Podcast appearances and mentions of jon everist

This episode is supported by Xsolla Austin Wintory chats with composer Jon Everist. Together this discuss how he transitioned from a career path in economics to composing music; his work with Harebrained Schemes across their library of games and his most recent contributions on Star Wars Outlaws; and how the concept of constraint can lead to creative freedom.  If you enjoyed this episode, please consider leaving us a rating and review. Please consider supporting game dev students with: AIAS Foundation

Star Wars Outlaws , le test par Yohann LemoreÀ savoir► Sortie : 30/08/2024► Plateformes : PS5, Series, PC► Développeur : Massive Entertainment► Editeur : Ubisoft► Genre : Action / Aventure► Age : 16Crédit Audio :Star Wars Outlaws Soundtrack by Wilbert Roget II, Kazuma Jinnouchi et Jon Everist► https://www.youtube.com/watch?v=MAKc5vca5kA&t=2043s&pp=ygUcc3RhciB3YXJzIG91dGxhd3Mgc291bmR0cmFjaw%3D%3D

Today on the 1UPBEAT, host Eric Silver will count down the top video game scores of 2023. In this episode, Eric counts down scores from 10 to 6, featuring music by Satoshi Okubo, Inon Zur, Jon Everist, Takeshi Furukawa, Chuck E. Myers "Sea", Alexander Horowitz, and J. Scott Rakozy. Part two will feature scores of 5-1. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Mike Kohutich, Scott Bordelon, James Alexander —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Happy Friday! Enjoy the last day of the workweek with Caleb and returning guest Jon Everist. Jon composed the score for last year's Lamplighter's League by Harebrained Schemes, a pulpy, noir-infused mix of Indiana Jones and XCOM. Come hang while Caleb asks about the jazz influence on the score, what it is like composing music for games and they're unique complexities, and together they dig into composition as expression in established franchises. https://www.twitch.tv/nerdybitstvPatreonYou can listen to us below, or on iTunes , Spotify, and Google Play! So whether you have an Apple or Android device, we are available for streaming and download. Give us a rating and a subscribe, we would really appreciate it.@LubWub@JonEverist

Well. Here we go! It's 2024. And while that is, on its own, a wild statement, it is a true one. With the new year I wanted to push forward in several different ways for NerdyBits and myself. So, I am starting a new mini podcast series titled "On Playing With" starting tomorrow. The series will focus on the dynamics of playing games with different groups of people in my life, how those dynamics shift, and how the experience changes as a result. I am also conducting several interviews in the coming weeks. We will see the return of Joe Erskine and Jon Everist, as well as a few more. The stream is returning to Mondays and Wednesdays. And finally, I am pushing the Patreon again. All of those things are detailed a bit more in this episode, so come settle in! https://www.twitch.tv/nerdybitstvPatreonYou can listen to us below, or on iTunes , Spotify, and Google Play! So whether you have an Apple or Android device, we are available for streaming and download. Give us a rating and a subscribe, we would really appreciate it.@LubWub

Composer Jon Everist's music for The Lamplighters League is a great blend of noir and adventure. The soundtrack paints such a perfect picture of the vibe of the game (which is a turn-based tactics game). So many wonderful solos and soloists, with an orchestra recorded live at Abbey Road Studios, and they all sound fantastic! Also, I swear I know what a trombone sounds like. Or I used to think I did. PLAYLIST by Jon Everist for The Lamplighters League unless noted otherwise 00:00 The Lamplighters League (Main Theme) 02:38 Heist Prep 04:04 Nicastro Theme 07:51 The Lamplighters League (Main Theme) 12:38 Jungle Quiet 16:42 Nicastro Theme 20:43 Cloak and Dagger 21:35 The Lamplighters League (Main Theme) 23:00 Arctic Quiet 25:37 Arctic Quiet 28:18 Parisian Night 32:38 Spotted 35:58 The Undrawn Hand (Opening Cinematic) 38:09 Jungle Combat 41:06 The Tower 42:39 Marteau Theme 46:18 Light the Way (World Map Theme) 48:01 Heist Execution 48:42 Other Sprouts by Sam Keenan

Happy Monday everyone! On this episode of Bounty Board Caleb got the chance to talk to Videogame and Film Composer Jon Everist (Battletech, Shadowrun, Disintegration). Together they talk about creating music, how the tools for creation have evolved in the last ten years, and the merit of putting yourself in a box so you come up with unique solutions. Also, of course, they talk about food, and Jon gives a great answer to how he would incorporate music into his food game. Come hang out! It's a good time! You can listen to us below, or on https://itunes.apple.com/us/podcast/bounty-board/id1250147253?mt=2# (iTunes ), http://www.stitcher.com/s?fid=141731&refid=stpr (Stitcher), https://open.spotify.com/show/4daSiZttgl09QGureHcs7o (Spotify), and https://playmusic.app.goo.gl/?ibi=com.google.PlayMusic&isi=691797987&ius=googleplaymusic&apn=com.google.android.music&link=https://play.google.com/music/m/I3bfdhd3zgjbx6ci7d6ah6bir2y?t%3DBounty_Board%26pcampaignid%3DMKT-na-all-co-pr-mu-pod-16 (Google Play)! So whether you have an Apple or Android device, we are available for streaming and download. Give us a rating and a subscribe, we would really appreciate it. https://twitter.com/LubWub (@LubWub) https://twitter.com/JonEverist (@JonEverist)

