Podcasts about Cartoon Network

Brad Steward didn't just ride snowboarding's first wave—he helped make it. As a teenage builder-rider-organizer, he pushed the sport from outlaw to organized, working alongside Jake Burton and Tom Sims, lobbying the Forest Service when resorts said no, and helping pave the path that led to Nagano. He co-founded one of the early camps where an eight-year-old Shaun White showed up—years before the world knew his name. Then Brad jumped lanes: into the Spike Jonze era of skate-culture filmmaking—directing spots for Cartoon Network (Powerpuff Girls), Adult Swim, AMC, and music work that had him shooting bands like Soundgarden and collaborating with UK labels. Today, his canvas is hospitality: Caravan Outpost in Ojai—a film-set-caliber, not-glamping hideaway that's hosted The Bachelor and a steady stream of celebrity regulars. Today on the show, I'm joined by Brad Steward—snowboarding's early architect, director/producer, and co-founder of Caravan Outpost. In this episode, we cover: How Brad helped move snowboarding from trespass to televised, shoulder-to-shoulder with Jake Burton and Tom Sims—and why the Nagano moment mattered. How an eight-year-old Shaun White landed at his camp—and what that signaled about the sport's future. How the Spike Jonze pipeline turned a DIY camera habit into gigs with Cartoon Network, Adult Swim, AMC, and major-label music videos. Why Caravan Outpost is “production design for memory-making,” not glamping—and how it became a magnet for celebrities and The Bachelor. The throughline: build the culture first, then build the brand.   Connect with Brad on LinkedIn Visit Caravan Outpost's website to book and learn more   Behind the Stays is brought to you by Journey — a first-of-its-kind loyalty program that brings together an alliance of the world's top independently owned and operated stays and allows travelers to earn points and perks on boutique hotels, vacation rentals, treehouses, ski chalets, glamping experiences and so much more. Your host is Zach Busekrus, Head of the Journey Alliance. If you are a hospitality entrepreneur who has a stay, or a collection of stays with soul, we'd love for you to apply to join our Alliance at journey.com/alliance.

Grab your Scooby Snacks and hop into the Mystery Machine with Felipe as we solve some capers all throughout the Scooby-Doo Universe on this exciting new rewatch series, each week with a different guest.In this episode, Felipe welcomes Todd back to the podcast as they journey to Detroit Rock City for a recap of Scooby-Doo! and Kiss: Rock and Roll Mystery.Have any questions for the podcast? Email them to brazildragonpod@gmail.com.Thank you to Freddy Luna (StuckOnYouCartoons) for the incredible Brazilian Dragon Podcast Artwork.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

WELCOME MOVIE STARS! Join Felipe and Setu at the Gilded Chris Ceremony every week as we recap Total Drama Action for Season 2 of We Wanna Be Famous!In this episode, the duo recap Total Drama Action episode 12 - "Aftermath II: Forgive & For-Gwen." They discuss the episode and pick two different movies to battle in the Letterboxd segment.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

TSC News TV host Fred Richani interview author Roye Okupe, creator of the Iyanu graphic novel series and co-creator of the animated series and films of the same name, currently airing on HBO Max and Cartoon Network! Okupe discusses the inspiration for Iyanu, airing on a legacy channel like Cartoon Network, incorporating his proud Nigerian / Yoruba culture in the work, what fans can expect in the future, and his love for video games!   For more info: https://youneekstudios.com/ https://royeokupe.com/ https://www.instagram.com/royeokupe   About IYANU: IYANU, the animated adaptation of the best-selling graphic novel Iyanu: Child of Wonder. Inspired by Nigerian mythology and folklore, IYANU brings this rich heritage to global audiences. Synopsis: A teenage orphan girl with no recollection of her past suddenly discovers that she has abilities that rival the ancient deities of her people.   If you're sharing this podcast, please use the hashtags #IYANU and #TSCNews!

El Criticón de La Cultureta Gran Reserva estaba deseando regresar a la rutina de lo madrugones, el colapso laboral, las entregas de piezas a la radio, los diez mil correos electrónicos diarios, la colección de ratas en las rotondas y los atascos de la M40 que le presionan y le pitan y le roban la misma vida etc etc etc Esta semana, en su reseña para coleccionistas, el crítico adelanta que el próximo lunes día 6 de octubre tendrá lugar uno de los acontecimientos más importantes de la temporada cultural. Ese día, en HBO Max y también Cartoon Network, estará ya disponible la esperadísima séptima temporada de esta serie de referencia -que se puede disfrutar en EEUU a través de Hulu desde el pasado mes de julio- que nos ha dejado huérfanos de nuevos episodios en estos últimos seis años. Regresa. Con fuerza y mucho talento. Con título nuevo. Antes era EL ASOMBROSO MUNDO DE GUMBALL… y ahora EL MARAVILLOSAMENTE EXTRAÑO MUNDO DE GUMBALL. Esta obra maestra contemporánea creada hace unos años por el francés Ben Bocquelet nos da todo lo que necesitamos para ser felices. Tramas cortas, brillantosas, delicioso mestizaje entre las imágenes del mundo real y la animación cartón, factura impecable, historias con hondura temática algunas veces, ciento setenta y cinco mil caras diferentes si sumamos los caretos de Gumball y Darwin, los dos protagonistas. Es maravillosa a los ojos del Criticón. Él sabrá. Para culminar la pieza número uno de la temporada, surge el nombre de OLIVIA DEAN. Qué talento musical, qué clase tiene su segundo álbum, que sale al mercado este próximo 26 de septiembre: THE ART OF LOVING se llama. Es extraordinario, puritito Brit School, from London UK, Olivia Dean. 

El Criticón de La Cultureta Gran Reserva estaba deseando regresar a la rutina de lo madrugones, el colapso laboral, las entregas de piezas a la radio, los diez mil correos electrónicos diarios, la colección de ratas en las rotondas y los atascos de la M40 que le presionan y le pitan y le roban la misma vida etc etc etc Esta semana, en su reseña para coleccionistas, el crítico adelanta que el próximo lunes día 6 de octubre tendrá lugar uno de los acontecimientos más importantes de la temporada cultural. Ese día, en HBO Max y también Cartoon Network, estará ya disponible la esperadísima séptima temporada de esta serie de referencia -que se puede disfrutar en EEUU a través de Hulu desde el pasado mes de julio- que nos ha dejado huérfanos de nuevos episodios en estos últimos seis años. Regresa. Con fuerza y mucho talento. Con título nuevo. Antes era EL ASOMBROSO MUNDO DE GUMBALL… y ahora EL MARAVILLOSAMENTE EXTRAÑO MUNDO DE GUMBALL. Esta obra maestra contemporánea creada hace unos años por el francés Ben Bocquelet nos da todo lo que necesitamos para ser felices. Tramas cortas, brillantosas, delicioso mestizaje entre las imágenes del mundo real y la animación cartón, factura impecable, historias con hondura temática algunas veces, ciento setenta y cinco mil caras diferentes si sumamos los caretos de Gumball y Darwin, los dos protagonistas. Es maravillosa a los ojos del Criticón. Él sabrá. Para culminar la pieza número uno de la temporada, surge el nombre de OLIVIA DEAN. Qué talento musical, qué clase tiene su segundo álbum, que sale al mercado este próximo 26 de septiembre: THE ART OF LOVING se llama. Es extraordinario, puritito Brit School, from London UK, Olivia Dean. 

El Criticón de La Cultureta Gran Reserva estaba deseando regresar a la rutina de lo madrugones, el colapso laboral, las entregas de piezas a la radio, los diez mil correos electrónicos diarios, la colección de ratas en las rotondas y los atascos de la M40 que le presionan y le pitan y le roban la misma vida etc etc etc Esta semana, en su reseña para coleccionistas, el crítico adelanta que el próximo lunes día 6 de octubre tendrá lugar uno de los acontecimientos más importantes de la temporada cultural. Ese día, en HBO Max y también Cartoon Network, estará ya disponible la esperadísima séptima temporada de esta serie de referencia -que se puede disfrutar en EEUU a través de Hulu desde el pasado mes de julio- que nos ha dejado huérfanos de nuevos episodios en estos últimos seis años. Regresa. Con fuerza y mucho talento. Con título nuevo. Antes era EL ASOMBROSO MUNDO DE GUMBALL… y ahora EL MARAVILLOSAMENTE EXTRAÑO MUNDO DE GUMBALL. Esta obra maestra contemporánea creada hace unos años por el francés Ben Bocquelet nos da todo lo que necesitamos para ser felices. Tramas cortas, brillantosas, delicioso mestizaje entre las imágenes del mundo real y la animación cartón, factura impecable, historias con hondura temática algunas veces, ciento setenta y cinco mil caras diferentes si sumamos los caretos de Gumball y Darwin, los dos protagonistas. Es maravillosa a los ojos del Criticón. Él sabrá. Para culminar la pieza número uno de la temporada, surge el nombre de OLIVIA DEAN. Qué talento musical, qué clase tiene su segundo álbum, que sale al mercado este próximo 26 de septiembre: THE ART OF LOVING se llama. Es extraordinario, puritito Brit School, from London UK, Olivia Dean. 

