Podcasts about Cloak

 Huw joins Ben and Josh to discuss the recent Sixth Edition tournament in Melbourne - Revenge of the Sixth. [0:02:45] Intro for Huw [0:13:20] Revenge of the Sixth Rundown [1:32:50] Ben v Huw Showdown [1:56:00] Shoutout to MOAB, Cloak & Choppa 2 Brought to you by Old World Fanatics 

As we gear up for ADA Scientific Sessions and get ready to hear studies and reports from the big diabetes companies, I've decided to highlight something on the other end of the spectrum. College students, seeing a need and developing a solution. Cloak The Poke is all about addressing fear of needles, especially in kids. We'll explain how it works,  more about the team behind it, and their big goals going forward. This podcast is not intended as medical advice. If you have those kinds of questions, please contact your health care provider. More about Cloak the Poke Join us at an upcoming Moms' Night Out event! Please visit our Sponsors & Partners - they help make the show possible! Learn more about Gvoke Glucagon Gvoke HypoPen® (glucagon injection): Glucagon Injection For Very Low Blood Sugar (gvokeglucagon.com) Omnipod - Simplify Life Learn about Dexcom  Check out VIVI Cap to protect your insulin from extreme temperatures The best way to keep up with Stacey and the show is by signing up for our weekly newsletter: Sign up for our newsletter here Here's where to find us: Facebook (Group) Facebook (Page) Instagram Check out Stacey's books! Learn more about everything at our home page www.diabetes-connections.com  Reach out with questions or comments: info@diabetes-connections.

In this episode we chat about Marvel's Cloak and Dagger! Season 2 Episode 10 - Level Up You can find the complete plot on Wikipedia here (https://en.wikipedia.org/wiki/Cloak_%26_Dagger_(TV_series)#Season_2_(2019))

Send us a textAlbert Cashier With (Will Davis-Coleman & Patrick Courtney)In this episode of American Civil War & UK History podcast, host Daz is joined by Will Davis-Coleman and Patrick Courtney, the hosts of The Cloak and Dagger Podcast. Together, they discuss a Union soldier named Albert Cashier.Albert D. J. Cashier (December 25, 1843 – October 10, 1915), born Jennie Irene Hodgers, was an Irish-born American soldier who served in the Union Army during the American Civil War. Cashier adopted the identity of a man before enlisting, and maintained it until death. Cashier became famous as one of at least 250 soldiers who were assigned female at birth and enlisted as men to fight in the Civil War.The Cloak and Dagger Podcast.https://linktr.ee/cloakanddaggerpodcastACW & UK History's Website.https://darrenscivilwarpag8.wixsite.com/acwandukhistoryACW & UK History's Pages.https://linktr.ee/ACWandUKHISTORYSupport the show

Chelsea Lovelace alleges in her civil suit that during her relationship with Sean "Diddy" Combs, he subjected her to repeated acts of coercion, abuse, and sexual assault. According to the complaint, Combs lured her into traveling to see him, administered drugs to her without her consent, and physically assaulted her—including slapping her during violent encounters. Lovelace further claims that she became pregnant during this period and that Combs pressured her into having an abortion; she ultimately suffered a miscarriage. She also alleges that Combs systematically isolated her from friends and family, manipulated her emotionally, and used financial control to keep her dependent—providing an allowance while discouraging her from seeking employment.The suit contends that Combs maintained this coercive dynamic through a pattern of drugging, physical violence, emotional abuse, and economic manipulation, leaving Lovelace trapped in a situation where she was unable to freely make decisions about her own life or body. She claims that Combs employed his staff and associates to further control and monitor her, ensuring compliance with his demands. Lovelace is seeking damages on multiple grounds, including sexual assault, battery, and negligent infliction of emotional distress, asserting that the experience left her with lasting psychological and emotional harm.to contact me:bobbycapucci@protonmail.comsource:Diddy accuser reveals her identity in shocking lawsuit detailing her 'bitten feet' and freak-off fears | Daily Mail Online

The second episode of Cloak & Dagger is live! Listen in as Thane goes deep into the topic of phones, building the infrastructure of the Second Realm, and in the second part of the show, is joined by hardware hacker & permaculture farmer, Jamin Biconik. Please enjoy — tune in… The post Cloak & Dagger with Thane Riddle: Episode 1 w/ Guest Jamin Biconik [P.A.Z.NIA Radio Network] appeared first on The Vonu Podcast.

Chelsea Lovelace alleges in her civil suit that during her relationship with Sean "Diddy" Combs, he subjected her to repeated acts of coercion, abuse, and sexual assault. According to the complaint, Combs lured her into traveling to see him, administered drugs to her without her consent, and physically assaulted her—including slapping her during violent encounters. Lovelace further claims that she became pregnant during this period and that Combs pressured her into having an abortion; she ultimately suffered a miscarriage. She also alleges that Combs systematically isolated her from friends and family, manipulated her emotionally, and used financial control to keep her dependent—providing an allowance while discouraging her from seeking employment.The suit contends that Combs maintained this coercive dynamic through a pattern of drugging, physical violence, emotional abuse, and economic manipulation, leaving Lovelace trapped in a situation where she was unable to freely make decisions about her own life or body. She claims that Combs employed his staff and associates to further control and monitor her, ensuring compliance with his demands. Lovelace is seeking damages on multiple grounds, including sexual assault, battery, and negligent infliction of emotional distress, asserting that the experience left her with lasting psychological and emotional harm.to contact me:bobbycapucci@protonmail.comsource:Diddy accuser reveals her identity in shocking lawsuit detailing her 'bitten feet' and freak-off fears | Daily Mail OnlineBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

Chelsea Lovelace alleges in her civil suit that during her relationship with Sean "Diddy" Combs, he subjected her to repeated acts of coercion, abuse, and sexual assault. According to the complaint, Combs lured her into traveling to see him, administered drugs to her without her consent, and physically assaulted her—including slapping her during violent encounters. Lovelace further claims that she became pregnant during this period and that Combs pressured her into having an abortion; she ultimately suffered a miscarriage. She also alleges that Combs systematically isolated her from friends and family, manipulated her emotionally, and used financial control to keep her dependent—providing an allowance while discouraging her from seeking employment.The suit contends that Combs maintained this coercive dynamic through a pattern of drugging, physical violence, emotional abuse, and economic manipulation, leaving Lovelace trapped in a situation where she was unable to freely make decisions about her own life or body. She claims that Combs employed his staff and associates to further control and monitor her, ensuring compliance with his demands. Lovelace is seeking damages on multiple grounds, including sexual assault, battery, and negligent infliction of emotional distress, asserting that the experience left her with lasting psychological and emotional harm.to contact me:bobbycapucci@protonmail.comsource:Diddy accuser reveals her identity in shocking lawsuit detailing her 'bitten feet' and freak-off fears | Daily Mail OnlineBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

