything Goes” (1934)“Show Boat” (1927)“Oklahoma” (1943)“Mean Girls” (2017)“Hamilton” (2015)“Wicked” (2003)“A Strange Loop” (2019)“Teeth” (2024)“Kimberly Akimbo” (2021)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

Note: This installment seems to hearken back to the short stretch where the Silos were traveling to help his brother. Though without a date or episode number, it's only a…

The Beulah Show | Honorary Santa, Pts. 1-2 | December 24, 1953Originally portrayed by a white male actor, Marlin Hurt, Beulah Brown first appeared in 1939 when Hurt introduced and played the character on the Hometown Incorporated radio series and in 1940 on NBC radio's Show Boat series. In 1943, Beulah moved over to That's Life and then became a supporting character on the popular Fibber McGee and Molly radio series in March 1944.On July 2, 1945, Beulah was spun off into her own radio show on CBS, The Marlin Hurt and Beulah Show, sponsored by Tums. Hurt was still in the role of Beulah, and also played the voice of Beulah's boyfriend, Bill Jackson. Beulah was employed as a housekeeper and cook for the Henderson family: father Harry, mother Alice and son Donnie. Rounding out the cast was Oriole Winston, the housekeeper for the family next door to the Hendersons.After Hurt died of a heart attack in 1946, he was replaced by another white actor, Bob Corley, and the series was retitled The Beulah Show, which ran on ABC as a sustaining program from February 24 to August 20, 1947.When African-American actress Hattie McDaniel took over the role on November 24, 1947, with the program returning to CBS. She earned $1,000 a week for the first season, doubled the ratings of the original series and pleased the NAACP which was elated to see a historic first: a black woman as the star of a network radio program.McDaniel continued in the role until she became ill in 1952 and was replaced by Lillian Randolph, who was in turn replaced for the 1953–54 radio season by her sister, Amanda Randolph.: : : : :My other podcast channels include: DRAMA X THEATER -- SCI FI x HORROR -- MYSTERY X SUSPENSE -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESEnjoy my podcast? You can subscribe to receive new post notices. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#comedyclassics #oldtimeradio #otr #radioclassics #jackbenny #fibbermcgeemolly #bobhope #lucilleball #martinandlewis #grouchomarx #abbottandcostello #miltonberle #oldtimeradioclassics #classicradio #duaneotr:::: :

My guest again this week is the noted journalist and theater critic Laurie Winer, who returns for part two of our conversation about her book, Oscar Hammerstein II and the Invention of The Musical. If you missed part one, you may want to catch up with that before listening to this one. Following the triumph of Show Boat, during the 1930s Hammerstein experienced a very challenging decade of devastating flops on Broadway and very limited achievement in Hollywood. And that's where we pick up our conversation. Topics included in this episode include the musicals Oklahoma!, Carousel, and Allegro! as well the the stark differences between the personalities of Richard Rodgers and Oscar Hammerstein, their working methods, and their fruitful collaboration and contentious relationship with choreographer Agnes De Mille.  How to become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including Producer Level Patrons Paula & Steve Reynolds. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest this week is the noted journalist and theater critic Laurie Winer, the author of a beautifully written and expertly researched book, Oscar Hammerstein II and the Invention of The Musical. Diving deep into Hammerstein's life and work, Winer, offers new insights into the groundbreaking achievements of the creator of Show Boat, Oklahoma, Carousel, South Pacific, and The Sound of Music, to name only a few of the musicals that made Hammerstein one of the most commercially successful and culturally significant artists of all time. In Winer's view, Hammerstein can be credited more than anyone else with inventing the Broadway musical. Laurie Winer has been a theater critic for the Wall Street Journal, the New York Times, and the Los Angeles Times, and was a founding editor of the Los Angeles Review of Books. How to become a PATRON of Broadway Nation! This podcast is made possible in part by the generous support of our Patron Club Members, including longtime patron Chris Moad. For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth discussions with my frequent co-host, Albert Evans, that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