There aren't many animators more beloved than Genndy Tartakovsky. He created two golden era Cartoon Network shows: Dexter's Laboratory and Samurai Jack. He has worked on countless other animated projects including Star Wars: Clone Wars, Batman: The Animated Series, Hotel Transylvania and many more. Genndy joins us to talk about his latest animated project: Fixed – a raunchy comedy about dogs, their private parts and friendship. He also takes us back to the early days of Cartoon Network.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Grab your Scooby Snacks and hop into the Mystery Machine with Felipe as we solve some capers all throughout the Scooby-Doo Universe on this exciting new rewatch series, each week with a different guest.In this episode, Felipe welcomes Jenn back to the podcast as they journey to Florida for a recap of Scooby-Doo! and the Beach Beastie from 2015.Have any questions for the podcast? Email them to brazildragonpod@gmail.com.Thank you to Freddy Luna (StuckOnYouCartoons) for the incredible Brazilian Dragon Podcast Artwork.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

WELCOME MOVIE STARS! Join Felipe and Setu at the Gilded Chris Ceremony every week as we recap Total Drama Action for Season 2 of We Wanna Be Famous!In this episode, the duo recap Total Drama Action episode 11 - "Full Metal Drama." They discuss the episode and pick two different war movies to battle in the Letterboxd segment.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

Jeff Grant has had an enviable career in insights, first on the client-side where he rose to SVP Insights and Analytics for Time Warner, where he supported the Cartoon Network among others for 20 years. He then transitioned to the supplier side and now the agency world as VP Audience Strategy at Razorfish. But Jeff got bitten by the comic book bug as a wee lad and it turned into a lifelong passion. In this episode, Jeff shares his insights journey and then dives deep into his hobby including some of the notable, rare and favorite books in his collection. He also gives his fresh take on what the future of insights has in store.

Grab your Scooby Snacks and hop into the Mystery Machine with Felipe as we solve some capers all throughout the Scooby-Doo Universe on this exciting new rewatch series, each week with a different guest.In this episode, Felipe welcomes Nicole back to the podcast as they journey to Transylvania for a recap of Scooby-Doo! Moon Monster Madness from 2015.Have any questions for the podcast? Email them to brazildragonpod@gmail.com.Thank you to Freddy Luna (StuckOnYouCartoons) for the incredible Brazilian Dragon Podcast Artwork.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

Gooners gonna Goon. We have Its AJ Art join us to go through our dream rotation. But before the goonery can begin we inter view him on his start with art, crazy commissions, and Patrion. Comment below who would be in your dream rotation.Follow our guest on all platforms @itsajart and join his Patrion to see all his nsfw art. News: Black Clover 10th anniversary, One Piece chapter 1156, High School DxD Season 5, Halloween at Disney, Spider Punk Movie, GHOE sold out, HBO Max removes old Cartoon Network shows Ears: Pink Princess Check out 21 Blackjack on Webtoons if you haven't had the chance. Leave a like, subscribe , and share! Follow the Podcast on Youtube, Tiktok, IG, and Twitter @bmorenerdyFollow your host @galaxygreg_ @theedivaxox @iamhdtvAnd remember to Be More Nerds!

WELCOME MOVIE STARS! Join Felipe and Setu at the Gilded Chris Ceremony every week as we recap Total Drama Action for Season 2 of We Wanna Be Famous!In this episode, the duo recap Total Drama Action episode 10 - "Masters of Disasters." They discuss the episode and pick two different disaster movies to battle in the Letterboxd segment.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

✦ Break out your Flux Capacitor because when this show hits 88 miles per hour, you're going to see some serious…. stuff. That's right, “Back to the Future, The Musical” is coming to the Fox Theater this September. Bob Gale, co-writer of the original movies who helped bring to life Marty McFly and Doc Brown, has adapted the story for the stage, giving these beloved characters a whole new dimension. City Lights Collective producer Josh Thane sat down with Gale, along with Atlanta native and cast member Cartreze Tucker, to talk about translating this cinematic classic into live theater magic. ✦ Quilting has a long, rich history that crosses many different cultures and eras. For African Americans, creating quilts served not only as a means of survival and communication but also as a tool to share stories and showcase their artistry. O.V. Brantly created the Atlanta Quilt Festival 17 years ago to preserve and promote African American quilting and textile art. The juried exhibition has grown to over 100 quilts on display at the Southwest Arts Center and is on view through September 6. WABE arts reporter Summer Evans went down to check out these vibrant pieces of artwork. ✦ City Lights Collective member Shane Harrison spends his days at ArtsATL looking for cultural events to share with readers. He joins us weekly to share highlights, and today his mix includes The Weeknd at Mercedes-Benz Stadium, A Strange Loop at Actor's Express, and two shows that highlight the silver screen at The Booth Western Art Museum. ✦ Visual artist and music enthusiast Kosmo Vinyl bought his first LP when he was nine. He spent the next several decades immersed in music and began his professional career at London's pioneering indie label, "Stiff Records." In 1979, Kosmo started working exclusively with "The Clash," who were once billed as The Only Band That Matters, and stayed by their side until the punk icons disbanded in 1986. Over the years, Kosmo's record collection became legendary. In 2014, he began posting about his favorite releases on social media for his series, "Kosmo's Vinyl of the Week," and he joins us weekly to share the stories behind the records he treasures. This week, he shares the story behind "Roadrunner" from The Modern Lovers. ✦ Known for his vibrant, retro-inspired illustrations, Atlanta-based artist Derek Yaniger's work is a delightful blend of mid-century modern aesthetics, vintage comic book style, and rock 'n' roll culture. His art often features bold lines, striking colors, and a playful sense of nostalgia, making him a standout in the world of contemporary illustration. Yaniger's journey has taken him through a variety of creative industries, from ad agencies to Marvel comics to Cartoon Network. He has a special place in his heart for Atlanta's pop culture convention Dragon Con and has collaborated on artwork that combined the ethos of the convention with his signature style. You can see Derek and his art next week in the Comic and Pop Artist Alley at Dragon Con, and he recently joined City Lights Collective Co-host Kim Drobes to discuss his artistic process, influences, and his attachment to our city's longest-running fan-based convention.See omnystudio.com/listener for privacy information.

Grab your Scooby Snacks and hop into the Mystery Machine with Felipe as we solve some capers all throughout the Scooby-Doo Universe on this exciting new rewatch series, each week with a different guest.In this episode, Felipe welcomes Vale to the podcast as they journey to Transylvania for a recap of Scooby-Doo! Frankencreepy!Have any questions for the podcast? Email them to brazildragonpod@gmail.com.Thank you to Freddy Luna (StuckOnYouCartoons) for the incredible Brazilian Dragon Podcast Artwork.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

Today we are watching Lego Star Wars: The Yoda Chronicles: Menace of the Sith. This episode originally aired September 4, 2013 on Cartoon Network.   T

WELCOME MOVIE STARS! Join Felipe and Setu at the Gilded Chris Ceremony every week as we recap Total Drama Action for Season 2 of We Wanna Be Famous!In this episode, the duo recap Total Drama Action episode 9 - "The Sand Witch Project." They discuss the episode and pick two different horror movies to battle in the Letterboxd segment.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

Send us a textLet's get nostalgic for some good Cartoon Network shows

When there's a mid-00's cartoon to review, you know who to call. From their studio they can see it all! DebateThis! GO! Join this team as we look at another iconic team in this Teen Titans FLAVOR TEXT, as we go through the cartoon that features an evil school of evil, a father from Hell (literally) and a child-grooming assassin with no real motive. You know, stuff we all dealt with as teens.

Special thanks to “Kyle” (not the DT! One) for commissioning today's episode. If you want to rent your own room in Titan's Tower all it takes is a visit to patreon.com/debatethiscast and a one-time payment of $60. Have you seen our Instagram? instagram.com/debatethiscast  Have you seen our Threads? threads.net/debatethiscast Want to send us an email? debatethiscast@gmail.com Do you like it when we talk about comics? Do you like it when we say comic words into your lil ears? Would you like more content that includes us saying comic words into your lil ears? If you begrudgingly answered yes to any of those questions, check out our sister show, Avenge This! where ever you get your podcasts! Music for Debate This! is provided by composer Ozzed under a creative commons license. Check out more of their 8-bit bops at www.ozzed.net!

Grab your Scooby Snacks and hop into the Mystery Machine with Felipe as we solve some capers all throughout the Scooby-Doo Universe on this exciting new rewatch series, each week with a different guest.In this episode, Felipe welcomes Jules back to the podcast as they journey to Brazil for a recap of Scooby-Doo! Ghastly Goals!Have any questions for the podcast? Email them to brazildragonpod@gmail.com.Thank you to Freddy Luna (StuckOnYouCartoons) for the incredible Brazilian Dragon Podcast Artwork.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

WELCOME MOVIE STARS! Join Felipe and Setu at the Gilded Chris Ceremony every week as we recap Total Drama Action for Season 2 of We Wanna Be Famous!In this episode, the duo recap Total Drama Action episode 8 - "The Chefshank Redemption." They discuss the episode and pick two different hospital movies to battle in the Letterboxd segment.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

Well its a radio show, but its not live, and its prerecorded.... The Naked Gun is out, and its the comedy that Hollywood needed. Plus Nintendo, pulls its normal shenanigans, while we all continue to ignore the issues. Somehow EA is now the good guy as well? Also, Spider-Man begins filming, and the scenes from set look amazing, Matt Smith is joining a Galaxy Far Far Away, and Chris Hemsworth clarifies his comments on Thor.

