Podcasts about Speculative

In the first part of this new column about the alt-right and Speculative Fiction fandom, we get to know the author of the groundbreaking discussion, Speculative Witeness. Alan and Jordan discuss gateway genre authors, JRR Tolkien, transgressive science fiction, how SF fans experience time differently, how Jordan started studying the alt-right in conjunction with Speculative Fiction, Jordan's relationship to fandom, becoming a Hugo finalist, the treatment of genre in acadamia, the history of fascism in Speculative Fiction, neo-nazis relationship to fandom, Alan also continues his feud with Diane over Robert Heinlein vs. Phillip K Dick, and much more.  Geek Temporalities and the Spirit of Captial can be found here. You can find a copy of Speculative Whiteness here.

Hello Interactors,This week, the European Space Agency launched a satellite to "weigh" Earth's 1.5 trillion trees. It will give scientists deeper insight into forests and their role in the climate — far beyond surface readings. Pretty cool. And it's coming from Europe.Meanwhile, I learned that the U.S. Secretary of Defense — under Trump — had a makeup room installed in the Pentagon to look better on TV. Also pretty cool, I guess. And very American.The contrast was hard to miss. Even with better data, the U.S. shows little appetite for using geographic insight to actually address climate change. Information is growing. Willpower, not so much.So it was oddly clarifying to read a passage Christopher Hobson posted on Imperfect Notes from a book titled America by a French author — a travelogue of softs. Last week I offered new lenses through which to see the world, I figured I'd try this French pair on — to see America, and the world it effects, as he did.PAPER, POWER, AND PROJECTIONI still have a folded paper map of Seattle in the door of my car. It's a remnant of a time when physical maps reflected the reality before us. You unfolded a map and it innocently offered the physical world on a page. The rest was left to you — including knowing how to fold it up again.But even then, not all maps were neutral or necessarily innocent. Sure, they crowned capitals and trimmed borders, but they could also leave things out or would make certain claims. From empire to colony, from mission to market, maps often arrived not to reflect place, but to declare control of it. Still, we trusted it…even if was an illusion.I learned how to interrogate maps in my undergraduate history of cartography class — taught by the legendary cartographer Waldo Tobler. But even with that knowledge, when I was then taught how to make maps, that interrogation was more absent. I confidently believed I was mediating truth. The lines and symbols I used pointed to substance; they signaled a thing. I traced rivers from existing base maps with a pen on vellum and trusted they existed in the world as sure as the ink on the page. I cut out shading for a choropleth map and believed it told a stable story about population, vegetation, or economics. That trust was embodied in representation — the idea that a sign meant something enduring. That we could believe what maps told us.This is the world of semiotics — the study of how signs create meaning. American philosopher Charles Sanders Peirce offered a sturdy model: a sign (like a map line) refers to an object (the river), and its meaning emerges in interpretation. Meaning, in this view, is relational — but grounded. A stop sign, a national anthem, a border — they meant something because they pointed beyond themselves, to a world we shared.But there are cracks in this seemingly sturdy model.These cracks pose this question: why do we trust signs in the first place? That trust — in maps, in categories, in data — didn't emerge from neutrality. It was built atop agendas.Take the first U.S. census in 1790. It didn't just count — it defined. Categories like “free white persons,” “all other free persons,” and “slaves” weren't neutral. They were political tools, shaping who mattered and by how much. People became variables. Representation became abstraction.Or Carl Linnaeus, the 18th-century Swedish botanist who built the taxonomies we still use: genus, species, kingdom. His system claimed objectivity but was shaped by distance and empire. Linnaeus never left Sweden. He named what he hadn't seen, classified people he'd never met — sorting humans into racial types based on colonial stereotypes. These weren't observations. They were projections based on stereotypes gathered from travelers, missionaries, and imperial officials.Naming replaced knowing. Life was turned into labels. Biology became filing. And once abstracted, it all became governable, measurable, comparable, and, ultimately, manageable.Maps followed suit.What once lived as a symbolic invitation — a drawing of place — became a system of location. I was studying geography at a time (and place) when Geographic Information Systems (GIS) and GIScience was transforming cartography. Maps weren't just about visual representations; they were spatial databases. Rows, columns, attributes, and calculations took the place of lines and shapes on map. Drawing what we saw turned to abstracting what could then be computed so that it could then be visualized, yes, but also managed.Chris Perkins, writing on the philosophy of mapping, argued that digital cartographies didn't just depict the world — they constituted it. The map was no longer a surface to interpret, but a script to execute. As critical geographers Sam Hind and Alex Gekker argue, the modern “mapping impulse” isn't about understanding space — it's about optimizing behavior through it; in a world of GPS and vehicle automation, the map no longer describes the territory, it becomes it. Laura Roberts, writing on film and geography, showed how maps had fused with cinematic logic — where places aren't shown, but performed. Place and navigation became narrative. New York in cinema isn't a place — it's a performance of ambition, alienation, or energy. Geography as mise-en-scène.In other words, the map's loss of innocence wasn't just technical. It was ontological — a shift in the very nature of what maps are and what kind of reality they claim to represent. Geography itself had entered the domain of simulation — not representing space but staging it. You can simulate traveling anywhere in the world, all staged on Google maps. Last summer my