This week I chat to Jon Everist (The Solitaire Conspiracy, Disintegration, Battle Tech, Shadowrun & more) about composing, music and so much more…

TSAP S03E18 Sam speaks with composer, Jon Everist, about his journey into music composition, his recent work on Disintegration, the sources of his inspiration and more! Jon On the Disintegration Score: "I wanted to capture both the fragility and hopefulness of the human spirit," explains composer Jon Everist. "The solo piano motif propels the piece to a crescendo with the rest of the orchestra where our heroic theme is revealed, representing the power and ingenuity of humanity coming together for a common good. This is the theme of the resistance." "Jon Everist is an American video game and film composer from Seattle, Washington. He first gained notoriety with his award-winning score for Shadowrun: Hong Kong (2015) and continues to work with longtime collaborator Harebrained Schemes and Paradox Interactive to produce soundtracks for their games. His most recent score for BATTLETECH (2018) was nominated for "Best Video Game Score of 2018" at the 34th Annual ASCAP Screen Music Awards and won honors at the 2019 Jerry Goldsmith Awards for Best Video Game Score." Big thanks to Callum Tennick for editing. Want to sponsor an episode? E-mail Sam at sam@thesoundarchitect.co.uk for your sponsorship to be read out on the podcast. This episode and so much more at: www.thesoundarchitect.co.uk Twitter: @SoundDesignUK Facebook: facebook.com/thesoundarchitect.co.uk Instagram: thesoundarchitectofficial Stay up to date via our Monthly Newsletter as well: www.thesoundarchitect.co.uk/newsletter --- Send in a voice message: https://anchor.fm/thesoundarchitect/message

Disintegration, created by V1 Interactive and Private Division, is set 150 years into the future when much of humanity has been persuaded to upload their personalities and what makes them unique to cloud storage to reduce the stress on Earth's resources. An evil entity, the Rayonne, has taken control of the cloud, but a small band of rebels aims to take the Rayonne down and reboot humanity. Jon Everist told me he had an amazingly fun experience incorporating big themes of technology, humanity and rebellion into his soundtrack. The rebels are led by reluctant hero Romer Sholes, whose character also provided a lot of inspiration for Jon to give his a unique musical identity. Jon made the most of the music budget he had, and worked with the renowned Budapest Scoring Orchestra and orchestrator Brendon Williams. The soundtrack is available on Jon's Bandcamp page. Episode tracklist: All tracks composed by Jon Everist, with orchestrator Brendon Williams, performed by the Budapest Scoring

Speculative futuristic war. Speculative futuristic war never changes. Welcome to "Battle" week, in which Video Game Grooves brings the fight to you with a couple of fighty soundtracks that sound nothing alike but share at least one thing in common: circularity. Meaning vinyl. Yes it's too clever, let's move on. This week we are joined by Jacob Chase of the VGM WAX blog, which recently celebrated its first anniversary covering a more literate form of video game music on vinyl record. We recommend you swing by and check it out! Jacob and Jeremy focus on the dynamic musical score for Battletech, the Harebrained Schemes strategy game based on the iconic tabletop franchise. The unorthodox-but-appropriate musical stylings of Jon Everist underscore the futuristic-yet-feudal storylines while still capturing the flavor of giant stompy 'mechs shooting each other on far-flung worlds, and we highlight a couple of selections to illustrate that. Anthony is excited about Battle Garegga, from Limited Run Games. This vertical shooter lies at an interesting nexus point for the arcade shooter genre, and the complex musical layers of its soundtrack are a great late-era jam. Then we put Jacob in the hot seat to talk about the story behind VGM WAX, and we have a good old discussion about the process of "coverage" of video game music on record. How do we approach it, what drives us in our respective media, and what is it that we hope to share and give to others? So come listen and be shared with and given to.