On this episode of the Mastery Unleashed Podcast, host Christie Ruffino interviews Tony Babcock—actor, speaker, mindset coach, and creator of the On the SPOT Framework. With a background in acting and psychology, Tony empowers entrepreneurs to overcome stage fright, spotlight anxiety, and imposter syndrome by building authentic confidence. He explains how introverts can thrive on stage by rewiring beliefs around confidence and learning to engage audiences using tools from improv and neuroscience.Tony breaks down his On the SPOT framework:S – Stay Present (Stop overthinking and ground in awareness)P – Play Ping Pong (Engage in energetic exchange with the audience)O – Own Your Opening (Create connection from the first moment)T – Track the Story (Use your body, voice, and eye contact to align your message)He also introduces his free training, Shine Through the Shit Storm*, which helps speakers find their voice, tap into joy, and set powerful boundaries—especially in uncertain times. ABOUT TONYTony Babcock is a Speaker, Coach, Live Event Host, Author & award-winning Actor.Growing up in a small rural town, spending his first 17 years in the closet, and navigating raging ADHD, he is completely self-made and represents a story of taking a chance and finding the way at any cost.
Tony has worked with thousands of individuals across the globe and has been a keynote speaker for the world's largest companies (including Microsoft, YMCA, Freshbooks, Doctors without Borders, & Hilton Hotels). Tony has a Psychology degree and is certified in Neuro-linguistic Programming, Nonviolent Communication, Gestalt Therapy, Breathwork, Improv and Forum Theatre Facilitation.
You can see him on screen in various projects on Netflix, Amazon Prime, NBC, CBS, CBC, Cartoon Network, and hear his voice on national radio commercials for huge brands such as Virgin & Moneris. He has been featured in major publications, podcasts, talk shows and magazines.
Tony's on a soul-mission to help coaches, speakers, creators & artists become the go-to in their field by leveraging authentic confidence & owning “spotlight moments”. He will teach you how to speak like a pro, keep your mind calm & focused, and create genuine connections with the gatekeepers and change makers. GET TONY'S GENEROUS GIFTShine Through the Sh*t Storm Free TrainingGet Calm, get Focused, get Ready! This is a Training for Busy-Brained Entrepreneurs & Creatives Who Are Done With the Drama and Ready to Make a Real Impact like Yesterday!ACCESS THIS GIFT AND MANY MORE LINKS SHARED ON THE SHOWwww.tonybabcock.comABOUT OUR SHOWMastery Unleashed is a podcast for success-driven women who want to empower their thoughts, design their dream businesses, and build beautiful lives that are aligned with their destinies—hosted by Bestselling Author and Business Strategist Christie Ruffino.Each episode features today's top influencers and entrepreneurs on the rise as they share empowering stories and ninja tips meant to become the FUEL that will ignite a positive change in YOUR life and the lives of others.ABOUT OUR FREE GIFT VAULT GET THIS GIFT AND MANY MORE HERE: https://masteryunleashedpodcast.com/gift-signup/

WELCOME MOVIE STARS! Join Felipe and Setu at the Gilded Chris Ceremony every week as we recap Total Drama Action for Season 2 of We Wanna Be Famous!In this episode, the duo recap Total Drama Action episode 7 - "The Chefshank Redemption." They discuss the episode and pick two different prison movies to battle in the Letterboxd segment.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

On this episode of The Bandwich Tapes, I am thrilled to have a conversation with my friend, Steve Cunningham.  Born and raised in Rochester, NY, Steve Cunningham draws inspiration from a wide range of artists—Led Zeppelin, Pat Metheny, Yes, and the Brecker Brothers—blending their influence with his deep appreciation for all genres of music. After relocating to Atlanta, he picked up the lap steel guitar, diving into the styles of David Lindley, western-swing legend Tom Morrell, and Sacred Steel master Aubrey Ghent.A Studio Pro with a Killer Resume. As a sought-after session musician, Steve's guitar work has shaped hundreds of albums, TV and radio commercials, and movie soundtracks. His credits include Coca-Cola, Ford, Chevrolet, MLB, NFL, IBM, Cartoon Network, PBS, Microsoft, CNN, NASCAR, and even a recording session with the London Symphony Orchestra.One of Atlanta's most in-demand guitarists, Steve brings his signature sound to 150+ performances a year, effortlessly weaving through jazz, R&B, rock, funk, gospel, country, blues, pop, and western-swing in various venues around the globe.To learn more about Steve, visit his website.Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.The theme song, Playcation, was written by Mark Mundy. 

Keaver Brenai is mentoring with a mic - using her own talent and own journey to help bring up the next generation of creatives surrounding her. She's a voice-over artist, a singer, an author, and most notably, Keaver is consistently happy right where she is. And when she's not? She pivots and finds her way back or forward to that happy place we all deserve to live in. We talk about everything good from the house parties her parents through growing up to living presently, like when she sang backup for Michael Jackson and how to this day, she can still feel that moment. You've heard her voice everywhere from Blue Cross to Cartoon Network, Nike to NBC's The Good Place - now get to know the inspiring person behind it. ________________________ Steve is busy at work on the third book in his cozy mystery series, THE DOG WALKING DETECTIVES. Grab the first two and get caught up: Book 1: DROWN TOWN Amazon: https://amzn.to/478W8mp Barnes & Noble: https://bit.ly/3Mv7cCk & Book 2: MURDER UNMASKED Amazon: https://shorturl.at/fDR47 Barnes & Noble: https://shorturl.at/3ccTy

Roye Okupe, founder of YouNeek Studios, takes us inside “Iyanu”, the #1 series on The Cartoon Network, and tells us about his highly-anticipated San Diego Comic-Con appearance this past weekend.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

I can talk about intrusive thoughts. Doesn't mean I don't still have them. Because I do. Here is the thing. Not only is the intrusive thought false but it is repetitive. There are things and practices you can do to reduce the intensity of intrusive thoughts. In this episode, a recent experience of an intrusive thought and three ideas on how to handle the little haters.  I messed up the name of the song so I had to take it out. You can find it on YouTube. It is officially on the CartoonNetwork page. I don't know how long it will last. A lot of cable channels properties are going to be sold or terminated.  So much is changing.  If you need support contact the National Suicide Prevention Lifeline at 988 or 1-800-273-8255, the Trevor Project at 1-866-488-7386 or text “START” to 741-741. Resources Mentioned:  The non-profit Helpguide.org has a full page on Intrusive Thoughts and how to handle them. One of their suggestions is adjust the perceptions of your thoughts and let them be.   From the cartoon Steven Universe, the best musical example of what to do with an intrusive thought. 20+ million folks and counting. Here Comes a Thought. You can find the song on YouTube.   The Anxiety and Depression Association of America has a page on Unwanted Intrusive Thoughts. One of the suggestions is to continue what you were doing before the thought.   Disclaimer:  Links to other sites are provided for information purposes only and do not constitute endorsements.  Always seek the advice of a qualified health provider with questions you may have regarding a medical or mental health disorder. This blog and podcast is intended for informational and educational purposes only. Nothing in this program is intended to be a substitute for professional psychological, psychiatric or medical advice, diagnosis, or treatment.