son stepped off the train in Edinburgh, Scotland for the first time in his life but knew exactly where he was. He'd learned it driving on simulated streets in a simulated car on XBox. He walked us straight to our lodging.These shifts in reality over centuries weren't necessarily mistakes. They unfolded, emerged, or evolved through the rational tools of modernity — and for a time, they worked. For many, anyway. Especially for those in power, seeking power, or benefitting from it. They enabled trade, governance, development, and especially warfare. But with every shift came this question: at what cost?FROM SIGNS TO SPECTACLEAs early as the early 1900s, Max Weber warned of a world disenchanted by bureaucracy — a society where rationalization would trap the human spirit in what he called an iron cage. By mid-century, thinkers pushed this further.Michel Foucault revealed how systems of knowledge — from medicine to criminal justice — were entangled with systems of power. To classify was to control. To represent was to discipline. Roland Barthes dissected the semiotics of everyday life — showing how ads, recipes, clothing, even professional wrestling were soaked in signs pretending to be natural.Guy Debord, in the 1967 The Society of the Spectacle, argued that late capitalism had fully replaced lived experience with imagery. “The spectacle,” he wrote, “is not a collection of images, but a social relation among people, mediated by images.”Then came Jean Baudrillard — a French sociologist, media theorist, and provocateur — who pushed the critique of representation to its limit. In the 1980s, where others saw distortion, he saw substitution: signs that no longer referred to anything real. Most vividly, in his surreal, gleaming 1986 travelogue America, he described the U.S. not as a place, but as a performance — a projection without depth, still somehow running.Where Foucault showed that knowledge was power, and Debord showed that images replaced life, Baudrillard argued that signs had broken free altogether. A map might once distort or simplify — but it still referred to something real. By the late 20th century, he argued, signs no longer pointed to anything. They pointed only to each other.You didn't just visit Disneyland. You visited the idea of America — manufactured, rehearsed, rendered. You didn't just use money. You used confidence by handing over a credit card — a symbol of wealth that is lighter and moves faster than any gold.In some ways, he was updating a much older insight by another Frenchman. When Alexis de Tocqueville visited America in the 1830s, he wasn't just studying law or government — he was studying performance. He saw how Americans staged democracy, how rituals of voting and speech created the image of a free society even as inequality and exclusion thrived beneath it. Tocqueville wasn't cynical. He simply understood that America believed in its own image — and that belief gave it a kind of sovereign feedback loop.Baudrillard called this condition simulation — when representation becomes self-contained. When the distinction between real and fake no longer matters because everything is performance. Not deception — orchestration.He mapped four stages of this logic:* Faithful representation – A sign reflects a basic reality. A map mirrors the terrain.* Perversion of reality – The sign begins to distort. Think colonial maps as logos or exclusionary zoning.* Pretending to represent – The sign no longer refers to anything but performs as if it does. Disneyland isn't America — it's the fantasy of America. (ironically, a car-free America)* Pure simulation – The sign has no origin or anchor. It floats. Zillow heatmaps, Uber surge zones — maps that don't reflect the world, but determine how you move through it.We don't follow maps as they were once known anymore. We follow interfaces.And not just in apps. Cities themselves are in various stages of simulation. New York still sells itself as a global center. But in a distributed globalized and digitized economy, there is no center — only the perversion of an old reality. Paris subsidizes quaint storefronts not to nourish citizens, but to preserve the perceived image of Paris. Paris pretending to be Paris. Every city has its own marketing campaign. They don't manage infrastructure — they manage perception. The skyline is a product shot. The streetscape is marketing collateral and neighborhoods are optimized for search.Even money plays this game.The U.S. dollar wasn't always king. That title once belonged to the British pound — backed by empire, gold, and industry. After World War II, the dollar took over, pegged to gold under the Bretton Woods convention — a symbol of American postwar power stability…and perversion. It was forged in an opulent, exclusive, hotel in the mountains of New Hampshire. But designed in the style of Spanish Renaissance Revival, it was pretending to be in Spain. Then in 1971, Nixon snapped the dollar's gold tether. The ‘Nixon Shock' allowed the dollar to float — its value now based not on metal, but on trust. It became less a store of value than a vessel of belief. A belief that is being challenged today in ways that recall the instability and fragmentation of the pre-WWII era.And this dollar lives in servers, not Industrial Age iron vaults. It circulates as code, not coin. It underwrites markets, wars, and global finance through momentum alone. And when the pandemic hit, there was no digging into reserves.The Federal Reserve expanded its balance sheet with keystrokes — injecting trillions into the economy through bond purchases, emergency loans, and direct payments. But at the same time, Trump 1.0 showed printing presses rolling, stacks of fresh bills bundled and boxed — a spectacle of liquidity. It was monetary policy as theater. A simulation of control, staged in spreadsheets by the Fed and photo ops by the Executive Branch. Not to reflect value, but to project it. To keep liquidity flowing and to keep the belief intact.This is what Baudrillard meant by simulation. The sign doesn't lie — nor does it tell the truth. It just works — as long as we accept it.MOOD OVER MEANINGReality is getting harder to discern. We believe it to be solid — that it imposes friction. A law has consequences. A price reflects value. A city has limits. These things made sense because they resist us. Because they are real.But maybe that was just the story we