Avalon Time is an American old-time radio comedy/variety program that ran from 1938 to 1940 on NBC's Red Network. The program was named after its sponsor, Avalon cigarettes. Over the course of its run, Avalon Time was also sponsored by Sir Walter Raleigh Pipe Tobacco and the Bulova Watch Company. The program is often regarded as comedian Red Skelton's first big break in show business and on radio. Show history Tobacco company Brown & Williamson, former makers of Kool cigarettes, began producing Avalon in 1932. Avalon was Brown & Williamson's 'economy' brand, while never actually mentioning that term. Instead, they were promoted as either the cigarettes that "cost you less" or the cigarettes that "give you change back". Avalon Time was the first Avalon-sponsored radio program with Show Boat premiering in 1939. The 'Reds' 'Red' was an ongoing theme and joke on Avalon Time. Coincidentally, all four hosts of the program had "red" hair. Two of the four hosts went by the name "Red". Also, the program was produced and broadcast over NBC's "Red" Network. Red Foley Avalon Time premiered as The Avalon Variety Show on October 1, 1938 with host Red Foley (1910–1968). Foley began his career in broadcasting in 1930 while still attending school at Georgetown College to perform with the house band on WLS-AM's National Barn Dance. In 1937, Foley, with producer John Lair, created the radio program Renfro Valley Barn Dance for WHAS in Louisville, Kentucky. With the premiere of The Avalon Variety Show in 1938, Foley became the first country artist to host a network radio program. Foley was the longest serving host of the program with frequent co-star Kitty O'Neill. Foley left Avalon in July 1939 and was replaced as host by up-and-coming comedian Red Skelton. Foley's replacement as singer was Curt Massey.[6] After Avalon Time, Foley returned to National Barn Dance and also became a lifelong member of the Grand Ole Opry. He also hosted Ozark Jubilee, the first popular country music television series, in the 1950s. Red Skelton Red Skelton (1913–1997) was the second host of Avalon Time. Skelton became well known for his "Doughnut Dunkers" routine[3] which led to Skelton's first appearance on Rudy Vallée's The Fleischmann's Yeast Hour on August 12, 1937. Vallée's program had a talent show segment and those who were searching for stardom were eager to be heard on it. Vallée also booked veteran comic Joe Cook to appear as a guest with Skelton. The two proceeded to trade jokes about their home towns, with Skelton contending to Cook, an Evansville native, that the city was a suburb of Vincennes, Skelton's hometown. The show received enough fan mail after the performance to invite both comedians back two weeks after Skelton's initial appearance and again in November of that year. On October 1, 1938, Skelton replaced Red Foley as the host of Avalon Time. Skelton's first wife Edna also joined the show's cast, under her maiden name of Stillwell. The Skeltons worked on Avalon Time until late 1939. Skelton went on to do his own radio show, The Raleigh Cigarette Program, on October 7, 1941. The bandleader for the show was Ozzie Nelson; his wife, Harriet, who worked under her maiden name of Hilliard, was the show's vocalist and also worked with Skelton in skits. Skelton went on to have his own successful television series named after him that ran on CBS and NBC for 20 years. Cliff Arquette Comedian Cliff Arquette (1905–1974) replaced Skelton as host of Red Skelton Time in January 1940. Arquette made a guest appearance on the show just a week earlier in December 1939. The title of the program was officially changed to Avalon Time when Arquette came aboard as host. Arquette began his career as a pianist in the early 1920s soon joining the Henry Halstead orchestra in 1923. Arquette had made a few appearances on radio including an appearance on The Jack Benny Program in 1938. Arquette left Avalon Time in May 1940 and went on to establish his most memorable --- Support this podcast: https://podcasters.spotify.com/pod/show/dwight-allen0/support

John, B and Special Guest Frank review GCW Fight Club Weekend. The guys break down all the action and run down the results from both GCW's The Art of War Games 2024, and GCW Fight Club 2024 from the Showboat in Atlantic City, New Jersey. #GCW #GCWFight #GCWArtofWar #GameChangerWrestling #Wrestling #ProWrestling #independentwrestling

Support us on Patreonhttps://www.patreon.com/user?u=4279967Jack Benny TV Videocasthttps://open.spotify.com/show/6BDar4CsgVEyUloEQ8sWpw?si=89123269fe144a10Jack Benny Show OTR Podcast!https://open.spotify.com/show/3UZ6NSEL7RPxOXUoQ4NiDP?si=987ab6e776a7468cJudy Garland and Friends OTR Podcasthttps://open.spotify.com/show/5ZKJYkgHOIjQzZWCt1a1NN?si=538b47b50852483dStrange New Worlds Of Dimension X-1 Podcasthttps://open.spotify.com/show/6hFMGUvEdaYqPBoxy00sOk?si=a37cc300a8e247a1Buck Benny YouTube Channelhttps://r.search.yahoo.com/_ylt=AwrOoc1Q5bllBgQA469XNyoA;_ylu=Y29sbwNncTEEcG9zAzEEdnRpZAMEc2VjA3Ny/RV=2/RE=1707891281/RO=10/RU=https%3a%2f%2fwww.youtube.com%2f%40BuckBenny/RK=2/RS=nVp4LDJhOmL70bh7eeCi6DPNdW4-Support us on Patreonhttps://www.patreon.com/user?u=4279967