BOSSes, get ready for an inspiring conversation with a true powerhouse of performance. In this episode of the VO Boss Podcast, we welcome the incredibly talented Stacia Newcomb, a veteran voice actor and performer who has been lighting up the mic and screen for over 20 years!   00:01 - Speaker 1 (Announcement) Hey bosses, if you're ready to start that demo journey, let's craft your professional demo together. As an award-winning professional demo producer, I'll collaborate with you to showcase your talent in the best possible light. From refining your delivery to selecting the perfect scripts to showcase your brand, I'll ensure your demo reflects your skills and personality. Let's create a demo that opens doors and paves the way for your success. Schedule your session at anneganguzza.com today.  00:33 - Speaker 2 (Announcement) It's time to take your business to the next level, the Boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a Boss a VO Boss. Now let's welcome your host, Anne Ganguzza.  00:52 - Anne (Host) Hey, hey everyone. Welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I'm here with a very special guest who's been lighting up the mic and the screen for over 20 years. Who's been lighting up the mic and the screen for over 20 years?  01:09 Stacia Newcomb is a powerhouse voice actor, performer and creator whose work spans just about every medium, let's say television, radio, video games, audiobooks and even puppetry. You might recognize her as the star voice See what I did there and fuzzy face of star from the Good Night Show on Sprout, where she's brought warmth and comfort to bedtime for kids for over a decade. Not only that, but she's voiced characters for Disney, nickelodeon, pbs, kids and Cartoon Network. And, of course, you've heard her in campaigns for brands like Geico, verizon, subway and Dunkin'. She's made her mark on stage and screen from a memorable appearance on 30 Rock, which I found to be quite interesting We'll talk about that in a minute to sold-out off-Broadway comedy shows like Can I Say this? I Can Shit Show and Potty in the USA. I can't say that because it's my podcast. Yes, these days she's running her own studio in the Berkshires Sound and the Furry where she produces family-friendly content and helps other performers find their voice. Welcome to the show Stacia.  02:12 - Stacia (Guest) Wow, thank you. That was quite the intro.  02:15 - Anne (Host) I'm like wow, I was like wow, I don't think 30 minutes is enough time for us, Stacia, to go through everything that you've done. Let's not, then We'll talk about whatever we want to. It's just, it's so amazing. I mean, so you've been in the industry for over 20 years, which actually to me, I've been in it just the voiceover aspect for like 18. And so 20 years feels like it was yesterday to me. But talk to us a little bit, talk to the bosses and tell us a little bit how you first got into performance. I assume performance was before voiceover.  02:50 - Stacia (Guest) Yeah, yeah, hey, bosses. Yeah, I started as an actor. I wanted to be an actor for as long as I can remember, I mean when I was little. My mom still tells a story about how I performed for all of my five-year-old friends at my fifth birthday party, which sounds like still a good party to me, right? So, yeah, so I started as an actor and through that I tried to just branch off into any direction that I could, to be living a creative life and be able to continue performing in whatever medium I could. You know.  03:34 - Anne (Host) So what was one of the first things that you did? Performance wise, professionally, yes, professionally.  03:38 - Stacia (Guest) So I this is so random, but there is. I'm from Massachusetts, that's where I grew up. In Newport, rhode Island, which I don't know if there are any Gilded Age fans out there there was a mansion, the Astors Beachwood, and the Astors Beachwood was owned by the Astors at the time when I graduated high school. At the time, for about 10 or 15 years, I think they had. They hired actors from all over the country to live there and perform as both aristocrats and servants of the 1890s the year was 1891. And we yeah, it was all improv, like some days I'd be an aristocrat and some days I'd be a little housemaid.  04:22 - Anne (Host) Wow, that sounds so interesting. Now you said Massachusetts. Now see, I'm originally a New York State girl, right, and I've been up and down the East Coast, so Massachusetts would suggest that you have an accent in there somewhere. Yeah, I sure do.  04:37 - Stacia (Guest) It's right there.  04:38 - Anne (Host) Yeah, and of course I feel like, because I had a very New York State accent which was kind of similar, believe it or not, not quite as I don't know, not quite as accented as, not as ugly. Is that what you're trying to say? Oh no, because I would say things like car and water and it would be like really flat with my A is water.  05:01 And when I moved to New Jersey, oh my gosh did they make fun of me, and so I should not make fun of you?  05:04 in New Jersey, in New.  05:04 - Stacia (Guest) Jersey, they say, they say water.  05:05 - Anne (Host) They say water, what's water, and so I literally like and I think you're, I think possibly at the time this was before voiceover I said, oh gosh, all right, so let me try to tame that, and so I did my own taming of my own accent and then ultimately, I got into voiceover.  05:36 And back when I got into voiceover it was a thing to neutral, to quote, unquote, neutralize, whatever that means, neutralize your accent. And I said it was in a pink envelope and I brought it to the backstage door and so I heard myself say that and I was like and so from then on I just I started pronouncing my R's and have never looked back.  06:02 I imagine once you do, you have family that's still in the area.  06:05 - Stacia (Guest) Yes, in fact, we just moved my mom out of the area.  06:08 - Anne (Host) Yeah, when you go to family reunions and I think that when I get around my you know, my family in New Jersey, like we all start talking quicker and then we start, you know, well, let's talk about you know, we just like get into that accent and it just happens inadvertently but outside of the accent. So that's a really cool first gig. And so then did you go to school for theater?  06:33 - Stacia (Guest) We did OK. So I had done a little dinner theater and then I but I had been auditioning in New York. I had a big callback when I was like 18. I was called back for Les Mis and it didn't happen, unfortunately. But it's cool because it led me on other adventures.  06:52 - Anne (Host) Sure, that was one of my first shows by the way that I saw that. I saw that. I was in a show. No, yeah. No, I can't claim that, but but a callback for Les Mis is really awesome.  07:01 - Stacia (Guest) Yeah, it was a big deal, I and I, so I always. The plan was always to move to New York City, but it just takes a while to get on your feet and New York City is very expensive and a little scary when you're you know, sure is Absolutely Very scary.  07:15 Yeah, and so I ended up getting there eventually. But I did go to college and then I quit college because I realized at some point, like I'm getting a degree in musical theater and what am I going to do with that degree? And I'm spending so much money, but when you're 19 years old you don't realize what you're signing on the dot. You're signing your name on the dotted line for thousands upon thousands of dollars and it's the program itself ended up falling apart. And there were all these promises that were made to me, like you know I, because they gave me a bunch of credits because I'd already been working as an actor, and then I was going to go to London and then they were going to give me my master's so I should have had my master's within five years master's in theater performance. They also had a program where, like I would get my equity card and they do theater during the summers. But it was a small liberal arts Catholic college in Minnesota and the program sort of fell apart and I escaped. I was like this is not.  08:21 - Anne (Host) I had to get out of there. I escaped. That was a lot of that was a lot of words, and I'm not going to make this political at all, but that was a lot of words when you said Minnesota Catholic theater. Coming from a Catholic girl.  08:35 - Stacia (Guest) So I get that. Yes, so it was run by these two incredible gay men who were. They were amazing, but as you can imagine the politics at the time and just yeah, they were amazing, but as you can imagine the politics at the time and just yeah, yeah, yeah, absolutely, and so all right.  08:48 - Anne (Host) So you quit college. And then what? I quit college.  08:53 - Stacia (Guest) But I got a job before I left, so I needed the impetus and the excuse to get out, which so I ended up working for Goodspeed Musicals, which is in Connecticut and they're a really pretty famous like regional theater. They'd won a lot of awards at the musical Annie started there, so I went there to be an intern in costuming and then I left that because I was like this is not what I want to be doing, I want to be performing. But it got me back east, which was great, and then from there I ended up taking like odd jobs, living with my parents for a little bit until I landed a show that took me on tour as a one person it was actually two different one woman shows for this company that's an educational theater company, and so I did that for like five years and while I was doing that I was able to make enough money to move to New York City and just keep going.  09:47 - Anne (Host) Now, what shows were those that you did that? The one woman shows, because that's quite a thing to do, a one woman show.  09:53 - Stacia (Guest) Yeah, and they're educational. So we would go to I would go alone really, I would travel all over the country, and one of them I played the fictional best friend of Anne Frank, and then the other one I played this young Irish girl who came over during the great wave of immigrants in the early 1900s. So I would go to, like schools and libraries and small theaters, and it was.  10:16 - Anne (Host) It was really incredible, an incredible job for a learning experience Now, at any given time at this point in your life. Did your parents or anyone ever say to you well, okay, so when are you going to get a real job? Do you know what I mean? Is it that? Was it ever like that for you?  10:35 - Stacia (Guest) I mean, yeah, I mean, I think probably in my own mind I thought not real job, but like when's the real, when are we gonna you know, and certainly when I would do my? You know, when that really happens is like around March or April, when you start doing your taxes and you're like exactly, theater doesn't pay, and so yeah, but I didn't get pressure like that from my parents. I got, I was lucky to get their support.  11:05 - Anne (Host) Yeah, that's wonderful.  11:06 - Stacia (Guest) I mean, they didn't have to support me financially and that's, I think, all that mattered to them.  11:10 - Anne (Host) Well, that's actually huge.  11:12 - Speaker 2 (Announcement) And.  11:12 - Anne (Host) I love that Because you had support to be able to go out and follow your creative dreams, which, I mean, my gosh, you, you've actually I mean you have the gamut of of creative things that you've done, and I imagine that just gives you such wonderful experience, because you're so rounded in all the areas that would make it important for you to be successful in any of those business areas.  11:38 - Stacia (Guest) Thank you, I think it's it's. It's also like trying new things and being new at things and, um, trying to not get be stagnant. You know, like just um, and and even always in my voiceover career, it's like I have to remind myself to uh, like that I get to do this and that that this is what I love, and just to to make it. How do you make it fresh when you've been doing it for so long?  12:08 - Anne (Host) For so long, absolutely.  12:11 - Stacia (Guest) And it's a different thing when you look at whatever you're about to experience or do with fresh eyes or like beginner eyes or like from a beginner experience, because you immediately are like, whoa, I love this, you know, and sometimes I think that can easily bring back the magic to whatever you're working on.  12:34 - Anne (Host) Yeah, yeah. So, these days are you mostly doing voiceover, doing voiceover and performing.  12:41 - Stacia (Guest) Yeah Well, so the pandemic changed a lot of things for me. We, because I've been in New York City and you know I'm still. We still have our apartment in New York City, but I'm mostly up at our house in the woods in the Berkshires. Yeah, I am still auditioning, I am still doing voice, a lot of voiceover. So yeah, I'm kind of all over the place and sort of open to whatever happens. I'm not I think I haven't been fully steering my own ship. I've kind of been like I don't know where are we going to go, Whatever you know, and just being open to whatever.  13:15 - Anne (Host) And there's so much good to be said in that though.  13:18 Yeah kind of allowing it to happen. I, I think for me and I don't know, I don't know what to call it, but for me I've always followed my gut or my intuition, and a lot of times, if things don't come right away, I know they will at some point, but I don't. I try not to rush myself to get to any specific spot, because I know that if it's going to happen, it's going to happen, and and the time it takes to kind of evolve the solution or the you know, to actually say okay, yes, now I know I have more, I have more direction, and now I'm heading in this direction. So I love that you said that. I love that Because you're not always sure right, you're not.  13:55 - Stacia (Guest) You're not. And you know the business has changed so much over the last, you know, over the last five years. I mean it's. It's kind of crazy. It's a new world and it's different. Navigating it is different, even though I'm with the same agents, even though I'm, you know, still in the business and I know the casting people or the producers that I know and have worked with. It's just, it's different. Approaching it like, hey, yeah, I don't have to rush. I really love that, Anne, because I feel like there is a rush.  14:30 - Anne (Host) There's always a rush I want it now. Yeah, no, I agree, I think so many of my students are always. They want it, they want it now, and I'm like, well, there's something to be said to letting it marinate and letting it evolve and letting it happen.  14:43 - Stacia (Guest) And also like looking in the other direction or seeing what else you know, I think. I think a lot of times, artists, especially if you're focused on one particular medium, you just focus on that one thing. And I, I recently started painting. Am I good at it?  15:01 - Anne (Host) No, I love it. I love it, but I don't think anybody could ever accuse you of not like experiencing or exploring different mediums, but it keeps you alive, it keeps you like, creative and happy, and that's what I want.  15:14 - Stacia (Guest) It'd be exactly that like lightens you up and it opens you up to when you are approaching commercial copy or whatever. It is Right Because you're, because you haven't been like. Why am I not looking? Why am I not? What am I? Who do I?  15:31 - Anne (Host) need to be for this piece of copy and you're just, you're just letting it, you're letting it happen. Yeah, yeah, I love that. Oh my gosh. So what? Before I actually talk to you about, let's say, some character, I want to. I have some character questions to ask you, because I think you're always a character in voiceover and no matter what genre you're working on. But I do want to talk about puppetry and what got you into that?  15:51 - Stacia (Guest) I had been doing Pokemon. I was very lucky. When I moved to New York I worked as a cater waiter when I wasn't doing the that one of those one woman shows and a friend had introduced me to the studio that that at the time was recording Pokemon. So you know how it's like things trickle Around. That same time this show was off Broadway it was called Avenue Q and then that musical came to Broadway, which is where I was finally able to get tickets, because you could not get tickets to it and it was crazy and it was such a special show. It's just so funny. The music is great and touching. It has so much heart to it. I mean it's a little dated now, but at the time it was, it was just extraordinary.  16:38 - Anne (Host) And it's still yeah.  16:39 - Stacia (Guest) So in that show for anyone who any of the bosses out there that that haven't seen it or don't know about it in that musical you see the full-on puppeteers playing the puppets on stage and it's so revealing. And me, as a young woman, I always loved puppets. I had puppets as a kid. I had like an Alf puppet from Burger King. I had a Kermit the Frog puppet. I loved puppets. Never thought that it could be a career, never thought in a million years. And when you think about it there aren't a lot of. It seems like there aren't a lot of female puppeteers. There are and there are more, but as I was growing up it was all men really, and then you would have like even the female characters. I mean Miss Piggy's, like one of the most famous women female characters of all time. She's played by a man and so you know the idea of being able to play a, be a puppet. It just was not. It never, you know. And so I saw that show and it was just incredibly revealing to me. It was like a light bulb moment. So I immediately got a puppet and started training.  17:52 I actually was so lucky that I got into a class that John Tartaglia had been teaching at that point in the city and I got to study with him, which was amazing and he's a beautiful human being, and so from there it was just kind of magical. Somehow this show was uh happening. I did another little uh on camera thing, but then this show the good night show happened. I auditioned for it and I had already created this little four-year-old girl character. They wanted me to change it up and make it a boy character. Well, those voices are going to be very similar, because a four-year-old boy and girls can sound pretty similar oh yeah yeah, Actually I was listening to it, I was trying to figure out.  18:35 - Anne (Host) You know, I felt like it could have been either yeah, right, right, because it's so young.  18:41 - Stacia (Guest) So yeah, so I auditioned for it and I booked that job and it became a huge part of my life. I ended up creating a part of the show and writing for the show and helping create the spinoff of the show, and so there's your, there's your acting, your puppetry, your your voiceover.  19:00 - Anne (Host) I mean you're, I mean production, I mean it's all aspects.  