told. Maybe it was always more mirage than mirror.Now, the signs don't just point to reality — they also replace it. We live in a world where the image outpaces the institution. Where the copy is smoother than the original. Where AI does the typing. Where meaning doesn't emerge — it arrives prepackaged and pre-viral. It's a kind of seductive deception. It's hyperreality where performance supersedes substance. Presence and posture become authority structured in style.Politics is not immune to this — it's become the main attraction.Trump's first 100 days didn't aim to stabilize or legislate but to signal. Deportation as UFC cage match — staged, brutal, and televised. Tariff wars as a way of branding power — chaos with a catchphrase. Climate retreat cast as perverse theater. Gender redefined and confined by executive memo. Birthright citizenship challenged while sedition pardoned. Even the Gulf of Mexico got renamed. These aren't policies, they're productions.Power isn't passing through law. It's passing through the affect of spectacle and a feed refresh.Baudrillard once wrote that America doesn't govern — it narrates. Trump doesn't manage policy, he manages mood. Like an actor. When America's Secretary of Defense, a former TV personality, has a makeup studio installed inside the Pentagon it's not satire. It's just the simulation, doing what it does best: shining under the lights.But this logic runs deeper than any single figure.Culture no longer unfolds. It reloads. We don't listen to the full album — we lift 10 seconds for TikTok. Music is made for algorithms. Fashion is filtered before it's worn. Selfhood is a brand channel. Identity is something to monetize, signal, or defend — often all at once.The economy floats too. Meme stocks. NFTs. Speculative tokens. These aren't based in value — they're based in velocity. Attention becomes the currency.What matters isn't what's true, but what trends. In hyperreality, reference gives way to rhythm. The point isn't to be accurate. The point is to circulate. We're not being lied to.We're being engaged. And this isn't a bug, it's a feature.Which through a Baudrillard lens is why America — the simulation — persists.He saw it early. Describing strip malls, highways, slogans, themed diners he saw an America that wasn't deep. That was its genius he saw. It was light, fast paced, and projected. Like the movies it so famously exports. It didn't need justification — it just needed repetition.And it's still repeating.Las Vegas is the cathedral of the logic of simulation — a city that no longer bothers pretending. But it's not alone. Every city performs, every nation tries to brand itself. Every policy rollout is scored like a product launch. Reality isn't navigated — it's streamed.And yet since his writing, the mood has shifted. The performance continues, but the music underneath it has changed. The techno-optimism of Baudrillard's ‘80s an ‘90s have curdled. What once felt expansive now feels recursive and worn. It's like a show running long after the audience has gone home. The rager has ended, but Spotify is still loudly streaming through the speakers.“The Kids' Guide to the Internet” (1997), produced by Diamond Entertainment and starring the unnervingly wholesome Jamison family. It captures a moment of pure techno-optimism — when the Internet was new, clean, and family-approved. It's not just a tutorial; it's a time capsule of belief, staged before the dream turned into something else. Before the feed began to feed on us.Trumpism thrives on this terrain. And yet the world is changing around it. Climate shocks, mass displacement, spiraling inequality — the polycrisis has a body count. Countries once anchored to American leadership are squinting hard now, trying to see if there's anything left behind the screen. Adjusting the antenna in hopes of getting a clearer signal. From Latin America to Southeast Asia to Europe, the question grows louder: Can you trust a power that no longer refers to anything outside itself?Maybe Baudrillard and Tocqueville are right — America doesn't point to a deeper truth. It points to itself. Again and again and again. It is the loop. And even now, knowing this, we can't quite stop watching. There's a reason we keep refreshing. Keep scrolling. Keep reacting. The performance persists — not necessarily because we believe in it, but because it's the only script still running.And whether we're horrified or entertained, complicit or exhausted, engaged or ghosted, hired or fired, immigrated or deported, one thing remains strangely true: we keep feeding it. That's the strange power of simulation in an attention economy. It doesn't need conviction. It doesn't need conscience. It just needs attention — enough to keep the momentum alive. The simulation doesn't care if the real breaks down. It just keeps rendering — soft, seamless, and impossible to look away from. Like a dream you didn't choose but can't wake up from.REFERENCESBarthes, R. (1972). Mythologies (A. Lavers, Trans.). Hill and Wang. (Original work published 1957)Baudrillard, J. (1986). America (C. Turner, Trans.). Verso.Debord, G. (1994). The Society of the Spectacle (D. Nicholson-Smith, Trans.). Zone Books. (Original work published 1967)Foucault, M. (1977). Discipline and Punish: The Birth of the Prison (A. Sheridan, Trans.). Vintage Books.Hind, S., & Gekker, A. (2019). On autopilot: Towards a flat ontology of vehicular navigation. In C. Lukinbeal et al. (Eds.), Media's Mapping Impulse. Franz Steiner Verlag.Linnaeus, C. (1735). Systema Naturae (1st ed.). Lugduni Batavorum.Perkins, C. (2009). Philosophy and mapping. In R. Kitchin & N. Thrift (Eds.), International Encyclopedia of Human Geography. Elsevier.Raaphorst, K., Duchhart, I., & van der Knaap, W. (2017). The semiotics of landscape design communication. Landscape Research.Roberts, L. (2008). Cinematic cartography: Movies, maps and the consumption of place. In R. Koeck & L. Roberts (Eds.), Cities in Film: Architecture, Urban Space and the Moving Image. University of Liverpool.Tocqueville, A. de. (2003). Democracy in America (G. Lawrence, Trans., H. Mansfield & D. Winthrop, Eds.). University of Chicago Press. (Original work published 1835)Weber, M. (1958). The Protestant Ethic and the Spirit of Capitalism (T. Parsons, Trans.). Charles Scribner's Sons. (Original work published 1905) This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit interplace.io