In this episode of our Paul Robeson Acteurist Oeuvre-view series, we consider the ways in which Robeson, as acteur, inscribes himself on James Whale's Show Boat (1936) and J. Elder Wills' Song of Freedom (1936). First, we consider the racial themes of Show Boat, and how both the writing of Robeson's character, and Robeson's playing of him, undermines the stereotype ostensibly being presented; and then we look at the way Song of Freedom struggles to present a progressivism alternative to the racial politics of The Emperor Jones, while we attempt to reconstruct the motivations behind its political confusions.  Time Codes: 0h 00m 25s:      SHOW BOAT (1936) [dir. James Whale] 0h 31m 35s:      SONG OF FREEDOM (1936) [dir. J. Elder Willis] +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

Join hosts Becky and Kori for a discussion of the 35th Nancy Drew Mystery Story, The Haunted Showboat (1957). CW: racism regularnancydrew.com  patreon.com/regularnancydrew instagram.com/RegularNancyDrew twitter.com/RegularND youtube.com/@regularnancydrew  facebook.com/people/Regular-Nancy-Drew/61558695320536/ Music: “Kool Kats” by Kevin MacLeod Special Thanks to Ryan Ransom for his Voice Acting skills

Today, I'm thrilled to announce my interview with legendary director and choreographer Susan Stroman. Tune in to hear all about her upcoming projects LEFT ON TENTH, ANGEL OF ARKANSAS, and SMASH, as well as some of the stories of her great career, including the lessons she learned from John Kander and Fred Ebb, the choreographic journey of THE MUSIC MAN, why CRAZY FOR YOU felt like it was in her blood, the art of partnering in STEEL PIER, why Hal Prince credits SHOWBOAT for his entire career, staging tryouts from Hunter College to Japan, watching Nathan Lane and Stephen Sondheim collaborate on THE FROGS, how an experience in a club and an offer from Andre Bishop led to CONTACT, finding the structure of NEW YORK, NEW YORK, her collaborations with dance arrangers including Glen Kelly and Peter Howard, the similarities and differences between Mel Brooks and Woody Allen, using visual inspiration for LITTLE DANCER, working on THOU SHALT NOT during 9/11, how research influenced her choreography for OKLAHOMA, the joys and challenges of directing POTUS right after the pandemic, and more. You won't want to miss this interview with a true master of the American theater.

Welcome to SUPERSTARS WEEK! This week I'm rebroadcasting my interviews with five Superstars: Judy Collins, Al Kooper, David Amram, Ron Carter and Oscar Hammerstein II. Oscar Hammerstein II was Broadway's greatest lyricist. He was responsible for the book and lyrics to so many of the musicals that created the Golden Era of Broadway. With Richard Rogers he wrote “The King And I”, “Oklahoma”, “The Sound Of Music”, “Carousel”, “South Pacific” and “Flower Drum Song”. With Jerome Kern he wrote “Show Boat”. He co-wrote 850 songs, and won 8 Tony Awards and 2 Oscars. After he passed in 1960 he received a unique Broadway honor - all the lights on Broadway were turned off for 3 minutes.My guest in Jessie Barth, author and music educator, who is a Hammerstein expert.In honor of Oscar my featured song is John Coltrane's exquisite version of “My Favorite Things” from The Sound Of Music. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“THE GIFT” is Robert's new single featuring his song arranged by Grammy winning arranger Michael Abene. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES” is Robert's recent single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

“Miller, Lyles, and I were standing near the exit door . . . Blake stuck out there in front, leading the orchestra—his bald head would get the brunt of the tomatoes and rotten eggs.” This is the story of American musical theater and the dawn of modern Broadway.  Popular entertainment is evolving fast in the early twentieth century. Minstrel shows just aren't drawing the same numbers anymore (for good reason), and burlesque and variety shows abound. The earliest “official” musical, The Black Crook takes several notes from these sometimes scandalous shows, as do Flo Ziegfeld's new “revues.” By the 1920s, composers, writers, and choreographers are experimenting with what a musical production can do: using songs to advance the plot (thanks Hammerstein!), and incorporating new music genres like jazz.  Big players including George Gershwin, Noble Sissle, and Irving Berlin all play a role in crafting the perfect environment for the American musical to emerge, but the production Show Boat really gives a glimpse of the future of musical theater. It entertains even as it tackles heavy topics, and the score is seriously moving. It's difficult to anticipate how audiences will receive this new form—less pompous than a European operetta, but definitely more substantial than one of Ziegfeld's musical revues. So, without further ado . . . take your seat, the show's about to begin.  ____ Connect with us on HTDSpodcast.com and go deep into episode bibliographies and book recommendations join discussions in our Facebook community get news and discounts from The HTDS Gazette  come see a live show get HTDS merch or become an HTDS premium member for bonus episodes and other perks. HTDS is part of the Airwave Media Network.  Interested in advertising on the History That Doesn't Suck? Email us at advertising@airwavemedia.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