In this episode, Anna and Derek chat about the crazy amount of independence kids of the '80s had, movies for children that may not entirely be movies for children, and much more during their discussion of Cloak & Dagger (1984).Connect with '80s Movie Montage on Facebook, Bluesky or Instagram! It's the same handle for all three... @80smontagepod.Anna Keizer and Derek Dehanke are the co-hosts of ‘80s Movie Montage. The idea for the podcast came when they realized just how much they talk – a lot – when watching films from their favorite cinematic era. Their wedding theme was “a light nod to the ‘80s,” so there's that, too. Both hail from the Midwest but have called Los Angeles home for several years now. Anna is a writer who received her B.A. in Film/Video from Columbia College Chicago and M.A. in Film Studies from Chapman University. Her dark comedy short She Had It Coming was an Official Selection of 25 film festivals with several awards won for it among them. Derek is an attorney who also likes movies. It is a point of pride that most of their podcast episodes are longer than the movies they cover.We'd love to hear from you! Send us a text message.

Host: Tracy Shuchart for MicDropMarketsThis spaces is brought to you by NinaTrader Live where you can find me every morning at 8AM ET to talk macro markets and at 2:30 PM ET to discuss the hot commodities of the day, streaming live on the NinjaTrader YouTube channel.GuestsGorge GammonEntrepreneur, Real Estate Investor, Founder of Rebel Capitalist Pro helping investors build a healthy and balanced portfolio with a team of macro experts.After running a successful business for 12 years, and managing hundreds of employees, George retired in 2012 and decided to venture into real estate investing across the United States.He then expanded his investments to Colombia, where he now resides in Medellin and manages a multi-million dollar real estate portfolio.George is highly skilled at teaching and tracking macroeconomics, central banking, and free-market capitalism.He has gained a considerable following on YouTube becoming a sensation in financial education. Tony NashTony Nash is the CEO and Founder of Complete Intelligence. And has a Geopolitics patreon called Cloak and DaggarPreviously, Tony built and led the global research business for The Economist and the Asia consulting business for IHS (now part of S&P). He is a frequent public speaker and a contributor to leading global media (BBC, CNBC, Bloomberg, etc.) and has served as an advisor to government and think tanks in Tokyo, Singapore, Beijing, Washington D.C. and others.Tony is an international advisory board member for Texas A&M University. He has a Master's Degree in International Relations from the Fletcher School of Law & Diplomacy at Tufts University and a BA in Business Management from Texas A&M University. Dana SamuelsonDana Samuelson is president of American Gold Exchange (AGE) has 44 years in the industry. Mr. Samuelson has an impeccable national reputation for honesty and integrity with his peers and his clients. He has flawlessly overseen transactions approaching $2 billion. Mr. Samuelson has been a professional numismatist since 1980 and worked for some of the most influential precious metals trading companies in the nation, including 10 years with the original gold bug and industry legend James U. Blanchard III, before founding AGE in 1998.Disclaimer: This material is presented solely for informational and entertainment purposes and is not to be construed as a recommendation, solicitation, or an offer to buy or sell / long or short any securities, commodities, or any related financial instruments. Please contact a licensed professional before making any investment or trading decisions

Check out our friends at Dads From the Crypt and Bad For Me. The next spy flick is No Time to Die (2021).

In this episode we chat about Marvel's Cloak and Dagger! Season 2 Episode 9 - Blue Note You can find the complete plot on Wikipedia here (https://en.wikipedia.org/wiki/Cloak_%26_Dagger_(TV_series)#Season_2_(2019))

What should you read this summer? Matthew & Mike have some ideas for you! There is no book like the Bible but we all learn from the ministry of others, including ministry that comes to us in written form. In our seventh instalment of Cloak, Books, and Parchments (2Tim 4:13), we share brief reviews of ten books for your reading delight:- Forgive: Why Should I and How Can I? by Timothy Keller (Viking)- Do Not Be True To Yourself, by Kevin DeYoung (Crossway)- Enjoying Jesus: Experience the Presence and Kindness of the Son of God in Everyday Life, by Tim Chester (The Good Book Company)- Zeal without Burnout, by Christopher Ash (The Good Book Company)- The Letters of David W. Gooding: Answering Questions Related to the Christian Faith (Myrtlefield Trust)- Made in Our Image, by Stephen Driscoll (Matthias Media)- Biblical Critical Theory: How the Bible's Unfolding Story Makes Sense of Modern Life and Culture by Christopher Watkin (Zondervan Academic)- The Missionary Fellowship of William Carey, by Michael Haykin (Ligonier Ministries)- Crime and Punishment by Fyodor Dostoevsky, translated by Michael R. Katz (Liveright)- 12 Years a Slave, by Solomon Northup (Graymalkin Media) Visit PracticologyPodcast.com for more episodes.Follow the Practicology Podcast on Twitter at https://twitter.com/MandMsPodcast

The Cloak & The Cauldron ( The Magdalene Laundries)Welcome to episode 1 of The Cloak &The Cauldron, The Magdalene Files. In this season I'll be uncovering the silenced truths of Ireland's Magdalene laundries. This sacred work-painful , powerful and long overdue. I come to this series not just as a Witch, Woman giving a voice to those who were not heard, but as someone who also holds a past life memory tied to this history. This episode begins with a question, what were The Magdalene laundries? May this podcast/video be a light for the souls kept in the dark, may we remember them not as victims - But as Voices, rising as last. Join me for episode 2 "Inside the Walls"- life in the laundries.To watch the video click link below https://youtu.be/v4qyh0IgcMY?si=iWNOJXHoPD-9hRdcSlán go fóillRath Dé ort