19:04 - Stacia (Guest) Yeah, absolutely yeah that's, that's amazing. It was, it was a really it was a really special show and a beautiful community and even now I, michelle who, michelle Lepe, who was the host on the show she still gets messages about, you know, from the kids who grew up with it, just like how much it meant to them, which is very sweet. I don't because no one, because I don't look like this.  19:29 - Anne (Host) Well, you know, I can say something similar because I was a teacher for 20 years and so I watched my kids grow up and I literally had one of them contact me just recently on LinkedIn thanking me for setting them on the path, and I was like, oh my gosh, like that just meant the world to me, and so I think that's beautiful.  19:49 Right, and that's one of the reasons why I love doing any educational voiceover. Sure, because I feel like there's, and not just e-learning, but like medical, like I mean anything that educates an explainer that can help someone, and even corporate. Do you know what I mean? Because you're always come at it from an aspect of how can I help you, the person that I'm talking to, you know, look better, feel better, be better, you know, and really that's commercial too, because it really should be about how you're helping the person that's listening to you, yeah, and connecting in that way, and not necessarily what you sound like while you're doing it, yeah.  20:31 Let's not get wrapped up in that, yeah, no. And so with that, it's a good segue to start talking about characters, because you've done so many characters, but you also have done commercials. So when it comes to characters in voiceover, let's talk a little bit about that. How is it that you prepare for any given piece of copy? Is it always a character?  20:56 - Stacia (Guest) Is it always a character you mean like with?  21:00 - Anne (Host) character copy or what you mean, or any kind of copy. Do you create a character for any type of copy, any type of copy, I think?  21:06 - Stacia (Guest) for me, my approach to commercial copy is it depends on the spot but it also is like how you know the age old question how would I talk to? A friend about this sitcom, you know, like whatever it is, but I and so it's just about bringing my authentic self to it. But also there's a there's. I think there is a musicality to it, but also it really depends on what's on the page right or what we're selling, you know do you ever envision?  21:37 - Anne (Host) do you ever envision yourself as the um, the, the? On camera the zip cream or the character zip cream or the. The person on camera. The character Zipcreme or the person on camera.  21:47 - Stacia (Guest) Sure, yeah, I think I mean I love when you get any kind of visual or if they give you the break of what is gonna be on screen and then you can kind of I love visualizing. I think visualizing because what it does for me is it brings my imagination to life, which immediately I'm having way more fun in the booth yeah. Yeah, and it's enjoyable, even when the copy is like maybe a little like dry or sad or whatever, like liven it up by visualizing what's happening.  22:26 - Anne (Host) Yeah absolutely Believe it or not. That's a big thing. Even if I'm doing e-learning, I'm imagining that I'm the teacher, because I was a teacher for so long and so I can draw upon that experience, and it's better for me to talk almost like a one-on-one coaching with a student. And if I try to envision myself in front of the class, even when I was a teacher, I was always looking at one person at any given time. Yes, so it made it much more personal, of course, and so for e-learning, I'm a character Corporate narration. I'm a character because I work for the company and I'm trying to provide a solution that is going to help the person that I'm talking to, which makes it a whole lot more interesting than if you're just reading about it to someone.  23:15 - Stacia (Guest) Totally yeah, or sound, trying to sound like someone who reads these kinds of things. Right, it's like, because it's a really I think what it comes down to is connection and we, as actors, need to connect right copy, which means I probably need to understand it. That's, that's excellent.  23:25 - Anne (Host) So yeah, so how? What are your steps for connecting to copy?  23:28 - Stacia (Guest) It really depends on the piece. Recently I had to do what was pretty lengthy and I had to do the spot in 15 seconds and it was like okay, I don't usually read things over and over and over again because they feel like there's an element of um, uh, over overdoing it you know, I agree I agree.  23:52 So my booth is here behind me. That's why I'm pointing behind me, in case anyone's wondering Um, and so sometimes when I get in there, I will run it a few times like that particular spot because it had to be so quick. But at the same time, of course, they're going to want it to sound like I just talk, like that, you know, and so it's like it's marrying those two things right when I want it to come off like it feels like me. I'm just sort of having this talk, but I'm also. It's very quick and rapid and it falls within the 15 seconds. Yeah, so my approach is not always the same thing. It really depends on what I'm working with, and sometimes there isn't enough time, like in that 15 seconds, there's not enough time to visualize or do this. It's wall to wall copy and it's also I'm talking about this cool thing that you're going to love, and so it's just about like who sometimes I like playing with? Who am I talking to? Where am I? Proximity is such a fun thing to play with too.  24:57 - Anne (Host) You can do that in a minute or two, totally Right. Yeah, and that's the thing I always try to emphasize to my students is that it doesn't take a whole lot of time to figure out who you are and who you're talking to and maybe set a scene up, yeah, and to get yourself rolling on that. I mean it's nice if you have the entire scene as it progresses through, because that allows you to help tell the story. But if you don't have all the time in the world, but a lot of times we're auditioning in our studios. I mean, we're not live auditioning as much as we used to. Gosh knows that's the case, right? Um, and unless we're like in front of a, we're being live directed. That's a different story, right, but if we've got the time before we go into the studios, I mean, what do you take five minutes?  25:37 - Stacia (Guest) if you put different scenarios on it, because you're probably sending more than one read on this commercial copy and we don't know. But the thing that I've loved playing with recently is I really love doing a take. That's for me what do I want?  25:53 to do with this? How do I want to bring myself to this? Because I think that what makes us viable, that what makes us marketable, is us. We are not disembodied voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are bringing ourselves to this copy and what our lived experiences and our lives, and so that that's really fun to to, just like I would. I would, I would encourage everyone to just do one for you. What do you want it to sound like?  26:29 - Speaker 1 (Announcement) Exactly.  26:30 - Stacia (Guest) Because that's the most empowering feeling is to be like I want to do this with this, and that's when you're collaborating too Sure sure, and is that the take that you submit first?  26:42 - Anne (Host) Not necessarily. Is that take one, or is it the second take?  26:46 - Stacia (Guest) Like lately I have been exploring it and I just feel like I just want to be a little more playful, yeah, and so, yeah, I mean, I say not necessarily.  26:56 - Anne (Host) The truth is I lean towards that one, unless I've worked with the people before.  27:00 - Speaker 2 (Announcement) Yeah, and I know what they're looking for. You know what I mean then I'm gonna just give them what they want.  27:04 - Anne (Host) But uh, if I don't know, and it's not like a critical like I, I always think like it's kind of like gambling for me, right, sure we're all gambling.  27:13 - Stacia (Guest) We're just all right, we're all gambling, right.  27:15 - Anne (Host) So I'm just gonna like, well, you know what, I'm just gonna do my best and I'm gonna, and I'm, and I'm gonna, just, you know, send it and forget it, that kind of thing. So I'm not gonna put so much stock in like, oh my god, did I do the right thing? Did I give them what they wanted? Am I going to get this? I try never to like hope and wish in that way for any job.  27:35 - Stacia (Guest) If you're saying I want to do this and that's where I'm like no, both of those takes are for me. It's not that it's for me, but it's like I'm going to give you what I want to give you, and then I'm going to give you another take of something different that I want to do with this.  27:53 And of course I read all the specs and of course I read and I'll even, you know, watch other spots that they've done to get an idea. Like we got to do our homework right, but then it's like you asked me to do this. I'm going to got to do our homework right, but then it's like you asked me to do this. I'm gonna do it my way. See, it's fun. I'm gonna have fun with it. I'm gonna. It's so much easier to let go when you like, because if you hold on to what you like, if you, if you don't give the what you want to do with it, read, then it's like you might live with regret yeah, you know, or like it sounds like everybody else's yeah right  28:29 at the end of the day maybe even they're all gonna sound somewhat the same, anyway, you know, but it's like at least you know you had fun with it. You felt like your authentic self and you and you played yeah yeah, you know.  28:43 - Anne (Host) So, being a singer, which I, that was the other part of the medium that I didn't really talk to you about, but I mean, I can actually hear just your talking voice, although I've never heard you sing. Except I did, I did go, you know, I did my homework, I did my, I did my YouTube. You have a gorgeous voice.  28:58 Oh, thank you, but I can hear that.  29:00 I can hear that in your voice as you speak to me, and it's so funny because I think that no one should have to try, right.  29:10 I think that no one should have to try right to create a voice that somebody thinks they want to hear. Because when we're connecting right and I actually listened to quite a different number of songs that you did in different styles, and one was from your potty show, and so you had such a range there and what was so cool is that you were just undoubtedly yourself and just like in all aspects of yourself, and that was just so cool because it was connecting and that was what I was looking for as a human being. I was looking for that, that connection in the voice and while you were on stage and while you were communicating to me, and I feel like it's the same exact thing. It's the same exact thing for voiceover, right. It's all about like your voice is beautiful, no matter what you're you know what I mean, no matter what you're doing, you don't have to try and so just connect with me, and that's really what I'm looking for as a human being, and I think that's what most casting directors are looking for.  30:04 And they tell me over and over again, that's really what they're looking for. Is connection, not necessarily the sound.  30:11 - Stacia (Guest) I think we get caught up in the sound. The sound or I flubbed on this, or I you know this or that, whatever it is, and it's like I. I don't want to be listening and I am because it's so hard when you're doing this yourself.  30:28 - Anne (Host) It is hard not to listen.  30:30 - Stacia (Guest) You have to take off the director hat while you're the actor, and then you have to take off the engineering.  30:39 - Anne (Host) You know you have to compartmentalize, because if you don't, and you don't because you'll, and then when you come back, Because if you don't and you don't because you'll, and then when you come back and you're the engineer slash director and you listen back and you're like, oh, as an actor, I really loved that last take, that's weird. I don't like listening to it, like I don't. I don't have that feeling brought this up because it's hard. It's hard for us to separate the ears, right. It's like you have to develop an ear, right, you have to develop an ear as an actor, you have to develop an ear as an audio engineer and you have to be able to separate them.  31:13 And it's funny because I've always maintained back, when I was really, you know, moving on this in this career, I was in a place where they were doing construction outside my home and I had, when I was in my studio, I had my headphones on. I had to keep them on because I had to make sure that there was none of that sound coming in, and so I had my headphones on a lot of time. And if, if you get good at it, I always say the headphones are just amplifying your voice, and so if you can not listen to your voice and just you know what I mean, like you can record with your headphones on. I mean, right, you got to do it when you're live directed anyways. So I'm always saying people are saying, oh, I don't wear my headphones because I try to listen to myself.  31:53 I'm like I could listen to myself with my headphones off. Do you know what I mean? But you've got to be able to compartmentalize, and I love that you said that, because that is a skill and it's a skill that I think takes a little bit of time for for people to to really really get to be able to to say, okay, this is my, this is my actor ears. Yeah, versus what do I sound like?  32:16 - Stacia (Guest) right, it's that constant like don't listen what you sound like and it's. It's also like there's because there is that judgment that comes in you and that when you are wearing cans, if you aren't telling your self limiter I talk about this a lot and we'll talk about it when when we work together with everyone, but if you aren't challenging them and saying I don't need you here right now, it's very powerful to send them away, to send that voice to me. For some reason, it's right here.  32:48 - Anne (Host) It's just very like right, that's like the magic secret Stacia, I mean I love that it works for me. So, I want to say that we are going to be having you as a VO Boss workshop guest director, so, and and we are going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be doing in that class.  33:08 - Stacia (Guest) What I would love to do is see where everyone's at, what they want to play with, and, of course, do that, but also, I think, for everyone, I would love to share the self limiter and what I, what I do to get rid of that sort of you know, it's a, it's a protection right. That's what that voice is doing. It's trying to help you, but it's not helpful. I love that.  33:34 - Anne (Host) Oh my gosh, that's like secret sauce.  33:36 - Speaker 2 (Announcement) Yeah, yeah, I think so.  33:38 - Anne (Host) I know how hard that I mean. It's just, it's so hard. I mean, and you do have to, you have to be able to, you have to be able to separate it, you have to wrangle that?  33:46 - Stacia (Guest) Yeah, because that that voice that's trying to protect you inevitably is is keeping you safe. It's keeping you safe, it's doing its job and you don't. You do not want anyone keeping you safe when you're in your booth. Yeah, it is not a place for safety.  34:04 - Anne (Host) It is a place to play.  34:06 - Stacia (Guest) If you're playing safe and you're in a dramatic role for a video game and you're, you know you're about to I don't know shoot up some monsters, or you're afraid for your life or it, or you're, you know, some silly little kid like you got to be a little kid, you got to be playful and you know, or you got to be scared of those monsters or whatever's on that page. It is not a place for you to be protected or be playing it safe.  34:33 - Anne (Host) Yeah, yeah, I love that. Did I just get on a soapbox? I think I did. I think that, no, I love that and and all right. So, from a different perspective right, I mean a different perspective, it the way that it hit me, but I love that. You teach that because I am.  34:47 You know, I've had health issues, right, I had cancer, and before I was diagnosed, I was like so worried about what I was sounding like and what. You know how the audition went and did. Should I have done it this way? Should I have you know? And then all of a sudden, it was like whoa, like what was I? Like that just didn't seem important anymore. I shouldn't be.  35:09 Why was I so worried about what I sounded like when, in fact, I just, you know, I'm fighting this disease right now, and so it gave me such a license to permit myself to be free. Yeah, just not worry and not have that self-judgmental voice on me all the time. It was an amazing thing that happened to me and unfortunately I mean well, I mean fortunately I'm here and everything's good, you know. So nobody, nobody, has to worry about it. But in reality, it was one of the best things that could have happened for my performance, for my actor, my actor self, was to say what the hell was I so damn worried about? What was I? What was I trying to be? You know what? Just screw it Like, isn't it incredible?  35:47 - Stacia (Guest) how? So empowering? So it's like grief is off. Grief is awful and we all, as humans, live through it and the way that it can have some magical elements and empowerment in it is really incredible. Talking about that and how you're like I don't care, Like I don't. Why am I going to concentrate on what I sound like? That was not a priority.  36:16 - Anne (Host) No, Well, what I sounded like is not a priority anymore.  36:19 - Stacia (Guest) No, no no, it was amazing, because it's like a reminder of who you are, who your soul is Like. You want to connect with people and that's what you do. I love it.  36:29 - Anne (Host) Oh, my God, I'm so excited, so excited for you to join us. So, bosses, make sure that you check out the show notes and I'll have a link to the VO. Boss, or just go right to the VO Boss website.  36:41 - Stacia (Guest) Is it down here? Is it? Should I point to things?  36:45 - Anne (Host) I'll be putting it in the post. So it's on VeoBosscom. You guys check out the events and sign up for Stacia, because it's going to be an amazing class. And, stacia, I just want to say thank you, this has been so much fun. Thank you so much for joining us.  36:59 - Stacia (Guest) It was a pleasure.  37:00 - Anne (Host) Yeah, it's been wonderful Really getting really getting to know you even better. I'm so excited.  37:05 - Stacia (Guest) Back at you. You're an incredible interviewer. It's really what a joy.  37:10 - Anne (Host) Thank you Well thank you, I appreciate it. Well, look, bosses. I'm going to give a shout out to our sponsor, ipdtl. You too can connect and network like bosses, like Stacia and myself. Find out more at IPDTLcom. Bosses have an amazing week and we'll see you at Stacia's class right. Yay, in August. I'll be there and we'll be with you next week with another episode. Thanks, so much.  37:33 - Speaker 2 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content. Sign up for our mailing list at vobosscom and receive exclusive content industry revolutionizing tips and strategies and new ways to rock your business like a Boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