HAMILTON  Book, Music & Lyrics by Lin-Manuel Miranda | Based on Alexander Hamilton by Ron Chernow Works Consulted & Reference :Hamilton (Original Libretto) by Lin-Manuel MirandaHamilton: The Revolution by Jeremy McCarter & Liin-Manuel Miranda Alexander Hamilton by Ron ChernowMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Wait for It" from  Hamilton (Original Broadway Cast Recording)  | Music & Lyrics by Lin-Manuel Miranda | Performed by Leslie Odom Jr.,  Original Broadway Cast of Hamilton"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

Sean (Yes, spelled this way!) Michaels vs. Doug Somers? Marty Jannetty and Mr. Perfect vs. The Berzerker and a Bolshevik with a cameo by Razor Ramon? Larry Zbyszko vs. Big Van Vader? Stan Hansen taking on an angry David Sammartino for a World Title in a big revenge match for Hansen breaking his father's neck? What's up with that and where did all this happen with all these future Hall of Famers named being a part of it? All on a random March 11th, 1986 ESPN AWA TV show from the Showboat! Join Shawn on this episode of Territorial as he looks at a low key historic episode of AWA TV that you can find on You Tube and watch along!

Ten days ago I reposted an episode celebrating the life and career of Paul Robeson, legendary for many reasons, but particularly remembered for his iconic and powerful performances of “Ol' Man River.” It is often assumed that Robeson also created the role of Joe in Show Boat, but in fact that distinction went to his near-contemporary Jules Bledsoe (1897-1943), today virtually forgotten, and unjustly so. In his time, he was also celebrated for his memorable concerts, which took place both here and in Europe, and for his operatic portrayals, most significantly, the title role in Louis Gruenberg's opera The Emperor Jones, based on the play by Eugene O'Neill, which he portrayed both in the United States and in Europe. Barred from singing at the Met because of his race, Bledsoe took his portrayal of Brutus Jones on the road, performing it in a triumphant European tour, but also subsequently in New York in 1934 under the aegis of the short-lived Aeolian Opera Company, which was intended to provide performing opportunities for Black opera singers, but which folded almost immediately. Jules Bledsoe was also a composer who wrote many songs and arrangements of spirituals, as well as a version of Uncle Tom's Cabin entitled Bondage, as well as his own operatic setting of O'Neill's Emperor Jones, which may or may not have been performed at the time. Even less well-known and acknowledged (and often intentionally obscured by historians) is the fact that Jules Bledsoe was a gay man in a relationship with a Dutch white man named Freddy Huygens who at the time of Bledsoe's premature death was referred to as either his “manager” or his “closest friend.” In this episode we hear examples of all the extant recorded material I could find by Jules Bledsoe, alongside recorded examples of work by his collaborators Abbie Mitchell, Irene Dunne, Anne Roselle, Marie Powers, Todd Duncan as well as excerpts from the work of composers W. Franke Harling, Shirley Graham Du Bois, and Louis Gruenberg performed by Jeanette MacDonald, Valaida Snow, Nicola Rossi-Lemeni, and Lawrence Tibbett. Billie Holiday even puts in a special appearance! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes and videos available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

When John from Showboat TV swapped his mobile DJ decks for the director's chair, he didn't just change his job title; he transformed lives. Tune in to an episode that's not only about beats and tunes but also about breaking barriers and creating a symphony of inclusivity, especially for those with autism and special needs. My guest, John, recounts his personal journey and how it led him to adopt a hiring philosophy that values capability over credentials, opening doors for the often underrepresented in the entertainment industry.Feel the rhythm of inclusion as we explore the unifying power of music and its role in personal growth for individuals with autism. I share a moving story of how an open mic night became a sanctuary for self-expression, building confidence in those facing mental health challenges. John shares the spotlight with an autistic colleague whose keen attention to detail transformed our studio scheduling, illustrating the extraordinary impact of recognizing and embracing individual strengths.Wrapping up with the joy that reverberates through Showboat TV's karaoke events, we celebrate the sense of belonging that's cultivated when everyone's invited to the stage. I reflect on the parallels between my days as a mobile DJ and the vibrant karaoke scene, where encouragement from the audience empowers performers from all walks of life. This episode is an ode to diversity, talent, and the potential that lies within every community, inviting listeners to experience the harmony of inclusion that John and Showboat TV champion every day.https://tonymantor.comhttps://Facebook.com/tonymantorhttps://instagram.com/tonymantorhttps://twitter.com/tonymantorhttps://youtube.com/tonymantormusicintro/outro music bed written by T. WildWhy Not Me the World music published by Mantor Music (BMI)