What begins with the group's usual chaos—hot sauce, fire whiskey, and mischief—quickly shifts as Zechs proposes a risky but calculated plan: speak directly with Malar. With Galahad, Hoshino, and Glad supervising, the tense attempt offers cryptic fragments but reaffirms Zechs' suspicions of Malar's evasiveness regarding his origins and divine ties. Their next steps lead them through confusion between the vineyard and the ritual site but ultimately to a trio of divine effigies representing the Pantheran goddesses. A booming voice demands tithes, and suddenly, Zechs, Arguile, Salix, and Glad are cast into Sloane's Second Age. There, revelations about acceptance and closure, warnings of Malar's rising influence, and whispers of divine conflict build tension. In the present, the rest of the party mobilizes—meeting allies, gathering intelligence, and preparing for a growing war that stretches across timelines.While Zechs' group infiltrates a ritual and witnesses Malar's avatar emerge, Hoshino uncovers his status as a cosmic anomaly, Shanks and Greyleaf extract critical information from a cultist, and Galahad sabotages enemy forces through intoxication rather than violence. All paths converge as Turk is introduced, JM's newest ally and the team shares gathered intelligence, including the emergence of Enich—Arguile's alternate—and rising threats in Gamsby, Luxenborough, and Ors Thamar. As Zechs steels himself to extract Malar's aspect during a gruesome ritual, the party splits: one half faces Malar within, the other guards against Enich outside. The battles are ferocious—divine powers clash, spells fly, wolves swarm, and Zechs and Galahad deliver final, critical blows to their respective foes. With Malar banished and Enich defeated, the exhausted party regroups, though the threat within Zechs remains unresolved.After the final blows are struck, Zechs collapses from spiritual exhaustion. The group brings him to his childhood home to recover while Galahad sanctifies the ritual site, vowing no more sacrifices will occur. That night, the party finally allows themselves rest and revelry, visiting the Faint Mandolin and Jaded Kitty Kat, reuniting with Little G, and deepening bonds with their new ally, Turk. Later, Ickra of the Cloak of Feathers arrives with urgent messages from JM, revealing Argo's recovery, rising fiend activity, threats to Mechfall's arcane core, and a new, rifle-wielding alternate of Arguile. She leaves the party with warnings, updates, and heavy implications—foes old and new are on the move, and despite their recent victories, the storm still brews on multiple fronts.There's so much happening, and we pick up with arc 25, “The Darkness Within”. How will the rest of this story unfold? Find out next time on the Medusa's Cascade: Collateral Damage!

Discussing SNW episodes 17-18. "Those Old Scientists" (117) @ 00:48, "Under the Cloak of War" (118) @ 18:20.

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Lisa and I continue our conversation on grandparenting. I consider the baleful ubiquity of psy-ops, and encourage more uncertainty. We look at Jacob's blessing over Joseph, the woman who touched Jesus' cloak, and why it would be wrong for God not to be filled with pride.

In this episode we chat about Marvel's Cloak and Dagger! Season 2 Episode 8 - Two Player You can find the complete plot on Wikipedia here (https://en.wikipedia.org/wiki/Cloak_%26_Dagger_(TV_series)#Season_2_(2019))

Data and Fletcher review Star Trek Deep Space Nine Season 7 Episode 12 "The Emperor's New Cloak." The Ferengi take on the mirror universe. Also check out: The Sanderlanche, Data's podcast where he and other people talk about Brandon Sanderson books: https://www.thesanderlanche.com/ Star Trek Deep Space Nine is also known by other names, such as Star Trek DS9, STDS9, ST:DS9, and Star Trek Deep Space 9. Music: "Eighties Action" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

The debut episode of the sleekest, sexiest, and most entertaining privacy show in existence: Cloak & Dagger with Thane Riddle! Join Thane as he takes you through important privacy & security news, day-to-day strategy (i.e. camouflage, grey man, etc.), and an introduction to a promising monetized mesh network. Catch Thane… The post Cloak & Dagger with Thane Riddle: Episode 0 [P.A.Z.NIA RADIO NETWORK] appeared first on The Vonu Podcast.

Purpose isn't found in freedom, wealth, or comfort—it's discovered when you realize there's a divine cloak on your back. Pastor Jared Herd shares how the Holy Spirit gives purpose to our everyday roles, turning ordinary moments into divine assignments.

Choice Classic Radio presents The Adventures of Sam Spade, which aired from 1946 to 1951. Today we bring to you the episode titled "The Cloak & Dagger Caper.” Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

Not only is this episode a list of our past guests and a list of OAS episodes, I put local music from SLC, UT on the soundtrack. Except for the intro. The intro is Swedish black metal band Cloak of Ravens. It is a short clip from the song 'Esoteric Revelations and the Night the Varg Ceased to Be'. Find them on the Spotify. Also in this episode Tony bails out during the break and leaves me to close the second half on my own. Our on going theme of "terrible soundcheck" still applies

In this episode we chat about Marvel's Cloak and Dagger! Season 2 Episode 7 - Vikingtown Sound You can find the complete plot on Wikipedia here (https://en.wikipedia.org/wiki/Cloak_%26_Dagger_(TV_series)#Season_2_(2019))

In this episode we chat about Marvel's Cloak and Dagger! Season 2 Episode 6 - B Sides You can find the complete plot on Wikipedia here (https://en.wikipedia.org/wiki/Cloak_%26_Dagger_(TV_series)#Season_2_(2019))

My Cloak of Moss by Livi by 826 Valencia

A curious traveler is warned to avoid the mysterious woman haunting a quiet French hotel —but he just can't resist asking to see her face. Hear the terrifying tale from Beyond Midnight's “Let Me See Your Face!” | #RetroRadio EP0410Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:50.000 = CBS Radio Mystery Theater, “The Queen of Spades” (March 08, 1976) ***WD00:48:26.039 = Philip Marlowe, “Cloak of Kamehameha” (April 23, 1949)01:18:45.859 = The Black Mass, “Diary of a Madman” (December 16, 1964)01:59:33.949 = Beyond Midnight, ‘Let Me See Your Face” (1968-1970)02:30:16.859 = Mind Webs, “A Night In Elf Hill” (December 15, 1978)02:59:42.250 = Ellery Queen Minute Mysteries, “Mysterious Murders” (1939-1948) ***WD03:02:02.467 = This Is Your FBI, “The Adopted Thief” (August 10, 1951) ***WD03:27:31.029 = Mystery In The Air, “Mask of Medusa” (September 04, 1947)03:57:44.639 = Molle Mystery Theater, “Further Adventures of Kenny Andrews” (May 10, 1946)04:27:51.219 = Mr. District Attorney, “Unknown Source” (August 25, 1948)04:57:07.544 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music LibraryABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0410true crime, paranormal, science fiction, old time radio, otr, otr horror, classic radio shows, horror radio shows, vintage radio dramas, suspense radio classics, 1940s radio horror, old radio mystery shows, creepy old radio shows, true crime radio, supernatural radio plays, golden age radio, eerie radio mysteries, macabre old time radio, nostalgic thrillers, classic crime podcast, retro horror podcast, weird darkness, weird darkness podcast, retro radio, classic radio

Cloak & Dagger, the sleekest, sexiest, and most entertaining show on privacy & security…coming to the P.A.Z.NIA Radio Network May 31st at 4pm EST/3pm CENTRAL. Learn more, stream the Second Realm, and help us expand by visiting PAZNIA.COM/RADIO. The post Thane Riddle Presents: Insurrectionary Agorism & An Introduction To Cloak & Dagger (P.A.Z.NIA Radio Network) appeared first on The Vonu Podcast.