Welcome to Creative Block! This week's guest is David C. Smith! David is a director, storyboard artist, and woodworker who has worked on Primos, Mulligan, Hotel Transylvania 4, and Angry Birds 2.In this episode, VEE and SEAN talk to DAVID about INTERNING at CARTOON NETWORK, FINDING A HOBBY, THREE Es OF DIRECTING, and so much more.While we talk, we doodle on a MAGMA, where we draw from prompts we got on TWITTER, INSTAGRAM, YOUTUBE, THREADS, NEWGROUNDS, and PATREON. Subscribe to our channel to hear more stories of other animation professionals! ■■■■■■■■■■■■■■■Thank you to our Patreon Blockheads for supporting the show!Want to become a Patron? ► https://www.patreon.com/crtvblockHit subscribe and follow our socials for updates! ►https://bsky.app/profile/crtvblock.bsky.social ►https://twitter.com/crtvblock ► https://www.instagram.com/crtv.block/ ► https://www.threads.net/@crtv.block ► https://creativeblockpod.newgrounds.com/■■■■■■■■■■■■■■■Follow the hosts!VEE! ► https://x.com/violainebriat ► https://www.instagram.com/violainebriat ► https://www.threads.net/@violainebriat ► https://www.violainebriat.com/SEAN! ► https://linktr.ee/lordspew ► https://x.com/lordspew ► https://www.instagram.com/lordspew/ ► https://www.threads.net/@lordspewFollow the guests!DAVID! ► https://www.daveofthedeadportfolio.com/ ► https://www.instagram.com/thedaveofthedead/ ► https://www.daveofthedeadportfolio.com/#/lumen/■■■■■■■■■■■■■■■Editing by Clemence Briat ► https://twitter.com/clem_n_mProduced by Marco Beltran ► https://twitter.com/orcsocksReels/Shorts by Ebuka.PNG ► https://www.instagram.com/ebuka_0fomaTheme song by Louie Zong ► https://twitter.com/everydaylouie■■■■■■■■■■■■■■■0:00 Intro4:01 Interning and pitching12:40 First job17:33 Woodworking27:19 Specialization vs variety38:46 Hate on shows45:54 The three E's of Directing