You may have noticed that we've been digging BattleTech around here. Between Rob Zacny's review earlier today and last Friday's livestream, giant robots have very clearly been very much on our minds. You'll be able to hear more of my thoughts on the game on Friday's episode of Waypoint Radio, which features Rob Zacny and I doing a huge deep dive into the game. Suffice to say, I love it.Which is why I jumped at the chance to chat with the game's composer, Jon Everist, and to exclusively feature the above behind-the-scenes look at his process for composing and recording the game's incredible score. In the past, the games of the BattleTech universe (titles like MechAssault and MechWarrior 2) relied on wailing metal guitars to sell a the fantasy of the mech piloting. But in ​BattleTech​, Everist offers a breadth of musical language to communicate a sense of triumph, hardship, and adventure. The game sounds sparse in some moments, with analog synths and distorted strings providing nearly-ambient backing to your life as a mercenary. And in other moments, when the galactic politicking comes to a hard point, the orchestra swells to support the weight of the moment. When you're done listening, go read Rob's review right here, check out our exclusive behind-the-scenes video here, and check out the soundtrack over at Jon Everist's Bandcamp or on Spotify. See acast.com/privacy for privacy and opt-out information.

Topics Covered: 00:05:02 - Hearthstone 00:09:38 - Invector 00:23:14 - BattleTech 00:38:51 - God of War Email us at: email@saveourprogress.com Follow us on Twitter at: https://twitter.com/SaveOurProgress Or follow the hosts on twitter at: Craig - https://twitter.com/SearosCanoel Paul - https://twitter.com/pomorales Pete - https://twitter.com/HalfTuckPete Zac - https://twitter.com/AronZacField Produced by Zachary Field Podcast Artwork by Natalie Fang Dai Opening Theme https://www.youtube.com/watch?v=yJEPTk7FLmk Pamgaea by Kevin MacLeod [Check out more of Kevin MacLeod over at http://incompetech.com/] Ending Credits BattleTech "That's a Big Mech" by Jon Everist

This week, special guest video game composer Jon Everist joins our show to talk about game music and to promote the special vinyl release of his soundtracks for the Shadowrun series. The vinyls can be found at BlackScreenRecords.limitedrun.com, and you can find out more about Jon’s music at JonEverist.com.

Essential NPCs Podcast - S5E20 - When the Levee Breaks Synopsis: In their final confrontation, does Crash 3.0 have what it takes to get the job done? Cast: Daniel Baron, Tommy Cottin, Ryan Covert, Addie Gia, Bri Shucart Music: "Open Those Bright Eyes" Kevin MacLeod (incompetech.com) "Redemption" Jon Everist. (http://everistsound.com/). Used with the express permission of Jon Everist.

Essential NPCs Podcast - S5E18 - The Ties That Bind Synopsis: Following their latest lead, the team continues forward cautiously, unsure what they'll find at the end of the trail Cast: Daniel Baron, Tommy Cottin, Ryan Covert, Addie Gia, Bri Shucart Music: "Open Those Bright Eyes" Kevin MacLeod (incompetech.com) "Return of the Sixth World" Copyright Hairbrained Schemes 2013. Contributing Artists Gavin and Marshall Parker. (used with the express permission of Hairbrained Schemes) "Shoot Straight" Copyright Hairbrained Schemes 2013. Contributing Artists Gavin and Marshall Parker. (used with the express permission of Hairbrained Schemes) "Greed Zenith" Jon Everist. (http://everistsound.com/). Used with the express permission of Jon Everist. "Prosperity" Jon Everist. (http://everistsound.com/). Used with the express permission of Jon Everist.

Essential NPCs Podcast - S5E15 - Untold Depths Synopsis: Crash 3.0 tries to keep their heads about them as they continue one of the hardest jobs they've ever had. Cast: Daniel Baron, Tommy Cottin, Ryan Covert, Addie Gia, Bri Shucart Music: "Open Those Bright Eyes" Kevin MacLeod (incompetech.com) "Return of the Sixth World" Copyright Hairbrained Schemes 2013. Contributing Artists Gavin and Marshall Parker. (used with the express permission of Hairbrained Schemes) "Dragonfall" Jon Everist. (http://everistsound.com/). Used with the express permission of Jon Everist. "Horn and Ivory" Jon Everist. (http://everistsound.com/). Used with the express permission of Jon Everist.

Essential NPCs Podcast - S5E10 - Visiting Hours Synopsis: The team has a little time to collect themselves before they can make their next move. Cast: Daniel Baron, Tommy Cottin, Ryan Covert, Addie Gia, Bri Shucart Music: "Open Those Bright Eyes" Kevin MacLeod (incompetech.com) "Return of the Sixth World" Copyright Hairbrained Schemes 2013. Contributing Artists Gavin and Marshall Parker. (used with the express permission of Hairbrained Schemes) "Shock and Awe" Jon Everist. (http://everistsound.com/). Used with the express permission of Jon Everist.

Essential NPCs Podcast - S05B03 - Cashmere's Betrayal Pt. 3 Synopsis: BONUS CONTENT: Witness the ill fated series of events that lead to Cashmere's turn to darkness and his departure from the team. Cast: Daniel Baron, Tommy Cottin, Ryan Covert, Addie Gia, Roman Milan Music: "Open Those Bright Eyes" Kevin MacLeod (incompetech.com) "Take Cover" Jon Everist. (http://everistsound.com/). Used with the express permission of Jon Everist. "Grendel" Jon Everist. (http://everistsound.com/). Used with the express permission of Jon Everist.