In this episode we chat about Marvel's Cloak and Dagger! Season 2 Episode 5 - Alignment Chart You can find the complete plot on Wikipedia here (https://en.wikipedia.org/wiki/Cloak_%26_Dagger_(TV_series)#Season_2_(2019))

This week, Desmond and Tom heap praise into The Gorge. While its title sounds like a Bentley Little novel, it isn't. So Des goes solo on a Dread Media Top 5 Putting a Bentley Little Spin on Movies Titled with Two Words and One of Them is "The." I think we finally have a new winner for longest description of a Top 5. Bentley Little-sounding songs included: "The Complex" by Devin Townsend, "Gorge Upon My Soul" by Skeletonwitch, "The Diplomat" by Pig Destroyer, and "The Cloak" by Leprous. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

On this week's episode of our show, Captain Ingle and I set a course for the 23rd century and the aftermath of the Federation-Klingon War. When a defector from the Klingon Empire who was an enemy combatant in the war comes aboard the Enterprise on his way to a conference, old wounds are opened among the crew! Join us as we go boldly!

This week, Desmond and Tom heap praise into The Gorge. While its title sounds like a Bentley Little novel, it isn't. So Des goes solo on a Dread Media Top 5 Putting a Bentley Little Spin on Movies Titled with Two Words and One of Them is "The." I think we finally have a new winner for longest description of a Top 5. Bentley Little-sounding songs included: "The Complex" by Devin Townsend, "Gorge Upon My Soul" by Skeletonwitch, "The Diplomat" by Pig Destroyer, and "The Cloak" by Leprous. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.

After the fights, Zechs collapses from exhaustion; he's not in harm's way, but shows no signs of waking up. Before leaving the site, Galahad displays a sign ensuring that no more sacrifices will happen here, as per the vow of the Champion of Bahamut. The group takes Zechs to his parents' place so he can rest and wake up in a familiar setting with his parents watching him. The night is young, and after a night like they had, revelry is long overdue. With that, they head out to the Faint Mandolin and enjoy the many drinks the establishment provides, some mood enhancers courtesy of Salix, and the melodic sounds of their new ally, Turk. What is now par for the course for the party, the drinks keep coming, a deep conversation is had, and they run into a familiar face at their next venue, The Jaded Kitty Kat. A wide grin and enthusiastic voice greet the party as Little G is in town and doing some celebrating of his own. The group updates Turk on how they know their associate Little G dubs Turk, THE Turk, which gets a welcome response. Towards the end of the evening, Greyleaf and The Turk discuss their origins, fondness for magic, and Greyleaf's family before heading back to Zechs' parents' place for the night. The following day, in Rinde and Setti's home, the party is joined by a familiar face: Iqra of the Cloak of Feathers. She gives news that she is a messenger for JM as they are otherwise held up, but offers to answer any questions they have. There is an exchange as The Turk works out which JM they're referring to as he realizes that the JM he knew was Mr. Bell, and the JM who sent them was the one who last spoke to the party, presenting as a woman. She tells the party to let Zechs know that Argo is safe and recovering in Nereas, that Cenari received word from the Circle of Friends that are looking into a group known as the Light of Elrin in Luxenborough, and that one of their party members has received the boon from the Daughter of the Flame. Iqra informs Arguile that an army of fiends has overtaken Ors Themar for the first time in history and is making their way toward Nakoroa. Additionally, the Masterful Gains Guild in Gamsby is trying to stop a splinter group known as the Umbral Viel that is trying to disrupt the weave throughout the city. At the same time, some operatives were dispatched from the guild to stop them. None have reported back in and have since gone missing. They say that if Mechfall loses its arcane power, it's the same as putting a lit match next to a powder keg. Upon asking about The Constable and any of his Generals, Galahad is told that The Executioner has also been mentioned as pulling her punches. It's not information they saw firsthand, but they were informed of it. Iqra informs Arguile that Enich is not his only alternate and to beware of the one carrying a rifle with him. We end with some details regarding the Pincushion Maker and the calamities of Sloane.There's so much happening, and that's where we pick up…Find out what happens next in this episode of the Medusa's Cascade: Collateral Damage! Theme Music is written and performed by The Floating LighthouseMixed by Thomas Lapierre III

In this episode we chat about Marvel's Cloak and Dagger! Season 2 Episode 4 - Rabbit Hold You can find the complete plot on Wikipedia here (https://en.wikipedia.org/wiki/Cloak_%26_Dagger_(TV_series)#Season_2_(2019))