Jeff and Jason dive into listeners' questions about investment time horizons, optimizing emergency funds, and classifying consumer staples. Key highlights include thoughts on speculative vs. strong conviction positions, the potential pitfalls of using a Roth IRA for emergency funds, and evaluating traditional 'defensive' consumer stocks in today's market.00:53 Mailbag Time: Answering Your Investing Questions02:31 Travel Plans and Upcoming Events03:16 First Listener Question: Investment Time Horizons06:36 Defining Long-Term Investments08:17 Speculative vs. Strong Conviction Positions18:33 Holding Winning Stocks19:42 Next Listener Question: Emergency Fund Strategies23:18 Understanding Required Minimum Distributions24:12 The Benefits of a Roth IRA24:55 Challenges of Contributing to a Roth IRA26:44 Flexibility of Roth IRAs vs. 403(b)27:38 The Purpose of an Emergency Fund28:22 Creative Yield Strategies for Savings29:31 Risks of Money Market Accounts30:43 Defensive Consumer Stocks in a Recession35:25 The Lipstick Effect and Brand Loyalty39:43 Evaluating Consumer Staples and Investment Goals42:38 Encouragement and Listener EngagementCompanies mentioned: BUD, COST, EL, ENPH, HSY, KO, RKLB, TSLA*****************************************Subscribe to our portfolio on Savvy Trader *****************************************Email: investingunscripted@gmail.comTwitter: @InvestingPodCheck out our YouTube channel for more content: ******************************************To get 15% off any paid plan at finchat.io, visit https://finchat.io/unscripted******************************************Listen to the Chit Chat Stocks Podcast for discussions on stocks, financial markets, super investors, and more. Follow the show on Spotify, Apple Podcasts, or YouTube*****************************************2025 Portfolio Contest2024 Portfolio Contest2023 Portfolio Contest