Warner Bros. Discovery is splitting in half (again) and the names of the two halves? Are you sitting down? It's Warner Bros. and Discovery. Just like how HBO Max went to Max and then back to HBO Max, WBD decided they'd be better off as separate entities. So why bother in the first place? Then we talk about Coyote vs. Acme and how they get digs in at the merger. Watch this podcast episode on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. D/REZZED News covers Pixels, Pop Culture, and the Paranormal! We're an independent, opinionated entertainment news blog covering Video Games, Tech, Comics, Movies, Anime, High Strangeness, and more. As part of Clownfish TV, we strive to be balanced, based, and apolitical. Get more news, views and reviews on Clownfish TV News - https://news.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

WELCOME MOVIE STARS! Join Felipe and Setu at the Gilded Chris Ceremony every week as we recap Total Drama Action for Season 2 of We Wanna Be Famous!In this episode, the duo recap Total Drama Action episode 6 - "Aftermath I: Trent's Descent." They discuss the episode and pick two different movies to battle in the Letterboxd segment.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

Go to https://TryFum.com/CLOWNFISHTV or scan the QR code and use code CLOWNFISHTV to get your free FÜM Topper when you order your Journey Pack today!Cartoon Network has been DROPPED from Comcast's basic cable TV package. It's been relegated to an add-on. The long, slow death of Cartoon Network has been PAINFUL to watch.Watch this podcast episode on YouTube and all major podcast hosts including Spotify.CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles.D/REZZED News covers Pixels, Pop Culture, and the Paranormal! We're an independent, opinionated entertainment news blog covering Video Games, Tech, Comics, Movies, Anime, High Strangeness, and more. As part of Clownfish TV, we strive to be balanced, based, and apolitical. Get more news, views and reviews on Clownfish TV News - https://news.clownfishtv.com/On YouTube - https://www.youtube.com/c/ClownfishTVOn Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvgOn Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

Go to https://TryFum.com/CLOWNFISHTV or scan the QR code and use code CLOWNFISHTV to get your free FÜM Topper when you order your Journey Pack today! Cartoon Network has been DROPPED from Comcast's basic cable TV package. It's been relegated to an add-on. The long, slow death of Cartoon Network has been PAINFUL to watch. Watch this podcast episode on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. D/REZZED News covers Pixels, Pop Culture, and the Paranormal! We're an independent, opinionated entertainment news blog covering Video Games, Tech, Comics, Movies, Anime, High Strangeness, and more. As part of Clownfish TV, we strive to be balanced, based, and apolitical. Get more news, views and reviews on Clownfish TV News - https://news.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

Jurandir Filho, Felipe Mesquita, Evandro de Freitas e Bruno Carvalho batem um papo a chegada da TV por assinatura no Brasil, que acabou representando uma verdadeira revolução no consumo de entretenimento e informação. Foi no início da década de 1990 que o país começou a vivenciar essa transformação, impulsionada por avanços tecnológicos e mudanças no perfil do público, que buscava mais opções e qualidade na programação televisiva. Empresas como DirectV, Net e Sky dominavam o mercado e apresentaram muitos canais marcantes em suas programações: CNN, MTV, ESPN, Discovery Channel, National Geographic, Cartoon Network, Nickelodeon, HBO, Telecine, Multishow, Fox Kids, Jetix, Disney XD, Sony, Warner Channel e muitos outros.A TV por assinatura no Brasil moldou gostos, influenciou gerações e serviu de vitrine para culturas do mundo todo. Mesmo com a ascensão dos serviços de streaming, a história da TV paga no país segue relevante, não só por seu pioneirismo, mas também por ter sido a porta de entrada de milhares de brasileiros para uma nova forma de ver televisão: mais personalizada, segmentada e globalizada.Essa é mais uma edição da nossa série Na TV!- ALURA | Aprenda Python do zero, crie dashboards interativos e acelere sua carreira em dados! TUDO DE GRAÇA!!! https://alura.tv/99vidas-imersao-dados

On this episode, we discuss:Rest In Piss Hulk HoganWNBA All Star Weekend/CBA NegotiationsStudbudzUNC possibly going to the SEC?Cartoon Network went + MORE!TUNE IN

Welcome to Dev Game Club, where this week we revisit our series on Gone Home and walking simulators with an interview with Karla Zimonja. We talk about Karla's early career before transitioning to talking about Minerva's Den and get a lot of great gems from the development of Gone Home. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Podcast breakdown: 01:02 Interview 1:21:00 Break 1:21:30 Outro Issues covered: early life and education, stop motion animation and puppetry, Squigglevision, no usual paths into games, transitioning to 3D animation, getting on the content mill, getting in, repetition and burnout, doing tons of research and visual design, picking the soundtrack and working on voice, a small team covering a lot of stuff, putting together clipped out letters, covering all the bases for graphic design/props/and more, digital hoarding, moving to Portland, having a great production, making the bros cry, getting onto Steam, critical acclaim getting you to market, taking out the combat, removing rather than replacing, environmental storytelling, setting the game in the 90s, being aware of the world and having no cellphones, setting yourself up for rigor, pacing, tying together time and space, knowing where the player will go, going to the second floor vs the first floor, putting chunks together, a mind map, callbacks between props, forgetting you're in a video game, the story doesn't exist without the player putting things together, the IKEA effect, situating the journal in Sam's perspective, audio logs, Katie knowing what her sister's voice would be like, not being a little game designer, avoiding artifice, avoiding goofiness, three parter audio logs, cutting out logs you didn't need, not holding the player's hand, dumbing down too far vs letting people be uncomfortable, finding the voice via research, being able to generalize from the highly detailed specifics, getting handwriting, magic and Unicorn Cloud 7, being just as easy to put in the supernatural story but resisting that, wanting the fantasy, how to think about game structure, "the team makes the game," putting story in the ephemera, constraints and applying them to generate the tension, award-winning, the indie space and the blogs, indies banding together, thinking about a game when you're not playing it. Games, people, and influences mentioned or discussed: Asheron's Call 2, Zoo Tycoon 2, 2K Marin, Bioshock 2, Minerva's Den, Fullbright, Tacoma, Open Roads, Wanderstop, Sonderlust Studios, Generation Exile, EA, Comedy Central, Cartoon Network, Olive Jar Animation, MTV, The Critic, Nightmare Before Christmas, Tom Snyder, Soup to Nuts, Dr. Katz, Home Movies, Mitch Hedberg, Trainspotting, Animator Pro, Turbine Games, Lightwave, The Last of Us, Something Awful, Fallout (series), Bob Hope, Maya, Johnnemann Nordhagen, Karina Veronica Riesgo, Inkscape, Steve Gaynor, Rachel Gaynor, Steam Greenlight, Independent Games Festival/IGF, Dear Esther, Call of Cthulhu, Street Fighter, NES/SNES, IKEA, William Goldman, Alien: Isolation, Kate Craig, Final Fantasy VII, Horse Master, Carl Lumbly, Alias, John Wick, Lance Reddick, Outer Wilds, Kirk Hamilton, Aaron Evers, Mark Garcia, Bratmobile. Next time: TBA! Twitch: timlongojr  Discord  DevGameClub@gmail.com 

A long time coming, I am pleased to have Ariel aka AriNicoCosplay join me on the podcast to talk with her about her favorite fandoms. We split the episode in half. The first half we cover the first anime. Ariel and I talk about our anime origins, with hers being with Toonami and staying up late to catch some of the anime series presented on the Cartoon Network. We do deeper dives into two of her current favorites, Dorohedoro and The Apothecary Diaries. From there, we step into the world of cosplay. If you've followed Ariel's Instagram for some time, you'll know that she does incredibly detailed cosplay and cosplay pieces. We talk about how she first got into cosplay, her process when it comes to costumes/costuming, the skills she's learned, and more. We highlight several of her pieces, and we talk about the work that goes into finding the fabrics and items needed. You can find Ariel at: https://www.instagram.com/arinicocosplay/ https://arinicocosplay.com/ https://www.tiktok.com/@arinicocosplay