It's the 250th episode of The Pulp Writer Show! To celebrate this occasion, this episode takes a look at the expectations people have of a full-time writer's life and contrasts them with the reality. This coupon code will get you 50% off the audiobook of Dragonskull: Talons of the Sorcerer, Book #6 in the Dragonskull series (as excellently narrated by Brad Wills), at my Payhip store: TALONS50 The coupon code is valid through May 27, 2025. So if you need a new audiobook for spring, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates   Hello, everyone. Welcome to Episode 250 of The Pulp Writer Show. My name is Jonathan Moeller. Today is May 2, 2025, and today we're looking at what it is really like to be a full-time writer. This is also the 250th episode of the podcast, so thank you all for listening to the podcast over these last six years. Before I started recording, I totaled up the total length of previous podcast episodes and came to about 78 hours, give or take. That's like three days of continuous talking, which sounds less impressive when you realize it was recorded over the last six years.   Thank you all for listening and here's hoping you can stick around with the next 250 episodes. Before we get to our main topic, which is the expectations versus reality of being a full-time writer, we are going to do Coupon of the Week, a progress update my current writing projects, and then Question of the Week. So let's kick off with Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Dragonskull: Talons of the Sorcerer, Book Six in the Dragonskull series (as excellently narrated by Brad Wills) at my Payhip store. That code is TALONS50. As always, you can get that coupon code and the links to my Payhip store in the show notes. This coupon code is valid through May 27th, 2025. So if you need a new audiobook for spring, we have got you covered.   Now an update on my current writing projects. I am 60,000 words into Ghost in the Corruption, which puts me on chapter 13 of 21, so I'm about two thirds of the way through. I think the rough draft will be between 90-100,000 words long, so hopefully I can have that out before the end of May, if all goes well. I also just finished Chapter One of Shield of Power, which will be the final book of the Shield War series and that'll be my main project once Ghost in the Corruption is finished. I'm also 87,000 words into Stealth and Spells Online: The Final Quest, and that will be my main project once Shield of Power comes out. I expect Final Quest should come out pretty soon after Shield of Power just because I've been chipping away at it for so long and I'm getting close to the end.   In audiobook news, recording is almost done for Ghost in the Assembly and that'll be narrated by Hollis McCarthy. Recording is totally done for Shield of Deception (as narrated by Brad Wills) and that is working its way through processing at the various audiobook platforms, so hopefully we'll not be too much longer before we can get that to you.   00:02:26 Question of the Week So that is where I'm at with my current writing projects. And now let's move on to Question of the Week. Question of the Week is intended to inspire enjoyable discussions of interesting topics. This week's question, what is your favorite Jonathan Moeller book? The reason for this question is that this is the 250th podcast episode, so it seems like a good topic for that particular milestone. And as you might expect, we had an array of different opinions.   Joachim says: You are kidding us! By the end of the week? How long did you think about your own answer? Let me mirror you: for my own answer, the question is a bit difficult because I spent money on all your books, which meant I thought all of them a good buy. So let me split my answer into male and female protagonists. The best female book was Ghost Exile: Omnibus One because it prompted me to continue with Ghost Exile and fill in the Ghost series later. The Ghosts Omnibus One and Ghost Exile: Omnibus One were my first two books from you. The best male book was the one with Jack March where Thunderbolt said, “males are ogling breasts which never existed”, especially as such AI generated videos are now all over the place on YouTube.   I have to admit that I first came up with the character of Thunderbolt back in early 2021 when I was working on Silent Order: Rust Hand (that was before the AI boom really took off), so she turned out to be a very prescient character for the AI era in a number of ways.   Joe B. says: That is a tough question as there are many contenders. I'm going to go with one that is a little different, Sevenfold Sword Online: Creation, but now known as Stealth and Spells Online: Creation.   Justin says: I nominate Soul of Swords, an excellent end to an excellent series.   Perry says: There can only be one! Demonsouled. Paul says: For me, I think my favorite female protagonist  book is Cloak Games: Truth Chain. Such a dramatic change to Nadia, sets up the series in her struggles with self and enemies so well.   Brad Wills (who as you know narrated the Frostborn, Dragonskull, Malison, and Shield War series for me) says: Does a three book arc count?  Excalibur, The Dragon Knight, and The Shadow Prison made for a fantastic lead-up and finale of the Frostborn series.   Hollis McCarthy (who as you know, narrated the Ghosts and Cloak Mage audiobooks) says: Ghost in the Storm, when Caina and Kylon meet in the Battle for Marsis. Nonstop action, incredible chase scenes, and a great intro to their combative relationship.   Fred says: It's hard for me to say which book is my favorite. All your book series were all great.   Juana says: Frostborn: Excalibur with Ridmark. I happen to love stories about Excalibur, odd but true. Caina in Cloak and Ghost: Rebel Cell because Caina and Nadia are an incendiary team. So there! Randy says: Frostborn: The Dragon Knight. This whole series is great, but that is one of the high points.   Dennis says: I couldn't name my favorite as I enjoy everything you write. I probably enjoyed the Frostborn series best at the time, but having bought and read every one of your books it's now impossible.   Kevin says: There's no way on earth that I could put one book above another, so I would've to take the coward's way out and say Frostborn: The Gray Knight simply because it has a book that drew me to the worlds of Jonathan Moeller back in the spring of 2017, since which time I have bought 117 of his books, including a few omnibus editions, so a few more actual books, I suppose. I avidly read them all as they're published these days, except the Silent Order series (just doesn't grab me and pull me in like the others). Jesse says: Cloak Games: Sky Hammer. Damaged Nadia at her best, epic action the whole way. And yeah, the chapter The Last Death of Nadia Moran was viscerally cinematic and probably the biggest emotional payoff you've written in my opinion, tied her entire journey together. In my head, I cast Castle-era Stana Katic as Nadia, and it worked better than I expected it might.   Morgan says: I can't narrow it down to just one. So top three in no particular order, Sevenfold Swords: Swordbearer, Dragontiarna: Gates, and Stealth and Spells Online: Leveling. That being said, I think Niara might be my favorite character of all your books I have read.   Jonathan T says: I too am torn though only between two books, Frostborn: The Eightfold Knife and Frostborn: The Shadow Prison.   [Side note/addition from The Transcriptionist: My vote is for Half-Elven Thief!]   So thank you everyone for the kind words about all those books. For my own answer, the question is a bit difficult because I've written them all, which meant I thought all of them were good idea at the time. I suppose the glib answer would be the one that made me the most money, which was Frostborn: The Iron Tower, but it really depends on the category, like my favorite heist book, my favorite mystery book, my favorite dungeon crawl, my favorite first in series. So I think I'll go for the most basic level of categorization and split it up by male and female protagonists.   My favorite book of mine with a female protagonist would probably be Cloak Games: Rebel Fist, since it's such a turning point for Nadia and starts the trajectory of the rest of her character arc. It's the first time she really has to save the day instead of just trying to save herself and shows that her brother Russell can also handle himself, which as you know, comes up again later. My favorite book of mine with a male protagonist would probably be Dragontiarna: Defenders, since it has the Battle of Shadow Crown Hill, which was one of my favorite sequences to write. Four different characters have plans and they all crash into each other at the same time, which was a lot of fun to write and set up, which was a real highlight for me in 2020 because as we all know, 2020 was a fun year.   00:07:35 Main Topic of the Week: Writing Full Time: Expectations Versus Reality   So that is it for Question of the Week. Now let's move on to our main topic this week, writing full-time: expectations versus reality (admittedly from the perspective of a self-published author). If you spent any time around the writing community on the Internet at all, you know that many people dream of becoming a full-time writer, and sometimes people think that the only way to be successful as a writer is to write full-time. There are many expectations that people have about what it means to be a full-time writer. Now that I've been a full-time indie writer for nearly nine years at this point, I can provide some lived perspective. In this episode, I will talk about five of those expectations that people have about full-time writing and the way those expectations might be skewed.   So before we get to those, I should mention how I actually became a full-time writer. In 2016 (which seems like a really long time ago now), the Frostborn series was doing really well, and at the time I was also working full time and I realized that summer I was going to have to move for family reasons. I wasn't very enthusiastic about the idea of moving at first, but I decided to embrace the idea and try to make the best of it. This would involve moving a considerable distance to a different state and all the different problems that entails. So I thought about it and I thought I could look for a new job, but any job I would be qualified for in the area I was moving to would make less money than I was actually making from writing part-time. So I thought, why not try and make a go of full-time writing and see what happens?   Since that was nine years ago, I think I can safely say it's worked out pretty well. And I will say that it's been a pretty good experience and I am very fortunate and very grateful and very blessed to have been able to do this because not everyone has the opportunity to pursue a full-time creative job like I have been able to for these last nine years. That said, while it has been pretty great, it comes with a lot of flexibility and I've gotten to write a lot of great books that many people have enjoyed, it's not always all wine and roses, so to speak, which is part of the reason why I wanted to do this episode to let people more in what the reality of being a full-time writer for this long has been like. So with that introduction out of the way, let's move on to our five expectations versus reality.   Expectation #1: Full-time authors make a lot of money. The reality is that even full-time authors generally don't make that much money. A survey from The Author's Guild showed that the median amount that full-time authors make was just about $20,000, though full-time romance writers had a higher median income of about $37,000. Remember that this amount is before any health insurance costs, benefits, retirement contributions, and of course taxes that a traditional job might be able to provide or help with. In the United States, buying even fairly basic health insurance can easily be a thousand dollars per month for a family, and that doesn't include any costs related to deductibles, prescriptions, or additional dental or vision insurance. Authors are either on their own for healthcare in the US or have to rely on a spouse or partner's healthcare coverage. In other words, you either have to pony up a lot of money to buy your own health insurance or you have to rely on your spouse or partner's healthcare coverage.   