Khan Wong lives in San Francisco. His novel, "Down in the Sea of Angels," was published April 2025. It's about a young woman with the psychic ability to know the history of any object that she touches.

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"The noblest fate that a man can endure is to place his own mortal body between his loved home and the war's desolation." Robert Heinlein, Starship Troopers I think the military science fiction milieu provides a great tool for forecasting and predicting possible conflict futures. It may be yet another tool to take this magnificent US 20th century fighting machine and make it a peer combat competitor in the 21st century. Speculative fiction provides a means to extrapolate what possible war futures are peering over the horizon. Books: Military Fiction Eric Frank Russell The Wasp Karl Marlantes Matterhorn: A Novel of the Vietnam War James Jones From Here to Eternity James Gould Cozzens Guard of Honor Anton Myrer Once an Eagle Paul Avallone Tattoo Zoo Military Science Fiction Michael Z. Williamson The Weapon (Freehold Series) Joe Haldeman The Forever War (The Forever War Series) Robert A. Heinlein Starship Troopers Kali Altsoba Invasion!: The Orion War Jerry Pournelle and Larry Niven Legacy of Beowulf Jerry Pournelle and Larry Niven Footfall Jerry Pournelle and SM Stirling West of Honor (CoDominium Future History Book 1) My Substack Email at cgpodcast@pm.me

It's time to eavesdrop again and you'll want to today in this engaging conversation! Jaime Jo Wright interviews Chawna Schroeder, a speculative fantasy author, about her writing journey, the importance of discernment in fiction, and her new book 'Illuminary'. They explore the themes of magic, authority, and morality in fantasy literature, while also discussing the unique world-building and character dynamics in Chawna's work. It's magical, adventurous, and stupendously imaginative on this episode! Don't miss a minute!

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Connect with Early Riders // Connect with OnrampPresented collaboratively by Early Riders & Onramp Media...Final Settlement is a weekly podcast covering the underlying mechanics of the bitcoin protocol, its ongoing development and funding, and real-world applications of the technology.00:00 - Introduction to Bitcoin Advocacy and Pierre Rochard01:25 - The Evolution of Bitcoin's Speculative Attack Thesis12:55 - Individual vs. Corporate Speculative Attacks18:53 - The Future of Bitcoin Corporate Strategies28:24 - Introducing the Bitcoin Bond Company33:54 - Understanding Bond Structures and Bitcoin's Role39:45 - Institutional Adoption and Bitcoin Education42:30 - The Impact of Regulatory Changes on Bitcoin46:24 - Bitcoin's Correlation with Traditional Assets52:18 - The Evolution of Bitcoin Mining55:04 - The Importance of Bitcoin Education and ResourcesIf you found this valuable, please subscribe to Early Riders Insights for access to the best content in the ecosystem weekly.Links discussed:https://nakamotoinstitute.org/https://nakamotoinstitute.org/mempool/speculative-attack/https://nakamotoinstitute.org/podcasts/the-reorg/https://bitcoinbondcompany.com/Keep up with Pierre: https://x.com/BitcoinPierrehttps://www.linkedin.com/in/pierrerochard/

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Recorded live at Comics Sans Frontières, Houston For our milestone 900th episode, we headed to Houston and sat down with the brilliant Robert Pruitt, live at the Cats Conference: Comics Sans Frontières—a gathering of artists, thinkers, and cultural workers reshaping the future of comics, narrative, and speculative visual worlds. Live at a bar after the second conference day. So, this is never going to make it to the radio. Cuss-y MacCusserson shows up and healthy arguments occur. Pruitt, known for his richly layered drawings and deep engagement with Black cultural production, walks us through the politics of representation, the influence of comics and sci-fi on his work, and the shifting cultural landscape of the Gulf Coast. We talk materials, mythology, the beauty of inconsistency, and what it means to make work that traffics in both critique and care. Let's take a moment to reflect on what it means to reach 900 episodes of Bad at Sports—and what's next for us in the ever-evolving, ever-weird world of contemporary art discourse. Nah. Let's do it later this week at EXPO Chicago. Mentioned in this episode: Robert Pruitt – Artist Website The Drawing Center Comics Sans Frontières Conference The Studio Museum in Harlem Project Row Houses EXPO Chicago 2025 Bad at Sports: The Center of Discourse (link coming soon!)