Essential NPCs Podcast - S5E05 - Red Level Clearance Synopsis: Security is tight, but the team is willing to go all in to complete their mission. Cast: Daniel Baron, Tommy Cottin, Ryan Covert, Addie Gia, Bri Shucart Music: "Open Those Bright Eyes" Kevin MacLeod (incompetech.com) "Return of the Sixth World" Copyright Hairbrained Schemes 2013. Contributing Artists Gavin and Marshall Parker. (used with the express permission of Hairbrained Schemes) "Calling All Runners (Blitz's Theme)" Jon Everist. (http://everistsound.com/). Used with the express permission of Jon Everist.

Vamos fazer críticas de produtos aqui no IndieSide agora, escrevendo sobre games, quadrinhos ou até mesmo animações independentes. A partir de hoje, toda semana teremos um texto novo no site, que poderão vir acompanhados de podcasts complementares, como este, ou de vídeos no nosso canal do YouTube, onde estaremos recomendando e avaliando os melhores indies do mundo. Legal, né? Começando por “Necropolis: A Diabolical Dungeon Delve”, o mais novo jogo da incrível desenvolvedora americana Harebrained Schemes, liderada por Jordan Weisman, responsável por títulos consagrados no mercado, como a famosa franquia de RPG em turnos “Shadowrun”, que fez uma campanha milionária no Kickstarter desde sua primeira tentativa ao lançamento. Para introduzir Necropolis, acho que nada melhor do que a sua descrição oficial no Steam: “Uma mistura viciante dos gêneros de ação em terceira-pessoa com dungeon-delving procedural. Ah! E morte permanente (perma-death). Se aventure sozinho ou com até mais 3 amigos em uma mágica armadilha mortal que se reconstrói sozinha a cada vez que você joga. Você vai encontrar a saída ou morrer tentando? (SPOILERS: você provavelmente irá morrer tentando.)“ Pois é, algumas coisas pouco agradáveis aí, certo? Morte permanente, armadilha mortal, amigos... argh. Enfim, este jogo definitivamente não vai te ajudar em nada. Ao iniciar o game, você encarna um personagem encapuzado, masculino ou feminino, disposto à enfrentar os desafios e criaturas que estão lhe esperando na Necrópole através de seus dez níveis subterrâneos, que são caracterizados por ambientações como calabouços, masmorras, cavernas e pântanos, geradas proceduralmente com a intenção de nunca serem as mesmas localidades em diferentes partidas, o que funciona como uma certa “válvula de escape” para ajudar os jogadores à retornar ao jogo após cada morte. Sim, você realmente vai morrer muitas vezes. Quero começar ressaltando a beleza visual presente em todo o game. Sério, eu realmente poderia fazer um texto descrevendo apenas a arte de Necropolis. O estúdio com certeza teve MUITO trabalho criando este conceito de design low-poly que é super simplista, porém funcional e sofisticado, dando muita vida e personalidade aos personagens principais, inimigos e NPC’s em suas formas, acessórios, cosméticos, armas e animações. Este é um ponto fortíssimo no game, que em poucos segundos consegue te conquistar com uma iluminação majestosa espalhada pelos cenários e referências visuais que me lembram do nostálgico desenho "Samurai Jack", da Cartoon Network, e do fabuloso indie game "Journey" (PS3). A trilha sonora é outro ponto forte, cosposta por Jon Everist, nome por trás das músicas de outros títulos do estúdio, essencialmente na franquia Shadowrun. A sonoridade é minimalista e ameaçadora, contextualizando muito bem todos os momentos do jogo, seja em exploração ou em batalha contra esqueletos. Algumas faixas me lembram do seriado "Stranger Things" (Netflix), com bastante sintetizador e uma pegada “retrô-futurista”. Não me senti cansado de ouvir em nenhum momento. Outra coisa que nem de longe me incomodou, foi o humor negro e macabro de Necropolis. É simplesmente genial! Todas as descrições e textos estão carregadas de deboche e sarcasmo, ao mesmo nível de “Portal”, porém com uma pegada mais non-sense e mitológica. Todas as "piadas" estão não só traduzidas, mas também localizadas em português-brasileiro (PT-BR). Sendo um título de ação em terceira-pessoa, o Necropolis se apropriou muito bem do gênero rogue-like (ou rogue-lite), usando de artifícios como a exploração do mapa, crafting de itens e uma mecânica de movimentação e combate bem precisa, --- Send in a voice message: https://anchor.fm/indiesidebr/message

In which we chat with Jon Everist, the composer and audio director for Shadowrun Hong Kong!