And at least in the US, taxes are also much higher on the self-employed. Uncle Sam really does not like the self-employed. If you are self-employed, it is in your best interest to essentially form a small corporation and work for yourself (though for details on how to do that, you should consult with an accountant licensed to practice in your region). Now all these costs can add up pretty quickly, and they make the amount of money that you'll earn from writing much less than you think based on raw earnings before taxes and all the other expenses we were talking about. You also have business expenses like cover design, site hosting, editors, narrators, advertising, et cetera, that take even more pieces out of those earnings. You can duck some of those, but not all of them.   So it boils down to that you have to make a significant amount of money as an author to make an actual living after taxes, healthcare costs, and business expenses are taken out of your earnings, which is one of the reasons that writing part-time as you have a full-time job is not the worst idea in the world and can in fact be a very good idea.   Expectation #2: My next book will make as much or more than the last one did. The reality is that your next book or series might not make you as much money as the previous ones did. In fact, you can reliably predict that most book series will have a certain amount of reader drop off as a series goes on, which is why these days I tend to want to keep my series under nine to ten books or so. Budgeting based on your current income levels is not wise, especially with the current economic climate (which for a variety of reasons is very unpredictable) and with increased competition in the ebook market. Most authors have a peak at some point in their career. For example, Stephen King is still obviously making a great living as a writer putting out new books, but his new books don't sell nearly as well as the ones he put out in the ‘80s. J.K. Rowling's novels for adults (she writes as Robert Galbraith the Cormoran Strike series) don't sell anywhere near the number of copies as her Harry Potter series did at its peak.   For myself, my peak years in terms of writing income were 2016 and 2017, and I've never quite been able to recapture that level. In fact, in 2024, I only did about two thirds of what I did in 2017 (my peak year), which can be a little nerve wracking as you watch those numbers move up and down. That is why it is important for a writer (like many other creatives like actors) to anticipate that they might only have a limited window of peak success and to save aggressively rather than living large on the amount you're earning in that peak era. And I am pleased to report that I was fortunate enough and sensible enough to do that, so that even if my income has varied from year to year (2017 onward), it hasn't been a crippling loss and I haven't been out in the street or lost the house or anything like that.   Expectation #3: You will be happier if you write full-time. The reality is that is not true for everyone. Some people actually do better creatively and emotionally with the time restrictions placed on them by having a full-time job. Many famous writers, including Trollope and Kafka, kept their full-time jobs. Even Tolkien was never a full-time writer. He was a professor of philology until he retired. That was interesting to me because personally, I haven't had much in terms of emotional trouble being a full-time writer. I've always kind of had the ability to hyperfocus on a task, and I've been doing that for almost nine years now, and it's worked out well for me.   I've since realized that is not true for many people. One of the things that demonstrated it to me, believe it or not, was insurance actuarial tables. One thing that I tried to do after I became a full-time writer was try and get disability insurance in case I had an accident or severe illness and could not write anymore. I learned that it's extremely difficult for full-time writers to get disability insurance due to their high rates of substance abuse and mental illness. I was astonished by this because I've never had problems with substance abuse or mental illness myself, but given the number of writers and other creatives I've known who have had those issues, perhaps that's not that surprising, but I was still baffled to learn that.   For example, in my area there are a number of tree management companies (because it's a heavily wooded area) and it's a lot easier for an arborist who works with a chainsaw all day to get disability insurance than it is for a writer, which is somewhat crazy to think about because as a writer, I'm mostly sitting in a chair all day pressing buttons on a keyboard while an arborist is climbing a tree or in a crane with a chainsaw, which is a much more physically dangerous thing. But because of the rates of substance abuse and mental illness among full-time writers, apparently it is very difficult for full-time writers to get disability insurance. Some people struggle with the lack of structure and outward accountability that comes from being a full-time writer and find that actually decreases their productivity and leads them to fall into substance abuse or sink deeper into mental health problems. Very few people have the self-discipline and mental resilience required to be a full-time writer for years on end. And that's not me tooting my own horn so to speak, but apparently it is just the facts. Some writers even go back to full-time work just because they find it less stressful or better for their wellbeing. So I think this is an excellent example of having to know yourself and know what is best for you. For example, if you're a very extroverted person who enjoys talking to people at the office, becoming a full-time writer where you spend most of your time by yourself typing might not be the best for your long-term mental and physical health. Expectation #4: Writing full-time will make me more productive. The reality is having more time does not necessarily mean that you'll be more productive. Writers are notorious for falling prey to time wasters, such as social media scrolling, research spirals, and writing adjacent activities (of which there is a whole series about on this podcast already). It does take a lot of a self-discipline, focus, and determination to be a full-time writer. If you are a full-time writer, especially a full-time indie writer, you also have to balance writing time with various administrative tasks, marketing and ads, social media, fan correspondence, and the various tasks involved in the self-publishing process. Writing is not the only thing that writers actually do, and the other tasks often make finding time for writing more difficult than you might expect. Even traditionally published writers still have to carve out time for administrative work and assisting with marketing and social media work.   As your writing career scales up, so does the behind the scenes workload. This is true in my case. Up until 2023, I basically did everything myself, but I did have COVID pretty badly for a while in 2023 and it just knocked out my energy for a while and I realized that I can't keep trying to do everything by myself. I basically had a choice, either cut some tasks or get some help. So I have some people now, some contractors who help me with things like listening to audiobook proofs (I used to do that all myself), doing the podcast transcript, and Excel record keeping (which I used to do myself). While that is an expense, I don't regret it because it really has taken a lot off my plate and freed up more time for writing, which of course is the entire point.   Expectation #5: I admit this one made me laugh. I will have more free time as a full-time writer. I can attest firsthand that that is not true. What you have as a full-time writer is flexibility. The reality is, although there is flexibility on the job, the hours can be more than for a full-time job. There's a joke that full-time writers can work any 12 hours they want every day.   Most indie authors are putting out far more than one book a year in order to make a full-time income, and that requires a fairly demanding pace that most people don't have the self-discipline to maintain as a lifestyle for years and years on end. The majority of full-time writers right now are either romance or erotica writers who are putting out at least a book a month, sometimes even more. As I mentioned in an earlier point in the show, the administrative task can take far more time than most people would imagine. They could, depending on the circumstances, be easily 40 hours a week on their own before you have time to do a single word of writing on the page. I found you really have to guard your writing time well and find ways to keep administrative tasks, distractions, and necessary tasks such as home maintenance or childcare separate from writing.   Anyone who has ever worked from home is familiar with how difficult that can be because home comes with a wide set of distractions. Granted, that's often fewer distractions than the office, but home can have its own set of distractions. I've mentioned before that you need a bit of tunnel vision to produce the quantity of writing I do month after month. I do keep to a pretty rigid schedule. I have daily word count goals I always try to meet and I use the Pomodoro Method to make sure that I'm prioritizing my writing time.   If you are self-employed and working for yourself, that means there are no allocated vacation or sick days and no paid sick leave in the writing world. Taking a couple of weeks off usually means anticipating a loss in income, such as a month without a book being released. Sometimes, especially in the case of illness, family emergencies, and so forth, that just can't be helped. However, the long vacations people imagine writers being able to take mean either a loss of income or a couple of weeks beforehand of working extra hours to make up for it. For example, Brandon Sanderson, who is probably the most famous fantasy author right now, still works and writes on his vacations and does extra work before leaving for a vacation (such as pre-recording videos).   So as you can see, most of the expectations people have about what it's like to write full-time come from the hope that it will change their productivity or make it easier to write. In reality, if you manage your time well, you can often meet all your writing goals even while working another full-time job. Some people are even more productive under the time pressure of only having an hour or so available to write each day. You don't have to wait until you are a full-time writer for your writing career to start. I wrote for decades and published for years before I was a full-time writer.   Frankly, the idea that you need to be a full-time writer in order to be taken seriously or make money exists only in your own mind. Whether you are a full-time writer or not, what matters is having the discipline to shut out distractions and write with absolute consistency regardless of the circumstances. Even writing 250 to 300 words every single day can add up very quickly, even if you don't do it in 15 minute bursts like Anthony Trollope did.   Finally, I suppose this makes it sound like I'm painting a very bleak picture here, but I'm not. As I said before, I'm very fortunate to be able to do what I do, and I'm very grateful to all my readers that I'm able to write full-time and even hire on contractors for narration and behind the scenes work. I appreciate and am very grateful to all the readers who have supported me by continuing to buy my work and access it through subscription services like Kindle Unlimited or Kobo Plus or library options like Libby and Hoopla.   So that is it for this week. I hope it provided some insight into what it's like to be a full-time writer. Thanks for listening to The Pulp Writer Show and all 250 episodes. I hope you found the show and all 250 episodes useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.  