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Send us a textTonight, clouds build as the high pressure breaks. Speculative gusts of wind kick blackthorn blossom ghostly white along the towpath and the full moon seeps heavy and watery through a blanket of cloud. Join us tonight as we continue hearing Mum's account of a risk that was totally worth taking.     Journal entry:7th April, Monday“Warm snowflakes Of blackthorn float and drift Along the towpath Among cowslip yellow And bluebell blue.The sheep are loathe To move, preferring to lie On the grass White with night frost, Enjoying the heat Of the sun On their backs.” Episode Information:In this episode I read:‘Blackthorn Blossom' by John Bond‘Young lambs' by John ClareIn the thumbnail photograph, Mum and Dad are the couple facing each other and closest to the camers. For other accompanying photographs, please go to noswpod.With special thanks to our lock-wheelersfor supporting this podcast.Gabriela Maria Rodriguez-Veinotte Kevin B. Fleur and David Mcloughlin Lois Raphael Tania Yorgey Andrea Hansen Chris Hinds David Dirom Chris and Alan on NB Land of Green Ginger Captain Arlo Rebecca Russell Allison on the narrowboat Mukka Derek and Pauline Watts Anna V. Orange Cookie Mary Keane. Tony Rutherford. Arabella Holzapfel. Rory with MJ and Kayla. Narrowboat Precious Jet. Linda Reynolds Burkins. Richard Noble. Carol Ferguson. Tracie Thomas Mark and Tricia Stowe Madeleine SmithGeneral DetailsThe intro and the outro music is ‘Crying Cello' by Oleksii_Kalyna (2024) licensed for free-use by Pixabay (189988). Narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.Contact Facebook at https://www.facebook.com/noswpod Instagram: https://www.instagram.com/nighttimeonstillwaters/ Bluesky: https://bsky.app/profile/noswpod.bsky.social Mastodon: https://mastodon.world/@nosw I would love to hear from you. You can email me at nighttimeonstillwaters@gmail.com or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still Waters You can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.

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This week's challenge: Try astral projection. (Recorded Wednesday, April 9, 2025)

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Lords: * Erica * Jenni Topics: * The chaos you missed * Having a baby is like being assigned a set of hobbies you don't necessarily care about but are expected to engage in full-time * Do people actually live longer in Greece and Japan or do they just have more pension fraud? * Too Many Women Become Desperate, by Infinite Sexy Marriage * https://bsky.app/profile/infinitesexy.bsky.social/post/3lcxskqdmoc26 * Is it possible to never show your kid Cocomelon and they never demand to be shown Cocomelon or are they gonna find out about it through osmosis Microtopics: * Beneficial nematodes: are they really that good? * How to pronounce "iykyk." * Singing "beneficial nematodes" to the tune of Hall of the Mountain King. * Going extreme on the melismas. * The Saying Hi Chamber. * Shazam chastising you for singing. * 100 MIDIs that some Chinese intern threw together in a couple of hours and now every baby is going to grow up with these tunes in their heads. * Inventing a new way to live that's worse in every respect. * Having dinner with a friend while grandma puts the kid to bed. * A baby getting upset because he isn't staring at geometric shapes right now. * Making sure the baby makes all the right neural connections and not the wrong ones. * A video of a guy walking down every street in Vice City. * Twenty minutes of people icing cakes. Not the really fancy cakes, just regular-ass cakes. * Clutching at your face as the cake icer puts red next to brown. * Caking Bad. * A coup amongst the Smithsonian National Zoo's naked mole rats. * Stabbing your mom with your teeth so that you can breed. * A horrible skin creature with prehensile chopsticks. * Eusocial mammals. * Growing extra vertebrae every time you give birth. * A Topic Lords field trip to the naked mole rat colony to meet the new queen. * Intervertebral red shift. * EBF, EFF and EP. * Wake windows and contact naps. * Holding them like a football and making a sandwich and putting the sandwich in the football, and now you're breastfeeding! * Whether it's ethical to leave your baby at the Burger King or if you need to go fast casual. * The poop potato who has opinions. * You gotta draw the line somewhere, and it's sweeping the floor. * All the things you're not supposed to put in the crib with the baby. * Replacing your baby with a gerbil because you're not allowed to kiss your baby on the forehead in case you have a cold sore. * How to tell if a gerbil has been replaced with a similar gerbil. * Paying $7/month for the NYT crossword but not getting access to the articles so you click on the crossword constructors' notes but you're already at your three free article limit. * Anthrocyanins. * Cynical Jim says yes, Regular Jim says maybe. * The most domesticated mammal: man. * Small Japanese women having the longest lifespans because they hide in your crawlspace and death cannot find them. * Old ladies? In my duct work? * Hoping there are no old ladies living in your duct work because you haven't cleaned in s while and there are probably mold spores in there * Poop Songs for Roy. * Thinking of the shrieking old lady as a sonic shower for you duct work. * The future-episodes channel, where we discuss episodes that may one day exist. * Remember that time when you retweeted a thing and it turned into a picture of a fish. * The ransom note on top of peach tarts aesthetic. * Welcome to lesbianism. Here is your greeting card with peaches. * Whether reverse image search is bad now or if it was always bad. * The Poem is Entertaining. * Speculative fiction about soviets invading. * The kind of poem you'd read in feminist bookstores in the early 00s. * Children's YouTube channels full about new wave songs about trucks. * Showing your child only OG Sesame Street episodes so they can't relate to adults or children their own age and are technically Xennials. * Xennial Warrior Princess. * Everything's more true when you're wearing pants. * The 25th place you can post pictures of your baby. * The legend of Shrimptaur. * Hide in the discord and never post. * Finally writing the tweet that's going to make John Hodgman unfollow you