WELCOME MOVIE STARS! Join Felipe and Setu at the Gilded Chris Ceremony every week as we recap Total Drama Action for Season 2 of We Wanna Be Famous!In this episode, the duo recap Total Drama Action episode 5 - "3:10 to Crazytown." They discuss the episode and pick two different western movies to battle in the Letterboxd segment.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

Today's episode includes: Cartoon Network released the trailer of The Wonderfully Weird World of Gumball Pixar released the teaser trailer of Hoppers Netflix released the trailer of Fixed RUMOR: Amazon MGM Studios is making a live-action My Little Pony movie CBS got backlash for cancelling Late Show with Stephen Colbert

Our friends and listeners have voted on topics for us to discuss in this round table style episode. All questions we're suggested and voted on in our discord! Come join the discord to submit questions and vote!What franchise needs the 90's BEAT'EM UP treatment?If you could make a gamer play 1 game, what would it be?What could have saved SEGA as a console maker?You're stranded on an island.. what order do you eat these characters? Bubsy, Milktank, and GoombaWhich video game has the best use of franchise cross-over?What's your favorite video game trilogy?What is the Mount Rushmore of Cartoon Network?Join our Discord group!https://discord.gg/84T8khTMORE INFO:https://www.badsecretmedia.com Support the show and order a t-shirt! https://www.teepublic.com/user/secretlevels Join our Patreon!https://www.patreon.com/badsecretmediaFollow Secret Levels on all social media! Twitter: https://twitter.com/secretlevelspod Instagram: https://instagram.com/secretlevelspod Facebook Group Page: https://www.facebook.com/groups/285925218891464/Toby's Live Streams on Twitch:https://www.twitch.tv/tobyvondoomGoobz's other podcast! The DeRailers Podcast Twitter: https://twitter.com/TheDeRailers Toby's other podcast! Secret Transmission Podcast Twitter: https://twitter.com/secrettranspod ----------------------------------------------------------- Intro and segment music: https://gregoriofranco.bandcamp.com/musicRage Meter Song: https://www.youtube.com/watch?v=kuBO6aDLM_4 Super Mario Brothers - Bluegrass Style: https://www.youtube.com/watch?v=bsrVEbpvU2U  Call Me By Your Gamea nostalgic video game podcastListen on: Apple Podcasts SpotifySupport the show

Episode SummaryYou built a content machine. Now leadership wants magic.In-house creative teams were designed to move fast and save money—but today's business leaders want more.They expect:bold brand-buildingcultural relevancestrategic insight…from teams still treated like internal vendors.So what separates in-house teams that thrive from the ones that get quietly downsized?According to Pete and Juan Carlos, it all comes down to culture.In this episode, they pull back the curtain on the rituals, truths, and team dynamics that unlock trust, talent, and transformative work.From unspoken disabilities & superpowers to under-measured impact, this is the playbook for making your team irreplaceable.Key TakeawaysYou can't process your way to magic. Culture is the real operating system of creative teams.Creative “problems” often signal cultural misalignment—not lack of talent or effort.Superpowers and struggles both matter. Great teams make space for the whole human.Conversation isn't overhead. It's where clarity, courage, and creativity begin.When CMOs and creative leaders align, in-house teams stop surviving—and start leading.Passive Listening to Active Thinking Use these prompts to reflect solo—or spark deep conversations with your team:What does your team optimize for—volume, speed, or belief?Where is your team using process to avoid conversation?What's one unspoken “disability” on your team—and what would it look like to support it?Are your current metrics proving value—or hiding it?If you left tomorrow, what would be missing: deliverables or culture?Pete Johnson & Juan Carlos Gutiérrez, Co-Founders at LOVE+RESPECTPete and Juan Carlos have led iconic creative teams at LEGO, Nickelodeon, Cartoon Network, and Saatchi & Saatchi. Now, through LOVE+RESPECT, they help brands transform their in-house teams into culture-driven, business-moving creative engines. With a mix of radical candor and real-world experience, they bring humanity, honesty, and high performance into the heart of creative operations.

Dessa vez a treta foi séria: qual é o melhor desenho que a Cartoon Network já fez?A gente relembrou clássicos como As Meninas Superpoderosas, Laboratório de Dexter, Coragem, o Cão Covarde e muitos outros — e claro, deu muita nostalgia, discussão e risada no meio! Já escuta aí e conta pra gente: qual é o seu desenho favorito da Cartoon?CLIQUE AQUI⁠⁠⁠ E ACOMPANHE ESTE EPISÓDIO GRAVADO AO VIVO E COM IMAGENS NO YOUTUBE! SEJA MEMBRO MOEDOR: https://moedor.com/ // ⁠⁠⁠ANUNCIE NO MOÍDACAST⁠⁠⁠: carnemoidacast@gmail.com ///////////////////////////////////////// // NOSSAS REDES SOCIAIS: – ⁠⁠⁠Site Oficial⁠⁠⁠ – ⁠⁠⁠Twitch⁠⁠⁠ – ⁠⁠⁠Instagram⁠⁠⁠ – ⁠⁠⁠Twitter⁠⁠⁠ – ⁠⁠⁠TikTok⁠⁠⁠ // OS ESPECIALISTAS EM P0RR4 NENHUMA: – ⁠⁠⁠Klaus Aires⁠⁠⁠ – ⁠⁠⁠Kleber Tanide⁠⁠⁠ – ⁠⁠⁠Letícia Godoy⁠⁠⁠ – ⁠⁠⁠Rafa Longhini⁠⁠⁠ – ⁠⁠⁠Silas Ravani⁠⁠ EQUIPE: // PAUTA E CAPA: – ⁠⁠Letícia Godoy⁠⁠⁠ // EDIÇÃO: – ⁠⁠Silas Ravani⁠See omnystudio.com/listener for privacy information.

August 14-20, 1999 This week Ken welcomes writer, musician and comedian who has created the video podcast built on music, performance storytelling and Ai visuals, Skulk The Hulk, Steve "Skulk" Pasieka Ken and Skulk discuss Mad Magazine, Steve's Dick DiBartolo mustache, Action shows on TV, Chuck Norris, WWF (WWE), Samo Hung, WCW, Chinese action heroes, Attitude Era of WCW, defining High School by wrestling, backyard wrestling, TV Guide induced vivid dreams, growing up in Chicago, heavy Italian Chicago accents, children with strong regional accents, revolting Pepto Bismol ads, disgusting ice cream photos, Judy Garland, the 90s love of the 70s, no bake Jell-O grossness, too much PB, locking up your Klondike bars, how much smarter Samo Hung is than Kevin Sorbo and Chuck Norris, Halle Berry's comebacks, Brutus the Barber Beefcakes' MBTA "Anthrax" scare, wrestlers lying about their size, Randy "Macho Man' Savage, class action suits, the shock of a Buff Bagwell photo shoot, The Tom Green Show, The Adventures of Buckaroo Banzai, MTV's Real Life, Chyna, HHH, Behind the Music, going into animation, debating Generative AI, what is a tool and what isn't, challenging norms, controversal issues, Ken's theory of innovative amatuerishness, going to Greece, having experiences outside of America, distribution networks, wrestlers with just regular names, UFC replacing WWF/WCW, how you need rules, how having all things available to you stifles creativity, Antiques Roadshow, Celebrity Tug-O-War, Johnny Bravo, Cartoon Network, Spin City, JAWS, Ray Walston, Star Trek, Dee Snider in Strangeland, how massive David Blaine was, Win Ben Stein's Money, Leeza Gibbons hosting Smoking: Truth or Dare, requiring cigarette holders, lost Comedy Central shows of the late 90s, Steve's love of music videos, how some things don't hold up at all, appreciating Men in Black, the Roller Derby resurgence, Ska Punk, Chicago punk bands, Naked Raygun, and The Many Incessent Lives and Subsiquent Deaths Deserved of Skulk the Hulking. 

WELCOME MOVIE STARS! Join Felipe and Setu at the Gilded Chris Ceremony every week as we recap Total Drama Action for Season 2 of We Wanna Be Famous!In this episode, the duo recap Total Drama Action episode 4 - "Beach Blanket Bogus." They discuss the cast and pick two different beach movies to battle in the Letterboxd segment.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

WELCOME MOVIE STARS! Join Felipe and Setu at the Gilded Chris Ceremony every week as we recap Total Drama Action for Season 2 of We Wanna Be Famous!In this episode, the duo recap Total Drama Action episode 3 - "Riot on Set." They discuss the cast and pick two different movies about making movies to battle in the Letterboxd segment.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

WELCOME MOVIE STARS! Join Felipe and Setu at the Gilded Chris Ceremony every week as we recap Total Drama Action for Season 2 of We Wanna Be Famous!In this premiere episode, the duo recap Total Drama Action episode 2 - "Alien Resurr-eggtion." They discuss the cast and pick two different alien movies to battle in the Letterboxd segment.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

My Adventures with Superman is an animated take on the man of Steel that airs on the Cartoon Network and HBO Max. The series provides a slightly different take on Superman, following his adventures as a young intern at the Daily Planet and featuring an anime inspired style. In this episode we review about both... The post The 42cast Episode 242: Super Fun appeared first on The 42cast.

Cheers DeGINerates! Welcome back to Gin and Sofa, where the guys get together to build their ultimate Mount Rushmore of Cartoon Network characters! Who will make the cut? The boys also discuss, sharing bathrooms, the rental car experience and do a quick power ranking of soups! Enjoy!