We would love to hear from you! Please send us your comments here. --------Thank you for listening! Your support of Joni and Friends helps make this show possible. Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org. Find more encouragement on Instagram, TikTok, Facebook, and YouTube.

When a shy girl named Freyja receives a mysterious gift from her grandmother in Norway, her middle school graduation turns into an unforgettable adventure. Writer: Tessa Flannery with help from The Girl Tales Club Voice Over Artists: Rebecca Cunningham Producer: Tessa Flannery Executive Producer and Host: Rebecca Cunningham Theme Song: Megan Bagala Links for the Grownups! Join The Girl Tales Club Get the Girl Tales Starter Pack Girl Tales Events Purchase a Personalized Story Listen to Ghost Tour Join the Girl Tales Patreon Rebecca's Newsletter Facebook Instagram Buy the Girl Tales Team a Coffee Starglow Media

In this week's special spring episode, I share samples from four of my audiobooks. Each audiobook is the third book in its series! 1.) Dragonskull: Blade of the Elves, narrated by Brad Wills. 2.) Cloak of Ashes, narrated by Hollis McCarthy. 3.) Half-Orc Paladin, narrated by Leanne Woodward. 4.) Ghost in the Blood, narrated by Hollis McCarthy. (The next one is technically the 2nd in its series, but it wasn't ready in time for the last Sampler Platter episode.) 5.) Stealth & Spells Online: Leveling, narrated by CJ McCallister. This week's coupon code will get you 25% off the ebook of Cloak Mage: Omnibus Three at my Payhip store: NADIAOMNI3 The coupon code is valid through May 18, 2025. So if you need a new book for spring, we've got you covered!

Adventure: Rocky Fortune “Double Identity” 10/13/53 NBC, Cloak and Dagger “The People in the Forest” 6/11/50 NBC.

In this episode we chat about Marvel's Cloak and Dagger! Season 2 Episode 3 - Shadow Selves You can find the complete plot on Wikipedia here (https://en.wikipedia.org/wiki/Cloak_%26_Dagger_(TV_series)#Season_2_(2019))

Palm Sunday was more than a parade—it was a declaration of identity, authority, and surrender. Discover how Jesus' entry into Jerusalem reveals not just who He is, but who we are in response. TEXT: 2 Timothy 3:5, Luke 19:35–40, 2 Kings 9:6, 2 Kings 9:11–13, Zechariah 9:9, 2 Samuel 6:12–16, 2 Samuel 6:22 NOTES: Big Idea: If Jesus is Teacher, King, and Lord… Then I am a student, a subject, and a servant. His brand defines my behavior. If He's the Teacher, I'm His student. If He's the King, I'm His subject. If He's the Lord, I'm His servant. -Cloak = identity, protection, and status. -We want Jesus to wear our coat. But Palm Sunday is about laying ours down. -We're created to worship- It's not ok to allow the rocks to do our job!