Listen Ad Free https://www.solgood.org - Listen to hundreds of audiobooks, thousands of short stories, and meditative sounds.

Listen Ad Free https://www.solgood.org - Listen to hundreds of audiobooks, thousands of short stories, and meditative sounds.

Listen Ad Free https://www.solgood.org - Listen to hundreds of audiobooks, thousands of short stories, and meditative sounds.

Listen Ad Free https://www.solgood.org - Listen to hundreds of audiobooks, thousands of short stories, and meditative sounds.

Listen Ad Free https://www.solgood.org - Listen to hundreds of audiobooks, thousands of short stories, and meditative sounds.

Listen Ad Free https://www.solgood.org - Listen to hundreds of audiobooks, thousands of short stories, and meditative sounds.

Listen Ad Free https://www.solgood.org - Listen to hundreds of audiobooks, thousands of short stories, and meditative sounds.

Explore the world of bonds with Mitch and Evan in this episode of Gimme Some Truth. Learn the key differences between bonds and stocks, how yield curves influence the market, and what recent market trends mean for investors. Discover how interest rates impact bond prices, the risks and rewards of long-term Treasuries, and practical strategies to navigate today's fixed-income market.

Listen Ad Free https://www.solgood.org - Listen to hundreds of audiobooks, thousands of short stories, and meditative sounds.

Listen Ad Free https://www.solgood.org - Listen to hundreds of audiobooks, thousands of short stories, and meditative sounds.

Listen Ad Free https://www.solgood.org - Listen to hundreds of audiobooks, thousands of short stories, and meditative sounds.

Listen Ad Free https://www.solgood.org - Listen to hundreds of audiobooks, thousands of short stories, and meditative sounds.

Episode Summary We explore two speculative fiction novels that challenge our understanding of consciousness, communication and the human condition. First, we speak with Cary Groner about The Way, a post-pandemic road novel that blends adventure, Buddhist philosophy, and a hopeful vision of the future after our current civilization has been largely swept away. “It's not … Continue reading Speculative Futures: Cary Groner & Silvia Park on Survival, AI, and the Meaning of Being Human →

Listen Ad Free https://www.solgood.org - Listen to hundreds of audiobooks, thousands of short stories, and meditative sounds.

In this episode, I sit down with Jimmy Song to explore the decline of education, and how fiat money corrupts institutions and distorts incentives throughout every layer of society. If you're looking for a hard-hitting discussion on why Bitcoin matters beyond just price, this episode is for you. ––– Offers & Discounts ––– Get 10% off your ticket for the Bitcoin Conference 2025 in Vegas! Use the promo code MATRIX at https://tickets.b.tc/affiliate/matrix/event/bitcoin-2025 Theya is the world's simplest Bitcoin self-custody solution. Download Theya Now at theya.us/cedric Get up to $100 in Bitcoin on River at river.com/Matrix The best Team Bitcoin merch is at HodlersOfficial.com. Use the code Matrix for a discount on your order. Become a sponsor of the show: https://thebitcoinmatrix.com/sponsors/ ––– Get To Know Today's Guest––– Jimmy Song on X: https://x.com/jimmysong Jimmy Song on Nostr: npub10vlhsqm4qar0g42p8g3plqyktmktd8hnprew45w638xzezgja95qapsp42  ––– Socials ––– Check out our new website at https://TheBitcoinMatrix.Com Follow Cedric Youngelman on X: https://x.com/cedyoungelman Follow The Bitcoin Matrix Podcast on X: https://x.com/_bitcoinmatrix Follow Cedric Youngelman on Nostr: npub12tq9jxmt707gd5vnce3tqllpm67ktr0mqskcvy58qqa4d074pz9s4ukdcs ––– Chapters ––– 00:00 - Intro 01:23 – Introduction to Jimmy Song 09:58 – Jimmy's latest book: Fiat Ruins Everything 11:14 – The inspiration behind writing the book 13:57 – The deep corruption of the fiat system 14:51 – Rent-seeking and why it dominates fiat economies 18:25 – How fiat steals dreams and replaces meaning 21:52 – The role of fiat education vs. family legacy 26:06 – How fiat companies replace community 29:06 – The decline in education and critical thinking 31:52 – Fiat politics taking over religion 35:27 – How fiat debases morality 40:31 – The rise of virtue signaling 44:55 – Debt, discipline, and the fiat consumption trap 48:28 – Speculative asset bubbles as a form of rent-seeking 51:27 – Resentment toward the wealthy in a fiat world 55:25 – How fiat debases marriage 01:01:20 – The erosion of love and relationships 01:07:17 – Why society devalues population growth 01:17:15 – The significance of children and family 01:21:03 – Postmodern investing and fiat-driven markets 01:29:06 – Are startups a legitimate non-fiat path? I want to take a moment to express my heartfelt gratitude to all of you for tuning in, supporting the show, and contributing. Thank you for listening!

Robert Earl Sinclair is a Future Architect & Speculative World-Builder striving to make sense of our rapidly changing world and co-create bold futures. Born in "the hood" of Los Angeles and challenged with dyslexia, Robert became a successful international hip-hop recording artist in his teens and went on to graduate from the Los Angeles County High School for the Arts and NYU's Tisch School of the Arts. Now, this multicultural, classically trained artist, actor and writer uses storytelling to activate the idea that if something is broken, we can fantasize about what it looks like unbroken, and that exercise, in and of itself, can help us to find our way to a solution. This is speculative world-building. In this pursuit, Robert's dyslexia has become an asset, because dyslexic people experience information as story and possess a much higher retention of facts which allows Robert, a voracious reader, to draw from a vast store of resources and disciplines. Dedicated to beauty, justice and inclusive imagination, Robert designs at the crossroads of art, culture and technology and has created original content and world-building workshops for: NYU, Google Creative Lab, Sundance Film Festival, The Guggenheim, the Rockefeller Foundation, Pop Culture Collaborative, The Doris Duke Foundation and For Freedoms, where he co-created For Freedoms News and its month-long residency at the Brooklyn Museum. Robert is an original member of the Guild of Future Architects' celebrated Futurist Writers Room, a diverse community of visionary artists, intellectuals, engineers and technologists. Working with Dot Connector Studio, Robert is working to shape alternative economic models of sustainability and thrivability for everyone. Most recently, Robert has  lectured at USC's School of Cinematic Arts and the ASU Center for Science and the Imagination. He is currently teaching Emergent Expressions at the Harvard Divinity School.Have a Swan Dive to share? Text us!We are always looking for Swan Dive Stories to share so hit us up, send an e mail to Ron: Ron@artbikesjax.com or Stu: Stuart@stuartsheldon.com

Paul Moore is the Founder and Managing Partner of Wellings Capital, a real estate private equity firm. After beginning his career at Ford Motor Company, he co-founded a staffing firm, becoming a two-time finalist for Michigan Entrepreneur of the Year. Following its sale to a publicly traded company, Paul transitioned into real estate, launching multiple investment and development companies and completing over 100 commercial and residential deals.   A recognized industry expert, Paul has contributed to Fox Business, The Real Estate Guys Radio, and BiggerPockets, where he produces live shows, videos, and blogs. He has been featured on over 200 podcasts and co-hosted *How to Lose Money.* He is also the author of Storing Up Profits and The Perfect Investment.   In this episode, we talked to Paul about the fund structure, his book, The Perfect Investment, the ideal investor for this structure, the future of the market, and much more.   Get ready for REWBCON 2025, happening from April 10th to 12th! Use my code JOHN at checkout for 10% off your ticket.   Real Estate Investment;   02:33 Paul's background; 05:42 Paul's book, The Perfect Investment 12:50 An insight into the fund structure 17:40 The ideal investor for this; 21:35 An insight into the future of the market; 24:10 Round of Insights   Announcement: Learn about our Apartment Investing Mastermind here.   Round of Insights   Apparent Failure: Making a wrong investment choice back in late 90's. Digital Resource: Slack & Voxer. Most Recommended Book: The Unsold Mindset. Daily Habit: Meditating, reading and journaling every morning. #1 Insight for thinking like an investor and not a speculator: Become an expert in the one thing you're focusing on. Best place to grab a bite in Lynchburg, VA: William & Henry.   Contact Paul: Website Check out our first interview with Paul: Episode 154   Thank you for joining us for another great episode! If you're enjoying the show, please LEAVE A RATING OR REVIEW,  and be sure to hit that subscribe button so you do not miss an episode.