Silicon Satan author Cregg Lund talks with Dr. Jerome Corsi for another in a series about the book and the dark underbelly of Silicon Valley's. In this episode, Cregg and Dr. Corsi focus heavily on how the Luciferians among the Silicon Valley Elite find, seduce and groom girls and young women into their world. Warning: Aspects of the book and this interview may not be suitable for children under 18. Parental discretion is advised.Find out more about Silicon Satan and Cregg's next book on https://www.corsination.comVisit The Corsi Nation website: https://www.corsination.comIf you like what we are doing, please support our Sponsors:MyVitalC https://www.thetruthcentral.com/myvitalc-ess60-in-organic-olive-oil/Swiss America: https://www.swissamerica.com/offer/CorsiRMP.phpJoin Dr. Jerome Corsi on Substack: https://jeromecorsiphd.substack.com/Visit The Truth Central website: https://www.thetruthcentral.comGet your FREE copy of Dr. Corsi's new book with Swiss America CEO Dean Heskin, How the Coming Global Crash Will Create a Historic Gold Rush by calling: 800-519-6268Follow Dr. Jerome Corsi on X: @corsijerome1Become a supporter of this podcast: https://www.spreaker.com/podcast/corsi-nation--5810661/support.

In this episode we chat about Marvel's Cloak and Dagger! Season 2 Episode 2 - White Lines You can find the complete plot on Wikipedia here (https://en.wikipedia.org/wiki/Cloak_%26_Dagger_(TV_series)#Episodes)

In this episode we chat about Marvel's Cloak and Dagger! Season 2 Episode 1 - Restless Energy You can find the complete plot on Wikipedia here (https://en.wikipedia.org/wiki/Cloak_%26_Dagger_(TV_series)#Episodes)

By Steven D Holladay - Before the New Testament Passover took place, Christ performed a service which took the disciples by surprise. However, it gives Christians insight into Christ and the Father's character and purpose.

 Mocking is debasing a person by parody.Today the Romans will tell the King of Kings that He is not their king. They tell the king of the world that He is not the king of THEIR world.They Mock Jesus as King to make a cruel point: You are not a king and You are not OUR king.They will act like He is a king to show that He is NOT a king.https://youtu.be/wEfzQAmRBuo

An actress attempts to impersonate Death itself in a bid to secure an inheritance, leading to unexpected and dramatic consequences. Hear the story in “Death Rings Down Curtain” from The Sealed Book!CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:02:00.000 = CBS Radio Mystery Theater, “With Malice Aforethought” (December 01, 1975) ***WD00:47:15.879 = Adventures in the Supernatural, “The Mysterious Carriage” (1932) ***WD01:11:51.419 = Richard Diamond, “The Singing Critic” (November 05, 1949)01:41:00.729 = Ripley's Believe it Or Not, “Inhuman Monarch” (1932) ***WD01:41:55.718 = The Saint, “Author of Murder” (July 30, 1950) ***WD02:10:37.619 = Sam Spade, “Insomnia Caper” (October 24, 1948)02:33:27.889 = The Sealed Book, “Death Rings Down Curtain” (July 01, 1945) ***WD03:03:09.299 = The Shadow, “Sabotage by Air” (March 05, 1939) ***WD03:32:01.199 = Sleep No More, “The Storm” (December 19, 1956) ***WD03:59:58.639 = BBC Spine Chillers, “Kappa” (1984)04:25:04.999 = Suspense, “Death Flies Blind” (May 04, 1943) ***WD04:54:14.699 = Tales of the Frightened, “White House” (December 20, 1957) ***WD04:58:34.640 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music Library= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0364

Money laundering runs rampant in Cambodia. Privacy advocates question a new data sharing EO from the White House. An NYU website hack exposes the data of millions. A game demo gets pulled from Steam after users report infostealing malware. The Cloak ransomware group claims a cyberattack on the Virginia Attorney General's Office. 23andMe files for Chapter 11 bankruptcy. Medusa ransomware is using a malicious driver to disable security tools on infected systems. Clearview AI settles a class-action lawsuit over privacy violations. A look back at the CVE program. In today's Industry Voices segment, we are joined by Joe Ryan, Head of Customer Enablement at Maltego Technologies, who is highlighting how to help analysts in resource-constrained environments overcome training gaps and use investigative tools more effectively. Luring AI bots into the digital labyrinth. Remember to leave us a 5-star rating and review in your favorite podcast app. Miss an episode? Sign-up for our daily intelligence roundup, Daily Briefing, and you'll never miss a beat. And be sure to follow CyberWire Daily on LinkedIn. CyberWire Guest In today's Industry Voices segment, we are joined by Joe Ryan, Head of Customer Enablement at Maltego Technologies, who is highlighting how to help analysts in resource-constrained environments overcome training gaps and use investigative tools more effectively. Selected Reading How Scammers Launder Money and Get Away With It (New York Times)  Trump order on information sharing appears to have implications for DOGE and beyond (The Record) Over 3 million applicants' data leaked on NYU's website (Washington Square News) Steam pulls game demo infecting Windows with info-stealing malware (Bleeping Computer) Ransomware Group Claims Attack on Virginia Attorney General's Office (SecurityWeek) 23andMe Files for Bankruptcy Amid Concerns About Security of Customers' Genetic Data (New York Times) Medusa Ransomware Uses Malicious Driver to Disable Security Tools (SecurityWeek) Clearview AI settles class-action privacy lawsuit worth an estimated $50 million (The Record)   Despite challenges, the CVE program is a public-private partnership that has shown resilience (CyberScoop) Trapping misbehaving bots in an AI Labyrinth (Cloudflare) Share your feedback. We want to ensure that you are getting the most out of the podcast. Please take a few minutes to share your thoughts with us by completing our brief listener survey as we continually work to improve the show.  Want to hear your company in the show? You too can reach the most influential leaders and operators in the industry. Here's our media kit. Contact us at cyberwire@n2k.com to request more info. The CyberWire is a production of N2K Networks, your source for strategic workforce intelligence. © N2K Networks, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices